funniest people ever
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The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."- Actor
- Producer
- Soundtrack
The son of a saloon keeper, Jack Benny (born Benny Kubelsky) began to study the violin at the age six, and his "ineptness" at it, would later become his trademark (in reality, he was a very accomplished player). When given the opportunity to play in live theatre professionally, Benny quit school and joined vaudeville. In the same theatre that Benny was working with were the very young The Marx Brothers. Their mother, Minnie Marx, wanted Benny to go on the road with them. However, this plan was foiled by his parents who would not let their 17-year-old son on the road.
Having a successful vaudeville career, Benny also had a greater career on radio for "The Jack Benny Program". The show was one of the few successful radio programs that also became a successful television show.
Benny also starred in several movies, including The Hollywood Revue of 1929 (1929), Broadway Melody of 1936 (1935), The Horn Blows at Midnight (1945) and George Washington Slept Here (1942), although he had much greater success on radio and on TV than he did on the big screen.
He was good friends with Fred Allen, with whom he had a long-standing comic "feud".- Actor
- Writer
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Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actor
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Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Writer
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- Actor
Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Actor
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- Producer
Mel Brooks was born Melvin Kaminsky on June 28, 1926 in Brooklyn, New York. He served in WWII, and afterwards got a job playing the drums at nightclubs in the Catskills. Brooks eventually started a comedy act and also worked in radio and as Master Entertainer at Grossinger's Resort before going to television.
He was a writer for, Your Show of Shows (1950) Caesar's Hour (1954) and wrote the Broadway show Shinbone Alley. He also worked in the creation of The 2000 Year Old Man (1975) and Get Smart (1965) before embarking on a highly successful film career in writing, acting, producing and directing.
Brooks is famous for the spoofs of different film genres that he made such as Blazing Saddles (1974), History of the World: Part I (1981), Silent Movie (1976), Young Frankenstein (1974), Robin Hood: Men in Tights (1993), High Anxiety (1977), Dracula: Dead and Loving It (1995), and Spaceballs (1987).- Actor
- Writer
- Music Department
Bill Cosby is one of the world's most well-known entertainers and comedians. William Henry Cosby, Jr. was born on July 12, 1937, in Philadelphia, Pennsylvania, to Anna Pearl (Hite), a maid and William Henry Cosby, Sr., a U.S. Navy sailor. After 10th grade, Cosby joined the Navy and completed high school through a correspondence course. He later took up an athletics scholarship at Temple University, supporting himself during his studies by tending bar, where his easy going style and witty joking with the clientèle prompted suggestions that he try stand-up comedy. This he did and was soon to be discovered by the legendary Carl Reiner.
In his early twenties, he appeared on many well-known variety programs including The Ed Sullivan Show (1948). His big break came in 1965 when he appeared as "Alexander Scott" in I Spy (1965), winning numerous Emmys for his performance. He later appeared in The Bill Cosby Show (1969), playing a teacher, although originally the show only lasted for two years. He then created a Filmation cartoon based on many of his high school buddies including Weird Harold, Dumb Donald, Mushmouth, and others: the show was, of course, Fat Albert and the Cosby Kids (1972). The theme was humorous but also focused on Cosby's more educational side. He studied for many years during his career in the 1960s and 1970s, and he received a doctorate in Education from the University of Massachusetts. Cosby also starred in some highly successful movies such as Uptown Saturday Night (1974), Let's Do It Again (1975), A Piece of the Action (1977), Mother, Jugs & Speed (1976), and California Suite (1978). During his early years he also made some comedy albums that sold very well; his most notable comedy song being "Little Old Man." He was one of the original cast members of The Electric Company (1971), and he was featured in the series Pinwheel (1976) during the late 1970s and then appeared in the mediocre The Devil and Max Devlin (1981).
In 1984, 'Fat Albert and the Cosby Kids' stopped production, and The Cosby Show (1984) commenced. The show was originally intended to follow a blue-collar family, but finally ended up portraying a white-collar family. It was originally rejected by ABC, accepted by a then-floundering NBC, and was an almost instant success. From 1985 to 1987 the show broke viewing records, with Cosby becoming perhaps the strongest driving force in television during the eighties. Despite this great success, he arguably created his own downfall. The Cosby Show led what was considered by many at that time to be the best night of television: the line-up included Night Court (1984), Hill Street Blues (1981), and Family Ties (1982), which all followed The Cosby Show.
Cosby was dissatisfied with the way minorities were portrayed on television. He produced the TV series A Different World (1987) and insisted that this program should follow the Cosby Show, rather than Family Ties. A Different World was set in an historically Black college and concentrated on young people and education. Impact was felt on the show immediately; at its peak, the Cosby Show logged an estimated 70 million viewers. However, after the scheduling reshuffle, the show lost roughly 20% of its massive audience. However, Cosby was still riding high in the early nineties until massive competition from The Simpsons (1989).
The Cosby Show finally ended in 1992, conceding to The Simpsons (1989), with the final production considered to be one of the highest-rated shows of the season and featured a pleading Cosby asking for peace in riot-torn Los Angeles during the height of the Rodney King riots. Cosby never seemed able to top the success of the Cosby Show; his film Leonard Part 6 (1987) was considered to be one of the worst American films in history and may have contributed in part to his downfall as a film actor, along with his performance in Ghost Dad (1990). He did attempt a minor comeback in 1996 starring in the Robin Williams film Jack (1996), which was directed by Francis Ford Coppola; and in another show, Cosby (1996), (starring Phylicia Rashad, who appeared as his wife in the previous Cosby Show). Since then he has produced films such as Men of Honor (2000), and shows including Little Bill (1999).
Sadly, his son Ennis was murdered in 1997. Throughout the years, Bill Cosby has taken a socially conscious tone, often associated with family values, coupled with a distinctly urban spin on his style.- Writer
- Actor
- Producer
Steve Martin was born on August 14, 1945 in Waco, Texas, USA as Stephen Glenn Martin to Mary Lee (née Stewart; 1913-2002) and Glenn Vernon Martin (1914-1997), a real estate salesman and aspiring actor. He was raised in Inglewood and Garden Grove in California. In 1960, he got a job at the Magic shop of Disney's Fantasyland, and while there he learned magic, juggling, and creating balloon animals. At Santa Ana College, he took classes in drama and English poetry. He also took part in comedies and other productions at the Bird Cage Theatre, and joined a comedy troupe at Knott's Berry Farm. He attended California State University as a philosophy major, but in 1967 transferred to UCLA as a theatre major.
His writing career began on The Smothers Brothers Comedy Hour (1967), winning him an Emmy Award. Between 1967 and 1973, he also wrote for many other shows, including The Glen Campbell Goodtime Hour (1969) and The Sonny and Cher Comedy Hour (1971). He also appeared on talk shows and comedy shows in the late 1960s and early 1970s. In 1972, he first appeared on The Tonight Show Starring Johnny Carson (1962), doing stand-up several times each year, and even guest hosting a few years later. In 1976, he served for the first time as guest-host on Saturday Night Live (1975). By 2016, he has guest-hosted 15 times, which is one less than Alec Baldwin's record, and also appeared 12 other times on SNL.
In 1977, he released his first comedy album, a platinum selling "Let's Get Small". He followed it with "A Wild and Crazy Guy" (1978), which sold more than a million copies. Both albums went on to win Grammys for Best Comedy Recording. This is when he performed in arenas in front of tens of thousands of people, and begun his movie career, which was always his goal. His first major role was in the short film, The Absent-Minded Waiter (1977), which he also wrote. His star value was established in The Jerk (1979), which was co-written by Martin, and directed by Carl Reiner. The film earned more than $100 million on a $4 million budget. He also starred in Dead Men Don't Wear Plaid (1982), The Man with Two Brains (1983), and All of Me (1984), all directed by Reiner. To avoid being typecast as a comedian, he wanted do more dramatic roles, starring in Pennies from Heaven (1981), a film remake of Dennis Potter's 1978 series. Unfortunately, it was a financial failure.
He also starred in John Landis's Three Amigos! (1986), co-written by himself, opposite Martin Short and Chevy Chase. That year, he also appeared in the musical horror comedy, Little Shop of Horrors (1986) opposite Rick Moranis. Next year, he starred in Roxanne (1987), co-written by himself, and in John Hughes' Planes, Trains & Automobiles (1987), opposite John Candy. His other films include Parenthood (1989) and My Blue Heaven (1990), both opposite Moranis. In 1991, he wrote and starred in L.A. Story (1991), about a weatherman who searches meaning in his life and love in Los Angeles. It also starred his then-wife, Victoria Tennant. Same year, Father of the Bride (1991) was so successful that a 1995 sequel followed.
During the 1990s, he continued to play more dramatic roles, in Grand Canyon (1991), playing a traumatized movie producer, in Leap of Faith (1992), playing a fake faith healer, in A Simple Twist of Fate (1994), playing a betrayed man adopting a baby, and in David Mamet's thriller The Spanish Prisoner (1997). Other, more comedic roles include in HouseSitter (1992) and The Out-of-Towners (1999), opposite Goldie Hawn, in Nora Ephron's Mixed Nuts (1994), and in Bowfinger (1999), written by himself and co-starring Eddie Murphy. After Bowfinger, he starred in Bringing Down the House (2003) and Cheaper by the Dozen (2003), both earning more than $130 million. He wrote and starred in Shopgirl (2005), and appeared in the sequel of Cheaper by the Dozen. After them, he appeared in The Pink Panther (2006) and The Pink Panther 2 (2009), which he both co-wrote, as Inspector Clouseau.
He continues to do movies, more recently appearing in The Big Year (2011), Home (2015), and Love the Coopers (2015). Besides aforementioned, he has been an avid art collector since 1968, written plays, written for The New Yorker, written a well-received memoir (Born Standing Up), written a novel (An Object of Beauty; 2010), hosted the Academy Awards three times, released a Grammy award winning music album (The Crow: New Songs for the 5-String Banjo; 2009), and another album (Love Has Come For You; 2013) with Edie Brickell. Since 2007, he has been married to Anne Stringfield, with whom he has a daughter.- Actress
- Producer
- Writer
The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.
Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.
Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).
Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).
Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.
Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).
During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.
Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".- Actor
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John Cleese was born on October 27, 1939, in Weston-Super-Mare, England, to Muriel Evelyn (Cross) and Reginald Francis Cleese. He was born into a family of modest means, his father being an insurance salesman; but he was nonetheless sent off to private schools to obtain a good education. Here he was often tormented for his height, having reached a height of six feet by the age of twelve, and eventually discovered that being humorous could deflect aggressive behavior in others. He loved humor in and of itself, collected jokes, and, like many young Britons who would grow up to be comedians, was devoted to the radio comedy show, "The Goon Show," starring the legendary Peter Sellers, Spike Milligan, and Harry Secombe.
Cleese did well in both sports and academics, but his real love was comedy. He attended Cambridge to read (study) Law, but devoted a great deal of time to the university's legendary Footlights group, writing and performing in comedy reviews, often in collaboration with future fellow Python Graham Chapman. Several of these comedy reviews met with great success, including one in particular which toured under the name "Cambridge Circus." When Cleese graduated, he went on to write for the BBC, then rejoined Cambridge Circus in 1964, which toured New Zealand and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry Gilliam, another future Python.
Returning to England, he began appearing in a BBC radio series, "I'm Sorry, I'll Read That Again", based on Cambridge Circus. It ran for several years and also starred future Goodies Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefly, with Brooke-Taylor, Graham Chapman and Marty Feldman in At Last the 1948 Show (1967), for television, and a series of collaborations with some of the finest comedy-writing talent in England at the time, some of whom - Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman - eventually joined him in Monty Python. These programs included The Frost Report (1966) and Marty Feldman's program Marty (1968). Eventually, however, the writers were themselves collected to be the talent for their own program, Monty Python's Flying Circus (1969), which displayed a strange and completely absorbing blend of low farce and high-concept absurdist humor, and remains influential to this day.
After three seasons of the intensity of Monty Python, Cleese left the show, though he collaborated with one or more of the other Pythons for decades to come, including the Python movies released in the mid-70s to early 80s - Monty Python and the Holy Grail (1975), Life of Brian (1979), Monty Python Live at the Hollywood Bowl (1982), and The Meaning of Life (1983). Cleese and then-wife Connie Booth collaborated in the legendary television series Fawlty Towers (1975), as the sharp-tongued, rude, bumbling yet somehow lovable proprietor of an English seaside hotel. Cleese based this character on a proprietor he had met while staying with the other Pythons at a hotel in Torquay, England. Only a dozen episodes were made, but each is truly hilarious, and he is still closely associated with the program to this day.
Meanwhile Cleese had established a production company, Video Arts, for clever business training videos in which he generally starred, which were and continue to be enormously successful in the English-speaking world. He continues to act prolifically in movies, including in the hit comedy A Fish Called Wanda (1988), in the Harry Potter series, and in the James Bond series as the new Q, starting with The World Is Not Enough (1999), in which he began as R before graduating to Q. Cleese also supplies his voice to numerous animated and video projects, and frequently does commercials.
Besides the infamous Basil Fawlty character, Cleese's other well-known trademark is his rendition of an English upper-class toff. He has a daughter with Connie Booth and a daughter with his second wife, Barbara Trentham.
Education and learning are important elements of his life - he was Rector of the University of Saint Andrews from 1973 until 1976, and continues to be a professor-at-large of Cornell University in New York. Cleese lives in Santa Barbara, California.- Actor
- Soundtrack
As a kid trying to negotiate his way through various gang territories to a floating crap game or a new pool hall where he was not yet known as a hustler, Leonard (Chico) Marx learned to fake several accents. Because he later employed an Italian accent in the Marx Brothers' act, people assumed his name was pronounced "Cheeko." Instead, Leonard was dubbed "Chicko" for his other consuming passion, women (or "chicks"), at which he was more successful than gambling, but when a typesetter dropped the "k" out of his name, the brothers let it stay as Chico. Chico was the brother who guided the Marxes to stardom. He took over the act's managment (amicably) from their mother, Minnie, and through audacity and charm, Chico secured the Brothers their first international (London) booking, their first Broadway show and their MGM contract with Irving Thalberg, among other successes.The only reason Chico and Harpo are lower than Groucho is because they retired after their movies and were less in the public eye.- Actor
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With poofy, curly red hair, a top hat and a horn, the lovable mute was the favorite of the Marx Brothers. Though chasing women was a favorite routine of his in the movies, Harpo was a devoted father and husband. He adopted the mute routine in vaudeville and carried it over to the films. Harpo was an accomplished self-taught harpist whose musical numbers would many times bring tears to the eyes of the audience of an otherwise hilarious movie.- Actor
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Best-known for her surreal and digressive stand-up, British comedian and actor Eddie Izzard was born on February 7, 1962, in Aden, Yemen, where her English parents -- Dorothy Ella, a nurse and midwife, and Harold John Izzard, an accountant -- worked for British Petroleum.
Izzard worked as a street performer and in smaller comedy venues throughout the mid-to-late 1980s; her big break came when she appeared in Hysteria III, a 1991 AIDS fundraiser held at the London Palladium, and did her now-famous "Raised by wolves" sketch. After that, she drew bigger and bigger audiences, and in 1993 hired the Ambassadors Theatre in London's West End for the first of many successful solo shows. With Eddie Izzard: Live at the Ambassadors (1993), she was nominated for a Laurence Olivier Award (outstanding achievement) and won her first British Comedy Award for top stand-up comedian. She returned to the West End the next year with her second solo show, Eddie Izzard: Unrepeatable (1994), and soon thereafter made her West End debut in a drama, as the lead in the world premiere of David Mamet's "The Cryptogram" with Lindsay Duncan; her success led to her second starring role, in "900 Oneonta".
Izzard appeared in 1995 as the title character in Christopher Marlowe's groundbreaking "Edward II". In 1996, she made her big-screen debut alongside Bob Hoskins and Robin Williams in The Secret Agent (1996); she also staged another solo show, Eddie Izzard: Definite Article (1996), for which she received her second British Comedy Award. She then took "Definite Article" to major cities outside the UK, including New York, and returned to the West End with a new show, Eddie Izzard: Glorious (1997), which included a month in New York City at PS122.
In 1998, Izzard appeared in another film, Velvet Goldmine (1998), with Ewan McGregor, and also staged her breakthrough solo U.S. show, Eddie Izzard: Dress to Kill (1998) which aired on HBO and earned Izzard two Emmy Awards. Izzard next took on the challenge of appearing as Lenny Bruce in Peter Hall's West End production of "Lenny."
Izzard started 2000 touring the world with Eddie Izzard: Circle (2002) and continued to act in films, among them The Criminal (1999); Shadow of the Vampire (2000) with John Malkovich and Willem Dafoe; and Peter Bogdanovich's The Cat's Meow (2001), in which she played Charles Chaplin. She returned to the stage, in London and later in New York (her Broadway debut), with A Day in the Death of Joe Egg (2002), a version of which was televised.
In 2003, Izzard was seen on the big screen in Alex Cox's Revengers Tragedy (2002) and on the small screen in a BBC mini-series _40 (2002)(TV)_. Her other films include The Avengers (1998), Ocean's Twelve (2004), My Super Ex-Girlfriend (2006), Ocean's Thirteen (2007) and Valkyrie (2008), and she has voiced roles in a handful of movies, including The Wild (2006), The Chronicles of Narnia: Prince Caspian (2008) and Cars 2 (2011).
Izzard also has appeared in several television series, including a starring role in The Riches (2007), which lasted for two seasons on FX (from 2007-2008), and recurring roles in Hannibal (2013) and United States of Tara (2009).- Actor
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Edward Regan Murphy was born April 3, 1961 in Brooklyn, New York, to Lillian Lynch (born: Lillian Laney), a telephone operator, and Charles Edward Murphy, a transit police officer who was also an amateur comedian and actor. After his father died, his mother married Vernon Lynch, a foreman at a Breyer's Ice Cream plant. His brothers are Charlie Murphy & Vernon Lynch Jr. Eddie had aspirations of being in show business since he was a child. A bright kid growing up in the streets of New York, Murphy spent a great deal of time on impressions and comedy stand-up routines rather than academics. His sense of humor and wit made him a stand out amongst his classmates at Roosevelt Junior-Senior High School. By the time he was fifteen, Murphy worked as a stand-up comic on the lower part of New York, wooing audiences with his dead-on impressions of celebrities and outlooks on life.
In the early 1980s, at the age of 19, Murphy was offered a contract for the Not-Ready-For-Prime-Time Players of Saturday Night Live (1975), where Murphy exercised his comedic abilities in impersonating African American figures and originating some of the show's most memorable characters: Velvet Jones, Mr. Robinson, and a disgruntled and angry Gumby. Murphy made his feature film debut in 48 Hrs. (1982), alongside Nick Nolte. The two's comedic and antagonistic chemistry, alongside Murphy's believable performance as a streetwise convict aiding a bitter, aging cop, won over critics and audiences. The next year, Murphy went two for two, with another hit, pairing him with John Landis, who later became a frequent collaborator with Murphy in Coming to America (1988) and Beverly Hills Cop III (1994). Beverly Hills Cop (1984) was the film that made Murphy a box-office superstar and most notably made him a celebrity worldwide, and it remains one of the all-time biggest domestic blockbusters in motion-picture history. Murphy's performance as a young Detroit cop in pursuit of his friend's murderers earned him a third consecutive Golden Globe nomination. Axel Foley became one of Murphy's signature characters. On top of his game, Murphy was unfazed by his success, that is until his box office appeal and choices in scripts resulted into a spotty mix of hits and misses into the late 1980s and early 1990s.
Films like The Golden Child (1986) and Beverly Hills Cop II (1987) were critically panned but were still massive draws at the box office. In 1989, Murphy, coming off another hit, Coming to America (1988), found failure with his directorial debut, Harlem Nights (1989). Another 48 Hrs. (1990), his turn as a hopeless romantic in Boomerang (1992) and as a suave vampire in Vampire In Brooklyn did little to resuscitate his career. However, his remake of Jerry Lewis's The Nutty Professor (1996) brought Murphy's drawing power back into fruition. From there, Murphy rebounded with occasional hits and misses but has long proven himself as a skilled comedic actor with laudable range pertaining to characterizations and mannerisms. Though he has grown up a lot since his fast-lane rise as a superstar in the 1980s, Murphy has lived the Hollywood lifestyle with controversy, criticism, scandal, and the admiration of millions worldwide for his talents. As Murphy had matured throughout the years, learning many lessons about the Hollywood game in the process, he settled down with more family-oriented humor with Doctor Dolittle (1998), Mulan (1998), Bowfinger (1999), and the animated smash Shrek (2001), in a supporting role that showcased Murphy's comedic personality and charm. Throughout the 2000s, he further starred in the hits The Haunted Mansion (2003), Shrek 2 (2004), Dreamgirls (2006) (for which he was nominated for a Best Supporting Actor Oscar), Norbit (2007), Shrek the Third (2007), and Shrek Forever After (2010).
Murphy was married to Nicole Mitchell Murphy from 1993 to 2006. Murphy has ten children.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actor
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Bob Newhart is an American actor and stand-up comedian. His comedic style involves deadpan delivery of dialogue, a slight stammer when talking, and comedic monologues. He has cited earlier comedians George Gobel (1919-1991), Ray Goulding (1922-1990), and Bob Elliott (1923-2016) as his main influences in developing his comedy style.
In 1929, Newhart was born in a hospital in Oak Park, Illinois. His parents were George David Newhart (1900-1985) and his wife Julia Pauline Burns (1900-1994). George was the son of an American father and a Canadian mother, had both German and Irish ancestry, and claimed maternal descent from the O'Conor family of Connacht; his mother was an Irish-American. George had partial ownership in a plumbing and heating-supply business, which was the Newhart family's main source of income.
Bob Newhart was raised in the vicinity of Chicago and attended a number of local Roman Catholic schools: first the St. Catherine of Siena Grammar School in Oak Park, then St. Ignatius College Prep in Chicago. He graduated the prep school (equivalent to a high school) in 1947, then enrolled at the Loyola University Chicago. He graduated in 1952 with a Bachelor's Degree in business management.
Shortly after graduating from the university, Newhart was drafted into the the United States Army. He served as a personnel manager for the Army during the Korean War (1950-1953). He was honorably discharged in 1954, during the post-war demobilization of the American armed forces. He attempted to continue his studies, and enrolled into the Loyola University Chicago School of Law. However he never completed his degree, quitting a required internship because his employer had demanded "unethical" behavior from him.
Newhart briefly worked as an accountant for the USG Corporation (United States Gypsum Corporation), a Chicago-based company which manufactures construction materials. He quit after regularly facing trouble in "adjusting petty cash imbalances". He then proceeded to work as a clerk for various employers, but found himself struggling financially.
In 1958, Newhart was hired as an advertising copywriter for a Chicago-based production company. To entertain himself, he started exchanging "long telephone calls about absurd scenarios" with a friendly co-worker. The 29-year-old Newhart had the idea to try his hand as a comedian, and developed a comedy routine based on the telephone calls. He recorded his routine into audition tapes, and send them to radio stations. His routine was met favorably. In 1959, Newhart started performing as a stand-up-comedian in nightclubs, and signed a contract with a new record company which was seeking to recruit some talent. The company was Warner Bros. Records (established in 1958), a subsidiary of the film studio Warner Bros.
Newhart became famous primarily through his audio releases. His comedy album "The Button-Down Mind of Bob Newhart" (1960) became the first comedy album to make number one on the Billboard charts, and earned him the 1961 Grammy Award for Best New Artist.
This success opened to him new career opportunities, in television and film. NBC offered him his own variety television show, the short-lived "The Bob Newhart Show" (October, 1961-June 1962). The show won the 1962 Primetime Emmy Award for Outstanding Comedy Series, but was canceled anyway. It had won the award while facing four other candidates: "The Andy Griffith Show", "Car 54, Where Are You?", "Hazel", and "The Red Skelton Show". Each of them managed to outlast the award-winning show.
In 1962, Newhart made his film debut in the war film "Hell Is for Heroes". Newhart played the character James Driscoll, an Army company clerk who broadcasts misleading radio messages to the enemy limes during World War II. As essentially comic role in an otherwise dramatic film.
Newhart appeared frequently as a guest star in television over the subsequent years, but had relatively few film roles. He appeared in the caper story "Hot Millions" (1968), the reincarnation-themed fantasy film "On a Clear Day You Can See Forever" (1970), the war film "Catch-22" (1970), and the tobacco-smoking-themed satirical film "Cold Turkey" (1971).
From 1972 to 1978, Newhart starred in the hit sitcom "The Bob Newhart Show". He played the character Robert "Bob" Hartley, Ph.D. (Newhart), a Chicago psychologist who is surrounded by eccentric patients, work colleagues, friends, and family members. Hartley was effectively the "straight man" to the wacky characters surrounding him.
In 1977, Newhart voiced Bernard, the male lead in the animated film "The Rescuers" (1977). The film features the Rescue Aid Society, an international mouse organization, with its headquarters located in New York City. Bernard is not initially one of its members, but works as their janitor. When Miss Bianca, Hungary's representative in the organization, must choose a partner for her first field mission, she impulsively chooses Bernard over the the other available agents. Part of the success of the film is based on the contrast between the two partners, the adventurous, brave, but rather impulsive Bianca, and the overly cautious, shy, and reluctant hero Bernard. "The Rescuers" earned worldwide gross rentals of 48 million dollars at the box office during its initial release, and had a total lifetime worldwide gross of 169 million dollars through subsequent re-releases.
In 1980, Newhart appeared in two live-action films, the comedy-drama "Little Miss Marker", and the political comedy "First Family". The first features Newhart as a member of a gangster-run gambling operation. The gangsters are surprised when a client uses his 6-year-old daughter as collateral for a bet, and and more surprised when the client commits suicide. The film deals with jaded criminals who develop parental feelings for the orphan girl. The other film was a more cynical comedy, with Newheart as an inept President of the United States. The main plot deals with the President tolerating the kidnapping of American citizens by a fictional African country, because the country offers some valuable resources in exchange for their new American slaves.
From 1982 to 1990, Newhart starred in a second hit sitcom, called simply "Newhart". He played the character Dick Loudon, a Vermon-based innkeeper who finds himself surrounded by strange employees, neighbors, and competitors. The show had a famous ending where the entire series is "revealed" to be a dream of Robert Hartley, Newhart's character from his first sitcom.
In 1990, Newhart returned to the role of Bernard, in the sequel film "The Rescuers Down Under". Early in the film, Bernard is preparing a marriage proposal for Miss Bianca, but his plans are derailed when they are both send to Australia for an urgent mission. The duo are partnered with Australian agent Jake, and Bernard is frustrated with when Jake competes with him for Bianca's affections. At the end of the mission, Berbard finally makes his marriage proposal, unwilling to let orders for further missions to interfere with his plans to marry the woman he loves. The film only earned 47.4 million dollars at the worldwide box office, and became Walt Disney Animation Studio's least successful theatrical animated film of the 1990s.
From 1992 to 1993, Newhart starred in his third sitcom, called simply "Bob". He played the character Bob McKay, a veteran comic book writer and artist from the 1950s. Having long retired into obscurity, McKay is hired by a corporation to produce a revival of his classic character, the superhero "Mad-Dog". The first season introduced a large cast of eccentric co-workers. The second season dismissed most of these characters, and had McKay serving as the President of a company producing greeting cards. The series suffered from low ratings, and was canceled at the end of its second season. Only 33 episodes were produced.
From 1997 to 1998, Newhart starred in his fourth sitcom "George & Leo". He played the character George Stoody, a bookstore owner who finds himself offering hospitality to a professional magician and part-time criminal, who recently robbed a Mafia-owned casino. The humor was based on the strong contrast between the two men, but the series failed to find an audience.
Newhart returned to theatrical films with the romantic comedy "In & Out" (1997). He had roles in the animated film "Rudolph the Red-Nosed Reindeer: The Movie" (1998), the comedy "Legally Blonde 2: Red, White & Blonde" (2003), and the Christmas film "Elf" (2003) . From 2004 to 2008, Newhart played the major character Judson in three television films of "The Librarian" fantasy franchise. The franchise features a mystical library, which hides numerous magical and technological artifacts from various historical eras. A series of librarians have to guard the library and its contents from criminal organizations with sinister designs. Judson is the mentor who trains the current librarian, after the previous one was killed in action. The series hinted that Judson was older than he looked, and he was eventually revealed to be the original librarian. He was nearly immortal, and had trained succeeding librarians for centuries.
In 2011, Newhart played a small role in the black comedy "Horrible Bosses", playing the character of sadistic CEO Louis Sherman. Sherman is described as a "Twisted Old Fuck", who keeps people locked in his trunk.
In 2013, Newhart started playing the recurring character Arthur Jeffries (stage name "Professor Proton") in the sitcom "The Big Bang Theory" (2007-). Arthur was a scientist who decades ago served as the host of a science show aimed at children, inspiring series co-protagonists Leonard Hofstadter and Sheldon Cooper to start science careers of their own. Leonard and Sheldon, now professional physicists with academic careers, eventually get to meet their childhood idol. Arthur's scientific career ended in disgrace, his television days are long over, and he has been reduced to earning a meager living as a party entertainer.
The role of Arthur Jeffries won Newhart his first Primetime Emmy Award. The character dynamic between Arthur and Sheldon was popular, as Sheldon continued to idolize Arthur, while Arthur found his "student" to be insufferable. Following the character's physical death, Newhart has continued to appear in the series as Arthur Jeffries' ghost. He appears to Sheldon at various points to offer him advice, serving as a mentor figure. Sheldon views Arthur as his version of Obi-Wan Kenobi.
Newhart turned 89 in 2018 but he continues to tirelessly appear in television projects and to entertain new generations of fans.- Producer
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The woman who will always be remembered as the crazy, accident-prone, lovable Lucy Ricardo was born Lucille Desiree Ball on August 6, 1911 in Jamestown, New York, the daughter of Desiree Evelyn "DeDe" (Hunt) and Henry Durrell "Had" Ball. Her father died before she was four, and her mother worked several jobs, so she and her younger brother were raised by their grandparents. Always willing to take responsibility for her brother and young cousins, she was a restless teenager who yearned to "make some noise". She entered a dramatic school in New York City, but while her classmate Bette Davis received all the raves, she was sent home; "too shy". She found some work modeling for Hattie Carnegie's and, in 1933, she was chosen to be a "Goldwyn Girl" and appear in the film Roman Scandals (1933).
She was put under contract to RKO Radio Pictures and several small roles, including one in Top Hat (1935), followed. Eventually, she received starring roles in B-pictures and, occasionally, a good role in an A-picture, like in Stage Door (1937) or The Big Street (1942). While filming Too Many Girls (1940), she met and fell madly in love with a young Cuban actor-musician named Desi Arnaz. Despite different personalities, lifestyles, religions and ages (he was six years younger), he fell hard, too, and after a passionate romance, they eloped and were married in November 1940. Lucy soon switched to Metro-Goldwyn-Mayer, where she got better roles in films such as Du Barry Was a Lady (1943); Best Foot Forward (1943) and the Katharine Hepburn-Spencer Tracy vehicle Without Love (1945). In 1948, she took a starring role in the radio comedy "My Favorite Husband", in which she played the scatterbrained wife of a Midwestern banker. In 1950, CBS came knocking with the offer of turning it into a television series. After convincing the network brass to let Desi play her husband and to sign over the rights to and creative control over the series to them, work began on the most popular and universally beloved sitcom of all time.
With I Love Lucy (1951), she and Desi promoted the 3-camera technique now the standard in filming sitcoms using 35mm film (the earliest known example of the 3-camera technique is the first Russian feature film, "Defence of Sevastopol" in 1911). Desi syndicated I Love Lucy. Lucille Ball was the first woman to own her own studio as the head of Desilu Productions.
Lucille Ball died at Cedars-Sinai Medical Center, age 77, of an acute aortic aneurysm on April 26, 1989 in Los Angeles, CA.- Actor
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Rowan Sebastian Atkinson was born on 6 January, 1955, in Consett, Co. Durham, UK, to Ella May (Bainbridge) and Eric Atkinson. His father owned a farm, where Rowan grew up with his two older brothers, Rupert and Rodney. He attended Newcastle University and Oxford University where he earned degrees in electrical engineering. During that time, he met screenwriter Richard Curtis, with whom he wrote and performed comedy revues.
Later, he co-wrote and appeared in Not the Nine O'Clock News (1979), which was a huge success and spawned several best-selling books. It won an International Emmy Award and the British Academy Award for "Best Light Entertainment Programme of 1980." He won the "British Academy Award" and was named "BBC Personality of the Year" for his performance in Not the Nine O'Clock News (1979).
Atkinson also appeared in several movies, including Dead on Time (1983), Pleasure at Her Majesty's (1976) (aka "Monty Python Meets Beyond the Fringe"), Never Say Never Again (1983), and The Tall Guy (1989). He played "Mr. Bean" in the TV series, Mr. Bean (1990) but, apart from that and Not the Nine O'Clock News (1979), he also appeared in several other series like Blackadder (1982) and Funny Business (1992), etc.
Atkinson enjoys nothing more than fast cars. He has two children, named Benjamin and Lily, with ex-wife Sunetra Sastry.- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.- Producer
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Jerry Seinfeld was born in Brooklyn, New York, the son of Betty (Hesney) and Kalman Seinfeld. His father was of Hungarian Jewish descent, while Jerry's maternal grandparents, Salha and Selim Hosni, were Syrian Jewish immigrants (from Aleppo). He moved with his family, including sister Carolyn, to suburban Massepequa, Long Island, at a young age. Jerry's dad, who had a terrific sense of humor, was a commercial sign maker.
Jerry attended Oswego College in upstate New York however transferred to Queens College back in New York City. Developed an interest in stand-up comedy after brief stints in college productions. Went straight from college graduation to amateur night tryout at New York's Catch a Rising Star, 1976.
Continued to perform in local clubs and Catskill Mountain resorts until his career was boosted by an appearance on a Rodney Dangerfield HBO special, 1976. Career took off after first successful spot on The Tonight Show Starring Johnny Carson (1962), May 1981, at age 27. Appearances on [error] and The Merv Griffin Show (1962) followed. Also appeared four times as Frankie on Benson (1979) sitcom. After he was abruptly fired from the show, he swore never to do another sitcom unless he had greater control. This opportunity emerged when he was invited to create a sitcom for NBC in 1989 and teamed with one-time stand-up colleague Larry David.
Progression of "The Seinfeld Chronicles" into the long-running Seinfeld (1989) series phenomenon was ended by its co-creator and co-executive producer, Larry David. Still unmarried, he moved back to New York City into a new multimillion-dollar, multilevel apartment on Central Park West just down the street from his small bachelor studio on West 81st.- Actor
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Funny man Tim Conway was born on December 15th, 1933 in Willoughby, Ohio, to Sophia (Murgoiu) and Daniel Conway, a pony groomer. He was a fraternity man at Bowling Green State University, served in the army, and started his career working for a radio station.
Conway got into comedy when he started writing and performing comedy skits between morning movies on CBS. Later, Rose Marie "discovered" him and he became a regular performer on The Steve Allen Plymouth Show (1956). However, Conway would not earn true fame until starring as "Ensign Charles Parker" on McHale's Navy (1962). Conway sought further success in several shows that were failures, including the embarrassingly short-lived, Turn-on (1969), with only one episode. The producers did not even want it back on after the commercial break! Even his own show, The Tim Conway Show (1970) flopped, with only 12 episodes. Conway starred in the Disney film, The Apple Dumpling Gang (1975), and also the films, The Prize Fighter (1979) and The Private Eyes (1980).
Conway became a comical performer on The Carol Burnett Show (1967), with characters such as "The Old Man" and "Mr. Tudball". Even though it is widely thought he was always a regular performer throughout the whole show, he only became a regular performer in 1975. He was a hysterical addition to the team and memorably made co-star Harvey Korman laugh on-screen live many times.
Conway continued comedic roles such as "Dorf", and also had many more television appearances and films.- Producer
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Benjamin Edward Meara Stiller was born on November 30, 1965, in New York City, New York, to legendary comedians Jerry Stiller and Anne Meara. His father was of Austrian Jewish and Polish Jewish descent, and his mother was of Irish Catholic descent (she converted to Judaism).
His parents made no real effort to keep their son away from the Hollywood lifestyle and he grew up among the stars, wondering just why his parents were so popular. At a young age, he and his sister Amy Stiller would perform plays at home, wearing Amy's tights to perform Shakespeare. Ben also picked up an interest in being on the other side of the camera and, at age 10, began shooting films on his Super 8 camera. The plots were always simple: someone would pick on the shy, awkward Stiller ... and then he would always get his revenge. This desire for revenge on the popular, good-looking people may have motivated his teen-angst opus Reality Bites (1994) later in his career. He both directed and performed in the film, which co-starred Winona Ryder and Ethan Hawke.
Before he got to Hollywood, he put in several consistently solid years in the theater. After dropping out of UCLA, he performed in the Tony Award winner, "The House of Blue Leaves". While working on the play, Stiller shot a short spoof of The Color of Money (1986) starring him (in the Tom Cruise role) and his The House of Blue Leaves (1987) costar John Mahoney (in the Paul Newman role). The short film was so funny that Lorne Michaels purchased it and aired it on Saturday Night Live (1975). This led to his spending a year on the show in 1989.
Stiller made his big screen debut in Steven Spielberg's Empire of the Sun (1987) in 1987. Demonstrating early on the multifaceted tone his career would take, he soon stepped behind the camera to direct Back to Brooklyn for MTV. The network was impressed and gave Stiller his own show, The Ben Stiller Show (1992). He recruited fellow offbeat comedians Janeane Garofalo and Andy Dick and created a bitingly satirical show. MTV ended up passing on it, but it was picked up by Fox. Unfortunately, the show was a ratings miss. Stiller was soon out of work, although he did have the satisfaction of picking up an Emmy for the show after its cancellation.
For a while, Stiller had to settle for guest appearance work. While doing this, he saved up his cash and in the end was able to scrape enough together to make Reality Bites (1994), now a cult classic which is looked upon favorably by the generation it depicted. Ben continued to work steadily for a time, particularly in independent productions where he was more at ease. However, he never quite managed to catch a big break. His first big budget directing job was Jim Carrey's The Cable Guy (1996). Although many critics were impressed, Jim Carrey's fans were not. In 1998, There's Something About Mary (1998) had propelled Stiller into the mainstream spotlight. He also starred in such hit movies as Keeping the Faith (2000) and Meet the Parents (2000).- Actor
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Rodney Dangerfield was born Jacob Cohen on November 22, 1921 in Deer Park, Suffolk County, Long Island, New York. He was the son of Dorothy "Dotty" (Teitelbaum) and Phillip Cohen, who performed in vaudeville under the name Phil Roy. His father was born in New York, to Russian Jewish parents, and his mother was a Hungarian Jewish immigrant. Rodney began writing jokes at the age of fifteen, and started performing before he was 20. He took his act to the road for ten years, his stage name was "Jack Roy". While working as a struggling comedian, Rodney Dangerfield worked as a singing waiter. His first run at comedy was to no avail.
Rodney Dangerfield married Joyce Indig, in 1949 and had two children: Brian and Melanie. During the 1950s, Rodney was an aluminum siding salesman, living in New Jersey. The comedian made another attempt at stand-up comedy, this time as Rodney Dangerfield. In 1961, Rodney divorced from his wife.
When he appeared on "The Ed Sullivan Show" (The Ed Sullivan Show (1948)), Rodney Dangerfield made Ed Sullivan laugh. Few people ever provoked any kind of reaction out of the legendary Ed Sullivan. Dangerfield had the image of a lovable disgruntled every-man type that became a hit all across nightclubs in the 1960s. Dangerfield also made many appearances on The Tonight Show Starring Johnny Carson (1962) and The Dean Martin Show (1965) in the 1970s.
Rodney Dangerfield snatched a minor supporting part in the movie, The Projectionist (1970), in 1971. By the mid 1970s, he had cemented his image as a comedian constantly tugging at his red tie, always proclaiming he gets no respect. His big break came with many appearances on Saturday Night Live (1975), bringing himself to a much wider audience and proving hysterical on many occasions. In 1980, Dangerfield became a cornerstone of American comedy with the classic Caddyshack (1980).
Here, he played "Al Czervik", a rich golfer who was a basically nice guy who was extremely outspoken and very obnoxious. His character was often unhappy with the rich snobbery he was around, and he takes on the rich people that are so snobby to him.
The average guy that his character portrayed was an instant hit, and a formula that Dangerfield often stuck with. Also, in 1980, Rodney came out with a popular comedy album, "Rappin Rodney".
The album earned Dangerfield a Grammy for best comedy album. The next movie on Rodney's agenda was Easy Money (1983), a comedy that showed him as an insulting working class person who suddenly becomes a millionaire. The movie was also a big hit. Dangerfield became very sparse in his roles on TV and film about this time. The year 1986 saw the comedy, Back to School (1986), his biggest film to date. The comedy was one of the first to gross over 100 million. In 1994, Dangerfield starred in his first dramatic role in the successful Oliver Stone film, Natural Born Killers (1994).
He played an abusive father who drove one of the killers crazy. His part was critically-acclaimed. In 1995, Dangerfield entered the world of cyberspace, becoming the first entertainer to have a website on the world-wide web. In 1997, he starred in Meet Wally Sparks (1997), a political and talk show satire which was poorly received. In 2000, Dangerfield starred as "the Devil" in Little Nicky (2000). The movie was potentially a huge hit, but was a failure by most accounts. Dangerfield took a very small part, but was top-billed in the direct-to-video The Godson (1998), and starred in the direct-to-video link=tt0216930]. But it has not been all smooth sailing for this comedian. In 1997, he admitted to a lifelong bout with depression and, on his 80th birthday, had a mild heart attack. He has major fans from all kinds of people from all different backgrounds. Dangerfield had made a record 70 appearances on The Tonight Show Starring Johnny Carson (1962), and had discovered many struggling comedians, including Jerry Seinfeld, Jim Carrey, Roseanne Barr, Robert Townsend, Sam Kinison and Tim Allen.
The comedian owned a legendary nightclub in Manhattan called "Dangerfield's". In the 1990s, he made highly-publicized appearances on The Simpsons (1989), In Living Color (1990), Dr. Katz, Professional Therapist (1995), Home Improvement (1991), Suddenly Susan (1996), among others.
In 1993, he married Joan Dangerfield (aka Joan Child), a woman thirty years younger than him, and a Mormon.
He died on October 5, 2004, after falling into a coma following heart surgery.- Actor
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George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.- Actress
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Gracie Allen was born on 26 July 1895 in San Francisco, California, USA. She was an actress and writer, known for A Damsel in Distress (1937), The George Burns and Gracie Allen Show (1950) and The Gracie Allen Murder Case (1939). She was married to George Burns. She died on 27 August 1964 in Hollywood, Los Angeles, California, USA.- Actor
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Hugh was born in Oxford, England on June 11, 1959, to Patricia (Laidlaw) and William George Ranald Mundell "Ran" Laurie, a doctor, both of Scottish descent. He was educated at Eton and Cambridge. Son of an Olympic gold medalist in the sport, he rowed for the England youth team (1977) and for Cambridge (1980). He met Emma Thompson at Cambridge in 1978 when both joined "Footlights" and was introduced to Stephen Fry by Emma in 1980. Hugh is married and lives in Los Angeles. His wife and three children, who previously lived in London, are moving to Los Angeles to live with him. Besides acting and comedy, he has written the best-selling thriller The Gun Seller. A second novel, titled The Paper Soldier, is forthcoming.- Producer
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Emmy-winning talk show host Ellen Lee DeGeneres was born in Metairie, Louisiana, a New Orleans suburb. She is the daughter of Betty DeGeneres (née Elizabeth Jane Pfeffer), a speech therapist, and Elliott Everett DeGeneres, Jr., an insurance agent. Her brother is musician and producer Vance DeGeneres. Her parents divorced when she was 16 years old. Her mother remarried, and her new husband, salesman Roy Gruessendorf, moved the family to Atlanta, Texas.
After graduating from Atlanta High School in 1976, Ellen attended the University of New Orleans as a communications major, but she dropped out after one semester. She held a wide variety of jobs until she turned to stand-up comedy, making her bones at small clubs and coffeehouses before working her way up to emcee Clyde's Comedy Club by 1981. Her comedy was described as a distaff version of Bob Newhart. Beginning in the early 1980s, she toured nationally and was named the funniest person in America after winning a competition sponsored by the cable network Showtime. This led to better gigs, including her first appearance on The Tonight Show Starring Johnny Carson (1962) in 1986.
Though DeGeneres's early forays into series television were not successful (she appeared as a supporting player in two short-lived TV situation comedies in the period 1989-92, Open House (1989) and Laurie Hill (1992)), she scored a hit headlining her own 1994 sitcom on ABC "These Friends of Mine" (renamed Ellen (1994) after its first season). She made TV history in April 1997, when her character, and DeGeneres personally, revealed that she was a lesbian. However, the show was canceled the following season due to declining ratings, after which DeGeneres returned to the stand-up circuit. In 2001, DeGeneres launched a new series, The Ellen Show (2001), on CBS, but it suffered from poor ratings and was canceled.
Redemption as a television artist came in 2003, when DeGeneres's daytime talk show, The Ellen DeGeneres Show (2003), proved to be both a critical hit and a commercial success. Along with good ratings, the show has won unprecedented kudos from the industry, winning 15 Emmy Awards in its first three seasons on the air and becoming the first talk show in TV history to win the Emmy Award for Outstanding Talk Show in its first three seasons.
DeGeneres has also made a name for herself as a host of awards shows. She hosted the Grammy Awards in 1996 and 1997, as well as the Primetime Emmy Awards in 2001 and 2005. In February 2007, she had the ultimate TV awards show gig, hosting the Oscars, which she hosted again in 2014.- Actor
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Steve Carell, one of America's most versatile comics, was born Steven John Carell on August 16, 1962, in Concord, Massachusetts. He is the son of Harriet Theresa (Koch), a psychiatric nurse, and Edwin A. Carell, an electrical engineer. His mother was of Polish descent and his father of Italian and German ancestry (Steve's grandfather had changed the surname from "Caroselli" to "Carell"). Steve was educated at The Fenn School, an all-boys private school in Concord, Massachusetts, then at Middlesex School in Concord. After graduating from Denison University in Granville, Ohio, he moved to Chicago where he taught an improvisational comedy class and performed with The Second City troupe, alongside Stephen Colbert.
Carell made his film debut as "Tesio" in Curly Sue (1991). In 1996, he became a cast member of The Dana Carvey Show (1996), and provided the voice for Gary, opposite Colbert in "The Ambiguously Gay Duo". This animated short series produced by Robert Smigel continued on Saturday Night Live (1975), but Carell has joked that he auditioned for SNL and lost the job to Will Ferrell. Carell made a number of guest appearances on such shows as Come to Papa (2004), Just Shoot Me! (1997), and Watching Ellie (2002), before landing a regular stint as a correspondent on The Daily Show (1996) from 1999 until 2005.
Carell played Evan Baxter opposite Jim Carrey in Bruce Almighty (2003), and Uncle Arthur opposite Nicole Kidman and Will Ferrell in Bewitched (2005). He broke out as a leading man after starring in the summer box-office hit The 40-Year-Old Virgin (2005), which he also co-wrote; the film was chosen as one of the Top Ten movies of 2006 by the American Film Institute. He next starred in the critically acclaimed Little Miss Sunshine (2006), an indie dark comedy which became a surprise hit and earned four Oscar nominations, and won two (Best Supporting Actor for Alan Arkin and Best Screenplay for Michael Arndt). In 2007, Carell reprised his role as Evan Baxter, filling Jim Carrey's leading-man shoes as a politician asked by God to build a giant ark in Evan Almighty (2007), the second installment of the "Almighty" franchise, co-starring Lauren Graham and Morgan Freeman. In 2008, he re-united with Jim Carrey in the highly successful animation hit Horton Hears a Who! (2008), then appeared as Agent Maxwell Smart in the popular comedy Get Smart (2008).
Throughout this time, Carell maintained a successful career in television, starring as Michael Scott in the American remake of the Britain's existential comedy, The Office (2005). He received the Golden Globe Award for Best Actor in Television Comedy for this leading role in 2006, and earned both Emmy and Golden Globe nominations each consecutive show until he departed in 2011.
In 2010, Carell announced he was leaving "The Office" to concentrate on his film career, and has made steady appearance in such films as Date Night (2010), Despicable Me (2010), Crazy, Stupid, Love. (2011), and Seeking a Friend for the End of the World (2012). Carell's most recent roles are the comedies Despicable Me 2 (2013), Anchorman 2: The Legend Continues (2013), and Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014), and the drama Foxcatcher (2014), and the more serious Beautiful Boy (2018) and Vice (2018).
Steve Carell has been enjoying a happy family life with his wife, actress Nancy Carell, whom he met when she was a student in an improv class he was teaching at The Second City comedy troupe in Chicago. The couple have two children, daughter Elizabeth (born in May 2001), and son John (born in June 2004). Steve Carell lives with his family in Los Angeles, California.- Actor
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Bill Murray is an American actor, comedian, and writer. The fifth of nine children, he was born William James Murray in Wilmette, Illinois, to Lucille (Collins), a mailroom clerk, and Edward Joseph Murray II, who sold lumber. He is of Irish descent. Among his siblings are actors Brian Doyle-Murray, Joel Murray, and John Murray. He and most of his siblings worked as caddies, which paid his tuition to Loyola Academy, a Jesuit school. He played sports and did some acting while in that school, but in his words, mostly "screwed off." He enrolled at Regis College in Denver to study pre-med but dropped out after being arrested for marijuana possession. He then joined the National Lampoon Radio Hour with fellow members Dan Aykroyd, Gilda Radner, and John Belushi. However, while those three became the original members of Saturday Night Live (1975), he joined Saturday Night Live with Howard Cosell (1975), which premiered that same year. After that show failed, he later got the opportunity to join Saturday Night Live (1975), for which he earned his first Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series. He later went on to star in comedy films, including Meatballs (1979), Caddyshack (1980), Stripes (1981), Tootsie (1982), Ghostbusters (1984), Ghostbusters II (1989), Scrooged (1988), What About Bob? (1991), and Groundhog Day (1993). He also co-directed Quick Change (1990). Murray garnered additional critical acclaim later in his career, starring in Lost in Translation (2003), which earned him a Golden Globe and a BAFTA Award for Best Actor, as well as an Academy Award nomination for Best Actor. He also received Golden Globe nominations for his roles in Ghostbusters, Rushmore (1998), Hyde Park on Hudson (2012), St. Vincent (2014), and the HBO miniseries Olive Kitteridge (2014), for which he later won his second Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or a Movie.- Actor
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Chevy Chase was born Cornelius Crane Chase on October 8, 1943 in Lower Manhattan, New York, to Cathalene Parker (Browning), a concert pianist and librettist, and Edward Tinsley "Ned" Chase, an editor and writer. His parents both came from prominent families, and his grandfathers were artist and illustrator Edward Leigh Chase and Admiral Miles Browning. His recent ancestry includes English, Scottish, Irish, and German.
His grandmother gave him the nickname "Chevy" when he was two years old. Chase was a cast member of Saturday Night Live (1975) from its debut until 1976, and then embarked on a highly successful movie career. He scored in the 1980s with hits such as Caddyshack (1980), Vacation (1983) and its sequels, Fletch (1985) and Fletch Lives (1989). All his films show his talent for deadpan comedy. Sadly, his career generally worsened through the 1990s, starring in disappointments such as the mediocre Memoirs of an Invisible Man (1992), and Cops and Robbersons (1994). More recently, Community (2009) marked a return for him, as he played a regular role for the first four seasons.- Actor
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Born in Burchard, Nebraska, USA to Elizabeth Fraser and J. Darcie 'Foxy' Lloyd who fought constantly and soon divorced (at the time a rare event), Harold Clayton Lloyd was nominally educated in Denver and San Diego high schools and received his stage training at the School of Dramatic Art (San Diego). Lloyd grew up far more attached to his footloose, chronically unemployed father than his overbearing mother.
He made his stage debut at age 12 as "Little Abe" in "Tess of d'Ubervilles" with the Burwood Stock company of Omaha. Harold and his father moved to California as a result of a fortuitous accident settlement in 1913. Foxy bought a pool hall (that soon failed) while Harold attended high school. The pair were soon broke when his father suggested he try out for a job on a movie being shot at San Diego's Pan American Exposition by the Edison Company. On the set he first met Hal Roach who would be the most influential person in his professional life. Roach (admittedly a poor actor) told Lloyd that someday he'd be a movie producer and he'd make him his star.
Soon afterward, Roach inherited enough money to begin a small production company (Phun Philms, quickly renamed Rolin, with a partner who he soon bought out) and contacted Lloyd to star in the kinds of films he wanted to make: comedies. On the basis of a handful of self-produced shorts starring Lloyd, he managed to land a production contract with the U.S. branch of the French firm, Pathe, who literally paid Roach by the exposed foot of film on what films were accepted. Things were touch and go in the beginning, with improvised scenarios, outdoor shoots meaning Pathe rejected several of their first efforts, resulting in missed paydays. During his first contract with Roach he appeared in "Will E. Work" and then "Lonesome Luke" comedies, essentially cheap variations of Charles Chaplin's Little Tramp character. He abandoned the character in disgust in late 1917, adopting his "glasses" persona, an average young man capable of conquering any obstacle thrown at him. He began cementing his new image with Over the Fence (1917), that ushered in a prolific number of shorts through late 1921, often releasing 3 per month. In his "glasses" personification, Lloyd's popularity grew exponentially with each new release, but Lloyd rapidly grew dissatisfied with his relationship with his producer. Roach and Lloyd fought constantly; it's not so much that he didn't want to work for Roach, he didn't want to work for anyone - a trait he himself recognized from early on. To be fair, Roach was increasingly preoccupied with other stars (The "Our Gang" series was launched to huge success in 1922 and he also produced ''Snub Pollard" shorts, among others) and although he would always resent Lloyd's attitude and ultimate defection to Paramount, the loss of his major star wouldn't financially cripple him. Lloyd had his own quirks; he fell in love with his first co-star Bebe Daniels, who left him after it became apparent he was unable to make a commitment (however the two would remain lifelong friends). Lloyd, in his own way was decidedly complex: he could be professionally generous (often allowing debatably deserving directorial credit to members of his crew) while being notoriously cheap. Yet he practiced little financial self control in anything that concerned himself. Wildly superstitious, he engaged in strict rituals about dressing himself, leaving through the same doors as he entered, and expected his chauffeurs to know which streets were unlucky to traverse. As his finances improved with age he happily indulged himself with a myriad of hobbies that would include breeding Great Danes, amassing cars, bowling, photography, womanizing, and high-fidelity stereo systems. He was open minded about homosexuals while being practically Victorian in his ideas about raising his daughters. He had an enormous libido and rumors abounded about illegitimate children and according to Roach, chronic bouts with VD. Most traumatically, he suffered the loss of his right thumb and forefinger in an accidental prop bomb explosion on August 14, 1919, just as his career was starting to take off. Lloyd would go to great lengths to hide his disability, spending thousands on flesh-colored prosthetic gloves and hiding his right hand whenever knowingly photographed, even long after his career ended. Upon his recovery he completed work on Haunted Spooks (1920) and successfully renegotiated his contract with Pathe, which began a career ascent that would rival Chaplin's (indeed, Lloyd was more successful, considering grosses on total output as Chaplin's output soon dwindled by comparison). Lloyd began feature film production with the 4-reel A Sailor-Made Man (1921). It began as a 2-reel short but contained, in his words, "so much good stuff we were loathe to take any of it out." It became a huge hit and continued to release hit features with ever increasing grosses but split with Hal Roach (who retained lucrative re-issue rights to his earlier films) after completing The Freshman (1925), one of his finest films. Pathe's U.S. operations quickly unraveled after their U.S. representative, Paul Brunet returned to France, and Lloyd made a decisive move (Roach himself would also leave Pathe, opting for a distribution deal with MGM - Mack Sennett, also distributed by Pathe, would be financially ruined). After weighing various attractive offers, Lloyd signed an advantageous contract with Paramount and racked up another hit with For Heaven's Sake (1926), one of his weakest silent features, yet it grossed an incredible $2.591 million, nearly equaling "The Freshman" and astonishing even himself.
Lloyd could do no wrong throughout the 1920s, he consistently earned at or near $1.5 million per film with his Paramount contract, and seemed invincible. He married his second co-star Mildred Davis on February 10, 1923 and she retired from acting (replaced by Jobyna Ralston). He built a huge 32-room mansion he christened, "Greenacres" that took over 3 years to complete and the couple eventually had 3 children. His final silent film, Speedy (1928), shot on location in New York, was one of the few major hits of the sound transition period and remains (as do most of Lloyd's films) thoroughly enjoyable today. The advent of sound proved problematic for the comedian. His films were gag-driven and his writing team was wholly unaccustomed to converting their type of comedy into dialog. While his first sound effort (began as a silent), Welcome Danger (1929) grossed nearly $3 million, by any standard it's a bad film, and marked a serious decline in Lloyd's screen persona; he became a talking comedian. Ironically, as bad as the film is, it would prove to be the last solid hit of his career. His next talkie, Feet First (1930), included a climb reminiscent (but technically superior to that) of his hit Safety Last! (1923), only being in sound, it contained every grunt and groan and proved painful to watch. With a gross of less that $1 million, Lloyd would see slightly over $300,000, his smallest feature paycheck to date, and it became clear he was in trouble. Lloyd fought back with Movie Crazy (1932). Generally regarded as his finest talkie, it grossed even less than "Feet First." Lloyd left Paramount for Fox and suffered his first outright flop with his next feature, The Cat's-Paw (1934), which grossed $693,000 against a negative cost of $617,000 ---resulting in red ink on a net basis. The miracle Harold Lloyd needed to salvage his career would never happen, but he refused to go down without a fight. Amazingly, the public was oblivious to his decline, and he was widely considered as one of the few silent comedy stars to have made a successful transition through the first decade of sound. But to those within the industry, the numbers didn't add up. Back at Paramount on a 2-movie deal, Lloyd starred in The Milky Way (1936), a better-than-average comedy that pulled a world-wide gross of $1.179 million, but it had production budget exceeding $1 million, resulting in a $250,000 loss for the studio. Paramount was livid, demanding a personal guarantee from Lloyd on anything over $600,000 for his next film, Professor Beware (1938). The comedian soon discovered he couldn't complete the film within the required budget and did something unprecedented --for him at least-- he invested his own money. The final production cost was $820,275 - and it grossed a mere $796,385 - and as a result of a complex payment deal, Lloyd ended up personally losing $119,400 on its initial release (he would eventually recoup the bulk of his losses over the next 35 years). At the relatively young age of 45, Harold Lloyd's Hollywood career was effectively over. Still immensely wealthy from a conservative investment strategy, and always hyperactive, he sought out ways to occupy his time, dragging his kids on marathon movie nights all across Los Angeles and falling back on his many hobbies. Foxy, who had handled the bulk of his correspondence (almost all Lloyd's pre-1938 autographs were actually signed by Foxy) and had carefully documented his press clippings since his acting career had began, retired to Palm Springs in 1938, leaving a void in Lloyd's life. He produced two pictures for RKO, A Girl, a Guy, and a Gob (1941), and a Kay Kyser vehicle, My Favorite Spy (1942) which must have looked good on paper but went nowhere at the box office. This ended his career as a producer. He would sign a $25,000 deal with Columbia in 1943 for a comeback project that never materialized. In 1944, Lloyd was approached by director Preston Sturges who envisioned a first-rate vehicle for him entitled, The Sin of Harold Diddlebock (1947). The production launched Sturges' new California Pictures, was financed by Howard Hughes, and initially released by United Artists. It proved to be a nightmare for everyone concerned. Its $1.7 million production cost proved to be an insurmountable obstacle preventing it from profitability and the eccentric Hughes withdrew it from circulation, later retitling it "Mad Wednesday," re-editing and re-releasing it as an RKO feature in 1951 to an even more dismal box office. Lloyd would also zealously protect ownership of his material and was quite litigious. He successfully sued MGM over their unauthorized poaching of his gags on a Joan Davis vehicle, She Gets Her Man (1945) (sadly an action that put the final nail in the professional coffin of the hopelessly alcoholic Clyde Bruckman). With his career at an end, Harold renewed his interest in photography and became involved with color film experiments. Some of the earliest 2 color Technicolor tests had been shot at Greenacres in 1929. In the late 1940s he became fascinated with color 3D still photography and often visited friends on film sets. Throughout the late 40s and well into the 1960s Lloyd indulged himself with glamor models. At his death, his collection of 3D stills numbered 250,000 (the vast majority of which are nudes). Recently his granddaughter published an elaborate book of photos carefully excised from the collection. In the late 1940s Lloyd became an active member of the Shriners (he'd joined originally in 1924) and an effective administrator for their Los Angeles crippled children's hospital. Harold is reported to be the only actor that owned most of the films he appeared in (sadly many of the earliest ones were destroyed in a nitrate fire in a vault at Greenacres in 1943). This ownership gave him the ability to withhold his films from being shown on television; Lloyd feared incorrect projection speed and commercials would damage his reputation. As a result, a generation of film fans saw very few of his films and his reputation was diminished. He did release 2 compilation films, of which the first, World of Comedy (1962) was very successful. Mildred descended into alcoholism in the 1950s and died in 1969. Lloyd occupied his time with extensive travel (he thoroughly enjoyed speaking engagements where he could interact with students on the subject of silent film) and continued his pathological passion for his hobbies through the end of his life. He became interested in high fidelity stereo systems and habitually ordered several record companies' entire annual catalogs, eventually amassing an LP collection rivaling most record stores. He enjoyed cranking music to volumes that caused the inlaid gold leaf on Greenacres' ceilings to rain down on anyone below. Conversely, he balked at modernizing anything inside the mansion, seeing improvements and redecorating as things that would survive him, and thus a complete waste of money. Lloyd was diagnosed with a recurrence of cancer by his brother-in-law, Dr. John Davis (Jack Davis, who starred in early "Our Gang" shorts) and died on March 8, 1971. His son, Harold Lloyd Jr. was an alcoholic homosexual and died soon afterward. Although Lloyd left an estate valued at $12 million (in 1971 dollars), he failed to make a provision for the maintenance of Greenacres, a blunder that would seriously complicate his estate. His granddaughter Suzanne Lloyd has been largely responsible for restoring his reputation of late, working to preserve his surviving films; many have been issued on HBO Video, Thames Video. Several have been superbly restored with new musical accompaniments and are shown periodically on TCM.- Actor
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Don Knotts, the legendary television character actor, was born Jesse Donald Knotts on July 21, 1924 in Morgantown, West Virginia, to William Jesse Knotts and the former Elsie Luzetta Moore. He was the youngest of four sons in a family that had been in America since the 17th century.
His first stint as an entertainer was as a ventriloquist, performing paid gigs at parties and other events in Morgantown. He decided to make a stab at a career in show business, moving to New York City after graduating from high school, but he only lasted in the Big Apple for a few weeks. He decided to go to college, enrolling at West Virginia University but, when World War II engulfed America, he enlisted in the United States Army. The 19-year-old soldier was assigned to the Special Services Branch, where he entertained the troops. It was while in the Army that Don ditched ventriloquism for straight comedy.
Don returned to West Virginia University after being demobilized. After graduating with a degree in theater in 1948, he married and moved back to New York, where connections he had made while in the Special Services Branch helped him break into show business. In addition to doing stand-up comedy at clubs, he appeared on the radio, eventually playing the character "Windy Wales" on "The Bobby Benson Show". From 1953 to 1955, he was a regular on the soap opera Search for Tomorrow (1951). Destiny intervened when he was cast in the small role of the psychiatrist in the Broadway play "No Time for Sergeants", which starred Andy Griffith, who would play a large part in Don's future career. Don also appeared in the film adaption of the play with Griffith.
Don's big break before he hooked up again with Andy Griffith was a regular gig on the The Steve Allen Plymouth Show (1956) hosted by Steve Allen, starting in 1956. He became well-known for his "nervous man" shtick in the "Man-on-the-Street" segments that were a staple of Allen's show. His character in the segments was a very nervous man obviously uptight about being interviewed on camera. He developed this into the fidgety, high-strung persona that he used successfully for the rest of his career.
When "The Tonight Show" moved to Hollywood in 1959 with new host Jack Paar, Don also moved to California as a regular. However, he was soon cast in Andy Griffith's new television series about a small-town sheriff, The Andy Griffith Show (1960), in the role that would make him a legend. For playing "Deputy Barney Fife", Don was nominated for an Emmy Award for Best Supporting Actor five times from 1961 to 1967, winning each time. He soon tasted big-screen success, starring in The Incredible Mr. Limpet (1964). Don cut back his appearances on The Andy Griffith Show (1960) to concentrate on making movies after signing a five-year contract with Universal Pictures. For Universal, Don appeared in The Ghost and Mr. Chicken (1966), The Reluctant Astronaut (1967), The Shakiest Gun in the West (1968), The Love God? (1969) and How to Frame a Figg (1971). His mid-1960s popularity as a movie comedian began to wane towards the end of the decade, and the contract was not renewed. Don returned to television as the star of his own variety show, but it was quickly canceled.
During the 1970s, Don had a spotty career, appearing in regional theater and making guest appearances on other television series. He eventually made some slapstick movies with Tim Conway for the Walt Disney Company, but it wasn't until the end of the decade that he tasted real success again. He was cast as would-be-swinger landlord "Ralph Furley" on the popular sitcom Three's Company (1976) after the original landlords, "The Ropers", were spun off into their own series. Since the show was canceled in 1984, he appeared as "Barney Fife" for a 1986 reunion of The Andy Griffith Show (1960) and in television guest spots, including a recurring gig as the pesky neighbor "Les Calhoun" on Griffith's Matlock (1986) series until 1992.
He remained busy for the next ten years touring with plays and doing voice-over work for cartoons. In 2005, Don provided the voice of "Mayor Turkey Lurkey" in Disney's animated film Chicken Little (2005). It turned out to be one of his final films. He died at age 81 on February 24, 2006.- Actor
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Michael John Myers was born in 1963 in Scarborough, Ontario, to Alice E. (Hind), an officer supervisor, and Eric Myers, an insurance agent. His parents were both English, and had served in the Royal Air Force and British Army, respectively.
Myers' television career really started in 1988, when he joined Saturday Night Live (1975), where he spent six seasons. He brought to life many memorable characters, such as Dieter and Wayne Cambell. His major movies include Wayne's World (1992), Wayne's World 2 (1993), So I Married an Axe Murderer (1993), the Austin Powers movies and The Cat in the Hat (2003).- Actor
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Phil Hartman was born Philip Edward Hartmann on September 24, 1948, in Brantford, Ontario, Canada. His surname was originally "Hartmann", but he later dropped the second "n". He was one of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman. He was of German, Irish, and English descent. The family moved to the United States when Phil was around ten, and he spent the majority of his childhood in Connecticut and Southern California. He later obtained his American citizenship in the early 1990s. He often would visit his homeland of Canada throughout his career, and the City of Brantford even erected a plaque on the Walk of Fame in the town in honor of Phil's career and memory. The Humber College Comedy: Writing & Performance program in Toronto, Ontario, also has an award in Phil's memory that is given out to their Post-Graduate comedy students.
Phil originally studied Graphic Design at California State University. He began to work part time as a graphic artist, designing album covers for such bands as Crosby, Stills, Nash, and Young (see Crosby Stills Nash & Young) and Poco. In 1975, alongside doing album work, Phil joined the California comedy troupe, The Groundlings. While in The Groundlings, Phil worked with Paul Reubens and Jon Lovitz, who became good friends of his until his death. Phil and Paul created the character Pee Wee Herman together, and Phil even had a role on Pee-wee's Playhouse (1986) as pirate Captin' Carl.
In 1986, Phil joined the cast of Saturday Night Live (1975) and was on the show for a record of 8 seasons (which was later broken by Tim Meadows). Phil played a wide range of characters including: Frank Sinatra, Bill Clinton, Ronald Reagan, Ed McMahon, Barbara Bush, and many others. He was known to help out other writers who wanted to get their sketches read and onto the show. He held Saturday Night Live (1975) together during his 8-year reign, thus the nickname he garnered while on the show, "The Glue." Phil was also known for his voice work on commercials and cartoons. He was probably most well known for the voices of Troy McClure and Lionel Hutz on the animated comedy The Simpsons (1989). He also provided other minor voices for The Simpsons (1989). Phil left Saturday Night Live (1975) in 1994, and in 1995, was cast in the critically acclaimed NBC show NewsRadio (1995) as arrogant radio show host Bill McNeal.
After Phil's death, Phil's good friend Jon Lovitz attempted to fill the void as Max Lewis on NewsRadio (1995), but the struggling show's ratings dropped, and the show later fizzled out and ended in 1999. Phil had an interesting career in movies, mostly playing supporting characters. He was the lead in Houseguest (1995) and was also in Greedy (1994), Jingle All the Way (1996), Sgt. Bilko (1996), and his last live action film, Small Soldiers (1998). His last role was the English language dub of Kiki's Delivery Service (1989), as the quick-witted cat Jiji, which featured Small Soldiers co-star Kirsten Dunst in the lead voice role.
On May 28th, 1998, Phil was shot to death while sleeping in his Encino, California home by his wife, Brynn Hartman. Brynn left the house and later came back with a friend to show him Phil's body. When her friend went to call 911, Brynn locked herself in the bedroom with Phil's lifeless body and shot herself. It was later discovered by the coroner that Brynn had alcohol, cocaine, and the antidepressant, Zoloft, in her system. They left behind two children, Sean Edward (b. 1988) and Birgen (b. 1992). Phil and Brynn's bodies were cremated and spread upon Catalina Island, just off the coast of California, on June 4, 1998. Phil had specifically stated in his will that he wanted the ashes spread on Catalina Island because it was his favorite holiday getaway as he was an avid boater, surfer and general lover of the sea.
Phil was a very caring and sensitive person and was described as "very sweet and kind of quiet."- Actor
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Harvey Korman was a lanky, popular TV comedy veteran with a flair for broad comic characterizations, who shone for a decade as leading man and second banana par excellence on The Carol Burnett Show (1967).
Harvey Herschel Korman was born in Chicago, Illinois, to Ellen (Blecher) and Cyril Raymond Korman, a salesman. His parents, both immigrants, were from Russian Jewish families. A persistent television presence since the early 1960s, Korman's first break was a stint as a featured performer on The Danny Kaye Show (1963), a lively musical variety series in which Korman began working in the format which he would soon master--providing sturdy support to a multi-talented star in a wide variety of comedy sketches. Boasting large, expressive features and a wonderfully mutable voice, Korman could play a wide assortment of characters. Perhaps his first classic characterization was provided for The Flintstones (1960) wherein he was the distinctively snooty voice of The Great Gazoo, a little helmeted space man from the future consigned to the Earth's past in punishment for his crimes.
Korman garnered four Emmys for his work with Carol Burnett over the years. Ironically Korman would never again find such a successful showcase for his talents though he certainly tried, appearing in several busted pilots and short-lived sitcoms. Almost exclusively a comic actor, he stretched a bit to play straight man Bud Abbott opposite Buddy Hackett's Lou Costello in the disappointing TV biopic Bud and Lou (1978). He directed and/or produced sitcom episodes and TV comedy specials. An occasional actor in films, Korman made his feature debut with a supporting role in The Last of the Secret Agents? (1966). Several film roles followed until he gained his widest exposure with a major supporting role in Mel Brooks' classic Western spoof Blazing Saddles (1974). He fared well in Brooks' High Anxiety (1977) and History of the World: Part I (1981). He acted in two 1994 features: the blockbuster live-action version of The Flintstones (1994) (providing the voice of the Dictabird) and the poorly received but lavishly produced Radioland Murders (1994).- Actress
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Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.- Actor
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Leslie William Nielsen was born in Regina, Saskatchewan, and raised in Tulita (formerly Fort Norman), Northwest Territories. His mother, Mabel Elizabeth (Davies), was Welsh. His father, Ingvard Eversen Nielsen, was a Danish-born Mountie and a strict disciplinarian. Leslie studied at the Academy of Radio Arts in Toronto before moving on to New York's Neighborhood Playhouse. His acting career started at a much earlier age when he was forced to lie to his father in order to avoid severe punishment. Leslie starred in over fifty films and many more television films. One of his two brothers became the Deputy Prime Minister of Canada. On October 10, 2002, he was appointed Officer of the Order of Canada (OC) in recognition of his contributions to the film and television industries. On November 28, 2010, Leslie Nielsen died at age 84 of pneumonia and was buried at Evergreen Cemetery in Fort Lauderdale, Florida.- Actor
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As might be said for the late and great comedians Harvey Korman and Madeline Kahn, it seems that Mel Brooks was the only director on the planet who knew how to best utilize this funnyman's talents on film. Brooks once remarked that, whenever he cast Dom in one of his films he'd add an extra two days to the shooting schedule because of delays between takes due to the constant laughter from cast and crew at Dom's improvisations.
The lovable, butterball comedian was a mainstay on 1960s and '70s TV variety as a "second banana," or comic-relief player. While his harsher critics believed his schtick would be better served in smaller doses, Dom nevertheless went on to find some range in a few moving, more restrained projects. Those few glimpses behind all the mirth and merriment revealed a dramatic actor waiting to be unleashed. As they say, behind every clown's smile, one finds tears.
He was born Dominick DeLuise on August 1, 1933, in Brooklyn, New York, to parents John, a sanitation engineer, and Vicenza (DeStefano) DeLuise, both Italian immigrants. A natural school-class clown, his irrepressible sense of humor helped Dom fit in at school, and he started drawing belly laughs fairly young in his very first school play that had him portraying an inert copper penny! He later attended New York's High School of Performing Arts, but when it came to college, he decided to major in biology at Tufts University, outside Boston. That decision failed to expunge the idea of being a comedian from his head and heart, however, and that determination finally prevailed.
Dom's formative years as an actor were spent apprenticing at the Cleveland Playhouse, where which he gamely played roles in everything from contemporary shows like "Guys and Dolls" and "Stalag 17" to classics like "The School for Scandal" and even "Hamlet." He earned his first professional paycheck playing the titular Bernie the dog in "Bernie's Last Wish." Dom also got a taste of what it was like in front of the camera in Cleveland, appearing on the local TV kiddie's show "Tip Top Clubhouse."
Back in NYC, he took over the lead role of Tinker the toymaker in another children's local program, Tinker's Workshop (1954), for one season in 1958. He also started making noise on the off-Broadway scene. Appearing in the plays "The Jackass" and "All in Love," he became part of the featured ensemble of the 1961 musical revue "An Evening with Harry Stoones," which included 19-year-old Barbra Streisand. More outlandish musical roles came his way in the early 1960s with "Little Mary Sunshine" (as Corporal Billy Jester) and "The Student Gypsy, or the Prince of Liederkrantz" (his Broadway debut as Muffin T. Raggamuffin). While appearing in the lighthearted summer stock spoof "Summer & Smirk" in Provincetown, Massachusetts, Dom met fellow performer Carol Arthur (née Carol Arata). They married on November 23, 1965. Their three sons, Peter DeLuise, Michael DeLuise and David DeLuise all eventually found their way into show business. In 1971, Dom returned successfully to Broadway in a perfectly-suited Neil Simon vehicle, "The Last of the Red Hot Lovers."
Dom was first noticed on the smaller screen, creating the sketch character of Dominick the Great, a magician who tries in vain to mask his inept prestidigitations with feigned dignity on Garry Moore's popular show. The comedian truly thrived in this TV variety atmosphere and soon began popping up seemingly everywhere: (The Hollywood Palace (1964), The Smothers Brothers Comedy Hour (1967), The Jackie Gleason Show (1966)). Balding, blushing, dimpled and moon-faced (comparisons to a ripe tomato were not wide of the mark), he was readily equipped with a high-wattage, Cheshire Cat smile that became his trademark. At his best, looking embarrassed or agitated, the laughs usually came at his own expense, whether playing a panic-stricken klutz or squirming nervous-Nelly type. Dom took his magician character to the ensemble comedy show The Entertainers (1964), which also showcased Carol Burnett and Bob Newhart, and found more regular employment as a bumbling private eye in puppeteer Shari Lewis' daytime children's program, and as a foil for Dean Martin on the entertainer's regular and summer replacement shows. Dom again repeated his Dominick the Great character on Martin's show and received great reception. He later found himself part of Martin's "in-crowd" of comedians on his "celebrity roasts."
Dom's obvious comic genius was more readily evident, and succeeded better, in tandem with other performers than it was on its own. Hosting duties for his very first comedy/variety program The Dom DeLuise Show (1968), which featured wife Carol as part of the regular roster, lasted only one summer. The sitcom Lotsa Luck! (1973), which showcased Dom as bachelor Stanley Belmont having to contend with a live-in mother (a harping Kathleen Freeman) and sister (an ungainly Beverly Sanders), was canceled after its first season. He gave it a rest for awhile before trying once again with the sketch-like sitcom The Dom DeLuise Show (1987), but it, too, quickly faded. Another brief stint was as host of a revamped Candid Camera (1991).
While Dom made an unlikely film debut as a high-strung Air Force technician in the gripping nuclear drama Fail Safe (1964) starring Henry Fonda, it was in zany, irreverent comedy that he found his true calling. Appearing in support of others such as Sid Caesar and Mary Tyler Moore, respectively, in the so-so comedies The Busy Body (1967) and What's So Bad About Feeling Good? (1968), he proved a delight as an inept, dim-witted spy in the Doris Day caper The Glass Bottom Boat (1966).
Mel Brooks first cast Dom as the miserly Russian Orthodox priest, Father Fyodor, in his film The Twelve Chairs (1970), and found plenty of room for the comedian after that -- as campy director Buddy Bizarre in Blazing Saddles (1974), the silly-ass director's assistant in Silent Movie (1976), Emperor Nero in History of the World: Part I (1981), the voice of the cheese-oozing Pizza the Hutt in the "Star Wars" parody Spaceballs (1987), and as Sherwood Forest's very own puffy-cheeked Godfather, Don Giovanni, in Robin Hood: Men in Tights (1993).
A very close friend of action star Burt Reynolds, Dom romped through a number of Reynolds' freewheeling films as well, including Smokey and the Bandit II (1980), The Cannonball Run (1981) and The Best Little Whorehouse in Texas (1982). One of his finest scene-stealing film roles, in fact, was as Reynolds' schizo pal in The End (1978). Dom went on to direct a number of stage productions for his close friend at the Burt Reynolds Theatre in Jupiter, Florida -- among them "Butterflies Are Free," "Same Time, Next Year" (starring Burt and Carol Burnett), "Brighton Beach Memoirs" (starring son Peter), and the musical "Jump" (featuring wife Carol). Still another comic buddy, Gene Wilder, handed Dom the roles of the indulgent opera star in The Adventure of Sherlock Holmes' Smarter Brother (1975) and harassed movie mogul Adolf Zitz in The World's Greatest Lover (1977). Dom later joined Wilder once again, along with Wilder's wife Gilda Radner, in the leaden comedy Haunted Honeymoon (1986), a clumsy haunted-house spoof that even Dom, in full drag, could not salvage.
Change-of-pace roles were few and far between. One that did come Dom's way was the compulsive-eating protagonist in Fatso (1980). Directed by and co-starring Brooks' wife Anne Bancroft, Dom managed to mix comedy with pathos. Obesity was also a chronic, real-life problem for the comedian and, at one point in 1999, it was reported that he had tipped the scales at 325 lbs. On a positive note, this passion for food actually fed into a more lucrative sideline -- as a respected chef and culinary author ("Eat This" and "Eat This Too") in which he appeared all over the tube cooking and demonstrating his favorite recipes. He also found time to write children's books on the side.
Dom tackled broad comedy films with great abandon -- a wallflower he was not -- but they were hit-or-miss. Some of his biggest misses were the Mae West disaster Sextette (1977), the Dudley Moore showcase Wholly Moses! (1980) (although Dom was arguably the best thing in it), Loose Cannons (1990), in which he appeared as portly pornographer Harry "The Hippo" Gutterman, Driving Me Crazy (1991), which filmed far away in Germany, and The Silence of the Hams (1994), a parody on the horror genre in which he played Dr. Animal Cannibal Pizza.
Films could also be a family affair. True to life, Dom played a sympathetic kiddie show host in the moving TV-movie Happy (1983). Also the executive producer, he was joined by wife Carol and all three sons in the cast. In addition, Dom offered a cameo in Between the Sheets (2003), a film written by Peter, directed, edited and executive-produced by Michael, and featuring roles for the rest of the family.
Dom's voiceover skills did not go untapped, either, in films including the animated features The Secret of NIMH (1982), An American Tail (1986) and All Dogs Go to Heaven (1989), plus all of their offshoots. The heavily-bearded DeLuise even displayed scene-stealing antics on the operatic scene, once playing the speaking part of Frosch the Jailer in Johann Srauss II's operetta "Die ," at the Metropolitan Opera.
Suffering from various physical ailments in later years, some of which were exacerbated by his chronic obesity and diabetes, Dom's health declined, and he died in 2009 at age 75. His wife and three children survive him, as do three grandchildren.- Actor
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U.S.-born actor, director, writer, musician, and composer best known for his mockumentaries, poking fun at heavy metal music, small town theatre, dog shows, folk music and film-making itself, Christopher Haden-Guest was born February fifth, 1948, in New York City. His mother, Jean Pauline (Hindes), was a vice president of casting at CBS. His father, Peter Haden-Guest, was a UN diplomat who was a member of the British House of Lords, and was the fourth Baron of Saling in the County of Essex. Christopher's mother, who was American, was the daughter of Russian Jewish immigrants. Christopher's father, who was British, had English and Dutch-Jewish ancestry. Christopher's paternal great-grandfather, Colonel Albert Goldsmid, was a British officer.
He received his dramatic arts training at New York City's High School of Arts and Music and at Bard College, and Guest first appeared in minor film roles in a mixture of film genres, including The Hot Rock (1972), Death Wish (1974), Lemmings (1973), and The Long Riders (1980). However, he was also dabbling in writing for several T.V. shows, and when filming Million Dollar Infield (1982), Guest became acquainted with writer-director Rob Reiner and the two collaborated, along with Michael McKean and Harry Shearer, to pen the script and music for the sleeper hit This Is Spinal Tap (1984).
The mockumentary also starred Guest as dizzy lead guitarist Nigel Tufnel, whose most famous line is surely, "These go to eleven," when referring to the volume settings on the band's rather unique Marshall amplifiers!
Guest then busied himself for several years in the 1980s as a regular performer on Saturday Night Live (1975) and, along with fellow Spinal Tap band members lead singer David St. Hubbins, aka Michael McKean; and bassist Derek Smalls, aka Harry Shearer, they regularly appeared as Spinal Tap. In 1992, they released Spinal Tap: Break Like the Wind - The Videos (1992), plus A Spinal Tap Reunion: The 25th Anniversary London Sell-Out (1992).
Guest had a minor acting role in the courtroom drama of A Few Good Men (1992), before returning to poke fun at wannabe actors in the howlingly funny Waiting for Guffman (1996) with Guest taking center stage as high-strung choreographer Corky St. Clair. He made a return to heavy metal with Spinal Tap: The Final Tour (1998) and Catching Up with Marty DiBergi (2000) before turning his comedic pen to the world of championship dog shows for the sensational comedy Best in Show (2000). The latest mockumentary from Guest and co-writer-actor Eugene Levy was again met with critical praise, and movie fans just loved it, too! In 2003, Guest and Eugene Levy took aim at the folk-music world, and successfully collaborated to write the comedy A Mighty Wind (2003) about the reunion of the Folksmen, a fictional 1960s folk music group.
Guest is married to well-known actress Jamie Lee Curtis with two children, daughter Annie Guest and son Ruby Guest, plus he is the brother of actor Nicholas Guest.- Actor
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Candy was one of Canada's greatest and funniest character actors. His well-known role as the big hearted buffoon earned him classics in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career has handed him some dry spells but Candy always rebounded.
Born in Newmarket, Ontario, in the year 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 Candy made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.
After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.
Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted "Saturday Night Live" before landing himself a role in the Ron Howard film Splash (1983), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981) and a number of people have said that Splash (1983) was his breakout role.
He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) where he and Eugene Levy play characters who become security guards.
1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.
Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early nineties. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the 'Oliver Stone' film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.
Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject and in the nineties tried to lose weight and quit smoking. He was aware that heart attacks were in his family: both his father and his grandfather died of heart attacks and Candy wanted to prevent that happening to him as best he could.
In the mid-nineties Candy filmed the Michael Moore comedy Canadian Bacon (1995) then went to Mexico to film the western spoof Wagons East (1994). It was in Mexico that Candy had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.
Candy was loved by thousands of people who loved his classic antics in Splash (1983) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989) and he himself never forgot his Canadian background.- Actor
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Jim Carrey, Canadian-born and a U.S. citizen since 2004, is an actor and producer famous for his rubbery body movements and flexible facial expressions. The two-time Golden Globe-winner rose to fame as a cast member of the Fox sketch comedy In Living Color (1990) but leading roles in Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994) and The Mask (1994) established him as a bankable comedy actor.
James Eugene Carrey was born on January 17, 1962 in Newmarket, Ontario, Canada, and is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. The family surname was originally "Carré", and he has French-Canadian, Scottish, and Irish ancestry. Carrey was an incurable extrovert from day one. As a child, he performed constantly, for anyone who would watch, and even mailed his résumé to The Carol Burnett Show (1967) at age 10. In junior high, he was granted a few precious minutes at the end of each school day to do stand-up routines for his classmates (provided, of course, that he kept a lid on it the rest of the day).
Carrey's early adolescence took a turn for the tragic, however, when the family was forced to relocate from their cozy town of Newmarket to Scarborough (a Toronto suburb). They all took security and janitorial jobs in the Titan Wheels factory, Jim working 8-hour shifts after school let out (not surprisingly, his grades and morale both suffered). When they finally deserted the factory, the family lived out of a Volkswagen camper van until they could return to Toronto.
Carrey made his stand-up debut in Toronto after his parents and siblings got back on their feet. He made his (reportedly awful) professional stand-up debut at Yuk-Yuk's, one of the many local clubs that would serve as his training ground in the years to come. He dropped out of high school, worked on his celebrity impersonations (among them Michael Landon and James Stewart), and in 1979 worked up the nerve to move to Los Angeles. He finessed his way into a regular gig at The Comedy Store, where he impressed Rodney Dangerfield so much that the veteran comic signed him as an opening act for an entire season. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. Wary of falling into the lounge act lifestyle, Carrey began to look around for other performance outlets. He landed a part as a novice cartoonist in the short-lived sitcom The Duck Factory (1984); while the show fell flat, the experience gave Carrey the confidence to pursue acting more vigorously.
Carrey also worked on breaking into film around this time. He scored the male lead in the ill-received Lauren Hutton vehicle Once Bitten (1985), and had a supporting role in Peggy Sue Got Married (1986), before making a modest splash with his appearance as the alien Wiploc in Earth Girls Are Easy (1988). Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990). Carrey joined the cast and quickly made a name for himself with outrageous acts (one of his most popular characters, psychotic Fire Marshall Bill, was attacked by watchdog groups for dispensing ill- advised safety tips).
Following his time on In Living Color (1990), Carrey's transformation from TV goofball to marquee headliner happened within the course of a single year. He opened 1994 with a starring turn in Ace Ventura: Pet Detective (1994), a film that cashed in on his extremely physical brand of humor (the character's trademark was talking out his derrière). Next up was the manic superhero movie The Mask (1994), which had audiences wondering just how far Carrey's features could stretch.
Finally, in December 1994, he hit theaters as a loveable dolt in the Farrelly brothers' Dumb and Dumber (1994) (his first multi-million dollar payday). Now a box-office staple, Carrey brought his manic antics onto the set of Batman Forever (1995), replacing Robin Williams as The Riddler. He also filmed the follow-up to his breakthrough, Ace Ventura: When Nature Calls (1995), and inked a deal with Sony to star in The Cable Guy (1996) (replacing Chris Farley) for a cool $20 million--at the time, that was the biggest up-front sum that had been offered to any comic actor. The movie turned out to be a disappointment, both critically and financially, but Carrey bounced back the next year with the energetic hit Liar Liar (1997). Worried that his comic shtick would soon wear thin, Carrey decided to change course.
In 1998, he traded in the megabucks and silly grins to star in Peter Weir's The Truman Show (1998) playing a naive salesman who discovers that his entire life is the subject of a TV show, Carrey demonstrated an uncharacteristic sincerity that took moviegoers by surprise. He won a Golden Globe for the performance, and fans anticipated an Oscar nomination as well--when it didn't materialize, Carrey lashed out at Academy members for their narrow-minded selection process. Perhaps inspired by the snub, Carrey threw himself into his next role with abandon. After edging out a handful of other hopefuls (including Edward Norton) to play eccentric funnyman Andy Kaufman in Man on the Moon (1999), Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months (Carrey even owned Kaufman's bongo drums, which he'd used during his audition for director Milos Forman). His sometimes uncanny impersonation was rewarded with another Golden Globe, but once again the Academy kept quiet.
An indignant Carrey next reprised his bankable mania for the Farrelly brothers in Me, Myself & Irene (2000), playing a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Carrey's real-life persona wound up falling for her too--a few months after the film wrapped, the pair announced they were officially a couple. By then, Carrey had already slipped into a furry green suit to play the stingy antihero of Ron Howard's How the Grinch Stole Christmas (2000).
Although Carrey maintains a foothold in the comedy world with films such as Bruce Almighty (2003) and Mr. Popper's Penguins (2011), he is also capable of turning in nuanced dramatic performances, as demonstrated in films like Eternal Sunshine of the Spotless Mind (2004) and the drama/comedy Yes Man (2008). In 2013, he costars with Steve Carell in The Incredible Burt Wonderstone (2013).
Carrey has one child with his first wife, Melissa Carrey, whom he divorced in 1995. He married actress Lauren Holly in 1996, but they split less than a year later.- Actress
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Canadian actress, writer, and comedian, Catherine O'Hara gained recognition as one of the original cast members on the Canadian television sketch comedy show SCTV (1976). On the series, she impersonated the likes of Lucille Ball, Tammy Faye Bakker, Gilda Radner, Katharine Hepburn, and Brooke Shields. O'Hara stayed with the show for its entirety (1976-1984). She went on to devote her talents to several films directed by Tim Burton, including Beetlejuice (1988), The Nightmare Before Christmas (1993) and later, Frankenweenie (2012). O'Hara also frequently collaborated with director and writer, Christopher Guest, appearing in his mockumentary films, three of which earned her awards and nominations; Waiting for Guffman (1996), Best in Show (2000), A Mighty Wind (2003), and For Your Consideration (2006). Recently, O'Hara can be seen on the Canadian television comedy series Schitt's Creek (2015). Her work in the series earned two Canadian Screen Awards for Best Lead Actress (2016 and 2017).- Actor
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Eugene Levy is an award-winning actor, writer, and producer. He has appeared in more than 60 motion pictures to date, eight of which having topped the $100M mark. The box office success of films such as Bringing Down the House (2003), Cheaper by the Dozen 2 (2005) , and Father of the Bride Part II (1995) have established him as one of Hollywood's most popular comedic actors. But it was the role of Noah Levenstein in the American Pie franchise that cemented his reputation as America's favorite Dad. Levy's most recent big-screen role was that of Dory's Dad in the Disney/Pixar smash Finding Dory, in which he stars alongside Ellen DeGeneres and Diane Keaton. The film has surpassed the $1B mark worldwide, and is on track to become one of the highest-grossing animated films of all time.
Partnering with Christopher Guest, Levy earned critical acclaim for co-writing and co-starring in Best In Show, Waiting For Guffman, For Your Consideration, and A Mighty Wind. Levy has been nominated for and won countless awards for his films including a New York Film Critics Circle Award and a Grammy Award® for A Mighty Wind and a Golden Globe® nomination for Best In Show. Other films include Splash, Armed and Dangerous, Multiplicity, Club Paradise, and Serendipity.
In 2013, Levy formed Not A Real Company Productions (with his son Daniel Levy and principals Andrew Barnsley and Fred Levy) to produce Schitt's Creek, a television series for CBC/ITV he co-created, co-executive produces, and co-stars in with Daniel Levy. The single-cam, character-driven comedy also stars Catherine O'Hara, Annie Murphy, and Chris Elliott.
In 2016, Levy won Lead Actor in a Comedy at the Canadian Screen Awards and, as Executive Producer, the CSA for Best Comedy, an award he shared with Daniel Levy, among others. Schitt's Creek swept the Canadian Screen Awards, winning nine of a possible 10 categories. Levy also received the prestigious Legacy Award (along with co-star and long-time collaborator, Catherine O'Hara) from the Academy of Canadian Cinema & Television. Levy won two Emmys® for his writing on SCTV in addition to many other awards and nominations for his television work.
Levy is a Member of the Order of Canada and a recipient of The Governor General's Performing Arts Award - the foremost honor presented for excellence in the performing arts.- Actor
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Fred Willard radiated a unique charm that established him as one of the industry's most gifted comic actors, first coming to prominence as ambitious but dimwitted sidekick Jerry Hubbard to Martin Mull's smarmy talk-show host Barth Gimble in the devastating satirical series Fernwood Tonight (1977). A master of sketch comedy, he was most heralded for his quick wit and improvisational expertise. His 50 appearances in sketches on The Tonight Show with Jay Leno (1992) were indicative of his ability to transform any character into a unique comic portrayal. Fred starred in an oft sold-out one-man show, "Fred Willard: Alone At Last!" (actually with a cast of 12) that received two Los Angeles Artistic Director Awards, for Best Comedy and Best Production. He was also an alumnus of The Second City and headed a sketch comedy workshop, The MoHo Group.- Actor
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Johnny Carson, the legendary "King of Late Night TV" who dominated the medium's nether hours for three decades, was born in Corning, Iowa, but moved with his family to nearby Norfolk, Nebraska when he was eight years old. He was the son of Ruth E. (Hook) and Homer Lloyd "Kit" Carson, a manager of the Iowa-Nebraska Light & Power Company. It was in Norfolk, where he lived until he was inducted into the U.S. Navy in 1943, that he started his show business career. At age 14, Carson began appearing as the magician "The Great Carsoni" at local venues.
In 1962, Carson was chosen by NBC to succeed the controversial Jack Paar and his The Tonight Show Starring Jack Paar (1957). Paar had decided to quit the show and begin a once-a-week show for NBC in prime time on Friday nights. Carson would never be controversial like Paar, preferring to good-naturedly skewer politicians and celebrities in his opening monologue and staging stunts such as the on-stage marriage of retro-singer Tiny Tim to his "Miss Vicky" in 1969. His popularity with the late-night audience became so great, and the income from advertising on his show so profitable that, in 1967, NBC had to lure Johnny back to The Tonight Show Starring Johnny Carson (1962)after a walkout with a three-year contract guaranteeing him a minimum of $4 million. In the early 1970s, TV Guide reported that Carson was earning $2 million a year, making him the highest paid TV entertainer ever, a record he repeatedly surpassed, pulling down a then-record $5 million annual salary in the 1980s. Carson created a sense of intimacy with his guests and audiences that made him the unvanquished "King of Nighttime TV". Countless talk shows hosted by the likes of Joey Bishop and Dick Cavett and other non-talk show programs were launched against him year after year only to fail, with the notable exception of ABC News Nightline (1980) halfway through his reign. His tempestuous love-life, which included two high-profile divorces, became the fodder of such celebrity staples as "The National Enquirer" and later "People Magazine", and he was even the subject of a roman a clef pulp novel in the early 1970s. There have been at least seven published biographies of Carson.
After brief stints on radio stations in Omaha and Lincoln, Nebraska, his career was exclusively in television, starting with work at Nebraska TV stations in the late 1940s which preceded his 1951-53 skit program Carson's Cellar (1953) on Los Angeles station KNXT-TV. Attracting the attention of the industry, he was hired as a comedy writer for The Red Skelton Hour (1951) which provided him with a career breakthrough when Skelton was injured backstage and Carson substituted for him, delivering his first monologue before a national audience. This led to a stint as the host of the quiz show Earn Your Vacation (1954) and the variety showcase The Johnny Carson Show (1953) in 1955-56. The man who would soon become the most famous late-night TV personality in history hosted the daytime game show Who Do You Trust? (1956) from 1957-62, teaming up with longtime sidekick, Ed McMahon, in 1958.
Before his triumph on The Tonight Show Starring Johnny Carson (1962), Carson tried his hand at dramatic acting, appearing in Three Men on a Horse (1957) (episode # 1.29) during the inaugural season of Playhouse 90 (1956) in 1957. In 1960, he shot a pilot for a prime-time TV series, "Johnny Come Lately", that was not picked up by a network. Carson had sat in for "Tonight Show" host Jack Paar in 1958 and, when Paar left the show four years later, NBC chose Carson as his replacement, taking over the catbird seat on October 2, 1962. The Tonight Show Starring Johnny Carson (1962). Sidekick McMahon's "Heeeeere's Johnny!!!" introduction of Carson became a cultural catchphrase, memorably reprised by Jack Nicholson in Stanley Kubrick's The Shining (1980), Woody Allen's character in the Best Picture Academy Award-winning Annie Hall (1977), stand-up comic Alvy Singer, is recognized in front of a movie theater by a street tough due to his appearance on "The Tonight Show".
Aside from his banter with celebrities, he amused his audience for 30 years with broadly played skit comedy by his "Mighty Carson Art Players" and his spoof clairvoyant "Carnac the Magnificent". He made memorable put-downs of politicians and celebrities, a format that was used by his successors Jay Leno and David Letterman and legions of comics who came after him. When a joke bombed during his monologues, Carson would do a wounded double-take as the audience jeered, fully aware of the awfulness of the joke he had just unloaded. Following these bombs with a sly, self-deprecating remark engendered a sense of intimacy between Carson and his fans.
A liberal in the increasingly liberal age of the 1960s and 1970s, so powerful were his opening monologues that by the early 1970s, he could actually affect society at large outside of the pop culture realm. A joke about a shortage of industrial grade toilet paper caused a national panic and a run on all grades of t.p., with a resulting shortage of the product about which he had kidded. Playing off current events such as the Watergate crisis, his comic evisceration of President Richard Nixon was credited with some critics as exerting such a drag on Nixon's approval rating that it made his resignation possible, if not inevitable. After Carson's reign, it became increasingly de rigueur for politicians to appear on late-night TV talk shows and bear a host's jibes in order to stump for votes.
Carson's connection with the American culture was so absolute, it contributed to one of his few failures, the rejection of "The Tonight Show" in the early 1980s by British audiences who could not understand the topical references of his monologues. And his audience's identification of Johnny with the "Tonight Show" effectively stopped him from work in other media. In the mid-1960s, Carson's agents wanted to trade on his vast popularity to position him in motion pictures as the "New Jack Lemmon", but Carson never made any forays outside of television. His connection with the movie industry remained his hosting of three generations of stars and his memorable turns as the host of five Academy Awards telecasts from 1979-84. In that role, he generally is regarded as the best successor to long-time Oscar host Bob Hope. He did stretch his wings as a producer, his Carson Productions producing TV pilots and series, TV movies and [error], in addition to his own talk show.
The six-time Emmy-winner considered a follow-up to "The Tonight Show", but nothing caught his interest and he spent the last decade of his life in a quiet retirement in Malibu, California, as befitted his private nature. Thus, it was "The Tonight Show" that remains his creative legacy. Unlike every other TV star, he remained on top until the very end, the show winning its ratings period every year for 30 years. When Carson retired, his last appearance was one of the highest rated late night TV shows ever.
"I have an ego like anybody else", Carson told The Washington Post in 1993, "but I don't need to be stoked by going before the public all the time". Frederick De Cordova, the producer of "The Tonight Show" throughout Carson's 30-year run, believed that Carson never pressured himself to launch a follow-up as he already had achieved unprecedented success on TV. "He is one of a kind, was one of a kind", De Cordova said in 1995. "I don't think there's any reason for him to try something different".
Carson, who was suffering from emphysema and had quadruple bypass surgery in 1999, died peacefully at the age of 79 on January 23, 2005, surrounded by his family and friends. In terms of career longevity, popularity, peer respect and impact on the medium, Carson ranks with Lucille Ball and Jackie Gleason as a television great.- Writer
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Conan O'Brien grew up in a large Irish Catholic family in Massachusetts. At an early age, he developed a love of comedy and goofing off. This carried on when he entered prestigious Harvard University, acting out many pranks in his time, as well as becoming the president of the Harvard humor magazine, the Harvard Lampoon. After leaving Harvard, Conan found his way into a television writing job in LA. After jumping around on many unsuccessful shows, Conan moved out to New York, and won an Emmy for his writing on Saturday Night Live (1975). Later, he moved on to work for The Simpsons (1989), when SNL executive producer Lorne Michaels offered him the job of producer for the vacant 12:30 slot on NBC. Conan, after searching for a new host, decided to audition for the job himself and eventually wound up as the host of Late Night with Conan O'Brien (1993).- Writer
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By August of 1994, Craig Ferguson was established as one of Great Britain's leading comedians - he had just had huge success at the Edinburgh Festival. In January 1995 he moved to Los Angeles where he now works as an actor-writer-director-producer-creator.- Writer
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Television would never be the same after David Letterman made his second attempt at a show in 1982. But his career before becoming host of the show was quite an interesting and long one.
Letterman was born in Broad Ripple, a neighborhood in Indianapolis, to Dorothy Marie (Hofert), a church secretary, and Harry Joseph Letterman, a florist. He is of German, English, and Scots-Irish descent. His childhood was relatively unremarkable, but he exhibited tendencies of the class clown and showed a very strong independent streak as a child. Letterman went on to graduate from Ball State University in the late 1960s and married Michelle Cook in 1969. From 1970 to 1974, he worked as a weatherman and TV announcer and from 1974 to 1975 as a radio talk show host.
As the late 1970s approached, Letterman was working as a struggling stand-up comic at The Comedy Store and started writing for television shows. He wrote for the summer series "The Peeping Times" and for such shows as Good Times (1974). Letterman had become something of a minor celebrity by 1978, by which time he had appeared on The Gong Show (1976), Mary Tyler Moore's variety series, Mary (1978), Liar's Club (1976), The $10,000 Pyramid (1973), Password Plus (1979) and the variety series, The Starland Vocal Band Show (1977). (It was also revealed on the Game Show Network that Letterman hosted a pilot of a game show in the seventies called The Riddlers (1977), but it was not made into a series.)
This exposure prompted many appearances on The Tonight Show Starring Johnny Carson (1962). He became so popular that he was permanent substitute host by the end of the 1970s. NBC saw great potential in the young irreverent comedian, so they gave Letterman his own daytime talk show, The David Letterman Show (1980), which was a disaster and aired for only a few months. At about this time, Tom Snyder was having problems with his late-night show, Tomorrow Coast to Coast (1973), which aired after the "Tonight Show." His problems were mostly with his co-host, Rona Barrett, and Snyder was forced off air in late 1981. Letterman, who was still permanent co-host of the "Tonight Show," took over the post-Carson slot with [error].
Letterman's show was extremely unconventional. For starters, Letterman was very political, whereas Johnny Carson had steered away from political jokes. Letterman's early antics changed talk shows. He would often stage elevator races in Radio City Music Hall. He made random calls to strangers and talked about the strangest subjects. At one point, Letterman got his associate Larry "Bud" Melman to stand outside the Russian Embassy and hand out pamphlets encouraging defection. He often made his guests feel uncomfortable with his intelligent and abrasive style, and guests often participated in funny and unusual skits with him. Letterman became almost an instant success, and some say he surpassed Carson in popularity.
As the late 1980s approached, Letterman was becoming more and more of a household name, often at odds with the censors over his show, and never one to kowtow to guests' wishes. But that only made him more popular, and he garnered more and more status as a world class talk show host. Among the more classic moments in his early show was the time he covered his suit with Alka Seltzer and jumped in a vat of water. Letterman helped Andy Kaufman with his wrestling saga, as Kaufman and Jerry Lawler pretended to get in a fight on "Late Night." Letterman also became known for his on-screen reclusiveness with respect to other shows. While Carson at one point in his career would often make cameos and guest appearances, Letterman would shy away from cameos and stuck almost solely to doing his "Late Night" show.
In 1992 Johnny Carson made a landmark announcement: he was retiring. Many thought that Letterman would be the natural choice as Carson's replacement, but many at NBC were leaning toward current "Tonight Show" substitute host Jay Leno. The battle was very public and very vicious, but in the end Leno won out, and Letterman continued hosting the post-"Tonight Show" slot. But, in 1993, Letterman made his own big announcement: he was leaving NBC for a lucrative contract with CBS to star in the Late Show with David Letterman (1993). The battle intensified even more. NBC claimed that many of Letterman's gimmicks and jokes, including throwing the pencil at the camera, the Top Ten List, and Larry "Bud" Melman, among many others, were NBC's "intellectual property." NBC lost, but Larry "Bud" Melman would now be called by his real name, Calvert DeForest, on the CBS show. Competing in the late night wars with not only Leno but also Chevy Chase, Arsenio Hall and Ted Koppel, Letterman consistently won over all of his competition until the summer of 1995, when Leno had guest Hugh Grant on his show to discuss his highly publicized arrest for being caught with prostitute Divine Brown and Grant cried on screen. The ratings were tremendous, and Leno has consistently beaten Letterman ever since.
In recent years, Letterman has toned down his act. He dresses more conservatively and tends to go the more traditional route of talk shows. It can be said that every talk show since, including Craig Kilborn and especially 'Conan O'Brien', has been influenced a great deal by Letterman's unconventional, irreverent, off-the-wall style. It was thought that Letterman was going to retire in the mid-'90s, but an impressive 14 million-per-year deal has kept Letterman with CBS. Near-tragedy struck, however, in January of 2000 when Letterman was diagnosed with coronary arterial blockage and underwent quintuple bypass surgery. The operation was successful, however, and Letterman received countless get-well cards and a great deal of publicity. Among David's better-known incidents in recent years have been Drew Barrymore's infamous table dance, an interview with a bizarre and ditzy Farrah Fawcett, his appearance in the movie, Cabin Boy (1994) (written by and starring his former "Late Night" writer and performer Chris Elliott), his stint as host of The 67th Annual Academy Awards (1995), and his appearance in the Andy Kaufman biopic, Man on the Moon (1999). When Politically Incorrect (1993) was canceled in 2002, Letterman was sought after to leave CBS for ABC, but he declined to do so and stayed with CBS, where he remained until his retirement in May 2015.
Aside from being a talk show host, Letterman is an active producer. His production company is called Worldwide Pants. Over the years he has been executive producer of his original show, his new show, Everybody Loves Raymond (1996), The Building (1993), Bonnie (1995), The High Life (1996), The Late Late Show with Craig Kilborn (1999), and Ed (2000).- Writer
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Steve Allen was born on 26 December 1921 in New York City, New York, USA. He was a writer and actor, known for Casino (1995), The Player (1992) and College Confidential (1960). He was married to Jayne Meadows and Dorothy Goodman. He died on 30 October 2000 in Encino, Los Angeles, California, USA.- Music Department
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Comedian, actor, composer and conductor, educated in New York public schools. He was a master of ceremonies in amateur shows, a carnival barker, daredevil driver and a disc jockey, and later a comedian in night clubs. By the mid-1950s he had turned to writing original music and recording a series of popular and best-selling albums with his orchestra for Capitol Records. Joining ASCAP in 1953, his instrumental compositions include "Melancholy Serenade", "Glamour", "Lover's Rhapsody", "On the Beach" and "To a Sleeping Beauty", among numerous others.- Actor
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When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).- Writer
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Daniel Edward Aykroyd was born on July 1, 1952 in Ottawa, Ontario, Canada, to Lorraine Hélène (Gougeon), a secretary from a French-Canadian family, and Samuel Cuthbert Peter Hugh Aykroyd, a civil engineer who advised prime minister Pierre Trudeau. Aykroyd attended Carleton University in 1969, where he majored in Criminology and Sociology, but he dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and managed an after-hours speakeasy, Club 505, in Toronto for several years. He worked with Second City Stage Troupe in Toronto and started his acting career at Carleton University with Sock'n'Buskin, the campus theater/drama club. Married to Donna Dixon since 1983, they have three daughters. His parents are named Peter and Lorraine and his brother Peter Aykroyd is a psychic researcher. Dan received an honorary Doctorate from Carleton University in 1994 and was made a Member of the Order of Canada in 1998.- Actor
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John Belushi was born in Chicago, Illinois, USA, on January 24, 1949, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. He grew up in Wheaton, where the family moved when he was six. Though a young hellion in grade school, John became the perfect all-American boy during his high school years where he was co-captain of the Wheaton Central High School football team and was elected homecoming king his senior year. He also developed an interest in acting and appeared in the high school variety show. Encouraged by his drama teacher, John decided to put aside his plans to become a football coach to pursue a career in acting.
After graduation in 1967, John performed in summer stock in rural Indiana in a variety of roles from "Cardinal Wolsey" in "Anne of a Thousand Days" to a comic detective in "Ten Little Indians". In the fall of his freshman year at the University of Wisconsin at Whitewater, John changed his image into a bad-boy appearance by growing his hair long and began to have problems with discipline and structure of attending classes.
Dropping out of Wisconsin, John spent the next two years at the College of DuPage, a junior college a few miles from his parents' Wheaton home, where his father began persuading him to become a partner in his restaurant, but John still preferred acting. While attending DuPage, John helped found the "West Compass Players", an improv comedy troupe patterned after Chicago's famous "Second City" ensemble.
In 1971, John made the leap to "Second City" itself where he performed in various on-stage comic performances with others, who included Harold Ramis and Joe Flaherty. John loved his life at "Second City" where he performed six nights a week, perfecting the physical "gonzo" style of comedy he later made famous.
A year later, John and his live-in girlfriend from his high school years, Judith Belushi-Pisano, moved to New York because John had joined the cast of National Lampoon's Lemmings, an off-Broadway rock musical revue that was originally booked for a six-week run but played to full crowds for nearly 10 months.
In 1973, John was hired as a writer for the syndicated National Lampoon's Radio Hour which became the National Lampoon Show in 1975. John's big break came that same year when he joined the ground-breaking TV variety series Saturday Night Live (1975) which made him a star. The unpredictable, aggressively physical style of humor that he began on "Second City" flowered on SNL.
In 1978, while still working on Saturday Night Live (1975), John appeared in the movie Goin' South (1978) which starred and was directed by Jack Nicholson. It was here that director John Landis noticed John and decided to cast him in his movie National Lampoon's National Lampoon's Animal House (1978). John's minor role as the notorious, beer-swilling "Bluto" made it a box-office smash and the year's top grossing comedy. Despite appearing in only a dozen scenes, John's performance stole the movie, which portrays college fraternity shenanigans at a small college set in the year 1962.
In 1979, John along with fellow SNL regular Dan Aykroyd quit the series to pursue movie projects. John and Dan Aykroyd appeared in minor roles in Steven Spielberg's financially unsuccessful 1941 (1979) and, the following year, in John Landis' The Blues Brothers (1980). Around this time, John's drug use began escalating. Cocaine, which was ubiquitous in show-business circles in the 1970's, became his drug of choice. After he first experimented with cocaine in the mid 1970s, John almost immediately became addicted to it. His frequent cocaine sniffing binges became a source of friction between him and Judy, whom he married in 1976.
John's love for blues and soul music inspired the "Blues Brothers". He and Aykroyd first appeared as Joliet Jake and Elwood Blues, a pair of white soul men dressed in black suits, skinny ties, fedora hats and Rayban sunglasses, as a warm-up act before the telecasts of Saturday Night Live (1975). Building on the success of their acts and the release of their album "A Briefcase Full of Blues", John and Dan Aykroyd starred in the movie, which gave John a chance to act with his favorite musical heroes including Ray Charles, James Brown and Aretha Franklin.
Although John's reputation for being an off-screen party animal is legendary, his generous side is less well known. Using some of his money, he bought his father a ranch outside San Diego for him to live. John helped set up some of his Chicago friends with their own businesses and even financially helped his younger brother, Jim Belushi, who followed his older brother's path to both "Second City" and Saturday Night Live (1975).
In 1981, John appeared in the movie Continental Divide (1981), playing a hard-nosed Chicago newspaperman who finds romance in Colorado with eagle expert Blair Brown. That same year, John and Dan Aykroyd appeared again in the movie Neighbors (1981), which gave them a chance to reverse roles, with John playing a straight-arrow family man whose life is turned upside down when a wild family man (Aykroyd) moves in next door.
In January 1982, John began work on the screenplay for another movie to be titled "Noble Rot". Also, John had checked into a bungalow at the Chateau Marmont, a popular celebrity hotel in Los Angeles. John's drug use had been steadily increasing for over a year now, which alarmed his wife and friends, but he continued to promise Judy that he would quit someday. On March 5, 1982, John Belushi was found dead in his hotel room at the age of 33. The local coroner gave the cause of death as a lethal injection of cocaine and heroin. Several years later, John's drug dealing/drug user companion during his final weeks, Cathy Evelyn Smith, was tried and sentenced to three years in prison for supplying John with the drugs. Close friend James Taylor sang "That Lonesome Road" at a memorial service at Martha's Vineyard cemetery where John was buried.- Actress
- Writer
- Additional Crew
Gilda Radner was one of the great comic geniuses of the 20th century, ranked with Lucille Ball and other comedy legends of the highest caliber. She was born on June 28, 1946, in Detroit, Michigan, the younger of two children of Henrietta (Dworkin), a legal secretary, and Herman Radner, a businessman.
She had an older brother, Michael. Her family were Jewish immigrants (from Russia, Poland, and Lithuania). Radner grew up with a nanny she always called Dibby, on whom she based her famous Saturday Night Live (1975) character, hard-of-hearing news correspondent Emily Litella.
She was very close to her father, not as close to her mother, and tragically, her father died when she was 14, leaving her heartbroken. She was very overweight as a child, and because of this, she suffered from anorexia and bulimia and became very thin. She overcame these disorders by 16 and was normal weight, yet if you watch some of her episodes of Saturday Night Live (1975) you can see that her weight sometimes goes down very low and she looks anorexic again.
She graduated from the Liggett school for Girls and enrolled at the University of Michigan but dropped out and followed a boyfriend to Canada, where she made her stage debut in Godspell. In 1975, Gilda was the first person ever cast for Saturday Night Live (1975), the show that would make her famous.
She stayed on SNL for 5 years, from 1975 to 1980 and had a brief marriage to the SNL band guitarist G.E. Smith. On this show, she created characters like Emily Litella, loudmouthed Roseanne Roseannadanna, nerd Lisa Loopner, and Baba Wawa, a talk show host with a speech impediment.
Gilda left the show in 1980 and married actor Gene Wilder, whom she met on a movie set and fell in love with nearly on the spot. A short while after, Gilda started having pains in her upper legs, and she was eventually diagnosed with ovarian cancer.
She went through lots of chemotherapy and treatment, and finally her doctors told her that she was in remission. In this period of time, Gilda wrote her autobiography, called "It's Always Something," about her battles with cancer.
However, cancer was found in her liver and her lungs after a more comprehensive check a while later. Now it was too late to do anything. Gilda died in her sleep on May 20, 1989.- Actress
- Soundtrack
Jane Therese Curtin was born September 6th, 1947. Years later, a 27-year-old Jane auditioned for a comedy variety show. which turned out to be the the thing that would first expose her to fame, Saturday Night Live (1975). Jane won the audition against Mimi Kennedy, a tough competitor. Also in the same year (1975), she married Patrick Lynch.
After her five-year run on SNL, Jane moved on, having a daughter named Tess in-between a new show with Susan Saint James titled Kate & Allie (1984), which was about two divorced women living in one house with their children. After Kate & Allie (1984) and several film roles, including Coneheads (1993), came 3rd Rock from the Sun (1996), a show about aliens living in Ohio and adjusting to Earth. In 2001, 3rd Rock ended production, and Jane eventually brought her talents to Broadway. She lives with her husband and daughter.- Actor
- Producer
- Stunts
Lou Costello was born Louis Francis Cristillo in Paterson, New Jersey, to Helen (Rege) and Sebastiano Cristillo. His father was from Calabria, Italy, and his mother was an American of Italian, French, and Irish ancestry. Raised in Paterson, Costello dropped out of high school and headed west to break into the movies. He got a job as a carpenter at MGM and Warners. He went from there to stuntman and then to vaudeville as a comic. In 1931, while working in Brooklyn, his straight man became ill and the theater cashier, Bud Abbott, filled in for him. The two formed their famous comedy team and, through the 1930s, they worked burlesque, minstrel shows, vaudeville and movie houses. In 1938 they got national exposure through the Kate Smith Hour radio show, and signed with Universal Pictures the next year. They debuted in One Night in the Tropics (1940). Their scene-stealing performances in that film landed them their own picture the next year, Buck Privates (1941), with The Andrews Sisters. It was a runaway hit, grossing what was then a company record $10 million on a $180,000 budget. In 1942 they topped a poll of Hollywood stars. They had their own radio show (ABC, 1941-46, NBC, 1946-49) and TV show (The Abbott and Costello Show (1952)). After the war their movies shifted formula to one in which they met various monsters or found themselves in exotic locations. The team split up in 1957, with both winding up completely out of money after troubles with the Internal Revenue Service. After that Lou appeared in a few television shows and the movie The 30 Foot Bride of Candy Rock (1959), released a few months after he died.- Actor
- Producer
- Soundtrack
Long acknowledged as one of the best "straight men" in the business, Bud Abbott was born William Alexander Abbott in Reading, Pennsylvania to Rae (Fisher) and Harry Abbott, who had both worked for the Barnum and Bailey Circus. When Bud was three his family moved to Asbury Park, New Jersey, which he later, erroneously, listed as his place of birth. He himself worked in carnivals while still a child and dropped out of school in 1909. He worked as assistant treasurer for the Casino Theater in Brooklyn, then as treasurer and/or manager of various theaters around the country. He worked as the straight man to such vaudeville and burlesque comics as Harry Steepe and Harry Evanson while managing the National Theater in Detroit. In 1931 while cashiering at the Brooklyn theater, he substituted for comic Lou Costello's ill straight-man. The two clicked almost immediately and formed their famous comedy team. Throughout the 1930s they worked burlesque, minstrel shows, vaudeville and movie houses. In 1938 they got national exposure through the Kate Smith radio show "The Kate Smith Hour", and signed with Universal Pictures the next year. They made their film debut in One Night in the Tropics (1940), and, while the team wasn't the film's stars, it made money for Universal and they got good enough notices to convince Universal to give them their own picture. Their first starring film, Buck Privates (1941), with The Andrews Sisters, grossed what was then a company-record $10 million (on a $180,000 budget) and they were on their way to stardom and a long run as the most popular comedy team in America. In 1942 they topped a poll of Hollywood stars. They had their own radio show (ABC, 1941-6, NBC, 1946-9) and TV show (The Abbott and Costello Show (1952)). After the war their careers stalled and the box-office takes for their films started slipping. However, they made a big comeback in Abbott and Costello Meet Frankenstein (1948), which raked in huge profits and even got the team good notices from critics who normally wouldn't even review their films. The movie's success convinced Universal to embark on a series of films in which the team met various monsters or found themselves in exotic locations. Their film career eventually petered out and the team split up in 1957. Costello embarked on a series of TV appearances and even made a film, without Abbott, called The 30 Foot Bride of Candy Rock (1959), but it was a flop. He received good notices after a dramatic performance in an episode of Wagon Train (1957) and was in discussion to star in a biography of famed New York City mayor Fiorello LaGuardia, a project Costello had been trying to get off the ground for years, when he died. Both Abbott and Costello had major tax problems with the Internal Revenue Service and wound up virtually broke. Abbott started over with a new partner, Candy Candido, in the 1960s and set off on a national tour, including Las Vegas, but the act failed. In 1966 he voiced his character in a cartoon version of their television show. His health deteriorated badly in the late 1960s, he had always suffered from epilepsy, and he died in 1974.- Producer
- Writer
- Actor
Lawrence Gene David is an American comedian, writer, actor, director, and television producer. He and Jerry Seinfeld created the television sitcom Seinfeld, on which David was head writer and executive producer for the first seven seasons. He gained further recognition for the HBO series Curb Your Enthusiasm, which he created and stars in as a semi-fictionalized version of himself. He has written or co-written the stories of every episode since its pilot episode in 1999.
David's work on Seinfeld won him two Primetime Emmy Awards in 1993, for Outstanding Comedy Series and Outstanding Individual Achievement in Writing in a Comedy Series. Formerly a comedian, he went into television comedy, writing and starring in ABC's Fridays, and writing briefly for Saturday Night Live. He has been nominated for 27 Primetime Emmy Awards and three Golden Globe Awards. He was voted by fellow comedians and comedy insiders as the 23rd greatest comedy star ever in a 2004 British poll to select "The Comedian's Comedian", and received the Laurel Award for TV Writing Achievement by the Writers Guild of America in 2010.
Since 2015, he has made recurring guest appearances on Saturday Night Live, where he impersonates 2016 and 2020 U.S. presidential candidate Bernie Sanders.- Actress
- Writer
- Director
Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.- Actor
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- Producer
Walter Matthau was best known for starring in many films which included Charade (1963), The Odd Couple (1968), Grumpy Old Men (1993), and Dennis the Menace (1993). He often worked with Jack Lemmon and the two were Hollywood's craziest stars.
He was born Walter Jake Matthow in New York City, New York on October 1, 1920. His mother was an immigrant from Lithuania and his father was a Russian Jewish peddler and electrician from Kiev, Ukraine. As a young boy, Matthau attended a Jewish non-profit sleep-away camp. He also attended Surprise Lake Camp. His high school was Seward Park High School.
During World War II, Matthau served in the U.S. Army Air Forces with the Eighth Air Force in Britain as a Consolidated B-24 Liberator radioman-gunner, in the same 453rd Bombardment Group as James Stewart. He was based at RAF Old Buckenham, Norfolk during this time. He reached the rank of staff sergeant and became interested in acting.
Matthau appeared in the pilot of Mister Peepers (1952) alongside Wally Cox. He later appeared in the Elia Kazan classic, A Face in the Crowd (1957), opposite Patricia Neal and Andy Griffith, and then appeared in Lonely Are the Brave (1962), with Kirk Douglas, a film Douglas has often described as his personal favorite. Matthau then appeared in Charade (1963) with Audrey Hepburn and Cary Grant. In 1968, Matthau made his big screen appearance as Oscar Madison in The Odd Couple (1968) alongside Jack Lemmon. The two were also in the sequel (The Odd Couple II (1998)) as well as Grumpy Old Men (1993) and Grumpier Old Men (1995). Matthau was in Dennis the Menace (1993), alongside Mason Gamble. On July 1, 2000, Matthau died of a heart attack in Los Angeles, California. He was 79 years old.- Actor
- Producer
- Director
Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Producer
- Actor
- Writer
John William Ferrell was born in Irvine, California, to Betty Kay (Overman), a teacher, and Roy Lee Ferrell, Jr., a musician. His parents were originally from Roanoke Rapids, North Carolina.
A graduate of the University of Southern California, Ferrell became interested in performing while a student at University High School in Irvine, where he made his school's daily morning announcements over the public address system in disguised voices. He started as a member of the Los Angeles comedy/improvisation group The Groundlings, where fellow cast members Ana Gasteyer, Maya Rudolph and former Saturday Night Live (1975) repertory players such as Laraine Newman, Jon Lovitz and Phil Hartman began their careers. It was there he met Chris Kattan and the two became good friends and both went on to Saturday Night Live (1975) later. He has also appeared on several television programs, including Strangers with Candy (1999), Grace Under Fire (1993) and Living Single (1993) during his time at The Groundlings. Will also lent his voice to the armless and legless dad of cartoon family "The Oblongs".
In 1995 he became a feature cast member at Saturday Night Live (1975) during the show's rapid re-casting. He was declared quite possibly the worst cast member ever during his first season. However, his talents of impersonations and range of characters shot him forward to making him arguably the greatest Saturday Night Live (1975) cast member ever. During his seven year run he is one of the few cast members to ever be nominated for an Emmy for a performance and played George W. Bush during the 2000 elections. He has appeared in every Saturday Night Live (1975) movie since his premiere on the show in 1995. In 2002 he left Saturday Night Live (1975) and was the only cast member to ever receive a farewell from all the current cast members at the end of the season finale show. Since leaving the show Will has pursued a career in films. In 2000, he married Viveca Paulin, and lives in L.A.- Actor
- Producer
- Soundtrack
Nathan Lane is an American actor and singer from New Jersey who is known for playing Timon from The Lion King, Spot Helperman/Scott Leadready II from Teacher's Pet, Max Bialystock from The Producers, Snowball from Stuart Little, Hamegg from Astro Boy and Ernie Smuntz from Mouse Hunt. He is married to his husband Devlin Elliott since 2015.- Actor
- Director
- Music Department
Danny Kaye left school at the age of 13 to work in the so-called Borscht Belt of Jewish resorts in the Catskill Mountains. It was there he learned the basics of show biz. From there he went through a series of jobs in and out of the business. In 1939, he made his Broadway debut in "Straw Hat Revue," but it was the stage production of the musical "Lady in the Dark" in 1940 that brought him acclaim and notice from agents. Also in 1940, he married Sylvia Fine, who went on to manage his career. She helped create the routines and gags, and wrote most of the songs that he performed. Danny could sing and dance like many others, but his specialty was reciting those tongue-twisting songs and monologues.
Samuel Goldwyn had been trying to sign Kaye to a movie contract for two years before he eventually agreed. Goldwyn put him in a series of Technicolor musicals, starting with Up in Arms (1944). His debut was successful, and he continued to make hit movies such as The Secret Life of Walter Mitty (1947) and The Inspector General (1949). In 1954, he appeared with Bing Crosby in White Christmas (1954), which was based on the Irving Berlin song of the same name. In 1955, he made what many consider his best comedy, The Court Jester (1955), with the brilliant Pellet with the Poison routine. Like all things, however, the lifespan of a comedian is limited and his movie career waned. In 1960, he began doing specials on television and this led to his own TV series, The Danny Kaye Show (1963), which ran from 1963 to 1967.
Some of his last roles were also his most memorable, such as an intense Holocaust survivor in Skokie (1981) and as a kind but goofy dentist in an episode of The Cosby Show (1984). He also worked tirelessly for UNICEF.- Writer
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- Actor
Carl Reiner is a legend of American comedy, who achieved great success as a comic actor, a director, producer and recording artist. He won nine Emmy Awards, three as an actor, four as a writer and two as a producer. He also won a Grammy Award for his album "The 2,000 Year Old Man", based on his comedy routine with Mel Brooks.
Reiner was born in The Bronx, to Bessie (Mathias) and Irving Reiner, a watchmaker. His father was an Austrian Jewish immigrant and his mother was a Romanian Jewish immigrant. At the age of sixteen, while working as a sewing machine repairman, he attended a dramatic workshop sponsored by the Works Progress Administration. The direction of his life was set.
In the 1970s, some sources claimed that Reiner made his movie debut in New Faces of 1937 (1937), but that is unlikely as he would have only been fifteen years old at the time. (the movie shares the same plot as his erstwhile partner Mel Brooks' classic The Producers (1967), with a crooked producer planning to fleece his "angels" by producing a flop and absconding with the money). He didn't appear on screen, silver or small, until he made his television debut in 1948 in the short-lived television series, The Fashion Story (1948), then became a regular, the following year, on The Fifty-Fourth Street Revue (1949), another television series with a brief life.
Reiner made his Broadway debut in 1949 in the musical "Inside U.S.A.", a hit that ran for 399 performances. His next Broadway show, the musical revue "Alive and Kicking" (1950) was a flop, lasting just 43 performances. Max Liebman, the producer/director/writer/composer, had been called in to provide additional material after the show's troubled six week out-of-town preview in Boston. It didn't help -- the show closed after six weeks on Broadway -- but an important contact had been made.
Leibman was a producer-director on Your Show of Shows (1950), one of the great television series, and he hired Reiner to appear on the show in the middle of its first season. Reiner's first gig on the revue-like show was interviewing The Professor, a character played by Sid Caesar. He became central to the comedy portions of the show and, in 1953, he racked up the first of six Emmy Award nominations for acting. (In all, he was nominated for an Emmy Award a total of 13 times). When, in 1954, "Your Show of Shows" was split up by the network into its constituent parts, Reiner continued on with Sid in Caesar's Hour (1954). (Imogene Coca was given her own show, which lasted one season, and Leibman was allowed to produce specials).
"Your Show or Shows" had been a Broadway-style revue, featuring skits such as dancing (including a young Bob Fosse) whereas "Caesar's Hour" was pure comedy. "Your Show of Shows" had had a great cast, another other than Coca, most of the cast, including Reiner, Howard Morris, and Nanette Fabray (who went on to win an Emmy Award) moved over to "Caesar's Hour". In his three seasons on the show, he was nominated three more times for an Emmy Award for Best Supporting Actor, winning twice in 1957 and 1958. But it was its stable of comedy writers that was essential to the great success of both "Your Show of Shows" and "Caesar's Hour". In addition to Mel Brooks, the writing staff included Neil Simon, his brother Danny Simon, Larry Gelbart and Mel Tolkin. (There are rumors that the young Woody Allen served as the writing staff's typist).
Reiner had sat in informally with the writers during "Your Show of Shows", but he began writing formally for "Caesar's Hour", having learned his craft from all of the other writers. As a self-described uncredited "writer without portfolio", he was able to leave writers' meetings at 6 P.M., if he wanted to. This gave him the time to work on a semi-autobiographical novel. Published in 1958, Enter Laughing (1967) is about a young man in 1930s New York trying to make it in show business. It was transformed into a play and, eventually, adapted into a movie in 1967, and a musical, many years later.
In 1959, he created the pilot for a television series, "Man of the House", in which he would play a writer, Rob Petrie, who balanced his family life with the demands of working as a writer for a comedy show headlined by an egotistical comedic genius modeled after Sid Caesar (a "benign despot" who lacked social skills, according to Reiner). The series was rooted in his experience on "Your Show of Shows" and "Caesar's Hour". The network didn't pick up the pilot at first, as CBS executives claimed the main character, which was clearly autobiographical on Reiner's part, was too New York, too Jewish and too intellectual. In 1960, Reiner teamed up with Mel Brooks on The Steve Allen Plymouth Show (1956), and their routine "The 2000 Year Old Man" was a huge success. Reiner played the straight man to Brooks in the routine, which was spun-off into five comedy albums, bringing them a Grammy Award. They also made an animated television special based on their shtick in 1975.
Though CBS turned down "Man of the House", with the two-time Emmy Award-winning comedian Reiner as the lead, it was still interested in the series. However, they wanted a different actor in the lead role, and the casting of the protagonist came down to Johnny Carson and Dick Van Dyke. Carson was a game show host of no great note at the time, but Van Dyke was in the smash Broadway musical Bye Bye Birdie (1963), for which he won a Tony Award. He got the role and another chapter of television history was made, when Mary Tyler Moore, Rose Marie and Morey Amsterdam all were cast in leading roles. Reiner, himself, would eventually play the role of Alan Brady, the abrasive Sid Caesar-like comic convinced of his own genius, in the last few seasons of the series' five-year run.
Another milestone in television comedy, The Dick Van Dyke Show (1961), brought Reiner five more Emmy Awards, three for writing and two as the producer of the series. In 1966, Reiner and the other principals, including executive producer Sheldon Leonard and Dick Van Dyke, decided to end the series at the height of its popularity and critical acclaim. (The show won Emmy Awards as best show and best comedy in 1965 and 1966, respectively). Twenty-nine years after the show was ended, Reiner reprised the role of Alan Brady on Mad About You (1992), winning his eighth (and so far, last) Emmy Award, this time as Outstanding Guest Actor in a Comedy Series.
It was on "The Dick Van Dyke Show" that Reiner first became a director. His feature film debut, as a director, was with the film adaptation of the play Joseph Stein had adapted from his 1958 novel, Enter Laughing (1967). His work as a writer-director, with Dick Van Dyke, in creating a Stan Laurel-type character in The Comic (1969) was not a success, but Where's Poppa? (1970) became a cult classic and Oh, God! (1977), with George Burns, and The Jerk (1979), with Steve Martin, were smash hits. The last film he directed was the romantic comedy That Old Feeling (1997).
Reiner's career continued into the 21st century, when most of his contemporaries had retired or passed. He was awarded the Mark Twain Prize for American Humor in 2000 and acted in the remake of Ocean's Eleven (2001) and its two sequels. He also appeared as a voice artist in the film Good Boy (2003), and the animated series The Cleveland Show (2009) (he even wrote an episode for the series rooted in his "Your Show of Shows" experience). He was also a regular on the series Hot in Cleveland (2010) (with fellow nonagenarian Betty White), and appeared on an episode of Parks and Recreation (2009) in 2012. His last film role was as the voice of Carl Reineroceros in Toy Story 4 (2019), opposite his old compatriot Mel Brooks.
Carl Reiner died at age 98 of natural causes on June 29, 2020, in Beverly Hills, California.- Actor
- Producer
- Writer
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother was entertainer Jerry Van Dyke. His ancestry includes English, Dutch, Scottish, German and Swiss-German. Although he had small roles beforehand, Van Dyke was launched to stardom in the musical "Bye-Bye Birdie" (1960), for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films through the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmy Awards and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke, Carrie Beth Van Dyke, Christian Van Dyke and Stacy Van Dyke, all of whom are now in their sixties and seventies, and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993).- Actress
- Soundtrack
The legendary actress set a record when at age 82, she appeared on Dancing with the Stars (2005). Cloris Leachman was born on April 30, 1926 in Des Moines, Iowa to Berkeley Claiborne "Buck" Leachman and the former Cloris Wallace. Her father's family owned a lumber company, Leachman Lumber Co. She was of Czech (from her maternal grandmother) and English descent. After graduating from high school, Leachman attended Illinois State University and Northwestern University, where she majored in drama. After winning the title of Miss Chicago 1946 (as part of the Miss America pageant), she acted with the Des Moines Playhouse before moving to New York.
Leachman made her credited debut in 1948 in an episode of The Ford Theatre Hour (1948) and appeared in many television anthologies and series before becoming a regular on The Bob & Ray Show (1951) in 1952. Her movie debut was memorable, playing the doomed blonde femme fatale Christina Bailey in Robert Aldrich's classic noir Kiss Me Deadly (1955). Other than a role in Rod Serling's movie The Rack (1956) in support of Paul Newman, Leachman remained a television actress throughout the 1950s and the 1960s, appearing in only two movies during the latter decade, The Chapman Report (1962) and Butch Cassidy and the Sundance Kid (1969). Though she would win an Oscar for Peter Bogdanovich's adaptation of Larry McMurtry's The Last Picture Show (1971) and appear in three Mel Brooks movies, it was in television that her career remained and her fame was assured in the 1970s and into the second decade of the new millennium.
Leachman was nominated five times for an Emmy Award playing Phyllis Lindstrom, Mary Tyler Moore's landlady and self-described best friend on The Mary Tyler Moore Show (1970) and on the spin-off series Phyllis (1975). She won twice as Best Supporting Actress in a comedy for her "Mary Tyler Moore" gig and won a Golden Globe Award as a leading performer in comedy for "Phyllis", but her first Emmy Award came in the category Outstanding Single Performance by an Actress in a Leading Role in 1973 for the television movie A Brand New Life (1973). She also won two Emmy Awards as a supporting player for Malcolm in the Middle (2000).
She was married to director-producer George Englund from 1953 to 1979. They had five children together. Cloris Leachman died of natural causes on January 27, 2021 in Encinitas, California.- Writer
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- Additional Crew
Michael Palin is an English comedian, actor, writer and television presenter. He was one of the members of the comedy group Monty Python.
After the Monty Python television series ended in 1974, the Palin/Jones team worked on Ripping Yarns, an intermittent television comedy series broadcast over three years from 1976. In 1980, Palin co-wrote Time Bandits with Terry Gilliam. He also acted in the film. In 1984, he reunited with Terry Gilliam to appear in Brazil. He appeared in the comedy film A Fish Called Wanda (1988), for which he won the BAFTA Award for Best Actor in a Supporting Role.- Actor
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- Music Department
Eric Idle is an English comedian, actor, author, singer, playwright, director, and songwriter. co-creator of Monty Python on TV, stage, and five films, including The Life of Brian and The Holy Grail, which he later adapted for the stage with John Du Prez as Monty Python's Spamalot, winning the Tony Award for Best Musical in 2005, a Grammy, a Drama Desk Award, and playing for almost five years on Broadway. They also wrote the comic oratorio Not the Messiah, He's a Very Naughty Boy, in 2007, which played round the world and at The Hollywood Bowl and was filmed live at The Royal Albert Hall, and a musical play What About Dick? available soon on iTunes. He created and directed the first mockumentary The Rutles for NBC, starred as Ko-Ko in the English National Opera version of The Mikado in London and Houston, and appeared last year in The Pirates of Penzance in Central Park and in Not the Messiah at Carnegie Hall. He is also one of the conceivers of the musical Seussical. In 2012 he appeared live in front of a billion people worldwide singing his song Always Look on the Bright Side of Life at the Closing Ceremony of the London Olympics. Last year he created, directed, and appeared in the sold-out final Monty Python reunion show One Down Five to Go at London's O2 Arena for 10 nights, whose final performance was broadcast live round the world.
He has also acted in several movies, including Nuns on the Run, Splitting Heirs, Casper, Shrek the Third, and The Adventures of Baron Munchausen; and written two novels, The Greedy Bastard Diary and Pass the Butler, a West End play.- Writer
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Graham Chapman was born on January 8, 1941 in Leicester, England while a German air raid was in progress. Graham's father was a chief police inspector and probably inspired the constables Graham often portrayed later in comedy sketches. Graham studied medicine in college and earned an M.D., but he practiced medicine for only a few years.
At Cambridge, he took part in a series of comedy revues and shortly after completing his medical studies at St. Bartholomew's Hospital, Graham realized what he wanted to do with his life. He wanted to perform comedy. In 1969, Graham along with University friends John Cleese, Eric Idle, Michael Palin, Terry Jones and American Terry Gilliam formed their own comedy group called Monty Python. Their BBC TV series Monty Python's Flying Circus (1969), which aired a short while later was a an instant hit. Their often self-referential style of humor was delightfully original but completely accessible to most audiences in the UK.
Before the show appeared on public television in the US, many people assumed that Americans would find Monty Python much too British to consider it funny. But PBS never had a larger audience than when stations began to air it during the early 1970s. The classic routines have since become standard college humor.
So enduring was the Python humor that fans know entire sketches such as "The Pet Shop," "Nudge-Nudge, Wink-Wink," "Argument Clinic," and "Penguin on the Telly." Graham was a standout of the group with his tall, blond profile and his zany characters (one of the more memorable was Colonel Muriel Volestrangler, a vaguely military-type character who would stop a sketch because it was "much too silly").
Graham was openly gay long before it was socially acceptable, and was open about his long-term relationship with writer David Sherlock, who lived with him for 24 years. He even adopted and raised a teenage runaway named John Tomiczek. Graham played the title role in the movie Life of Brian (1979) as well as King Arthur in Monty Python and the Holy Grail (1975). By the late 1970s, most of the Python members were pursuing independent movie projects and the group was slowly fading into obscurity after their last successful effort The Meaning of Life (1983). Also in 1983, Graham co-wrote and starred in the movie Yellowbeard (1983), which received negative reviews.
In 1988, Graham began working on another series when his health began to decline. A longtime alcoholic, who suffered liver damage before he stopped drinking for good in 1977, Graham began to have trouble concentrating at work. In November 1988, a routine visit to a dentist revealed a malignant tumor on one of his tonsils which was surgically removed. A visit to the doctor a few months later revealed another tumor on his spine which had to be removed which confined him to a wheelchair. During most of 1989, he underwent a series of surgical operations and radiation therapy but for every tumor that was found and removed, another would form either along his spine or in his throat. By July 1989, his cancer was declared terminal and that he would not survive the year, yet he continued to pursue treatments which included chemotherapy. In his wheelchair, he attended the September 1989 taping for the Monty Python's 20th anniversary special. But on October 1, he was hospitalized after a massive stroke which turned into a hemorrhage. He died at the Maidstone hospital at age 48 on October 4, 1989 from complications of the stroke as well as throat and spinal cancer.- Writer
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Terry Jones was born in Colwyn Bay, North Wales, the son of Dilys Louisa (Newnes), a homemaker, and Alick George Parry Jones, a bank clerk. His older brother is production designer Nigel Jones. His grandparents were involved in the entertainment business, having managed the local Amateur Operatic Society and staged Gilbert and Sullivan concerts. Jones studied at St. Edmund Hall College, Oxford University, read English but graduated with a degree in History. He was variously captain of boxing, captain of the Rugby Team and School Captain. At about this time, he befriended Michael Palin. Both performed comedy together as part of the Oxford Revue. In 1965, he again partnered Palin in The Late Show (1966) and worked in the dual capacity of writer/actor on Do Not Adjust Your Set (1967) with Palin, Eric Idle and David Jason. Another noteworthy television credit was Complete and Utter History of Britain (1969) (again with Palin) in which fun was poked at famous historical personae, Jones essaying Oliver Cromwell, Sir Walter Raleigh and Henry VIII (among others).
Needless to say that Jones found his greatest success as a founding member of the anarchic and irreverent Monty Python's Flying Circus (1969), along with Palin, Idle, Graham Chapman, John Cleese and Terry Gilliam. Jones not only provided much of the written comic input, but also portrayed many of the classic characters: the implausibly obese Mr. Creosote in The Meaning of Life (1983) (who explodes after one more little wafer), the inept Detective Superintendent Harry "Snapper" Organs in the Piranha Brothers sketch (a take on the Kray Twins), the tobacconist in the Dirty Hungarian Phrasebook sketch and numerous assorted shrill-voiced, slovenly 'rat-bag women' (Mrs. Equator comes to mind).
The Pythons were unconventional, controversial, certainly groundbreaking and invariably inspired, at their best in their unrelenting satirical attacks on established British institutions, ruling hierarchies and the class structure. Jones later said "The thing is we never thought Python was a success when it was actually happening, it was only with the benefit of hindsight". In addition to writing and acting, Jones also co-directed Monty Python and the Holy Grail (1975) (with Terry Gilliam) and took solo directing credit for Life of Brian (1979) and The Meaning of Life. Post-Python, he rejoined Palin as co-writer for some of the very best episodes of Ripping Yarns (1976), including Whinfrey's Last Case, Tompkinson's Schooldays, Murder at Moorstone Manor, The Curse of the Claw and The Testing of Eric Oldthwaite. Jones later scripted Labyrinth (1986) from a story by Jim Henson and Dennis Lee and wrote, as well as directed, Erik the Viking (1989) and Absolutely Anything (2015), a science fiction comedy with Simon Pegg and Kate Beckinsale.
On a more serious note, Jones sidelined as a newspaper columnist and was an outspoken social and political commentator (a staunch critic of the Iraq War). His lifelong fascination with medieval and ancient history (and Geoffrey Chaucer in particular) led to presenting a series of television documentaries (Medieval Lives (2004) and Barbarians (2006))) as well as publishing several well researched, if sometimes controversial, books including Chaucer's Knight: The Portrait of a Medieval Mercenary and Who Murdered Chaucer?: A Medieval Mystery.
Jones died at the age of 77 on 21 January 2020 from complications of dementia, at his home in Highgate, North London.- Actress
- Producer
- Writer
Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.
Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.
She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.
She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.
Betty White died on 31 December 2021, at the age of 99.- Actor
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William Claude Dukenfield was the eldest of five children born to Cockney immigrant James Dukenfield and Philadelphia native Kate Felton. He went to school for four years, then quit to work with his father selling vegetables from a horse cart. At eleven, after many fights with his alcoholic father (who hit him on the head with a shovel), he ran away from home. For a while he lived in a hole in the ground, depending on stolen food and clothing. He was often beaten and spent nights in jail. His first regular job was delivering ice. By age thirteen he was a skilled pool player and juggler. It was then, at an amusement park in Norristown PA, that he was first hired as an entertainer. There he developed the technique of pretending to lose the things he was juggling. In 1893 he was employed as a juggler at Fortescue's Pier, Atlantic City. When business was slow he pretended to drown in the ocean (management thought his fake rescue would draw customers). By nineteen he was billed as "The Distinguished Comedian" and began opening bank accounts in every city he played. At age twenty-three he opened at the Palace in London and played with Sarah Bernhardt at Buckingham Palace. He starred at the Folies-Bergere (young Charles Chaplin and Maurice Chevalier were on the program).
He was in each of the Ziegfeld Follies from 1915 through 1921. He played for a year in the highly praised musical "Poppy" which opened in New York in 1923. In 1925 D.W. Griffith made a movie of the play, renamed Sally of the Sawdust (1925), starring Fields. Pool Sharks (1915), Fields' first movie, was made when he was thirty-five. He settled into a mansion near Burbank, California and made most of his thirty-seven movies for Paramount. He appeared in mostly spontaneous dialogs on Charlie McCarthy's radio shows. In 1939 he switched to Universal where he made films written mainly by and for himself. He died after several serious illnesses, including bouts of pneumonia.- Actor
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Author, actor, comedian, composer and producer. He was educated at the New York School of Theatre, and received the Sylvania Television Award. Joining the American Society of Composers, Authors, and Publishers (ASCAP) in 1957, he composed a number of songs and themes, a number of which were used in his famed television comedy sketches including "Mr. Question Man". His other popular-songs included "Ugly Duckling", "So Good to Me", "The Patty Cake", "The Irving Wong Song", and many more.- Actor
- Music Department
- Soundtrack
Mel Blanc, known as "The Man of Thousand Voices" is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits. He developed and performed nearly 400 distinct character voices with precision and a uniquely expressive vocal range. The legendary specialist from radio programs, television series, cartoon shorts and movie was rarely seen by his audience but his voice characterizations were famous around the world.
Blanc under exclusive contract until 1960 to Warner Brothers voiced virtually every major character in the Warner Brothers' Looney Tunes and Merry Melodies cartoon pantheon. Characters including Porky Pig, Bugs Bunny, Daffy Duck, Elmer Fudd, Tweety Bird, Sylvester the Cat, Wile E. Coyote,The Roadrunner, Yosemite Sam, Sam the Sheepdog, Taz the Tazmanian Devil, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, Pepé la Pew, Charlie the Dog, Blacque Jacque Shellacque, Pussyfoot, Private Snafu among others were voiced by Blanc.
After 1960, Blanc continued to work for Warner Brothers but began to work for other companies once his exclusive contract ended. He worked for Hanna-Barbera voicing characters including Barney Rubble, Dino the Dinosaur, Cosmo Spacely, Secret Squirrel, Captain Caveman, Speed Buggy, Wally Gator among others. He provided vocal effects for Tom & Jerry in the mid 1960's working with fellow Warner Bros. alum, Chuck Jones at what would become MGM Animation. In the mid 1960's, Blanc originated and voiced Toucan Sam for the Kellogg's Fruit Loops commercials. He would later go to originate and voice Twiki for Buck Rogers and Heathcliff in the late 1970's and early 1980's.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.- Actor
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- Producer
Billy Crystal was born on March 14, 1948 in Manhattan, New York, and was raised on Long Island. He is the youngest of three sons born to Helen (Gabler) and Jack Crystal. His father was a well-known concert promoter who co-founded Commodore Records and his mother was a homemaker. His family were Jewish emigrants from Russia, Austria, and Lithuania. With his father in the music business, Billy was no stranger to some of the top performers of the time. Legends such as Billie Holiday, Pee Wee Russell, and Eddie Condon regularly stopped by the Crystal household. At age 15, Billy faced a personal tragedy when his father died of a heart attack at the relatively young age of 54. This gave Billy a real appreciation of what his dad was able to accomplish while alive and what his mother did to keep the family together. Despite this tragedy, Billy was very upbeat and likable as a kid. He had a unique talent for making people laugh.
With television becoming a new medium, Billy got his influence from shows like The Honeymooners (1955), and "The Ed Sullivan Show" and performers like Alan King, Ernie Kovacs and Jonathan Winters. He started doing stand-up comedy at the age of 16. However, his real dream was to be a professional baseball player. His idol growing up was Yankees outfielder Mickey Mantle. He spent long hours in the summers playing softball in the middle of Park Avenue with his brothers and his father, a former pitcher at St. John's University . At Long Beach High, Billy played second base and was varsity captain in his senior year. This earned him a baseball scholarship from Marshall University in West Virginia which he accepted. However, he would never end up playing a game as the baseball program was suspended during his freshman year. This would lead him to leave the university and move back to New York. He then enrolled at nearby Nassau Community College, majoring in theater. It was there that he met and fell in love with a dancer named Janice Goldfinger. They would get married in 1970 and have two daughters. Shortly after, Billy got accepted in New York University, where he majored in Film and TV Direction. While at NYU, he studied under legendary filmmaker Martin Scorsese. He also worked as house manager and usher on a production of "You're A Good Man, Charlie Brown."
After receiving a Bachelor of Fine Arts from NYU in 1970, Billy temporarily worked as a substitute teacher until he was able to get gigs as a stand-up comic. He formed his own improv group, 3's Company, and opened for musicians like Barry Manilow. His impression of Howard Cosell interviewing Muhammad Ali became a huge hit with the audience. He left Long Beach for Hollywood in August of 1976 in the hopes of trying to land a role on a television series. It only took a year before he got his big break when he was chosen for the role of gay character Jodie Dallas on the controversial ABC sitcom Soap (1977). This would be the first time that an American TV show would feature an openly gay character as a regular. The show ran successfully for four seasons and helped to jump-start Billy's previously stagnant career. After Soap (1977) ended in 1981, Billy continued to do his stand-up routine, which was now attracting a larger audience with his growing celebrity status. During this time, he made many TV guest appearances and even hosted his own short-lived variety show, The Billy Crystal Comedy Hour (1982).
He became a regular on Saturday Night Live (1975) in 1984 where his Fernando Lamas impression with the catchphrase "You Look Mahvellous" was a huge hit with viewers. This would lead to appearances in feature-length films such as Running Scared (1986) and Throw Momma from the Train (1987). In 1986, along with Whoopi Goldberg and Robin Williams, he started Comic Relief, an annual stand-up comedy show which helped to raise money for housing and medical care for the homeless. The show has since grown substantially with the continued support of all three comics. Billy's career would peak in the late 1980s and early 1990s. His roles in the blockbuster movies When Harry Met Sally... (1989) and City Slickers (1991) helped to establish himself as one of Hollwood's top movie stars. This star status was further validated when he was chosen to host the annual Oscars in 1990, an honor in which he would repeat seven more times. He made his big screen directorial debut in the 1992 film Mr. Saturday Night (1992), which was about a washed-up stand-up comic who refuses to retire. He also wrote, produced and starred in the film. Although the film was not a huge hit, it proved that Billy was much more than an actor and comedian. In the following years, Billy continued to act in, produce, and direct several films.
He had his share of hits (Analyze This (1999), America's Sweethearts (2001)) and some flops (Fathers' Day (1997), My Giant (1998)). His role in as a therapist to mobster Robert De Niro in Analyze This (1999) earned him critical praise. In 2001, Billy parlayed his childhood love of baseball and Mickey Mantle into a feature film. The movie, 61* (2001), which premiered on HBO, centered on the relationship between Mantle and Roger Maris and their 1961 pursuit of Babe Ruth's home run record. The film for which Billy served as director and executive producer, garnered 12 Emmy nominations in all.
Offscreen, Billy remains married to Janice Crystal and they have homes in California and New York. Both of his daughters are involved in the film business. Jennifer Crystal Foley is an aspiring actress, appearing in 61* (2001), while Lindsay Crystal is an aspiring filmmaker, creating and directing the documentary My Uncle Berns (2003).- Writer
- Actor
- Script and Continuity Department
"I am too old to die young, and too young to grow up," Marty Feldman told a reporter -- a week before he died.
This beloved comedian, who poked fun at himself, as well as others, was born Martin Alan Feldman on July 8, 1934, in London, England. His parents were of Ukrainian Jewish heritage (from Kiev). He was the son of Cecilia (née Crook) and Myer Feldman, a gown manufacturer. Marty spent his childhood in the poverty-stricken London East End and left school at the age of 15, hoping for a career as a jazz trumpeter (his appearance in a Variety show earned him the title "the worst trumpeter in the world"). He had just started his comedy career, as a writer for BBC radio programs and TV shows in the late 1950s, when he married Lauretta Sullivan in January 1959 (they would stay married until his death in 1982). There's a saying: "Your face is your fortune"; Marty had received a double-whammy. His nose was mangled in his youthful years in a boxing match; his walleyed orbs were the result of both a hyperactive thyroid and a botched operation after a car accident before his 30th birthday, in 1963. American audiences first saw Marty in Dean Martin Presents the Golddiggers (1968), where he did comedy skits with Susie Ewing and the Golddiggers. He appeared in a number of movies, his most-remembered role being that of Igor (pronounced Eye-Gor) in Young Frankenstein (1974). Besides acting, he made his directorial debut in The Last Remake of Beau Geste (1977). Beloved and popular, it seemed Marty was to enjoy a long career in the entertainment field. However, he died of a massive heart attack, caused by shellfish food poisoning, while filming Yellowbeard (1983) in Mexico City, on December 2, 1982... he was only 48.- Actor
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One of four stars of the London and New York revues Beyond the Fringe and Beyond the Fringe (with Jonathan Miller, Alan Bennett, and Dudley Moore). Later created scatological comedy routine "Derek & Clive" with Moore.- Actor
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- Music Department
Dudley Moore, the gifted comedian who had at least three distinct career phases that brought him great acclaim and success, actually started out as a musical prodigy as a child. Moore -- born in Dagenham, Essex, England to working class parents in 1935 -- won a music scholarship to Magdalen College, Oxford, to study the organ. At university, he also studied composition and became a classically trained pianist, though his forte on the piano for public performance was jazz. After graduating from Magdalen College in 1958, Moore was offered a position as organist at King's College, Cambridge, but turned it down in order to go to London and pursue a music and acting career. Fellow Oxonian Alan Bennett (Exter Colelge, B.A., Medieval History, 1957) had already recommended him to John Bassett, who was putting together a satirical comedy revue called "Beyond the Fringe". "Beyond the Fringe" was to be Moore's first brush with fame, along with co-stars Bennett, future theatrical director Jonathan Miller (now Sir Jonathan, who studied Medicine at Cambridge and was a physician), and Peter Cook, who was destined to become Moore's comic partner during the 1960s and '70s.
It was Miller who had recommended Cook for "Beyond the Fringe", in much the same way that Bennett had bird-dogged Moore. Cook, who had studied modern languages at Cambridge, had been part of the famous Cambridge theatrical, the Footlights revue in 1959, had subsequently gone to London to star in a West End revue for Kenneth Williams, "Pieces of Eight". This old-fashioned review was such a success there was a sequel, "One Over the Eight". He was advised by his agent not to star in the Fringe with the three others as he was a professional, whereas they were amateurs. Ironically, the great success of "Beyond the Fringe", which was a new kind of satirical comedy, would doom the very old-fashioned reviews that Cook had just tasted success in. "Beyond the Fringe" not only won great acclaim in the UK, but it was a hit in the U.S.. The four won a special Tony Award in 1963 for their Broadway production of "Beyond the Fringe" and there was a television program made of the revue in 1964.
Moore and Cook were offered the TV show Not Only... But Also (1965) by the BBC in 1965. Peter Cook was on as a guest. Their pairing was so successful, it enjoyed a second season in 1966 and a third in 1970. They were particularly funny as the working-class characters "Pete" and "Dud". The duo then broke into the movies, including The Wrong Box (1966) and Bedazzled (1967). In 1974, the duo won their second Tony Award for their show "Good Night", which was the stage version of their TV series "Not Only... But Also".
In the mid- to late 1970s, they issued three comic albums in the guise of the characters "Derek" and "Clive" (Moore and Cook, respectively), two lavatory attendants that many viewed as reincarnations of their earlier TV characters "Pete" and "Dud". The albums, ad-libbed in a recording studio while the two drank vast quantities of alcohol, were noted at the time for their obscenity. Their typical routine was a stream-of-consciousness fugue by Cook, interspersed with interjections by Moore. With their obscenity-laden, free-formed riffs, Derke and Clive presaged the more free-wheeling shock comedy of the 1980s and '90s.
They subsequently split up as Moore could no longer tolerate Cook's alcoholism. Under the influence, Cook would become abusive towards Moore, whose acting career was undergoing a renaissance in the late '70s while his career has stalled. Ironically, it was playing an alcoholic that brought Moore to the summit of his success as an actor.
After marrying American actress Tuesday Weld in 1975, Moore moved to the U.S. and began a second career as a solo screen comedian, stealing the show from Chevy Chase and Goldie Hawn as the horny conductor in the movie comedy, Foul Play (1978). When George Segal dropped out of the movie 10 (1979), director Blake Edwards cast Moore in the lead role as the composer undergoing a mid-life crisis. It was a huge hit, but was surpassed by his Oscar-nominated turn as the dipsomaniac billionaire in Arthur (1981). In the early 1980s, Moore was a top box office attraction. In 1983, the National Alliance of Theater Owners named him the Top Box Office Star-Male of the Year.
His career began petering out after he turned down the lead in Splash (1983), a role that helped establish Tom Hanks as a top movie comedian and position him for his transition into movie drama and super-stardom. As Hanks star waxed, Moore's star waned, and by 1985 he was reduced to playing an elf in Santa Claus: The Movie (1985), one of the all time turkeys. Even a second turn as "Arthur" in Arthur 2: On the Rocks (1988) couldn't revive his box office, the dependent clause of the title all too well describing his career. His TV series Dudley (1993) was a bust, and the 1990s proved a wasteland for the once-honored and prosperous comedian.
Moore was deeply affected by the January 1995 death of Peter Cook by a gastrointestinal hemorrhage at the age of 57. Moore organized a two-day memorial to Cook in Los Angeles that was held in November 1995. Less than four years later, in September 1999, Moore announced that he was afflicted with progressive supra-nuclear palsy, a disease for which there is no treatment.
Dudley Moore was invested as a Commander of the Order of The British Empire (one step below knighthood) in June 2001. Moore personally attended the ceremony at Buckingham Palace to accept his CBE from Prince Charles, the Prince of Wales (later King Charles III), despite being unable to speak and being wheelchair-bound. He died in Watchung, New Jersey on March 27, 2002, a month shy of his 67th birthday, from the pneumonia related to progressive supra-nuclear palsy.
Dudley Moore was married four times, to actresses Suzy Kendall, Tuesday Weld, Brogan Lane and Nicole Rothschild, and had two sons, one with Tuesday Weld and one with Nicole Rothschild.- Actor
- Soundtrack
Zero Mostel was born Samuel Joel Mostel on February 28, 1915 in Brooklyn, New York, one of eight children of an Orthodox Jewish family. Raised in the Lower East Side of Manhattan, the young Zero, known as Sammy, developed his talent for painting and drawing at art classes provided by the Educational Alliance, an institution serving Jewish immigrants and their children. Sammy often would go to the Metropolitan Museum of Art to copy the paintings.
Sam Mostel matriculated at the City College of New York, then entered a master's program in art at New York University after graduating from CCNY in 1935. He dropped out after a year and worked at odd jobs before being hired by the Works Progress Administration's Federal Art Project to teach drawing and painting at the 92nd Street "Y", the famous Young Men and Young Women's Hebrew Association located on Manhattan's 92nd St., in 1937.
Mostel married Clara Sverd, a CCNY classmate, in 1939, but the marriage was troubled due to personality conflicts. The couple separated in 1941 and divorced in 1944. While still teaching, Mostel supplemented his income by providing gallery lectures at various museums under the aegis of the WPA. His lectures were full of jokes as Mostel personally was a clown, and subsequently he was hired to perform at private parties.
Mostel auditioned as a comedian at the downtown nightclub Cafe Society in late 1941, a jazz club. Initially rejected, owner Barney Josephson hired Mostel after Pearl Harbor, figuring his patrons, now at war, could use some laughs. It was Ivan Black, the club's press agent, who gave Sam Mostel the nickname Zero, explaining, "Here's a guy who's starting from nothing."
Debuting at the Cafe Society on February 16, 1942, Zero was a hit with audiences and the critics, Simultaneously, Zero began appearing in the play "Cafe Crown" at the Cort Theatre, which opened on January 23, 1942 and played through May 23rd, closing after 141 performances. Zero made some impromptu appearances on stage, but he wasn't officially part of the cast of the play, which was staged by Elia Kazan and starred Morris Carnovsky, Sam Jaffe (a future blacklistee), Whit Bissell, and Sam Wanamaker. Zero made his formal Broadway debut in "Keep 'em Laughing" on April 24, 1942 at the 44th Street Theatre. The show ran for 77 performances.
Within a year, he was touring the national nightclub circuit and appearing on radio. He had a brief stint in the Army in 1943, but was quickly discharged due to an unspecified physical disability. Zero spent the rest of the war entertaining the troops overseas.
Zero married Kathryn Harkin, a former Radio City Music Hall Rockette, on July 2, 1944, an act that ruined his relationship with his Orthodox Jewish parents as his new wife was a gentile. The two remained a married couple until his death and produced two sons: Josh Mostel, who was born in 1946, and Tobias, who was born in 1949.
In the post-war years, Zero began to branch-out as a straight actor. On October 19, 1948, he made his television debut in the series "Off the Record," which was broadcast on the DuMont network, following it up with an appearance on October 26, 1948. He later appeared in the The Ford Theatre Hour (1948) episode "The Man Who Came to Dinner," which was broadcast on January 16, 1949 on NBC. He was reunited with his "Cafe Crown" director Elia Kazan in the Oscar-winner's movie Panic in the Streets (1950) (1950). In the movies, Zero often played heavies due to his physique, roles that downplayed his unique gift for comedy.
Zero had long been a leftist politically, and had made contributions to progressive causes. His nightclub act lampooned the red-baiters rampant at the time, and featured the character of a pompous senator called Polltax T. Pellagra. When he and the wife of his good friend 'Jack Gilford' were named by Jerome Robbins before the House Un-American Activities Committee as being communists, Zero was subpoenaed to testify by HUAC.
Mostel testified before the House Un-American Activities Committee on October 14, 1955. In a playful mood, he told the Committee that he was employed by "19th Century-Fox." Zero denied he was a Communist, but refused to name names. He told the Committee that he would gladly discuss his own conduct but was prohibited by religious convictions from naming others. Consequently, he was blacklisted during the 1950s. Shut-out from the movies, he also lost many lucrative nightclub gigs, and he had to make due by playing gigs for meager salaries and by selling his paintings.
In the 1950s, Mostel bumped into Elia Kazan on the street in New York City, and the two reminisced. Kazan said Mostel chided him for putting Mostel through the paces in "Panic in the Streets," forcing him to run more than he ever had. The two retired to a bar, and as they began to drink, s Mostel kept muttering, in reference to Kazan's naming names before HUAC, "Ya shouldn't a done that. Ya shouldn't a done that."
There was no blacklist in the theater, and his friend Burgess Meredith, a noted liberal, offered Zero the lead role in his 1958 Off-Broadway production of "Ulysses in Nighttown," based on the Nighttown episode of James Joyce's novel "Ulysses," that Meredith was directing. Mostel's performance as Leopold Bloom, Joyce's Jewish Everyman, was a great hit with audiences and critics alike, and he won an "Obie," the Off-Broadway equivalent of a Tony. Zero also starred in productions of "Nighttown" in London and Paris.
By the end of 1959, Zero again was appearing on television, cast in the "Play of the Week" episode "The World of Sholom Aleichem," which was broadcast on December 14, 1959 in syndication. He also was cast in a Broadway play, "The Good Soup."
Zero never opened in the play as he was hit by a bus on January 13, 1960. His left leg was severely injured, and required four operations. Zero was in the hospital for five months but regained the use of the leg.
He made a triumphant return to Broadway in the fall of 1960, starring in Ionesco's absurdist tour-de-force "Rhinoceros," for which he won a Tony award. He was cast in another "Play of the Week" episode, this time in Samuel Beckett's "Waiting for Godot," which was broadcast on April 3, 1961 in syndication.
Zero and his friend Jack Gilford, who had also been blacklisted due to Jerome Robbins having named names and hadn't worked for many years, were both cast in the Broadway musical "A Funny Thing Happened on the Way to the Forum." However, the show, under director George Abbott, was troubled. When Stephen Sondheim pitched Robbins to producer Harold Prince as the savior of "Forum," which was floundering in its out-of-town tryouts, Prince phoned Mostel to ask whether he would be prepared to work with Robbins.
"Are you asking me to eat with him?" asked Mostel.
"I'm just asking you to work with him," Prince replied.
"Of course I'll work with him," Mostel said. "We of the left do not blacklist."
When Robbins showed up at his first rehearsal, everyone was terrified of him because of his reputation as a tough taskmaster and perfectionist. Robbins made the rounds of the cast, shaking hands. When he got to Mostel, there was silence. Then Mostel boomed, "Hiya, Loose Lips!"
Everyone burst out laughing, including Robbins, and the show went on. Robbins was uncredited for staging and choreographing "Forum," which opened at the Alvin Theatre on May 8, 1962. "Forum" was a great hit, running for 964 performances at the Alvin and at the Mark Hellinger Theatre and later at the Majestic, closing on August 29, 1964. "Forum" won six Tony awards, including Best Musical and Best Director for George Abbott. Mostel won his second Tony and Gilford was nominated for the Tony for Best Featured Actor.
Zero followed up this triumph with his legendary turn as Tevye, the milkman with marriageable daughters in "Fiddler on the Roof," based on the stories of Sholom Aleichem. With direction and choreography credited to Jerome Robbins, "Fiddler on the Roof" opened at the Imperial Theatre on September 22, 1964 and did not close until almost eight years later, at the Broadway Theatre on July 2, 1972, with a stop at the Majestic in between during the late '60s. After seven previews, "Fiddler" racked up a total of 3,242 performances, making it one of the greatest Broadway smashes ever. After wining nine Tony awards in 1965, including Best Musical, Best Director, and Best Actor in A Musical (Zero's third Tony), the show was awarded a 10th Tony, a Special Award in 1972 when "Fiddler" became the longest-running musical in Broadway history.
Zero was cast in the 1966 movie version of A Funny Thing Happened on the Way to the Forum (1966), and then concentrated on movies and television for the rest of his career. Most of his projects, with the exception of Mel Brooks' The Producers (1967), did not fully utilize his talents. It was a major blow when director Norman Jewison cast the Israeli actor Topol as Tevye in his movie adaptation of Fiddler on the Roof (1971), passing over the legend who had created the role. Topol got an Oscar nomination, but faded quickly out of American movies. The movie of "Fiddler," a huge roadshow hit in 1971, also faded out of American consciousness. One wonders if with Zero in the role, the movie would now be considered a classic and constantly revived on television.
In 1974, Zero reprised his Leopold Bloom in a Broadway production of "Ulysses in Nighttown," again directed by Burgess Meredith, which netted him a Tony Award nomination as Best Actor in a Play. He turned in an affecting performance as a blacklisted comedian in Martin Ritt's movie about the blacklist, The Front (1976). He also had a success with a Broadway revival of "Fiddler on the Roof" in December 1976.
Zero was cast as Shylock in Arnold Wesker's "The Merchant," a pro-Jewish reimagining of 'William Shakespeare''s "The Merchant of Venice." Mostel had great hopes that his Shylock would be the crowning achievement of his career and put him back on top. His huge talent and larger-than-life persona seemed to do better on stage.
This was not to come to pass. He fell ill after a tryout performance in Philadelphia in September and was hospitalized. On September 8, 1977, Zero Mostel died from an aortic aneurysm at the age of sixty-two. One of the greatest, most unique, and definitely irreplaceable talents to grace the American stage and movies had passed away. We are unlikely to look on his likes again.- Actress
- Producer
- Writer
Amy Meredith Poehler was born in Newton, Massachusetts, to high school teachers Eileen Frances (Milmore) and William Grinstead Poehler. Her brother is comedian Greg Poehler. She is of Irish (from her mother) and English, Irish, German, and Portuguese (from her father) descent. Amy was first involved with sketch comedy when she joined the group My Mother's Flea Bag when she was attending Boston College. In 1993, she went to Chicago where she studied at Second City and Improv Olympics. There, she met Del Close, who later became the voice of the UCB opening scene. In 1996, she joined the Upright Citizen's Brigade with Matt Besser, Ian Roberts, and Matt Walsh. Later on, the group moved to New York and became a Comedy Central show. The show went on only for three seasons. However, the group stayed together at the Upright Citizen's Brigade Theater. Today, the theater is one of the leading centers for improv and sketch shows.
After the Upright Citizens Brigade (1998) sketch show came and went, Amy joined the cast of Saturday Night Live (1975) in 2001. By the end of Christmas break of that year, she became a regularly featured performer. She has brought a slew of great performances on every show, such as impersonations of celebrities such as Kelly Ripa or Sharon Osbourne. When Jimmy Fallon left at the end of the 2003-04 season, Amy joined Tina Fey as a co-anchor for Weekend Update. Her Hollywood star is also growing bright, as she has done several feature films, including Blades of Glory (2007) with her then-real-life husband and Arrested Development (2003) star Will Arnett; and the Farrelly brothers-directed remake of The Heartbreak Kid (1993), in which she stars alongside another Arrested Development (2003) star, Jason Bateman.
Among her 2010s film starring roles are Sisters (2015), with Tina Fey, and The House (2017), with Will Ferrell. Having played one of her first roles in the indie Wet Hot American Summer (2001), she reprised her role in the television mini-series Wet Hot American Summer: First Day of Camp (2015) and Wet Hot American Summer: Ten Years Later (2017).
Amy was married to Canadian actor and comedian Will Arnett from 2003 to 2016. The couple have two children.- Actress
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Diller put out an autobiography in 2005 in her late 80s, and entitled it "Like a Lampshade in a Whorehouse", which pretty much says it all when recalling the misfit life and career of the fabulous, one-of-a-kind Phyllis Diller. It may inspire all those bored, discouraged and/or directionless housewives out there to know that the one-time 37-year-old chief bottle washer and diaper disposer of five started out writing comedy routines for her fellow female laundry mates as a sort of reprieve from what she considered her everyday household doldrums. Little did she know she would wind up an entertainment legend who would share the biggest comedy stages with the likes of Bob Hope, George Burns and Jack Benny.
They said it couldn't be done back then (to be a successful lady comic, that is) but the doyenne of female stand-up did just that -- opened the doors for other odd-duck funny girls who dared to intrude on what was considered a man's profession. Initially, the comedienne whipped up an alter-ego that could have only been created with the aid of hallucinogens. Boldly facing the world as a scrawny, witchy-faced, flyaway haired, outlandishly costumed, cigarette-holding, magpie-cackling version of "Auntie Mame", Diller made a virtue out of her weird looks and cashed in on her wifely horror tales and her own idiosyncratic tendencies. Her solid fan base has been thriving now for over five decades.
She was born Phyllis Ada Driver on July 17, 1917 in Lima, Ohio to Perry Marcus and Frances Ada (Romshe) Driver. A student at Lima's Central High School, she went on to study for three years at the Sherwood Music Conservatory in Chicago, before transferring to Bluffton (Ohio) College where she served as the editor of the school's more humorous newspaper articles. She was a serious student of the piano but was never completely confident enough in her performance level to try and act on it as a possible career.
She wed Sherwood Anderson Diller at age 22 in November 1939 and had six children (one of whom died in infancy). On the sly, she was an advertising copywriter. During World War II, the family moved to Michigan where her husband had found work at the Willow Run Bomber Plant. A natural laugh-getter, she began writing household-related one-liners and the feedback from the fellow wives greatly encouraged her. When the family moved to California for job-related reasons, Diller became a secretary at a San Francisco television station. By this time, she had built up the courage to put together a nightclub act.
The local television hosts at the station (Willard Anderson and Don Sherwood) thought her act was hilarious and invited her on their show in 1955. Not long after, at age 38, Diller made her debut at San Francisco's Purple Onion nightclub. What was to be a two-week engagement was stretched out to more than a year and a half. The widespread publicity she received took her straight to the television talk and variety circuits where she was soon trading banter with Jack Paar, Jack Benny and Red Skelton, among others, on their popular television series. She was a contestant on Groucho Marx's popular quiz show You Bet Your Life (1950).
Throughout the 1960s, audiences embraced her bold and brazen quirkiness. Diller formed a tight and lasting relationship with Bob Hope, appearing in scores of his television specials and co-starring in three of his broad 1960s comedy films (Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967) and The Private Navy of Sgt. O'Farrell (1968). Diller joined Hope in Vietnam in 1966 with his USO troupe.
Her celebrity eventually took its toll on her marriage. She separated from and eventually divorced Sherwood in 1965, who had, by this time, become a favorite topic and target of her act in the form of husband "Fang". That same year, she married singer, film actor and television host Warde Donovan who appeared with her in the slapstick movie Did You Hear the One About the Traveling Saleslady? (1968). They divorced in 1975.
By this time, Diller was everywhere on the small screen. A special guest on hordes of television series and comedy specials and, especially on such riotfests as Laugh-In (1977) and the Dean Martin celebrity series of roasts, she became a celebrity on the game show circuit as well, milking laughs on such established shows as The Hollywood Squares (Daytime) (1965) and The Gong Show (1976). She published best-selling comedy records to her credit and humorous anecdotes to pitch that made it to the bookstore shelves, such as "Phyllis Diller Tells All About Fang". However, stand-up remained her first love.
Her forays on television in her own series were, regretfully, unsuccessful. Her first television series, The Phyllis Diller Show (1966), had her pretty much pulling out all the stops as a wacky widow invariably scheming to keep up a wealthy front despite being heavily in debt. She had the reliably droll Reginald Gardiner and cranky Charles Lane as foils and even Gypsy Rose Lee, but to little avail. Revamped as "The Phyllis Diller Show", several of comedy's best second bananas (John Astin, Paul Lynde, Richard Deacon, Billy De Wolfe, Marty Ingels) were added to the mix, but the show was canceled after a single season. A second try with The Beautiful Phyllis Diller Show (1968), a comedy/variety show that had the zany star backed by none other than Rip Taylor and Norm Crosby, lasted only three months.
Seldom did she manage or receive offers to take her funny face off long enough to appear for dramatic effect. Somewhat more straightforward roles came later on episodes of Boston Legal (2004) and 7th Heaven (1996). Back in 1961, interestingly enough, she made both her stage and film debuts in the dramas of William Inge. Her theatrical debut came with a production of "The Dark at the Top of the Stairs" and she appeared first on film in the highly dramatic Splendor in the Grass (1961), lightening things up a bit with a cameo appearance as larger-than-life nightclub hostess Texas Guinan. Diller later impressed with her harridan role in the film The Adding Machine (1969) opposite Milo O'Shea.
Diller enjoyed a three-month run on Broadway in "Hello, Dolly!", co-starring Richard Deacon and appeared in other shows and musicals over time: "Wonderful Town" (she met her second husband Warde Donovan in this production), "Happy Birthday", "Everybody Loves Opal" and "Nunsense". In 1993, Diller was inducted into the St. Louis Walk of Fame. Her cackling vocals have enhanced animated features, too, what with Mad Monster Party? (1967) and A Bug's Life (1998). It took a heart attack in 1999 to finally slow down the comedienne and she eventually announced her retirement in 2002.
Aside from the baby who died in infancy, Diller was also predeceased by her eldest son, Peter (who died of cancer in 1998) and her daughter, Stephanie Diller (who died of a stroke in 2002). Her surviving children are Sally Diller, Suzanne Sue Diller and Perry Diller. As late as January 2007, she made an appearance on The Tonight Show with Jay Leno (1992). She was set to return on her 90th birthday in July but a back injury forced her to cancel. She died at age 95 of heart failure on August 20, 2012 in her home in Brentwood, California.- Writer
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Joan Rivers is an American talk show host, comedian, writer and actress from Brooklyn, New York. She voiced Dot Matrix from Mel Brooks' Spaceballs. She has portrayed in several films and shows such as Shrek 2, Look Who's Talking, The Smurfs and Iron Man 3. She passed away in September 2014 at Manhattan, New York.- Actress
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Julia Louis-Dreyfus was born on January 13, 1961, in the New York City borough of Manhattan, to Judith (LeFever), a special needs tutor and author, and Gérard Louis-Dreyfus, a billionaire businessman. Her parents divorced when she was young, and she spent her childhood in Washington, D.C., and New York. She met her husband, Brad Hall, while in college, and made her feature movie debut in the Woody Allen film Hannah and Her Sisters (1986). She lives in Los Angeles with Brad and their two children. Her father was born in France, and her grandfather Pierre Louis-Dreyfus was in the French Resistance against the Nazis.- Actor
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Brooklyn-born Buddy Hackett was known mainly as a nightclub comic, especially in Las Vegas, where he first performed in 1952 and wound up being one of the biggest headliners in that city's history. Hackett always referred to himself as a "saloon comic" and preferred the intimacy of his stage act--where he would often bring members of the audience up on stage with him--to films and television. He, along with Lenny Bruce, pioneered "blue" comedy, although Hackett's career did not suffer nearly as much as Bruce's did because of it. Hackett's act was noted for its, at the time, "adult" content, and at one point he was sued by a woman who attended one of his shows and said she was "shocked and offended" at the language (she lost the suit). However, contrary to his nightclub image, Hackett's appearances in films were mostly of the family type, such as his roles in the "Herbie" series of comedies for Disney about a Volkswagen Bug with a mind of its own and as Robert Preston's sidekick in The Music Man (1962). In 1954, Hackett was paired by Universal Pictures with Hugh O'Brian as a potential comedy team to replace the studio's reigning team of Bud Abbott and Lou Costello, They actually did replace the famous team in the film Fireman Save My Child (1954), due to Costello's illness (Bud and Lou can still be glimpsed in long shots). Hackett took the part that Costello was playing (an eerie coincidence considering that more than 20 years later he would actually play Costello in the movie Bud and Lou (1978)) and O'Brian took Abbott's place, but the film was not successful and Universal dropped its plans to make a team out of the two. Hackett also had a showy part in the ensemble comedy It's a Mad Mad Mad Mad World (1963), partnered with Mickey Rooney. However, despite his success in movies, he still preferred his nightclub work and played Las Vegas and clubs in other cities whenever possible. He had a reputation among his fellow comics as a brilliant ad-libber and someone who knew exactly how far to take a joke before it ran its course, something not all comedians managed to do.
Buddy Hackett died at age 78 of natural causes at his beach house in Malibu, CA, on June 30, 2003.- Actor
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Jonathan Harshman Winters III was born on November 11, 1925 in Dayton, Ohio. His father, Jonathan Harshman Winters II, was a banker who became an alcoholic after being crushed in the Great Depression. His parents divorced in 1932. Jonathan and his mother then moved to Springfield to live with his grandmother. There his mother remarried and became a radio personality. Jonathan joined the United States Marine Corps during his senior year of high school. Upon his discharge, he entered Kenyon College and later transferred to Dayton Art Institute. He met his wife, Eileen Schauder, in 1948 and married a month later. They remain married until her death in January 11, 2009. They have a son, Jay, who is a contractor, and a daughter, Lucinda, who is a talent scout for movies.
Jonathan got his start in show business by winning a talent contest. This led to a children's television show in Dayton in 1950. This led to a game show and a talk show. Denied a requested raise, he moved the family to New York with only $56 in their pocket. Within two months, he was getting night club bookings. He suffered two nervous breakdowns, one in 1959 and another in 1961. He came out of "retirement" to work with director/writer Martin Guigui for Swing (2003) and Cattle Call (2006). He made ten Grammy-nominated comedy recordings and won once. Jonathan Winters died at age 87 of natural causes on April 11, 2013 in Montecito, California.- Actor
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Comedian, saxophonist, composer, actor and musician, he performed within the orchestras of Charlie Spivak, Shep Fields and Claude Thornhill as saxophonist. Later, as super-hip jazz musician "Cool Cees" in television skits, he played tenor saxophone, and sang with the satirical trio "The Hair Cuts" (with Carl Reiner and Howard Morris). He sang the lead role in "Little Me" on Broadway. Joining ASCAP in 1955, his popular song compositions include "I Wrote This Song for Your Birthday" and "Was That You?".- Actor
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Immortalized as Cosmo Kramer on the classic sitcom Seinfeld (1989), West Coast comedy star Michael Richards was born on July 24, 1949, and raised in South Los Angeles, California, to Phyllis (Nardozzi), an Italian-American medical records librarian, and William Richards, an electrical engineer. Michael displayed an early talent for performance as a top Forensic League competitor during grade school. He went on to star in multiple high school and college productions while working as an ambulance attendant and hospital orderly. Michael trained as a medic in the US Army during the Vietnam War, was appointed writer and director of plays on drug abuse and race relations for the Army's V-Corp Training Roadshow. He attended the California Institute of the Arts and was mentored by famed performance art guru Allan Kaprow. He graduated from Evergreen State College in Washington with his BFA in drama.
After first performing with the San Diego Repertory Company, he subsequently returned to L.A. where he was discovered by Budd Friedman, founder of the Improv comedy club and talent manager Charles H. Joffe. Also a trained theater actor under the tutelage of Stella Adler, Michael starred in regional productions, Off-Broadway, and in London's West End. In addition to his comedic roles, Michael performed regularly in comedy clubs during the late 1970s and 1980s while driving a school bus by day.
Inspired by the physical comedy of such legends as Charles Chaplin and Jacques Tati, he paid his dues on the comedy circuit until comedian Billy Crystal noticed him and gave him a break on one of his comedy specials. Michael earned a regular spot on the sketch comedy series Fridays (1980), where he created the character of Battle Boy who liked to blow up army soldiers. He also appeared in such minor slapstick films such as Young Doctors in Love (1982) and Transylvania 6-5000 (1985).
Michael worked regularly as a dramatic "heavy" in television throughout the 1980s in shows such as "Miami Vice," "St. Elsewhere," and "Hill Street Blues." Following a recurring role on the offbeat comedy series Marblehead Manor (1987), everything finally came together for the elastic-faced comedian in 1989, after being cast as Cosmo Kramer, Jerry Seinfeld's wired, convulsive, frizzy-mopped neighbor and pal on Seinfeld (1989). The frenzied character earned him three Emmy awards, SAG awards, and instant cult status. He followed this success with his own short-lived series, the comedy mystery as a private investigator in The Michael Richards Show (2000) and the role of Micawber in a TV version of David Copperfield (2000).
Subsequent film credits include the cult classic UHF (1989), Problem Child (1990), Airheads (1994), Unstrung Heroes (1995) and Trial and Error (1997), a top-billed comedy role. TV work into the millennium has been very sporadic; however, he appeared as himself in several episodes of Curb Your Enthusiasm (2000), and played a regular role in Kirstie Alley's brief comedy series Kirstie (2013) with fellow TV comedy veteran and Rhea Perlman. He also made an isolated film appearance in the romantic comedy Faith, Hope & Love (2019).- Producer
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Drew Carey was born on 23 May 1958 in Cleveland, Ohio, USA. He is a producer and actor, known for The Drew Carey Show (1995), Robots (2005) and Jack and Jill (2011).- Actor
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Colin Andrew Mochrie was on born November 30, 1957, in Kilmarnock, Scotland. His father, an airline maintenance executive, moved the family to Montreal, Canada, in 1964, and finally to Vancouver in 1969. When asked about his childhood, Mochrie said he tended to be a bit of a loner because of moving around so much, but other than that he was a pretty typical kid: "I fought with my younger brother, was protective of my younger sister and didn't get my parents." After he dropped out of school in B.C., he did theater sports and there met Ryan Stiles, with whom he has remained friends for more than 20 years. In 1989, Mochrie married comedian Debra McGrath; they have one daughter, Kinley Mochrie. He worked at Second City in Toronto before joining the British comedy improv show Whose Line Is It Anyway? (1988) (and he also stars in the American version, Whose Line Is It Anyway? (1998)). Mochrie and his family once resided in Los Angeles but moved back to Canada. He had a recurring role on The Drew Carey Show (1995) as Eugene Anderson. He won the Canadian Comedy award as Male Improvisational Comic. In addition to his TV work, Mochrie has been busy on the stage, which is where he began his career, the early part of which he spent touring with the National Touring Company, and has starred in such popular stage productions as "She Stoops to Conquer" and "The Brady Bunch." He also writes as well as stars in the Canadian comedy series Supertown Challenge (1998), as well as the sitcom Blackfly (2001). He has also appeared in such films as John Woo's Once a Thief (1991), Love and Other Disasters (2006), The Campbells (1986), The Real Blonde (1997), and The January Man (1989).- Producer
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It's not surprising that Ryan Stiles would feel comfortable doing a comedic turn in the role of Lewis, one of Drew Carey's ever-present friends in the new comedy The Drew Carey Show (1995). After all, the first job Stiles ever had was that of a stand-up comedian. Although he was a good student, Stiles admits that "being a high-school senior gave me too much freedom." He got so carried away with his flexible schedule that he quit school a few months shy of graduation and got a job doing stand-up comedy in Vancouver. Despite his parents' objections, he was able to support himself for several years, but "I got out of stand-up when everybody else started doing it," he says. He didn't stray too far from the world of comedy. In 1986 he joined the highly acclaimed Second City comedy ensemble in Toronto, where he honed his improvisational skills. In 1990 Stiles moved to Los Angeles to perform with the Los Angeles Second City group. Film and television roles soon followed, including roles in Hot Shots! (1991) and Hot Shots! Part Deux (1993). Stiles's television credits include Parker Lewis Can't Lose (1990), Mad About You (1992), and cable's The Hitchhiker (1983). He's currently a series regular on the British improvisational series Whose Line Is It Anyway? (1988), which has been nominated for three CableACE awards. During the 1994-95 baseball strike, Stiles and acclaimed director Joe Pytka made some memorable commercials for Nike. That's Stiles in the empty baseball stadium doing the wave solo. When he's not at work, Stiles spends his time thinking about work.- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
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One of SNL's most talented alumni, comedian Dana Carvey reigned supreme during his six-season run creating some of the show's most memorable characters, including "Church Lady", "Garth" of Wayne & Garth fame, Grumpy Old Man and bodybuilding "Hans" of Hans & Franz notoriety. This sharp and witty writer, actor and impressionist went on to hatch a modestly successful comedy career in films along with some of his SNL cohorts -- Mike Myers, Adam Sandler and Chris Farley did.
The slightly-built, slightly dorky-looking funny guy was born on June 2, 1955 in Missoula, Montana, to Billie Dahl (McDonald) and Bud Carvey. He is of Norwegian, and smaller amounts of English, German, Swedish, and Irish, ancestry. Carvey was raised in San Carlos, California in typical middle class surroundings. His father taught high school business law and his mother, who was also a schoolteacher, had creative outlets as a painter and musician that inspired the young Dana. His gift for inducing laughter arrived at any early age. As young as 9 or 10, Dana was already mimicking characters he saw on TV, with one of his early icons being Jonathan Winters. His musical gifts came in the form of drums and guitar.
While majoring in Communication Arts at San Francisco State, Dana sought out the comedy stage doing standard impressions of well-known personalities such as John Wayne, Howard Cosell and James Stewart. Within a few months he was beginning to win stand-up comedy awards. In time, however, he replaced his impersonations with self-created characterizations and such ripe forms as the Church ("Isn't that special!") Lady were the result.
After playing various Bay Area comedy venues, Dana decided to relocate to Los Angeles in 1981 and give Hollywood a try. He quickly landed a development deal with NBC. While playing a straight foil to Mickey Rooney wasn't exactly his cup of tea, it did break him into series work as Rooney's grandson in the short-lived sitcom One of the Boys (1982). Mickey played a hip, energetic grandpa who is invited to move out of his retirement home and into the cool pad of his college-student grandson and his roommate (played by another up-and-comer, Nathan Lane).
Dana joined the repertory company of Saturday Night Live (1975) in 1986, and the result was spectacular, helping to reverse the show's disastrous decline in popularity at the time. With his sharp, quicksilver characters and uncanny ability to exaggerate dead-on impersonations of the rich and famous -- from politicos George Bush and Ross Perot to entertainment's Johnny Carson, Woody Allen and Regis Philbin, Dana became the darling of the SNL set for six solid seasons. He was nominated six times for an Emmy Award, finally winning in 1993 for "Outstanding Individual Performance in a Variety or Music Program", and also won multiple American Comedy Awards.
As expected, Dana began seeking comedy film vehicles to extend his stardom, following the pathway of many other successful post-SNL comics. In his first comedy vehicle Opportunity Knocks (1990), he unleashed his typical bag of tricks (dialects, impressions, etc.) in a tale about a con artist who falls for the daughter of one of his wealthy dupes. It was moderately received. His second, Clean Slate (1994), was merely a retread of Bill Murray's earlier Groundhog Day (1993) about a detective who awakens every morning without any recall. Given a thankless role in The Road to Wellville (1994), his third starring film comedy Trapped in Paradise (1994) this time had him joining former SNL alumnus Jon Lovitz. None kick-started movie stardom.
Dana's best results on film came in tandem with Mike Myers in which the duo recreated their memorable "party-on" dudes Wayne and Garth from the famous SNL sketches. Wayne's World (1992) and its sequel Wayne's World 2 (1993) were box-office smashes, but it strangely did not further Dana's film career. He had hopes that a self-titled TV comedy series, The Dana Carvey Show (1996) would connect with audiences but it faltered. As its host, he reprised a number of his popular characters and introduced a slew of future comedians, including Steve Carell and Stephen Colbert. The show was deemed too offensive and was canceled after only six airings.
Into the millennium, Dana's starred in one last comedy vehicle to date. The Master of Disguise (2002), which he co-wrote and was executive-produced by Adam Sandler. Here he played a klutzy Italian waiter who inherits the familial power of disguise. As before, it was a letdown and did little to advance his movie career. Since then he has been seen as a featured player and has appeared in three of Adam Sandler's comedy vehicles (Little Nicky (2000), Jack and Jill (2011) and Sandy Wexler (2017)). He has also been utilized in animated films, voicing such projects as Hotel Transylvania 2 (2015), Ankomsten (1982) and its sequel The Secret Life of Pets 2 (2019).
Dana's true brilliance is captured best on the live comedy stage and, in particular, his numerous TV cable specials and stand-up concert appearances. To see Dana perform live is to witness an ideal blend of wit, style, personality and unrestrained, racy humor, something he has not been afforded to do on film. He lives with second wife Paula in Southern California. They have two children.- Writer
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Dennis Miller was born on 3 November 1953 in Pittsburgh, Pennsylvania, USA. He is a writer and producer, known for The Net (1995), Joe Dirt (2001) and Murder at 1600 (1997). He has been married to Ali Espley since 10 April 1988. They have two children.- Actor
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Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.
Jerry died on August 20, 2017, in Las Vegas.- Music Artist
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Martin was born Dino Paul Crocetti in Steubenville, Ohio, to Gaetano Alfonso "Guy" Crocetti, an Italian immigrant and barber, and his Ohio-born wife, Angela (Barra) Crocetti. He spoke only Italian until age five. Martin came up the hard way, with such jobs as a boxer ("Kid Crochet"), a steel mill worker, a gas station worker and a casino croupier/dealer. In 1946, Martin got his first ticket to stardom, as he teamed up with another hard worker who was also trying to succeed in Hollywood: Jerry Lewis. Films such as At War with the Army (1950) sent the team toward super-stardom. The duo were to become one of Hollywood's truly great teams. They lasted 11 years together, and starred in 16 movies. They were unstoppable, but personality conflicts broke up the team. Even without Lewis, Martin was a true superstar.
Few thought that Martin would go on to achieve solo success, but he did, winning critical acclaim for his role in The Young Lions (1958) with Marlon Brando and Montgomery Clift, and Some Came Running (1958), with Shirley MacLaine and Frank Sinatra. Movies such as Rio Bravo (1959) brought him international fame. One of his best remembered films is in Ocean's Eleven (1960), in which he played Sam Harmon alongside the other members of the legendary Rat Pack: Frank Sinatra, Sammy Davis Jr., Joey Bishop and Peter Lawford. Martin proved potent at the box office through the 1960s, with films such as Bells Are Ringing (1960) and Robin and the 7 Hoods (1964), again with Rat Pack pals Sammy Davis Jr. and Sinatra. During much of the 1960s and 1970s, his film persona of a boozing playboy prompted a series of films as secret agent Matt Helm and his own television variety show. Airport (1970) followed, featuring Martin as a pilot. He played a phony priest in The Cannonball Run (1981).
In 1965, Martin explored a new method for entertaining his fans: Television. That year he hosted one of the most successful TV series in history: The Dean Martin Show (1965), which lasted until 1973. In 1965, it won a Golden Globe Award. In 1973, he renamed it "The Dean Martin Comedy Hour", and from 1974 to 1984 it was renamed again, this time "The Dean Martin Celebrity Roasts". It became one of the most successful TV series in history, skewering such greats as Bob Hope, Frank Sinatra, Lucille Ball, James Stewart, George Burns, Milton Berle, Don Rickles, Phyllis Diller, and Joe Namath.
His last public role was a return to the stage, for a cross-country concert tour with Davis and Sinatra. He spoke affectionately of his fellow Rat Packers. "The satisfaction that I get out of working with these two bums is that we have more laughs than the audience has", Martin said. After the 1980s, Martin took it easy until his son, Dean Paul Martin, was killed in a plane crash in March 1987.
Devastated by the loss, from which he never recovered, he walked out on a reunion tour with Sinatra and Davis. Martin spent his final years in solitude, out of the public light. A heavy smoker most of his life, Martin died on Christmas Day 1995 at age 78 from complications to lung cancer.