20 living directors who is still making films
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After studying drama in the arts institute, Jean Pierre Dardenne and his brother Luc made some videos about the rough life in blue-collar small towns in the Wallonie. After their meeting with filmmaker Armad Gatti and cinematographer Ned Burgess, they decided to enter in the movie business.
In 1978 they shot their first documentary, Le chant du rossignol, about the resistance against the Nazis during the second world war in Belgium. In 1986 they shot their first fiction movie, Falsch, about a Jewish family massacred by the Nazis. After their second movie, Je pense a vous, they released La Promesse, a movie about inmigration in Belgium. The film was a success worldwide winning awards in many festivals.
In 1999 they had another hit with Rosetta, that won the Palme d'Or at the Cannes Festival. The movie tells the story of a blue collar worker with an alcoholic mother who tries to have a better life in a small belgium city.
In 2002, they came back to Cannes with their last movie, Le Fils, that won the ecumenical jury prize and the award for best actor for Olivier Gourmet.- Director
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Marco Tullio Giordana was born on 1 October 1950 in Milan, Lombardy, Italy. He is a director and writer, known for Piazza Fontana: The Italian Conspiracy (2012), One Hundred Steps (2000) and The Best of Youth (2003).- Writer
- Director
- Actor
A true master of his craft, Michael Haneke is one of the greatest film artists working today and one who challenges his viewers each year and work goes by, with films that reflect real portions of life in realistic, disturbing and unforgettable ways. One of the most genuine filmmakers of the world cinema, Haneke wrote and directed films in several languages: French, German and English, working with a great variety of actors, such as Juliette Binoche, Isabelle Huppert, Jean-Louis Trintignant, Toby Jones, Ülrich Muhe, Arno Frisch and the list goes on.
This grand figure from Austrian cinema was born in Germany on 23 March 1942, from a German father and an Austrian mother, with both parents being from the artistic world working as actors, a career that Michael also tried but without much success. At the University of Vienna he studied drama, philosophy and psychology, and after graduation he went on to become a film critic and TV editor. His career behind camera started with After Liverpool (1974), which he wrote and directed. He went on to direct five more TV films and two episodes from the miniseries "Lemminge" (1979)_.
The years spent on television works prompted him to finally direct his first cinema feature, during his early 40's, which is somewhat unusual for film directors. But it was worth waiting. In The Seventh Continent (1989), Haneke establishes the foundation of what his future cinema would be about: a cinema that doesn't provides answers but one that dares to throw more and more questions, a cinema that reflects and analyses the human condition in its darkest and unexpected ways outside of any Hollywood formula. Films that exist to confront audiences and not comfort them. In it, Haneke deals with the duality of social values vs. internal values while exposing an apparent perfect family that runs into physical and material disintegration for reasons unknown. It was the first time a film of his was sent to the Cannes Film Festival (out of competition lineup) but he managed to cause some commotion in the audience with polemic scenes that were meant to extract all possible reactions from the crowd.
His next ventures at the decade's turn was in dealing with disturbed youth and the alienation they have in separating reality from fiction, trying to intersect both to drastic results. In Benny's Video (1992), it's the disturbing story of a teen boy who experiences killing for the first time capturing the murder on tape, impressed by the power of detachment that films and videos can cause to people; and later on the highly controversial Funny Games (1997), where two teens hold a family hostage to play sadistic games just for their own sick amusement. The film cemented Haneke's name as one of the greatest authors of his generation but sparkled a great debate with its themes of violence, sadism and the influence those things have in audiences. At the 1997's Cannes Film Festival, it was the film that had the most walk-out's by the audience. In between both films, he released 71 Fragments of a Chronology of Chance (1994) and Kafka's The Castle (1997), the latter being one of the rare times when Haneke developed an adapted work.
In the 2000's, he strongly continued in producing more outstanding works prone to debate and reflection in what would become his most prolific decade with the following films: Code Unknown (2000), The Piano Teacher (2001), Time of the Wolf (2003), Caché (2005), an American remake shot-by shot of Funny Games (2007) and The White Ribbon (2009). His study about romance versus masochism in The Piano Teacher (2001) was an intense work, with powerful performances by Isabelle Huppert and Benoit Magimel, that the Cannes jury in the year were so impressed that Haneke managed to actually reverse their award rules where it was decided that film entries at the festival couldn't win more than one main award (the two lead actors won awards and Haneke got the Grand Prize of the Jury, just lost the Palme d'Or). With The White Ribbon (2009), an enigmatic black-and-white masterpiece following the inception of Nazism in this pre WWI and WWII story focusing on repressed children living in this small village where strange events happen all the time and without any possible reasoning, Haneke conquered the world and audiences with an artistic and daring work that won his first Palme d'Or a Golden Globe as Best Foreign Language Film and received an Oscar nomination for the same category plus the cinematography work of Christian Berger.
2012 was the year that marked his supremacy in the film world with the release of the bold and beautiful Amour (2012), a love story with powerful real drama and one where Haneke removed most of his usual dark characteristics to present more quiet and calm elements without losing input in creating controversy. The touching story of George and Anne provided one the greatest moments of that year and earned Haneke his second and consecutive Palme d'Or at Cannes and his first Oscar nominations for Best Direction and Best Original Screenplay - and it was one of the several nominees for Best Picture Oscar, winning as Best Foreign Language Film.
After abandoning a flash-mob film project, he returned to the screen with Happy End (2017), a film dealing with the refugee crisis in Europe and again he debuted his film at Cannes, receiving mildly positive reviews.
Besides his film work, Haneke also directs theatre productions, from drama to opera, from Così fan tutte to Don Giovanni.- Director
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Jafar Panahi (Born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes. Panahi was quickly recognized as one of the most influential film-makers in Iran. Although his films were often banned in his own country, he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told - in fact he has made a successful career in not doing as he is told." After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations from around the world, in December 2010 Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country except for medical treatment or making the Hajj pilgrimage. While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary in spite of the legal ramifications of his arrest. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (2013) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's new film Taxi (2015) premiered in competition at the 65th Berlin International Film Festival in February 2015 and won Golden Bear, the prize awarded for the best film in the festival.- Director
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Laurent Cantet was born on 11 April 1961 in Melle, Deux-Sèvres, France. He was a director and writer, known for The Class (2008), Human Resources (1999) and Time Out (2001). He was married to Isabelle Coursin. He died on 25 April 2024 in Paris, France.- Director
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Theo Angelopoulos began to study law in Athens but broke up his studies to go to the Sorbonne in Paris in order to study literature. When he had finished his studies, he wanted to attend the School of Cinema at Paris but decided instead to go back to Greece. There he worked as a journalist and critic for the newspaper "Demokratiki Allaghi" until it was banned by the military after a coup d'état. Now unemployed, he decided to make his first movie, Anaparastasi (1970). Internationally successful was his trilogy about the history of Greece from 1930 to 1970 consisting of Days of '36 (1972), The Travelling Players (1975), and Oi kynigoi (1977). After the end of the dictatorship in Greece, Angelopoulos went to Italy, where he worked with RAI (and more money). His movies then became less political.- Writer
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Bruno Dumont was born on 14 March 1958 in Bailleul, Nord, Nord-Pas-de-Calais, France. He is a writer and director, known for Li'l Quinquin (2014), The Life of Jesus (1997) and Camille Claudel 1915 (2013).- Writer
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One of Québec's most politically aware filmmakers, Denys Arcand studied history at Université de Montréal, where he co-directed Seul ou avec d'autres (1962) with Denis Héroux and co-written with Stéphane Venne. He joined the National Film Board (NFB) in 1963, where his feature-length documentary on the textile industry, On est au coton (1970), was so controversial it was suppressed for 6 years. He made another fine documentary, Québec: Duplessis et après... (1972), before leaving the NFB for the private sector. La maudite galette (1972), Réjeanne Padovani (1973) and Gina (1975) were distinctive views of Québec society, original and provocative. All 3 used the gangster film as a source while distorting many of its conventions. He then moved to TV, scripting the Duplessis (1978) series for Radio-Canada and directing 3 episodes of Empire, Inc. (1983). He returned to the NFB to make a documentary on the 1980 referendum, Le confort et l'indifférence (1982), which revealed growing cynicism about the political process. It won the Québec Critics Prize.
He returned to commercial filmmaking after a hiatus of 10 years with The Crime of Ovide Plouffe (1984), before achieving major success with the scathing comedy about sexual mores, The Decline of the American Empire (1986) (The Decline of the American Empire), a film that won numerous prizes, including the prestigious Critic's Prize at the Cannes Film Festival. The New York Film Critics voted it Best Foreign Film in 1986 and it won Best Picture, Best Director and Best Original Screenplay at the 1987 Genies. It was also nominated as Best Foreign Film by the Academy of Motion Picture Arts and Science. Jesus of Montreal (1989) confirmed Arcand's international reputation, winning the Jury prize at the Cannes Film Festival. It won 10 Genies, including Best Picture and Director, and was nominated in the Best Foreign Film category by the Academy. Arcand then moved into English-language production in an attempt to break into a larger international market. Love and Human Remains (1993), his first feature in English, was followed by Stardom (2000), a film that looked at the world of fashion. Neither achieved the subtlety and texture of his earlier work.
The overwhelming success of The Barbarian Invasions (2003), which marked both a return to the French language and to the characters who had peopled The Decline of the American Empire (1986), showed that Arcand had lost none of his powers of observation. The film won two awards at the Cannes Film Festival (best screenplay, and best actor for Marie-Josée Croze), Best Canadian Feature Film at the Toronto International Film Festival and the prestigious Oscar for Best Foreign Film. In 2005 Arcand was named Companion of the Order of Canada, which recognizes individuals for exceptional achievements of national or international significance.- Writer
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He studied fine arts in Paris in 1990-1992. In 1993 he won the award for Best Screenplay from the Educational Institute of Screenwriting with "A Painter and A Criminal Condemned to Death". After two more screenplay awards, he made his directorial debut with Crocodile (1996). Then he went on to direct Wild Animals (1997), Birdcage Inn (1998) ("Birdcage Inn"), The Isle (2000) and the highly experimental Real Fiction (2000), shot in just 200 minutes. In 1999, Address Unknown (2001) was selected by the Pusan Film Festival's Pusan Promotion Plan (PPP) for development.- Director
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Daniel Francis Boyle is a British filmmaker, producer and writer from Radcliffe, Greater Manchester. He is known for directing 28 Days Later, 127 Hours, Trainspotting, T2 Trainspotting, Slumdog Millionaire, Millions, Shallow Grave, The Beach, Yesterday, and Steve Jobs. He won many awards for Slumdog Millionaire. He was in a relationship with Gail Stevens and had three children.- Director
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Mark Romanek was born on 18 September 1959 in Chicago, Illinois, USA. He is a director and producer, known for One Hour Photo (2002), Never Let Me Go (2010) and Michael Jackson feat. Janet Jackson: Scream (1995). He is married to Brigette Romanek.- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Writer
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Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996). His film Open Your Eyes (1997) was a huge success in Spain and was distributed worldwide. It was remade in Hollywood by Cameron Crowe as Vanilla Sky (2001), starring Tom Cruise, Penelope Cruz (also the star of the original version) and Cameron Diaz. The Others (2001) is Amenábar's first English language film.- Writer
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Probably the most ambitious and visually distinctive filmmaker to emerge from Denmark since Carl Theodor Dreyer over 60 years earlier, Lars von Trier studied film at the Danish Film School and attracted international attention with his very first feature, The Element of Crime (1984). A highly distinctive blend of film noir and German Expressionism with stylistic nods to Dreyer, Andrei Tarkovsky and Orson Welles, its combination of yellow-tinted monochrome cinematography (pierced by shafts of blue light) and doom-haunted atmosphere made it an unforgettable visual experience. His subsequent features Epidemic (1987) and Europa (1991) have been equally ambitious both thematically and visually, though his international fame is most likely to be based on The Kingdom (1994), a TV soap opera blending hospital drama, ghost story and Twin Peaks (1990)-style surrealism that was so successful in Denmark that it was released internationally as a 280-minute theatrical feature.- Writer
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Born in Paris, France, in 1952. Jacques Audiard's family has always been involved in movie business. His father, Michel, was a popular screenwriter and director and his uncle a producer. But in his teens he refused that world and wanted to be a teacher. He studied literature and philosophy at the Sorbonne but didn't finish his degree. By that time, his then girlfriend suggested he work as a trainee editor during his university holidays. He worked as an assistant editor on several movies like "Le locataire" (1976) directed by Roman Polanski.
He also joined a theater where he did all kinds of work. He specially enjoyed adapting works for stage. In the eighties he wrote the screenplays of some successful movies like "Mortelle Randonnee" (1983), "Reveillon Chez Bob" (1984), "Saxo" (1987), "Frequence meurtre" (1988) and "Grosse fatigue" (1994). Most of those films were thrillers directed by prestigious filmmakers like Claude Miller and Michel Blanc. He also directed some well received short movies.
Thanks to the success of those movies he was able, in 1994, to raise up the money to make his first movie "Regarde les hommes tomber" a somber road movie starred by two of the most important French actors: Mathieu Kassovitz and Jean Louis Trintignant. That movie won 3 Cesars of the French academy for best editing, best new director (Jacques Audiard) and best new actor (for Kassovitz).
Kassovitz also became the star of his second movie "Un heros tres discret" released in the Festival de Cannes in 1996 where it won the award for best screenplay. "Un heros tres discret" undermined the myth of the French resistance to the Nazis by telling the story of a young impostor who rises high in French society after World war by concocting a past for himself as a hero. It also won awards in the festivals of Stockholm and Valladolid and made his name internationally.
In 2001 he made his third movie "Sur mes levres". The love story between two outsiders (a deaf office worker and a hoodlum) who decide to con a group of gangsters also became a success. It also won three Cesars (best actress, sound and screenplay).
His last movie, "De battre mon Coeur sest arrête" (a remake of "Fingers" a James Toback's movie) was released in the Berlin festival of 2005.
With those movies, Audiard has become the new master of the "polar" (French thriller) and inheritor of others great French directors like Jean-Pierre Melville (1917-1973) and Henri Georges-Clouzot (1907-1977).- Producer
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Ulrich Seidl was born on 24 November 1952 in Vienna, Austria. He is a producer and director, known for Rimini (2022), Paradise: Love (2012) and Goodnight Mommy (2014). He is married to Veronika Franz. They have two children.- Director
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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Director
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Born in Kuching, Malaysia, he graduated from the Drama and Cinema Department of the Chinese Cultural University of Taiwan and worked as a theatrical producer and TV director. His second feature film, Vive L'Amour (1994), won the Golden Lion (best picture) at the 1994 Venice Film Festival. His idiosyncratic oeuvre continues to enthrall audiences worldwide.