Gone, But Not Forgotten
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Joe Alaskey, among the most talented voice actors in the business, impeccably recreated many of the original characters which the late cartoon pioneer Mel Blanc invented. A natural mimic and gifted actor, his amazing "ear" for voices enabled him to imitate almost anything, including some of the most obscure show business personalities. Alaskey was one of the most employed voice actors in the business during his career.2016 - A versatile voice actor.- Actor
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A former song-and-dance man and veteran of vaudeville, burlesque and Broadway, Jack Albertson is best known to audiences as "The Man" in the TV series Chico and the Man (1974), for which he won an Emmy. In 1968 Albertson, the brother of actress Mabel Albertson, won the Oscar for Best Supporting Actor in The Subject Was Roses (1968), a part which also won him the Tony award during its Broadway run.1981 - Get outta my garage! :)- Actor
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Muhammad Ali beat more champions and top contenders than any heavyweight champion in history. He defeated heavyweight kings Sonny Liston (twice), Floyd Patterson (twice), Ernie Terrell, Jimmy Ellis, Ken Norton (twice), Joe Frazier (twice), George Foreman and Leon Spinks. He defeated light-heavyweight champs Archie Moore and Bob Foster. Ali defeated European heavyweight champions Henry Cooper, Karl Mildenberger, Jürgen Blin, Joe Bugner, Richard Dunn, Jean-Pierre Coopman and Alfredo Evangelista. He defeated British and Commonwealth king Brian London. All of Ali's defeats were by heavyweight champions: Frazier, Norton, Spinks, Larry Holmes and Trevor Berbick. Ali also beat undefeated fighters Sonny Banks (12-0), Billy Daniels (16-0), 'Rudi Lubbers' (21-0) and George Foreman (40-0).2016 - In the world of sports, he was The Greatest.- Actor
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Harry Anderson was born on 14 October 1952 in Newport, Rhode Island, USA. He was an actor and writer, known for Night Court (1984), It (1990) and Tales from the Crypt (1989). He was married to Elizabeth Morgan and Leslie Pollack. He died on 16 April 2018 in Asheville, North Carolina, USA.2018- André René Roussimoff was born in a small farming community in Grenoble, France to Boris and Marian Rouismoff. His parents and four siblings were all of normal size, but André suffered from acromegaly, a hormonal disorder that results when the pituitary gland produces excess growth hormone. As the Giant grew up (very quickly, as he reached the height of 6' 3" by the age of 12) he began to often disagree with his parents. He left home at 14 and obtained a job with a furniture-moving firm and began to play rugby. At 17 he was seen training at a gym by several professional wrestlers. Impressed by his size, they taught him some basic wrestling skills and built a friendship with him. Later, when one of the wrestlers was injured, André stepped in for him. He would wrestle for nearly thirty more years. By his early 20s André had wrestled in Algeria, South Africa, Morocco, Tunisia, England, Scotland, and most of non-Communist Europe but had not found fame. In 1971 he came to North America under the name Jean Ferre and was mildly popular in Canada. Then he met a New York based booker by the name of Vincent J. McMahon (often incorrectly referred to as "Vince McMahon Sr") who renamed him "Andre the Giant," and billed him as 7' 4" (Andre was really closer to 7'). Soon Andre the Giant became a national sensation and was a much sought after wrestler. In addition he participated in television, movies, and commercials. With his wealth the Giant bought a ranch in Ellerbe, North Carolina where he would live during his rare time off and after he retired from wrestling in 1990. He died while in France after attending his father's funeral. André was cremated and his ashes were spread across his ranch. He is survived by his one daughter.1993 - In wrestling circles, he was billed as the 'eighth wonder of the world.'
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Allan Arbus was born on 15 February 1918 in New York City, New York, USA. He was an actor, known for M*A*S*H (1972), Coffy (1973) and Damien: Omen II (1978). He was married to Mariclare Costello and Diane Arbus. He died on 19 April 2013 in Los Angeles, California, USA.2013 - He played the psychiatrist Maj. Sidney Freedman on the M*A*S*H TV series.- Producer
- Actor
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Desiderio Alberto Arnaz y de Acha III was born in Santiago, Cuba on March 2, 1917. His father was the mayor of Santiago. The 1933 revolution led by Fulgencio Batista had landed his father in jail and stripped the family of its wealth, property and power. His father was released because of the intercession of U.S. officials who believed him to be neutral during the revolt. The family fled to Miami, Florida. One of Desi's first jobs in America consisted of cleaning canary cages. However, after forming his own small band of musicians, he was hired by Xavier Cugat, the "king" of Latin music.
Desi soon left Cugat, formed his own Latin band, and literally launched the conga craze in America. He was cast in the Broadway play "Too Many Girls" and then brought to Hollywood to make the film version of the play. It was on the set of Too Many Girls (1940) that he and Lucille Ball met. They soon married and approximately 10 years later formed Desilu Productions and began the I Love Lucy (1951) shows. Desi and Lucille had two children, Lucie Arnaz and Desi Arnaz Jr.. At the end of the I Love Lucy (1951) run, which included The Lucy-Desi Comedy Hour (1957), the two divorced. Desi later wrote an autobiography entitled "A Book." In 1986 he was diagnosed with lung cancer. He died on December 2, 1986 at age 69.1986 - Ricky loved Lucy.- Actor
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Andre "the Anti-Giant" Arruda was born in Kitchener, Ontario, Canada, on March 11, 1983, and moved to Toronto in 2001 to attend Humber College's School of Comedy writing and Performance program. He was slightly more than 3 feet tall. Born with syndrome, a genetic disease associated with dwarfism that makes it difficult to walk.
He was hit by a car when he was driving his scooter (totaled) in 2008. Later, Andre did a fundraiser for a mobile scooter, dubbed "A-pod."
On the Internet, Andre had a series on "Vice" in 2015, "Standing Up With Andre Arruda". One of final projects is a documentary called ",Andre: The Anti-Giant" scheduled to hit the film festival circuit in 2017, and released online by Bravo Canada.
Refs Toronto Star "Andre 'Anti-Giant' Arruda was the 'little man who gave us some big laughs'" URL: https://www.thestar.com/entertainment/2017/01/30/andre-anti-giant-arruda-was-the-little-man-who-gave-us-some-big-laughs.html
Hollywood Reporter. "Andre Arruda, Actor and Comic, Dies at 33" URL: http://www.hollywoodreporter.com/news/andre-arruda-dead-actor-comic-was-33-970588
Blog: : "Andre H. Arruda Was here" URL: http://www.antigiant.com/wordpress2017 - The Canadian comedian called himself an Anti-Giant. I say he was a giant among anti-giants.- Actress
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Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".
She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.
Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.
In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.
In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).
In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.
On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.2009 - She made Maude and Dorothy loud, proud and funny.- Actor
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Although known as the uncle/patriarch and judge "Philip Banks" on The Fresh Prince of Bel-Air (1990), James Avery was a classically trained actor and scholar. A native of Atlantic City, New Jersey, USA, he joined the US Navy after graduating high school and served in Vietnam from 1968 to 1969. Upon leaving the military, he moved to San Diego, California and began writing TV scripts and poetry for PBS. He won an Emmy for production during his tenure there and deservedly won a scholarship to the University of California at San Diego, from which he earned a Bachelor of Arts Degree in Drama and Literature. (Sidenote: His wife Barbara is the Dean of Student Life at California's Loyola Marymount University.) In addition to his sitcom popularity, he lent his voice to over a dozen animated television series and features. He was also the primary host of the popular PBS travel and adventure series Going Places (1997). Armed with a diverse resume of credits, James Avery remained a unique creative force as convincing a comedian as he was a Shakespearean character.2013 - Uncle Phil on Fresh Prince of Bel-Air.- Actor
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Beloved French chanson entertainer Charles Aznavour, who wrote more than 800 songs, recorded more than 1,000 of them in French, English, Italian, German and Spanish and sold over 100 million records in all, was born Shahnour Vaghinag Aznavourian on May 22, 1924, in Paris, the younger of two children born to Armenian immigrants who fled to France. His mother was a seamstress as well as an actress and his father was a baritone who sang in restaurants. Both Charles and his elder sister waited on tables and he performed, as well. He delivered his first poetic recital while just a toddler. Within a few years later he had developed such a passion for singing/dancing, that he sold newspapers to earn money for lessons.
He took his first theatrical bow in the play "Emil and the Detectives" at age 9 and within a few years was working as a movie extra. He eventually quit school and toured France and Belgium as a boy singer/dancer with a traveling theatrical troupe while living the bohemian lifestyle. A popular performer at the Paris' Club de la Chanson, it was there that he was introduced in 1941 to the songwriter Pierre Roche. Together they developed names for themselves as a singing/writing cabaret and concert duo ("Roche and Aznamour"). A Parisian favorite, they became developed successful tours outside of France, including Canada. In the post WWII years Charles began appearing in films again, one of them as a singing croupier in Adieu... Chérie (1946).
Eventually Aznavour earned a sturdy reputation composing street-styled songs for other established musicians and singers, notably Édith Piaf, for whom he wrote the French version of the American hit "Jezebel". Heavily encouraged by her, he toured with her as both an opening act and lighting man. He lived with Piaf out of need for a time not as one of her many paramours. His mentor eventually persuaded him to perform solo (without Roche) and he made several successful tours while scoring breakaway hits with the somber chanson songs "Sur ma vie" and "Parce que" and the notable and controversial "Après l'amour." In 1950, he gave the bittersweet song "Je Hais Les Dimanches" ["I Hate Sundays"] to chanteuse Juliette Gréco, which became a huge hit for her.
In the late 50s, Aznavour began to infiltrate films with more relish. Short and stubby in stature and excessively brash and brooding in nature, he was hardly leading man material but embraced his shortcomings nevertheless. Unwilling to let these faults deter him, he made a strong impressions with the comedy Une gosse 'sensass' (1957) and with Paris Music Hall (1957). He was also deeply affecting as the benevolent but despondent and ill-fated mental patient Heurtevent in Head Against the Wall (1959). A year later, Aznavour starred as piano player Charlie Kohler/Edouard Saroyan in Francois Truffaut's adaptation of the David Goodis' novel Shoot the Piano Player (1960) [Shoot the Piano Player], which earned box-office kudos both in France and the United States. This sudden notoriety sparked an extensive tour abroad in the 1960s. Dubbed the "Frank Sinatra of France" and singing in many languages (French, English, Italian, Spanish, German, Russian, Armenian, Portuguese), his touring would include sold-out performances at Carnegie Hall (1964) and London's Albert Hall (1967).
Aznavour served as actor and composer/music arranger for many films, including Gosse de Paris (1961), which he also co-wrote with director Marcel Martin, and the dramas Three Fables of Love (1962) [Three Fables of Love") and Caroline chérie (1968) [Dear Caroline]. The actor also embraced the title role in the TV series "Les Fables de la Fontaine" (1964), then starred in the popular musical "Monsieur Carnaval" (1965), in which he performed his hit song "La bohême".
His continental star continued to shine and Aznavour acted in films outside of France with more dubious results. While the satirical Candy (1968), with an international cast that included Marlon Brando, Richard Burton and Ringo Starr, and epic adventure The Adventurers (1970) were considered huge misfires upon release, it still showed Aznavour off as a world-wide attraction. While he was also seen in The Games (1970) (1970), The Blockhouse (1973) (1973) and an umpteenth film version of Agatha Christie's Ten Little Indians (1974), it was his music that kept him in the international limelight. Later films included Yiddish Connection (1986), which he co-wrote and provided music; Il maestro (1990) with Malcolm McDowell; the Canadian-French production Ararat (2002) for which he received special kudos; cameos as himself in The Truth About Charlie (2002) and Emmenez-moi (2005); and his final feature film, Mon colonel (2006)
Films aside, his chart-busting single "She" (1972-1974) went platinum in Great Britain. He also received thirty-seven gold albums in all. His most popular song in America, "Yesterday When I Was Young" has had renditions covered by everyone from Shirley Bassey to Julio Iglesias. In 1997, Aznavour received an honorary César Award. He has written three books, the memoirs "Aznavour By Aznavour" (1972), the song lyrics collection "Des mots à l'affiche" (1991) and a second memoir "Le temps des avants" (2003). A "Farewell Tour" was instigated in 2006 at age 82. He died
Married at least three times (some claim five) to Micheline Rugel, Evelyne Plessis and Ulla Thorsell, he fathered six children (daughters Katia, Patricia and Seda Aznavour, and sons Misha, Nicholas, and Patrick Aznavour). He died on October 1, 2018, in France.2018- Actress
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Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.2014- Actor
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Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.1989- Actor
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Usually sized up as an erudite gent, advice-spouting father or uptight, pompous neighbor, the acting talents of Conrad Bain were best utilized on stage and on TV. Born in Lethbridge, Alberta, on February 4, 1923, Conrad Stafford Bain was a twin son (the other was named Bonar) born to Stafford Harrison Bain, a wholesaler, and Jean Agnes (née Young). He enjoyed Canadian sports growing up (ice hockey, speed skating), but picked up an interest in acting while in high school.
Electing to train at Alberta's Banff School of Fine Arts after graduating, he met Monica Marjorie Sloan, an artist, while there. His acting pursuit was interrupted by WWII when he subsequently joined the Canadian army. Picking up here he left off following his discharge, he studied at New York's American Academy of Dramatic Arts. He also married Ms. Sloan in 1945 and became a naturalized U.S. citizen the following year. The couple went on to have three children -- Jennifer, Mark and Kent.
Making his stage debut in a Connecticut production of "Dear Ruth" in 1947, Bain also appeared in "Jack and the Beanstalk" and a tour of "The Barretts of Wimpole Street" before making his off-Broadway debut in a 1956 Circle-in-the-Square revival of Eugene O'Neill's "The Iceman Cometh," a production that made a star out of Jason Robards. Following an inauspicious Broadway bow in "Sixth Finger in a Five Finger Glove", which closed after only one day, he joined the Stratford (Ontario) Shakespeare Festival for their 1958 season, appearing in "A Winter's Tale," "Much Ado About Nothing" and "Henry IV, Part I."
Fair in complexion and exceedingly genial in demeanor, the wry and witty blond actor graduated into other Broadway work, particularly drama, with strong roles in "Candide," "Advise and Consent," "An Enemy of the People," "Twigs" and "Uncle Vanya." He also built up his regional and repertory credits during the early 1960s with parts in "King Lear," "The Firebugs," "Death of a Salesman" and "The Shadow of Heroes" at Seattle Rep. Later in the decade he began to focus more intently on TV, usually playing cerebral, white-collar types (district attorneys, stock brokers, doctors, politicos).
Bain eventually found an "in" with daytime drama, which included a recurring role on Dark Shadows (1966) (as an innkeeper), and a part on The Edge of Night (1956) in 1970. He broke completely away, however, from his trademark dramatics when the 49-year-old actor was "discovered" for prime-time TV by Norman Lear and offered a supporting role opposite Bea Arthur and Bill Macy in Norman Lear's landmark, liberally-sliced comedy series Maude (1972), a spin-off of Lear's equally landmark All in the Family (1971) sitcom. Conrad was cast as Rue McClanahan's stuffy, conservative doctor/husband, Arthur Harmon, who usually was at political odds with free-wheeling feminist Maude Finlay.
The role moved Bain into the prime TV comedy character ranks. Following the show's lengthy run (1972-1978), he was given the green light by Lear to move into his own comedy series with Diff'rent Strokes (1978) as the wealthy father of a girl and adoptive father of two African-American children. While young Gary Coleman, the compact, precocious, mouthy dynamo, may have stolen the show, the good-humored Bain remained a strong center and voice of reason until the show's demise in 1986. Three was not a charm when Bain went into a third new comedy series, Mr. President (1987), with Conrad as a loyal aide-de-camp to "President" George C. Scott. The show, created not by Lear but by Johnny Carson, lasted only 24 episodes.
During and after his lengthy 70s and 80s TV success, Conrad would continue to return to his first love, the stage, in such productions as "Uncle Vanya," "The Owl and the Pussycat," "On Golden Pond," "The Dining Room" and "On Borrowed Time", the last being a 1992 return to Broadway after nearly two decades. Films, on the other hand, were a non-issue at this point. Earlier minor turns included Clint Eastwood's Coogan's Bluff (1968), Gene Hackman's I Never Sang for My Father (1970), Woody Allen's Bananas (1971), Sean Connery's The Anderson Tapes (1971) and Barbra Streisand's Up the Sandbox (1972). His last stop in films was an engaging part as a befuddled grandpa opposite the perennially crusty Mary Wickes in Postcards from the Edge (1990) starring Meryl Streep and Shirley MacLaine. One of Bain's last on-camera appearances was recreating his Phillip Drummond role from Diff'rent Strokes (1978) on a 1996 episode of "The Fresh Prince of Bel-Air".
Other than a stage role in "Ancestral Voices" in 2000, Conrad turned for a time to screen-writing but later comfortably retired to the Brentwood area of Los Angeles. Moving to a Livermore California retirement home in 2008, wife Monica died a year later. Bain passed away there quietly of natural causes on January 14, 2013, less than a month short of his 90th birthday. His twin brother Bonar died in 2005.2013 - Dr. Arthur Harmon on Maude, and Mr. (Phillip) Drummond on Diff'rent Strokes.- Producer
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The woman who will always be remembered as the crazy, accident-prone, lovable Lucy Ricardo was born Lucille Desiree Ball on August 6, 1911 in Jamestown, New York, the daughter of Desiree Evelyn "DeDe" (Hunt) and Henry Durrell "Had" Ball. Her father died before she was four, and her mother worked several jobs, so she and her younger brother were raised by their grandparents. Always willing to take responsibility for her brother and young cousins, she was a restless teenager who yearned to "make some noise". She entered a dramatic school in New York City, but while her classmate Bette Davis received all the raves, she was sent home; "too shy". She found some work modeling for Hattie Carnegie's and, in 1933, she was chosen to be a "Goldwyn Girl" and appear in the film Roman Scandals (1933).
She was put under contract to RKO Radio Pictures and several small roles, including one in Top Hat (1935), followed. Eventually, she received starring roles in B-pictures and, occasionally, a good role in an A-picture, like in Stage Door (1937) or The Big Street (1942). While filming Too Many Girls (1940), she met and fell madly in love with a young Cuban actor-musician named Desi Arnaz. Despite different personalities, lifestyles, religions and ages (he was six years younger), he fell hard, too, and after a passionate romance, they eloped and were married in November 1940. Lucy soon switched to Metro-Goldwyn-Mayer, where she got better roles in films such as Du Barry Was a Lady (1943); Best Foot Forward (1943) and the Katharine Hepburn-Spencer Tracy vehicle Without Love (1945). In 1948, she took a starring role in the radio comedy "My Favorite Husband", in which she played the scatterbrained wife of a Midwestern banker. In 1950, CBS came knocking with the offer of turning it into a television series. After convincing the network brass to let Desi play her husband and to sign over the rights to and creative control over the series to them, work began on the most popular and universally beloved sitcom of all time.
With I Love Lucy (1951), she and Desi promoted the 3-camera technique now the standard in filming sitcoms using 35mm film (the earliest known example of the 3-camera technique is the first Russian feature film, "Defence of Sevastopol" in 1911). Desi syndicated I Love Lucy. Lucille Ball was the first woman to own her own studio as the head of Desilu Productions.
Lucille Ball died at Cedars-Sinai Medical Center, age 77, of an acute aortic aneurysm on April 26, 1989 in Los Angeles, CA.1989- Martin Henry Balsam was born on November 4, 1919 in the Bronx, New York City, to Lillian (Weinstein) and Albert Balsam, a manufacturer of women's sportswear. He was the first-born child. His father was a Russian Jewish immigrant, and his mother was born in New York, to Russian Jewish parents. Martin caught the acting bug in high school where he participated in the drama club. After high school, he continued his interest in acting by attending Manhattan's progressive New School. When World War II broke out, Martin was called to service in his early twenties. After the war, he was lucky to secure a position as an usher at Radio City Music Hall in New York City. By 1947, he was honing his craft at the Actors Studio, run at that time by Elia Kazan and Lee Strasberg. His time at the Actors Studio in New York City allowed him training in the famous Stanislavsky method. Despite his excellent training, he had to prove himself, just like any up and coming young actor. He began on Broadway in the late 1940s. But, it was not until 1951 that he experienced real success. That play was Tennessee Williams' "The Rose Tattoo". After his Broadway success, he had a few minor television roles before his big break arrived when he joined the cast of On the Waterfront (1954). In the 1950s, Martin had many television roles. He had recurring roles on some of the most popular television series of that time, including The United States Steel Hour (1953), The Philco Television Playhouse (1948), Goodyear Playhouse (1951) and Studio One (1948). In 1957, he was able to prove himself on the big-screen once again, with a prominent role in 12 Angry Men (1957), directed by Sidney Lumet and starring Henry Fonda. All of Martin's television work in the 1950s did not go to waste. While starring on an episode of Alfred Hitchcock Presents (1955), Hitchcock was so impressed by his work, that he offered him a key supporting role of Detective Milton Arbogast in Psycho (1960). His work with Hitchcock opened him up to a world of other acting opportunities. Many strong movie roles came his way in the 1960s, including parts in Breakfast at Tiffany's (1961), Cape Fear (1962) and The Carpetbaggers (1964). One of the proudest moments in his life was when he received an Academy Award for Best Supporting Actor for A Thousand Clowns (1965). It was soon after that he began accepting roles in European movies. He soon developed a love for Italy, and lived there most of his remaining years. He acted in over a dozen Italian movies and spent his later life traveling between Hollywood and Europe for his many roles. After a career that spanned more than fifty years, Martin Balsam died of natural causes in his beloved Italy at age 76. He passed away of a stroke at a hotel in Rome called Residenza di Repetta. He was survived by his third wife Irene Miller and three children, Adam, Zoe and Talia.1996 - The Bronx Barrymore.
- Actress
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Singing funny girl Kaye Ballard was born to perform...and perform she did, in a career spanning eight decades. With a strong comedy background and tunnel mouth to rival Martha Raye, the broad and bouncy trouper drew laughs on the musical stage, in night clubs, in recordings and on TV. As the archetypal over-emotive, knuckle-biting Italian wife and mama, the octogenarian tickled the funny bone with her earthy brand of comedy while alternately touching hearts in song.
She was born Catherine Gloria Balotta,in Cleveland, Ohio, the daughter of Italian parents, Lena (Nacarato) and Vincenzo/Vincent James Balotta. A deep desire to perform already struck by the time she was five years old. A typical class clown during her high school years, she began to compile a number of star impressions for her act. In her teens, she performed in a Cleveland USO stage production of "Stage Door Canteen" (1941), and soon set out on her own.
Earning a job in 1943 touring with Spike Jones and His Orchestra for two years as his featured vocalist and flute/tuba player(!), Kaye eventually set up camp in New York and made her Broadway debut with the revue "Three to Make Ready" (1946). From there she showcased in the musicals "Once in a Lifetime," "Touch and Go" (in London), "Annie Get Your Gun" and the burlesque show "Top Banana". During this time, she built up a strong song-and-comedy reputation for herself on the nightclub circuit, eventually playing the country's best cabarets/niteries including The Bon Soir, Persian Room and Blue Angel in New York, The Hungry i in San Francisco, and Mr. Kelly's in Chicago.
During the 1950s and 1960s, Kaye graced nearly every talk/variety show there was including those for Ed Sullivan, Jack Paar, Johnny Carson, Steve Allen, Perry Como, Red Skelton, Carol Burnett, Merv Griffin and Mike Douglas. Two of her classic TV roles were her ugly stepsister Portia (the other sister being fellow scene-stealer Alice Ghostley) in the Julie Andrews version of Cinderella (1957), and as one of The Mothers-In-Law (1967) (the other being fellow veteran Eve Arden) in the popular but short-lived sitcom produced by Desi Arnaz. Both showcases catered perfectly to Kaye's brash comedy instincts. She also pitched in as a meddling second banana for Doris Day for one season of the star's '70s TV show.
On stage Kaye had Broadway audiences rolling in the aisles with her Helen of Troy in the 1954 musical "The Golden Apple," while introducing the classic song standard "Lazy Afternoon." Other raves came in the form of "Wonderful Town" (1958), "Carnival" (1961) and Cole Porter Revisited" (1965). On the flip side of the coin, she played a frumpy Lola Delaney in a badly misguided musical version of "Come Back, Little Sheba" (entitled "Sheba") in 1974, and also tried unsuccessfully to bring life to the beloved, indomitable Molly Goldberg radio/TV character in the Broadway musical "Molly" (1973); the show lasted a mere two months. Kaye was much more at home sinking her teeth into two of theater's most impregnable females: Mama Rose in "Gypsy" and Dolly Levi in "Hello, Dolly!"
With an out-stretched personality on par with Carol Channing and Ethel Merman, films never became a suitable medium. Although Kaye gave a standout debut performance in The Girl Most Likely (1957), starring Jane Powell, she was seldom seen after that. Her sprinkling of supporting roles included A House Is Not a Home (1964) with Shelley Winters, Which Way to the Front? (1970) starring Jerry Lewis, Freaky Friday (1976) with young Jodie Foster, and, perhaps more notably, in The Ritz (1976) starring Rita Moreno and Jerry Stiller.
In later years, Kaye dominated the stage with feisty work in "Nunsense", "The Pirates of Penzance" (a Broadway replacement), "High Spirits" (as Madame Arcati), "Funny Girl" (as Mrs. Brice), "The Full Monty", and the female version of "The Odd Couple". The Rancho Mirage, California resident performed with the Palm Spring Follies show, and was out-and-about doing her one-woman cabaret show belting out the good old songs and retracing her burlesque-styled comedy roots. A survivor of breast cancer, the never-married veteran showed no signs of slowing down. She died in her Rancho Mirage home on January 21, 2019, aged 93.2019- Actress
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Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.2005- Actor
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- Music Department
Ronnie Barker's remarkable versatility as a performer can be traced back to his time in repertory theatre, where he was able to play a wide range of roles and develop his talent for accents, voices and verbal dexterity. It was during this time that he met Glenn Melvyn, who taught him how to stammer (something he would later use to great effect in the sitcom Open All Hours (1976)). Melvyn also gave Ronnie his break into television by offering him a role in I'm Not Bothered (1956). During the 1960s, Ronnie became well-established in radio, providing multiple voices for "The Navy Lark" and working with comedy great Jon Pertwee. He also became a regular face on television, appearing in The Frost Report (1966) (perhaps most memorably in a sketch about Britain's class system, with John Cleese and Ronnie Corbett) and playing character roles on The Saint (1962) and The Avengers (1961).
In 1971, Ronnie teamed up with Ronnie Corbett again, this time for a BBC sketch series called The Two Ronnies (1971). This series proved enormously popular, continuing until the late 1980s. In addition to "The Two Ronnies", Barker starred on the popular BBC sitcoms Porridge (1974) (as a cockney prisoner) and Open All Hours (1976) (as a stammering Northern shopkeeper). In fact, only Leonard Rossiter could be said to have rivaled him during this time for the crown of British television's most popular comedy star. In 1982, he revived silent comedy in By the Sea (1982). Despite his extrovert performances on television, Barker remained a quiet, retiring individual in his personal life, much preferring to spend time with his family rather than mix with the celebrity crowd. This humility, combined with memories of his extraordinary abilities, meant that he continued to be greatly respected by his fellow professionals. In a BAFTA special shown by the BBC in 2004, stars as diverse as Gene Wilder, Peter Kay and Peter Hall paid tribute to his contribution to comedy and British television in general. Ronnie Barker died on 3 October 2005 after suffering from heart problems.2005 - One-half of The Two Ronnies.- Cute, tiny, and prolific little old lady character actress Frances Bay worked constantly in both films and TV shows alike after making her debut at the age of 59 in life with a small part in the comedy Foul Play (1978) in 1978.
She frequently portrayed eccentric elderly women and good-hearted grandmothers in all kinds of pictures and television programs. Frances acted several times for David Lynch: she's Kyle MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond in the cult TV series Twin Peaks (1990) and its spin-off feature Twin Peaks: Fire Walk with Me (1992). Frances popped up in two movies for director Stuart Gordon: she's a kind witch in The Pit and the Pendulum (1991) and a fortune teller in Edmond (2005).
Other notable film roles include a snippy librarian in The Attic (1980), a mysterious blind nun in the offbeat Nomads (1986), another librarian in In the Mouth of Madness (1994), and Adam Sandler's loving grandmother in the hit comedy Happy Gilmore (1996). Frances had the unique distinction of guesting on the final episodes of the TV shows Happy Days (1974), Who's the Boss? (1984), and Seinfeld (1989).
Among the many TV series Bay had guest spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files (1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986), Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls (1985), and Amazing Stories (1985).
She won a Gemini Award for her performance in the Disney TV program Avonlea (1990). Frances was also in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to her substantial movie and TV credits, Bay also acted in both Off-Broadway stage productions and regional theater; these plays include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The Pleasure of His Company." Frances won two DramaLogue Awards and was nominated for a Los Angeles Dramatic Critics' Award.
In 2002 Bay was the unfortunate victim of an automobile accident which resulted in having part of her right leg amputated. Her husband Charles sadly died in 2002 as well.
In real life Frances Bay was a very practical and unassuming woman with an avid love for jazz music.2011 - Actor
- Additional Crew
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Dick Beals provided the voice for the commercial character Speedy Alka-Seltzer and originated the voice of Gumby and the first Davey from the TV series "Davey and Goliath," As a child, he was too small to play sports so started cheerleading for his local high school at age 7. At Michigan State, he was a member of the cheerleading squad and earned his bachelor's degree in 1949. Beals began his voice-over career in the 1940s with such radio shows as "The Lone Ranger," "The Green Hornet" and "Dragnet." His Speedy Alka-Seltzer character was featured in more than 200 TV and radio commercials that aired from 1954 to 1964. His stop-motion animation voice-over roles included the original Gumby from "The Gumby Show" in the 1950s and the voice of the first Davey from the 1960s TV series, "Davey and Goliath." Nearly 300 boys tried out for the role of N.J. Normanmeyer in the early 1990s animated series "The Addams Family," but Beals nabbed the part when he was 65. Because of a glandular condition known as Peter Pan Syndrome, Beals stood just four-feet, six inches tall, weighed less than 70 pounds, and had a voice that never changed from grade school. The Los Angeles Times reported back in 1992 that Beals' voice was featured in more than 3,000 commercials. He was a private pilot and often commuted to Los Angeles for work in his own plane. Beals moved in 1970 from the Los Angeles area to Escondido, where he opened an ad agency, coached Little League and served as a high school sports announcer. Beals raced sailboats, played golf and tennis, competed in duplicate bridge tournaments throughout America, and had never married. Later in life, he was a motivational speaker who turned to his 1992 autobiography to inspire audiences. He called his book "Think Big." He died May 29, 2012 at age 85 and had no immediate family alive at his death, but did have 3 brothers who passed before him.2012 - The voice of Speedy Alka-Seltzer (and others) was a little man with a giant talent who had the power to THINK BIG.- Actor
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Brian Bedford was born on 16 February 1935 in Morley, Yorkshire, England, UK. He was an actor and director, known for Robin Hood (1973), Nixon (1995) and Grand Prix (1966). He was married to Tim MacDonald. He died on 13 January 2016 in Santa Barbara, California, USA.2016- Actor
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- Music Department
John Belushi was born in Chicago, Illinois, USA, on January 24, 1949, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. He grew up in Wheaton, where the family moved when he was six. Though a young hellion in grade school, John became the perfect all-American boy during his high school years where he was co-captain of the Wheaton Central High School football team and was elected homecoming king his senior year. He also developed an interest in acting and appeared in the high school variety show. Encouraged by his drama teacher, John decided to put aside his plans to become a football coach to pursue a career in acting.
After graduation in 1967, John performed in summer stock in rural Indiana in a variety of roles from "Cardinal Wolsey" in "Anne of a Thousand Days" to a comic detective in "Ten Little Indians". In the fall of his freshman year at the University of Wisconsin at Whitewater, John changed his image into a bad-boy appearance by growing his hair long and began to have problems with discipline and structure of attending classes.
Dropping out of Wisconsin, John spent the next two years at the College of DuPage, a junior college a few miles from his parents' Wheaton home, where his father began persuading him to become a partner in his restaurant, but John still preferred acting. While attending DuPage, John helped found the "West Compass Players", an improv comedy troupe patterned after Chicago's famous "Second City" ensemble.
In 1971, John made the leap to "Second City" itself where he performed in various on-stage comic performances with others, who included Harold Ramis and Joe Flaherty. John loved his life at "Second City" where he performed six nights a week, perfecting the physical "gonzo" style of comedy he later made famous.
A year later, John and his live-in girlfriend from his high school years, Judith Belushi-Pisano, moved to New York because John had joined the cast of National Lampoon's Lemmings, an off-Broadway rock musical revue that was originally booked for a six-week run but played to full crowds for nearly 10 months.
In 1973, John was hired as a writer for the syndicated National Lampoon's Radio Hour which became the National Lampoon Show in 1975. John's big break came that same year when he joined the ground-breaking TV variety series Saturday Night Live (1975) which made him a star. The unpredictable, aggressively physical style of humor that he began on "Second City" flowered on SNL.
In 1978, while still working on Saturday Night Live (1975), John appeared in the movie Goin' South (1978) which starred and was directed by Jack Nicholson. It was here that director John Landis noticed John and decided to cast him in his movie National Lampoon's National Lampoon's Animal House (1978). John's minor role as the notorious, beer-swilling "Bluto" made it a box-office smash and the year's top grossing comedy. Despite appearing in only a dozen scenes, John's performance stole the movie, which portrays college fraternity shenanigans at a small college set in the year 1962.
In 1979, John along with fellow SNL regular Dan Aykroyd quit the series to pursue movie projects. John and Dan Aykroyd appeared in minor roles in Steven Spielberg's financially unsuccessful 1941 (1979) and, the following year, in John Landis' The Blues Brothers (1980). Around this time, John's drug use began escalating. Cocaine, which was ubiquitous in show-business circles in the 1970's, became his drug of choice. After he first experimented with cocaine in the mid 1970s, John almost immediately became addicted to it. His frequent cocaine sniffing binges became a source of friction between him and Judy, whom he married in 1976.
John's love for blues and soul music inspired the "Blues Brothers". He and Aykroyd first appeared as Joliet Jake and Elwood Blues, a pair of white soul men dressed in black suits, skinny ties, fedora hats and Rayban sunglasses, as a warm-up act before the telecasts of Saturday Night Live (1975). Building on the success of their acts and the release of their album "A Briefcase Full of Blues", John and Dan Aykroyd starred in the movie, which gave John a chance to act with his favorite musical heroes including Ray Charles, James Brown and Aretha Franklin.
Although John's reputation for being an off-screen party animal is legendary, his generous side is less well known. Using some of his money, he bought his father a ranch outside San Diego for him to live. John helped set up some of his Chicago friends with their own businesses and even financially helped his younger brother, Jim Belushi, who followed his older brother's path to both "Second City" and Saturday Night Live (1975).
In 1981, John appeared in the movie Continental Divide (1981), playing a hard-nosed Chicago newspaperman who finds romance in Colorado with eagle expert Blair Brown. That same year, John and Dan Aykroyd appeared again in the movie Neighbors (1981), which gave them a chance to reverse roles, with John playing a straight-arrow family man whose life is turned upside down when a wild family man (Aykroyd) moves in next door.
In January 1982, John began work on the screenplay for another movie to be titled "Noble Rot". Also, John had checked into a bungalow at the Chateau Marmont, a popular celebrity hotel in Los Angeles. John's drug use had been steadily increasing for over a year now, which alarmed his wife and friends, but he continued to promise Judy that he would quit someday. On March 5, 1982, John Belushi was found dead in his hotel room at the age of 33. The local coroner gave the cause of death as a lethal injection of cocaine and heroin. Several years later, John's drug dealing/drug user companion during his final weeks, Cathy Evelyn Smith, was tried and sentenced to three years in prison for supplying John with the drugs. Close friend James Taylor sang "That Lonesome Road" at a memorial service at Martha's Vineyard cemetery where John was buried.1982 - One of Saturday Night Live's comedic geniuses.- Actor
- Director
Genial, pleasant-voiced character actor Paul Benedict was born in New Mexico on September 17, 1938, and made hosts of stage, film and TV appearances in a career lasting five decades. The son of a doctor, he was diagnosed with acromegaly by an endocrinologist who happened to catch the nascent actor in a stage play. He underwent medical treatment that successfully prevented the advancing of the disease. Following military service with the Marine Corps., Paul went on to a highly successful entertainment career using his spade-sized jaw and large nose often to humorous effect.
Following his graduation from Suffolk University, Benedict began acting at the Theatre Company of Boston and performed with such up-and-coming hopefuls as Robert De Niro, Dustin Hoffman and Al Pacino before moving to New York in 1968. Decades laterk, Pacino remembered his old colleague when he revived Eugene O'Neill's one-act, two-person drama "Hughie" on Broadway in 1996. Paul was cast as the hotel night clerk who listens patiently and endlessly to the forlorn ramblings of Pacino's hustler character. Paul made his unofficial Broadway debut in 1968 with "Leda Had a Little Swan," but it closed just before it officially opened. He then went on to appear in "Little Murders" (1969), "The White House Murder Case" (1970) and "Bad Habits" (1974).
Benedict began his on-camera career with the little seen western film spoof The Double-Barrelled Detective Story (1965) and then was seen in another spoof, the political satire The Virgin President (1968). He continued in a quirky, humorous vein in Norman Lear's Cold Turkey (1971), as well as Taking Off (1971), They Might Be Giants (1971), The Gang That Couldn't Shoot Straight (1971), Deadhead Miles (1972), Up the Sandbox (1972) and The Front Page (1974). Lear took a liking to Paul and began using him as a guest on some of his classic TV comedies, including "Maude" and "All in the Family," before casting him as Harry Bentley, the polite but put-upon white Englishman next door neighbor to affluent black couple Isabel Sanford and Sherman Hemsley on the decade-long comedy series The Jeffersons (1975). It remains his best known oddball comedy role. Another familiar character would be The Mad Painter on the long-running children's PBS show Sesame Street (1969).
He played an fascinating assortment of erudite, toothy and tweedy characters on film, one of his best remembered being that of Reverend Lindquist in Jeremiah Johnson (1972). He also played the emissary of the governor in The Front Page (1974), a slave trader in Mandingo (1975), an untalented Shakespearean stage director in The Goodbye Girl (1977); an eccentric butler in The Man with Two Brains (1983); another butler in Arthur 2: On the Rocks (1988); a business college professor in Cocktail (1988); a warden in The Chair (1988); a film school teacher in The Freshman (1990); an irritated judge in The Addams Family (1991); and a professor in Isn't She Great (2000).
Benedict made an impression as a stage director as well, including "Any Given Day," the original production of "Frankie and Johnny in the Clair de Lune," and the Obie-winning "The Kathy and Mo Show." His final Broadway appearance was as Mayor Shinn in the 2000 revival of "The Music Man" and he took his final curtain call with Pinter's "No Man's Land" at the American Repertory Theatre in Cambridge, Massachusetts.
On TV, Paul made appearances on some of TV's most popular shows, including "Sweepstakes," "Mama Malone," "Murder, She Wrote," "The New Twilight Zone," "A Different World," "Tales from the Crypt," "Seinfeld" and "The Drew Carey Show." On film, Paul became a stock player for Christopher Guest and his hilarious "mockumentary" features -- This Is Spinal Tap (1984), Waiting for Guffman (1996) (as the long-awaited guest) and A Mighty Wind (2003).
Unmarried, the 70-year-old actor died of natural causes on December 1, 2008, at his home in Martha's Vineyard, Massachusetts.2008 - Harry Bentley at your service :).- Music Artist
- Composer
- Music Department
Charles Edward Anderson Berry was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.2017 - The Founding Father of Rock 'n' Roll.- Actor
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The son of a saloon keeper, Jack Benny (born Benny Kubelsky) began to study the violin at the age six, and his "ineptness" at it, would later become his trademark (in reality, he was a very accomplished player). When given the opportunity to play in live theatre professionally, Benny quit school and joined vaudeville. In the same theatre that Benny was working with were the very young The Marx Brothers. Their mother, Minnie Marx, wanted Benny to go on the road with them. However, this plan was foiled by his parents who would not let their 17-year-old son on the road.
Having a successful vaudeville career, Benny also had a greater career on radio for "The Jack Benny Program". The show was one of the few successful radio programs that also became a successful television show.
Benny also starred in several movies, including The Hollywood Revue of 1929 (1929), Broadway Melody of 1936 (1935), The Horn Blows at Midnight (1945) and George Washington Slept Here (1942), although he had much greater success on radio and on TV than he did on the big screen.
He was good friends with Fred Allen, with whom he had a long-standing comic "feud".1974- Actress
- Producer
- Soundtrack
Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.1982 - I fell in love with her while watching Casablanca as a kid.- Actor
- Director
- Producer
The son of a sales clerk and a department store owner, Bill Bixby was the sixth-generation Californian born as Wilfred Bailey Bixby, on January 22, 1934, in San Francisco, California. An only child growing up in the 1940s and 1950s, he attended schools in the same area, took ballroom dance lessons, before attending Lowell High School, where he excelled in drama. After his graduation from high school, he attended San Francisco City College, where he majored in drama. He transferred to the University of California-Berkeley, where he majored in the pre-law program, but never stopped falling in love with his interest in acting. After almost graduating, he left his native San Francisco, to travel to Los Angeles, where he became a lifeguard and a bellhop.
Two years later, in 1959, two executives noticed him and hired him immediately for commercial work and modeling, in Detroit, Michigan. At the same time, he auditioned for theater roles. He joined the Detroit Civic Theatre Company and made his professional stage debut in the musical, "The Boy Friend." Long after his trip to Michigan, he continued doing commercial work and made numerous guest appearances on popular TV sitcoms.
He made his TV debut in an episode of The Many Loves of Dobie Gillis (1959). He also did many other roles, most notably as "Charles Raymond" in The Joey Bishop Show (1961). After many guest and recurring roles, he landed a co-starring role opposite Ray Walston in My Favorite Martian (1963), in which he portrayed a newspaper reporter playing host to a visitor from another planet. After the first season, it became a hit and Bixby became a household name to millions of fans who liked the show. The show was going well until its cancellation in 1966, which left Bixby in the dark, for the time being. However, he finally got the chance to go onto the big screen. The first of the four post-"Martian" 60s movies he played in was the Western, Ride Beyond Vengeance (1966). The following year, he played in Doctor, You've Got to Be Kidding! (1967) and, soon after, he was approached by Elvis Presley to appear in both Clambake (1967), and Speedway (1968). Afterwards, he once again returned to series television, this time playing widowed father, "Tom Corbett", on The Courtship of Eddie's Father (1969), based on the popular 1963 movie. After its first season, it became a much bigger hit than his first show and Bixby, heretofore one of Hollywood's most confirmed bachelors, changed his views on marriage and family, subsequently taking actress Brenda Benet as his bride and fathering a son. He also tried his hand at directing an episode of the series, called "Gifts Are For Giving," about Norman's highly treasured gift. After completing its second season, Bixby received an Emmy nomination for Lead Actor in a Comedy Series, but didn't win. By its third season in 1972, the show had bad scripts and ABC decided to pull the plug.
Once again, Bixby was not long out of work and was offered a chance to star in a lead role as "Anthony Dorian/Anthony Blake," on his first and only NBC dramatic series called, The Magician (1973). The show focused on Anthony performing magic tricks which helped people who were in trouble, and in real-life, Bill became a fine magician, performing to both children and adults. But sadly, the show was canceled after one season due to its expensive costs.
After a seven-year absence from the big screen, he co-starred in another western, opposite Don Knotts and Tim Conway, in The Apple Dumpling Gang (1975). Like most of the theatrical movies he did, it was not a blockbuster at the box office, but was still an average hit. In late 1977, he was offered the role of "Dr. David Bruce Banner," in a two-hour pilot called, The Incredible Hulk (1977). About a physician/scientist who turned into a green monster whenever he became angry, the idea appealed to CBS, and several months later, they premiered a new science fiction-dramatic series, called, The Incredible Hulk (1978). When it debuted as a mid-season replacement, it became the #1 show in the United States, and in many other countries. His character became famous for ripping up shirts each time he turned into the Hulk, played by bodybuilder Lou Ferrigno. Bixby had wanted to direct some episodes, but the time he had to spend in the make-up chair for the transformation sequences made that problematical, and he managed to helm only one segment, "Bring Me the Head of the Hulk," in the fourth season. The series was canceled in 1981 (although the last few episodes didn't air until 1982).
Bixby, once again, came back to series television, acting in, producing and directing his last sitcom, Goodnight, Beantown (1983), on which he played "Matt Cassidy." Chosen for the role of "Jennifer Barnes," was one of Bixby's old friends, Mariette Hartley, who had won an Emmy for her guest appearance in The Incredible Hulk (1978) as Banner's second wife. The two played co-anchor newscasters of a Boston television station whose sparring on and off the air developed into friendship and respect. Discounting a brief, inconsequential return to the network's schedule in the summer of 1984, the series lasted for less than a year, from April 1983 to January 1984.
Bixby now decided to concentrate on directing and worked on Wizards and Warriors (1983), Goodnight, Beantown (1983) and Sledge Hammer! (1986). He also directed the pilot for a New York spy series, "Rockhopper." He also appeared in front of the camera as the host of the daytime anthology series, True Confessions (1985), which dealt with real-life crises of everyday people. Bixby additionally served as host for two shows targeting younger viewers: "Against the Odds," a series of biographies of prominent people, frequently from history, for the Nickelodeon cable channel; and "Once Upon a Classic," a collection of British TV adaptations of literary classics on PBS.
He came back to reprise his role of "Dr. David Banner" from The Incredible Hulk (1978) by acting in, producing, and directing the three spin-off movies: The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989) and The Death of the Incredible Hulk (1990). He also directed TV movies such as Baby of the Bride (1991) and Another Pair of Aces: Three of a Kind (1991).
In April 1991, while directing one of his last movies, he became very ill and was diagnosed with prostate cancer. He underwent surgery and by December, his cancer seemed to be in remission, so he came back to guest star as "Nick Osborne" in a two-hour TV movie/pilot called Diagnosis Murder: Diagnosis of Murder (1992). In mid-1992, while his cancer continued to be in remission, Bixby returned to work as a director to direct several episodes of the popular NBC sitcom, Blossom (1990), where he became the main director of the show. At first, he hid his illness from the cast and crew, until one of the producers found out, and then he announced publicly that he wanted to continue working until he could no longer do so. Prior to going public with his cancer, he directed a TV movie starring Roseanne Barr and Tom Arnold, The Woman Who Loved Elvis (1993), which was his final directing project.
Unfortunately, the cancer returned by mid-1993 and, on November 21, 1993, six days after directing his last episode on "Blossom" (1991), Bill Bixby died at age 59 in his home after a two-year battle with cancer. For over 30 years, he was in great demand and his big roles and directing credits have been a personal testimony to his fans. His life is gone, but his legacy lives on for years to come.1993- Actor
- Music Department
- Soundtrack
Mel Blanc, known as "The Man of Thousand Voices" is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits. He developed and performed nearly 400 distinct character voices with precision and a uniquely expressive vocal range. The legendary specialist from radio programs, television series, cartoon shorts and movie was rarely seen by his audience but his voice characterizations were famous around the world.
Blanc under exclusive contract until 1960 to Warner Brothers voiced virtually every major character in the Warner Brothers' Looney Tunes and Merry Melodies cartoon pantheon. Characters including Porky Pig, Bugs Bunny, Daffy Duck, Elmer Fudd, Tweety Bird, Sylvester the Cat, Wile E. Coyote,The Roadrunner, Yosemite Sam, Sam the Sheepdog, Taz the Tazmanian Devil, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, Pepé la Pew, Charlie the Dog, Blacque Jacque Shellacque, Pussyfoot, Private Snafu among others were voiced by Blanc.
After 1960, Blanc continued to work for Warner Brothers but began to work for other companies once his exclusive contract ended. He worked for Hanna-Barbera voicing characters including Barney Rubble, Dino the Dinosaur, Cosmo Spacely, Secret Squirrel, Captain Caveman, Speed Buggy, Wally Gator among others. He provided vocal effects for Tom & Jerry in the mid 1960's working with fellow Warner Bros. alum, Chuck Jones at what would become MGM Animation. In the mid 1960's, Blanc originated and voiced Toucan Sam for the Kellogg's Fruit Loops commercials. He would later go to originate and voice Twiki for Buck Rogers and Heathcliff in the late 1970's and early 1980's.1989 - The man of a thousand voices was a big part of my childhood.- Actor
- Soundtrack
Wally Boag was born on 13 September 1920 in Portland, Oregon, USA. He was an actor, known for Gnomeo & Juliet (2011), The Absent Minded Professor (1961) and The Love Bug (1969). He was married to Frances Ellen Morgan. He died on 3 June 2011 in Santa Monica, California, USA.2011- Lloyd Bochner had that wonderfully sonorous type of voice that was always tailor-made for radio or for the stage. Unsurprisingly then, by the time he was eleven, Lloyd was already employed as part-time voiceover artist and reader of drama serials by radio stations in Vancouver.
Lloyd Wolfe Bochner was born in Toronto, Ontario, Canada, to Frieda (Kenen) and Charles Abraham Bochner. He was of Russian Jewish and Ukrainian Jewish descent. He made his acting debut as a youth with the Joseph Barrington Juveniles. Lloyd's education at the University of Toronto was interrupted in 1943 by wartime service in the Royal Canadian Navy. However, in 1947, he graduated with a B.A. and a few years later moved to New York to further hone his acting skills. In 1953, he returned to Canada to participate in the inaugural season of the Stratford Festival getting to enact choice Shakespearean roles from Horatio in "Hamlet" to Orsino in "Twelfth Night".
Having made his screen bow in a small Canadian production, The Mapleville Story (1946), Lloyd's first significant exposure in television was as British army officer Nicholas Lacey in the half-hour NBC serial One Man's Family (1949), which had first been performed on radio and starred Bert Lytell and Marjorie Gateson. His real breakthrough came quite a few years later, once having moved to Hollywood, as co-star of the studio-bound crime series Hong Kong (1960). He played local British police-chief Neil Campbell, solving crime in tandem with an American newspaper correspondent (played by Australian actor Rod Taylor). This, in turn, led to other key roles including his almost legendary appearance in the classic The Twilight Zone (1959) episode "To Serve Man" in 1962 (at one time voted 11th in a TV guide poll of 100 best TV episodes of all time). Based on a short story by Damon Knight written in 1950, "To Serve Man" unfolds in flashback as narrated for the viewer by Lloyd's decoding expert Michael Chambers. It has all the elements of great television, with an excellent cast (including Richard Kiel, later known as 'Jaws' from the 'James Bond' movies; and Theodore Marcuse as Citizen Grigori giving an indelible impression of Nikita Khrushchev); and an unexpected and disturbing denouement when it turns out that the supposedly altruistic alien Kanamits have come to earth to harvest humans for food. Lloyd repeated his famous punch-line, "it's a cook book!", years later as a spoof in Leslie Nielsen's The Naked Gun 2½: The Smell of Fear (1991).
For most of the 1960s and 1970s, Lloyd was cast in supporting roles, often as mellifluous, meticulously-attired, upper-class snobs, practically guaranteed to harbour treacherous intent. He appeared in several motion pictures, notably as the malicious, smooth villain Frederick Carter who unsuccessfully tangles with Lee Marvin in Point Blank (1967), and in the same year, as homosexual drug dealer Vic Rood on the receiving end of the beating from Frank Sinatra in Tony Rome (1967). However, on the whole, Lloyd's preferred medium was television. He had a recurring role in the long-running soap-opera Dynasty (1981) as Blake Carrington's manipulative rival, Cecil Colby, in league with archvillain Alexis Carrington (Joan Collins). A versatile character actor, Lloyd's clean-cut, aquiline features and quiet air of authority lent themselves to portraying a vast gallery of medical men, soldiers, politicians and executives. Some of these were men of integrity, but like many a good actor, Lloyd rather enjoyed the challenge of playing the scoundrel.
During his half century-long acting career, Lloyd Bochner garnered two Liberty Awards as best television actor, Canada's equivalent of the Emmy Awards. He was also an active member in the Association of Canadian Radio and Television Artists. He died at age 81 of cancer on October 29, 2005 in Santa Monica, California. His children are actors Hart Bochner, Paul Bochner, and Johanna Courtleigh.2005 - Actor
- Producer
- Soundtrack
Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)2012- Producer
- Writer
- Additional Crew
Anthony Bourdain was born in New York City, to Gladys (Sacksman), an NYT staff editor, and Pierre Bourdain, a Columbia Records executive. He attended The Englewood School for Boys in New Jersey and Vassar College (for two years), and was a graduate of The Culinary Institute of America. He began his career in the food industry as a dishwasher, gradually working his way up through preparation, to line cook, sous chef, and chef. He was executive chef of Manhattan's Brasserie Les Halles, which meant, in his words, that he got to "swan around the kitchen, taking credit for others' work." Bourdain lived in New York City, and had a daughter Ariane, with his wife Ottavia.2018- Music Artist
- Actor
- Composer
David Bowie was one of the most influential and prolific writers and performers of popular music, but he was much more than that; he was also an accomplished actor, a mime and an intellectual, as well as an art lover whose appreciation and knowledge of it had led to him amassing one of the biggest collections of 20th century art.
Born David Jones, he changed his name to Bowie in the 1960s, to avoid confusion with the then well-known Davy Jones (lead singer of The Monkees). The 1960s were not a happy period for Bowie, who remained a struggling artist, awaiting his breakthrough. He dabbled in many different styles of music (without commercial success), and other art forms such as acting, mime, painting, and play-writing. He finally achieved his commercial breakthrough in 1969 with the song "Space Oddity", which was released at the time of the moon landing. Despite the fact that the literal meaning of the lyrics relates to an astronaut who is lost in space, this song was used by the BBC in their coverage of the moon landing, and this helped it become such a success. The album, which followed "Space Oddity", and the two, which followed (one of which included the song "The Man Who Sold The World", covered by Lulu and Nirvana) failed to produce another hit single, and Bowie's career appeared to be in decline.
However, he made the first of many successful "comebacks" in 1972 with "Ziggy Stardust", a concept album about a space-age rock star. This album was followed by others in a similar vein, rock albums built around a central character and concerned with futuristic themes of Armageddon, gender dysfunction/confusion, as well as more contemporary themes such as the destructiveness of success and fame, and the dangers inherent in star worship. In the mid-1970s, Bowie was a heavy cocaine abuser and sometime heroin user.
In 1975, he changed tack. Musically, he released "Young Americans", a soul (or plastic soul as he later referred to it) album. This produced his first number one hit in the US, "Fame". He also appeared in his first major film, The Man Who Fell to Earth (1976). With a permanently-dilated pupil and skeletal frame, he certainly looked the part of an alien. The following year, he released "Station to Station," containing some of the material he had written for the soundtrack to this film (which was not used). As his drug problem heightened, his behavior became more erratic. Reports of his insanity started to appear, and he continued to waste away physically. He fled back to Europe, finally settling in Berlin, where he changed musical direction again and recorded three of the most influential albums of all time, an electronic trilogy with Brian Eno "Low, Heroes and Lodger". Towards the end of the 1970s, he finally kicked his drug habit, and recorded the album many of his fans consider his best, the Japanese-influenced "Scary Monsters". Around this time, he appeared in the title role of the Broadway drama The Elephant Man, and to considerable acclaim.
The next few years saw something of a drop-off in his musical output as his acting career flourished, culminating in his acclaimed performance in Merry Christmas Mr. Lawrence (1983). In 1983, he released "Let's Dance," an album which proved an unexpected massive commercial success, and produced his second #1 hit single in the United States. According to producer Nile Rodgers, the album was made in just 17 days and was "the easiest album" he'd ever made in his life. The tour which followed, "Serious Moonlight", was his most successful ever. Faced with this success on a massive scale, Bowie apparently attempted to "repeat the formula" in the next two albums, with less success (and to critical scorn). Finally, in the late 1980s, he turned his back on commercial success and his solo career, forming the hard rock band, Tin Machine, who had a deliberate limited appeal. By now, his acting career was in decline. After the comparative failure of Labyrinth (1986), the movie industry appears to have decided that Bowie was not a sufficient name to be a lead actor in a major movie, and since that date, most of his roles have been cameos or glorified cameos. Tin Machine toured extensively and released two albums, with little critical or commercial success.
In 1992, Bowie again changed direction and re-launched his solo career with "Black Tie White Noise", a wedding album inspired by his recent marriage to Iman. He released three albums to considerable critical acclaim and reasonable commercial success. In 1995, he renewed his working relationship with Brian Eno to record "Outside." After an initial hostile reaction from the critics, this album has now taken its place with his classic albums. In 2003, Bowie released an album entitled 'Reality.' The Reality Tour began in November 2003 and, after great commercial success, was extended into July 2004. In June 2004, Bowie suffered a heart attack and the tour did not finish its scheduled run.
After recovering, Bowie gave what turned out to be his final live performance in a three-song set with Alicia Keys at the Hammerstein Ballroom in New York in November 2006. He also returned to acting. He played Tesla in The Prestige (2006) and had a small cameo in the comedy David Bowie (2006) for fan Ricky Gervais. In 2007, he did a cartoon voice in SpongeBob SquarePants (1999) playing Lord Royal Highness. He had a brief cameo in the movie ''Bandslam'' released in 2009; after a ten year hiatus from recording, he released a new album called 'The Next Day', featuring a homage cover to his earlier work ''Heroes''. The music video of ''Stars are Out Tonight'' premiered on 25 February 2013. It consists of other songs like ''Where Are We Now?", "Valentine's Day", "Love is Lost", "The Next Day", etc.
In 2014, Bowie won British Male Solo Artist at the 2014 Brit Awards, 30 years since last winning it, and became the oldest ever Brit winner. Bowie wrote and recorded the opening title song to the television miniseries The Last Panthers (2015), which aired in November 2015. The theme used for The Last Panthers (2015) was also the title track for his January 2016 release, ''Blackstar" (released on 8 January 2016, Bowie's 69th birthday) was met with critical acclaim. Following Bowie's death two days later, on 10 January 2016, producer Tony Visconti revealed Bowie had planned the album to be his swan song, and a "parting gift" for his fans before his death. An EP, No Plan, was released on 8 January 2017, which would have been Bowie's 70th birthday. The day following his death, online viewing of Bowie's music skyrocketed, breaking the record for Vevo's most viewed artist in a single day.
On 15 January, "Blackstar" debuted at number one on the UK Albums Chart; nineteen of his albums were in the UK Top 100 Albums Chart, and thirteen singles were in the UK Top 100 Singles Chart. The song also debuted at #1 on album charts around the world, including Australia, France, Germany, Italy, New Zealand and the US Billboard 200. At the 59th Annual Grammy Awards, Bowie won all five nominated awards: Best Rock Performance; Best Alternative Music Album; Best Engineered Album, Non-Classical; Best Recording Package; and Best Rock Song. The wins marked Bowie's first ever in musical categories. David Bowie influenced the course of popular music several times and had an effect on several generations of musicians.2016 - Rock's greatest chameleon.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.2004- Dave Broadfoot was born on 5 December 1925 in North Vancouver, British Columbia, Canada. He was an actor and writer, known for Royal Canadian Air Farce (1981), Bye-Bye (1968) and Quelques arpents de neige (1972). He was married to Diane Simard and Jean Templeton. He died on 1 November 2016 in Canada.2016
- Music Artist
- Actor
- Composer
James Joseph Brown (May 3, 1933 - December 25, 2006) was an American singer, dancer, musician, record producer, and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986.
Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a then-only Rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and "Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra. His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World".
During the late 1960s, Brown moved from a continuum of blues and gospel-based forms and styles to a profoundly "Africanized" approach to music-making, emphasizing stripped-down interlocking rhythms that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". He also became noted for songs of social commentary, including the 1968 hit "Say It Loud - I'm Black and I'm Proud". Brown continued to perform and record until his death from pneumonia in 2006.
Brown recorded 17 singles that reached No. 1 on the Billboard R&B charts. He also holds the record for the most singles listed on the Billboard Hot 100 chart that did not reach No. 1. Brown was inducted into the first class of the Rhythm & Blues Music Hall of Fame in 2013 as an artist and then in 2017 as a songwriter. He also received honors from several other institutions, including inductions into the Black Music & Entertainment Walk of Fame, and the Songwriters Hall of Fame. In Joel Whitburn's analysis of the Billboard R&B charts from 1942 to 2010, Brown is ranked No. 1 in The Top 500 Artists. He is ranked seventh on Rolling Stone's list of the 100 Greatest Artists of All Time.2006- Actor
- Producer
- Writer
George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.1996- Actor
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Northern Calloway was born on 22 January 1948 in New York City, New York, USA. He was an actor, known for Sesame Street (1969), Sesame Street: Put Down the Duckie (1988) and Christmas Eve on Sesame Street (1978). He was married to Terry Calloway. He died on 9 January 1990 in Ossining, New York, USA.1990 - David on Sesame Street :).- Actor
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Candy was one of Canada's greatest and funniest character actors. His well-known role as the big hearted buffoon earned him classics in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career has handed him some dry spells but Candy always rebounded.
Born in Newmarket, Ontario, in the year 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 Candy made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.
After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.
Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted "Saturday Night Live" before landing himself a role in the Ron Howard film Splash (1983), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981) and a number of people have said that Splash (1983) was his breakout role.
He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) where he and Eugene Levy play characters who become security guards.
1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.
Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early nineties. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the 'Oliver Stone' film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.
Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject and in the nineties tried to lose weight and quit smoking. He was aware that heart attacks were in his family: both his father and his grandfather died of heart attacks and Candy wanted to prevent that happening to him as best he could.
In the mid-nineties Candy filmed the Michael Moore comedy Canadian Bacon (1995) then went to Mexico to film the western spoof Wagons East (1994). It was in Mexico that Candy had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.
Candy was loved by thousands of people who loved his classic antics in Splash (1983) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989) and he himself never forgot his Canadian background.1994 - Canada's king of comedy.- Actress
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Born in New Haven, Connecticut, Karen Carpenter moved with her family to Downey, California, in 1963. Karen's older brother, Richard Carpenter, decided to put together an instrumental trio with him on the piano, Karen on the drums and their friend Wes Jacobs on the bass and tuba. In a battle of the bands at the Hollywood Bowl in 1966, the group won first place and landed a contract with RCA Records. However, RCA did not see a future in jazz tuba, and the contract was short-lived.
Karen and Richard formed another band, Spectrum, with four other fellow students from California State University at Long Beach that played several gigs before disbanding. In 1969, Karen and Richard made several demo music tapes and shopped them around to different record companies; they were eventually offered a contract with A&M Records. Their first hit was a reworking of The Beatles hit "Ticket to Ride", followed by a re-recorded version of Burt Bacharach's "Close to You", which sold a million copies.
Soon Richard and Karen became one of the most successful groups of the early 1970s, with Karen on the drums and lead vocals and Richard on the piano with backup vocals. They won three Grammy Awards, embarked on a world tour, and landed their own TV variety series in 1971, titled Make Your Own Kind of Music! (1971).
In 1975 the story came out when The Carpenters were forced to cancel a European tour because the gaunt Karen was too weak to perform. Nobody knew that Karen was at the time suffering from anorexia nervosa, a mental illness characterized by obsessive dieting to a point of starvation. In 1976 she moved out of her parents' house to a condo of her own.
While her brother Richard was recovering from his Quaalude addiction, Karen decided to record a solo album in New York City in 1979 with producer Phil Ramone. Encouraged by the positive reaction to it in New York, Karen was eager to show it to Richard and the record company in California, who were nonplussed. The album was shelved.
In 1980, she married real estate developer Thomas J. Burris. However, the unhappy marriage really only lasted a year before they separated. (Karen was to sign the divorce papers the day she died).
Shortly afterward, she and brother Richard were back in the recording studio, where they recorded their hit single "Touch Me When We're Dancing". However, Karen was unable to shake her depression as well as her eating disorder, and after realizing she needed help, she spent most of 1982 in New York City undergoing treatment. By 1983, Karen was starting to take control of her life and planning to return to the recording studio and to make public appearances again. In February of 1983, she went to her parents' house to sort through some old clothes she kept there when she collapsed in a walk-in closet from cardiac arrest. She was only 32. Doctors revealed that her long battle with anorexia nervosa had stressed her heart to the breaking point.1983 - The voice of The Carpenters.- Actor
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Johnny Carson, the legendary "King of Late Night TV" who dominated the medium's nether hours for three decades, was born in Corning, Iowa, but moved with his family to nearby Norfolk, Nebraska when he was eight years old. He was the son of Ruth E. (Hook) and Homer Lloyd "Kit" Carson, a manager of the Iowa-Nebraska Light & Power Company. It was in Norfolk, where he lived until he was inducted into the U.S. Navy in 1943, that he started his show business career. At age 14, Carson began appearing as the magician "The Great Carsoni" at local venues.
In 1962, Carson was chosen by NBC to succeed the controversial Jack Paar and his The Tonight Show Starring Jack Paar (1957). Paar had decided to quit the show and begin a once-a-week show for NBC in prime time on Friday nights. Carson would never be controversial like Paar, preferring to good-naturedly skewer politicians and celebrities in his opening monologue and staging stunts such as the on-stage marriage of retro-singer Tiny Tim to his "Miss Vicky" in 1969. His popularity with the late-night audience became so great, and the income from advertising on his show so profitable that, in 1967, NBC had to lure Johnny back to The Tonight Show Starring Johnny Carson (1962)after a walkout with a three-year contract guaranteeing him a minimum of $4 million. In the early 1970s, TV Guide reported that Carson was earning $2 million a year, making him the highest paid TV entertainer ever, a record he repeatedly surpassed, pulling down a then-record $5 million annual salary in the 1980s. Carson created a sense of intimacy with his guests and audiences that made him the unvanquished "King of Nighttime TV". Countless talk shows hosted by the likes of Joey Bishop and Dick Cavett and other non-talk show programs were launched against him year after year only to fail, with the notable exception of ABC News Nightline (1980) halfway through his reign. His tempestuous love-life, which included two high-profile divorces, became the fodder of such celebrity staples as "The National Enquirer" and later "People Magazine", and he was even the subject of a roman a clef pulp novel in the early 1970s. There have been at least seven published biographies of Carson.
After brief stints on radio stations in Omaha and Lincoln, Nebraska, his career was exclusively in television, starting with work at Nebraska TV stations in the late 1940s which preceded his 1951-53 skit program Carson's Cellar (1953) on Los Angeles station KNXT-TV. Attracting the attention of the industry, he was hired as a comedy writer for The Red Skelton Hour (1951) which provided him with a career breakthrough when Skelton was injured backstage and Carson substituted for him, delivering his first monologue before a national audience. This led to a stint as the host of the quiz show Earn Your Vacation (1954) and the variety showcase The Johnny Carson Show (1953) in 1955-56. The man who would soon become the most famous late-night TV personality in history hosted the daytime game show Who Do You Trust? (1956) from 1957-62, teaming up with longtime sidekick, Ed McMahon, in 1958.
Before his triumph on The Tonight Show Starring Johnny Carson (1962), Carson tried his hand at dramatic acting, appearing in Three Men on a Horse (1957) (episode # 1.29) during the inaugural season of Playhouse 90 (1956) in 1957. In 1960, he shot a pilot for a prime-time TV series, "Johnny Come Lately", that was not picked up by a network. Carson had sat in for "Tonight Show" host Jack Paar in 1958 and, when Paar left the show four years later, NBC chose Carson as his replacement, taking over the catbird seat on October 2, 1962. The Tonight Show Starring Johnny Carson (1962). Sidekick McMahon's "Heeeeere's Johnny!!!" introduction of Carson became a cultural catchphrase, memorably reprised by Jack Nicholson in Stanley Kubrick's The Shining (1980), Woody Allen's character in the Best Picture Academy Award-winning Annie Hall (1977), stand-up comic Alvy Singer, is recognized in front of a movie theater by a street tough due to his appearance on "The Tonight Show".
Aside from his banter with celebrities, he amused his audience for 30 years with broadly played skit comedy by his "Mighty Carson Art Players" and his spoof clairvoyant "Carnac the Magnificent". He made memorable put-downs of politicians and celebrities, a format that was used by his successors Jay Leno and David Letterman and legions of comics who came after him. When a joke bombed during his monologues, Carson would do a wounded double-take as the audience jeered, fully aware of the awfulness of the joke he had just unloaded. Following these bombs with a sly, self-deprecating remark engendered a sense of intimacy between Carson and his fans.
A liberal in the increasingly liberal age of the 1960s and 1970s, so powerful were his opening monologues that by the early 1970s, he could actually affect society at large outside of the pop culture realm. A joke about a shortage of industrial grade toilet paper caused a national panic and a run on all grades of t.p., with a resulting shortage of the product about which he had kidded. Playing off current events such as the Watergate crisis, his comic evisceration of President Richard Nixon was credited with some critics as exerting such a drag on Nixon's approval rating that it made his resignation possible, if not inevitable. After Carson's reign, it became increasingly de rigueur for politicians to appear on late-night TV talk shows and bear a host's jibes in order to stump for votes.
Carson's connection with the American culture was so absolute, it contributed to one of his few failures, the rejection of "The Tonight Show" in the early 1980s by British audiences who could not understand the topical references of his monologues. And his audience's identification of Johnny with the "Tonight Show" effectively stopped him from work in other media. In the mid-1960s, Carson's agents wanted to trade on his vast popularity to position him in motion pictures as the "New Jack Lemmon", but Carson never made any forays outside of television. His connection with the movie industry remained his hosting of three generations of stars and his memorable turns as the host of five Academy Awards telecasts from 1979-84. In that role, he generally is regarded as the best successor to long-time Oscar host Bob Hope. He did stretch his wings as a producer, his Carson Productions producing TV pilots and series, TV movies and [error], in addition to his own talk show.
The six-time Emmy-winner considered a follow-up to "The Tonight Show", but nothing caught his interest and he spent the last decade of his life in a quiet retirement in Malibu, California, as befitted his private nature. Thus, it was "The Tonight Show" that remains his creative legacy. Unlike every other TV star, he remained on top until the very end, the show winning its ratings period every year for 30 years. When Carson retired, his last appearance was one of the highest rated late night TV shows ever.
"I have an ego like anybody else", Carson told The Washington Post in 1993, "but I don't need to be stoked by going before the public all the time". Frederick De Cordova, the producer of "The Tonight Show" throughout Carson's 30-year run, believed that Carson never pressured himself to launch a follow-up as he already had achieved unprecedented success on TV. "He is one of a kind, was one of a kind", De Cordova said in 1995. "I don't think there's any reason for him to try something different".
Carson, who was suffering from emphysema and had quadruple bypass surgery in 1999, died peacefully at the age of 79 on January 23, 2005, surrounded by his family and friends. In terms of career longevity, popularity, peer respect and impact on the medium, Carson ranks with Lucille Ball and Jackie Gleason as a television great.2005 - Mr. Late Night.- Actress
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Her trademark sass complemented by a distinctively adenoidal voice that could out-snarl Eartha Kitt and Fran Drescher put together, short (4'11"), round, and robust Nell Carter was one indomitable, in-your-face firecracker...and it made her a star. She was born Nell Ruth Hardy in 1948 in Birmingham, Alabama and raised there, one of nine children born to Horace and Edna Hardy. She grew up listening to the sounds of Dinah Washington and Elvis Presley and developed an early interest in singing that led to performances in various youth groups, her church choir, on local radio and even the gospel circuit. This was a positive distraction from the major traumas suffered during her early life which included the tragic death of her father, who was electrocuted when he accidentally stepped on a live power line, and a rape at gunpoint when she was a young teenager.
By age 19, Carter had relocated to New York where she found work singing in assorted niteries (Rainbow Room, Sweeney's), cafés, and musical revues to her liking. Studying at Bill Russell's School of Drama from 1970 to 1973, she made her Broadway debut in "Soon", a two-act musical show that lasted two days, and included such up-and-comers as Richard Gere, Peter Allen and Barry Bostwick. Other musical roles came with "Dude" (1972), "Be Kind to People Week" (1975) and "Don't Bother Me, I Can't Cope" (1976). Receiving further training in London, Carter, who continued to gain both in girth and talent, made a star-making leap when she was cast alongside Armelia McQueen, Charlayne Woodard, André De Shields and Ken Page in the 1978 ensemble revue, "Ain't Misbehavin'", a musical catalogue of Fats Waller songs. The stellar quintet ran for nearly four years and the scene-stealing Carter, with such show-stopping songs as "Mean to Me" and "Cash for Your Trash", received a multitude of awards, including the Theatre World, Drama Desk, Obie and Tony. The show was taped for TV in 1982 for which Carter also nabbed the Emmy, and a Broadway revival with all five performers reunited was restaged in 1988. Later musical vehicles included her own feisty version of "Dolly Levi" in a 1991 African-American revival.
Tough and temperamental with a larger-than-life presence, Carter was invariably drawn toward the small screen and was initially featured in the daytime soap Ryan's Hope (1975) and The Misadventures of Sheriff Lobo (1979), the latter perfectly cast as a police sergeant. Audiences took to her immediately and, eventually, she was handed her own vehicle as the loving but no-nonsense housekeeper of a white family in the NBC sitcom Gimme a Break! (1981). That show, which ran for six seasons, earned her two additional Emmy nominations for "Best Actress in a Comedy". Following this, she co-starred on You Take the Kids (1990), which fizzled, and the already established Hangin' with Mr. Cooper (1992) as Mark Curry's boss. Other spunky guest shots over time included such popular programs as Amen (1986), 227 (1985), Touched by an Angel (1994), Ally McBeal (1997) and Reba (2001), as well as quiz show participations on Match Game (1990) and To Tell the Truth (1990). Her work in films, which included a standout musical song ("White Boys") in Milos Forman's film adaptation of Hair (1979) and a touching role as Piper Laurie's housekeeper in The Grass Harp (1995), was never fully engaged. Carter was notoriously opinionated and audaciously candid as a person, a true survivor in her off-stage life, which was riddled with misfortune. She endured constant weight problems and severe alcohol/cocaine habits (recovered) as well as two divorces, a suicide attempt, several miscarriages, bankruptcy, the death of a brother from AIDS and multiple surgeries after suffering a near-fatal brain aneurysm in 1992. She battled diabetes for much of her adult life and once collapsed on stage during a 1997 performance of "Annie", in which she played the boisterous "Miss Hannigan". To comfort and complete herself, she studied and adopted Judaism as her religion. In 1989 and 1990, she adopted two infant sons, Joshua and Daniel, to her family, which included daughter Tracey.
After a history of ups and downs, the 54-year-old singer/actress collapsed and died alone on January 23, 2003, in her Beverly Hills home, subsequently found by her 13-year-old adopted son, Joshua. The cause of death was not immediately established at the time but it was later established that she had suffered a fatal heart attack, complicated by her diabetes and obesity. She was interred in the Hillside Memorial Park Cemetery in Culver City, California. At the time of her death, she was in rehearsals for another musical stage lead, this time in the Long Beach, California revival of the hit musical "Raisin". The musical opened a few days later as scheduled with Carter's understudy taking over the role.2003- Music Artist
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- Actor
Johnny Cash was born February 26, 1932, in Kingsland, Arkansas, to Carrie Cash (Rivers) and Raymond Cash. He made his first single, "Hey Porter", for Sun Records in 1955. In 1958 he moved to Columbia Records. He had long periods of drug abuse during the 1960s, but later that decade he successfully fought his addiction with the help of singer June Carter Cash, whom he married in 1968. In 1971 he appeared in the western A Gunfight (1971) with 'Kirk Douglas (I)'. Cash made only a few films, but quite a few appearances on television, both in series and made-for-TV films, and was especially effective as a rural Southern sheriff in the 1930s determined to bring to justice a wealthy landowner who committed murder because he believed he was above the law in Murder in Coweta County (1983), a drama based on a true story. In 1975 Cash wrote his autobiography, "Man In Black", which is now out of print. In the late 1980s he moved from Columbia Records to Mercury, then in the next decade moved again to American Recordings. Amongst his biggest hit records were "I Walk the Line", "Ring of Fire" and "A Boy Named Sue". After several years of ill health, he died of complications from diabetes on 12 September 2003, only a few months after the death of his beloved wife.2003- Actor
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David Cassidy was born on April 12, 1950 in Manhattan, to Jack Cassidy, a very skilled actor and singer, and Evelyn Ward, an actress. By the time he was five, his parents were divorced and Jack had married actress Shirley Jones, an actress who in 1955 had just made Oklahoma! (1955). When David was about 10, his mother moved to California from New Jersey. A few years later, she married a director and, like Jack Cassidy and Shirley Jones, the marriage ended in divorce. David was thrown out of schools and hardly made it through one year of college. When he was eighteen, he went east to New York to perform in a play called "The Fig Leafs are Falling." He did some other spots on TV, but in 1970 he got the opportunity to play Keith Partridge on the TV show The Partridge Family (1970). (He did not know until he got the part that his real life stepmother Shirley Jones was to play his mother Shirley.) The show ended in 1974, but not the close relationship he had with his "sister" Susan Dey, who played Laurie Partridge. In 1976, David's father Jack died when his apartment caught on fire. That year, David married Kay Lenz, but they later divorced. He married again to a horse trainer in 1984, but it did not last either. In 1990, he married Sue Shifrin. He had two children, a son named Beau, with Sue, and actress Katie Cassidy. In 1994, he wrote a book about his years being Keith Partridge, and performed updated songs from the Partridge Family years.
David died on November 21, 2017, in Fort Lauderdale, Florida. He was sixty seven.2017 - I think folks loved him.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.1977- Actress
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Carol Channing was born January 31, 1921, at Seattle, Washington, the daughter of a prominent newspaper editor, who was very active in the Christian Science movement. She attended high school in San Francisco and later worked as a model in Los Angeles. She attended prestigious Bennington College in Vermont and majored in drama and dance and supplemented her work by taking parts in nearby Pocono Resort area. Carol initially made her mark on Broadway in "Gentleman Prefer Blondes" playing Lorelei Lee. In "Hello Dolly" she played Dolly Gallagher Levi, the witty, manipulative widow intent upon finding a wealthy husband. The musical won ten Tony awards in 1964, including Channing's for best actress in a comedy. Jacqueline Kennedy and her two children made their first public appearance after President John F. Kennedy's death by seeing her perform in "Hello Dolly" and later visited her backstage. She appeared in the film Thoroughly Modern Millie (1967). Her son Channing Carson is a Pulitizer Prize-nominated finalist cartoonist and she continued to practice her Christian Science religion.2019- Actor
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William Christopher was born on 20 October 1932 in Evanston, Illinois, USA. He was an actor, known for M*A*S*H (1972), The Fortune Cookie (1966) and Lois & Clark: The New Adventures of Superman (1993). He was married to Barbara Christopher. He died on 31 December 2016 in Pasadena, California, USA.2016 - Fr. Mulcahy on the MASH TV series.- Actress
- Producer
Chyna had been called "The First Lady of Sports Entertainment". Her accomplishments went far beyond the wrestling ring and anyone's guess. Before exchanging body slams, modeling for top magazines and guest-starring on hundreds of shows,
Chyna was a shy girl who was born Joan Marie Laurer in Rochester, New York, to Janet Carol (Wahl) and Joseph "Joe" Von Laurer, Jr. She spent most of her childhood in a home filled with alcoholism and domestic problems. She found her escape through working out, and began doing aerobics and lifting weights at a gym near her home. This is where she found her true niche: the world of fitness.
As the only female in the gym, Chyna always stood out but developed bonds and friendships with the gym members, who gave her the encouragement to keep going. She broke all gender barriers everywhere she went, and continued her love of fitness throughout her college days. Chyna graduated from the University of Tampa with a 3.9 GPA, and a double major in Spanish Literature, in under two years. She also studied foreign languages, and could speak English, Spanish, German and French. Chyna was a true humanitarian, and served in the U.S. Army ROTC (Reserve Officer Training Corps) and the Peace Corps, helping to teach illiterate third-world children to read. She was a strong supporter of the National Animal Rescue charity, which helps domesticated animals find good, loving homes.
Throughout her life, Chyna dreamed of being an entertainer. She began that career in the early 1990s, as a belly dancer, and soon moved on to fitness competitions, but the star found her real calling in the entertainment world: professional wrestling. She began training to be a professional under the guidance of the wrestling legend Walter 'Killer' Kowalski, in a professional wrestling school in which all other students were men. She soon took the world of women's wrestling by storm and began competing in the PGWA, where she was given the 1996 Rookie of the Year award for the Women's Championship.
After dominating the world of women's wrestling, Chyna was discovered by Paul Levesque (aka "Triple H") and Shawn Michaels (HBK), two WWF (World Wrestling Federation) superstars who helped Chyna break into the big-time. She made her worldwide television debut in February 1997 as a bodyguard for Triple H, but soon went on to break all gender stereotypes by competing with some of the toughest men in the WWF, under the name "Chyna". Years later, she was the only woman to qualify for the Royal Rumble and King of the Ring tournaments, and became the only female Intercontinental Champion and the only undefeated Women's Champion in WWF history.
Five years after she debuted as a professional wrestler in the WWF, Chyna parted ways with the company. She then toured Japan, taking the country by storm and battling in the ring with the likes of such champions as Keiji Mutô, The Great Kabuki, and most notably, Masahiro Chôno. Her 2002 Tokyo Dome match against Chono earned her the title of Nikkian Sport's 2002 Women's Wrestler of the Year.
Meanwhile, back in the US, Chyna appeared in several films, hosted a variety of shows, and showed that women can combine strength and beauty in two top-selling issues of "Playboy" magazine, which proved to the world that women can be beautiful without having the anorexic "Twiggy" look. She also appeared in the first-ever Playboy documentary, which conducted in-depth interviews with Chyna, her former manager Rich Minzer, her friend Joe Gold, and Hugh Hefner himself.
Her strong will to the best and "survival of the fittest" attitude made her one of the top wrestlers in history. She served as a role model to millions of men and women by proving anything is possible, through hard work and determination. In her best-selling autobiography "If They Only Knew", she discussed what it took to make it to the top, and showed the world what she had to overcome to make her one of the most well-known pop culture icons in the world. Shortly after her first appearance in "Playboy", she released her own fitness video, Chyna Fitness: More Than Meets the Eye (2000), which won awards from fitness and lifestyle magazines. The video is still popular with both Chyna's fans and fitness fans alike.
Unlike most former pro wrestlers, Chyna had success on her own two feet. She was on nearly every talk show, and was featured on hundreds of magazine covers, from "Playboy" and "Newsweek" to "TV Guide" and "People". She was featured on Reggie Benjamin's CD "2X-Centrix", performing drums and back up vocals. She was on the top of the "dance music" billboard charts for five weeks with the CD single "Ride", and also sang with her own rock band, "The Chynna Dolls", for a short time, playing venues like The Roxy, Elrey Theater, Hollywood Athletic Center, and two performances on Howard Stern (1994). She starred in the comedies Cougar Club (2007) and Illegal Aliens (2007), and also hosted a variety of shows, from Robot Wars: Extreme Warriors (2001) to FYE and AMC's "Tough Guys series. She had many guest-starring roles on TV series, such as Whose Line Is It Anyway? (1998), 3rd Rock from the Sun (1996), Pacific Blue (1996), The Nick Cannon Show (2002), Sabrina the Teenage Witch (1996), Mad TV (1995), MTV's "Diary" and many others. She was also featured on season four of The Surreal Life (2003) and VH1's spin off, The Surreal Life: Fame Games (2007), as well as in films, including Alien Tracker (2003), Alien Fury: Countdown to Invasion (2000), Frank McKlusky, C.I. (2002), Hunter: Back in Force (2003). In 2008, she appeared on VH1's Celebrity Rehab with Dr. Drew (2008) TV series to conquer personal demons and depression caused from an abusive relationship and childhood trauma.
In 2009, she released a fashion book, "Paper Doll", which became a best-seller. In May 2011, she returned to the world of wrestling with TNA, debuting on the May 12 edition of TNA iMPACT! Wrestling (2004), and followed it up with one last match at the TNA TNA: Sacrifice (2011) Pay-per-view, where she and Kurt Angle took on Jeff Jarrett and Karen Jarrett. The episode was one of the highest-rated for the company in many years. Although her match with TNA was a one-time-only deal, Chyna showed the world she had turned her life around - she had overcome depression, emotional trauma and was finally where she wanted to be in life.
In June 2011, Chyna released her first adult video with Vivid Entertainment, Backdoor to Chyna (2011), which sold over a million copies. She said the movie allowed her to regain control of her life, gave her a newfound confidence and got her back on her feet. She embarked on a huge media tour, appearing all over the US. She began feature dancing at high-end nightclubs, appeared on dozens of radio shows, including Howard Stern on Demand (2005) and ABC radio, and in November 2011 won a Fleshbot Award for her "Backdoor to Chyna" video. In 2012, she appeared in A Night at the Silent Movie Theater (2012) and appeared in the music video "Gonna Make You Love Me" for the band Lovechild. She also appeared in a tell-all interview with KayFabe Commentaries, in which she discussed everything from her childhood to drugs, porn and everything in between.
Chyna died on April 20, 2016, in Redondo Beach, California. She was 46.2016- Producer
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Dick Clark was born and raised in Mount Vernon, New York on November 30, 1929, to Julia Fuller (Barnard) and Richard Augustus Clark. He had one older brother, Bradley, who was killed in World War II. At the age of 16, Clark got his first job in the mailroom of WRUN, a radio station in Utica, New York, which was owned by his uncle and managed by his father. He worked his way up the ranks and was promoted to weatherman before becoming a radio announcer. After graduating from Syracuse University with a degree in business administration, Clark began working at several radio and television stations before landing at WFIL radio in 1952. While working at the station, Clark became a substitute host for Bob Horn's Bandstand, an afternoon program where teenagers danced to popular music, broadcast by WFIL's affiliated television station. In 1956, Horn was arrested for drunk driving, giving Clark the perfect opportunity to step in as the full-time host.
After acquiring nationwide distribution the newly reformatted program, now titled "American Bandstand", premiered on ABC on August 5, 1957. In addition to the name change, Clark added interviews with artists (starting with Elvis Presley), lip-sync performances, and "Rate-a-Record," allowing teens to judge the songs on the show - and giving birth to the popular phrase, "It's got a good beat and you can dance to it." Clark also established a formal dress code, mandating dresses and skirts for the women and a coat and tie for the men. But perhaps the most impactful change that Clark made to the show was ending "American Bandstand's" all-white policy, allowing African American artists to perform on the show.
Under Clark's influence, "Bandstand" became one of the most successful and longest-running musical programs, featuring artists including Chuck Berry, the Doors, the Beach Boys, Pink Floyd, and Smokey Robinson. Sonny and Cher, The Jackson 5, Prince, and Aerosmith were among the influential artists and bands that made their television debuts on "Bandstand", which is also credited with helping to make America more accepting of rock 'n' roll.
With the success of "American Bandstand", Clark became more invested in the music publishing and recording businesses, and began managing artists, hosting live sock hops, and arranging concert tours. But in 1960, when the United States Senate began investigating "payola", the practice in which music producing companies paid broadcasting companies to favor their products, Clark became caught up in the scandal. The investigation found he had partial copyrights to over 150 songs, many of which were featured on his show. Clark denied he was involved in any way, but admitted to accepting a fur and jewelry from a record company president. In the end, the Senate could not find any illegal actions by Clark, but ABC asked Clark to either sell his shares in these companies or leave the network so there was no conflict of interest. He chose to sell and continue on as host of "American Bandstand", which was unaffected by the scandal.
In 1964, Clark moved Bandstand from Philadelphia to Los Angeles and became more involved in television production. Under his company Dick Clark Productions, he produced such shows as "Where the Action Is", "TV's Bloopers and Practical Jokes", and more recently, "So You Think You Can Dance", as well as made-for-television movies including "Elvis", "The Birth of the Beatles", "Wild Streets", and "The Savage Seven". Clark also hosted television's "$10,000 Pyramid", "TV Bloopers and Practical Jokes" (with co-host Ed McMahon), "Scattergories", and "The Other Half". Clark also had several radio programs, including "The Dick Clark National Music Survey", "Countdown America", and "Rock, Roll & Remember".
In 1972, he produced and hosted the very first edition of "Dick Clark's New Year's Rockin' Eve", a musical program where Clark counted down until the New Year ball dropped in Times Square, featuring taped performances from musical artists. "New Year's Rockin' Eve" soon became a cultural tradition, airing on ABC every year with Clark as host (except in 1999 when ABC aired "ABC 2000: Today", a news milestone program hosted by Peter Jennings). In December 2004, Clark suffered a minor stroke and was unable to host, so Regis Philbin stepped in as a substitute. The following year, Clark returned as co-host alongside primary host Ryan Seacrest. Many were worried about Clark due to his slurred and breathless speech, and he admitted on-air he was still recovering but that he wouldn't have missed the broadcast for the world. The following year, Seacrest became "New Year's Rockin' Eve's" primary host, but Clark always returned for the countdown.
Clark has received several notable awards including four Emmy Awards, the Daytime Emmy Lifetime Achievement Award in 1994, and the Peabody Award in 1999. He was inducted into the Hollywood Walk of Fame in 1976, The Radio Hall of Fame in 1990, Broadcasting Magazine Hall of Fame, the Rock and Roll Hall of Fame, and the Academy of Television Arts & Sciences Hall of Fame. Clark had been in St. John's hospital in Los Angeles after undergoing an outpatient procedure the night of April 17, 2012. Clark suffered a massive heart attack following the procedure. Attempts to resuscitate him were unsuccessful and he died the next morning of April 18, 2012.2012 - He made TV memorable every New Year's Eve, and on American Bandstand.- Actress
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She was the daughter of Andrew and Frances Clooney and grew up in Maysville, Kentucky, where she and her sister Betty Clooney used to sing in her grandfather's mayoral election campaigns, which he won three times. She made her singing debut on Cincinnati radio station WLW in 1941 at 13. On WLW she worked with band leader Barney Rapp, who had also worked with Doris Day and Andy Williams at the same station. She attended high school at Our Lady of Mercy in Cincinnati. In 1946 she appeared with her sister in Atlantic City, New Jersey, at the Steel Pier with Tony Pastor's band. In 1949 she went solo and later appeared in White Christmas (1954), co-starring opposite Bing Crosby and Danny Kaye. Her first big hit was "Come On A My House" in 1951. She married José Ferrer in 1953 and they had five children between 1955 and 1960. Her marriage to Ferrer was a tempestuous one and she had a nervous breakdown in 1968, but went on to resume her career in 1976. Her life was dramatized in a 1982 made-for-television movie starring Sondra Locke, who was actually just 16 years Rosemary's junior but constantly lied about her age.
Her son Gabriel is married to singer Debby Boone, daughter of 1950s pop singer Pat Boone. Her brother, Nick Clooney, was an ABC news anchor in Cincinnati, and her nephew George Clooney has developed into one of the biggest movie stars of the 21st century. In 1968 she was standing in the Ambassdor Hotel in Los Angeles with Roosevelt Grier when Robert F. Kennedy was assassinated in the hotel kitchen after she had participated in his campaign rally. Her top hits include "Hey There" in 1954, "Tenderly", "This Ole House" and "Half As Much" in 1952.2002- Actor
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Without a doubt Gary Coleman was THE child TV star of the late 1970s and early 1980s. A refreshingly confident little tyke with sparkling dark, saucer-like eyes and an ingratiating, take-on-anyone burst of personality, the boy charmed the pants right off of TV viewers the minute he was glimpsed in national commercials. Amazed by how mature he came across, Gary was in truth older than he looked, which was brought upon by a congenital kidney condition. Sadly, the pint-sized phenomena outgrew his chubby-cheeked welcome and found the course of his grown-up Hollywood career brutally rough and patchy. The fragile condition of his health coupled with this lack of adult career acceptance, sparked an aggressively defensive behavior mechanism in his adult years and led to great personal unhappiness, chronic legal/financial hassles and early death.
He was born Gary Wayne Coleman on February 8, 1968, to a homeless woman, and was adopted by a fork-lift operator and his nurse practitioner wife from a Chicago hospital when he was just a few days old. Raised in Zion, Illinois, it was discovered that little Gary had severe health issues before the age of 2. Born with one atrophied kidney and an endangering weak second one, he had two kidney transplants by the time he reached age 16 and the effects of his dialysis medication permanently stunted his growth (to 4'8").
A highly precocious comedy cut-up on-camera, Gary proved a natural in local Chicago commercials. As his commercials spread nationwide, audiences began wondering just who this diminutive dynamo was. Norman Lear's talent scout spotted him in a Chicago bank commercial (he was 9 at the time) and decided to reveal to the world who the little guy was. Brought in to brighten up such Lear sitcoms as "The Jeffersons" and "Good Times" (the latter as a friend of little Janet Jackson's character), NBC quickly recognized the boy's comedy prowess and handed the 10-year-old his own prime-time sitcom playground to mug in.
While Diff'rent Strokes (1978)'s underlying approach was to preach racial and social tolerance (it revolved around two lower-class African-American brothers from Harlem who are taken in and adopted by a wealthy, debonair Park Avenue white man after their housekeeper mother dies), the show's powers-that-be smartly deduced that it was the wisecracking gifts of young Coleman, who played the youngest brother, Arnold Jackson, that gave the show its spark. Deemed "NBC's Littlest Big Man," Gary's sly, pouting-lipped delivery of, "What'chu talkin' about, Willis?" soon became a popular American catchphrase.
Legendary comics such as Bob Hope and Lucille Ball absolutely gushed about the little boy's comedy genius and Gary soon became a hit on the talk show circuit, trading clever banter with the likes of Johnny Carson among others. The boy was also outfitted with a series of lightweight TV-movie showcases which included The Kid from Left Field (1979), Scout's Honor (1980), The Kid with the Broken Halo (1982), The Kid with the 200 I.Q. (1983), The Fantastic World of D.C. Collins (1984) and Playing with Fire (1985). All of them wisely centered around Gary's adorable persona. Modest film comedies also came his way with On the Right Track (1981) and Jimmy the Kid (1982). Topping it all off, the Hanna-Barbera-produced series The Gary Coleman Show (1982) produced an animated version of the child star. Little Gary would make close to $18 million during his nearly decade-long TV reign.
Like many others in his shoes, however, the aging Coleman felt trapped and pigeonholed by his stifling juvenile image and begged to get out from under it. The 18-year-old was truly thankful when the series ended in 1986. Coleman found, however, that a very fickle public was not as receptive to seeing him grow up. Like fellow TV star Emmanuel Lewis, Coleman began aging in appearance but remained trapped in the body of a young boy and the contrast proved too strange for audiences. As a result, Hollywood had little resources as to what to do with Gary Coleman the man. It wasn't long before Coleman was reduced to making weird guest appearances and small parts in even smaller films.
This crash course in reality triggered an increasingly erratic and aggressive behavior in Gary Coleman as he became increasingly angry and bitter about his lack of work when he was so used to be on top of everything. The subsequent tragedies suffered by all three young stars from the "Diff'rent Strokes" show, in fact, was sold out as a jinx package known as the "Diff'rent Strokes curse". While distaff co-star Dana Plato fell heavily into drug addiction, petty crime and pornography before taking her own life in 1999, Todd Bridges, who played Coleman's older brother, battled major cocaine abuse and was later charged (but acquitted of) attempted murder in the late 1980s.
In addition to his life-long health issues, Gary's adult problems came in the form of scattered financial and legal entanglements, as well as scrapes with the law. He was once arrested in 1999 for punching a persistent female autograph fan, in which he was fined and ordered to take anger-management classes. This became tabloid fodder for late night comics who joked that he must have landed "several good uppercuts." He also had many disorderly conduct and reckless driving charges brought up against him at various times. He would admit that the tally of his life problems led to more than a few feigned suicide attempts. In 1989, Coleman successfully sued his adopted parents and business manager after they allegedly pilfered his youthful fortune for their own self interest totaling $3.8 million in losses, and he won $1,280,000. Despite the large settlement, all of the money was soon spent on taxes, legal fees, as well as his increasingly high medical bills for his continuing dialysis treatments. As a result by 1999 (with no steady acting work) Coleman had to declare bankruptcy, finding work outside the Hollywood industry as a security guard. For self-preservation, he went the reality-show route and became the object of self-mocking cameos to help bring in some cash. As a gag, he ran for California's 2003 governorship during its recall election.
In 2007, he married the much younger actress Shannon Price, whom he met on the set of the low budget film Church Ball (2006), but the quickly marriage dissolved quickly into domestic squabbles that put him in front of the court system yet again on domestic abuse charges. He later moved and settled in Utah.
In early 2009, Coleman managed to star in his very last film, the crude independent comedy Midgets vs. Mascots (2009) filmed in Dallas, Texas before the end came. Following heart surgery complicated by pneumonia in the fall of 2009, he suffered a heart seizure in February 2010 while performing on a Hollywood set. The 42-year-old actor died of a brain hemorrhage on May 28, 2010, after suffering an epidural haematoma from a fall at home. A sad end to a very bright and talented, but very troubled and bitter, child star who, at his peak, brought such joy to TV audiences.2010- Brent Collins was born on 31 October 1941 in Plainville, Kansas, USA. He was an actor, known for Another World (1964), Vortex (1982) and Spenser: For Hire (1985). He died on 6 January 1988 in New York City, New York, USA.1988
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Jane Connell was born on 27 October 1925 in Berkeley, California, USA. She was an actress, known for Mame (1974), See No Evil, Hear No Evil (1989) and Bewitched (1964). She was married to Gordon Connell. She died on 22 September 2013 in Englewood, New Jersey, USA.2013- Actor
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William Conrad became a television star relatively late in his career. In fact, the former Army Air Corps World War II fighter pilot began his screen career playing heavies. He was Max, one of The Killers (1946) hired to finish off Burt Lancaster in his dingy lodgings. He was the corrupt state inspector Turck working for the syndicate in The Racket (1951). He was a mobster in Sorry, Wrong Number (1948), the murderous gunslinger Tallman in Johnny Concho (1956) and sleazy nightclub owner Louie Castro who claimed to be 60% legitimate in Cry Danger (1951).
When not essaying outright villainy, Bill played characters like the tough fight promoter Quinn in Body and Soul (1947) or the doom-laden province commissioner in The Naked Jungle (1954). The portly, balding, crumple-faced, self-confessed gourmand had an ever-present weight problem (at one time 260 lbs.) which proved to be a natural obstacle to progressing to more substantial leading film roles. That, however, didn't hinder a very successful career in radio. In fact, Bill himself estimated that he had played in excess of 7,000 radio parts. Even if that was an exaggeration, his gravelly, resonant voice was certainly heard on countless broadcasts from "Buck Rogers" to "The Bullwinkle Show," from portraying Marshall Matt Dillon in "Gunsmoke" on the radio (before James Arness got the part on screen) to narrating the adventures of Richard Kimball in the television program The Fugitive (1963). In "The Wax Works," an episode of the anthology series Suspense (1949) in 1956, he voiced each and every part.
Since his corpulence effectively precluded playing strapping characters like Matt Dillon, Bill began to concentrate on directing and producing by the early 1960's. This, ironically, included episodes of Gunsmoke (1955). In 1963, he contributed to saving 77 Sunset Strip (1958) for yet another season. Later in the decade, he produced and directed several films for Warner Brothers, including the thriller Brainstorm (1965) with Jeffrey Hunter and Anne Francis. He returned to acting in 1971 to become the unlikely star of the Quinn Martin production Cannon (1971), for which he is chiefly remembered. Bill imbued the tough-talking, no-nonsense character of Frank Cannon with enough humanity and wit to make the series compelling but, despite the show's popularity, he made his views clear in a 1976 Times interview that he found himself poorly served by the scripts he had been given. A planned sequel, The Return of Frank Cannon (1980) failed to get beyond the movie-length pilot, but the actor's popularity resulted in another starring role in Jake and the Fatman (1987) as District Attorney McCabe, co-starring with Joe Penny) and a brief run as eccentric detective Nero Wolfe (1981). A self-effacing man with a good sense of humor and never afraid to speak his mind, Bill Conrad died of heart failure in February 1994. He was elected to the Broadcasting and Cable Hall of Fame and (posthumously) to the Radio Hall of Fame in 1997.1994- Writer
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Beloved kids performer Ernie Coombs was a fixture on the Canadian Broadcasting Corporation, "CBC," for three decades. Coombs was lured to Canada in 1963 by the progressive ideas of the public broadcasting system, beginning his career as an assistant puppeteer on a CBC series that featured another soon-to-be-legendary kid's entertainer, Fred Rogers. When Fred Rogers decided to relocate his Neighborhood back to the U.S. after one season, Ernie stayed to join the cast of a new CBC series called Butternut Square where the character of Mr. Dressup was born. In 1967 Ernie Coombs took over the show and introduced puppet pals Casey and Finnegan. Mr. Dressup spent time in front of the camera drawing and creating simple crafts from construction paper, yarn and glue. Mr. Dressup also would find an endless number of costumes for him to dress up in from his "Tickle Trunk." Ernie Cooms retired in 1996 but continued touring.2001 - Mr. Dressup :).- Actress
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Jeanne Cooper was born on 25 October 1928 in Taft, California, USA. She was an actress, known for The Young and the Restless (1973), Ben Casey (1961) and Kansas City Bomber (1972). She was married to Harry Bernsen. She died on 8 May 2013 in Los Angeles, California, USA.2013 - Katherine 'Kay' Chancellor on The Young & The Restless.- Actor
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Ronnie Corbett began his successful show business career in the early 1950s. Amongst many other things he performed on stage with Danny La Rue in a cacophony of well received variety and cabaret shows.
It was whilst performing in these shows that Corbett attracted the attention of several top TV producers and executives who were impressed with his abilities as a stand up comedian, compare and all round entertainer.
Before too long Corbett found himself being offered roles in various sitcoms, films and family shows.
His varied film roles include "Polo" in the spoof Bond film Casino Royale (1967), "Drooby" in Mad Little Island (1958) and finally the hapless "Chumleigh" in Fun at St Fanny's (1955).
On television he provided light hearted comedy in Crackerjack! (1955) for many years.
His big break came during the 1960s when he was asked to join the cast of the hugely popular The Frost Report (1966) which included the likes of John Cleese and of course David Frost.
The show also saw him performing alongside Ronnie Barker for the very first time. All aspects of "The Frost Report" were very funny but some of the most enjoyable involved Barker and Corbett who shared a rare comic chemistry between each other.
TV producers recognized this chemistry and there were talks of giving the pair their own comedy series.
Corbett had numerous projects in the late sixties including the enjoyable The Corbett Follies (1969) and No - That's Me Over Here! (1967). Then in 1971 Barker asked him to star in the comedy sketch series The Ronnie Barker Yearbook (1971).
The rest is history - the Two Ronnies had arrived together - it was simply comic genius, Barker and Corbett were made for each other, a pairing that was just destined to be. Later on that year The Two Ronnies (1971) show was born on BBC 1 and remained incredibly popular well into the late eighties when Barker sadly announced his retirement from television.
There is no doubt that Ronnie Barker is the best comedy actor of his generation, but over the years many critics have unfairly overlooked the brilliant talents of Corbett - he is a fantastically versatile comedy actor in his own right. He was an equal part in the relationship - put simply he complemented Barker and Barker complemented him.
As well as being a wonderful comedy actor Corbett is also an accomplished after dinner speaker and of course a very very funny stand up comedian. During the filming of the "Two Ronnies" Corbett found time to branch off into a whole host of other projects as did Ronnie Barker.
First there were his own shows such as The Saturday Special: All This and Ronnie Corbett Too (1975), The Prince of Denmark (1974) and The Ronnie Corbett Special (1979). Then came his excellent sitcom Sorry! (1981) which ran for over seven years. There were also films such as No Sex Please - We're British (1973).
Ronnie Corbett has enjoyed continued success in both film and television. He starred alongside old friend John Cleese, and Jamie Lee Curtis in the film Timbuctoo (1998), has done numerous pantomimes with Frank Skinner and Paul Merton and is one of the stars in The All Star Comedy Show (2004) with Steve Coogan, Vic Reeves, Matt Lucas and David Walliams.
In 2005 Corbett reunited with Barker to present a special six part series looking back at their favorite moments from the "Two Ronnies".
Corbett is a charismatic and extremely likable man - there is absolutely no doubt that he will be fondly remembered by millions of people as being not only half of one of the most successful comedy duos of all time, but also as a truly brilliant entertainer.2016 - One-half of The Two Ronnies.- Actress
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Yvonne Joyce Craig was born on May 16, 1937 in Taylorville, Illinois. As a young teenager, Yvonne showed such promise as a dancer that she was accepted to Denham's Ballet Russe de Monte Carlo. Her training progressed until she left the company in 1957 over a disagreement on casting changes. She moved to Los Angeles hoping to continue her dancing, but was soon cast in movies. At first, Yvonne had small roles in movies such as Gidget (1959) and The Gene Krupa Story (1959). After that, her film career just bumped along. As Yvonne was dating Elvis Presley at the time, she did have a supporting role in the two Elvis movies, It Happened at the World's Fair (1963) and Kissin' Cousins (1964).
But her fame would come with the cult television series Batman (1966) in which she played Commissioner Gordon's daughter, Barbara. Her secret identity was Batgirl and as the Commissioner's daughter, she had access to all the calls of trouble taking place in Gotham City. Her character, Batgirl, was part of the 1967-68 season, which was the end of the run for the series. After Batman (1966), she also appeared on other television series such as Star Trek (1966) and The Six Million Dollar Man (1974). As her career wound down, Yvonne went into the real estate business. Yvonne Craig died at age 78 of breast cancer at her home in Pacific Palisades, California on August 17, 2015.2015 - The original Batgirl.- Bob Crane was born in Waterbury, CT, the youngest of two sons. In school he was known for being a class clown and an intense music lover. His favorites were jazz and big band. Bob's specialty was the drums. After graduating from Stamford High School in 1946, he turned his attention to his love for music. He became a drummer with the Connecticut Symphony Orchestra for about a year. He was later dismissed for not being "serious enough". In 1949 Bob married Ann Terzian, his high school sweetheart. They had three children - Robert David Crane, Debbie, and Karen. In 1956 Bob and his family left the east and moved out west to California. There he began a lengthy, successful career in radio. He worked at KNX radio and became "King of the Airwaves" in Los Angeles. His radio program became a huge success, the most listened to on the air. This was due to Crane's personality and humor. He had charm and an undeniable quick wit. Hollywood's biggest and brightest were frequently interviewed by Bob on his show, including Frank Sinatra, Marilyn Monroe, Marvin Gaye, Mary Tyler Moore, and Bob Hope. In the midst of his success, Bob's true goal was to make it big as an actor. He began to make guest appearances on such shows as The Dick Van Dyke Show (1961) and The Twilight Zone (1959). He also appeared in the 1961 films, Return to Peyton Place (1961) and Man-Trap (1961). In 1963 Bob got a role on the popular The Donna Reed Show (1958), as "Dr. Dave Kelsey". After two years the producers let him go, saying his character was "too suggestive". This was no problem for Crane. In 1965 he received the starring role in a new sitcom for CBS called Hogan's Heroes (1965). It was a comedy about a group of POWs in a Nazi prison camp. He played the smooth-talking, crafty "Colonel Robert Hogan". Hogan's Heroes became a hit show, finishing in the top 10 at the end of the 1965-66 season. Crane was nominated for an Emmy twice, in 1966 and 1967. He had reached the peak of his success. It was during this time that Crane met Patti Olson, known as Sigrid Valdis. She played "Hilda" on Hogan's Heroes. Bob divorced his wife, Ann, after 20 years of marriage, and married Patti in 1970. They married on the set of "Hogan's Heroes". They had a son, Scott Crane, in 1971. Also in 1971, the new president of CBS abruptly canceled Hogan's Heroes after a 6-year run. Following the end of Hogan's Heroes Bob continued to act. However the roles were few and not very fulfilling. He starred in Superdad (1973) and Gus (1976), two Disney films, and had guest spots on shows, including Police Woman (1974), Ellery Queen (1975), and The Love Boat (1977). Bob briefly had his own show, The Bob Crane Show (1975), in 1975. Unfortunately, NBC canceled the show after 3 months. In 1973 Bob bought the rights to the play "Beginner's Luck". He both directed the play and starred in it. The play went around the country, including California, Texas, Hawaii, and Arizona. In June, 1978 Bob took "Beginner's Luck" to Scottsdale, Arizona. It was in Scottsdale that the unthinkable happened. In the early morning hours of June 29, 1978, Bob Crane was brutally murdered in his rented apartment room. He was beaten to death, while he slept, and strangled with an electrical cord. He was 49 years old. His murder remains unsolved.1978
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Jonathan Crombie was born on Wednesday, October 12th, 1966, in Toronto, Ontario, Canada. He was the baby of the family (he had two older sisters). His parents are David and Shirley Ann. Jonathan never intended on becoming an actor but he was spotted in a high school production of "The Wizard of Oz" by casting director Diane Polley. She suggested casting him as Gilbert Blythe in both A Judgment in Stone (1986), Anne of Green Gables (1985) & its sequel, Anne of Avonlea (1987) (it was titled "Anne of Avonlea" when it was first released on VHS). It is the role that won him recognition and is the role for which he is best remembered and loved.
Jonathan graduated from the University of Toronto's Victoria College in 1995. He had numerous performances at the prestigious Stratford Festival Theatre to his credit. His performance in the role of Valentine Coverly at the Canadian Stage Company's Arcadia earned Crombie a 1997 Dora Mavor Moore Award nomination for Outstanding Performance, a well deserved honor.
Jonathan Crombie's life ended unexpectedly on Wednesday, April 15th, 2015, from a brain hemorrhage. His life-time was 17,717 days, equaling 2,531 weeks evenly.2015 - This Canadian actor was the son of former Toronto mayor David Crombie.- Music Artist
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Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, the fourth of seven children of Catherine (Harrigan) and Harry Lincoln Crosby, a brewery bookkeeper. He was of English and Irish descent. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s Bing's brother Everett sent a record of Bing singing "I Surrender, Dear" to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in The Big Broadcast (1932), a film featuring radio favorites. His songs about not needing a bundle of money to make life happy was the right message for the decade of the Great Depression. His relaxed, low-key style carried over into the series of "Road" comedies he made with pal Bob Hope. He won the best actor Oscar for playing an easygoing priest in Going My Way (1944). He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (1954). Playing golf was what he liked to do best. He died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium.1977 - THE Crooner :).- Zara Cully was born on 26 January 1892 in Worcester, Massachusetts, USA. She was an actress, known for The Jeffersons (1975), All in the Family (1971) and Sugar Hill (1974). She was married to James M. Brown. She died on 28 February 1978 in Los Angeles, California, USA.1978 - Mother Jefferson :).
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At fourteen he worked as an usher at the NYC Paramount Theatre. His father was an electrician who played guitar and his mother taught piano. Damone attended PS 163 and sang in St. Finbar's choir and later attended the Alexander Hamilton Vocational High School and then Lafayette High School in Brooklyn. He left school at sixteen to support his family, but returned to graduate from Lafayette in 1997. Damone won first prize in an Arthur Godfrey talent scouts contest in 1945. His first night club appearance at the LA Martinique Club was set up by comedian Milton Berle. He was drafted and served in the army from 1951 to 1953. After he was discharged from the army he married actress Pier Angeli, whom he later divorced. Damone was later married to Becky Ann Jones from 1974 to 1982 and Diahann Carroll from 1987 to 1996. He married Rena Rowan, fashion designer and co-founder of Jones New York, in 1998. In 1999, he received a certificate of advanced study from Philadelphia University.2018 - Pop crooner and Coppertone pitchman.- Music Artist
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Walden Robert Cassotto, nicknamed "Bobby", was born in The Bronx, New York, in 1936. Severe rheumatic fever as a child scarred his heart and led to an overprotected and pampered childhood. He was the focal point of a family that fostered and encouraged his love of music. His music career started out with writing songs and taking demos around to different music producers. In 1958 he performed the song "Splish, Splash" on Dick Clark's American Bandstand (1952). It was a huge hit and eventually would sell over one million copies. The next year was a big one - he won two Grammies, for Best Record ("Mack the Knife") and Best New Artist. "Mack the Knife" stayed in the top ten for 52 weeks, nine of those at #1. This was Bobby's fourth gold record. His next goal was to make a movie, and that opportunity came in 1960 with the film Come September (1961), for which he also wrote the title song. The movie was filmed in Rome and that's where he met Sandra Dee. She was 16 years old and at the top of her career. They were engaged two months after they met and their son, Dodd Darin, was born a year later. Bobby continued to perform in night clubs and make movies. In 1964 he was nominated for an Academy Award for Best Supporting Actor in Captain Newman, M.D. (1963). Despite very good reviews, he lost the Oscar to Melvyn Douglas. In 1967 he asked for and was granted a divorce. Sandra was quoted as saying, "He just woke up one morning and didn't want to be married anymore". More realistically, their careers had kept them apart more often than not, and they had struggled with the marriage practically from the beginning. He went in for heart surgery in 1971 and from that point on he had bouts of ill health. After his recovery he continued to do nightclub acts and the next year he did a popular summer variety show called The Bobby Darin Show (1973). The last year of his life was spent dealing with health problems related to his heart, yet he continued to work when he could. He died at Cedars-Sinai Hospital in Los Angeles on December 20, 1973, following open heart surgery.1973 - One of pop music's most versatile artists.- Actress
- Soundtrack
Ann B. Davis made her debut in show business at age 6 earning $2.00 in a puppet show. At the University of Michigan, Ann planned to study medicine but got the acting bug from her brother who was the lead dancer in the national company of "Oklahoma" for over a year. Ann then spent six years in little theaters, stock companies, touring musicals, and such until she got her break as "Schultzie", the secretary on "The Bob Cummings Show." Before Hollywood, Ann spent a summer at the Cain Park Theater and, during a year at the Erie Playhouse in Erie, Pennsylvania, she studied everything about show production and played dozens of roles ranging from teenagers to characters over 60. In 1949, she arrived at Porterville, California and spent three years at the Barn theater.
She then moved down the coast to Monterey, where she appeared at the Wharf theater. From there she decided to try Hollywood. Anne has also played many parts on stage including "The Women", "Twelfth Night", "Dark Of The Moon", and others. Her mother, Marguerite Scott Davis, appeared with professional stock companies for over thirty years.2014 - Alice on The Brady Bunch :).- Actor
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Sammy Davis Jr. was often billed as the "greatest living entertainer in the world".
He was born in Harlem, Manhattan, the son of dancer Elvera Davis (née Sanchez) and vaudeville star Sammy Davis Sr.. His father was African-American and his mother was of Cuban and African-American ancestry. Davis Jr. was known as someone who could do it all, sing, dance, play instruments, act, do stand-up and he was known for his self-deprecating humor; he once heard someone complaining about discrimination, and he said, "You got it easy. I'm a short, ugly, one-eyed, black Jew. What do you think it's like for me?" (he had converted to Judaism).
A short stint in the army opened his eyes to the evils of racism. A slight man, he was often beaten up by bigger white soldiers and given the dirtiest and most dangerous assignments by white officers simply because he was black. He helped break down racial barriers in show business in the 1950s and 1960s, especially in Las Vegas, where he often performed; when he started there in the early 1950s, he was not allowed to stay in the hotels he played in, as they refused to take blacks as customers. He also stirred up a large amount of controversy in the 1960s by openly dating, and ultimately marrying, blonde, blue-eyed, Swedish-born actress May Britt.
He starred in the Broadway musical "Golden Boy" in the 1960s. Initially a success, internal tensions, production problems and bad reviews--many of them directed at Davis for playing a role originally written for a white man resulted in its closing fairly quickly. His film and nightclub career were in full swing, however, and he became even more famous as one of the "Rat Pack", a group of free-wheeling entertainers that included Dean Martin, Frank Sinatra, Joey Bishop and Peter Lawford.
A chain smoker, Davis died from throat cancer at the age of 64. When he died, he was in debt. To pay for Davis' funeral, most of his memorabilia was sold off.1990 - Mr. Entertainment :).- Music Artist
- Music Department
- Actor
His birth occurred on Friday, December 31st, 1943, as the son of an Air Force officer, Denver was constantly moved from state to state and country to country. It was in Tucson, Arizona, that his grandmother gave him his first acoustic guitar, a gift that would prove an icebreaker when meeting other students at the many new schools in which he was placed. After settling with his family in Fort Worth, Texas, Denver ran away to California for a short time. He returned to Texas and graduated from high school, but soon returned to California on a more permanent basis. He began performing at Leadbetter's night club in West Los Angeles but had a major career breakthrough when he was selected to replace the departing Chad Mitchell of The Chad Mitchell Trio. He remained with that organization until 1968 when he struck out on his own. From 1969 through 1975, Denver was the top-selling recording artist, appearing on both country and pop charts alike. His peak year was 1975, during which he was awarded the Country Music Association's Entertainer of the Year in addition to being selected as the American Guild of Variety Artists' Singing Star of the Year. During this period, he tried his hand at acting, appearing as Deputy Dewey Cobb in a 1973 episode of McCloud (1970) and hosting Day of the Bighorn (1974), an ecologically-minded television special. His most memorable role came in 1977 when he starred opposite George Burns in the hit comedy, Oh, God! (1977). Following this, his record sales began to decline, and he made fewer movies and television specials. He became something of a political activist, with his main focus being on environmental issues. He was killed on Sunday, October 12th, 1997, (505 years after Christopher Columbus' discovery of North America) when the plane he was piloting crashed into Monterey Bay. John Denver's lifetime: 19,616 days (2,802 weeks & 2 days).1997- Actor
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Antoine Dominique Domino Jr. (February 26, 1928 - October 24, 2017), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single "The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.2017 - This Rock and Roll Hall of Famer found his thrill on Blueberry Hill.- Actress
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Patty Duke was born Anna Marie Duke on December 14, 1946 in Elmhurst, Queens County, New York, to Frances Margaret (McMahon), a cashier, and John Patrick Duke, a cab driver and handyman. She was seven eighths Irish and one eighth German. Her acting career began when she was introduced to her brother Ray Duke's managers, John and Ethel Ross. Soon after, Anna Marie became Patty, the actress. Patty started off in commercials, a few movies and some bit parts. Her first big, memorable role came when she was chosen to portray the blind and deaf Helen Keller in the Broadway version of "The Miracle Worker". The play lasted almost two years, from October 19, 1959 to July 1, 1961 (Duke left in May 1961).
In 1962, The Miracle Worker (1962) became a movie and Patty won an Academy Award for best supporting actress. She was 16 years old, making her the youngest person ever to win an Oscar. She then starred in her own sitcom titled The Patty Duke Show (1963). It lasted for three seasons, and Patty was nominated for an Emmy. In 1965, she starred in the movie Billie (1965). It was a success and was the first movie ever sold to a television network. That same year, she married director Harry Falk. Their marriage lasted four years. She starred in Valley of the Dolls (1967), which was a financial but not a critical success. In 1969, she secured a part in an independent film called Me, Natalie (1969). The film was a box-office flop, but she won her second Golden Globe Award for her performance in it. In the early 1970s, she became a mother to actors Sean Astin (with writer Michael Yell) and Mackenzie Astin (with actor John Astin).
In 1976, she won her second Emmy Award for the highly successful mini-series, Captains and the Kings (1976). Other successful TV films followed. She received two Emmy nominations in 1978 for A Family Upside Down (1978) and Having Babies III (1978). She won her third Emmy in the 1979 TV movie version of The Miracle Worker (1979), this time portraying "Annie Sullivan".
In 1982, she was diagnosed with manic-depressive illness. In 1984, she became President of the Screen Actors Guild (SAG). In 1986, she married Michael Pearce, a drill sergeant whom she met while preparing for a role in the TV movie, A Time to Triumph (1986). In 1987, she wrote her autobiography, "Call Me Anna". In 1989, she and Mike adopted a baby, whom they named "Kevin". Her autobiography became a TV movie in 1990, with Patty playing herself, from her 30s onward. In 1992, she wrote her second book, "A Brilliant Madness: Living with Manic Depression Illness".
Duke had a long and successful career. She was a political advocate on, among other issues, the Equal Rights Amendment, AIDS awareness, and nuclear disarmament. She died on March 29, 2016, aged 69, in Coeur d'Alene, Idaho, of sepsis from a ruptured intestine.2016- Actress
- Make-Up Department
- Soundtrack
Diller put out an autobiography in 2005 in her late 80s, and entitled it "Like a Lampshade in a Whorehouse", which pretty much says it all when recalling the misfit life and career of the fabulous, one-of-a-kind Phyllis Diller. It may inspire all those bored, discouraged and/or directionless housewives out there to know that the one-time 37-year-old chief bottle washer and diaper disposer of five started out writing comedy routines for her fellow female laundry mates as a sort of reprieve from what she considered her everyday household doldrums. Little did she know she would wind up an entertainment legend who would share the biggest comedy stages with the likes of Bob Hope, George Burns and Jack Benny.
They said it couldn't be done back then (to be a successful lady comic, that is) but the doyenne of female stand-up did just that -- opened the doors for other odd-duck funny girls who dared to intrude on what was considered a man's profession. Initially, the comedienne whipped up an alter-ego that could have only been created with the aid of hallucinogens. Boldly facing the world as a scrawny, witchy-faced, flyaway haired, outlandishly costumed, cigarette-holding, magpie-cackling version of "Auntie Mame", Diller made a virtue out of her weird looks and cashed in on her wifely horror tales and her own idiosyncratic tendencies. Her solid fan base has been thriving now for over five decades.
She was born Phyllis Ada Driver on July 17, 1917 in Lima, Ohio to Perry Marcus and Frances Ada (Romshe) Driver. A student at Lima's Central High School, she went on to study for three years at the Sherwood Music Conservatory in Chicago, before transferring to Bluffton (Ohio) College where she served as the editor of the school's more humorous newspaper articles. She was a serious student of the piano but was never completely confident enough in her performance level to try and act on it as a possible career.
She wed Sherwood Anderson Diller at age 22 in November 1939 and had six children (one of whom died in infancy). On the sly, she was an advertising copywriter. During World War II, the family moved to Michigan where her husband had found work at the Willow Run Bomber Plant. A natural laugh-getter, she began writing household-related one-liners and the feedback from the fellow wives greatly encouraged her. When the family moved to California for job-related reasons, Diller became a secretary at a San Francisco television station. By this time, she had built up the courage to put together a nightclub act.
The local television hosts at the station (Willard Anderson and Don Sherwood) thought her act was hilarious and invited her on their show in 1955. Not long after, at age 38, Diller made her debut at San Francisco's Purple Onion nightclub. What was to be a two-week engagement was stretched out to more than a year and a half. The widespread publicity she received took her straight to the television talk and variety circuits where she was soon trading banter with Jack Paar, Jack Benny and Red Skelton, among others, on their popular television series. She was a contestant on Groucho Marx's popular quiz show You Bet Your Life (1950).
Throughout the 1960s, audiences embraced her bold and brazen quirkiness. Diller formed a tight and lasting relationship with Bob Hope, appearing in scores of his television specials and co-starring in three of his broad 1960s comedy films (Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967) and The Private Navy of Sgt. O'Farrell (1968). Diller joined Hope in Vietnam in 1966 with his USO troupe.
Her celebrity eventually took its toll on her marriage. She separated from and eventually divorced Sherwood in 1965, who had, by this time, become a favorite topic and target of her act in the form of husband "Fang". That same year, she married singer, film actor and television host Warde Donovan who appeared with her in the slapstick movie Did You Hear the One About the Traveling Saleslady? (1968). They divorced in 1975.
By this time, Diller was everywhere on the small screen. A special guest on hordes of television series and comedy specials and, especially on such riotfests as Laugh-In (1977) and the Dean Martin celebrity series of roasts, she became a celebrity on the game show circuit as well, milking laughs on such established shows as The Hollywood Squares (Daytime) (1965) and The Gong Show (1976). She published best-selling comedy records to her credit and humorous anecdotes to pitch that made it to the bookstore shelves, such as "Phyllis Diller Tells All About Fang". However, stand-up remained her first love.
Her forays on television in her own series were, regretfully, unsuccessful. Her first television series, The Phyllis Diller Show (1966), had her pretty much pulling out all the stops as a wacky widow invariably scheming to keep up a wealthy front despite being heavily in debt. She had the reliably droll Reginald Gardiner and cranky Charles Lane as foils and even Gypsy Rose Lee, but to little avail. Revamped as "The Phyllis Diller Show", several of comedy's best second bananas (John Astin, Paul Lynde, Richard Deacon, Billy De Wolfe, Marty Ingels) were added to the mix, but the show was canceled after a single season. A second try with The Beautiful Phyllis Diller Show (1968), a comedy/variety show that had the zany star backed by none other than Rip Taylor and Norm Crosby, lasted only three months.
Seldom did she manage or receive offers to take her funny face off long enough to appear for dramatic effect. Somewhat more straightforward roles came later on episodes of Boston Legal (2004) and 7th Heaven (1996). Back in 1961, interestingly enough, she made both her stage and film debuts in the dramas of William Inge. Her theatrical debut came with a production of "The Dark at the Top of the Stairs" and she appeared first on film in the highly dramatic Splendor in the Grass (1961), lightening things up a bit with a cameo appearance as larger-than-life nightclub hostess Texas Guinan. Diller later impressed with her harridan role in the film The Adding Machine (1969) opposite Milo O'Shea.
Diller enjoyed a three-month run on Broadway in "Hello, Dolly!", co-starring Richard Deacon and appeared in other shows and musicals over time: "Wonderful Town" (she met her second husband Warde Donovan in this production), "Happy Birthday", "Everybody Loves Opal" and "Nunsense". In 1993, Diller was inducted into the St. Louis Walk of Fame. Her cackling vocals have enhanced animated features, too, what with Mad Monster Party? (1967) and A Bug's Life (1998). It took a heart attack in 1999 to finally slow down the comedienne and she eventually announced her retirement in 2002.
Aside from the baby who died in infancy, Diller was also predeceased by her eldest son, Peter (who died of cancer in 1998) and her daughter, Stephanie Diller (who died of a stroke in 2002). Her surviving children are Sally Diller, Suzanne Sue Diller and Perry Diller. As late as January 2007, she made an appearance on The Tonight Show with Jay Leno (1992). She was set to return on her 90th birthday in July but a back injury forced her to cancel. She died at age 95 of heart failure on August 20, 2012 in her home in Brentwood, California.2012- Actor
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Gord Downie was born on 6 February 1964 in Amherstview, Ontario, Canada. He was an actor and writer, known for Jumper (2008), One Week (2008) and Ararat (2002). He was married to Laura Leigh Usher. He died on 17 October 2017 in Toronto, Ontario, Canada.2017 - The hip frontman of the Tragically Hip.- Actor
- Producer
- Soundtrack
Michael Clarke Duncan was born on December 10, 1957 in Chicago, Illinois. Raised on Chicago's South Side by his single mother, Jean, a house cleaner, Duncan grew up resisting drugs and alcohol, instead concentrating on school. He wanted to play football in high school, but his mother wouldn't let him, afraid that he would get hurt. He then turned to acting and dreamed of becoming a famous actor.
After graduating from high school and attending community college, he worked digging ditches at People's Gas Company in Chicago. When he quit his job and headed to Hollywood, he landed small roles while working as a bodyguard. Duncan's role in the movie Armageddon (1998) led to his breakthrough performance in The Green Mile (1999), when his Armageddon co-star Bruce Willis called director Frank Darabont, suggesting Duncan for the part of convict John Coffey. He landed the role and won critical acclaim as well as many other Awards and Nominations, including an Academy Award Nomination for Best Actor in a Supporting Role.
After suffering a heart attack on July 13, 2012, he was taken to a Los Angeles hospital, in which his girlfriend Omarosa Manigault-Stallworth tried to save his life with CPR. Unfortunately, on September 3, 2012, Michael Clarke Duncan died at age 54 from respiratory failure.2012- Actor
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- Soundtrack
WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.2012- Writer
- Actor
- Producer
Roger Joseph Ebert was the all-time best-known, most successful movie critic in cinema history, when one thinks of his establishing a rapport with both serious cineastes and the movie-going public and reaching more movie fans via television and print than any other critic. He became the first and only movie critic to win a Pulitzer Prize (it would be 28 years before another film critic, Stephen Hunter, would win journalism's top tchotchke). His opinions likely were relied on by more movie-goers than any other critic in cinema history, making Roger Ebert the gold standard for film criticism.
Ebert was born in Urbana, Illinois, to Annabel (Stumm), a bookkeeper, and Walter Harry Ebert, an electrician. He was married to Chaz Ebert. Roger Ebert died on April 4, 2013, in Chicago, Illinois.2013 - The career of this film critic gets two thumbs up from me.- Actor
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Herb Edelman was born on 5 November 1933 in Brooklyn, New York, USA. He was an actor and assistant director, known for The Odd Couple (1968), The Golden Girls (1985) and The Way We Were (1973). He was married to Louise Sorel. He died on 21 July 1996 in Woodland Hills, Los Angeles, California, USA.1996 - Funny character actor played Stanley Zbornak on The Golden Girls.- Writer
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Clean cut and smoothly handsome as a youth, Mike Evans got on board the Norman Lear TV train in the early 1970s and took a straight ride to sitcom stardom in both a landmark comedy series and its black-oriented spin-off. Born Michael Jonas Evans in Salisbury, North Carolina, on November 3, 1949, his dentist father and school instructor mother moved the family to Los Angeles when Mike was quite young. Graduating from Los Angeles High School, he attended Los Angeles City College before his abrupt TV success. Landing the role of black next-door neighbor Lionel Jefferson in Lear's iconic sitcom All in the Family (1971) was a lucky fluke -- something every fledgling actor should get to experience. In fact, Mike was still attending acting school when he was cast in the 1971 show at age 21. The series altered the course of TV comedy while tackling many then-taboo subjects, including racial prejudice. Due to the quality of the cast and writing, the series managed to thoroughly engage and entertain an audience despite being fronted by a blue-collar bigot in the form of Archie Bunker (played by the great Carroll O'Connor). As the calm, intelligent, level-headed Lionel, son of hothead George (Sherman Hemsley) and his beleaguered wife, Louise Jefferson (Isabel Sanford), Lionel's liberal-minded stance was more akin to Archie's live-in younger generation. As friend to Archie's daughter, Gloria, and her husband, Mike, Lionel had to somehow tolerate his grouchy neighbor's exasperating politically incorrect banter but made up for it with clever, carefully worded digs at the often-clueless Archie. During the run of the show, Mike also boosted his visibility with the TV movies Killer by Night (1972), Call Her Mom (1972), and Voyage of the Yes (1973), costarring Desi Arnaz Jr., not to mention the Disney family comedy feature Now You See Him, Now You Don't (1972), starring Kurt Russell. The hit series spun the Jefferson clan into its own "moving-on-up" sitcom The Jeffersons (1975) four years later. The "moving on up" was from Queens to a "deluxe apartment" in Manhattan, where the burgeoning, financially successful George now held court as head intolerant. Mike's character eventually met and fell for Jenny, the beautiful product of an interracial marriage. This became a major source of combustible comedy material that initially fed the new sitcom. In the meantime, Mike and writing partner Eric Monte also cocreated and were writing for another Lear sitcom, Good Times (1974), which was a spin-off of Lear's comedy hit Maude (1972), which in turn was a spin-off of sitcom daddy All in the Family (1971). The major responsibilities and hardships of writing for "Good Times", which became one of the first TV sitcoms to feature a primarily African American cast in quite some time, took its toll, and Mike began making fewer appearances as Lionel. In fact, he left the role completely in the fall of 1975 after only eight months to focus on his writing and was replaced by actor Damon Evans (no relation to Mike), who inhabited the part for four seasons. Mike eventually reclaimed the part in 1979 after the cancellation of "Good Times". His character of Lionel, however, had dwindled so significantly in importance that he left the show again in 1981, this time for good. The family show ended its long run in 1985 after a decade. Mike took on a low profile after his 1970s successes and was not seen onscreen again. By this time he had delved into Southern California real estate. He died of throat cancer in 2006 at age 57 at his mother's home in Twentynine Palms, California.2006 - The definitive Lionel Jefferson :).- Actor
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- Executive
Dennis Farina was one of Hollywood's busiest actors and a familiar face to moviegoers and television viewers alike. Recently, he appeared in the feature films, "The Grand," a comedy about a Vegas poker tournament with Woody Harrelson, Cheryl Hines and Ray Romano; "Bottle Shock," also starring Alan Rickman, Bill Pullman and Bradley Whitford; and Fox's "What Happens in Vegas," in which Dennis starred as Cameron Diaz's boss. Farina also appeared on the NBC series "Law and Order" and in the HBO miniseries, "Empire Falls," for which he won a Golden Globe Award for Best Mini-Series.
Farina is well remembered for his role in memorable features such as Steven Soderbergh's "Out of Sight," in which he played the retired lawman father of Jennifer Lopez's character. This was Farina's second outing in an Elmore Leonard best seller, the previous one being "Get Shorty," directed by Barry Sonnenfeld and co-starring John Travolta, Rene Russo and Gene Hackman. Farina received an American Comedy Award for Funniest Supporting Male for his performance as "Ray 'Bones' Barboni."
In 1998's "Saving Private Ryan," directed by Steven Spielberg, Farina played "Col. Anderson," a pivotal role in the film. It is this character who convinces Tom Hanks character to lead a squad deep into Nazi territory to rescue "Pvt. Ryan." He also co-starred with Brad Pitt and Oscar-winner Benicio Del Toro in the darkly comedic crime drama "Snatch," directed by Guy Ritchie.
Farina's numerous other screen credits include John Frankenheimer's "Reindeer Games," "Paparazzi," Martin Brest's "Midnight Run," the Michael Mann film "Manhunter", among many other feature films. Farina is also recognized for his role in the critically acclaimed television series, NBC's "Crime Story". A veteran of the Chicago theater, Farina has appeared in Joseph Mantegna's "Bleacher Bums," and "A Prayer For My Daughter," directed by John Malkovich, and many others. He died on July 22, 2013 in Scottsdale, Arizona at age 69.2013- Actor
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Christopher Crosby Farley was born on February 15, 1964, in Madison, Wisconsin, to Mary Anne (Crosby) and Thomas Farley, who owned an oil company. Among his siblings are actors Kevin P. Farley and John Farley. He was of Irish heritage. Farley studied theatre and communications on Marquette University. After finishing university he was in the cast of the Second City Theatre, where he was discovered by the producer of the great comedy show Saturday Night Live (1975), Lorne Michaels. Farley worked on Saturday Night Live (1975) for five years during which he appeared in movies like Wayne's World (1992), Coneheads (1993), Billy Madison (1995) and finally Tommy Boy (1995), with his comic partner and SNL cast member David Spade. The duo later made one more movie called Black Sheep (1996). From that time on, Farley was one of the big comedy stars, and his fame was growing and growing.
After some more time, he made another "lone" movie, Beverly Hills Ninja (1997), which featured former SNL member Chris Rock. Farley was made even more famous, but with his growing fame, his problems grew bigger as well; he didn't want to be the "fat guy who falls down" any longer. Farley had several other problems, too, with alcohol and drug dependency. On December 18th, 1997, he died from a heroin (opiate) and cocaine overdose in his apartment in Chicago, where his body was found by his brother John the next day. Farley's weight of 296 pounds was a contributing factor in his death, but according to his autopsy the alcohol, marijuana and Prozac that was also found in his body, were not. Less than two months prior to his death, he had appeared alongside Chevy Chase on what would be Farley's only SNL show as host. Not unlike his idol John Belushi, he was credited for one more appearance after having left SNL and died at age 33. His death cause was also the same. In the year after Farley's departing, the movie Almost Heroes (1998), where he plays the leading role alongside Matthew Perry was released. He also makes cameo appearances in Dirty Work (1998)1997- Actress
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Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.
Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.
Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.
She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.
Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.2009- Actor
- Soundtrack
Norman Fell was born in Philadelphia, Pennsylvania in 1924. He graduated from Temple University with a bachelor's degree in drama. During World War II, he was an Air Force tail gunner in the Pacific. After the war, he studied acting and obtained small parts in television and on stage. His first regular TV appearance was in the comedy series Joe & Mabel (1956). His best known TV role was that of Stanley Roper, the landlord in the very popular Three's Company (1976), which debuted in 1977, and its short lived spin-off, The Ropers (1979).
Norman Fell died at the Motion Picture and Television Fund's retirement home in Woodland Hills CA, aged 74, survived by two daughters.1998- Actor
- Director
- Cinematographer
Miguel Ferrer was an American actor known for playing Morton from RoboCop, Shan Yu from Mulan, Martian Manhunter from Justice League: The New Frontier, Slade Wilson from Teen Titans: The Judas Contract, Death from Adventure Time, Sesa Refumee from Halo 2 and Vice President Rodriguez from Iron Man 3. He passed away in January 2017 due to throat cancer. He is survived by his wife and three children.2017- Actress
- Additional Crew
- Writer
Carrie Frances Fisher was born on October 21, 1956 in Burbank, California, to singers/actors Eddie Fisher and Debbie Reynolds. She was an actress and writer known for Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). Fisher is also known for her book, "Postcards from the Edge", and she wrote the screenplay for the movie based on her novel. Carrie Fisher and talent agent Bryan Lourd have a daughter, Billie Lourd (Billie Catherine Lourd), born on July 17, 1992.2016 - Princess Leia from Star Wars.- Music Artist
- Actress
- Music Department
On Saturday, June 15th, 1996, an era in jazz singing came to an end, with the death of Ella Fitzgerald at her home in California. She was the last of four great female jazz singers (including Billie Holiday, Sarah Vaughan, and Carmen McRae) who defined one of the most prolific eras in jazz vocal style. Ella had extraordinary vocal skills from the time she was a teenager, and joined the Chick Webb Orchestra in 1935 when she was 16 years old. With an output of more than 200 albums, she was at her sophisticated best with the songs of Richard Rodgers and Lorenz Hart, of George Gershwin, and of Cole Porter. Her 13 Grammy awards are more than any other jazz performer, and she won the Best Female Vocalist award three years in a row. Completely at home with up-tempo songs, her scat singing placed her jazz vocals with the finest jazz instrumentalists, and it was this magnificent voice that she brought to her film appearances. Her last few years, during which she had a bout with congestive heart failure and suffered bilateral amputation of her legs from complications of diabetes, were spent in seclusion.1996- Actress
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Legendary voice actress June Foray was born June Lucille Forer on September 18, 1917 in Springfield, Massachusetts, to Maurice Forer and Ida Edith Robinson, who wed in Hampden, Massachusetts. Her father, who was Jewish, emigrated from Novgorod, Imperial Russia, while her Massachusetts-born mother was of Lithuanian Jewish and French-Canadian descent. Her mother converted to Judaism to marry, and took the name Sarah.
At age 12, young June was already doing "old lady" voices. She had the good fortune of having a speech teacher who also had a radio program in the Springfield area. This teacher became her mentor, and added June to the cast of her show. Eventually her family moved to Los Angeles, where she continued in radio. By age fifteen, she was writing her own show for children, "Lady Makebelieve", in which she also provided voices. June dabbled in both on-camera acting and voice work, but was particularly talented in voice characterizations, dialects and accents. Just like Daws Butler, one of her later co-stars, she was a "voice magician" and worked steadily in radio from the 1930s into the 1950s.
June branched out from radio and began providing voices for cartoon characters. In the 1940s, she provided the voices for a live-action series of shorts, "Speaking of Animals", in which she dubbed in voices for real on-screen animals, a task she was to repeat many years later in an episode of The Magical World of Disney (1954). In the late 1940s June, Stan Freberg, Daws Butler, Pinto Colvig and many others recorded hundreds of children's and adult albums for Capitol Records. Her female characterizations on these records ran the entire gamut from little girls to middle-aged women, old ladies, dowagers and witches. No one seemed to be able to do these same voices with the warmth, energy and sparkle that June did.
In the 1950s June's star in animation not only began to rise but soared when Walt Disney sought her out and hired her to do the voice of Lucifer the cat in Cinderella (1950). The Disney organization continued to use June many times over, well into the 21st century. Warner Brothers also hired her to replace Bea Benaderet and do all of its "Looney Tunes" and "Merrie Melodies" cartoons. June has done many incidental characters for Warners, but her most famous voice has been that of Granny (in the "Tweety and Sylvester" series). Unfortunately, since Mel Blanc's contract called for exclusive voice credit on these cartoons, June never received credit for all the voices she did. During this time she also appeared on [error].
In 1957, Jay Ward met with June to discuss her voicing the characters of "Rocky the Flying Squirrel" and "Natasha Fatale" in a cartoon series. On November 19, 1959, the show debuted as The Bullwinkle Show (1959), later changing its name to The Bullwinkle Show (1959). June provided many other voices for this show, especially its "side shows" such as "Fractured Fairy Tales" and "Aesop and Son". She did fewer voices for the "Peabody's Improbable History" segment, but she did appear in at least three of those episodes. After the show had been successful for a few years, Ward added one of its most popular segments, "Dudley Do-Right of the Mounties". June was a regular in this side show as Dudley's girlfriend Nell Fenwick.
Since Ward used June exclusively for nearly all his female voices, he showcased her talents as no other producer had before. June missed out on doing voices for three of the show's "Fractured Fairy Tales" because she could not reschedule some bookings to do recording work with Stan Freberg, so Julie Bennett filled in for her on those occasions. Dorothy Scott--co-producer Bill Scott's wife--also filled in for June a few times for "Peabody's Improbable History". Her collaboration with Ward made her incredibly famous, and "Rocky the Flying Squirrel" became her signature voice. To this day June regularly wears a necklace with the figure of Rocky sculpted by her niece Lauren Marems.
Ward later produced two other cartoon series, Hoppity Hooper (1964) and George of the Jungle (1967). June's appearances on "Hoppity Hooper" were limited to the segments of "Fractured Fairy Tales", "Dudley Do-Right" and "Peabody" that aired during its run. On "Fractured Fairy Tales" June did a whole montage of voices similar to those from her Capitol Records days. Her witch voices were so incredibly funny and magnificently done that Disney and Warner Brothers tapped her to provide that same voice for the character of Witch Hazel. She was once again the lone female voice artist, this time on "George of the Jungle". Included on that show were the "Super Chicken" and "Tom Slick" side shows.
In the 1960s, June lost out to Bea Benaderet when she auditioned for the voice of "Betty Rubble" on The Flintstones (1960). June appeared numerous times during the decade in holiday specials such as Frosty the Snowman (1969) and The Little Drummer Boy (1968)). In the 1960s and 1970s, June dubbed in voices for full-length live-action feature films many times. Jay Ward and Bill Scott also had her dub in dialogue for silent movies in their non-animated series Fractured Flickers (1963).
In the early 1970s, June tried her hand at puppetry. She became the voice of an elephant, an aardvark and a giraffe on Curiosity Shop (1971). Around this time she also recorded various voices for the road shows of "Disney on Parade", which toured the US and Europe for several years.
She acted on-camera occasionally over the years, primarily on talk shows, game shows and documentaries; in the early years of The Tonight Show Starring Johnny Carson (1962), she performed a 13-week stint as a little Mexican girl. However, June had said that she prefers to record behind the scenes because she jokingly said "She can earn more money in less time."
June Foray died on July 26, 2017, in Los Angeles, California, U.S. She was ninety nine years old.2017 - The woman with a thousand voices.- Actor
- Producer
- Soundtrack
Legendary actor Glenn Ford was born Gwyllyn Samuel Newton Ford in Sainte-Christine-d'Auvergne, Quebec, Canada, to Hannah Wood (Mitchell) and Newton Ford, a railroad executive. His family moved to Santa Monica, California when he was eight years old. His acting career began with plays at high school, followed by acting in West Coast, a traveling theater company.
Ford was discovered in 1939 by Tom Moore, a talent scout for 20th Century Fox. He subsequently signed a contract with Columbia Pictures the same year. Ford's contract with Columbia marked a significant departure in that studio's successful business model. Columbia's boss, Harry Cohn, had spent decades observing other studios'-most notably Warner Brothers-troubles with their contract stars and had built his poverty-row studio around their loan-outs. Basically, major studios would use Columbia as a penalty box for unruly behavior-usually salary demands or work refusals. The cunning Cohn usually assigned these stars (his little studio could not normally afford then) into pictures, and the studio's status rose immensely as the 1930s progressed. Understandably, Cohn had long resisted developing his own stable of contract stars (he'd first hired Peter Lorre in 1934 but didn't know what to do with him) but had relented in the late 1930s, first adding Rosalind Russell, then signing Ford and fellow newcomer William Holden. Cohn reasoned that the two prospects could be used interchangeably, should one become troublesome. Although often competing for the same parts, Ford and Holden became good friends. Their careers would roughly parallel each other through the 1940s, until Holden became a superstar through his remarkable association with director Billy Wilder in the 1950s.
Ford made his official debut in Fox's Heaven with a Barbed Wire Fence (1939), and continued working in various small roles throughout the 1940s until his movie career was interrupted to join the Marines in World War II. Ford continued his military career in the Naval Reserve well into the Vietnam War, achieving the rank of captain. In 1943 Ford married legendary tap dancer Eleanor Powell, and had one son, Peter Ford. Like many actors returning to Hollywood after the war (including James Stewart and Holden (who had already acquired a serious alcohol problem), he found it initially difficult to regain his career momentum. He was able to resume his movie career with the help of Bette Davis, who gave him his first postwar break in the 1946 movie A Stolen Life (1946). However, it was not until his acclaimed performance in a 1946 classic film noir, Gilda (1946), with Rita Hayworth, that he became a major star and one of the the most popular actors of his time. He scored big with the film noir classics The Big Heat (1953) and Blackboard Jungle (1955), and was usually been cast as a calm and collected everyday-hero, showing courage under pressure. Ford continued to make many notable films during his prestigious 50-year movie career, but he is best known for his fine westerns such as 3:10 to Yuma (1957) and The Rounders (1965). Ford pulled a hugely entertaining turn in The Sheepman (1958) and many more fine films. In the 1970s, Ford made his television debut in the controversial The Brotherhood of the Bell (1970) and appeared in two fondly remembered television series: Cade's County (1971) and The Family Holvak (1975). During the 1980s and 1990s, Ford limited his appearance to documentaries and occasional films, including a nice cameo in Superman (1978).
Glenn Ford is remembered fondly by his fans for his more than 100 excellent films and his charismatic silver screen presence.2006- Writer
- Actor
- Producer
Veteran entertainer Sir Bruce Forsyth had a career spanning eight decades, in which he went from struggling variety performer to Saturday night TV stardom. On the way, he became one of the most recognisable entertainers in the business, driven by what appeared to be inexhaustible energy. He became synonymous with the plethora of game shows that seemed to dominate television light entertainment in the 1960s, 70s and 80s, although he often felt he had become typecast as the genial quizmaster. And at an age when most performers would have put their feet up, his career enjoyed a huge revival with the BBC's Strictly Come Dancing (2004). Bruce Joseph Forsyth-Johnson was born in Edmonton, north London, on 22 February 1928. His father owned a local garage and both his parents were Salvation Army members who sang and played music at home.
Bruce was a direct descendant of William Forsyth, a founder of the Royal Horticultural Society, whose name was given to the plant forsythia. His interest in showbusiness was kindled at the age of eight and he was reportedly found tap-dancing on the flat roof after watching his first Fred Astaire film.
He made his stage debut at the age of 14 as Boy Bruce, the Mighty Atom, appearing bottom of the bill at the Theatre Royal, Bilston. Live entertainment was a way of escaping the pressures and dangers of wartime Britain, and there was a huge demand for acts, no matter how bad they were.
But there was to be no fast track to success. For the next 16 years he performed in church halls and theatres across the country, sleeping in train luggage racks and waiting for the big break. It came in 1958, at a time when he had been unemployed for more than three months and was seriously considering giving up on showbusiness. He was asked to present Val Parnell's Sunday Night at the London Palladium (1955), a televised variety show, made by Lord Grade's ATV company for the ITV network. He'd finally found the fame he had always craved, appearing not in front of a couple of hundred people in a theatre, but the more than 10 million who regularly tuned in to the show.
Originally booked for two weeks, he stayed five years, by which time he was Britain's highest-paid entertainer, earning £1,000 a week (£18,700 in today's money). But he continued touring with his variety show and the strain of combining this with his Palladium appearances took a toll on his private life. He divorced his first wife, Penny Calvert, a dancer he'd met in the theatre, and she wrote an account of her husband's perpetual absence, called Darling, Your Dinner's in the Dustbin. A popular element in his Palladium show was a feature called Beat the Clock, in which contestants, egged on by Forsyth, had to complete quirky tasks as a huge clock ticked down.
The segment gave a hint of his future television role and he went on to host some of the most popular television game shows of the 1970s and 80s. With his catchphrases of "Nice to see you, to see you nice" and "Didn't he do well?" he reigned supreme at the helm of the BBC's Bruce Forsyth and the Generation Game (1971) for six years from 1971, and again at the beginning of the 1990s. At its peak, the programme attracted 20 million viewers, who tuned in to watch Forsyth seemingly having more fun than the competitors, enthusing over the mundane prizes on the conveyor belt. The presenter argued with his BBC managers about the show's early evening timeslot but he eventually accepted his role as the "warm-up man" for Saturday night television.
His co-host on the show, Anthea Redfern, was each week encouraged to "give us a twirl". The couple married in 1973 but divorced six years later. It was on Bruce Forsyth and the Generation Game (1971) that he introduced his famous "thinker" pose, appearing in silhouette at the beginning of each show. The idea came from the classic circus strongman pose, something he'd perfected during his days in variety. He repeated his success on ITV's Play Your Cards Right (1980), where the audience joined in the cries of "higher" or "lower" as the contestants tried to guess the value of a series of playing cards.
In 1995, a year after his final Generation Game appearance, he received a lifetime achievement award for variety at the British Comedy Awards and began hosting ITV's The Price is Right (1972). The entertainer was, by this time, a Rolls-Royce-driving multimillionaire and married since 1983 to Wilnelia Merced, a former Miss World. He later claimed that he regretted becoming so associated with game shows and wished he'd done more variety work on TV.
Play Your Cards Right (1980) was axed in 1999 and, with changing tastes in entertainment, his TV career began to slide. He returned to the theatre - but experienced an unexpected revival after his wife watched an edition of the satirical quiz, Have I Got News For You, and suggested he could present the programme. After calling show regular Paul Merton, he landed the gig and offered to be "a little bit deadpan". "But the team said, 'No, be Bruce Forsyth,'" he said. He used the occasion to parody some of his old game shows, much to the ill-disguised disgust of team captain Ian Hislop. But the appearance led to Forsyth, an accomplished tap dancer, being offered the job of hosting Strictly Come Dancing (2004), which began a year later. Viewed with scepticism when it launched, the celebrity dance show became one of the most-watched programmes on TV by the time it reached its fifth series in 2007. He brought his own brand of avuncular good humour to the proceedings - reassuring many of the contestants with the phrase "you're my favourites".
After missing a handful of episodes because of illness, he decided to "step down from the rigours" of presenting Strictly in 2014.
He continued to host the Christmas and charity editions of Strictly until 2014 - all of which were taped, as opposed to live broadcasts. Away from entertainment, Forsyth's biggest passion was golf and he took part in many pro-celebrity tournaments. His house was next to the course at Wentworth, where he played with many of the world's best players, practising in the bunker in his own back garden.
During his career, Forsyth's multiple talents and years of application sparked an enduring appeal. In 2011 he was knighted after years of campaigning by his fans and a parliamentary Early Day Motion signed by 73 MPs. But he suffered from ill health towards the end of his life, and in 2016 his wife revealed he still had "a bit of a problem moving", following major surgery a year earlier. Sir Bruce was one of the last entertainers from the tradition of music hall to be working on British television. In many ways his act barely changed. The same corny gags, the same toothy smile and, above all, the same manic enthusiasm. He is particularly remembered for his ability to transform run-of-the-mill party games into glorious moments of mayhem that enthralled contestants and audiences alike.
He died in August 2017 at his home in Virginia Water, Surrey, England, UK following a period of ill health. He was 89. He was survived by his third wife.2017- Actor
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Redd Foxx began doing stand-up comedy on the infamous "Chitlin' Circuit" in the 1940s and 1950s. Foxx was one of the premier "blue humor" comedians. Blue humor was very dirty, too dirty for white audiences. For years his party albums were not available in white record stores. In the 1960s his records became available, although marginally in white record stores, leading to minor comedy work on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and The Red Skelton Hour (1951), among other classic variety shows of the time. Foxx developed a fan base in the 1960s that led to increased notoriety. He received his own television series in 1972 called Sanford and Son (1972), which was a reworking of the British sitcom Steptoe and Son (1962). Foxx's character, Fred Sanford (was actually Foxx's brother's name), was a cranky old man who was set in his ways and would insult both friends and strangers at the drop of a hat. He ran a junkyard in Watts, a bad neighborhood in Los Angeles, with his son Lamont (played by Demond Wilson). The show broke down racial stereotypes and was a huge success, making Foxx and the show household names. Foxx fought a very public battle with the writers and producers of the show, claiming that they did not do enough to promote the black experience, and in general complained there were not enough black writers or producers in the entertainment industry. These highly publicized disputes led to the show faltering artistically, but not in the ratings. Foxx left the show in 1977 to accomplish his dream on ABC: his own variety show, which lasted less than a year. He also starred in the controversial film Norman... Is That You? (1976).
Foxx's trouble with the law and the Internal Revenue Service hampered his career in the early 1980s. He flopped yet again with the sitcom The Redd Foxx Show (1986) on ABC. He did, however, find success playing a ghost in the TV movie Ghost of a Chance (1987), with Dick Van Dyke. The late 1980s found Foxx on a rebound, as he starred with Richard Pryor and Eddie Murphy in the popular Harlem Nights (1989), which showcased the three premiere black comedians of their respective generations. A whole new generation of comedians begin claiming Redd Foxx as a major influence on their careers, including Murphy and Pryor. Foxx looked like he was finding success 20 years after Sanford and Son (1972) with The Royal Family (1991). However, we will never know if the show would have been a success--while rehearsing for an episode, Foxx collapsed and was rushed to a hospital. He died in October of 1991. Redd Foxx will be remembered as a pioneering comedian who influenced generations of comedians and helped break down racial barriers in the the entertainment industry. His influence seems as strong as ever.1991- Actress
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Bonnie Franklin, of the freckled, fair-skinned, hazel-eyed, rosy-cheeked, carrot-haired variety, could light up a room with her buoyant, folksy personality, but she could be quite serious in a take-charge manner when it came to purposeful acting work. It took Norman Lear and a highly popular TV sitcom to finally make the 31-year-old performer a household star in the mid-1970s.
She was born Bonnie Gail Franklin in Santa Monica, California on January 6, 1944, the daughter of Samuel Benjamin, an investment banker, and Claire (née Hersch) Franklin, both of Jewish descent. She was thrust onto the stage at a very young age as a child tap dancer and became the protégé of consummate tapper Donald O'Connor. At age 9, she performed with O'Connor on NBC's The Colgate Comedy Hour (1950). A year later, she performed as one of the Cratchit daughters in the Shower of Stars (1954) TV version of "A Christmas Carol", starring Fredric March and Basil Rathbone as "Scrooge" and "Marley", respectively. The young girl then appeared, unbilled on film, playing sweet young things in the rural comedy, The Kettles in the Ozarks (1956), Alfred Hitchcock's The Wrong Man (1956) and the Sandra Dee/Troy Donahue's box office tearjerker, A Summer Place (1959).
At age 13, the family moved from Santa Monica to upper-scale Beverly Hills. Graduating from Beverly Hills High School in 1961, Bonnie studied at Smith College for a time where the freshman co-ed acted in an Amherst College production of "Good News". She then transferred to UCLA and majored in English. Following her studies, she returned to TV and appeared in lightweight comedies that welcomed her perky, pixie-like presence. These included mid-to-late 1960s episodes of Mr. Novak (1963), Gidget (1965), The Man from U.N.C.L.E. (1964), Please Don't Eat the Daisies (1965) and The Munsters (1964). In 1967, she married Ronald Sossi, a playwright best-known for his writing/producing chores on the TV series, The Rat Patrol (1966). The marriage, however, was short-lived and ended in 1970.
It was on the musical stage that Bonnie found breakthrough success. Following diligent work in "Drat the Cat!" (1965), "Your Own Thing" (1968), "George M.!" (1969) and "Dames at Sea" (1969), she took her first Broadway curtain call in "Applause", the well-received 1970 musical version of All About Eve (1950), starring Lauren Bacall. Bonnie played a theater "gypsy", named "Bonnie", who sings and dances to the title song backed by her "band of gypsies". Bonnie won the Outer Critics and Theatre World awards and a 1970 Tony nomination for her effort here. She continued on the stage with prime roles in "A Thousand Clowns" (1971), the title role in "Peter Pan" (1973), and the revue "Oh, Coward!" (1975).
It wasn't until Bonnie was handed the prime role of "Ann Romano", a divorced mom raising two daughters (Mackenzie Phillips and Valerie Bertinelli) on One Day at a Time (1975), did she become a viable star. Although her contagious cheerfulness and beaming smile was part of her value on the comedy show, Franklin desired to focus on taboo TV subjects such as divorce, birth control, sexual harassment and suicide, as well as getting laughs. While the program didn't match the ground-breaking importance or success of an All in the Family (1971), the show did command consistent and respectable ratings ("Top 20" for seven of its nine years) and lasted on CBS until 1984. Bonnie received one Emmy nomination and two Golden Globe nominations during the sitcom's run, and managed to find time to squeeze in a few other TV-movie projects as well -- A Guide for the Married Woman (1978), Breaking Up Is Hard to Do (1979), the title role in Portrait of a Rebel: The Remarkable Mrs. Sanger (1980) and Your Place... or Mine (1983). Bonnie also directed episodes of One Day at a Time (1975), Karen's Song (1987) Charles in Charge (1984) and The Munsters Today (1987).
Following the show's demise, Bonnie seemed to keep a lower profile on camera, focusing instead on theatre roles and in several humanitarian efforts. Sporadic guest roles on Burke's Law (1994) (revived), Almost Perfect (1995) and Touched by an Angel (1994) was highlighted by a 2005 TV reunion with her One Day at a Time (1975) TV family, The One Day at a Time Reunion (2005). Her return to the theatre, after a break of 14 years, included roles in a variety of plays: "Happy Birthday and Other Humiliations" (1987), "Annie Get Your Gun" (1988) (as "Annie Oakley"), "Frankie and Johnny in the Clair de Lune" (1988), "Love and Guilt and the Meaning of Life" (1990), "Grace & Glorie" (1996), "All I Need to Know I Learned in Kindergarten" (1997), "Who's Afraid of Virginia Woolf?" (1999), "Same Time, Next Year" (2000), "Dancing at Lughnasa" (2003), "A Touch of the Poet" (2005), "A Delicate Balance" (2007) and as crotchety "Ouisar" in "Steel Magnolias" (2011). In addition, she put together and toured in her own cabaret act and appeared in nearly a dozen staged readings with Los Angeles' Classic and Contemporary American Playwrights.
Bonnie was a tireless activist for a variety of charities and civic-oriented issues, among them AIDS care and research and the Stroke Association of Southern California. More recently, Bonnie reunited with "One Day at a Time" daughter Valerie Bertinelli in a 2011 episode of Bertinelli's sitcom, Hot in Cleveland (2010), and, a year later, played a recurring nun in the daytime The Young and the Restless (1973).
In September of 2012, Bonnie was diagnosed with pancreatic cancer and died several months later on March 1, 2013. Her second husband of 29 years, TV/film producer Marvin Minoff, who produced Bonnie's TV movie, Portrait of a Rebel: The Remarkable Mrs. Sanger (1980), as well as the film, Patch Adams (1998), died in 2009.2013- Music Artist
- Actress
- Composer
Grammy-winning Queen of Soul and the first woman to be inducted into the Rock and Roll Hall of Fame, Aretha Louise Franklin was born in Memphis, Tennessee, to Barbara Vernice (Siggers) and C. L. Franklin, a Baptist minister, who preached at the New Bethel Baptist Church in Detroit for over thirty years. Known as the man with the "Million-Dollar Voice", her father was one of the most respected and prominent ministers in the country, and Aretha grew up singing in church, and surrounded by local and national celebrities. She learned how to play piano by ear and soon understood the correct tones and pitches.
Aretha released her first single at the age of eighteen, under Columbia Records, it reached number ten on the BillBoard charts and her first record was released in January of 1961. While working for the label, she managed to score two more R&B hits, Operation Heartbreak and Won't Be Long. However the people at Columbia often felt they didn't understand the direction Aretha wanted to go with her music, and ultimately failed to bring out her potential. In 1966, Aretha signed a contract with Atlantic Records, where she released her first legendary single, Respect, written by The King Of Soul, Otis Redding. With this single, Franklin would trigger a new vocal skill called, "call and response," which would help liven up many of her singles. While signed with Atlantic, she released three additional top ten hits, Baby I Love You, A Natural Women,and Chain Of Fools, and won her first two Grammy awards, and eight consecutive Grammys for best female R&B vocal category.
Franklin had not only achieved her dream of becoming a musical sensation but stood out in the civil rights movement for her single with Otis Redding, Respect. The song helped send a message to Americans about equality, peace, and justice. Franklin continued to release pop hits throughout the decade, such as Think, I Say A Little Prayer, and Ain't No Way. After these amazing hits to many listeners she was seen as The Queen Of Soul. In the 1970s, she started recording gospel hits such as Don't Play That Song, Rocksteady, and Daydreaming. It was foreseeable that Franklin would soon stumble upon a masterpiece which became the best selling gospel album of all time, which she did in 1972 with her album Amazing Grace.
In the mid '70s, even though she was releasing hit songs, she began to lose touch with her soul-pop audiences due to the disco genre making its entrance into mainstream music. In 1979, she released an album in order to gain the audience of disco lovers called, La Diva. La Diva sold less than 50,000 copies and was marked as the lowest point in Franklin's career. On June 10, 1979, her father Clarence was shot by a mugger. This left Clarence in a coma for five years and Aretha decided to move back to Detroit to take care of her father. Clarence Franklin died on July 27, 1984.
In 1980, along with several other musicians such as Ray Charles and James Brown, Aretha Franklin appeared in the hit feature film The Blues Brothers. In 1982, she returned to the R&B top ten charts with her hit album Jump To It, featuring Luther Vandross. It sold more than 600,000 copies and was gold-certified, managing to stay on number one for seven weeks. In 1985, Franklin released an album which featured a unique never before heard element of rock. The album, "Who's Zoomin Who?", and soon went on to receive platinum-certified success. The album also featured a hit song with George Michael called I Know You Were Waiting For Me, and went on to sell more than one million copies. In 1987, Aretha sang the theme song to A Different World, a sitcom created by Bill Cosby, and in 1989, she released a pop album which featured Elton John, James Brown, The Four Tops, Kenny G, and Whitney Houston, called Through The Storm. In 1992, Franklin sang the song Someday We'll All Be Free for the soundtrack to the biopic film Malcolm X (1992). In 1993, Aretha sang at Bill Clinton's inauguration. At a slower rate in the mid-late '90s, she continued to release albums and singles, working with new artists such as BabyFace, Jermaine Dupri, Sean "P Diddy" Combs, and Lauryn Hill along with her label, Arista Records.
In 2003, she had ended the 23 year relationship with Arista and opened her own label, Aretha. Franklin released her first album on the label, A Woman Falling Out Of Love, in 2011. It marked her fifty years in show business.
Aretha Franklin died of advanced pancreatic cancer on August 16, 2018, in Detroit, Michigan. She will be known as one of the most influential singers of all time, and as an activist who spoke of the world through her music, and used music as a tool for truth, justice, and soul.2018 - The Queen of Soul.- Actress
- Writer
- Producer
Annette Joanne Funicello achieved teenage popularity starting in October 1955 after she debuted as a Mouseketeer. Born on October 22, 1942 in Utica, New York, the family had moved to California when she was still young. Walt Disney himself saw her performing the lead role in "Swan Lake" at her ballet school's year-end recital in Burbank and decided to have her audition along with two hundred other children. Annette became the last Mouseketeer of the twenty-four that was picked. By the run-through in 1958 of The Mickey Mouse Club (1955) in which she appeared in her own multi-segmented series entitled "Annette", she had become the most popular Mousketeer of them all and the only one kept under contract by Walt Disney after he canceled the show. Her popularity was such that by the late 1950s, she was simply known as "Annette" -- America's sweetheart and the first "crush" for many a teenage baby boomer. Whenever anyone spoke of Annette, no last name was ever needed as everyone knew who you were talking about.
The popular teenager became synonymous with wholesome entertainment and was borrowed by Danny Thomas in 1959 to play Gina, a foreign exchange student, on The Danny Thomas Show (1953) (aka "The Danny Thomas Show") and also that same year had a recurring role on the Disney television series Zorro (1957). She made her well as other Disney film vehicles for several years, including The Shaggy Dog (1959), Babes in Toyland (1961) and The Monkey's Uncle (1965). During this time, the modest young singer had a couple of hit singles on the "Hot 100" charts, notably, "Tall Paul", and as a result, traveled with Dick Clark's caravan on singing tours around the country. At one point, she and teen idol Paul Anka became an item and he wrote both "Puppy Love" and "Put Your Head On My Shoulder" with her in mind. Their busy careers led to them parting ways.
During the early 1960s, American International Films wanted to use her in a fun-on-the-beach movie. They presented the idea to "Mr. Disney", as Annette always called him and with whom she was still under contract. To everyone's surprise, he gave his consent, with the only condition being that she make sure her navel was completely covered by a one piece bathing suit. The first movie, aptly titled Beach Party (1963) starred Robert Cummings and Dorothy Malone as the older generation who explore the younger set represented by Annette (as "Dee Dee") and her love interest Frankie Avalon (as "Frankie"). The "teenage" couple (actually she was 20 and he 23) proved so popular in this that they were whisked into a number of sand-and-surf romps (Muscle Beach Party (1964), Bikini Beach (1964), Beach Blanket Bingo (1965) and How to Stuff a Wild Bikini (1965)) that showcased the actors engaging in harmless fun while singing and dancing in the sand, and falling into silly slapstick.
After the surfing craze died out in 1965, Annette married Jack Gilardi, Paul Anka's agent, and became the mother of his three children -- Gina, Jack Jr. and Jason. While appearing in a few other movies that did nothing to further her career, including Fireball 500 (1966), Thunder Alley (1967) and Head (1968), she appeared as a guest on shows and, most famously, became the spokesperson for Skippy Peanut Butter in a host of commercials. But she phased out her career in favor of family.
She and Gilardi divorced in 1983. Three years later, she married Glen Holt, a harness racing horse breeder/trainer. Within a year into her second marriage, Annette was diagnosed with multiple sclerosis. She hid her condition for five years before making a formal announcement (in 1992) for fear that her uncontrollable movements might be characterized as drunkenness. She became the most famous spokesperson for the disease. Annette's life was filmed as a television movie with A Dream Is a Wish Your Heart Makes: The Annette Funicello Story (1995) co-starring her good friend, Shelley Fabares. Receiving a star on the Hollywood Walk of Fame in 1993, Annette was eventually wheelchair-ridden and went into complete seclusion.
Following a tragic March 2011 incident in which their Los Angeles house burnt to the ground and both Annette and husband Glen were hospitalized with smoke inhalation, the couple moved to Bakersfield, California. A little more than a year later, and over 25 years after she was diagnosed with this long and painful illness, Annette passed away on April 8, 2013 from complications at age 70. To the present, her foundation continues to raise money to help find cures for this and other debilitating disorders, including Lou Gehrig's disease.2013- Actor
- Producer
- Soundtrack
James Gandolfini was born in Westwood, New Jersey, to Santa (Penna), a high school lunchlady, and James Joseph Gandolfini, Sr., a bricklayer and head school janitor. His parents were both of Italian origin. Gandolfini began acting in the New York theater. His Broadway debut was in the 1992 revival of "A Streetcar Named Desire" with Jessica Lange and Alec Baldwin. James' breakthrough role was his portrayal of Virgil the hitman in Tony Scott's True Romance (1993), but the role that brought him worldwide fame and accolades was as complex Mafia boss Tony Soprano in HBO's smash hit series The Sopranos (1999). He died unexpectedly of a heart attack in 2013 while vacationing in Italy.2013 - Tony Soprano- Actor
- Additional Crew
Danny's childhood dream was to play third base for the Los Angeles Dodgers. After high school, he was drafted by the Kansas City Royals. The Chicago White Sox drafted Danny after college, where he was an All-American at Cal Poly San Luis Obispo. His professional baseball player until an injury ended his career. Many years later, he played a third baseman in the film Bull Durham (1988).
Danny was blessed with a great singing voice and the ability to make people laugh and a rare presence that would manifest itself in his new career. He spent 15 years traveling throughout the United States, working in the industry and perfected his repertoire of impressions. At the same time, he became one of the most sought-after performers in the corporate world, often playing to stadium-sized crowds for major international companies like IBM and McDonald's. Danny was the favorite of the Fortune 500 list. In 1995, he moved to Broadway to perform a well-received one-man show, but later decided to move to Las Vegas to reduce time away from his family, who lived in Los Angeles. He started performing at the Las Vegas Stratosphere Hotel in 1996, then the Rio Hotel and, eventually, The Mirage in 2000 where he became a permanent performer at The Mirage, where the Danny Gans Theatre was built for him. In early 2009, Danny changed venues again, and performed at Encore, which is the sister property to Wynn Las Vegas. The Las Vegas Strip marquee now bearing Danny Gans' image is the largest freestanding marquee in the world. His inaugural album, produced by contemporary Christian music legend Michael Omartian, was cross-marketed in both the pop and Christian music genres, and sold in both mainstream and Christian music outlets, in much the same manner as Amy Grant.
Danny's love of entertaining was only surpassed by the love of his family. Danny died in his sleep in the morning hours of May 1st, 2009. He is survived by his wife, Julie, and three children, Amy, Andrew and Emily.2009 - For many years he was one of the brightest lights to shine in Vegas.- Actor
- Soundtrack
Matthew Garber was a British child actor. Both of his parents were theatrical actors, but neither was particularly famous.
In 1963, Garber came to the attention of actor Roy Dotrice (father of Karen Dotrice) who was seeking potential child actors. Roy recommended Garber to the casting department of the Disney company, where young Garber's "artful dodges, like squinting, screwing up his nose, and brushing his hair back with one hand" were thought likely to make him stand out. He was cast in the film "The Three Lives of Thomasina" (1963), as the character Geordie McNab, a playmate to the Scottish girl Mary MacDhui (played by Karen Dotrice).
Garber next received a bigger role as the character Michael Banks in "Mary Poppins" (1964), one of the two charges of the protagonist nanny. Jane Banks, Michael's sister, was played by Karen Dotrice. The film was the greatest hit of Garber's career and is the role for which he is most remembered.
In 1967, Garber had his third and last film role, as the character Rodney Winthrop in "The Gnome-Mobile". In the film, Rodney and his sister Elizabeth Winthrop (played by Karen Dotrice) are trying to prolong the life of a 943-year-old gnome, who has lost the will to survive.
Following his brief film career, Garber returned to his school studies. He attended first St Paul's Primary School in Winchmore Hill, and then Highgate School in Highgate, North London. He graduated in 1972.
In 1976-1977, Garber was in India and contracted hepatitis. He returned to London in June 1977, seeking better medical treatment. It was too late as the disease had infected his pancreas. He died soon after, the official cause being hemorrhagic necrotizing pancreatitis. He was only 21-years-old. He was single and had no known children.
Garber's remains were cremated at St. Marylebone Crematorium, in East Finchley, London. Both of his parents died within a decade following his death. Fergus Garber, a surviving younger brother of Matthew, was never informed whether there was any memorial erected for his brother. Garber was posthumously named a Disney Legend in 2004.1977 - Michael in Mary Poppins :).- Actor
- Producer
- Director
Amiable and handsome James Garner had obtained success in both films and television, often playing variations of the charming anti-hero/con-man persona he first developed in Maverick, the offbeat western TV series that shot him to stardom in the late 1950s.
James Garner was born James Scott Bumgarner in Norman, Oklahoma, to Mildred Scott (Meek) and Weldon Warren Bumgarner, a carpet layer. He dropped out of high school at 16 to join the Merchant Marines. He worked in a variety of jobs and received 2 Purple Hearts when he was wounded twice during the Korean War. He had his first chance to act when a friend got him a non-speaking role in the Broadway stage play "The Caine Mutiny Court Martial (1954)". Part of his work was to read lines to the lead actors and he began to learn the craft of acting. This play led to small television roles, television commercials and eventually a contract with Warner Brothers. Director David Butler saw something in Garner and gave him all the attention he needed when he appeared in The Girl He Left Behind (1956). After co-starring in a handful of films during 1956-57, Warner Brothers gave Garner a co-starring role in the the western series Maverick (1957). Originally planned to alternate between Bart Maverick (Jack Kelly) and Bret Maverick (Garner), the show quickly turned into the Bret Maverick Show. As Maverick, Garner was cool, good-natured, likable and always ready to use his wits to get him in or out of trouble. The series was highly successful, and Garner continued in it into 1960 when he left the series in a dispute over money.
In the early 1960s Garner returned to films, often playing the same type of character he had played on "Maverick". His successful films included The Thrill of It All (1963), Move Over, Darling (1963), The Great Escape (1963) and The Americanization of Emily (1964). After that, his career wandered and when he appeared in the automobile racing movie Grand Prix (1966), he got the bug to race professionally. Soon, this ambition turned to supporting a racing team, not unlike what Paul Newman would do in later years.
Garner found great success in the western comedy Support Your Local Sheriff! (1969). He tried to repeat his success with a sequel, Support Your Local Gunfighter (1971), but it wasn't up to the standards of the first one. After 11 years off the small screen, Garner returned to television in a role not unlike that in Support Your Local Sheriff! (1969). The show was Nichols (1971) and he played the sheriff who would try to solve all problems with his wits and without gun play. When the show was canceled, Garner took the news by having Nichols shot dead, never to return in a sequel. In 1974 he got the role for which he will probably be best remembered, as wry private eye Jim Rockford in the classic The Rockford Files (1974). This became his second major television hit, with Noah Beery Jr. and Stuart Margolin, and in 1977 he won an Emmy for his portrayal. However, a combination of injuries and the discovery that Universal Pictures' "creative bookkeeping" would not give him any of the huge profits the show generated soon soured him and the show ended in 1980. In the 1980s Garner appeared in few movies, but the ones he did make were darker than the likable Garner of old. These included Tank (1984) and Murphy's Romance (1985). For the latter, he was nominated for both the Academy Award and a Golden Globe. Returning to the western mode, he co-starred with the young Bruce Willis in Sunset (1988), a mythical story of Wyatt Earp, Tom Mix and 1920s Hollywood.
In the 1990s Garner received rave reviews for his role in the acclaimed television movie about corporate greed, Barbarians at the Gate (1993). After that he appeared in the theatrical remake of his old television series, Maverick (1994), opposite Mel Gibson. Most of his appearances after that were in numerous TV movies based upon The Rockford Files (1974). His most recent films were My Fellow Americans (1996) and Space Cowboys (2000) .2014 - Maverick.- Actor
- Director
Bruno Gerussi was born on 7 May 1928 in Medicine Hat, Alberta, Canada. He was an actor and director, known for The Beachcombers (1972), Folio (1955) and Playdate (1961). He was married to Ida Gerussi. He died on 21 November 1995 in Vancouver, British Columbia, Canada.1995 - Nick from The Beachcombers :).- Actress
- Soundtrack
She was truly one mother of a mom...on stage, on film and on TV. A favorite firecracker on 80s and 90s television, tiny character player Estelle Getty became best known for her carping, meddlesome moms -- complete with bemused, cynical looks, irreverent digs and dead-pan Henny Youngman-like one-liners. Blunt and down-to-earth off-stage as she was on-, she scored big points with both the young and the old...and all those who fell in between. The middle-class masses and society's underdogs deemed Estelle one of their own. The star who had a hard time playing the star card also taught an earnest lesson to the millions of actor wannabes that it was never too late to get into the big leagues, pursue your dream and come out a winner. After nearly five decades of stage work, she achieved "overnight" stardom at age 62. Ill health forced her retirement in 2000 after only a decade and a half of celebrity. Yet even something as sinister as Lewy body dementia, a degenerative brain disease, couldn't take away her indomitable spirit and feistiness. The affliction, which slowly clouds then erases the memory banks, should have claimed her a couple of years after its detection, but she proved the doctors wrong and lived nearly eight years from its onset, dying peacefully in her Hollywood home on July 22, 2008.
Getty was born Estelle Scher on July 25, 1923, on the Lower East Side of Manhattan in New York City, the daughter of Sarah (Lacher) and Charles Scher, Polish Jewish immigrants who worked in the glass business. Starry-eyed as a very young child when her father first took her to see a vaudeville show at the New York Academy of Music, Estelle already had a mindset about her future. She almost immediately started taking singing, dancing and acting lessons and, following her graduation from Seward Park High School, she began building up experience in the Yiddish theater. She even attempted the stand-up comedy stage on the Catskills "borscht belt" circuit in upstate New York, but it was a time of rampant sexism and women comics were a rarity and seldom successful. She wasn't. Her young life took an abrupt, post-World War II turn when she married New York businessman Arthur Gettleman at age 24 in December of 1947 (she went on to use a derivative of her married last name for the stage). Not your typical domesticated wife by any stretch of the imagination, Estelle nevertheless raised two children, sons Barry and Carl, and worked as a secretary for various companies.
Determined as ever to be an actress, she found moderate compensation performing in community theatre plays. Adept at playing abrasive, insinuating types, she had an innate gift for comedy and stole many scenes in such light-hearted plays as "Arsenic and Old Lace," "Blithe Spirit," "6 Rms Riv Vu," "Light Up the Sky" and "Lovers and Other Strangers". On the flip side, Estelle demonstrated surprising dramatic stamina in such classics as "All My Sons," "The Glass Menaqerie" and "Death of a Salesman." Following decades of obscurity, it was her connection to the actor/playwright Harvey Fierstein that turned the tide and started the ball rolling. Forging a deep friendship in the late 70s after appearing in small New York theaters together, and after considerable prodding by Estelle, Harvey wrote a part for his diminutive friend in the ground-breaking, autobiographical "Torch Song Trilogy". Playing Harvey's recalcitrant mother, the show eventually made it to Broadway and Estelle's big debut was a resounding success. Winning the Helen Hayes Award for her performance, she played the feisty foil to Fierstein's raspy-voiced drag queen for five years.
While on tour with the play in Los Angeles, Estelle secured an audition for and won the role of viper-tongued Sicilian mama Sophia Petrillo on The Golden Girls (1985). She nearly lost out on the part when it was thought that she appeared too young to play Bea Arthur's mother. In truth, Estelle was 14 months younger than Bea. Given another go-around, and this time donning a grey wig, age makeup and frumpy apparel, Estelle fully convinced the powers-that-be that she WAS Sophia and the rest is history. The role was a breath of fresh air during an era of strong political correctness. A seven-time consecutive Emmy Award nominee for "Best Supporting Actress Award," she took home the trophy in 1988. In both 1991 and 1992 Estelle won the American Comedy Award for "Best Supporting Actress" in a series. The Sophia character was so popular she even went on to play the impish octogenarian in several other shows, including two "Golden Girls" spin-offs -- the short-lived The Golden Palace (1992) and "Empty Nest". Estelle went on to mother other stars on the big screen as well, including Cher in Mask (1985) and Sylvester Stallone in Stop! Or My Mom Will Shoot (1992), in the latter of which she received second billing. The one maternal film role she wanted more than anything did not come her way. When Torch Song Trilogy (1988) was made into a film, actor Fierstein needed star power surrounding him. Anne Bancroft replaced Estelle in the part and she was heartbroken. The movie itself lost much of its impact in its transition from the stage. At the peak of her TV fame, Estelle wrote a 1988 autobiography entitled "If I Knew Then, What I Know Now... So What?" with Steve Delsohn.
The diminutive dynamo (4'10") with a big heart was an outspoken activist for gay rights and she regularly involved herself in AIDS causes, part of it propelled by a nephew who was diagnosed and later succumbed to the disease. She also became a spokesperson for Alternative Living for the Aging, a nonprofit organization that locates cooperative housing for senior citizens. In 2000, Getty stopped making public appearances after her health and mind began its slow decline. One of her last sightings was in the L.A. audience of "The Vagina Monologues," which starred "Golden Girls" co-star Rue McClanahan. Misdiagnosed as having both Parkinson's and Alzheimer's diseases, it was later learned she was suffering from advanced dementia. Estelle died of complications from her disease just three days before her 85th birthday. Long-time husband Arthur, who was only 5'3" tall himself, never adjusted to Estelle's meteoric rise and the media attention that had accompanied it. He quietly maintained her parents' glass business far from the Hollywood glitz...in Florida. He died in 2004. Lifetime television hosted a "Golden Girls" reunion, but by this time Estelle was too ill to appear. Shortly after her death on July 22, 2008, and in tribute to Ms. Getty, Lifetime, which shows reruns of "The Golden Girls" almost on a daily basis, announced that it would air ten episodes of the series featuring the "best of Sophia". A simple, unadorned service was conducted, as she would have wanted, and she was interred at Hollywood Forever Memorial Park in Los Angeles.2008 - To the comedy world, she was the mother of all mothers :).- Actor
- Director
- Writer
Born in London, England, John Gielgud trained at Lady Benson's Acting School and RADA, London. Best known for his Shakespearean roles in the theater, he first played Hamlet at the age of 26. He worked under the tutelage of Lilian Bayliss with friend and fellow performer Laurence Olivier and other contemporaries of the National Theatre at the "Old Vic", London. He made his screen debut in 1924. Academy Award Best Supporting Actor, 1981, for Arthur (1981), Academy Award Nomination, 1964, for Becket (1964).2000 - He was one of Britain's master thespians.- Actor
- Music Department
- Soundtrack
Robert Gerard Goulet was born in Lawrence, Massachusetts, to a family of French-Canadian origin. He was the son of Jeanette (Gauthier) and Joseph Georges André Goulet. After hearing his son sing "Lead Kindly Light", in their church hall, his father told him, "I'm proud of you, son". A few weeks later, his father, lying on his death bed, called Robert to his side and told him the Lord had given him a beautiful voice and he must go and sing. His father died when Robert was 13 and he moved to Edmonton, Canada, a year later. Goulet won a singing scholarship to the Royal Conservatory of music in Toronto and, in 1951, made his concert debut at Edmonton in George Frideric Handel's "Messiah". Goulet was also a DJ on Canada's CKUA in Edmonton for two years. In 1960, he landed one of his biggest roles as "Lancelot" in Broadway's "Camelot", opposite Richard Burton and Julie Andrews. He received a Tony award in 1968 for his role in "Happy Time". He and his first wife, Louise Longmore, had one daughter, Nicolette Goulet (aka Nikki). His second wife, actress and singer Carol Lawrence, produced two sons, Christopher and Michael. In 1982, with Glenn Ford giving the bride away, he was married in Las Vegas to Vera Goulet (aka Vera Novak), a Yugoslavian-born writer, photographer and artist. When not living at their home in Las Vegas, they reside on their yacht, "Rogo", in Los Angeles. Goulet has performed at the White House for three presidents, as well as a command performance for Queen Elizabeth II.
On September 30, 2007, he was hospitalized in Las Vegas, where he was diagnosed with Idiopathic Pulmonary Fibrosis, "a rare but rapidly progressive and potentially fatal condition". On October 13, he was transferred to Cedars-Sinai Medical Center in Los Angeles after it was determined that he "would not survive without an emergency lung transplant".
Goulet died on October 30, 2007 at Cedars-Sinai Medical Center, while awaiting a transplant.
He is survived by his wife, Vera Goulet, and three children, sons Christopher and Michael, and daughter Nicolette Goulet, who is the mother of his grandchildren, Jordan Gerard and Solange.2007- Most Canadians would know Bruce Gray as the star of the TV series Traders (Gemini Award), but most Americans would recognize him as the Father of the groom in My Big Fat Greek Wedding. Although he began his acting career on stage in the 60s, he quickly moved into daytime dramas: contracted to Somerset, High Hopes and the Edge of Night in the 70's. A move to Hollywood in the 80s led to guest star roles on hundreds of TV shows, recurring on Murder She Wrote, Medium, Tour of Duty, Falling Skies, How I met your Mother. Bruce gained notoriety in the gay community as "Shickle The Pickle" on Queer As Folk, then for football fans by playing a team owner on Playmakers for ESPN.2017