Holy Cross Culver City, CA
Men and women who have been interred at Holy Cross Cemetery in Culver City, California.
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- Actress
Jean Acker was born in 1893 on a farm in Trenton, NJ, and was named Harriet. Her father was part Cherokee and her mother was Irish, and they had separated when she was young. Jean attended school at St. Mary's Seminary in Springfield, NJ. Her acting career began in vaudeville and stock-company drama before she moved in front of the cameras.
In 1919 she came to California and negotiated a $200-a-week contract with a movie studio based on the strength of her relationship with her lover, the famed star Alla Nazimova. Within a few months she started another relationship with a younger, less established actress, Grace Darmond. In the midst of this love triangle she met the struggling actor Rudolph Valentino at a party, and they became friends. After a two-month courtship, he asked her to marry him and she accepted. On November 6, 1919, they married, and on their wedding night she locked him out. She wept, claiming she made a mistake and later departed to Grace Darmond's apartment. Valentino tried to reconcile with her but to no avail, and the marriage ended in divorce two years later when Valentino was a major star and Acker's star was waning.
Newspapers had a field day when Valentino was charged with bigamy, as he hadn't waited long enough to marry his second wife, talented set and costume designer Natacha Rambova. Acker sued for the legal right to call herself "Mrs. Rudolph Valentino," and Valentino remained angry at her for several years. However, they rekindled their friendship a few months before his death in 1926. She was one of the last people who saw him alive, and she attended his funeral with her mother. Soon after he died, she wrote and published a popular song about him, "We Will Meet at the End of the Trail."
She played bit parts in films, usually uncredited, until the early 1950s. She and her companion Chloe Carter owned a Beverly Hills building where Patricia Neal lived for several years. She died in 1978 at the age of 85. She and her companion Carter are now buried side by side in Holy Cross Cemetery, Los Angeles, California.Plot: Section N, Plot 542- Gypsy Abbott was born on 31 January 1897 in Atlanta, Georgia, USA. She was an actress, known for The Man Who Could Not Lose (1914), Who Pays? (1915) and The Criminal Code (1914). She was married to Henry King. She died on 25 July 1952 in Hollywood, California, USA.Plot: Grotto Section
- Actor
- Soundtrack
Frank Albertson entered the film industry in 1922 as a prop boy, but soon graduated into acting. He was a prolific and reliable character actor who occasionally played the lead in a "B" picture, but was used mainly as a supporting actor in scores of films, often cast as a wisecracking cab driver, a cop or a reporter.Plot: Section P, Lot 284, Grave 4- Dublin-born Sara Allgood started her acting career in her native country with the famed Abbey Theatre. From there she traveled to the English stage, where she played for many years before making her film debut in 1918. Her warm, open Irish face meant that she spent a lot of time playing Irish mothers, landladies, neighborhood gossips and the like, although she is best remembered for playing Mrs. Morgan, the mother of a family of Welsh miners, in How Green Was My Valley (1941), for which she was nominated for an Academy Award for Best Supporting Actress. Her sister Maire O'Neill was an actress in Ireland, and famed Irish poet William Butler Yeats was a family friend.
Sara Allgood died of a heart attack shortly after making her last film, Sierra (1950).Plot: Section D, Lot 249, Grave 6 - Actress
- Writer
- Soundtrack
Ramsay Ames was born on 30 March 1919 in New York City, New York, USA. She was an actress and writer, known for Philo Vance Returns (1947), The Vigilante: Fighting Hero of the West (1947) and Below the Deadline (1946). She was married to Dale Wasserman. She died on 30 March 1998 in Santa Monica, California, USA.Plot: Section K, Lot N, Grave 7- Actor
- Soundtrack
Tod Andrews was born on 9 November 1914 in El Paso, Texas, USA. He was an actor, known for Beneath the Planet of the Apes (1970), Heaven Can Wait (1943) and From Hell It Came (1957). He was married to Karolyn Rainwater, Valerie Veigel, Alice Kirby Hooker, Gloria Eleanor Folland and Isabelle Eilenberger (Christopher Curtis). He died on 7 November 1972 in Beverly Hills, California, USA.- Actor
- Soundtrack
During World War I, Richard Arlen served in the Royal Canadian Flying Corps as a pilot, but he never saw combat. After the war he drifted round and eventually wound up in Los Angeles, where he got a job as a motorcycle messenger at a film laboratory. When he crashed into the gates of Paramount Pictures and suffered a broken leg, the studio provided prompt medical attention. Impressed by his good looks, executives also gave him a contract after he had recovered. Starting as an extra in 1925, Arlen soon rose to credited roles, but the quality of his work left much to be desired. However, he continued in films, and his big break came when William A. Wellman cast him as a pilot in the silent film Wings (1927) with Charles 'Buddy' Rogers and Clara Bow. The story of fighter aces would win the Oscar for Best Picture and Arlen would continue to play the tough, cynical hero throughout his career. Arlen appeared in three more pictures directed by Wellman, Beggars of Life (1928), Ladies of the Mob (1928) and The Man I Love (1929). In "Wings" he had a scene with a young actor named Gary Cooper. In 1929, he again worked with Cooper in the western The Virginian (1929), only this time Cooper was the star and Arlen was the supporting actor. While Arlen moved easily into sound, his career just bumped along. By 1935 he was working in such "B" pictures as Three Live Ghosts (1936). It was in 1935 that he became a freelance actor and his freelance career soon waned. In 1939, he signed with Universal and began working in its action films. In 1941 he moved to the Pine-Thomas unit at Paramount, where he appeared in adventure films. With the war on, most of his earlier films included war scenarios. By the end of the 1940s Arlen was becoming deaf and this seemed to signal the end of his career. However, he had an operation in 1949 that restored his hearing and he went on making a handful of adventures and westerns through the 1950s and working more in the 1960s. He made 15 westerns for producer A.C. Lyles, who worked with the old western stars.
Besides movies, Arlen also appeared on television and in commercials. After leaving the business in the late 1960s, he was coaxed back to the screen for three small roles in films that were released the same year that he died.Plot: T-T57-130- Actor
- Soundtrack
Sicilian-born character actor who appeared in scores of American films, usually as an exuberant and demonstrative Italian. As a teenager in 1902, Armetta stowed away on a boat bound for New York. There he did menial jobs until landing a position as a valet and presser at the Lambs Club, the New York actors' club. One of the members took a liking Armetta and arranged a small role for him in a Broadway show. Armetta followed this with many stage roles both in New York and in stock. In the early Twenties, he moved to California in search of work in movies, of which he'd had a taste while in New York. In Hollywood, Armetta slowly gained a name for himself as a character actor, and by the end of the decade, he had carved a niche for himself as a portrayer of humorous and sympathetic Italian immigrants, a position he maintained into the 1940s. He died of heart failure at 57.Plot: Section D, Lot 295- Actress
- Soundtrack
Mary Astor was born Lucile Vasconcellos Langhanke on May 3, 1906 in Quincy, Illinois to Helen Marie Vasconcellos, an American of Portuguese and Irish ancestry from Illinois, and Otto Ludwig Langhanke, a German immigrant. Mary's parents were very ambitious for her and wanted something better for her than what they had, and knew that if they played their cards right, they could make her famous. Recognizing her beauty, they pushed her into various beauty contests. Luck was with Mary and her parents because one contest came to the attention of Hollywood moguls who signed her when she was 14.
Mary's first movie was a bit part in The Scarecrow (1920). It wasn't much, but it was a start. Throughout 1921-1923 she continued her career with bit or minor roles in a number of motion pictures. In 1924, she landed a plum assignment with a role as Lady Margery Alvaney opposite the great John Barrymore in the film Beau Brummel (1924). This launched her career to stardom, as did a lively affair with Barrymore. However, the affair ended before she could star with him again in the classic Don Juan (1926). By now, Mary was the new cinematic darling, with each film packing the theaters.
By the end of the 1920s, the sound revolution had taken a stronghold on the industry, and Mary was one of those lucky actresses who made the successful transition to "talkies" because of her voice and strong screen presence. Mary's career soared to greater heights. Films such as Red Dust (1932), Convention City (1933), Man of Iron (1935), and The Prisoner of Zenda (1937) kept her star at the top. In 1938, she turned out five feature films that kept her busy and in the spotlight. After that, she churned out films at a lesser rate. In 1941 she won the Best Supporting Actress Oscar for her role as Sandra Kovac in The Great Lie (1941). That same year she appeared in the celebrated film The Maltese Falcon (1941), but her star soon began to fall.
Because of her three divorces, her first husband Kenneth Hawks' death in a plane crash, alcoholism, a suicide attempt, and a persistent heart condition, Mary started to get smaller film roles. She appeared in only five productions throughout the 1950s. Her final fling with the silver screen was as Jewell Mayhew in Hush...Hush, Sweet Charlotte (1964).Although it was her final film, she had appeared in a phenomenal 123 motion pictures in her entire career.
Mary lived out her remaining years confined to the Motion Picture Country Home, where she died of a heart attack on September 25, 1987. She was 81.Plot: N-L523-5. Facing the mausoleum, go 10 rows down the slope to your right. The grave is about 6 feet to the right of the large wide tree.- Actor
- Additional Crew
John T. Bambury was born on 10 July 1891 in Pittsburgh, Pennsylvania, USA. He was an actor, known for The Terror of Tiny Town (1938). He died on 4 November 1960 in Los Angeles County, California, USA.- Joan Banks was born on 30 October 1918 in New York City, New York, USA. She was an actress, known for Cry Danger (1951), Hazel (1961) and Mister Cory (1957). She was married to Allan Raymond Johnson and Frank Lovejoy. She died on 18 January 1998 in Los Angeles, California, USA.
- John Beradino was born on 1 May 1917 in Los Angeles, California, USA. He was an actor and writer, known for General Hospital (1963), Adventures of Superman (1952) and Young Doctors in Love (1982). He was married to Marjorie Ann Binder, Charissa Hughes and Jeanette Nadine Barritt. He died on 19 May 1996 in Los Angeles, California, USA.
- Additional Crew
- Director
- Writer
Russell Birdwell was born on 17 October 1903 in Texas, USA. He was a director and writer, known for Flying Devils (1933), The Girl in the Kremlin (1957) and Masquerade (1929). He was married to Mabel Birdwell. He died on 15 December 1977 in Oxnard, California, USA.Plot: Section D, Lot 215- Actress
- Soundtrack
Although this lovely, light brown-haired leading lady would wind up better known as one of Loretta Young's two elder acting sisters, Sally Blane nevertheless enjoyed a lively albeit modest "B" film career during the late 1920s and 1930s. The resemblance to her "A"-level sister was very strong -- the same graceful, elongated face and fawn-like, wide-set eyes. Unlike her younger sister, however, Sally lacked strong determination and ambition. Although she remained on the second or third Hollywood tier throughout her career, her film output was considerable if mostly routine.
Sally was born Elizabeth Jane Young in Salida, Colorado in 1910 while her mother was en route by train to the family home in Salt Lake City, Utah (the train actually had to make an unscheduled stop so that her mother could give birth). Her parents, Gladys and John, separated when she was five years old and her mother moved her four children to Hollywood where one of Gladys's sisters lived, later running a boarding house. All the children pitched in financially by becoming movie extras. Sally and her younger brother John R. Young (better known as Jack) both appeared uncredited in the silent film Sirens of the Sea (1917) starring Jack Mulhall, in which Sally played a sea nymph. Sally also had an unbilled part in Rudolph Valentino's smoldering classic The Sheik (1921).
Her beauty only heightened as she grew up. Director Wesley Ruggles noticed the teen dancing at the Café Montmartre (now known as Montmartre Lounge) and tested her for his "Collegian" film series. She was cast and soon signed by Paramount, which insisted on the new marquee name of Sally Blane. Around the same time, younger (by three years) sister Loretta (born Gretchen Young) signed with First National Pictures. During their early build-up both Sally and Loretta were dubbed "Wampas Baby Stars of 1929". Throughout this time their mother maintained a firm hand in the girls' personal and professional lives.
One of Sally's first leading roles was in the western Shootin' Irons (1927) and she went on to play a number of prairie flowers opposite Hollywood's top cowboys. She starred opposite Tom Mix in three pictures: Horseman of the Plains (1928), King Cowboy (1928), and Outlawed (1929). Her career peaked early, however, and Sally seemed content to freelance for such Poverty Row studios as Monogram, Excelsior, Chesterfield and Artclass in a variety of genres--crime thrillers, light comedies, mysteries, action adventures. She eventually developed a "nice girl" image.
A two-year lull occurred following the filming of Fox's This Is the Life (1935), and Sally never tried very hard to regain her momentum. Much of this had to do with her meeting of (in 1935) and marriage to (in 1937) director and one-time actor Norman Foster, who had once dated Loretta. Although Sally returned to films in 1937, she was already focused on her marriage and having a family. She and sisters Polly Ann Young and Georgiana Young, however, did make it a family affair at Loretta's insistence when they were given featured roles in Loretta's The Story of Alexander Graham Bell (1939). They all played, of course, Loretta's sisters and this was to be the only time all four girls ever appeared together. One of Sally's last pictures was in the whodunit Charlie Chan at Treasure Island (1939), directed by her husband. During WWII, the family, which now included a son and daughter, lived in Mexico where Foster was directing Spanish-language pictures. She appeared in one of them (La fuga (1944), with Ricardo Montalban). Later the family relocated to Beverly Hills and Sally officially ended her cinematic career with a small part in A Bullet for Joey (1955).
Comfortably retired for many decades, Foster died of cancer in 1976. Sally herself succumbed to the disease more than two decades later, on August 27, 1997. Cancer had claimed sister Polly just months earlier that same year. John R. Young also died in 1997, of undisclosed causes. Loretta would die of ovarian cancer in 2000. Sally was survived by her two children, Robert and Gretchen.Plot: Section W, Tier 19, Space 21 [unmarked]- Roman Bohnen, known as "Bud" to his family and friends was not only an excellent film actor but also a stage actor of note. As a member of the prestigious Group Theatre from 1934-40, he appeared in such classic productions as "Waiting for Lefty", "Golden Boy", "Awake and Sing" and "The Gentle People". He left for Hollywood in the late '30s to pursue a film career mainly as an effort to earn money for his family and ailing wife, Hilda.
In film, he is perhaps best known for his performances as Candy in Of Mice and Men (1939) with Burgess Meredith and Lon Chaney Jr., as Francois Soubirous in The Song of Bernadette (1943), and as Pat Derry in William Wyler's classic The Best Years of Our Lives (1946). The latter role although a small one is beautifully played. It is a rare opportunity to see a full life artfully created in a few short scenes. Take a look in particular at the scene where "Bud" reads the citations awarded to his son, Fred Derry (ably played by Dana Andrews). It is rich with the feeling and pride of a father, helpless to provide for his son (with beautiful support by the great Gladys George as Hortense).
Roman was also an integral member of "The Actor's Laboratory Theatre" in Hollywood. He was stricken with a heart attack while performing on stage for the Lab Theatre and died shortly after at age 47. A rare talent, an underrated actor who left us too soon.Plot: Section D, Lot 180 [unmarked] - Actor
- Soundtrack
Ray Bolger was born Raymond Wallace Bolger on January 10, 1904 in Dorchester, Massachusetts, to Anne C. (Wallace) and James Edward Bolger, both Irish-Americans. Ray began his career in vaudeville. He was half of a team called "Sanford and Bolger" and also did numerous Broadway shows on his own. Like Gene Kelly, he was a song-and-dance man as well as an actor. He was signed to a contract with MGM and his first role was as himself in The Great Ziegfeld (1936). This was soon followed by a role opposite Eleanor Powell in the romantic comedy Rosalie (1937). His first dancing and singing role was in Sweethearts (1938), where he did the "wooden shoes" number with redheaded soprano/actress Jeanette MacDonald. This got him noticed by MGM producers and resulted in his being cast in his most famous role, the Scarecrow in The Wizard of Oz (1939).
Surprisingly, even though the film was a success, Bolger's contract with MGM ended. He went to RKO Radio Pictures to make the romantic comedy Four Jacks and a Jill (1942). After this, Bolger went to Broadway, where he received his greatest satisfaction. In 1953, he turned to television and received his own sitcom, Where's Raymond? (1953), later changed to "The Ray Bolger Show". After his series ended, Bolger guest starred on many television series such as Battlestar Galactica (1978) and Fantasy Island (1977), and had some small roles in movies. In 1985, he co-hosted the documentary film That's Dancing! (1985) with Liza Minnelli. Ray Bolger died of bladder cancer in Los Angeles, California on January 15, 1987, five days after his 83rd birthday.Plot: Mausoleum, Block 35, Crypt F2- Actor
- Director
- Composer
Spanish-born Josep Lluis Moll studied music in Madrid and at the Paris Conservatoire. Having changed his name to Fortunio Bonanova (which, at the time, would have sounded more becoming of a budding musical star), he went on to make his international opera debut as a baritone in 1922. A protégé of the famous Russian bass Feodor Chaliapin Sr., he was hailed as a major talent and launched on a successful tour of Europe and South America in 1923. For most of the 1920's, he was based in Paris, performing and writing plays and short stories.
His first fling with the movies took place in 1922, when he starred in the title role of Don Juan Tenorio (1922), a Spanish production filmed in Barcelona. During the late 20's and early 30's, he ran his own repertory company in South America. Bonanova subsequently moved to the United States, settling down permanently after the outbreak of the Spanish Civil War in 1936. While in the U.S., he divided his time between appearing on stage (including two performances on Broadway) and acting in small supporting roles in Hollywood. His looks and temperament inevitably got him typecast as excitable, or pompous Latin Americans, Spaniards or Italians. He often played aristocratic dons, opera singers, managers or police chiefs, either humorous and serious.
Many of his appearances on screen were all too brief. At his most memorable, he was the exasperated opera coach Signor Matiste, desperately trying not to lose patience with his talentless pupil, the wife of Citizen Kane (1941). He was also effective as down-on-his-luck Sam Galopis, clumsily attempting insurance fraud in Double Indemnity (1944); and as Carmen Trivago, a sad wannabe opera star, who sees his priceless collection of Caruso recordings smashed to pieces by a brutish Mike Hammer, in the process of coercing him to divulge information in Kiss Me Deadly (1955).
Bonanova played a multitude of similar roles until his retirement in the mid-1960's. He died in Woodland Hills, California, in April 1969 at the age of 74.Plot: Section V, Tier 9, Grave 214- Actor
- Producer
- Soundtrack
Charles Boyer studied philosophy before he went to the theater where he gave his debut in 1920. Although he had at first no intentions to pursue a career at the movies (his first movie was Man of the Sea (1920) by Marcel L'Herbier) he used his chance in Hollywood after several filming stations all over Europe. In the beginning of his career his beautiful voice was hidden by the silent movies but in Hollywood he became famous for his whispered declarations of love (like in movies with Greta Garbo, Marlene Dietrich or Ingrid Bergman). In 1934 he married Pat Paterson, his first and (unusual for a star) only wife. He was so faithful to her that he decided to commit suicide two days after her death in 1978.Plot: St. Ann Section, 5, L186- Actor
- Soundtrack
He had the manly good looks and rugged appeal to make it to top stardom in Hollywood and succeeded quite well as a sturdy leading man of standard action on film and TV. Born in Brooklyn on September 13, 1924, Irish-American Scott Brady was christened Gerard Kenneth Tierney (called Jerry) by parents Lawrence and Maria Tierney. His father, chief of New York's aqueduct police force, had always had show business intentions and later did print work after retiring from the force. Both Scott's older and younger brothers, Lawrence Tierney and Edward Tierney went on to become actors as well. Lawrence's promising film noir "bad guy" career was sabotaged by a severe drinking disorder that led to numerous skirmishes with the law. Scott himself faced a narcotics charge in 1957 (charges were dropped, Scott maintained that he was framed) and later (1963) was involved in illegal bookmaking activities. Fortunately, Scott was more cool-headed and wound up avoiding the pitfalls that befell his older brother, making a very lucrative living for himself in Hollywood throughout the 1950s and early 1960s.
Scott grew up in Westchester County and attended Roosevelt and St. Michael's High Schools. Like his older brother Lawrence, Scott he was an all-round athlete in school and earned letters for basketball, football and track and expressed early designs on becoming a football coach or radio announcer. Instead he enlisted before graduating from high school and served as a naval aviation mechanic overseas. During his term of duty he earned a light heavyweight boxing medal. He was discharged in 1946 and decided to head for Los Angeles where his older brother Lawrence was making encouraging strides as an actor. Toiling in menial jobs as a cabbie and day-time laborer, the handsome, blue-eyed looker was noticed having lunch in a café by producer Hal B. Wallis and offered a screen test. The test did not fare well but, not giving up, he enrolled in the Bliss-Hayden drama school under his G.I. Bill, studied acting, and managed to rid himself of his thick Brooklyn accent.
He signed with a minor league studio, Eagle-Lion, and made his debut of sorts in the poverty-row programmer In This Corner (1948) utilizing his boxing skills from his early days in the service. He showed more promise with his second and third films Canon City (1948) and He Walked by Night (1948), the latter as a detective who aids in nabbing psychotic killer Richard Basehart. Scott switched over to higher-grade action stories for Fox and Universal over time. Westerns and crime stories would be his bread-winning genres with The Gal Who Took the West (1949) opposite Yvonne De Carlo and John Russell and Undertow (1949), with Russell again, being prime examples. He frequently switched from hero to heavy during his peak years. In one film he would romance a Jeanne Crain in The Model and the Marriage Broker (1951) or a Mitzi Gaynor in Bloodhounds of Broadway (1952), while in the next beat Shelley Winters to a pulp in Untamed Frontier (1952). A favorite pin-up hunk in his early years, he hit minor cult status as a bad hombre, The Dancin' Kid, in the offbeat western Johnny Guitar (1954). He and the other manly men, however, were somewhat overshadowed in the movie by the Freudian-tinged gunplay between Joan Crawford and Mercedes McCambridge. Other roles had him sturdily handling the action scenes while giving the glance over to such diverting female costars as Barbara Stanwyck, Mala Powers and Anne Bancroft.
Scott would mark the same territory in TV -- westerns and crimers -- finding steadier work on the smaller screen into the 1960s. He starred as the title hero in the western series Shotgun Slade (1959). Stage too was a sporadic source of income with such productions as "The Moon Is Blue", "Detective Story" and "Picnic" under his belt before making his Broadway bow as a slick card sharp opposite Andy Griffith in the short-lived musical "Destry Rides Again" in 1959. He later did the national company of the heavyweight political drama "The Best Man" with his portrayal of a senator.
The seemingly one-time confirmed bachelor decided to settle down after meeting and marrying Mary Tirony in 1967 at age 43. Prior to this he had been linked with such luminous beauties as Gwen Verdon and Dorothy Malone. The couple had two sons. Parts dwindled down in size in later years and he gained considerable weight as he grew older and balder, but he still appeared here-and-there as an occasional character heavy or hard-ass cop in less-important movies such as Doctors' Wives (1971), $ (1971), The Loners (1972) and Wicked, Wicked (1973). Minor TV roles in mini-movies also came his way at a fair pace. Towards the end he was seen in such high-profile big-screen movies as The China Syndrome (1979) and Gremlins (1984). Scott had a collapse in 1981 and was diagnosed with pulmonary fibrosis, a progressive respiratory disease. He later relied on an oxygen tank. He died of the disease four years later and was interred at the Holy Cross Cemetery in Culver City, California.Plot: Mausoleum, Block 156, Crypt B7- Actor
- Producer
- Writer
Keefe Brasselle was born on 7 February 1923 in Elyria, Ohio, USA. He was an actor and producer, known for The Eddie Cantor Story (1953), A Place in the Sun (1951) and If You Don't Stop It... You'll Go Blind!!! (1975). He was married to Arlene DeMarco and Norma Jean Aldrich. He died on 7 July 1981 in Downey, California, USA.Plot: Section R, Tier 29, Grave 168- Producer
- Additional Crew
- Actor
Frederick Brisson was born on 17 March 1912 in Copenhagen, Denmark. He was a producer and actor, known for The Pajama Game (1957), Damn Yankees (1958) and The Velvet Touch (1948). He was married to Arlette Janssens Josephson and Rosalind Russell. He died on 8 October 1984 in New York City, New York, USA.- Actress
- Additional Crew
Born in Buenos Aires, Argentina, on August 31, 1907, Argentina Brunetti began her show business career at the age of three with a walk-on role in the opera "Cavelaria Rusticana," and followed her famous mother Mimi Aguglia's footsteps in the theater, performing supporting roles on stages throughout Europe and South America. In 1937 she was placed under contract to MGM Pictures and began dubbing the voices of Jeanette MacDonald and Norma Shearer into Italian. Next she became a narrator for the Voice of America, interviewing American movie stars for broadcast in Italy. At the same time she began her movie career, debuting in the classic It's a Wonderful Life (1946), as "Mrs. Martini." Throughout her career she also wrote and performed in daily radio shows, became a member of the Hollywood Foreign Press Association--writing numerous articles on Hollywood personalities--authored books, wrote music and acted in over 57 television programs and 68 movies in which she mainly played multi- ethnic roles.Plot: Main Mausoleum, Corridor B-70, Crypt B-2- Actor
- Writer
- Additional Crew
Daws Butler spent the greater part of his career as one of the premier voice-over actors in Hollywood- providing the voices for such well- known characters as Yogi Bear, Huckleberry Hound, Quick-Draw McGraw, Snagglepuss, Jinks the cat, Dixie the mouse, Augie Doggie, Peter Potamus, Wally Gator, Hokey Wolf, Super Snooper, Blabber Mouse, Cogswell Cogs, Elroy Jetson and many others. He also provided the voices for such long-running commercial characters as Snap, diminutive companion of Crackle and Pop of noisy cereal fame, as well as Cap'n Crunch, spokesman for a somewhat quieter breakfast treat.
Butler was born in Toledo, Ohio and spent his formative years in Oak Park, Illinois. Although his initial ambition was to be a cartoonist, he had a talent for vocal humor and mimicry as well. Paradoxically, he was also quite shy. As a sort of self- imposed therapy, he forced himself to address large audiences by entering local amateur contests and performing impersonations of Franklin D. Roosevelt, Rudy Vallee and a Model T Ford starting on a cold morning (an audience favorite). He found that the laughter and applause he got in response was well worth the effort and it clinched his decision to pursue an acting and performing career. Eschewing the last few months of his senior year in high school, he began appearing in Chicago theaters and nightclubs along with two other impersonators he had met along the way. Because they all maxed out at around five feet, two inches in height and primarily did impressions of radio personalities, they billed themselves as "The Three Short Waves."
After two years in the Navy during World War II, during which he met and married Myrtis Martin of Albemarle, N.C. (whose next-door neighbor provided the inspiration for what would later become the southern drawl of Huckleberry Hound), Butler ferried his wife and son out to Hollywood. He finally broke into radio, performing in dramatic as well as comedy programs and specializing in dialects and a wide range of vocal characterizations.
In 1949, Butler and Stan Freberg were featured in a new television puppet show called "Time for Beany." Butler was the voice of a propeller-capped kid named Beany while Freberg voiced his best pal, Cecil the Seasick Sea Serpent. During five years of five shows a week, they were honored with two Emmy awards.
At Capitol Records in the early 1950s, Butler and Freberg co-wrote and co-voiced a comedy record takeoff on the TV show "Dragnet," called "St. George and the Dragonet." Not only was Jack Webb flattered and amused by the record, but it was the first comedy record to sell more than a million copies. Butler's and Freberg's partnership produced several other comedy platters beloved by disc jockeys across the country, even today. Butler was also a part of Freberg's comedy ensemble on the Stan Freberg Radio Show in the summer of 1957 and on a later and very popular comedy single called "Christmas Dragnet."
After lengthy and very productive collaborations with famed animators/directors Tex Avery and Walter Lantz, Butler embarked on yet another inspired partnership, with William Hanna and Joseph Barbera at Hanna-Barbera Productions. There, beginning in the late 50s, Butler created his most famous cartoon characterizations, aided and abetted by another gifted voice actor, Don Messick-Boo Boo and Ranger Smith to Butler's Yogi Bear and Pixie the Mouse to his Dixie, among others.
For legendary cartoon producer Jay Ward, Butler, along with fellow actors and friends June Foray and Bill Scott, performed in two animated series, "Fractured Fairy Tales" and "Aesop and Son." His long-running Cap'n Crunch character was also a Jay Ward creation.
In his later years, Butler established a popular and respected actors' workshop in his home, training talented students not only in voice- over techniques, but in all areas of acting, including the physical. On that subject, especially, one had only to witness Butler's histrionic physicality when voicing Yogi Bear or his laid- back, sleepy-eyed mien as he became Huckleberry Hound to understand why he considered facial expression and physical movement as essential as sound in producing a living, breathing character. One of Butler's star workshop students was Nancy Cartwright, later the voice of Bart Simpson on "The Simpsons." Daws Butler passed away on May 19, 1988 of a heart attack, having just completed three Yogi Bear films and 15 new half-hour Yogi Bear cartoon shows. He also lived to see the rebirth of The Jetsons for a new generation, voicing 30 of the new shows along with all the members of the original cast. During his longest- standing creative collaboration, the 30-odd years with Hanna-Barbara Productions, Daws Butler performed in the neighborhood of 40 different characters. In the years that followed his death, seven actors were required to replace them all.Plot: Mother of Sorrows, section 515- Actor
- Writer
- Music Department
Candy was one of Canada's greatest and funniest character actors. His well-known role as the big hearted buffoon earned him classics in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career has handed him some dry spells but Candy always rebounded.
Born in Newmarket, Ontario, in the year 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 Candy made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.
After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.
Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted "Saturday Night Live" before landing himself a role in the Ron Howard film Splash (1983), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981) and a number of people have said that Splash (1983) was his breakout role.
He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) where he and Eugene Levy play characters who become security guards.
1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.
Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early nineties. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the 'Oliver Stone' film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.
Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject and in the nineties tried to lose weight and quit smoking. He was aware that heart attacks were in his family: both his father and his grandfather died of heart attacks and Candy wanted to prevent that happening to him as best he could.
In the mid-nineties Candy filmed the Michael Moore comedy Canadian Bacon (1995) then went to Mexico to film the western spoof Wagons East (1994). It was in Mexico that Candy had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.
Candy was loved by thousands of people who loved his classic antics in Splash (1983) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989) and he himself never forgot his Canadian background.Plot: Mausoleum, Room 7, Crypt B1- Actor
- Soundtrack
American film and television actor MacDonald Carey became famous for his role as Dr. Tom Horton on NBC's soap opera Days of Our Lives (1965). For three decades he was the centered cast member of the show.
His film career was from the 1940s-'60s, and he appeared mostly in second-features (aka "B" pictures). He became known in Hollywood as "The King of the B's" (much like Lucille Ball, who was known as the "Queen of Bs"). He occasionally played second leads or supporting parts in "A" pictures, such as his role as a detective investigating suspected serial killer Joseph Cotten in Alfred Hitchcock's thriller Shadow of a Doubt (1943). He also had a successful career on Broadway and on radio.
He was on "Days of Our Lives" from its inception in 1965 until his death in 1994.Plot: Grotto, 19, L196- Additional Crew
- Music Department
- Actor
Choreographer, songwriter, composer and author, educated in public schools, then a vaudevillian in 1927, and a choreographer for film studios and night club acts from 1935. He also staged television shows. He joined ASCAP in 1951, and his chief songwriting collaborators included Sidney Clare, Jule Styne, Dudley Brooks, and Eddie Beal. His popular-song compositions include "Limpy Dimp", "Candy Store Blues", "Chula Chihuahua", "Relax", and "Ginger!".Plot: St. Ann Section, 2, L187- Actor
- Writer
- Additional Crew
Walter Catlett carved out a career for himself playing excitable, officious blowhards, and few actors did it better. A San Francisco native, he started out in vaudeville - with a detour for a while in opera - before breaking into films in the mid-1920s. Two of his best remembered roles were as the stage manager driven to distraction by James Cagney in Yankee Doodle Dandy (1942) and the local constable who throws the entire cast in jail, and winds up there himself, in the classic screwball comedy Bringing Up Baby (1938). He retired after making Beau James (1957), and died of a stroke in 1960.Plot: Section S Tier 49 grave 17- Actor
- Soundtrack
Worried-looking, balding, moustachioed and usually bespectacled small part character actor, prolific during the 1930s and 40s. Hobart Cavanaugh played downtrodden or henpecked little men -- the perennial victim, forever nervous or bewildered -- to absolute perfection. He was most at home as clerks, mailmen, minor officials, undertakers, shopkeepers and bank tellers. However, when called upon, he could be just as convincing as a sneaky or vaguely sinister villain's accomplice.
A former engineering student at the University of California, Cavanaugh began his acting career on the stage, making his debut on Broadway in 1916. He entered films, somewhat inauspiciously, with a forgotten B-picture, which was shot in New York by the independent Gotham Company. It took another five years, until he was signed by First National/Warner Brothers, where he remained under contract until 1936, thereafter free-lancing. His mild-mannered personae remained in constant demand in Hollywood, for he tallied up an impressive 190 screen appearances -- though often uncredited -- right up until his death in 1950.- Actress
- Soundtrack
Marguerite Chapman, a small-town secretary and tomboy nicknamed "Slugger", became a model only after friends insisted "you oughta be in pictures", and she went on to act in more than 30 movies. Never a Hollywood wannabe, Chapman grew up in Chatham, New York, with four brothers. She started working as a typist and switchboard operator in White Plains, New York. Praised repeatedly for her beauty, she became a John Powers model in New York City. After she had appeared on the covers of enough magazines, studios beckoned her to Los Angeles. From 1940 to 1943 she appeared in 18 movies, ranging from Charles Chaplin comedies to armed services booster films as a member of the Warner Bros. singing and dancing Navy Blues Sextet. Chapman was cast as the leading lady in Destroyer (1943) with Edward G. Robinson and Glenn Ford. During World War II she entertained troops, kissed purchasers of large war bonds and appeared in a string of war-themed pictures. By the 1950s, however, she had slipped into supporting roles, notably as the secretary Miss Morris in The Seven Year Itch (1955) with Marilyn Monroe and Tom Ewell. As her film career waned, she made a few appearances on television, and appeared occasionally in small theaters. Her last film, The Amazing Transparent Man (1960), was a low-budget sci-fi quickie shot by cult director Edgar G. Ulmer in a few days on the grounds of the state fair in Texas (she was asked to appear as "Old Rose" Calver in Titanic (1997), but she was too ill at the time, and the role went to Gloria Stuart). She was married and divorced from attorney G. Bentley Ryan and assistant director Richard Bremerkamp. Her acting career is memorialized with a star on the Hollywood Walk of Fame.Plot: Mausoleum, Block 28, Crypt 3- Actress
- Soundtrack
American actress, originally of leading roles, whose career lasted from silent days into the television era. A native of Rhode Island, she attended St. Mary's Seminary in Narragansett, Rhode Island, then, following her mother's death in 1911, came to Los Angeles as a teenager to live with her actress aunt. She got work as an extra and began her career at 15 at Universal, in fairly substantial roles. By her mid-twenties, she was playing leads and second leads, including the role of Abraham Lincoln's lost love, Ann Rutledge, in The Dramatic Life of Abraham Lincoln (1924). But sound pictures found her roles diminishing, and throughout the next three decades she played smaller and smaller parts. She was a favorite of John Ford(they played bridge together), who used her in thirteen films, but rarely in substantial roles. She was also, for a time, the voice of Walt Disney's "Minnie Mouse." She lived long enough to find herself in demand for documentary interviews on the subject of early Hollywood. Married for a time to Beverly Hills real-estate developer James Cornelius, she survived that marriage by more than sixty years. She died in 1998, two and one-half months before her 99th birthday.Plot: Section M, Lot 642
GPS coordinates: 33.9924889, -118.3853989 (hddd.dddd)- Actor
- Writer
- Producer
"B"-picture cowboy star Bill Cody was born William Joseph Cody, Jr., on January 5, 1891, in St. Paul, Minnesota (some sources list his place of birth as Manitoba, Canada). He was no relation to William Frederick "Buffalo Bill" Cody. He was educated at Saint Thomas Military Academy in Minneapolis and later attended St. Johns University in New York. After graduating, he became an actor with the Metropolitan Stock Company, which toured the US and Canada. He wound up in Hollywood in 1922 and got employment as a stuntman, eventually working his way up to bit parts as an actor.
As an actor using the pseudonym "Paul Walters," Cody appeared in two movies for producer'Jesse Goldburg''s Independent Pictures. In 1924, Goldburg decided to star Cody, under his own name, in a series of eight B-Western features, beginning with Dangerous Days (1924). Though he was short, Cody handled himself well in fight scenes, where he usually took on villains bigger than himself. As was typical of the genre, Cody's horse "Chico" was featured as a co-star, though he also rode a horse named "King."
Goldburg dropped Cody after the series, which wound up in 1925. He moved on to producer Pat Powers' Associated Exhibitors to make two films in 1926, then starred in The Arizona Whirlwind (1927) for Myron Selznick, which was released through Pathe Pictures. Possibly influenced by Selznick, who became a talent agent who pioneered the production of motion pictures by their stars, Cody created his own production company, making B-Westerns released by Pathe. Pathe terminated its relationship with Cody in 1928, and he signed with with Universal to star in three detective movies that proved to be his last silent pictures. In 1929, Cody went on tour with the Miller Bros. 101 Ranch Show.
He made the transition to sound, and was back in the saddle in Under Texas Skies (1930) in 1930 for W. Ray Johnston's Syndicate Pictures. He subsequently signed with Monogram and made a series of eight B-westerns co-starring Andy Shuford in the popular Bill and Andy Series. In 1932, Monogram decided to replace Cody and its other western star, Tom Tyler, signing Bob Steele and Rex Bell to take their place.
It was back to touring with his Wild West show, this time with the Bostock Wild Animal Circus. He saddled up again for the silver screen in 1934, making three westerns for Robert Horner's Awyon Pictures, one of the poorest of the Poverty Row studios. His Awyon Picture The Border Menace (1934) has been called "the worst B-Western ever made". After fulfilling his contract, Cody went back on tour as the star of the Downie Bros. Circus.
Bill Cody and his wife Regina had two sons, Bill, Jr. and Frank. Cody signed up with producer Ray Kirkwood to make a series of Westerns in late 1934, and his son, Bill Cody, Jr. co-starred in four of them, beginning with _Frontier Days_ (1934). Bill Cody's last movie for Kirkwood was Outlaws of the Range (1936), which also co-starred Bill, Jr. Spectrum, which released most of his Kirkwood pictures, announced that Bill Cody Sr. and Jr. would star in a series of B-westerns released by Spectrum the 1936-37 season, but it was never made.
He took time out from touring with his Wild West Show to star in one final picture, _Fighting Cowboy, The (1939). Cody's last hurrah on the screen were bit parts as a rancher in John Ford's classic Stagecoach (1939) and as a sheriff in the George O'Brien western The Fighting Gringo (1939). He appeared in the serial The Masked Marvel (1943) and also had an uncredited bit part in Walter Wanger's production Joan of Arc (1948). It is likely that he appeared in bit parts in other movies in the 1940s, but no credits currently exist.
Bill Cody died at Santa Monica, California, Jan. 24, 1948. He was 57 years old.Plot: Section A, Lot 85, Grave 12 [Unmarked]- Actor
- Writer
- Animation Department
Pinto Colvig was the quintessential clown whose own identity was always hidden but whose innate warmhearted character always came through his many talents. His humor tickled the funny bone and touched the heart. Incredibly gifted in music, art and mime, he spoke to different generations in different roles: as a child clown playing a squeaky clarinet, as a full-fledged circus clown under the big top, as a newspaper cartoonist, as a film animator, as a mimic and sound effects wizard, and as the voice of dozens of well-known characters on film, records, radio and television.
Vance DeBar Colvig was born in Jacksonville, Oregon, on September 11, 1892. His school friends nicknamed him after a spotted horse named "Pinto" because of his freckled face - and just like his freckles, the name stuck for his entire life.
Pinto's childhood home was filled with music and laughter, and he was a clown from birth. As the youngest of seven children, he would do anything to get attention. He learned to make people laugh by making faces and playing pranks. He also spent hours mimicking the sounds around him: a rusty gate, farm animals, sneezes, wind, cars, trains, etc. He and his brother Don put on song-and-dance minstrel shows at local functions. Along the way he picked up his instrument of choice, the clarinet, and soon played well enough to join the town band.
It was the clarinet that got Pinto into show business when he was 12. Visiting Portland's "Lewis and Clark Centennial Exposition" with his father William, he was magnetized by "The Crazy House" on the Midway where a huckster attracted the crowd with a bass drum and shouts of "Hubba Hubba!" Pinto told the man he could play "squeaky" clarinet and ran back to the hotel to get his instrument. He was hired on the spot and given some oversized old clothes and a derby and, for the first time, white makeup and a clown face. The man told Pinto, "Now you look like a real bozo" ("bozo" was a name given to hobo or tramp clowns in those days). Pinto's act was to play a screechy clarinet while distorting his face and crossing his eyes at the high notes. He later recalled, "I never was able to get circuses and carnivals out of my blood after that."
He went to school during the winter and worked in the circus and vaudeville in the spring. While studying art at Oregon Agricultural College (now Oregon State University) and playing with the college band, he became known for his clever cartoons in student publications, his funny "chalk talk" performances improvising a monologue while quickly sketching cartoons, and his unconventional lifestyle. He never took his class courses seriously and his college career ended abruptly in the spring of 1913 when he accepted an offer to do his chalk talks for the prestigious Pantages vaudeville circuit and wound up in Seattle, Washington. There he joined a circus band and traveled throughout the country struggling to make ends meet.
In 1914 he landed a job as a newspaper cartoonist at the "Nevada Rockroller" in Reno, and later the "Carson City News" in Carson City. By the spring of 1915 his cartooning was going well but the lure of the circus was too strong. When the Al G. Barnes Circus came through Carson City, Pinto dropped everything and joined the troupe, once again clowning and playing his clarinet in the circus band.
In those days circuses closed down each winter and Pinto returned to newspaper cartooning wherever he could find a job. While working on a Portland newspaper between seasons in 1916, he met and married Margaret Bourke Slavin, putting an end to his vagabond life as a circus performer. With a family to support, Pinto and Margaret moved to San Francisco, where he returned to the newspaper business writing and drawing cartoons full-time at "The Bulletin" and later the "San Francisco Chronicle". His cartoon series, "Life on the Radio Wave," which poked fun at the way the newly introduced radio was influencing people's lives, was syndicated nationally by United Features Syndicate. He greatly enjoyed cartooning and considered it another form of clowning. "A cartoonist," he said, "is just a clown with a pencil."
While Pinto toiled daily to meet newspaper commitments, he began to spend evenings experimenting with the animation of cartoons and eventually set up his own studio, Pinto Cartoon Comedies Co., where he created one of the first animated silent films in color called "Pinto's Prizma Comedy Revue (1919)". In 1922, after realizing that San Francisco was not the place to break into the movie business, he moved his family to Hollywood. There he would be able to continue his animation work and find a wealth of other things that he could do. He was overjoyed one day to get an offer to join Mack Sennett, the reigning king of movie comedies, who had developed one of the most successful studios of the day, the Keystone Film Co., home of the famous Keystone Kops, Charles Chaplin and many others. Sennett needed an experienced animator for his own films, but Pinto soon found himself also writing and acting in comedies and dramas. In 1928 he teamed up with his friend Walter Lantz to create an early talking cartoon, "Bolivar, the Talking Ostrich (1928)", but unlike Walt Disney's Steamboat Willie (1928), it failed to become a hit. Pinto and Lantz, who would later be the voice of Woody Woodpecker, gave up and went to larger studios.
Disney, who was making "Mickey Mouse" and "Silly Symphony" cartoons, signed Pinto to a contract in 1930. Pinto worked on stories, co-wrote songs such as the lyrics to "Who's Afraid of the Big Bad Wolf?" and was the original voice of animated characters such as Goofy and Pluto, Grumpy and Sleepy in Snow White and the Seven Dwarfs (1937) and the Practical Pig in "Three Little Pigs." Disney cartoonists copied many of Pinto's facial expressions while drawing animal characters for the cartoons. He left Disney in 1937 following a fallout with Walt and Disney proceeded to reuse his old voice tracks. Meanwhile, Pinto freelanced voices and sound effects for Warner Bros. cartoons, sang for some of the Munchkins during Dorothy's arrival scenes in MGM's The Wizard of Oz (1939), and also joined Max Fleischer Studios in Miami, where he did the voice of Gabby in Gulliver's Travels (1939) and the blustering of Bluto in "Popeye the Sailor" cartoons. He returned to Disney in 1941 and continued to freelance for them and on radio programs for others. He was the original Maxwell automobile on Jack Benny's show, the hiccuping horse for Dennis Day, and a variety of voices for "Amos 'n Andy." His live radio experience and contacts introduced him to the recording industry. He did several albums before encountering one of his best-known characters, Bozo the Clown.
It was 1946 when Capitol Records in Hollywood hired Alan Livingston as a writer/producer. His initial assignment was to create a children's record library, for which he came up with the soon-to-be-legendary Bozo character. He wrote and produced a popular series of storytelling record-album and illustrative read-along book sets, beginning with the October 1946 release of "Bozo at the Circus." His record-reader concept, which enabled children to read and follow a story in pictures while listening to it, was the first of its kind. The Bozo image was a composite design of Livingston's, derived from a variety of clown pictures and then given to an artist to turn into comic-book-like illustrations. Livingston then hired Pinto to portray the character. "Pinto came in," Livingston recalls, "and turned out to be a very jolly, likable fellow with the kind of warm, folksy voice I wanted. He didn't talk down to children." Not only did Livingston get a perfect Bozo voice in Pinto, he also got most of the animals and odd creatures under the sea and in outer space, all for the price of one. On some of the records, Pinto provided as many as eight other voices. The series turned out to be a smash hit for Capitol, selling over eight million albums in the late 1940s and early 1950s. The character also became a mascot for the record company and was later nicknamed "Bozo the Capitol Clown." Pinto, as Bozo, also starred in the very first Bozo television series, Bozo's Circus (1951) on KTTV-Channel 11 (CBS) in Los Angeles, made numerous guest appearances on radio and personal appearance tours all over the country. He especially enjoyed his visits to children's hospitals and orphanages, according to Pinto, "doin' my silly stuff to make them laugh."
Pinto's Bozo days came to an end by 1956, when Livingston left Capitol and Larry Harmon acquired the rights to Bozo (excluding the record-readers) in 1957. In 1958 Jayark Films Corp. began distributing Bozo limited-animation cartoons to television stations, along with the rights for each to hire its own live Bozo host. Harmon produced and provided the voice of the character in the cartoons. On January 5, 1959, Bozo returned to television with a live half-hour weeknight show on KTLA-Channel 5 in Los Angeles starring Pinto's son, Vance Colvig Jr. as the live Bozo host. Vance's portrayal and the KTLA show lasted for six years, at which time Harmon bought out his partners and continued to market the character through his Larry Harmon Pictures Corporation.
If Pinto had any dark years, they were during World War II. Four of his five sons were of eligible age and his wife felt the dread that millions of mothers felt, which may have complicated an illness that made her a semi-invalid for several years. Pinto took care of her until her death in 1950.
Throughout his life Pinto was upbeat and cheerful, convinced that laughter was the world's best medicine. "Sure, there have been kicks in the pants and occasionally an empty gut," he once said, "but those are the jolts what pushes a guy upward and onward!" His letters, though touching on his philosophy, were never serious but always funny and filled with odd typing effects, extraneous capitalization, underlining, misspellings and strange made-up words. He also lavished his letters and envelopes with outrageous cartoons and balloons filled with gags. He kept regular correspondence with clown legends Felix Adler, Emmett Kelly, Lou Jacobs and Otto Griebling, and visited "clown alley" whenever a circus came to the Los Angeles area.
In 1963 Pinto received a letter from Oregon Senator Maurine Neuberger thanking him for supporting her bill requiring warning labels on cigarette packages. It was a controversial idea at a time when nonsmoking areas were just a dream and America was blue with secondhand smoke. With lungs ravaged by a lifetime of heavy smoking, Pinto did his part to help others become aware of the problem. On October 3, 1967, Vance Debar "Pinto" Colvig died of lung cancer at the age of 75 in Woodland Hills, California.
Vance Jr. donated his and his father's memorabilia to the Southern Oregon Historical Society in Pinto's hometown of Jacksonville in 1978. Vance Jr. passed away in 1991.
In 1993, the Walt Disney Company honored Pinto Colvig as a "Disney Legend." On May 28, 2004, he was inducted into the International Clown Hall of Fame in Milwaukee, Wisconsin.- Writer
- Producer
- Director
Joe Connelly was born on 22 August 1917 in New York City, New York, USA. He was a writer and producer, known for Leave It to Beaver (1957), The Ray Milland Show (1953) and Karen (1964). He was married to Anastasi Pedroncelli and Cathryn Therese Scanlan. He died on 13 February 2003 in Newport Beach, California, USA.- Actor
- Additional Crew
- Director
Jackie Coogan was born into a family of vaudevillians; his father was a dancer and his mother had been a child star. On the stage by age 4, Jackie was touring at age 5 with his family in Los Angeles, California.
While performing on the stage, he was spotted by Charles Chaplin, who then and there planned a film in which he and Jackie would star. To test Jackie, Chaplin first gave him a small part in A Day's Pleasure (1919), which proved that he had a screen presence. The movie that Chaplin planned that day was The Kid (1921), where the Tramp would raise Jackie and then lose him. The movie was very successful and Jackie would play a child in a number of movies and tour with his father on the stage.
By 1923, when he made Daddy (1923), he was one of the highest- paid stars in Hollywood. He would leave First National for MGM where they put him into Long Live the King (1923). By 1927, at age 13, Coogan had grown up on the screen and his career was going through a downturn. His popular film career would end with the classic tales of Tom Sawyer (1930) and Huckleberry Finn (1931).
In 1935, his father died and his mother married Arthur Bernstein, who was his business manager. When he wanted the money that he made as a child star in the 1920s, his mother and stepfather refused his request and Jackie filed suit for the approximately $4 million that he had made. Under California law at the time, he had no rights to the money he made as a child, and he was awarded only $126,000 in 1939. Because of the public uproar, the California Legislature passed the Child Actors Bill, also known as the Coogan Act, which would set up a trust fund for any child actor and protect his earnings.
In 1937, Jackie married Betty Grable; the marriage lasted 3 years. During World War II, he served in the Army; he returned to Hollywood after the war. Unable to restart his career, he worked in B-movies, mostly in bit parts and usually playing the heavy. In the 1950s he started to appear on television, and he acted in as many shows as he could. By the 1960s he would be in two completely different television comedy series.. The first one was McKeever and the Colonel (1962), where he played Sgt. Barnes in a military school from 1962 to 1963. The second series was the classic The Addams Family (1964), where he played Uncle Fester from 1964 to 1966. After that, he continued to make appearances on television shows and a handful of movies. He died of a heart attack in 1984.Plot: F, T56, 47- Writer
- Actor
- Producer
Charles J. Correll was born on 2 February 1890 in Peoria, Illinois, USA. He was a writer and actor, known for Check and Double Check (1930), The Amos 'n Andy Show (1951) and The Big Broadcast of 1936 (1935). He was married to Alyce Mercedes McLaughlin (dancer). He died on 26 September 1972 in Chicago, Illinois, USA.Plot: Saint Ann's Garden- Additional Crew
- Actress
- Soundtrack
Jeannie Coyne was a talented dancer who was a long time assistant of Gene Kelly and appeared in a few of his films. Her biggest role would be to dance with Bobby Van in the "From this moment on" number from Kiss Me Kate (1953). Coyne would later become Kelly's second wife and bear him two children, but unfortunately died in 1973 of leukemia.Plot: Section R Tier 24 grave 93
GPS coordinates: 33.9924088, -118.3888550 (hddd.dddd)- Actor
- Music Department
- Soundtrack
Darby Crash was born on 26 September 1958 in Los Angeles County, California, USA. He was an actor, known for Psycho (1998), 20th Century Women (2016) and Suburbia (1983). He died on 7 December 1980 in Hollywood, California, USA.Plot: Section R (Resurrection) T9 115
GPS coordinates: 33.9922905, -118.3889465 (hddd.dddd)- Cinematographer
- Director
- Camera and Electrical Department
Edward Cronjager was born on 21 March 1904 in New York City, New York, USA. He was a cinematographer and director, known for Heaven Can Wait (1943), Home in Indiana (1944) and Beneath the 12-Mile Reef (1953). He was married to Yvette Bogdadly Bentley, Betty Douglas, Kay Sutton and Muriel Finley. He died on 15 June 1960 in Hollywood, California, USA.Plot: Section U, Tier 10, Grave 18- Music Artist
- Actor
- Producer
Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, the fourth of seven children of Catherine (Harrigan) and Harry Lincoln Crosby, a brewery bookkeeper. He was of English and Irish descent. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s Bing's brother Everett sent a record of Bing singing "I Surrender, Dear" to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in The Big Broadcast (1932), a film featuring radio favorites. His songs about not needing a bundle of money to make life happy was the right message for the decade of the Great Depression. His relaxed, low-key style carried over into the series of "Road" comedies he made with pal Bob Hope. He won the best actor Oscar for playing an easygoing priest in Going My Way (1944). He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (1954). Playing golf was what he liked to do best. He died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium.Plot: Grotto, L-119, space 1- Actor
- Soundtrack
Lindsay Crosby was born on 5 January 1938 in Los Angeles County, California, USA. He was an actor, known for The Mechanic (1972), Bigfoot (1970) and The Glory Stompers (1967). He was married to Suzy Crosby, Janet Sue Schwartze and Barbara Diane Fredrickson. He died on 11 December 1989 in Calabasas, California, USA.Plot: Section F- Actor
- Soundtrack
Phillip Crosby was born on 13 July 1934 in Los Angeles County, California, USA. He was an actor, known for Duffy's Tavern (1945), Robin and the 7 Hoods (1964) and Out of This World (1945). He was married to Peggy Crosby, Georgi Edwards, Mary Joyce Gabbard and Sandra Jo Drummond. He died on 13 January 2004 in Woodland Hills, Los Angeles, California, USA.- Tall, hulking character actor Dick Curtis spent years at Columbia Pictures menacing everyone from cowboy star Charles Starrett to the slapstick team of The Three Stooges. Curtis, unlike many movie villains, showed a genuine flair for comedy--especially physical comedy--in his many appearances in the studio's two-reelers and could do a double-take, a pratfall, take a pie in the face, a finger-poke to the eyes or a crowbar on the top of the head with the best of them. Although much of his career was spent at Columbia, where he specialized in western villains, he can also be seen as one of the crewmen who set out to rescue Fay Wray from the clutches of the giant ape in the original King Kong (1933).
He died in Hollywood of pneumonia in 1952.Plot: Section H, Lot 415 - Actress
- Soundtrack
Adrienne D'Ambricourt was born on 2 June 1878 in Paris, France. She was an actress, known for The Eagle and the Hawk (1933), Paris Underground (1945) and The Cat and the Fiddle (1934). She died on 6 December 1957 in Hollywood, Los Angeles, California, USA.Plot: Section Q, Lot 408, Grave 1 [Unmarked]- Princess Mona Darkfeather was born Josephine M. Workman in the Boyle Heights neighborhood of Los Angeles on 13 January 1882. Her grandparents were William Workman (1799-1876), a native of England, and Nicolasa Urioste (1802-1892), who hailed from the Taos Pueblo of New Mexico. Consequently, though Darkfeather stated in a 1914 film magazine interview that she was descended "from an aristocratic Spanish family," she likely had at least some Indian blood through her grandmother. Her father was José (Joseph) Workman (1833-1901), who worked as a ranch superintendent in Kern County, California, when he married Josephine Belt (1850-1937), a native of Stockton, California, of American and Peruvian ancestry. Josephine was the youngest of their seven children.
The first hint of her involvement in entertainment appears to have been captured in the 1900 federal census, where her profession was given as "whistler." Some have speculated this was a job calling out to passersby to visit a nickelodeon theater. In 1909, however, the year films were first made in Los Angeles, Josephine answered an advertisement calling for a dark-featured woman for acting roles. Quickly, she became a major star in the fledgling film industry in Hollywood with her peak period of activity coming between 1913 and 1915.
Working with film director Frank E. Montgomery (a.k.a., Akley), Princess Mona made dozens of short films as a stereotypical Indian for such companies as Bison, Nestor, Kalem and Centaur and one full-length film for Universal in 1917. Her last film appearance was in 1926. Her husband continued to work in the industry as a cameraman and bit player, the former Princess lived in obscurity for decades.
She lived in the Echo Park neighborhood of Los Angeles until her death on 3 September 1977 when she was 95 years old. She died as a ward of the State of California and her collection of film memorabilia, recalled by relatives, was likely discarded as she had lost contact with her family. Josephine Workman/Princess Mona Darkfeather was buried in an unmarked grave at Holy Cross Cemetery in Culver City, California, but in late 2014 her great-nephew, Doug Neilson, had a grave marker installed to identify this early silent film star.Plot: Section K, Lot 116, Grave 7 - Actress
- Producer
- Soundtrack
Widely popular comedienne appeared in some movies and on radio in the 40s and on early television. She starred in the popular television series, I Married Joan (1952), with Jim Backus as her husband and her real-life daughter, Beverly Wills as her sister.
Joan died of a sudden heart attack in 1961. Two years later, a fire tragically claimed the lives of her mother, daughter and two grandsons.Plot: Mausoleum, Block 46, Crypt D1- Actress
- Writer
- Additional Crew
Virginia Davis was born on December 31, 1918, in Kansas City, Missouri. Her father was a traveling furniture salesman and spent much time away from home. With her husband gone for weeks at a time, Margaret Davis, a housewife, focused all her attention on her daughter; she began taking Virginia to dancing lessons and modeling auditions when she was 2. A striking child with long curls, Virginia was soon appearing in advertisements that played between films in local theaters. She also entered Georgie Brown's Dramatic School in Kansas City, where she studied drama and dance. In the summer of 1923, 22-year-old Walt Disney, a struggling but ambitious director, saw Virginia in an advertisement in a Kansas City theater and immediately decided to hire her. He quickly contacted Margaret Davis, who was eager to advance her Virginia's career. Alice's Wonderland (1923), the first short film of the Alice series, was filmed at the Davis home in Kansas City; both Margaret Davis and Walt Disney made brief appearances (which marked Disney's first live appearance in one of his own cartoons). After filming, Disney returned to Hollywood and began to build his movie empire with only forty dollars and one short film starring little Virginia Davis. The Davis family soon followed Disney to Hollywood, although their daughter's career was not the only reason for the move; Virginia had suffered a pneumonia and other health problems, and her doctor told her parents that she would be healthier in a drier, warmer climate. Virginia signed her first contract with Disney for a salary of $100 a month, and she began filming the Alice shorts in Walt Disney's first studio, his uncle's garage. His brother Roy O. Disney was the cameraman, and the Disney family dog Peggy appeared in many of the films. The Alice shorts became very popular, providing Disney with his first national success. But as the series progressed, Disney became more interested in the animation aspect, which minimized Virginia's live-action role; she only made about thirteen of the Alice shorts before her contract was severed. She later auditioned for the role of voice of Snow White in Disney's film Snow White and the Seven Dwarfs (1937), but she didn't get the role because her mother refused to accept the frugal salary. Virginia had some small roles in full-length films, including The Harvey Girls (1946), before she left acting to earn a degree from the New York School of Interior Design. She later became an editor for the 1950s magazine "Living for Young Homemakers," and in the 1960s, she began working for real estate agents in Connecticut and later California. In 1992, interest was renewed in the Alice series. Living in retirement in Montana, Virginia was suddenly overwhelmed by the number of fans seeking to honor her and the remarkable role she played in the birth of Walt Disney Studios. She was the guest of honor at the Pordonone Silent Film Festival in Italy in 1992, and she was inducted as a Disney Legend in 1998. Virginia also became very active in silent film festivals and events at Disneyland and Walt Disney World.Plot: Mausoleum, Main Floor, East Court, Block 257, Row H, Niche 1- Music Department
- Soundtrack
Bobby Day was born on 1 July 1928 in Fort Worth, Texas, USA. He is known for The Iron Giant (1999), Indiana Jones and the Kingdom of the Crystal Skull (2008) and Stand by Me (1986). He died on 27 July 1990 in Los Angeles, California, USA.Plot: Section F, Tier 7, Grave 53 (NM)- Actor
- Producer
- Soundtrack
Always bright and beaming from ear to ear, Irish singer Dennis Day's name and career remains synonymous with that of Jack Benny's, working with the star comedian on radio and TV for the entire duration. It was Jack who gave him his break in 1939 and Jack who kept him employed as a singer and naive comic sidekick (his "Gee, Mr. Benny!" became a well-known catchphrase on the show). Dennis in fact would play second-banana to the comedian until Benny's death in 1974.
Dennis was christened Owen Patrick McNulty on May 21, 1917 in Bronx, New York, the son of an Ireland-born stationary engineer. The strength and promise of his lilting tenor was first discovered while performing with his glee club at St. Patrick's Cathedral High School. Graduating from Manhattan College, he first had designs on a law career and starting singing in order to earn money for tuition. By himself, he recorded "I Never Knew Heaven Could Speak" and distributed the song out to various radio producers, one of whom presented it to Mary Livingston, Benny's wife. She was so taken that she insisted he be considered for her husband's popular radio show "The Jack Benny Show". When the show's then-tenor Kenny Baker objected to being a featherbrained foil to Benny on the show and gave notice, Dennis auditioned and won a regular spot, and the idea of law school became a thing of the past. Making his debut on the Benny show on October 8, 1939, Dennis' innocent-eyed teenager (he was actually 21 at the time) often drew more laughs than Benny himself in their rapport together. His career was interrupted by World War II when he served with the Navy. He was discharged in 1946.
His cherry-cheeked, wide-eyed charm delighted scores of radio fans and the fame Dennis received from the show drew invitations to other radio programs, and eventually his own radio show "A Day in the Life of Dennis Day" in 1946. Here he played (naturally) a naive soda jerk. But he never left Benny, staying true-blue to the comedian when The Jack Benny Program (1950) transferred to TV and became an institution for a decade and a half. Dennis also showed great flair as a mimic, impersonating a number of illustrious stars such as Ronald Colman, Jimmy Durante and James Stewart on the Benny program. Dubbed "America's Favorite Irish Tenor", The Dennis Day Show (1952) took life just two years after the Benny program went on the air. It enjoyed two seasons on TV before it was canceled.
Dennis also appeared in support of Benny on film. Buck Benny Rides Again (1940), marked Dennis' movie debut and in it he sang "My Kind of Country." Other sporadic filming emphasizing his vocal prowess were for the most part "B"-level musical entertainment. He co-starred with Judy Canova in the cornball comedy Sleepy Lagoon (1943); Anne Shirley in the romantic Music in Manhattan (1944); June Haver and Gloria DeHaven in I'll Get By (1950), in which he sang "McNamara's Band" and "There Will Never Be Another You", and; the Civil War-themed Golden Girl (1951) headlining Mitzi Gaynor as entertainer Lotta Crabtree in which Dennis crooned "Carry Me Back to Old Virginny" and "California Moon." Despite these agreeable outings, he never came close to becoming a musical film star perhaps because he was too identified with his cheery, naive image on radio and TV. Once he finished The Girl Next Door (1953) which again starred Ms. Haver, Dennis was nowhere to be seen on celluloid for at least another two decades. Walt Disney also welcomed Dennis' sunny tenor in his animated features The Legend of Johnny Appleseed (1948), in which Dennis sang the title song, and Melody Time (1948).
Best known for his recording of Irish tunes, including such novelty songs as "Clancy Lowered the Boom", Dennis won over the ladies with his romantic covers of such ballads as "Mam'selle," "Dear Hearts and Gentle People" and "Mona Lisa." Occasionally he was given dramatic work on TV but nothing really came of it, coming off much better as a guest in musical variety shows.
Dennis legally adopted his professional name in 1944 against his family's wishes. The strict Irish-Catholic married Peggy Almquist in 1948 and the couple had ten children (six daughters, four sons). Dennis and his family settled in Los Angeles where he became an honorary mayor of Mandeville Canyon. He and his wife also owned an antique shop in Santa Monica for a time. He continued to perform at conventions and fairs throughout the 1960s and 1970s, and was seen only occasionally in film and TV parts as he refused any work he deemed objectionable. He died at age 72 in Los Angeles from Lou Gehrig's disease.Plot: Section W, Tier 53, Grave 37
GPS coordinates: 33.9933891, -118.3807831 (hddd.dddd)- Although many people are under the impression that Pedro de Cordoba was Mexican, his mother was French and his father was Cuban, and he was born in New York City. De Cordoba's career began in silent films, where he established himself as a solid character actor, and his career carried over into talkies. A tall, somewhat frail-looking man, he often played wealthy, aristocratic Latins, usually (but not always) kind-hearted and benevolent.Plot: Section G, Lot 258, Grave 1
- Producer
- Director
- Actor
Educated at Northwestern University, Frederick De Cordova began his show business career on the stage, and came to Hollywood in the mid-'40s as a dialogue director. He graduated to director in 1945. He spent much of his career at Universal Pictures, where he turned out medium-budget westerns, comedies and musicals. In the mid-'50s he turned his main focus to television, directing and producing The George Burns and Gracie Allen Show (1950), The Jack Benny Program (1950) and December Bride (1954). Although he directed an occasional feature, he was much more successful on TV, and in 1971 became executive producer of the long-running late-night talk show The Tonight Show Starring Johnny Carson (1962).- Actress
- Soundtrack
Eadie Del Rubio was born on 23 August 1921 in Ancon, Panama. She was an actress, known for Bank Robber (1993), Americathon (1979) and The Golden Girls (1985). She died on 16 December 1996 in Torrance, California, USA.Plot: Section M, Lot 422, Grave 2- Actress
- Soundtrack
Elena Del Rubio was born on 23 August 1921 in Ancon, Panama. She was an actress, known for Bank Robber (1993), Americathon (1979) and The Golden Girls (1985). She died on 19 March 2001 in Los Angeles, California, USA.Plot: Section M, L-488
GPS coordinates: 33.9921494, -118.3848267 (hddd.dddd)- Actress
- Soundtrack
Milly Del Rubio was born on 23 August 1921 in Ancon, Panama. She was an actress, known for Bank Robber (1993), Americathon (1979) and The Golden Girls (1985). She died on 21 July 2011 in Studio City, California, USA.Plot: Section M, Lot 422, Grave 3- Jean Del Val was born on 17 November 1891 in Reims, France. He was an actor, known for Funny Face (1957), Fantastic Voyage (1966) and The Secret of St. Ives (1949). He died on 13 March 1975 in Pacific Palisades, California, USA.Plot: (Unmarked)
- Ralph De Palma was born on 19 December 1882 in Troia, Italy. He was an actor, known for Racing for Life (1924), High Speed (1920) and 1914 French Grand Prix (1914). He died on 31 March 1956 in South Pasadena, California, USA.
- Actor
- Director
- Soundtrack
Singer, songwriter ("Oh, My Darlin'"), author and actor, educated at the Detroit Conservatory of Music, and a band vocalist with the orchestras of Glenn Miller, Gene Krupa and Bob Crosby. He performed regularly, even through his final illness, in live venues, and made many records and radio/television and stage appearances throughout his career including roles in the Broadway musicals "Say Darling" and "Funny Girl". Joining ASCAP in 1956, his other popular-song compositions include "How Much Will I Miss You", "Please Don't Forget Me Dear", "I Wonder What Little Dogs Dream Of", "Dancing Man", and "When".Plot: Section F, Tier 44, Grave 30- Actor
- Soundtrack
Stocky, balding American character actor with a rich, deep voice, equally adept at Western bad guys and Shakespeare. He began his career in films in minor roles, primarily as gangland henchmen, and progressed to become widely familiar as a figure in a variety of dramas and occasional comedies. Although a stalwart and reliable supporting player, he was not of a type to essay leading roles in films, but remained a well-respected actor whose face, if not name, is familiar to a generation of film and television viewers.- Producer
- Actor
- Writer
William Dozier was an American TV and movie producer who made it to the top of the TV heap briefly in the mid-1960s with his show Batman (1966). Born on February 13, 1908 in Omaha, Nebraska, Dozier was also known for his wives. After divorcing his first wife, he was married to Oscar-winner Joan Fontaine from 1946 to 1951 and to movie star Ann Rutherford from 1953 to his death on April 23, 1991.
In 1948, he and Fontaine launched Rampart Productions, which produced Max Ophüls' Letter from an Unknown Woman (1948) starring his wife, and You Gotta Stay Happy (1948), which starred Fontaine and James Stewart. He served as executive producer on both pictures.
Turning to TV as the new decade of the Fifties dawned, Dozier produced the series Danger (1950), which ran for five years from 1950-55. In the Fifties and Sixties, he continued his career as a TV producer, bringing to the tube the short-lived TV series Rod Brown of the Rocket Rangers (1953) (1953), The Loner (1965) (1965).
In 1966, he achieved the height of TV success with "Batman" which ran for three seasons and was a cultural sensation. The TV show spun off a Batman: The Movie (1966) feature film. That same year, he also launched , a modest success, and The Tammy Grimes Show (1966), a notorious flop that shot five episodes and was canceled after four.
Dozier retired as a producer after the 1969 movie _The Big Bounce (1969) flopped, though he enjoyed a modest second career as an actor in the Seventies and early Eighties.- Actor
- Soundtrack
Tom Drake was an American actor with a relatively lengthy career. Drake was born in 1918, in Brooklyn, New York. His real name was Alfred Sinclair Alderdice. He was educated at the Iona Preparatory School in New Rochelle, New York, and Mercersburg Academy in Mercersburg, Pennsylvania,
He started his acting career in 1938, with theatrical performances in Broadway, New York City. He appeared in the plays "Run Sheep Run" (1938) and "Clean Beds" (1939), He initially used the stage name "Richard Alden", but later changed his stage name to "Tom Drake".
In the early 1940s, Drake started appearing in theatrical films. Following a number of uncredited parts as an extra, his first film credit was in the film "The Howards of Virginia" (1940), as the character James Howard. The setting of the film was 18th-century Virginia. In the film, the protagonist Matt Howard (played by Cary Grant) is a war orphan. His father was killed in the Braddock Expedition (1755), a failed British campaign during the French and Indian War. The impoverished Howard gains the favor and political patronage of Thomas Jefferson (1743-1826), and uses this connection to acquire land and wealth, and build a new dynasty of plantation owners. But this family is undermined by the class difference and tensions between "new money" Matt and the "old money" heiress which he married.
In 1942, Drake received his first taste of fame by starring in the hit Broadway play "Janie". Afterwards, he was signed to a full contract with the film studio Metro-Goldwyn-Mayer. Drake was 24 years old, but was found ineligible for military service in World War II; his medical exams diagnosed a heart disease.
Drake's most memorable role during the War was the character John Truett in the musical "Meet Me in St. Louis". Truett was the boy next door, who served as the love interest for the character Esther Smith (played by Judy Garland). Following the War, Drake appeared in over 30 films and several television series. He broke out of typecasting in 1959, when playing gang leader Abe McQuown in the Western film "Warlock".
By the early 1970s, Drake's career was in decline. His final film role was the character Dr. Adam Forrest in the horror film "The Spectre of Edgar Allan Poe" (1974), Drake died in 1982, suffering from lung cancer. He was buried at Holy Cross Cemetery in Culver City, California.Plot: Section R, Tier 26, Grave 188- Music Department
- Actor
- Soundtrack
Prolific Academy Award-winning songwriter Al Dubin ("Lullaby of Broadway" [1935]) came to the US in 1893 and was educated at the Perkiomen Seminary in Pennsylvania. He joined the staff of several New York music publishing companies. He enlisted in the US Army in World War I and served in the 77th Infantry Division. After the war he returned to the music business, composing the scores for the Broadway hits "The Streets of Paris" and "Keep Off the Grass". Coming to Hollywood under contract to Warner Brothers, his chief musical collaborator was Harry Warren, but he also worked with Joseph A. Burke, J. Fred Coots, Jimmy McHugh, Sammy Fain, Victor Herbert, James V. Monaco, Mabel Wayne, Joseph Meyer, J. Russel Robinson and Burton Lane. His other popular song compositions include "Tiptoe Through the Tulips", "Twas Only an Irishman's Dream", "Just a Girl that Men Forget", "A Cup of Coffee, a Sandwich and You", "My Dream of the Big Parade", "Painting the Clouds With Sunshine", "The Kiss Waltz", "Dancing With Tears in My Eyes", "For You", "42nd Street", "Shuffle Off to Buffalo", "You're Getting to Be a Habit With Me", "Young and Healthy", "Shadow Waltz", "We're In the Money", "Pettin' in the Park", "Remember My Forgotten Man", "I've Got to Sing a Torch Song", "Keep Young and Beautiful", "Honeymoon Hotel", "Shanghai Lil", "Boulevard of Broken Dreams", "Fair and Warmer", "I'll String Along With You", "Why Do I Dream Those Dreams?", "I Only Have Eyes for You", "Sweet Music", "The Words Are in My Heart", "I'm Going Shopping With You", "About a Quarter to Nine", "She's a Latin from Manhattan", "Go Into Your Dance", "The Little Things You Used to Do", "Lulu's Back in Town", "The Rose in Her Hair", "Where Am I? (Am I in Heaven?)", "Don't Give Up the Ship", "I'd Love to Take Orders from You", "Page Miss Glory", "I'll Sing You a Thousand Love Songs", "With Plenty of Money and You", "All's Fair in Love and War", "Summer Night", "September in the Rain", "Remember Me", "Am I in Love?", "'Cause My Baby Says It's So", "I Know Now", "You Can't Run Away from Love Tonight", "Song of the Marines", "The Latin Quarter", "Day Dreaming", "Garden of the Moon", "Love Is Where You Find It", "The Girl Friend of the Whirling Dervish", "Feudin' and Fightin'", "Indian Summer", "My Dream of the Big Parade", and "Anniversary Waltz".Plot: Section D, Lot 349, Grave 2- Actor
- Music Department
- Soundtrack
First wife Jeanne died in 1943. Wed second wife, Marjorie Little after 16 year courtship when she was 39 and he 67 Marjorie Little had been the hatcheck girl at the Copacabana. Durante and his second wife adopted a baby girl, Cecelia Alicia on Christmas day 1961. Durante doted on "CeCe" until his death.Plot: F, T96, space 6- Actor
- Director
- Writer
Born in Brooklyn, the son of Italian immigrant parents, Vince Edwards early aspired to the theater. He was a swimming champion in high school, attended Ohio State University on an athletic scholarship, and was on their National Championship swimming team. Olympics were on the horizon, but an appendicitis operation cut short his swimming career. He studied at the American Academy of Dramatic Arts, and then became a contract actor at Paramount Pictures in the early 1950s. In the 1960s he reached his popular peak as the brilliant but confrontational young Dr. Casey in the television series Ben Casey (1961)Plot: Section CC, Tier 64, Grave 29- Richard Egan has four daughters and one son with Patricia Hardy, to whom he was married for nearly 30 years before he passed away. He honorably served as an officer in the Army during World War II, teaching Judo and bayonet & knife fighting. Mr. Egan attended the University of San Francisco for undergrad, and Stanford for graduate studies. He also taught at and attended Northwestern. He was well known for his talent as a leading man, as well as helping once struggling, now successful actors in getting their big break.Plot: AA, Tier 38, 139
- Director
- Writer
- Producer
John Farrow wrote short stories and plays during his four-year career in the navy. In the late 1920s he came to Hollywood as a technical advisor for a film about Marines and stayed as a screenwriter, from A Sailor's Sweetheart (1927) through Tarzan Escapes (1936). He married Tarzan's Jane, Maureen O'Sullivan, in 1936. He began directing in 1937 (Men in Exile (1937) and West of Shanghai (1937)). He was injured while serving as a Lieutenant Commander in the Royal Navy in World War II. After that he converted to Catholicism and wrote a biography of Thomas More, a history of the Papacy, a Tahitian/English dictionary and several novels. He collaborated in the writing of several of his films and shared the Academy Award for Around the World in 80 Days (1956).Plot: Section P, Lot 317, Grave 5- British born actress in American films. She made her film debut in 1915 with Dustin Farnum. She appeared in scores of silent films as a character actress, but reached her greatest prominence with the coming of sound. Fitzroy specialized in motherly and society women characters.Plot: [unmarked]
- Actor
- Soundtrack
Although he attended West Point, James Flavin decided on an acting career instead of the military. After touring with several stock and repertory companies, he arrived in Hollywood and broke into films in the early 1930s. A fast-talking, granite-jawed Irishman, Flavin appeared in hundreds of films during his career and was often cast as a big-city homicide detective, street cop, prison guard or Marine sergeant. One of Flavin's closest friends, oddly enough, was legendary cheapo producer Sam Katzman. Flavin was married for more than 40 years to actress Lucile Browne; he died in 1976, and she died two weeks after he did.Plot: Section W Tier 8 Grave 19
GPS coordinates: 33.9926605, -118.3816681 (hddd.dddd)- Actor
- Soundtrack
Born on November 8, 1924, in Youngstown, Ohio and after attending Northwestern University, Flynn began his entertainment career as a ventriloquist and as a radio performer. During World War II, he served in the Army's Special Services Branch (formerly the Morale Branch) entertaining the troops in the United States. After the war, Flynn moved to Hollywood. He made his film debut as Joseph Flynn in the bottom-of-the-barrel, beneath-B-picture potboiler The Big Chase (1954), which co-starred Lon Chaney Jr., which he followed up with a part as a priest in The Seven Little Foys (1955) starring Bob Hope.
Flynn began to achieve success on television in the late 1950s, becoming a regular on The George Gobel Show (1954). This landed him a role on The Joey Bishop Show (1961), but Flynn was dumped after the first season by Bishop for stealing too many scenes. By the time he was booted off, he had developed a reputation as a reliable comic foil.
The termination of his Bishop gig proved fortuitous for he landed the role that made him a television immortal that very next season: Captain Wallace 'Leadbottom' Binghamton on McHale's Navy (1962). The classic sit-com, which co-starred Ernest Borgnine and Tim Conway, ran until 1966 and spawned two theatrical movie releases. It also lead to a co-starring role on the short-lived The Tim Conway Show (1970).
Beginning with his appearance in Walt Disney Co.'s The Love Bug (1969), Flynn appeared in nine other Disney productions: seven theatrical releases and two TV movies, including two movies released after his death. He appeared in five movies with Kurt Russell, including three in which he played Eugene (E.J.) Higgins, the dean of financially-strapped Medfield College: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975).
In the early 1970s, Flynn was one of the leaders of a Screen Actors Guild group that sought a more equitable distribution of TV residual payments. On July 19, 1974, just after completing his voice-over work on the Disney animated movie The Rescuers (1977)," he died of a heart attack in the swimming pool of his Beverly Hills home. Apparently, he had gone into the pool with a cast on his broken leg. His body was found at the pool's bottom, held down by the weight of the cast. He was 49 years old.Plot: Section W, Tier 020, Grave 75- Cinematographer
- Camera and Electrical Department
- Actor
Pioneer cinematographer George Folsey started out in 1914 as an errand boy with the Lasky Feature Play Company in New York. His introduction to camerawork came, when he was asked by cinematographer H. Lyman Broening to assist with post-production (tracking dissolve and fades for intercutting). By the time he was 21, he had worked his way up the ladder to lighting cameraman. During the 1920's, Folsey established a reputation for fluidity of camera movement and for his use of subtle lighting, rather than the harsher contrasts prevalent in silent pictures up to that time. This proved somewhat more flattering to the stars. Indeed, Alice Brady, leading lady in his first motion picture as fully-fledged cinematographer, His Bridal Night (1919), was so impressed by his work that she wished him to shoot all of her future films.
After a sojourn at Associated First National, Folsey joined Paramount under contract to shoot the Rouben Mamoulian melodrama Applause (1929) and followed this with the first outings of the Marx Brothers: The Cocoanuts (1929) and Animal Crackers (1930). He stayed until 1932 and the following year signed with MGM, remaining there until 1959. His collaboration with the director Vincente Minnelli was particularly fruitful and culminated in the lavish Technicolour musical Meet Me in St. Louis (1944). Many of his films in the 40's and 50's stand out for their striking, lush colours, as, for example, the sci-fi classic Forbidden Planet (1956), which owes much of its cult status to the cinematographer. Folsey was a favorite of director Frank Borzage and of star actress Joan Crawford.
George Folsey was nominated for thirteen Oscars, without ever winning a single one. Nonetheless, he did pick up the prestigious 'George Eastman Medal of Honour' in 1957. He was also awarded the Lifetime Achievement Award by the American Society of Cinematographers in March 1988.- Actor
- Director
- Writer
Elder brother of the director John Ford and himself a screen director (and John's erstwhile mentor) until the advent of sound. He had also acted in his own films and those of other directors, but turned to acting exclusively circa 1929. As actor, he would provide convincing portrayals of men of authority - men sometimes ruthless if not downright unsavory. (See him as the Republican judge in his brother John's The Informer (1935).) But he also had an ample feel for light comedy. (See him in John's The Quiet Man (1952), as the village elder who - almost in the manner of slapstick - rouses himself from his very deathbed to witness the film's donnybrook dénouement.)Plot: Section M, Lot 273, Grave 1
GPS coordinates: 33.9922104, -118.3855286 (hddd.dddd)- Director
- Producer
- Actor
John Ford came to Hollywood following one of his brothers, an actor. Asked what brought him to Hollywood, he replied "the train". He became one of the most respected directors in the business, in spite of being known for his westerns, which were not considered "serious" film. He won six Oscars, counting (he always did) the two that he won for his WWII documentary work. He had one wife; a son and daughter; and a grandson, Dan Ford who wrote a biography on his famous grandfather.Plot: M, L304, 5- Actor
- Soundtrack
A stocky, friendly-faced character actor, Ford was born Samuel Jones in England, where the brutality of his childhood rivaled anything that Charles Dickens ever dreamed up. He lived for a while in an orphanage after being separated from his parents. While still young, he was sent to a Toronto branch of the orphanage. There, he began a cycle that involved living in 17 foster homes, the longest being with a farm family that treated him like a slave. At age 11 he ran away and joined a vaudeville troupe called the Winnipeg Kiddies, with whom he stayed until 1914. He then joined a friend named Wallace Ford, and the two 'hoboed" their way into the United States. After the friend was crushed to death by a railroad car, he took the name Wallace Ford in his friend's memory and found work in theatrical troupes and repertory companies. On Broadway he acted in "Abraham Lincoln," "Abie's Irish Rose," and "Bad Girl." He left Broadway in 1932 to appear with Joan Crawford in Possessed (1931); he also landed the lead in MGM's notorious Freaks (1932), although his fellow actors proved more memorable. He also co-starred as Walter Huston's amoral brother in one of the studio's few full-blown gangster melodramas, The Beast of the City (1932), starring Jean Harlow in arguably her most hard-bitten role. In all he appeared in over 200 films, including five directed by John Ford (The Last Hurrah (1958), The Whole Town's Talking (1935), They Were Expendable (1945), The Lost Patrol (1934), and The Informer (1935)). He also appeared with Henry Fonda in the TV series "The Deputy," which ran from 1959 to 1960. Ford died of a heart attack soon after his last memorable role as "Old Pa" in the hit Sidney Poitier drama A Patch of Blue (1965).Plot: Section M, Lot 601, Space 4 [unmarked]- Actress
- Writer
- Director
Victoria Forde was born in New York City on April 21, 1896. The city in which she came into the world was the entertainment capital of the world at that time. Broadway and the fledgling film industry were located there. Victoria gravitated toward that entertainment field. She was just 16 years old when she appeared in her first silent motion picture called Sheridan's Ride (1913) in 1913. Two other that year quickly followed, Pedro's Dilemma (1912) and His Only Son (1912). Although she was a good actress, there were so many competitors for parts, Victoria made relatively few movies. She had met Tom Mix on the set of one of the Westerns the two appeared in. They married in 1918. After filming Western Blood (1918) that same year, Victoria retired from films to a life of domesticity. She died on July 24, 1964, in Beverly Hills, California. She was 68 years old.- Director
- Actor
- Writer
Norman Foster was born on 13 December 1903 in Richmond, Indiana, USA. He was a director and actor, known for The Loretta Young Show (1953), I Cover Chinatown (1936) and Mr. Moto's Last Warning (1938). He was married to Sally Blane and Claudette Colbert. He died on 7 July 1976 in Santa Monica, California, USA.Plot: Section W, Tier 19, Grave 22- Mary Frann was born Mary Frances Luecke on February 27, 1943 in St. Louis, Missouri. She became a child model and acted in television commercials. At the age of eighteen she won the title of America's Junior Miss. She attended Northwestern University where she studied drama. She dropped out of college in 1964 and moved to Chicago. She hosted a morning talk show and acted in local theater. In 1966 she made her film debut in Nashville Rebel (1966), starring Waylon Jennings. Then she moved to Los Angeles to star on My Friend Tony (1969). She became best friends and roommates with actress Joan Van Ark. Mary married T.J. Escott, an actor and talent agent, on August 11, 1973.
She had a starring roles on Days Of Our Lives from 1974-79. She guest-starred in numerous televisions shows including Fantasy Island (1977), The Rockford Files (1974), WKRP in Cincinnati (1978), Hotel (1983), Hawaii Five-O (1968), and The Mary Tyler Moore Show (1970). She and Escott separated in 1982. That same year she beat out two hundred other actresses for the role of Joanna Louden on Newhart (1982). The series was a huge success and made her a popular television star and personality.
Soon after her divorce she fell in love with John E. Cookman Jr., an insurance executive. As Mary got older she became obsessed with her weight. She took diet pills, counted calories, and exercised every day. After eight seasons Newhart (1982) came to an end in 1990. Three years later, she was diagnosed with a heart arrhythmia. She continued to act, making guest appearances on Diagnosis Murder (1993) and Lois & Clark: The New Adventures of Superman (1993). In her spare time she enjoyed gardening, reading, and going to garage sales. Mary and John decided to get married in late 1998. She went on a strict diet so she would be thin on her wedding day.
On September 22, 1998, she attended a charity event for the Los Angeles mission. That night she died in her sleep from a heart attack, aged 55. Her recent diet apparently had put too much pressure on her heart. Her fiancé said, "I wanted to spend the rest of my life with her. She was a wonderful woman." She was buried at Holy Cross Cemetery, Culver City, California.Plot: CC-T 52 #58 - Richard Gallagher is known for Kannibal (2001).
- Production Manager
- Additional Crew
- Sound Department
William E. Garity was born on 2 April 1899 in New York City, New York, USA. He was a production manager, known for Fantasia (1940), Fantasia 2000 (1999) and Firebrand Jordan (1930). He died on 16 September 1971 in Los Angeles, California, USA.- Actress
- Stunts
Born in Montreal, the youngest of 11 children, Pauline Garon spent seven years at one of the most prestigious convent schools in Montreal, le Sacre-Coeur. She wasn't yet 20 when she ran away to New York to become an actress. After some success on Broadway in plays such as "Buddies" and "Sonny," she made her first movie, either as Dorothy Gish's double or in a small part, in Remodeling Her Husband (1920). She got her first important film role the following year as William H. Tooker's daughter-in-law in The Power Within (1921). By 1922, her star was rising steadily: she was Owen Moore's leading lady in Reported Missing (1922) and was the ingenue in Henry King's much-acclaimed adaptation of Sonny (1922). In 1923, she was hailed as Cecil B. DeMille's new discovery, and he cast her in Adam's Rib (1923). She was also a Wampas Baby Star that year.
Until the end of the decade, Pauline Garon was a popular flapper and a second-rank star. She starred in more than 20 films, most of them Povery Row productions. She also played the second female lead in many A movies.
In the 'thirties, after a few leads in French versions of Hollywood films and in comedy shorts, she would get smaller and smaller roles despite her pleasant voice and her perfect "Hollywood English" pronunciation. By 1935, she was only playing bit roles; her last one was in How Green Was My Valley (1941) in which she said only one word: "Divorce."
She died, of a brain disorder, at the Patton State Hospital in 1965.- Actor
Mike Gazella was born on 13 October 1896 in Olyphant, Pennsylvania, USA. He was an actor. He died on 11 September 1978 in Odessa, Texas, USA.- Make-Up Department
- Actor
- Art Department
Stowed away on an American vessel sailing out of the Philippines, a young Charles Gemora arrived in California while the birth of cinema was in full swing. To help earn a little extra cash, he would hang around the Universal entrance offering to sketch portraits. It wasn't long before his natural artistic abilities were noticed and Charles Gemora was working on such films as The Phantom of the Opera (1925) and Noah's Ark (1928) as a sculptor. When Charles began working on creating gorilla suits for film, he realized that with his diminutive stature (5'5") and his commitment to excellence, he could do well to carve himself a niche as a gorilla man. Charles would spend almost 3 decades honing his realistic performance and leading the evolution of suit effects. While early appearances such as Seven Footprints to Satan (1929) were grotesque and horrific, later films like The Monster and the Girl (1941) were distinguished by gorilla suits that were grounded in reality and performances that were informed by much study at the nearby San Diego Zoo. Gemora was equally adept at comedic roles, racking up credits alongside legends like Laurel and Hardy, Zasu Pitts, Charley Chase, Our Gang, the Marx Brothers, Abbott and Costello, and Hope and Crosby. Moving from Universal to Paramount in the early 1930's, Charles Gemora continued to work there in the makeup and effects department up until his death in 1961. Throughout his stay at Paramount, Charles racked up numerous uncredited gorilla suit appearances while working on other films like Gunga Din (1939), Around the World in 80 Days (1956), and The Ten Commandments (1956). Perhaps the most recognizable contribution he made to cinema was the memorable alien menace from The War of the Worlds (1953); the result of a last minute change of plans, Charles and his daughter Diana created the creature in a late night marathon. Gemora made his final gorilla suit film in 1954 with Phantom of the Rue Morgue (1954). A stunt man filled the hairy boots for strenuous action scenes but none could replicate the subtle pantomime skills that were unique to Charles.Plot: Section N, Lot 303, Grave 1- Margaret Gibson is known for Bonnie Prince Charlie (1948).
- Production Manager
- Actor
- Second Unit Director or Assistant Director
Gaston Glass was born on 31 December 1899 in Paris, France. He was a production manager and actor, known for Cameron of the Royal Mounted (1921), The Call of the Klondike (1926) and Behind Closed Doors (1929). He was married to Bo Peep Karlin. He died on 11 November 1965 in Santa Monica, California, USA.Plot: Section D, Lot 14- Actor
- Writer
- Director
James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).Plot: Section D, Sacred Heart 368- Jose Gonzales-Gonzales was born on 7 December 1922 in San Antonio, Texas, USA. He was an actor, known for The Naked Gun 2½: The Smell of Fear (1991), Kronos (1957) and Mermaids of Tiburon (1962). He was married to Ventura Gonzalez-Gonzalez. He died on 15 December 2000 in Los Angeles, California, USA.Plot: Mausoleum, outdoor Garden, Block 275, Crypt E5
- Actor
- Soundtrack
First came to notice as a contestant on Groucho Marx's quiz show, You Bet Your Life (1950). His highly amusing personality won him bit parts in films, and he continued to work as a minor supporting player for years. He is the brother of Jose Gonzales-Gonzales. His most famous role was on John Wayne's movie Rio Bravo (1959).Plot: New Mausoleum, Block 10, Tier F-1- Producer
- Actress
- Director
Daughter of Bernard Granville, Bonita Granville was born into an acting family. It's not surprising that she herself became a child actor, first on the stage and, at the age of 9, debuting in movies in Westward Passage (1932). She was regularly cast as a naughty little girl, as in These Three (1936) where she played Mary, an obnoxious girl spreading lies about her teachers. Her performance left an impression on the audience, and she was nominated for a best supporting actress award. In 1938-39 came the movies she is now best remembered for -- playing the bright and feisty detective/reporter Nancy Drew in the Nancy Drew series. She also appeared with Mickey Rooney in a few Andy Hardy movies. She never really had a movie breakthrough, and after marrying oil millionaire & later producer Jack Wrather, she retired from acting in the middle of the 1950s, although she went on to produce the Lassie (1954) TV series.Plot: Grotto, Lot 196, 12- Actress
- Soundtrack
The creator of 'the Shimmy' was a voluptuous, mischievous-eyed blonde dancer who was born Marianna Michalska in Krakow, Poland. Her parents died tragically and she was eventually adopted from an orphanage and her new parents took her to the U.S. in 1909, where she commenced her career singing in her foster-father's Chicago saloon. She then worked as a cabaret dancer in New York City and, so the story goes, discovered 'shimmying' by 'shaking her chemise' out of sheer nervousness during a performance. Whether or not this is true, she managed to attract the attention of pianist and bandleader Frank Westphal, who introduced her to his wife, vaudeville singer Sophie Tucker (whose suggestion, based on a character she had read about in a 10-cent magazine, prompted her stage-name change from 'May Gray' to the decidedly more glamorous 'Gilda.'
The year in which Gilda performed on stage in "The Gaieties of 1919" also saw her first 'scandalising' larger audiences with her hips and shoulders- undulating 'shimmy' (a follow-up to this was her 'Voodoo Dance' of 1923, The illusion of respectability was maintained by keeping her facial expression passive and innocent. Attempts by moral purists to outlaw the 'shimmy' largely failed; for a time it remained the most popular exhibition dance for café society sophisticates and a 'must-have' requirement in the repertoire of any aspiring show girl.The Roaring Twenties offered a talented, extroverted gal many opportunities, and Gilda soon graduated to the big leagues, appearing in the Ziegfeld Follies of 1922. Her signature dance, being ideally suited to cabaret and the revue stage, guaranteed her a profitable run on the Orpheum Circuit. However, what Gilda really craved was to be a movie actress.
Hollywood in the 1920s regularly recruited from the East Coast Stage. This was especially true of producer Jesse L. Lasky, who had built his company, Famous Players Lasky, on the box-office credo of established theatrical stars. Gilda was signed up in 1923. It soon became clear that her dancing attributes, rather than acting abilities, were to be emphasized. Though her first part was a forgettable bit as a nightclub dancer in Lawful Larceny (1923), Gilda soon found herself climbing the slippery pole of Hollywood stardom as the grass-skirted heroine of Aloma of the South Seas (1926), filmed not in the South Pacific but in the Caribbean. Based on a 1925 hit Broadway play, the picture grossed $3 million in the U.S. alone and became the most successful movie of its year. Gilda was to star again, this time for Samuel Goldwyn, in the exotic role of Takla, The Devil Dancer (1927). Sadly, both of these famous films are now considered lost. However, a survivor of Gilda's work is Piccadilly (1929), directed by Ewald André Dupont, a stylish silent melodrama in which Gilda stars as half of a dancing duo in a London nightclub on Piccadilly Circus. Commented the New York Times: "For a long time she has been docketed as an exponent of 'shimmy,' but in 'Piccadilly' she appears to show that acting is not above her" (July 14, 1929). Nonetheless, it must have been vexing for Gilda that co-star Anna May Wong had gathered the majority of critical plaudits. From then on, Gilda was glimpsed on-screen teaching the hootchie-kootchie to Henceforth, Gilda was glimpsed on-screen teaching the hootchie-kootchie to Jeanette MacDonald in Rose-Marie (1936). She was not seen in films again after that.
Having lost most of her savings in the 1929 stock market crash, Gilda fell on hard times. In 1931 she suffered a heart attack. Her three marriages had all ended in divorce. In 1941 she filed for bankruptcy. She briefly returned to the headlines when she launched a million-dollar lawsuit against Columbia that bizarrely claimed that the Rita Hayworth blockbuster Gilda (1946) was actually based on her life. The suit was dropped in 1954, resulting in what the papers claimed to be a 'substantial settlement.' Gilda entered the public consciousness again in 1953, when her philanthropic efforts to bring 6 Polish youngsters into the U.S. and provide for their education was highlighted by NBC's This Is Your Life (1950).
After a bout of food poisoning, Gilda died in December 1959 at the untimely age of 58. In an interview two years earlier, she had wistfully reflected on the Jazz Age, the time of speakeasies and flappers: "They might roar more today, honey, but we had more fun" (LA Times, December 23, 1959). Gilda has a star on the Walk of Fame on Hollywood Boulevard.Plot: Section S, Tier 46, Grave 67
GPS coordinates: 33.9934807, -118.3872528 (hddd.dd- Actor
- Producer
- Soundtrack
Robert Greig was born on 27 December 1879 in Melbourne, Victoria, Australia. He was an actor and producer, known for Sullivan's Travels (1941), Animal Crackers (1930) and The Lady Eve (1941). He was married to Beatrice Denver Holloway. He died on 27 June 1958 in Los Angeles, California, USA.- Producer
- Director
- Writer
Jack Haley Jr. was born on 25 October 1933 in Los Angeles, California, USA. He was a producer and director, known for Hollywood and the Stars (1963), Life Goes to War: Hollywood and the Home Front (1977) and Movin' with Nancy (1967). He was married to Liza Minnelli. He died on 21 April 2001 in Santa Monica, California, USA.Plot: Grotto area. Buried next to his parents- Actor
- Writer
- Producer
Jack Haley was a movie and vaudeville actor who is always remembered as the Tin Man in The Wizard of Oz (1939). The Tin Man role was originally was going to Buddy Ebsen, but due to allergic reaction from the aluminum powder makeup, Ebsen was taken out of the casting and Haley replaced him. To avoid the same problem arising, they used aluminum paste for Haley instead of the powder. Haley starred in over thirty other movies.Plot: Grotto, L100, 2- Producer
- Music Department
- Director
Joe Hamilton was born on 6 January 1929 in Los Angeles, California, USA. He was a producer and director, known for The Carol Burnett Show (1967), Sills and Burnett at the Met (1976) and Julie and Carol at Lincoln Center (1971). He was married to Lee Troggio, Carol Burnett and Gloria M. Hartley. He died on 9 June 1991 in Los Angeles, California, USA.Plot: Mausoleum, Block 73, Crypt B6- Juanita Hansen's career goes back to at least 1915, and she worked for D.W. Griffith before becoming one of Mack Sennett's "Bathing Beauties." Sennett was so struck by her beauty that he often featured her over the other girls, which caused some friction among them. That could well be the reason she left Sennett in 1918 for Universal, where she began doing straight dramatic roles rather then the slapstick comedy of the Sennett one- and two-reelers. She soon began performing in Universal's serials, and from there she went on to do serials for William Nicholas Selig, Warners and Pathe, among others. Before long her success brought her a contract for $1500 a week - a huge salary in those days - but it also brought her a penchant for fast cars (she was being constantly arrested for speeding), all-night partying and, worst of all, a taste for cocaine, to which she soon became addicted. Her drug use caused Pathe no end of trouble and she had difficulty finishing the studio's 1921 serial The Yellow Arm (1921). When it was finally completed, over schedule and over budget, the company dropped her. After a few small roles in independent films, she found herself unemployable.
She was next heard from in 1928, after apparently cleaning herself up and getting off drugs, when she was hired for a Broadway play. However, an accident in the hotel where she was staying resulted in her being burned with scalding-hot water, and to ease the pain she was given morphine - to which she became almost immediately addicted. Although she received a large settlement from the hotel, much of the money she got went for lawyers and hospital bills, and either drugs or drug cures. She went back and forth between bouts of drug use and sobriety, and by 1934, having apparently cleaned up again, she began lecturing at carnivals and traveling shows on the evils of drug abuse.
Her life took another turn for the worse in 1941, when she attempted suicide by an overdose of sleeping pills. She finally gave up all hopes of resuming her career, took a job as a clerk for a railroad, and died of a heart attack in 1961.Plot: Section U, Tier 4, Grave 44 - Director
- Second Unit Director or Assistant Director
- Art Department
Henry Hathaway, son of a stage actress and manager, started his career as a child actor in westerns directed by Allan Dwan. His movie career was interrupted by World War I. After his discharge he briefly tried a career in finance but returned to Hollywood to work as an assistant director under such directors as Frank Lloyd, Paul Bern, Josef von Sternberg and Victor Fleming, whom Hathaway credited for his eventual success. In 1932 he directed his first picture, Heritage of the Desert (1932), a western. His approach has been described as uncomplicated and straightforward, while at the same time noted for their striking visual effects and unusual locations. He had a reputation as being difficult on actors, but stars such as John Wayne and Marilyn Monroe benefited under his direction. Although Hathaway was a highly successful and reliable director working within the Hollywood studio system, his work has received little attention from critics.Plot: Mausoleum, Block 42, Crypt C1- Actress
- Soundtrack
June Haver was born on June 10, 1926, in Rock Island, Illinois, with the birth name of Beverly June Stovenour. Her parents divorced at an early age and she was adopted by Bert Haver, her stepfather. Her mother and new father moved to Cincinnati, where she appeared on the stage for the first time at the age of six in a local theater production of "Midnight in a Toyshop". Very soon after, June was winning musical contests around the Queen City. By 1936, little June and her mother had returned to the city of her birth, after a film screen test the year before. It was here that she blossomed even further with her singing, appearing on local radio. Later, while touring with various musical bands, June and her mother found their way to sunny California, in the entertainment mecca of Los Angeles. While in high school, she played in various secondary productions.
In 1942, at the age of 16, June joined Fox Studios as a fringe actress. Dropped because the studio thought she was too young, they signed her the following year to appear in The Gang's All Here (1943). It was an uncredited part, but a start in the film world, nonetheless. Unless one looked hard, she would have been easy to miss in the film. Her next one with Fox was in 1944's Home in Indiana (1944). But it was her next film where she was able to showcase her acting talent in Irish Eyes Are Smiling (1944). In 1945, she appeared in Where Do We Go from Here? (1945) with her future husband, Fred MacMurray, who she wed in 1954.
It was the only film the two of them would be in together. In 1946, at the age of 20, June got top billing for the first time in Three Little Girls in Blue (1946). Her only other film that year was Wake Up and Dream (1946). After only one film in 1947, June resurfaced the next year in the utterly forgettable Scudda Hoo! Scudda Hay! (1948). This was one of the starting vehicle's for a rising talent named Marilyn Monroe. In 1949, June was in two productions. They were Look for the Silver Lining (1949) and Oh, You Beautiful Doll (1949). By now, it was obvious that she was being groomed to take over the Fox throne held by Betty Grable. It was not to be, because June was about to leave films, altogether. The filming of 1953's The Girl Next Door (1953) proved to be her last silver screen appearance. She had announced, the year before, that she would become a nun after her contract ran out. True to her word, she entered the convent but only stayed a few months.
It was after she left the convent that she was seen with Fred MacMurray. After they were wed, the couple adopted twin girls. June's last foray into the glare of the camera lights was when she played herself in the television production of The Lucy-Desi Comedy Hour (1957). She died of respiratory failure in Brentwood, California on July 6, 2005.Plot: Mausoleum, Room 7, Crypt D1- Anyone who loves B-movies of the 1950s appreciates this lovely actress Allison Hayes. She was born Mary Jane Hayes on March 6, 1930 in Charleston, West Virginia. The auburn-haired beauty was the 1949 Washington, D.C. entry into the Miss America pageant. Shortly afterwards, Mary Jane adopted the familiar first name of Allison. She got her start on local Washington television before heading to Hollywood in the early 1950s. Allison began her career with Universal Pictures; the studio groomed her, but only on the path of B-movies. In her film debut, Francis Joins the WACS (1954), she was a supporting actress to the speaking mule, which had the title role. She played the devilishly alluring "Livia" in The Undead (1957), and co-starred with B-movie legend Tor Johnson in The Unearthly (1957).
Allison achieved film immortality in Attack of the 50 Foot Woman (1958), in which she tore the roof off the place, and killed rival Yvette Vickers. After that, Allison was a staple in classic B-grade horror films. She was in the exploitation classic The Hypnotic Eye (1960), which had a trailer showing an alleged hypnotist mesmerizing a volunteer as he stuck long needles in her arms (this was some of the typical ballyhoo going on at the time). However, Allison was a versatile actress; she did drama very well, as when she guest-starred on the television series The Untouchables (1959), in the highly-rated episode, The Rusty Heller Story (1960).
Allison had a flair for comedy, which she demonstrated when she appeared in the Dean Martin film, Who's Been Sleeping in My Bed? (1963). Her last film appearance was with "The King", himself, Elvis Presley in Tickle Me (1965), with a hilarious script by the legendary writer Elwood Ullman. However, Allison's health declined steadily throughout the 1960s. Her death on February 27, 1977 was due either to leukemia or lead poisoning (due to doctor-prescribed calcium supplements). Allison Hayes died far too young; her fans will forever remember her legacy in films.Plot: Mother of Sorrows, Lot 618, section N, grave 1
GPS coordinates: 33.9924812, -118.3837433 (hddd.dddd) - Music Department
- Composer
- Soundtrack
Jack Hayes was born on 8 February 1919 in San Francisco, California, USA. He was a composer, known for The Color Purple (1985), Star Trek (2009) and Star Trek II: The Wrath of Khan (1982). He was married to Juanita Daniel Hayes. He died on 24 August 2011 in Coeur d'Alene, Idaho, USA.- Actress
- Producer
- Soundtrack
Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.Plot: Grotto, L196, 6 (right of main sidewalk, near the curb)- One of the most recognizable voices in Los Angeles, Francis Dayle Hearn, better known as "Chick" was the play-by-play voice of the Los Angeles Lakers for from 1960 to 2002. Known for his witty comments during the game and lightning-quick reactions to the play on the court, Hearn was as well-known a personality as some of the past Laker greats including Jerry West, Elgin Baylor, Wilt Chamberlain, Magic Johnson, and Kareem Abdul-Jabbar. Originally from Illinois, Hearn came to Los Angeles in 1956 and did radio and TV work in a variety of sports before getting his gig with the Lakers. He was also the long-time host of "Bowling for Dollars." Hearn has also done the play-by-play for other sports including the 1992 Summer Olympics.Plot: Section F, Tier 64, Grave 42
GPS coordinates: 33.9912300, -118.3874893 (hddd.dddd) - Actress
- Writer
- Soundtrack
Emmaline Henry was born on 1 November 1928 in Philadelphia, Pennsylvania, USA. She was an actress and writer, known for Rosemary's Baby (1968), I Dream of Jeannie (1965) and I'm Dickens, He's Fenster (1962). She was married to Mark Roberts. She died on 8 October 1979 in Palm Springs, California, USA.Plot: Section R, T-26, Grave 98
GPS coordinates: 33.9924507, -118.3884964 (hddd.dddd)- Actor
- Writer
- Director
Former stage actor and playwright - he wrote over 150 plays and vaudeville sketches - Hugh Herbert went, in the early 1930s to Hollywood, as a comedian. In the 1930s he worked mostly for Warner Bros., impersonating often eccentric millionaires, tycoons and dimwitted professors. In a few movies he collaborated on the screenplays, e.g. on "Gold Diggers of 1935" and "Hit Parade of 1941".- Conrad Hilton Jr. was born on 6 July 1926 in Dallas, Texas, USA. He was married to Patricia McClintock and Elizabeth Taylor. He died on 5 February 1969 in Los Angeles, California, USA.