Forest Lawn Glendale Memorial Park
The men and women who are interred at Forest Lawn Glendale Memorial Park in Glendale, California.
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- Actor
- Soundtrack
The tragically brief life of fresh-faced, boyishly handsome Ross Alexander, who seemed to have everything going for him, plays these days like a bad Hollywood movie. Alexander was a charming, highly engaging young actor whose pleasant voice and breezy personality aided greatly in his transition from Broadway teen player to young adult Warner Bros. film actor. His peers would include such Warner stalwarts as Ruby Keeler, Dick Powell and Errol Flynn. Off-camera, however, Ross, a closeted homosexual, became an acutely self-destructive young man whose career instability and domestic tragedy would take its toll. The tormented Ross ended his own life at age 29.
Ross Alexander was born Alexander Ross Smith in Brooklyn, New York, to Maud Adelle (Cohen) and Alexander Ross Smith, a leather merchant. Raised in Rochester, New York, he pursued both drama and athletics in high school (soccer, swimming) and sidelined in little theater productions in town. In between he took his first Broadway bow as a young teen in Blanche Yurka's long-running comedy success "Enter Madame." He eventually moved back to New York City following schooling and began to build up his stage resume in stock companies. On Broadway he showed a modicum of promise in such plays as "The Ladder" (1926) and "Let Us Be Gay" (1929). The latter play introduced Ross to producer John Golden and marked an immoderate two-year association which would include the plays "After Tomorrow" (1930) and "That's Gratitude" (1930). Paramount apparently saw Ross' potential and started him off in pictures with The Wiser Sex (1932), but nothing happened. Continuing on Broadway with "The Stork Is Dead" (1932), "Honeymoon" (1932), "The Party's Over" (1933) and "No Questions Asked" (1934), he was re-noticed for films, this time by Warner Bros.
Warners signed him to appear in its popular backstage Depression-era musicals and collegiate capers. Alexander's fresh look and carefree, slightly cynical demeanor made him an instant favorite and he soon began humming with popular second leads in such musicals as Flirtation Walk (1934). On the dramatic side he was chosen to play Demetrius in the all-star A Midsummer Night's Dream (1935), and in Errol Flynn's Captain Blood (1935) he played Jeremy Pitt, Blood's friend and navigator. Trouble started brewing, however, behind the scenes. Ross was being perceived by Warners as a second-ranked Dick Powell. As the studio began featuring him in Powell's castoffs and other uninspiring B-grade movies, they decided it was too taxing to both groom him for matinée idol status and conceal his homosexuality at the same time.
A probable marriage of convenience to budding starlet Aleta Friele, who appeared on Broadway using the name Aleta Freel, ended disastrously with the 28-year-old actress taking her own life with a rifle in their Hollywood Hills home. The actor was deeply shaken by this tragic event. He tried to cover his tracks yet again, however, by marrying beautiful actress Anne Nagel, whom he met while on the set of Hot Money, (1936),China Clipper (1936) and Here Comes Carter (1936). It didn't help quash his spiraling depression.
Finally Warners lost all patience and interest after having to cover up a potentially career-threatening gay-sex scandal, and Ross' promising career went down the tubes. To add insult to injury, he incurred major debt. On January 2, 1937, less than five months after his marriage to Nagel and shortly after the first anniversary of his first wife's death, Aleta Friele who also committed suicide, Alexander shot himself with a pistol in a barn behind his Encino ranch home. His last movie, the moderately received Ready, Willing and Able (1937) with Ruby Keeler, was released posthumously. Despite the fact he was the co-lead in the film, he was billed fifth, thus emphasizing the point that he had already lost most of his clout.Plot: Sunrise Slope, Lot 292
GPS coordinates: 34.1223907, -118.2474213 (hddd.dddd)- Actor
- Writer
- Additional Crew
Forrest J. Ackerman was born on 24 November 1916 in Los Angeles, California, USA. He was an actor and writer, known for Dead Alive (1992), The Wizard of Speed and Time (1988) and Vampirella (1996). He was married to Mathilde "Wendayne" Wahrman. He died on 4 December 2008 in Los Angeles, California, USA.- Actor
- Stunts
- Location Management
Art Acord was born on 17 April 1890 in Stillwater, Oklahoma, USA. He was an actor, known for Set Free (1927), The Set-Up (1926) and Winners of the West (1921). He was married to Edna Nores, Edythe Sterling and Louise Lorraine. He died on 4 January 1931 in Chihuahua, Chihuahua, Mexico.Plot: Vale of Memory, L-2608- Writer
- Producer
While known mostly for his activities as a film producer, Maurice Buddy Adler attended both Columbia and Pennsylvania universities and wrote fiction short stories for magazines prior to becoming involved in the film industry. In 1936 he joined MGM Pictures as a writer for the regular series of short subjects that were popular at the time. He married actress Anita Louise in 1940 and served with the U.S. Army Signal Corps in World War II, attaining the rank of Lieutenant Colonel. After the war he returned to MGM as a producer for a year and then moved to Columbia Pictures as a producer from 1949 to 1953. There he earned an Academy Award as producer of the Best Picture of the Year for 1953, From Here to Eternity (1953).
He left Columbia Pictures shortly thereafter and joined 20th Century-Fox, where in 1956 he succeeded Darryl F. Zanuck as Head of Production. He remained there until his death in 1960. He was the producer at Fox on a number of very successful films, many of which still enjoy a following today. Among those are Bus Stop (1956), A Hatful of Rain (1957), South Pacific (1958), Heaven Knows, Mr. Allison (1957), The Left Hand of God (1955) and The Inn of the Sixth Happiness (1958).
Sadly both he and his wife died young, he at 51 from lung cancer and Miss Louise at 55 as the result of a stroke.Plot: Garden of Memory- Director
- Actor
- Writer
Entering films as an actor in 1910, John G. Adolfi soon switched careers and became a director. He turned out numerous, mostly low-budget films for minor companies, but every so often got a chance to work at a big studio like Fox. His big break came in the sound era, when he formed a partnership with actor George Arliss and directed several of Arliss' most successful films.Plot: Great Mausoleum, Columbarium of Love, N-6352- Wally Albright was born on 3 September 1925 in Burbank, California, USA. He was an actor, known for Roll Along, Cowboy (1937), Salvation Nell (1931) and Thunder (1929). He died on 7 August 1999 in Sacramento, California, USA.Plot: Garden of Ascension, Lot 7380, Lawn Crypt 3.
- Actor
- Director
- Soundtrack
Robert Alda's career began in vaudeville, as a singer-dancer. Graduating to performing on radio and in burlesque, he made a splashy film debut as George Gershwin in Rhapsody in Blue (1945). His film career faltered somewhat after that, but he had much greater success on the Broadway stage in such productions as "Guys and Dolls" and "What Makes Sammy Run." Settling in Rome in the early 1960s, he appeared in many Italian and European films over the next 15 years. While many of them were quite successful in Europe, few made it to the United States. Alda is the father of actor Alan Alda and Antony Alda.Plot: Garden of Ascension- Robert passed away 11.04.2018. Alexander Robert Graham 05.01.1942 - 11.04.2018
Actor. Late of Glebe.
Son of Bob and Jean Alexander (both deceased), brother of Ann, uncle of Sarah and Matt.
Adored partner (for 54 years) of Barry Blight; esteemed actor; accomplished musician; kind mentor to emerging young actors; cherished colleague; intelligent, generous, witty and convivial host to a multitude of fortunate friends.
Robert passed peacefully away at the Sacred Heart Hospice on Wednesday evening after a lengthy illness. - Actress
- Writer
- Soundtrack
Gracie Allen was born on 26 July 1895 in San Francisco, California, USA. She was an actress and writer, known for A Damsel in Distress (1937), The George Burns and Gracie Allen Show (1950) and The Gracie Allen Murder Case (1939). She was married to George Burns. She died on 27 August 1964 in Hollywood, Los Angeles, California, USA.Plot: Freedom Mausoleum, Sanctuary of Heritage.- Actress
- Soundtrack
Elvia Allman was born on 19 September 1904 in Enochville, North Carolina, USA. She was an actress, known for Breakfast at Tiffany's (1961), The Nutty Professor (1963) and Halloween with the New Addams Family (1977). She was married to Jerome Laveck Bayler, Charles ("C.C.") Pyle and Wesley Benton Tourtellotte. She died on 6 March 1992 in Santa Monica, California, USA.Plot: Great Mausoleum, Columbarium of Sanctity, N-21389- Actor
- Sound Department
- Soundtrack
Wayne Allwine was an American voice actor, sound editor and artist who was well-known for voicing Walt Disney's mascot Mickey Mouse from 1977 until his death from diabetes complications in 2009. He was succeeded by Bret Iwan. He was married to Minnie Mouse voice actress Russi Taylor and had four children. He also did sound editing for Frankenweenie, The Black Cauldron and The Great Mouse Detective.Plot: Court of Freedom, Garden of Freedom, Garden, Lot 6226, Space 1- Lovely Connecticut-born blonde Astrid Allwyn, with her foreign-sounding name and icy countenance, spruced up a number of 1930s and early 1940s films. Of Swedish descent, she studied dancing and dramatics in New York and later gathered experience joining a stock company. Allwyn made her Broadway debut in 1929 in Elmer Rice's "Street Scene" and, on the strength of her second play "Once in a Lifetime," was brought to Hollywood in 1932.
With the help of the Greta Garbo craze, the chic, heart-shaped faced beauty managed to parlayed her placid Scandinavian allure into a film career. She made her debut supporting Constance Bennett in the romantic comedy Lady with a Past (1932) and continued to charm then harm as the "other woman" opposite many of the big male stars of the day -- Humphrey Bogart in Love Affair (1932), Lee Tracy in The Night Mayor (1932), James R. Murray in Bachelor Mother (1932), Lionel Atwill in Beggars in Ermine (1934), Lew Ayres in Servants' Entrance (1934), John Boles in The White Parade (1934), Spencer Tracy in It's a Small World (1935), Herbert Marshall in Accent on Youth (1935), Henry Fonda in Way Down East (1935), Fred MacMurray in Hands Across the Table (1935), Fred Astaire in Follow the Fleet (1936), William Gargan in Flying Hostess (1936), James Dunn in Venus Makes Trouble (1937), Alan Baxter in It Could Happen to You (1937), Preston Foster in The Westland Case (1937), Bruce Cabot in Love Takes Flight (1937), Robert Young in Miracles for Sale (1939) and Richard Dix in Reno (1939).
Rarely placed in the leading lady position, Astrid was given few front-tier assignments aside from Mystery Liner (1934), International Crime (1938) and as the lady reporter opposite John Archer's cop in the crimer City of Missing Girls (1941). She is probably better remembered for her support roles in the Charles Boyer/Irene Dunne tearjerker Love Affair (1939), as the scheming, predatory daughter of Senator Claude Rains who focuses her sights on James Stewart in the Frank Capra classic Mr. Smith Goes to Washington (1939) and as a barfly in No Hands on the Clock (1941).
After filming Hit Parade of 1943 (1943), Astrid made a decision to retire so she could focus on family and raising children. Briefly married to first husband/actor Robert Kent, the couple appeared together in the Shirley Temple vehicle Dimples (1936) and Astrid went on to provide her customary chilly demeanor to little Miss Temple later again in Stowaway (1936). Married a second time in 1941 to businessman Charles O. Fee, a union that lasted until her death, they had two children -- Melinda O. Fee and Vicki Fee, both of whom became actresses. Astrid died of cancer in 1978 at age 72, and was interred at Forest Lawn Glendale, Court of Freedom, #955.Plot: Court of Freedom, L-955 - Actress
- Soundtrack
An attractive actress whose major feature was her cute dimples, Lona Andre played leads in minor films and supporting roles in major films for most of her career. Her four-day marriage to actor Edward Norris must have set some kind of record. After her screen career was over, she became a businesswoman, finding much more success there than she had in films.Plot: Cathedral Slope, L-1313- Ms. Andrews and her sisters, Patty and Maxene, were one of the most successful women's singing groups, with 19 gold records and sales of nearly 100 million copies. The sisters began performing in the early 1930s when the Depression wiped out their father's business. In 1937, the sisters scored their first big hit with 'Bei Mir Bist Du Schoen.' In addition to 'Boogie Woogie Bugle Boy', their best-known songs included 'Don't Sit Under the Apple Tree' and 'Rum and Coca Cola'. The trio officially broke up after the death of Laverne in 1967, and a suitable replacement could not be found.Plot: Great Mausoleum, Columbarium of Memory, niche 20390
- Actress
- Soundtrack
Ms. Andrews and her sisters, Patty and Laverne, were one of the most successful women's singing groups, with 19 gold records and sales of nearly 100 million copies. The sisters began performing in the early 1930's when the Depression wiped out their father's business. In 1937, the trio of sisters scored their first big hit with 'Bei Mir Bist Du Schoen'. In addition to 'Boogie Woogie Bugle Boy, ' their best-known songs included 'Don't Sit Under the Apple Tree' and 'Rum and Coca Cola'. The trio officially broke up after the death of Laverne in 1967, but temporarily interrupted their feud to star in the 1974 Broadway musical "Over Here!". Ms. Andrews began a solo career in 1979. Her album and its title, were released in 1990, 'Maxene: An Andrews Sister'. Her last performance was on Sunday, October 8th, 1995, in the show 'Swing Time Canteen', at New York City's Blue Angel Theater.Plot: Great Mausoleum, Columbarium of Memory, niche 20390- Director
- Second Unit Director or Assistant Director
- Writer
French-born (Paris) George Archainbaud got his start in show business as an actor and stage manager in France. Emigrating to the US in 1915, he got work as an assistant director to fellow French expatriate Emile Chautard at William A. Brady's World Film Co. in Fort Lee, NJ. His directorial debut came in 1917 with As Man Made Her (1917). Archainbaud turned into a prolific director in both films and television, turning out more than 100 features over the next 35 years and numerous TV series episodes.
Although a good amount of his feature-film output was fairly routine, there was some first-rate work scattered among them, such as The Lost Squadron (1932), a gritty and dark tale of a group of former World War I aviators who find work as stunt fliers in war movies. It was a critical and financial success, earning accolades from critics for its exciting flying sequences.
The genre most associated with Archainbaud, however, is westerns. In the 1940s he turned out some fast-paced, exciting westerns, such as The Kansan (1943) and several entries in the Hopalong Cassidy series. When cowboy star Gene Autry went to television to star in his own series, he brought Archainbaud along with him and he became the principal director on the show and other Autry-produced series, such as Buffalo Bill, Jr. (1955), Annie Oakley (1954) and The Adventures of Champion (1955).
He died of a heart attack in Beverly Hills, CA, in 1959.Plot: Court of Freedom, Columbarium of Heavenly Peace- Actor
- Producer
- Additional Crew
American leading man famed as the star of one of the longest-running shows in U.S. television history, Gunsmoke (1955). Born of Norwegian heritage (the family name, Aurness, had formerly been Aursness) in Minneapolis, Minnesota, to Rolf and Ruth Duesler Aurness. His father was a traveling salesman of medical supplies and his mother later became a newspaper columnist. James attended West High School in Minneapolis. Although he appeared in school plays, he had no interest in performing, and dreamed instead of going to sea. After high school, he attended one semester at Beloit College before receiving his draft notice in 1943. He entered the army and trained at Camp Wheeler, Georgia, before shipping out for North Africa. At Casablanca, Arness joined the 3rd Infantry Division in time for the invasion of Anzio. Ten days after the invasion, Arness was severely wounded in the leg and foot by German machine-gun fire. His wounds, which plagued him the rest of his life, resulted in his medical discharge from the army.
While recuperating in a hospital in Clinton, Iowa, Arness was visited by his younger brother Peter (later to gain fame as actor Peter Graves), who suggested he take a radio course at the University of Minnesota. James did so, and a teacher recommended him for a job as an announcer at a Minneapolis radio station. Though seemingly headed for success in radio, he followed a boyhood friend's suggestion and went with the friend to Hollywood to find work as a film extra. Arness studied at the Bliss-Hayden Theatre School under actor Harry Hayden, and while appearing in a play there was spotted by agent Leon Lance. Lance got the actor a role as Loretta Young's brother in The Farmer's Daughter (1947). The director of that film, H.C. Potter, recommended that he drop the "u" from his last name and soon thereafter the actor was officially known as James Arness.
Little work followed this break, and Arness became sort of beach bum, living on the shore at San Onofre and spending his days surfing. He began taking his acting career more seriously when he began to receive fan mail following the release of the Young picture. He appeared in a production of "Candida" at the Pasadena Community Playhouse, and married his leading lady, Virginia Chapman. She pressed him to study acting and to work harder in pursuit of a career, but Arness has been consistent in ascribing his success to luck. He began to act small roles with frequency, often due to his size, and mostly villainous characters. Most notable among these was that of the space alien in The Thing from Another World (1951).
While playing a Greek warrior in a play, Arness was spotted by agent Charles K. Feldman, who represented John Wayne. Feldman introduced Arness to Wayne, who put the self-described 6', 6" actor under personal contract. Arness played several roles over the next few years for and with Wayne, whom he considered a mentor. In 1955, Wayne recommended Arness for the lead role of Matt Dillon in the TV series Gunsmoke (1955). (Contrary to urban legend, Wayne himself was never offered the role.) Arness at first declined, thinking a TV series could derail his growing film career, but Wayne argued for the show, and Arness accepted. His portrayal of stalwart Marshal Dillon became an iconic figure in American television and the series, aired for 20 seasons, is, as of 2008, the longest-running dramatic series in U.S. television history. Arness became world-famous and years later reprized the character in a series of TV movies.
After the surprising cancellation of "Gunsmoke" in 1975, Arness jumped immediately into another successful (though much shorter-lived) Western project, a TV-movie-miniseries-series combination known as "How The West Was Won." A brief modern police drama, McClain's Law (1981), followed, and Arness played his mentor John Wayne's role in Red River (1988), a remake of the Wayne classic.
Following the aforementioned "Gunsmoke" TV movies (the last in 1994, when Arness was 71), Arness basically retired. His marriage to Virginia Chapman ended in divorce in 1960. They had three children, one of whom, Jenny Lee, committed suicide in 1975. Arness subsequently married Janet Surtrees in 1978.Plot: Great Mausoleum, Jasmine Terrace, Sanctuary of Abiding Hope, Crypt 16174- Actor
- Soundtrack
Roscoe Ates was born on 20 January 1895 in Grange, Mississippi, USA. He was an actor, known for Freaks (1932), The Great Lover (1931) and Tumbleweed Trail (1946). He was married to Beatrice Heisser, Barbara Ray and Clara C. Adrian. He died on 1 March 1962 in Hollywood, California, USA.Plot: Great Mausoleum, Columbarium of Consecration, Niche #1882.- Actor
- Music Department
- Soundtrack
Gene Austin was a singer, songwriter ("When My Sugar Walks Down the Street") and author, educated at Baltimore University. He served in the US Army in 1916 with the Mexican Punitive Expedition, then in World War I. He sang in theaters, vaudeville, radio, television and films, and made many recordings. He joined ASCAP in 1925 and his chief musical collaborators include Jimmy McHugh, Roy Bergere and Nathaniel Shilkret. His other popular song compositions include "The Lonesome Road", "How Come You Do Me Like You Do?", "Please Come Back to Me", "Ridin' Around in the Rain", "Whippoorwill, Go Tell My Honey that I Love Her", "Take Your Shoes Off, Baby".Plot: Great Mausoleum, Sanctuary of Sacred Promise, crypt 14180- Marion Aye was born Maryon Eloise Aye on April 5, 1903 in Chicago, Illinois. Her father was a lawyer who moved the family to California. She was discovered by Fatty Arbuckle and started her career at Balboa Studios. When she was fifteen Marion lied about her age to elope with cameraman Sherman Plaskett. Sadly he passed away just a year later. After moving to New York City she worked at Bothwell Browne's Revue and became a Mack Sennett bathing beauty. Marion appeared in more than a dozen films including The Hick, Montana Bill, and The Weak-End Party with Stan Laurel. She also starred in a series of Cactus Westerns with Bob Reeves. In 1921 she made headlines when she became the first star to sign a contract with a morality clause in it. The following year was chosen to be one of the first Wampas baby stars along with Colleen Moore and Lois Wilson.
Her second marriage, to press agent Harry Wilson, ended in 1924. That same year Marion appeared in a successful stage production of White Collars. She seemed destined for stardom but her career never took off. Her last movie role was in the 1930 drama Up The River. Marion continued to work on the stage and the radio. Unfortunately she suffered from depression and in 1935 she attempted suicide. She married actor Robert Forester in 1936. Marion tried to make a comeback in 1951 and auditioned for a role on television. When she didn't get the part she became despondent. On July 10, 1951 she swallowed a large amount of poison in a Culver City motel. She was hospitalized but tragically she died eleven days later at the age of forty-eight. Her husband later told reporters that he never took her threats of suicide seriously. Marion was buried next to her mother at Forest Lawn Memorial Park in Glendale, California.Plot: Meditation L-24 - Actress
- Soundtrack
Tall, regal, sultry, flame-haired (later blonde) Lynn Baggett is better remembered for her turbulent, unhappy private life than for her "B" level acting roles. Born Ruth Baggett in Wichita Falls, Texas, on May 10, 1923, her father, David L., was in the oil business and her mother, the former Ruth Simmons, was a stenographer. While in Dallas following her high school graduation, the pretty teenager was discovered by a Warner Bros. agent and signed. As a girl with no experience, Lynn (sometimes billed as Lynne) was promoted by the studio as a beauty queen and titleholder ("The Cobra Girl," "The Triple A Girl," etc.) while paying her dues in a slew of unbilled sexy starlet bits as chorines, nurses, waitresses, singers and party-girl types. For five long years she toiled obscurely in such WWII-era films as Manpower (1941), Air Force (1943), The Adventures of Mark Twain (1944), Roughly Speaking (1945), Mildred Pierce (1945) and Night and Day (1946).
The studio did little to increase her stature in Hollywood, and she eventually was released from her contract in 1946. After signing with Universal, she finally received her first role of substance in The Time of Their Lives (1946), an above-average Abbott and Costello haunted-house comedy. Following her marriage to the Austro-Hungarian producer Sam Spiegel ("On the Waterfront") in 1948, she acted less frequently, showing up in a few secondary roles, that of a shady lady of mystery in the classic film noir D.O.A. (1949)) probably being her best-remembered one and those in The Flame and the Arrow (1950) and The Mob (1951) being her most prominent.
The Spiegel-Baggett marriage was quite stormy, marred by adultery and nasty fighting, and they separated in 1952. Three years later, she finally received a divorce. With her career now in shambles, Lynn found work as an Arthur Murray dance teacher. In 1954, she was the direct cause of a fatal two-car accident in which a 9-year-old boy, on his way home from a summer camping excursion, was killed. Another young boy in the same car was seriously injured. Overcome by fear and acute anguish, she "blacked out" and was later charged with leaving the scene of an accident and was convicted of felony hit-and-run.
A failed comeback attempt at acting led to severe depression, mental problems and acute substance abuse. She attempted suicide by pills in 1959 before succeeding a year later on March 22, 1960, dying of acute barbiturate intoxication. She had been released from a private sanitarium several weeks earlier. She was interred at Forest Lawn Memorial Park. Never close to showing her true potential, Lynn(e) Baggett became one of Hollywood's sadder statistics.Plot: Graceland, Lot 992- Music Department
- Composer
- Actor
Constantin Bakaleinikoff was born in Moscow in 1896 and studied music at the Moscow Conservatory. Trained as a violoncellist and conductor, he formed a trio with fellow young conservatory graduates and toured Russia, until enlistment in the infantry during World War I forced a temporary stop to his career. Along with his (also musical) brothers Mischa and Vladimir, Constantine fled from Russia during the October Revolution of 1917 and resettled in the United States, after travelling through Asia. Once established in Los Angeles, his talent was soon recognized. Within a year, he conducted the L.A. Philharmonic, and, subsequently, became musical director of several noted theatre orchestras in the area, including the Mayan, the Eqyptian and the Criterion. In 1923, he married the actress Fritzi Ridgeway. His major breakthrough came four years later, in the shape of an appointment to conduct the prestigious new million dollar Grauman's Chinese Theatre in Hollywood.
From 1929, Constantine worked in the film industry as orchestrator and occasional composer, primarily for documentary short subjects. After stints at MGM, Paramount and Columbia, he secured a contract with RKO in 1940. He remained with that studio for the remaining 17 years of its existence, usually billing himself as 'C.Bakaleinikoff'. Almost all of his work was as musical director, and much of it, in conjunction with the prolific composer Roy Webb. He is best remembered for orchestrating None But the Lonely Heart (1944) (which earned him an Oscar nomination) and Alfred Hitchcock's classic spy thriller Notorious (1946). He also worked on many of RKO's seminal Val Lewton horror films, notably Cat People (1942), I Walked with a Zombie (1943) and The Body Snatcher (1945). When not working on the sound stages, Constantine continued to front theatre orchestras, as well as conduct at the Hollywood Bowl.Plot: Ascension, Lot 8436, space 2- Art Baker was born on 7 January 1898 in New York City, New York, USA. He was an actor, known for Spellbound (1945), Impact (1949) and The Farmer's Daughter (1947). He was married to Alice Baker. He died on 26 August 1966 in Los Angeles, California, USA.Plot: Great Mausoleum, Columbarium of Memory
- Actress
- Soundtrack
Suzan Ball, a second cousin of Lucille Ball, was born on March 3, 1934, in Jamestown, New York. She came to Hollywood with her family in 1941. She sang with the Mel Baker Orchestra from 1948-1953. Her first part in Hollywood was as a harem girl in Aladdin and His Lamp (1952) at Monogram. She got an interview with the talent department of Universal-International and signed a contract. In 1952 she was proclaimed "The New Cinderella Girl of 1952". She had a fleeting romance with Scott Brady, who she met on the set of Untamed Frontier (1952), and they planned to marry. She then filmed City Beneath the Sea (1953) and fell for Anthony Quinn, who was still married. Their romance lasted only a year because Quinn was still in love with his wife, Katherine DeMille. Suzan was proclaimed one of the most important "New Stars of 1953" by Hedda Hopper. On her next film, East of Sumatra (1953), she suffered an injury to her right leg during a dance number. Later in 1953, while filming War Arrow (1953), she was told by doctors that her leg had developed tumors. Later that year at home, she slipped on some spilled water and broke her leg. She was rushed to the hospital and operated on to remove the tumors. The operation was not a success and she was told that amputation of her right leg would be necessary. In December of 1953, she became engaged to Richard Long. On January 12, 1954, her leg was amputated. On April 4th, 1954, she was married to Long in Santa Barbara wearing an artificial limb. Some guests in attendance at her wedding were Rock Hudson, Tony Curtis and Janet Leigh, David Janssen and Jeff Chandler. In May 1955 she embarked on a nightclub tour. In July, while rehearsing a scene for an episode of Climax! (1954), she collapsed and was rushed to the hospital. Doctors found that the cancer had spread to her lungs. On August 5th, 1955, Suzan died of cancer, only six months after her 21st birthday. She fought her battle with cancer for 16 months and lost. She was buried at Forest Lawn Cemetary. Her husband Richard was always praised for his love and devotion to Suzan during her long illness.Plot: Eventide, L-2922- Costume Designer
- Costume and Wardrobe Department
Travis Banton was the star costume designer at Paramount during the studio's heyday of glamour and sophistication in the 1930's. During his tenure (1924-38), he created imaginative, often daring designs for stars like Kay Francis, Carole Lombard, Mae West and, most famously, Marlene Dietrich. His best work was done in tandem with the director Josef von Sternberg, cinematographer Lee Garmes and art director Hans Dreier. Collectively, they created a visual style of costume, make-up and scenery, which became known as 'Hollywood baroque'. For Banton, this emphasized the use of sumptuous, figure-hugging, often heavily embellished or reflective fabrics, as well as imparting a sense of kinetic energy through the prodigious use of trailing feathers or veils. He also coached stars like Dietrich on posture and demeanour to compliment 'the look'.
Banton's family had left Texas for New York when he was just two years old. After schooling, he briefly served aboard a submarine during World War I, subsequently resuming studies at Columbia University and the New York School of Fine and Applied Arts. Like his contemporaries Robert Kalloch and Howard Greer, Banton spent his apprenticeship in New York, working for the fashion house of Lucille until 1924, eventually setting up his own couture label. Heavily influenced by the French fashion industry, he initially designed for theatre, creating gowns for the Ziegfeld Follies and for Broadway musical comedy, such as "Little Miss Bluebeard" and "My Girl". In 1924, he was recruited by producer Walter Wanger to work under Howard Greer at Paramount. For several years, the future Oscar-winning designer Edith Head was assigned to him as a sketch artist and assistant, duly acknowledging him in later years as a crucial influence on her career. By 1927, Banton had become Paramount's leading, most innovative designer. During the next decade, his work set the benchmark for lavish elegance in continental haute couture, with credits like Shanghai Express (1932), Trouble in Paradise (1932) and Belle of the Nineties (1934).
A drinking problem forced Banton to leave Paramount in 1938, though he did not remain out of work for long. Joining Howard Greer's label, Greer Inc., he also found employment at United Artists (1938-39). After that, he free-lanced in between stints with 20th Century Fox (1939-41), Columbia (1943-44) and, as head stylist, at Universal (1945-48). His creative flair in this period is best exemplified by films like The Mark of Zorro (1940), Lillian Russell (1940), and, particularly, Cover Girl (1944), perfectly balancing contemporary design with 1890's period costume.
In the end, the pressure of consistently creating high-end fashion for both the studios and for his own label, plus frequent feuding with stars and executives and a longing to leave the West Coast and return to New York - were all beginning to take their toll. Banton's on-set behaviour became more erratic and his increasing alcoholism made him less reliable. After his final motion picture assignment, the hopelessly flawed biopic Valentino (1951), Banton left the film business altogether and went back to work for Greer Inc.. He returned to Hollywood once more in 1956, to open a fashion salon with Russian-born couturiere Marusia Toumanoff Sassi, collaborating with her in designing the extravagant gowns worn by Rosalind Russell in the Broadway play "Auntie Mame". Banton died two years later, in February 1958, at the age of 63.Plot: Columbarium of Nativity, Niche 20549- Actress
- Writer
Theda Bara was born in Cincinnati, Ohio, as Theodosia Goodman, on July 29, 1885. She was the daughter of a local tailor and his wife. As a teenager Theda was interested in the theatrical arts and once she finished high school, she dyed her blond hair black and went in pursuit of her dream. By 1908 she was in New York in search of roles. That year she appeared in "The Devil", a stage play. In 1911 she joined a touring company. After returning to New York in 1914, she began making the rounds of various casting offices in search of work, and was eventually hired to appear in The Stain (1914) as an extra, but she was placed so far in the background that she was not noticed on the screen. However, it was her ability to take direction which helped her gain the lead role as the "vampire" in A Fool There Was (1915) later that year, and "The Vamp" was born. It was a well-deserved break, because Theda was almost 30 years old, at a time when younger women were always considered for lead roles. She became the screen's first fabricated star. Publicists sent out press releases that Theda was the daughter of an artist and an Arabian princess, and that "Theda Bara" was an anagram for "Arab Death"--a far cry from her humble Jewish upbringing in Cincinnati. The public became fascinated with her--how could one resist an actress who allowed herself to be photographed with snakes and skulls? Theda's second film, later that year for the newly formed Fox Studios, was as Celia Friedlander in Kreutzer Sonata (1915). Theda was hot property now and was to make six more films in 1915, finishing up with Carmen (1915). The next year would prove to be another busy one, with theater patrons being treated to eight Theda Bara films, all of which would make a great deal of money for Fox Films, and in 1917 Fox headed west to Califoria and took Theda with them. That year she starred in a mega-hit, Cleopatra (1917). This was quickly followed by The Rose of Blood (1917). In 1918 Theda wrote the story and starred as the Priestess in The Soul of Buddha (1918). After seven films in 1919, ending with Lure of Ambition (1919), her contract was terminated by Fox, and her career never recovered. In 1921 she married director Charles Brabin and retired. In 1926 she made her last film, Madame Mystery (1926), and promptly went back into retirement, permanently, at the age of 41. She tried the stage briefly in the 1930s but nothing really set the fires burning. A movie based on her life was planned in the 1950s, but nothing ever came of it. On April 7, 1955, Theda Bara died of abdominal cancer at the age of 69 in Los Angeles, California. There has been no one like her since.Plot: Great Mausoleum, Columbarium of Memory, niche 19565- Producer
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Joseph Roland Barbera was an American animator, film director, and television producer. He was the co-founder of the company Hanna-Barbera, with his longtime partner William Hanna.
Barbera was born in an Italian-American family. His parents were barbershop-owner Vincent Barbera (1889-1965) and Francesca Calvacca (1875-1969), both Italian immigrants from Sicily. Vincent was from the farming town of Castelvetrano, while Francesca was from the spa town of Sciacca (founded as the ancient Greek colony of Thermae).
Barbera was born in Little Italy, at the Lower East Side section of Manhattan. Months following his birth, Barbera's family moved to Flatbush, Brooklyn. He was mostly raised in Flatbush. Vincent Barbera grew prosperous for a while, but a gambling addiction led him to squander the family fortune. In 1926, Vincent abandoned his family, and Joseph was taken under the wing of his maternal uncle Jim Calvacca.
Barbera attended Erasmus Hall High School in Brooklyn. During his high school years, he worked as a tailor's delivery boy. Meanwhile, he excelled in boxing and won a number of titles, but decided against becoming a professional boxer. He graduated high school in 1928, and started working odd jobs.
In 1929, Barbera first became interested in animation, after viewing Walt Disney's "The Skeleton Dance" (1929). Shortly after, he started working as a freelance cartoonist. Some of his print cartoons were published in Redbook, the Saturday Evening Post, and Collier's. Meanwhile Barbera took art classes at the Art Students League of New York and the Pratt Institute, hoping to improve his drawing skills.
Barbera was eventually hired as an inker and colorist by Fleischer Studios. In 1932, he was hired by the Van Beuren Studios as an animator and storyboard artist. At Van Beuren he worked on such film series as "Cubby Bear" and "Rainbow Parades". The studio's most prominent cartoon starts were a human duo known as "Tom and Jerry". Barbera worked on the Tom and Jerry series, and apparently liked the sound of the duo's name.
In 1936, Barbera left the financially struggling Van Beuren studio to work for Paul Terry's Terrytoons studio. In 1937, he left Terrytoons to work for the then-recently established Metro-Goldwyn-Mayer cartoon studio (1937-1957). MGM offered its animators higher salaries than what Terrytoons could offer. His first few years at the studio were not particularly notable. In 1939, he and co-worker William Hanna started working on the idea of a cat-and-mouse duo of characters. They were allowed to co-direct "Puss Gets the Boot" (1940), introducing the new duo of Tom and Jerry. It was critically and commercially successful, but studio head Fred Quimby was initially uninterested in producing a full series of Tom and Jerry films. The lack of success of other products of the studio convinced Quimby, and Barbera and Hanna became the head of their own production unit to work on the new series.
From 1940 to 1957, Hanna and Barbera co-directed 114 Tom and Jerry animated shorts. The Tom and Jerry series was very popular with critics and audience. But by the 1950s, production costs were high while the profitability of the shorts was lower than before. MGM decided to shut down its animation subsidiary. Barbera was unemployed for the first time in decades.
Barbera briefly partnered with Robert D. Buchanan (1931-) in production of an animated television series, the science fiction series "Colonel Bleep" (1957-1960). It was the first animated series specifically produced for color television. Barbera eventually left this partnership and teamed up with William Hanna again. They founded Hanna-Barbera Productions, their own animation studio. With theatrical animation in decline, they focused on the new market of television animation.
The studio's first television series was the moderately successful "The Ruff & Reddy Show". It was succeeded by the much more popular "The Huckleberry Hound Show" and "The Yogi Bear Show". Survey's revealed that the two shows had attracted an adult audience, convincing Hanna and Barbera that they could market animation to adults. Their next series was the animated sitcom "The Flintstones" (1960-1966), popular with both children and adults. Its success helped establish Hanna-Barbera Productions as the leader in television animation.
In 1966, Hanna-Barbera Productions was sold to Taft Broadcasting for $12 million dollars.Barbera and Hanna remained studio heads until 1991, when the studio was sold to the Turner Broadcasting System for an estimated 320 million million dollars. Barbera and Hanna were reduced to advisory positions, which would they keep for the rest of their lives. Barbera periodically worked on new Hanna-Barbera shows, and even provided input for the original live-action adaptation of Scooby-Doo in 2002.
In 2001, Hanna-Barbera Productions was absorbed into Warner Bros. Animation. Barbera received executive producer credits for Warner Bros. sequels and adaptations of his old series (such as "What's New, Scooby-Doo?" and "Tom and Jerry Tales"). In 2005, Barbera co-directed a new Tom and Jerry short film: "The Karate Guard". Barbera then started work on a Tom and Jerry feature film, " Tom and Jerry: A Nutcracker Tale" (2007). He died before production was completed.
Barbera died in December 2006, at the age of 95. He had never fully retired and was still working at the time of his death. His legacy includes more than a 100 television series, and a large number of enduring characters.Plot: The Great Mausoleum, Holly Terrace, Corridor of Glory, Mausoleum Crypt 14451- Born Mary Elizabeth Greear, the actress best known as Joan Barclay came out to Hollywood when her mother, anxious to leave Minnesota's cold climate, put "Florida" and "California" in a hat and let young Mary Elizabeth draw. One of her earliest acting jobs was a role in The Gaucho (1927) with Douglas Fairbanks, who wanted to make her his next leading lady even though she was only 12(!). She was under contract to Warners in the early 1930s and to RKO in the 1940s, and co-starred in many "B" westerns and serials in the interim. She left movies in the mid-'40s to marry a wealthy man in the rent-a-car business, the first of her three husbands.
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Ben Bard entered theatrical life in his teens, touring under the name "B.D. Bard" with the Jolly Della Pringle theatre company. He played the Schubert Circuit in Vaudeville as the straight man to comic Jack "Baron Munchausen" Pearl. He was brought to Hollywood in the silent movie era to test as a leading man at Fox Pictures but was type cast as a "Suave Heavy" (dresses well, talks smooth but is evil underneath). In the 1930s, he established Ben Bard Drama, one of the largest and most respected acting schools in Hollywood. It had an attached theatre company that produced stage classics and West Coast premieres of contemporary American plays. Distinguished graduates of the school included Alan Ladd, Jack Carson, Shirley Temple, Gower Champion, Angie Dickinson, Cliff Robertson and Gig Young. In the 1950s, he was the head of the New Talent Department at Twentieth Century Fox.Plot: Great Mausoleum, Azalea Terrace, within Ruth Roland's family crypt. [unmarked]- Actress
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British-born actress who appeared in both British and American films, but who found her greatest success in Hollywood second leads. After a variety of jobs, including nurse, chorus girl and milkmaid, Barnes entered vaudeville. She appeared in more than a score of short comedies with comedian Stanley Lupino before making her feature bow in 1931. Two years later she achieved prominence as one of the half-dozen wives of the King in The Private Life of Henry VIII (1933). The following year she moved to Hollywood and began a career as the smart-aleck pal of the lead or as the angry "other woman." Barnes also played numerous leading roles, but spent most of the 1930s and 40s in strong supporting parts. In 1940 she married football star (and later producer) M.J. Frankovich and after the war, they moved to Italy and appeared in several films there and elsewhere in Europe. She retired from films in 1954, but returned for a few roles in the late 60s and early 70s. She worked busily with numerous charities until her death in 1998.Plot: Buried in the Joe E. Brown family plot, Sunrise Slope, behind the Great Mausoleum to the left of Aimee S. McPherson- T. Roy Barnes was born on 11 August 1880 in Lincolnshire, England, UK. He was an actor, known for It's a Gift (1934), Scratch My Back (1920) and Sally (1929). He was married to Blanche Berner, Mamie McNab and Bessie Crawford (actress). He died on 30 March 1937 in Hollywood, Los Angeles, California, USA.Plot: Graceland, Lot 5077
- Jack Barry was born on March 20, 1918 in Lindenhurst, New York, the son of Cecelia (Hepner) and Max Solomon Barasch. In his adult years, he did saloon work until Dan Enright said they should go into television game shows. He hosted Winky Dink and You, the first example of interactive TV. He later went on to host Juvenile Jury and Life Begins at 80. In 1956, he hosted Twenty-One, Tic Tac Dough and the first four episodes of Concentration. Barry was involved in the quiz show scandals which brought down Barry & Enright productions. During the 1960s, he hosted the unsuccessful Reel Game, and in 1972, he hosted The Joker's Wild. In 1976, he produced a revival of Break the Bank, with former You Don't Say! host Tom Kennedy as emcee. Even though the show was successful, it was canceled after only 15 weeks, after which Barry hosted a syndicated version which also was proven to be unsuccessful. In 1975, he created the short-lived game show Blank Check. In 1980, he created Play the Percentages, and in 1984, he made his final creation, Hot Potato, with game show king Bill Cullen as emcee. Barry died that same year in May from a cardiac arrest while morning jogging in Central Park and was laid to rest at Forest Lawn Memorial Park. After his death, Bill Cullen took over and Kline and Friends was formed by Richard Kline.Plot: Garden of Ascension, Lot 9171
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Billy Barty was born William John Bertanzetti on October 25, 1924 in Millsboro, Pennsylvania. He began performing at age three and began making pictures in 1927. He played Mickey Rooney's little brother in the "Mickey McGuire" comedy shorts series. He was equally adept in both comedy and drama, and generally gives an added zest to any production he is associated with. He founded the Little People of America in 1957 and the Billy Barty Foundation in 1975. He possessed an immense talent and energetic charm that added a much needed shot in the arm to many series and films. Billy Barty died at age 76 of heart failure on December 23, 2000 in Glendale, California.Plot: Freedom Mausoleum, Columbarium of Blessedness, N-38011- Actress
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The American character actress, Florence Rabe, was the daughter of an antique store owner. She gained a degree in Mathematics from the University of Texas in 1906 and went on to a career in teaching and social work. She changed course after being persuaded by a friend to study law, and, passing her bar exam in 1914, practised for four years in San Antonio. When her parents died, she took over the business and travelled abroad extensively to acquire stock, all the while adding to her knowledge of foreign languages (she was, for instance, a fluent Spanish speaker). After the Wall Street crash of 1929, Florence sold the antique store and married Texan oilman William F. Jacoby. Jacoby eventually went bankrupt and the couple moved to California in the late 1930's, briefly becoming proprietors of a bakery.
At this time, Florence, a heavy-set woman of matronly appearance and well into her middle age, developed an interest in acting and auditioned for the part of Miss Bates in the Pasadena Playhouse production of Jane Austen's 'Emma'. This proved to be a momentous career choice. Her popularity became such, that she went on to leading roles with the same company, changing her name to Florence Bates as a nod to her perceived good fortune. In 1939, she screen tested for Alfred Hitchcock, who was sufficiently impressed to cast her as the demanding, imperious dowager Mrs. Edythe Van Hopper in Rebecca (1940). Her excellent performance was the first in a gallery of memorable characters: wealthy socialites, irritable, henpecking wives, hotel managers (The Moon and Sixpence (1942)), theatre owners (Tonight and Every Night (1945)) and unctuous, gossipy landladies (Portrait of Jennie (1948)). She was equally adept at comedy, appearing to great effect in Heaven Can Wait (1943) and Lullaby of Broadway (1951), with frequent co-star S.Z. Sakall, aka 'Cuddles'. She was enjoyably larger-than-life as Danny Kaye's prospective mother-in-law in The Secret Life of Walter Mitty (1947) and as Vera-Ellen's inebriated Russian dance teacher, Madame Dilyovska, in On the Town (1949). Bates even essayed a murderess in The Brasher Doubloon (1947). Destined never to win any awards, Florence Bates continued in films until her death in 1954. She was pre-deceased by her sister, her only daughter and her husband.Plot: Haven of Peace #379- Writer
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L. Frank Baum became a success with his 1883 production of "The Maid of Arran" in 1882. He was a dreamer, had a printing press and an amateur newspaper, "The Rose Lawn Home Journal" and published a coin and stamp collecting guide. He failed at almost everything through poor business sense. He had been an actor, though only successfully in "The Maid of Arran," a newspaper editor ("The Aberdeen Saturday Pioneer"), a store owner (Baum's Bazaar, from which he filed for bankruptcy on New Year's Day of 1899), and motion picture producer and director. He met everything with enthusiasm and talent, but things did not work just right and only became successful again as a writer. Diverse in audience and subject matter, he is best remembered for his fourteen Oz books and their subsidiary fantasies. He is said to have singlehandedly created the fantasy genre out of the Andersen-style literary fairy tale. He used a variety of pseudonyms for juvenile series made at the publishers request, the best known and most successful being as Edith Van Dyne, who was once played by an actress at a luncheon with another publisher who wanted to meet her. The name was later used by Emma Speed Sampson, who continued some of his series.
Baum was a kind and gentle family man, who never swore or told dirty jokes, nor was he able to punish his four sons, whom Maud had to handle for him. He was born with a bad heart and suffered several minor attacks, including one induced by The Peekskill Military Academy at age 14. He loved to make fun of the military after that incident, as one can see in his Oz books. He created and headed The Oz Film Manufacturing Company in 1914 and directed one film the year later, after which his son Frank Joslyn Baum took it over, changing the name to Dramatic Feature Films, after the Oz name had been cursed as box-office poison, despite excellent critical reception of J. Farrell MacDonald's The Patchwork Girl of Oz (1914).
He continued writing, sitting up in bed long after his health had failed him, and his final Oz book was published posthumously in 1920. It was only his second attempt at science fiction. Baum's writing attracted legions of fans of all ages, both during and after his lifetime. His work has influenced such writers as Gore Vidal, Ray Bradbury, and Terry Brooks. The Oz series has been continued both officially and unofficially after his death. Frank Joslyn Baum sold the film rights of the first Oz book to MGM in 1934, and Walt Disney soon picked up the rest, unable to secure the original from them, for he, too, had desired to make a film version, as had been done before by Baum himself, Otis Turner, Ray C. Smallwood, Larry Semon, Ethel Meglin, Ted Eshbaugh, and many subsequent to 1939. Ironically, Baum moved to Hollywood at Ozcot to have a quiet place to write, which, of course, resulted in the OFMC. One other notable work by Baum is Tamawaca Folks, a spoof of his vacation town of Macatawa Michigan, taking the name of Michigan author John Esten Cooke and changing it to John Estes Cooke. Baum himself has a supporting role (under a different name) in the novel, which was based on all the vacationers. Baum's health problems limited his life to 63 years, but his literary output was remarkable, though mostly forgotten. An episode of the television series Death Valley Days (1952) features him and Maud as characters.Plot: Section G, next to the narrow road- Actor
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Warner Baxter claimed to have an early pre-disposition toward show business: "I discovered a boy a block away who would eat worms and swallow flies for a penny. For one-third of the profits, I exhibited him in a tent." When he was age 9, his widowed mother moved to San Francisco where, following the earthquake of 1906, his family lived in a tent for two weeks "in mortal terror of the fire." By 1910 he was in vaudeville and from there went on to Broadway plays and movies. A matinée idol in the silents, he came to prominence as the Cisco Kid with In Old Arizona (1928), for which he won an Oscar. He went on to star with Myrna Loy in Penthouse (1933) and to what many consider his best role, that of the doctor who treated Abraham Lincoln's assassin, in The Prisoner of Shark Island (1936). That year his $284,000 income topped the industry. In 1943, after slipping into a string of B-pictures, he began his Dr. Ordway "Crime Doctor" series with Crime Doctor (1943). He had suffered a nervous breakdown, and these pictures were easy on him (studio sets for one month, two films a year). Following a lobotomy to relieve pains of arthritis, he died of pneumonia.Plot: Garden of Memory, crypt 579- Actor
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Born in Abilene, KS, in 1888, Harry Beaumont started his show-business career early--he quit school to become an actor in a traveling stock company, and eventually made his way to the New York stage. In 1912 he began working as a film actor for Edison studios--which was headquartered across the river in New Jersey--in everything from two-reel shorts to serials, and also began writing screenplays. He began directing in 1915, stayed with Edison for a year and then went over to Essanay Studios. He soon made the rounds of other studios as a director, and got a reputation as an efficient craftsman who could bring in films on time and within budget, which guaranteed him work. His most productive period was in the 1920s, when he worked in the rarefied atmosphere of MGM--the "Tiffany" of studios--directing such major productions as Main Street (1923) and Beau Brummel (1924), and MGM entrusted him with the careers of such major stars as Joan Crawford and John Barrymore. The studio awarded him the honor of making its first sound musical, The Broadway Melody (1929), which won an Oscar for Best Picture. Unfortunately, that picture was pretty much the pinnacle of his career; he continued directing, mainly at MGM, into the 1940s, but none of his subsequent films rose much above the "B" level. He directed his last film, Alias a Gentleman (1948), in 1948, and died in Santa Monica, CA, in 1966.Plot: Great Mausoleum, Columbarium of Inspiration, Niche 14621- Actor
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In 1902, 16-year-old Wallace Beery joined the Ringling Brothers Circus as an assistant to the elephant trainer. He left two years later after a leopard clawed his arm. Beery next went to New York, where he found work in musical variety shows. He became a leading man in musicals and appeared on Broadway and in traveling stock companies. In 1913 he headed for Hollywood, where he would get his start as the hulking Swedish maid in the Sweedie comedy series for Essanay. In 1915 he would work with young ingénue Gloria Swanson in Sweedie Goes to College (1915). A year later they would marry and be wildly unhappy together. The marriage dissolved when Beery could not control his drinking and Gloria got tired of his abuse. Beery finished with the Sweedie series and worked as the heavy in a number of films. Starting with Patria (1917), he would play the beastly Hun in a number of films. In the 1920s he would be seen in a number of adventures, including The Four Horsemen of the Apocalypse (1921), Robin Hood (1922), The Sea Hawk (1924) and The Pony Express (1925). He would also play the part of Poole in So Big (1924), which was based on the best-selling book of the same name by Edna Ferber. Paramount began to move Beery back into comedies with Behind the Front (1926). When sound came, Beery was one of the victims of the wholesale studio purge. He had a voice that would record well, but his speech was slow and his tone was a deep, folksy, down home-type. While not the handsome hero image, MGM executive Irving Thalberg saw something in Beery and hired him for the studio. Thalberg cast Beery in The Big House (1930), which was a big hit and got Beery an Academy Award nomination. However, Beery would become almost a household word with the release of the sentimental Min and Bill (1930), which would be one of 1930's top money makers. The next year Beery would win the Oscar for Best Actor in The Champ (1931). He would be forever remembered as Long John Silver in Treasure Island (1934) (who says never work with kids?). Beery became one of the top ten stars in Hollywood, as he was cast as the tough, dim-witted, easy-going type (which, in real life, he was anything but). In Flesh (1932) he would be the dim-witted wrestler who did not figure that his wife was unfaithful. In Dinner at Eight (1933) he played a businessman trying to get into society while having trouble with his wife, link=nm0001318]. After Marie Dressler died in 1934, he would not find another partner in the same vein as his early talkies until he teamed with Marjorie Main in the 1940s. He would appear opposite her in such films as Wyoming (1940) and Barnacle Bill (1941). By that time his career was slowing as he was getting up in age. He continued to work, appearing in only one or two pictures a year, until he died from a heart attack in 1949.Plot: Vale of Memory, Lot 2086- Rex Bell was born on 16 October 1903 in Chicago, Illinois, USA. He was an actor, known for Broadway to Cheyenne (1932), Lucky Larrigan (1932) and Rainbow Ranch (1933). He was married to Clara Bow. He died on 4 July 1962 in Las Vegas, Nevada, USA.Plot: Freedom Mausoleum, Sanctuary of Heritage
- Cosmo Kyrle Bellew was born on 23 November 1874. He was an actor, known for The Love Contract (1932), The Bellamy Trial (1929) and Summer Bachelors (1926). He was married to X X, Y Y and Anita Bellew. He died on 25 January 1948 in Hollywood, California, USA.Plot: Great Mausoleum, Columbarium of Memory, N-20061
- Ralph Belmont was born on 9 April 1882 in Italy. He was an actor, known for A Sea Mystery (1916) and Li'l Nor'wester (1915). He was married to Lulu Sutton. He died on 21 September 1964 in Los Angeles, California, USA.Plot: Great Mausoleum, Sanctuary of the Sacrament, C-10779
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William Benedict was active in the drama department of his Tulsa, Oklahoma, high school and, at the height of the Depression (1934), decided to relocate to California. At first, he wanted to be a dancer, but when he discovered that dancers were a dime-a-dozen in Hollywood, he concentrated on acting. He made his film debut in Fox's $10 Raise (1935) and went onto the Fox payroll as a "featured player". After leaving Fox, he played some of his larger parts in serials and in the East Side Kids/Bowery Boys features in which he was a regular. During his half-century-plus career, Benedict has had roles in practically every type of movie; there's only one thing that the ex-hoofer might have enjoyed doing in a movie, but never had the chance: "Strange as it seems, I've never once danced in a picture!".Plot: Wee Kirk Churchyard, Lot 2133, space 3- Australian-born Enid Bennett (her sisters, Catherine Bennett and Marjorie Bennett, were also actresses) started her career on stage in Sydney. She became a well-regarded stage actress there, and eventually made her way to New York to conquer Broadway. Broadway, however, wasn't particularly interested in being conquered by Miss Bennett, and it took her several months to find any work at all. Finally, her "English" (actually Australian) accent got her a job in "Cock of the Walk". She was seen there by film producer Thomas H. Ince, who signed her to a contract and brought her to Hollywood. She married twice, both of her husbands being top Hollywood directors: Fred Niblo and Sidney Franklin. Her last film was The Big Store (1941) with The Marx Brothers, in which she had an uncredited bit part as a clerk, and she retired from the movie business soon afterward. She died of a heart attack in Malibu, CA, in 1969.Plot: Great Mausoleum, Columbarium of the Dawn, N-30247
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Marjorie Bennett was an Australian actress, who spend most of her career working in the United Kingdom and the United States. She was born in York, Western Australia, a town that was an important stop for miners and travelers during the Australian gold rushes of the late 19th century. York is located 97 kilometers (60 miles) east of Perth, Western Australia's capital and largest city.
Bennett made her film debut in the film "The Girl, Glory" (1917). She had a few credited roles in silent films of the 1910s. such as "Naughty, Naughty!", "Hugon, the Mighty", and "The Midnight Patrol". None of them had a lasting impact
She resumed her film career in 1946, with the uncredited part of a shop assistant in the mystery film "Dressed to Kill". The film was another adaptation of the Sherlock Holmes series on film, and was the 14th and final entry in a film series which cast Basil Rathbone as Sherlock. Bennet started appearing regularly in minor film roles in the late 1940s, with films such as the black comedy "Monsieur Verdoux" (1947), the romantic comedy "June Bride" (1948), and the horror comedy "Abbott and Costello Meet the Killer, Boris Karloff" (1949).
By the 1950s, Bennett was quite established as a character actress in both film and television. She played the gruff landlady Mrs. Alsop in "Limelight" (1952), appeared in several more "Abbot and Costello" films, and had a recurring role in the television series "Lassie".
In the 1960s, Bennett had her first known role as a voice actress, as the character "Duchess" in the animated film "One Hundred and One Dalmatians" (1961). Duchess is one of the cows who offers shelter for the night and warm milk to the starving puppies, following their escape from villains Horace and Jasper.
Bennett continued regularly appearing in film throughout the 1960s. She had small roles in both "Mary Poppins" (1964) and "My Fair Lady" (1964). Her credits included psychological thriller "The Night Walker" (1964) and the horror film "Billy the Kid Versus Dracula" (1966), She also made several more television appearances.
In the 1970s, Bennett had a more substantial role in the mystery film "Stacey" (1973). She played aging heiress Florence Chambers, who hired private investigator Stacey Hanson to examine whether the surviving members of Florence's family were worthy to be included in her will. Chambers eventually learns that one of her would-be heirs is homosexual, a second one is having extramarital affairs, and a third one belongs to a Manson Family-style religious cult.
Bennett's other film roles in this decade included the crime thriller "Charley Varrick" (1973), the disaster film "Airport 1975" (1974), the black comedy "I Wonder Who's Killing Her Now?" (1975), and the crime comedy "The North Avenue Irregulars" (1979). In the television film "Sherlock Holmes in New York" (1976), Bennett played Mrs. Martha Hudson, Holmes' landlady. In the television film "Better Late Than Never" (1979), Bennett played Marjorie Crane, one of the residents of a nursing home who revolt against oppressive rules.
In 1980, Bennet finally retired, due to poor health. Her final television appearance was in an episode of the sitcom "Barney Miller" (1975-1982). Bennett died in 1982, and her ashes were interred in the Great Mausoleum's Columbarium of Dawn at Forest Lawn Memorial Park Cemetery in Glendale.
According to a 1977 article by "The Los Angeles Times", Bennett was one of the busiest of Hollywood's veteran character actresses. Her face was familiar to many Americans due to Bennett's numerous starring roles in television commercials.Plot: Columbarium of Dawn, N-30247-Great Mausoleum- Harry Beresford was born on November 4, 1863 in London, England as Henry William Walter Horseley Beresford. He was an actor and writer, known for Seven Keys to Baldpate (1935), David Copperfield (1935) and Anna Karenina (1935).
He also used the stage name Harry's professional name was Harry J. Morgan.
His first marriage was to actress Emma Dunn, on October 4, 1897, in Chicago. They divorced on February 10, 1909, in New York City, and Dunn was awarded sole custody of their young daughter, Dorothy.
His second marriage was to Edith Wylie (actress). He died on October 4, 1944 in Los Angeles, California, USA.Plot: Whispering Pines, L-1902 - Director
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If Curtis Bernhardt is a relative unknown, it's because he didn't direct his first Hollywood feature until 1940 at the age of 41. Bernhardt worked for years in Germany until his Jewish heritage made living there impossible by 1933-- he was arrested by the Gestapo and made a harrowing underground escape to France. With Europe plunging into war, he left for America in 1939. Despite his limited grasp of the English language, he was offered seven-year contracts at both Warner Bros. and MGM, largely on the strength of Carrefour (1938)-- which proved so enduring that it was remade as Dead Man's Shoes (1940) in the UK and as Crossroads (1942) by MGM. Most émigrés would have jumped an offer to work at MGM-- considered the "Tiffany" of film studios-- but Berhardt went with Warners, favoring that studio's reputation for hard-boiled realism. His career in Hollywood began with a false start; after working on his first assignment he fell ill and was reassigned an Olivia de Havilland vehicle, My Love Came Back (1940), that gained him good notices. Bernhardt rapidly achieved a reputation as a woman's director with occasional forays into suspense with varied results. He directed one of Humphrey Bogart's least popular films, Conflict (1945), which was burdened by ludicrous plot contrivances, but he snapped back the next year with a winner: My Reputation (1946), a melodrama starring Barbara Stanwyck. He had another misfire, however, with the critically panned Devotion (1946) and would end his contract with the studio after three more films in 1947, after which he moved briefly to MGM. Ironically, he would later look back fondly upon Warners' assembly-line production methods compared to his days at MGM, where he felt compelled to bend to the whims of its stars and serve at the behest of studio chief Louis B. Mayer. Berhardt managed to make two above-average films during his short stay at Metro, however--the suspenseful High Wall (1947) starring 'Robert Taylor (I)_ in one of his best mid-career roles, and The Doctor and the Girl (1949), starring the likable Glenn Ford.
Bernhard soon moved to RKO, which was entering its final chaotic decade, directing The Blue Veil (1951), a remake of a French film. He did a one-shot gig at Columbia, directing Bogie once again in the hopelessly set-bound Sirocco (1951), and rounded out the remainder of the 1950s back at MGM, ending his Hollywood career with the middling comedy Kisses for My President (1964) at Warners.
He retired from directing due to illness in the mid-'60s and died in 1981, age 81, at his home in Pacific Palisades, California.Plot: Acacia Garden, L-242- Actor
- Writer
Joe Besser was born on August 12, 1907 in St. Louis, Missouri. Short, chubby, balding, childish character actor who began his career on the vaudeville circuit before breaking into films in the early 1930s. He was a frequent foil of Bud Abbott and Lou Costello in their films and played Stinky on their 1950s situation comedy. Joe joined The Three Stooges in 1956, but quit the team to be with his ailing wife in 1958. He spent the 1960s appearing in numerous films and television series, including 88 performances on The Joey Bishop Show (1961) and a regular role as the voice of Babu on the animated series Jeannie (1973). Joe Besser died at age 80 of heart failure on March 1, 1988 in North Hollywood, California.Plot: Dedication, L-4404, space 2A- Actress
- Soundtrack
Vaudeville comedienne Billie Bird Sellen was discovered at an orphanage at the age of eight years and hired to tour theater circuits with a vaudeville troupe. During the Vietnam War she accompanied 12 USO tours entertaining the troops in the war zone in the 1960s and 1970s. She had worked as recently as 1995 when she appeared in Jury Duty (1995), starring Pauly Shore. Other notable performances were in Dennis the Menace (1993) and Home Alone (1990).
One of her best-known film appearances was in the 1968 movie The Odd Couple (1968). Her last appearance was a cameo in 1997 in the short-lived television comedy George & Leo (1997) with Judd Hirsch and Bob Newhart. She had also been a regular from 1988-1992 in the sitcom Dear John (1988), and in a series of performances as a cheerful and sassy senior citizen in such productions as Ernest Saves Christmas (1988) and Police Academy 4: Citizens on Patrol (1987).- Mary Blackford was born on 22 July 1914 in Bristol, Pennsylvania, USA. She was an actress, known for The Sweetheart of Sigma Chi (1933), Merrily Yours (1933) and Love Time (1934). She died on 25 September 1937 in Santa Monica, California, USA.Plot: Whispering Pines, L-1973
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In the US from the age of 10, he first worked as a journalist-illustrator for the New York World. Interviewing Thomas A. Edison, he so impressed the inventor with his drawings that Edison suggested he allow some of them to be photographed by the Kinetograph camera. The result was a short film, Edison Drawn by 'World' Artist (1896). Fascinated by the new medium, Blackton bought a Kinetoscope from Edison, went into partnership with a friend, Albert E. Smith, and exhibited films with it. In 1897 they added a third partner, William T. Rock, and the young partners converted the projector into a motion-picture camera and established the Vitagraph Company. They started film production in an open-air studio on the roof of the Morse Building at 140 Nassau Street, New York City. Their first film, The Burglar on the Roof (1898), was about 50 feet long, with Blackton playing the leading role. In 1898, during the Spanish-American War, they produced Tearing Down the Spanish Flag (1898), probably the world's first propaganda film. Smith operated the camera and Blackton was again the actor, tearing down the Spanish flag and raising the Stars and Stripes to the top of a flagpole. Blackton and his partners continued filming fake and real news events, ranging from Spanish-American War footage to coverage of local fires and crimes in New York City. They constantly expanded their activities and soon moved into the world's first glass-enclosed studios, in Flatbush, Brooklyn. Blackton directed most of the production of this early period, including such story films as A Gentleman of France (1905) and Raffles, the Amateur Cracksman (1905), two milestones in the development of the American feature film. Blackton pioneered the single-frame (one turn, one picture) technique in cinema animation, turning out a number of animated cartoons between 1906 and 1910, including the immensely successful Humorous Phases of Funny Faces (1906), The Haunted Hotel (1907), and The Magic Fountain Pen (1909). He also introduced (in 1908, before Griffith) the close shot, a camera position between the close-up and the medium shot. Like Griffith, he emphasized film editing, setting his films apart from most of the products of this very early period. His film editing was especially noteworthy in his 'Scenes Of True Life' series, a realistic group of films he directed beginning in 1908. Next to Griffith, Blackton was probably the most innovative and creative force in the development of the motion picture art, not only as the director of hundreds of films but also as organizer, producer, actor, and animator. He pioneered the production of two- and three-reel comedies and starred in one such series as a character called Happy Hooligan. Beginning in 1908, he also pioneered the American production of distinguished stage adaptations, including many Shakespeare plays and historical re-creations. When the output at Vitagraph became too heavy for one man to handle, he initiated the system (later to be adopted by Ince) of overseeing the work of several underling directors as production supervisor. In 1917 he left active work with Vitagraph and began independent productions. During WWI, he directed and produced a series of patriotic propaganda films, the most famous of which, and which he also wrote, was The Battle Cry of Peace (1915), based on a hypothetical attack on New York City by a foreign invader. Blackton later went to England, where he directed a number of costume pageants, two of them experiments in color. When Vitagraph was absorbed by Warner Bros. in 1926, Blackton retired. He lost his entire fortune in the 1929 crash and was forced to seek work on a government project in California. Later he was hired as director of production at the Anglo-American Film Company, where he worked until his death. Between 1900 and 1915, Blackton was president of the Vitaphone Company, a manufacturer of record players. In 1915 he organized and became president of the Motion Picture Board of Trade, later known as the Association of Motion Picture Producers and Distributors of America. He was also publisher and editor of Motion Picture Magazine, one of America's first film-fan publications.Plot: Great Mausoleum, Nativity Columbarium, N-20648- Brown-haired, articulate American character actress who became a prolific performer on both sides of the Atlantic. Schooled in her native Kentucky she subsequently attended drama classes. Having relocated to London, she soon found steady employment in repertory theatre and eventually made her motion picture debut in the comedy Her Imaginary Lover (1933). Along with her in the cast was future husband, actor Bernard Nedell. Signed under long-term contract by Warner Brothers/First National, Olive was then given star billing in other romantic farces made at Teddington Studios, including Leave It to Blanche (1934) (title role) and Mr. What's-His-Name? (1935) . Upon her return to the U.S., she continued to commute between stage (including Broadway) and screen but found meatier parts harder to come by. After spending years top cast as genteel socialites in British second features, it was now down to minor roles in, admittedly, A-grade productions like Two-Faced Woman (1941), Random Harvest (1942) and Leave Her to Heaven (1945). Before long, however, Olive secured a regular niche as Alice Aldrich (mother to Henry, played by Jimmy Lydon -- whose mother-in-law she was in real life) in Paramount's popular Aldrich Family series. As to her remaining career: that was spent playing an assortment of housekeepers and dowagers, from 1952 almost entirely as a guest in early TV anthology dramas.Plot: Great Mausoleum, Columbarium of the Holy Trinity, N-22762
- Clara Blandick was an American actress born as Clara Dickey and born aboard an American ship off the coast of Hong Kong on June 4, 1880. Little is known about her early life until she became an actress. She grew up in Boston and first acted on stage in E.H. Sothern's 'Richard Lovelace'. Although she appeared in 118 films, she was primarily a stage actress. She began her film career at a late age. She was 33 when she was picked for the role as Emily Mason in Mrs. Black Is Back (1914). Her next film was The Stolen Triumph (1916), after which she returned to the stage, where she seemed more comfortable. She did not make another film until the age of 48, when she appeared in Poor Aubrey (1930).
She had only three films under her belt by this time but would appear in more than 100 over the next 20 years. She made nine films in 1930, and thirteen the following year. The role that was to immortalize her, however, was "Auntie Em" in The Wizard of Oz (1939). She continued in films until 1950, when she appeared on the screen for the final time in Key to the City (1950).
By this time Blandick had been suffering from poor health for years, especially painful arthritis and failing eyesight, and retired from the screen. On Palm Sunday, April 15, 1962, aged 85, she went to church in Hollywood. When she returned she wrote a note stating she was about to take the greatest adventure of her life. She took an overdose of sleeping tablets and pulled a plastic bag over her head, thus ending her life.Plot: Great Mausoleum, Columbarium of Security, Niche 17230 - Actor
- Writer
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The handsome, well-built and engaging Michael Blodgett was born on September 26, 1939 in Minneapolis, Minnesota. Blodgett attended the University of Minnesota and began his acting career in his hometown of Minneapolis. Michael earned a pre-law degree in political science from Cal State Los Angeles and attended Loyola Law School for a year. In the summer of 1967, Blodgett was the emcee on "Groovy", a weekly TV program of beach party music that was broadcast on Los Angeles' Channel 9. In 1968, Michael subsequently switched to Channel 11 and went on to serve as the host for "The Michael Blodgett Show", a 90 minute talk show in which he interviewed such guests as Connie Stevens, Agnes Moorehead, Pat Paulsen and Henry Mancini. He made his film debut as a beach bum in A Swingin' Summer (1965). Blodgett achieved his greatest enduring cult popularity with his excellent portrayal of blithely decadent and hedonistic playboy "Lance Rocke" in Russ Meyer's outrageously campy treat Beyond the Valley of the Dolls (1970). Other memorable movie roles include brash young prisoner "Coy Cavendish" in There Was a Crooked Man... (1970), free-spirited hippie "Lee Ritter" in the offbeat fright feature The Velvet Vampire (1971), and abusive masseur "Roger Hudson" in The Carey Treatment (1972). Blodgett had a recurring role on the short-lived TV series Never Too Young (1965). Among the TV shows Michael did guest spots on are McHale's Navy (1962), The Alfred Hitchcock Hour (1962), The Munsters (1964), Daniel Boone (1964), Night Gallery (1969), Ironside (1967), Barnaby Jones (1973) and Barbary Coast (1975). Blodgett quit acting in the late 70s and became a successful novelist and screenwriter. He penned the novels "Captain Blood", "Hero and the Terror" and "The White Raven". In addition, he either wrote or co-wrote the scripts for the Chuck Norris action vehicle Hero and the Terror (1988) (Michael also makes an uncredited cameo appearance in this particular picture), the hit comedy Turner & Hooch (1989), Rent-a-Cop (1987), Run (1991), the made-for-TV thriller Revenge on the Highway (1992) and The White Raven (1998). Michael Blodgett died at age 68 from a heart attack on November 14, 2007.Plot: Columbarium of Memory, Memorial Terrace, Lot# 0, Space # 19484- The lesser-known sister of Joan Blondell, she performed in around two dozen Hollywood features. First appearing on Broadway in the 1935 "Three Men on a Horse", she made her silver screen debut with The Daredevil Drivers (1938). Gloria co-starred with Ronald Reagan in Accidents Will Happen (1938), then saw most of her work in the 1940s as the voice of Disney's 'Daisy Duck'. With the coming of television, she was kept busy with I Love Lucy (1951), Thriller (1960), and other fare. During the mid-1950s she had the regular role of 'Honeybee Gillis' on The Life of Riley (1953). Following her turn as 'Gloria' in Calvin and the Colonel (1961) up to 1962, she retired in Los Angeles, where she died of cancer.
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With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and A Tree Grows in Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).Plot: Garden of Honor, Columbarium of the Evening Star- Actor
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Born in London, Eric Blore came out of college and started his working life as an insurance agent. But while touring in Australia he took an interest in the stage and theater. He gave up his insurance job and turned to acting after returning to England. With his elfish long, straight nose, squint-eyed demeanor and a crisp voice, he successfully began a career starring in many shows and revues, focusing on traditional British comedy. Encouraged further, in 1923 he came to New York and was almost immediately using his London stage experience on Broadway. Though there were a few dramatic parts, he inevitably played comic roles in musical comedies and revues (in some of which he also received billing as a lyricist) regularly from 1923 to 1933. He would return once again some ten years later to take on multiple roles for Ziegfeld Follies of 1943. No stranger to film, as early as 1920 he had tried his hand in British cinema. And in 1926 he did the US silent version of The Great Gatsby (1926) that starred Warner Baxter. His familiar role as a head waiter began with his first Fred Astaire/Ginger Rogers film, Flying Down to Rio (1933). With a foot still on Broadway, in 1933 he played the waiter in the stage version of The Gay Divorcee and was then tapped to reprise the role in the film version with Fred and Ginger. Blore had been perfecting his basic comic characters since his London days -- a leering English gentlemen, brusque/wise-acre butler or waiter or other service provider -- with a lockjawed British accent. These characters accompanied by Blore's flawlessly timed delivery were thoroughly applicable and effective as he moved permanently to Hollywood character acting. He played a fair spectrum of other roles, even in a few rare dramas, such as the adventure The Soldier and the Lady (1937) and Island of Lost Men (1939).
Blore was very busy with movies from 1934 through most of the 1940s. He appeared in five of the nine Fred and Ginger dance musicals. Some of his best mugging and scripted lines were in Top Hat (1935) and Shall We Dance (1937) of that series. He was also cast very effectively as valet/butler Jamison in the screen adaptations of the Wolfe Kaufman Lone Wolf mystery novel series. There were eleven films between 1940 and 1947, with all but the last three starring the dashing, sonorous-voiced Warren William (who had a greater profile than 'The Great Profile', John Barrymore) as Michael Lanyard. This was a popular series with first-rate scripts and good production values to keep the public coming back for more. Blore was also invited into the company of stock players ruled over by zany comedy director Preston Sturges. Though Blore only did two films for Sturges, his role in the first of these, The Lady Eve (1941), was a Blore tour de force. Playing the suave confidence man, Pearly, to his old bunko acquaintances Barbara Stanwyck and Charles Coburn, he took the role of pseudo-wealthy Sir Alfred McGlennan Keith out to fleece the local American business gentry. His scene with a gullible Henry Fonda taking in Sir Alfred's concocted story of Stanwyck's being a twin daughter of the lady of the manor by way of her coachman is a delight, punctuated with Blore interrupting perplexed Fonda's questions with a loud shhhhhhh of silence at each.
Inevitably, the parts started to become less frequent. Several of Blore's 1940s movies were with lesser known up-and-comers or older stars such as himself. Still, he enjoyed a variety of roles, including the opportunity of animation immortality when Disney chose him for the voice of Mr. Toad in the classic short The Wind in the Willows (1949). But for two widely spaced appearances, Blore essentially retired by 1955.
And as sometimes is the case when personalities move into obscurity, their deaths are prematurely announced. Such was the case with Blore when the New Yorker journalist Kenneth Tynan reported him as having already passed on. Blore's lawyer raised a flurry, as did the editor of the New Yorker, who claimed the periodical had never had to print a retraction. The night before the highly profiled retraction appeared, Blore indeed passed away. And the next morning the New Yorker was the only publication with the wrong information. It seems likely Blore would have been particularly tickled with the irony of this last comedic bit in honor of his passing.Plot: Great Mausoleum, Columbarium of Consecration- Actor
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Stalwart, durable Monte Blue, a romantic leading man of the silent days, was born January 11, 1887, as Gerard Monte Blue (some sources indicate 1890, but his mother's application for his admission to the Soldier's and Sailor's Orphan's Home lists his birth date as January 11, 1887). Various sources have reported his first name as George or Gerald, but, again, in his mother's application, it is spelled Gerard. His father was killed in a railroad accident when Monte was eight and his mother could not support four children. He was admitted (along with another brother, Morris) to the orphanage at that time. There he built up his physique playing football. At one time or another the able-bodied gent was a railroader, a fireman, a coal miner, a cowpuncher, a ranch hand, a circus rider, a lumberjack and, finally, trekking west, he became a day laborer for D.W. Griffith's Biograph Studios.
Blue eventually became a stuntman for Griffith and an extra in The Birth of a Nation (1915), which was his first film. Griffith took him in and made him an assistant on his classic epic Intolerance (1916), where he earned another small part. Gradually moving to support roles for both Griffith and Cecil B. DeMille, Blue earned his breakthrough role as "Danton" in Griffith's Orphans of the Storm (1921) with sisters Lillian Gish and Dorothy Gish. He rose to stardom as a rugged romantic lead opposite Hollywood's top silent stars, among them Gloria Swanson, Clara Bow and Norma Shearer. He made a relatively easy transition into talkies as he had a fine, cultivated voice, but, at the same time, lost most of his investments when the stock market crashed in 1929. By the 1930s the aging star had moved back into small, often unbilled parts, continuously employed, however, by his old friend DeMille and Warner Bros. At the end of his life he was working as an advance man for the Hamid-Morton Circus in Milwaukee. He died of a coronary attack complicated by influenza in 1963.Plot: Great Mausoleum, Columbarium of Fidelity, N-15849- Actress
Brunette, buxom matinee idol Betty Blythe capitalised on the 'roaring 20's' infatuation with exotic screen sirens to achieve a brief period of stardom. She was, notoriously, one of the first actresses to ever appear nude (or in various stages of undress) on screen. It wasn't that Betty couldn't act, as well; in fact, she had studied art in Paris and at USC and had appeared on stage in a number of traditional plays like "So Long Letty" in both London and New York. In 1918, she joined a roommate on a visit to the Vitagraph Studio in Brooklyn and found immediate employment when one of the directors needed a leading lady. Two years later, she wound up in Hollywood, was signed by Fox Studios as a replacement for Theda Bara and became the protégée of J. Gordon Edwards (grandfather of Blake Edwards of 'Pink Panther' fame. She was eventually cast as the star of one of the most lavishly produced films of the decade, The Queen of Sheba (1921), directed, of course, by Edwards. Betty later recalled that she was given 28 costumes to wear, all of which would have fit comfortably into a shoe box. Alas, only a few stills of the movie survive, a fate shared by most of her other silent films.
Betty's career was put on hold when Edwards quarreled with Fox and left the studio. For a while, she freelanced, playing leads in films for lesser studios. She did have a couple of hits in England with Chu-Chin-Chow (1923) and She (1925), in addition to doing theatrical work, which helped her to smoothly make the transition from silent to talking pictures. By that time, however, public tastes had changed and Betty had aged sufficiently to be classified as a character actress. To her credit, she persisted and appeared in support in many an A-grade production, her swan song being a small role in the ballroom scene of My Fair Lady (1964).- True Boardman was born on 21 April 1880 in Oakland, California, USA. He was an actor, known for Tarzan of the Apes (1918), Stingaree (1915) and The Further Adventures of Stingaree (1917). He was married to Virginia True Boardman. He died on 28 September 1918 in Los Angeles, California, USA.Plot: Section L, L-148, space 1
- Virginia True Boardman was born on 23 May 1889 in Fort Davis, Texas, USA. She was an actress, known for A Blind Bargain (1922), The Road to Ruin (1934) and The Lady Lies (1929). She was married to True Boardman. She died on 10 June 1971 in Hollywood, California, USA.Plot: Great Mausoleum, Azalea Columbarium, Niche 36
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.Plot: Garden of Memory, Columbarium of Eternal Light (Locked area. Not accessible to the general public).- Actress
- Soundtrack
Lively, buxom character actress Mary Boland made a name for herself playing vacuous or pixilated motherly types during the 1930s. One of her most memorable performances was as the addle-brained Mrs. Rimplegar of Three Cornered Moon (1933), who gives away her family fortune to a swindler because he seemed like 'such a nice young man'. She also made a series of popular homespun comedies under contract to Paramount, in which she co-starred opposite Charles Ruggles. She was notable as a social snob in Ruggles of Red Gap (1935), the oversexed and alcoholic Countess DeLave in The Women (1939) and as Mrs. Bennet in MGM's classic Pride and Prejudice (1940). For all her scatty or matronly character roles in the movies, Mary Boland had once been a star comedienne on Broadway.
Born in Philadelphia, the daughter of traveling actor William A. Boland (who happened to be on tour at her birth), she was educated at Sacred Heart Convent in Detroit. At 25, Mary appeared in her first play, 'Strongheart', and was on Broadway two years later in 'The Ranger', with Dustin Farnum. She started in silent films in 1915, her debut being Thomas H. Ince's 'The Edge of the Abyss'. After a wartime interval, entertaining troops on the Western Front during World War I, she made a return to the stage and had notable successes with the comedies 'Clarence' (1919-20,with Alfred Lunt) as Mrs.Wheeler, 'Meet the Wife' (1923-24,with a young Humphrey Bogart) and 'Cradle Snatchers' (1925-26), starring as Susan Martin. These performances established her as one of theaters foremost comediennes, ideally cast as dithery wives and mothers, or social climbers.
Mary's film career ended in 1950 and she appeared in her last play, 'Lullaby', in 1954. She retired to live out the rest of her days in her suite at the Essex House in New York.Plot: Great Mausoleum, Sanctuary of Vespers- Actress
- Soundtrack
May Boley was born on 29 May 1881 in Washington, District of Columbia, USA. She was an actress, known for Tovarich (1937), Children of Pleasure (1930) and Moby Dick (1930). She died on 7 January 1963 in Hollywood, California, USA.Plot: Wee Kirk Churchyard, L-686- Considered one of the most beautiful actresses of the silent era, Olive Borden was a Mack Sennett bathing beauty at 15 and reached the peak of her career in 1926 when she made 11 films for Fox Studios and was earning $1,500 a week. Refusing to take a salary cut, Borden abruptly left Fox in 1928 and made only a few pictures for other studios before retiring from films in 1938. In 1943, she joined the WACS, and after her discharge, returned to Hollywood in a failed attempt to revive her career. At the time she was quoted as saying, "Since I got out of the Army I've gone from job to job. Something always goes wrong." By 1946 she was found scrubbing floors for a living and in 1947, at the age of 40, died of a "stomach ailment" at the Sunshine Mission - a home for destitute women on Los Angeles' Skid Row.Plot: Liberty, L-1772, space 1
- Gutzon Borglum was born on 25 March 1867 in Bear Lake, Idaho, USA. He was married to Mary Williams. He died on 6 March 1941 in Chicago, Illinois, USA.Plot: Under the Last Supper window, first on the right
- Actor
- Director
- Producer
Frank Borzage was born on 23 April 1894 in Salt Lake City, Utah, USA. He was an actor and director, known for Bad Girl (1931), 7th Heaven (1927) and No Greater Glory (1934). He was married to Juanita Scott, Edna Skelton and Rena Rogers. He died on 19 June 1962 in Hollywood, Los Angeles, California, USA.Plot: Garden of Everlasting Peace, L-5355- Bill Borzage was born on 4 March 1892 in Salt Lake City, Utah, USA. He was an actor, known for Way Down East (1935). He died on 7 June 1973 in Los Angeles, California, USA.Plot: Court of Freedom, lot #2354
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Hobart Bosworth--pioneering movie director, writer, producer and actor--was born Hobart Van Zandt Bosworth on August 11, 1867, in Marietta, OH. He was a direct descendant of Miles Standish and John and Priscilla Alden on his father's side and of New York's Van Zandt family, the first Dutch settlers to land in the New World, on his mother's side. Bosworth was always proud of his lineage.
After his mother died his father remarried and the young Hobart took a dislike to his stepmother. Convinced that he was "ill used and cruelly treated," as he told an interviewer in 1914, he ran away from home for to New York City. He signed on as a cabin boy on the clipper ship "Sovereign of the Seas" and was soon out at sea.
After his first voyage, a five-month affair that took him from New York to San Francisco, he spent his wages on candy. Sleeping it off on a bench in the park in back of Trinity Church, the young boy did not know that the organ music he was listening to as he dozed was being played by his very own uncle. A Captain Roberts, who found stevedore work for the lad, told him of his uncle's presence in San Francisco. He continued as a sailor, as the sea was in his family's blood, eventually spending three years at sea. "All my people were of the sea and my father was a naval officer," he told an interviewer. He spent 11 months on an old-fashioned whaler plying the Arctic region, then was employed doing odd jobs in San Francisco. After turns as a semi-professional boxer and wrestler, Bosworth tried ranching in Southern California and Mexico, where he learned to become an expert horseman. Finally, his interest in art led him to the stage.
Thinking he'd like to become a landscape painter, a friend suggested that Bosworth work as a stage manager to raise the money to study art. Acting on his friend's advice, Bosworth obtained a job with McKee Rankin as a stage manager at the California Theatre in San Francisco. With the money he made, he undertook the study of painting. Eventually he was pressed into duty as an actor with a small part with three lines. Though he botched the lines, he was given other small roles. Bosworth was 18 years old and on the cusp of a life in the theater.
He signed on with Louis Morrison to be part of a road company for a season as both an actor and as Morrison's dresser, playing William Shakespeare's "Cymbeline" and "Measure for Measure" (during his time with the company, Hobarth and another writer wrote a version of "Faust" that Morrison used for 20 years in repertory). By 1887 he was acting at the Alcazar Theatre in San Francisco, and became proficient enough on stage to give Shakespearean recitals in costume the following year. He had acted almost all of the famous characters in the Shakespearean canon by the time he was 21 years old, though he admitted that he was the worst Macbeth ever.
Bosworth eventually wound up in Park City, UT, where he was forced to work in a mine, pushing an ore wagon in order to raise money. He escaped the pits to tour with magician Hermann the Great as the conjurer's assistant for a tour through Mexico. For the first time in eleven years, the 21-year-old Bosworth met his father. Hobarth recalled, "[H]e looked at me and said 'Hum! I couldn't lick you now, son.'" They never met again.
Bosworth arrived back in New York in December 1888, and was hired by Augustin Daly to play Charles the Wrestler in "As You Like It." He did so well in the role that Daly kept him on. Bosworth remained with Daly's company for 10 years, in which he played mostly minor parts. Seven times while he was with the company it made foreign tours, playing in Berlin, Cologne, London, Paris and other European cities.
Eventually, being kept in small parts eroded his confidence, and Bosworth left Daly to sign on with Julia Marlowe, who cast him in leads in Shakespearean plays. Just as Bosworth began to taste stage stardom in New York, he was struck down with tuberculosis, a very serious ailment in the 19th century. Bosworth was forced to give up the stage, as he was not allowed to toil indoors. Though he made a rapid recovery, he returned to the stage too quickly and suffered a relapse. For the rest of his working life he had to balance his acting with periods of rest so as to keep his T.B. under control.
Bosworth re-established himself as a lead actor on the New York stage, appearing opposite the famous actress Minnie Maddern Fiske (Mary Augusta Davey) in the 1903 Boradway revival of Henrik Ibsen's "Hedda Gabler." He also appeared that year on the Great White Way as the lead in "Marta of the Lowlands," which was produced by Harrison Grey Fiske, Mrs. Fiske's husband. The role propelled him to Broadway stardom. However, he was forced again to give up the stage when he lost 70 pounds in ten weeks.
Moving to Tempe, AZ, to partake of the salubrious climate improved his chances of battling T.B., and eventually he got the disease under control. While he was not actually an invalid, he was forced to live like one and remain in a warm climate lest he suffer a relapse. The T.B. robbed him of his voice, but since he was no longer on stage, it didn't matter. There was a new medium for actors: motion pictures. Bosworth moved to San Diego, which had a reputation of having the most perfect climate in the continental United States, and in 1908 was contracted to make a film by the Selig Polyscope Co. Shooting was to be down in the outdoors, and he did not have to use his voice, which was in a poor condition. The arrangement was perfect for him. "I believe, after all, that it is the motion pictures that have saved my life," he recounted less than a decade later. "How could I have lived on and on, without being able to carry out any of my cherished ambitions? What would my life have meant? Here, in pictures, I am realizing my biggest hopes." Signing with Selig, Bosworth eventually spearheaded the movie company's move to Los Angeles. He is widely credited with being the star of the first movie made on the West Coast. Due to his role in pioneering California for the film industry, Bosworth often was referred to as the "Dean of Hollywood." He wrote the scenarios for the second and third pictures he acted in, and directed the third. According to his own count, he eventually wrote 112 scenarios and produced 84 pictures for Selig. Bosworth was attracted to Jack London's work due to his out-of-doors filming experience and the requirements of his health, which obviated acting in studios. "In all my reading I have never come across better material for motion picture plays than Jack London's stories, and I hope to go right through the whole lot."
In 1913 he formed his own company, Hobart Bosworth Productions Co., to produce a series of Jack London melodramas. He produced, directed and starred in the company's first picture, playing Wolf Larsen in The Sea Wolf (1913), with London himself appearing as a sailor. The movie was released in the U.S. by W.W. Hodkinson Corp. D.W. Griffith also released a Jack London picture earlier that year, Two Men of the Desert (1913), but Bosworth followed up "The Sea Wolf" with The Chechako (1914), with Jack Conway playing the lead as Smoke Bellew, the title character of the eponymous London novel the movie is based on. "The Chechako" and some of the subsequent Boswoth-London pictures were distributed through Paramount, the releasing arm of Famous Players-Lasky.
Conway also starred in the Bosworth-directed follow-up The Valley of the Moon (1914), in which Bosworth had a supporting role. He also appeared as an actor in John Barleycorn (1914), which he co-directed with J. Charles Haydon. He produced, directed, wrote and acted in Martin Eden (1914) and An Odyssey of the North (1914), playing the lead in the latter, which was released by Paramount. He finished up the series by producing, directing and playing the lead in the two-part "Burning Daylight" series: Burning Daylight: The Adventures of 'Burning Daylight' in Alaska (1914) and Burning Daylight: The Adventures of 'Burning Daylight' in Civilization (1914), both of which were released by Paramount.
Bosworth hooked up with the Oliver Morosco Photoplay Co., making its Los Angeles facility on North Occidental Boulevard his headquarters. Subsequently Bosworth Inc. and Oliver Morosco Photoplay were absorbed by Paramount in 1916. Between 1913 and 1921 Hobart Bosworth Productions produced a total of 31 pictures, most of which starred Bosworth. The company ceased operations after producing The Sea Lion (1921).
The merger with Paramount ended the period in Bosworth's creative life where he was a major force in the motion picture industry, which was undergoing changes as the industry matured and solidified. He directed his last picture even before the merger, The White Scar (1915), which he also wrote and starred in for Universal Film Manufacturing Co. After his own production company wound up, Hobart Bosworth began playing supporting roles as an actor. He divorced his first wife, Adele Farrington, in 1919, the year after their son George was born.
He survived the transition to sound. Aside from appearing in Warner Bros.' showcase film Show of Shows (1929), his talking picture debut proper was in the short subject A Man of Peace (1928) for Vitaphone, while his first sound feature was Vitaphone's Ruritania drama General Crack (1929), starring John Barrymore.
Though he appeared in small roles in A-list films, including some classics, Bosworth primarily made his living as a prominently billed character actor in "B" westerns and serials churned out by Poverty Row studios. In his roles in A and B pictures, he typically was typecast as a fatherly type, such as dads, clergymen, judges, governors and the like, though occasionally he got to play a heavy. His most memorable roles included playing John Gilbert's father in both King Vidor's classic The Big Parade (1925) and Clarence Brown's A Woman of Affairs (1928), and Conrad Nagel's father in Du Barry, Woman of Passion (1930). He also appeared in the Al Jolson vehicle Mammy (1930), directed by Michael Curtiz, and in the Little Rascals' only feature film, General Spanky (1936) (a flop).
In addition to Vidor, Brown and Curtiz, Bosworth worked with other great directors, including Ernst Lubitsch (in support of John Barrymore in Eternal Love (1929)), D.W. Griffith (playing Gen. Robert E. Lee in Abraham Lincoln (1930)), 'Frank Capra' (in Dirigible (1931)) and Lady for a Day (1933)) and John Ford (headlining Hearts of Oak (1924), starring in Hangman's House (1928) and playing the Chaplain in support of Will Rogers in Steamboat Round the Bend (1935)).
Bosworth had a featured role in the early science-fiction movie Just Imagine (1930) and played Chingachgook in support of star Harry Carey's Hawkeye in Mascot Pictures' serial The Last of the Mohicans (1932). As the sound era wore on, he was reduced to bit parts, frequently uncredited, in such A-pictures as the W.C. Fields comedy Million Dollar Legs (1932) and the Errol Flynn western They Died with Their Boots On (1941). He kept working until the year before his death, appearing in six films in 1942, including an uncredited bit role as a clergyman in support of Barbara Stanwyck in The Gay Sisters (1942), his penultimate picture. His last film was Universal Pictures' western Sin Town (1942), starring Constance Bennett and Broderick Crawford, which was advertised with the intriguing tagline "The Glory Hole of the Booming Oil Towns!"
Altogether, Hobart Bosworth acted in over 250 movies from 1908 to 1942, directed 44 known pictures from 1911 to 1915, and wrote 27 & produced 11 known pictures from 1911 to 1921. His actual count might be hundreds more.
Hobart Bosworth, the "Dean of Hollywood," died on December 30, 1943 of pneumonia in Glendale, CA. He was 76 years old. He was survived by his second wife, Cecile, and his son George.Plot: Great Mausoleum, Utility Columbarium, niche 4616, not accessible to the general public.- Actress
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Clara Gordon Bow, destined to become "The It Girl", was born on July 29, 1905 in Brooklyn, New York, and was raised in poverty and violence. Her often absentee and brutish father could not or did not provide and her schizophrenic mother tried to slit Clara's throat when the girl spoke of becoming an actress. Bow, nonetheless, won a photo beauty contest which launched her movie career that would eventually number 58 films, from 1922 to 1933.
The movie It (1927) defined her career. The film starred Clara as a shopgirl who was asked out by the store's owner. As you watch the silent film you can see the excitement as she prepared for her date with the boss, her friend trying hard to assist her. She used a pair of scissors to modify her dress to try to look "sexier." The movie did much to change society's mores as there were only a few years between World War I and Clara Bow, but this movie went a long way in how society looked at itself. Clara was flaming youth in rebellion. In the film she presented a worldly wisdom that somehow sex meant having a good time. But the movie shouldn't mislead the viewer, because when her boss tries to kiss her goodnight, she slaps him. At the height of her popularity she received over 45,000 fan letters a month. Also, she was probably the most overworked and underpaid star in the industry. With the coming of sound, her popularity waned. Clara was also involved in several court battles ranging from unpaid taxes to being in divorce court for "stealing" women's husbands. After the court trials, she made a couple of attempts to get back in the public eye. One was Call Her Savage (1932) in 1932. It was somewhat of a failure at the box office and her last was in 1933 in a film called Hoopla (1933).
She then married cowboy star Rex Bell at 26 and retired from the film world at 28. She doted on her two sons and did everything to please them. Haunted by a weight problem and a mental imbalance, she never re-entered show business. She was confined to sanitariums from time to time and prohibited access to her beloved sons. She died of a heart attack in West Los Angeles, on September 26, 1965 at age 60. Today she is finding a renaissance among movie buffs, who are recently discovering the virtues of silent film. The actress who wanted so much to be like the wonderful young lady in It (1927) has the legacy of her films to confirm that she was a wonderful lady and America's first sex symbol.Plot: Freedom Mausoleum, Sanctuary of Heritage- Actress
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A petite and extremely lovely blonde "B" film actress who eventually deserted her career in favor of standing by her man (cowboy icon William Boyd, aka, "Hopalong Cassidy"), Grace Bradley spent the rest of her life in his shadow and devoting herself to her husband's career. Bill's Hoppy was the longest span of any fictional character played by the same actor. Following his death in 1972, she spent a good deal of her time keeping his good name and image intact.
The former film lead and second lead was born in Brooklyn, New York, on September 21, 1913, and initially studied to be a concert pianist. At age 15 she played Carnegie Hall, representing the state of New York in one of its annual competitions for up-and-coming pianists. She took advantage of all her assets by modeling full time and taking singing/dancing lessons on the sly. She went on to act, sing, and dance on the Broadway stage in the musicals "Strike Me Pink" and "The Little Show".
While performing at the Paradise nightclub in Manhattan in 1933, she was "discovered" by a Paramount Pictures director and signed for films.
Out west, Bradley often was cast as an assertive "bad girl" or femme-fatale at Paramount with names like Goldie, Trixie, Flossie, Lily and Sadie.
Her first full-length movie was as a second lead in the Bing Crosby/Jack Oakie musical comedy Too Much Harmony (1933), in which she sang and danced to the feisty tune "Cradle Me With a Hotcha Lullaby". She subsequently appeared in the W.C. Fields classic Six of a Kind (1934); the Richard Arlen pictures Come On, Marines! (1934) and She Made Her Bed (1934); the Claudette Colbert/Fred MacMurray comedy The Gilded Lily (1935), and had the female lead opposite Bruce Cabot in Redhead (1934). Appearing secondary in the Bing Crosby/Ethel Merman version of Anything Goes (1936), her musical talents were tapped into with the films The Cat's-Paw (1934), Stolen Harmony (1935), Old Man Rhythm (1935), Sitting on the Moon (1936), and Wake Up and Live (1937). Elsewhere, various "B" male co-stars would include Wallace Ford, Lee Tracy, Jack Haley, John Boles, Robert Livingston, Jack Holt and Robert Armstrong.
In 1937, she happened to cross paths with William Lawrence Boyd, who became her literal "Prince Charming on a big white horse". She had harbored a long-time school-girl crush on the man and she was instantly smitten upon their first meeting. He was 42 and she 23. Their courtship was fast and furious. He asked her to marry him within a few days and they were married three weeks later on June 5th. Boyd had already been married four times, none of which lasted any longer than six years. She would become the fifth (and last) Mrs. William Boyd in a marriage lasting 35 years. The couple had no children together; Bill had one child from his third marriage.
Grace continued on with her cinematic career for a time. She appeared in the mystery Romance on the Run (1938) with Donald Woods; enjoyed top billing in the "B" crime drama The Invisible Killer (1939); supported heavy-duty singers Allan Jones and Susanna Foster in the musical romance The Hard-Boiled Canary (1941); and provided decorative diversion in the Jack London adventure Sign of the Wolf (1941) opposite Michael Whalen. Her last three pictures had the actress co-starring as Sadie McGuerin and mingling with cab company owners William Bendix and Joe Sawyer in the Hal Roach full-length comedies Brooklyn Orchid (1942), The McGuerins from Brooklyn (1942), and Taxi, Mister (1943). She then retired completely.
By 1944, Boyd's movie career had faltered and the couple sought the purchasing rights to his old movies and the identifiable Hoppy character. Selling their Malibu ranch home and moving to a Hollywood apartment, the risk paid off. By 1946 he had formed his own production company and began churning out new Hopalong Cassidy films and serials. They took the character to episodic television in 1948 and he became a hit all over again. "Hoppymania" burst onto the American scene with hundreds of products bearing his name and likeness becoming instant collectible items (lunch boxes, tee shirts, cowboy hats, cowboy boots, toy guns, etc).
Boyd retired from show business in 1953 now quite wealthy. He and his wife then moved to Palm Desert, California. In 1968, Boyd had surgery to remove a tumor from a lymph gland. From that point on, he refused all requests for interviews and photographs. Suffering from Parkinson's disease, he died as the result of heart failure in Laguna Beach, California, on September 12, 1972, at age 77.
Bradley went on to spend the last decades of her life devoting herself to volunteer work at the same hospital where her husband had died. She later withstood legal battles stemming from copyright infringements, although enjoyed appearing occasionally at Hopalong Cassidy tributes. The definitive biography Hopalong Cassidy, "An American Legend", was co-authored by Bradley and Michael Cochran in 2008.
Grace Bradley Boyd died of natural causes on her 97th birthday. She was interred next to her husband at Forest Lawn Memorial Park in Glendale, California.Plot: Great Mausoleum, Sanctuary of Sacred Promise- Actor
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The son of a day laborer, William Boyd moved with his family to Tulsa, Oklahoma, when he was seven. His parents died while he was in his early teens, forcing him to quit school and take such jobs as a grocery clerk, surveyor and oil field worker. He went to Hollywood in 1919, already gray-haired. His first role was as an extra in Cecil B. DeMille's Why Change Your Wife? (1920). He bought some fancy clothes, caught DeMille's eye and got the romantic lead in The Volga Boatman (1926), quickly becoming a matinée idol and earning upwards of $100,000 a year. However, with the end of silent movies, Boyd was without a contract, couldn't find work and was going broke. By mistake his picture was run in a newspaper story about the arrest of another actor with a similar name (William 'Stage' Boyd) on gambling, liquor and morals charges, and that hurt his career even more. In 1935 he was offered the lead role in Hop-a-Long Cassidy (1935) (named because of a limp caused by an earlier bullet wound). He changed the original pulp-fiction character to its opposite, made sure that "Hoppy" didn't smoke, drink, chew tobacco or swear, rarely kissed a girl and let the bad guy draw first. By 1943 he had made 54 "Hoppies" for his original producer, Harry Sherman; after Sherman dropped the series, Boyd produced and starred in 12 more on his own. The series was wildly popular, and all recouped at least double their production costs. In 1948 Boyd, in a savvy and precedent-setting move, bought the rights to all his pictures (he had to sell his ranch to raise the money) just as TV was looking for Saturday morning Western fare. He marketed all sorts of "Hoppy" products (lunch boxes, toy guns, cowboy hats, etc.) and received royalties from comic books, radio and records. He retired to Palm Desert, California, in 1953. In 1968 he had surgery to remove a tumor from a lymph gland and from then on refused all interview and photograph requests.Plot: Great Mausoleum, Sanctuary of Sacred Promise- Director
- Writer
- Actor
Charles Brabin was born on 17 April 1882 in Liverpool, England, UK. He was a director and writer, known for While New York Sleeps (1920), The Lights of New York (1922) and Breakers Ahead (1918). He was married to Theda Bara and Susie Jeanette Mosher. He died on 3 November 1957 in Santa Monica, California, USA.Plot: Great Mausoleum, Sanctuary of Communion, C-13378- Actor
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Edmund Breese was born on 18 June 1871 in Brooklyn, New York, USA. He was an actor and writer, known for Duck Soup (1933), Platinum Blonde (1931) and The Hurricane Express (1932). He was married to Genevieve Landry and Harriet A. Beach. He died on 6 April 1936 in New York City, New York, USA.Plot: Great Mausoleum, Unity Columbarium, Niche 11995- Casting Department
- Actress
Mozelle Britton was born on 12 May 1912 in Oklahoma City, Oklahoma, USA. She was an actress, known for The Fighting Ranger (1934). She was married to Thomas W. Gosser and Alan Dinehart. She died on 18 May 1953 in Los Angeles, California, USA.Plot: Great Mausoleum, Sanctuary of Golden Slumber, C-13950- The name may be hard-pressed to anyone but the most devoted film buffs, but dark-haired actor John Bromfield was a "B"-level leading man during the late 1950s. Possessed with a fine build and square-faced handsomeness, he was somewhat of a blend between Steve Cochran and Rory Calhoun, both 1950s hunks. During his heyday, John headlined a handful of mediocre sci-fi programmers, melodramas and westerns and was often seen in skimpy outfits (especially a swim suit) that showed off his fine physique. Born in South Bend, Indiana, in 1922 and christened Farron Bromfield, his strong athleticism and good looks were not lost on the picture business. By age 26 he was in Hollywood and a contractee of Paramount. His first feature film came in the form of a small role in the Barbara Stanwyck/Burt Lancaster film noir tingler Sorry, Wrong Number (1948) for Paramount. Following the minor documentary/adventure Harpoon (1948) at Paramount, he made his third film, Rope of Sand (1949). There he met his first wife, the delectable French actress Corinne Calvet, who was a co-star on the film and just starting to create an international stir. The couple married shortly after completing the film in 1948. The pairing proved beneficial for Bromfield and his career but the marriage itself lasted only five years. A featured performer in the early 1950s, he earned leading man status by 1955, but it was a very brief tenure. The pictures themselves were hardly the talk of the town, including The Big Bluff (1955), Frontier Gambler (1956), Three Bad Sisters (1956), Quincannon, Frontier Scout (1956), Manfish (1956) and Hot Cars (1956), and most of them fell by the wasteside. One of his films, however, managed to earn sci-fi "cult" status -- Revenge of the Creature (1955). At around this time he fell for dancer Larri Thomas while on the set of Curucu, Beast of the Amazon (1956) and married her shortly after filming. Following his last movie (and 20th feature) in Crime Against Joe (1956) with sultry singer Julie London, he switched mediums and corralled the title role (and mild stardom) in the syndicated TV western series The Sheriff of Cochise (1956), which was later retitled "U.S. Marshal" during its third season. In 1959, his second marriage ended after only 3 years and his western series soon bit the dust as well. Unfulfilled with his life as an actor, John abruptly retired in 1960, finding renewed interest as a commercial fisherman. A hunting enthusiast most his life, he was an emcee at Chicago's annual Sportsman's Show in the 1980s. Not much else was heard until his recent passing from kidney failure on September 18, 2005, at the age of 83. He is survived by his third wife.
- Betty Bronson's discovery reads like a Hollywood dream. As a New Jersey teenage bit-player, she was rocketed from obscurity when she was chosen to play the part of Peter Pan in 1924's Peter Pan (1924). She was hand-selected by author J.M. Barrie and beat several Hollywood superstars to the part, most notably Gloria Swanson and Mary Pickford. Pickford, though nearly 30, had built a career out of playing such parts, and faced the first serious threat to her status as "America's Sweetheart". Betty's beautifully expressive performance and unsophisticated looks earned her instant success. For the year following "Peter Pan"'s release, Bronson-mania easily equaled the sort of hysteria previously reserved only for Pickford.
Unfortunately, Bronson's studio seemed unsure of how to exploit this talent, which was wasted in small or unchallenging roles. "Peter Pan"'s 1925 follow-up, A Kiss for Cinderella (1925), seemed destined for the same success--but instead was a major flop. In only one year the public taste had changed so much as to render the sentimental entertainment of yesteryear obsolete. Had Bronson emerged ten years earlier she would have been a worthy competitor to Pickford; in 1925, audiences were suddenly more interested in the more adult charms of flappers such as Clara Bow and Colleen Moore. Betty, too, was re-launched as a flapper, sophisticate and occasional period dame. Her career was moderately successful but her superstardom had subsided. She sparkled and demonstrated an excellent voice in her first sound appearance (The Singing Fool (1928) with Al Jolson) but it became clear that her formidable skills as a pantomimist was wasted in the new form. She retired in 1933 to marry, and only appeared on-screen intermittently thereafter.Plot: Meditation, L-740 - Actor
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After passing his screen test, Rand Brooks played a bit role in the 1938 film Love Finds a Way. He then found several other roles before landing the part of Charles Hamilton in Gone with the Wind. He went on to play small roles in films such as Laddie, And One was Beautiful, The Son of Monte Cristo, Jennie, Niagara Falls, among others. Beginning in 1946, he took over the role of Hopalong Cassidy's youthful sidekick, Lucky, and played in twelve of the feature films. Among these, which starred William Boyd as Hoppy, were The Devil's Playground, Fool's Gold, Unexpected Guest, Dangerous Venture, and Hoppy's Holiday. Brooks continued playing roles in films throughout the 1940s and into the 1950s, which also started his television career. He made co-starring appearances on series such as The Roy Rogers Show, Highway Patrol, Lassie, Wagon Train, Maverick, The Real McCoys, The Adventures of Rin Tin Tin, Bat Masterson, Laramie, Gunsmoke, The Munsters, Perry Mason, Columbo, and Bonanza, as well as nine episodes of The Lone Ranger, where he began a friendship with Clayton Moore. In 1966, Rand Brooks started Professional Ambulance Service in Glendale, California, with two used ambulances and a credit card. By 1977 his company had become the largest private ambulance 9-1-1 paramedic provider in Los Angeles County. During his ownership the company received dozens of awards and commendations and was widely recognized as one of the finest ambulance services in the country. In 1995 Brooks sold it to corporate giant American Medical Response. He lived at his ranch in Santa Barbara County with second wife Hermine, a former executive with his company, until his death in 2003. Brooks has two children; a daughter and a son, Rand Brooks Jr., who owns a trucking company in Los Angeles. Brooks can be seen portraying a police officer in the two-hour premier episode of the television series Emergency! (1972), which was first aired in January of 1972 on NBC. Rand Brooks' acting career spanned over 140 films and television series, as well as writing, producing, and directing one film called Legend of the Northwest.Plot: Garden of Honor, Columbarium of Courage, Garden Niche G-1066 (locked area)- Director
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- Editor
Clarence Leon Brown was the son of Larkin Harry and Catherine Ann (Gaw) Brown of Clinton, Massachusetts. His family moved to Knoxville, Tennessee, when he was 12 years old. He graduated from Knoxville High School in 1905 and from the University of Tennessee with a B.A. in mechanical and electrical engineering in 1912. After graduation Brown settled in Alabama, where he operated a Stevens Duryea dealership called the Brown Motor Car Co. He soon tired of the car business and, fascinated by the movies, moved to New Jersey to study with French director Maurice Tourneur at Peerless Productions in Fort Lee.
During his career Brown directed or produced more than 50 widely-acclaimed full-length films--many during his long association with prestigious MGM--and worked with many of the industry's most illustrious performers. He also maintained close ties with the University of Tennessee, donating the money necessary to construct the institution's Clarence Brown Theatre during the 1970s and an additional $12 million after his death.Plot: Statue niche 2352 [unmarked]- Actor
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Joe E. Brown happily claimed that he was the only youngster in show business who ran away from home to join the circus with the blessings of his parents. In 1902, the ten-year-old Brown joined a circus tumbling act called the Five Marvellous Ashtons that toured various circuses and vaudeville theaters. Joe later began adding comedy bits into his vaudeville act and added more as it became popular. In 1920 he debuted on Broadway in an all-star review called "Jim Jam Jems". As he developed skits and comedy routines throughout the 1920s, he built up his confidence and his popularity soared. The same could not be said for his debut in movies. Hired for a non-comedy role in The Circus Kid (1928), he played a lion tamer whose fate is death. He didn't register with the public until he signed with Warner Brothers in 1929 to do comedy roles in the film adaptations of Broadway shows such as Sally (1929) and Top Speed (1930). Joe would be well known for his loud yell, his infectious grin and his cavernous mouth. Since many of his films revolved around sports, his natural athletic ability, combined with the physical comedy, made them hits. In Local Boy Makes Good (1931), Joe played a botanist who becomes a track star. As he had briefly played semi-pro baseball, he was a natural for films like Fireman, Save My Child! (1932), in which he played a pitcher who was also a fireman. Two of his biggest hits also involved the game of baseball, Elmer, the Great (1933) and Alibi Ike (1935). In his contract with Warners, he had it written that he would have his own baseball team at the studio to play when he was able. Joe was one of the top ten moneymaking stars for 1933 and 1936. In 1937, he left Warners to make films for David L. Loew, and it was a disaster. Most of the films were cheaply made with poor production values, and only a few were successful. Two of the better ones were Riding on Air (1937) and The Gladiator (1938). Brown always called signing with Loew his biggest professional mistake, and with Loew his popularity fell. By the end of the 1930s he was working in "B" material, which would have been unimaginable less than five years earlier. With the advent of World War II, Joe worked tirelessly to entertain the troops while his film career floundered. Their enthusiastic response enabled Joe to overcome the death of his son, Captain Donald Brown, on a training flight. In 1947 Joe was back in the biz and back on stage in a road company tour of the comedy "Harvey". His first movie role in three years was as a small-town minister in the drama The Tender Years (1948). Even though he gave a good performance, it would be another three years before he was again on the big screen, in the big-budget 1951 remake of Show Boat (1951), in which he played Cap'n Andy Hawks. When his film career became almost nonexistent, Joe worked on radio and in television. He starred as the clown in the drama The Buick Circus Hour (1952) from 1952 to 1953 and made guest appearances on a number of other shows in the 1950s and early 1960s. His peers regarded him as one of the few truly nice people in Hollywood. After a few small movie roles in the 1950s, he was discovered by a new generation as the millionaire Osgood Fielding III in Billy Wilder's classic Some Like It Hot (1959), uttering the immortal last line of the film, "Well, nobody's perfect."Plot: Sunrise Slope, ornate marble statue/display towards the far south-west end of the section.
GPS coordinates: 34.1219902, -118.2477722 (hddd.dddd)- Actor
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An All-American halfback while attending the University of Alabama, Johnny Mack Brown chose the silver screen over the green grass of the football field when he graduated. Signed to a contract with MGM in 1926, Brown debuted in Slide, Kelly, Slide (1927) with William Haines in a film about - baseball. This was followed by The Bugle Call (1927), which starred the fading Jackie Coogan. In 1928 he appeared in the last Norma Shearer silent film, A Lady of Chance (1928). After that, he worked with Greta Garbo, Marion Davies and Mary Pickford. His muscular good looks only carried him so far in films, however, and by 1930 he had yet to find his place. At MGM Clark Gable was taking the roles that Brown was up for, so he went into a western for director King Vidor, Billy the Kid (1930). While Vidor did not want him for the part to begin with, the picture was successful; however, Brown's career at MGM soon ended. By 1933 he was still making westerns, but they were for low-rung studios like Mascot. More westerns at even lower-rung Supreme Pictures followed, as well as serials like Wild West Days (1937) at Universal. In 1943 Brown took his boots over to Monogram Pictures, where he made over 60 westerns. He started off as "Nevada Jack McKenzie" in the Rough Riders series, but the name soon changed to Johnny. As with most of the early cowboy stars, he was a hero to millions of young children and consistently among the top ten money-makers in westerns from 1942-50. The bubble burst, though, just as it did for Allan Lane, in 1953, as the days of the "B" western came to an end.Plot: Court of Freedom, Columbarium of Heavenly Peace- Actor
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Karl Bruck was born on 16 March 1906 in Vienna, Austria-Hungary [now Austria]. He was an actor, known for Star Trek (1966), Paint Your Wagon (1969) and The Young and the Restless (1973). He died on 21 August 1987 in Los Angeles, California, USA.Plot: Freedom Mausoelum, Columbarium of Blessedness, Niche #37533- When John Bunny died the New York Times stated, "The name John Bunny will always be linked to the movies." Little did movie fans of 1915 realize that he would be completely forgotten the next year and completely omitted from many books on silent movies 70-80 years later.
Bunny was the ninth in a line of English sea captains and would be the first not to follow in that profession. He attended St. James High School in Brooklyn and worked as a grocery clerk before running away in the late 1800s to discover the world of entertainment and appear in a small touring minstrel show. He became involved in theater and appeared in musical comedies such as "Old Dutch" with Hattie Williams and Lew Fields. He also worked as a stage manager for various stock companies. Bunny's rebellious nature took over again and he quit the theater to become involved in the "flickers". This was a very bold step. Not only was it a major step down for a "legitimate" stage actor to go into the movies at that time, but Bunny took a pay cut from $150 to $40 a week to work for Vitagraph in 1910. He made more than 250 shorts for Vitagraph over five years and become the best known face in the world.
Bunny always said that he did not aim to be a comedian, but with his short, gnome-like appearance and a weight approaching the 300-pound mark, he wound up taking advantage of these features to play comedy (he once asked rhetorically, "How could I play Romeo with a figure like mine?"). Bunny's co-star for the majority of his films was Flora Finch, who contrasted with Bunny's figure by being tall and thin. They usually appeared as Mr. & Mrs. Bunny. Their shorts were referred to as "Bunnygraphs" and "Bunnyfinches". They stayed away from physical comedy and dealt with relationships, usually the man getting away with something that his wife disagrees with.
Bunny even traveled to England to make a version of Charles Dickens' "Pickwick Papers". He decided to go back on the road with "John Bunny in Funnyland", but it was not a success. Not only did the show fail, but he was tired and ill. He talked to Vitagraph about restarting his film career, but it was too late. The man who led an adventurous life--he raced horses and flew airplanes--died at his home at 1416 Glenwood Road in Brooklyn of Bright's Disease in 1915. His funeral was held at the Elks Club House on West 43rd St. After just five years in the business, Bunny was gone and forgotten. The news of his death was heard around the world. He was so popular in Russia they created a series with an impersonator using the name "Poxon" after Bunny died. Bunny had two children, George (dec. 1958) and John (dec. 1971) Sadly, only a handful of Bunny's films survive. The one most available is the popular A Cure for Pokeritis (1912).Plot: Garden of Honor, Columbarium of the Evening Star - Young and full of promise, Paramount contract player Helen Burgess possessed a lovely, sweet-faced quality, but made only four films during her lifetime. Born April 26, 1916, the rather demure Portland, Oregon beauty was given an auspicious debut in Cecil B. DeMille's epic bio-western The Plainsman (1936). Discovered by DeMille himself with only brief stage experience behind her, the film starred Gary Cooper as Wild Bill Hickok and Jean Arthur as Calamity Jane. Helen was fifth billed as Louisa Frederici Cody, the young bride of Wild West showman Buffalo Bill Cody, played by James Ellison.
Helen went on to co-star in lesser "B" pictures, one opposite George Bancroft in the drama A Doctor's Diary (1937), and a second femme lead in King of Gamblers (1937) supporting Claire Trevor. She was busy filming her fourth movie Night of Mystery (1937) when she caught a chill that resulted in a serious cold. This, in turn, developed into lobar pneumonia. Helen died in Beverly Hills on April 7, 1937, weeks before reaching her 21st birthday, and only months after the release of her first and best known film "The Plainsman." One can only wonder what was in store for this future star. She was buried in Forest Lawn Memorial Park in Glendale, California.Plot: Sunrise Slope, Lot 3721, Space 4 - Actor
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After growing up in a small Arkansas town, Bob Burns qualified as a civil engineer, but also worked as a salesman, farmed peanuts, and in World War I was a Marine sergeant and champion rifleman. His great interest from boyhood was music, and from 1911 his main career was in entertainment. He played musical instruments including his trademark "bazooka", led bands, and did blackface comedy in vaudeville, carnivals, and appeared in early talking films. In 1931 he began a long career in radio, his first real success in 1935 leading to a six year stint on Bing Crosby's Kraft Music Hall show and ultimately (1941-47) his own program, playing the bazooka and telling tall tales about mythical hillbilly relatives like Uncle Fud and Aunt Doody. His association with Crosby led to a long-term movie contract at Paramount, for 12 popular films beginning with Rhythm on the Range (1936). His film character was a slow talking, philosophical, bazooka-playing hillbilly or bumpkin who may have looked gullible, but eventually outwitted the city slickers. Despite this stereotyped character, Bob did draw the line somewhere; he and Paramount parted ways after he refused to appear in a proposed 1941 film which he felt would ridicule "the people of his native hills". He made a few films for other studios, then retired from the entertainment field in 1947. Land investment had made Bob rich, and he spent his last years on his 200-acre model farm in Canoga Park, California.Plot: Great Mausoleum, Adoration Columbarium, niche #23199- Actor
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George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.Plot: Freedom Mausoleum, Sanctuary of Heritage- Actor
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Francis X. Bushman was born on 10 January 1883 in Baltimore, Maryland, USA. He was an actor and director, known for Sabrina (1954), The Phantom Planet (1961) and Ben-Hur: A Tale of the Christ (1925). He was married to Iva Millicient Richardson, Norma Emily Atkin, Beverly Bayne and Josephine Fladine Duval. He died on 23 August 1966 in Pacific Palisades, California, USA.Plot: Freedom Mausoleum, Sanctuary of Gratitude- Director
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David Butler was born on 17 December 1894 in San Francisco, California, USA. He was a director and actor, known for You'll Find Out (1940), Look for the Silver Lining (1949) and If I Had My Way (1940). He was married to Elshie H Schulte. He died on 14 June 1979 in Arcadia, California, USA.Plot: Sunrise Slope, Lot 3424- Handsome, hairy-chested Ralph Byrd had an 18 year career in Hollywood both as a leading man and as a character actor, though he is best remembered for his role as Chester Gould's comic strip detective, Dick Tracy, in several movie serials and on television (first for ABC and then in a syndicated series). During his film career he was a contract player for RKO and 20th- Fox. A serious auto accident slowed down his film career in the late 1940s, but he returned to the role of Tracy and worked steadily until his untimely death of a heart attack. His survivors were his widow, the actress Virginia Carroll, and his daughter, Carol, 13 at the time of his death.Plot: Eventide, Lot 3195, Space 1
- Alice Calhoun, of Cleveland, OH, was one of those rare actresses who didn't get into the film industry through the usual procedure at the time--the stage. In fact, performing on stage held no interest whatsoever for her, but films did. She traveled to New York in the late 1910s to break into the movies, because at that time the East Coast was the center of the motion picture business. Pathe Pictures expressed an interest in the pretty young Cleveland girl, but because she had no acting experience at all, the studio gave her some dramatic training by putting her into several Broadway plays, among them 1917's "How Could You, Caroline?" She was eventually given film roles, and after smaller parts in several pictures, she was given her own starring vehicle, Princess Jones (1921), which was a big success. She appeared in almost 50 films altogether over her career, but only her last, Now I'll Tell (1934), was a talkie. She retired after that one. She died of cancer in Los Angeles in 1966.Plot: Garden of Ascension, Little Garden of Faithfulness
- George Calliga was born on 2 January 1897 in Bucharest, Romania. He was an actor, known for The Knave of Diamonds (1921), The Woman with the Fan (1921) and Because of You (1952). He died on 18 January 1976 in Los Angeles, California, USA.Plot: Garden of Memory, Columbarium of Eternal Light, N-496 (private locked area)
- Actress
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Raucous singing and yodeling and loads of cornpone humor was pretty much the whole shebang when it came to singer/comedienne Judy Canova. Her outlandish image may be considered tacky and/or offensive by today's measure, but back in the 1930s and 1940s it really worked! By the time she left the limelight after five decades, Judy had scored in almost every major area of entertainment there was -- vaudeville, nightclubs, recording, Broadway, radio, film and TV.
Born Juliette Canova to Joseph Francis, a cottonbroker, and Henrietta Perry Canova in Starke, Florida (near Jacksonville), her singing mother encouraged all her children to perform. Judy, the youngest of the Canova brood, eventually joined older siblings Anne and Zeke in a singing vaudeville and radio act. They billed themselves as the Three Georgia Crackers in and about Florida. As she got older, Judy hoped to attend the Cincinnati Conservatory of Music, but the Depression left her with no option but to try out the sibling act out in New York. The foursome (which now included brother Pete) found radio work and made their Broadway debut in the revue "Calling All Stars" in 1934. Judy herself became a solo singer on Rudy Vallee's radio show, then worked with bandleader Paul Whiteman on his series as a hayseed comedienne. Like another famous Judy from a family group (Judy Garland), Judy was the youngest in the act and an inveterate scene-stealer. She sang, she joked, she mugged, she yodeled, and even played guitar. On her own she was showcased in the Ziegfeld Follies of 1936 and went on to star in her own 1939 Broadway show, "Yokel Boy," with siblings Anne and Zeke supporting her.
Capitalizing on her angular figure, rubbery face, almond-shaped eyes and tunnel-wide mouth, Judy made herself up to be purposely homely. Her persona was defined in part by her first husband, Bob Burns. Burns was a nationally-known cracker-barrel radio and film personality during the 1930s and 1940s and recognized by his own hillbilly origins as "The Arkansas Traveler" and "The Arkansas Philosopher." The couple were married in 1936 but the marriage lasted only three years. Judy quickly became a crowd favorite as your man-lovin', pigtail-braidin', straw hat-wearin' country bumpkin.
An offer from Warner Bros. led to films. She and siblings Zeke, Anne and Pete first cavorted in a Ruth Etting musical short The Song of Fame (1934), then made their feature film debut courtesy of director Busby Berkeley clowning around with the song "The Lady in Red" in In Caliente (1935). Brother Pete quit the act at this point and Judy began appearing solo in other showy specialty or acting bits in movies. Promoted as a rowdy Ozark version of Martha Raye, Judy signed with the lesser studio, Republic Pictures, in 1940 for some starring vehicles. In the meantime she recorded for the RCA Victor label while putting out about a dozen Hollywood films.
Scatterbrain (1940) was Judy's first leading film role and was backed by a hillbilly-goes-to-Hollywood storyline. An acquired taste to be sure, Judy's fans nevertheless loved her as the misfit title role in Sis Hopkins (1941) with her hick-amid-the-wealthy antics to carry it off. She and Slim Summerville teamed up to battle city slickers in Puddin' Head (1941) and Joe E. Brown was a fine, zany partner for her in both Joan of Ozark (1942) and Chatterbox (1943). Some war-era fun was to be had by Judy, Jerry Colonna and Ann Miller in True to the Army (1942) and one of Judy's better showcases would come with Sleepytime Gal (1942), which was backed by a young Jule Styne score.
In 1943, Judy began her own radio program, "The Judy Canova Show", which would run for 12 years - first on CBS and later on NBC. Playing pretty much herself, she was backed by a fine array of radio talent including vocal icon Mel Blanc, Ruby Dandridge (Dorothy's mother), Joseph Kearns (Mr. Wilson of TV's Dennis the Menace), Gale Gordon (Mr. Mooney of "The Lucy Show"), Sheldon Leonard and Hans Conried (both from "The Danny Thomas Show"). Dubbed "The Ozark Nightingale", Judy's pigtails-and-calico fad was huge on WWII-era college campuses across the country. A patriotic Judy would typically close her radio show with the song "Goodnight, Soldier" while selling U.S. War Bonds. She also made frequent appearances on other popular radio programs of the day, including Bud Abbott and Lou Costello and Fred Allen's shows.
Although her films were mostly enjoyed by undemanding audiences, they were pretty much dismissed by the critics. As a result, she slowed down her film schedule in 1946 to focus on her radio show and raising her children (daughters Julieta Canova England (the latter nicknamed "Tweeny") and Diana Canova. After starring as herself in Carolina Cannonball (1955) and Lay That Rifle Down (1955), she completely abandoned the movies. Her radio program also ended in 1955. While Canova found some guest shots on such TV shows as "The Colgate Comedy Hour," "Make Room for Daddy" and "Alfred Hitchcock Presents", she decided to try and extend things by forming her own TV production Company, Caravan, Inc. in 1957.
By this time, however, her bucolic buffoon had lost its strong fan base and her career dovetailed. She later suffered personal setbacks as well as ill health and her "comebacks" were brief and erratic in nature. She did portray Mammy Yokum in a TV pilot version of Li'l Abner (1967) which starred hunky Sammy Jackson and Jeannine Riley (from "Petticoat Junction" fame), in the leads but it didn't sell. Judy's occasional work included Las Vegas nightclubs in the early 1970s; she also did a tour of "No, No Nanette" in 1971.
Married four times, daughter, Diana Canova, from her last marriage (1950-1964) to musician and radio/talk show host Filberto Rivero, became an actor in her own right and popular ensemble member of the popular sitcom Soap (1977). In 1983, Judy died from cancer at age 69 and was buried in Forest Lawn Memorial Park Cemetery in Glendale, California. The beloved Judy has been honored with two stars on the Hollywood Walk of Fame for her contributions to both film and radio.Plot: Garden of Memory, Columbarium of Everlasting Light- Actor
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Eduardo Cansino was born on 2 March 1895 in Seville, Spain. He was an actor, known for The Loves of Carmen (1948) and Ramar of the Jungle (1952). He was married to Volga Hayworth. He died on 24 December 1968 in Pompano Beach, Florida, USA.Plot: Ascension, L-7635- June Caprice was born Helen Elizabeth Lawson in Arlington, Massachusetts on November 19, 1895. Her parents, Anna and Peter Lawson, were both born in Norway. June was educated at the Boston Conservatory of Music and began her acting career on the stage. At age 16 the blue-eyed blonde won a Mary Pickford lookalike contest and was then discovered by producer William Fox, who offered her a contract and promised to make her one of Hollywood's biggest stars. In 1916 she made her film debut in "Caprice Of The Mountains." She had starring roles in more than a dozen films at Fox including "A Small Town Girl", "Child Of The Wild", and "Every Girl's Dream", almost always cast as a innocent ingenue. The petite actress was just five feet two inches tall and weighed 105 pounds. She appeared on numerous magazine covers and by 1918 was getting more fan mail than any other actress at the studio. During World War I she volunteered as a nurses aid.
After leaving Fox in 1919 she starred in the dramas "Rogue and Romance" and "The Love Cheat." She also modeled for Coca Cola calendars. In 1920 June married Harry F. Millarde, who had directed her in several films; soon after she decided to quit acting. Her final role was in the 1921 serial "The Sky Ranger." She gave birth to daughter June Elizabeth on June 29, 1922, and for the next decade she devoted herself to being a wife and mother. Tragically, in 1931 her husband Harry died from a heart attack, and she and her daughter moved in with her parents in Los Angeles. Then in her late thirties she was diagnosed with cancer; her health quickly deteriorated and she died on November 9, 1936 at only 40 years old. She was buried at Forest Lawn Memorial Park in Glendale, California. Her 14-year-old daughter June Elizabeth Millarde was raised by her grandparents; she later changed her name to Toni Seven and became a model and actress.Plot: Sanctuary of Gratitude, C-6063 - Actress
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Ora Carew was born Ora Whytock in Salt Lake City, Utah on April 19, 1893. When she was 22 years old Ora played in her first film production of SAVED BY THE WIRELESS in 1915. Her work in the silent film industry was, for the most part, sporadic. She wanted roles her fellow actresses received, but the plum roles went to better, more established actresses. But Ora toiled on. She continued in the mediocre roles while at times she would get a part with a little more substance to it. AFter COLD FURY in 1925, Ora retired from the film industry. She died in Los Angeles, California on October 26, 1955. She was 62 years old.Plot: Garden of Memory, Columbarium of Sunlight (private locked area)- Actor
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Nat Carr was born on 12 August 1886 in Poltava, Russian Empire [now Ukraine]. He was an actor and writer, known for The Talk of Hollywood (1929), 50 Million Frenchmen (1931) and Bank Alarm (1937). He was married to Gertrude Viola White. He died on 6 July 1944 in Hollywood, California, USA.Plot: Masonic, L-379 (Section M)- Actor
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When Jack Carson arrived in Hollywood in 1937, he found work at RKO as an extra. His first major acting role came alongside Humphrey Bogart in the romantic comedy Stand-In (1937). After a few years, he developed into a popular character actor who would be seen in a large number of comedies, musicals and a few westerns. Not happy with the direction his career was heading, he went to Warner Brothers in 1941, where the quality of his supporting roles improved. It also did not hurt to be in films that starred James Cagney, such as The Strawberry Blonde (1941) and The Bride Came C.O.D. (1941).
After three years, he starred with Jane Wyman in Make Your Own Bed (1944) and, again, in The Doughgirls (1944). Carson would play the nice guy with the heart of gold who was still a nice guy even when he was angry. He would take the double take and the quizzical look to a higher level, but he could also act in dramas. He provided a good portrayal of "Albert" in The Hard Way (1943) and was acclaimed for his performance in Mildred Pierce (1945). However, it was comedies that provided most of his work. He teamed up with his old friend, Dennis Morgan, for several films in the tradition of Bob Hope and Bing Crosby. It was in the 1940s that Carson would become popular as a wisecracking comedian on radio. This would lead him to television work in the 1950s, where he was one of 4 rotating hosts on All Star Revue (1950), until 1951, when he had left the show and the title was changed to "All Star Revue".
He hosted and performed on The Colgate Comedy Hour (1950) from 1952-55. He would also help host The U.S. Royal Showcase (1952). He would appear on a number of shows during the 1950s, one of his most remembered being an episode of The Twilight Zone (1959), where he played a somewhat shady used-car salesman who came into possession of an old Model-A Ford that was "haunted" in that whoever owned it had to tell the truth, whether he wanted to or not. Although his movie career slowed in the 1950s, he still appeared in a number of prestige pictures, such as A Star Is Born (1954) with Judy Garland, The Tarnished Angels (1957) with Rock Hudson and Cat on a Hot Tin Roof (1958) with Paul Newman.
Collapsed in August 1962 while in rehearsal for the play "Critic's Choice." An early diagnosis deemed it a stomach "disorder," but two months later, cancer was discovered while he was undergoing an unrelated operation.Plot: Great Mausoleum, Columbarium of Memory, 3rd Bay, niche 19676- Emma Carus a beautiful and highly well-known contralto singing star who was in the cast of the original Ziegfeld Follies, frequently sang in vaudeville and Broadway theatre's in many musical dramas, appearing in 'Rally Round the Flag' at the Union Square Theatre in 1897. She appeared in only one film as herself in a short with some of the most popular celebraties of the day such as George M. Cohan, James J. Corbett, Marie Dressler, Eddie Foy and Annie Oakley and many more made by the Vitagraph Film Company in 1910. In 1911, Carus is said to have been largely responsible for helping introduce and popularize Irving Berlin's first major hit song 'Alexander's Ragtime Band' in Chicago, it especially became identified with her. Carus returned for a fourth year on the interstate Vaudeville circuit in 1914, this time she was accompanied by a dance partner, Carl Randall, she had a new stock of songs that included 'an Irish Suffragette'. Also notable for songwriting herself which includes 'Would You Be Satisfied Sally...' and also 'In the War of Hearts and Eyes'.Plot: Great Mausoleum, Daffodil Corridor, Crypt 2328
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William Castle was born on 24 April 1914 in New York City, New York, USA. He was a director and producer, known for Homicidal (1961), House on Haunted Hill (1959) and The Lady from Shanghai (1947). He was married to Ellen. He died on 31 May 1977 in Los Angeles, California, USA.Plot: Ascension, L-8238- Actor
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Glen Cavender was born in Tucson, Arizona, USA. He was an actor and director, known for [=tt0017925], [=tt0463180] and The Man from Brodney's (1923). Before he went into the movies he was a soldier of fortune. He served in the Boer war, in Cuba and in the Philippines. Also, served in China during the Boxer rebellion during which earned the medal of the French legion of honor. The French officer leading the combined sortie of French and American troops was shot in the storming of Tsin Tsin and Cavender took his place. He claimed that his military experience help with the role of Pancho Villa in [=tt0008738] even if it was a comedy. He was married to Hazel Chene. He died on February 9, 1962 in Hollywood, California, USA.Plot: Great Mausoleum, Columbarium of the Dawn- Actor
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After military service during the First World War, Chandler studied at the University of Illinois, financing his studies by playing jazz violin in a band. During the early 1920's, he returned to the vaudeville circuit and began in films from 1928. Most of his early efforts were short one- and two-reel comedies, arguably his best being The Fatal Glass of Beer (1933) with W.C. Fields. While he mostly appeared in comedy and had countless bit parts, he later proved that he could handle meatier assignments, such as the simple-minded husband of Ginger Rogers, Amos, in Roxie Hart (1942). George was a protege of director William A. Wellman , who used him in twenty of his films.
On television, he made his mark as the jovial, well-remembered Uncle Petrie in Lassie (1954). He also had many good guest spots in other series, a particularly enjoyable one being the old man who sells a haunted Model A to dubious second-hand car dealer Jack Carson(with interesting results) in The Twilight Zone (1959) episode 'The Whole Truth' (1961). Prior to replacing Ronald Reagan as president of the Screen Actor's Guild, Chandler had been treasurer for twelve years (1948-60).Plot: Great Mausoleum, Sanctuary of Heavenly Promise, C-14103