200+ actors, actresses, directors, writers, composers,...
List activity
3.4K views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
236 people
- Actress
- Writer
- Soundtrack
Anna Magnani was born in Rome, Italy (not in Egypt, as some biographies claim), on March 7, 1908. She was the child of Marina Magnani and an unknown father often said to be from Alexandria, Egypt, but whom Anna herself claimed was from the Calabria region of Italy although she never knew his name. Raised in poverty by her maternal grandmother in Rome after her mother left her, Anna worked her way through Rome's Academy of Dramatic Art by singing in cabarets and night-clubs, then began touring the countryside with small repertory companies.
Although she had a small role in a silent film in the late 1920s, she was not known as a film actress until Doctor, Beware (1941), directed by Vittorio De Sica. Her break-through film was Roberto Rossellini's Rome, Open City (1945) (A.K.A. Open City), generally regarded as the first commercially successful Italian neorealist film of the postwar years and the one that won her an international reputation. From then on, she didn't stop working in films and television, winning an Academy Award for her performance in the screen version of Tennessee Williams' The Rose Tattoo (1955), a part that was written for her by her close friend Williams. She worked with all of Italy's leading directors of the 1950s, 1960s and 1970s.
She was renowned for her earthy, passionate, woman-of-the-soil roles. She and Rossellini were lovers for some years after Open City, until he began his infamous affair with Ingrid Bergman. She had one child, Luca, with Italian actor Massimo Serato. The boy was later stricken with polio and Magnani dedicated her life to caring for him. Her only marriage, to Italian director Goffredo Alessandrini in the mid-1930s, lasted only a short while and ended in an annulment. Her last film was Federico Fellini's Roma (1972). She died in her native Rome from pancreatic cancer the following year at age sixty-five.- Actress
- Soundtrack
Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.- Actress
- Producer
- Director
Rosanna Arquette has acted extensively in film and television, and has come to be acknowledged as an actress of rare depth and scope.
Arquette was born in New York City, New York. Her parents, Lewis Arquette, an actor, and Brenda Denaut (née Nowak), an acting teacher and therapist, had 4 other children: Richmond Arquette, Patricia Arquette, Alexis Arquette, and David Arquette, all actors. Her paternal grandfather, Cliff Arquette, also was an entertainer. Rosanna's mother was from an Ashkenazi Jewish family (from Poland and Russia), while Rosanna's father had French-Canadian, Swiss-German, and English ancestry.
Growing up in a family of actors, she began working at a young age. Her first big break came as a teenager with a role in the Movie of the Week The Dark Secret of Harvest Home (1978), which starred Bette Davis. Several television roles followed, including an ABC Afterschool Specials (1972) and a part on the series James at 16 (1977) before her talents led to her film debut in Gorp (1980). Since then she has acted in a steady stream of films, including John Sayles' Baby It's You (1983), Fathers & Sons (1992) with Jeff Goldblum, Silverado (1985) (which also featured Goldblum), The Linguini Incident (1991), Martin Scorsese's segment of New York Stories (1989) with Nick Nolte, and many others. She feels particularly proud of her offbeat roles in such independent films as After Hours (1985), Nobody's Fool (1986), and Desperately Seeking Susan (1985), for which she won the British Academy Award. Ms. Arquette was nominated for an Emmy for her work in the controversial The Executioner's Song (1982). She continues her work on television as well as the big screen.- Actress
- Producer
- Soundtrack
Elisabeth Shue was born in Wilmington, Delaware, to Anne Brewster (Wells), who worked for the Chemical Banking Corporation, and James William Shue, a lawyer and real estate developer. She is of German and English ancestry, including descent from Mayflower passengers. Shue's parents divorced while she was in the fourth grade. Owing to the occupational demands of her parents, Shue and her siblings found plenty of time to get into trouble in their suburban neighborhood, but Elisabeth soon enrolled in Wellesley College, an all-female institution which kept her out of trouble.
During her studies, she found a way to make a little extra money by acting in television commercials. Elisabeth became a common sight in ads for Burger King, DeBeers diamonds, and Hellman's mayonnaise. In 1984, she landed a role in the The Karate Kid (1984) as the on-screen girlfriend of Ralph Macchio and a role as the teenage daughter of a military family in the short-lived series Call to Glory (1984). At this time, Shue got herself an acting coach and transferred to Harvard, where she began studying political science.
She continued her acting work with Adventures in Babysitting (1987), Cocktail (1988), Soapdish (1991) and The Marrying Man (1991). Unfortunately, time was catching up with the impressive girl-next-door. Her brother Andrew Shue had almost eclipsed her own fame by landing a starring role in the hit TV series Melrose Place (1992). It was at this time that Elisabeth took a chance on a low-budget, high-risk project entitled Leaving Las Vegas (1995), directed by Mike Figgis. Her gutsy portrayal of a prostitute mixed up with a suicidal alcoholic paid off as she was recognized with a Best Actress nomination at the Academy Awards that year. This was the turning point of her career. What followed was a barrage of film roles, including The Saint (1997), Woody Allen's Deconstructing Harry (1997), Palmetto (1998) and Hollow Man (2000).- Actress
- Director
- Writer
When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actress
- Soundtrack
Sharon's early life was one of constant moving as her father served in the military. When she lived in Italy, she was voted "Homecoming Queen" of her high school. After being an extra in a few Italian films, Sharon headed to Hollywood where she would again start as an extra. Her first big break came when she was cast as the shapely bank secretary, "Janet Trego", in the television series The Beverly Hillbillies (1962) (1963-1965). In 1967, she would meet her future husband, director Roman Polanski, on the set of the English film The Fearless Vampire Killers (1967). Sharon's big role would be that same year when she was the starlet in Valley of the Dolls (1967). With her marriage to Roman, her life became one of parties, travel and meeting influential movie people. She would appear as a red-haired beauty in the spy spoof The Wrecking Crew (1968) working with Dean Martin and the equally beautiful Elke Sommer. Sharon was 2 months pregnant of her first child while filming in Italy and France a funny Italian comedy movie 12 + 1 (1969) in February 1969. On August 9, 1969 Sharon Tate, Abigail Folger, Jay Sebring, Steve Parent, and Voytek Frykowski were murdered by 3 of Charles Manson's followers: Charles 'Tex' Watson, Susan Atkins (died in prison in 2009), and Patricia Krenwinkel. Manson died in prison in 2017. Watson and Krenwinkel are still in prison.- Actress
- Producer
- Additional Crew
Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
- Producer
- Talent Agent
Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.- Actress
The daughter of actress Geneviève Sorya, in 1948 she played the part of Juliette in The Lovers of Verona (1949). During the 1950s and 1960s she made various films, including Montparnasse 19 (1958) and La Dolce Vita (1960), but only Lola (1961) , Jacques Demy, and A Man and a Woman (1966) Claude Lelouch saw major success. With the latter she had, but did not use, the chance to establish herself in America. Therefore she was only participating in second-row productions in Europe and America.- Actress
- Writer
- Soundtrack
Emmanuelle Seigner is the daughter of a well known photographer and her mother is a journalist. She was born in Paris, France on June 22, 1966. Her grandfather was Louis Seigner, chairman of the Comédie Française and who also appeared in several movies. Emmanuelle was raised at a convent school . At age fourteen she became a model. Her mysterious beauty made her an international cover-model. Jean-Luc Godard gave her a part in his crime movie Detective (1985), starring Johnny Hallyday and Nathalie Baye. In 1986 Emmanuelle played the part of Zanon a young girl in the movie Cours privé (1986) (by Pierre Granier-Deferre). She met Roman Polanski and married him. He gave her a part in the thriller Frantic (1988) with Harrison Ford. Four years later Polanski gave her the leading part in the movie Bitter Moon (1992).- The face of Simone Signoret on the Paris Metro movie posters in March 1982 looked even older than her 61 years. She was still a box-office draw, but the film L'étoile du Nord (1982) would be her last theatrical release; she played the landlady. Signoret had a long film apprenticeship during World War II, mostly as an extra and occasionally getting to speak a single line. She worked without an official permit during the Nazi occupation of France because her father, who had fled to England, was Jewish. Working almost all the time, she made enough as an extra to support her mother and three younger brothers. Her breakthrough to international stardom came when she was 38 with the British film Room at the Top (1958). Her Alice Aisgill, an unhappily-married woman who hopes she has found true love, radiated real warmth in all of her scenes--not just the bedroom scenes. She was the same woman as Dedee, a prostitute who finds true love in Dédée d'Anvers (1948), a film directed by Signoret's first husband, Yves Allégret, a decade earlier. Hollywood beckoned throughout the 1950s, but both Signoret and her second husband, Yves Montand, were refused visas to enter the United States; their progressive political activities did not sit well with the ultra-conservative McCarthy-era mentality that gripped the US at the time. They got visas in 1960 so Montand, a singer, could perform in New York and San Francisco. They were in Los Angeles in March 1960 when Signoret received the Oscar for best actress and stayed on so Montand could play opposite Marilyn Monroe in Let's Make Love (1960). The Signoret film that is shown most often on TV and got a theatrical re-release in 1995, four decades after it was made is the French thriller Diabolique (1955). The chilly character Signoret plays is proof of her acting ability. More typical of her person is the countess in Ship of Fools (1965), a film that also starred Vivien Leigh ,which more than doubled its chances of being in a video-store or library film collection.
- Actress
- Producer
Paz de la Huerta has starred in many feature films working with some of the best directors in Hollywood. To name a few they include Damian Chapa, Abel Ferrara, Jim Jarmusch, Henry Miller, Adam Shankman, Penny Marshall, Ethan Hawke, Henry Jaglom, David Arquette, Lasse Hallstrom and Griffin Dunne.
Paz starred on the HBO hit series Boardwalk Empire for several seasons.
She was born and raised in New York City, to a Spanish-born father and an American born mother. She has been acting at a young age, having trained with some of the best private coaches in NYC.
Aside from acting, Paz is an artist, painter, poet, designer and writer who enjoys listening to punk rock, classical and Italian Opera. She has graced the fashion world working with the best designers including the late Vivienne Westwood, Zac Posen and Alberta Ferretti. She resides in New York City and Paris.- Actress
- Producer
- Additional Crew
Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.- Actress
- Director
- Additional Crew
Hiam Abbass also Hiyam Abbas, is a Palestinian actress and film director. Abbass was born in Nazareth, Israel, to a Muslim Arab family. She was raised in the village of Deir Hanna. Since the late 1980s, she has lived in Paris and holds French citizenship. During the filming of the Steven Spielberg film Munich (2005), Abbass lived in a hotel with the Palestinian Arab and Israeli actors for three months. During that time, they had many discussions that "helped both sides grow closer." In an interview in 2006, Abbass said, "I still remember how difficult it was for the Arab actors to manhandle the Israeli actors in the first scene where the Israeli national team is taken hostage."- Actress
- Director
- Writer
Chloë Sevigny is an Academy Award-nominated and Golden Globe-winning actress and director who is known for her groundbreaking work across film, television and theatre. Sevigny has spent her career working with innovative and revolutionary filmmakers and artists including Lars von Trier, Jim Jarmusch, Mary Harron, David Fincher and Whit Stillman and Luca Guadagnino. She continues that work with several upcoming projects: Sevigny can be currently seen in We Are Who We Are, for HBO/Sky, which was created, written and directed by Luca Guadagnino (Call Me By Your Name). The eight-episode drama is a coming of age story about a group of American soldiers on an Army base in Italy. We Are Who We Are is being produced by Wildside and Apartment Pictures and distributed by Freemantle. Alice Braga, Jack Dylan Grazer, and Kid Cudi also star. In 2021 Sevigny will begin production on the second season of the Natasha Lyonne hit Russian Doll for Netflix. In the first season, Chloë made an appearance as Leonora, mother to Natasha's character Nadia. The second season will be an origin story in which Chloë's character is heavily featured. Russian Doll was created by Natasha Lyonne, Amy Poehler and Leslye Headland. Sevigny was last seen on the big screen in Queen and Slim, directed by Melina Matsoukas and written by Lena Waithe, with the original idea by James Frey. The film stars Daniel Kaluuya and Jodie Turner-Smith. The film is about a black man and black woman on a first date that goes awry after the two are pulled over by a police officer at a traffic stop. They kill the police officer in self-defense and go on the run, rather than turn themselves in. Chloë's character plays a pivotal role in deciding their fate. The film was released in the US by Universal in November 2019. Opening the 2019 Cannes Film Festival was Jim Jarmusch's third film for Focus Features and Universal Pictures International, The Dead Don't Die. The zombie-comedy boasts a cast including Bill Murray, Tilda Swinton, Adam Driver, Steve Buscemi and Selena Gomez. Sevigny plays a small-town police officer, with Murray and Driver, in a town under zombie attack. Carter Logan and Animal Kingdom produced. Sevigny previously worked with Jarmusch on Broken Flowers and Ten Minutes Older Sevigny has now made the move into directing with three critically acclaimed short films: Her most recent, White Echo, premiered in competition at the 2019 Cannes Film Festival, at which Sevigny was the only American female director in Competition. Chloë's directorial debut, Kitty, also debuted at Cannes in 2016 and her second short entitled Carmen, proved equally successful at the 2017 Venice Film Festival. Recent past projects include: The Act, on Hulu, a true-crime anthology series written by Michelle Dean and Nick Antosca and directed by Laure de Clermont-Tonnerre (Mustang). The Act tells the true story of Gypsy Blanchard, a girl (Joey King) trying to escape the toxic relationship she has with her overprotective mother, played by Patricia Arquette. Chloë played Mel, who serves as the moral compass of the story. Lizzie, which premiered at Sundance 2018 after being developed and produced by Sevigny. The film, in which she starred with Kristen Stewart, was released by Roadside Attractions in September 2018. Lean On Pete, directed by Andrew Haigh, which was released domestically in May 2018 by A24. Sevigny co-starred with Steve Buscemi in a coming of age story starring Charlie Plummer, based on the acclaimed novel by Willy Vlautin. Golden Exits, directed by Alex Ross Perry, Oren Moverman's The Dinner, and Miguel Arteta's Beatriz at Dinner. The critically acclaimed television series Bloodline is recently aired its third and final season on Netflix. On stage, Sevigny was most recently seen in the New Group's Downtown Race Riot written by Seth Zvi Rosenfeld and directed by Scott Elliot. Sevigny was previously seen in The New Group's productions of What the Butler Saw and Hazelwood Junior High. Sevigny has also appeared in many celebrated indie and cult-favorite films like, The Last Days of Disco, American Psycho, Gummo, Dogville, Party Monster, Broken Flowers and Love & Friendship, and has appeared in television hits such as American Horror Story, Portlandia and Big Love, for which she won a Golden Globe. Sevigny made her film debut in the controversial Kids, directed by Larry Clark and written by Harmony Korine. For her performance in Kimberly Peirce's Boys Don't Cry, Chloë received nominations for an Academy Award and a Golden Globe among many others. She makes her home in New York. 10/2020- Actress
- Director
- Writer
Shannyn Sossamon is an American actress and director. She is of Irish, French, Dutch, Hawaiian-Filipino, German and English ancestry. Growing up in Reno, Nevada, Sossamon spent most of her youth at a local dance studio. After graduating high school at age 17, she moved to Los Angeles, California, to pursue a life in the creative arts. Sossamon began acting in films at age 21 after being approached by casting director Francine Maisler, who was casting the starring role in Brian Helgeland's A KNIGHTS TALE opposite Heath Ledger. Additionally, she can be seen with Matt Dillon and Carla Gugino in the event series WAYWARD PINES, from M. Night Shyamalan, opposite Nicole Beharie and Tom Mison in Fox's SLEEPY HOLLOW, and as the lead of Blumhouse feature SINISTER 2, opposite James Ransone. Other credits include THE END OF LOVE starring Michael Cera and Mark Webber; OUR FAMILY WEDDING starring Oscar winner Forest Whitaker, WRISTCUTTERS: A LOVE STORY starring opposite Patrick Fugit; THE RULES OF ATTRACTION starring opposite James Van Der Beek; 40 DAYS AND 40 NIGHTS starring opposite Josh Hartnett, and as the lead in Monte Hellman's ROAD TO NOWHERE. Recent credits include the feature films THERE ARE NO SAINTS and BACKSPOT, opposite Devery Jacobs. Sossamon spends her free time creating short videos for her project, THE MAUDE ROOM: A VARIETY SHOW, a short-form video project made especially for phone viewing.- Actress
- Producer
- Director
From Monkey Trouble (1994) to American Beauty (1999)-- that's Hollywood "Hocus Pocus"!
Thora Birch was born on Thursday (as in Thor's Day) March 11, 1982 in Los Angeles. Her father, Jack Birch, and mom, Carol Connors, named her after the Norse God Thor ("Thora" being the feminine), the God of Thunder; she has a younger brother named Bolt Birch. Thora appeared in one of the "classic" California raisin commercials in 1986 (at age 4), and later did other commercials. At age 6, Thora appeared in Purple People Eater (1988) and won a Youth in Film Award for her performance. Then, she appeared in the television series Parenthood (1990), which co-starred a not-yet-discovered Leonardo DiCaprio. Thora's breakout movie was Paradise (1991) with Elijah Wood and Melanie Griffith; Thora bested 4,000 young hopefuls to land the role and she, again, got great reviews. Thora appeared in Hocus Pocus (1993) with major stars; however, she got real recognition by having a starring role in Monkey Trouble (1994), in which her affection for her pet (and sometimes scene-stealing) monkey basically carried the entire movie (she and the monkey did their own stunts). All grown up, this petite beauty (5' 4") with green eyes had a major role in American Beauty (1999) which won 5 Oscar awards. Thora delivered a strong, effective performance as the alienated daughter of parents whose mid-life crises drive them to affairs and destruction; her acting was convincing and inspired and, once again, received good reviews. A down-to-earth young woman in real life, she loves Italian food and diet root beer.- Actress
- Producer
- Soundtrack
Mena Alexandra Suvari was born in Newport, Rhode Island, the youngest of four children. She is the daughter of Ando Suvari, a psychiatrist, and the former Candice Chambers, a nurse. Mena's first name comes from her British aunt named after the "House of Mena" Hotel (at the base of the pyramids in Egypt); her last name is Estonian. Suvari grew up in an old stone mansion that she insists was haunted. The family later relocated to Charleston, South Carolina, where her brothers lined up to attend the Citadel (a military college). Mena, meanwhile, was entertaining dreams of becoming an archaeologist, astronaut, or doctor. Her interests took a turn for the... less cerebral, however, when a modeling agency stopped by her all-girls school to offer classes. At age 12, after receiving a few pointers on her runway strut, Suvari attended a modeling convention and was snapped up by the Manhattan-based Wilhelmina agency. She later moved to L.A. under their children's theatrical division WeeWillys, which began her acting career.
Suvari started in on TV work almost immediately--commercials at first, followed by guest appearances on Boy Meets World (1993), ER (1994), and Chicago Hope (1994). Mena was a natural for movies: she is petite (5'4"), has blue eyes, and her natural hair color is blonde. She launched her film career in 1997, picking up small roles in Gregg Araki's Nowhere (1997) and the Morgan Freeman-Ashley Judd thriller Kiss the Girls (1997). She popped up again in the background of Slums of Beverly Hills (1998), then landed a slightly meatier role as the best friend of the telekinetic heroine in The Rage: Carrie 2 (1999).
Suvari's ticket to fame was the teen sex quest American Pie (1999), which cast her as a wholesome choir girl who falls for a jock (Chris Klein). A few months later, she turned even more heads as the vampish cheerleader who captures Kevin Spacey's unwholesome imagination in American Beauty (1999). The sultry-but-fragile character earned Suvari a British Academy Award nomination, as well as a flurry of job offers and gushing fansites. In the midst of the hubbub surrounding the film, she slipped off with her boyfriend, cinematographer Robert Brinkmann, to tie the knot in a secret ceremony. The media was quick to point out the pair's 18-year age difference, but Suvari shrugged it off (her own parents, who divorced in 2001 after 32 years of marriage, wed when her mother was 21 and her father 48).
The in-demand actress completed her patriotic hat trick by starring in American Virgin (1999) (originally titled "Live Virgin") as the daughter of a porn king. The title change wasn't enough of a boost to keep the mediocre movie afloat in theaters--after a brief New York run, it headed straight to video. Her next effort was another underperformer, but the aptly named Loser (2000) (a collegiate love story that reunited her with American Pie's Jason Biggs) at least made it into suburban circulation--perhaps on the name recognition of its two young stars. Suvari kept her chin up, heading back to high school for the cheerleading/bank heist flick Sugar & Spice (2001) and joining the cast of the period film The Musketeer (2001).
She continued to showcase her range in ability by costarring with John Leguizamo in Jonas Åkerlund's cult classic Spun (2002) and then alongside Jennifer Aniston in Rob Reiner's Rumor Has It... (2005) and Keira Knightley in Tony Scott's Domino (2005). She also played opposite James Franco in Sonny (2002), the directorial debut of Nicolas Cage, and had a recurring role on HBO's Six Feet Under (2001).
Mena rounded out her creative pursuits by playing the iconic Black Dahlia in Ryan Murphy's anthology series American Horror Story (2011) and continued working in TV by following up with an arc in the hit series Chicago Fire (2012), as well as leading the Amazon pilot Hysteria (2014) and WeTv's miniseries South of Hell (2015). Mena then starred opposite Alicia Silverstone for TV Land's American Woman (2018).
Amicably divorced from Brinkmann after five years, Mena had a brief second marriage to Simone Sestito, an Italian concert promoter who, she claims, drained her financially. Since 2018, she has been married to Canadian prop master Michael Hope. The couple had a son, Christopher Alexander Hope, in 2021. That same year, Mena published her first book, 'The Great Peace'. Mena's hobbies include: jewelry making, photography, mountain biking, and hiking. Her fans look forward to her new projects.- Actress
- Director
- Writer
Jane Birkin was born on 14 December 1946 in London, England, UK. She was an actress and director, known for Evil Under the Sun (1982), Blow-Up (1966) and Death on the Nile (1978). She was married to John Barry. She died on 16 July 2023 in Paris, France.- Actress
- Soundtrack
Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).- Actress
- Producer
- Soundtrack
Marisa Tomei was born on December 4, 1964, in Brooklyn, New York, to Patricia "Addie" (Bianchi), a teacher of English, and Gary Tomei, a lawyer, both of Italian descent. Marisa has a brother, actor Adam Tomei. As a child, Marisa's mother frequently corrected her speech as to eliminate her heavy Brooklyn accent. As a teen, Marisa attended Edward R. Murrow High School and graduated in the class of 1982. She was one year into her college education at Boston University when she dropped out for a co-starring role on the CBS daytime drama As the World Turns (1956). Her role on that show paved the way for her entrance into film: in 1984, she made her film debut with a bit part in The Flamingo Kid (1984). Three years later, Marisa became known for her role as Maggie Lawton, Lisa Bonet's college roommate, on the sitcom A Different World (1987).
Her real breakthrough came in 1992, when she co-starred as Joe Pesci's hilariously foul-mouthed, scene-stealing girlfriend in My Cousin Vinny (1992), a performance that won her a Best Supporting Actress Oscar. Later that year, she turned up briefly as a snippy Mabel Normand in director Richard Attenborough's biopic Chaplin (1992), and was soon given her first starring role in Untamed Heart (1993). A subsequent starring role -- and attempted makeover into Audrey Hepburn -- in the romantic comedy Only You (1994) proved only moderately successful.
Marisa's other 1994 role as Michael Keaton's hugely pregnant wife in The Paper (1994) was well-received, although the film as a whole was not. Fortunately for Tomei, she was able to rebound the following year with a solid performance as a troubled single mother in Nick Cassavetes' Unhook the Stars (1996) which earned her a Screen Actors Guild nomination for Best Supporting Actress. She turned in a similarly strong work in Welcome to Sarajevo (1997), and in 1998 did some of her best work in years as the sexually liberated, unhinged cousin of Natasha Lyonne's Vivian Abramowitz in Tamara Jenkins' Slums of Beverly Hills (1998). Marisa co-starred with Mel Gibson in the hugely successful romantic comedy What Women Want (2000) and during the 2002 movie award season, she proved her first Best Supporting Actress Oscar win was no fluke when she received her second nomination in the same category for the critically acclaimed dark drama, In the Bedroom (2001). She also made a guest appearance on the animated TV phenomenon The Simpsons (1989) as Sara Sloane, a movie star who falls in love with Ned Flanders. In 2006, she went on to do 4 episodes for Rescue Me (2004). She played Angie, the ex-wife of Tommy Calvin (Denis Leary)'s brother Johnny (Dean Winters). At age 42, Marisa took on a provocative role in legendary filmmaker Sidney Lumet's melodramatic picture Before the Devil Knows You're Dead (2007), in which she appeared nude in love scenes with costars Ethan Hawke and Philip Seymour Hoffman. Marisa then took on another provocative role as a stripper in the highly acclaimed film The Wrestler (2008) opposite Mickey Rourke. Her great performance earned her many awards from numerous film societies for Best Supporting Actress, a third Academy Award nomination, as well as nominations for a Golden Globe and a BAFTA. Many critics heralded this performance as a standout in her career.- Actress
- Soundtrack
Maria Schneider was a French actress. At age 19 she became famous for Bernardo Bertolucci's film Last Tango in Paris (1972), and The Passenger (1975).
As a teenager, she adored films, going to the cinema up to four times a week. She left home at 15 after an argument with her mother and went to Paris, where she made her stage acting debut that same year.
Her film debut was an uncredited role in The Christmas Tree (1969).
In Last Tango in Paris she performed several nude scenes. After the film release she decided never to work nude again.
In early 1976, she abandoned the film set of Caligula and was replaced by Teresa Ann Savoy.
She and Brando remained friends until his death.
Schneider died of breast cancer on 3 February 2011 at age 58.- Actress
- Additional Crew
- Director
Rosie Perez was born in Bushwick, Brooklyn, New York City, to Lydia Perez and Ismael Serrano, a merchant marine. She is of Puerto Rican descent. Rosie attended Grover Cleveland High School in Ridgewood, Queens, New York, and later enrolled at Los Angeles City College in Los Angeles, California. Rosie Perez was in her second year of college, and just about to move back to New York from Los Angeles. Her friends had given her a going-away party. When Spike Lee proposed that she work in his film Do the Right Thing (1989), she accepted. It would be her first major acting role. She went on play the supporting role of Carla Rodrigo in Peter Weir's Fearless (1993), for which she was nominated for an Academy Award for Best Supporting Actress. (She lost to Anna Paquin for The Piano (1993).)- Actress
- Producer
- Writer
Laura Dern was born on February 10, 1967 in Los Angeles, the daughter of actors Bruce Dern and Diane Ladd. Dern was exposed to movie sets and the movie industry from infancy, and obtained several bit parts as a child. Her parents divorced when Dern was two and Dern lost contact with her father for several years as a result.
Her parents' background and her own early taste of the movie-making world soon convinced the young Dern to pursue acting herself. Like so many young actors, her decision may have been influenced by social awkwardness -- the child of 1960s counterculture parents, she was steeped in Eastern mysticism and political radicalism, and was seen as an oddball by her more conservative classmates. Even before her teens, she had achieved most of her impressive 5' 10" height and was rail-skinny with a slouching posture.. Perhaps the nine-year-old Dern found refuge by studying acting at the Lee Strasberg Theater Institute.
The first success for the young Dern came in 1980, with a role in Adrian Lyne's Foxes (1980), a teen movie starring Jodie Foster. She followed this with several small parts, or parts in small movies, such as Ladies and Gentlemen, the Fabulous Stains (1982) and Teachers (1984), as a student who has an affair with a teacher. (Her mother objected to her active presence on movie sets at age thirteen, which required Dern to sue for emancipation so she could play her role in "The Fabulous Stains"). Her next roles, as the blind girl who befriends the deformed boy in Mask (1985), and as a teen-aged girl whose sexual awakening collides with a mysterious older man in Smooth Talk (1985), gave her career an important boost. Dern appeared to have made it with a leading role in David Lynch's acclaimed Blue Velvet (1986), but it was four years before her next notable film, and this was the bizarre Wild at Heart (1990), also directed by Lynch.
The following year, Dern starred in Rambling Rose (1991), which would become her signature performance, as a sexually-precocious, free-spirited young housemaid in the South in the 1930s. Dern earned an Oscar nomination for her performance, and so did her mother and co-star, Diane Ladd. Dern continues to win prominent roles on the big screen, often in smaller, highly-regarded human dramas such as October Sky (1999), I Am Sam (2001) and We Don't Live Here Anymore (2004), although she is perhaps most widely known for her repeat role as Ellie Sattler in the summer adventure movies Jurassic Park (1993) and Jurassic Park III (2001), or for her guest performance on Ellen (1994), as the woman to whom Ellen finally comes out as a lesbian.
Dern's pre-teen gawkiness matured into lithe beauty, but this doesn't prevent Dern from fearlessly throwing herself into a wide variety of roles which are sometimes unflattering, an excellent example being her unflinchingly comic portrayal of an intensely annoying loser whose pregnancy becomes a social and political football in Citizen Ruth (1996). This results in Dern being one of the most interesting actors working in Hollywood today.
Having previously dated such Hollywood talent as Treat Williams, Renny Harlin, Kyle MacLachlan, Jeff Goldblum and Billy Bob Thornton, Dern eventually married musician Ben Harper in 2005. Early in her career, Dern was roommate to Marianne Williamson, the spirituality guru. Dern attended two days of college at UCLA and one semester at USC.- Actress
- Additional Crew
- Writer
Virginia Cathryn "Gena" Rowlands is an American film, stage, and television actress, whose career in the entertainment industry has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in 10 films, including A Woman Under the Influence (1974) and Gloria (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.- Actress
- Producer
Annabella Sciorra was born on 29 March 1960 in Brooklyn, New York, USA. Annabella is an actor and producer, known for The Hand That Rocks the Cradle (1992) and Jungle Fever (1991). Annabella was previously married to Joe Petruzzi.- Actress
- Producer
- Writer
Cynda Williams was born on 17 May 1966 in Chicago, Illinois, USA. She is an actress and producer, known for One False Move (1991), Mad As Hell (2021) and Mo' Better Blues (1990). She has been married to Roderick Plummer since 26 July 2001. They have one child. She was previously married to Arthur Louis Fuller and Billy Bob Thornton.- Jolanta Umecka was born on 17 March 1937 in Warsaw, Poland. She is an actress, known for Knife in the Water (1962), The Miraculous Virgin (1967) and Echo (1964).
- Dziena studied theatre in New York at The American Academy of Dramatic Arts and NYU's Tisch School of the Arts, where she wrote and acted in plays and was cast in her first role on television at the age of 17.
From 'E's' crazy, jealous girlfriend on HBO's Entourage (2004) to 'Lolita' parading around in the buff for Bill Murray in Jim Jarmusch's film Broken Flowers (2005), Alexis Dziena has played a wide range of wonderfully colorful characters in both film and television.
In the upcoming feature Without Ward (2022) for director Cory Cataldo, Dziena plays a deaf girl who falls in love with the man who lives across the street. Confined to their homes and never physically touching, they communicate through their windows, as love prevails. Alexis portrays a promiscuous pizza girl looking for love in Wrong (2012) from visionary filmmaker Quentin Dupieux for Drafthouse Films.
She has played notable roles in such films as When in Rome (2010), Fool's Gold (2008), Nick and Norah's Infinite Playlist (2008), Sex and Breakfast (2005), Havoc (2005), and Strangers with Candy (2005).
Alexis starred opposite Marcia Gay Harden in the coming-of-age movie for cable entitled She's Too Young (2004). She was a regular on the ABC series Invasion (2005) and is still asked if she can do an American accent because of the memorable Russian girl she played on Law & Order (1990) early in her career. - Actress
- Writer
Véra Gibson-Amado, known professionally as Véra Clouzot, was a Brazilian-French actress.
In 1941, Véra met French actor Léo Lapara, a member of the theater company of Louis Jouvet, who toured in Brazil during World War II. Vera married the actor, taking part in the company's South American tour that lasted almost four years. After World War II, Vera settled in Paris.
In 1947, Lapara had a role in Jenny Lamour (1947) by Henri-Georges Clouzot. Vera met Henri on the set with her then-husband and it was described as "coup de foudre", love at first sight. Clouzot hired Vera as the script girl of his next film, Miquette (1950). Vera divorced Lapara and married Henri-Georges Clouzot in 1950. She was directed by her husband in her first film, the 1953 thriller The Wages of Fear (1953), in which she appeared alongside Charles Vanel and Yves Montand. In a short film career Clouzot only performed in films directed by Henri-Georges, the most famous of which was undoubtedly the 1955 thriller Diabolique (1955).
Vera died suddenly of a heart attack in 1960 just 15 days short of her 47th birthday.- Actress
- Writer
- Additional Crew
Monica Vitti was born on 3 November 1931 in Rome, Lazio, Italy. She was an actress and writer, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). She was married to Roberto Russo. She died on 2 February 2022 in Rome, Lazio, Italy.- Actress
- Producer
- Soundtrack
Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.- Actress
- Producer
- Soundtrack
Monica Anna Maria Bellucci was born on September 30, 1964 in the Italian village of Città di Castello, Umbria, the only child of Brunella Briganti and Pasquale Bellucci. She originally pursued a career in the legal profession. While attending the University of Perugia, she modeled on the side to earn money for school, and this led to her modeling career. In 1988, she moved to one of Europe's fashion centers, Milan, and joined Elite Model Management. Although enjoying great success as a model, she made her acting debut on television in 1990, and her American film debut in Bram Stoker's Bram Stoker's Dracula (1992). Her role in the French thriller The Apartment (1996), shot her to stardom as she won the French equivalent of an Oscar nomination. Other credits include Malena (2000), Under Suspicion (2000) and Brotherhood of the Wolf (2001).- Actress
- Additional Crew
- Director
Jean Dorothy Seberg was born in Marshalltown, Iowa, to substitute teacher Dorothy Arline (Benson) and pharmacist Edward Waldemar Seberg. Her father was of Swedish descent and her mother was of English and German ancestry.
One month before her 18th birthday, Jean landed the title role in Otto Preminger's Saint Joan (1957) after a much-publicized contest involving some 18,000 hopefuls. The failure of that film and the only moderate success of her next, Bonjour Tristesse (1958), combined to stall Seberg's career, until her role in Jean-Luc Godard's landmark feature, Breathless (1960), brought her renewed international attention. Seberg gave a memorable performance as a schizophrenic in the title role of Robert Rossen's Lilith (1964) opposite Warren Beatty and went on to appear in over 30 films in Hollywood and Europe.
In the late 1960s, Seberg became involved in anti-war politics and was the target of an undercover campaign by the FBI to discredit her because of her association with several members of the Black Panther party. She was found dead under mysterious circumstances in Paris in 1979.- Actress
- Producer
- Music Department
Susan George was born on 26 July 1950 in Surbiton, Surrey, England, UK. She is an actress and producer, known for Straw Dogs (1971), Dirty Mary Crazy Larry (1974) and Mandingo (1975). She was previously married to Simon MacCorkindale.- Anamaria Marinca was born on 1 April 1978 in Iasi, Romania. She is an actress, known for 4 Months, 3 Weeks and 2 Days (2007), Europa Report (2013) and Fury (2014).
- Actress
- Producer
- Soundtrack
Annette Bening was born on May 29, 1958 in Topeka, Kansas, the youngest of four children. Her family moved to California when she was young, and she grew up there. She graduated from San Francisco State University and began her acting career with the American Conservatory Theatre in San Francisco, eventually moving to New York where she acted on the stage (including a Tony-award nomination in 1987 for her work in the Broadway play "Coastal Disturbances") and got her first film roles, in a few TV movies.
As is so often the case, her first big-screen role was in a forgettable movie, this one The Great Outdoors (1988), in which she had little screen time. However, her next work onscreen was in Milos Forman's Valmont (1989), a film adaptation of Choderlos de Laclos' "Les Liaisons Dangereuses". Unfortunately, de Laclos' story had also just served as the source of a more Hollywoodized and successful movie version, Dangerous Liaisons (1988), which had been released the previous year, and Foreman's treatment went little noticed. Bening's career turned an important corner the following year when she co-starred with Anjelica Huston and John Cusack in Stephen Frears's powerful, entertaining screen adaptation of Jim Thompson's novel The Grifters (1990), and her artful turn as a con artist gained her the first of several Academy award nominations. On the strength of this performance Warren Beatty cast Bening as Virginia Hill, Bugsy Siegel's fiery actress moll, in his Bugsy (1991), the story of Siegel's founding of Las Vegas. Although the movie itself did not fare well, it resulted in a relationship with Beatty which led to Bening's pregnancy and then her marriage to Beatty in 1992 - it was the second marriage for Bening, who had been separated from her first husband since 1986 but did not finalize her divorce until 1991. The couple then collaborated on the extravagant flop Love Affair (1994), though the next year her career rebounded with her turn as Queen Elizabeth in the highly-regarded 1995 production of Richard III (1995). Notable performances have since included an obsessive, pushy real estate agent in American Beauty (1999), and as the eponymous character in István Szabó's screen adaptation of the W. Somerset Maugham novel Being Julia (2004) - both were duly noted by the Academy, with Oscar nominations.
Bening has great poise and screen presence and, at her best, can turn in a very strong performance. Although her resume often features long stretches of mediocre productions before the next good part turns up, when it does, it proves worth the wait. Bening has four children with Beatty.- Actress
- Writer
- Camera and Electrical Department
Tessa Charlotte Rampling was born 5 February 1946 in Sturmer, England, to Isabel Anne (Gurteen), a painter, and Godfrey Lionel Rampling, an Olympic gold medalist, army officer, and colonel, who became a NATO commander. She was educated at Jeanne d'Arc Académie pour Jeunes Filles in Versailles, France and at the exclusive St. Hilda's school in Bushey, England. She was a model before entering films in Richard Lester's The Knack... and How to Get It (1965), followed by roles in Georgy Girl (1966) and Luchino Visconti's The Damned (1969). Rampling is best known for her role in Liliana Cavani's The Night Porter (1974), where she played a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her throughout her captivity. In 1974, she co-starred with Sean Connery in John Boorman's science fiction adventure Zardoz (1974), with Robert Mitchum in Farewell, My Lovely (1975), with Woody Allen in his Stardust Memories (1980), and with Paul Newman in Sidney Lumet's The Verdict (1982). An actress always willing to take on bold and meaningful roles, Rampling had perhaps the most off-beat one in Nagisa Ôshima's 1986 comedy Max My Love (1986) as Margaret, a woman in love with a chimpanzee. She has also voiced video games, such as The Ring.- Actress
- Producer
- Soundtrack
Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actress
- Producer
- Director
Scarlett Ingrid Johansson was born on November 22, 1984 in Manhattan, New York City, New York. Her mother, Melanie Sloan is from a Jewish family from the Bronx and her father, Karsten Johansson is a Danish-born architect from Copenhagen. She has a sister, Vanessa Johansson, who is also an actress, a brother, Adrian, a twin brother, Hunter Johansson, born three minutes after her, and a paternal half-brother, Christian. Her grandfather was writer Ejner Johansson.
Johansson began acting during childhood, after her mother started taking her to auditions. She made her professional acting debut at the age of eight in the off-Broadway production of "Sophistry" with Ethan Hawke, at New York's Playwrights Horizons. She would audition for commercials but took rejection so hard her mother began limiting her to film tryouts. She made her film debut at the age of nine, as John Ritter's character's daughter in the fantasy comedy North (1994). Following minor roles in Just Cause (1995), as the daughter of Sean Connery and Kate Capshaw's character, and If Lucy Fell (1996), she played the role of Amanda in Manny & Lo (1996). Her performance in Manny & Lo garnered a nomination for the Independent Spirit Award for Best Lead Female, and positive reviews, one noting, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson", while San Francisco Chronicle critic Mick LaSalle commentated on her "peaceful aura", and wrote, "If she can get through puberty with that aura undisturbed, she could become an important actress."
After appearing in minor roles in Fall (1997) and Home Alone 3 (1997), Johansson garnered widely spread attention for her performance in The Horse Whisperer (1998), directed by Robert Redford, where she played Grace MacLean, a teenager traumatized by a riding accident. She received a nomination for the Chicago Film Critics Association Award for Most Promising Actress for the film. In 1999, she appeared in My Brother the Pig (1999) and in the music video for Mandy Moore's single, "Candy". Although the film was not a box office success, she received praise for her breakout role in Ghost World (2001), credited with "sensitivity and talent [that] belie her age". She was also featured in the Coen Brothers' dark drama The Man Who Wasn't There (2001), opposite Billy Bob Thornton and Frances McDormand. She appeared in the horror comedy Eight Legged Freaks (2002) with David Arquette and Kari Wuhrer.
In 2003, she was nominated for two Golden Globe Awards, one for drama (Girl with a Pearl Earring (2003)) and one for comedy (Lost in Translation (2003)), her breakout role, starring opposite Bill Murray, and receiving rave reviews and a Best Actress Award at the Venice Film Festival. Her film roles include the critically acclaimed Weitz brothers' film In Good Company (2004), as well as starring opposite John Travolta in A Love Song for Bobby Long (2004), which garnered her a third Golden Globe Award nomination.
She dropped out of Mission: Impossible III (2006) due to scheduling conflicts. Her next film role was in The Island (2005) alongside Ewan McGregor which earned weak reviews from U.S. critics. After this, she appeared in Woody Allen's Match Point (2005) and was nominated again for a Golden Globe Award. In May 2008, she released her album "Anywhere I Lay My Head", a collection of Tom Waits covers featuring one original song. Also that year, she starred in Frank Miller's The Spirit (2008), the Woody Allen film Vicky Cristina Barcelona (2008), and played Mary Boleyn opposite Natalie Portman in The Other Boleyn Girl (2008).
Since then, she has appeared as part of an ensemble cast in the romantic comedy He's Just Not That Into You (2009), the action superhero film Iron Man 2 (2010), the comedy-drama We Bought a Zoo (2011) and starred as the original scream queen, Janet Leigh, in Hitchcock (2012). She then played her character, Black Widow, in the blockbuster action films The Avengers (2012), Captain America: The Winter Soldier (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019) and Black Widow (2021), and also headlined the sci-fi action thriller Lucy (2014), a box office success. With more than a decade of work already under her belt, Scarlett has proven to be one of Hollywood's most talented young actresses. Her other starring roles are in the sci-fi action thriller Ghost in the Shell (2017) and the dark comedy Rough Night (2017).
Scarlett and Canadian actor Ryan Reynolds were engaged in May 2008 and married in September of that year. In 2010, the couple announced their separation, and subsequently divorced a year later. In 2013, she became engaged to French journalist Romain Dauriac, the couple married a year later. In January 2017, the couple announced their separation, and subsequently divorced in March of that year. They have a daughter, Rose Dorothy Dauriac (born 2014). The couple divorced in September 2017.
She married Colin Jost in October 2020. They have one child, a son.- Born Karen Bach outside of Lyons, France, Karen Lancaume came from a wealthy family. The bi-racial beauty (French father, Moroccan mother) married at 17 while she was attending college. Even though her husband was a disc jockey and she worked weekends at a nightclub to make ends meet, the couple was soon awash in debt. They saw an opportunity to make a good amount of money quickly by performing in porn films, and in 1996 they both entered the industry. Unfortunately, the marriage didn't last past their first film together, and while her ex-husband left the porn industry, she stayed in it. She soon divided her time between making porn films in Europe and the US. She appeared in a documentary about porn performers called Exhibition 99 (1998). It was while making this film that she began to have second thoughts about her chosen career, and after appearing in the controversial mainstream film Baise-moi (2000)--in which she performed hardcore sex scenes--she began to ease out of the industry, finally quitting altogether in 2002.
Karen Lancaume died in Paris, France, on January 28, 2005. She committed suicide by taking an overdose of prescription drugs in her boyfriend's apartment. - Raffaëla Anderson was born on 8 January 1976 in Montfermeil, Seine-Saint-Denis, France. She is an actress, known for Baise-moi (2000).
- Actress
- Producer
- Writer
Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).- Actress
- Producer
- Writer
Ask Kate Winslet what she likes about any of her characters, and the word "ballsy" is bound to pop up at least once. The British actress has made a point of eschewing straightforward pretty-girl parts in favor of more devilish damsels; as a result, she's built an eclectic resume that runs the gamut from Shakespearean tragedy to modern-day mysticism and erotica.
Kate Elizabeth Winslet was born in Reading, Berkshire, into a family of thespians -- parents Roger Winslet and Sally Anne Bridges-Winslet were both stage actors, maternal grandparents Oliver and Linda Bridges ran the Reading Repertory Theatre, and uncle Robert Bridges was a fixture in London's West End theatre district. Kate came into her talent at an early age. She scored her first professional gig at eleven, dancing opposite the Honey Monster in a commercial for a kids' cereal. She started acting lessons around the same time, which led to formal training at a performing arts high school. Over the next few years, she appeared on stage regularly and landed a few bit parts in sitcoms. Her first big break came at age 17, when she was cast as an obsessive adolescent in Heavenly Creatures (1994). The film, based on the true story of two fantasy-gripped girls who commit a brutal murder, received modest distribution but was roundly praised by critics.
Still a relative unknown, Winslet attended a cattle call audition the next year for Ang Lee's Sense and Sensibility (1995). She made an immediate impression on the film's star, Emma Thompson, and beat out more than a hundred other hopefuls for the part of plucky Marianne Dashwood. Her efforts were rewarded with both a British Academy Award and an Oscar nomination for Best Supporting Actress. Winslet followed up with two more period pieces, playing the rebellious heroine in Jude (1996) and Ophelia in Kenneth Branagh's Hamlet (1996).
The role that transformed Winslet from art house attraction to international star was Rose DeWitt Bukater, the passionate, rosy-cheeked aristocrat in James Cameron's Titanic (1997). Young girls the world over both idolized and identified with Winslet, swooning over all that face time opposite heartthrob Leonardo DiCaprio and noting her refreshingly healthy, unemaciated physique. Winslet's performance also garnered a Best Actress nomination, making her the youngest actress to ever receive two Academy Award nominations.
After the swell of unexpected attention surrounding Titanic (1997), Winslet was eager to retreat into independent projects. Rumor has it that she turned down the lead roles in both Shakespeare in Love (1998) and Anna and the King (1999) in order to play adventurous soul searchers in Hideous Kinky (1998) and Holy Smoke (1999). The former cast her as a young single mother traveling through 1970s Morocco with her daughters in tow; the latter, as a zealous follower of a guru tricked into a "deprogramming" session in the Australian outback. The next year found her back in period dress as the Marquis de Sade's chambermaid and accomplice in Quills (2000). Kate holds the distinction of being the youngest actor ever honored with four Academy Award nominations (she received her fourth at age 29). As of 2016, she has been nominated for an Oscar seven times, winning one of them: she received the Best Actress Oscar for the drama The Reader (2008), playing a former concentration camp guard.
For her performance of Joanna Hoffman in Steve Jobs (2015), she received her seventh Academy Award nomination.
Off camera, Winslet is known for her mischievous pranks and familial devotion. She has two sisters, Anna Winslet and Beth Winslet (both actresses), and a brother, Joss.
In 1998, she married assistant director Jim Threapleton. They had a daughter, Mia Honey Threapleton, in October 2000. They divorced in 2001. She later married director Sam Mendes in 2003 and gave birth to their son, Joe Alfie Winslet-Mendes, later that year. After seven years of marriage, in February 2010 they announced that they had amicably separated, and divorced in October 2010. In 2012, Kate married Ned Rocknroll, with whom she has a son. She was awarded Commander of the Most Excellent Order of the British Empire in the 2012 Queen's Birthday Honours List for her services to Drama.- Actress
- Producer
- Music Department
Elegant Nicole Kidman, known as one of Hollywood's top Australian imports, was actually born in Honolulu, Hawaii, while her Australian parents were there on educational visas.
Kidman is the daughter of Janelle Ann (Glenny), a nursing instructor, and Antony David Kidman, a biochemist and clinical psychologist. She is of English, Irish, and Scottish descent. Shortly after her birth, the family moved to Washington, D.C., where Nicole's father pursued his research on breast cancer, and then, three years later, made the pilgrimage back to her parents' native Sydney in Australia, where Nicole was raised. Young Nicole's first love was ballet, but she eventually took up mime and drama as well (her first stage role was a bleating sheep in an elementary school Christmas pageant). In her adolescent years, acting edged out the other arts and became a kind of refuge -- as her classmates sought out fun in the sun, the fair-skinned Kidman retreated to dark rehearsal halls to practice her craft. She worked regularly at the Philip Street Theater, where she once received a personal letter of praise and encouragement from audience member Jane Campion (then a film student). Kidman eventually dropped out of high school to pursue acting full-time. She broke into movies at age 16, landing a role in the Australian holiday favorite Bush Christmas (1983). That appearance touched off a flurry of film and television offers, including a lead in BMX Bandits (1983) and a turn as a schoolgirl-turned-protester in the miniseries Vietnam (1987) (for which she won her first Australian Film Institute Award). With the help of an American agent, she eventually made her US debut opposite Sam Neill in the at-sea thriller Dead Calm (1989).
Kidman's next casting coup scored her more than exposure. While starring as Tom Cruise's doctor/love interest in the racetrack romance Days of Thunder (1990), she won over the Hollywood hunk hook, line and sinker. After a whirlwind courtship (and decent box office returns), the couple wed on December 24, 1990. Determined not to let her new marital status overshadow her fledgling career, the actress pressed on. She appeared as a catty high school senior in the Australian film Flirting (1991), then as Dustin Hoffman's moll in the gangster flick Billy Bathgate (1991). She reunited with Cruise for Far and Away (1992), the story of young Irish lovers who flee to America in the late 1800s, and starred opposite Michael Keaton in the tear-tugger My Life (1993). Despite her steady employment, critics and moviegoers still had not quite warmed to Kidman as a leading lady. She tried to spice up her image by seducing Val Kilmer in Batman Forever (1995), but achieved her real breakthrough with Gus Van Sant's To Die For (1995). As a fame-crazed housewife determined to eliminate any obstacle in her path, Kidman proved that she had an impressive range and deadly comic timing. She took home a Golden Globe and several critics' awards for the performance. In 1996, Kidman stepped into a corset to work with her countrywoman and onetime admirer, Jane Campion, on the adaptation of Henry James's The Portrait of a Lady (1996). A few months later, she tore across the screen as a nuclear weapons expert in The Peacemaker (1997), adding "action star" to her professional repertoire.
She and Cruise then disappeared into a notoriously long, secretive shoot for Stanley Kubrick's sexual thriller Eyes Wide Shut (1999). The couple's on-screen shenanigans prompted an increase in public speculation about their sex life (rumors had long been circulating that their marriage was a cover-up for Cruise's rumored homosexuality); tired of denying tabloid attacks, they successfully sued The Star for a story alleging that they needed a sex therapist to coach them through love scenes. Family life has always been a priority for Kidman. Born to social activists (mother was a feminist; father, a labor advocate), Nicole and her little sister, Antonia Kidman, discussed current events around the dinner table and participated in their parents' campaigns by passing out pamphlets on street corners. When her mother was diagnosed with breast cancer, 17-year-old Nicole stopped working and took a massage course so that she could provide physical therapy (her mother eventually beat the cancer). She and Cruise adopted two children: Isabella Jane (born 1993) and Connor Antony (born 1995). Despite their rock-solid image, the couple announced in early 2001 that they were separating due to career conflicts. Her marriage to Cruise ended mid-summer of 2001.- Actress
- Make-Up Department
- Director
Audrey Justine Tautou was born on August 9, 1976 in Beaumont, France, to Evelyne Marie Laure (Nuret), a teacher, and Bernard Tautou, a dental surgeon. Audrey showed an interest for comedy at an early age and started her acting lessons at 'Cours Florent'. In 1998 she won the best young actress award in the ninth 'Jeune Comedien de Cinema Festival' in Bezier. Then, she came to the attention of Tonie Marshall who gave her a role in her film Venus Beauty Institute (1999) for which she won a Best New Actress Cesar. It came as a surprise to even Audrey: "I was so certain I could not be chosen that I told her that she probably dialled a wrong number." The director chose her for her natural nature: "She came, she gaffed, she turned reddish, her ears were in a funny position and her hair was relaxed. In five minutes, she gave me the heart of the character, a petite young girl who would like to be a lady and will become a woman." In 2000, Audrey was again nominated for a Cesar and her movie Amélie (2001) has been a phenomenal success worldwide.- Actress
- Producer
- Director
Kirsten Caroline Dunst is an American actress, who also holds German citizenship. She was born on April 30, 1982 in Point Pleasant, New Jersey, to parents Inez (née Rupprecht), who owned an art gallery, and Klaus Dunst, a medical services executive. She has a younger brother named Christian Dunst, born in 1987. Her father is German, from Hamburg, and her mother, who is American, is of German and Swedish descent.
Her career began at the age of 3 when she started modeling and appearing in commercials. She made her feature film debut with an uncredited role at age 6 in the 'Oedipus Wrecks' segment of Woody Allen's 1989 film New York Stories (1989). She received her first film credit in The Bonfire of the Vanities (1990). Her family moved to Los Angeles in 1993, where her film career took off.
In 1994, she made her breakthrough performance in Interview with the Vampire: The Vampire Chronicles (1994), alongside such stars as Brad Pitt and Tom Cruise. Her performance earned her a Golden Globe nomination, the MTV Award for Best Breakthrough Performance and the Saturn Award for Best Young Actress. In 1995, she was named one of People Magazine's 50 Most Beautiful People. Over the next few years, she made a string of hit movies including Little Women (1994), Jumanji (1995) and Small Soldiers (1998).
In 2000, she received rave reviews for her role as "Lux Lisbon" in Sofia Coppola's independent film, The Virgin Suicides (1999) and proved her status as a leading actress in the comedy hit, Bring It On (2000). She also graduated from Notre Dame High School in Los Angeles in June of that year.
In 2002, she landed one of her best known roles as Peter Parker's love interest, Mary Jane Watson, in Spider-Man (2002). She continued her role in Spider-Man 2 (2004) and Spider-Man 3 (2007).
She went on to land roles in such films as Eternal Sunshine of the Spotless Mind (2004), the romantic comedy Wimbledon (2004), and in Cameron Crowe's Elizabethtown (2005). She also played the title character in Sofia Coppola's Marie Antoinette (2006).
Dunst won the Best Actress Award at the 2011 Cannes Film Festival for her performance as Justine in Lars von Trier's Melancholia (2011). In 2012, she appeared in Walter Salles' film adaptation of On the Road (2012) and the independent comedy Bachelorette (2012). She also has several films in production, including The Two Faces of January (2014).
Her charity work includes designing a necklace to raise funds for the Elizabeth Glaser Pediatric AIDS Foundation as well as supporting various cancer charities.- Actress
- Director
- Writer
Lead icon of the influential New German Cinema of the 70's & 80's, Schygulla's natural blonde beauty and amazing versatility keep her among the world's top actresses. She won best actress at Cannes in 1983 for The Story of Piera (1983) (aka "The Story of Piera"), an Italian/German co-production. The Turkish/German co-production, The Edge of Heaven (2007) (aka "The Edge of Heaven"), won the 2007 Cannes award for best screenplay. The now silver-haired actress appears to have shunned plastic surgery.
One of many protégés of Rainer Werner Fassbinder, who gave Schygulla especially tender treatment and nurturing, while he terrorized, manipulated, and slept with many of the other actors and filmmakers Fassbinder developed in his incestuous family-like theatrical and film troupes.
Over 12 years, Hanna Schygulla appeared in 23 Fassbinder movies (including his first feature film), the most-acclaimed being The Marriage of Maria Braun (1979) (aka "The Marriage of Maria Braun") (for which she won the Silver Bear), Lili Marleen (1981) and Berlin Alexanderplatz (1980). After a disagreement with Fassbinder, she did not appear in his final 4 movies. Their mentor/muse relationship is often favorably compared with that of Josef von Sternberg and Marlene Dietrich. Schygulla met Fassbinder while she was studying romance languages and taking acting lessons in Munich, then became a member of his collective theatre troupe, "Munich Action Theatre", which eventually evolved into his film group.
After Fassbinder's 1982 death, she appeared in a few commercial films, and when she does act now, concentrates on complex roles in films with unique, international social messages. Her better known non-Fassbinder movies include Kenneth Branagh's Dead Again (1991), Casanova (1987) (with Faye Dunaway), Andrzej Wajda's A Love in Germany (1983) (aka "A Love in Germany") and Margarethe von Trotta's Sheer Madness (1983) (aka "Sheer Madness"). She's renowned for portraying strong, sensual women, and her language ability enables her to appear in films produced by many countries. Her singing was featured in Lili Marleen (1981) and Sheer Madness (1983) (aka "Sheer Madness"). Since 1997, she has turned away from movie acting, primarily to chanson singing, recording CDs, appearing in the movie, Hanna Schygulla Sings (1999) and, in 2007, a one-woman autobiographical musical (including songs of Janis Joplin, Édith Piaf, Billie Holiday, Brecht). She was the lead and sang in a live Vanessa Beecroft conceptual art piece in a German castle, with Fassbinder's long-time associate, Irm Hermann, plus 23 other women. Schygulla has worked on producing films about Berlin's Holocaust memorial, and about her work with Fassbinder.
Many of Fassbinder's film plots reflect his bizarre working relations with cast and crew, and he often reserved the most glamorous costumes and dramatic roles for Hanna Schygulla, intentionally pressuring his other talented actresses, such as his feisty ex-wife Ingrid Caven, and the abused Irm Hermann. The extremely tense relationships in the all-female The Bitter Tears of Petra von Kant (1972) (aka "Bitter Tears of Petra Von Kant") somewhat reflect real-life interactions of Hermann, Schygulla (both are in the movie), Fassbinder, and his mother.
Hann Schygulla's childhood family situation somewhat parallels her role, typifying Germany's moral dilemmas at the end of World War II, in The Marriage of Maria Braun (1979) (aka "The Marriage of Maria Braun"). Schygulla was born on Christmas Day 1943, in Kattowice, Upper Silesia (then a section of Poland annexed by the Third Reich). Her German father was an infantryman in Italy, who was in a POW camp until she was 5. After the war, the German population was expelled from the Kattowice area.- Sibel Kekilli is a German actress of Turkish origin. With her debut in Fatih Akin's movie "Head On" she gained major public attention. The film won the Golden Bear at the Berlin Film Festival 2004 and her acting performance received several national and international prizes, among them the highly prestigious German film award Lola for Best Actress.
Since then Kekilli played in several national and international productions like "Eve Dönüs" ("Home coming"), awarded Best Actress at the Antalya Film Festival, aside with Josef Bierbichler and Hanna Schygulla in "Winter Journey" ("Winterreise) or the leading role Umay in Feo Aladags "When We Leave" ("Die Fremde") in 2010 which lead to Best Actress Award at the Tribeca Film Festival and once again the Lola award among others.
Apart from other movie roles, as the very successful comedy "What a man" (2011) directed by Matthias Schweighöfer, she has been investigating in the highly regarded German series "Tatort" since 2010.
She has also become widely known as part of the main cast for her role as Shae in the HBO award-winning series "Game of Thrones" (Season 1 until Season 4). - Actress
- Writer
- Producer
Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.- Actress
- Writer
- Director
Valeria Bruni Tedeschi was born on 16 November 1964 in Turin, Piedmont, Italy. She is an actress and writer, known for Like Crazy (2016), Il est plus facile pour un chameau... (2003) and Human Capital (2013).- Actress
- Director
- Writer
Candela Peña was born on 14 July 1973 in Gavà, Barcelona, Catalonia, Spain. She is an actress and director, known for Princesses (2005), All About My Mother (1999) and Take My Eyes (2003).- Actress
- Producer
- Director
Known outside her native country as the "Spanish enchantress," Penélope Cruz Sánchez was born in Madrid to Eduardo Cruz, a retailer, and Encarna Sánchez, a hairdresser. As a toddler, she was already a compulsive performer, re-enacting TV commercials for her family's amusement, but she decided to focus her energies on dance. After studying classical ballet for nine years at Spain's National Conservatory, she continued her training under a series of prominent dancers. At 15, however, she heeded her true calling when she bested more than 300 other girls at a talent agency audition. The resulting contract landed her several roles in Spanish TV shows and music videos, which in turn paved the way for a career on the big screen. Cruz made her movie debut in El laberinto griego (1993) (The Greek Labyrinth), then appeared briefly in the Timothy Dalton thriller Framed (1992). Her third film was the Oscar-winning Belle Epoque (1992), in which she played one of four sisters vying for the love of a handsome army deserter. The film also garnered several Goyas, the Spanish equivalent of the Academy Awards. Her resume continued to grow by three or four films each year, and soon Cruz was a leading lady of Spanish cinema. Live Flesh (1997) (Live Flesh) offered her the chance to work with renowned Spanish director Pedro Almodóvar (who would later be her ticket to international fame), and the same year she was the lead actress in the thriller/drama/mystery/sci-fi film Open Your Eyes (1997), a huge hit in Spain that earned eight Goyas (though none for Cruz). Her luck finally changed in 1998, when the movie-industry comedy The Girl of Your Dreams (1998) won her a Best Actress Goya. Cruz made a few more forays into English-language film, but her first big international hit was Almodóvar's All About My Mother (1999), in which she played an unchaste but well-meaning nun. As the film was showered with awards and accolades, Cruz suddenly found herself in demand on both sides of the Atlantic. Her next big project was Woman on Top (2000), an American comedy about a chef with bewitching culinary skills and a severe case of motion sickness. While in the US, she also signed up to star opposite Johnny Depp in the drug-trafficking drama Blow (2001) and opposite Matt Damon in Billy Bob Thornton's All the Pretty Horses (2000). Cruz says she's wary of being typecast as a beautiful young damsel, but it's hard to imagine disguising her wide-eyed charms and generous nature. Fortunately, with Cameron Crowe's Vanilla Sky (2001) (a remake of Open Your Eyes (1997)) and a John Madden collaboration looming in her future, Damsel Penelope isn't likely to disappear just yet.- Actress
- Producer
- Writer
Uma Karuna Thurman was born in Boston, Massachusetts, into a highly unorthodox and internationally-minded family. She is the daughter of Nena Thurman (née Birgitte Caroline von Schlebrügge), a fashion model and socialite who now runs a mountain retreat, and of Robert Thurman (Robert Alexander Farrar Thurman), a professor and academic who is one of the nation's foremost Buddhist scholars. Uma's mother was born in Mexico City, Mexico, to a German father and a Swedish mother (who herself was of Swedish, Danish, and German descent). Uma's father, a New Yorker, has English, Scots-Irish, Scottish, and German ancestry. Uma grew up in Amherst, Massachusetts, where her father worked at Amherst College.
She and her siblings all have names deriving from Buddhist mythology; and Middle American behavior was little understood, much less pursued. And so it was that the young Thurman confronted childhood with an odd name and eccentric home life -- and nature seemingly conspired against her as well. She is six feet tall, and from an early age towered over everyone else in class. Her famously large feet would soon sprout to size 11 -- and even beyond that -- and although they would eventually be lovingly filmed by director Quentin Tarantino, as a child she generally wore the biggest shoes in class, which only provided another subject of ridicule. Even her long nose moved one of her mother's friends to helpfully suggest rhinoplasty -- to the ten-year-old Thurman. To make matters worse yet, the family constantly relocated, making the gangly, socially inept Thurman perpetually the new kid in class. The result was an exceptionally awkward, self-conscious, lonely and alienated childhood.
Unsurprisingly, the young Thurman enjoyed making believe she was someone other than herself, and so thrived at acting in school plays -- her sole successful extracurricular activity. This interest, and her lanky frame, perfect for modeling, led the 15-year-old Thurman to New York City for high school and modeling work (including a layout in Glamour Magazine) as she sought acting roles. The roles soon came, starting with a few formulaic and forgettable Hollywood products, but immediately followed by Terry Gilliam's The Adventures of Baron Munchausen (1988) and Stephen Frears' Dangerous Liaisons (1988), both of which brought much attention to her unorthodox sensuality and performances that intriguingly combined innocence and worldliness. The weird, gangly girl became a sex symbol virtually overnight.
Thurman continued to be offered good roles in Hollywood pictures into the early '90s, the least commercially successful but probably best-known of which was her smoldering, astonishingly-adult performance as June, Henry Miller's wife, in Henry & June (1990), the first movie to actually receive the dreaded NC-17 rating in the USA. After a celebrated start, Thurman's career stalled in the early '90s with movies such as the mediocre Mad Dog and Glory (1993). Worse, her first starring role was in Even Cowgirls Get the Blues (1993), which had endured a tortured journey from cult-favorite book to big-budget movie, and was a critical and financial debacle. Fortunately, Uma bounced back with a brilliant performance as Mia Wallace, that most unorthodox of all gangster's molls, in Tarantino's lauded, hugely successful Pulp Fiction (1994), a role for which Thurman received an Academy Award nomination.
Since then, Thurman has had periods of flirting with roles in arty independents such as A Month by the Lake (1995), and supporting roles in which she has lent some glamorous presence to a mixed batch of movies, such as Beautiful Girls (1996) and The Truth About Cats & Dogs (1996). Thurman returned to smaller films after playing the villainess Poison Ivy in the reviled Joel Schumacher effort Batman & Robin (1997) and Emma Peel in a remake of The Avengers (1998). She worked with Woody Allen and Sean Penn on Sweet and Lowdown (1999), and starred in Richard Linklater's drama Tape (2001) opposite Hawke. Thurman also won a Golden Globe award for her turn in the made-for-television film Hysterical Blindness (2002), directed by Mira Nair.
A return to the mainstream spotlight came when Thurman re-teamed with Quentin Tarantino for Kill Bill: Vol. 1 (2003), a revenge flick the two had dreamed up on the set of Pulp Fiction (1994). She also turned up in the John Woo cautioner Paycheck (2003) that same year. The renewed attention was not altogether welcome because Thurman was dealing with the break-up of her marriage with Hawke at about this time. Thurman handled the situation with grace, however, and took her surging popularity in stride. She garnered critical acclaim for her work in Kill Bill: Vol. 2 (2004) and was hailed as Tarantino's muse. Thurman reunited with Pulp Fiction (1994) dance partner John Travolta for the Get Shorty (1995) sequel Be Cool (2005) and played Ulla in The Producers (2005).
Thurman had been briefly married to Gary Oldman, from 1990 to 1992. In 1998, she married Ethan Hawke, her co-star in the offbeat futuristic thriller Gattaca (1997). The couple had two children, Levon and Maya. Hawke and Thurman filed for divorce in 2004.- Micaela Nevárez was born on 1 January 1972 in Carolina, Puerto Rico. She is an actress, known for Princesses (2005), The War Boys (2009) and Corazón de... (1997).
- Producer
- Actress
- Costume Designer
Charlize Theron was born in Benoni, a city in the greater Johannesburg area, in South Africa, the only child of Gerda Theron (née Maritz) and Charles Theron. She was raised on a farm outside the city. Theron is of Afrikaner (Dutch, with some French Huguenot and German) descent, and Afrikaner military figure Danie Theron was her great-great-uncle.
Theron received an education as a ballet dancer and has danced both the "Swan Lake" and "The Nutcracker". There was not much work for a young actress or dancer in South Africa, so she soon traveled to Europe and the United States, where she got a job at the Joffrey Ballet in New York. She was also able to work as a photo model. However, an injured knee put a halt to her dancing career.
In 1994, her mother bought her a one-way ticket to Los Angeles, and Charlize started visiting all of the agents on Hollywood Boulevard, but without any luck. She went to a bank to cash a check for $500 she received from her mother, and became furious when she learned that the bank would not cash it because it was an out-of-state check. She made a scene and an agent gave her his card, in exchange for learning American English, which she did by watching soap operas on television.
Her first role was in the B-film Children of the Corn III: Urban Harvest (1995), a non-speaking part with three seconds of screen time. Her next role was as Helga Svelgen in 2 Days in the Valley (1996), which landed her the role of Tina Powers in That Thing You Do! (1996). Since then, she has starred in movies like The Devil's Advocate (1997), Mighty Joe Young (1998), The Cider House Rules (1999), The Legend of Bagger Vance (2000) and The Italian Job (2003). On February 29, 2004, she won her first Academy Award, a Best Actress Oscar for her performance in Monster (2003).- Actress
- Producer
Melanie Griffith was born on August 9, 1957 in New York City, to then model/future actress Tippi Hedren and former child actor turned advertising executive Peter Griffith. Her parents' marriage ended when she was four years old and Tippi brought Melanie to Los Angeles to get a new start. Tippi caught the eye of the great director Alfred Hitchcock, who gave her starring roles in The Birds (1963) and Marnie (1964). She married her then-agent, Noel Marshall, in 1964 (they divorced in 1982), and Melanie grew up with three stepbrothers. Meanwhile, her father married Nanita Greene and had two more children: Tracy Griffith and Clay A. Griffith.
Melanie also grew up with tigers and lions, as Tippi and Noel were raising them for the movie Roar (1981), in which the family later starred. Melanie's acting career, however, began as a model at just nine months old in a commercial and she later appeared as an extra in Smith! (1969) and The Harrad Experiment (1973), where she fell in love with her mother's co-star, Don Johnson. She was only 14 years old, while he was a 22-year-old with two annulled marriages. Tippi took a very liberal approach and allowed Melanie to move in with Don at a tender age. Even though Melanie didn't like modeling, she continued to do it to pay the bills. One day she went to meet with director Arthur Penn for what she thought was a modeling assignment. It was actually an audition for his film Night Moves (1975), and Penn gave her the role of a runaway nymphet. She was hesitant, but Johnson encouraged her to take the role. She agreed but was terrified of performing in front of the camera. Penn took a paternal interest in her, and she felt confident and gave a riveting performance, doing racy nude scenes. It immediately typecast her and led to more nymphet roles, with her beautiful nude body a permanent fixture in movies like Ha-Gan (1977) and Joyride (1977). She also married Johnson, eloping in 1976, but the union ended within six months.
Unfortunately, as her career progressed, she became increasingly dependent on drugs and alcohol, a fact well-known to studio executives, who stopped considering her for feature film roles. Melanie started doing television work, where she met her second husband, Steven Bauer, on the set of the TV movie She's in the Army Now (1981). He helped her to overcome her drug and alcohol problems and got her to take acting classes with Stella Adler in New York. The classes paid off, as director Brian De Palma cast her as a porno actress in his murder mystery Body Double (1984) and her sexy, funny performance won her rave reviews and the Best Supporting Actress Award by the National Society of Film Critics and a Golden Globe nomination. Jonathan Demme was so impressed with her performance that he gave her the female lead in Something Wild (1986) without even auditioning her. The film was a commercial failure but quickly became a cult favorite on video and cable, with Melanie again getting critical plaudits and a Golden Globe nomination.
The birth of her first child, Alexander, in 1985, didn't help to save her struggling marriage, and she and Bauer separated shortly thereafter. Melanie was given starring roles in Cherry 2000 (1987) and Stormy Monday (1988), but the films were barely released. Soon writers were asking when the public at large was going to take notice of this unique and talented actress. Melanie's career skyrocketed when Mike Nichols cast her as spunky secretary Tess McGill in Working Girl (1988), a box-office hit for which she received an Oscar nomination as Best Actress and won the Golden Globe Award as Best Actress in a Comedy. However, her ongoing substance abuse had almost destroyed her career yet again, and Nichols pushed her into a rehabilitation clinic. En route to the clinic she called ex-husband Johnson for support, and they reconciled after her release from the clinic. She got pregnant, divorced Bauer and remarried Johnson in 1989, and later that year their daughter Dakota Johnson was born. A sober Melanie now concentrated on her film career: her follow-up to "Working Girl" was John Schlesinger's Hitchcockian urban thriller Pacific Heights (1990). It was a moderate success, but most of the films she chose flopped badly, especially The Bonfire of the Vanities (1990), which reunited her with director Brian De Palma. Even though she gave heartfelt performances in all her films, she was often miscast, with her breathy little-girl voice not helping matters in her role as a spy in Shining Through (1992) and as a homicide detective going undercover in the Hassidic Jewish community in New York City in A Stranger Among Us (1992).
Melanie was charming as a street hooker who befriends a group of elementary students in Milk Money (1994), but the film received negative reviews and performed dismally at the box office. She made a minor comeback with the critics for her supporting role as a desperate housewife in Nobody's Fool (1994), which reunited her with Bruce Willis, her co-star in "Bonfire", and Paul Newman, her co-star from The Drowning Pool (1975). She also earned a Golden Globe nomination for her work in the well-received TV miniseries Buffalo Girls (1995), followed by another hit film, the ensemble Now and Then (1995). Her personal life was making headlines again, though, as she left Johnson because of his own substance-abuse problems, reconciled with him briefly when he became sober, only to leave him again, this time for Antonio Banderas, her married co-star from Two Much (1995). Both she and Banderas created a scandal in 1995 with their torrid romance, and the tabloids followed their every move, including her divorce from Johnson and his divorce from wife Ana Leza. Melanie became pregnant with her third child, and she and Banderas married in 1996. Their daughter Stella Banderas was born, and the notorious couple were forgiven by the public and the media.
Melanie won strong reviews in independent films like Another Day in Paradise (1998), where she played a heroin-using criminal accomplice on the run, and the made-for-cable movie RKO 281 (1999), in which she portrayed actress Marion Davies, a part that garnered her Golden Globe and Emmy nominations as Best Supporting Actress. Melanie became dependent to pain killers, however, returning to rehab in 2000. She wrote about her struggle and recovery in her journal on her official website. Greenmoon Productions, the production company that she formed with Banderas, produced several flops, such as her starring vehicle Crazy in Alabama (1999), directed by Banderas. Her career took another blow when her TV series, Me & George (1998), never even aired. After making Cecil B. Demented (2000) and Forever Lulu (2000), Melanie did a voice-over role in Stuart Little 2 (2002) and played supporting roles in minor films Tempo (2003), as Sylvester Stallone's girlfriend in Shade (2003), and as Barbara Sinatra in All the Way (2003) with Dennis Hopper playing Frank Sinatra, but none of these films made a ripple at the box office. As a result, film and television offers dried up.
In 2003, a resourceful Melanie turned to the Broadway stage, and packed houses with her turn as the murderess "Roxie Hart" in the musical "Chicago," for which she received a rave review from the New York Times theater critic. It renewed her confidence, as she had never sang, danced or been on the Broadway stage before. In 2005 she surprised viewers by playing a mom to two grown women in the TV series Twins (2005), which was canceled after one season. She tried to resurrect her career with another attempt at a TV series, Viva Laughlin (2007), but it was canceled after just two episodes. Melanie didn't act again for the remainder of the decade, because, by self-admission, she couldn't obtain any worthwhile roles. In 2009, she was back in rehab after yet another relapse, emerging after a three-month stay. Professionally, she was faced with more disappointment in 2012 when This American Housewife (2012), a Lifetime series that Banderas produced for her to star in, never aired. She went back to the stage in 2012 and played Scott Caan's mother in a play that he wrote titled "No Way Around but Through." She impressed Caan enough to recommend her to producers of his television show Hawaii Five-0 (2010). Since 2014, she started playing a recurring role as his mother on the show.
Also in 2014, Melanie filed for divorce from Banderas citing "irreconcilable differences" after nearly twenty years together. She never publicly discussed her reasons for the divorce, and she didn't promote her feature film Automata (2014), the final time that she acted with Banderas. It took a year for the divorce to be finalized, during which time, she and Banderas made one important appearance together at their daughter Stella's high school graduation. She also made another public appearance with another ex-husband, Don Johnson, on Saturday Night Live (1975) to support their daughter Dakota, who was the host for that week. Dakota was promoting her star-making turn in Fifty Shades of Grey (2015), thus carrying on the family tradition of being a film actress. Melanie maintains close ties with her three children and her mother Tippi Hedren. She is involved in various charities, including raising funds for Tippi's Shambala preserve, a refuge for wild animals. Melanie also runs a non-profit organization for benefiting burned children. Melanie is single and her children are living on their own, so she has devoted most of her time to seeking out acting roles.- Producer
- Actress
- Music Department
Sandra Annette Bullock was born in Arlington, a Virginia suburb of Washington, D.C. Her mother, Helga Bullock (née Helga Mathilde Meyer), was a German opera singer. Her father, John W. Bullock, was an American voice teacher, who was born in Alabama, of German descent. Sandra grew up on the road with her parents and younger sister, chef Gesine Bullock-Prado, and spent much of her childhood in Nuremberg, Germany. She often performed in the children's chorus of whatever production her mother was in. That singing talent later came in handy for her role as an aspiring country singer in The Thing Called Love (1993). Her family moved back to the Washington area when she was adolescent. She later enrolled in East Carolina University in North Carolina, where she studied acting. Shortly afterward she moved to New York to pursue a career on the stage. This led to acting in television programs and then feature films. She gave memorable performances in Demolition Man (1993) and Wrestling Ernest Hemingway (1993), but did not achieve the stardom that seemed inevitable for her until her work in the smash hit Speed (1994). She now ranks as one of the most popular actresses in Hollywood. For her role in The Blind Side (2009) she won the Oscar, and her blockbusters The Proposal (2009), The Heat (2013) and Gravity (2013) made her a bankable star. With $56,000,000, she was listed in the Guinness Book Of World Records as the highest-paid actress in the world.- Actress
- Music Department
- Producer
Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
- Producer
- Director
Winona Ryder was born Winona Laura Horowitz in Olmsted County, Minnesota, and was named after a nearby town, Winona, Minnesota. She is the daughter of Cynthia (Istas), an author and video producer, and Michael Horowitz, a publisher and bookseller. Her father's family is Ukrainian Jewish and Romanian Jewish. She grew up in a ranch commune in Northern California which had no electricity. She is the goddaughter of Timothy Leary. Her parents were friends of Beat poet Allen Ginsberg and once edited a book called "Shaman Woman Mainline Lady", an anthology of writings on the drug experience in literature, which included one piece by Louisa May Alcott. Ryder would later play the lead role of Josephine March in the adaptation of this author's novel Little Women (1994).
Ryder moved with her parents to Petaluma, California when she was ten and enrolled in acting classes at the American Conservatory Theater. At age 13, she had a video audition to the film Desert Bloom (1986), but did not get the role. However, director David Seltzer spotted her and cast her in Lucas (1986). When telephoned to ask how she would like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder & The Detroit Wheels album was playing the background. Ryder was selected for the role of Mary Corleone in The Godfather Part III (1990), but had to drop out of the role after catching the flu from the strain of doing the films Welcome Home, Roxy Carmichael (1990) and Mermaids (1990) back-to-back. She said she did not want to let everyone down by doing a substandard performance. She later made The Age of Innocence (1993), which was directed by Martin Scorsese, whom she believes to be "the best director in the world".- Actress
- Producer
- Director
Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Actress
- Producer
- Director
Salma Hayek was born on September 2, 1966 in Coatzacoalcos, Mexico. Her father is of Lebanese descent and her mother is of Mexican/Spanish ancestry. After having seen Willy Wonka & the Chocolate Factory (1971) in a local movie theater, she decided she wanted to become an actress. At age 12, she was sent to the Academy of the Sacred Heart in New Orleans, Louisiana. After attending Mexico City's prestigious university Universidad Iberoamericana, she felt ready to pursue acting seriously.
She soon landed the title role in Teresa (1989), a hugely successful soap opera which earned her the star status in her native Mexico. However, anxious to make films and to explore her talent as well as passion, she left both Teresa (1989) and Mexico in 1991. Heartbroken fans spread rumors that she was having a secret affair with Mexico's president and left to escape his wife's wrath. She made her way to Los Angeles. She approached Hollywood with naive enthusiasm and quickly learned that Latina actresses were typecast as the mistress maid or local prostitute. By late 1992, she had landed only small roles. She appeared on Street Justice (1991), The Sinbad Show (1993), Nurses (1991), and as a sexy maid on Dream On (1990). She also had only one line in My Crazy Life (1993). Feeling under-appreciated by Anglo filmmakers, she vented her frustrations on Paul Rodriguez's late-night Spanish-language talk show.
Robert Rodriguez and his wife Elizabeth Avellan happened to be watching and were immediately smitten with her. He soon gave her big break -- to star opposite Antonio Banderas in the cult classic Desperado (1995), bringing her into Hollywood prominence. The moviegoers were as dazzled with her as he had been. Afterwards, she was cast again by Rodriguez to star in the cult classic From Dusk Till Dawn (1996). Her first star billing came later that year with Fools Rush In (1997) opposite Matthew Perry. It was a modest hit and her star continued to rise in both commercial and films such as Breaking Up (1997) with an unknown Russell Crowe, 54 (1998), Dogma (1999) and In the Time of the Butterflies (2001), the small artistic film which won her an ALMA award as best actress and the summer blockbuster Wild Wild West (1999). Her production company Ventanarosa produced the Mexican feature film El coronel no tiene quien le escriba (1999), which was shown at the Cannes Film Festival and selected as Mexico's official Oscar entry for best foreign film.
The new millennium started out quietly as she prepared to produce and star in her dream role of Frida Kahlo, the legendary Mexican painter whom she had been admiring her entire life and whose story she wanted to bring to the big screen ever since she arrived in Hollywood. Frida (2002) was full of passion and enthusiasm, with performances from her and Alfred Molina as Kahlo's cheating husband Diego Rivera. It also featured an entourage of stars such as Antonio Banderas, Ashley Judd, Geoffrey Rush, Edward Norton and Valeria Golino.
It was a box office hit and was nominated for six Academy Awards, including best actress for Hayek. It won awards for make-up and score by Elliot Goldenthal. Later that year, she expanded her horizons, directing The Maldonado Miracle (2003), which was shown at the Sundance Film Festival. In 2003, she starred in the finale of Rodriguez's Desperado trilogy Once Upon a Time in Mexico (2003), again opposite Banderas. She also starred in After the Sunset (2004) opposite Pierce Brosnan, and Ask the Dust (2006) opposite Colin Farrell. She then starred in Bandidas (2006), which also featured Penélope Cruz, and Lonely Hearts (2006) opposite Jared Leto.- Actress
- Producer
- Additional Crew
Sharon Stone was born and raised in Meadville, a small town in Pennsylvania. Her strict father was a factory worker, and her mother was a homemaker. She was the second of four children. At the age of 15, she studied in Saegertown High School, Pennsylvania, and at that same age, entered Edinboro State University of Pennsylvania, and graduated with a degree in creative writing and fine arts. She was a very smart girl (with an IQ of 154), became a bookworm, and once was told that a suitable job for her (and her brains) was to become a lawyer. However, her first love was still the black-and-white movies, especially those featuring Fred Astaire and Ginger Rogers. So, the 17-year-old Sharon got herself into the Miss Crawford County and won the beauty contest.
From working part-time as a McDonald's counter girl, she worked her way up to become a successful Ford model, both in TV commercials and print ads. In 1980, she made her acting debut in Woody Allen's Stardust Memories (1980) as "pretty girl in train". Her first speaking part, though, was in Wes Craven's horror movie, Deadly Blessing (1981). She struggled through many parts in B-movies, notably King Solomon's Mines (1985) and Action Jackson (1988). She was also married in 1984 to Michael Greenburg, the producer of MacGyver (1985), but they divorced two years later.
She finally got her big break with Arnold Schwarzenegger in Total Recall (1990) and also posed nude for Playboy, a daring move for a 32-year-old actress. But it worked; she landed the breakthrough role as a sociopath novelist, "Catherine Tramell", in Basic Instinct (1992). Her interrogation scene has become a classic in film history and her performance captivated everyone, from MTV viewers, who honored her with Most Desirable Female and Best Female Performance Awards, to a Golden Globe nomination for Best Actress. After she got famous, she didn't want to be typecast, so she played a victim in Sliver (1993), and, in Intersection (1994), she was the aloof, estranged wife of Richard Gere. These movies didn't "work," so she got herself again into more aggressive roles , such as The Specialist (1994) with Sylvester Stallone and The Quick and the Dead (1995) with Gene Hackman.
But it wasn't until she played a beautiful but drug-crazy wife of Robert De Niro in Casino (1995) that she got far more than just fame and fortune--she also received the acknowledgment of the movie industry for her acting ability. She received her first Golden Globe and an Oscar nomination. She did a couple of films afterwards, teaming up with Isabelle Adjani in Diabolique (1996), and as a woman waiting for her death penalty in Last Dance (1996). In 1998, she married a newspaper editor,Phil Bronstein but they divorced later in 2004. She received her third Golden Globe nomination for The Mighty (1998), a film that her company, "Chaos", also co-executive produced. The next year, she played the title role in Gloria (1999) and entered her first comedic role in The Muse (1999), which gave her another Golden Globe nomination.
Sharon Stone, a diva who thoroughly enjoys her hard-won stardom, is now a mother of three children: Roan, Laird and Quinn.- Actress
- Producer
- Soundtrack
Jessica Lange was born in 1949, in Cloquet, Minnesota, USA, where her father worked as a traveling salesman. She obtained a scholarship to study art at the University of Minnesota, but instead went to Paris to study drama. She moved to New York, working as a model, until producer Dino De Laurentiis cast her as the female lead in King Kong (1976). The film attracted much unfavorable comment and, as a result, Lange was off the screen for three years. She was given a small but showy part in Bob Fosse's All That Jazz (1979), before giving a memorable performance in Bob Rafelson's The Postman Always Rings Twice (1981), as an adulterous waitress. The following year, she won rave reviews for her exceptional portrayal of actress Frances Farmer in Frances (1982) and a Best Supporting Actress Academy Award for her work in Sydney Pollack's Tootsie (1982) (as a beautiful soap-opera actress). She was also outstanding as country singer Patsy Cline in Karel Reisz's Sweet Dreams (1985) and as a lawyer who defends her father and discovers his past in Music Box (1989). Other important films include Martin Scorsese's Cape Fear (1991) (as a frightened housewife) and Tony Richardson's Blue Sky (1994), for which she won a Best Actress Academy Award as the mentally unbalanced wife of a military officer. She made her Broadway debut in 1992, playing "Blanche" in Tennessee Williams "A Streetcar Named Desire".- Actress
- Art Department
- Additional Crew
Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).- Actress
- Writer
- Producer
Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.- Actress
- Director
- Writer
Madeleine Stowe was born in Los Angeles, California, to Mireya Maria (Mora Steinvorth) and Robert Alfred Stowe, a civil engineer. Her mother was a from a prominent political family in Costa Rica. Stowe grew up in Eagle Rock, a working-class neighborhood of Los Angeles. At age ten she started practicing for a career as a concert pianist and trained every day for hours. However, when her instructor died in 1976 she more or less quit playing.
She went to University of Southern California and studied cinema and journalism before taking up acting at Beverly Hills' Solaris Theater. She made a few appearances in TV and on film but her breakthrough came in 1987 with Stakeout (1987). Other major credits include The Last of the Mohicans (1992) and Short Cuts (1993).
When not filming, she spends her time at her ranch in Texas, which she shares with her husband Brian Benben.- Actress
- Producer
- Soundtrack
Nastassja Kinski was born Nastassja Aglaia Nakszynski on January 24, 1961 in Berlin, Germany, the daughter of German actor Klaus Kinski. In 1976, she met director Roman Polanski, who urged her to study method acting with Lee Strasberg in the United States. Kinski starred in the Italian romantic drama Stay as You Are (1978) with Marcello Mastroianni, gaining her recognition in the United States after the film's release on December 21, 1979. She played the title character in Polanski's romantic drama Tess (1979), an adaptation of Thomas Hardy's novel "Tess of the d'Urbervilles" (1891).
Kinski starred in Francis Ford Coppola's romantic musical One from the Heart (1981), her first film made in the United States. The film became a box office bomb and was a major loss for Coppola's production company Zoetrope Studios. She also starred in the erotic horror movie Cat People (1982) with Malcolm McDowell, a remake of the 1942 classic of the same name. She appeared in Wim Wenders' drama movie Paris, Texas (1984) with Harry Dean Stanton and Dean Stockwell. One of her most acclaimed films, the film won the Palme d'Or (Golden Palm) at the Cannes Film Festival.
During the 1990s, Kinski appeared in a number of American films, including the action movie Terminal Velocity (1994) opposite Charlie Sheen, One Night Stand (1997), Your Friends and Neighbors (1998), John Landis' Susan's Plan (1998), and The Lost Son (1999). She has appeared in more than 60 films in Europe and the United States.- Actress
- Producer
- Soundtrack
One cool, eternally classy lady, Candice Bergen was elegantly poised for trendy "ice princess" stardom when she first arrived on the '60s screen, but she gradually reshaped that débutante image in the '70s, both on- and off-camera. A staunch, outspoken feminist with a decisive edge, she went on to take a sizable portion of those contradicting qualities to film and, most particularly, to late 1980s TV.
The daughter of famed ventriloquist Edgar Bergen and former actress and "Chesterfield Girl" model Frances Bergen (née Westerman), Candice Patricia Bergen was born in Beverly Hills, California, of Swedish, German, and English descent. At the age of six, she made her radio debut on her father's show. She attended Westlake School for Girls in Los Angeles, the Cathedral School in Washington D.C. and then went abroad to the Montesano (finishing) School in Switzerland. Although she began taking art history and creative drawing at the University of Pennsylvania, she did not complete her studies.
In between she also worked as a Ford model in order to buy cameras for her new passion--photography. Her Grace Kelly-like glacial beauty deemed her an ideal candidate for Ivy League patrician roles, and Candice made an auspicious film debut while still a college student portraying the Vassar-styled lesbian member of Sidney Lumet's The Group (1966) in an ensemble that included the debuts of other lovely up-and-comers including Kathleen Widdoes, Carrie Nye, Joan Hackett and Joanna Pettet.
Film offers started coming her way, both here and abroad (spurred by her love for travel). Other than her top-notch roles as the co-ed who comes between Jack Nicholson and Art Garfunkel in Carnal Knowledge (1971) and her prim American lady kidnapped by Moroccan sheik Sean Connery in The Wind and the Lion (1975), her performances were deemed a bit too aloof to really stand out among the crowd. During this time, she found a passionate second career as a photographer and photojournalist. A number of her works went on to appear in an assortment of magazines including Life, Playboy and Esquire.
Most of Candice's 1970s films were dismissible and unworthy of her talents, including the campus comedy Getting Straight (1970) opposite the hip counterculture star of the era -- Elliott Gould; the disturbingly violent Soldier Blue (1970); the epic-sized bomb The Adventurers (1970); T.R. Baskin (1971); Bite the Bullet (1975); The Domino Principle (1977), Lina Wertmüller's long-winded and notoriously long-titled Italian drama A Night Full of Rain (1978); and the inferior sequel to the huge box-office soaper Love Story (1970), entitled Oliver's Story (1978) alongside original star Ryan O'Neal. Things picked up toward the second half of the decade, however, when the seemingly humorless Candice made a clever swipe at comedy. She made history as the first female guest host of Saturday Night Live (1975) and then showed an equally amusing side of her in the dramedy Starting Over (1979) as Burt Reynolds' tone-deaf ex-wife, enjoying a "best supporting actress" Oscar nomination in the process. She and Jacqueline Bisset also worked well as a team in George Cukor's Rich and Famous (1981), in which her mother Frances could be glimpsed in a Malibu party scene.
Candice made her Broadway debut in 1985 replacing Sigourney Weaver in David Rabe's black comedy "Hurlyburly". In 1980 Candice married Louis Malle, the older (by 14 years) French director. They had one child, Chloe. In the late 1980s, Candice hit a new career plateau on comedy television as the spiky title role on Murphy Brown (1988), giving great gripe as the cynical and competitive anchor/reporter of a TV magazine show. With a superlative supporting cast around her, the CBS sitcom went the distance (ten seasons) and earned Candice a whopping five Emmys and two Golden Globe awards. TV-movie roles also came her way as a result with colorful roles ranging from the evil Arthurian temptress "Morgan Le Fey" to an elite, high-classed madam -- all many moons away from her initial white-gloved debs of the late 60s.
Husband Malle's illness and subsequent death from cancer in 1995 resulted in Candice maintaining a low profile for an extended period. In time, however, she married a second time (since 2000) to Manhattan real estate developer Marshall Rose and returned to acting with a renewed vigor (or vinegar), with many of her characters enjoyable extensions of her sardonic "Murphy Brown" character. As for TV, she joined the 2005 cast of Boston Legal (2004) playing a brash, no-nonsense lawyer while trading barbs with a much less serious William Shatner, earning an Emmy nomination in the process. In 2018, Candice revisited her Murphy Brown character in a revised series form with many of the cast back on board. The show, however, was cancelled after only one season.
Candice also ventured into the romantic comedy film genre with a spray of crisp supports -- sometimes as a confidante, sometimes as a villain. Such films include Miss Congeniality (2000), Sweet Home Alabama (2002), The In-Laws (2003), Sex and the City (2008), The Women (2008), Bride Wars (2009), A Merry Friggin' Christmas (2014), Rules Don't Apply (2016), The Meyerowitz Stories (2017), Home Again (2017) and Book Club (2018).- Actress
- Director
- Writer
Willeke van Ammelrooy was born on 5 April 1944 in Amsterdam, Noord-Holland, Netherlands. She is an actress and director, known for The Lake House (2006), Antonia's Line (1995) and 't Schaep Met De 5 Pooten (1969). She has been married to Marco Bakker since 20 November 1989.- Actress
- Director
- Script and Continuity Department
Monique van de Ven was born on 28 July 1952 in Zeeland, Noord-Brabant, Netherlands. She is an actress and director, known for Romeo (1990), Ademloos (1982) and Amsterdamned (1988). She has been married to Edwin de Vries since 1991. They have two children. She was previously married to Jan de Bont.- Actress
- Writer
- Director
Nathalie Delon was born on 1 August 1941 in Oujda, French Protectorate Morocco [now Morocco]. She was an actress and writer, known for The Samurai (1967), They Call It an Accident (1982) and The French Dispatch (2021). She was married to Alain Delon and Guy Barthelemy. She died on 21 January 2021 in Paris, France.- Actress
- Director
- Soundtrack
Sylvia Kristel was born on September 28, 1952 in Utrecht, Netherlands. She first came to international attention in the early 1970s with Emmanuelle (1974) for director Just Jaeckin. Then two more sequels followed in which she also starred. Included in her credits are a long list of European films including the film Julia (1974), in which she played the lead. In 1979, she came to Hollywood, appearing in The Concorde... Airport '79 (1979) for producer Jennings Lang, who also featured her in the comedy film The Nude Bomb (1980). However, this was all a prelude to the most successful film in Kristel's career -- Private Lessons (1981) -- in which she played the housekeeper who initiates 15-year-old Eric Brown to the wonders of sex. The film grossed over $50,000,000 worldwide. The Dutch actress, who speaks four languages (Dutch, English, Italian and French), now made her home in Amsterdam, Netherlands. Sylvia Kristel died at age 60 of cancer in her sleep on October 18, 2012.- Cathy Rosier was born on 2 January 1945 in Fort-de-France, Martinique, French West Indies. She was an actress, known for The Samurai (1967), Le dernier saut (1970) and Chap'la (1980). She was married to Norbert Lemoine, Gérard Foussier and Georges Rosier. She died on 17 May 2004 in Marrakech, Morocco.
- Director
- Writer
- Producer
Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Writer
- Director
- Actor
The women who both attracted and frightened him and an Italy dominated in his youth by Mussolini and Pope Pius XII - inspired the dreams that Fellini started recording in notebooks in the 1960s. Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in La Dolce Vita (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Rome, Open City (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisan (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.- Writer
- Director
- Actor
Pier Paolo Pasolini achieved fame and notoriety long before he entered the film industry. A published poet at 19, he had already written numerous novels and essays before his first screenplay in 1954. His first film Accattone (1961) was based on his own novel and its violent depiction of the life of a pimp in the slums of Rome caused a sensation. He was arrested in 1962 when his contribution to the portmanteau film Ro.Go.Pa.G. (1963) was considered blasphemous and given a suspended sentence. It might have been expected that his next film, The Gospel According to St. Matthew (1964) (The Gospel According to St. Matthew), which presented the Biblical story in a totally realistic, stripped-down style, would cause a similar fuss but, in fact, it was rapturously acclaimed as one of the few honest portrayals of Christ on screen. Its original Italian title pointedly omitted the Saint in St. Matthew). Pasolini's film career would then alternate distinctly personal and often scandalously erotic adaptations of classic literary texts: Oedipus Rex (1967) (Oedipus Rex); The Decameron (1971); The Canterbury Tales (1972) (The Canterbury Tales); Arabian Nights (1974) (Arabian Nights), with his own more personal projects, expressing his controversial views on Marxism, atheism, fascism and homosexuality, notably Teorema (1968) (Theorem), Pigsty and the notorious Salò, or the 120 Days of Sodom (1975), a relentlessly grim fusion of Benito Mussolini's Fascist Italy with the 'Marquis de Sade' which was banned in Italy and many other countries for several years. Pasolini was murdered in still-mysterious circumstances shortly after completing the film.- Director
- Writer
- Editor
The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Writer
- Director
- Editor
Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre. Indeed, the difficulty of precisely describing their category is itself the very quintessence of Antonioni's films. Among the most-cited contributions of Antonioni's cinema are their striking descriptions of that unique strain of post-boom ennui everywhere apparent in the transformed life and leisure habits of the Italian middle and upper classes. Detecting profound technological, political and psychological shifts at work in post-WWII Italy, Antonioni set out to explore the ambiguities of a suddenly alienated and dislocated Italy, not simply through his oblique style of narrative and characters, nor through any overt political messaging, but instead by tearing asunder the traditional boundaries of cinematic narrative in order to explore an ever shifting internal landscape expressed through architecture, urban space and the sculptural, shaping presence of objects, shapes and emotions invented by camera movement and depth of focus.
Antonioni deftly manipulates the quieter, indirect edges of cinematic structure, often so discretely that his existential puzzles are felt before they can be intellectualized. The negative space is as prominent as the positive, silence as loud as noise, absence as palpable as presence, and passivity as driving a force as direct action. Transgressing unspoken cinematic laws, Antonioni frequently focuses on female protagonists while refusing to sentimentalize or morally judge his characters and placing them on equal footing with the other elements within his total dynamic system, like sounds or set pieces. And he violates spoken rules with unconventional cutting techniques, fractured spatial and temporal continuity, and a camera that insistently lingers in melancholy pauses, long after the actors depart, as if drifting just behind an equally distracted, dissipating narrative. Leaving questions unanswered and plot points irresolute, dispensing with exposition, suspense, sentimentality and other cinematic security blankets, Antonioni releases the viewer into a gorgeous, densely layered fog to contemplate and wrestle with his characters' imprecise quandaries and endless possibilities. Culminating in tour de force endings that often reframe the narrative in a daring, parting act of deconstruction, Antonioni's rigorously formal, yet open compositions allow his great, unwieldy questions to spill over into the world outside the cinema and outside of time.
Born into a middle-class family in the northern Italian town of Ferrara, Antonioni studied economics at the University of Bologna where he also co-founded the university's theatrical troupe. While dedicating himself to painting, writing film reviews, working in financial positions and in different capacities on film productions, Antonioni suffered a few false starts before expressing his unique directorial vision and voice in his first realized short film, Gente del Po, a moving portrait of fisherman in the misty Po Valley where he was raised. Uncomfortable with the neo-realist thrust of Italian cinema, Antonioni directed a series of eccentric and oblique documentary shorts that, in retrospect, reveal his desire to investigate the psyche's mysterious interiors. In his first fictional feature, Story of a Love Affair, Antonioni immediately subtly challenged traditional plot and audience expectation in ways that anticipate the formal and emotional expressionist dynamic that would fully flower within the groundbreaking L'Avventura (1960).
Reversing its raucous 1960 premiere to an infuriated Cannes audience, L'Avventura was rapturously lauded by fellow artists and filmmakers and awarded a special Jury Prize "for its remarkable contribution toward the search for a new cinematic language." It also presented the controlled ambivalence of Monica Vitti, who would become his partner, muse and psychological constant throughout his famed trilogy of L'Avventura, La Notte (1961) and L'Eclisse (1962) in addition to the exquisite Red Desert (1964), a film that marked another significant shift toward expressive color, male leads and working with soft focus and faster cuts. After the phenomenal commercial success of the MGM-produced Blow-Up (1966), Antonioni was devastated by the anti-climactic box office disaster of Zabriskie Point (1970) and returned to documentary. Invited to make Chung Kuo China by the Chinese government, Antonioni delivered a mesmerizing yet unsentimental four-hour tour of China which was vehemently rejected by its solicitors. A few years later, Antonioni returned to fictional form in his last masterpiece, The Passenger (1975), an enigmatic fable of vaporous identity that offers a bold companion piece to L'Avventura. Aside from the thematically retrospective Identification of a Woman (1982) and a period film made for television, The Mystery of Oberwald (1980) in which he conducted unusual experiments with color and video, Antonioni closed out his career with mostly short films, many of which were made after he suffered a stroke in 1985.
Tremendously influential yet largely taken for granted, Antonioni made difficult, abstract cinema mainstream. Embracing an anarchic geometry, Antonioni turned the architecture of narrative filmmaking inside-out in the most eloquent way possible, with many of his iconic scenes eternally preserved in the depths of the cinema's psyche. Observing modern maladies without judgment - sexism, dissolution of family and tradition, ecological/technological quandaries and the eternal questions of our place in the cosmos - Antonioni's prescience continues to resonate deeply as we find our way in the quickly moving fog.- Director
- Actor
- Writer
Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Actor
- Director
- Writer
Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1943), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.- Writer
- Director
- Second Unit Director or Assistant Director
Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism. This triangulation of monuments would create an equally titanic filmmaker whose work remained stylistically sui generis through arguably the most impressive decades of 20th century filmmaking. The quietude of La Terra Trema (1948) is managed with an operatic virtuosity, and the baroque period pieces-for which he is best known today-clearly point to a noble upbringing. However, there is also a Gothic character to Visconti-embodied in the spired cathedral that overshadowed his childhood-that has remained largely unsung. The relationship between the Visconti family and Gothic architecture stretches back to the Medieval Era. In 1386, Duke Gian Galeazzo Visconti envisioned a cathedral in the heart of Milan, though it was fated to remain under construction for almost half a millennium until Napoleon ordered its completion in the 19th century. Just as his ancestor brought Northern Gothic architecture to Italy, so, in 1943, did Luchino introduce the groundbreaking cinematic genre of Italian neorealism to the peninsula. Doing away with sets, neorealist cinema was set in the raw environment of postwar Italy. In one sense anti-architectural in its desire to transcend the bonds of interior space, this same ambition is what makes the style a perfect cinematic analog to the Gothic. The Gothic is an architecture of exteriority: Throwing ceilings to the sky and opening walls onto the outside with large windows, the Gothic presents light as the manifestation of divinity within a place of worship. The mysticism of light, dating back to the pseudo-Dionysian theology of Abbot Suger of St. Denis Cathedral, translates well to the medium of light that is the cinema. In any Visconti work, lighting is intimately connected to set design: It is often seen in the gleam of curtains, the radiance of starlight or the glow of Milanese fog, where the director carries the religiosity of Gothic architecture into his realism. Visconti's religion (or should we say religions? For he was also a Marxist) adds an ethical weight, powerful and challenging, to his works. The term decadence, often associated with Visconti, only attains meaning through being in excess of contemporary mores. Neither the Catholic Church nor the Italian communists could accept Visconti's homosexuality, and a resultant displaced angst is plainly worn by his protagonists-monumental individuals who bear the full weight of their social milieus. While neorealism has come to be packaged with its own mythology-a new cinema for a liberated nation, the idea of a new "Italian" style-re-centering our historical gaze on the Gothic Visconti allows one's imagination to spread across a much larger plane of geography and time. From his cinematic apprenticeship with Jean Renoir in France-the very cradle of Gothic architecture-to his German trilogy, Visconti's style has always been one of cosmopolitan effort. This international flavor also matches the deeper etymological referent of the Gothic-the Goths, those barbarian invaders who toppled the Roman Empire. Among Visconti's formal signatures are many borrowings from foreign directors, including the particularly pronounced influence of Jean Renoir, Josef Von Sternberg and Elia Kazan. Global in scope, timeless in influence and architectural in spirit: This is the legacy of Luchino Visconti.- Director
- Writer
- Producer
Louis Malle, the descendant of a French nobleman who made a fortune in beet sugar during the Napoleonic Wars, created films that explored life and its meaning. Malle's family discouraged his early interest in film but, in 1950, allowed him to enter the Institute of Advanced Cinematographic Studies in Paris. His résumé showed that he had worked as an assistant to film maker Robert Bresson when Malle was hired by underwater explorer Jacques-Yves Cousteau to be a camera operator on the Calypso. Cousteau soon promoted him to be co-director of The Silent World (1956) ("The Silent World"). Years later, Cousteau called Malle the best underwater cameraman he ever had. Malle's third film, The Lovers (1958) ("The Lovers"), starring Jeanne Moreau broke taboos against on screen eroticism. In 1968 the U.S. Supreme Court reversed the obscenity conviction of an Ohio theater that had exhibited "Les Amants." A director during the Nouvelle Vague, New Wave" of 1950s and 1960s (though technically not considered a Nouvelle Vague auteur), he also made films on the other side of the Atlantic, starting with Pretty Baby (1978), the film that made Brooke Shields an international superstar. The actress who played a supporting role in that film was given a starring role in Malle's next American film, Atlantic City (1980). That promising actress was Susan Sarandon.
In one of his later French films, Goodbye, Children (1987), Malle was able to find catharsis for an experience that had haunted him since the German occupation of France in World War II. At age 12, he was sent to a Catholic boarding school near Paris that was a refuge for several Jewish students, one of them was Malle's rival for academic honors and his friend. A kitchen worker at the school with a grudge became an informant. The priest who was the principal was arrested and the Jewish students were sent off to concentration camps.
In his final film, Vanya on 42nd Street (1994), Malle again penetrated the veil between life and art as theater people rehearse Anton Chekhov's "Uncle Vanya." In that film, Malle worked again with theater director Andre Gregory and actor-playwright Wallace Shawn, the conversationalists of My Dinner with Andre (1981). Malle was married to Candice Bergen, and he succumbed to lymphoma in 1995.- Writer
- Director
- Actor
Marco Ferreri was born on 11 May 1928 in Milan, Lombardy, Italy. He was a writer and director, known for Tales of Ordinary Madness (1981), L'udienza (1972) and El cochecito (1960). He was married to Jacqueline Ferreri. He died on 9 May 1997 in Paris, France.- Writer
- Director
- Actor
Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Director
- Actress
- Writer
Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Producer
- Director
- Writer
Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Director
- Producer
- Writer
Walter Salles was born on 12 April 1956 in Rio de Janeiro, Rio de Janeiro, Brazil. He is a director and producer, known for Central Station (1998), The Motorcycle Diaries (2004) and Terra Estrangeira (1995). He is married to Maria Klabin. They have one child.- Director
- Writer
- Producer
Andrzej Wajda is an Academy Award-winning director. He is the most prominent filmmaker in Poland known for The Promised Land (1975), Man of Iron (1981), and Katyn (2007).
He was Born on March 6, 1926, in Suwalki, Poland. His mother, Aniela Wajda, was a teacher at a Ukrainian school. His father, Jakub Wajda, was a captain in the Polish infantry. Wajda described his childhood as a happy pastoral country life before the Second World War. In 1939, Poland was invaded by Nazi Germany and Soviet Union. In 1940, Wajda's father was killed by Stalin's agents in the Katyn massacre.
Young Wajda survived the Second World War with his mother and his brother in Nazi-occupied Poland. In 1942, Wajda joined the Polish resistance and served in the Armia Krajowa until the war ended in 1945. In 1946 he moved to Kraków. There Wajda went to Academy of Fine Arts. He studied painting, particularly the impressionist and post-impressionist painting, and was especially fond of Paul Cezanne. From 1950-1954 he studied film directing at the High Film School in Lódz under directors Jerzy Toeplitz and Aleksander Ford. Later, Wajda described the influential and eye-opening experience from seeing French avant-garde films, like Ballet mécanique (1924) by artist-director Fernand Léger.
In 1955 he made his debut as director of full-length A Generation (1955), about the generation of youth coming of age during the Nazi occupation of Poland. His award-winning Kanal (1957) and Ashes and Diamonds (1958) concluded the trilogy about life in Poland during WWII. Although he was under pressure from the Soviet-dominated Polish authorities, Wajda positioned himself as an artist who was above the conflict. He still managed to show the undeclared civil war between two anti-Nazi Polish forces, which were divided by political ideology: the Polish communists and the partisans - folk heroes of the Home Army.
His Oscar-nominated The Promised Land (1975) was a work of multi-layered allegory and Symbolism. Wajda's witty depiction of the 19th century capitalism in Poland actually alluded to the contemporary Communist politics. The shooting of workers in the final scenes was actually unmasking of the official politics of killing workers in the Soviet Union in 1962, under Nikita Khrushchev, and in Poland a few years later. The story of a film student who traces the life of defamed "hero" in Man of Marble (1977) was a deconstruction of the false impressions that official propaganda was using to brainwash the public. The same main characters in Man of Iron (1981) continued unmasking the Communist regime's manipulations against working class people. In 1981, Wajda joined the "Solidarity" labor movement of Lech Walesa.
From 1989 to 1991 Wajda was elected Senator of the Republic of Poland. From 1992 to 1994 he was Member of Presidential Council for Culture. In 1994 he founded the Center of Japanese Art and Technology in Kraków, and was awarded the Order of Rising Sun in Japan (1995). Wajda was President of Polish Film Association (1978-1983). He was Member of "Solidarity" Lech Walesa Council (1981-1989). He won an honorary Oscar (2000) for his contribution to cinema, and an honorary Golden Bear (2006) at the Berlin Film Festival.
Wajda's Katyn (2007) was nominated for Oscar for Best Foreign Language Film of the Year in 2008, and received many other awards and nominations. The film shows historic events in Katyn during WWII, where Wajda's father was among thousands of Polish officers killed by Soviet communists under the dictatorship of Joseph Stalin. Wajda's film was well received by the last Soviet leader, Mikhail Gorbachev, who initially opened the facts about Katyn to help people understand each other and overcome the tragic past.
"We never hoped to live to see the fall of the Soviet Union, to see Poland as a free country", said Andrzej Wajda.- Writer
- Director
- Second Unit Director or Assistant Director
Born in Lvov, Ukraine; then he moved with his father Miroslaw Zulawski to Czechoslovakia and later to Poland. In the late 1950s, he studied cinema in France. In the 1960s, he was an assistant of the famous Polish film director Andrzej Wajda. His feature debut The Third Part of the Night (1971) was an adaptation of his father's novel. His second feature The Devil (1972) was prohibited in Poland, and Zulawski went to France. After the success of his French debut That Most Important Thing: Love (1975) in 1975, he returned to Poland where he spent two years in making On the Silver Globe (1988). The work on this film was brutally interrupted by the authorities. After that, Zulawski moved to France where became known for his highly artistic, controversial, and very violent films. Zulawski is well known for his ability to discover and "rediscover" actresses. Romy Schneider, Isabelle Adjani and Sophie Marceau played their best parts in his films.- Writer
- Director
- Second Unit Director or Assistant Director
After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977).- Director
- Writer
- Second Unit Director or Assistant Director
Masaki Kobayashi was born on 14 February 1916 in Hokkaido, Japan. He was a director and writer, known for Harakiri (1962), Samurai Rebellion (1967) and The Human Condition III: A Soldier's Prayer (1961). He died on 4 October 1996 in Tokyo, Japan.- Actor
- Director
- Writer
Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.- Writer
- Director
- Producer
Originally planning to become a lawyer, Billy Wilder abandoned that career in favor of working as a reporter for a Viennese newspaper, using this experience to move to Berlin, where he worked for the city's largest tabloid. He broke into films as a screenwriter in 1929 and wrote scripts for many German films until Adolf Hitler came to power in 1933. Wilder immediately realized his Jewish ancestry would cause problems, so he emigrated to Paris, then the US. Although he spoke no English when he arrived in Hollywood, Wilder was a fast learner and thanks to contacts such as Peter Lorre (with whom he shared an apartment), he was able to break into American films. His partnership with Charles Brackett started in 1938 and the team was responsible for writing some of Hollywood's classic comedies, including Ninotchka (1939) and Ball of Fire (1941). The partnership expanded into a producer-director one in 1942, with Brackett producing and the two turned out such classics as Five Graves to Cairo (1943), The Lost Weekend (1945) (Oscars for Best Picture, Director and Screenplay) and Sunset Boulevard (1950) (Oscars for Best Screenplay), after which the partnership dissolved. (Wilder had already made one film, Double Indemnity (1944) without Brackett, as the latter had refused to work on a film he felt dealt with such disreputable characters.) Wilder's subsequent self-produced films would become more caustic and cynical, notably Ace in the Hole (1951), though he also produced such sublime comedies as Some Like It Hot (1959) and The Apartment (1960) (which won him Best Picture and Director Oscars). He retired in 1981.- Director
- Producer
- Writer
Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Additional Crew
- Writer
- Director
The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Writer
- Director
- Producer
Bernardo Bertolucci, the Italian director whose films were known for their colorful visual style, was born in Parma, Italy. He attended Rome University and became famous as a poet. He served as assistant director for Pier Paolo Pasolini in the film Accattone (1961) and directed The Grim Reaper (1962). His second film, Before the Revolution (1964), which was released in 1971, received an Academy Award nomination for best screenplay. Bertolucci also received an Academy Award nomination as best director for Last Tango in Paris (1972), and the best director and best screenplay for the film The Last Emperor (1987), which walked away with nine Academy Awards.- Writer
- Director
- Additional Crew
Ettore Scola was born on 10 May 1931 in Trevico, Campania, Italy. He was a writer and director, known for A Special Day (1977), The Family (1987) and Passion of Love (1981). He was married to Gigliola. He died on 19 January 2016 in Rome, Lazio, Italy.- Additional Crew
- Production Designer
- Director
Franco Zeffirelli is an Italian director and producer of operas, films and television. He was also a senator from 1994 until 2001 for the Italian center-right Forza Italia party. Some of his operatic designs and productions have become worldwide classics.
He was known for several of the movies he directed, especially the 1968 version of Romeo and Juliet (1968), for which he received an Academy Award nomination. His 1967 version of The Taming of The Shrew (1967) with Elizabeth Taylor and Richard Burton remains the best-known film adaptation of that play as well. His mini-series Jesus of Nazareth (1977) won both national and international acclaim.
In 1999, Zeffirelli received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival. In November 2004, he was awarded an honorary knighthood by the United Kingdom. He was awarded the Premio Colosseo in 2009 by the city of Rome.- Producer
- Director
- Writer
John Boorman attended Catholic school (Salesian Order) although his family was not, in fact, Roman Catholic. His first job was for a dry-cleaner. Later, he worked as a critic for a women's journal and for a radio station until he entered the television business, working for the BBC in Bristol. There, he started as assistant but worked later as director on documentaries, such as The Newcomers (1964). His friendship with Lee Marvin allowed him to work in Hollywood (e.g. Point Blank (1967) and Hell in the Pacific (1968)) from where he returned to the UK (e.g. Leo the Last (1970), Zardoz (1974) or Exorcist II: The Heretic (1977)). He became famous for Excalibur (1981), The Emerald Forest (1985) and his autobiographic story Hope and Glory (1987) where he tells his own experiences as a child after World War II and which brought him another Academy Award Nomination after Deliverance (1972).