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Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Actress
- Writer
The daughter of Canadian actor Christopher Plummer and American actress Tammy Grimes, Amanda Plummer was born in New York City on March 23, 1957. Her breakthrough role came when she starred opposite Robin Williams in The Fisher King (1991). However, Plummer may be best remembered for her work in the Quentin Tarantino classic Pulp Fiction (1994). Tarantino wrote the parts of two robbers who hold up a restaurant specifically for Plummer and her partner-in-screen-crime Tim Roth. Since that stand-out role, Plummer has continued to appear in a wide variety of films, including The Prophecy (1995), Freeway (1996), and My Life Without Me (2003). Plummer has also appeared in the films Butterfly Kiss (1995) as "Eunice" by Michael Winterbottom, My Life Without Me (2003) by Isabel Coixet, Pax (1994) by Eduardo Guedes, Daniel (1983) by Sidney Lumet, Ken Park (2002) by Larry Clark and, lately, The Making of Plus One (2010) and Inconceivable (2008), both by Mary McGuckian.
She has often performed on stage. Her highly acclaimed work on Broadway has garnered her a Tony award and two Tony Award nominations as well as the Outer Critics Circle Award and Drama Desk Award. She was honored with three Emmy awards, and one Emmy nomination, a Saturn Award, a DVDX nomination, a CableAce Award and a Golden Globe nomination. In 1988, she was honored with the Anti-Defamation League Award for Woman of Achievement.
On stage, Plummer appeared as Alma in Tennessee Williams's "Summer and Smoke" with Kevin Anderson, directed by Michael Wilson. At the Stratford Theater in Ontario, she was Joan of Arc in an original adaptation of "The Lark" by Jean Anouilh, directed by Michael Lindsay-Hogg.
She appeared as Polly in "The Gnadiges Fraulein" with Elizabeth Ashley, and as Kyra in the world premiere of "One Exception", both by Tennessee Williams, at the Hartford Stage.
On Broadway, she appeared as Jo in "A Taste of Honey" (nominated for a Tony Award, and Drama Desk Award, and received the Outer Critics Circle, and Theatre World Awards); as Agnes in "Agnes of God" with Geraldine Page (Tony Award, Drama Desk Award, Outer Critics Circle, and Boston Critics Awards); as Eliza in "Pygmalion" with Peter O'Toole and John Mills (Tony Award nomination); as Laura in "The Glass Menagerie" with Jessica Tandy; and as Dolly in "You Never Can Tell" by George Bernard Shaw.
Among her off-Broadway shows are "A Lie of the Mind" as Beth, directed and written by Sam Shepard with Harvey Keitel, Aidan Quinn and Geraldine Page, "Killer Joe" by Tracy Letts, "The Milk Train Doesn't Stop Here Any More" by Tennessee Williams, and "A Taste of Honey" with Valerie French. In England, at the Guilford Theatre, she appeared as Eliza Doolittle in "Pygmalion," and at the Royal Court Theatre performed in "This Is a Chair," directed by Stephen Daldry and written by Carol Churchill.
Her regional work includes Juliet in "Romeo & Juliet" (Hollywood Dramalogue Award) and Sonya in "Uncle Vanya," Frankie in "A Member of the Wedding," "Two Rooms," and "The Wake of Jamey Foster" by Beth Henley.
In television, she is the recipient of three Emmy Awards, one Emmy nomination, a Cable Ace Award, and a Golden Globe nomination. She appeared as Lucky in the filmed workshop, "Core Sample - Goli Otok" with Vanessa Redgrave and Lynn Redgrave, directed by Lenka Udovicki, the artistic director of The Ulysses Theater on Brijuni, Croatia, and also in Lucky McKee's film Red (2008).- Actor
- Producer
- Sound Department
Thomas Edward Hulce was born in Detroit, Michigan, and grew up in Plymouth, MI, where he was raised with his two sisters and older brother. He is the son of Joanna (Winkleman), who had sung professionally, and Raymond Albert Hulce, who worked for Ford. He has English, German, and Irish ancestry. Wanting to be a singer, Tom had to make a switch in plans when his voice began changing. Knowing that if he wanted to be in show business he needed to become an actor, Tom began taking the necessary steps almost immediately.
When asked once why he chose acting Tom replied, "Because someone told me I couldn't." It is determination like this that has helped him achieve his respected position in the acting community to this day. Tom set goals early on. Graduating from school at 19 years old, he gave himself a decade to succeed as an actor. Working in Ann Arbor as usher and ticket seller with a small theatrical company was a start. It was around this time he saw the first play and actor that made him realize that acting was "cool." Christopher Walken was in a play in Stratford, Ontario. The performance made quite an impression on Tom.
While Mr. and Mrs. Hulce weren't totally sold on the idea of their son becoming a thespian, Tom had determination and headed off for the training he knew he'd need if he was going to achieve his goal. He studied at the North Carolina School of the Arts in Winston-Salem; at Booth Bay Harbor, Maine; Sarasota, Florida; and spent a summer in England before heading off to New York City to try his hand at Broadway. Within a month after his arrival, Tom was chosen to understudy the role being performed by Peter Firth in the Broadway play "Equus." He had originally been hired to play one of the horses, but it was decided that his time was better spent learning the understudy role and so he never donned the horse's attire.
Tom had pangs of guilt where this role was concerned. On one hand he wanted the role ... badly. On the other hand he wondered what would happen if Peter left the role; could he fill those shoes? When the time came, nine months after being hired, Tom found out that it was up to him to play the role as his own. He wasn't expected to be another Peter Firth... he had been hired to play the role his way. "... it actually went quite well, " Tom recalled. "I realized I was a different actor and that I would tackle the part in my own way." And tackle it he did! Equus has a few "firsts" for Tom. One, it was his first big role; two, it was his first Broadway role and third, it was his first nude performance. For nine minutes Tom and his costar, Roberta Maxwell, were naked in a scene that seemed impossible for the stage a decade earlier (1960s). In a past interview Tom reflected, "It's so skillfully written and developed that it doesn't seem an unusual thing to do. There's no embarrassment, I just don't think about it at all." During the run of "Equus," Tom turned down a big television offer, to the delight of the director and cast. At that time in Tom's life the stage was all there was, and he was going to do it right! Other plays that followed "Equus" were George S. Kaufman's "Butter and Egg Man," Arthur Miller's "Memory of Two Mondays," along with such works as "Julius Caesar," "Romeo and Juliet," Shaw's "Candida," and Chekhov's "The Sea Gull," and, again on Broadway in his Tony nominated role in Aaron Sorkin's "A Few Good Men."
Tom has even directed the off-Broadway musical "Sleep Around Town" at Playwrights Horizon. Back in 1977 Tom landed his first motion picture role in the film about the day James Dean died, September 30, 1955 (1977). This was to be the first of a long line of period films. His next was National Lampoon's National Lampoon's Animal House (1978). Set in the 1960's, Tom played "Pinto" along with such comedy alumni as 'John Belushi', Tim Matheson, and Donald Sutherland.
1984 gave him the role that put him on the map. The title role of Wolfgang Amadeus Mozart in the Oscar-winner Amadeus (1984) was such a wonder that it even boosted the sales of Mozart's music by 30%! Filmed in Prague, it was eerie for Tom to actually be standing in the very spot where the original Amadeus had stood conducting the opera Tom was recreating for the film. Dressed in a purple velvet jacket, knickers, and white hose, wearing a bushy white wig and doling out a hilarious laugh (often likened to that of a hyena's) Tom's portrayal of the "man-child" musical genius was an Oscar-nominated performance.
Tom has been in many more films set in the past: Those Lips, Those Eyes (1980)(1950s), Shadowman (1988) (World War II), Mary Shelley's Frankenstein (1994) (1800s), Wings of Courage (1995)(1930's), and Disney's The Hunchback of Notre Dame (1996)(1500s). Tom appeared in Echo Park (1985) with Susan Dey, a film that had a struggle to get released remains one of Tom's best performances and one that he is quite proud of. Another film that Tom feels a lot of pride for is Dominick and Eugene (1988). Starring with Ray Liotta and Jamie Lee Curtis, Tom played Dominick Luciano, a mentally handicapped twin brother to Liotta's Eugene. The young man works as a garbage collector to help put his brother through medical school so he can become a "rich doctor" and they can afford to get a "house by a lake." Tom spent time studying people in a Pittsburgh neighborhood and handicapped people in an occupational training center so he could master the innocence and determination that the lead role required. He received the Best Actor award at the Seattle Fest for his performance.
Murder in Mississippi (1990) was Tom's second television movie (the first was Forget-Me-Not-Lane (1975) (aka "Neli, Neli"), a Hallmark Hall of Fame production). Playing the role of Michael Schwerner, the New York social worker and Freedom Fighter who is murdered by K.K.K. members in 1964 during Freedom Summer, Tom received an Emmy nomination and his third Golden Globe nomination.
The Inner Circle (1991) (aka "The Projectionist") took Tom to Russia where he was Ivan Sanshin, the private film projectionist to Stalin within the Kremlin walls. Based on a true story, Ivan was a perfect example of how many were blinded to the horrific conditions that men like Stalin conducted and followed in ignorant loyalty. While there, Tom was fortunate to meet and spend time with Alexander Ganshin, upon whose life the film was based.
The next three years held special items for Tom. His portrayal of Peter Patrone, in T.N.T.'s The Heidi Chronicles (1995), earned him an Emmy for Outstanding Supporting Actor in a Miniseries or Special, and 1994 and 1996 brought two of Tom's last period pieces. Mary Shelley's Frankenstein (1994) had Tom playing opposite Kenneth Branagh as Victor Frankenstein's college chum, Henry. And 1996 was a whole new experience for Tom. Disney was looking for someone special to portray their gentle Quasimodo in their newest full feature animation motion picture, The Hunchback of Notre Dame (1996).
Tom had never done voiceover work for a full film; to sing before a microphone was one thing, but to do song and voice for someone that he couldn't watch while performing was a whole new experience for him. Herecalled that when he first auditioned he thought it strange that the producers and director stood looking at the floor while he sang...until he noticed they were looking at sketches of Quasimodo and were trying to "feel" if he sounded like their bell ringer.
1998 saw Tom returning to the stage but this time as director again, as he undertook the enormous task of bringing John Irving's 1985 novel, "The Cider House Rules", to the stage. An 8-hour production which required the audience two days to see the whole performance, it was quite an undertaking. Co-directing with Jane Jones (of "BookIt" in Seattle, Washington) Tom took the play from its Seattle opening to the Mark Taper Forum in Los Angeles, California where it received wonderful reviews.
During the past recent years Tom has resided in Seattle, Washington where he owns his own home. He figures he could live in Los Angeles or New York - the acting hubs - but in Seattle, he's near the things he loves. "Up in Seattle people look after their lives in a way you can't do in New York or Los Angeles," he says. But no matter where he calls home, we can always count on Tom for bringing us into a world that will thrill, excite, fascinate, move and inspire us either through his films, the stage, or his beautiful singing.- Actress
- Writer
Lisa Olivia Munn was born in Oklahoma City, Oklahoma. Her mother, Kimberly Schmid, lived in Vietnam, and is of Chinese ancestry, while her father, Winston Barrett Munn, is from a family with deep roots in the American South. Olivia's parents divorced when she was two years old, and she was raised by her mother and stepfather, a member of the United States Air Force. Although the family departed Oklahoma and resided in many locations, she was mainly raised in Tokyo, Japan. During this time, she appeared in a number of local theater productions and later became a model in the Japanese fashion industry. When the family eventually returned to the United States, Olivia moved to Los Angeles to pursue her dream of becoming an actress. After a few small roles, her career took a very promising turn when she landed the role of Mily Acuna on the Hawaii-lensed TV series Beyond the Break (2006) and the role of Rob Schneider's receptionist in Big Stan (2007). She hosts "The Daily Nut" and the "Formula D" Podcasts on G4.