My Favorite Actors
These are actors that I like. They are not in any way the best, except in my mind.
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Whit Bissell came to Hollywood in the 1940s, and by the time he retired he had appeared in more than 200 movies and scores of TV series. He is best known for playing the evil scientist who turned Michael Landon into a half beast in the 1957 cult classic film I Was a Teenage Werewolf (1957). Bissell specialized in playing doctors, military officers and other authority figures. On television he was a regular on Bachelor Father (1957) and The Time Tunnel (1966). He also served on the Screen Actors Guild board of directors for 18 years and represented the actors branch in the Academy of Motion Picture Arts and Sciences board of governors.- Mark Lenard was an American actor, primarily known for television roles. He is primarily known for playing Vulcan ambassador Sarek (Spock's father) in "Star Trek: The Original Series" and a number of its spin-offs.
In 1924, Lenard was born under the name "Leonard Rosenson" in Chicago Illinois. His father was Abraham Rosenson, a Russian-Jewish immigrant who eventually owned his own tourist resort in South Haven, Michigan. Lenard was primarily raised in South Haven.
Lenard joined the United States Army in 1943, at the age of 19. He was originally trained as a paratrooper, but was eventually given the position of a technical sergeant. He was discharged in 1946, without ever seeing combat.
During his military service, Lenard served as an an amateur actor in theatrical productions. Following the war, he sought a formal acting education at the University of Michigan. He graduated with a master's degree in theater and speech. For several years, he was primarily a theatrical actor in New York City.
In the mid-1960s, Lenard moved to to Los Angeles, where he hoped to find work in film. He made his film debut in the Biblical epic "The Greatest Story Ever Told" (1965), at the age of 41. He played Balthazar, the Persian magus (Zoroastrian priest, magician) mentioned in the Nativity narrative of the Gospel of Matthew.
Lenard first appeared in "Star Trek: The Original Series" in 1966, playing an unnamed Romulan commander in the episode "Balance of Terror" . He first played his character of ambassador Sarek in the episode "Journey to Babel" (1967). He voiced Sarek in the 1973 episode "Yesteryear" of "Star Trek: The Animated Series". He played Sarek again in the episodes "Sarek" (1990) and "Unification: Part 1" (1991) of the sequel series "Star Trek: The Next Generation".
In the film versions of Star Trek, Lenard played Sarek in four films: "Star Trek III: The Search for Spock" (1984), "Star Trek IV: The Voyage Home" (1986), "Star Trek V: The Final Frontier" (1989), and "Star Trek VI: The Undiscovered Country". He also played an unnamed Klingon captain in "Star Trek: The Motion Picture" (1979).
Lenard had guest star roles in several other series, such as "Mission: Impossible", The Wild Wild West", "Gunsmoke", and "Hawaii Five-O". He had a recurring role in the comedy Western television series "Here Come the Brides" (1968-1970), playing Seattle-based sawmill owner Aaron Stempel.
Possibly due to his experience in Star Trek, Lenard was often cast as an authority figure in science fiction television series. He played General Urko in "Planet of the Apes", Emperor Thorval in "The Secret Empire", Ambassador Duvoe in "Buck Rogers in the 25th Century", and camp commandant Perel Sightings in "Otherworld".
Lenard had a rare villainous role as Catholic bishop Eberhard Hoffman in the historical film "The Radicals" (1990), depicting the persecution of the then-new Anabaptist movement in the 16th century. He mostly retired from television in 1993, as he had a leading role in a theatrical play which was performed on tour, "The Boys in Autum". He played an elderly Huckleberry Finn who gets reacquainted with his childhood friend Tom Sawyer (played by Walter Koenig). It was Lenard's last significant role.
Lenard died in 1996, suffering from multiple myeloma, a cancer of the plasma cells. He was 72-years-old, and had been appearing on film and television for three decades. - Don Marshall's heyday was on the small screen in the 60's and 70's. The athletic and clean cut actor is best remembered as first officer and co-pilot Dan Erickson in Irwin Allen's ground-breaking science-fiction series Land of the Giants (1968). Having excelled at football, pole vaulting and other sports at college, he happily undertook most of his own stunt work. Along with Nichelle Nichols (Star Trek (1966)) and Greg Morris (Mission: Impossible (1966)), Don was one of the precious few African-American actors of that period to be regularly featured as a prime time lead on screen. 'Land of the Giants' ran for a mere two seasons (51 episodes in all) and went off the air simply because the props became too expensive to produce. Over the years it acquired a steady cult following among science-fiction aficionados.
Don had started out as an engineering student in the mid-50's and took up acting on the advice of a friend. He studied drama at the workshop of Hollywood acting coach Robert Gist and pursued theatre arts at Los Angeles City College. Following brief stage experience, he then segued into television. His acting career still nascent, he landed a small role (as a marine engaged to Nichelle Nichols) in an episode of The Lieutenant (1963), a short-lived venture produced by Gene Roddenberry. A few years later, he was again recruited by Roddenberry to play the part of astrophysicist Boma for the Star Trek episode "The Galileo Seven" (reuniting him with Bob Gist who served as director). Don was given the chance to show his acting credentials in several powerful scenes interacting with Leonard Nimoy.
In subsequent years, he busied himself with roles on many diverse kinds of TV shows ranging from Daktari (1966) and Ironside (1967) to Julia (1968). On the big screen, he acted in the violent 'blaxploitation' prison drama Terminal Island (1973) and was one of the leads in the schlock sci-fi outing The Thing with Two Heads (1972). By the mid-70's, plum roles became relatively scarce and Don focused on running his own production company (DJM Productions) which specialized in turning out commercials and documentary subjects. Latterly, Don became a regular attendee of sci-fi conventions who always spoke appreciatively of the genre and of Roddenberry in particular. He died on October 30, 2016 in Los Angeles, Calif. aged, 80. - Henry Beckman was born on 26 November 1921 in Halifax, Nova Scotia, Canada. He was an actor, known for Marnie (1964), Blood & Guts (1978) and The Brood (1979). He was married to Hillary Beckman and Cheryl Maxwell. He died on 17 June 2008 in Barcelona, Catalonia, Spain.
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Wesley Lau was born on 18 June 1921 in Sheboygan, Wisconsin, USA. He was an actor and writer, known for The Twilight Zone (1959), The Alamo (1960) and Mission: Impossible (1966). He was married to Marie Louise Metcalf and Shirin Devrim. He died on 30 August 1984 in Los Angeles, California, USA.- Actress
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Pamelyn Ferdin was born on 4 February 1959 in Los Angeles, California, USA. She is an actress, known for The Beguiled (1971), Charlotte's Web (1973) and A Boy Named Charlie Brown (1969). She was previously married to Jerry Vlasak.- Actress
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Leggy, brunette-maned pin-up actress Caroline Munro was born in Windsor, Berkshire, England, and lived in Rottingdean near Brighton where she attended a Roman Catholic convent school. By chance, her mother and a photographer entered her picture in a "Face of the Year" competition for the British newspaper The Evening News and won. This led to modeling chores, her first job being for Vogue Magazine at age 17. She moved to London to pursue top modeling jobs and became a major cover girl for fashion and television commercials while there.
Decorative bit parts came her way in such films as Casino Royale (1967) and Where's Jack? (1969). One of her many gorgeous photo ads earned her a screen test and a one-year contract at Paramount where she won the role of Richard Widmark's daughter in the comedy/western A Talent for Loving (1973). She first met husband/actor Judd Hamilton filming this movie but they later divorced. Also in 1969, she became the commercial poster girl for "Lamb's Navy Rum", a gig that lasted ten years. She had no lines as Vincent Price's dead wife in The Abominable Dr. Phibes (1971) and Dr. Phibes Rises Again (1972) which, in turn, led to a Hammer Studios contract and such low-budget spine-tinglers as Dracula A.D. 1972 (1972) and Captain Kronos: Vampire Hunter (1974). More noticeable roles came outside the studio as the slave girl/love interest in The Golden Voyage of Sinbad (1973), the princess in At the Earth's Core (1976), and a lethal Bond girl in the top-notch The Spy Who Loved Me (1977). Her voluptuous looks sustained her for a bit longer but the quality of her roles did not improve with higher visibility. Later 70's and 80's roles included the lowergrade Starcrash (1978), Maniac (1980) and Slaughter High (1986), the last-mentioned written and directed by second husband George Dugdale, whom she married in 1990. He died in 2020.
Following her marriage, she was less seen. The septuagenarian continued to perform sporadically on camera, primarily in England and often in the horror genre. Subsequent lead and supporting movie roles have included Heaven's a Drag (1994), Domestic Strangers (1996), Flesh for the Beast (2003), Vampyres (2015), Cute Little Buggers (2017) and House of the Gorgon (2019) which also featured her daughter, actress Georgina Dugdale.- Actor
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Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.- Actor
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Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the "Monster" from the classic Mary Shelley novel "Frankenstein". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such pictures as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of serials (the majority of which, sadly, have not survived). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as "the Monster" in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the namesake Chinese villain of Sax Rohmer's Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as the undead Im-ho-tep in The Mummy (1932) and as the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, in the sensational Bride of Frankenstein (1935) and the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived Mr. Wong detective series. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cabman in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued appearing in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Brewster brother in the hit "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the 1944 film version) and 10 years later he enjoyed a long run in "Peter Pan," perfectly cast as "Captain Hook."
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role was as Byron Orlok, an aging horror film star on the brink of retirement confronting a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968) which was produced, directed and written by Edward Mann, who had also come to the art of film from the stage and the theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones's perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican-produced horror films starring an ailing Karloff were released in the two years after his death; however, they do no justice to this actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.- Actor
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Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, who was a stage actress. While at school, Cushing pursued his acting interest in acting and also drawing, a talent he put to good use later in his first job as a government surveyor's assistant in Surrey. At this time, he also dabbled in local amateur theater until moving to London to attend the Guildhall School of Music and Drama on scholarship. He then performed in repertory theater in Worthing, deciding in 1939 to head for Hollywood, where he made his film debut in The Man in the Iron Mask (1939). Other Hollywood films included A Chump at Oxford (1940) with Stan Laurel and Oliver Hardy, Vigil in the Night (1940) and They Dare Not Love (1941). However, after a short stay, he returned to England by way of New York (making brief appearances on Broadway) and Canada. Back in his homeland, he contributed to the war effort during World War II by joining the Entertainment National Services Association.
After the war, he performed in the West End and had his big break appearing with Laurence Olivier in Hamlet (1948), in which Cushing's future partner-in-horror Christopher Lee had a bit part. Both actors also appeared in Moulin Rouge (1952) but did not meet until their later horror films. During the 1950s, Cushing became a familiar face on British television, appearing in numerous teleplays, such as 1984 (1954) and Beau Brummell (1954), until the end of the decade when he began his legendary association with Hammer Film Productions in its remakes of the 1930s Universal horror classics. His first Hammer roles included Dr. Frankenstein in The Curse of Frankenstein (1957), Dr. Van Helsing in Horror of Dracula (1958), and Sherlock Holmes in The Hound of the Baskervilles (1959).
Cushing continued playing the roles of Drs. Frankenstein and Van Helsing, as well as taking on other horror characters, in Hammer films over the next 20 years. He also appeared in films for the other major horror producer of the time, Amicus Productions, including Dr. Terror's House of Horrors (1965) and its later horror anthologies, a couple of Dr. Who films (1965, 1966), I, Monster (1971), and others. By the mid-1970s, these companies had stopped production, but Cushing, firmly established as a horror star, continued in the genre for some time thereafter.
Perhaps his best-known appearance outside of horror films was as Grand Moff Tarkin in George Lucas' phenomenally successful science fiction film Star Wars: Episode IV - A New Hope (1977). Biggles: Adventures in Time (1986) was Cushing's last film before his retirement, during which he made a few television appearances, wrote two autobiographies and pursued his hobbies of bird watching and painting. In 1989, he was made an Officer of the Order of the British Empire in recognition of his contributions to the acting profession in Britain and worldwide. Peter Cushing died at age 81 of prostate cancer on August 11, 1994.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Actor
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Raymond Bailey was a great example of "If at first you don't succeed..." After high school, Bailey headed for Hollywood with the intent on becoming a movie star, but soon found it tougher than he thought. Instead Bailey went into a high finance career working as stockbroker and banker. He made a second stab at Hollywood, and again had no success. He then became a seaman, working on various freighters and travelling all over the world. Bailey also worked on a pineapple plantation in Hawaii, and tried his luck in the local theatre. Deciding to give Hollywood one more try in 1938, he got lucky getting several small parts in the movies which eventually evolved into bigger character roles. When television became big, Bailey was in demand for parts and it was there he got his most famous part on the hit sitcom The Beverly Hillbillies (1962), as (ironically) banker Milburn Drysdale, whose fists were tighter than Elly May's pants. After the show ended, he did a few movie roles.- Actor
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Best known as Scotty in Star Trek he was educated at High School in Sarnia, Ontario, where he acted in school productions.
When WWII began he joined the Royal Regiment of Canadian Artillery eventually obtaining the rank of Captain. He was wounded on D-Day, suffering severe damage to his right middle finger which was removed ahead of first knuckle, then became a flying observer for the rest of the war. His daring aerial maneuvers flying in an observation plane got him known as the craziest pilot in the Royal Canadian Air Force.
Once the war ended, he found himself on many other adventures although none of them would come anywhere close to what he experienced before.
He would become a popular voice actor who participated in thousands of CBC programs spread across both radio and television.
Later on, during the mid-1960's, he would develop into the Star Trek great we now know as Montgomery Scott, "Scotty".
In 1946 he won a 2 year scholarship to the Neighbourhood Playhouse in New York City and from there went to teach for three years.
In 1953 he returned to Canada and lived in Toronto for 8 years acting on radio, television and some films before moving to Hollywood where he also appeared in a number of popular television series such as the Canadian version of The Howdy Doody Show, Hawkeye and the Last of the Mohicans, R.C.M.P., Gunsmoke, The Twilight Zone, Hazel, The Gallant Men, Bonanza, The Richard Boone Show, The Outer Limits, Ben Casey, Voyage to the Bottom of the Sea, The Fugitive, Laredo, Bewitched, The Virginian, The Man from Uncle, The F.B.I., Peyton Place, Daniel Boone, Marcus Welby M.D., Fantasy Island, Magnum P.I., Danger Bay and The Bold and The Beautiful, while in between he made a return to the stage for various plays.
James Doohan departed the scene at the age of 85 on 20 July 2005.
Many current-day engineers credit Scotty with being their childhood inspiration and in honour of his memory a portion of Doohan's ashes were sprinkled in space by the rocket SpaceLoft XL.- Actor
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George Takei was born Hosato Takei in Los Angeles, California. His mother was born in Sacramento to Japanese parents & his father was born in Japan. Following the attack on Pearl Harbor, he & his family were relocated from Los Angeles to the Rohwer Relocation Center in Arkansas. Later, they were moved to a camp at Tule Lake in Northern California. His first-hand knowledge of the unjust internment of 120,000 Japanese Americans in World War II, poignantly chronicled in his autobiography, created a lifelong interest in politics & community affairs.
After graduating from Los Angeles High School in 1956, he studied architecture at UC Berkeley. An ad in a Japanese community paper led to a summer job on the MGM lot where he dubbed 8 characters from Japanese into English for Rodan (1956). Bitten by the acting bug, he transferred to UCLA as a theater arts major. Contacting an agent he had met at MGM led to his appearance as an embittered soldier in postwar Japan in the Playhouse 90 (1956) production. Being spotted in a UCLA theater production by a Warner Bros. casting director led to his feature film debut in Ice Palace (1960), various roles in Hawaiian Eye (1959) &other feature work. In June 1960, he completed his degree at UCLA and studied at the Shakespeare Institute at Stratford-Upon-Avon in England that summer.
After starting a master's degree program at UCLA, he was cast in the socially relevant stage musical production Fly Blackbird! but was replaced when the show moved to New York. He took odd jobs until returning to his role at the end of the run. Getting little work in Manhattan, he returned to Los Angeles to continue his studies, once again appearing in TV & films. He earned his master's in 1964. Wanting a multi-racial crew, Gene Roddenberry cast him in Where No Man Has Gone Before, the second Star Trek (1966) pilot. Mr. Sulu remained a regular character when the series went into production. In the hiatus after the end of shooting the first season, he worked on The Green Berets (1968), playing a South Vietnamese Special Forces officer.
After Star Trek (1966) was canceled, he did guest stints in several TV shows, voiced Sulu for the animated Star Trek series & regularly appeared at Star Trek conventions. He also produced & hosted a public affairs show Expression East/West, which aired in Los Angeles from 1971-1973. That year, he ran for the L.A. City Council. Although he lost by a small margin, Mayor Tom Bradley appointed him to the board of directors of the Southern California Rapid Transit District, where he served until 1984 & contributed to plans for the subway. During this period, he co-wrote a sci-fi novel Mirror Friend, Mirror Foe. He campaigned to get more respect for his character in the Star Trek features, resulting in Sulu finally obtaining the rank of captain in Star Trek VI: The Undiscovered Country (1991), a role reprised in the Star Trek: Voyager (1995) episode Flashback.
He has run several marathons and was in the 1984 Los Angeles Olympic Torch Relay. He received a star on Hollywood Boulevard's Walk of Fame in 1986. He also left his signature & hand print in cement at the Chinese Theater in 1991. His 1994 autobiography, To the Stars, was well-received. He remains active as a stage, TV & film actor as well as as an advocate for the interests of Japanese Americans.- Born in Turtle Creek, Pennsylvania--a small town just east of Pittsburgh--Ron Harper became valedictorian of his senior class and won an academic scholarship to Princeton University, where he supplemented his academic studies by appearing in a number of plays and musical comedies. He earned a fellowship to study law at Harvard, but the "acting bug" lured him instead to New York, where he studied with 'Lee Strasberg'. Next came a stint in the US Navy (mostly spent in Panama), followed by a return to New York. After several disappointments. he earned a job as Paul Newman's understudy in "Sweet Bird of Youth". Hollywood soon beckoned, and Harper appeared in a succession of TV series: 87th Precinct (1961), The Jean Arthur Show (1966), Wendy and Me (1964), Garrison's Gorillas (1967) and Planet of the Apes (1974).
Following "Apes", he had roles in several soap-operas and guest-starred on various TV shows. He now lives in California. - Actor
- Writer
Stanley Adams (born Abramowitz) had a lengthy career on both stage and screen, the majority of which was spent playing minor supporting roles. A possible exception was the part of Rusty Trawler, a pint sized millionaire in the classic romantic comedy Breakfast at Tiffany's (1961). Otherwise, he portrayed innumerable minor ethnic villains, bartenders and avuncular, fast-talking characters, known in the credits only by their first names. On television, conversely, he proved himself more of a scene stealer, particularly in the 1960s and early '70s, when his face popped up on just about every major prime time show. He was at his best as pool hustler Sure-shot Wilson in an episode of The Odd Couple (1970), Rollo, a quirky time-traveling scientist on The Twilight Zone (1959), and - famously - as 'asteroid detecting', tribble-dispensing galactic entrepreneur Cyrano Jones on Star Trek (1966). Alas, he may also be remembered as a sentient space carrot named Tybo on Lost in Space (1965)....
His suicide in April 1977 has been attributed to severe depression as a result of a back injury, sustained earlier in the decade. Apart from the obvious pain, it would almost certainly have limited his employment opportunities.- Logan Ramsey was born on 21 March 1921 in Long Beach, California, USA. He was an actor, known for Walking Tall (1973), Part 2: Walking Tall (1975) and Scrooged (1988). He was married to Anne Ramsey. He died on 26 June 2000 in Los Angeles, California, USA.
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Born Charles Harvey Goddard, Mark Goddard was best known for his role as the feisty, combative Major Don West in the cult TV series Lost in Space (1965). The youngest of five siblings, he was born in Lowell, Massachusetts, but grew up in Scituate, raised as a Catholic. Though excelling in sports, Goddard gave up early ambitions of a professional basketball career. Following advice from the head of the dramatic society of the College of the Holy Cross, he attended the American Academy of Dramatic Arts in Manhattan.
Two years later, he relocated to Los Angeles and, before long, received offers to act in television. His first recurring role on the small screen was as the lead character's deputy in the western series Johnny Ringo (1959). He replaced Lee Farr as one of The Detectives (1959), portraying police officer Chris Ballard in 64 episodes.
Goddard made guest appearances in The Beverly Hillbillies (1962), The Virginian (1962), Gunsmoke (1955) and Perry Mason (1957) and co-starred alongside John McGiver in the short-lived sitcom Many Happy Returns (1964), before signing on as one of the crew in Irwin Allen 's Lost in Space. From season two, his character projected increasing antagonism towards the nefarious Dr. Zachary Smith. After that series had run its course, Goddard remained a frequent guest TV star on popular shows like Mod Squad (1968) and The Streets of San Francisco (1972). He had recurring stints on the soaps One Life to Live (1968) and General Hospital (1963) and made occasional forays into film acting, most notably in the off-beat horror flick Blue Sunshine (1977) (as a drug dealer turned politician).
The following year, he made his sole Broadway appearance in the musical The Act, opposite Liza Minnelli and Barry Nelson. Well-received, it ran for 233 performances between October 1977 and July 1978. Goddard retired from acting in 2015.
In between acting, Goddard often sidelined working with children, including at the Sloan-Kettering Cancer Center in New York City. Having graduated with a Master's Degree in education from Bridgewater State College in Massachusetts, he eventually pursued a new vocation from 1991 as a special education teacher.
Goddard published his memoirs, "To Space and Back", in 2009. He was married three times. His second wife (divorced) was the actress Susan Anspach. His daughter is the producer Melissa Goddard .
Mark Goddard died of pulmonary fibrosis on October 10, 2023 at the age of 87.- Actor
- Director
- Soundtrack
René Murat Auberjonois was born on June 1, 1940 in New York City, to Princess Laure Louise Napoléone Eugénie Caroline (Murat), who was born in Paris, and Fernand Auberjonois, who was Swiss-born. René was born into an already artistic family, which included his grandfather, a well-known Swiss painter, and his father, a Pulitzer-nominated writer and Cold War-era foreign correspondent. The Auberjonois family moved to Paris shortly after World War II, and it was there that René made an important career decision at the age of six. When his school put on a musical performance for the parents, little René was given the honor of conducting his classmates in a rendition of "Do You Know the Muffin Man?". When the performance was over, René took a bow, and, knowing that he was not the real conductor, imagined that he had been acting. He decided then and there that he wanted to be an actor. After leaving Paris, the Auberjonois family moved into an Artist's Colony in upstate New York.
At an early age, René was surrounded by musicians, composers and actors. Among his neighbors were Helen Hayes, Burgess Meredith and John Houseman, who would later become an important mentor. Houseman gave René his first theater job at the age of 16, as an apprentice at a theater in Stratford, Connecticut. René would later teach at Juilliard under Houseman. René attended Carnegie-Mellon University and studied theater completely, not only learning about acting but about the entire process of producing a play. After graduating from CMU, René acted with various theater companies, including San Francisco's American Conservatory Theater and Los Angeles' Mark Taper Forum. In 1969, he won a role in his first Broadway musical, "Coco" (with Katharine Hepburn), for which he won a Tony Award.
Throughout his life, René acted in a variety of theater productions, films and television presentations, including a rather famous stint as Clayton Endicott III on the comedy series Benson (1979), not to mention seven years on Star Trek: Deep Space Nine (1993) as Odo. René also performed dramatic readings of a variety of books on tape, and appeared in projects like The Patriot (2000), starring Mel Gibson, Sally Hemings: An American Scandal (2000), and NBC's Frasier (1993) and ABC's The Practice (1997).- Actor
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German-born Henry Brandon was a character actor in American films, most often seen in villainous roles. His parents emigrated to the US shortly after his birth. His early interest in acting led him to study at the acclaimed Pasadena Community Playhouse. He landed the lead villain role in the Stan Laurel and Oliver Hardy film March of the Wooden Soldiers (1934), and rapidly became a familiar and reliable heavy in pictures both large and small. In 1936 he adopted the stage name Henry Brandon after several years of being billed as either Henry or Harry Kleinbach. He captivated thriller audiences as the sinister Dr. Fu Manchu in Drums of Fu Manchu (1943), yet balanced things by playing a sizable number of sympathetic roles as well, such as the skilled foreman Joe Dombrowski in Black Legion (1937). He continued to work on stage throughout his film career, playing the villain for many years in the record-length run of the melodrama "The Drunkard". His sharp features led him rather incongruously to be cast as Indian chiefs in two John Ford features, The Searchers (1956) and Two Rode Together (1961). He kept busy in films and occasional television roles, as well as reprising his role in "The Drunkard" onstage in the 1980s, until the end of his life. Brandon was a confirmed bachelor.- Actor
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Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.- A symbol of intelligence, leadership and moral strength in his various 1960s and 1970s roles, African-Canadian actor Percy Rodrigues rose in Hollywood stature during the late 1960s following a couple of earlier Broadway appearances. The serenely handsome, distinguished-looking actor also became notable for helping to break racial barriers on television and went on to become a voice of great distinction behind the camera.
Born to a Montreal couple on June 13, 1918 (some references list 1924 as his birth year), Percy was the oldest of four children and was of African and Portuguese descent. His father abandoned the family while he was a youth and Percy started working as a teenager to help provide for his family. By his late teens, he had become a professional boxer and started scouting out acting jobs at the same time. He joined Montreal's Negro Theater Guild and although winning a Canadian Drama Festival acting award in 1939, found job offers scarce, prompting him to work as a machinist and toolmaker for the next decade or so in order to supplement his income.
His distinctive, booming voice commanded early attention and he narrated several Canadian documentary shorts and appeared on television. He finally made his Broadway debut in middle age with Lillian Hellman's drama "Toys in the Attic" starring Jason Robards, Maureen Stapleton and Anne Revere. He followed that with a stronger role in "Blues for Mister Charlie" (1964) in which he shared the stage with African-American actors Al Freeman Jr., Lincoln Kilpatrick, Rosetta LeNoire, Otis Young and Tony nominee Diana Sands.
This attention eventually led to film and television offers and he settled permanently in Los Angeles. From the beginning, he sought out dignified roles following Sidney Poitier's emboldening Hollywood ascension and became one of just a small vanguard of 1960s black actors who was able to circumnavigate around such restrictive and negative stereotypes throughout most of his career. With just a brush of grey at his temples, he applied and projected quiet authority and inner calm to his many roles. He broke into American television with episodes of The Nurses (1965), Naked City (1958), The Wild Wild West (1965), Route 66 (1960) and (especially) Star Trek (1966) (as Commodore Stone) before making big news in 1968 for his casting as a neurosurgeon during the final season of the popular nighttime soap opera Peyton Place (1964). Co-starring with Ruby Dee as his wife, it was a breakthrough white-collar role for a black actor in a series. In the same year, Percy had an excellent supporting role in the critically-heralded film adaptation of Carson McCullers tender drama The Heart Is a Lonely Hunter (1968), in which he carried his own story line as an embittered physician at odds with daughter Cicely Tyson.
Other imposing roles came his way in the form of detectives, mayors, commissioners, lawyers, politicians, scientists, captains, ambassadors, lieutenants and doctors, which seemed to be a growing specialty. More interesting roles came with the mini-movies The Old Man Who Cried Wolf (1970), Ring of Passion (1978), Angel Dusted (1981) and Roots: The Next Generations (1979). He also had recurring roles on Sanford (1980), the one-season extended series of "Sanford and Son" (minus the son) that again starred Redd Foxx, and in Benson (1979), in which he played a judge.
He continued to remain visible in the 1980s with episodes of The Fall Guy (1981), T.J. Hooker (1982) and Dynasty (1981), but after playing a doctor in the mini-movie whodunit Perry Mason: The Case of the Sinister Spirit (1987), Percy refrained from on-camera work and focused instead on his image as "The King of Voiceovers". Among his more notable vocal projects were his eerie voicings for the ads and trailers of the film Jaws (1975) and his narration of Michael Jackson's sci-fi musical Captain EO (1986) for Disney.
Percy's marriage to his first wife Alameda produced daughter Hollis and son Gerald. Following her death, he married Karen Cook in 2003. He died of kidney problems at age 89 at his home in Indio, California on September 6, 2007. - Actor
- Special Effects
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Peter Lupus was born on 17 June 1932 in Indianapolis, Indiana, USA. He is an actor and producer, known for Mission: Impossible (1966), Challenge of the Gladiator (1965) and Goliath at the Conquest of Damascus (1965). He has been married to Sharon M. Hildebrand since 27 November 1960. They have one child.- Actor
- Director
- Soundtrack
Peter Graves was born Peter Duesler Aurness on March 18, 1926 in Minneapolis, Minnesota. While growing up in Minnesota, he excelled at sports and music (as a saxophonist), and by age 16, he was a radio announcer at WMIN in Minneapolis. After two years in the United States Army Air Force, he studied drama at the University of Minnesota and then headed to Hollywood, where he first appeared on television and later made his film debut in Rogue River (1951). Numerous film appearances followed, especially in Westerns. However, Graves is primarily recognized for his television work, particularly as Jim Phelps in Mission: Impossible (1966). Peter Graves died of a heart attack on March 14, 2010, just four days before his 84th birthday.- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.- Actress
- Additional Crew
Betty May Adams was the daughter of a travelling Iowa cotton buyer with a penchant for alcohol. Growing up in Arkansas, Betty expressed an early interest in acting and made her performing debut in a third grade play of "Hansel and Gretel." Beautiful, talented and determined, the freshly minted 'Miss Little Rock' left home at the age of 19 to live with her aunt and uncle in California. For three days a week she made ends meet working as a secretary. The remainder of her time was spent taking speech and drama lessons (in due course losing her Southern twang) and making the rounds of the various Hollywood casting departments. Her first screen role was (appropriately) as a starlet in Paramount's Red, Hot and Blue (1949). This was followed by an inauspicious leading role in the B-grade Western The Dalton Gang (1949). Over a period of five weeks she appeared in six further quota quickies of the sagebrush variety for Poverty Row outfit Lippert Productions. Since Lippert owned no actual studio facilities, most of the filming took place at the Ray Corrigan ranch in Chatsworth, California. In the summer of 1950, Betty assisted in a screen test for Detroit Lions football star Leon Hart at Universal-International. While Hart's movie career ended up stillborn, Betty clicked with producers who opted to change her first name to 'Julia.' The initial outing for her new studio was entitled Bright Victory (1951), with the budding actress a little underemployed as 'the other girl' in a love triangle involving a blind war veteran (played by Arthur Kennedy). Her career was significantly better served in her next assignment as co-star opposite James Stewart in Anthony Mann's seminal Technicolor western Bend of the River (1952) (Kennedy this time cast as the arch villain). Adams later recalled her part in this film as "a great learning experience" and one of her "fondest Hollywood memories," It also led to a life long friendship with Jimmy Stewart.
Signed to a seven-year contract (and having her legs insured by Universal to the tune of $125,000 by Lloyds of London), Julia seemed destined to remain perpetually typecast as a western heroine. A comely actress with soft, classical features, she often gave affecting performances in what amounted to little more than bread-and-butter pictures. At the very least, she got to play romantic leads opposite some of Universal's top box-office earners: Rock Hudson (in Horizons West (1952) and The Lawless Breed (1952)), Tyrone Power(The Mississippi Gambler (1953)) and Glenn Ford (The Man from the Alamo (1953)). Having played a succession of 'nice girls,' Julia took a turn as leader of an outlaw gang in Wings of the Hawk (1953), set against the background of the Mexican Revolution (Van Heflin was first-billed as a mining engineer, who, having his gold mine taken over by Federales, joins Julia's band of 'insurrectos'). 'Miss Melon Patch' of 1953 was about to experience another important career change, being famously cast as the imperilled heroine Kay Lawrence in Jack Arnolds cultish monster flic Creature from the Black Lagoon (1954), a role Adams initially considered turning down. Shot in 3-D on a shoestring budget, the picture was light on script but strong on atmosphere and proved once again that style can succeed over content. The not inconsiderable physical charms of Miss Adams often dominated the scenery and gave the 'Gill Man' a run for his money. Audiences approved and 'Creature' spawned two further sequels, alas without Julia and with diminishing returns.
In 1955, having generated strong box office heat, Julia changed her moniker (with studio approval) to the less gentle-sounding Julie. Accordingly, she was now offered more varied material ranging from tough melodramas, to comedies and lightweight romances. Adams further established her credentials with roles which included a soft porn model who survives a plane crash in the Colorado Rockies in The Looters (1955); as a cop's wife in Six Bridges to Cross (1955) (a crime drama based on Boston's Great Brinks Robbery); a sympathetic school's doctor in the family-oriented comedy The Private War of Major Benson (1955) and as the wife of an assistant D.A. fighting gangland on the New York waterfront in Slaughter on 10th Avenue (1957). After 1957, her contract with Universal having expired, Adams successfully transitioned into television where she remained a firm favorite in westerns and crime dramas, guest-starring in just about every classic prime-time series covering both genres (Perry Mason (1957) being her personal favorite). Latterly, she had a popular recurring role as real estate lady Eve Simpson in Murder, She Wrote (1984). Adams was still in demand for occasional screen appearances well into her 90s.
She was married twice: first, to writer-producer Leonard Stern, and, secondly, to the actor Ray Danton. Julie Adams passed away in Los Angeles on February 3, 2019 at the age of 92. Her autobiography (co-written with her son Mitchell Danton), entitled "The Lucky Southern Star: Reflections from the Black Lagoon" appeared in 2011.- Actor
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In the late 1920s, Lewis worked as a circus performer, but ultimately decided on college, earning a Ph.D. in child psychology from Columbia University. He taught school and wrote two children's books. In 1949, at the suggestion of a friend, Lewis turned to acting and joined the Paul Mann Actor's Workshop in New York. Lewis worked in burlesque and vaudeville theaters across the country, which eventually led to Broadway. By the 1950s, television was booming, and Lewis took advantage of the work appearing on almost every live show out of his home base of New York City. His most famous regular TV roles were Officer Leo Schnauser on Car 54, Where Are You? (1961) and Grandpa on The Munsters (1964). When these shows ended, he opened a restaurant in New York called "Grampa's" in Greenwich Village. He has since produced a home video for children and appeared on WTBS in a series of Saturday morning programs for children.- Today, sexy Lee Meriwether is best remembered for her roles in a few science fiction/fantasy cult productions made between 1966 and 1969. Batman: The Movie (1966), Star Trek (1966), The Time Tunnel (1966) and Land of the Giants (1968).
Firstly Batman: The Movie (1966), in which she played both evil Catwoman and not-so-evil Kitka, who has a romance with Bruce Wayne (Adam West).
Then came 30 episodes of Irwin Allen's The Time Tunnel (1966) series, in which she played a scientist named Dr. Ann MacGregor, where she mostly performed with Whit Bissell (General Kirk), both attempting to help two time travelers who were lost in time. In one episode, The Kidnappers (1967), Ann was taken away from her normal setting and transported into the distant future.
However, Meriwether once reported that she spent a lot of the series acting to a screen in the Time Tunnel complex, a screen that was meant to feature the two time travelers, but in reality featured nothing at all. So she was reacting to nothing a lot of the time.
Then came the Star Trek (1966) episode, That Which Survives (1969), where she played Losira, an alien being who stalks the Enterprise crew and attempts to kill them.
And finally, she was back with Irwin Allen again with the Land of the Giants (1968) episode, Rescue (1969). In this, she played the concerned "giant" mother of kids who were trapped underground and needed to be rescued by the Earth "little people".
Then she appeared as Betty Jones, daughter-in-law and secretary to Barnaby Jones from 1973 t0 1980 (178 episodes) in the series of the same name, "Barnaby Jones."
Meriwether is still working in television to this day. - John Zaremba was born on 22 October 1908 in Chicago, Illinois, USA. He was an actor, known for 20 Million Miles to Earth (1957), Earth vs. the Flying Saucers (1956) and The Time Tunnel (1966). He was married to Elinor Deck Suter. He died on 15 December 1986 in Newport Beach, California, USA.
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Neil Hamilton's show business career began when he secured a job as a shirt model in magazine ads. He became interested in acting and joined several stock companies. He got his first film role in 1918, but received his big break from D.W. Griffith in The White Rose (1923).
After performing in several more Griffith films, Hamilton was signed by Paramount in the late 1920s and soon became one of that studio's most popular leading men. His rugged good looks and sophisticated demeanor kept him steadily employed, and he worked for just about every studio in Hollywood, from glittering MGM to rock-bottom PRC. Hamilton worked steadily over the years, and grew gracefully into mature supporting parts. He is probably best known to modern-day audiences, however, as Police Commissioner Gordon in the TV series Batman (1966).- Stafford Repp was born on 26 April 1918 in San Francisco, California, USA. He was an actor, known for Batman: The Movie (1966), Batman (1966) and Playhouse 90 (1956). He was married to Theresa Valenti Moriarty, Sharon Diane Currier and Berta J. Slack. He died on 5 November 1974 in Inglewood, California, USA.
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Born Norman Adelberg in 1924, he served in the Army during World War II. At the end of the conflict he had the opportunity to benefit from the GI Bill program meant to help returning soldiers to start or resume studying. That is how, while attending Texas Christian University, he discovered on the boards of on-campus theater that he had a talent for acting. This was the beginning of a long, long career. Though most of the time in small or even bit parts, Alden, worked for such big names as Howard Hawks, Jerry Lewis, Walt Disney, Woody Allen and Tim Burton. He might have become a major star himself after Richard C. Sarafian chose him for the title role of Andy (1965). The director must have been very pleased with Alden for, as Andy Chadakis - the retarded son of elderly Greek immigrants - he showed remarkable acting ability . Unfortunately, the film was little seen and the gifted actor landed no other parts of such importance and quality afterward.- Actress
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A native of Berlin, Maryland, Linda Harrison was Miss Berlin at 16, then a model in New York's Garment Center. Homesickness brought her back to Maryland, where she entered and won the state beauty pageant. During the finals in the Miss International contest (held in Long Beach, California), she was "spotted" by talent scout Mike Medavoy and presented at 20th Century-Fox. Throughout her acting years at Fox, and amidst movie roles in Planet of the Apes (1968), Beneath the Planet of the Apes (1970) and others, she dated studio boss Richard D. Zanuck and married him in 1968. They were divorced in 1978, but she's appeared in three of his movies since then.- Actor
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A man of all mediums, this veteran, Manhattan-born character actor was named after his great-grandfather, Lincolnesque Congressman William Windom. Born in 1923, the son of Paul Windom, an architect, and the former Isobel Wells Peckham, Bill attended Williams College and the University of Kentucky, among others, before serving in the Army during WWII. After the war, he studied at both Fordham and Columbia universities in New York City before settling on an acting career. Trained at the American Repertory Theatre (1946-1961), he made his minor Broadway debut with the company in November of 1946 with revolving productions of "Henry VIII", "What Every Woman Knows", "John Gabriel Borkman" and "Androcles and the Lion". The following year, he continued building up his Broadway resume with roles in "Yellow Jack" and as the "White Rabbit" in a production of "Alice in Wonderland".
In the early 1950s, a new avenue opened up to Bill: television. For the duration of the decade, he shifted between stage, which included Broadway roles in "A Girl Can Tell" (1953), "Mademoiselle Colombe" (1954), "Fallen Angels" (1956), "The Greatest Man Alive" (1957) and "Viva Madison Avenue!" (1960), and TV drama, with stalwart work in such programs as Robert Montgomery Presents (1950) and Hallmark Hall of Fame (1951).
Major attention came Windom's way on TV moving into the following decade. In addition to hundreds of guest appearances on the most popular shows of the day (Combat! (1962), The Fugitive (1963), All in the Family (1971), Dallas (1978), Highway to Heaven (1984)), his standout work included a co-starring role opposite the luminous Inger Stevens in the popular light comedy series The Farmer's Daughter (1963). On the show, Windom portrayed widower "Glen Morley", a decent congressman who eventually falls in love with his pert and pretty Swedish governess "Katy Holstrum" (played by Stevens). Prior to this success, both he and Ms. Stevens had been singularly recognized for their sterling performances on various episodes of The Twilight Zone (1959). Following this success, Windom enjoyed critical notice as the cartoonist/protagonist whose vivid imagination causes problems on the homefront on the Thurberesque weekly series My World and Welcome to It (1969). Despite the show's critical merit and Windom's "Best Actor" Emmy win, the show, years ahead of its time, lasted only one season. Decades later, Windom would play James Thurber on stage in one-man shows.
The native New Yorker went on to essay a number of loungy Southerners and down-home types with incredible ease--both heroes and villains. He offered strong support in his film debut as Gregory Peck's opposing counsel in the Alabama-based To Kill a Mockingbird (1962), and went on to play prelate Norman Vincent Peale's father in One Man's Way (1964) starring Don Murray. Windom demonstrated the maturity to carry off the character even though he was only 5 years older than Murray. He also delivered a variety of pungent roles in such films as The Detective (1968) (as a closeted gay married man), Robert Altman's Brewster McCloud (1970) (as a political blowhard facing a series of murders) and The Man (1972) (as a racist politician).
Growing slier and stockier over the years, Windom provided TV audiences with a colorful gallery of characters, ranging from avuncular and ingratiating, to cantankerous and unscrupulous. He became a regular for over a decade on the Angela Lansbury whodunit series Murder, She Wrote (1984), joining the show in its second season as "Dr. Seth Hazlitt". He briefly left "Murder" to work on another series, Parenthood (1990), which was based on the highly popular 1989 movie starring Steve Martin. Here, Ed Begley Jr. took over the Martin part and Windom assumed Jason Robards's patriarchal role as Begley's father. The show was off the air within a few months, however, and Windom was invited back to the mystery series -- a semi-regular until the show folded in 1997.
In addition, Windom reprised a Star Trek (1966) portrayal as "Commodore Matt Decker," appeared in scores of mini-movies, has given voice to various book readings, presented a second one-man show (this time that of combat reporter Ernie Pyle), and continued to film at age 80+, his latest being Yesterday's Dreams (2005).
The five-times-married Windom was wed (for 36 years) to writer Patricia Veronica Tunder at the time of his death of congestive heart failure at age 88. A chess, tennis and sailing enthusiast, he is survived by four children: Rachel, Heather Juliet, Hope and Rebel Russell.Two step-daughters, Debora and Maggie as well as four grandchildren. He died at his home in Woodacre, California, on August 16, 2012.- Actor
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Born on November 8, 1924, in Youngstown, Ohio and after attending Northwestern University, Flynn began his entertainment career as a ventriloquist and as a radio performer. During World War II, he served in the Army's Special Services Branch (formerly the Morale Branch) entertaining the troops in the United States. After the war, Flynn moved to Hollywood. He made his film debut as Joseph Flynn in the bottom-of-the-barrel, beneath-B-picture potboiler The Big Chase (1954), which co-starred Lon Chaney Jr., which he followed up with a part as a priest in The Seven Little Foys (1955) starring Bob Hope.
Flynn began to achieve success on television in the late 1950s, becoming a regular on The George Gobel Show (1954). This landed him a role on The Joey Bishop Show (1961), but Flynn was dumped after the first season by Bishop for stealing too many scenes. By the time he was booted off, he had developed a reputation as a reliable comic foil.
The termination of his Bishop gig proved fortuitous for he landed the role that made him a television immortal that very next season: Captain Wallace 'Leadbottom' Binghamton on McHale's Navy (1962). The classic sit-com, which co-starred Ernest Borgnine and Tim Conway, ran until 1966 and spawned two theatrical movie releases. It also lead to a co-starring role on the short-lived The Tim Conway Show (1970).
Beginning with his appearance in Walt Disney Co.'s The Love Bug (1969), Flynn appeared in nine other Disney productions: seven theatrical releases and two TV movies, including two movies released after his death. He appeared in five movies with Kurt Russell, including three in which he played Eugene (E.J.) Higgins, the dean of financially-strapped Medfield College: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975).
In the early 1970s, Flynn was one of the leaders of a Screen Actors Guild group that sought a more equitable distribution of TV residual payments. On July 19, 1974, just after completing his voice-over work on the Disney animated movie The Rescuers (1977)," he died of a heart attack in the swimming pool of his Beverly Hills home. Apparently, he had gone into the pool with a cast on his broken leg. His body was found at the pool's bottom, held down by the weight of the cast. He was 49 years old.- Actor
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Wendell Holmes was born on 17 August 1914 in Cheshire, Ohio, USA. He was an actor, known for Zorro (1957), Leave It to Beaver (1957) and The Twilight Zone (1959). He was married to Adrienne Marden and Lois Holmes. He died on 27 April 1962 in Paris, France.- Lyle Talbot, who appeared in over 150 movies from leads in Warner Bros.' "pre-Code" pictures to countless supporting roles, and later enjoyed a steady TV career as a character actor, was born Lysle Henderson on February 8, 1902, in Pittsburgh, Pennsylvania. He grew up in a small town in Nebraska, where after the early death of his mother, he was raised by her mother, Mary Hollywood Talbot, whose name he later bore professionally.
Talbot's incredibly long and varied show-business career began right after high school, when he joined a traveling tent show. Starting out as a magician-hypnotist's assistant, he worked his way up to magician before quitting the carny's life for that of the stock theater. He learned to act with stock companies throughout the Midwest, where he became a leading man, and even formed his own short-lived company in Memphis, Tennessee, "The Talbot Players," which included his actor father and stepmother, Ed and Anna Henderson.
By 1931 he was in Hollywood as the talkies were maturing. He had the good looks of a star but, more importantly, he had a rich baritone voice that the talkies needed. After a screen test in which he inadvertently mocked Warner Bros. production head Darryl Zanuck but impressed director William "Wild Bill" Wellman, Talbot was signed by Warner Bros.-First National. The studio gave him a plum part in William A. Wellman's Love Is a Racket (1932) co-staring with Douglas Fairbanks Jr., Ann Dvorak and the fast-talking Lee Tracy. He appeared in "A" pictures in the 1930s in supporting roles, including Three on a Match (1932), 20,000 Years in Sing Sing (1932), and One Night of Love (1934) (with opera star Grace Moore), but his work was mostly in "B" pictures, in which he frequently played leads. Although he thoroughly enjoyed the work, acting was practiced as an assembly line operation at the time. Actors would be assigned work usually based on 12-hour days and six-day weeks, and commit themselves to the infamous seven-year exclusive contract that included draconian suspension penalties in the fine print. Talbot, along with James Cagney, Olivia de Havilland and Bette Davis (ironically all WB contract players), were outspoken in their commitment to change working conditions for actors. Talbot was one of the founders of the Screen Actors Guild and the first employee of the Brothers Warners to join the union, much to their ire.
As a matinee idol during the Depression, frequently playing a gangster or tuxedo-clad man about town, Talbot co-starred with the leading actresses of the day, including Ginger Rogers, Mary Astor, Bette Davis, Barbara Stanwyck, Glenda Farrell, Kay Francis, Mae West, Ann Dvorak, Loretta Young, Carole Lombard and Shirley Temple.
Later, as a character actor, Talbot appeared as Commissioner Gordon in the 1949 serial Batman and Robin (1949) and was Lex Luthor in Atom Man vs. Superman (1950) the next year. Talbot took on a tremendous number of roles, either because he was not discriminating enough, always wanted to keep working, or simply appreciated the money. In the early 1950s he appeared in several of Edward D. Wood Jr.'s most notorious films, including the infamous transvestite tear-jerker Glen or Glenda (1953) and the famously inept Plan 9 from Outer Space (1957). Aside from Bela Lugosi, Talbot was Wood's most famous star.
Talbot's acting career thrived on television, in which he appeared from the beginning of the medium until the 1980s. He co-starred as Ozzie Nelson's friend Joe Randolph on The Adventures of Ozzie and Harriet (1952) and as Robert Cummings' Air Force buddy in The Bob Cummings Show (1955) (also known as "Love that Bob") and made guest appearances on a plethora of TV series, including Leave It to Beaver (1957), The Lone Ranger (1949), Topper (1953), The George Burns and Gracie Allen Show (1950), Perry Mason (1957), Rawhide (1959), Wagon Train (1957), The Beverly Hillbillies (1962), Green Acres (1965), Charlie's Angels (1976), Newhart (1982), The Dukes of Hazzard (1979) and Who's the Boss? (1984).
Throughout his film and TV career, Talbot continued to perform on stage, co-starring in "Separate Rooms" on Broadway in the early 1940s and starring in national touring companies of Neil Simon's "The Odd Couple" and summer stock tours of Gore Vidal's "The Best Man" and Thornton Wilder's "The Matchmaker." In 1967 he co-starred in a revival of "South Pacific" at New York's Lincoln Center with Florence Henderson.
Lyle Talbot died of natural causes on March 3, 1996, in his home in San Francisco, California, at the age of 94, the last of the SAG founders to shuffle off this mortal coil. - Actor
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Forever and fondly remembered as Don Adams' foil on the popular Mel Brooks/Buck Henry spy series Get Smart (1965), character actor Ed Platt (also billed as Edward C. Platt) had been around for two decades prior to copping that rare comedy role. Born in Staten Island, New York, on Valentine's Day, 1916, he inherited an appreciation of music on his mother's side. He spent a part of his childhood in Kentucky and in upstate New York where he attended Northwood, a private school in Lake Placid, and was a member of the ski jump team. He majored in romantic languages at Princeton University but left a year later to study at the Conservatory of Music in Cincinnati after his thoughts turned to a possible operatic career. He later was accepted into Juilliard.
Instead of opera, however, Ed first became a band vocalist with Paul Whiteman and Orchestra. He then sang bass as part of the Mozart Opera Company in New York. With the Gilbert and Sullivan Opera Company in 1942, he appeared in the operettas "The Mikado," "The Gondoliers" and "The Pirates of Penzance".
WWII interrupted his early career. Ed served as a radio operator with the army and would find himself on radio again in the post-war years where his deep, resonant voice proved ideal. A number of musical comedy roles also came his way again. In 1947, he made it to Broadway with the musical "Allegro." Star José Ferrer took an interest in Ed while they both were appearing in "The Shrike" on Broadway in 1952.
Around 1953, Edward moved to Texas to be near his brother and began anchoring the local news and kiddie birthday party show called "Uncle Eddie's Kiddie Party." Ferrer remembered Platt and invited him to Hollywood where Ferrer was starring in the film version of The Shrike (1955). Ed recreated his stage role. He also earned fine notices as James Dean's understanding juvenile officer in the classic film Rebel Without a Cause (1955).
This led to a plethora of film and TV support offers where the balding actor made fine use of his dark, rich voice, stern intensity and pragmatic air, portraying a slew of professional and shady types in crime yarns, soap dramas and war pictures -- everything from principals and prosecutors to mobsters and murderers.
After years of playing it serious, which included stints on the daytime drama General Hospital (1963), Ed finally was able to focus on comedy as "The Chief" to Don Adams klutzy secret agent on Get Smart (1965), a show that inevitably found a cult audience. Picking up a few occasional guest spots in its aftermath, he later tried producing.
Twice married and the father of four, Platt died on March 19, 1974. Death was attributed to a massive heart attack at the time. Years later his son revealed that his father, suffering from acute depression and undergoing severe financial pressures, committed suicide at his Santa Monica, California apartment.- Actor
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Burt Mustin was a salesman most of his life, but got his first taste of show business as the host of a weekly radio variety show on KDKA Pittsburgh in 1921. He appeared onstage in "Detective Story" at Sombrero Playhouse in Phoenix Arizona, and played the janitor in the movie version, (Detective Story (1951)), after moving to Hollywood. Hundreds of screen appearances later, he announced his retirement while filming an episode of Phyllis (1975). In the episode, his character married Mother Dexter, played by actress Judith Lowry. Lowry died one month before, and Mustin died one month after the episode aired.- Actor
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John Irwin McGiver came to acting relatively late in life. He held B.A. and Master's degrees in English from Fordham, Columbia and Catholic Universities and spent his early years teaching drama and speech at Christopher Columbus High School in the Bronx. He had an early flirtation with the acting profession in 1938 as actor/director for the Irish Reperatory Theatre, but found his weekly income of $26.42 insufficient for daily survival. The next year he enlisted and saw action during World War II, fighting with the U.S. 7th Armored Division in Europe (including the Battle of the Bulge). When he was demobbed after six years in the army, he held the rank of Captain. He returned to teaching drama, with occasional forays into off-Broadway acting. In 1947, he married Chicago scenic designer Ruth Shmigelsky and settled down to live in a converted 19th-century former Baptist church.
There are conflicting stories as to how McGiver ended up becoming a film and television actor, but it happened sometime after one of his part-time acting performances in September 1955, either through the offices of an old University classmate turned stage producer or through the persuasive abilities of an agent from the Music Corporation of America. In any case, the portly, balding, owl-like and precisely spoken McGiver quickly developed an inimitable style as a comic (and occasionally serious) actor on television and in films. He was most memorable as the obtuse landscape contractor in The Gazebo (1959), a pompous jewelry salesman in Breakfast at Tiffany's (1961) and an inept twitcher in Mr. Hobbs Takes a Vacation (1962). He also played Mr. Sowerberry in a television version of Oliver Twist (1959) and starred in his own (sadly short-lived) TV show, Many Happy Returns (1964), as the complaints manager of a department store. His dramatic roles included a senator in The Manchurian Candidate (1962) and, on television, the corrupt mayor in The Front Page (1970), plus a rare villainous role in the TV episode The Birds and the Bees Affair (1966). Among his numerous guest starring roles on television, he was at his best as the self-absorbed Roswell Flemington, who learns a moral lesson in Sounds and Silences (1964) (1964).- Actor
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Henry Burk Jones was born in New Jersey and raised in Philadelphia, Pennsylvania. He was the son of Helen (Burk) and John Francis Xavier Jones, and the grandson of Pennsylvania Representative Henry Burk, a Prussian immigrant. He graduated from St. Joseph's College. His Broadway debut was in 1938 in Maurice Evans' "Hamlet" (Reynaldo and the second gravedigger). He served in the army in World War II. His highly-reviewed stage appearances included the murdered handyman in "The Bad Seed," which he reprised in the film version (The Bad Seed (1956)), and the part of Louis Howe, President Franklin D. Roosevelt's confidant in Sunrise at Campobello (1960). Though very ordinary in appearance ("The casting directors didn't know what to do with me. I was never tall enough or good looking enough to play juvenile leads"), he had a long and varied career on Broadway, in movies and television. His parts included a wide range of second-string roles (ministers, judges, janitors), often with a dark and even frightening underside. His television career, which included over 150 appearances, began early, in 1950. Though his movies included such well-known titles as Will Success Spoil Rock Hunter? (1957), 3:10 to Yuma (1957), Butch Cassidy and the Sundance Kid (1969), The Grifters (1990), and Dick Tracy (1990) no doubt his most recognizable screen performance was in the brief role of the methodical, nearly cruel coroner in Alfred Hitchcock's Vertigo (1958). He lived in Santa Monica, CA, and died 17 May 1999, aged 86, at the UCLA Medical Center.- Actor
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The son of Edwin Schallert, drama editor of the "Los Angeles Times" and the dean of West Coast critics, William Schallert became interested in an acting career while at UCLA in 1942. After graduation, he became involved with the Circle Theater (eventually becoming one of its owners) and made his film debut in The Foxes of Harrow (1947). He then became ubiquitous in movies and TV ever since, and from 1979 to 1981, he was president of the Screen Actors Guild. He stayed active with SAG projects and said he never gave retirement a thought.- Actress
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Yvonne Joyce Craig was born on May 16, 1937 in Taylorville, Illinois. As a young teenager, Yvonne showed such promise as a dancer that she was accepted to Denham's Ballet Russe de Monte Carlo. Her training progressed until she left the company in 1957 over a disagreement on casting changes. She moved to Los Angeles hoping to continue her dancing, but was soon cast in movies. At first, Yvonne had small roles in movies such as Gidget (1959) and The Gene Krupa Story (1959). After that, her film career just bumped along. As Yvonne was dating Elvis Presley at the time, she did have a supporting role in the two Elvis movies, It Happened at the World's Fair (1963) and Kissin' Cousins (1964).
But her fame would come with the cult television series Batman (1966) in which she played Commissioner Gordon's daughter, Barbara. Her secret identity was Batgirl and as the Commissioner's daughter, she had access to all the calls of trouble taking place in Gotham City. Her character, Batgirl, was part of the 1967-68 season, which was the end of the run for the series. After Batman (1966), she also appeared on other television series such as Star Trek (1966) and The Six Million Dollar Man (1974). As her career wound down, Yvonne went into the real estate business. Yvonne Craig died at age 78 of breast cancer at her home in Pacific Palisades, California on August 17, 2015.- Actor
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Warren William, the stalwart leading man of pre-Production Code talkies, was born Warren William Krech on December 2, 1894 in Aitkin, Minnesota, the son of a newspaper publisher. William originally planned to become a journalist, but he had a change of heart, and instead went to the American Academy of Dramatic Arts and trained to become an actor. He served in the military in France during World War I, remaining in that country after the Armistice to tour with a theatrical company.
He made his Broadway debut as William Warren in the H.G. Wells play "The Wonderful Visit" in 1924. While appearing in 17 more plays on Broadway from 1924 to 1930, he also managed to appear in three silent pictures under his own name, Warren Krech. His only substantial role was in his first flicker, Fox's The Town That Forgot God (1922). In 1923, he played a credited bit part in support of "Perils of Pauline" star Pearl White in her last serial photoplay, Plunder (1923) but he went uncredited in a bit part in the Roaring Twenties/John Gilbert-as-bootlegger movie, Twelve Miles Out (1927).
Possessed of a first-rate speaking voice, rich, deep, and mellifluous, he was a natural for the talkies, and in 1931, he joined the stock company at Warner Bros., the studio that gave the world cinema sound. Projecting a patrician persona, Warren William initially thrived in the all-talking pictures. He appeared in a lead role in his first talkie, Honor of the Family (1931), an adaptation Honoré de Balzac's novel "Cousin Pons." Subsequently, he appeared as second leads and leads in support of the likes of Dolores Costello (Drew Barrymore's grandmother), H.B. Warner, Walter Huston, and Marian Marsh, before headlining The Mouthpiece (1932) as a district attorney who quits for the other side of the law, defending mobsters before a last reel conversion. It was his break-through role, followed up by a turn as a crooked campaign manager with more than just the affairs of state on his mind in The Dark Horse (1932). He then moved on to leading roles in A-list pictures, including the high-suds soap opera Three on a Match (1932), the classic musical Gold Diggers of 1933 (1933), Frank Capra's Lady for a Day (1933), and the original Imitation of Life (1934) starring Claudette Colbert and Louise Beavers.
William's outstanding performances in these roles include Skyscraper Souls (1932), The Match King (1932), and Employees' Entrance (1933). He also broadened his range to play the fraudulent clairvoyant in The Mind Reader (1933).
The early 30s was the apogee of William's career. He appeared opposite strong female stars, including Barbara Stanwyck, Claudette Colbert, Bette Davis, Ann Dvorak and Loretta Young.
With his patrician looks and bearing, William was loaned out to Cecil B. DeMille to play the patrician's patrician, Julius Caesar, again opposite of Ms. Colbert in Cleopatra (1934), a typical prodigal DeMille production in which Henry Wilcoxon avenged his mentor's assassination by rousing the rabble. William went on as the second Sam Spade (renamed Ted Shayne) in the "Maltese Falcon" remake Satan Met a Lady (1936) with Bette Davis. He eventually found himself in B-films. The same year he played Caesar, he made his inaugural and terminal appearance as William Powell's premier replacement in the role of Philo Vance in The Dragon Murder Case (1934), a character he would resurrect five years later in The Gracie Allen Murder Case (1939).
After making his first appearance as the cinema sleuth Vance, William returned to his roots as a court-room advocate, cast as the first Perry Mason in The Case of the Howling Dog (1934). After four films, he was replaced as Erle Stanley Gardner's A-#1 attorney in 1936 by former silent screen heart-throb Ricardo Cortez, the man who had first played Sam Spade, in the original The Maltese Falcon (1931). Before leaving the studio, William appeared in one more picture under contract at Warners Bros., the A-list Stage Struck (1936); then the erstwhile Warners trouper trooped over to Metro-Goldwyn-Mayer for a few years, to work as a character actor.
Another movie series beckoned and William appeared as Michael Lanyard's "The Lone Wolf," in nine movies made by Columbia from 1939 to 1943 beginning with The Lone Wolf Spy Hunt (1939). Of the ten actors who appeared as "The Lone Wolf" in the 30 years the series ran, off and on, from 1919 until 1949, he made twice as many films as his nearest competitor (which included such top stars as Thomas Meighan and Melvyn Douglas). William continued to act in character parts calling for a patrician presence until his premature death in 1948.
Personally, Warren William was a shy and retiring type. Speaking of him, five-time Warners co-star Joan Blondell said that William "was an old man even when he was a young man." According to San Francisco critic Mick LaSalle's 2002 book "Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man" (New York: St. Martin's Press, 2002), William, who quite unlike his early Warner Bros.' stereotype as a heartless "love 'em and leave 'em"-style seducer, remained married to one woman throughout his adult life. He was an active inventor with multiple patents, designing one of the first recreational vehicles, reportedly so he could continue to sleep while being driven to the studio in the morning.
Warren William died in Hollywood on September 24, 1948, of multiple myeloma.- Actor
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Leslie William Nielsen was born in Regina, Saskatchewan, and raised in Tulita (formerly Fort Norman), Northwest Territories. His mother, Mabel Elizabeth (Davies), was Welsh. His father, Ingvard Eversen Nielsen, was a Danish-born Mountie and a strict disciplinarian. Leslie studied at the Academy of Radio Arts in Toronto before moving on to New York's Neighborhood Playhouse. His acting career started at a much earlier age when he was forced to lie to his father in order to avoid severe punishment. Leslie starred in over fifty films and many more television films. One of his two brothers became the Deputy Prime Minister of Canada. On October 10, 2002, he was appointed Officer of the Order of Canada (OC) in recognition of his contributions to the film and television industries. On November 28, 2010, Leslie Nielsen died at age 84 of pneumonia and was buried at Evergreen Cemetery in Fort Lauderdale, Florida.- Jack Kelly started acting at age two, modeling in soap ads and garnering a lifetime supply of soap for his pay. He continued to model until the age of nine when he appeared in his first play with Hope Emerson called "Swing Your Lady". Broadway shows and radio followed until his family moved to California in 1938. He attended St. John's Military Academy and spent two years as a law student at UCLA. For three years, he dropped acting to concentrate on school and making money. He worked as a shoe salesman, gas station attendant, lifeguard, grocery delivery boy, and men's clothing salesman. In 1945, Kelly was inducted into the army taking basic training at Camp Roberts in California. He was sent to Alaska as a weather observer and was on the first B-29 to fly over the Arctic Circle. After his discharge in 1946, Kelly returned to UCLA and worked nights on such radio programs as "Lux Radio theater", "Suspense", "Tell It Again", and "Romance of the Ranchos".
Upon leaving school he joined the Circle Theater in Los Angeles appearing in "Time of Your Life", "The Adding Machine", and "Love On The Dole". In 1949, he acted in "Anna Lucasta" at the coronet Theater. This performance brought Kelly to the attention of several Hollywood directors. He then made his film debut in "Fighting Man Of The Plains", starring Randolph Scott. In 1955, Kelly was signed by Warner Bros. to star as Dr. Parris Mitchell in the "King's Row" series of "Warner Bros. Presents". The show debuted in September 1955. Kelly was best known as Bart Maverick on Maverick (1957). His hobbies included ship models, reading historical literature, sculpting, and listening to show tunes records. He also enjoyed sailing, badminton, skin diving, golf, horseback riding and flying. - Actor
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Richard Deacon was the bald, bespectacled character actor most famous for playing television producer Mel Cooley on The Dick Van Dyke Show (1961) from 1961 to 1966. In the first season of that show he also continued to appear on the series he was already appearing on, Leave It to Beaver (1957), playing Lumpy Rutherford's father Fred.
Born on May 14, 1922, in Philadelphia, Pennsylvania, the tall, bass-voiced Deacon took to the boards as a stage actor. At the beginning of his career, stage legend Helen Hayes told Deacon that he would never become a leading man but encouraged him to become a character actor. It was good advice, as Deacon's show business career lasted decades and only was terminated by his death.
Because of his looks and authoritative voice, Deacon usually was typecast as a humorless or foul-tempered authority figure. He became a highly regarded supporting player in films, complimented by many of the leading actors he played opposite, including Jack Benny, Lou Costello and Cary Grant. However, it was in television that Deacon really thrived.
It was his five-year gig on "The Dick Van Dyke Show", where he earned television immortality playing the long-suffering brother-in-law of Alan Brady (the faux-TV star for whom Dick Van Dyke and his companion writers, Morey Amsterdam and Rose Marie, wrote). Deacon's character was constantly harassed by Amsterdam's diminutive wisecracking character Buddy Sorrell. After the show ceased production (still at the top of the ratings; Carl Reiner had terminated the series in order to go out while the show was on top), Deacon co-starred on the TV sitcom The Mothers-In-Law (1967) with Kaye Ballard and Eve Arden (Deacon replaced original series co-star Roger C. Carmel as Ballard's husband in the second season after Carmel was fired from the series by producer Desi Arnaz for refusing to accept a pay cut). After the show was canceled, Deacon returned to work as a freelance actor. Back on the boards, he appeared in the long-running Broadway production of "Hello Dolly" as Horace Vandergelder, opposite Phyllis Diller as the eponymous heroine in the 1969-70 season. Deacon continued appearing on television and in the movies until his death.
In real life, Deacon was a gourmet chef. In the 1980s he hosted a Canadian TV program on microwave cookery, and even wrote a companion book on the subject
On the night of August 8, 1984, he was stricken by a heart attack in his Beverly Hills home. He was rushed to Cedars Sinai Hospital, where he died later that night. He was 62 years old.- Actor
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Beaumont began his career in show business by perfoming in theatres, nightclubs, and on the radio in 1931. He attended the University of Chattanooga, but left when his position on the football team was changed. He later attended the University of Southern California, and graduated with a Master of Theology degree in 1946. He was visiting his son Hunter, a Psychology Professor in Munich, at the time of his sudden death.- Actor
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Richard Devon wanted to be an actor from the time he was in first grade and played a small part in a school production. After finishing high school he answered a small ad in a Los Angeles newspaper for a school that offered training to the novice actor. This drama school, "Stage Eight", allowed him to work his way through, as he hadn't the money for tuition. He painted walls, built sets, waxed floors and strung lights. It was during this time that he made his first live television appearance for the experimental TV station W6XAO, atop Mt. Lee in the Hollywood Hills. Amidst much additional work in TV, Devon also played a recurring character in the kiddie-oriented teleseries Space Patrol (1950) (when Devon asked for a pay hike, his character was put into permanent suspended animation). He made his first film in the early '50s.- Actor
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Lloyd Haynes was born on 19 October 1934 in South Bend, Indiana, USA. He was an actor and writer, known for Room 222 (1969), Star Trek (1966) and Good Guys Wear Black (1978). He was married to Carolyn Yvonne Giorella, Saundra Lee Madariaga and Alice Elizabeth Ellis. He died on 31 December 1986 in Coronado, California, USA.- Actress
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An American television actress, Lynda Day George first drew attention when she appeared in the popular TV series Mission: Impossible (1966) as Lisa Casey, a role for which she received a Golden Globe nomination. She also did numerous guest-star roles in such series as The Love Boat (1977) and Wonder Woman (1975).
While appearing in the feature The Gentle Rain (1966), she met Christopher George, the handsome lead actor of the popular war series The Rat Patrol (1966); they fell in love about three years later, when they were reunited in the John Wayne western Chisum (1970), and they were married after its release. During the 1970s, Lynda appeared in numerous films with her husband. In 1983, she and Chris co-starred in the horror film Mortuary (1982). Sadly, after its completion, Christopher George died of a heart attack, at age 54.
Lynda was devastated and felt that she couldn't act without him. She appeared in another film shortly after his death, called Young Warriors (1983), but after appearing as a guest star in a few TV series, Lynda gave up acting.- Larger than life, Laughtonesque, and with an eloquent, king-sized appetite for maniacal merriment, a good portion of the work of actor Victor Buono was squandered on hokey villainy on both film and television. Ostensibly perceived as bizarre or demented, seldom did Hollywood give this cultivated cut-up the opportunity to rise above the deliciously hammy arrogance that flowed through so many of his cartoonish characters. He loved to make people laugh and while he could have approached his career with more serious attention, the real money was in his madness. In the end, the actor's chronic weight and accompanying health problems took their toll -- a fatal heart attack at the untimely age of 43 -- and a wonderful actor/writer/poet/chef had exited way before his time.
Born on February 3, 1938 in San Diego, California, the son of Victor Francis Buono and Myrtle Belle (née Keller), his interest in entertainment was originally encouraged by his grandmother, Myrtle Glied (1886-1969), who had once been a vaudevillian on the Orpheum Circuit. It was she who taught Victor how to sing and recite in front of company. His initial choice of career was somewhere in the direction of medicine but the pure joy he experienced from several high school performances (playing everything from Aladdin's evil genie to Hamlet himself) led him to dismiss such sensible thinking and take on the bohemian life style of an actor.
The already hefty-framed hopeful started appearing on local radio and television stations in San Diego. At age 18, he became a member of the Globe Theater Players where he was cast in Shakespeare and the classics ["Volpone", "A Midsummer Night's Dream", "Knight of the Burning Pestle", "The Man Who Came to Dinner", "Witness for the Prosecution", "Henry IV, Part I (as Falstaff)", "As You Like It", "Hamlet" (as Claudius)].
In 1959, a Warner Bros. agent happened to scope out the talent at the Globe Theatre and caught Victor's wonderfully robust portrayal of Falstaff (a role he would return to now and then) and gave him a screen test. Looking older than he was, the studio set upon using Victor in weird and wacky ways, such as his bearded poet Bongo Benny in an episode of 77 Sunset Strip (1958). His wry and witty demeanor, fixed stare, huge girth and goateed mug was guaranteed to put him in nearly every television crime story needing an off-the-wall character or outlandish villain.
Following an unbilled appearance in The Story of Ruth (1960), Victor was intriguingly cast by director Robert Aldrich to play Edwin Flagg, the creepy musical accompanist and opportunist who tries to use one-time child celebrity Bette Davis for his own piggy bank in the gothic horror classic What Ever Happened to Baby Jane? (1962). He held his own beautifully opposite the scenery-chewing Davis and was nominated for a Best Supporting Oscar for his efforts. This role also set the tone for the increasingly deranged characters he would go on to play.
Cast as the title menace in The Strangler (1964), Victor delved wholeheartedly into the sick mind of a mother-obsessed murderer and offered a startling, tense portrayal of a child-like monster who gives new meaning to the art of "necking" with women. Director Aldrich used Victor again (albeit too briefly) for his Southern-baked "Grand Guignol" horror Hush...Hush, Sweet Charlotte (1964) this time as Ms. Davis' crazed father. Victor also showed up in The Greatest Story Ever Told (1965) starring Max von Sydow where he flamboyantly took on the High Priest Sorak role in this epic but criticized retelling of Jesus.
He enhanced a number of lightweight 1960s movies including 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966) and Who's Minding the Mint? (1967) with his clever banter and gleeful menace. The lurid title said it all when Victor gamely took on the horror movie The Mad Butcher (1971) [aka The Strangler of Vienna] wherein he played a former mental patient preying on women again. This deranged low-budget German/Italian co-production added a "Sweeney Todd" meatpie tie in.
Victor's hearty, scene-stealing antics dominated late 1960s television series. Recurring madmen included his Count Carlos Manzeppi on The Wild Wild West (1965) and King Tut who habitually wreaked havoc on Gotham City on Batman (1966). One could always find his unsympathetic presence somewhere on a prime-time channel (Perry Mason (1957), Get Smart (1965), I Spy (1965)) but his roles ended up more campy than challenging. However, one heartfelt, serious portrayal was his portrayal of President William Howard Taft in the epic miniseries Backstairs at the White House (1979). Elsewhere, he recorded a self-effacing comedy album ("Victor Buono: Heavy!") and even wrote comic poetry ("Victor Buono: It Could Be Verse". He was indeed a sought-after raconteur on daytime and nighttime talk shows.
Continuing with the theatre but on a more infrequent basis, his one-man stage shows included "Just We Three", "Remembrance of Things Past" and "This Would I Keep". He also appeared as Pellinore opposite Robert Goulet and Carol Lawrence in a 1975 performance of "Camelot" and earned minor cult status for his memorable performance in the play "Last of the Marx Brothers' Writers" in a return to the Old Globe Theatre in 1977.
The never-married actor felt compelled to conceal his homosexuality. A well-regarded gourmet chef and an expert on Shakespeare, he died of a massive heart attack at his ranch in Apple Valley, California on January 1, 1982. Before his death was announced, Buono had just been cast in the Broadway-bound play "Whodunnit?" by Anthony Shaffer. The show finally arrived in New York without him and almost a year to his death (December 30, 1982). - Actress
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Julia Chalene Newmeyer was born on August 16, 1933, in Los Angeles, California, the eldest of three children. Her father, Don, was a one-time professional football player (LA Buccaneers, 1926), her mother, Helene Jesmer, was a star of the Follies of 1920 and later became a fashion designer under the professional name of Chalene. From an early age, Julie studied piano, dance, and classical ballet. She graduated from high school at the age of 15, and spent a year touring Europe with her mother and brother. She became prima ballerina for the Los Angeles Opera. She attended UCLA studying classical piano, philosophy, and French.
Newmar went to New York and tried out for Broadway musicals; in 1955, she made her Broadway debut as the ballerina in "Silk Stockings". She won acclaim for her role as Stupefyin' Jones in "Li'l Abner". Though audiences and critics alike were stupefied by her good looks, that was not the compliment Newmar wanted.
Newmar wanted to be known for her comedy, as she told the New York Times: "Tell me I'm funny, and it's the greatest compliment in the world." She had beauty, brains and a fantastic sense of humor. Promoting her various Broadway and off-Broadway show appearances, she often posed as a pin-up girl. Making the transition to television, Newmar appeared in Rod Serling's science-fiction series The Twilight Zone (1959), playing Miss Devlin (devil). As physical perfection, Julie was perfect to play Rhoda the Robot in My Living Doll (1964); the sitcom had an enthusiastic cult following. In 1966, urged on by her friends, she tried out for and was cast as Catwoman (a character she had never heard of) in the wildly popular television series Batman (1966) On account of a movie commitment, Newmar was unavailable to play Catwoman in the third season. (Her role was taken over by Eartha Kitt.)
Newmar was very busy in the 1960s and 1970s, making guest appearances in many television series and several television movies. She toured the country in stage productions of "Damn Yankees" and "Dames at Sea", among others. Becoming an entrepreneur, in 1977, Newmar turned up in People magazine wearing her new invention, Nudemar pantyhose. In the 1980s, she appeared in nine films while she was busy raising her son and working in the real-estate business. Newmar went back to UCLA to take a few real-estate courses. In 1991, she toured in a stage production of "The Women". Still very active, and very beautiful, she occasionally has appeared at fan conventions.- Actor
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Adam West was born William West Anderson on September 19, 1928 in Walla Walla, Washington, to parents Otto West Anderson, a farmer, and his wife Audrey V. (Speer), an opera singer. At age 10, in 1938, West had a cache of comic books; and starting in 1939, Batman, who appeared in Detective Comics, made a big impression on him--the comic hero was part bat-man (a la Count Dracula) and part world's greatest detective (a la Charlie Chan and Sherlock Holmes). When his mother remarried to a Dr. Paul Flothow, she took West and his younger brother, John, to Seattle. At age 14, West attended Lakeside School, then went to Whitman College, where he got a degree in literature and psychology. During his last year of college, he married 17-year-old Billie Lou Yeager.
West got a job as a disc jockey at a local radio station, then enrolled at Stanford for post-grad courses. Drafted into the army, he spent the next two years starting military television stations, first at San Luis Obispo, California, then at Fort Monmouth, New Jersey. Afterwards, West and his wife toured Europe, visiting Germany, Switzerland and Italy's Isle of Capri. When the money ran out, he joined a childhood and college buddy, Carl Hebenstreit, who was starring in the kiddie program "The Kini Popo Show" in Hawaii. West would eventually replace Carl but not the other star, Peaches the Chimp. In 1956, he got a divorce and married a beautiful girl, originally from Tahiti, named Ngatokoruaimatauaia Frisbie Dawson (he called her "Nga" for short). They had a daughter, Jonelle (born 1957), and a son, Hunter (born 1958). In 1959, West came to Hollywood. He adopted the stage name "Adam West", which fit his roles, as he was in some westerns.
After seven years in Tinseltown, he achieved fame in his signature role as Bruce Wayne / Batman, on the wildly popular ABC-TV series Batman (1966) (though he has over 60 movie and over 80 television guest appearance credits, "Batman" is what the fans remember him for). The series, which lasted three seasons, made him not just nationally but internationally famous. The movie version, Batman: The Movie (1966), earned West the "Most Promising New Star" award in 1967. The downside was that the "Batman" fame was partly responsible for ruining his marriage, and he was typecast and almost unemployable for a while after the series ended (he did nothing but personal appearances for two years).
In 1970, he met and then married Marcelle Tagand Lear, and picked up two stepchildren, Moya and Jill. In addition, they had two children of their own: Nina West in 1976 and Perrin in 1979. You can't keep a good actor down--West's career took off again, and he appeared in 50 projects after that: movies, television movies and sometimes doing voices on television series. West wrote his autobiography, "Back to the Batcave" (1994). One of his most prized possessions was a drawing of Batman by Bob Kane with the inscription "To my buddy, Adam, who breathed life into my pen and ink creation". Beginning in 2000, West made guest appearances on the animated series Family Guy (1999), on which he played Mayor Adam West, the lunatic mayor of Quahog, Rhode Island.
On June 9, 2017, Adam West died at age 88 after a brief battle with leukemia in Los Angeles, California. On June 15, 2017, Los Angeles shone the bat-signal on City Hall, and Walla Walla shone the bat-signal on the Whitman Tower, both as a tribute to West.- Director
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Tall, dignified-looking Newland began in show business as a song-and-dance man with a vaudeville troupe ('The Vikings'), whose trade-mark was wearing gold capes. He acted in stock with the Stuart Walker Company, then found work on the New York stage in tandem with Milton Berle at the Roxy, Capitol and Loew's State Theatres. He also acted in radio and resumed touring nationally on the vaudeville circuit, as well as performing on the legitimate stage in such respected plays as "The Petrified Forest". After wartime service in the Army Air Corps, Newland embarked on a short film career under contract to Warner Brothers, which -- by his own account -- was an 'immediate failure'.
He instead turned his hand to directing early television and became best known for his paranormal anthology series One Step Beyond (1959), which he also hosted in his distinctively mellifluous voice and deadpan fashion. This was a good (though rather less well-known) contemporary of The Twilight Zone (1959). It was shot on the MGM lot with full access to the studio's wardrobe department and with a respectable budget of $30,000 to $50,000 per episode. In addition to high production values, the series consistently boasted good actors, including a young Warren Beatty, William Shatner and Suzanne Pleshette. An attempt to resurrect the franchise (The Next Step Beyond (1978)) nearly twenty years later with the same production team failed to re-ignite public interest.
Though he considered his work on 'One Step Beyond' as the highlight of his career, Newland continued to be in demand for many more years as a busy television director in a variety of other genres: from soap opera (Peyton Place (1964)), to espionage (The Man Who Never Was (1966)); from westerns (Daniel Boone (1964)) to cop shows (Police Woman (1974)). Until the mid-70's, his sonorous voice also continued to resound on radio's CBS Mystery Theater.- Actor
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Lionel Atwill was born into a wealthy family and was educated at London's prestigious Mercer School to become an architect, but his interest turned to the stage. He worked his way progressively into the craft and debuted at age 20 at the Garrick Theatre in London. He acted and improved regularly thereafter, especially in the plays of Henrik Ibsen and George Bernard Shaw. Atwill came to the US in 1915 and would appear in some 25 plays on Broadway between 1917 and 1931, but he was already trying his hand in silent films by 1918. He had a sonorous voice and dictatorial British accent that served him well for the stage and just as well for sound movies. He did some Vitaphone short subjects in 1928 and then his first real film role in The Silent Witness (1932) (also titled "The Verdict").
That voice and his bullish demeanor made Atwill a natural for a spectrum of tough-customer roles. As shady noblemen and mad doctors, but also gruff military men and police inspectors (usually with a signature mustache), he worked steadily through the 1930s. He had the chance to show a broader character as the tyrannical but unforgettable Col. Bishop in Captain Blood (1935). It's hard to forget his Inspector Krogh in Son of Frankenstein (1939), wherein he agrees to a game of darts with Basil Rathbone and proceeds to impale the darts through the right sleeve of his uniform (the character sported a wooden right arm). And he sends himself up with rolling and blustering dialogue as the glory-hog ham stage actor Rawitch in the classic To Be or Not to Be (1942) with Jack Benny. However, Atwill effectively ruined his burgeoning film career in 1943 after he was implicated in what was described as an "orgy" at his home, naked guests and pornographic films included--and a rape perpetrated during the proceedings. Atwill "lied like a gentleman," it was said, in the court proceedings to protect the identities of his guests and was convicted of perjury and sentenced to five years' probation.
He was thereafter kept employed on Poverty Row with only brief periods of employment by Universal Pictures, while the rest of Hollywood turned its collective back on him. He is more remembered for the horror films generally than for better efforts, but they have fueled his continued popularity and a bid by the Southern California Lionel Atwill Fan Club to petition for a Hollywood Blvd. star (he never received one).- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actor
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Danny Kaye left school at the age of 13 to work in the so-called Borscht Belt of Jewish resorts in the Catskill Mountains. It was there he learned the basics of show biz. From there he went through a series of jobs in and out of the business. In 1939, he made his Broadway debut in "Straw Hat Revue," but it was the stage production of the musical "Lady in the Dark" in 1940 that brought him acclaim and notice from agents. Also in 1940, he married Sylvia Fine, who went on to manage his career. She helped create the routines and gags, and wrote most of the songs that he performed. Danny could sing and dance like many others, but his specialty was reciting those tongue-twisting songs and monologues.
Samuel Goldwyn had been trying to sign Kaye to a movie contract for two years before he eventually agreed. Goldwyn put him in a series of Technicolor musicals, starting with Up in Arms (1944). His debut was successful, and he continued to make hit movies such as The Secret Life of Walter Mitty (1947) and The Inspector General (1949). In 1954, he appeared with Bing Crosby in White Christmas (1954), which was based on the Irving Berlin song of the same name. In 1955, he made what many consider his best comedy, The Court Jester (1955), with the brilliant Pellet with the Poison routine. Like all things, however, the lifespan of a comedian is limited and his movie career waned. In 1960, he began doing specials on television and this led to his own TV series, The Danny Kaye Show (1963), which ran from 1963 to 1967.
Some of his last roles were also his most memorable, such as an intense Holocaust survivor in Skokie (1981) and as a kind but goofy dentist in an episode of The Cosby Show (1984). He also worked tirelessly for UNICEF.- Actor
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Errol Flynn was born to parents Theodore Flynn, a respected biologist, and Marrelle Young, an adventurous young woman. Young Flynn was a rambunctious child who could be counted on to find trouble. Errol managed to have himself thrown out of every school in which he was enrolled. In his late teens he set out to find gold, but instead found a series of short lived odd jobs. Information is sketchy, however the positions of police constable, sanitation engineer, treasure hunter, sheep castrator, ship-master for hire, fisherman, and soldier seem to be among his more reputable career choices. Staying one jump ahead of the law and jealous husbands forced Flynn to England. He took up acting, a pastime he had previously stumbled into when asked to play (ironically) Fletcher Christian in a film called In the Wake of the Bounty (1933). Flynn's natural athletic talent and good looks attracted the attention of Warner Brothers and soon he was off to America. His luck held when he replaced Robert Donat in the title role of Captain Blood (1935). He quickly rocketed to stardom as the undisputed king of adventure films, a title inherited from Douglas Fairbanks, though which remains his to this day. Onscreen, he was the freedom loving rebel, a man of action who fought against injustice and won the hearts of damsels in the process. His off-screen passions; drinking, fighting, boating and sex, made his film escapades seem pale. His love life brought him considerable fame, three statutory rape trials, and a lasting memorial in the expression "In like Flynn". Serious roles eluded him, and as his lifestyle eroded his youthful good looks, his career declined. Troubles with lawsuits and the IRS plagued him at this time, eroding what little money he had saved. A few good roles did come his way late in life, however, these were usually that of aging alcoholic, almost mirror images of Flynn. Regardless of any perceived similarity; he was making a name as a serious actor before his death.- Actor
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American leading man of the 1940s and 1950s, Dana Andrews was born Carver Dana Andrews on New Years Day 1909 on a farmstead outside Collins, Covington County, Mississippi. One of thirteen children, including fellow actor Steve Forrest, he was a son of Annis (Speed) and Charles Forrest Andrews, a Baptist minister.
Andrews studied business administration at Sam Houston State Teachers College in Texas, but took a bookkeeping job with Gulf Oil in 1929, aged 20, prior to graduating. In 1931, he hitchhiked to California, hoping to get work as an actor. He drove a school bus, dug ditches, picked oranges, worked as a stock boy, and pumped gas while trying without luck to break into the movies. His employer at a Van Nuys gas station believed in him and agreed to invest in him, asking to be repaid if and when Andrews made it as an actor. Andrews studied opera and also entered the Pasadena Community Playhouse, the famed theatre company and drama school. He appeared in scores of plays there in the 1930s, becoming a favorite of the company. He played opposite future star Robert Preston in a play about composers Gilbert and Sullivan, and soon thereafter was offered a contract by Samuel Goldwyn.
It was two years before Goldwyn and 20th Century-Fox (to whom Goldwyn had sold half of Andrews' contract) put him in a film, but the roles, though secondary, were mostly in top-quality pictures such as The Westerner (1940) and The Ox-Bow Incident (1942). A starring role in the hit Laura (1944), followed by one in The Best Years of Our Lives (1946), made him a star, but no later film quite lived up to the quality of these. During his career, he had worked with with such directors as Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Jean Renoir, and Elia Kazan.
Andrews slipped into a steady stream of unremarkable films in which he gave sturdy performances, until age and other interests resulted in fewer appearances. In addition, his increasing alcoholism caused him to lose the confidence of some producers. Andrews took steps to curb his addiction and in his later years was an outspoken member of the National Council on Alcoholism, who decried public refusal to face the problem. He was probably the first actor to do a public service announcement about alcoholism (in 1972 for the U.S. Department of Transportation), and did public speaking tours. Andrews was one of the first to speak out against the degradation of the acting profession, particularly actresses doing nude scenes just to get a role.
Andrews was elected president of the Screen Actors Guild in 1963, serving until 1965. He retired from films in the 1960s and made, he said, more money from real estate than he ever did in movies. Yet he and his second wife, actress Mary Todd, lived quietly in a modest home in Studio City, California. Andrews suffered from Alzheimer's disease in his later years and spent his final days in a nursing facility. He died of congestive heart failure and pneumonia in 1992, aged 83.- Although character actor William (or Bill) Smithers is not recognizable perhaps by name, the face is definitely familiar especially to baby boomer TV fans. A smart, articulate, well-groomed actor with noticeably premature gray hair, Smithers is probably best remembered for his on-again, off-again role as arch-villain Jeremy Wendell who frequently crossed paths with J.R. Ewing on Dallas (1978) from 1981-1985. Avid Trekkies will also remember his role as Capt. Merrick in the original Star Trek (1966) series.
Born in Richmond, Virginia, on July 10, 1927, Smithers received his initial break on stage, making his Broadway debut and winning a Theatre World Award for his performance as Tybalt in "Romeo and Juliet" in 1951. Olivia de Havilland, who played Juliet, also made her Broadway bow in that production. The following year Smithers joined the Actors Studio and became a major exponent of Lee Strasberg's "Method" style of acting. He continued to win acclaim on the stage, earning an Obie award in 1957 for Best Actor for his portrayal of Treplev in the off-Broadway production of "The Sea Gull".
Smithers made a successful feature film debut in 1956 as a harried infantry officer in Robert Aldrich's acclaimed war drama Attack (1956), but would make only a handful of large-screen appearances after that, including Trouble Man (1972), Papillon (1973), Scorpio (1973) and Deathsport (1978). Television, of course, was a different story. Smithers has appeared or guest-starred in nearly 400 programs in his nearly five-decade-long career. Often called to play serious-minded executives and other such authority figures, he had a real penchant for playing oily villains. You could find his unscrupulous, cold-hearted white collars on any given 1960s or 1970s crime series - Mission: Impossible (1966), The F.B.I. (1965), Mannix (1967), Mod Squad (1968), The Name of the Game (1968) and Barnaby Jones (1973), to name a few.
Last seen on camera in the early 1990s (a 1994 episode of "Walker, Texas Ranger"), Smithers is highly regarded as a teacher and for his acting seminars at colleges and universities. For years Smithers instructed alongside second wife, noted acting teacher S. Lorraine Hull (aka Lorrie Hull Smithers), who taught for many years at the Strasberg Institute. - Actor
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Keye Luke was born in Canton, China. He grew up in Seattle, Washington, and entered the film business as a commercial artist and a designer of movie posters. He was hired as a technical advisor on several Asian-themed films, and made his film debut in The Painted Veil (1934). It seemed that he appeared in almost every film that called for Chinese characters, usually in small parts but occasionally, as in The Good Earth (1937), in a meatier, more substantial role. In addition, he played Dr. Kildare's rival at the hospital in the Dr. Kildare series at MGM, but it was as Charlie Chan's #1 son in that series that Luke achieved his greatest recognition. In the 1970s a new generation was made aware of his talents by virtue of his recurring role in the TV series Kung Fu (1972).- Actor
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Born Raymond William Stacy Burr on May 21, 1917 in New Westminster, British Columbia, he spent most of his early life traveling. As a youngster, his father moved his family to China, where the elder Burr worked as a trade agent. When the family returned to Canada, Raymond's parents separated. He and his mother moved to Vallejo, California, where she raised him with the aid of her parents. As he got older, Burr began to take jobs to support his mother, younger sister and younger brother. He took jobs as a ranch hand in Roswell, New Mexico; as a deputy sheriff; a photo salesman; and even as a nightclub singer.
During World War II, he served in the United States Navy. In Okinawa, he was shot in the stomach and sent home. In 1946, Burr made his film debut in San Quentin (1946). From there, he appeared in more than 90 films before landing the titular character on Perry Mason (1957), the role for which he was best-known. Decades later, he reprised the role opposite former co-star Barbara Hale in a series of NBC television movies. At age 65, he returned to teaching drama as a professor of theatre at Sonoma State University, Rohnert Park.
After a brave battle with cancer, Burr died at age 76 on September 12, 1993 at his ranch home in Geyserville, Sonoma County, California. Married once, the union ended in divorce. He had no children.- Actor
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Ray Bidwell Collins was an American actor in film, stage, radio and television. One of his best remembered roles was that of Lt. Arthur Tragg in the long-running series Perry Mason (1957). Collins was born in Sacramento, California, to Lillie Bidwell and William C. Collins, a newspaper drama editor. He started acting on stage at the age of 14. In the mid 1930s, now an established stage and radio actor, Collins began working with Orson Welles' Mercury Theatre (Welles himself called Collins "the finest actor I've ever worked with"), leading to some of his most memorable roles. Having already appeared on radio with Welles in "The Shadow" (a regular as Commissioner Weston) and in Welles' serial adaptation of "Les Miserables" from 1937, Collins became a regular on "The Mercury Theatre on the Air" program; through the run of the series, he played many roles in literary adaptations, from Squire Livesey from "Treasure Island" and Dr. Watson in "Sherlock Holmes" to Mr. Pickwick in an adaptation of "The Pickwick Papers". Collins' best known (albeit uncredited) work on this series, however, was in the infamous "The War of the Worlds" broadcast, playing three roles, including Mr. Wilmuth (on whose farm the Martian craft lands) and the newscaster who describes the destruction of New York. Along with other Mercury Theatre players, Collins made his first notable screen appearance in Citizen Kane (1941), as ruthless Boss Jim Gettys. He would also play key roles in Welles' The Magnificent Ambersons (1942) and Touch of Evil (1958). Collins appeared in over 90 films in all, including Leave Her to Heaven (1945), The Best Years of Our Lives (1946) and Crack-Up (1946), A Double Life (1947), two entries in the "Ma and Pa Kettle" series (as in-law Benjamin Parker), and The Desert Song (1953), in which he played the non-singing role of Kathryn Grayson's father. He displayed comic ability in The Bachelor and the Bobby-Soxer (1947) and The Man from Colorado (1948). He may be best remembered for his work on television. He was also a regular as John Merriweather on the television version of The Halls of Ivy (1954) starring Ronald Colman.- Actor
- Soundtrack
An exceptionally handsome and charismatic performer with a serene baritone voice, Guy Williams was born Armand Joseph Catalano (nicknamed "Armando" by his family) of Italian parentage in New York City on January 14, 1924. The elder child of an insurance broker (he had a younger sister, Valerie), he was raised in the Washington Heights area. Attending Peekskill Military Academy during his formative years, he originally broke into the entertainment field as a male fashion model. Guy subsequently joined New York's Neighborhood Playhouse, which led to such TV assignments as Studio One (1948), and he debuted in films with a featured role as the bombardier on the Enola Gay in the feature film The Beginning or the End (1947), the story about the first US-deployed atom bomb.
In 1952 he was given a screen test and signed by Universal Pictures. As tall, dark and athletic (6'3", 190 lb.) in Hollywood nearly always fits the bill, the highly photogenic Williams began paying his dues in unbilled bits in such standard movies as Back at the Front (1952), All I Desire (1953), The Golden Blade (1953) and Take Me to Town (1953). When he did manage to receive billing, he was rather benignly used: Bonzo Goes to College (1952) (sequel to Ronald Reagan's cult classic Bedtime for Bonzo (1951)), The Mississippi Gambler (1953) with Tyrone Power and The Man from the Alamo (1953) with Glenn Ford.
Guy eventually left Universal and freelanced in films, which would include a minor role as a cop in the cult horror classic I Was a Teenage Werewolf (1957) starring Michael Landon, and also added scattered TV appearances (Highway Patrol (1955), The Lone Ranger (1949)) to his resumé. Nothing, however, of major significance happened until Walt Disney came into the picture. His signing at age 33 to play Don Diego de la Vega, aka Zorro (1957), thrust Guy immediately into the celebrity limelight. His dashing good looks, eloquence and charm had female hearts fluttering, while the male audiences admired his fencing dexterity and effortless ladies'-man appeal. The Disney series was so popular that certain episodes were culled together and released into two feature films: The Sign of Zorro (1958) and Zorro, the Avenger (1959).
Further propelled by Disney with his captivating role in The Prince and the Pauper: The Pauper King (1962), Guy was handed fully-bearded heroes to play in a couple of fantasy film adventures, portraying Damon in the costumer Damon and Pythias (1962) a/k/a "Damon and Pythias", and the title role in Captain Sindbad (1963), an MGM attraction. In 1964 he reunited with "Teen Werewolf" Michael Landon when he arrived on the Bonanza (1959) set to play cousin Will Cartwright for a few episodes.
The cult science fiction series Lost in Space (1965) would be Guy's last hurrah in show business. Although overshadowed extensively by the nefariously campy antics of Jonathan Harris' Dr. Smith character, Guy nevertheless provided a necessary strong anchor to the family show, which included June Lockhart as the silver-suited wife and mother of his three intergalactic offspring. Battling aliens and the forces of nature, the show's popularity went stratospheric at first. However, much like Batman (1966), it faded very quickly and ended up having a short life--three seasons.
When Guy first visited Argentina in 1973 he was quite taken by the signs of admiration and fascination the Argentines expressed for him and his signature character of "El Zorro." In turn Guy fell in love with the people and culture of Argentina. Eventually he retired, except for personal appearances, to Recoleta in the 1970s, an upscale neighborhood of Buenos Aires. He died there of a brain aneurysm at the age of 65 on April 30, 1989. Long married (since 1948) to Janice Cooper, he was survived by their two children.- Actress
- Soundtrack
Born in England, Angela is the younger sister of actress Veronica Cartwright. As a child she was cast as the cute little stepdaughter, Linda Williams, on The Danny Thomas Show (1953). She was on the show from 1957 to 1964. After that, she was cast as Brigitta in the popular Julie Andrews movie The Sound of Music (1965). Soon after, she returned to series TV as Penny Robinson, young teenage space traveler, in Lost in Space (1965), which ran from 1965-1968. Even with cheap special effects and a hokey story line, the show is still popular today. In 1970 Angela had a part in Make Room for Granddaddy (1970), a sequel to the original series, but the show was soon canceled. Since that time, she has made a life outside of films.- Actor
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Forrest J. Ackerman was born on 24 November 1916 in Los Angeles, California, USA. He was an actor and writer, known for Dead Alive (1992), The Wizard of Speed and Time (1988) and Vampirella (1996). He was married to Mathilde "Wendayne" Wahrman. He died on 4 December 2008 in Los Angeles, California, USA.- Born in Portland, Oregon, and educated at the University of Washington and University of Michigan, Colman served in the Japanese Language Division of U.S. Military Intelligence during World War II. After his discharge, he began acting on the New York stage. In 1951, he headed to Hollywood to make his film debut in 'The Big Sky' (1952). Between movie and TV assignments, Colman kept active with theater work. Since 1981, he played Ebenezer Scrooge more than 500 times on the stage of the Meadow Brook Theatre in Rochester, Michigan.
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- Soundtrack
Hari Rhodes was born on 10 April 1932 in Cincinnati, Ohio, USA. He was an actor, known for Conquest of the Planet of the Apes (1972), Shock Corridor (1963) and Coma (1978). He was married to Mlmi Christie Segura . He died on 15 January 1992 in Canoga Park, Los Angeles, California, USA.- Actor
- Soundtrack
As the brash and bruising tough guy with wide, flaring nostrils, compact features and boorish, bullying personality, you could have placed bets that anyone who had the guts to go nose-to-nose against crew cut-wearing badger Frank Sutton had better be one tough order. Nope. Far from it. Sutton's most feared, ulcer-inducing on-camera nemesis would be none other than one of TV's gentlest souls ever--Mayberry's own lovable gas station attendant Gomer Pyle.
As the antagonistic, in-your-face Sgt. Vince Carter, whose outer bluster occasionally revealed a softer inner core, the 41-year-old Sutton finally found himself front and center co-starring in one of sitcomdom's most successful spin-offs--Gomer Pyle: USMC (1964), the offspring of The Andy Griffith Show (1960). Fans really took to Sutton's volatile character whose hilarious slow burn meshed perfectly with Jim Nabors' awkward guile. The gimmick of watching Carter's devious but ultimately failed plans to transfer Pyle out of his unit each week worked for five seasons. Off-stage Nabors and Sutton shared a mutual respect for each other. After the show's demise, in fact, Sutton went on to become a part of Jim's roster of regulars on The Jim Nabors Hour (1968), a variety show that had a very short run.
Frank Spencer Sutton was born in Clarksville, Tennessee. Although some sources list the year of his birth as 1922, his grave marker indicates 1923. An only child, both his parents had jobs working for the local newspaper. When he was eight, the family moved to Nashville, his father dying some time later of an intestinal ailment. Belonging to the drama club and appearing in high school plays sparked his early interest in acting, and he majored in Dramatic Arts at Columbia University, graduating cum laude. Gaining experience on the local stages, he eventually found a job as a radio announcer. Following WWII military service, he returned to acting and in the 1950s segued into TV, appearing on a couple of the more popular children's adventure series -- Captain Video and His Video Rangers (1949) and Tom Corbett, Space Cadet (1950). Based in New York, Sutton also found work on the soaps The Edge of Night (1956) and The Secret Storm (1954).
Sutton's imposing mug and hothead countenance proved quite suitable for playing both good guys and bad guys and he became a steady, reliable fixture in rugged surroundings. With work on such series as "Gunsmoke", "Maverick", "The Fugitive", "Combat!", and "The Untouchables" he could be counted on to play everything from a crass, outspoken blue-collar buddy to a menacing henchman. Film appearances were sporadic, with only a few secondary roles offered. His best chances were in Four Boys and a Gun (1957), Town Without Pity (1961) (a very good performance as one of a trio of American GIs accused of raping a young German girl) and The Satan Bug (1965).
In the early 1970s, after the success of the "Gomer Pyle" series, Sutton was seen in TV guest spots while performing in small-scale stock plays all over the US. His stage work would include comedic roles in "The Odd Couple," "Anything Goes" and "No Hard Feelings." In fact, he died suddenly of a heart attack on June 28, 1974, while in rehearsals for a show at a Louisiana dinner theater. The 50-year-old actor was survived by his wife of 25 years, daytime soap writer Toby Igler, and children Joseph and Amanda. He was buried in his home town.- Award-winning Greek-American actor Michael Constantine (born 22 May 1927) is best known for his portrayal of the Windex bottle-toting family patriarch "Gus Portokalos" in the sleeper hit My Big Fat Greek Wedding (2002). Before his appearance in that movie and the subsequent TV series based on it, he was primarily known for his portrayal of principal Seymour Kaufman in the series Room 222 (1969), for which he won a 1970 Emmy Award as Best Supporting Actor (in 1971, he also received a second Emmy nomination and a Golden Globe nomination as Best Supporting Actor for the role).
Michael Constantine was born Constantine Joanides in Reading, Pennsylvania, to Greek parents, Andromache (Fotiadou) and Theoharis Ioannides, a steel worker. He made his Broadway debut as part of the ensemble of the hit play "Inherit the Wind," which made its bow at the National Theatre on April 21, 1955, and closed on June 22, 1957, after 806 performances. During the run of the play, Constantine managed to work his way up into the part of "Conklin". His next appearance on the Great White Way was in "Compulsion," a dramatization of the Leopold & Loeb trial, in which he played three parts: speakeasy owner "Al," defense attorney "Jonathan Wilk" and "Dr. Ball." The show had a modest run of 140 performances in the 1957-58 season at the Ambassador Theatre.
On October 19, 1959, Constantine was part of the opening-night cast of the hit play "The Miracle Worker," appearing in the role of "Anagnos." It ran for 719 performances at the Playhouse through July 1, 1961, but his next play, "The Egg", was a flop, lasting but one week (eight performances) at the Cort in January 1962. His last turn on Broadway was in Tony Richardson's staging of Bertolt Brecht's mediation on the rise of Adolf Hitler, "Arturo Ui" (a.k.a. "The Resistible Rise of Arturo Ui"). Constantine played the character "Dogsborough" in support of the great Broadway star Christopher Plummer's "Arturo Ui." It, too, was a one-week flop, lasting but eight performances at the Lunt-Fontanne Theatre in November 1963. Constantine's Broadway career was at an end.
He made his motion picture debut in The Last Mile (1959) in support of Mickey Rooney, but had already begun appearing in the medium in which he made his reputation, television, the year before. He appeared in teleplays on the omnibus television anthologies Armstrong Circle Theatre (1950) and Play of the Week (1959) and made numerous guest appearances on TV series, where his ethnic look made him valuable as heavies on such programs as The Untouchables (1959). In film, he appeared in such productions as Robert Rossen's classic The Hustler (1961), If It's Tuesday, This Must Be Belgium (1969) and the film version of Woody Allen's play, Don't Drink the Water (1969), the latter two films revealing his flair for comedy.
Constantine was a regular on the series Hey, Landlord (1966). His stint on Room 222 (1969) was followed by his star-turn in the short-lived series Sirota's Court (1976), for which he received his second Golden Globe nomination, this time as Best Leading Actor in a Musical or Comedy TV Series, in 1976. After that, he remained steadily employed but his career remained rather quiet until cast he was cast in My Big Fat Greek Wedding (2002).
Michael Constantine died in August 2021. He was 94. - Lovable, laid-back Jesse White made acting seem fun and easy. He was born Jesse Marc Weidenfeld in Buffalo, New York, and was raised in Akron, Ohio. He made his first amateur appearance on the local stage at age 15. Before breaking into professional theater in the 1940s, he held many different jobs, including selling beauty supplies and lingerie. Jesse got his start in vaudeville and burlesque, and eventually reached Broadway in 1943. The following year, he played the rascally, gruff-mannered asylum attendant in Harvey, starring Frank Fay. This role made him famous and he went on to appear with James Stewart in the movie version (Harvey (1950)). The 1950s was a decade of transition to the new medium of television. As a television regular, he did something that had never been done before - he appeared regularly in two series at the same time. In Private Secretary (1953) and The Danny Thomas Show (1953). This record stood for 13 years until Leo G. Carroll appeared simultaneously on The Man from U.N.C.L.E. (1964) and The Girl from U.N.C.L.E. (1966)).
One of Jesse's earliest television appearances is a 1961 episode of the sci-fi series Once Upon a Time (1961) in which he played, prophetically enough, The Repairman. Jesse would make guest appearances on dozens of television series, and appear in 60 movies, almost always playing a lovable rascal. Some of his last movie appearances were in the sci-fi movies Pajama Party (1964) and The Ghost in the Invisible Bikini (1966). Then the 50-year-old Jesse seized a terrific career opportunity. From 1968-1989, he would be television's second and longest running Maytag Repairman in a long series of commercials. For this, he made several hundred thousand dollars a year, for just a few days filming. Even though he was semi-retired during this time, Jesse appeared in a dozen movies, his last film being Matinee (1993), which was an homage to some of the 1950s-1960s sci-fi films of which he had been a part. Jesse always seemed to be having as much fun acting as the fans did watching him.
Jesse White died of a heart attack on January 9, 1997, only six days after his 80th birthday. He was interred at Mount Sinai Memorial Park in Los Angeles, California. - Actor
- Soundtrack
Actor Ted Knight paid his dues with nearly two decades of relatively obscure dramatic, often villainous television work, before finding enduring fame in a scene-stealing supporting turn on a classic 1970s sitcom, hilariously overplaying a silver-haired, self-important imbecile. Although the conceited "stuffed shirt" typecast plagued him for the rest of his career, the self-proclaimed "Polish Prince of Comedy" continued on good-naturedly, earning lead status on his own comedy series. The Connecticut-born actor was christened Tadeusz (Theodore) Wladyslaw Konopka, the son of a Polish-American family in his native town of Terryville, Connecticut. A high school dropout, he enlisted for World War II duty and eventually became a decorated member of the A Company, 296th Combat Engineer Battalion.
During his tour of duty, Ted developed an interest in acting, returning home in the post-war years to study his craft in Hartford, Connecticut, at the Randall School of Dramatic Arts. A fascination with puppetry and ventriloquism led to his first steady paycheck, as the host of a children's radio show (WJAR) in Providence, Rhode Island (1950-1955). Following this, Ted found more work (WROW-TV) in Albany, New York, hosting a children's variety show while playing radio announcer for its sister radio station, WROW.
Heading west to Los Angeles, California in 1957, Ted spent most of his early years providing slick commercial voiceovers and earning minor roles on television (Sea Hunt (1958)) and film (Psycho (1960)). He appeared regularly on the short-lived, The New Loretta Young Show (1962), and the daytime soap opera, The Young Marrieds (1964). Other television guest appearances sprouted including dramatic (The Twilight Zone (1959), The Fugitive (1963), Gunsmoke (1955), Highway Patrol (1955), Bonanza (1959), Combat! (1962)) as well as occasional comedic parts (McHale's Navy (1962), Gomer Pyle: USMC (1964), Get Smart (1965)). But nothing monumental pushed his career forward.
Ted's well-modulated voice was his moneymaker during the lean years, whether as an announcer/narrator or cartoon voice character. However, this anonymity ended went he copped the role of inept, pearly-toothed WJM anchorman "Ted Baxter" on The Mary Tyler Moore Show (1970). The arrogant but highly insecure character earned Knight two supporting Emmy trophies (1973, 1976) but severely pigeon-holed him for the rest of his career. However, the genial actor made the best of it and continued on stage ("Some of My Best Friends") and in commercials and TV spots that were similar in persona. In 1975, a musical album entitled "Hi, Guys!" (a catchphrase of the Baxter character) was released, which included a series of bizarre novelty songs.
Knight eventually starred opposite Nancy Dussault in his own television series, Too Close for Comfort (1980), which had a healthy run despite the fact that Knight, as the lead, was more subdued than on the Mary Tyler Moore classic. Renamed "The Ted Knight Show" after it became a syndicated series, the series finally ended in 1986 only due to Knight's terminal illness. The actor's sole post-Ted Baxter movie role was as a judge in the golf-themed comedy, Caddyshack (1980), in which he continually bumped heads with the film's star, Rodney Dangerfield.
Knight was initially diagnosed with cancer in 1977, for which he was treated over an extended period of time. In 1985, the television star's conditioned worsened and the 62-year-old actor died on August 26, 1986, following surgery for a growth in his urinary tract. He was interred in the Forest Lawn Memorial Park in Glendale, California (his marker reads Theodore C. Konopka), and was survived by his wife of 38 years, Dorothy Knight (nee Smith), and their three children, Ted Knight Jr., Elyse Knight and Eric Knight.- Actor
- Additional Crew
Perpetually serious-looking New York-born character actor, who showed up to good effect in many TV shows of the 1950s and '60s. His quietly authoritarian demeanor lent itself ideally to portraying characters with badges or uniforms: Sheriff Heck Tate in To Kill a Mockingbird (1962), General Bogan of Strategic Air Command in Fail Safe (1964) and Major Harvey Stovall of Bomber Group 918 in 12 O'Clock High (1964). The latter was his only recurring role on television and he made the most of it, being strongly featured in several of the episodes. Prior to his well-remembered role as Elias Sandoval on the Star Trek (1966) episode, This Side of Paradise (1967), he had made notable appearances on two other science fiction series.
He was twice featured on The Twilight Zone (1959). On the episode, Walking Distance (1959), he played the father of advertising executive Martin Sloan (Gig Young), who, unhappy with his life such as it is, has somehow time-traveled back to his hometown. Sloan finds, to his delight, that everything has remained unchanged from the time of his childhood. In a superbly-acted and touching scene, the elder Sloan (having come to terms with the identity of the stranger), asks his son to leave, because there can only ever be "one summer per customer". In contrast, Overton's chill, austere Sheriff Harry Wheeler on Mute (1963) was the antithesis of his character on "Walking Distance", devoid of compassion or understanding. Overton also appeared as an unsympathetic physician on The Invaders (1967) episode, Genesis (1967).
Overton's characterizations on stage largely paralleled those on screen. He made his first stab at Broadway as a lieutenant in Elia Kazan's comedy 'Jacobowsky and the Colonel', written by S.N. Behrman. The play ran for 417 performances from 1944 to 1945. He played another sheriff in 'The Trip to Bountiful' (1953) and replaced James Gregory as deputy Jesse Bard in the original stage version of 'The Desperate Hours' (1955). His most successful performance was as Morris Lacey in 'The Dark at the Top of the Stairs' (1957-59), a role he reprised for the film version of 1960.
An actor who always looked older than his years, Frank Emmons Overton died of a heart attack in April 1967, aged only 49.- Actor
- Costume and Wardrobe Department
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British actor Patrick Macnee was born on February 6, 1922 in London, England into a wealthy and eccentric family. His father, Daniel Macnee, was a race horse trainer, who drank and gambled away the family fortune, leaving young Patrick to be raised by his lesbian mother, Dorothea Mary, and her partner. Shortly after graduating from Eton (from which he was almost expelled for running a gambling ring), Macnee first appeared on stage and made his film debut as an extra in Pygmalion (1938). His career was interrupted by World War II, during which he served in the Royal Navy. After military service, Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career, with bit parts such as Young Jacob Marley in A Christmas Carol (1951). Disappointed with his limited roles, Macnee left England for Canada and the United States.
In 1954, he went to Broadway with an Old Vic troupe and later moved on to Hollywood, where he made occasional television and film appearances until returning to England in 1959. Once back home, he took advantage of his producing experience in Canada to become co-producer of the British television series Winston Churchill: The Valiant Years (1960). Shortly thereafter, Macnee landed the role that brought him worldwide fame and popularity in the part of John Steed, in the classic British television series The Avengers (1961). His close identification with this character limited his career choices after the cancellation of the series in 1969, prompting him to reprise the role in The New Avengers (1976), which, though popular, failed to recapture the magic of the original series. During the 1980s and 1990s, Macnee became a familiar face on American television in such series as Gavilan (1982), Empire (1984), Thunder in Paradise (1994) and NightMan (1997). In the past decade, Macnee has also made several audio recordings of book fiction.- Actor
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James Grover Franciscus graduated magna cum laude from Yale University in 1957 with a B.A. in English and theater. His father, John Allen Franciscus, was a pilot killed in action during WWII. His mother was named Loraine (nee Grover) and he had one sibling, a brother named John. Mr. Franciscus is best known for his work in television, including Naked City (1958), The Investigators (1961), Mr. Novak (1963) and Longstreet (1971). He also made numerous guest appearances in other popular television programs, starred in numerous television movies, and appeared in numerous feature films. In the mid 1980s, he became dissatisfied with the roles offered to him and turned his attention to screen writing. As co-founder of Omnibus Productions, he produced many classic films, such as Heidi (1968), Jane Eyre (1970), David Copperfield (1970), Kidnapped (1971), and The Red Pony (1973). An avid tennis player, he founded the James Franciscus Celebrity Tennis Tournament in the mid 1970s to raise money for multiple sclerosis research and victims (his mother suffered from this disease). He also enjoyed sky diving and scuba diving. He married Kathleen 'Kitty' Wellman, daughter of director William A. Wellman, on March 28, 1960, and fathered four daughters (Jamie, Kellie, Corie and Jolie). A devoted family man, his contracts often stipulated that he not be required to work past 6:00 pm. After his divorce from Wellman, he married second wife Carla in 1980 and continued to live on his two acre North Hollywood estate until his death.- S. John Launer was born on 5 November 1919 in Cleveland, Ohio, USA. He was an actor, known for Marnie (1964), I Was a Teenage Werewolf (1957) and Mommie Dearest (1981). He was married to Estelle Schwartz. He died on 8 September 2006 in Los Angeles, California, USA.
- Actress
- Soundtrack
Sue Randall was an actress who was born in 1935. Her primary roles were television instead of motion pictures with Desk Set (1957) being her only silver screen appearance. Sue's TV appearances were mostly guest roles in programs such as The Twilight Zone (1959), The Fugitive (1963), Bonanza (1959) and Gunsmoke (1955). Perhaps Sue is best remembered as the grade school teacher "Miss Landers" in Leave It to Beaver (1957). She appeared on the series, occasionally, from 1958-1962. This beautiful actress contracted lung cancer and died in Philadelphia, Pennsylvania on October 26, 1984. Sue was 49 years old.- Paul Comi was born on 11 February 1932 in Boston, Massachusetts, USA. He was an actor, known for Howard the Duck (1986), The Towering Inferno (1974) and Conquest of the Planet of the Apes (1972). He was married to Eva Mae Stiles. He died on 26 August 2016 in Pasadena, California, USA.
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Vic Perrin was born on 26 April 1916 in Menomonee Falls, Wisconsin, USA. He was an actor and writer, known for Watchmen (2009), Mission: Impossible (1966) and Gunsmoke (1955). He was married to Rita Singer and Evelyn Held. He died on 4 July 1989 in Los Angeles, California, USA.- Joe Maross was born on 7 February 1923 in Barnesboro, Pennsylvania, USA. He was an actor, known for Sometimes a Great Notion (1971), The Time Tunnel (1966) and Dallas (1978). He was married to Lucille Rita Everin and Carol Kelly. He died on 7 November 2009 in Glendale, California, USA.
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The son of a Georgia minister, Edward Andrews debuted on stage in 1926 at age 12. By 1935, he had landed on Broadway. A solid character actor, his amiable demeanor made him a natural for the jovial, grandfatherly types and genial, small-town businessmen he often played, but his very large physique and peering eyes, partially hidden behind ever-present large-framed eyeglasses, served him well when cast as a heavy, i.e. a sinister character like a corrupt businessman or official, or worse. He was memorable as the glad-handing, charming but murderous leader of a corrupt political machine in The Phenix City Story (1955) and, later in his career, as Molly Ringwald's solicitous grandfather in Sixteen Candles (1984).- Instantly recognizable American character actor with bulbous nose and heavily lined face, who could convey integrity or menace to equal effect. He first came to prominence on radio as (Captain) Starr of Space (1953), using ray guns to combat Martians and alien queens. Beginning in 1953, Larch accumulated an impressive resume of TV series credits, spanning almost the entire spectrum of the best western, crime and science-fiction shows the 1950's and 60's had to offer. His authoritarian personality and demeanor generally typecast him as police officers, military men, attorneys and politicians. Quite a few of these turned out to be either corrupt or outright villains. Point in case, his performance as a tough hood in The Phenix City Story (1955), described by Bosley Crowther as "stinging" in "hard malevolence" (New York Times, September 3, 1955).
At his best, Larch was the nervous Mr. Fremont, father to the eminently dangerous Anthony (Bill Mumy) in the classic entry into The Twilight Zone (1959), 'It's a Good Life'. In The Invaders (1967) episode 'Genesis', he was again excellent as police officer Greg Lucather, at first skeptical, but subsequently swayed by irrefutable evidence to help in David Vincent's quest. On the big screen, he is perhaps best remembered as Harry Callahan's Chief of Police in the original Dirty Harry (1971). - Born on October 1, 1896, in Rangoon, Burma, to Burmese-Jewish parents, and the son of a well-to-do merchant, distinguished veteran character actor Abraham Isaac Sofaer was a one-time schoolteacher in both Rangoon and London. He switched gears to acting after a short time and made his stage debut in 1921 as a walk-on in William Shakespeare's "The Merchant of Venice."
Sofaer scored his first prominent London appearance with "The Green Goddess" in 1925 and, from the 1930s on, alternated between the London and Broadway repertory stages playing an assortment of Shakespearean roles (Othello, Lear, Cassius, etc.) among other classical plays. He scored a personal triumph in New York as Benjamin Disraeli opposite Helen Hayes in "Victoria Regina" in 1936. The following year, he directed Ms. Hayes in "The Merchant of Venice", in which he played the title role of "Shylock". A theatre repertory player of note, he soon focused on the big screen and made his British film debut with The Dreyfus Case (1930). Subsequent noteworthy British film roles included his judge in A Matter of Life and Death (1946) and as Disraeli in The Ghosts of Berkeley Square (1947). Recognized for his bulgy, wide-eyed stare, resonant tones and imposing stance, he built up a solid reputation over the years playing odd and interesting Eastern ethnics -- sultans, swamis, high priests, witch doctors, foreign dictators and dignitaries, he was even convincing playing Indian chiefs on occasion. His characters ranged from wise and warm-hearted to cunning and wickedly evil.
In the mid-1950s, Sofaer settled in Hollywood wherein he became a main staple in exotic dramas and costumed adventure, appearing almost exclusively in movies and TV. Some of his better known U.S. films include Quo Vadis (1951), His Majesty O'Keefe (1954), Elephant Walk (1954), Taras Bulba (1962) and Chisum (1970). Throughout the 1960s, he could be counted on for guest appearances on all the popular shows of the day including Perry Mason (1957), Wagon Train (1957), Gunsmoke (1955), Daniel Boone (1964) and Star Trek (1966). On TV, he may be best remembered for his recurring role of Haji, the master of all genies, on I Dream of Jeannie (1965).
Married to wife Angela for nearly seven decades and affectionately called "Abe" to closer friends, Sofaer was the father of six children. Retiring from acting in 1974, Sofaer died of congestive heart failure at the Motion Picture & Television Country House and Hospital in Woodland Hills, California at the age of 91 in 1988. - Actor
- Director
American stage actor who appeared frequently on television and occasionally but impressively in films. A Marine Corps veteran of the Second World War, he worked on Broadway and on tour in stage productions after the war. In the late 1950s, he became an increasingly familiar face on American television, following a strong performance in the film Sweet Smell of Success (1957), in which he played the smarmy fellow who gets a dalliance with the unwilling Barbara Nichols in exchange for a favor to Tony Curtis's Sidney Falco. Cads and pompous politicians became White's strong suit, but he achieved his greatest fame as the unctuous Larry Tate on the hit TV series Bewitched (1964). He continued to work in the theatre, particularly as a member of acclaimed Theatre West company in Los Angeles and at the Mark Taper Forum there. In December, 1988, White's 33-year-old son, Jonathan, was killed in the terrorist bombing of Pan Am Flight 103 over Lockerbie, Scotland, UK. White, who had been widowed soon after Jonathan's birth, was embittered and enraged by this new tragedy. He became reclusive for a time, but was returning to some social activity and theatre work when he died of a massive heart attack in 1990, just a few days prior to the second anniversary of his son's death. He was survived by his daughter.- Actor
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New York-born Morrow developed an interest in the theater as a result of his studies at art school. As "Irving Morrow," he was acting on stage (in Pennsylvania) as early as 1927; he later appeared in such plays as "Penal Law", "Once in a Lifetime", "A Midsummer Night's Dream", "Twelfth Night", "Romeo and Juliet" and "Macbeth", treading the boards opposite stars like Katharine Cornell, Maurice Evans, Katharine Hepburn, Luise Rainer and Mae West. His film career commenced with the Biblical epic "The Robe" in 1953 and continued into the '70s. In his latter years, he worked as a commercial illustrator while taking occasional acting assignments.- Actor
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Long before he was known as "The Professor" in the cult comedy classic Gilligan's Island (1964), Russell Johnson was a well-known character actor, starring in several Westerns and Sci-Fi classics as This Island Earth (1955) and It Came from Outer Space (1953). Johnson grew up in Pennsylvania and was sent to a boarding school in Philadelphia with his brothers when his father died.
Johnson said that, unlike his Professor character, he was not a bright student early on and was, in fact, held back a grade. However, he did redeem himself later on by making the National Honor Society in high school. He joined the Army Air Corps in World War II. Both his ankles were broken when his B-24 Liberator was shot down over the Philippines during a bombing raid in March of 1945 and he was awarded the Purple Heart as he recovered in the hospital. After the war, he used the G.I. Bill to enroll in acting school to pursue his new trade.
Johnson lived in the state of Washington and did several guest appearances on television shows. He passed away peacefully on the morning of Thursday January 16, 2014 from kidney failure, with his wife, Constance Dane, and his two children by his side. Connie described her husband as a very brave man.- Actress
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A wholesome beauty with comedic appeal, Dawn Elberta Wells was born on October 18, 1938 in Reno, Nevada. Wells' childhood was a happy and healthy one. She and her mother grew their own fruits and vegetables in their gardens and Dawn rode horses. In her high school years, she was the class treasurer, President of the debate team and an honor roll student. Dawn was on her way to becoming a ballerina, but bad knees prevented her from realizing the dream. She was Miss Nevada in 1959 and went on to the 1960 Miss America Pageant. Dawn had wanted to be a doctor, and enrolled in the elite Stephens College in Columbia, Missouri to study medicine, but then she discovered the Drama Club. She then transferred to the University of Washington, which was known for their Theatre Department, and she graduated with a Degree in Theatre.
Dawn moved to Hollywood and was cast as Mary Ann Summers on CBS's Gilligan's Island (1964). The rest is history. However, there was much more to Dawn than her simple Mary Ann character. Wells refused to be an unemployed actor after the show ended and was never out of work since the show decades ago. She performed in over 66 theatrical productions, including the National Touring Company of "They're Playing Our Song!" She did countless voice-overs, commercials and talk shows. She worked for the Australian news show "Midday" and interviewed such talents as Julia Roberts, Eddie Murphy and Tom Hanks, to name a few. Dawn has also had great success as a producer and has a number of television movies to her credit. After years of touring and performing in dramas, comedies, and musical theatre, Dawn slowed down a little. In 1998, she founded the Dawn Wells' Film Actors Boot Camp in Driggs, Idaho. The camp is for the already trained actor looking to make the transition from the amateur to the professional actor.
Wells managed the camp for many years. She has been in a popular commercial for Western Union, capitalizing on her character Mary Ann Summers. In 2003, Dawn did tours of the plays "Love Letters" with Adam West and Eve Ensler's Award Winning "The Vagina Monologues." In early 2004, Dawn established and founded The Spud Film Institute in Idaho and Wyoming, and held the first ever Spud Drive in Film and Music Festival in the summer of 2004. She was also the artistic director of the festival. If that is not enough, Ms. Wells also had her own clothing line for the physically challenged called "Wishing Wells Collections" and she recently launched her own skin care line, Classic Beauty. Dawn Wells continued to contribute to the business she loved so much and constantly gave back to the acting community. She mentored young actors and traveled to colleges all across the United States to teach Master Classes. She served as Artist in Residence at several Universities. Dawn was in constant demand for personal appearances and speaking engagements, yet never forgot to give back to the Artistic community. She will surely be remembered for all her good work. Wells passed away on December 30, 2020 at age 82. You can get information about all of Dawn's organizations at her website, dawn-wells.com.- Actor
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The son of the great character actor (and Errol Flynn sidekick) Alan Hale, Alan Hale Jr. (he dropped the Jr. after his father passed away) was literally born into the movies. Hale did his first movie as a baby and continued to act until his death. Unlike other child actors, Hale made a smooth transition in the movies and starred in several classics like Up Periscope (1959), The Lady Takes a Flyer (1958) and The West Point Story (1950), as well as many westerns. He did many television guest appearances as well before getting his role as Skipper Jonas Grumby on the cult comedy Gilligan's Island (1964). After the sitcom went off the air, Hale continued to act and even teamed up with Gilligan co-star Bob Denver in The Good Guys (1968), a CBS-TV comedy that lasted only two years. After that ended, Hale keep busy acting in guest appearances and maintained his business interests which included a restaurant and travel agency. On January 2, 1990, Alan Hale Jr. died at age 68 of thymus cancer at St. Vincent Medical Center (SVMC) in Los Angeles, California. Upon his death, his remains were cremated and his ashes were scattered into the Pacific Ocean.- Actor
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Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.- Than Wyenn was an actor born on May 2, 1919 in New York City, New York, USA. He had a long career and was especially known for Being There (1979), Splash (1984), and Imitation of Life (1959). He died on January 29, 2015 in Woodland Hills, Los Angles, CA, USA at the age of 95.
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Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the Rudolph Valentino / Ramon Novarro "Latin Lover" style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.
He was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother Carlos Montalbán, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the Tallulah Bankhead stage vehicle "Her Cardboard Lover" in 1940, and won subsequent roles in the plays "Our Betters" and "Private Affair".
Returning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star Esther Williams in the "B"-level musical Fiesta (1947), he attracted immediate attention. His second film with Williams, On an Island with You (1948), led to a contract with the studio, where he routinely ignited "Latin Lover" sparks opposite such prime female stars as Cyd Charisse, Shelley Winters, Anne Bancroft, Pier Angeli, Laraine Day and (once again) Esther Williams, this time in Neptune's Daughter (1949) (one of his MGM extravaganzas opposite gorgeous Lana Turner was actually called Latin Lovers (1953)). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player Fernando Lamas, who wound up eventually marrying Esther Williams after divorcing another MGM beauty, Arlene Dahl.
Although Montalban was the epitome of the "Latin lover" type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty Border Incident (1949), Mystery Street (1950), the classic war film Battleground (1949) and the hard-edged boxing drama Right Cross (1950). Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in Across the Wide Missouri (1951) starring Clark Gable, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer The Queen of Babylon (1954) alongside Rhonda Fleming and his Japanese Kabuki actor in the Oscar-winning feature Sayonara (1957). It was during the filming of Across the Wide Missouri (1951) that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.
Well established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as "Can-Can", "The Inspector General", "South Pacific" and "Accent on Youth", before making his Broadway debut as Chico in the original musical "Seventh Heaven" (1955) with Gloria DeHaven, Kurt Kasznar and Bea Arthur. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical "Jamaica" (1957) co-starring Lena Horne. He also toured as the title role in "Don Juan in Hell" in the 1960s, returning to Broadway with it in 1973 with Agnes Moorehead, Paul Henreid and Edward Mulhare, and touring once again with the show in 1991.
His strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married Loretta Young's half-sister Georgiana Young in 1944, and appeared on his sister-in-law's television series (The New Loretta Young Show (1962)) several times. He also showed up in a number of television dramatic anthologies (Playhouse 90 (1956) and Colgate Theatre (1958)) and made guest appearances on the popular series of the day, such as Death Valley Days (1952), Bonanza (1959), Burke's Law (1963), Dr. Kildare (1961), The Defenders (1961) and, more notably, a first-season episode of Star Trek (1966) in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in Star Trek II: The Wrath of Khan (1982).
Over the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as Love Is a Ball (1963), Madame X (1966) and Sweet Charity (1969), but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the Aaron Spelling series Fantasy Island (1977). He stayed with the series for six seasons, buoyed by his popular "odd couple" teaming with the late Hervé Villechaize, who played Mr. Roarke's diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher Christopher Hewett, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.
An Emmy Award winner for his role in the miniseries How the West Was Won (1976) and a noteworthy villain in the Dynasty (1981) spin-off series The Colbys (1985), Montalban was also famous for a series of television commercials in which he returned somewhat to his "Latin lover" persona, primarily in a series of slick commercials for Chrysler's Cordoba automobile, pitching the elegant auto with its "rich, Corinthian leather" (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in The Naked Gun: From the Files of Police Squad! (1988). Two of his final, larger-scaled film roles were as the grandfather in the two "Spy Kids" sequels: Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3: Game Over (2003). His deep, soothing, confident tones could also be heard in animated features and television series.
Frustrated at Hollywood's portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building "Nosotros" organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with Bob Thomas, he published his memoir, entitled "Reflections: A Life in Two Worlds".
A class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.- Jon Lormer was born on 7 May 1906 in Canton, Ohio, USA. He was an actor, known for Creepshow (1982), The Twilight Zone (1959) and Getting Straight (1970). He died on 19 March 1986 in Burbank, California, USA.
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Sebastian Cabot was an English actor, often working as a voice actor in animation.
On 6 July, 1918, Cabot was born in London. He dropped out of school in 1932, to work in an automotive garage. He was eventually hired as both a chauffeur and a valet for actor Frank Pettingell (1891-1966). He learned to speak smoothly to fit his new profession, and became acquainted with several actors.
Cabot became interested in starting an acting career of his own, and started appearing regularly in theatre. His film debut was the gambling-themed comedy film "Foreign Affaires " (1935), where he was an uncredited extra. His first credited role was in the spy film "Secret Agent" (1936).
Cabot primarily worked in his native United Kingdom until the 1950s, when he moved to the United States. There he had roles in such films as "Westward Ho, the Wagons! " (1956), "Johnny Tremain" (1957), and "The Time Machine" (1960).
Cabot appeared mostly in guest star roles in television throughout the 1960s. His first major role in the medium was that of college professor Dr. Carl Hyatt in the detective television series "Checkmate" (1960-1962). Hyatt was depicted as a member of a detective agency which works to prevent crimes before they can take place. The series lasted for 70 episodes.
His voice acting credits started in radio, before he became a regular voice actor for the Disney studio. He voiced Sir Ector (King Arthur's adoptive father) in "The Sword in the Stone" (1963) and Baghreera the black panther (one of Mowgli's mentors) in "The Jungle Book". He was the original narrator of the Winnie the Pooh film series, serving in this role in "Winnie the Pooh and the Honey Tree" (1966), "Winnie the Pooh and the Blustery Day" (1968), "Winnie the Pooh and Tigger Too" (1974), and "The Many Adventures of Winnie the Pooh" (1977).
Cabot had another major television role as traditional "gentleman's gentleman" (valet) Giles French in the sitcom "Family Affair" (1966-1971). The series lasted for 138 episodes, and several members of the cast were nominated for Emmy Awards. Cabot himself was nominated for a 1968 Emmy Award for "Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series". The award was instead won by rival actor Don Adams (1923-2005).
Cabot's next significant television role was that of hotel owner Winston Essex, the host of the anthology horror television series "Ghost Story" (1972-1973). His last notable live-action roles were in two television films. He played Kris Kringle in "Miracle on 34th Street" (1973), and appeared in "The City That Forgot About Christmas" (1974).
Cabot survived his first stroke in 1974, and then mostly retired for show business. He lived his final years in Deep Cove, British Columbia, a suburb of Victoria. In 1977, he was hospitalized following a second stroke. He never recovered, dying in the Victoria hospital. He was 59 years old. He was cremated, and his ashes were buried in Westwood Village Memorial Park Cemetery in Los Angeles.- Actor
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Alan Young was born in Northern England in 1919, but his Scots father moved the family to Edinburgh, Scotland, when Young was a toddler and then to Canada when Young was about 6 years old. As a boy, he suffered from severe asthma, which kept him bedridden for long periods of time but encouraged his love of radio. By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York, initiating Young's career as an "All-American boy," despite his non-American origins and a vestigial Scots accent. He became popular on American radio from 1944 to 1949 with his "Alan Young Radio Show," but when radio began to lose its popularity and his show was canceled, Young decided to put together a comedy act and tour the U.S. theater circuit. After this experience, he wrote a television pilot for CBS in 1950, which resulted in The Alan Young Show (1950). The show was a well-received live revue that ran for 3 years, earned a couple of Emmy Awards, and garnered Young a star on the "Walk of Fame." However, the strain of writing and performing a weekly show got to Young, and the quality of the show declined, leading to his departure from the show and its cancellation. In the meantime, based on his popularity on radio and television, Young had established a film career, starting with his debut in Margie (1946) followed by Chicken Every Sunday (1949), Mr. Belvedere Goes to College (1949), Aaron Slick from Punkin Crick (1952), Androcles and the Lion (1952), Gentlemen Marry Brunettes (1955), Tom Thumb (1958), and The Time Machine (1960).
In the early 1960s, Young landed his best-known role, Wilbur Post, in the popular television series Mister Ed (1961), which ran for 5 years. Since then, Young has made a number of television and film appearances but is known primarily for his voice characterizations in cartoons, especially as Scrooge McDuck in DuckTales (1987).- Actor
- Producer
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A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Actor
- Soundtrack
Distinguished character player James Firman Daly first appeared on stage in his home town of Wisconsin Rapids in 1928. He was set on acting from an early age, and was strongly encouraged by his parents. His father was in the fuel business and his mother at one time a CIA employee. Upon leaving school, Daly studied dramatic arts at various Midwestern colleges, eventually graduating from Grinnell in Iowa. His acting career was then put on hold as a result of the war and he served in all three of the service branches, the last four years spent in the navy as an ensign.
Daly's acting career got off to a good start once he arrived in New York in 1946, landing a part as understudy to Gary Merrill in the long-running hit play "Born Yesterday" on Broadway. By the time he appeared in his third play, "Man and Superman" (1949), he was billed third in the cast and won a Daniel Blum Award for his performance. Subsequently, Daly had a busy time on stage, both on and off-Broadway. He co-starred three times with the legendary Helen Hayes, most famously in "The Glass Menagerie" in 1950. That same year he also collected the Theater Guild Award as the star of "Major Barbara". His other theatrical roles of note included "Billy Budd", "Saint Joan", "The Merchant of Venice" and (on tour with Colleen Dewhurst) "Who's Afraid of Virginia Woolf?".
A hard-working actor and intent on diversifying into different media, Daly clearly understood the potential of live television drama. He made his small screen debut in the late 1940s and soon starred in early Playhouse productions. Within a few years he featured in his own weekly syndicated series, Foreign Intrigue (1951), about a family of foreign correspondents in Europe. This was one of the first TV shows to be shot on location and it necessitated his and his family's temporary relocation to Paris and Stockholm. Throughout the next twenty years, Daly remained much in demand as a reliable leading television actor with 'gravitas', often playing tragic or despairing figures. He was commanding as the titular star of Give Us Barabbas! (1961). Four years later, he picked up an Emmy for his role in the Hallmark Hall of Fame (1951) episode "The Eagle and the Cage".
Another memorably poignant portrayal was in The Twilight Zone (1959) episode "A Stop at Willoughby", with Daly as a salesperson driven to the brink of a nervous breakdown, desperately escaping his world to a fantasy town in his own mind where life is perpetually simple and peaceful. He was also David Vincent's ill-fated business partner and friend in the pilot episode "Beach-Head", one of the first victims of The Invaders (1967). Many viewers will remember Daly as 'Flint', the solitary near-immortal from the Star Trek (1966) episode "Requiem for Methuselah". There were countless other guest starring roles and even a few choice movie parts, such as Planet of the Apes (1968). Daly enjoyed another recurring role in the long-running (170 episodes) Medical Center (1969) as resident 'elder statesman' to young surgeon Chad Everett. He had just completed filming on an episode of "Roots: The Next Generations" and was scheduled to appear in the play "Equus" at the historic Westchester Theatre, Tarrytown Music Hall, when he died of a heart attack at the age of 59.- Actor
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Howard Smith was born on 12 August 1893 in Attleboro, Massachusetts, USA. He was an actor, known for Death of a Salesman (1951), Kiss of Death (1947) and Don't Go Near the Water (1957). He was married to Mildred A. Barker and Lillian Boardman. He died on 10 January 1968 in Hollywood, California, USA.- Actor
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A tall, sinewy, austere-looking character actor with silver hair, rugged features and a distinctive voice, John Robert Anderson appeared in hundreds of films and television episodes. Immensely versatile, he was at his best submerging himself in the role of historical figures (he impersonated Abraham Lincoln three times and twice baseball commissioner Judge Kenesaw Mountain Landis, men whom he strongly resembled). He was a familiar presence in westerns and science-fiction serials, usually as upstanding, dignified and generally benign citizens (a rare exception was his Ebonite interrogator in The Outer Limits (1963) episode "Nightmare"). He had a high opinion of Rod Serling and was proud to be featured in four episodes of The Twilight Zone (1959), most memorably as the tuxedo-clad angel Gabriel in "A Passage for Trumpet" (doing for Jack Klugman what Henry Travers did for James Stewart in It's a Wonderful Life (1946)).
Known to other youths as 'J.R.', Anderson had a happy childhood, growing up first on a small farm near Clayton, Illinois, and then in the mid-sized town of Quincy where his mother operated a cigar stand. A rangy, outdoorsy type, he excelled at various sports, was a drum major, a member of the track team and the Boy Scouts. During World War II, he served in the Coast Guard, mainly involved in helping protect convoys from U-boat attacks. In 1946, he commenced studies at the University of Iowa, eventually graduating with a Master's degree in Drama. His acting career began on the riverboat 'Goldenrod' (now the oldest surviving Mississippi River Basin showboat in America) and proceeded from there to the Cleveland Playhouse for a year, then the New York stage and summer stock with parts in prestigious plays like "Cat on a Hot Tin Roof" and "Home of the Brave". He also occasionally doubled up as a singer on Broadway ("Paint Your Wagon" (1951), "The Emperor's Clothes" (1953)).
Anderson began as a regular television actor during that medium's formative years. In the course of the next four decades, his appearance barely changing, he was consistently excellent wherever he popped up, be it as western lawmen (including a recurring role as Virgil Earp in The Life and Legend of Wyatt Earp (1955)), as cops, governors, judges and army officers; hard-nosed oil executive Herbert Styles in Dallas (1978), or as kindly patriarch of the Hazard clan in North & South: Book 1, North & South (1985). Though less traveled on the big screen, Anderson was particularly impressive as the furtive second-hand car dealer, 'California Charlie', in Alfred Hitchcock's Psycho (1960), the ruthless leader of the renegades, Addis, in Day of the Evil Gun (1968) and, reprising his role as Lincoln, in The Lincoln Conspiracy (1977). One of the best all-rounders in the business, Anderson died of a heart attack at his home in Sherman Oaks in August 1992, aged 69.- Actor
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Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.