50 Best Bollywood Directors of all time
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Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented films like the ever-popular Deewaar (1975), it is in tackling love and its various aspects that he has been at his best. One of the few remaining commercial Indian directors who started their careers in the 1950s, he has successfully moved with the times from the socially significant Dhool Ka Phool (1959) to the young and cool Dil To Pagal Hai (1997).
Yash Chopra was born in Lahore in 1932, to an accountant in the PWD division of the British Punjab administration, the youngest of eight children. He began as an assistant director to I.S. Johar before working with his elder brother, the legendary B.R. Chopra; while another brother, Dharam Chopra, worked as his cameraman. He was given his first directorial opportunity with Dhool Ka Phool (1959), a melodrama about illegitimacy; it became a hit and even now remains popular today. Encouraged by this success, the Chopra brothers made a few more movies together, the most notable being Waqt (1965), India's first multi-starrer; and Ittefaq (1969), a thriller. On the personal front, Chopra married Pamela Chopra (née Singh) in 1970, and they had two children, Aditya Chopra and Uday Chopra, both working in the film industry today.
In 1973, the Chopra brothers separated, with Yash Chopra founded his studio, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. He then entered one of his best phases with two Amitabh Bachchan classics: Deewaar (1975) and Kabhi Kabhie (1976). These movies set the standard for the 1970s and 1980s, establishing Bachchan as the greatest and most beloved Indian film star of all time. His respective roles--a bitter criminal and a sensitive, brooding poet--are considered to be his greatest performances, although complete opposites of each other.
In the 1980s, Chopra went through a rough time. Two of his melodramas, Silsila (1981) and Faasle (1985); and two action-oriented films, Mashaal (1984) and Vijay (1988), flopped at the box office, although the latter became a critically acclaimed classic years later. However, he made a comeback with his musical love triangle Chandni (1989). The film was a huge success, with great performances by established heroine Sridevi and action hero Vinod Khanna. Then came what critics and Chopra himself considered his best film, Lamhe (1991), a beautiful film about cross-generational love. It couldn't survive the box office, however, due to its incestuous nature.
Parampara (1993), done for an outside producer, was a misfire, but then came the box-office hit and trend setter Darr (1993). Starring the then-débutant Shah Rukh Khan, it showed a sympathetic look at obsessive love and an emotion often overlooked in love--fear--and its success catapulted Khan to super-stardom. In 1995, Chopra turned to production and Aditya Chopra made his directorial debut with Dilwale Dulhania Le Jayenge (1995), which had the longest-running initial release in cinema history. He directed one more film, Dil To Pagal Hai (1997), a love story set against the theater, which became a huge success and a cult hit, before he retired from directing. However, in 2004, he made a grand comeback with Veer-Zaara (2004), a touching cross-border love story, which he said would be his last directorial effort.
The ages of the director and playback singer Lata Mangeshkar, his muse, proved you need to be young, as well as crazy, at heart, to be a true romantic....Best Movies
Deewar, Lamhe, Veer-Zara, Kabhie Kabhie, Chandni, Darr, Dil Toh Pagal Hain, Silsila, Jaab Taak Hain Jaan etc.- Director
- Editor
- Writer
By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.
He began his career in Bombay, 1951, as an editor and assistant director to Bimal Roy, another great director himself. His first directorial venture, Musafir (1957), centering on an old house where three unrelated stories dealing with birth, marriage and death occur in a series, was a disaster. But director Raj Kapoor was impressed and strongly recommended Hrishida as director for Anari (1959). Starring Kapoor himself and Nutan, the film was a critical and commercial success.
His next film, Anuradha (1960), about an idealistic doctor who neglects his wife to focus on his work, got him the President's Medal Award. But from then on throughout the 1960s decade, none of Hrishida films were particularly distinguishable, barring Asli-Naqli (1962), a Muslim melodrama; Anupama (1966), which was based on a true incident; Aashirwad (1968), a family drama; and Satyakam (1969), about an idealist seeing his dreams crumble after Indian independence.
Then Hrishida made what is considered his masterpiece - Anand (1971). This classic film gave a complex but compassionate look at the balance between hope, fear, life and death and saw Rajesh Khanna's greatest performance as a terminally ill man who wishes to live life to the full before he dies. It was an auspicious beginning to the 1970s, for that time proved to be an exceptionally good time for Hrishida as he gave the public excellent films like Guddi (1971), a semi-satiric look at the film industry and generally considered as Jaya Bhaduri's debut film; Abhimaan (1973), the Bachchans' greatest ever performance together; and Chupke Chupke (1975), a comedy about a newlywed professor's joke on his pompous brother-in-law. These films gave an extremely skilled and detailed look at the middle-class mentality.
Few people understood human nature as well as Hrishida - in all his films he examined their aspects, particularly their failings and foibles and the outworn values people always seem to hold on to. However in the 1980s, the advent of the superstar Amitabh Bachchan and of larger-than-life films saw Hrishida's brand of filmmaking die out. Recently he attempted a comeback with _Jhooth Bole Kauwa Kaate (1999)_, but sadly it was a futile effort as the film was a commercial and critical failure. However, the magic of his films still lingers after three decades, and he will be best remembered for his film Anand (1971), which told that people who die but remain in heart and mind do not die, but become immortal. No one justifies this truth more than Hrishida.Best Movies
Anand, Gol Maal, Chupke Chupke, Abhimaan, Khoobsoorat, Namak Haraam, Milk, Guddi,- Director
- Cinematographer
- Producer
Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.Best Movies
Madhumati, Do Bigha Zameen, Devdas, Bandini, Parakh, Sujata, Parineeta etc.- Actor
- Producer
- Director
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.Best Movies
Awara, Shree 420, Mera Naam Joker, Bobby, Satyam Shivam Sundaram, Prem Rog etc.- Writer
- Editor
- Producer
Rajkumar Hirani is an Indian film director and editor. Hirani has directed five Hindi films, including Munna Bhai M.B.B.S., Lage Raho Munnabhai, 3 Idiots, PK and Sanju, and all of which have been commercial and critical successes. Most of which have won several awards, including the national awards. Among his awards, include 11 Filmfare Awards. He is the founder and owns the production house Rajkumar Hirani Films.BEST MOVIES
3 Idiots, Munna Bhai M.B.B.S, Lage Raho Munna Bhai, PK, Sanju.- Producer
- Editor
- Writer
Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.
His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.
Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.Best Movies
Black, Devdas, Hum Dil De Chuke Sanam, Padmavaat, Bajirao Mastani, Khamoshi etc.- Writer
- Director
- Producer
Rajkumar Santoshi is an Indian film director, producer and screenwriter of Hindi films. Counted as one of the most successful filmmakers in the Hindi film industry, he has received several accolades,including three National Film Awards and six Filmfare Awards.
Santoshi made his directorial debut with the crime film Ghayal (1990), which won him the National Film Award for Best Popular Film Providing Wholesome Entertainment as well as the Filmfare Award for Best Director. He next directed the thrillers Damini (1993) and Ghatak: Lethal (1996). All these three financially successful films starred Sunny Deol, Amrish Puri and Meenakshi Seshadri; the second of these garnered him a second Filmfare Best Director Award and the latter fetched him the Filmfare Best Screenplay Award as well as a Filmfare Best Director Award nomination. During this period, Santoshi also received praise for directing the comedy Andaz Apna Apna (1994), which though a box office flop has attained cult status, and the major box-office hit Barsaat (1995), that marked the film debut of Bobby Deol and Twinkle Khanna. In 2000, he wrote dialogues of the average-earning film Pukar which garnered him the Nargis Dutt Award for Best Feature Film on National Integration. He followed it by directing two moderate commercial successes-the biopic The Legend of Bhagat Singh (2002) and the action thriller Khakee (2004)-both of which earned him Best Director nominations at the Filmfare. Santoshi's highest-grossing film release came in 2009 with the romantic comedy Ajab Prem Ki Ghazab Kahani, starring Ranbir Kapoor and Katrina Kaif, in which he also appeared in a cameo role.
Rajkumar Santoshi has finished filming his next directional Badboy.Best Movies
Andaz Apna Apna, The Legend of Bhagat Singh, Damini, Ghayal, Ghatak, Ajab Prem Ki Ghajab Kahani etc.- Director
- Producer
- Writer
Shyam Benegal was born on 14 December 1934 in Tirumalagiri, Hyderabad State, British India. He is a director and producer, known for Ankur: The Seedling (1974), Bhumika (1977) and Trikal (Past, Present, Future) (1985). He is married to Nira Benegal.Best Films:> Ankur, Bhumika, Junun (1978), Mandi etc- Actor
- Director
- Producer
Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.
Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.
Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).
He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.
Dutt's next releases were Jaal (1952) and Baaz (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with Aar-Paar (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.
His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.
Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.
On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.
His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.Best Movies
Pyasaa, Kaagaz Ke Phool, Chaudhvin Ka Chand etc.- Actor
- Writer
- Producer
His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice. An actor who took to film direction after almost a decade in front of the camera, Ashutosh has acted in Hindi films, Marathi films, television serials and commercials and although the transition from acting to direction was difficult, it was destined.
His diverse exposure as an actor whetted his appetite to helm a project, taking on the directorial reign for the first time with Pehla Nasha (First Love), a murder mystery in 1993. Though the film did not do very well at the box office, it helped Ashutosh find firm ground as a director. He followed this up with Baazi (The Game), a thriller, in 1995, which enjoyed average success, but led Ashutosh on a journey in search of a better script.
With Lagaan, which released in 2001, Ashutosh veered away from most norms in the making of a mainstream commercial Hindi film - a period drama, set in rural India; it's language a dialect; most of its characters were dressed in loincloths; it included a British cast; it was a musical, and a sports film put together! It was produced by Aamir Khan who also starred in it. Lagaan was nominated at the Academy Awards in the Best Film in a Foreign Language category for 2001 and earned plaudits worldwide for its meticulous execution and evocative performances.
His fourth feature film, Swades, was written, produced and directed by him, starring Shah Rukh Khan. The film released worldwide in 2004 to critical acclaim and attained huge success at the international box office.
February 2008 saw the release of his most ambitious magnum opus Jodhaa Akbar, an epic romance. This brought together two of the most respected actors, Hrithik Roshan and Aishwarya Rai Bachchan. The film won the Best Foreign Film in the International Film Festival of Sao Paulo in Brazil, South America and the Grand Prix Best Film and Best Actor in the International Film Festival Golden Minbar in Kazan, Russia, as well as sweeping all of the Indian Film Awards.
His next film saw him take on a new genre with What's Your Raashee?, being Ashutosh's first romantic comedy, based on the Gujarati novel Kimball Ravenswood by Madhu Rye. The film featured Harman Baweja and Priyanka Chopra.
Khelein Hum Jee Jaan Sey is a period thriller starring Abhishek Bachchan and Deepika Padukone, based on the book 'DO and DIE: The Chittagong Uprising 1930-34' by Manini Chatterjee.
His last release, Mohenjo Daro, set in the Indus Valley Civilization stars Hrithik Roshan and debutant Pooja Hegde along with a stellar supporting cast including Kabir Bedi and Arunoday Singh.
Ashutosh has now engaged in the filming of his newest magnum opus Panipat, which is slated to release on December 6th, 2019. Based on the legendary third battle of Panipat, which took place on 14th January 1761 between the Marathas and King of Afghanistan, Panipat promises to be his grandest outing yet.Best Movies
Lagaan, Swadesh & Jodha Akbar etc.- Director
- Producer
- Actor
Ramesh Sippy was born on 23 January 1947 in Karachi, Sind Province, British India. He is a director and producer, known for Sholay (1975), Saagar (1985) and Shaan (1980). He is married to Kiran Juneja.Best Movies
Sholay, Shaan, Seeta Aur Geeta etc- Director
- Producer
- Writer
Ram Gopal Varma was born in Hyderabad, the capital city of the Indian state of Andhra Pradesh. He initially was a video store owner before eventually becoming one of India's leading film directors. A film buff during his youth, Varma would watch both American and Indian cinema regularly. As a young man, he attended Siddhartha Engineering College in Vijayawada. Varma started his career in telugu cinema (the Hyderabad film industry), where he made a huge mark with his debut film Shiva, a violent and stylized actioner set in a college backdrop. At the age of 28, with little film training, Varma was able to convince Nagarjuna, a young Telugu star, to act in his debut picture. Nagarjuna was drawn by the narration of the script and intelligence displayed by the young Varma. Shiva was a landmark hit for the industry and was remade by Varma in the hindi language a year later.
His next was the exciting adventure film, Kshana Kshanam, starring Venkatesh and Sridevi. Varma followed this up with such films as - Raatri, a homage to 'The Exorcist' starring Revati and Om Puri (which Varma would remake over a decade later in Hindi as Bhoot) and Antham, a stylized crime drama, with Nagarjuna and Urmila Matondkar (which Varma would also rework later as Satya) - but was not able to attain the commercial success of his first feature. His next release Gaayam, with Jagapathi Babu and Urmila Matondkar, was a violent crime drama set in Hyderabad. The screenplay was co-written by tamil film director Mani Ratnam, and the script based on 'The Godfather'. It became a success for Varma. He then decided to start his own production banner, Varma Corporation Limited, and produced successful telugu films such as Money (remade later as Love Ke Liye Kuchh Bhi Karega), Money Money (its sequel), Gulabi and Anaganaga Oka Roju.
His first huge success in hindi cinema (the Mumbai film industry) was the commercial blockbuster Rangeela, a stylish romantic drama with Aamir Khan and Urmila Matondkar. A.R. Rahman, a tamil music composer, was introduced to hindi audiences by Varma with this film and won the award for best film music.
Varma followed up with the ground breaking gangster saga Satya, a violent crime epic set in the Mumbai underworld. The film was gritty and realistic, reinventing the crime genre in Indian cinema. Varma had done extensive research for the film, and reworked certain elements of his earlier film Antham. Satya was widely considered Varma's first true masterwork. Made on a shoestring budget and with new faces, the film won awards for actor Manoj Bajpai and music composer Vishal Bharadwaj. Satya became a turning point in Varma's career, winning best picture of the year, and Varma would be forever associated with Mumbai noirs.
Varma then, with fellow director Shekhar Kapur, created a joint film production company in 1998 called India Talkies. The first venture of the production house was the ambitious terrorist drama 'Dil Se', with Shahrukh Khan and Manisha Koirala. The film was a box office dud, and India Talkies would be short lived. Varma would return to focusing on his own production house Varma Corp.
The hard hitting masterpiece 'Shool' followed shortly after, written and produced by Varma. The film depicted the life of an honest police officer in the violent and harsh rural setting of Bihar. The film was a commercial and critical success with both Manoj Bajpai and Sayaji Shinde winning awards for their performances. Varma lightened things up next with the romantic drama 'Mast'. The film was inspired by Varma's own college days, and featured Aftab Shivdasani in an award-winning turn as a film crazy college student.
Varma decided afterwards to only direct films in the Mumbai film industry. He believed there was more talent in Mumbai than in southern film cities like Chennai and Hyderabad. Varma had always admired directors such as Shyam Benegal, Govind Nihlani, and Gulzar. He considers Kalyug, Ardh Satya, and Mere Apne among his favorite Indian films of all time. At a time when popular Indian Cinema featured either over the top action films or glamorous love stories, Varma's films were more rooted and realistic. Varma is known to frequently cut out song and dance sequences in his films, which are usually commonplace in Bollywood. His films almost always deal with the contemporary and urban, usually set in the city of Mumbai. He often uses Indian stage actors in his films rather than established bollywood stars. Mainly known for creating the 'Mumbai noir', Varma brought psychological depth and cinematic virtuosity to genre films.
More recently, Varma returned with the organized crime masterpiece 'Company'. The film was again set in the Mumbai underworld, and was based on real life Underworld don Dawood Ibrahim and his criminal outfit D-Company. The film featured award-winning performances by Ajay Devgan, Vivek Oberoi and Manisha Koirala. The film also won awards for best editing by Chandan Arora and best story by Jaideep Sahni. The film was lauded by critics and audiences alike.
His latest release Naach, which Varma called his best film yet, was a largely self reflective piece, about the relationship between an idealistic choreographer and an ambitious actor. The film had a weak commercial run but was liked by critics. In a recent interview with the Indian Express newspaper, the filmmaker criticized Indian audiences saying "I gave Ayn Rand to a Municipal School."
He spends most of his time these days producing small budget films for his successful production house Varma Corp. Though not always credited, he is involved in all aspects of his productions, often believed to 'ghost direct' many of the films. He produces films at a fast speed that is unfamiliar to the Indian Film Industry. He has had many recent successes including - 'Ab Tak Chhappan', based on the experiences of famed Mumbai police Daya Naik, 'D', a prequel to his earlier hit Company based on the early years of Dawood Ibrahim during his days under Pathan underworld boss Karim Lala, 'Ek Hasina Thi', a female revenge thriller, and finally 'Road'. He has also produced lighter films such as 'Love Ke Liye Kuchh Bhi Karega' and 'Main Madhuri Dixit Banna Chahti Hoon'.Best Movies
Satya, Shool, Rangeela, Kaun?, Sarkar, Company etc.- Producer
- Director
- Writer
Rakeysh Omprakash Mehra is a director, writer and producer who established Rakeysh Omprakash Mehra Pictures (Romp) in India. Romp has cultivated in them an attitude to pioneer the way for the new wave and new age cinema from India, by identifying talent (writers & directors) from India and telling Indian stories to the world.
Rakeysh has written, produced and directed the film Rang de Basanti (Color of Sacrifice) (2006), with an ensemble of Indian and International cast. Rang De Basanti won 4 National Awards (President's Medals), was India's official entry to the Oscars 2006- 2007 It was also nominated by British Academy of Film and Television Arts (BAFTA) in the Best Foreign language film category 06-07.
Rakeysh went onto make Delhi -6 (2009) which is set against the backdrop of the caste and religious divide of the Indian social fabric. Delhi -6 has achieved tremendous critical acclaim and was an official selection at the prestigious Venice Film Festival . It won two National Awards (President Of India Medals). The Variety has termed it as un-bollywood , and "a step forward from Rang De Basanti , ushering an era of new age Indian cinema."
In 2011, Rakeysh's documentary film Bollywood: The Greatest Love Story (which was co-directed by Jeffery Zimbalist) was an official selection at the Cannes 2011 to celebrate 100 years of Indian Cinema. It is a docu feature, an avantgarde take on how Indian cinema has reflected the changing socio-political landscape since India got independence from the British Raj.
His film Bhaag Milkha Bhaag (2013) was set in the backdrop of when India gained freedom from the British in 1947, and the bloody ethnic violence that led to the massacre of thousands and the displacement of millions. This story is about the triumph of the undying human spirit, based on the life of the greatest Indian Olympian Milkha Singh , also known as "The flying Sikh". The film made a clean sweep at all the popular film awards in India, including two National Film Awards (President of India Medals).
Mirzya - (2016) which is a contemporary take on the legend of Mirza-Sahiban, a tragic love story told as a musical spectacle premiered at the London Film Festival. It was showcased at Chicago Film Festival , Busan Film Festival etc.
He has recently finished his latest project named 'Mere Pyaarey Prime Minister' which is under post production and due to release Summer of 2018. It is the story of an 8 year old boy's desire to build a toilet for his mother.
Rakeysh is also producing the under production film 'Fanney Khan', starring Anil Kapoor, Aishwarya Rai Bachchan and Rajkumar Rao. It is also expected to release by Summer of 2018.Best Movies:>
Rang De Basanti, Bhaag Milkha Bhaag etc.- Producer
- Writer
- Director
Anurag Singh Kashyap (born 10 September 1972) is an Indian film director, producer and screenwriter. Kashyap made his directorial debut with as yet unreleased Paanch, with Kay Kay Menon as the lead. As a filmmaker, he is known for Black Friday (2004), a controversial and award-winning Hindi film about the 1993 Mumbai bombings, followed by No Smoking (2007), Dev D (2009), Gulaal (2009), That Girl in Yellow Boots (2011) and Gangs of Wasseypur (2012). As a screenwriter, he wrote the scripts for the Filmfare Award-winning Satya (1998) and the Academy Award-nominated Canadian film Water (2005). He founded his film production company, Anurag Kashyap Films Pvt. Ltd. in 2009.Best Movies:
Gangs of Wasseypur, Black Friday, Dev D, Ugly, Gulaal, Raman Raghav 2.0 etc.- Composer
- Writer
- Producer
Vishal Bhardwaj is an Indian film director, writer, composer, singer and producer. He has directed ten feature films, produced five and composed music for more than forty. His directorial work includes Makdee, The Blue Umbrella, Kaminey, 7 Khoon Maaf, Matru Ki Bijli Ka Mandola, Rangoon, Pataakha as well as the internationally acclaimed Shakespeare Trilogy - Maqbool, Omkara and Haider (adapted from Macbeth, Othello and Hamlet, respectively). Prominent films written and produced by him are Ishqiya, Dedh Ishqiya and Talvar (based on the Noida double murder case).
He has received 3 international awards: Makdee (2002) received the Best Film award at the Chicago International Children's Film Festival, Omkara (2006) won the Best Artistic Contribution in Cinema award at the Cairo International Film Festival and Haider (2014) won the People's Choice award at the Rome Film Festival. He has also received 7 National Awards: Best Music Direction for Godmother (1999), Best Children's Film for The Blue Umbrella (2005), Special Jury Award for Omkara (2006), Best Music Direction for Ishqiya (2010), Best Dialogues and Best Music Direction for Haider (2014) and Best Screenplay for Talvar (2015).Best Movies:
Omkara, Haider, Kaminey etc- Writer
- Producer
- Actor
Ram Lakhan (1989), Khalnayak (1993), Hero (1983), Karz (1980), these are some grand films made by a grandiose director. Since 1976, Subhash has been directing films. But recently where has the fanfare and the fire has gone from Mukta arts main director? Subhash started in 1976 with the film Kalicharan (1976), a film he made without any previous directorial experience. The film was rejected seven times before it came to NN Sippy who gave Ghai his shot. He followed this two years later with Vishwanath (1978) but struck big time with his third film, and first under his Mukta Arts banner, Karz (1980). With hit pairing of Rishi Kapoor and Tina Minium, Karz brought together Subhash & Laxmikant-Pyarelal. He then hit the audience with Hero (1983), starring an actor he would repeat many time in his future films, Jackie Shroff. This was his first film as the main protagonist. It also established Meenakshi as a top heroine. In the first two weeks, the film was declared a dud. However, from its third week onwards it went on to run at cinemas for many golden jubilees.
Again musically, Ghai had the genius stroke of having Pakistan's top singer Reshma sing Lambi Judaai with just 11 instruments. He hit next with _Meri Jung (1982)_ with Anil Kapoor and then he gave the term Multi Starrer blockbuster its true home. Karma was released in 1986 with huge fanfare. The pre-production hype matched its pre-release hype with the rivalry of Dillip Kumar and Naseeruddin Shah. It was a superhit. Again new faces were brought in. Anupam Kher made his appearance as Dr. Dang. Ghai received a national award for making an anti-terrorism film. In his next film, one of Bollywood's legends was born, Madhuri Dixit in Ram Lakhan (1989). Another superhit for a barely textbook script. Like his track record, Saudagar (1991), his next release united two icons together. Dilip Kumar and Raj Kumar. Again Ghai launched another star, Manisha Koirala. Another film another superhit. His next film was one of the most talked about films of its time and could match any film today for column space. Sanjay as the bad guy and Jackie as the good guy. Madhuri caught in between the two. _Khalnayak (1993)_ was notorious for many things. At the same time, Sanjay wound up in jail on terrorist charges. Before jail, Sanjay and Madhuri were said to be having a relationship, but when Sanjay ended up in Jail Madhuri dropped him like hot cakes and denied all knowledge of being anything more than a co-star. The main song "Choli ke peechay" was at the top of every chart and just as controversial. This was the showman's greatest moment. From here it could only go down.
Though Trimurti wasn't directed by Subhash, it came from the same production house. The film was put on hold for ages. It was meant to be a triumphant moment for Ghai. The showman and the star, Shah Rukh Khan united. For all the time he had been in Bollywood he had never made a film with Amitabh and this was his time to show the world what he could do with the star of the moment. But the project was laid back for months as Subash waited for Sanjay Dutt to be released from prison. Eventually, Dutt had a face to face meeting with Ghai and told him straight. Replace me. Anil Kapoor was drafted in. But even with Jackie Shroff, Shah Rukh Khan and Anil Kapoor the weak script was destined to fail. Its failure hit Ghai hard and Mukul Anand even harder. The later never got the chance to direct another film. His venture after Trimurti was Dus. He died towards the end of shooting. The film never saw release. With the knives that were stuck in Ghai, he came back with another Shah Rukh film this time directed by himself. Pardes (1997) was launched with Ghai declaring that from now on his films would be aimed at NRIs. From that moment on Ghai lost his biggest supporter, the press. An average hit compared to the Ghai catalog. By now he'd even changed his musical directors to Nadeem-Sharavan. Music is where the hits and flops were made. Ghai knowing this asked AR Rehman to write the music for his next film. He struck gold again. The star of the show was Aishwarya. It made phenomenal amounts of cash - not bad for a film where nothing interesting happens until the interval where one A. Kapoor makes an appearance. Ghai was back. He knew who'd been the people who'd stuck the knives in his back and isolated them, the press.
He had the last laugh. Or did he. Forward to 2001 and Ghai was planning to make history. Hrithik and Kareena together for the first time. _Yaadein (2001)_. From its announcement the press were out to hound Ghai. And it showed. The film was written off from day one. Criticised from anything and everything. The coke ads, the numerous other in film adverts, too fluffy. Jackie Shroff was the only saving grace to come out of this film. Subhash has isolated the one thing that gave his film the hype and now he's feeling very left out from the Indian press who have warmed up to other directors. Ghai had a rule of releasing a film every two years yet two years after Yaadein he has not announced a single directorial venture, just two producer ventures, Ek aur ek gyarah and Joggers Park. His ego and his own ability to create hype for his films could be to blame. He raises the expectations of his own films to such a level that the audience is expecting much. And if it fails to deliver even slightly, the audience and the press will hype up the failures even more so. What the future holds for Ghai is unknown and only he can answer. Though don't expect The Showman to let any other director take his title anytime soon!- Producer
- Director
- Writer
Mahesh Bhatt was born on 20 September 1948 in Bombay, State of Bombay, India. He is a producer and director, known for Raaz (2002), Zakhm (1998) and Saaransh (1984). He has been married to Soni Razdan since 1986. They have two children. He was previously married to Lorraine Bright "Kiran Bhatt".Best Movies
Saaransh, Zakhm, Arth, Hum Hain Rahi Pyar Ke, Dil Hai Ki Manta Nahi, Sadak, Raaz etc.- Producer
- Director
- Writer
One of India's most respected film personalities, Baldev Raj Chopra (better known as B.R. Chopra) has been an architect of what is now known as the golden era of the Bollywood industry. Having converted offbeat stories into immortal classics like Waqt (1965) and Naya Daur (1957), he commands high regard in the world film fraternity.
B.R. Chopra was born in Lahore, 1914, to an accountant in the PWD administration of the British Punjab administration. After graduating, he did his M.A. degree in English Literature from Lahore University. . Having a deep-rooted fascination for films, he switched over from a higher education to film journalism, surprising his family. He began his celluloid career writing and editing film reviews for the Cine Herald journal.
When the partition of India occurred in 1947, B.R. became a victim of communal riots. His house having been burnt down, he migrated to Bombay to live up to his dreams. In 1949, he produced his first film Karwat (1949). Unfortunately, it turned out to be a flop. In 1951, he tried again as the producer and director of the film Afsana (1951) and hit gold. His movie, a tale of mistaken identity with Ashok Kumar in a double role, was a runaway hit and went on to celebrate its silver jubilee.
Encouraged by this success, B.R. formed his production company, B.R. Films, in 1955, and started off on a roll with the release of Ek-Hi-Rasta (1956), a drama about widow remarriage. He churned out a string of successful films, the most notable being Naya Daur (1957), Sadhna (1958), Kanoon (1960), Gumrah (1963) and Hamraaz (1967). He also gave his younger brother, Yash Chopra, his first directorial opportunity with the box-office hit Dhool Ka Phool (1959) and in the subsequent years Yash made four more films for B.R., including Waqt (1965) and Ittefaq (1969).
B.R. has always endeavored to make socially relevant films, which at the same time try to cater to popular sentiment. For instance, Naya Daur (1957) told the story of a traditional rural community threatened with modernism and mechanism; B.R. perceives mechanism as evil and has the protagonist, a horse carriage rider, defeat an automobile in a race! B.R. has also made films that were regarded as ahead of their time - Kanoon (1960) was a courtroom drama without any songs at all (music being essential of all Hindi films, this was a novel technique); _Gumrah (1963)_qv told the tale of a woman resuming her affair after marriage; and Ittefaq (1969) showed the heroine as a murderess of her own husband!
B.R. continued to make films into the 1970s and 1980s, and met success with Insaf Ka Tarazu (1980), focusing on the issue of rape, and Nikaah (1982), a Muslim love triangle. His son Ravi did try to keep the banner going but none of the films did well except for Aaj Ki Awaz (1984), another courtroom tale, and the family epic Baghban (2003). However, B.R. Films turned to television in 1985 and made several successful television programs, the most successful of the being the serial Mahabharat (1988), based on the Hindu epic. Perhaps the most popular serial in the history of Indian cinema, it entered the Guinness Book of World Records by registering 96% world viewer ship. In 1999, B.R. was awarded the Dadasaheb Phalke Award for his contribution to Indian Cinema.
It was another triumph for the movie mogul...Best Films:> Naya Daur, Ittefaq, Kanoon etc- Cinematographer
- Director
- Writer
Govind Nihalani was born on 19 August 1940 in Karachi, Sindh, British India. He is a cinematographer and director, known for Droh Kaal (1994), Aakrosh (1980) and Dev (2004).- Director
- Writer
- Music Department
Sai Paranjpye has succeeded as a woman filmmaker of contemporary India in making work that has received both critical recognition and popular commercial appeal.She is of mixed ancestry with a Russian father and a mother from Maharashtra who had studied math in Cambridge,England.After her parents divorced,she grew up with her grandfather,an Indian commissioner in Australia who was awarded knighthood.She published a book at the precocious age of eight and in her later college years won awards for her acting.Before she became a filmmaker she wrote plays and programmes for children and studied for a year in France under the famed stage actor Jean Louis Barrault.A marriage to another theater artist, Arun Joglekar, failed but resulted in two children who became performers.Best Films:>
Sparsh, Katha, Chasme Buddoor, Disha etc- Actor
- Writer
- Visual Effects
Manoj Kumar, born Harikrishna Giri Goswami, is an Indian film actor, director, and screenwriter best known for his work in Hindi films.
Born in Abbottabad, a small town in the North-West Frontier Province, British India (now Khyber Pakhtunkhwa, Pakistan), he and his family shifted to Delhi during the Partition.
Kumar made his film debut with Fashion (1957). He then got his break in Kanch Ki Gudiya (1961), where he acted with Sayeeda Khan.
After acting in Reshmi Rumal (1961) and Piya Milan Ki Aas (1961), Kumar was cast opposite Mala Sinha in Vijay Bhatt's Hariyali Aur Rasta (1962).
He continued to rule the roost with films, including Apna Banake Dekho (1962) and Nakli Nawab (1962).
He also acted in social films, including Grahasti (1963) and Apne Huye Paraye (1964).
In 1964, Kumar appeared in Raj Khosla's Woh Kaun Thi? (1964) with Sadhana Shivdasani. He worked alongside Mala Sinha and Vijay Bhatt again in Himalay Ki Godmein (1965).
Kumar and Khosla built upon their joint success with Do Badan (1966), which became a success. In this film, Kumar was cast opposite Asha Parekh.
His thriller, Gumnaam (1965), was another box office hit, and it was one of the highest-grossing movies that year, earning Rs. 2.6 crores. In the same year, Kumar starred in the film Shaheed (1965), which explored the life of the great freedom fighter, Bhagat Singh.
He also played pivotal roles in classics such as Sawan Ki Ghata (1966) and Patthar Ke Sanam (1967).
In 1967, he forayed into film direction with Upkar (1967), where he starred as a farmer and a soldier. This film won multiple awards at the Filmfare Awards 1968, including Best Story, Best Dialogue, Best Director, and Best Film.
Kumar followed up his success with more films such as Aadmi (1968), Purab Aur Pachhim (1970), and Be-Imaan (1972). He also directed and acted in Shor (1972).
Kumar acted in and directed Roti Kapada Aur Makaan (1974) and won the Best Director award at the Filmfare Awards in 1975.
He then went on to appear in more classics, including Sanyasi (1975); Pehchan (1975), wherein he starred opposite Babita Kapoor; and Dus Numbri (1976).
He directed Dilip Kumar, his idol, in the film Kranti (1981), which explored the Indian struggle for Independence.
Post Kranti, Kumar acted in films such as Kalyug Aur Ramayan (1987), Clerk (1989), and Maidan-E-Jung (1995). He also directed Kunal Goswami, his son, in Jai Hind (1999).
Kumar was conferred the title of Padma Shri by the Government of India in 1992. He also received The Filmfare Lifetime Achievement Award in 1999 for his work spanning four decades; the Bharat Gaurav Award in New Jersey, U.S., in 2012; and The Dadasaheb Phalke Award in 2016Best Films:>
Upkar, Roti Kapda Aur Makaan- Music Department
- Writer
- Director
Gulzar is a writer, a lyricist, a director and, at heart, a poet. His films, sensitive, lyrical, and yet successful, were a welcome relief from the violent films that filled the 1970s and 1980s.
Born Sampooran Singh Kalra in Deena, in the Jhelum District in what is now Pakistan, he came to Delhi after the partition during independence as a poet. He joined Bimal Roy Productions in 1961 and got his first break as a lyricist writing for Bimal Roy's Bandini (1963). The success of this film made him Bimalda's full-time assistant and got him writing for films by acclaimed directors like Hrishikesh Mukherjee and Asit Kumar Sen. Some of the films he has written include Anand (1971), Guddi (1971), Bawarchi (1972), and Namak Haraam (1973) for Mukherjee; and Do Dooni Char (1968), Khamoshi (1969), and Safar (1970) for Sen.
Gulzar made his directorial debut with Mere Apne (1971). Based on Tapan Sinha's "Apanjan," the film looks at an old woman (played by Meena Kumari) caught between two street gangs of unemployed and frustrated youths. He then went on to make Parichay (1972) (loosely based on The Sound of Music (1965)) and Koshish (1972), which gave a superb look at the trials of a deaf and dumb couple (played by Jaya Bachchan and Sanjeev Kumar). From this film came a mutually beneficial partnership with Kumar, which resulted in fine films like The Season (1975), Angoor (1982)Namkeen (1982), and the classic film Aandhi (1975), which had been banned for a while. However, Gulzar didn't always depend on Sanjeev Kumar: the stars of the time, such as Jeetendra, Vinod Khanna, and Hema Malini, worked with him in unglamorous roles and gave some of their best and introspective performances in films like Achanak (1973), Khushboo (1975), and Kinara (1977).
Musically, Gulzar was unbeatable. Being a lyricist and collaborating with film composers, he always had a high quality of music in his films, especially with Rahul Dev Burman. And while Burman became a pop icon with his tunes from Procession of Memories (1973) and Hum Kisise Kum Naheen (1977), he also gave Gulzar classic pieces with which to work in Khushboo (1975) and Permission (1987).
Sadly, the 1980s and 1990s saw a decline in Gulzar the director, and although films such as Lekin... (1990) and Maachis (1996) had their moments, his last film to date, Hu Tu Tu (1999), was a misfire. However, he tried his hand at television with the much acclaimed television film Mirza Ghalib (1988). Made about the poet's life and starring Naseeruddin Shah in the title role, the serial was a landmark in Indian Television. Gulzar has also directed documentaries on Amjad Khan and Pandit Bhimsen Joshi as well as "Shaira," a film based on Meena Kumari. He has also turned his creativity into other channels--he has written screenplays for films like Masoom (1983) and Rudaali (1993), and has written the lyrics for films like Dil Se.. (1998) and Saathiya (2002).- Actor
- Producer
- Director
Rakesh Roshan was born on 6 September 1949 in Bombay, State of Bombay, India. He is an actor and producer, known for Koi... Mil Gaya (2003), Kaho Naa... Pyaar Hai (2000) and Krrish (2006). He is married to Pinky.Best Movies:>
Koi Mil Gaya, Krrish, Kaho Na Pyar Hain, Karan Arjun etc- Writer
- Producer
- Director
The man who revolutionized Tamil-language cinema, Mani Ratnam is the biggest director in south India and one of the most respected directors in all of India. Each of his films contain its own unique style, with beautifully photographed songs and unique back-lighting. However, his films contain substance as well as style--Ratnam has dealt with a wide variety of topics, from the classic Indian love story to political thrillers.
He was born in Madras in 1956. Filmmaking was in his blood; he was the son of film producer 'Venus Gopalratnam' and his brother was G. Venkateswaran, a film distributor turned producer. Ironically, however, he studied at Madras University and received a management degree at the Jamnalal Bajaj Institute of Management Studies in Mumbai, and had initially started out as a management consultant. His first film, Pallavi Anu Pallavi (1983), starring Anil Kapoor, didn't make many waves, although it won the State Award from Karnataka that year, but even though he made two films in Tamil and one in Malayalam, nothing worked for him until he broke through with Mouna Ragam (1986). Starring Revathi, the film told the tale of a woman who, although forced into an arranged marriage, chooses to maintain a platonic relationship with her husband. The film was noted for its sophisticated approach and execution of an extremely sensitive topic.
His next film, Nayakan (1987), was also arguably his greatest. A take-off on Francis Ford Coppola' legendary The Godfather (1972), it established Ratnam as the leading director of Tamil-language Cinema and won its leading actor Kamal Haasan the National Award for Best Actor. The film draws on 30 years of Tamil Nadu's celebrity images and directly played to the anti-Hindi feelings of Tamil Nadu when the protagonist, beaten up, tells the Hindi policeman in Bombay, "If I ever hit you, you will die!"
Then came the best of his early work - Agni Natchathiram (1988), Geethanjali (1989), and Anjali (1990). The first was a tale of conflict between two step-brothers. Shot with glossy camera work, the film resembled a cross between an advertisement and a music video, and set a trend for a whole new visual style in Tamil-language Cinema. The next, Geethanjali (1989), shot in Ooty to create a soft and poetic mood, was a touching love story between two terminally ill people with less than six months left. The third, Anjali (1990), about a disabled child brought back to her family with two normal children had been chosen by India to be sent to the Oscars for Best Foreign-language Film, but it did not receive a nomination. The next year saw his first, and only collaboration so far, with the Tamil superstar Rajni Kant in the film Thalapathi (1991). It also starred Mamooty, along side a host of other actor. This star studded film was a gritty tale of an orphan who grows up to become a notorious gang member in Chennai. The story was inspired by the great epic of Mahabharata.
It was Roja (1992) that made Ratnam a household name all over India. A patriotic love story set against the backdrop of Kashmiri terrorism, the film was dubbed in Hindi and became a huge national success. It enforced Ratnam as a director of style and substance, as well as proving a highly auspicious debut for the now-acclaimed music director A.R. Rahman, whom Ratnam had discovered. It helped that India's at-the-time election commissioner T. N. Seshan took the rare step of officially endorsing the film. Thiruda Thiruda (1993), a remake of Butch Cassidy and the Sundance Kid (1969) was a misfire, but Ratnam bounced back with Bombay (1995), a politically charged romance between a Hindu man and a Muslim woman during the 1993 riots in Mumbai. The film underwent some controversy due to its slightly anti-Muslim viewpoint, but it contributed widely to the success of the film.
Continuing his political obsession, Ratnam made Iruvar (1997), based on the MGR-Karunanidhi affair, and Dil Se.. (1998), which starred superstars Manisha Koirala and Shah Rukh Khan. The latter was Ratnam's first Hindi-language film. Based on the northeast Indian problem, it told the story of a radio executive and a revolutionary. It had an excellent cast, beautifully crafted scenes, and most of all one of A.R. Rahman's greatest tunes--but did not go down too well with the audience, who hailed it as a strange and confusing film that headed nowhere. However, today it is held as ahead of its time, being that it was shot pre-9/11, and is now hailed as a contemporary classic.
He returned to familiar ground with Alai Payuthey (2000), which tackled the story of a couple in love that goes through the trials and tribulations of marriage. His subsequent film, Kannathil Muthamittal (2002), which told the tale of an adopted girl meeting her terrorist mother, saw Ratnam back in form as one of the greatest storytellers in Indian Cinema. His next film, Yuva (2004), saw Ratnam return to Hindi-language cinema after six years, but in spite of some fine flourishes, the film largely failed to work. However, don't take him too lightly: he is sure to return with something new next time....Best Films:>
Bombay (Tamil-Hindi bilingual film), Dil Se, Guru, Yuva etc- Director
- Writer
- Music Department
Priyadarshan is an Indian film director and screenwriter. He has worked in the Hindi and Malayalam film industry for almost 40 years and has directed over 90 films.
He completed his early education at Government Model School in Thiruvananthapuram. He later pursued his bachelor's degree from Mahatma Gandhi College and Master of Arts in Philosophy from University College Thiruvananthapuram. Priyadarshan was a voracious reader, which sparked his interest in writing and led him to write short plays and skits for All India Radio in college.
He began his career in the Malayalam Film Industry in the early 1980s. He started his career as a director with Poochakkoru Mookkuthi (1984) in 1984. The film did surprisingly well and ran for almost 100 days in theatres across Kerala. He continued this slapstick comedy style and later made Oodarathuammava Aalariyam (1984) and Onnanam Kunnil Oradi Kunnil (1985).
Later that year, he demonstrated versatility by directing the crime drama Parayanumvayya Parayathirikkanumvayya (1985). In the same year, Priyadarshan made his first film with Mohanlal titled Punnaram Cholli Cholli (1985).
1988 was a landmark year in Priyadarshan's career. He directed Vellanakalude Naadu (1988) with Mohanlal in the lead role. It was a political satire crime film that revolved around the prevalent corruption in the country. The film was the biggest hit of that year and successfully ran for 200 days in theatres.
Later that year, he directed and released Chithram (1988), his career's biggest hit. The film completed 366 days in the theatres and broke all the records of his previous collections.
Later, these records were broken by his other film, Kilukkam (1991), released in 1991. Kilukkam starred Mohanlal, Revathi, and Jagathy Sreekumar in lead roles. Priyadarshan's next three releases - Abhimanyu (1991), Advaitham (1991), and Thenmavin Kombath (1994) were also commercially successful and ran for 100 days in the theatres.
Priyadarshan actively worked in the Malayalam film industry for almost two decades (the 1980s and 1990s). After this, he took a short break from Malayalam cinema. He then started focusing on Hindi cinema. He worked as a director and screenwriter in Hindi cinema for nearly a decade.
Priyadarshan debuted in Hindi cinema with Muskurahat (1992), a remake of his film Kilukkam. While the movie didn't perform well at the box office, he made a comeback with the action-crime film Gardish (1993), starring Jackie Shroff. The film was a massive hit, earning two Filmfare Awards for Best Action and Best Art Direction.
In 2000, Priyadarshan directed the comedy movie Hera Pheri (2000) starring Akshay Kumar, Suniel Shetty, and Paresh Rawal. The movie is an Indian cult classic and is considered one of the best comedy films in the history of Hindi cinema. Priyadarshan's career in Bollywood took off after Hera Pheri (2000), and he went on to direct comedy blockbusters such as Hungama (2003), Garam Masala (2005), and Phir Hera Pheri (2006).
In 2021, he directed the period drama Marakkar: Lion of the Arabian Sea (2021), set in the 16th century. The film, starring Mohanlal, earned Priyadarshan the National Film Award for Best Feature Film.
Priyadarshan has been awarded several state and national awards for his work in Hindi and Malayalam cinema. He won the Filmfare Award for Best Film (Critics) for Virasat (1997) in 1997 and the Filmfare Award for Best Director in 2009 for his movie Kanchivaram (2008). In addition to his cinema accolades, the then President of India also awarded Priyadarshan a Padma Shri in 2012 for his contribution to Indian cinema.Best Movies:>
Hera Pheri, Virasat, Hungama, Hulchal, Malamaal Weekly, Bhagam Bhaag etc.- Writer
- Producer
- Director
Five feature films, three short films, one web series, six Filmfare awards, an Emmy nomination and India's official entry to the Oscars outlines Zoya Akhtar's unique ability to tell stories that break the conventional norms and create waves globally.
Zoya's directorial journey began with Luck By Chance (2009), followed by Zindagi Na Milegi Dobara (2011), Dil Dhadakne Do (2015), and the internationally acclaimed Gully Boy (2019), which have since acquired cult status, and won numerous global awards and accolades. The globally celebrated series Made in Heaven (2019) for Amazon Prime and the international Emmy nominated Lust Stories (2018) for Netflix have further extended Zoya's reach as a universal storyteller. Zoya's most recent directorial, The Archies (2023) is the official adaptation and the first ever feature film of the globally revered Archie comics.
Through Tiger Baby, Zoya has also turned producer - with Made in Heaven (2019), Eternally Confused and Eager for Love (2022), Dahaad (2023), The Archies (2023) and Kho Gaye Hum Kahan (2023) already under her belt, and many more exciting projects to come!Best Movies:>
Zindagi Na Milegi Dobara, Gully Boy, Luck By Chance etc- Writer
- Director
- Producer
Imtiaz Ali is an Indian film director, actor and writer. In 2005, he made his directorial debut with the film Socha Na Tha. However, it was his second film Jab We Met (2007) that brought him success and fame. His 2009 film Love Aaj Kal gained much critical success, and was declared a super hit at the box office. His movie Rockstar (2011) was also a commercial and critical success. Imtiaz Ali had his origins in Jamshedpur, Jharkhand.He was brought up in Patna and Jamshedpur. He had his early education in Patna- D.B.M.S. English school, Jamshedpur,and later attended University of Delhi in Delhi, where he took part in college theater. He started Ibtida the dramatic society of Hindu College. Thereafter he moved to Mumbai and did a diploma course from Xavier Institute of Communication.Best Films:>
Rockstar, Jab We Met, Highway, Love Aaj Kal (2009)- Writer
- Producer
- Director
Neeraj Pandey (born 17 December 1973) is an acclaimed Indian film director, producer and screenwriter. In his first movie A Wednesday, his work was largely praised by audiences as well as the critics. A Wednesday also won many awards in different categories. His second film Special 26 (2013) was equally appreciated by the public and the critics. Not just a filmmaker but a writer too, Neeraj has written a novel named 'Ghalib Danger' in 2013. He also directed the movie Baby (2015) starring Akshay Kumar which received critical acclaim from the audience and was a huge success.The movie Rustom which was produced by Neeraj, was released on 12 August 2016 and received mixed reviews by critics but was a runaway commercial success. His last movie was a biopic on cricketer M.S.Dhoni titled M.S. Dhoni: The Untold Story which was loved by the audience.. He aims at making more commercial content in the sports genre. Neeraj has carved a niche for himself in the film industry with his adept handling of different topics and is one of the most sought after Directors of his generation.
In 2016, his Production House Friday Filmworks and Reliance Entertainment entered into a joint venture and formed Plan C Studios.
He has also directed a Web Short 'Ouch' with Manoj Bajpayee and Pooja Chopra which is nominated for Filmfare Short Film Award 2017. As the co-producer, his recent blockbuster Toilet- Ek Prem Katha is getting critical appreciation from the film industry and the audience. His upcoming movie is Aiyaary which is set to release on 2018 starring Sidharth Malhotra and Manoj BajpayeeBest Movies:>
A Wednesday, Baby, Special 26, M.S. DHONI: The Untold story etc.- Writer
- Director
- Actor
Sriram Raghavan is an Indian filmmaker who works in the Hindi film industry. He is regarded as a writer of neo-noir thrillers that fall under the action genre. He was brought up in Pune, where he attended St. Vincent's High School. He went to Fergusson College in Pune to study economics.
After finishing college, Raghavan first wished to build a career in journalism. He took up a job at Stardust magazine but moved on to join the Film and Television Institute of India (FTII) in Pune to pursue a course in direction.
After completing his studies, Raghavan worked on a short feature, Raman Raghav - A City, A Killer. It was based on the crimes of Raman Raghav (a serial killer of Bombay) and his arrest. Raghavan cast Raghubir Yadav to play the character of Raman. The feature was made on a low budget and was never released.
Raghavan later started writing for television serials. He wrote several episodes of Aahat (1995) and C.I.D. (1998). He also wrote and directed an episode in First Kill.
Raghavan's career took a new turn after Ram Gopal Varma liked his work in Raman Raghav - A City, A Killer. and signed him up to direct Ek Hasina Thi (2004). The film starred Saif Ali Khan and Urmila Matondkar in the lead roles. This thriller received positive reviews from critics. It was shown at the New York Asian Film Festival.
Raghavan's next directorial venture was another thriller, Johnny Gaddaar (2007). It was the debut film of Neil Nitin Mukesh. The story revolves around a group of five individuals who want to make a fortune through a shortcut. But things go out of hand suddenly when one of the group members gets killed, and the money he was holding goes missing. Though the film wasn't a commercial success, it succeeded in impressing the critics.
In 2012, Raghavan released his third film, Agent Vinod (2012), a spy thriller starring Kareena Kapoor and Saif Ali Khan. The story revolves around the secret mission of Agent Vinod to discover the reason behind his colleague's death. The film received mixed reviews from critics and failed to make a mark at the box office.
Raghavan's fourth film was Badlapur (2015), a revenge action thriller that features Varun Dhawan, Nawazuddin Siddiqui, and Yami Gautam in lead roles. The storyline is based on Death's Dark Abyss, a novel written by Massimo Carlotto. The story is based on the theme of revenge and shows a devastated man out to avenge the death of his family. The movie got positive reviews from critics. It also earned him a nomination for Best Director at the 61st Filmfare awards.
Raghavan explored the genre of black comedy in his crime thriller Andhadhun (2018). The film stars Ayushmann Khurrana, Tabu, and Radhika Apte. The movie's storyline revolves around a blind piano player involved in the murder of a former actor. The film earned rave reviews from critics. The worldwide collection for the film surpassed Rs. 450 crores, which made it a huge hit. The movie is also one of Indian cinema's biggest-grossing movies.
Raghavan won several awards for Andhadhun (2018), including the National Film Award 2018 for Best Feature Film in Hindi, IIFA Award 2019 for Best Director, Best Story, and Best Screenplay, and Screen Award 2018 for Best Director and Best Film Writing (Story and Screenplay).Best Movies:>
Andhadhun, Badlapur etc- Producer
- Actor
- Writer
A close friend of Shahrukh Khan, he assisted Yash Chopra's Yash Raj Films during the early days of of his career, making his directorial debut with the mega-hit Kuch Kuch Hota Hai (1998). He also had a popular chat show named Koffee with Karan (2004) The success of "KKHH" made him one of the most high-profile directors in the Hindi-language Mumbai Film industry, popularly known as Bollywood.
Also a close friend of Aditya Chopra, he has been a creative member of Yash Raj productions such as Dilwale Dulhania Le Jayenge (1995), Veer-Zaara (2004), Dil To Pagal Hai (1997), and Mohabbatein (2000).
Johar's success has guaranteed him worldwide distribution of his production company, Dharma Productions, for many years to come.Best Movies:>
My Name is Khan, Kuch Kuch Hota Hain, Kabhi Khushi Kabhi Gham etc.- Producer
- Writer
- Director
Aditya Chopra is a successful writer, producer, director, master storyteller, a visionary and also the driving force behind creativity at Yash Raj Films. He became an avid film buff from his early childhood. At the age of 18, his own film career kicked off. He started working as an assistant to his father in CHANDNI (1989), LAMHE (1991) and DARR (1993).
Aditya Chopra made his directorial debut at the age of 23, with DILWALE DULHANIA LE JAYENGE (DDLJ) (1995) which is still running theatrically, after it was originally released on 20 October 1995 and created a landmark of being the longest running film in Indian Cinema. He won every conceivable award for this film, including 10 Filmfare Awards (highest for a film until that year) and the coveted National Award for the Best Film for providing Popular and Wholesome Entertainment.
His other directorial ventures include the highly successful films MOHABBATEIN (2000), RAB NE BANA DI JODI (2008) and also the feisty romance BEFIKRE (2016). The Chairman and Managing Director at YRF - Aditya Chopra's trend setting excellence over the years has elevated the production house to the position it holds today.Best Films:> Dilwale Dulhania Le Jayenge, Mohabbatein, Rab Ne Bana Di Jodi- Director
- Writer
- Producer
Anubhav Sinha was born on 22 June 1965 in Allahabad, Uttar Pradesh, India. He is a director and writer, known for Article 15 (2019), Mulk (2018) and Thappad (2020).Best Films:>
Article 15, Thappad, Mulk etc- Director
- Writer
- Second Unit Director or Assistant Director
Mansoor Khan was born in Hyderabad, Telangana, India. He is known for Josh (2000), Jaane Tu... Ya Jaane Na (2008) and Qayamat Se Qayamat Tak (1988).Best Movies:>
Jo Jeeta Wohi Sikandar, Qayamat Se Qayamat Tak, Josh etc- Writer
- Director
- Producer
Nitesh Tiwari is an Indian film director, screenwriter, and lyricist. He was born and raised in Tiwari family at Itaasi, Madhya Pradesh. He graduated from the Indian Institute of Technology, Bombay, in 1996 with a Bachelor's degree in Metallurgy and Material Science Engineering. He is married to Ashwiny Iyer Tiwari, who was his colleague and creative director at Leo Burnett. She is also a film director, producer, and writer.
He made his directorial debut by co-directing Chillar Party (2011), which won the National Film Award for Best Children's Film for that year. He then directed the supernatural political drama Bhoothnath Returns (2014).
In 2016, Tiwari scripted and directed Dangal which was screened at the Beijing International Film Festival in April 2017 and the second annual BRICS Film Festival in June 2017.
He has garnered the Filmfare Award for Best Director at the 62nd Filmfare Awards, and the Telstra People's Choice Award at the 2017 Indian Film Festival of Melbourne. His next, Chhichhore (2019), a comedy, earned him numerous nominations and acclaim as well.Best Films:> Dangal, Chhichode etc- Director
- Actor
- Producer
Shekhar Kapur was born on 6 December 1945 in Lahore, Punjab, British India [now Pakistan]. He is a director and actor, known for Elizabeth (1998), Bandit Queen (1994) and The Four Feathers (2002). He was previously married to Suchitra Krishnamoorthi.Best Movies:>
Masoom, Mr. India, Bandit Queen etc- Writer
- Producer
- Director
Producer-director Vidhu Vinod Chopra was born on 5th September, 1952 in Srinagar, Kashmir, India. After attending the Film and Television Institute of India in Pune, he made his directorial debut with the short film Murder At Monkey Hill in 1976. This won him the National Award, an honor given by the Government of India. Two years later, in 1978, he made a short documentary film called An Encounter with Faces, which was nominated for the Academy Awards in 1979. This poignant documentary highlighting the plight of India's destitute children also won the Grand Prix at the Tampere International Short Film Festival (1980). Chopra then went on to make his first mainstream Hindi-language film called Sazaaye Maut (Death Row) in 1981 (this was based on Murder at Monkey Hill). Later movies directed by him like Khamosh, Parinda, 1942: A Love Story, Kareeb, and Mission Kashmir were hailed by critics and audiences alike ( all can be hyperlinks). Moving away from direction in 2003, he wrote his first script and also made his first solo production under his company, Vinod Chopra Films, with Munna Bhai M.B.B.S. The movie, directed by Rajkumar Hirani, went on to become one of the most popular and successful films in Indian cinema. The second movie in the Munna Bhai series, Lage Raho Munna Bhai (2006) propagated Mahatma Gandhi's nonviolence principles and portrayed them in a new light. The 'Gandhisim' wave that spread across India, post the release of the movie was unprecedented. Chopra also wrote and produced the film Parineeta (2005) with another newcomer director, Pradeep Sarkar. It received critical and popular acclaim. After a hiatus of seven years, Chopra took up the director's baton yet again with the dramatic action-thriller Eklavya: The Royal Guard (2007). 3 Idiots (2009), another Vinod Chopra Films production directed by Rajkumar Hirani, remained India's #1 biggest worldwide box office performer until 2017, and it grossed more than $100 million. It was the first film in India to do so. It went on to win many awards, including Best Film at the Filmfare Awards. It also found popular appeal in markets like Taiwan and Korea. After the success of 3 idiots, Vinod Chopra worked with another new director, Rajesh Mapuskar, and co-wrote the film Ferrari Ki Sawaari (2012). The film was successful at the box-office and was lauded by the audience for its beautiful message. In 2014, he produced PK, another film directed by his longtime collaborator Rajkumar Hirani. Vinod Chopra made his Hollywood directorial debut with his film Broken Horses in 2015. This film was co-produced by the American company, Mandeville Films. He went on to produce several other films, including Wazir (2016), Sanju (2018), and Ek Ladki Koh Dekha Toh Aisa Laga (2018). His production company, Vinod Chopra Films is one of the leading film production houses in India.Best Movies:>
Parinda, 1947: A Love Story etc.- Writer
- Director
- Producer
R. Balakrishnan, also known as Balki, is a prominent Indian filmmaker and screenwriter known for his unconventional storytelling style.
After completing his education, Balki began his career in advertising and made his directorial debut with the critically acclaimed film Cheeni Kum (2007) in 2007. The film starred Amitabh Bachchan and Tabu and received widespread appreciation for its unique storyline and the actors' performances.
Balki's next film, Paa (2009), featured Amitabh Bachchan in a remarkable performance as a child suffering from progeria, a rare genetic disorder. The film was a commercial success and won several awards, including the 2009 National Film Award for Best Feature Film in Hindi.
Balki continued to make thought-provoking films, such as Shamitabh (2015), which explored the relationship between a mute actor and his voice actor, and Ki & Ka (2016), which challenged gender stereotypes by depicting a house husband and a career-oriented wife. His film, Pad Man (2018), addressed menstruation's stigma and promoted menstrual hygiene.
His short film called Chup (2022) was released in February 2021. Chup has been widely appreciated by critics and audiences alike for its sensitive portrayal of a complex issue and its ability to spark a conversation around it.
Besides his filmmaking career, Balki wrote several successful ad campaigns, including the famous Daag Ache Hain for Surf Excel. He also produced the TV series Chup (2022) and the film Mission Mangal (2019)).
Balki is married to Gauri Shinde, a renowned director and filmmaker. The two first met when Balki was looking for a writer to work on his ad films, and Shinde was recommended to him. They eventually fell in love and married in 2007. Despite their busy schedules, they collaborated on several projects, with Balki producing Shinde's films and Shinde working on the scripts for Balki's films.Best Films:>
Paa, Cheeni Kam, Pad Man etc- Producer
- Writer
- Art Director
An accomplished and award-winning producer-director-writer-actor-singer, Farhan Akhtar is the ultimate Bollywood multi-hyphenate. Born in 1974 to prolific Indian film writer and poet, Javed Akhtar and writer-director, Honey Irani , Farhan was raised in an environment where creativity and originality of thought were encouraged. This has made him a maverick whose films reflect refreshingly new content that easily strikes a chord with filmgoers.
In 1999, Farhan collaborated with Ritesh Sidhwani, a friend who shared his passion for good cinema, to form Excel Entertainment, a production banner that has become synonymous with excellence in film-making.
Debuting at the age of 26, as a writer, director, and producer with Dil Chahta Hai (2001) a coming-of-age film that has gained cult status, Farhan came to be lauded for his honest, path-breaking writing and his ability to extract mature performances from his cast. The film won Farhan his first National Award for 'Best Hindi Feature Film' along with Filmfare awards for 'Best Feature Film - Critics Choice' and 'Best Screenplay'.
Almost two decades later, this film continues to influence a generation of filmmakers.
Seven years after his dream debut as a writer-director, Farhan debuted as an actor-singer in Rock On!! (2008) Yet another runaway success, the film secured him a second National Award for 'Best Hindi Feature Film' and a Filmfare award for 'Best Debut Performance'.
The dream run continued with Zindagi Na Milegi Dobara (2011) which released in 2011 to much popular and critical acclaim, winning him three Filmfare awards for 'Best Film', 'Best Actor in a supporting role' and 'Best Dialogue'.
His next, a biopic on Indian athlete Milkha Singh, popularly known as 'the Flying Sikh', was entitled Bhaag Milkha Bhaag (2013).
He essayed the role with such integrity that it set the standard for other actors considering to play titular protagonists in biopics. Deservingly, Farhan swept all awards that year for 'Best Actor' as did the film for 'Best Film'. It also claimed the National award for 'Best Popular Film providing Wholesome Entertainment.'
His most recent release The Sky Is Pink (2019) premiered at the Toronto International Film Festival and received a 15-minute standing ovation from the audience at the Roy Thomson Hall.
In addition to his contribution to Indian cinema, Farhan has initiated and supported a plethora of social causes. In 2012, he founded MARD (Men against Rape & Discrimination), an initiative that raises awareness about gender-related issues amongst the youth of India. Recognizing his sustained efforts, Farhan was made the first male UNwomen goodwill ambassador (South Asia) in 2014.
Additionally, Farhan feeds his passion for music by writing, composing and performing live with his band FarhanLive.
His English language debut album 'Echoes' released in March 2019 to critical acclaim.
He has 2 daughters and lives in Mumbai, India.Best Movies:>
Dil Chahta Hain, Lakshya, Don etc.- Director
- Writer
- Second Unit Director or Assistant Director
Meghna Gulzar was born on 13 December 1973 in Bombay, Maharashtra, India. She is a director and writer, known for Raazi (2018), Talvar (2015) and Chhapaak (2020).Best Films:>
Raazi, Talvar, Chhapaak etc- Director
- Writer
- Producer
Basu Chatterjee was born on 10 January 1930 in Ajmer, British India. He was a director and writer, known for Sara Akash (1969), Rajnigandha (1974) and Swami (1977). He died on 4 June 2020 in Mumbai, Maharashtra, India.- Director
- Producer
- Writer
Cinema entered the ordinary life of a young, sports and soccer enthusiast Shoojit Sircar, studying in Delhi, India, quite by chance when during the XIIth grade a friend suggested accompanying him for the viewing of a film. Unbeknownst to Sircar, this film would mark for him the beginning of a whole new way of looking at life. The film was Satyajit Ray's 'Pather Panchali' ('Song of the Little Road'). Curious and much impacted by this 'art form', Shoojit went on to watch the entire 'Apu trilogy' including 'Aparijito' (The Unvanquished) and 'The World of Apu'; and all other films by Ray, besides films by film-makers Ritwik Ghatak and Mrinal Sen. There are three films however besides Ray's 'Pather Panchali' that Shoojit specifically credits for giving 'birth to the cinema within him'; and for encouraging him to look at everything in life, differently; these are - Truffaut's '400 Blows', Vittorio De Sica's 'Bicycle Thieves' and Oliver Stone's "Platoon". Another important turning point in his journey was when he joined 'ACT ONE', a theatre group in Delhi, led by director, Mr.N.K. Sharma. There Shoojit handled backstage, across all departments - giving him the experience of creating theatre with minimalist resources, along with being rooted in the rigor and discipline that comes with living the life of theatre. His first big break as independent director ironically was a commercial on football, which he followed with a music video, 'MANN KE MANJEERE'. While most music videos of the time catered to the 'pop' form of storytelling - this one explored a more realistic journey, that of a woman, played by Mita Vashisht; a single mother who breaks away from an abusive married life and chooses to become a 'truck driver', then quite the traditional bastion of the male. Composed by Shantanu Moitra, with lyrics by Prasoon Joshi and sung by Shubha Mudgal, the video was viewed by over 20 million people at the time, its impact described as '"Mann ke Manjeeré has made a breakthrough by claiming public space for women's aspirations." Shoojit's first major directorial feature 'YAHAAN' (2005), on the turmoil faced by the Kashmiri people - won him the best director award in the Osian Film Festival 2005. He followed that with "VICKY DONOR" (2012), a film that dealt with the issue of infertility and brought the taboo topic of sperm donation onto a dining table conversation, 'Vicky Donor' went on to win three national awards including 'Best Entertainer of the year'. He followed that up with the hard - hitting political thriller 'MADRAS CAFE' (2013), throwing light on one of the most tumultuous periods in the sub-continent history - the Sri Lankan civil war. A year later, he brought us the much loved slice of life, 'PIKU' (2015) - a father-daughter comic drama, centered around an ageing, possessive father and his constant 'bowel problem'; aptly played out by Amitabh Bachchan and Deepika Padukone; winning over 18 awards from across the nation. And then came, 'PINK' (2016) - a film that gave voice to millions of Indian women; that proclaimed a 'No means No'; a film that proved to be not just a movie but a 'movement'; With 'OCTOBER' (2018), Shoojit Sircar shared a most poetic, soulful, personal take on love... And with the absurdist satire, 'GULABO SITABO' (2020), an unapologetic take on human greed! And most recently, the powerful and cinematically rich period biographical drama, 'SARDAR UDHAM' (2021), a film about India's pre independence movement with a compelling take on the 'revolutionary vs. terrorist' debate. With such a diverse and distinct repertoire of films, Shoojit Sircar today stands out as one of the most important and original voices of Indian Cinema. Besides bringing forth such quality cinema, Shoojit Sircar has also taken up the mantle of backing projects as a producer, producing the much appreciated and well received (Bengali) features, "Aparajita Tumi" and "Open Tee Bioscope"
As an ad film maker, Shoojit has been recognized internationally through works like the Cannes award winning, 'Lead India campaign' by The Times of India group, which brought together most respected Indian icons. His last (digital) campaign, an authentic reflection on modern parenting, has become a major talking point, going on to garner millions of hits on social media.Best Films:>
Piku, Vicky Donor, Madras Cafe etc- Director
- Writer
- Producer
Dr. Ramanand Sagar was born on December 29, 1917 at Asal Guru Ke, near the city of Lahore, Pakistan (then part of Hindustan).
During the British Rule itself, Ramanand began his film career with a silent movie called "Raiders of the Railroad" (1936). Subsequently, he went on to make, what is now known as a masterpiece, "Aur Insaan Mar Gaya".
Following freedom of India from the British, Ramanand launched his very own production company during the year 1950, calling it the Sagar Art Corporation, and began this by making a movie called "Mehmaan".
Sagar Art Corporation and Ramanand Sagar have to their credit over 50 Hindi movies, including blockbusters such as "Insaniyat", "Ghunghat", "Peghaam", "Aankhen" (1968) "Geet", "Bagavat", "Lalkar", "Kohinoor", "Zindagi", Aarzoo" are just to name a few.
Ramanand created history when he made the television serial "Ramayan", reportedly the longest running serial in India, which featured the life and times of Bhagwan Shri Ram, and his eventual conquest over Lord Ravan and his evil empire in Lanka.
Ramanand was currently involved in making another epic on the life of Sai Baba, which is to air Sunday nights in place of "Kaun Banega Crorepati" as it's host Amitabh Bachchan has been hospitalized.
He was presented India's highest Honor "Padamshree", and became known as Padamshree Dr. Ramanand Sagar.
He used to reside in his family home called "Sagar Villa" in Juhu, Bombay. Before that they lived in a flat behind National Hospital in Dadar (West), Bombay.
At the age of 87, Ramanand had not been keeping good health, and unexpectedly passed away on Monday December 11, 2005 in the evening.
His funeral procession consisted of several hundred family, close friends, and Bollywood's actors like Arun Govil, Deepika (who played Ram and Sita respectively in Ramayan), Poonam Dhillon, Bhagyashree, Ravindra Jain, etc.
The funeral pyre was lit and last rites performed by Ramanand's eldest son, Subhash, at the Juhu-Vile Parle Crematorium on the morning of December 12, 2005.
Ramanand is survived by his wife, a daughter, and four sons (Subhash, Moti, Prem, Anand).Best Films:> Ankhen (1969), Arzoo etc- Writer
- Producer
- Director
Vikas Bahl is an Indian film producer, screenwriter, and director, know for his works predominantly in Hindi Cinema. He produces films under Phantom Films, and was the former head of UTV Spot Boy. One of the most respected Media Executives India has seen, headed the Marketing for Radio Mirchi and made it as the top most recalled Radio brand in India. He has garnered two National Film Awards. At his stint as the Business Head of Sab TV, the channel rose from number 9 to one of the Top 3 channels, on the viewership count.Best Films:>
Queen, Super 30, Chillar Party etc- Director
- Editor
- Writer
David Dhawan was born on 16 August 1955 in Agartala, Tripura, India. He is a director and editor, known for Aankhen (1993), Mujhse Shaadi Karogi (2004) and Haseena Maan Jaayegi (1999). He is married to Karuna Chopra Dhawan. They have two children.Best Films:> Aankhen (1993), Deewana Mastana, Coolie No. 1 (1995), Mujhse Shaadi Karogi etc- Producer
- Director
- Music Department
Aanand L. Rai is a Hindi film director and producer known for romantic-comedy movies Tanu Weds Manu (2011), Raanjhanaa (2013), Tanu Weds Manu: Returns (2015) and Zero (2018). Rai started assisting his elder brother television director Ravi Rai in television series. Eventually he made his directorial debut with the psychological thriller Strangers, followed by Thodi Life Thoda Magic (2008).Best Films:>
Tanu Weds Manu Returns, Raanjhanaa, Tanu Weds Manu etc- Writer
- Director
- Producer
Hansal Mehta is a film director best known for Shahid (2013), Citylights (2014), Aligarh (2016), Omertà (2018) and Scam 1992 (2020). He is known for films that depict social and political realities in deeply polarised and troubled times. His films are remarkable for their understanding of characters and their worlds, while telling important stories. His films Shahid (2013) and Omertà(2018) premiered as official selections at different editions of the Toronto International Film Festival (TIFF). Aligarh (2016) a moving tale about a professor suspended by university for being gay premiered at the BFI London Film Festival in 2015. His films have traveled to festivals around the world and have been extensively written about and discussed in both international and local forums. He won the National Award for Best Direction in 2014 for his film Shahid.Best Films:> Shahid, Aligarh, Scam 1992 (Web series)- Producer
- Writer
- Director
Sooraj Barjatya is a film director, producer, and screenwriter. He is the chairman of Rajshri Productions. All of his films are released under Rajshri Productions, which was founded by his grandfather Tarachand Barjatya in 1947.
Barjatya attended St. Mary's School in Mumbai and The Scindia School in Gwalior during his schooling years. After finishing college, he started working on his debut film, Maine Pyar Kiya (1989), which was released in 1989. He worked on this film with his father.
Maine Pyar Kiya was also Salman Khan's debut film, and it was highly successful. It won seven Filmfare awards for Best Film, Music Director, Male Debut, Female Debut, Music Director, Male Playback Singer, and Lyricist. The film holds the record for winning the maximum number of Filmfare awards.
After his first success with Salman Khan, Barjatya continued to team up with him for multiple high-grossing films like Hum Aapke Hain Koun..! (1994) and Hum Saath-Saath Hain (1999).
Hum Aapke Hain Koun is the most commercially successful Indian film after Sholay (1975). The movie sold over seven crore tickets at the box office.
He won the Filmfare best director award in 1995 for Hum Aapke Hain Koun...! (1994). He also won the Golden Lotus Award under the category Best Popular Film Providing Wholesome Entertainment in 1995 for Hum Aapke Hain Koun...! (1994).
Barjatya's film Vivaah (2006) was nominated for more than 15 awards. Some of his other popular films are Main Prem Ki Diwani Hoon (2003), Vivah (2006), Ek Vivaah... Aisa Bhi (2008), Prem Ratan Dhan Payo (2015).
Barjatya returned to directing movies with Uunchai (2022), a movie based on friendship with Amitabh Bachchan playing the lead role, after a seven-year-long break.
All of Barjatya's films have been greatly appreciated for celebrating family values, friendship, and Indian culture. He is known for making films without action or vulgarity.Best Films:>
Hum Aapke Hain Kaun, Maine Pyar Kiya etc- Director
- Producer
- Actor
Abbas Alibhai Burmawalla is an Indian filmmaker. He co-directs films with his brother Mastan Alibhai Burmawalla. Together they are known as the Abbas-Mustan duo, recognised for directing action, suspense, and thriller films.
Burmawalla started his career with Gujarati films. He and his brother Mastan Alibhai Burmawalla worked as assistant directors before getting their first break to direct a film.
Burmawalla's directorial debut in Hindi was Agneekaal (1990), which he co-directed with his brother. Since then, he has co-directed 14 Hindi films.
His repertoire of films includes superhit movies like Khiladi (1992), Baazigar (1993), Baadshah (1999), Ajnabee (2001), Aitraaz (2004), and Race (2008), among others.
Burmawalla is the recipient of the Life Membership of the International Film and Television Club, conferred by the Asian Academy of Film & Television.Abbas - Mastan
Best Films:> Baazigar, Badshah, Race etc- Sound Department
- Editorial Department
- Director
Born in Kampala, Uganda, Shimit Amin moved to the USA at a very young age and soon pursued filmmaking. He made his first film, "Ab Tak Chappan" (56 and Counting) about a group of Mumbai cops who became notorious with their license to kill.
His second film, "Chak De India" (Let's go India!), produced by India's biggest film studio, Yash Raj Films (YRF), was about a team of mismatched female hockey players and gender politics. The film went on to become a critical and box office success in India and worldwide. The film was acknowledged by the Billie Jean King's women's sports foundation.
His third film was "Rocket Singh: Salesman of the Year" chronicled the adventures of a young college graduate forced to deal with business ethics. The film was one of the most acclaimed films of 2009 in India.
He was also a director on the BBC series "A Suitable Boy". In his capacity as an Editor, Shimit has worked on Mira Nair's 2012 award winning film, "The Reluctant Fundamentalist". The film opened the 2012 Venice Film Festival.
Shimit is also a highly acclaimed ad-filmmaker and has directed the Glass Grand Prix award winning campaign for Whisper/P&G "Touch the Pickle". He also worked on an award wining commercial for Ariel's "Share the load" which was lauded by Sheryl Sandberg and Melinda Gates. He has shot successful campaigns for Amazon, Facebook, Whatsapp, Oreo, BMW, VISA and Ford.Best Films:>
Chak De! India, Ab Tak Chhappan, Rocket Singh: Salesman of the Year etc- Writer
- Director
- Producer
Indian filmmaker Rohit Shetty is well-known for his high-octane films with breath-takin action scenes and exciting storylines. Rohit is the son of Ratna, a young Hindi cinema artist, and late Hindi film stunt coordinator M.B. Shetty. He was raised alongside his four siblings, Kiran Shetty, Chaya Shetty, Uday Shetty as well as Hriday Shetty.
When he was 17, he began his career in film as an assistant director on Kuku Kohli's Phool Aur Kaante (1991). He went on to assist him for several years after that and assisted him in films like Haqeeqat (1995) and Zulmi (1999).
Following that, he went on to work with Ajay Devgn in the romantic comedy Pyaar To Hona Hi Tha (1998), the military movie Hindustan Ki Kasam (1999), and the comic film Raju Chacha (2000) in order to hone his craft.
At the age of 30, Shetty directed his first movie, Zameen (2003)- the Ajay Devgn-starring action thriller was a financial success in Bollywood. His subsequent motion picture, Golmaal: Fun Unlimited (2006), was an immediate success with audiences- it garnered him a cult of devoted fans. One of the film's leading actors, Tusshar Kapoor, won his first IIFA Award for his performance as the mute child Lucky Gill.
In 2008, he directed the comedy-drama Sunday (2008), which featured renowned stars like [;ink=nm1779702] and Ajay Devgn. Golmaal Returns (2008)' is the sequel of Golmaal: Fun Unlimited (2006), which was released in the same year, 2008. Shreyas Talpade and Kareena Kapoor were added to the cast for the movie's second part- it received both laudatory and scathing reviews but did rather well at the box office, grossing over Rs 720 million worldwide in its first week.
2010 saw the filming of both Golmaal 3 and the critically acclaimed action-film Singham (2011), in which Ajay Devgn starred as a police officer fighting injustice. There was universal acclaim for Singham (2011), a film that pays homage to action movies of the 1970s, and it was a huge financial success. Prakash Raj's portrayal of the villain Jaikant Shikre stood out, and the IIFA awarded him Best Performance in a Negative Performance. After the movie came out, it was praised for its great action scenes and acting.
Up next for Shetty was the comedy-drama Bol Bachchan (2012), which starred Abhishek Bachchan and Ajay Devgn- the film was warmly received in India, and it fared well at the box office. He then went on to helm the film Chennai Express (2013), starring Shah Rukh Khan and Deepika Padukone, the following year. At its release, the film had become the highest-grossing Bollywood film in India and the third-highest-grossing Bollywood film worldwide.
Shetty started his own production company, Rohit Shetty Productions, around 2014. Their filmography included the sequel Singham Returns (2014) and the blockbuster Dilwale (2015), the latter marked the much-anticipated reunion of Shah Rukh Khan and Kajol.
Other renowned films that Shetty directed include the supernatural comedy Golmaal Again (2017) and the action comedy Simmba (2018)- Ranveer Singh, and Sara Ali Khan played the male and female leads in the second movie, respectively. Two more films followed this blockbuster, Sooryavanshi (2021) and Cirkus (2022). From 2009 to 2010, Shetty was a panelist on the TV show Comedy Circus (2018). He also hosted several seasons of the Indian version of Fear Factor (2017).Best Films:> Golmal: Fun Unlimited, Singham, Chennai Express, All the Best etc