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Composer and conductor Alexandre Desplat, Oscar winner and seven-time Academy Award nominated, for his prolific filmography and his collaborations with Stephen Frears, Terrence Malick, Ang Lee, Kathryn Bigelow, Jacques Audiard, Wes Anderson, Roman Polanski, George Clooney or Matteo Garrone is one of the most worthy heirs of the French masters of film music.
Brought up in a cultural and musical mix thanks to his Greek mother and his French father who studied and got married in California, he grew up listening to French symphonists, Ravel or Debussy , world music and jazz.
He studied piano and trumpet before choosing the flute as the main instrument. As a free auditor in Claude Ballif's analysis class at the CNSM, he enriches his classical musical education by studying Brazilian and African music. He will record later with Carlinhos Brown or Ray Lema.
Passionate about film music, it's as much his musical sensitivity as his intimate approach to cinematographic language that will allow his privileged relationship with filmmakers. Inspired by the scores of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, it is after hearing the score of John Williams for Star Wars: Episode IV - A New Hope (1977) that he decides to compose exclusively for the big screen.
During the recording of his first feature film he meets violinist Dominique Lemonnier. This is the beginning of an exceptional artistic exchange as she becomes her favorite soloist, artistic director and wife. With his strong sense of interpretation, his creative spirit and his singular violin playing, Solré inspired Alexandre's compositions, influencing his music in depth, initiating a new way of writing for the strings in the cinema.
Collaborator of Jacques Audiard since his first film, he creates for his works strong and singular compositions and he won in 2005 for The Beat That My Heart Skipped (2005) the Silver Bear of the Berlinale, and his first Caesar. He works in France with Philippe de Broca and Francis Girod but Girl with a Pearl Earring (2003) of Peter Webber, his 50th score for the film, he gets a first Golden Globe nomination and BAFTA and began his rise in Hollywood. Leading American career and European collaborations and remaining faithful to his directors, he composes among others Syriana (2005)'s scores of Stephen Gaghan, Birth (2004) of Jonathan Glazer, Coco Before Chanel (2009) by Anne Fontaine, Army of Crime (2009) by Robert Guédiguian, The Heir Apparent: Largo Winch (2008) by Jérôme Salle, Intimate Enemies (2007) or Hostage (2005) by Florent-Emilio Siri.
Prizes and collaborations with the greatest directors follow one another. In 2007, he received his first Oscar nomination for Stephen Frears's The Queen (2006) and won his first European Film Award. The same year, he won the Golden Globe, the Los Angeles Film Critics Association Award, and the World Soundtrack Award for John Curran's score The Painted Veil (2006), performed by pianist Láng Lang. He composed in 2008 for Lust, Caution (2007) by Ang Lee and The Curious Case of Benjamin Button (2008) by David Fincher which will earn him a second Oscar nomination and a fourth Golden Globes and BAFTA nomination.
With his score for The Ghost Writer (2010) by Roman Polanski, he won in 2010 a second César and a second European Film Award. The same year he wrote the music of The Twilight Saga: New Moon (2009) by Chris Weitz, whose album was a platinum record, and Tom Hooper's The King's Speech (2010) for which he won the BAFTA, the Grammy Award, and was nominated for the fourth time at the Oscars and for the fifth time at the Golden Globes.
In 2010-2011 he wrote the music of Harry Potter and the Deathly Hallows: Part 1 (2010) and Harry Potter and the Deathly Hallows: Part 2 (2011) which became the third greatest success of all time. He composed in 2011 nine partitions, The Tree of Life (2011) of Terrence Malick, Carnage (2011) by Roman Polanski, Fantastic Mr. Fox (2009) by George Clooney , which earned him another Oscar nomination, The Well-Digger's Daughter (2011) by Daniel Auteuil and The Ides of March (2011) by George Clooney.
In 2012 he worked with Kathryn Bigelow for Zero Dark Thirty (2012), Matteo Garrone for Reality (2012), Gilles Bourdos for Renoir (2012), Jérôme Salle for Zulu (2013), George Clooney for Moonrise Kingdom (2012) and Jacques Audiard for Rust and Bone (2012) for which he won a third Cesar. For his score of Argo (2012) of Ben Affleck, Oscar for Best Picture, it is named for the sixth time BAFTA, and for the fifth time at the Golden Globes and the Oscars.
He signed in 2013 the partition The Monuments Men (2014) from George Clooney, Venus in Fur (2013) of Roman Polanski, and was appointed to the BAFTAs and the Oscars for Philomena (2013) of Stephen Frears.
In 2014 he composed the music Godzilla (2014) of Gareth Edwards, and receives exceptional fact, two Oscar nominations for The Imitation Game (2014) of Morten Tyldum and The Grand Budapest Hotel (2014) by George Clooney, for which he won a BAFTA, Grammy and Oscar.
Member of the jury of the Cannes Film Festival in 2012, he became in 2014 the first composer President of the jury of the Venice Film Festival. Crowning long years of collaboration, he directed the London Symphony Orchestra in December 2014 for a concert of his works at the Barbican Theater in London.
In 2018, Alexandre Desplat received a second Oscar, a Golden Globe and a BAFTA for The Shape of Water (2017) of Guillermo del Toro.- Music Department
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Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.- Music Department
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Frédéric François Chopin was born Fryderyk Franciszek Chopin, on March 1, 1810, in Zelazowa Wola, Masovia region, Duchy of Warsaw, Poland. His father, named Mikolaj (Nicolas) Chopin, was a Frenchman who came to Poland from Lorraine, and eventually became professor at Warsaw Lyceum. His mother, named Tekla Justina Krzyzanovska, was a relative of Polish Countess Ludwika Skarbkowa, owner of the Zelazowa Wola estate.
From 1816-1822 Chopin studied piano under professional musician Wojcech Zywny. He wrote his first piano compositions at the age of 7. In 1820, then ten-year-old Chopin moved with his parents to Warsaw. There he gained a reputation as a "second Mozart" for his piano playing. From 1823-1826 Chopin studied at the Warsaw Lyceum. In 1824 he was influenced by the Jewish folklore and composed Mazurka in A minor, called "The Jewish" by Chopin himself. From 1826-1830 he studied at the Warsaw Conservatory under pianist Wilhelm Wurfel and composer Josef Elsner. In 1829 Chopin attended a performance of Niccolò Paganini in Warsaw. In the same year Chopin gave solo concerts in Vienna and premiered his Piano Concerto No.1 in F minor. In 1830 he premiered his Piano Concerto No.2 in E minor at the National Theatre in Warsaw. He visited Vienna again in November of same year and played his two piano concertos with great success. After Vienna he continued his concert tour to Munich and Stuttgart. There he learned of the invasion of the Russian Army in Poland, and composed the Etude in C minor, called Revolutionary. Chopin chose the status of a political exile and finally emigrated to Paris, France.
From 1830-1849 Chopin established himself as composer and piano player in Paris. There he changed his name into Frédéric François Chopin. In Paris he met Franz Liszt, who initiated a friendship, and they played together in several concerts, but later became rivals. Chopin formed personal friendship with composer and critic Hector Berlioz. His other personal friends were Felix Mendelssohn and Vincenzo Bellini. In 1835 he made a trip to Dresden and Karlsbad, where he visited with his relatives and accompanied them to Poland. He became seriously ill with bronchial asthma on his way back to Paris. In 1836 he proposed to a seventeen-year-old Polish girl, named Maria Wodzinska, and she accepted. Their engagement lasted for several months, but was called off in 1837 by her mother after a certain manipulative influence by George Sand.
In October of 1836, in Paris Chopin met George Sand at a party hosted by Marie d'Agoult, mistress of Franz Liszt. Initially Chopin commented on Sand: "What an antipathetic woman". In June of 1837 Sand wrote in a letter to her friend about her agenda to abandon another affair in order to start a relationship with Chopin. George Sand was strongly attracted to Chopin, she destroyed his engagement to Maria Wodzinska, and dominated his life for nine years. Chopin and Sand had a turbulent relationship. In 1839, during their first winter vacation together on Mallorca, Sand took along her children from her previous marriage. At Mallorca Chopin did not have a decent piano to practice, while he was composing his 'Raindrop' prelude. Sand witnessed the completion of Chopin's greatest masterpiece, the cycle of 24 Preludes. He had to struggle with a poor rental piano and became unhappy and fell ill, but received little help from local doctors. Later Chopin enjoyed a better environment at Sand's estate in Nohant. There his creativity flourished during the summers of 1839 until 1843. At that time Chopin composed many important works. However, Chopin and Sand were not a good match, and eventually their differences prevailed. Sand was a pipe smoker and a flamboyant party goer. Chopin suffered from bronchial asthma and tuberculosis and needed a quiet solitude for his music. In George Sand's violent quarrel with her daughter Solange, Chopin defended the daughter. Sand left Chopin.
In February of 1848 Chopin gave his last concerts in Paris. He went to England and Scotland in November of 1848, and fell ill there. He gave his last concerts in London while being severely ill. He returned to Paris, but was unable to teach or perform for several months during 1849. Shortly before he died, sensing the end was near, Chopin had requested that Requiem by Wolfgang Amadeus Mozart be sung at his funeral service at the Church of the Madeleine. He also requested that his heart be removed and brought in an urn to Warsaw, Poland. Chopin died on October 17, 1849, but could not be buried for two weeks, because the church did not allow female singers for the Mozart's Requiem. At last, the church relented and the funeral was held on October 30, 1849. A crowd of four thousand attended the ceremony. Composer Berlioz, artist Delacroix, poet Adam Mickiewicz, singer Viardot, were present among many others from cultural circles - but notably absent was George Sand. Chopin's heart was dispatched in an urn to Warsaw, and his body was laid to rest in the Pere Lachaise cemetery in Paris, France.- Music Department
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Pyotr (Peter) Ilyich Tchaikovsky was born on May 7, 1840, in Votkinsk, Vyatka region, Russia. He was the second of six children (five brothers and one sister). His father, named Ilya Chaikovsky, was a mining business executive in Votkinsk. His father's ancestors were from Ukraine and Poland. His mother, named Aleksandra Assier, was of Russian and French ancestry.
Tchaikovsky played piano since the age of 5, he also enjoyed his mother's playing and singing. He was a sensitive and emotional child, and became deeply traumatized by the death of his mother of cholera, in 1854. At that time he was sent to a boarding school in St. Petersburg. He graduated from the St. Petersburg School of Law in 1859, then worked for 3 years at the Justice Department of Russian Empire. In 1862-1865 he studied music under Anton Rubinstein at the St. Petersburg Conservatory. In 1866-1878 he was a professor of theory and harmony at the Moscow Conservatory. At that time he met Franz Liszt and Hector Berlioz, who visited Russia with concert tours. During that period Tchaikovsky wrote his first ballet 'The Swan Lake', opera 'Eugene Onegin', four Symphonies, and the brilliant Piano Concerto No1.
As a young man Tchaikovsky suffered traumatic personal experiences. He was sincerely attached to a beautiful soprano, named Desiree Artot, but their engagement was destroyed by her mother and she married another man. His homosexuality was causing him a painful guilt feeling. In 1876 he wrote to his brother, Modest, about his decision to "marry whoever will have me." One of his admirers, a Moscow Conservatory student Antonina Ivanovna Milyukova, was persistently writing him love letters. She threatened to take her life if Tchaikovsky didn't marry her. Their brief marriage in the summer of 1877 lasted only a few weeks and caused him a nervous breakdown. He even made a suicide attempt by throwing himself into a river. In September of 1877 Tchaikovsky separated from Milyukova. She eventually ended up in an insane asylum, where she spent over 20 years and died. They never saw each other again. Although their marriage was terminated legally, Tchaikovsky generously supported her financially until his death.
Tchaikovsky was ordered by the doctors to leave Russia until his emotional health was restored. He went to live in Europe for a few years. Tchaikovsky settled together with his brother, Modest, in a quiet village of Clarens on Lake Geneva in Switzerland and lived there in 1877-1878. There he wrote his very popular Violin Concerto in D. He also completed his Symphony No.4, which was inspired by Russian folk songs, and dedicated it to Nadezhda von Meck. From 1877 to 1890 Tchaikovsky was financially supported by a wealthy widow Nadezhda von Meck, who also supported Claude Debussy. She loved Tchaikovsky's music and became his devoted pen-friend. They exchanged over a thousand letters in 14 years; but they never met, at her insistence. In 1890 she abruptly terminated all communication and support, claiming bankruptcy.
Tchaikovsky played an important role in the artistic development of Sergei Rachmaninoff. They met in 1886, when Rachmaninov was only 13 years old, and studied the music of Tchaikovsky under the tutelage of their mutual friend, composer Aleksandr Zverev. Tchaikovsky was the member of the Moscow conservatory graduation board. He joined many other musicians in recommendation that Rachmaninov was to be awarded the Gold Medal in 1892. Later Tchaikovsky was involved in popularization of Rachmaninov's graduation work, opera 'Aleko'. Upon Tchaikovsky's promotion Rachmaninov's opera "Aleko" was included in the repertory and performed at the Bolshoi Theatre in Moscow.
In 1883-1893 Tchaikovsky wrote his best Symphonies No.5 and No.6, ballets 'The Sleeping Beauty' and 'The Nutcracker', operas 'The Queen of Spades' and 'Iolanta'. In 1888-1889, he made a successful conducting tour of Europe, appearing in Prague, Leipzig, Hamburg, Paris, and London. In 1891, he went on a two month tour of America, where he gave concerts in New York, Baltimore, and Philadelphia. In May of 1891 Tchaikovsky was the conductor on the official opening night of Carnegie Hall in New York. He was a friend of Edvard Grieg and Antonín Dvorák. In 1892 he heard Gustav Mahler conducting his opera 'Eugene Onegin' in Hamburg. Tchaikovsky himself conducted the premiere of his Symphony No.6 in St. Petersburg, Russia, on the 16th of October, 1893. A week later he died of cholera after having a glass of tap water. He was laid to rest in the Necropolis of Artists at St. Aleksandr Nevsky Monastery in St. Petersburg, Russia.- Composer
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Dario Marianelli was born in Pisa and studied piano and composition in Florence and London. After a year as a postgraduate composer at the Guildhall School of Music and Drama, he spent 3 years at the National Film and Television School, from which he graduated in 1997. Dario's film scores include 'Paddington 2' (2017), 'Darkest Hour' (2017), 'Kubo and the 'Two Strings' (2016) Everest (2015), 'The Boxtrolls' (2014), 'Anna Karenina' (2012), 'Jane Eyre' (2011), 'Salmon Fishing In The Yemen' (2011), 'Eat Pray Love' (2010), 'The Soloist' (2009), 'Agora' (2009), 'Atonement' (2007), 'V for Vendetta' (2006) and 'Pride and Prejudice' (2005). He has written orchestral music for the Queensland Symphony Orchestra, BBC Symphony Orchestra, London Philharmonic Orchestra, London Symphony Orchestra and the Britten-Pears Orchestra, as well as vocal music for the BBC Singers, incidental music for the Royal Shakespeare Company, and several ballet scores. Dario won the Oscar, Golden Globe and Ivor Novello Award in the Best Original Score category for the award-winning Working Title film 'Atonement', for which he also won the World Soundtrack Award and was BAFTA nominated. He was also nominated for a Classical Brit Award in the Soundtrack Of The Year category for 'Atonement'. In 2006, Dario was nominated for an Oscar in the Best Original Score category for his music to Joe Wright's 'Pride & Prejudice'. This score won him the Classical Brit Award in the Soundtrack/ Musical Theatre Composer of The Year category and also earned him an Ivor Novello Award nomination. Dario's collaboration with Joe Wright on the film 'Anna Karenina' led to his nomination for an Academy Award, BAFTA and Golden Globe for Best Original Score, and in May 2013, he won the Ivor Novello Award for Best Original Film Score for 'Anna Karenina'. In 2014 Dario composed the score for Laika animation 'The Boxtrolls', which was nominated for an Ivor Novello Award. He has recently completed work on the score to his second Laika animation, 'Kubo and the Two Strings', for which he won an Ivor Novello Award, and also worked on his fifth film collaboration with director Asif Kapadia on live action feature 'Ali and Nino'.
During 2014 Dario's 'Voyager' Violin Concerto also had its world premiere in Brisbane, Australia, performed by the Queensland Symphony Orchestra as part of a spectacular event combining science, music, voice, and film titled 'Journey Through The Cosmos'. The piece was featured alongside a lecture given by Professor Brian Cox and has since gone on to be performed by the Swedish Radio Symphony Orchestra, conducted by Daniel Harding and featuring highly acclaimed violinist Jack Liebeck.
In 2017, Dario continued his working relationship with Joe Wright on 'Darkest Hour' and also scoring Paul King's 'Paddington 2'. Dario was commissioned by The Royal Opera House to compose their new ballet, 'The Unknown Soldier', which premiered in November 2018. He also worked with Travis Knight, composing the score for the latest film in the Transformers film series, 'Bumblebee.' Dario collaborated with Matteo Garrone to score the Italian feature film 'Pinocchio'. Most recently Dario composed the original score for 'A Boy Called Christmas', directed by Gil Kenan, which was released in late 2021.- Music Department
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As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".- Actor
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Composer ("Forbidden Island", "Exotica"), songwriter, author and pianist, a student of Wesley La Violette and Arthur Lange. He toured South America with a band from 1931 to 1935, and served in the US Army Air Force during World War II. He was an accompanist for Hildegarde and Betty Hutton, and in 1955 formed a musical group in Hawaii, performing until 1961. He appeared on radio and television and in nightclubs and hotels, and made many creative instrumental records, including the hit release "Quiet Village". Joining ASCAP in 1958, his chief musical collaborators include Mack David and Hal Johnson. His other popular-song and instrumental compositions include "Burma Train", "Primativa", "Island of Dreams", "Cobra", "Hypnotique", When First I Loved", "Love at Sight", "Aloha I Love You", "Blue Paradise", and "Sake Rock".- Composer
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Ramin Djawadi is an Iranian-German film score composer known for composing the hit HBO series Game of Thrones and the Marvel films Blade: Trinity, Iron Man and Eternals. He also composed Clash of the Titans, A Wrinkle in Time, Pacific Rim, Westworld, Gears of War 4 and 5, Medal of Honor, Open Season 1 and 2, Jack Ryan and Warcraft. He won two Emmy Awards for Game of Thrones.- Music Department
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Erik Satie was born on 17 May 1866 in Honfleur, Calvados, France. He was a composer and actor, known for Badlands (1973), The November Man (2014) and Mr. Nobody (2009). He died on 1 July 1925 in Paris, France.- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Composer
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Jeff Russo was born on 31 August 1969. He is a composer and actor, known for Fargo (2014), Ripley (2024) and Lucy in the Sky (2019).- Composer
Iyad Alrimawi is known for Morine (2018) and Al-Arrab 1 (2015).