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Mai Zetterling was born in Sweden in 1925, and lived briefly in Australia while still a child. She's known as a director and actor and trained on the Stockholm repertory stage, she began appearing in war-era films starting in her teens. Following her debut in Lasse Maja (1941), she made quite an impact in the terminally dark Ingmar Bergman-written film Torment (1944) [known as Torment in the US and Frenzy in the UK], who went on to direct her in his Music in Darkness (1948) [Music in Darkness].
The international attention she received from her Bergman association led her to England where she debuted in the title role of Frieda (1947), a war drama co-starring David Farrar, Glynis Johns and Flora Robson. Developing modest sex symbol success, she went on to co-star opposite a number of handsome leading men throughout the post-war years in primarily dramatic works, including Dennis Price in The Bad Lord Byron (1949), Dirk Bogarde in Blackmailed (1951), Herbert Lom in The Ringer (1952), Richard Widmark in A Prize of Gold (1955), Tyrone Power in Seven Days from Now (1957) (which was a variation on Hitchcock's Lifeboat (1944)), John Gregson in Faces in the Dark (1960), William Sylvester in The Devil Inside (1961), and Stanley Baker in The Man Who Finally Died (1963). Along the way she proved just as adaptable and sexy in smart comedy when she came between husband and wife Peter Sellers and Virginia Maskell in Only Two Can Play (1962).
Mai abandoned acting in the mid-1960s and courted some controversy when she successfully began sitting in the director's chair. Divorced from Norwegian actor Tutte Lemkow in the early 1950s, she later wed writer David Hughes in 1958, who collaborated with her on a number of her directing ventures, which seemed ahead of their time. Obviously influenced by Bergman, the dark, sexy drama Loving Couples (1964) [Loving Couples] dealt with homosexual themes and featured nudity; Night Games (1966) [Night Games] revolved around sexual decadency and repression; and The Girls (1968) [The Girls], which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, expounded on women's liberation. She divorced her second husband in 1979. She had two children, Louis and Etienne, from her first marriage.
Toward the end of her life, Mai made a return to film acting and is best remembered at this late stage for her nurturing and resilient grandmother in the film The Witches (1990) wherein she is forced to tangle with a particularly virulent ringleader Anjelica Huston to save her grandson from her coven of hags. Mai died of cancer in 1994.- This ill-fated British actress was born in the Shepherd's Bush area of London, England, on February 27, 1936. After the outbreak of World War II, young Virginia and her family were evacuated to South Africa. She eventually returned to London and entered a convent school where the pretty, gray-eyed brunette developed an interest in acting.
Virginia attended drama school and finally broke into the business with TV parts, usually playing demure young lasses in assorted dashing action series such as "The Buccaneers" and The Adventures of Robin Hood." Making a minor film debut for director Roy Boulting with Happy Is the Bride (1958), she achieved better notices with her second film. In Our Virgin Island (1958), she played the bride of John Cassavetes who learns to adapt to a Robinson Crusoe-styled existence. Co-starring an up-and-coming Sidney Poitier, the story lightly tinges on racial issues.
On the strength of this, Virginia won a contract with British Lion Pictures and showcased well in The Man Upstairs (1958) with Richard Attenborough, but less so playing a airline stewardess in the mediocre Jet Storm (1959) which also wasted a top-notch cast including Attenborough, Mai Zetterling, Diane Cilento, Stanley Baker and Sybil Thorndike.
Virginia's reticent but sincere approach to films worked remarkably well in an understated way, and she proved just as quietly compelling on stage with a prime role in "The Catalyst" in 1958 with Phil Brown and Renée Asherson. She showed escalating promise and earned BAFTA nominations for her memorable work in Young and Willing (1962) and as Peter Sellers' forlorn wife in Only Two Can Play (1962), but then all filming stopped.
This abrupt end was primarily due to her marriage in 1962 and a change of focus on family life. Other than occasional TV appearances in such popular series as "Danger Man" and "The Prisoner," Virginia was seldom seen. It was learned that following the birth of her second son in February, 1966, she began showing acute signs of post-natal depression.
In the summer of 1967 Virginia returned auspiciously to filming with a remake of the soap drama Interlude (1968) playing the cast-off wife of orchestra conductor Oskar Werner. She suffered a severe nervous breakdown following the film's shoot and never recovered.
On a bitterly cold day on January 24, 1968, Virginia took a major overdose of antidepressants, drove away from her home at Princes Risborough. She was found collapsed in a nearby wooded area the next day suffering from acute hypothermia. Although she was revived briefly, she died shortly after at a nearby hospital.
Virginia won a posthumous National Board of Review award and a BAFTA nomination for her work in "Interlude." During her relatively short career, the actress seemed doomed to play unhappy, sympathetic third parties in romantic triangles. While a notable sadness touched many of Virginia Maskell's roles, her performances are all the more haunting to watch knowing her personal tragedy. - Actress
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Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother took her to the local movies theaters. The actresses on the screen caught Diana's attention and she said, herself, that from the age of three she wanted to be an actress. She was educated in the finest private schools, much to the chagrin of her father (apparently he thought private education was a waste of money). Physically, Diana grew up fast. At age 12, she looked and acted much older than what she was. Much of this was due to the actresses she studied on the silver screen and Diana trying to emulate them. She wanted nothing more than to go to the United States and Hollywood to have a chance to make her place in film history. After placing well in a local beauty contest, Diana was offered a role in a thespian group (she was 13).
The following year, Diana enrolled at the London Academy of Music and Dramatic Art (LAMDA) to hone her acting skills. She was the youngest in her class. Her first fling at the camera was in The Shop at Sly Corner (1947). She did not care that it was a small, uncredited role; she was on film and at age 16, that's all that mattered. That was quickly followed by Dancing with Crime (1947), which consisted of nothing more than a walk-on role. Up until this time, Diana had pretended to be 17 years old (if producers had known her true age, they probably would not have let her test for the role). However, since she looked and acted older, this was no problem. Diana's future dawned bright in 1948, and she appeared in no less than six films. Some were uncredited, but some had some meat to the roles. The best of the lot was the role of Charlotte in the classic Oliver Twist (1948). Throughout the 1950s, she appeared in more films and became more popular in Britain. Diana was a pleasant version of Marilyn Monroe, who had taken the United States by storm. Britain now had its own version.
Diana continued to play sexy sirens and kept seats in British theaters filled. She really came into her own as an actress. She was more than a woman who exuded her sexy side, she was a very fine actress as her films showed. As the 1960s turned into the 1970s, she began to play more mature roles with an effectiveness that was hard to match. Films such as Craze (1974), Swedish Wildcats (1972), The Amorous Milkman (1975) and Three for All (1975) helped fill out her resume. After filming Steaming (1985), Diana was diagnosed with cancer, which was too much for her to overcome. The British were saddened when word came of her death at age 52 on May 4, 1984 in Windsor, Berkshire, England.- Actress
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Lana Morris always appeared to be more confident and mature than the other post war British starlets. However, the big roles always escaped her and she appeared as a supporting actress in many British films of the 1950s. She later re-started her career, appearing as a professional panellist on many of the TV shows of the 1960s.- Actress
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Lydia Cornell, a women & children's advocate whose great-great grandmother was Harriet Beecher Stowe, is also an award-winning director, writer, actor, and recovery speaker (with 29 years of sobriety.)
With 20-34 million viewers Tuesday nights on ABC prime time, and more in worldwide syndication, Best Actress nominee for AFI at Method Fest and People's Choice Award winner Cornell is best known for her starring role on the hit ABC series "Too Close for Comfort" as Emmy legend Ted Knight's daughter 'Sara'. More recently seen on HBO's Curb Your Enthusiasm, Variety's Power of Comedy, and the Kelsey Grammer Comedy Hour, she has over 200 shows and films in 27 countries to her credit.
She won Best Director Honors at the Los Angeles Movie Awards and for Best Comedy Film at Paramount Studios UIFF (United International Film Festival) for directing the SAG film "It's My Decision."
In 2024, she was named a finalist in the Catalyst Studios "Empowering Women's Script Competition" for her feature-length screenplay 'Venus Conspiracy.'
In 2023, she costarred in a new film 'Something About Mother,' with Lawrence Hilton Jacobs and Jayne Kennedy, directed by Millena Gay and produced by Noreen McClendon.
Cornell wrote and directed the acclaimed stage show "Relationshop;" wrote "Venus Conspiracy" and is set to direct "The Awesome Adventures of Frankie Stargazer."
Cornell received the Southern California Motion Picture Council's Golden Halo Lifetime Achievement Award, and the first Elizabeth Montgomery Humanitarian Award (2018.) One of TV's most popular sex symbols, she is now a writer, director, mother, comedienne, talk show host, women and children's advocate, teen mentor and inspirational public speaker.
Sober since September 11, 1994, she had a "catastrophic spiritual awakening" that changed her life. An addiction and recovery expert, she sponsors and mentors young women who are suffering from addiction and depression.
With an active following on Twitter, YouTube, Instagram, Facebook and other social media, she also hosts a mental health podcast called "Godshots® all about synchronicity. (Miracle or mere coincidence?)
Her Beats 'n Eats Stitcher award-winning podcast on iTunes started in 2013. Her articles have appeared in People, US, Herald de Paris; A&E Biography, Huffington Post, Editor & Publisher, Macon Daily, and Lone Star Icon.
She is the author of an upcoming book of hilarious Hollywood stories, and a book series based on her US Trademark "Godshots® as well as two upcoming books. She wrote a book on Stalin.
Cornell is creating a new comedy series for 2024 based on her upcoming book. She is also in development on a reboot of "Too Close for Comfort" with the original producers of the show (D.L. Taffner, LTD.) based on a pilot script written by Cornell and her partner Lawrence H. Levy, an Emmy-nominee and WGA award winner. Lydia is a lecturer at the LMU School of Film and Television, teaching Acting and Directing for Screenwriters. She is also an inventor and has a show ready for Discovery Channel.
Fact Check: Lydia Cornell went through a frightening incident with a stalker, a convicted felon who posed as a disabled war hero and JAC-C military attorney. He sued Kelsey Grammer, falsely using Lydia Cornell's name to get publicity. Cornell never sued Kelsey, though this was falsely reported in the tabloids and various news outlets. "Kelsey and I both knew the truth all along. We ran into each other at Soho House and discussed how we had both been duped by this stalker but the tabloids refused to correct the story."
She has been Invited to contribute her writings to the International Museum of Peace, which houses letters from Nobel Peace Prize Laureate Mother Teresa and Maya Angelou.- Actress
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Barbara Ferris was born on 27 July 1942 in London, England, UK. She is an actress, known for Having a Wild Weekend (1965), A Nice Girl Like Me (1969) and All in Good Faith (1985).- Actress
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One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.
Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.
Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.
TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.
Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.
Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."
In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.
Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.
The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"
Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.- Cyd Hayman originally planned to become a journalist but turned to acting through LAMDA, taking various jobs to pay her fees. She worked in rep at Liverpool, Ipswich, Folkestone and the Mermaid in London before getting her big break on television in the series Manhunt (1970), in which she played the leading role of Nina. Before that, she had appeared in Armchair Theatre (1956), the BBC's The Wednesday Play (1964), and Love Story (1963). Other television roles include Clochemerle (1972), The Lotus Eaters (1972), The Persuaders! (1971), Crime of Passion (1970), The Rivals of Sherlock Holmes (1971), and The Two Ronnies (1971). Her film credits include Percy (1971) and Guns Before Butter (2005).
- Green-eyed blonde bombshell Belinda Lee was born in Devon, England to florist Stella Mary Graham and hotel owner Robert Esmond Lee on June 15, 1935. Nicknamed "Billie," she was an incredible beauty while still a teen attending the Rookesbury Park Prep School in Hampshire and St. Margaret's boarding school in Devon. Expressing an avid interest in acting, she focused on dramatics at the Tudor Arts Academy at Surrey (1947), then gained entry via a scholarship to London's RADA, at which she made her stage debut in "Point of Departure."
Sharp-faced Belinda was noticed by Rank Studio director Val Guest while performing at the Nottingham Playhouse. She was artificially groomed in starlet parts, the first being The Runaway Bus (1954), until Guest helped her obtain a movie contract with Rank and introduced her to one of Rank's prime still photographers, Cornel Lucas. That year she married the much-older Lucas, who helped promote her as a sex goddess with thousands of glamorous photographs.
Belinda was promoted as a docile young beauty, but her parts grew sexier. She worked intently in films but became frustrated with being stereotyped as a buxom peroxide blonde. Boxed in as a second-string Diana Dors, she played a sensuous foil to Benny Hill in Who Done It? (1956) and was served up as sexy window-dressing opposite both John Gregson in Miracle in Soho (1957) and Louis Jourdan in Dangerous Exile (1957).
Now estranged from Lucas, Belinda headed off to Italy for a change of pace and atmosphere but only found more of the temptress roles she tried to avoid--Aphrodite, Messalina, and Lucrezia Borgia--in low-budget spectacles. She also became preoccupied with married men, one being Prince Filippo Orsini, whose position with the Vatican led to a major scandal. This particular turbulent romance and a dissipating relationship with the Rank Studio (her last picture for the studio was Elephant Gun (1958) with Michael Craig) triggered a near-fatal suicide attempt with pills in January 1958. She later divorced Lucas and continued her torrid affair with Prince Orsini, then others.
It all ended much too soon for the 25-year-old when she decided to join her current love, the much-older Italian playboy/journalist/film producer Gualtiero Jacopetti, on a trip to Las Vegas, where he was working on a documentary (Women of the World (1963). While she, Jacopetti, and co-producer Paolo Cavara were auto passengers on their way to Los Angeles from Vegas, their driver lost control of their speeding car and flipped. The 25-year-old actress was thrown from the car and died of a fractured skull and broken neck. The other three escaped with fairly minor injuries. She was cremated in the States and her ashes were eventually returned to Rome and placed in the Campo Cestio Cemetery. - Lovely, delicate-looking actress Muriel Pavlow belongs firmly to the British cinema of the 1950s and often provided a nice counterbalance to the hectic goings-on in many comedies. Born in 1921 in Leigh, Kent, England, she was a dominant stage actress despite her petite frame and made her theatrical debut at age 15 with a production of "The Old Maid" (1936). Other sprightly teen roles on stage followed including "Oedipus Rex" (1936), "Victoria Regina" (1937), "Dear Octopus" (1938), "Dear Brutus" (1940) and "Old Acquaintance" before she began to get a strong foothold in films.
Muriel started out with a bit role in a 1934 Gracie Fields musical comedy film, but wouldn't come into her own for nearly two decades. Perennially radiant and youthful, she often times played ingénue roles much younger than her actual age. She appeared in the film Quiet Wedding (1941) starring Margaret Lockwood and Derek Farr and was prominently seen in the war-time film Night Boat to Dublin (1946). While making a beguiling Ophelia on a live, early TV version of Hamlet Part 1 (1947), for the most part she tried to build up her theatrical credits.
A comely heroine in thrillers, light comedies and war-themed pictures she was usually cast as an altruistic bride, wife or girlfriend. In 1947 she married actor Farr and went on to appear with him in such British-made films as The Shop at Sly Corner (1947) and Doctor at Large (1957). Peaking in mid-50s films opposite such established British actors as Dirk Bogarde, Peter Finch, John Gregson, Kenneth More and Donald Sinden, Muriel also continued to perform theater roles, notably in Shakespeare pieces -- "A Midsummer Night's Dream," "Othello", "The Taming of the Shrew" and "Troilus and Cressida".
Her film career waned in the early 60s and she and her husband worked for the most part on stage and in television. The couple appeared together in such plays as "Wolf's Clothing" (1959) and "Mary, Mary" (1963). Following Farr's death in 1986, she resumed her career and was spotted in the late 80s and 90s in a number of matronly roles. Some of her last roles were in TV movies -- Daisies in December (1995), Heaven on Earth (1998) and Belonging (2004), the last in which she was in the company of such elites as Brenda Blethyn, Rosemary Harris and Anna Massey.
She made a brief appearance in her final movie, Glorious 39 (2009). She died in England, at age 97 on January 19, 2019. - Actress
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Lynn Loring made an unlikely, but impressive, transition from child actress to actress to president of a major TV studio. At age 6, she appeared in CBS's anthology series Studio One (1948); at 7, she began doing TV commercials (and was dubbed "The Junior Set's Betty Furness"); and from 6 to 16, she played Patty on Search for Tomorrow (1951). As a young adult, she made guest appearances on Playhouse 90 (1956), Hallmark Hall of Fame (1951), The Defenders (1961), and The Big Valley (1965), among other shows.
Loring focused on domestic life until 1979, when she worked as the casting director for a TV movie, The Last Ride of the Dalton Gang (1979) ("Raid on Coffeyville"). She shifted into producing and, for several years, had an initially fruitful partnership with Aaron Spelling. In the late 1980s, she assumed the presidency of MGM/UA Television Productions. Loring, then only in her 40s, was one of the first women to hold such a high-ranking role in Hollywood.- Actress
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A blue-eyed, chestnut-haired beauty, Joan Weldon trained to be a singer, and made her professional debut as a member of the San Francisco Opera Company. While appearing with the Los Angeles Civic Light Opera Company, she came to the attention of Warner Brothers, who took her out of grand opera and put her in horse operas (The Command (1954), Riding Shotgun (1954)), a crime drama (The System (1953)) and, most famously, the biggest and best of the "Big Bug" movies, 1954's Them! (1954). Amidst her movie roles, all of them dramatic, non-singing parts, Weldon sang at the Hollywood Bowl, on her TV series This Is Your Music (1955) and on tour in "The Music Man" (on tour for three years as the repressed Marian the Librarian). She and her husband reside in Manhattan.- Actress
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The daughter of a West Virginia druggist, Joanne Dru came to New York in 1940. In New York she worked as a model and was cast by Al Jolson as one of the showgirls in his Broadway play "Hold Onto Your Hats." When the show closed in 1941, she married popular singer Dick Haymes and went with him to Hollywood. Discovered by a talent scout while working in the theater, Joanne made her screen debut in Abie's Irish Rose (1946), and that picture almost ended her career. Two years later she "redeemed" herself with her role in the classic Howard Hawks western Red River (1948). She followed that with another western, John Ford's She Wore a Yellow Ribbon (1949), again playing opposite John Wayne. Unfortunately, her success in those two classics resulted in the scripts being submitted to her consisting of mostly westerns, and she got typecast (this from a woman who said, "I simply hated horses...").
In 1950 she was cast in another John Ford western, Wagon Master (1950), which became the basis for the Ward Bond TV series Wagon Train (1957). Even though she played in films other than westerns--All the King's Men (1949), The Pride of St. Louis (1952) and Hell on Frisco Bay (1955), for example--it was the westerns for which she was remembered. By the late 1950s westerns were running out of steam and so was her screen career, so she turned to TV, where she appeared on shows such as Playhouse 90 (1956).
In 1960 Joanne was cast in the role of the Eastern owner of a dude ranch in the comedy series Guestward Ho! (1960). Perhaps even funnier is that she would play an Easterner after all those westerns is the fact that her character name was Babs. The show ended in 1961.- Actress
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Tall, sultry, green-eyed blonde Peggie Castle was spotted by a talent scout while she was lunching in a Beverly Hills restaurant. In her films she was usually somebody's woman rather than a girlfriend, and her career was confined to mostly "B"-grade action pictures, dramas or westerns: Harem Girl (1952), Wagons West (1952), The Prince Who Was a Thief (1951), Jesse James' Women (1954), among others. She did, however, have good roles in such films as Payment on Demand (1951) with Bette Davis, 99 River Street (1953) with John Payne, I, the Jury (1953), The White Orchid (1954), Miracle in the Rain (1956) with Jane Wyman and in Seven Hills of Rome (1957) with Mario Lanza. After three seasons playing sexy femme lead Lily Merrill, the dance hall hostess and romantic interest for steely-eyed Marshal Dan Troop in the TV western series Lawman (1958), she left show business in 1962. She later developed an alcohol problem and died of cirrhosis of the liver in 1973 at age 45.- Actress
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Blonde and blue-eyed with an attractively feline appeal, Carol Lynley began her professional career as Carolyn Lee. She learned ballet at age seven, became a successful child model at age 10 (eventually working for the Sears & Roebuck department store in New York), and got her face nationally recognized as "the Coca-Cola Girl."
Carole Ann Jones was born in New York City to Frances Fuller (Felch) from New England and Irish immigrant Cyril Roland Jones. Trying to branch out into acting early on, in New York City, to Frances Fuller (Felch), from New England, and Cyril Roland Jones, who was an Irish immigrant. Trying to branch out into acting early on, Carol discovered that another individual by that name, born seven years earlier, was already on the books of Actors' Equity, so Carolyn fused "lyn" and "lee" to create 'Lynley'. From age 15 she appeared on Broadway, played juvenile roles in early anthology television, and was featured on the cover of Life Magazine in April 1957. Her first important film roles came in decidedly wholesome fare, beginning with The Light in the Forest (1958) for Walt Disney Productions, in which she played indentured servant Shenandoe. It was a promising start. A New York Times reviewer praised her performance (alongside that of fellow screen newbie James MacArthur), describing both as "real charmers with more than their share of talent." Thrust once more into the limelight, Lynley reprised her earlier Broadway role in the film version of Blue Denim (1959) as a naive girl who becomes pregnant and ponders having an illegal abortion. This performance got her nominated for a Golden Globe Award as Most Promising Newcomer in 1959. That same year, she graduated with a diploma from New York's School for Young Professionals. Lynley went on to play other ingénues and troubled teens before shedding her wholesome image by the early 1960s.
Return to Peyton Place (1961) headlined the actress as a best-selling novelist who controversially reveals the town's darkest secrets and scandals. This was followed by the bawdy (and mostly irritating) sex farce Under the Yum Yum Tree (1963), with Lynley as a virginal college student in a New York apartment block pursued by a lecherous landlord/playboy (played by Jack Lemmon). Luckily, better opportunities to prove her acting mettle turned up with a double role in The Cardinal (1963) (opposite Tom Tryon), and as the tormented mother of a kidnapped child in the superior psychological thriller Bunny Lake Is Missing (1965), directed by Otto Preminger and co-starring Laurence Olivier. Cinema magazine commented "With a face like that of a fallen angel, Carol Lynley has beauty that is often awe inspiring".
In March 1965, the former teen queen posed nude for an issue of Playboy magazine; later that year she played the title role in a turgid biopic of 1930s Hollywood sex symbol Jean Harlow. While the quality of her films tended to decline after the mid-'60s, there were still entertaining moments in B-pictures like The Shuttered Room (1967) and Once You Kiss a Stranger... (1969) (in this lurid thriller, Lynley rose above her material and was memorable in the role of a psychotic murderess). In Irwin Allen's The Poseidon Adventure (1972), she was merely one of the ill-fated passengers who ended up in Davy Jones' Locker. Still, Variety called her performance "especially effective". After 1967, television provided most of her work, including guest spots in seminal shows like Mannix (1967), The Invaders (1967), Hawaii Five-O (1968) and as co-star of the TV pilot for The Night Stalker (1972) (as Carl Kolchak's girlfriend). In her penultimate role, Lynley played a grandmother in a film titled uncannily similar to the one which had launched her career: A Light in the Forest (2003).
Carol Lynley retired from the screen in 2006. A highly capable actress who should have made a bigger splash in Hollywood, she passed away on September 3, 2019 in Pacific Palisades, California from a heart attack. She was 77.- Jenny Hanley was born on 15 August 1947 in Gerrards Cross, Buckinghamshire, England, UK. She is an actress, known for On Her Majesty's Secret Service (1969), Scars of Dracula (1970) and The Flesh and Blood Show (1972). She was previously married to Herbie Clark.
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Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.