My favourite to least favourite Number Twos from "The Prisoner"
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Although he sounded very British, Leo McKern was an Australian. By the time he was 15 years old, he had endured an accident that left him without his left eye. A glass eye replaced it - one might conjecture for the better, as far as making McKern a one-day actor of singular focus (no pun intended; his face had that extremely focused look). He failed to complete Sydney Technical High School, though his interest in engineering prompted him to transfer into the role of engineering apprentice (1935 to 1937). He expanded his horizons in a different direction with a two-year stint (1937-1940) at a commercial art college. By then World War II was escalating toward Australia, and he volunteered for service with the Engineering Corp of the Australian Army (1940 to 1942). But yet one more career move was needed, and that while the war moved northward away from Australia when America joined the fight. He studied acting and debuted on stage in 1944. He also met an Australian stage actress (Jane Holland), and mutual attraction took its course. In 1946 she had acting opportunities in England, and McKern decided that, along with the wish to propose to her, his own future as an actor lay there also.
McKern was short and stout with a great bulbous nose upon an impish face--all the ingredients for great character. His voice was a sharp and vociferous grind upon the back teeth--also perfect for character. After some touring (which included a trip to post-war Germany), he began to appear with regularity on London's premiere stages, particularly the Old Vic (1949-52 and then again 1962-63). These roles meshed with classic English work when he moved on to the Royal Shakespeare Company (RSC) at Stratford-upon-Avon and the Shakespeare Memorial Theater (later reconstituted as the now Royal Shakespeare Theater) from 1952 to 1954. He also spent a season at the New Nottingham Playhouse. He had weaned himself off his Australian accent long before this with his bid for film roles, the first being as one of the four murderous barons in the Thomas a' Becket story Murder in the Cathedral (1951). And he kept his medieval tights on for his next screen appearances (though the small screen of TV) in some roles for the popular Richard Greene series The Adventures of Robin Hood in 1955, while he continued stage work.
From then on, McKern had roles in two to three movies a year--busy but not too busy--gradually mixing progressively more and more TV work in the 1950s, 1960s, and 1970s. The films were as varied as a good stage actor could justify moving into a popular medium. Though he was usually police officials, doctors, and authoritative figures, he always made these early parts stand out. Drama comes in various packages; he was not averse to the rise of sci-fi as a vehicle for it. He graced two British sci-fi classics: X the Unknown (1956) and the better The Day the Earth Caught Fire (1961). And there was also TV fantasy work, one of the best known examples being multiple outings as interrogator and chain-yanker Number Two in The Prisoner series. In the late '70s, he condescended to add some weight to two of the Omen movies, as did Gregory Peck and William Holden, putting him in good company. Great drama was McKern's meat. And doing some historically significant on a great scale was an opportunity for a Shakespearean not to miss. He was cast in the screen version of the Robert Bolt hit play A Man for All Seasons (1966). And his visage was perhaps part of the allure. Cast as ruthless political climber and fated chancellor of England Thomas Cromwell, McKern looked like the Hans Holbein court painting of the man who rather nefariously succeeded to Sir Thomas More's position. More was played by McKern's fellow RSC resident Paul Scofield. McKern gave flesh to the commoner Cromwell, making him loud and abrasive with a delightful verve. Later he and Scofield shared another film role, in the sense that the latter turned down the part of Thomas Ryan in the David Lean epic of Ireland Ryan's Daughter (1970), while McKern accepted it and made the role work. (Scofield would have been a miscast, something he probably wisely foresaw.)
McKern, from his early screen roles, could do comedy. He had a fair share of outrageous characters, and he could play them with a glint in his eye and a bit of extra cheek in his performance to show that he must have had fun in the role. In this regard, he showed his stuff supporting Peter Sellers in the endearing The Mouse That Roared (1959) and had the lead in the outlandish They All Died Laughing (1964) as a college professor who decides to snuff out humanity with poison laughing gas. He was a broad country fellow with a Shakespearean twist as Squint in The Amorous Adventures of Moll Flanders (1965). In one of his later comedies, he is rather overlooked because of its clever script; in fact, it is an over-the-top tour de force for McKern. As the infamous nemesis Professor Moriarty in The Adventure of Sherlock Holmes' Smarter Brother (1975), McKern manages to steal the show from funny man and director/writer Gene Wilder along with Marty Feldman and Roy Kinnear. McKern's Moriarty is devilish but tongue-in-cheek with a vengeance, especially with his nervous tic of suddenly, at any time and out of nowhere, yelling, "YAAA, YAAA!"
Yet McKern's chief legacy has been and probably will continue to be his long-running TV role in more mystery (he had done his fair share in film and TV already) as Horace Rumpole in "Rumpole of the Bailey" (1978-1992), a role originally introduced by him in the teleplay "Rumpole of the Bailey" in 1975. The role had been specifically created for him by writer John Mortimer, and though every actor can appreciate the security of a long-running role, McKern feared that it was subsuming his more than considerable body of work. Along with that, McKern became increasingly self-conscious of his acting, and mixed in was the idea that his physical appearance was not appealing to the public. As a result, he had to deal with a progressively increasing stage fright. He need not have worried; he was working in diverse TV and movie roles nearly to the time of his passing, and he was beloved by movie and TV fans alike. Along with receiving the award of Officer of the Order of Australia from his home country, in 1983 McKern's memoir "Just Resting" was published.- Actor
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Ceylon-born Colin Gordon began acting on the West End stage as the hind legs of a horse in 'Toad of Toad Hall' in 1934. After wartime service, he returned to the stage, appearing in such plays as 'The White Carnation' and 'The Little Hut' (both 1953), 'Misery Me!' (1955) and 'The Touch of Fear' (1956). His award-winning stage role of teacher Rupert Billings in 'The Happiest Days of Your Life' was recreated for the film version by another bespectacled actor, Richard Wattis. From 1957, Colin worked as actor-director with the Guildford Repertory Theatre. Though he is usually described as a 'light comedy actor', Colin made his mark in the acting profession as much by playing countless supercilious or sneering bureaucrats, lawyers or haughty military types. His stock-in-trade became his ever-present horn-rimmed glasses, combined with a cynical or asinine manner and a precisely modulated voice. His best performances might include pompous BBC announcer Reginald Willoughby-Cruft in The Green Man (1956) and his bank manager, locked up in the Strongroom (1962) of his own bank during a robbery. He is likely best remembered for being a particularly sinister Number 2 to Patrick McGoohan in TV's The Prisoner (1967) - twice.- Mary first appeared on stage aged just 10. She received her formal training at the royal Academy of Dramatic Art (RADA) and went on to a long and distinguished career in film, television and the theatre. She toured Britain with her own theatrical touring company.
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Peter Paul Wyngarde was born at the home of an aunt in Marseille, Southern France, and is the son of an English father and French mother. Owing to his father's work as a member of the British Diplomatic Service, Peter spent much of his early childhood moving from one country to another, and was educated in a number of different schools.
One city which left a lasting impression on him was Shanghai, where he had been temporarily left in the care of a Swiss family whilst his father was away in India on business. The year was 1941, and amid a mass of turmoil and confusion, news broke that the Japanese had captured the city, and before long, Peter and his surrogate family found themselves in Lunghua concentration camp.
Confined in these desperately brutal conditions for four years, Peter struggled to prevent his family and friends from dying at the hands of the cruel and barbaric soldiers who governed the camp, and on one occasion while running errands between accommodation huts, he was discovered and punished by having both his feet broken with a rifle butt, and then put into solitary confinement for two weeks.
During better times however, the young Mr. Wyngarde worked in the camp laundry and gardens, and began to write and appear in plays staged by, and for, his fellow inmates, making his acting debut in his own production of Dr Jekyll and Mr Hyde. When the camp was finally liberated in 1945 Peter, who was then suffering from malnutrition, beriberi and malaria, was taken to a sanatorium in the Swiss mountains where he remained for the next two years.
After completing his education in Switzerland, France and England, Peter reluctantly honored his parents' wishes, and entered university, where he began studying law, but soon dropped the idea in favor of a career in advertising. After a brief spell with an agency in London, he walked into an audition, read the part, and was cast as the understudy for the lead in a play in Brighton.
His first role on the London stage, however, was with the Nottingham Repertory Company at the Embassy Theatre as Cassio in Othello. From there, he moved to the world famous Old Vic in Bristol, where he not only took the lead role in such classics as Cyrano de Bergerac and Taming of the Shrew, but also tried his hand at directing, most notably with Long Day's Journey Into Night.
In 1956, Peter was invited over to the United States to take a screen test for the part of Pausanius in Robert Rosen's epic feature film, Alexander the Great opposite Richard Burton and Fredric March, but after almost a year's work on location in Spain, he watched in horror as his role was cut almost out of existence.
Disillusioned with Hollywood, Peter returned to his first love - the British stage, where he took the role of Yang Sun, a Chinese fighter pilot, in Bertold Brecht's, The Good Woman of Setzuan, at the Royal Court Theatre in London's West End. It was here that he first made the acquaintance of the Oliviers - Laurence and his wife, Vivien Leigh, the latter of whom he later played opposite in the critically acclaimed Duel of Angels.
Following the plays hugely successful run at the Apollo Theatre in London in 1958 Ms Leigh, who had since become a close friend of Peter's, begged her leading man to join her in the New York production of the play. Although reluctant at first, Peter was at last persuaded to reprise his role as Count Marcellus, and he made his Broadway debut at the Helen Hayes Theatre in 1959, taking the coveted award for Best Actor in a Foreign Play.
On his triumphant return to Britain in 1960, he was almost immediately cast as the enigmatic Peter the Painter in Monty Barman's production of The Siege of Sidney Street - a film which was based on the true story of the British Governments legendary battle with a notorious gang of Slavonic anarchist, whose reputation throughout Europe for robbery and murder lead to one of the bloodiest confrontations in British criminal history.
Between numerous starring roles in television productions such as Independent Televisions popular Armchair Theatre and Play of the Week, Peter made two more big screen appearances - both Albert Fennell productions.
The first, in 1961, was The Innocents - a feature-length adaptation of the Henry James novella The Turn of the Screw, which was followed in 1962 by the classic supernatural thriller, Night of the Eagle (aka Burn, Witch, Burn) which was once again based on a novel - this time Fritz Leiber's Conjure Wife.
Between July of 1960 and March of 1969, Peter appeared in no less than thirty television plays, and guest starred in such classic series as The Avengers, I Love Lucy, The Baron, The Saint, The Champions and The Prisoner. In 1969, Peter was cast in what was undoubtedly his most famous role as the legendary author-cum-investigator, Jason King, in the ITC action series, Department S, and soon became the idol of thousands of women the world over. So overwhelming was his effect on television viewers that in 1971, a brand new series - Jason King - was devised, which allowed the handsome novelist to go adventuring without restriction.
Following the cancellation of the series at the end of 1972, Peter decided to return to the theatre, and after being greeted at Melbourne Airport by more than 30,000 screaming fans, he took the city by storm in the world premiere of Butley before packed houses every night. Once back in London, Peter took the lead role in Charles Dyers Mother Adam at the Hampstead Theatre, and then went on to tour Britain in the lead role of the King in Rodgers and Hammerstein's The King and I opposite Sally Ann Howes. The following year, he once again took up the mantle of actor/director with Present Laughter, stopping off along the way to host the 1974 Miss Television Contest.
In 1975, Peter headed out to Austria to work at the English Theatre in Vienna, to both act in and direct productions of The Merchant of Venice and Big Toys, before returning to the big screen in an Austrian film (Himmel, Scheich Und Wolkenbrunch) in the role of a latter-day Rudolph Valentino. The following year, he returned to the British stage in the Lawrence Parnes production of Anastasia, and then on to the big screen courtesy of Dino De Laurentiis' lavish 1980s sci-fi blockbuster, Flash Gordon, in which he was cast in the role of General Klytus. It was then back to the stage for a nine-months' tour of South Africa in Deathtrap.
In 1984, after an absence of almost 12 years, Peter returned to the small screen with a rare television appearance in the four-part Doctor Who installment, Planet of Fire, which was followed in short succession by the Hammer House of Mystery and Suspense story, And The Wall Came Tumbling Down, and a memorable guest-starring role in Granada Television's Bulman.
Having been cast as the somewhat unsavory character of Sir Robert Knights in the stylish, yet overtly violent British thriller, Tank Malling in 1989 Peter, who scarcely ever agrees to be interviewed, consented to appear on SKY TV's Jameson Show, plus a hearing on Channel 4s Right To Reply and the BBC's daytime magazine, Pebble Mill. More recently, Peter appeared in 1994 in Granada Televisions popular Sherlock Holmes series opposite Jeremy Brett, playing the newspaper gossip-columnist, Langdale Pike, in The Three Gables.
The long-overdue release of both Department S and Jason King on video in 1993 helped rekindle huge interest in the debonair Mr Wyngarde, with repeats of the series being shown on satellite and cable channels, and public pressure resulting in the re-release of his infamous 1970 album on CD.
In recent years, Peter has made numerous TV appearances, which include Astleys Way, Dee Time, 100 Greatest TV Characters, Don't Knock Yourself Out and narrated the acclaimed Timeshift documentary, The Many Faces of Sherlock Holmes in 2014.
Peter remains one of the most popular British actors of the past 50 years, with a thriving fan club and devoted worldwide following. His appearances at TV and Sci-Fi conventions have drawn thousands of attendees, eager to meet him and to shake the hand of a true acting legend.- With his clipped delivery, aristocratic if somewhat ominous manner and suave, urbane demeanour, Eric Portman was so good at playing German and/or Nazi officers that many believed he actually was German, or at least Austrian. The fact is that he was British to the core, having been born, raised and educated in Halifax, West Yorkshire, England. He began his acting career on the stage in 1923, specialising in works by William Shakespeare and George Bernard Shaw. His film debut came in the Tod Slaughter melodrama Maria Marten, or the Murder in the Red Barn (1935) as, oddly enough, a Gypsy.
Portman became a favourite of renowned filmmakers Michael Powell and Emeric Pressburger, leading to a role he is probably best remembered for - the determined Nazi commander of a German U-boat sunk off the coast of Canada in 49th Parallel (1941), who tries to lead his crew across Canada in order to get to the safety of the US, which was at the time not involved in the war. His versatility was obvious in a film he made the next year, One of Our Aircraft Is Missing (1942) as an RAF officer who finds himself stranded in Nazi-occupied Holland.
Portman kept busy over the next 25 years in a variety of roles, as villain and hero, in both thrillers and dramas. After making Deadfall (1968) he retired, apart from a few television projects over the next year or so. He died in 1969 of heart problems. - Actor
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Best known for his appearances on British television in the comedy series Father, Dear Father (1968), Patrick Cargill was also a distinguished stage actor and a brilliant farceur. His immaculate timing was known throughout the profession to the point that when directors were casting a certain type of leading role they would refer to it as a "Patrick Cargill part".
Cargill made his stage debut in Bexhill on Sea, Sussex, as a teenager before joining Anthony Hawtrey's company in London. Throughout the 1950s he was rarely off the West End stage in a string of farces and comedies, in many of which he played the leading role.
In 1967 he was offered the television series Father, Dear Father, written especially for him, in which he played a thriller writer, the inept father of two teenage daughters who were played by Natasha Pyne and Ann Holloway. The series ran until 1973 and in 1976 he returned to television in The Many Wives of Patrick (1976), in which he appeared as a middle-aged playboy trying to divorce his sixth wife in order to remarry his first.
In 1978 he appeared on the London stage in a revival of Anthony Shaffer's thriller, "Sleuth", which was not well received by the critics on the grounds that with all his charm, Cargill's leading role lacked menace.
In 1967 he was personally chosen by Charles Chaplin to play the role of Hudson, "a gentleman's gentleman", in the film A Countess from Hong Kong (1967). The two actors struck up a close friendship. A superb light comedian, Cargill said: "Comedy is instinctive. You know it's there but the moment you consciously search for it you're completely lost. Timing is a skill that you develop over the years. It gives you the necessary courage to wait - to pause while the audience gathers in anticipation."- Rachel Herbert was born in 1935 in Surrey, England, UK. She is an actress, known for Murder Must Advertise (1973), Clouds of Witness (1972) and Witch Hunt (1967).
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Rather intriguing British actor who first appeared on UK cinema & TV screens in the late 1950s, and quickly found steady work as a rather unpleasant or untrustworthy individual. His cold, yet cunning features had him appearing in guest roles on many UK TV series including The Adventures of Sir Lancelot (1956) and William Tell (1958), and the 1960s then proved to be his busiest period of work!
Nesbitt put in strong, intelligent performances in the WW1 aviation spectacle The Blue Max (1966), as a cold war agent pursuing Frank Sinatra in The Naked Runner (1967) and probably his best remembered role, as Major Von Hapen, an ice cold Gestapo officer nearly foiling Clint Eastwood and Richard Burton plans in Where Eagles Dare (1968)
The talented Nesbitt also wrote, directed and starred in the fairly tepid The Amorous Milkman (1975) and was kept busy through most of the 1970s in further espionage / action films. Before the end of that decade, however, demand for his talents began to wane heavily (following a series of newspaper stories suggesting he could be as unpleasant in real life as some of the characters he played on-screen) and in the 80s and 90s, he made appearances in only a handful of films. His last film appearance to date was in the crime thriller Double X: The Name of the Game (1992).- Lean, aristocratic-looking British character actress,on stage from the 1940's. She was noted on Broadway for her performance (and for bringing the house down with her tango on opening night) as Lady India in Jean Anouilh's 'Ring Around the Moon' (1950-51). On television, her aquiline features and impeccable bearing led to her gravitating towards upper class roles as wealthy or snooty socialites -- few more memorable than her unnamed party-goer in the dream sequence of The Prisoner (1967) episode "A.B.and C."; and as Mrs. Butterworth, who not only resides in Patrick McGoohan's old flat and drives his sports car but turns out to be another Number 2 (in the episode "Many Happy Returns"). She also had to graciously scrape the mould of a bread-roll offered her by Steptoe and Son (1962) in "Loathe Story", as the hyphenated mother of Joanna Lumley.
Georgina had a rare lead in the title role of the low-budget thriller The Woman Who Wouldn't Die (1965) as Gary Merrill's crippled and demanding wife, who, unsurprisingly gets killed and disposed of in the potting shed. Of course, she comes back to haunt her evil hubby (really, just a double-cross staged by his two accomplices). In many of her other appearances on screen, Georgina played opposite great British comic actors, from Sidney James to Tony Hancock. Privately, her circle of friends included Denholm Elliott and Terry-Thomas (with whom she shared the stage in 'Full House'). Her final curtain call before retirement in Australia was as the lead in the comedy play 'A Breath of Spring' in 1990. - Born in Chicago in 1917, David Bauer found more success as an actor in Europe than he did in his home country. He was one of those caught up in the anti-Communist hysteria that swept the US, and especially Hollywood, in the 1950s. Bauer left the US and settled in Great Britain. He found a niche in British television, playing a variety of crooked American businessmen, attorneys, etc. He appeared in such series as The Saint (1962) in The Element of Doubt (1962) and had a memorable turn in the Living in Harmony (1967) episode of the fondly remembered Patrick McGoohan series The Prisoner (1967). He appeared in The London Beat (1972)), an episode of the American cop series shot in England, playing an American mob boss.
Bauer, for some reason, didn't appear in all that many films during his time in England, his best known probably being The Spy Who Came in from the Cold (1965) in which he played a judge and Patton (1970), as American Lt. Gen. Harry Buford. He had parts in two James Bond films, You Only Live Twice (1967) and Diamonds Are Forever (1971). He also worked on the British stage, both as an actor and director. He died in London in 1973, at age 55. - Actor
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Anton Rodgers was born on 10 January 1933 in Ealing, London, England, UK. He was an actor, known for Dirty Rotten Scoundrels (1988), The Merchant of Venice (2004) and The Fourth Protocol (1987). He was married to Elizabeth Garvie and Morna Watson. He died on 1 December 2007 in Reading, Berkshire, England, UK.- Actor
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Clifford Evans was born on 17 February 1912 in Senghenydd, Caerphilly, Wales, UK. He was an actor and producer, known for The Kiss of the Vampire (1963), Mutiny on the Elsinore (1937) and Courageous Mr. Penn (1942). He was married to Hermione Hannen. He died on 9 June 1985 in Welshpool, Wales, UK.- Actor
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Tough-looking New Zealander, with a long string of credits as an actor in Australian films and theatre. He was also prolific on radio as actor, announcer and compère. In August 1952, Doleman won a £300 prize for his performance in an Actor's Choice half-hourly play, entitled "The Coward". He used this as a travelling fund for a trip to Hollywood and was duly cast in a supporting role in the adventure film His Majesty O'Keefe (1954). That was followed by an uncredited bit in Alfred Hitchcock's Dial M for Murder (1954). More substantial roles, however, failed to materialise. Doleman consequently returned to Australia, where he found regular work on radio and on stage in Sydney, Melbourne and Adelaide, between 1957 and 1960.
Doleman had his best spell in Britain in the 1960's: fondly remembered as SPECTRE operative Count Lippe in the James Bond movie Thunderball (1965), and as the hard-edged spook Colonel Ross in the Harry Palmer trilogy, beginning with The Ipcress File (1965). In a similar vein, he also made a worthy antagonist for Patrick McGoohan as the first 'Number 2' in The Prisoner (1967). Doleman eventually settled in Los Angeles, where he died of lung cancer in January 1996.- Actor
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George was stage struck at the age of 14 and ran away from school to get a 25 shilling (25p) a week job at a seaside theatre, He spent 6 years going through the mill of small town repertory theatre then the cinema discovered him. After making 12 films he left the studios for 7 years during which time he went back to the theatre appearing in classics at the Old Vic and plays in the West End with films in between - his 13th was The Curse of the Fly,- Actor
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Kenneth went to a grammar school in South Wales where the English literary teacher had the class read out parts in plays, which was the one thing he enjoyed; as a result, he was put in a play about Richard II. A local critic wrote, 'If this boy chooses to make the stage a career he should do well,' which gave Kenneth the idea of acting despite never having seen an actor or a theatre up to then. He left school at 15 with no idea of what to do apart from joining the army which would provide him with a uniform and food and possibly send him to India. Instead he went to Cambridge at 15½ to work in an ironmongers. He went to the stage door of the Cambridge Theatre with some of his notices and asked for the producer, who gave him a job at £3 a week. Despite having had no formal theatre training he made 70+ films, as well as researching and directing two of his own documentaries.- Actor
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Andre Van Gyseghem was born on 18 August 1906 in Eltham, London, England, UK. He was an actor and director, known for The March of the Peasants (1952), For Whom the Bell Tolls (1965) and Sentimental Education (1970). He was married to Jean Forbes-Robertson. He died on 13 October 1979 in London, England, UK.- John Sharp was born on 5 August 1920 in Bradford, West Yorkshire, England, UK. He was an actor, known for Brother Sun, Sister Moon (1972), Barry Lyndon (1975) and The Wicker Man (1973). He died on 26 November 1992 in London, England, UK.