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- The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make. - Actor
- Stunts
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An athlete turned actor, Strode was a top-notch decathlete and a football star at UCLA. He became part of Hollywood lore after meeting director John Ford and becoming a part of the Ford "family," appearing in four Ford motion pictures. Strode also played the powerful gladiator who does battle with Kirk Douglas in Spartacus (1960)."- Actor
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Colorful American character actor equally adept at vicious killers or grizzled sidekicks. As a child he worked in the cotton fields. He attended Santa Monica Junior College in California and subsequently became an accountant and, at one time, manager of the Bel Air Hotel. Elam got his first movie job by trading his accounting services for a role. In short time he became one of the most memorable supporting players in Hollywood, thanks not only to his near-demented screen persona but also to an out-of-kilter left eye, sightless from a childhood fight. He appeared with great aplomb in Westerns and gangster films alike, and in later years played to wonderful effect in comedic roles.- Actor
- Producer
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One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.- Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Soundtrack
One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.- Actor
- Soundtrack
Roy Glenn was born on 3 June 1914 in Pittsburg, Kansas, USA. He was an actor, known for Guess Who's Coming to Dinner (1967), Escape from the Planet of the Apes (1971) and Lydia Bailey (1952). He was married to Pauline (Lilla) Fractious. He died on 12 March 1971 in Los Angeles, California, USA.- Mark Lenard was an American actor, primarily known for television roles. He is primarily known for playing Vulcan ambassador Sarek (Spock's father) in "Star Trek: The Original Series" and a number of its spin-offs.
In 1924, Lenard was born under the name "Leonard Rosenson" in Chicago Illinois. His father was Abraham Rosenson, a Russian-Jewish immigrant who eventually owned his own tourist resort in South Haven, Michigan. Lenard was primarily raised in South Haven.
Lenard joined the United States Army in 1943, at the age of 19. He was originally trained as a paratrooper, but was eventually given the position of a technical sergeant. He was discharged in 1946, without ever seeing combat.
During his military service, Lenard served as an an amateur actor in theatrical productions. Following the war, he sought a formal acting education at the University of Michigan. He graduated with a master's degree in theater and speech. For several years, he was primarily a theatrical actor in New York City.
In the mid-1960s, Lenard moved to to Los Angeles, where he hoped to find work in film. He made his film debut in the Biblical epic "The Greatest Story Ever Told" (1965), at the age of 41. He played Balthazar, the Persian magus (Zoroastrian priest, magician) mentioned in the Nativity narrative of the Gospel of Matthew.
Lenard first appeared in "Star Trek: The Original Series" in 1966, playing an unnamed Romulan commander in the episode "Balance of Terror" . He first played his character of ambassador Sarek in the episode "Journey to Babel" (1967). He voiced Sarek in the 1973 episode "Yesteryear" of "Star Trek: The Animated Series". He played Sarek again in the episodes "Sarek" (1990) and "Unification: Part 1" (1991) of the sequel series "Star Trek: The Next Generation".
In the film versions of Star Trek, Lenard played Sarek in four films: "Star Trek III: The Search for Spock" (1984), "Star Trek IV: The Voyage Home" (1986), "Star Trek V: The Final Frontier" (1989), and "Star Trek VI: The Undiscovered Country". He also played an unnamed Klingon captain in "Star Trek: The Motion Picture" (1979).
Lenard had guest star roles in several other series, such as "Mission: Impossible", The Wild Wild West", "Gunsmoke", and "Hawaii Five-O". He had a recurring role in the comedy Western television series "Here Come the Brides" (1968-1970), playing Seattle-based sawmill owner Aaron Stempel.
Possibly due to his experience in Star Trek, Lenard was often cast as an authority figure in science fiction television series. He played General Urko in "Planet of the Apes", Emperor Thorval in "The Secret Empire", Ambassador Duvoe in "Buck Rogers in the 25th Century", and camp commandant Perel Sightings in "Otherworld".
Lenard had a rare villainous role as Catholic bishop Eberhard Hoffman in the historical film "The Radicals" (1990), depicting the persecution of the then-new Anabaptist movement in the 16th century. He mostly retired from television in 1993, as he had a leading role in a theatrical play which was performed on tour, "The Boys in Autum". He played an elderly Huckleberry Finn who gets reacquainted with his childhood friend Tom Sawyer (played by Walter Koenig). It was Lenard's last significant role.
Lenard died in 1996, suffering from multiple myeloma, a cancer of the plasma cells. He was 72-years-old, and had been appearing on film and television for three decades. - Ned Romero was born on 4 December 1926 in Franklin, Louisiana, USA. He was an actor, known for I Will Fight No More Forever (1975), Star Trek (1966) and Hang 'Em High (1968). He was married to Gwyneth E. Howard Coty and Jolene Lontere. He died on 4 November 2017 in Palm Desert, California, USA.
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- Producer
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Pat Hingle (real name: Martin Patterson Hingle) was born in Miami, Florida, the son of a building contractor. His parents divorced when Hingle was still in his infancy (he never knew his father) and his mother supported the family by teaching school in Denver. She then began to travel (with her son in tow) in search of more lucrative work; by age 13 Hingle had lived in a dozen cities. The future Tony Award nominee made his "acting debut" in the third grade, playing a carrot in a school play ("At that time it didn't seem like much of a way to make a living!", he recalled). Hingle attended high school in Texas and in 1941 entered the University of Texas, majoring in advertising. After serving in the Navy during WW II, he went back to the university and got involved with the drama department as a way to meet girls. With his wife Alyce (whom he first met at the university), Hingle moved to New York and began to get jobs on the stage and on TV. The apex of his stage career was "J.B." by poet Archibald Macleish, with Hingle in the title role as a 20th-century Job. It was during the run of "J.B." that Hingle took an accidental plunge down the elevator shaft of his New York apartment building, sustaining near-fatal injuries in the 54-foot fall. He was near death for two weeks (and lost the little finger of his left hand); his recovery took more than a year. In more recent years, Hingle has played Commissioner Gordon in the "Batman" movies.
Just prior to his death, he resided in Carolina Beach, North Carolina, with his wife, Julia.- Actor
- Soundtrack
Charismatic character star Edward James Begley was born in Hartford, Connecticut of Irish parents and educated at St.Patrick's school. His interest in acting first surfaced at the age of nine, when he performed amateur theatricals at the Hartford Globe Theatre. Determined to make his own way, he left home aged eleven and drifted from job to job, had a four-year stint in the U.S. Navy, then worked in a bowling alley replacing pins, joined carnivals and circuses. In 1931, he appeared in vaudeville and was also hired as a radio announcer, his voice broadcast to nationwide audiences. It took him several years to establish himself on the legitimate stage, but in 1943, he had a role in the short-running play 'Land of Fame'.
His first success was the 1947 Arthur Miller play 'All My Sons' and this was followed by the 1925 Scopes Trial fictionalization 'Inherit the Wind' (1955-57), which ran for 806 performances at the National Theatre. Ed, co-starring with Paul Muni, played the part of Matthew Harrison Brady (played in the 1960 motion picture by Fredric March) and won the 1956 Tony Award for Best Featured Actor in a Play. Upon Paul Muni's departure from the cast, Ed used the opportunity to play the part of Henry Drummond (Spencer Tracy's role in the film) with equal vigor. In 1960, he starred as Senator Orrin Knox in the political drama 'Advise and Consent'. Ed's movie career began with Boomerang! (1947), a murder mystery set in his native Connecticut, directed by Elia Kazan. Heavy-set with bushy eyebrows, the archetypal image of Ed Begley on screen is as a gruff, blustery, often heavily sweating (and sometimes corrupt) politician or industrialist. He proved his mettle in a number of classic films, including Sorry, Wrong Number (1948) and On Dangerous Ground (1951). Whether as the sympathetic executive in Patterns (1956), a bigoted ex-cop turned bank robber in Odds Against Tomorrow (1959), or the crazed billionaire bent on world domination of Billion Dollar Brain (1967), he tackled every part that came his way with conviction. The culmination of his work was a Best Supporting Actor Academy Award for his role of Boss Finley in Tennessee Williams's Sweet Bird of Youth (1962).
In addition to countless radio broadcasts, Ed was also busy in television in the 1950s and '60s. Among frequent guest-starring appearances, his dynamic characterizations in two episodes of The Invaders (1967) ('The Betrayed' and 'Labyrinth') in particular stand out. Ed Begley died of a heart attack in April 1970 in Hollywood at the age of 69.- Actor
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Born in Oklahoma, Ben Johnson was a ranch hand and rodeo performer when, in 1940, Howard Hughes hired him to take a load of horses to California. He decided to stick around (the pay was good), and for some years was a stunt man, horse wrangler, and double for such stars as John Wayne, Gary Cooper and James Stewart. His break came when John Ford noticed him and gave him a part in an upcoming film, and eventually a star part in Wagon Master (1950). He left Hollywood in 1953 to return to rodeo, where he won a world roping championship, but at the end of the year he had barely cleared expenses. The movies paid better, and were less risky, so he returned to the west coast and a career that saw him in over 300 movies.- Stony-faced, grizzled-looking tough guy Charles McGraw (real name Charles Butters) notched up dozens of TV and film credits, usually portraying law enforcement figures or military officers, plus the odd shifty gangster. While at high school he worked as a theatre usher and was nicknamed "Chick" by his friends. At 17, he returned to his home town of Akron to study at university. He hitchhiked to New York from Ohio, enjoyed a substantial period in the boxing ring as a middleweight pugilist and then found his first success as an actor in 1937 on the Broadway stage in the Clifford Odets play "Golden Boy". Afterwards, stage work proved hard to come by. Therefore, to make ends meet, McGraw began to earn his living as a hoofer in dime-a-dance establishments. His career in Hollywood began in 1942 with bit parts and stalled again after a brief sojourn in the army. However, by 1947, he had picked up a solid amount of work as radio actor thanks to his gravelly voice which was perfectly suited for crime dramas. This did eventually re-open the door to Hollywood. Before long, McGraw regularly plied his trade as assorted hard cases who perfectly matched his craggy looks and steely-eyed visage. Best remembered among his standout roles are the dogged cop protecting a mob witness in the 1952 classic thriller The Narrow Margin (1952) , as resolute Lt. Jim Cordell pursuing armed bandits in Armored Car Robbery (1950), as a hit man in Robert Siodmak's seminal film noir The Killers (1946), as sadistic gladiatorial trainer Marcellus taunting slave Kirk Douglas (and ending up in a vat of boiling soup) in the epic Spartacus (1960), as William Holden's naval commander in the Korean War drama The Bridges at Toko-Ri (1954) and as jaded police officer Lt. Matthews assisting Spencer Tracy in the all-star comedy It's a Mad Mad Mad Mad World (1963). McGraw died in 1980 after a tragic accident in which he slipped and fell through a glass shower door.
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Two-time Oscar nominee Bruce Dern's tremendous career is made up of playing both modern day heroes and legendary villains. Through decades of lauded performances, Dern has acquired the reputation of being one of the most talented and prolific actors of his generation.
Dern currently appears opposite Kristen Wiig, Allison Janney and his daughter Laura in Apple+ TV's acclaimed comedy series "Palm Royale." He also received critical praise for the last season of the Amazon series "Goliath" opposite Oscar winners Billy Bob Thornton and JK Simmons.
Dern appeared as real-life rancher George Spahn in Quentin Tarantino's 10-time Academy Award nominated "Once Upon a Time in Hollywood." The film also won the Golden Globes & Critics Choice Awards for Best Picture, among others. He also co-starred in the #1 independent film of 2019, "The Peanut Butter Falcon" and he earned rave reviews for Focus Features' "The Mustang." He has recently appeared in several recent independent film projects including "Reminisce," "The Accidental Texan," "Remember Me," "The Artist's Wife," "Emperor," "Badland," "Death in Texas," "Last Call," and "The Gateway."
In 2018, he starred in two high profile independent films - as Joe Kennedy in "Chappaquiddick" and opposite Matthew McConaughey in Sony's "White Boy Rick." In 2017, he appeared with Jane Fonda and Robert Redford in the Netflix film "Our Souls at Night."
On the television side in 2019 - he memorably guested on Showtime's comedy "Black Monday" and was seen in the Stephen King series "Mr. Mercedes" for the AT&T AUDIENCE Network.
In 2015, Dern reteamed with his "Django Unchained" director Quentin Tarantino in the ambitious & critically-acclaimed "The Hateful Eight." In 2013, Dern earned his second Academy Award nomination for his heralded role in Alexander Payne's "Nebraska." That role also garnered him a Best Actor Award from the Cannes Film Festival and the National Board of Review. He was also nominated for a BAFTA, Golden Globe, Independent Spirit Award, Broadcast Film Critics Association Award and Screen Actors Guild Award.
Dern was also nominated for an Emmy in 2011 for his portrayal of polygamist patriarch Frank Harlow in HBO's hit drama "Big Love." A celebrated stage actor, Dern was trained by famed director Elia Kazan at the legendary The Actor's Studio and made his film debut in Kazan's "Wild River" in 1960. In the 60's, Dern also found success as a distinguished television actor. He appeared regularly in contemporary Western TV series, as well as on "Alfred Hitchcock Presents." Mr. Hitchcock was such a fan of Dern's that he cast him in "Marnie" and "Family Plot" (Hitchcock's final film).
Also during the 60's, Dern went on to work with director Roger Corman and appeared in several of his classic and decade defining films including "Wild Angels." He also received critical success during that time for films such as "They Shoot Horses, Don't They?" and "Drive, He Said." Dern goes down in history for his role as Long Hair in "The Cowboys," in which he became the only man ever to kill John Wayne on screen.
Dern went on to star in such classic films like "The King of Marvin Gardens" with Jack Nicholson and Ellen Burstyn as well as playing Tom Buchanan in "The Great Gatsby" (for which he received a Golden Globe nomination). It was his brilliant and powerful performance in Hal Ashby's "Coming Home" that earned him both an Academy Award and Golden Globe nomination.
Dern has starred in over 100 films in his career, including: "Monster," "Hush...Hush, Sweet Charlotte," "Silent Running," "Smile," "Middle Age Crazy," "That Championship Season," "Tattoo," "The 'Burbs," "The Haunting," "All the Pretty Horses," "Masked and Anonymous," "Down in the Valley," "Astronaut Farmer," "The Cake Eaters," "Black Sunday," "After Dark, My Sweet," "Madison," "Diggstown," "Twixt" and "Last Man Standing."
Dern has received several Lifetime Achievement Awards from various film festivals. In 2010, Dern received the prestigious Hollywood Walk of Fame star along with his ex-wife Diane Ladd & daughter Laura Dern, the only family in history to receive their Stars in one ceremony.- Actor
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The son of the great character actor (and Errol Flynn sidekick) Alan Hale, Alan Hale Jr. (he dropped the Jr. after his father passed away) was literally born into the movies. Hale did his first movie as a baby and continued to act until his death. Unlike other child actors, Hale made a smooth transition in the movies and starred in several classics like Up Periscope (1959), The Lady Takes a Flyer (1958) and The West Point Story (1950), as well as many westerns. He did many television guest appearances as well before getting his role as Skipper Jonas Grumby on the cult comedy Gilligan's Island (1964). After the sitcom went off the air, Hale continued to act and even teamed up with Gilligan co-star Bob Denver in The Good Guys (1968), a CBS-TV comedy that lasted only two years. After that ended, Hale keep busy acting in guest appearances and maintained his business interests which included a restaurant and travel agency. On January 2, 1990, Alan Hale Jr. died at age 68 of thymus cancer at St. Vincent Medical Center (SVMC) in Los Angeles, California. Upon his death, his remains were cremated and his ashes were scattered into the Pacific Ocean.- James Westerfield was born on 22 March 1913 in Nashville, Tennessee, USA. He was an actor, known for On the Waterfront (1954), True Grit (1969) and Hang 'Em High (1968). He was married to Alice Gertrude Fay (Fay Tracey) and Rosemary Doris Deveson. He died on 20 September 1971 in Woodland Hills, Los Angeles, California, USA.
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Born Kay Ann Lenz on March 4, 1953, the comely, pert-nosed, dark-haired, award-winning actress came from an L.A. showbiz family -- her father being producer/commentator Ted Lenz and her mother model/radio engineer Kay Miller Lenz. At the ripe old age of eight weeks, Kay appeared on her first TV show produced by her dad as a baby being held up and sung to. She must have taken to the attention because she continued to appear on her father's TV shows and commercials throughout her childhood.
In the 1960s, she appeared as a teen on stage (Pasadena Playhouse) and, using the stage name Kay Ann Kemper, moved into TV in 1967 with several episodes on the religious series This Is the Life (1952). She went on to appear on such popular programs as "The Monroes" and "The Andy Griffith Show," Returning to theatre work, she left the small screen until 1972, when she was spotted on episodes of "Ironside" and "Owen Marshall" as well as the TV movie (and unsold pilot) where she started earning attention playing feisty, troubled teens. Initially billed as Kay Ann Kemmer, she appeared in a bit part on the classic George Lucas 1950's film American Graffiti (1973)
Kay began to flirt with serious 1970s film stardom after being cast by director Clint Eastwood in the troubled, titular role of Breezy (1973) opposite William Holden as a plucky, but hard luck hippie/free spirit who has an affair with a much older businessman. She earned a Golden Globe nomination as "Most Promising Newcomer." Unfortunately, although Kay was singled out for her affecting performance, the movie itself was ignored. Around that same time she earned a Daytime Emmy Award for her performance in a 1974 episode of The ABC Afternoon Playbreak (1972)
Although she ventured on, none of her subsequent strong work in such films as White Line Fever (1975), The Great Scout & Cathouse Thursday (1976), Moving Violation (1976), Mean Dog Blues (1978), The Passage (1979) and House (1985) and/or TV movie dramas as Lisa, Bright and Dark (1973) (title role), A Summer Without Boys (1973), Unwed Father (1974), The Underground Man (1974), The F.B.I. Story: The FBI Versus Alvin Karpis, Public Enemy Number One (1974), Journey from Darkness (1975), The Initiation of Sarah (1978) (title role), The Seeding of Sarah Burns (1979) (title role) and Sanctuary of Fear (1979) would help push her into the top star echelon. She did, however, earn fine notices and an Emmy nomination for her portrayal of Kate Jordache in the acclaimed mini-series Rich Man, Poor Man (1976) and had a standout role as Doreen in a recurring role on the series How the West Was Won (1976).
Continuing to appear on series TV, including dramatic appearances on "The Streets of San Francisco," "Gunsmoke," "Medical Center," "McCloud" and "Cannon," Kay gained uninvited attention after her wedding to superstar teen idol David Cassidy in 1977. The marriage would last six years.
Kay's career has remained quite solid since she entered mid-career. On film, she played an adulterous wife (and earned a bit of notoriety for her nude scenes) in the prison drama Fast-Walking (1982); co-starred with William Katt as an actress and his ex-wife in the haunted house thriller House (1985); played the girlfriend of vigilante Charles Bronson in another of the "Death Wish" series: Death Wish 4: The Crackdown (1987); is terrorized along with her family by escaped convicts in Fear (1988); is top-billed as an investigating cop in the voodoo horror The Head Hunter (1988); portrays a mobster's wife in the Burt Reynolds crime drama Physical Evidence (1989); appeared in a film vehicle for rock singer John Mellencamp as his lover in Falling from Grace (1992); and essayed the role of the ex-wife of notorious gunfighter Lance Henriksen in Gunfighter's Moon (1995).
TV remained a primary source of gritty work -- "Hill Street Blues," "Magnum P.I.," "Cagney & Lacey," "Heart of the City," "Moonlighting," "Simon and Simon," "Lois & Clark" and "Touched by an Angel." She topped it off with Emmy nominations for her performance in Midnight Caller (1988) and for her defense attorney Maggie Zombro in Reasonable Doubts (1991). Into the millennium, she was seen on episodes of "ER," "JAG," "Heartland," "Cold Case" and "Bones," and, on the large screen, reunited with "House" co-star William Katt as harried parents in the high school comedy The Secret Lives of Dorks (2013) and a earned a poignant co-starring role in the social drama More Beautiful for Having Been Broken (2019).- Actress
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Kim Johnston Ulrich was born on 24 March 1955 in Ripon, California, USA. She is an actress, known for Passions (1999), The Charmings (1987) and Supernatural (2005). She has been married to Robert J. Ulrich since 3 January 1981. They have two children.- British-born Vanessa Angel began her career at age 14 as a model, when she was discovered by world-renowned agent, Eileen Ford. She gained much life experience by traveling the world, relocating to New York and appearing on many magazine covers, including "Vogue" and "Cosmopolitan". Her transition from modeling to acting came in 1985, when she was chosen by director John Landis to play a Russian spy in Spies Like Us (1985). She honed her craft by studying with Sondra Lee and became a member of The Actor's Studio in New York in 1987, studying with Frank Corsaro. This led to roles in films including King of New York (1990), Sleep with Me (1994) and Kingpin (1996), from The Farrelly Brothers with Woody Harrelson and Bill Murray, Kissing a Fool (1998) with David Schwimmer and Jason Lee. She has been in many films in the past few years including Paramount's The Perfect Score (2004) with Scarlett Johansson and opposite Jon Voight in Superbabies: Baby Geniuses 2 (2004). In addition to her film work, Angel starred in the hit series, Weird Science (1994), on the USA Network.
The unique range of characters earned her critical recognition for her comedic timing. She has played many roles on television, including the recurring role of police officer "Peggy Elliot" on NBC's Reasonable Doubts (1991) with Mark Harmon and Marlee Matlin, and a recent recurring role on Stargate SG-1 (1997). Most recently, she played herself in HBO's popular show, Entourage (2004), where she played opposite Kevin Dillon, who she had also starred opposite in Out for Blood (2004). She also recently starred in the Lifetime movie, Criminal Intent (2005), and just finished the independent film, Blind Ambition (2008), and the comedy, Endless Bummer (2009). She reconnected with The Farrelly Bros in Hall Pass (2011) and made a memorable guest appearance in Showtime's Californication (2007). She recently completed the films, Lycan (2017) and Trouble Sleeping (2018) Vanessa and her ex-husband, Rick Otto, are co-parents of their daughter India Otto. - Actor
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American actor of commanding presence and powerful voice, prolific on screen since 1980 and frequently cast in authoritarian roles as judges, attorneys, police chiefs or senior military officers. Richard Edward Gant graduated from California State University - East Bay with a Bachelor of Arts degree in Visual and Performing Arts and from Samuel Merritt University in 1967 with an Associate of Arts degree in Liberal Arts and Afro-American Studies. Gant spent four years in the Air Force as a radar operator, before moving to New York to work off-Broadway as actor and director on some 35 productions. In 1978, he appeared alongside Morgan Freeman and Dorian Harewood in The Mighty Gents, a play about the decline of a once-feared Newark black youth gang. In films, he is perhaps best known as retired boxing promoter and manager George Washington Duke (the main antagonist in Rocky V (1990)), a role for which he was handpicked by Sylvester Stallone.
Gant's notable TV appearances have included the ill-fated livery stable owner Arnette Hostetler in HBO's Deadwood (2004); Captain Richard Page, commander of Special Unit 2 (2001), a secret police task force battling mythological entities in Chicago; Captain Edward "Mackie" MacDougan, an Earthforce commander sympathetic to Sheridan (Bruce Boxleitner) in Babylon 5 (1993); Dr. Russell Ford in the popular daytime soap General Hospital (1963); car dealership owner Owen Thoreau Sr., Andre Braugher's on-screen father in Men of a Certain Age (2009) and snarky English teacher Ray Hayward in Mr. Iglesias (2019). His numerous guest roles have included appearances in Miami Vice (1984), L.A. Law (1986), NYPD Blue (1993), Smallville (2001), Charmed (1998) and, more recently, NCIS: Los Angeles (2009).
In 2006, Gant co-founded PanAfricanist, a digital solutions company which focuses "on designing and developing cultural connectivity infrastructures." He is married to the costume designer and director Arline Burks Gant.- Actress
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Born on November 19, 1955, in Long Island, Glynnis Mary O'Connor was primed for acting right from the beginning. Her father, Daniel O'Connor (1921-2015), was producer, executive producer, and managing director of NBC Special News for over 25 years. Her mother, former stage, film and TV actress Lenka Peterson, who worked with Glynnis in a couple of her daughter's assignments. Her brother, Darren O'Connor, was also an actor back in the 1970s.
In her late teens, she was featured on the daytime soap As the World Turns (1956) and the prime-time family series Sons and Daughters (1974), opposite Gary Frank. A graduate of the State University of New York, Glynnis found her brief niche portraying sensitive, fretful young 1970's romantics, hitting her stride early with Jeremy (1973) (she also sang the title song); Ode to Billy Joe (1976) (based on the hit song by Bobbie Gentry), and as "Emily Gibb" in the TV movie Our Town (1977) -- all of them opposite (then) off-screen boyfriend Robby Benson.
Other prime 70's credits included the social drama All Together Now (1975); the biographical drama The Boy in the Plastic Bubble (1976) starring up-and-coming John Travolta in the title role; and the moving drama Baby Blue Marine (1976) starring Jan-Michael Vincent. Glynnis also played a sensitive misfit in the touching comedy California Dreaming (1979); a dancer who gets involved with awkward theatre hopeful Tom Hulce in the romantic comedy Those Lips, Those Eyes (1980); and, best of all, ill-fated tennis champion Maureen Connolly in the TV biopic Little Mo (1978).
With all this diversity displayed, Glynnis surprisingly did not hit the top ranks. Her name and off-camera personality somehow never quite meshed with the movie-going public despite her continued excellence. In Melanie (1982), she played as an uneducated woman trying to regain custody of her son. In Why Me? (1984), she played as an Air Force nurse forced to readjust after being disfigured in a car accident. She also co-starred in the poignant TV-movie Love Leads the Way: A True Story (1984) starring Timothy Bottoms as a recently blinded man fighting the law in using a seeing eye dog.
Glynnis has continued occasionally on film with featured roles in the Michael Keaton/Joe Piscopo comedy Johnny Dangerously (1984); the Taye Diggs mystery thriller New Best Friend (2002); the comedy crime caper Graduation (2007); the psychological thriller Heaven's Messenger (2008); the comedy The Trouble with Cali (2012) directed by and starring Paul Sorvino; the social drama The Historian (2014); the Victorian drama Angelica (2015) and the Mary Kay Place drama Diane (2018). Seen more on TV, credits include guest parts on "The Chisholms," "The New Twilight Zone" "Reasonable Doubts" and "Young Americans," as well as recurring parts on Law & Order (1990) and Condor (2018), and a number of TV movies including Sins of the Father (1985), Too Good to Be True (1988), Nightmare in the Daylight (1992), Death in Small Doses (1995) and Ellen Foster (1997).
Married to New Yorker Douglas Stern, they have two daughters together, Lindsay and Hana,- Tucker Smallwood, the eldest son of an educator and diplomat, was a NBC television director before being drafted into the US Army in 1967. He was commissioned as an Infantry Officer and served as an OCS Tactical Officer at Fort Benning, before undergoing Vietnamese language training and jump school. He later commanded a Mobile Advisory Team during the Vietnam War. After recovering from his combat wounds, Smallwood moved to New York to study acting at the Neighborhood Playhouse.
He is the author and the Audio Book narrator of "Return to Eden", an anthology of 33 essays describing his experiences as an Army advisor in Vietnam, his life as an actor thereafter and his return to Vietnam in 2004.
A life-long musician, Smallwood performed all vocals on the delta blues album "Incarnation: "The Robert Johnson Project". - Actor
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Robert Hooks was born on 18 April 1937 in Washington, District of Columbia, USA. He is an actor, known for Trouble Man (1972), Star Trek III: The Search for Spock (1984) and Passenger 57 (1992). He has been married to Lorrie Marlow since 15 June 2008. He was previously married to Yvonne Hickman and Rosie Lee Hooks.- Tall, virile American TV leading man of the 1960s and 70s, born in Long Beach, California, the youngest of three siblings of Clarence Loy Colbert Jr. (1902-1962) and Helena M. Colbert (née Gorman, 1900-1990). As a youth, he attended Long Beach Polytechnic High School, excelling both academically and as an athlete in track and field. During his school years, he first discovered his aptitude for acting. He studied theatre arts at the University of California, Berkeley, prior to military service with U.S. troops stationed on the island of Okinawa.
While working in a clerical position with a Military Police unit, Colbert sidelined as a disc jockey for the prominent local radio station KSBK in Naha, which often hired Americans and tended to promote the latest in American pop music. Colbert was paid two dollars an hour, four nights a week. Though financially lucrative, he quit the radio job when a woman in the Air Force, who had heard his voice on the airwaves, prompted him to try out for a stage production of The Caine Mutiny Court-Martial. This firmly hooked him on acting. Following his army discharge, Colbert honed his newly acquired skills in Shakespearean roles with the Portland Repertory Theater in Oregon. While staging the performance of a play at a supper club, he was approached by the comic actor and singer Mickey Shaughnessy with an offer to travel to Hollywood to meet his agent. For a guy who had at different times worked as a furniture mover, ditch digger, bulldozer driver and kitchen appliance salesman, the offer proved irresistible.
Signed under contract by Warner Brothers, Colbert made his screen debut in 1957. He had a few minor film roles before becoming a regular guest actor in many of the Warners' TV series on the ABC network, including multiple appearances as different characters in Bourbon Street Beat (1959), Colt .45 (1957), Bronco (1958), Hawaiian Eye (1959) and 77 Sunset Strip (1958). He particularly liked being in westerns and had a great fondness for horses. Colbert appeared three times on Maverick (1957) during season four, the first time as suspected stage coach robber "Cherokee" Dan Evans, then twice as Brent, a third brother of Bret Maverick (famously played by James Garner, to whom Colbert bore more than a passing resemblance). After five years of acting in nearly all of the studio's series, Colbert asked to be released from his WB contract. He had accrued a debt of $80,000, due to a failed restaurant investment, and wished to avoid his salary being claimed as part of the encumbrance. Warners obliged.
In 1966, Colbert's agent helped him arrange a meeting with writer/producer Irwin Allen, and he was consequently cast as Dr. Doug Phillips, co-starring alongside James Darren (as Dr. Anthony Newman) in the ground-breaking cult science fiction series The Time Tunnel (1966). In his own words: "It was the best show because it was like an anthology every week, with a different cast." In each episode, the two lead characters, lost in time due to a malfunction in the experimental time device, were thrust into a different historical (or, less often, future) event. Five minutes before the episode ended, they would find themselves transported to a new scenario, thereby a new cliffhanger was created for the audience. Though quite entertaining and a big hit with viewers, Time Tunnel suffered from historical inaccuracies and excessive use of stock footage. When the head of ABC was fired and new management came into play, the series was abruptly cancelled after a single season.
Despite the setback, Colbert remained gainfully employed on the small screen. He made a few more forays into the sci-fi genre: as a relentless interrogator in Land of the Giants (1968), one of the leads in the TV movie City Beneath the Sea (1971) (a failed pilot for a projected Irwin Allen series about an underwater city), and in a segment of the spoof Amazon Women on the Moon (1987). He was featured in several episodes of Mannix (1967), had a ten-year stint as a regular character on the soap The Young and the Restless (1973) and rounded off his career with guest spots on Frasier (1993) and Baywatch (1989).
Retired since 1995, Colbert continues to make appearances at science fiction and western conventions across America. - Actor
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American Western star and character actor whose career spanned six decades. The son of director Robert N. Bradbury, he appeared in vaudeville with his parents and with his twin brother Bill Bradbury appeared as a child in a series of 16 semi- documentary short films directed by their father, The Adventures of Bob and Bill. As Bob Bradbury Jr., he played juvenile roles in silent films, then took the stage name Bob Steele in 1927. He appeared in scores of films during the Thirties, rising to B-Western stardom and an apparently solid position as one of Republic Studios' top draws. Occasionally he made an appearance in more prominent films, as in his role as Curly in Of Mice and Men (1939). But he remained primarily a figure in Westerns. His stardom diminished by the mid-40s, and he spent the next quarter-century in character roles, some highly visible, such as his part in The Big Sleep (1946). But he also eventually turned up as a virtual extra in pictures like Shenandoah (1965). He appeared often on television and regained some fame in his role as Trooper Duffy in F Troop (1965). He died at St. Joseph's Hospital in Burbank, California, following a long illness.- Actor
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Whit Bissell came to Hollywood in the 1940s, and by the time he retired he had appeared in more than 200 movies and scores of TV series. He is best known for playing the evil scientist who turned Michael Landon into a half beast in the 1957 cult classic film I Was a Teenage Werewolf (1957). Bissell specialized in playing doctors, military officers and other authority figures. On television he was a regular on Bachelor Father (1957) and The Time Tunnel (1966). He also served on the Screen Actors Guild board of directors for 18 years and represented the actors branch in the Academy of Motion Picture Arts and Sciences board of governors.- Actor
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Val Avery was born on 14 July 1924 in Philadelphia, Pennsylvania, USA. He was an actor, known for The Magnificent Seven (1960), The Amityville Horror (1979) and Cobra (1986). He was married to Margot Stevenson. He died on 12 December 2009 in Greenwich Village, Manhattan, New York City, New York, USA.- Actor
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Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.- Actor
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Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.
Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.
The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.
The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.
No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).- Actor
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American supporting player specializing in tough guys. Of Serbian extraction, he was born in Nevada in 1917. As a young man, he boxed in amateur bouts and had early training in theatre at the Pasadena Playhouse. He joined the Air Corps during World War II and was assigned to the troupe performing the Moss Hart Broadway tribute to the Corps, Winged Victory, acting under his first chosen stage name, Barry Mitchell. He appeared in the film version of the show, and after the war became active in radio drama as well as theatre. John Huston spotted him in a play and cast him as a bad guy in The Asphalt Jungle (1950), under the new sobriquet of Brad Dexter. Throughout the Fifties, he continued to play hard cases of a usually villainous stripe, in both crime dramas and Westerns. His most famous role came as one of title characters in The Magnificent Seven (1960), albeit his fame was considerably eclipsed by most of the other members of that band: Yul Brynner, Steve McQueen, Horst Buchholz, Charles Bronson, Robert Vaughn, and James Coburn. He continued acting into the 1970s, then made a shift into producing.- Actor
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Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).
Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).
The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).
He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.
Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.- Actor
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On the cast list of The Magnificent Seven (1960), you will find several names that doubtless you know well: Charles Bronson, Steve McQueen, and Yul Brynner. But there is one name that you will have difficulty pronouncing, let alone identifying as an actor you have seen before. That man is Horst Buchholz, and he was one of the few German actors to have a considerable success in both Hollywood and in Europe. One would hardly guess that he was sought out to act in one of the most famous films of all time, only to have to turn it down.
Horst Buchholz was born in Berlin, Germany, in the year 1933. His father was a German shoemaker, while his mother was born to Danish parents. Buccholz was put in a foster home in Czechoslovakia when World War II broke out in Europe, but he returned to Berlin the moment he had the chance. Realizing his talent in acting, Buchholz dropped out of school to perfect his acting skills. After moving from East Berlin to West Berlin, he became well-known for his work in theatre and on the radio. In 1952 he turned to film, and after a series of small roles, he found a larger one in the Julien Duvivier film Marianne of My Youth (1955). He was praised for his role in the romantic/drama film Sky Without Stars (1955) by Helmut Käutner, but it was the lead role in the comedic Confessions of Felix Krull (1957) that made him an established German actor.
He followed this breakthrough role with the romantic film Two Worlds (1958) and the thriller Wet Asphalt (1958), where the handsome young actor plays a former criminal who associates himself with a journalist. Now a familiar face in his country, Buchholz pursued making foreign films. His first non-German film was the British film Tiger Bay (1959). The film is about a girl who witnesses a seaman named Korchinsky (Buchholz) murder his girlfriend. The film won praise in both Germany and Britain, but it was Buchholz' next foreign film that secured his name in the history of classic films. This film was the epic western The Magnificent Seven (1960) directed by John Sturges. Buchholz played Chico, the inexperienced Mexican youth that wants to be a gunman and abandon his past. Buchholz starred alongside such legends as Charles Bronson and Yul Brynner. both of whom had strong European roots. The film was a hit, first in Europe, then was re-distributed in the States to a much higher profit. The film gained massive popularity, and even now is treasured as a classic.
Buchholz could now find good and steady work nationally and internationally, which is something few actors could do at the time. He worked on the romantic film Fanny (1961), which is based on a trilogy of plays written by legendary writer Marcel Pagnol. Buchholz plays the role of Marius, a passionate but unsure youth who must choose between the girl he loves, and the life at sea he has always wanted. The film was a fine success, nominated for five Oscars, including Best Picture and Best Actor for Charles Boyer (who plays Buchholz' onscreen father).
It was at this point in his film career where he was sought as the first choice to play the role of Sherif Ali in David Lean's legendary film Lawrence of Arabia (1962). However, Buchholz had to turn it down, as he had already signed up for another film, which turned out to be the Oscar-nominated comedy One, Two, Three (1961) (directed by Billy Wilder). The film was once again a fine success to add to Buchholz' career, but ultimately gained nowhere near as much of a status as David Lean's film. Buchholz also made the Italian film The Empty Canvas (1963) in which he plays an untalented artist who begins a love affair with a young model. Throughout his in the early 60s, Buchholz had made a name for himself, acting in one Oscar-nominated film after another and showing off his talent as an actor. However, the success he had reached was not to last.
Buchholz continued with film, including the James Bond spoof That Man in Istanbul (1965) and the crime film Johnny Banco (1967). He starred in the B-movie failure that was The Young Rebel (1967). Buchholz rebounded with the fiery film The Saviour (1971) in which he plays a man who claims to be organizing resistance against the Nazis. He also played Johann Strauss in the Golden Globe-nominated musical The Great Waltz (1972). which was sadly another failure.
The rest of the 1970s and the early 1980s were spent mostly on television and movies released for television, whether it be foreign (Dead of Night (1977), Return to Fantasy Island (1978)) or German (Derrick). Buchholz found mild success again when he returned to the big screen with the WW II espionage film Code Name: Emerald (1985) in which he plays alongside such stars as Ed Harris and Max von Sydow. After this film, Buchholz returned to European movies, such as And the Violins Stopped Playing (1988) in which a group of gypsies flee Nazi persecutors. After taking a supporting role in the fantasy film Faraway, So Close! (1993), Buchholz acted in one of his most well known films: the Oscar-winning Italian film Life Is Beautiful (1997) which was directed by and starred Roberto Benigni. Buchholz played the role of a doctor who befriends Benigni's character and frequently duels with him in riddles. This choice of role proved to be an echo of Buchholz' taste in choosing his projects in earlier years; the film won best foreign film that year, and was also nominated for Best Picture. Thanks to his gift for languages, Buchholz was able to dub himself in the foreign releases of the film.
Buchholz continued making films and television appearances until 2002, by which time he was sixty-eight years old. He died the next year, in Berlin, of pneumonia. Berlin had been the city of his heart, and was buried there in honour of that fact. Horst Buchholz had been a renowned German actor, and had gained credibility in the United States and other countries. He was a varied performer, acting all kinds of roles in his life, but was always a proud German to the last.- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actor
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Exotic leading man of American films, famed as much for his completely bald head as for his performances, Yul Brynner masked much of his life in mystery and outright lies designed to tease people he considered gullible. It was not until the publication of the books "Yul: The Man Who Would Be King" and "Empire and Odyssey" by his son, Yul "Rock" Brynner, that many of the details of Brynner's early life became clear.
Yul sometimes claimed to be a half-Swiss, half-Japanese named Taidje Khan, born on the island of Sakhalin; in reality, he was the son of Marousia Dimitrievna (Blagovidova), the Russian daughter of a doctor, and Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German and Russian descent. He was born in their home town of Vladivostok on 11 July 1920 and named Yuli after his grandfather, Jules Bryner. When Yuli's father abandoned the family, his mother took him and his sister Vera to Harbin, Manchuria, where they attended a YMCA school. In 1934 Yuli's mother took her children to Paris. Her son was sent to the exclusive Lycée Moncelle, but his attendance was spotty. He dropped out and became a musician, playing guitar in the nightclubs among the Russian gypsies who gave him his first real sense of family. He met luminaries such as Jean Cocteau and became an apprentice at the Theatre des Mathurins. He worked as a trapeze artist with the famed Cirque d'Hiver company.
He traveled to the U.S. in 1941 to study with acting teacher Michael Chekhov and toured the country with Chekhov's theatrical troupe. That same year, he debuted in New York as Fabian in "Twelfth Night" (billed as Youl Bryner). After working in a very early TV series, Mr. Jones and His Neighbors (1944), he played on Broadway in "Lute Song" with Mary Martin, winning awards and mild acclaim. He and his wife, actress Virginia Gilmore, starred in the first TV talk show, Mr. and Mrs. (1948). Brynner then joined CBS as a television director. He made his film debut in Port of New York (1949). Two years later Mary Martin recommended him for the part he would forever be known for: the King in Richard Rodgers' and Oscar Hammerstein II's musical "The King and I". Brynner became an immediate sensation in the role, repeating it for film (The King and I (1956)) and winning the Oscar for Best Actor.
For the next two decades, he maintained a starring film career despite the exotic nature of his persona, performing in a wide range of roles from Egyptian pharaohs to Western gunfighters, almost all with the same shaved head and indefinable accent. In the 1970s he returned to the role that had made him a star, and spent most of the rest of his life touring the world in "The King and I". When he developed lung cancer in the mid 1980s, he left a powerful public service announcement denouncing smoking as the cause, for broadcast after his death. The cancer and its complications, after a long illness, ended his life. Brynner was cremated and his ashes buried in a remote part of France, on the grounds of the Abbey of Saint-Michel de Bois Aubry, a short distance outside the village of Luzé. He remains one of the most fascinating, unusual and beloved stars of his time.- Actress
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Margot Elise Robbie was born on July 2, 1990 in Dalby, Queensland, Australia to Scottish parents. Her mother, Sarie Kessler, is a physiotherapist, and her father, is Doug Robbie. She comes from a family of four children, having two brothers and one sister. She graduated from Somerset College in Mudgeeraba, Queensland, Australia, a suburb in the Gold Coast hinterland of South East Queensland, where she and her siblings were raised by their mother and spent much of her time at the farm belonging to her grandparents. In her late teens, she moved to Melbourne, Victoria, Australia to pursue an acting career.
From 2008-2010, Robbie played the character of Donna Freedman in the long-running Australian soap opera, Neighbours (1985), for which she was nominated for two Logie Awards. She set off to pursue Hollywood opportunities, quickly landing the role of Laura Cameron on the short-lived ABC series, Pan Am (2011). She made her big screen debut in the film, About Time (2013).
Robbie rose to fame co-starring alongside Leonardo DiCaprio, portraying the role of Naomi Lapaglia in Martin Scorsese's Oscar nominated film, The Wolf of Wall Street (2013). She was nominated for a Breakthrough Performance MTV Movie Award, and numerous other awards.
In 2014, Robbie founded her own production company, LuckyChap Entertainment. She also appeared in the World War II romantic-drama film, Suite Française (2014). She starred in Focus (2015) and Z for Zachariah (2015), and made a cameo in The Big Short (2015).
In 2016, she married Tom Ackerley in Byron Bay, New South Wales, Australia.
She starred as Jane Porter in The Legend of Tarzan (2016), Tanya Vanderpoel in Whiskey Tango Foxtrot (2016) and as DC comics villain Harley Quinn in Suicide Squad (2016), for which she was nominated for a Teen Choice Award, and many other awards.
She portrayed figure skater Tonya Harding in the biographical film I, Tonya (2017), receiving critical acclaim and a Golden Globe Award nomination for Best Actress - Motion Picture Comedy or Musical.- Actress
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Jennifer Eve Garth was born on April 3rd, 1972 in Urbana, Illinois, USA to John and Carolyn Garth, who both had 3 children each from different marriages, before they had Jennie. She grew up on a 25-acre horse ranch outside Urbana, Illinois with her 6 older siblings: Johnny, Chuck, Lisa, Cammie, Wendy and Lynn. When Jennie was 13, she and her family moved to Phoenix, Arizona. She took dancing lessons and did a little modeling while living in Arizona, and she dreamed of going to college and later start her own dance studio. At age 15, Jennie was discovered and encouraged to pursue an acting career by a talent scout, who had seen her win a talent competition. Therefore, she dropped out of high school during her junior year, and she and her mom moved to Los Angeles, California so she could become an actress. She later obtained her diploma in California. There, she started taking acting classes and went to auditions almost every day. After living in LA for about four months, she landed the role of 'Ericka McCray' on the NBC series A Brand New Life (1989). Within a year, she was cast as 'Kelly Taylor' on the long-running hit teen drama-series Beverly Hills, 90210 (1990) on FOX television. Ever since, she has starred in several movies made for TV, a number of which she has produced and directed herself. On January 20th, 2001, she married actor Peter Facinelli, the father of her first daughter, Luca Bella (born June 29th, 1997), on her ranch in Santa Barbara, California. On December 6th, 2002, Jennie and Peter welcomed their second daughter, Lola Ray and their third daughter Fiona Facinelli on September 30th, 2006. Jennie most recently starred in the WB network sitcom What I Like About You (2002) as 'Valerie Tyler' until its cancellation in 2006.- Actor
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Walter Pidgeon, a handsome, tall and dark-haired man, began his career studying voice at the New England Conservatory of Music in Boston. He then did theater, mainly stage musicals. He went to Hollywood in the early 1920s, where he made silent films, including Mannequin (1926) and Sumuru (1927). When talkies arrived, Pidgeon made some musicals, but he never received top billing or recognition in these. In 1937 MGM put him under contract, but only in supporting roles and "the other man" roles, such as in Saratoga (1937) opposite Jean Harlow and Clark Gable and in The Girl of the Golden West (1938) opposite Jeanette MacDonald and Nelson Eddy. Although these two films were big successes, Pidgeon was overlooked for his contributions to them. MGM lent him out to Fox, where he finally had top billing, in How Green Was My Valley (1941). When he returned to MGM the studio tried to give him bigger roles, and he was cast opposite his frequent co-star Greer Garson. However, Garson seemed to come up on top in Blossoms in the Dust (1941) and Mrs. Miniver (1942), although Pidgeon did receive an Academy Award nomination for his role in the latter film.
Pidgeon remained with MGM through the mid-'50s, making films like Dream Wife (1953) and Hit the Deck (1955) with Jane Powell and old pal Gene Raymond. In 1956 Pidgeon left the movies to do some work in the theater, but he returned to film in 1961.
Pidgeon retired from acting in 1977. He suffered from several strokes that eventually led to his death in 1984.- Pamela Bellwood was born on 26 June 1944 in the USA. She is an actress, known for Airport '77 (1977), Dynasty (1981) and Serial (1980). She has been married to Nik Wheeler since 30 December 1984. They have one child. She was previously married to Peter Bellwood.
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American character actor born in Cincinnati and raised in Louisville, Mitchell Ryan was a well known supporting actor in films and television. Joined the Navy in 1951 at age 17 and was later assigned to the Special Services Entertainment and became hooked on acting. After his term in the Navy, he appeared in dozens of plays until he received notice as playing a regular in TV's Dark Shadows (1966).
Beginning in the 1970s, he received work in motion pictures including Monte Walsh (1970), Magnum Force (1973) and in Clint Eastwood's High Plains Drifter (1973). He had a small part in Universal's Midway (1976) and returned to act in numerous soaps and television series, among them included a recurring guest role in Having Babies (1978), Executive Suite (1976), The Chisholms (1979) and All My Children (1970) and a growing list of television films and TV guest appearances.
He may have been best-known for portraying the villain that Mel Gibson and Danny Glover are after in Lethal Weapon (1987), but his career included several supporting roles in the past ten years including Judge Dredd (1995), Michael Myers' nemesis in Halloween: The Curse of Michael Myers (1995), Liar Liar (1997) (with Jim Carrey), and as Harrison Ford's chief out to get Brad Pitt in the film The Devil's Own (1997).- Actor
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Born of African and West Indian ancestry on July 2, 1927 in New York City, Brock Peters set his sights on a show business career early on, at age ten. A product of NYC's famed Music and Arts High School, Peters initially fielded more odd jobs than acting jobs as he worked his way up from Harlem poverty. Landing a stage role in "Porgy and Bess" in 1949, he quit physical education studies at CCNY and went on tour with the acclaimed musical. His film debut came in Carmen Jones (1954), but he really began to make a name for himself - having dropped his real name, George Fisher, in 1953 - in such films as To Kill a Mockingbird (1962) and The L-Shaped Room (1962). He received a Tony Award nomination for his starring stint in Broadway's "Lost in the Stars" in 1973. He also appeared in Star Trek IV: The Voyage Home (1986) and Star Trek VI: The Undiscovered Country (1991), two sequels to the popular Star Trek films. Brock Peters died at age 78 of pancreatic cancer on August 23, 2005.- Actor
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As a film character actor, Klugman was the epitome of the everyman. He was one of the pioneers of television acting in the 1950s, and is best remembered for his 1970s TV work as Oscar Madison on The Odd Couple (1970) and as the medical examiner on Quincy M.E. (1976).- Actor
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With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.- Veteran character actor Paul Lambert was born in El Paso, Texas, and brought up in Kansas City. He was an Army Air Corps lieutenant in World War II. Using the G.I. Bill, he attended the Actors Lab in Los Angeles and several acting schools in New York. He made his motion picture debut in Spartacus (1960). He began his acting career on the New York stage in the 1950s. His stage credits include a role in the Broadway production of "A Little Night Music". In addition to being an actor, he was also a playwright and stage director, and wrote, directed and acted in his own play, "Interior Hollywood Day". In addition, he was in a record 14 productions of the prestigious Playhouse 90 (1956).
- Parfrey was born Sydney Woodrow Parfrey in New York City, New York, to Hazel (James) and Sidney Parfrey, both Welsh immigrants. One of the most interesting character actors to emerge on American film and television in the 1960s, Parfrey brought a quirky charisma to every role he played, from shopkeepers to space-age simians. His noted turn as the unbalanced informer in Broadway's "Advise and Consent" (1961) set the standard for his offbeat, conspiratorial persona in dozens of TV and movie appearances into the 1980s. Always a supporting player receiving inconsistently deferential billing, Parfrey did manage some focal TV guest-star roles, mainly in the late sixties, and a few big A-movie parts, most notably as one of the wretched prisoners in Papillon (1973). Parfrey's association with that film's director, Franklin Schaffner, also included his bit as one of the three "See No Evil" orangutan judges in Planet of the Apes (1968) (he would don the prosthetics again for the pilot of the spinoff TV series). In addition, Parfrey also turned up in the unofficial repertory companies of both Clint Eastwood and Don Siegel. His determination to bring that edgy "something extra" to his profession lives on in his son, the "underground" publisher Adam Parfrey.
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Distinguished character player James Firman Daly first appeared on stage in his home town of Wisconsin Rapids in 1928. He was set on acting from an early age, and was strongly encouraged by his parents. His father was in the fuel business and his mother at one time a CIA employee. Upon leaving school, Daly studied dramatic arts at various Midwestern colleges, eventually graduating from Grinnell in Iowa. His acting career was then put on hold as a result of the war and he served in all three of the service branches, the last four years spent in the navy as an ensign.
Daly's acting career got off to a good start once he arrived in New York in 1946, landing a part as understudy to Gary Merrill in the long-running hit play "Born Yesterday" on Broadway. By the time he appeared in his third play, "Man and Superman" (1949), he was billed third in the cast and won a Daniel Blum Award for his performance. Subsequently, Daly had a busy time on stage, both on and off-Broadway. He co-starred three times with the legendary Helen Hayes, most famously in "The Glass Menagerie" in 1950. That same year he also collected the Theater Guild Award as the star of "Major Barbara". His other theatrical roles of note included "Billy Budd", "Saint Joan", "The Merchant of Venice" and (on tour with Colleen Dewhurst) "Who's Afraid of Virginia Woolf?".
A hard-working actor and intent on diversifying into different media, Daly clearly understood the potential of live television drama. He made his small screen debut in the late 1940s and soon starred in early Playhouse productions. Within a few years he featured in his own weekly syndicated series, Foreign Intrigue (1951), about a family of foreign correspondents in Europe. This was one of the first TV shows to be shot on location and it necessitated his and his family's temporary relocation to Paris and Stockholm. Throughout the next twenty years, Daly remained much in demand as a reliable leading television actor with 'gravitas', often playing tragic or despairing figures. He was commanding as the titular star of Give Us Barabbas! (1961). Four years later, he picked up an Emmy for his role in the Hallmark Hall of Fame (1951) episode "The Eagle and the Cage".
Another memorably poignant portrayal was in The Twilight Zone (1959) episode "A Stop at Willoughby", with Daly as a salesperson driven to the brink of a nervous breakdown, desperately escaping his world to a fantasy town in his own mind where life is perpetually simple and peaceful. He was also David Vincent's ill-fated business partner and friend in the pilot episode "Beach-Head", one of the first victims of The Invaders (1967). Many viewers will remember Daly as 'Flint', the solitary near-immortal from the Star Trek (1966) episode "Requiem for Methuselah". There were countless other guest starring roles and even a few choice movie parts, such as Planet of the Apes (1968). Daly enjoyed another recurring role in the long-running (170 episodes) Medical Center (1969) as resident 'elder statesman' to young surgeon Chad Everett. He had just completed filming on an episode of "Roots: The Next Generations" and was scheduled to appear in the play "Equus" at the historic Westchester Theatre, Tarrytown Music Hall, when he died of a heart attack at the age of 59.- Actor
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Born on October 1, 1921, in White Plains, New York, gruff veteran character actor James Whitmore earned early and widespread respect with his award-winning dramatic capabilities on Broadway and in films. He would later conquer TV with the same trophy-winning results.
The son of James Allen Whitmore and Florence Crane, he was educated at Connecticut's Choate School after receiving a football scholarship. He later earned his BA from Yale University in 1944 before serving with the Marines in World War II. Following his honorable discharge he prepared for the stage under the G.I. bill at the American Theatre Wing, where he met first wife Nancy Mygatt. They married in 1947 and went on to have three sons together -- Steve, Dan and actor/director James Whitmore Jr..
Applause and kudos came swiftly for Whitmore while under both the Broadway and film banners. After appearing with the Peterborough, New Hampshire, Players in the summer of 1947 in "The Milky Way," Whitmore made a celebrated Broadway debut as Tech Sergeant Evans in "Command Decision" later that year. His gritty performance swept the stage acting trifecta -- Tony, Donaldson and Theatre World awards. In later years Whitmore would often comment that most of his satisfaction came from performing on the live stage.
Hollywood soon took notice of Whitmore. Clark Gable happened to be starring in the film version of Command Decision (1948), and it was hoped that Whitmore would get to recreate his award-winning role. But it was not to be. Song-and-dance star Van Johnson, who was looking for straight, serious roles after a vastly successful musical career, was given the coveted part. The disappointment didn't last long, however, and Whitmore made an auspicious film bow the following year with a prime role in the documentary-styled crime thriller The Undercover Man (1949) starring Glenn Ford and Nina Foch. Whitmore scored brilliantly with his second film as well. Battleground (1949), another war picture, was highly praised and the actor became the talk of the town upon its initial release, grabbing both the Golden Globe and an Oscar nomination for "supporting actor" for his efforts.
Hardly the handsome, matinée lead type, Whitmore nevertheless primed himself up for leading roles in a character vein and found a fine range of material come his way. He showed off his soft inner core as a religious, moral-minded family man opposite Nancy Reagan [Reagan] in the inspirational drama The Next Voice You Hear... (1950); featured his usual saltier side alongside Marjorie Main in Mrs. O'Malley and Mr. Malone (1950); ably portrayed a hunchbacked crook in The Asphalt Jungle (1950) and displayed customary authority as a security chief in the stoic military drama Above and Beyond (1952) starring Robert Taylor. Elsewhere, he played it strictly for laughs as a Runyonesque gangster partnered with Keenan Wynn in the classic MGM musical Kiss Me Kate (1953); portrayed a valiant cop fighting off gigantic mutant ants in the intelligent sci-fi thriller Them! (1954); a hard-hitting social worker in Crime in the Streets (1956) and even made the most of his small role as Tyrone Power's manager in The Eddy Duchin Story (1956).
By 1959, the craggy-faced actor known for his trademark caterpillar eyebrows, turned more and more toward the small screen, with memorable roles in The Twilight Zone (1959), The Detectives (1959) (working again with Robert Taylor), Ben Casey (1961) and a host of live theater dramas. He also starred in his own series as attorney Abraham Lincoln Jones in The Law and Mr. Jones (1960), which lasted two seasons.
Every so often a marvelous character would rear its pretty head and interest him back to the big screen. Notable of these were his white man passing for black in the controversial social drama Black Like Me (1964); his weary veteran cop in Madigan (1968); and his brash, authoritative simian in the classic sci-fi Planet of the Apes (1968).
Divorced from wife Nancy after more than two decades, Whitmore married actress Audra Lindley, best known on TV as Mrs. Roper of Three's Company (1976) fame, in 1972. The couple forged a strong acting partnership as well, particularly on stage, and maintained a professional relationship long after their 1979 divorce. Whitmore and Lindley were lauded for their appearances together in such plays as "The Magnificent Yankee," "On Golden Pond," "The Visit," "Foxfire" and "Love Letters," among others.
In the 1970s the actor transformed into a magnificent one-man-show machine playing such celebrated and inspiring historical/entertainment icons as Will Rogers, Harry Truman and Theodore Roosevelt. He disappeared into these historical legends so efficiently that even the powers-that-be had the good sense to preserve them on film and TV in the form of Will Rogers' USA (1972); Give 'em Hell, Harry! (1975), which earned him his second Oscar nomination; and Bully: An Adventure with Teddy Roosevelt (1978).
In his twilight years, Whitmore showed he still had what it took to touch movie audiences, most notably as the fragile prisoner-turned-parolee who cannot adapt to his late-life freedom in the classic film The Shawshank Redemption (1994). On TV he continued to win awards, copping a TV Emmy for a recurring part on The Practice (1997) in the late 1990s. A household face in commercials as well, one of his passions was gardening and he eventually became the spokesman for Miracle-Gro plant food.
Whitmore remarried (and re-divorced, 1979-1981) his first wife Nancy briefly before finding a lasting union with his fourth wife, actress-turned-author Noreen Nash, whom he married broaching age 80 in 2001. Whitmore died of lung cancer on February 6, 2009, after having been diagnosed in mid-November 2008.- Actor
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A grand, robust, highly theatrical British classical actor, Maurice Evans was born on June 3, 1901, in Dorchester, England, the son of a justice of the peace who enjoyed amateur play writing on the side. In fact, his father adapted several adaptations of Thomas Hardy's novels and Evans would often appear in them. Early interest also came in London choirs as a boy tenor.
Making his professional stage debut in 1926, Evans made do during his struggling years by running a cleaning and dyeing store. He earned his first triumph three years later in the play "Journey's End." When his resulting attempts as an early 1930's romantic film lead and/or second lead in White Cargo (1929), Raise the Roof (1930), The Only Girl (1933), The Path of Glory (1934), Bypass to Happiness (1934) and Checkmate (1935) didn't pan out, he refocused on the stage.
Following a season with the Old Vic theatre company, he arrived in America and proceeded to conquer Broadway, establishing himself as one of the world's more illustrious interpreters of Shakespeare. His eloquent, florid portrayals of Romeo, Hamlet, Macbeth and Richard II are considered among the finest interps. He was also deemed a master of Shavian works which included superlative performances in "Major Barbara", "Man and Superman" and "The Devil's Disciple".
As a U.S. citizen (1941), Maurice was placed in charge of the Army Entertainment Section, Central Pacific Theater during WWII and left military service with the rank of major. His post-war career included a handful of character film roles, notably Kind Lady (1951), Androcles and the Lion (1952), Gilbert and Sullivan (1953) (as composer Sir Arthur Sullivan), The War Lord (1965), Rosemary's Baby (1968), and as "Dr. Zaius" in the Planet of the Apes (1968) series.
Films would never be Evans' strong suit, earning much more stature on TV. More importantly, he brought Shakespeare and Shaw to 1950's TV, adapting (and directing) a number of his stage classics including King Richard II (1954), The Taming of the Shrew (1956), Man and Superman (1956), Twelfth Night (1957), The Tempest (1960). He won an Emmy award in 1960 for his Macbeth (1960).
Interestingly, for all his legendary performances under the theatre lights and stirring TV classics, the ever-regal stage master is probably best known to generations for his delightful, Shakespeare-spouting appearances on the Bewitched (1964) TV series, as Elizabeth Montgomery's irascible warlock father. Following guest shots on such popular TV shows as "Medical Center," "The Big Valley," "Columbo," "Streets of San Francisco," "Fantasy Island" and "The Love Boat," he made his final on-camera appearance in the TV movie A Caribbean Mystery (1983).
Evans returned to England to live out his remaining years and died there on March 12, 1989, in a Sussex nursing home of heart failure as a result of a bronchial infection, aged 87.- Actress
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Her father, Donald Cole, was a consulting engineer, and died in 1926 when Kim was only three years old. Her mother, Grace Lind, once performed as a concert pianist. She had one brother who was eight years older than she, and she was educated at Miami Beach High.
According to an in-depth article on Kim Hunter by Joseph Collura in the October 2009 issue of "Classic Images", Kim was quiet and painfully shy as a child and overcame it through the guidance of a local dramatics teacher, a Mrs. Carmine. Included were diction, voice and posture lessons.
She studied at the Actors Studio and her first professional appearance was as "Penny" in "Penny Wise" in Miami in November 1939. Then, she joined a repertory group called "Theatre of Fifteen", but it disbanded in 1942 when WWII took away most of its male members.
She made her Broadway debut performance as "Stella" in "A Streetcar Named Desire" at the Ethel Barrymore Theatre, New York, in December 1947 that was the 1947-1948 season's success and for which she won the Critics Circle and Donaldson awards.
A one-time student of the Pasadena Playhouse, she was appearing in the 1942 production of "Arsenic and Old Lace" when she was discovered by an RKO talent hunter who signed her to a seven-year contract for David O. Selznick's company. Selznick suggested she change her first name to "Kim" and a RKO secretary suggested the last name of "Hunter". A few years later, Irene Mayer Selznick, David's ex-wife by then, recommended Kim for her reprise role of "Stella" in A Streetcar Named Desire (1951), for which she won an Oscar.- Actor
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Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.- Actor
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actor
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William Claude Rains, born in the Clapham area of London, was the son of the British stage actor Frederick Rains. The younger Rains followed, making his stage debut at the age of eleven in "Nell of Old Drury." Growing up in the world of theater, he saw not only acting up close but the down-to-earth business end as well, progressing from a page boy to a stage manager during his well-rounded learning experience. Rains decided to come to America in 1913 and the New York theater, but with the outbreak of World War I the next year, he returned to serve with a Scottish regiment in Europe. He remained in England, honing his acting talents, bolstered with instruction patronized by the founder of the Royal Academy of Dramatic Arts, Herbert Beerbohm Tree. It was not long before his talent garnered him acknowledgment as one of the leading stage actors on the London scene. His one and only silent film venture was British with a small part for him, the forgettable -- Build Thy House (1920).
In the meantime, Rains was in demand as acting teacher as well, and he taught at the Royal Academy. Young and eager Laurence Olivier and John Gielgud were perhaps his best known students. Rains did return to New York in 1927 to begin what would be nearly 20 Broadway roles. While working for the Theater Guild, he was offered a screen test with Universal Pictures in 1932. Rains had a unique and solid British voice-deep, slightly rasping -- but richly dynamic. And as a man of small stature, the combination was immediately intriguing. Universal was embarking on its new-found role as horror film factory, and they were looking for someone unique for their next outing, The Invisible Man (1933). Rains was the very man. He took the role by the ears, churning up a rasping malice and volume in his voice to achieve a bone chilling persona of the disembodied mad doctor. He could also throw out a high-pitched maniac laugh that would make you leave the lights on before going to bed. True to Universal's formula mentality, it cast him in similar roles through 1934 with some respite in more diverse film roles -- and further relieved by Broadway roles (1933, 1934) for the remainder of his contract. By 1936, he was at Warner Bros. with its ambitious laundry list of literary epics in full swing. His acting was superb, and his eyes could say as much as his voice. And his mouth could take on both a forbidding scowl and the warmest of smiles in an instant. His malicious, gouty Don Luis in Anthony Adverse (1936) was inspired. After a shear lucky opportunity to dispatch his young wife's lover, Louis Hayward, in a duel, he triumphs over her in a scene with derisive, bulging eyes and that high pitched laugh -- with appropriate shadow and light backdrop -- that is unforgettable.
He was kept very busy through the remainder of the 1930s with a mix of benign and devious historical, literary, and contemporary characters always adapting a different nuance -- from murmur to growl -- of that voice to become the person. He culminated the decade with his complex, ethics-tortured Senator "Joe" Paine in Mr. Smith Goes to Washington (1939). That year he became an American citizen. Into the 1940s, Rains had risen to perhaps unique stature: a supporting actor who had achieved A-list stardom -- almost in a category by himself. His some 40 films during that period ranged from subtle comedy to psychological drama with a bit of horror revisited; many would be golden era classics. He was the firm but thoroughly sympathetic Dr. Jaquith in Now, Voyager (1942) and the smoothly sardonic but engaging Capt. Louis Renault -- perhaps his best known role -- in Casablanca (1942). He was the surreptitiously nervous and malignant Alexander Sebastian in Notorious (1946) and the egotistical and domineering conductor Alexander Hollenius in Deception (1946). He was the disfigured Phantom of the Opera (1943) as well. He played opposite the challenging Bette Davis in three movies through the decade and came out her equal in acting virtuosity. He was nominated four times for the Best Supporting Actor Oscar -- but incredibly never won. With the 1950s the few movies left to an older Rains were countered by venturing into new acting territory -- television. His haunted, suicidal writer Paul DeLambre in the mountaineering adventure The White Tower (1950), though a modest part, was perhaps the most vigorously memorable film role of his last years. He made a triumphant Broadway return in 1951's "Darkness at Noon."
Rains embraced the innovative TV playhouse circuit with nearly 20 roles. As a favored 'Alfred Hitchcock' alumnus, he starred in five Alfred Hitchcock Presents (1955) suspense dramas into the 1960s. And he did not shy away from episodic TV either with some memorable roles that still reflected the power of Claude Rains as consummate actor -- for many, first among peers with that hallowed title.- Actor
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Sydney Greenstreet's father was a leather merchant with eight children. Sydney left home at age 18 to make his fortune as a Ceylon tea planter, but drought forced him out of business and back to England. He managed a brewery and, to escape boredom, took acting lessons. His stage debut was as a murderer in a 1902 production of "Sherlock Holmes". From then on he appeared in numerous plays in England and the US, working through most of the 1930s with Alfred Lunt and Lynn Fontanne at the Theatre Guild. His parts ranged from musical comedy to Shakespeare. His film debut, occurring when he was 62 years old and weighing nearly 300 pounds, was as Kasper Guttman in the classic The Maltese Falcon (1941), with Humphrey Bogart and Peter Lorre. He teamed with Lorre in eight more movies after that. In eight years he made 24 films, all while beset by diabetes and Bright's disease. In 1949 he retired from films, and died four years later. He was 75.- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).- Actor
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One of the best and most familiar character actors of the first four decades of sound films, although few who knew his face also knew his name, John Qualen was born in Canada to Norwegian parents. His father was a minister. The family moved to the United States and Qualen (whose real name was Kvalen) grew up in Elgin, Illinois. He won an oratory contest and was given a scholarship to Northwestern University. His interest in acting was piqued there, and he began appearing in tent shows on the Lyceum-Chautauqua circuit and in stock. He went to New York in 1929 and got his big break as the Swedish janitor in Elmer Rice's Street Scene. He repeated the role two years later in the film version. That same year he first worked for director John Ford in Arrowsmith (1931). He became a member of Ford's famed stock company and had prominent roles for Ford for the next thirty-five years. He became a most familiar character player, specializing in Scandinavians of various nationalities, but frequently playing a wide variety of other ethnicities. Perhaps his greatest work among many memorable roles was as the pitiful Muley, who recounts the destruction of his farm by the bank in Ford's masterpiece The Grapes of Wrath (1940). Although plagued in his later years by failing eyesight, he continued to work steadily into his final years. He was treasurer of The Authors Club and historian of The Masquers, Hollywood's famed social group for actors. He had three children, Elizabeth, Kathleen, and Meredith. Qualen died in 1987.- Actor
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Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Actor
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Although this pint-sized actor started out in films often in innocuous college-student roles in mid-30s rah-rahs, playing alongside the likes of a pretty Gloria Stuart or a young, pre-"Oz" Judy Garland, casting directors would soon enough discover his flair for portraying intense neurotics or spineless double-dealers. Thus was he graduated from the innocuous to the noxious. In Warners' They Won't Forget (1937), for example, he plays the role of a student whose social engagement with a young Lana Turner, debuting here in a featured role, seems to have been broken by her whereas, possibly unbeknownst to him, she has quite mysteriously been murdered. Cook becomes so enraged, venting such venom, that the movie audience can only look upon him as a prime suspect in Lana's demise. In Universal's Phantom Lady (1944), he portrays a nightclub-orchestra drummer who, under the intoxicating influence of some substance or other, encounters Ella Raines during an afternoon's band practice. Thoroughly taken with her slinky allure, he enacts a drum-solo piece that is of such crescendo, and played with such innuendo, as to suggest - glaringly - nothing except his own fantasized sexual journey from cymbal foreplay through bass-drum climax.- Actor
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Born In Washington, D.C., Matt grew up in Arlington, VA, the son of Frederick W. Clark, a boat builder and cabinet maker, and Theresa (Costello) Clark, owner and director of a private school in Arlington. Following a two-year stint in the army, Matt attended George Washington University, but dropped out to join a local Washington, D.C. theatre group. He moved to New York in the mid-50's and studied acting at the HB Studio with Herbert Berghof, William Hickey and Frank Naughton. After working at the famous Living Theater and starring in several off-Broadway plays, he moved to California to begin his film career. Matt has appeared in more than 50 feature films, in addition to countless television movies and TV series. He is the director of the film, Da (1988), starring Bernard Hughes, Martin Sheen, and his old acting teacher, Bill Hickey. Matt is father of 4 children: Matthias Clark (musician), Jason Clark (producer), Seth Clark (film editor) and Aimée Clark (producer).- Actor
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One of the movies' most memorable tough guys, Simon Oakland actually began his career as a concert violinist, turning to acting in the late 1940s. After a long string of roles in Broadway hits, including "Light Up the Sky," "The Shrike" and "Inherit the Wind," Oakland made his film debut as the tough but compassionate journalist who speaks up for Susan Hayward's "Barbara Graham" in I Want to Live! (1958). He would go on to play a long series of tough guy types, albeit usually on the right side of the law, in such films as The Sand Pebbles (1966), Tony Rome (1967), Psycho (1960), and, most notably, nasty Lieutenant Schrank in West Side Story (1961). He was also a frequently seen face on TV, at one point serving as a regular or semi-regular on four different series at once. Much respected by his co-workers as a total professional, he died, after a long battle with cancer, one day after his 68th birthday.- Actor
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It seems the second generation of acting Carradines -- David, Keith and Robert -- are proudly continuing the family tradition and begetting a third generation of talent. The dynasty began with veteran Hollywood patriarch John Carradine, the son of a surgeon and a correspondent for the Associated Press. Keith was a child, born of John's second marriage to actress Sonia Sorel.
Lanky, laid-back and highly likable, Keith Ian Carradine was born in San Mateo, California, on August 8, 1949. His parents divorced when Keith was six. Following in the footsteps of older half-brother and mentor David Carradine, Keith studied theater arts at Colorado State University in Fort Collins, Colorado, but dropped out after only one semester to pursue his career. Soon after, he auditioned for "Hair" in Los Angeles and made his Broadway debut in the 1969 rock musical, playing the role of Claude for an extended period of time. Keith next appeared with his father in a stage production of "Tobacco Road" (1970) in Florida.
The following year Keith broke into films with a part in the Kirk Douglas/Johnny Cash western A Gunfight (1971). Legendary director Robert Altman was quite taken by Keith's work in the film and gave him a part in his own movie McCabe & Mrs. Miller (1971), which sparked the first of many endeavors together. Keith also made a strong showing on TV, making his mini-movie debut with Man on a String (1972), and appearing with brother David in the TV movie pilot and various episodes of the cult series Kung Fu (1972) as the teenage version (seen in flashbacks) of David's character Kwai Chang Caine.
Keith continued to impress in Altman's films. He played one of three convicts in the critically-acclaimed movie Thieves Like Us (1974), but scored Oscar gold with his next Altman film, Nashville (1975) -- not with his acting but with his songwriting. His composition "I'm Easy" won both the Oscar and Golden Globe for "Best Song". Keith also earned a Grammy nomination in 1976 for his contribution to "Nashville" in the "Best Original Score Written for a Motion Picture or Television Special" category.
Keith first association with Altman's protégé, Alan Rudolph, occurred filming Welcome to L.A. (1976), to which he again contributed his music talent. Keith's rangy handsomeness and low-keyed acting style were on full display as he increased his popularity with appearances in such films as Ridley Scott's The Duellists (1977); Louis Malle's first American film, the visually-striking Pretty Baby (1978), that made a controversial star out of young Brooke Shields; and the comedy/romance An Almost Perfect Affair (1979). One acting trick that worked was pairing all three Carradine brothers in The Long Riders (1980), which recalled the infamous lives of brothers Cole, Jim and Bob Younger, and boasted three other sets of acting brothers (Keach, Quaid and Guest) as various other outlaw siblings.
Keith's acting reviews throughout much of his career would be decidedly mixed -- some would find his unassuming, introspective acting too listless while others found it beautifully realized and understated. Many of his best notices came from the Altman and Rudolph films, appearing in two of Rudolph acclaimed 80s works -- Choose Me (1984) and The Moderns (1988). He also persevered on TV with award-worthy work. His role in the mini-series Chiefs (1983) netted an Emmy nomination, while his recurring role as Wild Bill Hickok in Deadwood (2004) earned a Golden Satellite nomination and his work in the made-for-TV-film Half a Lifetime (1986) scored a CableACE nomination. Regular series work came late in his career, starring in Fast Track (1997), Outreach (1999) and Complete Savages (2004), all of which were short-lived.
Keith's career was revitalized on the 80s and 90s stage. In addition to strong roles in "Another Part of the Forest" (1982) and "Detective Story" (1984), he won the Outer Critics Circle Award for his excellent work in 1982's "Foxfire" opposite Jessica Tandy and Hume Cronyn_ and then roped a Tony and Drama Desk nomination as humorist Will Rogers in the Broadway musical "The Will Rogers Follies" (1991). Most recently (2005) he starred in the American premiere of David Hare's satire "Stuff Happens" as none other than George W. Bush while expounding on the 2003 invasion of Iraq.
Keith continues to write and compose. Hosting The History Channel's Wild West Tech (2003) and appeared on a season of the hit cable series Dexter (2006) and had a recurring role on the hit sitcom Charity, Dr. Finlay (1965). More recently he played the role of President Conrad Dalton in Madam Secretary (2014) starring Téa Leoni's Secretary of State Elizabeth McCord.
Millennium films include Wooly Boys (2001), a top-billed role in Falcons (2002), The Adventures of Ociee Nash (2002), Our Very Own (2005), Bobby Z (2007), Cowboys & Aliens (2011), The Family Tree (2011), After the Fall (2014), Dakota's Summer (2014), Bereave (2015), A Quiet Passion (2016) and The Old Man & the Gun (2018).
Keith has been married twice. Of his two children born from his first union to actress Sandra Ann Will Carradine, who played opposite him in the film Choose Me (1984), son Cade Carradine recently portrayed Lord Oxford in the film Richard III (2007) and daughter Sorel Carradine has been seen on TV. Keith and Sandra eventually divorced and he married actress Hayley DuMond in 2006; they met while appearing in the film The Hunter's Moon (1999). Keith's daughter Martha Plimpton, a highly gifted actress on her own, was a child from his relationship to actress Shelley Plimpton, whom he met when both were cast members in "Hair" back in 1969.- Actress
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Kari Samantha Wuhrer was born on April 28, 1967 in Brookfield, Connecticut, the daughter of Karin, a payroll officer and Andrew, a former police officer and car salesman. Kari has three siblings. She studied acting at age 13 at the Wooster School, and headed to New York City to do rounds of auditions. She was signed to the Ford's Model Talent Division and appeared in several commercials, most notably Clairol, as well as performing in theater productions. After a role in the drama film Fire with Fire (1986), Kari landed a job on MTV as a VJ and was a co-host of the game show Remote Control (1987). Wuhrer snuck out of her family home as a teenager to sing in nightclubs; she was the youngest member of the band Freudian Slip. She studied drama at New York University, Marymount Manhattan College, Columbia University, and at the Royal Academy of Dramatic Arts in London, England with famed teacher Uta Hagen. Her biggest career break came when she was cast to play Maggie Beckett on the sci-fi television series Sliders (1995) from 1997 to 2000. She was signed to a record deal by American Recordings impresario Rick Rubin, which eventually appeared on the small Del-Fi label; her debut album "Shiny" produced the successful single "There's a Drug".- Actor
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Welsh actor John Rhys-Davies was born in Ammanford, Carmarthenshire, Wales, to Mary Margaretta Phyllis (nee Jones), a nurse, and Rhys Davies, a mechanical engineer and Colonial Officer. He graduated from the University of East Anglia and is probably best known to film audiences for his roles in the blockbuster hits Raiders of the Lost Ark (1981) and Indiana Jones and the Last Crusade (1989). He was introduced to a new generation of fans in the blockbuster trilogy "The Lord of the Rings" (The Lord of the Rings: The Fellowship of the Ring (2001), (The Lord of the Rings: The Two Towers (2002), and (The Lord of the Rings: The Return of the King (2003)) in the role of Gimli the dwarf. He has also had leading roles in Victor/Victoria (1982), The Living Daylights (1987) and King Solomon's Mines (1985).
Rhys-Davies, who was raised in England, Africa and Wales, credits his early exposure to classic literature for his decision to pursue acting and writing. He later refined his craft at London's Royal Academy of Dramatic Art (of which he is now an Associate Member). His television credits include James Clavell's Shogun (1980) and Noble House (1988), Great Expectations (1989), War and Remembrance (1988) and Archaeology (1991). An avid collector of vintage automobiles, Rhys-Davies has a host of theater roles to his credit, including "The Misanthrope", "Hedda Gabler", and most of Shakespeare's works. He divides his time between Los Angeles and the Isle of Man.- Actor
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Born in Franklin, Indiana on December 28, 1923, he was raised in Texas and went to college at Indiana University. There, on a speech and drama scholarship, he began to act and perform however this was interrupted by being called into the service. In World War II where he saw action overseas, he was befriended by actor Melvyn Douglas, who led his division. With such encouragement, as well as meeting and becoming familiar with some Broadway folks, Duggan went into acting. From 1953 onward, he was a fixture in both movies and television.
Most notably, he played General Ed Britt on 12 O'Clock High (1964), he was Cal Calhoun in Bourbon Street Beat (1959) and his most famous role as "Murdoch Lancer" in Lancer (1968) and the original John Walton opposite Patricia Neal in The Homecoming: A Christmas Story (1971). He was "Howitzer Al Houlihan", the father of "Hotlips Houlihan" (Loretta Swit) in M*A*S*H (1972). In 1954, he wed Broadway actress Elizabeth "Betty" Logue. After their deaths, they were cremated and their ashes scattered at Lake Arrowhead, California.- John Williams was a tall, urbane Anglo-American actor best known for his role as Chief Inspector Hubbard in Dial M for Murder (1954), a role he played on Broadway, in Alfred Hitchcock's classic 1954 film, and on television in 1958. Playing Hubbard on the Great White Way brought him the 1953 Tony Award as Best Featured Actor in a Play. "Dial M for Murder" was the 27th Broadway play he had appeared in since making his New York debut in "The Fake" in 1924, which he had originally appeared in back in his native England.
Williams was born on April 15, 1903 in Buckinghamshire and attended Lancing College. He first trod the boards as a teenager in a 1916 production of Peter Pan (1924). He moved to America in the mid-1920s and was a busy and constantly employed stage actor for 30 years. After "Dial M for Murder" in the 1953-54 season, though, he appeared in only four more Broadway plays between 1955 and 1970 as he focused on movies and television.
In addition to "Dial M for Murder", he appeared in Hitchcock's The Paradine Case (1947) and in To Catch a Thief (1955) and in 10 episodes of the TV series Alfred Hitchcock Presents (1955). For Billy Wilder, he appeared in Sabrina (1954) and Witness for the Prosecution (1957). Beginning in the 1960s, most of his work was in television, including a nine-episode stint on Family Affair (1966) taking over Sebastian Cabot's duties as Brian Keith's butler when Cabot was waylaid by health problems.
He retired in the late '70s, his last acting gig being an appearance on Battlestar Galactica (1978) in 1979. He was known by many in the last phase of his career for his work on one of the first TV infomercials, when he served as the pitchman for a classical music record collection called "120 Music Masterpieces."
John Williams died on May 5, 1983 in La Jolla, California from an aneurysm. He was 80 years old. - Actor
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With his dark features and having spent much of his early years in Naples, Italy, Vito Scotti was understandably typecast as Italian waiters, government functionaries, policemen, maitre d's and barbers. When Vito was seven, the Scottis moved back to the U.S. where his mother became a diva in the Italian theatre in New York. It was in that theatre that Scotti developed his gift for farce, which he modeled on the style found in the Commedia dell'Arte. He worked the night club circuit doing pantomime and broke into movies and television during the early 1950s. Vito loved cooking, especially the recipes of his beloved mother and grandmother.- Actor
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New York-born James Gregory gave up a career as a stockbroker for one as an actor, and began on the Broadway stage. He made his film debut in 1948. Gregory specialized in playing loud, brash, tough cops or businessmen. One of his better roles was as the detective out to get Capone in Al Capone (1959). He also played Dean Martin's boss in three of the four cheesy "Matt Helm" spy films. Memorable as the opinionated, loudmouthed Inspector Luger in the television series Barney Miller (1975).- Actor
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Norman Fell was born in Philadelphia, Pennsylvania in 1924. He graduated from Temple University with a bachelor's degree in drama. During World War II, he was an Air Force tail gunner in the Pacific. After the war, he studied acting and obtained small parts in television and on stage. His first regular TV appearance was in the comedy series Joe & Mabel (1956). His best known TV role was that of Stanley Roper, the landlord in the very popular Three's Company (1976), which debuted in 1977, and its short lived spin-off, The Ropers (1979).
Norman Fell died at the Motion Picture and Television Fund's retirement home in Woodland Hills CA, aged 74, survived by two daughters.- Actress
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Rachel Emily Nichols was born in Augusta, Maine, the daughter of Alison and James Nichols, a schoolteacher. She has English, French Canadian, German, Irish, Italian and Scottish ancestry. She attended and graduated from Cony High School in Augusta, where she competed in the high jump. She attended Columbia University in New York City, where she eventually graduated with a double major in mathematics and economics. She began modeling, launching a successful career with work for such high-profile companies as Guess?, Abercrombie & Fitch and L'Oréal.
Rachel moved into acting, snagging a role on the HBO situation comedy Sex and the City (1998) with her very first audition. She made her film debut as Jessica Matthews in the prequel Dumb and Dumberer: When Harry Met Lloyd (2003). Success continued with roles in such projects as The Amityville Horror (2005), The Inside (2005), Alias (2001), G.I. Joe: The Rise of Cobra (2009), Criminal Minds (2005) (a recurring role as FBI Agent Ashley Seaver) and Conan the Barbarian (2011). She played the lead role of police officer Kiera Cameron on the science fiction series Continuum (2012).- Kara Killmer was born in Texas, USA. She is an actress, known for Chicago Fire (2012), Chicago P.D. (2014) and Chicago Med (2015). She has been married to Andrew Cheney since 14 May 2016.
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Sarah Shahi was born Aahoo Jahansouzshahi in Euless, Texas, to an Iranian father and Spanish-Iranian mother. She is a former NFL cheerleader and a descendant of a 19th-century Persian Shah. She attended Trinity High School and Southern Methodist University, studied opera and majored in English. As a teenager, she won several beauty contests and took first place in the Miss Fort Worth USA pageant in 1997. She joined the Dallas Cowboys cheerleaders and was part of the 1999-2000 squad. She also appeared on the cover of their 2000 calendar.
While working as an extra on the set of Dr. T & the Women (2000), she met director Robert Altman, who encouraged her to move to Hollywood to pursue a career as an actress. Shahi was the first ghost in Supernatural (2005), the CW paranormal drama series. She had recurring roles in several TV series, such as Alias (2001), in which she played "Jenny"; and Dawson's Creek (1998), where she was "Sadia Shaw". She became a fan favorite in her role as the Mexican-American DJ "Carmen de la Pica Morales" in the Showtime series, The L Word (2004), which she joined in its second season. Sarah did not renew her contract with the show for a fourth season and, consequently, her character was written out.
However, she is best-known for her main role as "Sameen Shaw" on the CBS show Person of Interest (2011) playing a CIA agent turned-vigilante with a heart of gold.
She also appeared on HBO's The Sopranos (1999), in the episode Kennedy and Heidi (2007) as "Sonya Aragon", a stripper and a college student who spends a weekend with Tony after a death in his family. Although uncredited by most sources, Sarah also appeared in the Jackie Chan film, Rush Hour 3 (2007), as one of the girls being handcuffed along with Mia Tyler for a traffic offense by Chris Tucker early in the film. She also starred with Damian Lewis in the NBC show, Life (2007).
Sarah speaks English, Farsi, and some Spanish, and has a brown belt in karate.- Michelle Renee Forbes Guajardo is an American actress who has appeared on television and in independent films. Forbes first gained attention for her dual role in daytime soap opera Guiding Light (1952), for which she received a Daytime Emmy Award nomination. She is also a Saturn Award winner with three nominations.
Forbes is known for her recurring appearances on genre and drama shows such as Ensign Ro Laren in Star Trek: The Next Generation (1987) and her regular role as medical examiner Julianna Cox on Homicide: Life on the Street (1993) during the 1990s, while building her career with recurring roles throughout the 2000s in Battlestar Galactica (2004), 24 (2001), In Treatment (2008), Durham County (2007), Prison Break (2005) and her series regular role as Maryann Forrester on True Blood (2008). She has appeared in significant roles in movies such as Escape from L.A. (1996), Kalifornia (1993), Swimming with Sharks (1994) and Columbus (2017).
She starred in the 2011-2012 AMC television series The Killing (2011), for which she received a Primetime Emmy Award nomination. On June 18, 2019 it was announced that Forbes would join USA Network's action drama series Treadstone (2019), a prequel/sequel to the Bourne franchise. - Actress
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Daisy Betts is an Australian actress best known for her role as Lieutenant Grace Shepard in ABC's 2012 TV series "Last Resort." She also starred as firefighter Rebecca Jones in "Chicago Fire." She worked alongside Kathy Bates, Alfred Molina, and Jean Smart in NBC's "Harry's Law" and had roles in "Girlfriend's Guide to Divorce", "Castle", and "Persons Unknown."- Actor
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Brash, virile Italian-American lead and supporting "tough guy" Harry Guardino, with dark, wavy hair and a perpetual worried look on his craggy-looking mug, was born Harold Vincent Guardino on December 23, 1925, in Manhattan but raised as a Brooklynite. Serving with the U.S. Navy during World War II, he joined the Merchant Marine.
He would start out in the late 1940s in the school hard knocks, training in dramatic workshops and slumming for nearly half a decade in small, obscure 'tough guy' film bits in early '50s Universal and Columbia pictures including an orderly in the service comedy Up Front (1951); soldiers in both Sirocco (1951) and Purple Heart Diary (1951); and two Tony Curtis films where he was the star--(Son of Ali Baba (1952) and Flesh and Fury (1952)).
After making his Broadway debut in 1953 with a small cadet role in the play "End as a Man," Harry earned his first big break as the Broadway understudy to Ben Gazzara in the acclaimed drama "A Hatful of Rain." He later took over the role and then went on the national tour. Although it did little to elevate his bit part standing in Hollywood, he figured in more prominently on the smaller screen with parts on "I Led Three Lives," "The Millionaire," "Alfred Hitchcock Presents," "Suspect" and several TV anthologies.
Making a play for film once again, Harry received "second lead" status in the family comedy Houseboat (1958), stealing scenes from both stars Cary Grant and Sophia Loren. As Italianate truck driver/handyman Angelo, he earned a Golden Globe nomination for his hilarious supporting turn as the guy who sells Cary the titled boat after completely destroying their other home in a truck accident.
With and without a comic edge, Harry played several other guy-guy co-star types after this in such crime/war stories as Pork Chop Hill (1959), 5 Branded Women (1960), Hell Is for Heroes (1962), Madigan (1968), Dirty Harry (1971) and The Enforcer (1976), the last two pairing him up with Clint Eastwood as his beleaguered superior, Lt. Bressler. At one point, the New Yorker even played "Barabbas" in the classic biblical epic King of Kings (1961) and a scurrilous poacher in the Ivan Tors African adventure Rhino! (1964), just for a distinct change of pace and scenery.
Harry returned to the Broadway stage and was Tony nominated for the play "One More River" in 1960 despite its extremely short run. He would return again again to Broadway throughout the rest of the 1960's in "Natural Affection" (1963), the musical "Anyone Can Whistle," "The Rose Tattoo" (1966) and "The Seven Descents of Myrtle" (1968).
TV, he became more and more, however, the favorite medium of choice. Progressing to top guest parts in such TV programs as "Johnny Staccato," "Checkmate," "The Untouchables," "Dr. Kildare," "Route 66," "Naked City," "The Outer Limits," "Ben Casey," "The Virginian," "Twelve O'Clock High" and "Run for Your Life," Harry was given three short-run series to star or co-star in -- as an overly gregarious newsman in The Reporter (1964); the title government agent Monty Nash (1971); and the perpetually losing district attorney "Hamilton Burger" in The New Perry Mason (1973) revival.
Harry co-starred in dozens of TV projects as a scruffy, hard-nosed, street-smart cop or detective. These included the TV movie The Lonely Profession (1969), plus the shows "McCloud," "The Name of the Game," "Get Christie Love!," "Kojak," "Police Story," "Fantasy Island," "The Sophisticated Gents" and "Murder, She Wrote." He also enjoyed an unlikely outlet in musical theatre in later years, co-starring in the Broadway production of "Woman of the Year" (1981) opposite and as Billy Flynn in stock production of "Chicago."
Harry died of lung cancer on in 1995 at age 69, and was survived by his third wife and four children from various marriages.- Actor
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Hardy Kruger was born Eberhard August Franz Ewald Krüger in Wedding, Berlin, thee son of Auguste (Meier) and Max Krüger. At thirteen years, he became a member of the "Hitler Jugend" (Hitler Youth), as did all 13-year-old boys in Germany then. The purpose of the organization was to prepare the boys for military service. At age 15, Hardy made his film debut in a German picture (Junge Adler (1944)), but his acting career was interrupted when he was drafted into the German army in 1944 at age 16 and posted to an infantry regiment.
Years later, Hardy related how he "hated that [Nazi] uniform." During the filming of A Bridge Too Far (1977) in which he portrayed a Nazi general, he wore a top-coat over his S.S. uniform between takes so as "not to remind myself of my childhood in Germany during W.W.II." It is said, that during his war years, Hardy was captured and taken prisoner by U.S. forces but attempted to escape thrice, the third time successfully.
After the war, Hardy returned to acting, and eight years later was "discovered" by foreign film distributor J. Arthur Rank who promptly cast him in three British pictures, practically filmed back-to-back: The One That Got Away (1957), Bachelor of Hearts (1958) and Chance Meeting (1959), in which he appeared simply as a foreigner and not a German, as was usually the case. Following the release of these films, Hardy's career took off. Despite anti-German sentiment that still prevailed in postwar Europe, Hardy, described as "ruggedly handsome" and a "blond heartthrob," became an international favorite, paving the way to his first American role as co-star with John Wayne in the Tanganyika-shot wildlife adventure Hatari! (1962).
Hardy was so taken aback by the beauty of the land, that he bought the film's location ("Momilla Farm") and built a small home for himself and a small bungalow hotel for tourists to see the animals. Hunting was forbidden on the property, and, later, a cattle farm was started with the meat being sold to local hotels. Hardy described his home there as "a sort of African Walden where I can get away from the world from time to time."
In 1979, due to the dissolution of the alliance of Kenya, Uganda and Tanzania (formerly Tanganyika), the border with Kenya was closed and remained so for half a decade which caused a serious decline in tourism. The business aspects of his property were shut down for a period of time, but eventually things picked up and the place was transformed into a proper tourist hotel, known (fittingly) as Hatari Lodge.
Fluent in English, French and German, Hardy found himself in much demand by British, French, American and German producers and became more selective in his scripts. "I'd rather sit out a picture than take a role I don't think is right for me" he would later say. He died in January 2022, in Palm Springs, California, 11 years after his last film credit.- Actor
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John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.
Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother Robert E. Morrison swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in Stagecoach (1939), the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in The Alamo (1960), which he produced, directed and starred in. His patriotic stand was enshrined in The Green Berets (1968) which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for Sands of Iwo Jima (1949) and finally got the Oscar for his role as one-eyed Rooster Cogburn in True Grit (1969). A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).- Actor
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Born Eduard Franz Schmidt in Milwaukee, WI, this stern-faced character actor had originally planned to be a commercial artist, but a stint with a local theatrical troupe set him on the road to an acting career. In 1925 he moved to New York City and joined up with a Greenwich Village theatrical group. He returned to Wisconsin in the early 1930s and rejoined his old theatrical company, The Wisconsin Players. He accepted a position with the St. Louis Municipal Opera in 1944 and performed in many different operettas until 1947, when he headed to Hollywood. It didn't take him long to find work, and he was soon appearing in such films as The Magnificent Yankee (1950) and The Ten Commandments (1956), and even did a turn in an interesting low-budget horror flick, The Four Skulls of Jonathan Drake (1959). All through his film career, however, he kept his hand in the theater, and also had an extensive list of television credits.- Actor
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Douglas Spencer was born on 10 February 1910 in Princeton, Illinois, USA. He was an actor, known for The Thing from Another World (1951), This Island Earth (1955) and The Diary of Anne Frank (1959). He died on 6 October 1960 in Los Angeles, California, USA.- Born in Oakland, California, Kenneth Tobey was headed for a law career when he first dabbled in acting at the University of California Little Theater. That experience led to a year and a half of study at New York's Neighborhood Playhouse, where his classmates included Gregory Peck, Eli Wallach and Tony Randall. Throughout the 1940s Tobey acted on Broadway and in stock; he made his film debut in a 1943 short, "The Man on the Ferry." He made his Hollywood film bow in a Hopalong Cassidy Western, and has since appeared in scores of features and on numerous TV series. He even had his own series, Whirlybirds (1957), in which he played an adventurous helicopter pilot.
- American juvenile leading man. A native of Texas, Martin entered the theatre in 1946 and within three years was tapped to play one of the young toughs in Knock on Any Door (1949). After minor roles in several minor films, he was given a larger role in The Thing from Another World (1951) by producer Howard Hawks. Hawks followed this with one of the two lead roles in his great Western The Big Sky (1952). Despite this and a few other prominent parts in big pictures, Martin's appearances became more and more infrequent and less and less stellar. He did, however, become a familiar face on television into the 1970s. He was married to singer Peggy Lee in the late 50s.
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In Britain, special Christmas plays called pantomimes are produced for children. Jack Hawkins made his London theatrical debut at age 12, playing the elf king in "Where The Rainbow Ends". At 17, he got the lead role of St. George in the same play. At 18, he made his debut on Broadway in "Journey's End". At 21, he was back in London playing a young lover in "Autumn Crocus". He married his leading lady, Jessica Tandy. That year he also played his first real film role in the 1931 sound version of Alfred Hitchcock's The Phantom Fiend (1932). During the 30s, he took his roles in plays more seriously than the films he made. In 1940, Jessica accepted a role in America and Jack volunteered to serve in the Royal Welch Fusiliers. He spent most of his military career arranging entertainment for the British forces in India. One of the actresses who came out to India was Doreen Lawrence who became his second wife after the war. Alexander Korda advised Jack to go into films and offered him a three-year contract. In his autobiography, Jack recalled: "Eight years later I was voted the number one box office draw of 1954. I was even credited with irresistible sex appeal, which is another quality I had not imagined I possessed." A late 1940s film, The Black Rose (1950), where he played a secondary role to Tyrone Power, would be one of his most fortunate choices of roles. The director was Henry Hathaway who Jack said was "probably the most feared, yet respected director in America, for he had a sharp tongue and fired people at the drop of a hat. Years later, after my operation when I lost my voice, he went out of his way to help me get back into films. What I did not know was that during the filming of 'The Black Rose' he was himself suffering from cancer." In the 1950s came the film that made Hawkins a star, The Cruel Sea (1953). Suffering from life-long, real-life seasickness, he played the captain of the Compass Rose. After surgery for throat cancer in 1966, requiring the removal of his larynx, Jack continued to make films. He mimed his lines and the voice was dubbed by either Charles Gray or Robert Rietty. His motto during those last years came from Milton's "Comus", a verse play in which he acted early in his career in Regent's Park. The lines: "Yet where an equal poise of hope and fear does arbitrate the event, my nature is that I incline to hope, rather than to fear."- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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A fourth generation Dubliner he was equally known in his homeland and on British television for knockabout comedy and for classic tragedy. His father, Con O'Shea, was an actor - singer (part of a double act known as 'Light and Shade') who became an army captain in the Civil War. His mother was a harpist and ballet dancer and a great - grandfather fought at San Antonio in the American War of Independence, inherited a piece of Texas, struck oil, became a New Orleans gambler and lost his life in a plague He went to school at the Synge Street Christian Brothers establishment where he shared a desk with a boy who was to become a top British television personality ,Eamonn Andrews. After being heavily involved in school theatrical productions he became a professional actor at 17 performing regularly throughout his career with the Gate Theatre in Dublin. with whom he eventually became a director on top of running his own company, 'The Vico Players'.He starred in 'Carrie', an Irish musical. at a Dublin festival then took it and 'King of Friday's Men' on a three year tour of America. In England he acted in 'Treasure Hunt' under John Gielgud and on television played the part of Bloom, which he loved, in 'Bloomsbury' for the BBC. Married to the actress Maureen Teal in 1951,with whom he has a son, Colm, they were on their way to America on a working honeymoon when their plane crash landed in Iceland where they were stuck for five nights while it was repaired. Once in America they joined the Touring Players on tours of Mexico and Florida, did Summer stock at the De Lys Theatre on Block Island and and when out of work operated the elevator at the Waldorf Astoria. Back in Ireland they soon gained a reputation as a team on stage and particularly on radio with their own shows 'Maureen and Milo' and 'What Are They Talking About.' They lived near the sea at Dalkey, and had a son Colm- Actor
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Anthony Quayle was born in Ainsdale, Southport, Lancashire, England in September 1913. He completed his education at Rugby School and had a brief spell at RADA, before treading the boards for the first time as the straight man in a music hall comedy act in 1931. Tall, burly, round-faced and possessed of a powerful and resonant voice, he was mentored early on in his career by the well-known stage director Tyrone Guthrie. Letters of introduction led to steady employment with the Old Vic Company by September 1932, and a succession of small roles in classical parts. Quayle's reputation as an actor grew steadily, and, in 1936, he appeared on Broadway opposite Ruth Gordon in 'The Country Wife'. For the next few years, he consolidated his position as a Shakespearean actor. When the Second World War began, he was among the first in his profession to enlist, serving with the Royal Artillery and rising to the rank of major. Some of his wartime experiences, such as coordinating operations with Albanian partisans as part of the secret Special Operations Executive, were destined to be paralleled by his fictional post-war screen exploits as incisive army officers or spies. With the war still fresh in his mind, he subsequently published two novels (respectively in 1945, and in 1947), 'Eight Hours from England' and 'On Such a Night'.
In 1946, Quayle also made his debut as a theatrical director with a London production of 'Crime and Punishment'. Between 1948 and 1956, he had a distinguished tenure as director of the Shakespeare Memorial Theatre in Stratford-upon-Avon, bringing into the company some of the biggest stars of the stage, including Laurence Olivier and John Gielgud. Though acting in films from 1938, the theatre remained his favorite medium. He played diverse roles with great intensity and professionalism, achieving critical acclaim as Petruchio and Falstaff, Tamburlaine and Galileo (on Broadway) and the original role of Andrew Wyke in Anthony Shaffer's play 'Sleuth' (played in the first screen version by Olivier). In motion pictures Quayle tended to portray tough, dependable authority figures. He was good value for money as Commodore Harwood in Pursuit of the Graf Spee (1956), as the enigmatic Afrikaner captain in Ice Cold in Alex (1958) and as the stuffy, by-the-book Colonel Harry Brighton, who nonetheless appears to have a degree of admiration for Lawrence of Arabia (1962). Due to his classical training, Quayle was often used in historical epics, giving one of his best performances as Cardinal Wolsey in Anne of the Thousand Days (1969), earning him an Academy Award nomination. His voice was heard as narrator of The Six Wives of Henry VIII (1970) and on radio in anything from 'The Ballad of Robin Hood' to Edgar Allan Poe's 'The Purloined Letter'.
The year prior to receiving his knighthood, Quayle founded the touring Compass Theatre Company, and served as its director until a few months before his death from cancer in October 1989.- Actress
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Lee Remick was born in Quincy, Massachusetts, to Gertrude Margaret (Waldo), an actress, and Francis Edwin Remick, a department store owner. She had Irish and English ancestry. Remick was educated at Barnard College, studied dance and worked on stage and TV, before making her film debut as a sexy Southern majorette in Elia Kazan's A Face in the Crowd (1957). Her next role was also southern: Eula Varner in The Long, Hot Summer (1958). She emerged as a real star in the role of an apparent rape victim in Anatomy of a Murder (1959). And she won an Academy Award nomination for her role as the alcoholic wife of Jack Lemmon in Days of Wine and Roses (1962). After more work in TV and movies, she moved to England in 1970, making more movies there. In 1988 she formed a production company with partners James Garner and Peter K. Duchow.- Actor
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Julian Wyatt Glover was born on March 27, 1935 in Hampstead, London, England, to Honor Ellen Morgan (Wyatt), a BBC journalist, and Claude Gordon Glover, a BBC radio producer. He is of English, Scottish and Welsh ancestry. Primarily a classical stage actor, Glover trained at the National Youth Theatre, performed with the Royal Shakespeare Company and became a familiar face to British television viewers by appearing in many popular series during the 1960s and 1970s. His talent for accents and cold expression made him an ideal choice for playing refined villains. Glover's guest appearances on television include series such as The Avengers (1961), Doctor Who (1963), Space: 1999 (1975), Blake's 7 (1978), Remington Steele (1982) and Merlin (2008). He also played the recurring role of Grand Master Pycelle on 31 episodes of the HBO fantasy series Game of Thrones (2011).
During the 1980s, Glover achieved some fame in Hollywood with roles in popular films such as General Maximilian Veers in Star Wars: Episode V - The Empire Strikes Back (1980), the Greek villain Aristotle Kristatos in the James Bond film For Your Eyes Only (1981), Brian Harcourt-Smith in the Cold War thriller The Fourth Protocol (1987) and Walter Donovan in Indiana Jones and the Last Crusade (1989). In the film version of Harry Potter and the Chamber of Secrets (2002), he provided the voice of the giant spider Aragog. He was awarded Commander of the Order of the British Empire in the 2013 Queen's Birthday Honours List for his services to drama.- Actor
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Looking back at his filmography, it isn't difficult to imagine Vladek Sheybal in a scene, lobbing Molotov cocktails at advancing German troops, against a backdrop of war-torn Warsaw. However, this part of his life played out for real. A member of the Polish underground, he was twice captured and interned in concentration camps. Both times he escaped. After the war, he was undecided about whether to become a doctor or an actor. His father, a painter and professor of Fine Arts, put pressure on him to become an architect. Acting won out, of course, and Vladek spent six months at the prestigious Stanislavsky School of Acting and a further four years to complete his training at the Drama Director's School. By the time he shared a dressing room with Roman Polanski on stage at the National Theatre in Warsaw, he had become one of Poland's leading actors. He was first acclaimed on screen in Andrzej Wajda's story of the Polish Resistance during the 1944 Warsaw Uprising, Kanal (1957). Ironically, by his own admission, Vladek had 'not a drop of Polish blood' in him, his ethnic background being a mixture of Armenian, Scottish and Austrian. He spoke fluent French, Italian and German before ever learning English.
Taking advantage of a scholarship to perfect his craft, Vladek went to England in the early 1960's and decided to stay. His limited command of English and a lack of connections forced him to take on a number of menial jobs. With his last ten pounds in his pocket, he went to Oxford to study English literature. As his English improved, he began to teach drama. Before long, his successful staging of a Russian play at the Oxford University Opera Club led to a job with the BBC as actor/director. Prompted by Sean Connery (whose then-girlfriend Diane Cilento Vladek had directed on stage), he reluctantly took the part of chess grandmaster and SPECTRE agent Kronsteen in From Russia with Love (1963), emerging as one of the most memorable of the early James Bond villains.
With his cultured voice, sharp nose and piercing, hypnotic eyes, Vladek's became one of the most recognizable faces on screen in the 60's and 70's. For the most part, he was typecast in sardonic, sinister or eccentric roles, tailor-made as Central European or Soviet spies, in both episodic television (eg The Saint (1962), Secret Agent (1964)) and motion pictures (eg S*P*Y*S (1974)). Perfecting his trademark screen personae was partly down to advice from actress Bette Davis, who, according to a 1992 interview in FAB magazine, instructed him to 'narrow his eyes, lower his voice to a whisper and make long pauses'. Affecting these mannerisms served him well, even when he was not playing the bad guy. On several occasions, he appeared in films by Ken Russell, notably as the decadent sculptor Loerke, in Women in Love (1969), and as the Cecil B. DeMille caricature De Thrill, in The Boy Friend (1971). He was also the arcane, enigmatic psychiatrist Dr. Doug Jackson, in Gerry Anderson's cult sci-fi series UFO (1970) (a part he secured after having previously played a similar character in the movie Journey to the Far Side of the Sun (1969) for the same production team). In 1977, he was presented by The Dracula Society with the Hamilton Deane Award for his performance as a creepy innkeeper in an episode of the short-lived anthology series Supernatural (1977). The prize was presented to him by none other than Christopher Lee.
During the latter stages of his career, Vladek revisited the stage, appearing in fringe venues in London in the title role of "Mahler" (1973), as Shylock in "Variations on The Merchant of Venice" (1977) and as Friedrich Nietzsche in "The Eagle and the Serpent" (1988). He also taught acting classes at the London Academy of TV and made several forays into French cinema as middle-aged men obsessed with younger women. A consummate perfectionist at his craft and one of the great European character actors, Vladek died unexpectedly in October 1992 at his home in London, aged 69.- Actor
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Anthony Andrews made his West End theater debut at the Apollo Theatre as one of twenty young schoolboys in Alan Bennett's "Forty Years On" with John Gielgud. He began his career at the Chichester Festival Theatre in the UK. His theater credits include spells with the New Shakespeare Company - "Romeo and Juliet" and "A Midsummer Night's Dream". The Royal National Theatre production of Stephen Poliakoff's "Coming in to Land" with Maggie Smith, directed by Peter Hall, the much-acclaimed Greenwich Theatre production of Robin Chapman's "One of Us" and, as "Pastor Manders", in Robin Phillips's highly acclaimed production of Henrik Ibsen's "Ghosts" at the Comedy Theatre in London, produced by Bill Kenwright.
Anthony's first television appearance was in A Beast with Two Backs (1968) by Dennis Potter, which was part of The Wednesday Play (1964) series. His first leading role in a series was as the title character in the BBC's The Fortunes of Nigel (1974) by Walter Scott. Subsequently, he distinguished himself in various television classics playing "Mercutio" in Romeo & Juliet (1978) and starred in three different plays in the "Play of the Month" (1976) series, including playing "Charles Harcourt" in "London Assurance". He also starred in Danger UXB (1979), in which he played bomb disposal hero "Brian Ash".
Most famously, he received worldwide recognition for his portrayal of the doomed "Sebastian Flyte" in Brideshead Revisited (1981) for which he won a BAFTA in the UK, the Golden Globe award in the USA and an Emmy nomination for Best Actor.
Anthony's since gone on to star in Jewels (1992), for which he received another Golden Globe nomination.
Most recently, Anthony has received tremendous acclaim for his outstanding portrayal of "Count Fosco" in "The Woman In White" at the Palace Theatre in London's West End.
As a producer, he co-produced Lost in Siberia (1991), which translates as "Lost in Siberia", filmed entirely in Russia, which received a Golden Globe nomination for Best Foreign Film and Haunted (1995), produced by his own production company, Double 'A' Films.- Actor
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A tall, distinguished-looking English character actor with aristocratic bearing and a precisely modulated voice, Alan William Napier-Clavering was born in Kings Norton, Worcestershire, England. A cousin of the former British Prime Minister Neville Chamberlain, he studied at the Royal Academy of Dramatic Art (graduating in 1925) and spent his formative years as an actor with Oxford Repertory and, from 1924, on the London stage. During the 1930s, he found his niche in Shakespearean roles. His characterisation of Menenius in a 1954 Boston revival of "Coriolanus" was described in the Christian Science Monitor (January 23, 1954) as imbued with "benevolent distinction and with some of the comic quality of the part". However, by that time, Napier had largely forsaken the stage for the screen.
In 1939, Alan Napier immigrated to America and, in the course of nearly five decades, appeared in film and on television as noblemen, manservants and doctors. His gaunt, suave, sometimes bespectacled characters could be kindly or nefarious. He gave good support in the supernatural thriller The Uninvited (1944) and lent gravitas to his role of Cicero in Julius Caesar (1953). Baby boomer TV audiences will remember him fondly as Bruce Wayne's ever reliable, and very English, butler Alfred Pennyworth in Batman (1966), starring Adam West. Napier's second wife, Aileen Dickens Bouchier Hawksley (nicknamed "Gypsy"), was a great-granddaughter of Charles Dickens. Alan Napier died at age 85 of pneumonia in Santa Monica, California on August 8, 1988.- Actor
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Born in London, England, John Gielgud trained at Lady Benson's Acting School and RADA, London. Best known for his Shakespearean roles in the theater, he first played Hamlet at the age of 26. He worked under the tutelage of Lilian Bayliss with friend and fellow performer Laurence Olivier and other contemporaries of the National Theatre at the "Old Vic", London. He made his screen debut in 1924. Academy Award Best Supporting Actor, 1981, for Arthur (1981), Academy Award Nomination, 1964, for Becket (1964).- Geoffrey Keen was born on 21 August 1916 in Wallingford, Oxfordshire, England, UK. He was an actor, known for The Spy Who Loved Me (1977), Moonraker (1979) and For Your Eyes Only (1981). He was married to Doris Groves, Madeline Howell and Hazel Terry. He died on 3 November 2005 in Denville Hall, Northwood, Hillingdon, London, England, UK.
- Tony Award-winning English actor Michael Gough, best known for playing the butler Alfred Pennyworth in the first four Batman (1989, 1992, 1995 & 1997) movies and for playing the arch-criminal Dr. Clement Armstrong in The Avengers (1961) episode "The Cybernauts", was an accomplished performer on both stage and screen. He was nominated twice for Tony Awards, in 1979 for Best Featured Actor in a Play for Alan Ayckbourn's "Bedroom Farce" and in 1988 in the same category for Hugh Whitemore's "Breaking the Code", winning in 1979. Though he never achieved on the small screen and silver screen what he did in the theater, Gough's career in television and movies spanned sixty-plus years over eight decades. Michael Gough died at age 94 on March 17, 2011 at his home near Salisbury, Wiltshire, England.
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One of America's most heard men back in the day with thousands of radio programs to his credit and the possessor of one of the most prominent male voices of that medium's war-era "Golden Age," veteran actor Les Tremayne was considered to have the third most distinctive tones on the airwaves, only behind Bing Crosby and Franklin D. Roosevelt!
Born Lester Tremayne Henning in London, England, on April 16, 1913, the family moved to Chicago, Illinois when the boy was only four. Wanting to bury his British accent growing up in the States, Tremayne took an an eager interest in community theatre. He began his professional career as a dancer in vaudeville, supplementing his income on the side as a barker in various amusement parks.
Tremayne received his first radio job in Chicago when he was 17 years old. While gaining experience, he attended Northwestern University where he studied Greek drama and also took up anthropology at Columbia University and UCLA. During the 1930s and 1940s, Tremayne was usually heard in more than one show per week. Growing in leaps and bounds as a voice that could handle many types, ages and accents, his first big break occurred in 1934 as the leading man on the soap drama "The Romance of Helen Trent." He then replaced actor Don Ameche as the leading man on the popular weekly radio drama "The First Nighter," a stint that lasted six years. During that time, his more popular series work included that of super-sleuth Nick Charles in "The Adventures of the Thin Man." He also became the announcer on "The Bob Crosby Show."
Searching for bigger opportunities, Tremayne transplanted himself to both Los Angeles New York in 1943, and continued to find radio work as the title role in "The Falcon," played detective Pat Abbott in "The Abbott Mysteries," appeared on Bob Crosby's programs "The Old Gold Show" and "The Bob Crosby Show," and co-starred as the straight man alongside "The Great One" on "The Jackie Gleason/Les Tremayne Show" when Crosby enlisted for WWII service. Other shows would include a breakfast talk format, "The Tremaynes," with second wife Alice Reinheart, as well as the programs "Cavalcade of America," "Ford Theatre," "Inner Sanctum Mysteries," "Kraft Music Hall," "Lux Radio Theatre" and "The Whistle," among so many others.
In the 1950s, Tremayne took on films and the new medium of TV. Typically playing military types, erudite professionals, shifty execs and errant husbands, his more officious roles included playing a police commission chief in The Racket (1951); a colonel in Francis Goes to West Point (1952); a lawyer in Susan Slept Here (1954); a senator in A Man Called Peter (1955) and another colonel in The Perfect Furlough (1958). Best remembered for his characters in cult 1950s sci-fiers, he co-starred or was featured in The War of the Worlds (1953), The Monolith Monsters (1957), The Monster of Piedras Blancas (1959) and The Angry Red Planet (1959). His mellifluous voice was also utilized in films (Forbidden Planet (1956)), in film trailers (The Iron Petticoat (1956)) and for narrating documentaries (Adventures in the Red Sea (1951)).
On TV, Tremayne earned frequent appearances on such established programs as "The Danny Thomas Show," "Mr. Adams and Eve," "The Thin Man," "Bachelor Father," "77 Sunset Strip," "The Jack Benny Program," "The Rifleman," "State Trooper," "M Squad," "Thriller," "Perry Mason," "Alfred Hitchcock Presents," "Checkmate" and "The Andy Griffith Show." He also had a recurring TV role as Major Stone on The Adventures of Rin Tin Tin (1954) and co-starred as Inspector Richard Queen, the father of the famed mystery writer (played by George Nader on the series The Further Adventures of Ellery Queen (1958).
A flurry of unworthy low-budget films came Tremayne's way in later years including Shootout at Big Sag (1962), King Kong vs. Godzilla (1963), The Slime People (1963), Creature of Destruction (1968), Strawberries Need Rain (1971) and Fangs (1974). He also found work with the CBS Mystery Radio Theatre, and also provided voices for "Mr. Magoo," "Johnny Quest," "The Smurfs," "Go-Bots," "Scooby Doo" and "Rikki Tiki Tavi."
Inducted into the Radio Hall of Fame in 1995, Tremayne would take his final bow in the comedy film horror The Naked Monster (2005) which featured several other cult actors of '50s sci-fi/horror including Kenneth Tobey, John Agar, Robert Clarke, Robert Cornthwaite, Jeanne Carmen, Lori Nelson, Ann Robinson and Gloria Talbott.
Tremayne died of heart failure in Santa Monica, California, on December 19, 2003, at the age of 90, and was survived by his fourth wife, Joan Hertz.- Elizabeth Jane Hurley was born in Basingstoke, Hampshire, to Angela Mary (Titt), a teacher, and Roy Leonard Hurley, an army major. Wanting to be a dancer, Hurley went to ballet boarding school at 12, but soon returned home. When it came time to go to college, Hurley won a scholarship to the London Studio Centre which taught courses for dance and theater. Soon, Hurley wore the punk rock look with pink hair and a nose ring, but to get work, she had to change her image to one that was castable. After college, Hurley worked in the theater and made her screen debut in Aria (1987). Roles in Television and a film, Rowing with the Wind (1988), which included a young actor named Hugh Grant, soon followed. European films followed her appearance in the BBC serial Christabel (1988). Her film debut in a Hollywood movie was in the Wesley Snipes action drama Passenger 57 (1992). When Hugh Grant was picked up with Divine Brown, Hurley became headline news. Added to this was the fact that she was the model representing top cosmetics house Estée Lauder, and there was nowhere Hurley could go to get away from the press. In 1994, Hurley and Hugh Grant set up Simian Films in partnership with Castle Rock Entertainment. As Head of Development, Hurley found the script and produced her first film Extreme Measures (1996), which stars Hugh Grant.
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Joss Ackland, the distinguished English actor who has appeared in over 100 movies, scores of plays and a plethora of television programs in his six-decade career, was born Sidney Edmond Jocelyn Ackland on February 29, 1928, in North Kensington, London. After attending London's Central School of Speech and Drama, the 17-year-old Ackland made his professional stage debut in "The Hasty Heart" in 1945.
Although he first appeared on film in John Boulting's and Roy Boulting's Oscar-winning thriller Seven Days to Noon (1950) in an uncredited bit role, he made his credited debut in a supporting role in Vernon Sewell's Ghost Ship (1952). He would not again grace the big screen until the end of the decade. Instead, Ackland spent the latter half of the 1940s and the first half of the 1950s honing his craft in regional theatrical companies.
In 1955 he left the English stage behind and moved to Africa to manage a tea plantation, an experience that likely informed his heralded performance 20 years later in White Mischief (1987). In his two years in Africa he wrote plays and did service as a radio disc jockey. Upon his return to England in 1957, he joined the Old Vic company.
From 1962-64 he served as associate director of the Mermaid Theatre. Subsequently, his stage acting career primarily was in London's commercial West End theater, where he made a name for himself in musicals. He was distinguished as Captain Hook in the musical version of "Peter Pan" and as Juan Peron in "Evita". In the straight theater he was a memorable Falstaff in William Shakespeare's "Henry IV Parts 1 & 2" and as Captain Shotover in George Bernard Shaw's "Heartbreak House". In the 1960s Ackland began appearing more regularly in films, and his career as a movie character actor picked up rapidly in the 1970s and began to flourish in the 1980s. It has shown little sign of abating in the 21st century, even though he's well into his 70s.
In addition to his performance in "White Mischief", among his more notable turns as an actor before the camera came in the BBC-TV production of Shadowlands (1986), in which he played 'C.S. Lewis', and in Lethal Weapon 2 (1989) as the ruthless South African heavy, Arjen Rudd.
He is the father of seven children, whom he listed as his "hobby" in a 1981 interview. On December 31, 2000, Joss Ackland was named a Commander of the British Empire on the New Year's Honours List for his 50 years of service to the English stage, cinema and television.- Actress
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Joan Severance was born and raised in Houston, Texas. At the age of 18 and at the sole urging of John Casablancas of Elite models, she went to Paris, France to begin a modeling career that would turn out to be well worth the price of the ticket Casablancas sent her. Within months she graced the covers of all the international magazines and was doing shows for all the top designers. She landed campaigns for Chanel and Versace. After eight months she moved to NYC to pursue the US market and was quick to land several national commercials for Windsong perfume, Breck shampoo, Clairol, English Leather, L'oreal, Revlon and Maybeline.
After several dozen commercials and a very high profile editorial career, she quit the modeling industry to head to Hollywood. Within weeks, she had a manager, an agent and was studying with several different acting coaches. It was six months later that she landed her first role on a major television series for CBS called Wiseguy (1987), starring Ken Wahl and Kevin Spacey. It was only a matter of time that director Arthur Hiller cast her in See No Evil, Hear No Evil (1989) with Gene Wilder and Richard Pryor and her costar from Wiseguy, Kevin Spacey. That same year, she did Bird on a Wire (1990) with Mel Gibson and Goldie Hawn, and No Holds Barred (1989) with Hulk Hogan. Later starring in several films, including Zalman King's Lake Consequence (1993) with Billy Zane.
She has appeared in over fifteen films. She has worked with Robert Urich on Aaron Spelling's Love Boat: The Next Wave (1998) and with Ann-Margret on Life of the Party: The Pamela Harriman Story (1998) for Lifetime. Ms. Severance has been in many popular TV shows, like Masters of Sex (2013), One Tree Hill (2003), and CSI: Miami (2002).
Her hobbies include interior, landscape and fashion design, cooking, reading, entertaining, writing and anything to do with horses. Severance has finished her first book, "Manifest Your Mate: a Journal for Attraction". Science, health and the unknown spark her interests. She has a gourmet cooking degree from Roger Verge from The Moulin du Mougin in the South of France, owned and was the chef of a restaurant in upstate New York, owned a catering company in New York, and has taught commercial acting classes.
Ms. Severance has a Bachelors Degree in Natural Health. She desires to develop a television talk show aimed at a younger audience about alternative and holistic lifestyles choices. Ms. Severance created, txTylz®, a communication game, and is developing it for a mobile app.- Suleka Mathew was born in India, raised in Vancouver and currently resides in Los Angeles working as a professional actress in film, television, radio and theatre.
Having been a lifelong dream of hers, Suleka started to pursue acting early in her college years. She was signed by an agent shortly after enrolling in classes and 6 months later she was hired for her first paid acting job as a lead in an episode of a Canadian anthology series. She has been working extensively in her field ever since.
Suleka's most recent work is on the film That's Amor (2021), the television show, Another Life (2020), and her portrayal of Detective Arlene Branch on TNT's hit show, Claws, for 3 seasons. Other notable roles include working as a series regular on the ABC drama, Red Widow, with Radha Mitchell, TNT's Hawthorne starring Jada Pinkett Smith, and ABC's, Men in Trees, opposite Anne Heche. Other credits include Midnight Sun, Ten Days in the Valley, How to Get Away with Murder, Castle, and The West Wing.
One of Suleka's first major roles was that of Dr. Sunny Raman on the acclaimed and award-winning Canadian dramatic series, Da Vinci's Inquest. An international hit, the series eventually made its syndicated debut in the United States.
Other feature film credits include a starring role in the Sundance Festival hit, Touch of Pink, directed by Ian Iqbal Rashid. She appeared in the independent film, The Score, which was screened at the 2005 Vancouver International Film Festival. - Actress
- Writer
- Producer
Suki Kaiser was born in 1967 in Bangkok, Thailand, but because her mother was a missionary, spent a lot of her childhood traveling. She immigrated to Canada when she was five but later moved with her mother to Newport, Rhode Island. Suki's adolescence was a mixture of high schools, boarding schools, performing art schools and a fair amount of time spent following legendary touring band, Grateful Dead. She graduated with honors from high school and attended The University of Colorado at Boulder, where she was an Anthropology major and studied creative writing. While at college, someone suggested she audition for a commercial and that eventually led her to Los Angeles to study acting.
After finding success in the world of commercials, Suki left for Hollywood. Four years and little success in LA prompted Suki to relocate to Vancouver (BC), where she ran an acting studio and taught acting classes. It was in Canada that she was first discovered, picking up small roles in unknown independent films, and a number of made-for-TV movies. Her big break came with her recurring role on Nash Bridges (1996) as Nash's sister-in-law, which helped her land a role in the PAX series Hope Island (1999), and The Virgin Suicides (1999), co-starring Sofia Coppola, proving that one doesn't have to be under 35 to get a job in Hollywood. Suki has appeared in numerous films, including Marine Life (2000), and starred in several television series (Hope Island (1999)) and many TV movies and episodes. Although she still works in film and television, she spends most of her time writing and has co-directed and co-produced an award-winning short film, Speak (2001), with her husband and fellow actor, Jonathan Scarfe.
Married in the summer of 1998 to Canadian actor Jonathan Scarfe, the two split their time between Vancouver and Los Angeles.- Actress
- Producer
Kristen Dalton was born on 14 February 1973 in San Diego County, California, USA. She is an actress and producer, known for The Departed (2006), Jack Reacher (2012) and Steel Rain (2017). She was previously married to Darren Dalton.- Actress
- Director
- Stunts
Over the years, Janet Gunn has become quite an American success story. After graduating from Boswell High School in Saginaw, Texas, where she was a cheerleader for four years and the Homecoming Queen, she has worked at a variety of jobs, including stints as a car saleswoman, a personal assistant, 6-1/2 years as a flight attendant with Southwest Airlines and as one of the world-renowned Dallas Cowboy Cheerleaders. She has been very involved with gymnastics, both as an athlete and a coach. Incorporating her gymnastics and dancing talents, Miss Gunn served as Susan Howard's stunt double on the long-running TV show Dallas (1978). She also appeared in musicals at Fort Worth's Casa Manana Theater. She beat out over 200 other actresses to get the role of Kelly Cochran in the CBS series Dark Justice (1991). Since then, she has starred in movies on the big screen opposite such actors as Jean-Claude Van Damme, Andrew McCarthy, Christopher Lloyd and Lisa Zane. After guest-starring in a variety of TV series, she found herself right where she belonged--in her own show, starring with Chris Potter in USA Cable's Silk Stalkings (1991).- Kate Vernon was born to the celebrated actor John Vernon. As her father's career began to take off in the USA, the family moved from their home in Canada to Hollywood when Kate was 7 years old.
With the ever growing career success of the late John Vernon (Dirty Harry (1971), National Lampoon's Animal House (1978), The Outlaw Josey Wales (1976)), Kate's childhood enabled her to be influenced and surrounded by many of Hollywood's leading actors, writers and artists. With these early experiences and influences, her decision to study to become an actress came as no surprise.
After successfully completing her acting school studies, Kate's beautiful features, zest for life, easy-going and fun personality coupled with her dedicated work approach to her profession did not go unnoticed. During the early 80's, doors began to open for Kate as she secured a number of roles.
It was during the mid-1980's that Kate landed her first feature film break with her role as "Benny" in the box office hit, Pretty in Pink (1986). In its success, it led to more TV work, box office and independent movie roles allowing Kate to star alongside some of Hollywood's leading men such as Denzel Washington, Willem Dafoe, Edward James Olmos, Christopher Lee and Richard Thomas.
To date, Kate's long career as a busy actress has enabled her to play an engaging and wide variety of roles from the beautiful, funny, the love interest, dramatic, comedic, the misunderstood, the mistress, the mother and the dynamic. With her most recent roles in movies including the box office smash The Last Song (2010) which features Miley Cyrus, Greg Kinnear, Liam Hemsworth, Kelly Preston and the comedy, National Lampoon's Snatched (2011), sees her alongside Andrew McCarthy and the acclaimed film legend Ernest Borgnine.
Her versatility as an actress has seen Kate recently star in the hit TV series Heroes (2006), Bones (2005), as well as CSI: Crime Scene Investigation (2000), The Mentalist (2008), Saving Grace (2007) and her recurring role as "Ellen Tigh" (2004-2009) in the award-winning Battlestar Galactica (2004) (2004-2009) has won her an international fan base.
Never one to be typecast, Kate's career has allowed her to work alongside many of TV and Film Industry leading writers, directors & producers such as Spike Lee, Peter Medak, Ronald D. Moore, David Eick, Joe Cacaci, David Weddle, Michael Nankin and John Woo.
Her 40-year career has allowed her to feature in regular, recurring and guest roles in a number of major TV series including Heroes (2006) (2010), CSI: Crime Scene Investigation (2000) (2004-2009), Star Trek: Voyager (1995) (1995), Nash Bridges (1996) (1996-1997), Battlestar Galactica (2004) (2004-2009), L.A. Law (1986) (1994), Bones (2005) (2010), Tales from the Crypt (1989) (1993), Who's the Boss? (1984) (1990) and many others.
Some of her TV & Box Office Movies credits include The Last Song (2010), Malcolm X (1992), Roadhouse 66 (1984), National Lampoon's Snatched (2011), Blackjack (1998), Pretty in Pink (1986), Dangerous Touch (1994), Last Chance Cafe (2006) and Battlestar Galactica: The Plan (2009) to name but a few.
With a timeless beauty and meticulous approach to her characters, these qualities have enhanced Kate's reputation not only as an on-screen beauty, but as an actress with experience to adapt to any kind of role.