Early Cinema and Cinema of Attractions
examples of early cinema and examples of cinema of attractions
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- DirectorEdwin S. PorterStarsWilliam CourtenayFrank DanielsMay IrwinThe Whole Dam Family and The Dam Dog is a popular fad which has been widely advertised by lithographs and souvenir mailing cards, and has recently been made the subject of a sketch in a New York Vaudeville Theatre. The Edison Manufacturing Co., with their usual up-to-date methods, have illustrated this popular subject in a most novel and original way in Motion Pictures. The picture opens with a close view of the individual members of the family. Each goes through a very amusing performance. Mr. I.B. Dam is seized with a severe fit of sneezing. Herself relieves her mind through woman's sole weapon. Jimmy Dam shows how a cigarette should be smoked. Miss U.B. Dam is very proud of the marcel wave in her hair. Annie Dam, in a large picture hat, tries to look very shy and demure. Lizzie Dam chews gum in a most artistic manner. Baby Dam gives a sample of his ability at crying. A family group is seated at dinner, with the Dam Dog seated at the head of the table. Mr. I.B. Dam enters and kicks the Dam Dog out of the chair. The Dam Dog waits until the soup has been served, and then returns and drags the table cloth and all the dishes on to the floor. The final scene is most amusing. Different portions of the Dam Dog's body appear from all directions. They finally arrange themselves in shape, showing a dilapidated looking cur sitting up on his haunches. Presently his tail joins his body by piecemeal, the end having two tin cans tied to it. The tail and tin cans begin to wag in a most comical way. The picture has made the biggest kind of a hit, and is one of the best humorous pictures ever offered.
- DirectorEdwin S. PorterReveals the most important stages of life, through one couple.
- DirectorGeorge S. FlemingEdwin S. PorterStarsJames H. WhiteThomas WhitePorter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies', Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.
- DirectorEdwin S. PorterThe Washington Star of April 1st, 1900, gave the following account of the ceremony: "Over 40,000 women and children passed through the White House Gates to-day during the hours set apart for the great National show of Egg Rolling, and when the President stepped on the south front gallery at 4:15 P.M., at least 20,000 were within the grounds. The Marine Band rendered a programme of popular music. The President's children entertained at least fifty young friends during the day with a view of the egg rolling from the balcony, but none of them mingled with the great throng, preferring to view the panorama from the distance. They were much amused with the antics of the great crowd of children, who were of all colors and from every walk of life."
- DirectorEdwin S. PorterStarsGilbert M. 'Broncho Billy' AndersonA.C. AbadieGeorge BarnesA group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.
- DirectorAlice GuyThis is the story of a pot of glue and the over interfering boy. Finding a pot of glue, the lad immediately proceeds to apply it to everything in sight. Accordingly, the stairway, lawn seat and a bicycle seat and handles are liberally daubed, so that those coming in contact experience much inconvenience in liberating themselves. "He who laughs last laughs best," can also be applied in this instance, as, in giving vent to his amusement, the lad falls back on to the pot and is unable to liberate himself.
- DirectorD.W. GriffithG.W. BitzerStarsArthur V. JohnsonLinda ArvidsonGladys EganOn a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to buy his wares. He attacks mother and daughter but is driven off by the father. Later the gypsy sneaks back and kidnaps the girl. A rescue party is organized but the gypsy conceals the child in a 30 gallon barrel which he precariously places on the tail of the wagon. He and his gypsy-wife make their getaway by fording the river with the wagon. The barrel, with Dollie still inside, breaks free, tumbling into into the river; it starts floating toward the peril of a nearby waterfall . . .
- DirectorJan TroellStarsMaria HeiskanenMikael PersbrandtJesper ChristensenIn a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.