My favourite British Actors
These guys have proven they have the talent!
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He was born in Newcastle-upon-Tyne, and is the son of distinguished architect Professor Douglass Wise. It was assumed that he would be an architect, so he studied architecture in Edinburgh. He dropped out, though, after a while, and went to Glasgow to study drama.
He did his first professional job on stage, starring in "Good Rockin' Tonight", a musical based on the life of TV producer Jack Good. The first films he made were Sense and Sensibility (1995) and Feast of July (1995).- Actor
- Soundtrack
Acting chameleon Sir Tom Courtenay, along with Sir Alan Bates and Albert Finney, became a front-runner in an up-and-coming company of rebel upstarts who created quite a stir in British "kitchen sink" cinema during the early '60s. An undying love for the theatre, however, had Courtenay channeling a different course from the aforementioned greats and he never, by his own choosing, attained comparable cinematic stardom.
The gaunt and glum, fair-haired actor was born Thomas Daniel Courtenay into modest surroundings on February 25, 1937, in Hull, East Yorkshire, England, the son of Thomas Henry Courtenay, a ship painter, and his wife, Anne Eliza (née Quest). Graduating from Kingston High School there, he trained in drama at London's Royal Academy of Dramatic Arts. His reputation as an actor grew almost immediately with his professional debut in 1960 as Konstantin in "The Seagull" at the Old Vic. Following tours in Scotland and London with the play, Tom performed in "Henry IV, Part I" and "Twelfth Night" (also at the Old Vic) before assuming the title role of Billy from Albert Finney in the critically acclaimed drama "Billy Liar" at the Cambridge Theatre in 1961. The story, which tells of a Yorkshire man who creates a fantasy world to shield himself from his mundane middle-class woes, was the initial spark in Tom's rise to fame.
The recognition he received landed him squarely into the heap of things as a new wave of "angry young men" were taking over British cinema during the swinging '60s. Singled out for his earlier stage work at RADA, he was eventually handed the title role in the war film Private Potter (1963), but it was his second movie that clinched stardom. Winning the role of Colin Smith in The Loneliness of the Long Distance Runner (1962), Courtenay invested everything he had in this bruising portrayal of youthful desolation and rebellion. As a reform school truant whose solitary sentencing for robbing a bakery leads to a reawakening and subsequent recognition as a long distance runner, he was awarded a "Promising Newcomer" award from the British Film Academy, It was Courtenay then, and not Finney, who recreated his stage triumph as Billy Fisher in the stark film version of Billy Liar (1963). British Film Academy nominations came his way for this and for his fourth movie role in King & Country (1964). Vivid contributions to the films King Rat (1965), the ever-popular Doctor Zhivago (1965), which earned him his first Oscar nomination, and The Night of the Generals (1967) followed.
Despite all this cinematic glory, Courtenay did not enjoy the process of movie-making and reverted to his first passion -- the theatre -- beginning in 1966. Displaying his versatility with roles in such classic works as "The Cherry Orchard," "Macbeth" (as Malcolm), "Charley's Aunt," "The Playboy of the Western World," "Hamlet," "She Stoops to Conquer," "Peer Gynt" and "Arms and the Man," he still found scattered work in films, including The Day the Fish Came Out (1967), A Dandy in Aspic (1968) and Otley (1969), but none matched his earlier brilliance. In 1971 he took a self-imposed, decade-long sabbatical from filming.
Forming a sturdy association with the Royal Exchange Theatre in Manchester that would last over a decade, he continued to impress with lead roles in "The Rivals" and "The Prince of Homburg". Following his huge success as the libidinous Norman in "The Norman Conquests" in London, he made his Broadway debut with "Otherwise Engaged" (1977) and earned a Tony nomination and Drama League Award in the process. It was his second Tony-nominated triumph in "The Dresser" in 1980-1981, however, that lured Courtenay back to films when he was asked to recreate the role for the large screen. The Dresser (1983) co-starred Tom as the mincing personal assistant to an appallingly self-destructive stage star played by Albert Finney (Paul Rogers played the role with Tom on Broadway) who struggles to get the actor through a rigorous performance of "King Lear". Both British actors received Oscar nominations but lost the 1984 "Best Actor" award to American Robert Duvall.
Since then Tom has appeared on occasion in TV and film roles -- usually in support. A few standouts include the films Let Him Have It (1991), Whatever Happened to Harold Smith? (1999), Last Orders (2001) and Nicholas Nickleby (2002), as well as the TV mini-series A Rather English Marriage (1998), for which he earned a British Television Award, Little Dorrit (2008) and the series Unforgotten (2015) for which he won a BAFTA award.
Over the years Sir Tom has excelled in solo stage shows as well. As a chronic alcoholic in "Moscow Stations," he won the 1994 London Critics Circle Theatre and London Evening Standard Theatre awards for "Best Actor." In 2002, he wrote the one-man show "Pretending To Be Me," based on the letters and writings of poet Philip Larkin. In the past decade he has continued to distinguish himself on both the classical ("King Lear," "Uncle Vanya") and contemporary ("Art") stages.
Courtenay's marriage to actress Cheryl Kennedy lasted about a decade (from 1973 to 1982). In 1988 he married Isabel Crossley, a stage manager at the Royal Exchange Theatre in London. He has no children from either marriage. In 1999, Sir Tom Courtenay was awarded an honorary doctorate from Hull University and in 2000 published his memoir "Dear Tom: Letters From Home", which earned strong reviews. Knighthood came a year after that.- Actor
- Writer
- Soundtrack
Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.- Writer
- Actor
- Music Department
Noel Coward virtually invented the concept of Englishness for the 20th century. An astounding polymath - dramatist, actor, writer, composer, lyricist, painter, and wit -- he was defined by his Englishness as much as he defined it. He was indeed the first Brit pop star, the first ambassador of "cool Britannia." Even before his 1924 drugs-and-sex scandal of The Vortex, his fans were hanging out of their scarves over the theater balcony, imitating their idol's dress and repeating each "Noelism" with glee. Born in suburban Teddington on 16 December 1899, Coward was on stage by the age of six, and writing his first drama ten years later. A visit to New York in 1921 infused him with the pace of Broadway shows, and he injected its speed into staid British drama and music to create a high-octane rush for the jazz-mad, dance-crazy 1920s. Coward's style was imitated everywhere, as otherwise quite normal Englishmen donned dressing gowns, stuck cigarettes in long holders and called each other "dahling"; his revues propagated the message, with songs sentimental ("A Room With A View," "I'll See You Again") and satirical ("Mad Dogs and Englishmen," "Don't Put Your Daughter On the Stage, Mrs. Worthington"). His between-the-wars celebrity reached a peak in 1930 with "Private Lives," by which time he had become the highest earning author in the western world. With the onset of World War II he redefined the spirit of the country in films such as This Happy Breed (1944), In Which We Serve (1942), Blithe Spirit (1945) and, perhaps most memorably, Brief Encounter (1945). In the postwar period, Coward, the aging Bright Young Thing, seemed outmoded by the Angry Young Men, but, like any modern pop star, he reinvented himself, this time as a hip cabaret singer: "Las Vegas, Flipping, Shouts "More!" as Noel Coward Wows 'Em in Cafe Turn" enthused Variety. By the 1960s, his reappraisal was complete -- "Dad's Renaissance", called it -- and his "Hay Fever" was the first work by a living author to be produced at the National Theatre. He was knighted -- at last -- in 1970, and died in his beloved Jamaica on 26 March 1973. Since his death, his reputation has grown. There is never a point at which his plays are not being performed, or his songs being sung. A playwright, director, actor, songwriter, filmmaker, novelist, wit . . . was there nothing this man couldn't do? Born into a musical family he was soon treading the boards in various music hall shows where he met a young girl called Gertrude Lawrence, a friendship and working partnership that lasted until her death. His early writings were mainly short songs and sketches for the revue shows popular in the 1920s, but even his early works often contained touches of the genius to come ("Parisian Pierrot" 1923). He went on to write and star (with Gertie) in his own revues, but the whiff of scandal was never far away, such as that from the drug addict portrayed in "The Vortex." Despite his obvious homosexual lifestyle he was taken to the hearts of the people and soon grew into one of the most popular writer/performers of his time.- The son of an insurance underwriter who represented Lloyd's of London in Ceylon, Trevor Wallace Howard-Smith was born in Margate, Kent. He spent his early childhood globetrotting with his mother, frequently left in the care of strangers. After attending private school he went on to study drama at RADA (due to his mother's insistence) and was voted best in his class following a performance in "Much Ado About Nothing". Spurning a Hollywood contract with Paramount he acted on the West End stage and with the Shakespeare Memorial Theatre in Stratford-upon-Avon from the mid-1930s, specialising in classical plays ranging from "Hamlet" and "Coriolanus" to "French without Tears", by Terence Rattigan. Howard was initially turned down for military service by both the RAF and the British Army but shortage of manpower led to his being called up in 1940 to serve as a second lieutenant with the Army Signal Corps. However, he neither saw action nor accumulated the illustrious wartime record (including winning the Military Cross) invented for him by his publicists. A 2001 biography by Terence Pettigrew claimed to have unearthed files from his war record which alleged that he was dismissed from service in 1943 due to 'mental instability'. Ironically, on screen, the actor was often cast as solid, unflappable British officers, perhaps reflecting his own personal credo of always feeling best when impersonating someone else.
Howard's career in films began quietly with small roles in The Way Ahead (1944) and Johnny in the Clouds (1945). He unexpectedly leapt to stardom in just his third outing as the stoic, decent Dr. Alec Harvey in David Lean's melancholic story of middle-class wartime romance, Brief Encounter (1945). Howard's mannered performance perfectly suited the required stiff-upper-lip mood of the film, his intensity and projected integrity more than compensating for his average looks. That 'jolly decent chap' persona continued on in another 'woman's picture', The Passionate Friends (1949), but Howard soon found his niche in more determined, worldly roles. He later admitted that "for years I was practically hounded by my first part in Brief Encounter. I loved the film, mind you, but the role wasn't me, at all" (Ottawa Citizen, February 17 1961). As a screen actor, Howard came of age in crime thrillers and war films, delivering his first genuine tour de force performance as a battle-hardened, cynical ex-pilot caught up in the world of post-war black market racketeering in I Became a Criminal (1947). His efficient, by-the-book intelligence officer, Major Calloway, in Carol Reed's The Third Man (1949) put him firmly on the map as a star character player.
Rasping-voiced and becoming increasingly craggy as the years went by, Howard contrasted archetypal authoritarians (seasoned army veteran Captain Thomson of The Cockleshell Heroes (1955), Captain William Bligh in the remake of Mutiny on the Bounty (1962), Lord Cardigan in The Charge of the Light Brigade (1968)) with weaklings (best exemplified by morally corrupt, degenerate expatriate trader Peter Willems in Outcast of the Islands (1951) -- arguably one of Howard's finest performances); sympathetic victims (colonial cop Scobie, tormented by religious guilt in The Heart of the Matter (1953)) and obsessive, driven eccentrics (crusading elephant preservationist Morel in The Roots of Heaven (1958), the alcoholic, haunted Sir Henry at Rawlinson End (1980), and the weird Russian recluse of Light Years Away (1981)). In the midst of angst-ridden heroes, drunken clerics and assorted historical characters, ranging from Napoleon Bonaparte to Sir Isaac Newton, Howard even essayed a Cheyenne warrior returning from the dead to defend his family in Windwalker (1980). Remarkably, though he took on a score of eminently forgettable projects, it is difficult to fault a single one of his performances. Throughout his entire career he was never out of favour with audiences and never out of work.
As becoming one of the most British of actors, Howard was an ardent cricket supporter, member of the prestigious Marylebone Cricket Club. He insisted on having a clause inserted in his contracts which allowed him leave from filming to attend test matches. A rather solitary man, he had few other hobbies (except, perhaps, a fondness for alcohol, which likely contributed to his death at the age of 74) and was reputedly modest about his accomplishments as an actor. He once declared "we don't have the Method School of acting in England. We simply read the script, let it seep in, then go put on whiskers - and do it" (New York Times, January 8 1988). - Actor
- Soundtrack
At a consistently lean 6' 2", green-eyed Timothy Dalton may very well be one of the last of the dying breed of swashbuckling, classically trained Shakespearean actors who have forged simultaneous successful careers in theater, television and film. He has been comparison-shopped roundly for stepping into roles played by other actors, first following Sir Laurence Olivier in Wuthering Heights (1970), in Scarlett (1994).
Undaunted and good-natured, he has always stated that he likes the risk of challenges. He was born in Colwyn Bay, North Wales, the oldest of five children of Dorothy (Scholes) and Peter Dalton-Leggett. His father was stationed in Colwyn Bay during World War II, and moved the family to Manchester in the late 1940s, where he worked in advertising and raised the growing Dalton family, in an upper-class neighbourhood outside of Belper, Derbyshire. Timothy was enrolled in a school for bright children, where he excelled in sports and was interested in the sciences. He was fascinated with acting from a young age, perhaps due to the fact that both his grandfathers were vaudevillians, but it was when he saw a performance of "Macbeth" at age 16 that his destiny was clinched.
After leaving Herbert Strutt Grammar School at age 16, he toured as a leading member of Michael Croft's National Youth Theater. Between 1964-66, he studied at the Royal Academy of Dramatic Art (RADA). Just before completing his two years, he quit and joined the Birmingham Repertory Theatre, playing the lead in many productions under the direction of Peter Dews while at the same time then as James Bond in The Living Daylights (1987) and Licence to Kill (1989), and even more brutally, recently, as Rhett Butler turning professional. Dalton later said of RADA in an interview with "Seventeen" magazine (December 1970), "It took a year to undo the psychological damage that was caused by the oppressive teachers.".
His talent and classic good looks immediately landed him professional work in television, guest-starring on an episode of the short-lived series, Judge Dee (1969), and as a regular on the 14-episode series Sat'day While Sunday (1967) with the young Malcolm McDowell. In late 1967, Peter O'Toole recommended him for the role of the young King Philip of France in The Lion in Winter (1968) (coincidentally, this was also Anthony Hopkins' big break). The following year, he starred in the Italian film Giuochi particolari (1970) with Marcello Mastroianni and Virna Lisi, although his voice was dubbed into Italian by another actor. Dalton also mixed in a healthy dose of BBC work during this time, including The Three Princes (1968), Five Finger Exercise (1970) and Candida (1973). Also during this time, he was approached and tested for the role of James Bond in On Her Majesty's Secret Service (1969) which he turned down, feeling he was too young for the role. His next film was another costume drama, Cromwell (1970), working with director Ken Hughes, with whom he later made his first American film, Sextette (1977). He followed Cromwell (1970) with Wuthering Heights (1970) and Mary, Queen of Scots (1971).
He was already developing a pattern in his films that would follow him throughout his career: costume dramas where he played royalty, which he had done in three of his first four films (and ridden horses in three, and raised a sword in two). In 1972, he was contracted to play a role in Lady Caroline Lamb (1972). However, he was replaced at the last moment. Dalton sued the company and won, but the film went on without him. From the early to mid-1970s, he decided to further hone his skills by going back into the theater full time. He signed on with the Royal Shakespeare Company (RSC) and the Prospect Theatre Company (PTC), and toured the world with both, playing the leads in "Romeo and Juliet", "King Lear", "Henry V", "Love's Labours Lost" and "Henry IV" - parts 1 and 2.
In 1975, he returned to movies in the British/Austrian production of The Executioner (1975). It was followed in 1976 by the Spanish religious historical film about the inquisition, El hombre que supo amar (1976), which was never widely released. After this, he took another break from film, mixing in a healthy dose of theater, returning for his first American film, Sextette (1977), and the lengthy miniseries Centennial (1978), his first American television appearance, in which Lynn Redgrave played his wife. Because of his broad exposure to American audiences in this series, he began to get more frequent film and television work in the United States, including the Charlie's Angels (1976) episode "Fallen Angel" -- which, ironically, had several references to his character being like James Bond -- and the TV movie The Flame Is Love (1979). Although he did a few features, including playing Vanessa Redgrave's husband in Agatha (1979), most of his work until 1985 consisted of TV movies and miniseries. He played Prince Barin in the science fiction classic Flash Gordon (1980). He followed this with a small film, Chanel Solitaire (1981) and also filmed a staged production of Antony and Cleopatra (1984) opposite Lynn Redgrave, with Anthony Geary, as well as Nichelle Nichols and Walter Koenig of the original Star Trek (1966) series.
The years 1983-1987 have so far been the most prolific of his career. In 1983, he starred as Rochester in what he considers one of his best works, the popular BBC miniseries Jane Eyre (1983). Also, during this time, Roger Moore was considering leaving Bond, and Dalton was again approached, but due to his full schedule, he had to decline. In 1984, he did one of his many narrations in the Faerie Tale Theatre (1982) production of The Emperor's New Clothes (1987). That same year also saw him in the Hallmark Hall of Fame piece The Master of Ballantrae (1984) opposite Michael York and Richard Thomas, and another miniseries, Mistral's Daughter (1984), opposite Stefanie Powers and Stacy Keach. The next year was also a very busy one. He starred in another miniseries, Sins (1986), playing the brother of Joan Collins, and also starred in and narrated the four-hour miniseries Florence Nightingale (1985), opposite Jaclyn Smith. He also starred in The Doctor and the Devils (1985) as Dr. Thomas Rock, with Stephen Rea, Jonathan Pryce and Patrick Stewart.
In the mid-to-late 1980s, Dalton narrated many nature documentaries, most notably several episodes of the UK series Wildlife Chronicles (1987). In the spring of 1986, he teamed with Vanessa Redgrave for another revival of a Shakespeare production, The Taming of the Shrew (1988) and his interpretation of Petrucchio received uniformly high praise. Simultaneously, the world was playing a guessing game as to who would succeed Roger Moore as James Bond. Dalton was approached but was committed to the theater, and so Pierce Brosnan was offered the role. When Brosnan was unable to get out of his Remington Steele (1982) contract at the last minute, Dalton was again approached. Able now to work it into his tight schedule, he agreed. Although his first outing as Bond, The Living Daylights (1987), did reasonably well at the box-office, Licence to Kill (1989) suffered from a lack of marketing that appeared to harm its chances of big box-office success. However, Dalton's interpretation of "Bond" in this film received critical acclaim in some quarters as being the closest to author Ian Fleming's literary "Bond". Back in the theater, he teamed again with Vanessa Redgrave for a revival of Eugene O'Neill's seldom performed play, "A Touch of the Poet", which is considered by some to be his and Redgrave's finest professional collaboration. Although there were talks of bringing the play to Broadway, this never materialized.
Following Licence to Kill (1989), he immediately returned to one of his strengths, costume drama, in The King's Whore (1990). It was followed by his excellent performance in the Disney action adventure The Rocketeer (1991), where he played an Errol Flynn type Nazi agent. In August 1991, he teamed with Whoopi Goldberg for the first biracial interpretation of "Love Letters" for the final sold-out performances of the play in Los Angeles. When he had signed on to do Bond, it was for three pictures, but the rights to the Bond films became entangled in lengthy litigation, delaying production of the third. During this wait, he was set to star in the title role of another historical epic, Christopher Columbus: The Discovery (1992). However, the film was doomed from the start due to the competition with the Gérard Depardieu "Columbus" picture, which was racked with its own problems. When the director was replaced, Dalton backed out and was followed by his co-star, Isabella Rossellini.
In 1992, he starred in the A&E production Framed (1992), which won a bronze medal in the 1993 New York Film Festival. The next year, he journeyed to northern Alaska and Minnesota to make a documentary on one of his favorite subjects, wolves. In the Company of Whales (1991) went on to win a silver medal in the 1994 New York Film Festival. He kept busy in television through 1993 and 1994. He made Red Eagle (1994), Scarlett (1994) and managed to squeeze in a guest appearance on Tales from the Crypt (1989) in the episode "Werewolf Concerto". In 1994, he took on the role of Rhett Butler in the eight-hour miniseries Scarlett (1994), produced by Robert Halmi Sr. for the Hallmark Hall of Fame. In April of that year, believing he needed to move on to fresh challenges, he officially resigned the role of James Bond, a move which was much regretted by the producers, though they understood his reasons. After two months of negotiations, the role went to Pierce Brosnan.
In September 1994, Dalton was called upon for two readings of "Peter and the Wolf" at the Hollywood Bowl. He played to full-capacity crowds. In November, Scarlett (1994) premiered and, though given only a lukewarm response by critics, it was a ratings success not only in the United States but all over the world, breaking records in many European countries. As always after a major work, Dalton again withdrew quietly and without fanfare to search for his next project, a small, personal film. In the summer of 1995, he journeyed to Canada to shoot Salt Water Moose (1996). The film was made by Canada's Norstar Entertainment and was sold to Halmi to be the first video release in his new line of Hallmark family films. It premiered on Showtime in June 1996.
During the spring of 1996, he made the IRA drama The Informant (1997) in Ireland and, in May, he traveled to Prague to shoot Passion's Way (1999), opposite Sela Ward. On February 7, 1997, the comedy The Beautician and the Beast (1997) co-starring Fran Drescher opened in the United States. He also gleefully parodied his swashbuckling/James Bond image in Looney Tunes: Back in Action (2003) as a spy playing an actor playing a spy.
In 1995, Dalton began a relationship with Oksana Grigorieva which produced a child in 1997, Dalton's son Alexander. Over the following years, Dalton has been a caring and loving father of his son. Very much a private man, Dalton's pastimes include fishing, reading, jazz, opera, antique fairs and auctions and, of course, movies.- Actor
- Producer
- Soundtrack
One of the British theatre's most famous faces, Daniel Craig, who waited tables as a struggling teenage actor with the National Youth Theatre, has gone on to star as James Bond in Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021).
He was born Daniel Wroughton Craig on March 2, 1968, at 41 Liverpool Road, Chester, Cheshire, England. His father, Timothy John Wroughton Craig, was a merchant seaman turned steel erector, and then became landlord of the "Ring O'Bells" pub in Frodsham, Cheshire. His mother, Carol Olivia (Williams), was an art teacher. Craig has English, as well as Irish, Scottish and Welsh, ancestry. His parents split up in 1972, and young Daniel was raised with his older sister, Lea, in Liverpool, then in Hoylake, Wirral, in the home of his mother. His interest in acting was encouraged by visits to the Liverpool Everyman Theatre arranged by his mother. From the age of six, Craig started acting in school plays, making his debut in the Frodsham Primary School production of "Oliver!", and his mother was the driving force behind his artistic aspirations. The first Bond movie he ever saw at the cinema was Roger Moore's Live and Let Die (1973); young Daniel Craig saw it with his father, so it took a special place in his heart. He was also a good athlete and was a rugby player at Hoylake Rugby Club.
At age 14, Craig played roles in "Oliver", "Romeo and Juliet" and "Cinderella" at Hilbre High School in West Kirby, Wirral. He left Hilbre High School at age 16 to audition at the National Youth Theatre's (NYT) troupe on their tour in Manchester in 1984. He was accepted and moved down to London. There, his mother and father watched his stage debut as Agamemnon in Shakespeare's "Troilus and Cressida". As a struggling actor with the NYT, he was toiling in restaurant kitchens and as a waiter. Craig performed with NYT on tours to Valencia, Spain, and to Moscow, Russia, under the leadership of director Edward Wilson. He failed at repeated auditions at the Guildhall, but eventually his persistence paid off, and in 1988, he entered the Guildhall School of Music and Drama at the Barbican. There, he studied alongside Ewan McGregor and Alistair McGowan, then later Damian Lewis and Joseph Fiennes, among others. He graduated in 1991, after a three-year course under the tutelage of Colin McCormack, the actor from the Royal Shakespeare Company. From 1992-1994, he was married to Scottish actress Fiona Loudon, their daughter, named Ella Craig (born 1992).
Craig made his film debut in The Power of One (1992). His film career continued on television, notably the BBC2 serial Our Friends in the North (1996). He shot to international fame after playing supporting roles in Lara Croft: Tomb Raider (2001) and Road to Perdition (2002). He was nominated for his performances in the leading role in Layer Cake (2004), and received other awards and nominations. Craig was named as the sixth actor to portray James Bond, in October 2005, weeks after he finished his work in Munich (2005), where he co-starred with Eric Bana under the directorship of Steven Spielberg. Craig's reserved demeanor and his avoidance of the showbiz-party-red-carpet milieu makes him a cool 007. He is the first blond actor to play Bond, and also the first to be born after the start of the film series, and also the first to be born after the death of author Ian Fleming in 1964. Four of the past Bond actors: Sean Connery, Roger Moore, Timothy Dalton and Pierce Brosnan have indicated that Craig is a good choice as Bond.
He was appointed Companion of the Order of St. Michael and St. George (CMG) by Queen Elizabeth II at the 2022 Queen's New Years Honours for his services to Film and Theatre.- Actor
- Director
- Writer
Terence was born in London and spent his early years watching American films and dreamed of being like the stars on the screen, He was awarded a scholarship for the Webber Douglas School of Dramatic Art. In his second year, during an audition, Peter Ustinov signed him for the title role in Billy Budd (1962). This was not only his remarkable film debut but his performance earned him his first and only Oscar nomination too in 1962 and marked the start of his international stardom. He consolidated his career by working with some of the top directors such as William Wyler (The Collector (1965)), Joseph Losey (Modesty Blaise (1966)), John Schlesinger (Far from the Madding Crowd (1967)), Ken Loach (Poor Cow (1967)) and Pier Paolo Pasolini (Teorema (1968)). He then took a break from films and traveled around the world returning to cinema in a variety of films including, among others, Superman (1978), Meetings with Remarkable Men (1979), Superman II (1980), The Hit (1984) (for which he was awarded the Grand Medaille de Vermeil in Paris), Legal Eagles (1986), The Sicilian (1987), Wall Street (1987), Young Guns (1988), Alien Nation (1988), The Adventures of Priscilla, Queen of the Desert (1994), Valkyrie (2008) and Unfinished Song (2012). He has also published the first two instalments of his autobiography, Stamp Album, which became a best seller.- Actor
- Writer
Best remembered as 'M' in the James Bond films, Bernard Lee was a popular character player in British films throughout the 1950s and 1960s. Born into a theatrical family, he made his stage debut at age six and later attended the Royal Academy of Dramatic Art. He first appeared on the West End stage in London in 1928, and continued to work in the theatre during the 1930s, taking only occasional film roles.
It was only after World War II that he concentrated his efforts on the cinema, and was much in demand in British films of the 1950s as friendly authority figures, including army sergeants, police detectives or navy officers. Detectives became a particular specialty, and he played this role in more than a dozen films, including The Blue Lamp (1950), Beat the Devil (1953) and The Detective (1954). In the early 1960s, he also made regular appearances as police detectives in the The Edgar Wallace Mystery Theatre (1959) second feature series, usually as "Inspector Meredith". He also made memorable appearances in The Third Man (1949), Operation Disaster (1950), Glory at Sea (1952), Pursuit of the Graf Spee (1956), Dunkirk (1958) and Whistle Down the Wind (1961).
He was effectively cast against type in only two films, as the union agitator in The Angry Silence (1960), and as a disgruntled civil servant who becomes a spy for the Russians in Ring of Treason (1964).
In 1962, he made his first appearance as the head of the British secret service in the first James Bond film, Dr. No (1962). He went on to be featured in the next ten films in the series, appearing with Sean Connery, George Lazenby and, later, Roger Moore as Bond, and will probably be considered the definitive "M" by more than one generation of Bond fans.- Actor
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British character actor of wry charm, equally at home in amused or strait-laced characters. A native of Bourton-on-the-Water in Gloucestershire, he attended Marlborough College and the Royal Academy of Dramatic Arts. His stage debut came in 1922, and by 1925 he was a busy London actor. He married actress Blanche Glynne (real name: Blanche Hope Aitken) and in 1932 toured South Africa in plays. Alleged to have been spotted by George Cukor during a performance in Aldritch, Hyde-White (with or without Cukor's help) made his film debut in 1934. He often appeared under the name Hyde White in these early films. He continued to act upon the stage, playing opposite Laurence Olivier and Vivien Leigh in "Caesar and Cleopatra" and "Antony and Cleopatra" in 1951. With scores of films to his credit, he will always be remembered for one, My Fair Lady (1964), in which he played Colonel Pickering. Active into his ninth decade, Hyde-White died six days before his 88th birthday. He was survived by his second wife, Ethel, and three children.- Actor
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Rex Harrison was born Reginald Carey Harrison in Huyton, Lancashire, England, to Edith Mary (Carey) and William Reginald Harrison, a cotton broker. He changed his name to Rex as a young boy, knowing it was the Latin word for "King". Starting out on his theater career at age 18, his first job at the Liverpool Rep Theatre was nearly his last - dashing across the stage to say his one line, made his entrance and promptly blew it. Fates were kind, however, and soon he began landing roles in the West End. "French Without Tears", a play by Terence Rattigan, proved to be his breakthrough role. Soon he was being called the "greatest actor of light comedy in the world". Having divorced his first wife Collette Thomas in 1942, he married German actress Lilli Palmer. The two began appearing together in many plays and British films. He attained international fame when he portrayed the King in Anna and the King of Siam (1946), his first American film. After a sex scandal, in which actress Carole Landis apparently committed suicide because he ended their affair, the relationship with wife Lilli became strained. Rex (by this time known as "Sexy Rexy" for his philandering ways and magnetic charm) began a relationship with British actress Kay Kendall and divorced Lilli to marry the terminally ill Kay with hopes of a re-marriage to Palmer upon Kay's death. The death of Kay affected Harrison greatly and Lilli never returned to him. During this time Rex was offered the defining role of his career: Professor Henry Higgins in the original production of "My Fair Lady". He won the Tony for the play and an Oscar for the film version. In 1962 Harrison married actress Rachel Roberts. This union and the one following it to Elizabeth Harris (Richard's ex) also ended in divorce. In 1978 Rex met and married Mercia Tinker. He and Mercia remained happily married until his death in 1990. She was also with him in 1989 when he was granted his much-deserved and long awaited knighthood at Buckingham Palace. Rex Harrison died of pancreatic cancer three weeks after his last stage appearance, as Lord Porteous in W. Somerset Maugham's "The Circle".- Actor
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- Director
Bushy-browed, triple-chinned and plummy-voiced English actor and raconteur of wide girth and larger-than-life personality. The son of a career army officer, Morley was expected to join the diplomatic corps. As a 'compromise', he tried his hand as a beer salesman. However, bitten by the acting bug since first performing in a kindergarten play, he prevailed over the wishes of his parents and enrolled at RADA. He made his theatrical debut at London's Strand Theatre, in a 1929 production of "Treasure Island", playing the part of a pirate for $5 a week. During the next few years, Morley honed his craft by touring regional theatres, writing or co-writing the occasional play, and, when money was hard to come by, selling vacuum cleaners. For a while, he managed his own repertory company in tandem with fellow actor Peter Bull in the Cornish seaside resort of Perranporth. Morley eventually returned to the London stage in a much acclaimed performance as "Oscar Wilde", a role he took to Broadway in October 1938.
On the strength of this, he was invited to Hollywood and garnered an Oscar nomination for his first screen role as the effete, simple-minded monarch Louis XVI, in MGM's lavish production of Marie Antoinette (1938). Back in Britain, he then played the armaments millionaire Andrew Undershaft in George Bernard Shaw's Major Barbara (1941), a performance praised by Bosley Crowther as "deliciously satanic, profoundly suave and tender" (NY Times, May 15 1941). Happily managing to avoid military participation in the Second World War, Morley spent the remainder of the decade acting in such prestigious theatrical showpieces as "The Man Who Came to Dinner", and as star and co-author of "Edward, My Son". His defining performance in the play led the critic Brooks Atkinson to comment on his "studied authority ... which might sound like an affectation in an actor of inferior style"(NY Times, June 4 1992).
Morley acted on screen in a variety of very British, sometimes eccentric, sometimes giddy, often pompous, but rarely dislikeable characters. At his best, he was the expatriate Elmer Almayer, at once pitiable and overbearing, in Outcast of the Islands (1951); the Sydney Greenstreet parody Peterson in John Huston's Beat the Devil (1953); as another languid monarch, George III in the colourful period drama Beau Brummell (1954); as Oscar Wilde (1960), recreating his original stage triumph; and as a food critic in the hugely enjoyable Who Is Killing the Great Chefs of Europe? (1978). He also performed occasionally in TV movies and miniseries. His wit was much appreciated on chat shows, both in Britain and the U.S., where was a frequent and popular guest. He was also the voice of British Airways in commercials of the 70's and early 80's, promising "we'll take good care of you" -- something he did with his acting for over half a century. Robert Morley was awarded a CBE in 1957. He died as the result of a stroke in Reading, Berkshire, at the age of 84.- Actor
- Producer
- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
- Producer
- Director
Probably best-remembered for his turbulent personal life with Elizabeth Taylor (whom he married twice), Richard Burton was nonetheless also regarded as an often brilliant British actor of the post-WWII period.
Burton was born Richard Walter Jenkins in 1925 into a Welsh (Cymraeg)-speaking family in Pontrhydyfen to Edith Maude (Thomas) and Richard Walter Jenkins, a coal miner. The twelfth of thirteen children, his mother died while he was a toddler and his father later abandoned the family, leaving him to be raised by an elder sister, Cecilia. An avid fan of Shakespeare, poetry and reading, he once said "home is where the books are". He received a scholarship to Oxford University to study acting and made his first stage appearance in 1944.
His first film appearances were in routine British movies such as Woman of Dolwyn (1949), Waterfront Women (1950) and Green Grow the Rushes (1951). Then he started to appear in Hollywood movies such as My Cousin Rachel (1952), The Robe (1953) and Alexander the Great (1956), added to this he was also spending considerable time in stage productions, both in the UK and USA, often to splendid reviews. The late 1950s was an exciting and inventive time in UK cinema, often referred to as the "British New Wave", and Burton was right in the thick of things, and showcased a sensational performance in Look Back in Anger (1959). He also appeared with a cavalcade of international stars in the World War II magnum opus The Longest Day (1962), and then onto arguably his most "notorious" role as that of Marc Antony opposite Elizabeth Taylor in the hugely expensive Cleopatra (1963). This was, of course, the film that kick-started their fiery and passionate romance (plus two marriages), and the two of them appeared in several productions over the next few years including The V.I.P.s (1963), The Sandpiper (1965), the dynamic Who's Afraid of Virginia Woolf? (1966) and The Taming of The Shrew (1967), as well as box office flops like The Comedians (1967). Burton did better when he was off on his own giving higher caliber performances, such as those in Becket (1964), the film adaptation of the Tennessee Williams play The Night of the Iguana (1964), the brilliant espionage thriller The Spy Who Came in from the Cold (1965) and alongside Clint Eastwood in the World War II action adventure film Where Eagles Dare (1968).
His audience appeal began to decline somewhat by the end of the 1960s as fans turned to younger, more virile male stars, however Burton was superb in Anne of the Thousand Days (1969) as King Henry VIII, he put on a reasonable show in the boring Raid on Rommel (1971), was over the top in the awful Villain (1971), gave sleepwalking performances in Hammersmith Is Out (1972) and Bluebeard (1972), and was wildly miscast in the ludicrous The Assassination of Trotsky (1972).
By the early 1970s, quality male lead roles were definitely going to other stars, and Burton found himself appearing in some movies of dubious quality, just to pay the bills and support family, including Divorce His - Divorce Hers (1973) (his last on-screen appearance with Taylor), The Klansman (1974), Brief Encounter (1974), Jackpot (1974) (which was never completed) and Exorcist II: The Heretic (1977). However, he won another Oscar nomination for his excellent performance as a concerned psychiatrist in Equus (1977). He appeared with fellow acting icons Richard Harris and Roger Moore in The Wild Geese (1978) about mercenaries in South Africa. While the film had a modest initial run, over the past thirty-five years it has picked up quite a cult following. His final performances were as the wily inquisitor "O'Brien" in the most recent film version of George Orwell's dystopian 1984 (1984), in which he won good reviews, and in the TV mini series Ellis Island (1984). He passed away on August 5, 1984 in Celigny, Switzerland from a cerebral hemorrhage.- Actor
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Widely regarded as one of greatest stage and screen actors both in his native Great Britain and internationally, twice nominated for the Oscar and recipient of every major theatrical award in the UK and US, Ian Murray McKellen was born on May 25, 1939 in Burnley, Lancashire, England, to Margery Lois (Sutcliffe) and Denis Murray McKellen, a civil engineer and lay preacher. He is of Scottish, Northern Irish, and English descent. During his early childhood, his parents moved with Ian and his older sister, Jean, to the mill town of Wigan. It was in this small town that young Ian rode out World War II. He soon developed a fascination with acting and the theatre, which was encouraged by his parents. They would take him to plays, those by William Shakespeare, in particular. The amateur school productions fostered Ian's growing passion for theatre.
When Ian was of age to begin attending school, he made sure to get roles in all of the productions. At Bolton School in particular, he developed his skills early on. Indeed, his first role in a Shakespearian play was at Bolton, as Malvolio in "Twelfth Night". Ian soon began attending Stratford-upon-Avon theatre festivals, where he saw the greats perform: Laurence Olivier, Wendy Hiller, John Gielgud, Ralph Richardson and Paul Robeson. He continued his education in English Drama, but soon it fell by the wayside as he concentrated more and more on performing. He eventually obtained his Bachelor of Arts in 1961, and began his career in earnest.
McKellen began working in theatre over the next few years. Very few people knew of Ian's homosexuality; he saw no reason to go public, nor had he told his family. They did not seem interested in the subject and so he saw no reason to bring it up. In 1988, Ian publicly came out of the closet on the BBC Radio 4 program, while discussing Margaret Thatcher's "Section 28" legislation, which made the promotion of homosexuality as a family relationship by local authorities an offense. It was reason enough for McKellen to take a stand. He has been active in the gay rights movement ever since.
Ian resides in Limehouse, where he has also lived with his former long-time partner Sean Mathias. The two men have also worked together on the film Bent (1997) as well as in exquisite stage productions. To this day, McKellen works mostly in theatre, and was knighted by Queen Elizabeth II in 1990 for his efforts in the arts. However, he has managed to make several quite successful forays into film. He has appeared in several productions of Shakespeare's works including his well received Richard III (1995), and in a variety of other movies. However, it has only been recently that his star has finally begun to shine in the eyes of North American audiences. Roles in various films, Cold Comfort Farm (1995), Apt Pupil (1998) and Gods and Monsters (1998), riveted audiences. The latter, in particular, created a sensation in Hollywood, and McKellen's role garnered him several of awards and nominations, including a Golden Globe and an Oscar nod. McKellen, as he continues to work extensively on stage, he always keeps in 'solidifying' his 'role' as Laurence Olivier's worthy 'successor' in the best sense too, such as King Lear (2008) / King Lear (2008) directed by Trevor Nunn and in a range of other staggering performances full of generously euphoric delight that have included "Peter Pan" and Noël Coward's "Present Laughter", as well as Samuel Beckett's "Waiting for Godot" and Harold Pinter's "No Man's Land" (National Theatre Live: No Man's Land (2016)), both in acclaimed productions brilliantly directed by Sean Mathias.
McKellen found mainstream success with his performance as Magneto in X-Men (2000) and its sequels. His largest mark on the big screen may be as Gandalf in "The Lord of the Rings" film trilogy directed by Peter Jackson, which he reprised in "The Hobbit" trilogy. He also reprised the role of 'King Lear' with new artistic perspectives in National Theatre Live: King Lear (2018) offering an invaluable mesmerizing experience as a natural force of stage - and screen - of infinite generosity through his unsurpassable interpretation of the titanically vulnerable king.- Actor
- Music Department
- Soundtrack
Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy.- Actor
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An only child, Idrissa Akuna Elba was born and raised in London, England. His father, Winston, is from Sierra Leone and worked at Ford Dagenham; his mother, Eve, is from Ghana and had a clerical duty. Idris attended school in Canning Town, where he first became involved in acting, before he dropped out. He gained a place in the National Youth Music Theatre - thanks to a £1,500 Prince's Trust grant. To support himself between acting roles, he worked in jobs such as tyre-fitting, cold call advertising sales, and working night shifts at Ford Dagenham. He worked in nightclubs under the nickname DJ Big Driis at age 19, but began auditioning for television roles in his early-twenties.
His first acting roles were on the soap opera Family Affairs (1997), the television serial Ultraviolet (1998), and the medical drama Dangerfield (1995). His best known roles are as drug baron Russell "Stringer" Bell on the HBO series The Wire (2002), as DCI John Luther on the BBC One series Luther (2010), and as Heimdall in the Marvel Cinematic Universe. He later starred in the films Daddy's Little Girls (2007), Prom Night (2008), RocknRolla (2008), The Unborn (2009) and Obsessed (2009). He also appeared in the films American Gangster (2007), Takers (2010), Thor (2011), Prometheus (2012), Pacific Rim (2013), Thor: The Dark World (2013), Beasts of No Nation (2015) and Star Trek Beyond (2016). He voiced Chief Bogo in Zootopia (2016), Shere Khan in The Jungle Book (2016), and Fluke in Finding Dory (2016).
Idris Elba was appointed Officer of the Order of the British Empire (OBE) by Queen Elizabeth II in the 2016 New Years Honours for his services to drama.- Actor
- Additional Crew
- Producer
Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Actor
- Producer
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Ewan Gordon McGregor was born on March 31, 1971 in Perth, Perthshire, Scotland, to Carol Diane (Lawson) and James Charles McGregor, both teachers. His uncle is actor Denis Lawson. He was raised in Crieff. At age 16, he left Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series Lipstick on Your Collar (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald. This was followed by The Pillow Book (1995) and Trainspotting (1996), the latter of which brought him to the public's attention.
He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series Kavanagh QC (1995). They married in France in the summer of 1995, and have four daughters. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor and Bryant left the company in 2002. He was awarded Officer of the Order of the British Empire in the 2013 Queen's New Years Honours List for his services to drama and charity.
Ewan made his directorial debut with American Pastoral (2016), an adaptation of Philip Roth's book, in which Ewan also starred.
In 2018 McGregor won an Golden Globe for his work in the TV Series Fargo.- Actor
- Producer
- Soundtrack
British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).
Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"
Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.
Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.
In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.
More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).
Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.- Actor
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Born in London, England, John Gielgud trained at Lady Benson's Acting School and RADA, London. Best known for his Shakespearean roles in the theater, he first played Hamlet at the age of 26. He worked under the tutelage of Lilian Bayliss with friend and fellow performer Laurence Olivier and other contemporaries of the National Theatre at the "Old Vic", London. He made his screen debut in 1924. Academy Award Best Supporting Actor, 1981, for Arthur (1981), Academy Award Nomination, 1964, for Becket (1964).- Actor
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Stylish Rupert James Hector Everett was born on May 29, 1959, in Burnham Deepdale, Norfolk, to Sara (Maclean) and Anthony Michael Everett, a Major in the British Army, who later worked in business. Of royal stock, he is of primarily English, Scottish, and Irish ancestry with a dash of German and Dutch thrown in for good measure.
Everett grew up in privileged circumstances, but the wry, sometimes arrogant intellectual was a rebel from the very beginning. At the age of seven, he was placed into the care of Benedictine monks at Ampleforth College where he trained classically on the piano. He was expelled from the Central School of Speech and Drama in London for clashing with his teachers and instead apprenticed himself at the avant-garde Glasgow Citizen's Theatre in Scotland, performing in such productions as "Don Juan" and "Heartbreak House." He moved from stage to British TV in 1982 with sophisticated appearances on such series as "Strangers" "Play for Today" and "The Agatha Christie Hour" and the more visibly seen mini-series Princess Daisy (1983) and The Far Pavilions (1984).
In 1984, Everett filmed a leading gay role in the acclaimed collegiate-themed picture Another Country (1984), which he had performed earlier on stage in 1981. Earning a BAFTA nomination and shooting to international attention, Rupert became one of England's hottest crossover stars. Top patrician roles in quality films came his way such as Dance with a Stranger (1985) opposite Miranda Richardson and Duet for One (1986) starring Julie Andrews and Alan Bates. The rebel went international instead of Hollywood, however, with top-billing in the Aussie feature The Right Hand Man (1987) with Hugo Weaving; the Italian-made Chronicle of a Death Foretold (1987) and the French drama Tolérance (1989) opposite Ugo Tognazzi.
Again, however, the wickedly sharp and suave actor doused his own star fire by clashing with the press and even his own fans in the late 1980's. In 1989, Everett openly and proudly declared his homosexuality which put an initial damper on his status as a romantic leading man. Appearing sporadically in such featured roles as the Prince of Wales in the majestic drama The Madness of King George (1994) and Lord Rutledge in the family comedy Dunston Checks In (1996), Rupert's popularity was re-energized after playing Julia Roberts' gay confidante to droll effect in the box-office comedy hit My Best Friend's Wedding (1997), earning him both BAFTA and Golden Globe nominations. He continued to impress thereafter, notably in such classical-styled pieces as Shakespeare in Love (1998) (as Christopher Marlowe), A Midsummer Night's Dream (1999) (as Oberon), and the Oscar Wilde plays An Ideal Husband (1999) (as Lord Goring, Golden Globe nominee) and The Importance of Being Earnest (2002) (as Algy). On the lighter, fun side, his predilection for mischief was demonstrated as the cartoonish villain Dr. Claw, the nemesis of Matthew Broderick's title character, in Inspector Gadget (1999).
Into the millennium, Rupert continued to be a vibrant presence on stage with a tour of "Private Lives" (in Italian) in 2008, a 2009 Broadway revival of "Blithe Spirit" (his New York debut) and as Henry Higgins in Shaw's "Pygmalion" in Munich the following year. He went on to play Oscar Wilde in "The Judas Kiss" in 2013 and was about to play George on Broadway in "Who's Afraid of Virginia Woolf?" when the play closed before it officially opened due to the COVID pandemic in 2020. On TV, he played the effortlessly suave Sherlock Holmes in Sherlock Holmes and the Case of the Silk Stocking (2004), the Marquis de Feron in the British series The Musketeers (2014) and Carroll Quinn in a second British series Adult Material (2020).
On film, Everett enhanced the royal dramas To Kill a King (2003) and Stage Beauty (2004) as King Charles I and King Charles II, respectively. Known for his aloof handsomeness and often smug, piss-elegant characters, he engagingly portrayed a jet-setter in the contemporary film People (2004); provided the voice of the unprincely Prince Charming in the animated features Shrek 2 (2004) and Shrek the Third (2007); played a British defector opposite Sharon Stone in the romantic thriller A Different Loyalty (2004); a millionaire playboy involved in a hit-and-run in Separate Lies (2005); an eccentric tycoon in Hysteria (2011); King George VI (father of Queen Elizabeth) opposite Emily Watson's Queen Mum in the romantic dramedy A Royal Night Out (2015); a monsignor in If I Had a Heart (2013); and tortured gay playwright Oscar Wilde during his last days in The Happy Prince (2018), which he wrote and directed.
A novelist on the sly with Hello, Darling, Are You Working? (1989), Rupert has also published two volumes of memoirs: Red Carpets and Other Banana Skins (2006) and Vanished Years (2012), produced documentaries .- Actor
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Peter Ustinov was a two-time Academy Award-winning film actor, director, writer, journalist and raconteur. He wrote and directed many acclaimed stage plays and led numerous international theatrical productions.
He was born Peter Alexander Freiherr von Ustinow on April 16, 1921 in Swiss Cottage, London, the son of Nadezhda Leontievna (née Benois) and Jona Freiherr von Ustinow. His father was of one-quarter Polish Jewish, one-half Russian, one-eighth Ethiopian, and one-eighth German descent, while his mother was of one-half Russian, one-quarter Italian, one-eighth French, and one-eighth German ancestry. Ustinov had ancestral connections to Russian nobility as well as to the Ethiopian Royal Family. His father, also known as "Klop Ustinov", was a pilot in the German Air Force during World War I. In 1919, Jona Freiherr von Ustinow joined his own mother and sister in St Petersburg, Russia, where he met his future wife, artist Nadia Benois, who worked for the Imperial Mariinsky Ballet and Opera House in St Petersburg.
In 1920, in a modest and discreet ceremony at a Russian-German church in St Petersburg, Ustinov's father married Nadia. In February 1921, when she was seven months pregnant with Peter, the couple emigrated from Russia in the aftermath of the Communist Revolution. Young Peter was brought up in a multilingual family. He was fluent in Russian, French, Italian and German, as well as English. He attended Westminster College (1934-37), took the drama and acting class under Michel St Denis at the London Theatre Studio (1937-39), and made his stage debut in 1938 at the Stage Theatre Club in Surrey. He wrote his first play at the age of 19. In 1939, he made his London stage debut in a revue sketch, then had regular performances with the Aylesbury Repertory Company. The following year, he made his film debut in Hullo, Fame! (1940).
From 1942-46, Ustinov served with the British Army's Royal Sussex Regiment. He was batman for David Niven, and the two became lifelong friends. Ustinov spent most of his service working with the Army Cinema Unit, where he was involved in making recruitment films, wrote plays and appeared in three films as an actor. At that time he co-wrote and acted in The Way Ahead (1944) (aka "The Immortal Battalion").
Ustinov had a stellar film career as actor, director, and writer. Among his numerous screen acting gems were his unparalleled, Academy Award-nominated interpretation of Nero in Quo Vadis (1951) and roles in Max Ophüls's masterpiece Lola Montès (1955), Barefoot in Athens (1966), The Comedians (1967), Robin Hood (1973) and Logan's Run (1976). He also wrote and directed such brilliant films as Billy Budd (1962), Lady L (1965) and Memed My Hawk (1984). He was awarded two Oscars for Best Supporting Actor, one for his role in Spartacus (1960) and one for his role in Topkapi (1964), and received two more Oscar nominations as an actor and writer. His career slowed down a bit in the 1970s, but made a comeback as Hercule Poirot in Death on the Nile (1978) by director John Guillermin. In the 1980s, Ustinov recreated Poirot in several subsequent television movies and theatrical films, including Evil Under the Sun (1982) and Appointment with Death (1988), while his cinema work in the 1990s also includes his superb performance as Professor Gus Nikolais in George Miller's excellent dramatic film, Lorenzo's Oil (1992), a character partially inspired by Hugo Wolfgang Moser, a research scientist who had been director of the Neurogenetics Research Center at the Kennedy Krieger Institute and Professor of Neurology and Pediatrics at Johns Hopkins University.
His expertise in dialectic and physical comedy made him a regular guest of talk show hosts and late-night comedians. His witty and multidimensional humor was legendary, and he later published a collection of his jokes and quotations summarizing his wide popularity as a raconteur. He was also an internationally acclaimed TV journalist. Ustinov covered over 100,000 miles and visited more than 30 Russian cities during the making of his well-received BBC television series Russia (1986).
In his autobiographies, "Dear Me" (1977) and "My Russia" (1996), Ustinov revealed his observations on his life, career, and his multicultural and multi-ethnic background. He wrote and directed numerous stage plays, successfully presenting them in several countries. His drama, "Photo Finish", was staged in New York, London and St. Petersburg, Russia, where Ustinov directed the acclaimed production, starring Elena Solovey and Petr Shelokhonov. Ustinov also served as a Goodwill Ambassador for UNICEF and a president of WFM, a global citizens movement. Ustinov served as Rector of Dundee University for six years. He was awarded the Benjamin Franklin Medal from the Royal Society of Arts in 1957 and was knighted in 1990.
From 1971 until his death in 2004, Ustinov's permanent residence was a château in Bursins, Vaud, Switzerland. He died of heart failure on March 28, 2004, in a clinic in Genolier, also in Vaud. His funeral service was held at Geneva's historic Cathedral of St. Pierre, and he was laid to rest in the village cemetery of Bursins. He was survived by three daughters (Tamara, Pavla, and Andrea) and one son (Igor). His epitaph may be gleaned from his comment, "I am an international citizen conceived in Russia, born in England, working in Hollywood, living in Switzerland, and touring the World".- Actor
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Joseph Alberic Twisleton-Wykeham-Fiennes was born in Salisbury, Wiltshire, to Jennifer Anne Mary Alleyne (Lash), a novelist, and Mark Fiennes, a photographer. He is one of six children. Four of his siblings are also in the arts: Ralph Fiennes, an actor; Martha Fiennes, a director; Magnus Fiennes, a musician; and Sophie Fiennes, a producer. He is of English, Irish, and Scottish origin.
He was brought up in West Cork, Ireland. He left art school, and began working with the Young Vic Youth Theatre, and then went on to train at the Guildhall School of Music and Drama. His first professional stage appearance was in the West End in The Woman In Black, followed by A Month In The Country. He joined the Royal Shakespeare Company for two seasons and performed roles in Dennis Potter's Son Of Man, Les Enfants Du Paradis, Troilus and Cressida, and Peter Whelan's The Herbal Bed.- Mackenzie Crook, one of British comedy's best-known faces, who collected Star Wars figurines as a child, is now immortalized in plastic as a six-inch-high pirate action figure. He was born Paul Mackenzie Crook on September 29, 1971, in Maidstone, Kent, England, UK. His father worked for British Airways. His mother was a hospital manager. He went to grammar school in Dartford, and did his first plays there. In the summers, he spent time with his uncle in Zimbabwe.
Young Mackenzie Crook expressed his creativity through painting and even copied a pre-Raphaelite's painting on to the back of his biker's jacket. He also joined a local youth theater. At the age of 18, he failed to secure a place at art college and turned to writing comedy sketches. Crook ended up working at Pizza Hut, and at hospitals. However, the principal of the youth theater believed in his potential and became his manager, guiding Crook to a career as a stand-up comedian. In 1996, he made his film debut in The Man Who Fell in Love with a Traffic Cone! (1996). In 1997, Crook was scouted by Bob Mortimer at the Edinburgh Festival. Soon he made his debut on television as a stand-up comedian on The 11 O'Clock Show (1998), then worked on other TV shows playing grotesques and exaggerated characters.
He shot to fame as Gareth Keenan, a quirky geek with a funny haircut in a TV hit comedy, The Office (2001), and earned himself a British Comedy Award nomination. He also was a member of the main cast of the BBC show "TV to Go" (2001)_. After that, Crook shared the screen with Al Pacino in The Merchant of Venice (2004), with Heath Ledger in The Brothers Grimm (2005), and with Johnny Depp in Finding Neverland (2004). Depp bonded with Crook during the making of 'Neverland' and it was Depp who recommended him for the part of Ragetti, his best-known role, in Pirates of the Caribbean: The Curse of the Black Pearl (2003) and the sequel Pirates of the Caribbean: Dead Man's Chest (2006). Crook is also billed as Ragetti in the third installment of the 'Pirates' franchise, Pirates of the Caribbean: At World's End (2007).
After having spent about a decade on a stand-up comedian circuit, Crook made a perfect tool out of that character-actor face and added experience to his effortless style. It is in the 'Pirates' trilogy that Mackenzie Crook had showed his funniest and widest variety of emotions, effortlessly shifting his facial expression from a deep philosophical pensiveness to a grotesque excitement, and from a comically exaggerated fear to such a gleeful exuberance while removing his wooden eyeball. For that particular scene he was wearing two contact lenses sandwiched on top of each other.
In 2004, Crook appeared as Billy Bibbit opposite Christian Slater in the West End stage production of "One Flew Over The Cuckoo's Nest," which initially opened at Gielgud Theatre and then was shown at the Edinburgh Theatre Festival. At the same time, Crook has been writing a script for his own future project; he describes it as a period production that is set in London around the same period as the 'Pirates' movies.
Mackenzie Crook has been enjoying a happy family life with his wife, Lindsay, a former advertising executive and club owner, and their son Jude (born in 2003). He is fond of gardening and is also focused on maintaining an organic way of life. He resides with his family in Peter Sellers' old art-deco house in Muswell Hill, North London, England. - Actor
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Enjoyably larger-than-life character actor Hugh Emrys Griffith was born in Marianglas, Anglesey, North Wales, to Mary (Williams) and William Griffith. Griffith left the world of banking (having been employed as a teller) after winning a scholarship to study acting at the Royal Academy of Dramatic Art. Though he graduated a gold medalist, top of his class of 300, the war put the brakes on his career and he enlisted in the Army in 1940, serving with the Royal Welsh Fusiliers in India for six years. Following the war, he enjoyed a successful career on the stage, appearing in Shakespearean plays in Stratford-upon-Avon with the Royal Shakespeare Company. He was particularly noteworthy as "Falstaff" and, his favourite role, "King Lear", which he played both in English and in his native Welsh. On the other side of the Atlantic, he made his Broadway debut in 1951 and had a hit starring in "Look Homeward Angel" (1957-59) with Anthony Perkins and Jo Van Fleet. The play ran for 564 performances and earned Griffith a Tony Award nomination for the part of "W.O. Gant". He later jokingly remarked, that, when the producers asked him to play a man from the deep south, he (Griffith) had understood that to mean a man from the deep south of Wales.
Griffith started his film career proper in 1948 with films like Dulcimer Street (1948), followed by the wonderful black comedy Kind Hearts and Coronets (1949) at Ealing in 1949. A portly, thickly-bearded character with bushy eyebrows, ruddy complexion and a resonant voice, Griffith made a lasting impression for his many portrayals of eccentric, bucolic and, sometimes, raucous types. In 1959, he won the Academy Award as Best Supporting Actor for his "Sheikh Ilderim", who supplies Charlton Heston with the chariot race-winning white stallions in Ben-Hur (1959). He was equally memorable as the lecherous "Squire Western" in Tom Jones (1963), a role for which he was nominated for both an Oscar and a BAFTA Award as Best British Actor. He later appeared in the critically-acclaimed musical version of Oliver! (1968), as a hilarious "King Louis" in Start the Revolution Without Me (1970) and one of Vincent Price's many victims in Dr. Phibes Rises Again (1972). On television, he was a noteworthy, rolling-eyed "Long John Silver" in a 1960 version of "Treasure Island", Treasure Island (1960), and roving-eyed funeral director "Caradog Lloyd-Evans" in the comedy Grand Slam (1978).
Griffith was a lifelong friend (and drinking companion) of Welsh poet Dylan Thomas.- Actor
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Kenneth Gilbert More C.B.E. (20 September 1914 - 12 July 1982) was one of Britain's most successful and highest paid actors of his generation, with a multi award-winning career in theatre, film and television spanning over 4 decades.
At the height of his fame during the 1950's More appeared in some of the most memorable feature films of the decade including Genevieve (1953), Doctor in the House (1954), The Deep Blue Sea (1955), Reach for the Sky (1956), Paradise Lagoon (1957), A Night to Remember (1958), The Sheriff of Fractured Jaw (1958), North West Frontier (1959) and The 39 Steps (1959).
Starting out as the lovable, happy-go-lucky gentleman with boyhood charm and cheerful optimism, he would later refine his acting style into a leading man who could articulate a whole range of emotions in serious dramatic performances. More managed to embody courage and a sense of moral certitude with a relaxed, informal manner that made audiences warm to him immediately.
From very early on in his career More was very conscious of his talents, what parts suited him as an actor and what did not. More would have been the first to admit there were other actors that could better perform the works of Shakespeare than he. More was probably being self-deprecating. He had more range than he sometimes gave himself credit for, but he knew how best to appeal to an audience.
Born in Gerrards Cross, Buckinghamshire, Kenneth More was the son of a civil engineer, a profession he initially pursued but with little success. More was not a trained actor and had not gone into show business to tread the boards. He was merely looking for work and happened to walk past the Windmill Theatre in London's West End one day and saw a sign above the door 'General Manager - Vivian Van Damm'. More had remembered that a man called Van Damm had known his father and so he asked for a job. More was soon a stagehand earning two pounds and ten shillings a week, shifting scenery and helping to get the nude female performers off the stage during their risqué performances. One day he was called upon to help comic Ken Douglas on stage with a sketch, More playing the small part of a Policeman. It was this experience and the subsequent taste of the audience's laughter which made him want to pursue a career in acting. He was soon an actor in his own right appearing on stage as Ken More in comedy sketches. Following 2 years at the Windmill he moved into repertory theatre with seasons at Byker's, Grand Theatre in Newcastle, and the Grand Theatre, Wolverhampton.
With the outbreak of war, and following a stint with the Merchant Navy, More joined Royal Navy cruiser HMS Aurora (R12) . It would end up having the greatest impact on his character and his acting style during wartime. As ship's Action Commentator he found an opportunity to hone his craft as an actor, keeping steady nerves when reporting action during conflict to the crew below decks. He also got on well with his shipmates by helping them to write wonderfully romantic love letters home to their ladies. Aurora would journey across the Atlantic and Mediterranean seeing its fair share of action. Wartime missions aboard Aurora, and later with aircraft carrier HMS Victorious (R38) would lead him to receive medals, including campaign stars for Africa, Italy, the Atlantic and Pacific.
After being demobbed from the Navy More returned to England and signed with agent Harry Dubens, who was seeking actors who had served in the forces. More went into 'The Crimson Harvest' (1946) at the Gateway Theatre in Notting Hill, and it was there that BBC producer Michael Barry saw him and offered him a contract to play in small television roles at the Alexandra Palace to help restart the BBC.
Jenny Laird and John Fernald's 'And No Birds Can Sing' (1946) marked More's West End debut at the Aldwych Theatre, playing the part of the Reverend Arthur Platt. Within a year he was back on stage in 'Power Without Glory' (1947) by Michael Clayton Hutton at the New Lindsey, Notting Hill Gate. It was so well received that it led to a live version being broadcast on the BBC. That same year Noël Coward cast More as a British Resistance Leader in 'Peace in Our Time' at the Lyric Theatre; a story of what might have happened if Britain had lost the Second World War. More and Coward got on well and stayed friends throughout their lives. 1950 saw More in 'The Way Things Go' by Frederick Lonsdale at the Phoenix Theatre, alongside a cast which included Michael Gough, Glynis Johns, Ronald Squire and Janet Burnell.
His first breakthrough came on stage at The Duchess Theatre in 1952 playing the role of Freddie Page alongside Peggy Ashcroft in Terence Rattigan's 'The Deep Blue Sea'. It was noted actor Roland Culver who had put More forward for the part having known Rattigan. The production was an enormous success and Kenneth More received great critical acclaim. He would often cite it as his favourite stage performance.
It was whilst More was performing in 'The Deep Blue Sea' that filmmaker Henry Cornelius came back stage to offer him a part which would change his career forever, the role of Ambrose Claverhouse in a film called Genevieve (1953). Cornelius had remembered More from a screen test he had directed him in for the part of Lt. E.G.R. (Teddy) Evans in Scott of the Antarctic (1948). This had been More's first attempt to break into cinema which had not come to fruition although plenty of film work followed. Cornelius was sure More was the Claverhouse he needed for 'Genevieve' and he was not disappointed. More's perfect comic timing was made for the part and he won the audience immediately making him a rising star overnight. 'Genevieve' was the second most popular movie that year and went onto become a British comedy classic, winning Best British Film at the British Film Academy Awards.
More channelled the same energy and zest for life he had shown as Claverhouse in his next performance as student Doctor Richard Grimsdake in the first of the much-loved Doctor in the House (1954) film series. It was a winning formula becoming the most popular film at the box office in 1954 securing More Best Actor at the British Film Academy Awards.
1955 saw More returning to the role of Freddie Page in a big screen version of Terence Rattigan's The Deep Blue Sea, playing alongside Vivien Leigh. Incidentally, he had brought the role back to life the previous year for BBC Sunday-Night Theatre (1950) series. The screen adaptation was produced by Alexander Korda and directed by Anatole Litvak. More's performance was once again praised by audiences and critics alike, leading to being awarded the prestigious Volpi cup for Best Actor at the Venice Film Festival, as well as nominations for Best Actor at the British Film Academy Awards. Further honours were bestowed by the Variety Club of Great Britain as Most Promising International Star of 1955. He had finally made his mark.
It was a serious leading role initially turned down by Richard Burton which would make More a major star. Playing the legless, real-life fighter pilot Douglas Bader in Reach for the Sky (1956) was the role of a lifetime. He felt the part of Bader was one he was born to play as he mentioned in his autobiography, 'More or Less': "Bader's philosophy was my philosophy. His whole attitude to life was mine." More had met Bader at Gleneagles where they played a round of golf together, Bader winning each time. They got on well which was somewhat surprising in that Bader was not that keen on actors. Not wanting to caricature him More kept his distance whilst preparing for the role, only meeting him on a handful of occasions for dinner with his friend, actor Ronald Squire. 'Reach for the Sky' became a smash hit upon release and the most popular British film of 1956, winning a British Film Academy award for Best Film. Playing Bader also garnered a Best Actor award for More from popular cinema publication, Picturegoer magazine.
'Reach for the Sky' did something much greater for his career, it showed British audiences that Kenneth More was not just suited to comic roles, he had range as a leading man in dramatic performances. In later years More called several of his films 'favourites' in the press, but it is the belief that 'Reach for the Sky' remained his preferred choice and greatest accomplishment on screen.
Hugely popular films The Admirable Crichton (1957), A Night to Remember (1958), The Sheriff of Fractured Jaw (1958), North West Frontier (1959) and The 39 Steps (1959) galvanized his status as one of Britain's most sought-after actors of the decade. Once he was a £5 a week actor in rep, now he was commanding £50,000 a film.
At the height of his fame More was offered several opportunities to go to Hollywood but with the success he was enjoying at home he did not see the point, or even what he had to offer Tinseltown at this juncture.
The 1960s saw More continue as a leading man in Sink the Bismarck! (1960), Loss of Innocence (1961) and We Joined the Navy (1962). He would cite The Comedy Man (1964) as one of his most favourite roles playing down and out middle-aged actor Chick Byrd. This character resonated with him on two levels. The first was how it represented the experiences he had as a struggling young actor, the second was how he was coming to terms with the present, his own age and the shifting trends of the industry. It would be More's last leading role on the silver screen. Further successes on film came but in cameo or supporting roles, including The Longest Day (1962), Oh! What a Lovely War (1969), Battle of Britain (1969), Scrooge (1970) and The Slipper and the Rose: The Story of Cinderella (1976).
More finally achieved worldwide fame as leading man on the small screen in a BBC adaptation of John Galsworthy's The Forsyte Saga (1967). He had been working steadily on television throughout the 1960's in starring roles, but The Forsyte Saga caught the world's imagination and was a huge, phenomenal success. The series managed to achieve that rare cult-like status and helped introduce Kenneth More to a whole new audience, many who had not seen his earlier work. Several years late More took on another famous literary character playing the part of a Catholic priest who was adept at solving mysteries in G.K. Chesterton's Father Brown (1974). The TV Times awarded him Best Actor for his performance.
Kenneth More had returned to the theatre as early as 1963, playing the part of Peter Pounce alongside Celia Johnson in Giles Cooper's 'Out of the Crocodile' at the Phoenix Theatre. A year later he appeared in a musical version of 'The Admirable Crichton' co-starring with Millicent Martin in 'Our Man Crichton' at the Shaftesbury Theatre. By the end of the 1960s he had received great critical praise as Hugh in a production of 'The Secretary Bird' (1968) by William Douglas-Home at the Savoy Theatre. It turned out to be the biggest stage success of his career. Terence Rattigan's 'The Winslow Boy' (1970), Alan Bennett's award-winning 'Getting On' (1971), Jeremy Kingston's 'Sign of the Times' (1973) and Frederick Lonsdale's 'On Approval' (1977) followed, all of which reinforced More's popularity in his later years.
He was made a CBE (Commander of the Most Excellent Order of the British Empire) in the Queen's New Year's Honours list of 1970. The Kenneth More Theatre, a regional playhouse named in his honour opened in Redbridge in 1974. The Variety Club of Great Britain bestowed More with a special silver heart in 1975 for 40 years in show business. He had been a great supporter of the club over the years taking part in a great deal of charitable events. A special, televised ceremony was held in the Lancaster ballroom of the Savoy Hotel and was attended by many of the industry's best-known names, including Sir. Douglas Bader who More had remained friends with throughout the years.
1978 saw the release of his autobiography 'More or Less', reported to have sold 100,000 copies almost immediately upon release. It received widespread critical and public praise and showed that his appeal had not diminished after 4 decades in the business, despite how times had changed. More was considered an 'institution in British entertainment' according to presenter Michael Parkinson whilst introducing him on his chat show in 1978.
More announced his retirement in 1980 due to illness, at the time he was diagnosed with Parkinson's. It is now very likely that he was suffering from Multiple System Atrophy (MSA), due in part to the age of onset and the speed at which the condition progressed. Kenneth More passed away on July 12th, 1982. His wife Angela Douglas was by his side having nursed him in his final years.
Kenneth More's memorial service was held at St Martin-in-the-Fields on 20 September 1982, which also marked his birthday. The service was packed with family and friends alike, including Lauren Bacall, Dame Anna Neagle and Lady Joan Bader, widow of Sir Douglas Bader who had passed away the same year. A plaque was erected at St. Paul's Church Covent Garden, known more commonly as the Actor's Church.
It is almost 40 years since his passing, yet Kenneth More's performances have endured, continuing to screen worldwide on television and home entertainment. What greater legacy can there be for an actor than to be able to continue to thrill audiences long after one has taken their final bow.- Actor
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Robert Powell was born on Thursday, June 1st, 1944, five days before D-Day, on Tuesday, June 6th, 1944, in Salford, Greater Manchester, England. In 1964, he started his acting career while attending Manchester University. In 1967, he made his film debut, and later landed his first starring role in The Italian Job (1969). Some of his well-known movies include Franco Zeffirelli's Jesus of Nazareth (1977), Ken Russell's Tommy (1975) and Mahler (1974), the sequel or remake of The Thirty Nine Steps (1978), and the popular TV series, Doomwatch (1970). Robert ended his bachelor life, when he married Barbara "Babs" Lord, on Friday, August, 29th, 1975. They are parents of two children (1 son & 1 daughter). In 1982, Robert won the Best Actor award at the Venice Film Festival for his performance in Imperative (1982). He won the best actor award at the Paris Film Festival for Harlequin (1980). For his portrayal of Jesus in Jesus of Nazareth he received best actor awards from TV Times and Italian TV Times, the international arts prize at the Fiuggi Film Festival, grand prize at the Saint-Vincent Film Festival, and a nomination as best actor from The Irish Academy of Film and Television arts. In reference to his role as Jesus in Jesus of Nazareth, Robert said, "I hope Jesus Christ will be the last in my line of sensitive young men for quite a while."- Actor
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Stephen Boyd was born William Millar on July 4, 1931, at Glengormley, Northern Ireland, one of nine children of Martha Boyd and Canadian truck driver James Alexander Millar, who worked for Fleming's on Tomb Street in Belfast. He attended Glengormley & Ballyrobert primary school and then moved on to Ballyclare High School and studied bookkeeping at Hughes Commercial Academy. In Ireland he worked in an insurance office and travel agency during the day and rehearsed with a semi-professional acting company at night during the week and weekends. He would eventually manage to be on the list for professional acting companies to call him when they had a role. He joined the Ulster Theatre Group and was a leading man with that company for three years, playing all kinds of roles. He did quite a bit of radio work in between as well, but then decided it was distracting him from acting and completely surrendered to his passion. Eventually he went to London as an understudy in an Irish play, "The Passing Day."
In England he became very ill and was in and out of work, supplementing his acting assignments with odd jobs such as waiting in a cafeteria, doorman at the Odeon Theatre and even busking on the streets of London. Even as things turned for the worst, he would always write back to his mother that all was well and things were moving along so as not to alarm her in any way or make her worry. Sir Michael Redgrave discovered him one night at the Odeon Theatre and arranged an introduction to the Windsor Repertory Company. The Arts Council of Great Britain was looking for leading man and part-time director for the only major repertory company that was left in England, The Arts Council Midland Theatre Company, and he got the job. During his stay in England he went into television with the BBC, and for 18 months he was in every big play on TV. One of the major roles in his early career was the one in the play "Barnett's Folly," which he himself ranked as one of his favorites.
In 1956 he signed a seven-year contract with 20th Century-Fox. This led to his first film role, as an IRA member spying for the Nazis The Man Who Never Was (1956), a job he was offered by legendary producer Alexander Korda. William Wyler was so struck by Boyd's performance in that film that he asked Fox to loan him Boyd, resulting in his being cast in what is probably his most famous role, that of Messala in the classic Ben-Hur (1959) opposite Charlton Heston. He received a Golden Globe award for his work on that film but was surprisingly bypassed on Oscar night. Still under contract with Fox, Boyd waited around to play the role of Marc Anthony in Cleopatra (1963) opposite Elizabeth Taylor. However, Taylor became so seriously ill that the production was delayed for months, which caused Boyd and other actors to withdraw from the film and move on to other projects.
Boyd made several films under contract before going independent. One of the highlights was Fantastic Voyage (1966), a science-fiction film about a crew of scientists miniaturized and injected into the human body as if in inner space. He also received a nomination for his role of Insp. Jongman in Lisa (1962) (aka "The Inspector") co-starring with Dolores Hart.
Boyd's Hollywood career began to fade by the late 1960s as he started to spend more time in Europe, where he seemed to find better roles more suited to his interests. When he went independent it was obvious that he took on roles that spoke to him rather than just taking on assignments for the money, and several of the projects he undertook were, at the time, quite controversial, such as Slaves (1969) and Carter's Army (1970). Boyd chose his roles based solely on character development and the value of the story that was told to the public, and never based on monetary compensation or peer pressure.
Although at the height of his career he was considered one of Hollywood's leading men, he never forgot where he came from, and always reminded everyone that he was, first and foremost, an Irishman. When the money started coming in, one of the first things he did was to ensure that his family was taken care of. He was particularly close to his mother Martha and his brother Alex.
Boyd was married twice, the first time in 1958 to Italian-born MCA executive Mariella di Sarzana, but that only lasted (officially) during the filming of "Ben Hur." His second marriage was to Elizabeth Mills, secretary at the British Arts Council and a friend since 1955. Liz Mills followed Boyd to the US in the late 1950s and was his personal assistant and secretary for years before they married, about ten months before his death. He died on June 2, 1977, in Northridge, California, from a massive heart attack while playing golf - one of his favorite pastimes - at the Porter Valley Country Club. He is buried at Oakwood Memorial Park in Chatsworth, California. It was a terrible loss, just as he seemed to be making a comeback with his recent roles in the series Hawaii Five-O (1968) and the English movie The Squeeze (1977).
It is a real tragedy to see that a man who was so passionate about his work, who wanted nothing but to tell a story with character, a man who was ahead of his time in many ways ended up being overlooked by many of his peers. One fact remains about Stephen Boyd, however--his fans are still passionate about his work to this day, almost 30 years after his death, and one has to wonder if he ever realized that perhaps in some way he achieved the goal he set out for himself: to entertain the public and draw attention to the true art of acting while maintaining glamour as he defined it by remaining himself a mystery.- Leigh Lawson was born on 21 July 1945 in Atherston, Warwickshire, England, UK. He is an actor, known for Casanova (2005), Tess (1979) and Sword of the Valiant (1984). He has been married to Twiggy since 23 September 1988. He was previously married to Mondy ?.
- Tom Bell was one of the UK's finest actors but he never achieved the star billing or recognition he so richly deserved. His career spanned some 50 years. Time and time again, Bell gave memorable performances. From the able seaman ordered to be flogged by a sadistic officer, played by Dirk Bogarde, in the film, "HMS Defiant" (AKA "Damn the Defiant") to Sergeant Otley in the ITV TV productions, "Prime Suspect" to the vengeful character of Frank Ross in the Euston Films mini-series, "Out". Bell was the consummate professional and he never ever gave a bad performance. When the kitchen sink dramas became fashionable in the 1960s and floods of angry young men emerged onto the scene, he was in good company along with Albert Finney and Tom Courtney to name just a couple. However, in his younger days, he had a British working class rebellious streak which stood in the way of any success he might have had in the UK or US film industry even though he never created problems when working on a production. One incident in the early 1960s probably damaged his career more than any other. A little the worse for drink, he stood up at an awards function and asked Prince Phillip to, "Tell us a joke!" In fact, so the story goes, Prince Phillip handled the problem well by replying, "If you want jokes, you should get a comedian". At the time, Bell was seated at the table of the Producer and Director of, "The L-Shaped Room", namely Richard Attenbourgh and Brian Forbes who, probably seeing their future chances of knighthoods slipping away, urged him to sit down and keep quiet. It was reported that Leslie Caron, who starred with Bell in "The L-Shaped Room", later talked to Prince Phillip who said he was amused by the actor's remarks, even if Attenbourough and Forbes were not. From then on, though not being totally "blacklisted", his reputation as a trouble maker followed him for several years.
From the 1970s until he died on October 4th 2006, Bell came into his own with a long list of impressive TV credits. His one venture into Hollywood, was when he appeared in an episode of "The Virginian" and a "B" movie, "In Enemy Country". Bell gave, as usual excellent performances in both productions but Hollywood left him unimpressed and he returned to the UK. - Actor
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Murray Melvin was born on 10 August 1932 in St. Pancras, London, England, UK. He was an actor, known for The Phantom of the Opera (2004), A Taste of Honey (1961) and Barry Lyndon (1975). He died on 14 April 2023 in Westminster, London, England, UK.- Stephen Billington was born on 10 December 1964 in Bolton, Greater Manchester, England, UK. He is an actor, known for Braveheart (1995), Resident Evil (2002) and Coronation Street (1960).
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Tobias was born in London. He graduated from the Royal Academy of Dramatic Art (RADA) in 1998 and began his acting career in popular UK series such as Foyle's War (2002), Midsomer Murders (1997), and Casualty (1986). He also appeared in the controversial drama A Very Social Secretary (2005). He is best known to international audiences as Marcus Junius Brutus in the television series Rome (2005).
He had a major film role in The Low Down (2000) with Aidan Gillen and featured in the 2006 reboot of the James Bond franchise, Casino Royale (2006). 2007 sees him appearing as William Elliot in ITV's production of Jane Austin's classic book, Persuasion (2007) and as Derrick Sington in the Channel 4 drama The Relief of Belsen (2007).
On TV, he guest starred on seasons 3 and 6 of HBO's Game of Thrones (2011) as Edmure Tully, and starred as Jack Randall and Frank Randall on Starz's Outlander (2014). He has played Philip, Duke of Edinburgh on the Netflix historical drama series The Crown (2016) since its third season.
On stage, his credits include the young teacher Irwin in Alan Bennett's The History Boys and Michael Blakemore's West End production of Three Sisters for which he was nominated for the Ian Charleson Award. He was a critically acclaimed Hamlet in Rupert Goold's Hamlet at the Royal Theatre.- Actor
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RADA-trained Laurence Fox is the third son of the actor James Fox and his wife Mary. He is a British actor who has appeared in several important films, plays, and television programs.
He is also active in politics, founding a new political party named "Reclaim" in 2020 and he presents an opinion show on GB News.- Colin Morgan is a Northern Irish film, television, theater and radio actor who attended Integrated College Dungannon, winning the 'Denis Rooney Associates Cup' for best overall student in the third year, before gaining a National Diploma in Performing Arts from the Belfast Institute of Further and Higher Education in 2004. He went on to study at the Royal Conservatoire of Scotland in Glasgow, where he graduated from in 2007. In November 2010, the Belfast Metropolitan College honored Morgan with an Award of Distinction for his contribution to the Arts. Colin Morgan is best known for playing the title character in the BBC fantasy series Merlin (2008-12), the lead in BBC miniseries The Living and the Dead (2016) as the gentleman farmer Nathan Appleby, the central character of the story; Morgan has appeared in main roles in The Catherine Tate Show (2007), Doctor Who (2008), Quirke (2014), The Fall (2014-2016), and Humans (2015-2016). He is also known for his stage role as Ariel in The Tempest.
Morgan made his professional stage debut in the West End as the titular character Vernon God Little in an adaptation of the dark comedy mounted at the Young Vic in 2007. That same year, he went on to play the role of Esteban, an aspiring teenage writer, in the Old Vic stage adaptation of Pedro Almodóvar's All About My Mother opposite Dame Diana Rigg, Lesley Manville, and Mark Gatiss. For both of these roles, Morgan was nominated for the 2007 London Newcomer of the Year in the Whatsonstage.com Theatregoers' Choice Awards. He went on to appear in Thomas Babe's A Prayer for My Daughter in 2008, Pedro Miguel Rozo's Our Private Life in 2011, Step in Time at The Old Vic 24 Hour Musicals Celebrity Gala in 2012. He played the fey spirit Ariel opposite Roger Allam's Prospero in the 2013 Globe Theater production of Shakespeare's The Tempest, which was later broadcast to cinemas as part of Globe On Screen in May 2014, with a subsequent DVD release in July 2014. For this role, Morgan sought to imbue his portrayal of Ariel with both ethereal stillness and acrobatic precision. From 2013 to 2014, Morgan appeared as Skinny Luke in Jez Butterworth's dark comedy Mojo at the Harold Pinter Theater. The ensemble cast included Brendan Coyle, Ben Whishaw, Rupert Grint and Daniel Mays. Mojo received favorable reviews and the London production was extended for two weeks, finishing on 8 February 2014. On 19 April 2015, Morgan appeared at the Old Vic Theater alongside music and stage legends for an exclusive and highly anticipated one-night theater event called A Gala in Honor of Kevin Spacey.
In July 2008, Screen International named Morgan as a "Star of Tomorrow," alongside actors like Carey Mulligan where he was "hailed as the most exciting drama-school graduate since Ben Whishaw. For his performance in Merlin, Morgan received the 2008 Outstanding Newcomer award from Variety Club Showbiz Awards, and was nominated for Outstanding Actor (Drama) in the Monte Carlo TV Festival Awards in 2009, 2010, and 2011, the Best Actor award in Virgin Media TV Awards in 2012, and the prestigious Best Actor in Drama Performance: Male award in National Television Awards in 2013. In the same year, Morgan won Broadway World West End Awards' Best Featured Actor in a New Production of a Play for his performance as Ariel in The Tempest.
Morgan's film roles include Parked (2010), Island (2011), Testament of Youth (2015), Legend (2015), The Laughing King (2016), and The Huntsman: Winter's War (2016). He also starred as the lead character Paul Ashton in Waiting for You (2016), a British coming-of-age feature set in France and England, and will play the role of Lord Alfred "Bosie" Douglas in the Oscar Wilde biopic The Happy Prince (2017) written and directed by Rupert Everett . Next, he will be portraying the central role of the Irish revolutionary mastermind Seán Mac Diarmada in the Easter Rising centenary commemoration film The Rising (2017). - Actor
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Matt Smith is an English actor who shot to fame in the UK aged 26 when he was cast by producer Steven Moffat as the Eleventh Doctor in the BBC's iconic science-fiction adventure series Doctor Who (2005).
Matthew Robert Smith was born and raised in Northampton, the son of Lynne (Fidler) and David Smith. He was educated at Northampton School For Boys. He studied Drama and Creative Writing at the University of East Anglia. He got into acting through the National Youth Theatre and performed with the Royal Court and the National Theatre.
Smith made his television debut in The Ruby in the Smoke (2006) and won several further roles on television but was largely unknown when he was announced as the surprise choice for the role of the Eleventh Doctor in Doctor Who. He was younger than any other actor to have taken the role (Peter Davison was previously the youngest, aged 29 when he was cast in 1981). Smith starred in 49 episodes of Doctor Who (three short of his predecessor, David Tennant). He left in the momentous 50th anniversary year of the Doctor Who legend in 2013, which included starring in the 50th anniversary special, The Day of the Doctor (2013), which found him acting with Tennant, guest star John Hurt and the oldest living and longest-serving actor to play the Doctor, Tom Baker.
Since leaving Doctor Who, Smith has launched himself into a film career.- Actor
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Proclaimed by many critics as one of the best young actors of his generation, Benjamin John Whishaw was born in Clifton, Bedfordshire, to Linda (Hope), who works in cosmetics, and Jose Whishaw, who works in information technology. He has a twin brother, James. He is of French, German, Russian (father) and English (mother) descent.
Ben attended Samuel Whitbread Community College where his interest in theatre grew and he became a member of the Bancroft Players Youth Theatre at Hitchin's Queen Mother Theatre. During his time there he rose to prominence in many productions, most notably If This Is a Man, based on the book of the same name by Primo Levi, a survivor of Nazi World War II prisoner of war camp. The play was taken to the Edinburgh Festival in 1995 where it garnered five-star reviews and great critical acclaim with Ben Whishaw getting rave reviews for his portrayal of Levi.
Ben then enrolled in, RADA from where he graduated in 2004 and soon landed the role of Hamlet in Trevor Nunn's 2004 production making him one of the youngest actors to portray Hamlet on-stage. Hamlet opened to rave reviews with many critics hailing Ben as the next Laurence Olivier and applauding his portrayal of Hamlet with leading critics haling the birth of a star. Whishaw's film and TV credits include Layer Cake (2004) and Christopher Morris 2005 sitcom Nathan Barley (2005), in which he played a character called Pingu. He was named "Most Promising Newcomer" at the 2001 British Independent Film Awards (for My Brother Tom (2001)) and, in 2005, nominated as best actor in four award ceremonies for his Hamlet. He also played Keith Richards in the Stephen Woolley biopic Stoned (2005). Whishaw played in Perfume: The Story of a Murderer (2006) as Jean-Baptiste Grenouille, a perfume maker whose craft turns deadly getting raves once again for his stunning portrayal. Whishaw appeared in 2007's I'm Not There (2007) as one of the Bob Dylan reincarnations and in 2008 in Criminal Justice (2008) a TV series. He appears in the forthcoming films The Tempest (2010) and Bright Star (2009).- Zubin Varla was born in 1970 in England, UK. He is an actor, known for Our Girl (2013), Strike Back (2010) and Little Dorrit (2008).
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Chris Jenks was born on 14 August 1988. He is an actor and producer, known for Sex Education (2019), Karen Pirie (2022) and Miracle Workers (2019).