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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Writer
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Writer, director, and producer Nicolas Winding Refn was born in Copenhagen, Denmark, in 1970, to Anders Refn, a film director and editor, and Vibeke Winding (née Tuxen), a cinematographer. Just before he turned 11, in 1981, he moved to New York with his parents, where he lived out his teen years. New York quickly became his city and soon began to shape Nicolas' future.
At seventeen, Nicolas moved back to his native Copenhagen to complete his high-school Education. After graduation, he swiftly flew back to New York, where he attended the American Academy of Dramatic Arts. However, this education was cut short when Nicolas threw a desk at a classroom wall and was expelled from the Academy. Consequently, he applied to the Danish Film School and was readily accepted. This education too was to be short-lived, though, as one month prior to the start of the semester, Nicolas dropped out.
A short film Nicolas had written, directed, and starred in was aired on an obscure cable TV channel and lead to the offer of a life-time. Nicolas was spotted and offered 3.2 million kroners to turn the short into a feature. At only twenty-four, Nicolas had written and directed the extremely violent and uncompromising Pusher (1996), which became a cult phenomenon and won Nicolas instant international critical acclaim. The success of his debut spurred him to push the boundaries of his creative filmmaking further, which resulted in the close-to-the-edge and intricately gritty Bleeder (1999). Highly stylized and focused on introverted reactions to outward situations, this film was a marking point for the shaping of Nicolas's future career. The movie was selected for the 1999 Venice International Film Festival as well as winning the prestigious FIPRESCI Prize in Sarajevo.
Nicolas's fourth feature, the much-anticipated Fear X (2003) was also his first foray into English-language movies. Starring the award-winning actor John Turturro, "Fear X" made its world premiere at the Sundance Film festival. However, Fear X divided critics and it flopped, which made Nicolas Winding Refn broke and in debt.
Having to provide for his family and paying his debt, he returned to Denmark to revisit "Pusher." Refn was reluctant to revisit his past success but decided that he could both make commercially viable and artistically pleasing films. In just two years he managed to write, direct and produce the two sequels. Pusher II (2004) and Pusher III (2005) sealed the box and success of the internationally renowned "Pusher" trilogy. In 2005, the Toronto Film Festival held a "Pusher" retrospective showing all three features cementing its worldwide phenomenon.
In 2006 Nicolas embarked on a second English-language (and first digital) feature called Valhalla Rising (2009), which was inspired by a story his mother read to him at the age of five about a father and son who embark on a trip to the moon. Not recalling the ending of this story has been a long time fascination of Nicolas's with the unknown. During the pre-production on "Valhalla Rising," his long time collaborator and friend, Rupert Preston, urged him into accepting an offer to write and direct Bronson (2008), an ultra-violent, surreal, and escapist film following the real-life landmarks and self-entrapment of Charles Bronson, Britain's most notorious criminal. Before its cinematic release, "Bronson" was making waves inside and outside the film industry. The 2009 Sundance Film Festival selected the blistering film for its World Cinema Dramatic Competition and it soon became the talk of the festival. With such a prestigious premiere, "Bronson" went on to be selected for other major international film festivals and reap strong box-office rewards. But, even with such a buzz surrounding the film, no one could predict how the British press would bite at "Bronson's" bit. The content was close to the knuckle, the subject matter controversial, but Nicolas's take on this was even more inspired leading him to be labeled by the British media as the next great European auteur.
With such critical acclaim, Nicolas's reputation as a producer, writer and director was solidly reaffirmed. Nicolas and his wife Liv Corfixen were the subjects of an acclaimed documentary, Gambler (2006), which premiered at the Rotterdam International Film Festival in 2005. In addition, Nicolas already received two lifetime-achievement awards (one from the Taipei International Film festival in 2006 and the second from the Valencia International Film Festival in 2007), and it was the winner of the Emerging Master Award from the Philadelphia International Film Festival 2005.- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.- Actor
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His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.- Producer
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Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.- Writer
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Andrew Stanton has been a major creative force at Pixar Animation Studios since 1990, when he became the second animator and ninth employee to join the company's elite group of computer animation pioneers. As Vice President, Creative he currently oversees all shorts and feature projects at the studio. Stanton wrote and directed the Academy Award®-winning Disney and Pixar feature film "WALL.E," for which he also received a Best Original Screenplay Oscar®-nomination. In 2016 Stanton directed Disney and Pixar's "Finding Dory," which, upon release, became the highest-grossing domestic animated feature of all time and in 2019 Stanton served as screenwriter and executive producer of "Toy Story 4."
Stanton made his directorial debut with the record-shattering "Finding Nemo," an original story of his that he also co-wrote. The film garnered Stanton two Academy Award® nominations (Best Original Screenplay and Best Animated Film), and "Finding Nemo" was awarded an Oscar® for Best Animated Feature Film of 2003, the first such honor Pixar Animation Studios received for a full-length feature film.
One of the four screenwriters to receive an Oscar® nomination in 1996 for his contribution to "Toy Story," Stanton went on to receive credit as a screenwriter on every subsequent Pixar film - "A Bug's Life," "Toy Story 2," "Monsters, Inc." and "Finding Nemo." Additionally, he served as co-director on "A Bug's Life," and was the executive producer of "Monsters, Inc.," and "Monsters University," and Academy Award®-winning films "Ratatouille" and "Brave."
In addition to his multi-award winning animation work, Stanton made his live-action writing and directorial debut with Disney's "John Carter," released in March 2012.
A native of Rockport, Massachusetts, Stanton earned a Bachelor of Fine Arts in Character Animation from California Institute of the Arts (Cal Arts), where he completed two student films. In the 1980s, he launched his professional career in Los Angeles animating for Bill Kroyer's Kroyer Films studio, and writing for Ralph Bakshi's production of "Mighty Mouse, The New Adventures" (1987).- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Producer
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Born in Puducherry, India, and raised in the posh suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.
He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.
Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.
His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).- Producer
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George Miller is an Australian film director, screenwriter, producer, and former medical doctor. He is best known for his Mad Max franchise, with Mad Max 2: The Road Warrior (1981) and Mad Max: Fury Road (2015) being hailed as amongst the greatest action films of all time. Aside from the Mad Max films, Miller has been involved in a wide range of projects. These include the Academy Award-winning Babe (1995) and Happy Feet (2006) film series.
Miller is co-founder of the production houses Kennedy Miller Mitchell, formerly known as Kennedy Miller, and Dr. D Studios. His younger brother Bill Miller and Doug Mitchell have been producers on almost all the films in Miller's later career, since the death of his original producing partner Byron Kennedy.
In 2006, Miller won the Academy Award for Best Animated Feature for Happy Feet (2006). He has been nominated for five other Academy Awards: Best Original Screenplay in 1992 for Lorenzo's Oil (1992), Best Picture and Best Adapted Screenplay in 1995 for Babe (1995), and Best Picture and Best Director for Mad Max: Fury Road (2015).- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Producer
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Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Producer
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A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.- Director
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He grew up in Versailles with a family who was very influenced by pop music. When he was young, Gondry wanted to be a painter or an inventor. In the 80s he entered in an art school in Paris where he could develop his graphic skills and where he also met friends with whom he created a pop-rock band called Oui-Oui. The band released 2 albums ('Chacun tout le monde' and 'Formidable') and several singles until their separation in 1992. Gondry was the drummer of the band and also directed their video clips in which it was possible to see his strange world, influenced by the 60s and by his childhood. One of his videos was shown on MTV and when Björk saw it, she asked him to make her first solo video for 'Human Behaviour'. The partnership is famous: Gondry directed five other Björk's videos, benefiting by the huge budgets. This led to commissions for other artists around the world, including Massive Attack. He also made a lot of commercials for Gap, Smirnoff, Air France, Nike, Coca Cola, Adidas, Polaroid and Levi - the latter making him the most highly-awarded director for a one-off commercial.
Hollywood became interested in Gondry's success and he directed his first feature movie Human Nature (2001), adapting a Charlie Kaufman's scenario, which was shown in the 2001 Cannes Festival. Although it wasn't a big success, this film allowed him to direct Eternal Sunshine of the Spotless Mind (2004), for which he again collaborated with Charlie Kaufman. The movie became a popular independent film and he and his co-writers won an Oscar for it.- Writer
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Avid reader Charlie Kaufman wrote plays and made short films as a young student. He moved from Massapequa, New York to West Hartford, Connecticut in 1972 where he attended high school. As a comedic actor, he performed in school plays and, after graduation, he enrolled at Boston University but soon transferred NYU to study film. Charlie worked in the circulation department of the Star Tribune, in Minneapolis, in the late 1980s and moved to Los Angeles in 1991, where he was hired to write for the TV sitcom Get a Life (1990). He went on to write comedy sketches and a variety of TV show episodes. Between writing assignments, he wrote the inventive screenplay Being John Malkovich (1999), which created Hollywood interest and the attention of producer Steve Golin. Charlie works at home in Pasadena, California, where he lives with his wife Denise and children.- Director
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Gore Verbinski, one of American cinema's most inventive directors who was a punk-rock guitarist as a teenager and had to sell his guitar to buy his first camera, is now the director of Pirates of the Caribbean: Dead Man's Chest (2006) which made the industry record for highest opening weekend of all time ($135,600,000) and grossed over $1 billion dollars worldwide.
He was born Gregor Verbinski on March 16, 1964 in Oak Ridge, Tennessee, to Laurette Ann (McGovern) and Victor Vincent Verbinski, a nuclear physicist who worked at the Oak Ridge Lab. His paternal grandparents were Polish. In 1967, the family moved to California, and young Gregor grew up near San Diego. His biggest influences as a kid were Franz Kafka's Metamorphosis and Black Sabbath's Master of Reality. He started his professional career as a guitarist for punk-rock bands, such as The Daredevils and The Little Kings, and also made his first films together with friends. After having developed a passion for filmmaking, he sold his guitar to buy a Super-8mm camera. Then Verbinski attended the prestigious UCLA Film School, from which he graduated in 1987 with his BFA in Film. His first professional directing jobs were music videos for alternative bands, such as L7, Bad Religion, and Monster Magnet. Then he moved to advertising and directed commercials for Nike, Canon, Skittles, United airlines and Coca-Cola. In 1993 he created the renowned Budweiser advertising campaign featuring croaking frogs, for which he was awarded the advertising Silver Lion at Cannes and also received four Clio Awards.
Verbinski made his feature directorial debut with Mousehunt (1997), a remarkably visual cartoonish family comedy. His next effort, The Mexican (2001), came to a modest result. However, Verbinski bounced back with a hit thriller The Ring (2002), grossing over $230 million dollars worldwide. His biggest directorial success came with the Disney theme park ride based Pirates of the Caribbean: The Curse of the Black Pearl (2003), with a brilliant acting ensemble, grossing over $650 million dollars, and bringing five Oscar nominations and many other awards and nominations. Disney ordered two more films which Verbinski shot one after another on location in the Caribbean islands, for which he had to endure both tetanus and typhoid immunization shots. After having survived several hurricanes, dealing with sick and injured actors, and troubleshooting after numerous technical difficulties of the epic-scale project, Verbinski delivered. He employed the same stellar cast in the sequel Pirates of the Caribbean: Dead Man's Chest (2006) and the third installment of the 'Pirates' franchise Pirates of the Caribbean: At World's End (2007).
Gore Verbinski does not like publicity. He has been enjoying a happy family life with his wife and his two sons. He resides with his family in Los Angeles, California.- Music Department
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John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).- Producer
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Kevin Patrick Smith was born in Red Bank but grew up in Highlands, New Jersey, the son of Grace (Schultz) and Donald E. Smith, a postal worker. He is very proud of his native state; this fact can be seen in all of his movies. Kevin is of mostly German, with some Irish and English, ancestry.
His first movie, Clerks (1994), was filmed in the convenience store in which Smith worked. He was only allowed to shoot at night after the store closed. This movie won the highest award at the Sundance film festival and was brought to theaters by Miramax. The movie went over so well that Smith was able to make another movie, Mallrats (1995). This movie, as Kevin has said, was meant to be a "smart Porkys". Although it didn't do well at all in the box office, it has done more than well on video store shelves and is usually the favorite among many Smith fans.
During filming for the movie, Smith met his new close friends and stars of his next movie, Ben Affleck, Jason Lee, and his new girlfriend, Joey Lauren Adams. Smith has said that his relationship with Adams has been much of an inspiration for his next movie, Chasing Amy (1997), Smith's comedy drama which won two independent Spirit awards: Best Screenplay and Best Supporting Role (for Jason Lee). Around the time that Chasing Amy (1997) was wrapping, Smith broke up with Adams and, then when the Spirit awards were approaching, he met his soon-to-be wife, Jennifer Schwalbach Smith. After Chasing Amy (1997), Smith started on Dogma (1999), a controversial film about Christianity. Around this time, Smith's wife gave birth to their first baby girl, Harley Quinn Smith. Harley Quinn and Jennifer both have roles in Smith's next film,Jay and Silent Bob Strike Back (2001). In this road trip comedy, the cult heroes, Jay and Silent Bob, go on an adventure to stop the production of a movie being made about them, find true love, and save an orangutan.
In 2004, he wrote and directed Jersey Girl (2004), starring Ben Affleck and Liv Tyler. Although there were some disappointing reviews and the movie was a disappointment at the box office, Smith says it did alright going up against the "Bennifer Massacre" known as Gigli (2003).
In 2005, Smith wrote the screenplay for Clerks II (2006), which he planned to start shooting in January of 2005. But then he got a call from Susannah Grant, who wanted Smith to audition for her new film. Smith went into the audition and, five minutes after finishing, he got a call saying he got the part. Filming began in January 2005 so Smith had to delay the filming of Clerks II (2006). After Catch and Release (2006) finished filming, Smith shot "Clerks II" in September 2005. After cutting "Clerks II", they submitted it to the Cannes film festival. It got accepted and, at Cannes, it got an 8 minute standing ovation.
In 2006, Smith also got offered a part in the fourth "Die Hard" film, Live Free or Die Hard (2007). Smith got to film a scene with one of his idols, Bruce Willis, the scene was supposed to take one day of filming, it ended up taking a week. In 2007, Smith was also hired to direct the pilot for the show Reaper (2007), which garnered favorable reviews.
In 2007 and 2008, Smith wrote two scripts: a comedy, Zack and Miri Make a Porno (2008), and a horror film called Red State (2011). Harvey Weinstein green-lighted "Zack and Miri", based just off the title, although they passed on "Red State", Smith plans to get "Red State" independently funded. Smith filmed "Zack and Miri" with comedy starSeth Rogen. The film did not meet expectations at the box office but got good reviews. It is Smith's highest grossing movie, although he says he was crushed by the disappointing box office of the film.
Smith was offered the chance to direct a film which was written by Robb Cullen and Mark Cullen called Cop Out (2010). Smith accepted, it would be two firsts; the first feature Smith has directed but not written and the first feature of Smith's that Scott Mosier has not produced (Mosier is trying to find a film to direct). Smith hired Bruce Willis for the film.- Actor
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David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Writer
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- Actor
Krzysztof Kieslowski graduated from Lódz Film School in 1969, and became a documentary, TV and feature film director and scriptwriter. Before making his first film for TV, Przejscie podziemne (1974) (The Underground Passage), he made a number of short documentaries. His next TV title, Personnel (1975) (The Staff), took the Grand Prix at Mannheim Film Festival. His first full-length feature was The Scar (1976) (The Scar). In 1978 he made the famous documentary From a Night Porter's Point of View (1979) (Night Porter's Point of View), and in 1979 - a feature Camera Buff (1979) (Camera Buff), which was acclaimed in Poland and abroad. Everything he did from that point was of highest artistic quality.- Producer
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Tomm Moore was born on 7 January 1977 in Newry, Northern Ireland, UK. He is a producer and writer, known for Wolfwalkers (2020), Song of the Sea (2014) and The Secret of Kells (2009). He is married to Liselott Olofsson. They have one child.- Animation Department
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Don Bluth was one of the chief animators at Disney to come to the mantle after the great one's death. He eventually became the animation director for such films as The Rescuers (1977) and Pete's Dragon (1977). Unfortunately, the quality of animation that Disney was producing at this point was not up to par with the great works of Disney, and there was rumor that the production unit at Disney might be shut down indefinitely. In retaliation, Bluth and several other animators led a walkout, and went off to form their own independent animation firm. Bluth's first animated feature may still be his best. The Secret of NIMH (1982) was an animated film based on the children's book "Mrs. Frisbee and the Rats of Nimh". The film dealt with a widowed field mouse named Mrs. Brisbee and her plight to move her house before the farmer plants his field. The rats of Nimh, an organization of super intelligent rats, band together to help her. "The Secret of NIMH" was a visually ravishing film that hearkened back to the glory days of Disney. While animation buffs raved, the film did little business at the box office. (The growing number of VCR's in America would help the film reach a cult status on home video). Undaunted, Bluth persevered. He created the video games Dragon's Lair (1983) and Space Ace (1983), both of which allowed the player to control an actual cartoon. He later teamed up with Steven Spielberg for the films An American Tail (1986) and The Land Before Time (1988). While Bluth's ambition to restore animation to its previous glory was being realized, the Disney studio, whose recent films had failed to match Bluth's at the box office, was finally ready to return to true quality. With the release of The Little Mermaid (1989) and Beauty and the Beast (1991), Bluth had to compete with a Goliath. After his next film, All Dogs Go to Heaven (1989), received mixed opinions and failed to be more than a minor box office success, Bluth fell into a failing streak of films that were comparatively mediocre when placed alongside his previous work, including Rock-A-Doodle (1991), and Thumbelina (1994). Bluth later joined forces with 20th Century Fox where he made his first commercial hit in some time, Anastasia (1997). He followed up with the ambitious but hollow science fiction fantasy Titan A.E. (2000). While Bluth has yet to reach the glory of his earlier work, he nonetheless deserves credit as a champion of animation, and for surviving as an independent film maker.- Producer
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Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Director
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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Actor
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Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.- Director
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Robert Earl Wise was born on September 10, 1914 in Winchester, Indiana, the youngest of three sons of Olive R. (Longenecker) and Earl Waldo Wise, a meat packer. His parents were both of Pennsylvania Dutch (German) descent. At age nineteen, the avid moviegoer came into the film business through an odd job at RKO Radio Pictures. A head sound effects editor at the studio recognized Wise's talent, and made Wise his protégé. Around 1941, Orson Welles was in need of an editor for Citizen Kane (1941), and Wise did a splendid job. Welles really liked his work and ideas. Wise started as a director with some B-movies, and his career went on quickly, and he made many classic movies. His last theatrical film, Rooftops (1989), proved that he was a filmmaker still in full command of his craft in his 80s. The carefully composed images, tight editing, and unflagging pace make one wish that Wise had not stayed away from the camera for very long. Robert Wise died of heart failure on September, 14, 2005, just four days after his 91st birthday.- Director
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Alejandro González Iñárritu (ih-nyar-ee-too), born August 15th, 1963, is a Mexican film director.
González Iñárritu is the first Mexican director to be nominated for the Academy Award for Best Director and by the Directors Guild of America for Best Director. He is also the first Mexican-born director to have won the Prix de la mise en scene or best director award at Cannes (2006), the second one being Carlos Reygadas in 2012. His six feature films, 'Amores Perros' (2000), '21 Grams' (2003), 'Babel' (2006), 'Biutiful' (2010), 'Birdman' (2014) and 'The Revenant' (2015), have gained critical acclaim world-wide including two Academy Award nominations.
Alejandro González Iñárritu was born in Mexico City.
Crossing the Atlantic Ocean on a cargo ship at the ages of seventeen and nineteen years, González Iñárritu worked his way across Europe and Africa. He himself has noted that these early travels as a young man have had a great influence on him as a film-maker. The setting of his films have often been in the places he visited during this period.
After his travels, González Iñárritu returned to Mexico City and majored in communications at Universidad Iberoamericana. In 1984, he started his career as a radio host at the Mexican radio station WFM, a rock and eclectic music station. In 1988, he became the director of the station. Over the next five years, González Iñárritu spent his time interviewing rock stars, transmitting live concerts, and making WFM the number one radio station in Mexico. From 1987 to 1989, he composed music for six Mexican feature films. He has stated that he believes music has had a bigger influence on him as an artist than film itself.
In the nineties, González Iñárritu created Z films with Raul Olvera in Mexico. Under Z Films, he started writing, producing and directing short films and advertisements. Making the final transition into T.V Film directing, he studied under well-known Polish theatre director Ludwik Margules, as well as Judith Weston in Los Angeles.
In 1995, González Iñárritu wrote and directed his first T.V pilot for Z Films, called Detras del dinero, -"Behind the Money", starring Miguel Bosé. Z Films went on to be one of the biggest and strongest film production companies in Mexico, launching seven young directors in the feature film arena. In 1999, González Iñárritu directed his first feature film Amores perros, written by Guillermo Arriaga. Amores perros explored Mexican society in Mexico City told via three intertwining stories. In 2000, Amores perros premiered at the Cannes Film Festival and won the Critics Weeks Grand Prize. It also introduced audiences for the first time to Gael García Bernal. Amores perros went on to be nominated for Best Foreign Film at the Academy Awards.
After the success of Amores Perros, González Iñárritu and Guillermo Arriaga revisited the intersecting story structure of Amores perros in González Iñárritu's second film, 21 Grams. The film starred Benicio del Toro, Naomi Watts and Sean Penn, and was presented at the Venice Film Festival, winning the Volpi Cup for actor Sean Penn. At the 2004 Academy Awards, Del Toro and Watts received nominations for their performances.
In 2005 González Iñárritu embarked on his third film, Babel, set in 4 countries on 3 continents, and in 4 different languages. Babel consists of four stories set in Morocco, Mexico, the United States, and Japan. The film stars Brad Pitt, Cate Blanchett and Adriana Barraza. The majority of the rest of the cast, however, was made up of non-professional actors and some new actors, such as Rinko Kikuchi. It was presented at Cannes 2006, where González Iñárritu earned the Best Director Prize (Prix de la mise en scène). Babel was released in November 2006 and received seven nominations at the 79th Annual Academy Awards, including Best Picture and Best Director. González Iñárritu is the first Mexican director nominated for a DGA award and for an Academy Award. Babel went on to win Best Motion Picture in the drama category at the Golden Globe Awards on January 15, 2007. Gustavo Santaolalla won the Academy Award that year for Best Original Score. After Babel, Alejandro and his writing partner Guillermo Arriaga professionally parted ways, following González Iñárritu barring Arriaga from the set during filming (Arriaga told the LA Times in 2009 "It had to come to an end, but I still respect González Iñárritu").
In 2008 and 2009, González Iñárritu directed and produced Biutiful, starring Javier Bardem, written by González Iñárritu, Armando Bo, and Nicolas Giacobone. The film premiered at the Cannes Film Festial on May 17, 2010. Bardem went on to win Best Actor (shared with Elio Germano for La nostra vita) at Cannes. Biutiful is González Iñárritu's first film in his native Spanish since his debut feature Amores perros. For the second time in his career his film was nominated for Best Foreign Language Film at the 83rd Academy Awards. It was also nominated for the 2011 Golden Globes in the category of Best Foreign Film, for the 2011 BAFTA awards in the category of Best Film Not in the English Language and Best Actor. Javier Bardem's performance was also nominated for Academy Award for Best Actor.
In 2014, González Iñárritu directed Birdman, starring Michael Keaton, Naomi Watts, Edward Norton, Emma Stone, Zach Galifianakis, and Andrea Riseborough. The film is Iñárritu's first comedy. Birdman is about an actor who played an iconic superhero, and who tries to revive his career by doing a play based on the Raymond Carver short story What We Talk About When We Talk About Love. The film was released on October 17, 2014.
In April 2014, it was announced that González Iñárritu's next film as a director will be The Revenant, which he co-wrote with Mark L. Smith. It is based on the novel of same name by Michael Punke. The film stars Leonardo DiCaprio, Tom Hardy and Will Poulter with shooting began in September 2014, for a December 25, 2015 release.The Revenant is being filmed in Alberta and B.C. with production scheduled to wrap in February 2015. The film will be a 19th Century period piece, and is described as a "gritty thriller" about a fur trapper who seeks revenge against a group of men who robbed and abandoned him after he was mauled by a grizzly bear.
From 2001 to 2011, González Iñárritu directed several short films.
In 2001, he directed an 11 minute film segment for 11.09.01- which is composed of several short films that explore the effects of the 9/11 terrorist attacks from different points of view around the world.
In 2007, he made ANNA which screened at the 2007 Cannes Film Festival inside Chacun son cinéma. It was part of the 60th anniversary of the film festival and it was a series of shorts by 33 world-renown film directors.
In 2012, he made the experimental short film Naran Ja: One Act Orange Dance - inspired by L.A Dance Project's premiere performance. The short features excerpts of the new choreography Benjamin Millepied crafted for Moving Parts. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten.
In 2001/2002, González Iñárritu directed "Powder Keg", an episode for the BMW film series The Hire, starring Clive Owen as the driver.
In 2010, González Iñárritu directed Write the Future, a football-themed commercial for Nike ahead of the 2010 FIFA World Cup, which went on to win Grand Prix at the Cannes Lions advertising festival.
In 2012, he directed Procter and Gamble's "Best Job" commercial spot for the 2012 Olympic Ceremonies. It went on to win the Best Primetime Commercial Emmy at Creative Arts Emmy Awards.- Producer
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James Wan (born 26 February 1977) is an Australian film producer, screenwriter and film director of Malaysian Chinese descent. He is widely known for directing the horror film Saw (2004) and creating Billy the puppet. Wan has also directed Dead Silence (2007), Death Sentence (2007), Insidious (2010), The Conjuring (2013) and Furious 7 (2015).
Before his success in the mainstream film industry, he made his first feature-length film, Stygian, with Shannon Young, which won "Best Guerrilla Film" at the Melbourne Underground Film Festival (MUFF) in 2000.
Prior to 2003, Wan and Leigh Whannell had begun writing a script based for a horror film, citing inspiration from their dreams and fears. Upon completing the script, Leigh and James had wanted to select an excerpt from their script, later to be known as Saw (2004), and film it to pitch their film to studios. With the help of Charlie Clouser, who had composed the score for the film, and a few stand-in actors, Leigh and James shot the film with relatively no budget. Leigh had decided to star in the film as well.
After the release of the full-length Saw (2004), the film was met with overwhelming success in the box office both domestically and internationally. The film ended up grossing 55 million dollars in America, and 48 million dollars in other countries, totaling over $103 million worldwide. This was over 100 million dollars profit, over 80 times the production budget. This green-lit the sequel Saw II (2005), and later the rest of the Saw franchise based on the yearly success of the previous installment. Since its inception, Saw (2004) has become the highest grossing horror franchise of all time worldwide in unadjusted dollars. In the United States only, Saw (2004) is the second highest grossing horror franchise, behind only the Friday the 13th (1980) films by a margin of $10 million.- Producer
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Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.- Writer
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Director and screenwriter Paolo Sorrentino was born in Naples in 1970, and and became an orphan when he lost both of his parents at the age of 16. At the age of 25, after studying for a few years at the Faculty of Economics and Business in University of Naples Federico II, he decided to work in the film industry. His first full-length feature L'uomo in più, starring Toni Servillo and Andrea Renzi, was selected at the 2001 Venice Film Festival, achieved three nominations for the David di Donatello (the Italian Academy Awards) and won the Nastro d'Argento (the Italian cinema journalists Academy Award) for Best First Time Director. In 2004 he directed Le conseguenze dell'amore, selected in Competition at the Cannes Film Festival and acclaimed by both Italian and International critics. The film won many important Italian awards, including five David di Donatello awards: for Best Film, Director, Screenplay, Actor and Cinematography. Three years later his third film L'amico di famiglia was also selected in Competition at Cannes. In 2008 another collaboration with Toni Servillo, Il Divo, became his third film to be selected in Competition at Cannes. The film was nominated for Best Make-Up at the Academy Awards® and won seven David di Donatello, five Ciak d'Oro and five Nastri d'Argento awards. He has also published a novel Hanno tutti ragione (Everybody's Right) in 2010, and two collections of short stories: Tony Pagoda e i suoi amici (2012), and Gli aspetti irrilevanti (2016). Hanno tutti region was warmly received by both critics and public and was short-listed for the Premio Strega, the most prestigious Italian literature award. As of 2021, seven of his 9 films have been presented in Competition at the Festival de Cannes, where Il Divo won the Prix du Jury in 2008. In 2014, his film La Grande Bellezza won the Oscar and Golden Globe for Best Foreign Language Film, as well as a BAFTA and five EFA Awards. In 2016, La Giovinezza gained an Oscar nomination for Best Original Song and two Golden Globe nominations for Best Supporting Actress and Best Original Song. The film won three European Film Awards. In 2016, he made his first TV Series: The Young Pope. In 2021, È stata la mano di Dio won the Grand Jury Prize at the 78th Venice International Film Festival.- Director
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Mark Randolph Osborne is an American film director, writer, producer and animator from Trenton, New Jersey who is known for co-directing the Oscar nominated Kung Fu Panda (2008) and The SpongeBob SquarePants Movie (2004) (the live-action sequences), as well as directing The Little Prince (2015) himself. He also worked on 4 episodes of SpongeBob SquarePants (1999) and wrote and directed two episodes of Cartoon Monsoon (2003); The Stump: The Homeroom Menace (2003) and The Stump: Science Unfair (2003), as well as writing and directing the Oscar nominated short More (1998).
Mark Osborne has two children, Kimb and Madison (whom he dedicated More to), and a brother, Kent Osborne.- Actor
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Conrad Vernon is an American voice actor, storyboard artist, writer and director from Texas. He provided the voices of the Gingerbread Man in the Shrek franchise and Mason from the Madagascar franchise. He would direct Shrek 2, Sausage Party, Madagascar 3: Europe's Most Wanted, Monsters vs. Aliens and The Addams Family film series.- Director
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Greg Tiernan was born on 19 June 1965 in Ireland. He is a director, known for Sausage Party (2016), An American Tail (1986) and All Dogs Go to Heaven (1989). He is married to Nicole Stinn.- Producer
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Pete Docter is the Oscar®-winning director of "Monsters, Inc.," "Up," and "Inside Out," and Chief Creative Officer at Pixar Animation Studios. He is currently directing Pixar's feature film "Soul" with producer Dana Murray, which is set to release June 19, 2020.
Starting at Pixar in 1990 as the studio's third animator, Docter collaborated and help develop the story and characters for "Toy Story," Pixar's first full-length animated feature film, for which he also was supervising animator. He served as a storyboard artist on "A Bug's Life," and wrote initial story treatments for both "Toy Story 2" and "WALL.E." Aside from directing his three films, Docter also executive produced "Monsters University" and the Academy Award®-winning "Brave."
Docter's interest in animation began at the age of eight when he created his first flipbook. He studied character animation at California Institute of the Arts (CalArts) in Valencia, California, where he produced a variety of short films, one of which won a Student Academy Award®. Those films have since been shown in animation festivals worldwide and are featured on the "Pixar Short Films Collection Volume 2." Upon joining Pixar, he animated and directed several commercials, and has been nominated for eight Academy Awards® including Best Animated Feature-winners "Up" and "Inside Out" and nominee "Monsters, Inc.," and Best Original Screenplay for "Up," "Inside Out" and "WALL.E." In 2007, "Up" also was nominated for a Best Picture Oscar by the Academy of Motion Picture Arts and Sciences.- Producer
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Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.
Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.
The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.- Music Department
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Trey was born in Conifer, Colorado, on October 19, 1969 to Randy Parker, a geologist, and Sharon Parker, an insurance broker. He has an older sister, Shelley Parker. He met Matt Stone (co-creator of South Park (1997)) while attending the University of Colorado in Boulder, where he had a double major of music and Japanese. While at UCB he wrote, directed and starred in Cannibal! The Musical (1993) (aka "Cannibal: The Musical!") based on a true episode in Colorado's history. After graduation from UCB (rumors that he didn't due to skipping classes to work on the movie are false), he and Stone were asked by then-FoxLab executive Brian Graden to create an animated Christmas card for his friends and family. The now infamous short, titled The Spirit of Christmas (1995), led to South Park (1997).- Director
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Terry Gilliam was born near Medicine Lake, Minnesota. When he was 12 his family moved to Los Angeles where he became a fan of MAD magazine. In his early twenties he was often stopped by the police who suspected him of being a drug addict and Gilliam had to explain that he worked in advertising. In the political turmoil in the 60's, Gilliam feared he would become a terrorist and decided to leave the USA. He moved to England and landed a job on the children's television show Do Not Adjust Your Set (1967) as an animator. There he met meet his future collaborators in Monty Python: Terry Jones, Eric Idle and Michael Palin. In 2006 he renounced his American citizenship.- Producer
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Matthew Vaughn is an English film producer and director. He is known for producing such films as Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000) and for directing the crime thriller, Layer Cake (2004), the fantasy epic, Stardust (2007), the superhero comedy, Kick-Ass (2010), and the superhero film, X-Men: First Class (2011). Vaughn was educated at Stowe School in Buckingham, England. Taking a gap year between Stowe and university, he traveled the world on a Hard Rock Cafe tour and landed in Los Angeles, U.S. Here, he began working as an assistant to a director. He returned to London, attending University College London where he studied anthropology and ancient history. But the film bug had taken hold. He dropped out of university after a few weeks and returned to Los Angeles to start his career. He quickly realized, however, that everyone in town was trying to do the same thing, so he crossed back over the Atlantic to make a name for himself in England. At 25, he produced a little-seen thriller, The Innocent Sleep (1995), starring Annabella Sciorra and Michael Gambon. Vaughn continued as a producer on close friend Guy Ritchie's film, Lock, Stock and Two Smoking Barrels (1998). The film was a success in all aspects; earning Vaughn and Ritchie £9 million each. Vaughn would go on to produce Ritchie's equally acclaimed Snatch (2000) and the critically-mauled, Swept Away (2002). Vaughn made his directorial debut in 2004 with Layer Cake (2004). The film was well-received and its success led to Vaughn being tapped to direct X-Men: The Last Stand (2006) but he later dropped out only two weeks before filming began. Vaughn was, subsequently, very critical of Brett Ratner's direction of X-Men: The Last Stand (2006) (aka X-Men 3). Vaughn next directed Stardust (2007) and a movie adaption of Mark Millar's Kick-Ass. He was also in talks to direct an adaptation of "Thor", but left that project. In May 2010, 20th Century Fox confirmed that Vaughn will direct X-Men: First Class (2011) and announced the film will be released on June 3, 2011. Vaughn is best known for starting his career working as a producer for the Guy Ritchie films, Lock, Stock and Two Smoking Barrels (1998), Snatch (2000) and Swept Away (2002). Jane Goldman is one the screenwriters who Vaughn collaborated with for the films, Stardust (2007), Kick-Ass (2010) and the upcoming X-Men: First Class (2011). The actors that Vaughn usually works with in his films are Jason Statham, Vinnie Jones, Jason Flemyng, Adam Fogerty, Sienna Miller, Brad Pitt (as a producer on Kick-Ass (2010)), Mark Strong, Robbie Gee, Alan Ford, Tamer Hassan and Dexter Fletcher. Vaughn's wife is German supermodel Claudia Schiffer, whom he married in Shimpling, Suffolk, in 2002. The couple have three children: son Caspar Matthew (born 30 January 2003), daughter Clementine de Vere Drummond (born 11 November 2004) and a second daughter, Cosima Violet (born 14 May 2010). They have homes in Suffolk and Notting Hill. He has hired ex-Gurkha soldiers for security for him and his wife following reports of stalkers apparently intruding their house.- Director
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Duncan Jones was born on 30 May 1971 in Bromley, Kent, England, UK. He is a director and writer, known for Moon (2009), Source Code (2011) and Mute (2018). He has been married to Rodene Ronquillo since 6 November 2012. They have two children.- Director
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David Leitch is a billion dollar film director, actor, stuntman, writer, producer, and stunt coordinator. He co-directed John Wick (2014) with Chad Stahelski, on which he also served as producer. David directed Atomic Blonde (2017) starring Charlize Theron. David also directed the box office smash and critically acclaimed Deadpool 2 (2018). He is also the director of Fast & Furious Presents: Hobbs & Shaw (2019).
Leitch was a stunt double for Brad Pitt five times, Matt Damon multiple times as well, including The Bourne Ultimatum (2007).- Director
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Friedkin's mother was an operating room nurse. His father was a merchant seaman, semi-pro softball player and ultimately sold clothes in a men's discount chain. Ultimately, his father never earned more than $50/week in his whole life and died indigent. Eventually young Will became infatuated with Orson Welles after seeing Citizen Kane (1941). He went to work for WGN TV immediately after graduating from high school where he started making documentaries, one of which won the Golden Gate Award at the 1962 San Francisco film festival. In 1965, he moved to Hollywood and immediately started directing TV shows, including an episode of the The Alfred Hitchcock Hour (1962); Hitchcock infamously chastised him for not wearing a tie.- Additional Crew
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Writer
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Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Writer
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Nicholas Stoller is an English-American screenwriter and director. He is known best for directing the 2008 comedy Forgetting Sarah Marshall, and writing/directing its 2010 spin-off/sequel, Get Him to the Greek. He also wrote The Muppets and directed the Seth Rogen comedy, Neighbors. He is a frequent creative partner of Jason Segel.- Producer
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Andrew Adamson was born on 1 December 1966 in Auckland, New Zealand. He is a producer and director, known for Shrek 2 (2004), Shrek (2001) and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). He has been married to Michelle Jonas since 2018. He was previously married to Gyulnara Karaeva and Nikki Donald.- Writer
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Sydney Sibilia was born on 19 November 1981 in Salerno, Campania, Italy. He is a writer and director, known for I Can Quit Whenever I Want (2014), Rose Island (2020) and Mixed by Erry (2023).- Writer
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Mamoru Oshii is a Japanese filmmaker, television director and screenwriter. Famous for his philosophy-oriented storytelling, Oshii has directed a number of popular anime, including Urusei Yatsura (1981-1984), Angel's Egg (1985), Patlabor: The Movie (1989), Ghost in the Shell (1995), and Ghost in the Shell 2: Innocence (2004).
Oshii was approached to be one of the directors of The Animatrix, but he was unable to participate because of his work in Innocence.- Animation Department
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Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.
Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.
In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.
In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).- Director
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Isao Takahata was born on 29 October 1935 in Ise, Japan. He was a director and writer, known for Grave of the Fireflies (1988), Pom Poko (1994) and The Tale of The Princess Kaguya (2013). He died on 5 April 2018 in Tokyo, Japan.- Director
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Ralph Bakshi worked his way up from Brooklyn and became an animation legend. He was born on October 29, 1938, in Haifa, Israel, the son of Mina (Zlotin) and Eliezar Bakshi, and is of Krymchak Jewish descent. He was raised in Brownsville, after his family came to New York to escape World War II. Bakshi attended the Thomas Jefferson High School and was later transferred to the High School of Industrial Arts and graduated with an award in cartooning in 1957.
At the Terrytoons studio, he started as a cel polisher then graduated to cel painting. Practicing nights and weekends, he quickly became an inker and then an animator. There, he worked on such shows as Mighty Mouse, Heckle and Jeckle, Deputy Dawg, Foofle and Lariat Sam. At 28 he created and directed a series of superhero spoof cartoons called The Mighty Heroes.
In 1967, Bakshi moved to Paramount Studios. Working with producer Steve Krantz, Bakshi worked on episodes of the Spider-Man TV series and several short films. In the 1970s, Bakshi set out to produce films using his innovative vision for how animated films should be. Krantz suggested Robert Crumb's "Fritz the Cat" comic book as Bakshi's first feature. The two set out to meet with Crumb and get the film rights. In 1972, the film premiered and was extremely successful, as the first feature-length animated film to receive an X rating by the American rating system (when it was distributed worldwide, it generally received lower ratings the equivalent of an R rating, and was released as being unrated on DVD).
The success of "Fritz the Cat" allowed Bakshi to produce films featuring his own characters and ideas, and so "Heavy Traffic" and "Coonskin" were produced, both of which were extremely controversial, but were praised by critics. During the same period, he shot and completed another feature titled "Hey Good Lookin'" for the Warner Brothers studio, who didn't think that a combination of live-action and animation would sell, and forced Bakshi to go back and animate the live action sequences.
During this period, Bakshi also produced two very successful fantasy films, "Wizards" and part one of an animated film adaptation of J.R.R. Tolkien's "The Lord of the Rings." Although these films were financially successful, they were misunderstood by critics, and United Artists, the studio that produced "The Lord of the Rings" refused to fund the second part, or sequel to Bakshi's ambitious adaptation.
During the 1980s, animation went into a decline. "American Pop," done using the same style of realistic animation as "The Lord of the Rings" was not successful financially, and critics did not see the point of the film being animated. The finished version of "Hey Good Lookin'" was released during the same year as "American Pop," but was also unsuccessful financially. Bakshi's last film of the decade, "Fire & Ice," a collaboration with famed artist Frank Frazetta, was a flop.
Bakshi produced several television features with mixed results before returning to film with what would eventually become "Cool World" - the script was rewritten several times during production without Bakshi's knowledge until it came to the point where Bakshi did not recognize his own work. The film was critically scorned, and was a box office flop. Fans feel that the film is not a true Bakshi film.
Since then, the Internet and DVD releases of Bakshi's work have brought him a new generation of fans and increased interest, encouraging Bakshi to produce another film. "Last Days of Coney Island" is in production. Bakshi lives in New Mexico. A three-day retrospective was held at American Cinematheque at Grauman's Egyptian Theatre in Hollywood, California and the Aero Theater in Santa Monica, California in April, 2005.- Producer
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Drew Goddard was raised in Los Alamos, New Mexico. He attended Los Alamos High School in Los Alamos, New Mexico and graduated in 1993. He then attended the University of Colorado, and worked as a production assistant in L.A. after graduation. A spec script Drew wrote based on Six Feet Under (2001) came to the attention of both Marti Noxon at Buffy the Vampire Slayer (1997) and David Greenwalt at Angel (1999). Both wanted him but because Marti found him first, Joss Whedon determined Drew would go to "Buffy". He became a staff writer for Season 7 (2002-2003), writing five episodes. Once "Buffy" was over, Drew moved over to "Angel" and became the executive story editor for Season 5 (2003-2004), writing four episodes. Drew also found time to write the introduction for a book of essays about Buffy, "Seven Seasons of Buffy", and to contribute two stories to the "Tales of the Vampires" comic series. In the summer of 2003, Drew received his first screenwriting award, along with co-writer Jane Espenson, when the Hugos honored "Conversations with Dead People" from "Buffy" with an award for Best Dramatic Presentation/Short Form. That episode was also honored with a SyFy Portal Genre Award for Best Episode/Television; another of Drew's "Buffy" episodes, "Lies My Parents Told Me" (co-written with David Fury), was nominated for the same award.- Music Department
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Dan Trachtenberg is an American filmmaker and podcast host. He directed the 2016 horror-thriller film 10 Cloverfield Lane which earned him a Directors Guild of America Award nomination for Outstanding Directing - First-Time Feature Film. Trachtenberg was one of three hosts of The Totally Rad Show podcast and was a former co-host of the Geekdrome podcast. He also directed episodes for the Ctrl+Alt+Chicken podcast. All three programs were hosted at Revision3.Trachtenberg is also the director of the 2011 short film Portal: No Escape, an episode of Black Mirror entitled "Playtest" and the director of various television commercials and public service announcements. He directed the series premiere episode of The Boys, which premiered on Amazon Prime Video in July 2019. In 2021, he directed the premiere episode of the Peacock series The Lost Symbol where he also served as an executive producer. He has upcoming projects lined-up including directing the fifth Predator film and a TV series adaptation of Waterworld.- Writer
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French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.
The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.
From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.- Director
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Belonging to a well-situated family, Charles Browning fell in love at the age of 16 with a dancer of a circus. Following her began his itinerary of being clown, jockey and director of a variety theater which ended when he met D.W. Griffith and became an actor. He made his debut in Intolerance (1916). Working later on as a director, he had his first success with The Unholy Three (1925) (after about 25 unimportant pictures) which had his typical style of a mixture of fantasy, mystery and horror. His biggest hit was the classic Dracula (1931), in which he also appears as the voice of the harbor master.- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.- Producer
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Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Writer
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James Bobin was born in 1972 in Hampshire, England, UK. He is a writer and director, known for Muppets Most Wanted (2014), The Muppets (2011) and Dora and the Lost City of Gold (2019). He is married to Fran Beauman. They have three children.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Producer
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Park Chan-wook was born on 23 August 1963 in Seoul, South Korea. He is a producer and writer, known for Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022). He is married to Eun-hee Kim. They have one child.- Writer
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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.- Producer
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Bryan Singer is an American film director and producer who got his start writing and co-directing the short film Lions Den with his classmates while he attended USC. He was hired by 20th Century Fox to direct X-Men, which helped kick-start the superhero renaissance. He later directed three sequels. He went to direct Superman Returns, a revival of the Superman film series starring Brandon Routh. He also directed Valkyrie, Bohemian Rhapsody and Jack the Giant Slayer.- Producer
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Philip A. Lord is an American filmmaker, producer and writer who collaborates with Christopher Miller. They both worked on Clone High, a cult classic animated sci-fi teen comedy show, The Lego Movie, 21 Jump Street, 22 Jump Street and Spider-Man: Into the Spider-Verse. Into the Spider-Verse is considered one of the best animated films of the 2010s and won Best Animated Feature.- Producer
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Christopher Miller is an American filmmaker, producer and writer who collaborates with Philip A. Lord. They both worked on Clone High, a cult classic animated sci-fi teen comedy show, The Lego Movie, Cloudy with a Chance of Meatballs, 21 Jump Street, 22 Jump Street and Spider-Man: Into the Spider-Verse. Into the Spider-Verse is considered one of the best animated films of the 2010s and won Best Animated Feature.- Producer
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Genndy Tartakovsky was born and raised in Moscow, USSR. He and his family moved to Chicago, IL when he was 7 years old, after his father defected to the US. His interest in comic books and animation led him to study animation at CalArts in Los Angeles. While he was there he produced two student films, one of which was the basis of his series Dexter's Laboratory (1996). The character of Dee-Dee was inspired by his older brother Alex, who would often spoil younger brother Genndy's plans (as Dee-Dee does to Dexter). His first long form directing work was for the TV movie of the series, Dexter's Laboratory: Ego Trip (1999). He also directed animation for his collaborator Craig McCracken on The Powerpuff Girls (1998) and The Powerpuff Girls Movie (2002).
His most celebrated work was the epic animated series Samurai Jack (2001), featuring a time-traveling samurai in a battle of good vs. evil. He stopped work on the series to produce Star Wars: Clone Wars (2003) as a direct story tie-in to the beginning of Star Wars: Episode III - Revenge of the Sith (2005). He then directed animation for the Adult Swim pilot Korgoth of Barbaria (2006). Plans were up in the air for over a decade for a possible movie conclusion to Samurai Jack, as well as directing a sequel to The Dark Crystal (1982). He created storyboards for the action-packed opening of Iron Man 2 (2010) during this time period.
Genndy produced another dynamic TV series Sym-Bionic Titan (2010), before finally landing his first feature on Hotel Transylvania (2012), which would involve taking over a tumultuous production and incorporating 2D techniques to 3D animation. Hotel Transylvania 2 (2015) was the first film for which he had creative control over the entire production, although it was still in the style developed during the first film. In 2017, he finally returned to direct a darker season of Samurai Jack to conclude the story on Adult Swim. He is currently directing Hotel Transylvania 3: Summer Vacation (2018).