International Working Argentinian Actresses
Argentinian actresses who worked in not only Argentinian films
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The charismatic Italo-Argentinian-German actress, pianist and composer was born in Mendoza, Argentina in a well-to-do family of Italian heritage. As an actress, she is known for Stung (2015), Under ConTroll (2019), Golden Twenties (2019) and Cloud Atlas (2012). Her grandfather Rómulo Calise was from Ischia, Italy. He founded together with his father and brothers the "Bodega Calise", one of the first wineries in Mendoza, Argentina's most important wine region, thus attaining great prosperity. Rich heiress Margarita Esther Calise (Maita), his daughter, grew up in Buenos Aires passing her life between family's villas, golf clubs and country properties until she married Jorge Alfredo Pillado. Then they settled down in Mendoza because of the winery's administration and gave birth to four daughters and one son.
Her mother used to say that when Cecilia was just a year old, she could already recite a poem and that as a little girl, she loved playing the leading roles in school plays. At the same time the fact that her aunt was a TV producer, gave her the opportunity to act in a kids' television show and display her theatrical talent in front of a camera. Her only motivation and the source of her fascination had always been to play for an audience, whether it was in the theater, on stage as a musician or in front of a camera.
As a young adult she was a member of the Goethe Institute Mendoza Theatre Company directed by Gladys Ravalle while at the same time pursuing her studies in music at the Cuyo National University in Mendoza. It was through the Goethe Institut [de] that she arrived in Germany, where she completed her drama and music studies at the University of the Arts Berlin, 'Universität der Künste Berlin' and participated on the side in various productions of the Independent Latin-American Theater Berlin under the direction of her fellow countryman Emilio Schechtmann.
After a few on-screen appearances including "Wo ist das Tao" (1988) and Sin querer (1997), she decided to perfect the art of film and TV acting and went to Los Angeles in 1998 to study with some of the leading acting coaches such as M.K. Lewis and Margie Haber among others. After a short time she was granted a green card on the basis of her artistic achievements. Returning to Germany, she was able to gain entry into the German television and film industry. Since then she has frequently appeared in German TV movies like "Zwei Esel auf Sardinien (2015), Lotta & die großen Erwartungen (2012), Lotta & die alten Eisen (2010) and in the TV series Verbotene Liebe (1995), Anna (2008), Points of You (2011), Löwenzahn (1981) and Gute Zeiten, schlechte Zeiten (1992).
Paradoxically, her efforts to act in hispanic cinema productions and in those of her native Argentina have yet to be rewarded. Her native languages are Spanish and Italian and she speaks German and English fluently, which gives her both the ability and the desire to act in international productions. It would seem that Hollywood's current interest in Germany as a film location is influencing positively this situation, generating chances and offering fortunate occasions: she was able to make the acquaintance of Roman Polanski, act in his film The Ghost Writer (2010) and work in Cloud Atlas (2012) as a spanish dialogue coach for Halle Berry.
Her best roles are those portraying strong, obsessed, psychopathic or insane women, especially those whose personality can seem completely normal one minute and switch to insanity the next, like her role of Simonetta Paternostro in The Founder (2012), inspired by the character of Annie Wilkes in Misery (1990). She also enjoys portraying villainesses and has no fears of confronting challenges.
Cecilia Pillado is a very creative person with a wide range of talents. She created the musical play "The history of Tango" and performed the character of the Tango Woman in different places in Germany and Italy. She made Improvisation Theater (after Keith Johnstone) and has composed some several pieces for piano and other instruments. She also developed the concept for her film Italienisch! (2006) in which she acted. She also wrote, shooted, acted, edited and made her short film Twin Sisters or Homeland (2013) completely by herself. These days she is developing the script Valentina, Her Piano and the Tangos
Some of her theater performances include Franz Grillparzer's Medea, Donata in Luigi Pirandello's "To find Oneself", Margaret in Tennessee Williams' "Cat on a Hot Tin Roof", Irina in Anton Chekhov's "Three Sisters", Bride in Federico García Lorca's "Blood Wedding", Polly in Kurt Weill's "Three-Penny Opera" and Mirandolina in Carlo Goldoni's "The Innkeeper Woman". Many of these plays have already been filmed.
In addition to acting, she has another passion: she is an outstanding and successful concert pianist. Her recordings offer an interesting selection of argentinian composers and tangos, combining classic virtuosity and a big pianistic sound with elements of improvisational freedom. She signed with majors like 'Sony Classical' and 'Berlin Classics' what bears witness to her quality, but now, she is focusing on expanding her company 'Tango Malambo Productions'- Actress
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Beautiful and talented actress Mia Maestro was born in Buenos Aires, Argentina. She moved to Berlin when she was 18 years old to train as a classical music vocalist. Along the way, she also trained in dance and acting. She returned to her homeland Argentina two years later, made her film debut with the film Tango. This was followed by four other films: The Venice Project (1999), Timecode (2000), Picking Up the Pieces (2000) and El astillero (2000).
Maestro made her television debut in 2000, when she starred in the television movie For Love or Country: The Arturo Sandoval Story (2000). She starred in two major films during the time: she played Cristina Kahlo in the film Frida, and the acclaimed film The Motorcycle Diaries (2004), based on the biography of Che Guevara when he was still young. She also appeared in the film Poseidon.
In 2004, Maestro was cast in the spy drama Alias. She originally met with the show's producer, J.J. Abrams, intending to get a role on another one of his projects, Lost. Introduced late into the third season, she plays Nadia Santos, the daughter resulting from the affair between Arvin Sloane (Ron Rifkin) and Irina Derevko (Lena Olin); thus, she is the half-sister of Sydney Bristow (Jennifer Garner). She later works as an Argentinean intelligence agent as well as a special agent for the CIA, which marked her character being turned into a regular one starting from the fourth season. She won an Imagen Award-given out to honor Latino members of the entertainment industry-for Best Supporting Actress in 2004. After her stint on Alias, Maestro starred in the films The Box and Visioners.
Maestro played "Nora Martinez" in the first two seasons of the FX series The Strain (2014).- Actress
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She moved to Spain with her father and her brother, Ariel Rot, in 1976 and started acting. Her first major role was in Iván Zulueta's Arrebato (1979). After appearing in Pedro Almodóvar's debut feature _Pepi, Luci, Bom y otras chicas del montón (1980)_ she kept working with him in Labyrinth of Passion (1982), Dark Habits (1983) and What Have I Done to Deserve This? (1984). In 1995 she moved back to Argentina and became a national movie, stage and TV star. Besides appearing in the U.S. co-produced thriller The Stranger (1987), she mostly starred in Argentine films including A Place in the World (1992), hit detective drama Ashes of Paradise (1997) and family drama Martín (Hache) (1997), which gained her a Goya Award. She teamed up with Almodóvar again starring in All About My Mother (1999).- Maricel Alvarez is a stage and film actress, director, choreographer and curator. Her practice develops at the intercrossing of theater, performance and visual arts, blending the boundaries where the body, as artistic and critical device, may reveal itself. This essentially interdisciplinary approach is reflected in her artistic and academic background: taking Literature at Universidad de Buenos Aires and courses with renowned masters in theater and contemporary dance. Since 1999 she holds close artistic collaboration with Emilio García Wehbi. She has also worked with El Periférico de Objetos, Alejandro González Iñárritu (Biutiful), Sophie Calle, William Kentridge, Santiago Loza, Rubén Szuchmacher, Woody Allen (To Rome With Love), Alejandro Tantanian, Martín Churba, Nora Lezano, Iván Fund (Toublanc), Edgardo Cozarinsky, Ana Katz (My Friend At The Park), Nicolás Provider (Fatherland) and Diana Szeinblum, among other artists and companies. Her work was showcased in stages, galleries, film festivals and museums in Argentina and abroad, such as Centro de Experimentación del Teatro Colón, Centro de Experimentación Contemporánea del Teatro Argentino de La Plata, Teatro General San Martín, Centro Cultural Kirchner, Espacio de Arte-Fundación Osde, Konzert Theater Bern (Switzerland), Berliner Festspiele (Germany), Akademie der Künste Berlin (Germany), Museo Universitario del Chopo and Teatro El Galeón (Inba) in Mexico City, Cannes Film Festival (France), Sundance Festival (Usa), Morelia Film Festival (Mexico). As a lecturer, she imparted courses at Ludwig Maximilian Universität (Germany), Freies Universität Berlin (Germany), Kyoto University of Arts and Design (Japan), Universidad Nacional de Colombia, Theatertreffen in Berlín (Internationales Forum) and Foro Shakespeare, in Mexico City. Participated as performer and/or director in festivals in Germany, Belgium, Brazil, Canada, Colombia, Chile, Spain, France, Japan, Mexico and Switzerland. In 2016 she was Resident Artist at Museo Universitario del Chopo in Mexico City. A faculty member at the Master Program Maestría de Teatro y Performance, Universidad Nacional de las Artes (Una) and an international artists program Curator at Bienal de Performance de Argentina (BP.17).
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Libertad Lamarque was born November 24, 1908 in Rosario, Argentina, the youngest of ten children of Gaudencio Lamarque, an Uruguayan tinsmith who was worked as a contortionist in her youth, and Josefa Bouza, a Spanish immigrant. Since her childhood, Libertad Lamarque demonstrated a great talent for the performance and also for the song. Her debut as actress was at 7 years old and at 12 she was pro. In 1922 the family Lamarque emigrated to Buenos Aires and she began to work in the theater. At 18, she recorded her first LP of tangos (popular music of Argentina), obtaining an immediate success and she married with Emilio Romero (the father of Mirtha, her only daughter), then she played the silent movie "Adios, Argentina" (1930) and "Tango" (1933), which was, by the way, the first sound movie filmed in Argentina, and during the next 65 years all her works were starring with her name. In 1945 Libertad Lamarque was already known as an excellent dramatic actress and singer of tangos, boleros and folkloric songs of Latin America and she was received the nickname of "La Novia de América" (The Bride of the Americas) and also she even stood out as writer (she wrote the script of "Ayúdame a vivir"). However, not everything was happiness: her first husband died after their divorce and she lived an unpleasant incident with the (in this time) actress Eva Duarte (known after as Eva Perón, the famous Argentinean First Lady know nowadays simply as Evita) while they filmed "La cabalgata del circo." So, Libertad Lamarque (like other Argentinean artists of the time), suffered a non-official veto to her movies and while she was in tour for Latin America, she and her second (and last) husband, Alfredo Malerba settled in Mexico and there continued her very successful career, although in 1960 she returned to Argentina to make a movie. During her very extensive career, Libertad Lamarque filmed 65 movies (21 in Argentina, 43 in Mexico and 1 in Spain) and 6 soap operas, recorded more than 800 songs and many musicals and made many theatrical pieces; however, she says: "I am very lazy". When she is not acting or in shows, Lamarque lives between Miami, Florida (where she resides since 1996 with her personal assistant, Irene López) and Buenos Aires, Argentina where she visits her family (daughter, son-in-law, 5 grandsons and 10 great-grandchildren). Libertad Lamarque assures that doesn't have intentions of retiring of the show business: "I will continue working while I have a good pulse to makeup myself" she said.- Actress
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Mercedes Morán was born on 21 September 1955 in Concorán, San Luis, Argentina. She is an actress and writer, known for Neruda (2016), The Swamp (2001) and Amas de casa desesperadas (2006). She was previously married to Oscar Martínez.