List activity
5.2K views
• 15 this weekCreate a new list
List your movie, TV & celebrity picks.
676 people
- Actress
- Soundtrack
Although British actress Kathleen Harrison was born in 1892 in the Lancashire town of Blackburn, she was fondly known for her cockney characters throughout her career. Trained for the stage at the Royal Academy of Dramatic Art she first married and lived overseas in Argentina for nearly eight years. Upon her return she made her initial stage appearance in "The Constant Flirt" in 1926. In the 30s she found her way onto the screen, taking many of her delightful theatre roles to film, including Line Engaged (1935), Night Must Fall (1937) (probably her most noteworthy), and Who Is Guilty? (1939). She added immeasurable Dickensian flavor as various maids and mums to such classics as Oliver Twist (1948), A Christmas Carol (1951) and The Pickwick Papers (1952).
She was also openly received as Mrs. Huggett in the "Huggett Family" series that ran a few years in the late 40s. In her five decade career, Kathleen 'toiled' as various servile characters in nearly 80 films. As popular in England as similar 'working class' as character player Thelma Ritter was in America, Kathleen also enjoyed a slight shot of TV popularity late in her career, notably in the brief series Mrs Thursday (1966) as a cleaning lady who inherits her boss's vast fortune. Kathleen's last years were spent in a nursing home, living to the ripe old age of 103.- Paul Marion was born on 12 September 1915 in The Bronx, New York, USA. He was an actor, known for Fury of the Congo (1951), Harbor of Missing Men (1950) and Mysterious Doctor Satan (1940). He was married to Elinor Marion and Isabel Jewell. He died on 8 September 2011 in Los Angeles, California, USA.
- Actress
- Soundtrack
Born Virginia Pound, Lorna Gray was "discovered" by an agent while modeling in a fashion show. She was given a screen test, and Columbia was impressed enough to sign her to a contract. (It was at this time that she was given the name "Lorna Gray", which she kept until 1945, when she changed it to "Adrian Booth".) She was put in the studio's B unit, occasionally loaned out to Republic or Monogram, and when not making features was used in Columbia's comedy shorts, supporting such performers as The Three Stooges and Buster Keaton (where she actually acquitted herself quite well). She left Columbia and began her long career with Republic Pictures in 1941, appearing in westerns, thrillers, horror pictures, and especially the serials in which the studio specialized. She married David Brian in 1948, and after making films for a few more years, retired from the screen in 1951.- Actor
- Additional Crew
- Soundtrack
The son of a railroad clerk/pro boxer, Frank Coghlan Jr. was born in Connecticut and soon moved with his parents to California, where all three did extra work in silent pictures. Freckle-faced Coghlan was soon one of the era's most popular child actors, but with the advent of sound (and the onslaught of adolescence) he was reduced to smaller parts. After starring in the milestone serial Adventures of Captain Marvel (1941), Coghlan became a naval aviator in World War II. He later headed the Navy's motion picture cooperation program (and other similar programs), acting as liaison between the Navy and the Hollywood studios. When his 23-year active duty stint ended in 1965, he returned to acting in movies and on television (where he had a supporting part in the pilot of the "Captain Marvel"-like comedy series Mr. Terrific (1967)). He wrote his autobiography "because my kids just kept bugging me to do it", does the occasional TV commercial, and is a popular figure at movie conventions, where, to the amazement of the 80-ish "Junior", fans still line up to meet Captain Marvel's alter ego.- Actor
- Director
- Soundtrack
Born to a Czech mother and a Serbian father in Chicago as Mladen Sekulovich, on March 22, 1912, Karl Malden did not speak English until he was in kindergarten. After graduating from high school in the nearby steel town of Gary, Indiana, Malden worked in the industry for three years until 1934, when he was frustrated with the drudgery of manual labor. He left to attend the Arkansas State Teacher's College, then the Goodman Theater Dramatic School and never looked back. Three years later, he went to New York City to find fame.
Malden rapidly became involved with the Group Theater, an organization of actors and directors who were changing the face of theater, where he attracted the attention of director Elia Kazan. With Kazan directing, Karl starred in plays such as "All My Sons" by Arthur Miller and "A Streetcar Named Desire" by Tennessee Williams. While Malden had one screen appearance before his military service in World War II, in They Knew What They Wanted (1940), he did not establish his film career until after the war. Malden won the Oscar for Best Supporting Actor as Mitch in A Streetcar Named Desire (1951) and showed his range as an actor in roles such as that of Father Corrigan in On the Waterfront (1954) and the lecherous Archie Lee in Baby Doll (1956).
He starred in dozens of films such as Fear Strikes Out (1957), Pollyanna (1960), Birdman of Alcatraz (1962), Gypsy (1962), How the West Was Won (1962), The Cincinnati Kid (1965), and Patton (1970) as General Omar Bradley. In the early 1970s, he built a television career on the tough but honest screen persona he had created when he starred as Detective Mike Stone on The Streets of San Francisco (1972), co-starring with Michael Douglas. He also became the pitchman for American Express, a position he held for 21 years. In 1988, he was elected President of the Academy of Motion Picture Arts and Sciences, a position he held for five years. Following that he, published his memoir entitled, "When Do I Start?: A Memoir", written with his daughter Carla.
Malden also courted controversy by pushing for a special salute to Elia Kazan at the 1999 Academy Awards. Malden defended both Kazan and the award, arguing that Kazan's artistic achievements outshone any shame attached to Kazan's naming names before the Congressional committee investigating Communists in Hollywood. Marlon Brando refused to give Kazan the statuette; Robert De Niro ultimately did. Karl Malden died at age 97 of natural causes at his home in Los Angeles on July 1, 2009. He was buried at Westwood Village Memorial Park Cemetery in Westwood, California.- Actor
- Director
- Additional Crew
Jack Carter was born on 24 June 1922 in Brighton Beach, Brooklyn, New York City, New York, USA. He was an actor and director, known for History of the World: Part I (1981), Alligator (1980) and Amazing Stories (1985). He was married to Roxanne Wander, Paula Stewart and Joan Mann. He died on 28 June 2015 in Beverly Hills, California, USA.- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- American juvenile leading man. A native of Texas, Martin entered the theatre in 1946 and within three years was tapped to play one of the young toughs in Knock on Any Door (1949). After minor roles in several minor films, he was given a larger role in The Thing from Another World (1951) by producer Howard Hawks. Hawks followed this with one of the two lead roles in his great Western The Big Sky (1952). Despite this and a few other prominent parts in big pictures, Martin's appearances became more and more infrequent and less and less stellar. He did, however, become a familiar face on television into the 1970s. He was married to singer Peggy Lee in the late 50s.
- Lucien Prival was born on 14 July 1901 in New York City, New York, USA. He was an actor, known for Bride of Frankenstein (1935), Mr. Wong, Detective (1938) and The American Beauty (1927). He died on 3 June 1994 in Daly City, California, USA.
- Actor
- Producer
- Director
Anthony Bushell was born on 19 May 1904 in Westerham, Kent, England, UK. He was an actor and producer, known for The Scarlet Pimpernel (1934), Five Star Final (1931) and A Night to Remember (1958). He was married to Anne Pearce-Serocold and Zelma O'Neal. He died on 2 April 1997 in Oxford, England, UK.- Virginia Vincent was born on 3 May 1918 in Goshen, New York, USA. She was an actress, known for The Hills Have Eyes (1977), Richard Diamond, Private Detective (1956) and The Return of Dracula (1958). She was married to Frank London and Jack Vincent. She died on 3 October 2013 in San Diego, California, USA.
- Actor
- Director
- Writer
Theodore Bikel is one of the most versatile and respected actors and performers of his generation. A master of languages, dialects and accents, he has played every sort of film villain and semi-bad guy imaginable, and always adds depth, dimension and even sympathy to characters that would end up as cardboard cutouts in the hands of lesser actors. His memorable supporting roles include a German naval officer in The African Queen (1951), the king of Serbia in Moulin Rouge (1952) and a German submarine officer in The Enemy Below (1957). He was nominated for an Academy Award for his role in The Defiant Ones (1958). Equally at home on the stage, Bikel is remembered for creating the role of Captain Von Trapp in the original Broadway cast of "The Sound of Music" opposite Mary Martin. He also appeared on stage in "Tonight in Samarkand", "The Lark" and "The Rope Dancers". Bikel is fluent in more than half a dozen European and Middle Eastern languages, and sings folk songs in nearly 20 languages, skillfully accompanying himself on guitar, mandolin, balalaika and harmonica. He was a regular on the early 1960s TV show Hootenanny (1963), a weekly cavalcade of folk music. Over the years he has performed on college campuses and in concert halls all over the country, and has recorded a number of record albums of folk music from around the world.- Actress
- Soundtrack
The daughter of actor-manager Samuel Rupert Woods and actress Lillie Roberts, Ethel Griffies began her own stage career at the age of 3. She was 21 when she finally made her London debut in 1899, and 46 when she made her first Broadway appearance in "Havoc" (1924). Discounting a tentative stab at filmmaking in 1917, she made her movie bow in 1930, repeating her stage role in Old English (1930). Habitually cast as a crotchety old lady with the proverbial golden heart, she alternated between bits and prominently featured roles for the next 35 years. Her larger parts included Grace Poole in both the 1934 (Jane Eyre (1934)) and 1943 (Jane Eyre (1943)) versions of "Jane Eyre" and "Mrs. Bundy", the amateur ornithologist in Alfred Hitchcock's The Birds (1963). Every so often she'd take a sabbatical from film work to concentrate on the stage; she made her last Broadway appearance in 1967, at which time she was England's oldest working actress. Presumably at the invitation of fellow Briton Arthur Treacher, Ethel was a frequent guest on TV's The Merv Griffin Show (1962), never failing to bring down the house with her wickedly witty comments on her 80 years in show business.- Actor
- Soundtrack
Joe Mantell was an American actor of Austrian-Jewish descent. His original last name was "Mantel", but he added an additional l at the end. He was once nominated for Academy Award for Best Supporting Actor .
In 1915, Mantell was born in Brooklyn, New York City. His parents were immigrants from the region of Galicia in Eastern Europe. At the time of their immigration, Galicia was part of the Kingdom of Galicia and Lodomeria (1772-1918), one of the crown-lands of the Austrian Empire.
Mantell started appearing in films as an uncredited extra c. 1949. His first credited role was that of Dexter Freeman in the adventure film "Barbary Pirate" (1949), which depicted the Barbary Wars (1801-1805, 1815).
Mantell first received critical attention for his role as Angie in the romantic drama "Marty" (1955). Angie is depicted as the best friend of protagonist Marty Piletti (played by Ernest Borgnine), but discourages Marty from pursuing marriage with his love interest Clara (played by Betsy Blair). For this role as an obstacle to love, Mantell received his only nomination for the Academy Award for Best Supporting Actor. The award was instead won by rival actor Jack Lemmon (1925-2001).
Mantell continued playing minor and supporting roles in films. His film appearances included the film noir "Storm Center" (1956), the political drama "Beau James" (1957), the military-themed comedy "The Sad Sack" (1957), and the World War II-themed comedy-drama "Onionhead".
Mantell was cast frequently in guest star roles in television. He received the starring role of gangster Jackie Rhoades in the episode of "Nervous Man in a Four Dollar Room" (1960) of the anthology series "The Twilight Zone", co-stared as Pole, the robot fighter Battling Maxo's co-owner in the episode "Steel" (1963) of the same series. He played the failed assassin Giuseppe Zangara (1900-1933) in the two part episode "The Unhired Assassin" (1960) of the crime drama series "The Untouchables".
Mantell had his first recurring role in television when playing Ernie Briggs in six episodes of the sitcom "Pete and Gladys" (1960-1962). He had another recurring role as private detective Albie Loos in four episodes of the detective series "Mannix" (1967-1975).
In 1974, Mantell had one of his most recognizable roles in the neo-noir "Chinatown" (1974), as the character Lawrence Walsh . Walsh is depicted as an associate of the private investigator J. J. "Jake" Gittes (played by Jack Nicholson), and plays a significant role in the film's conclusion, Years later, Mantell returned to the role of Walsh in the sequel films "The Two Jakes" (1990). This happened to be Mantell's last appearance in a film.
Mantell retired from acting in 1990, at the age of 75. He lived in retirement until his death in September 2010. He died in Tarzana, California. He was 94-years-old at the time of death, one of the oldest living actors.- Elizabeth Wilson was born April 4, 1921, in Grand Rapids, Michigan, to Marie Ethel and Dunning Wilson. She attended the American Academy of Dramatic Arts in New York City and studied with Sanford Meisner at the Neighborhood Playhouse. Elizabeth's film debut was in Notorious (1946) in an uncredited role. She later appeared in Patterns (1956), and her performance was nominated for a BAFTA Award for Most Promising Newcomer to Film. With over 70 film and television appearances, we should acknowledge her work in The Graduate (1967), 9 to 5 (1980), The Incredible Shrinking Woman (1981), The Addams Family (1991), and Law & Order: Criminal Intent (2001).
- Actor
- Soundtrack
Although Frank Cady's most famous role would be that of general-store owner Sam Drucker, one of the less nutty residents of Hooterville in both Green Acres (1965) and Petticoat Junction (1963), he had a history as a film, stage and television actor long before those shows. Cady also appeared on some radio programs including Gunsmoke. In the 1950s, Cady played Doc Williams in The Adventures of Ozzie and Harriet (1952), along with numerous supporting parts in movies and also appeared in television commercials for (among other products) Shasta Grape Soda. Cady has been most prolific in television and was the only actor to play a recurring character on three TV sitcoms at the same time, The Beverly Hillbillies (1962), Green Acres (1965), and Petticoat Junction (1963). Usually cast as a gregarious small-town businessman, druggist, store clerk or other type of all-around Midwestern-type good guy, Cady was actually a California native, born in Susanville in 1915. The acting bug bit him when he sang in an elementary school play, and after graduating from Stanford University he headed to London, England, to train in the theater. When World War II broke out he was already in Europe, so he enlisted in the Army Air Force and spent the next several years in postings all over the continent. After his discharge he returned to the US and headed for Hollywood. An agent saw him in a local play, signed him, and he was on his way. One of his earlier--and more atypical--roles was as a seedy underworld character pulled in for questioning in a cop's murder in the noir classic He Walked by Night (1948), and he played a succession of hotel clerks, bureaucrats, henpecked husbands and the like for the next 40+ years. He did much television work from the mid-'50s onward. Cady resided in Wilsonville, Oregon and at the time of his death had two children; daughter, Catherine Turk; son, Steven; three grandchildren and three great-grandchildren.- Helmore served as an apprentice in his father's accounting firm while working as an extra in movies. He subsequently pursued acting as a career, working predominantly on the stage. The 1945 Broadway musical "The Day Before Spring" led to Helmore's Hollywood career. In British and American films, Helmore was employed as a dapper, comedic actor.
- Actor
- Additional Crew
Roger Til was born on 5 January 1909 in Paris, France. He was an actor, known for Stargate (1994), Topaz (1969) and Brewster's Millions (1985). He died on 28 June 2002 in Los Angeles, California, USA.- Actor
- Producer
- Soundtrack
John Forysthe was born Jacob Lincoln Freund in Penns Grove, New Jersey, the son of Blanche Materson (Blohm) and Samuel Jeremiah Freund, a Wall Street businessman. He chose to pursue acting over the objections of his father. He did some work in radio soaps and on Broadway before signing a movie contract with Warner Bros. His early career was interrupted by World War II. During the war, he enlisted in the Army Air Corps appearing in the Air Corps show "Winged Victory". After the war, he helped found the Actors Studio. He has had the most success on television, with healthy runs on Bachelor Father (1957), Dynasty (1981) and as the unseen voice of Charlie Townsend on Charlie's Angels (1976). John Forsythe died at age 92 of complications from pneumonia on April 1, 2010 in Santa Ynez, California.- Vera Gebuhr is among Denmark's finest character actresses, acting in countless stage and screen productions through a career of more than sixty years. She grew up in Funen, Denmark, as the daughter of an industry owner. As a child she took ballet lessons, and in the late 1930s she travelled to Copenhagen as a protegée of John Price to study at The Royal Theatre's acting school from 1937 to 1939. Her theatre debut was on 26 December 1939, in Henrik Ibsen's "Brand" at Folketeatret, Copenhagen, where she had steady work for the following 25 years. The play "Arvingen" is often cited as her true breakthrough. In the career that followed she was never unemployed and combined theatre with television and film performances. She also co-starred in the popular Matador (1978), but remarkably, she says her very best parts came when she was between 70 and 85. At the time of writing, her latest project is Afgrunden (2003) where she stars as Asta Nielsen. Through two marriages Vera Gebuhr has led an active family life, and the she is still in excellent health for her age.
- Actor
- Director
- Second Unit Director or Assistant Director
Carl Heger was born on 17 April 1910 in Tustrup, Hørning, Denmark. He was an actor and director, known for For hjem og jord (1943), Kvinder på fabrik (1941) and Blaavand melder Storm (1938). He died on 2 May 2002 in Denmark.- Troels Munk was born on 25 July 1925 in Roskilde, Denmark. He was an actor, known for Bryggeren (1996), Pelle the Conqueror (1987) and Suzanne og Leonard (1984). He was married to Jytte Enselmann. He died on 29 August 2016.
- Genteel London-born actress Joyce Carey came from a distinguished theatrical family. Her own lengthy career on the stage began in 1916 when she played Princess Katherine in an all-female ensemble of "Henry V". She made her debut on the legitimate stage in a small part in the West End production of the exotic melodrama "Mr.Wu". During the 1920's, Joyce became a well-known interpreter of Shakespearean roles in Stratford-upon-Avon (including Miranda in "The Tempest" and Perdita in "The Winter's Tale"), as well as acting in several fashionable drawing room comedies in London. She came to be best known, however, for her long association with Noël Coward whom she met (and befriended) during a rehearsal for his play "The Vortex" in 1924. Coward liked her so much, that he cast her in the leading role of Sarah Hurst in "Easy Virtue" the following year. The play went from London to Broadway, opening at the Empire Theatre and enjoying a successful run of 147 performances. Joyce's career was now made and she regularly featured in Coward plays for the remainder of her life on stage.
In 1934, Joyce added another string to her bow as the author of the comedy "Sweet Aloes", written under the pseudonym 'Jay Mallory'. She also took on the key role of Lady Farrington. The play did better on the West End than on Broadway. Warner Brothers, nonetheless, bought the rights and filmed it as a teary melodrama entitled Give Me Your Heart (1936), starring Kay Francis and George Brent. Following wartime tours with the Entertainments National Service Association (ENSA) in Coward plays, she later repeated her stage successes in the filmed versions of the same, notably in Johnny in the Clouds (1945), Blithe Spirit (1945) and The Astonished Heart (1950). Her best remembered role was that of the train station buffet manageress Myrtle Bagot in David Lean's Brief Encounter (1945).
During Joyce's later career, her air of quiet authority and ladylike manner were perfectly suited to a gallery of aristocratic dowagers, doting or confused aunts or mothers. A true professional, she still performed at the age of 90 - on stage, unsurprisingly, in a minor Coward play, "Semi-Monde". On the screen she achieved critical acclaim for her role as an elderly lady facing eviction, in Michael Palin's BBC play Number 27 (1988). In 1982, Joyce was awarded the Order of the British Empire. - Actor
- Writer
- Producer
Veteran Broadway, TV and film actor James Karen was encouraged as a young man to take up an acting career by U.S. Congressman Daniel J. Flood, who was an amateur actor himself. In 1947 Karen made his Broadway debut in "A Streetcar Named Desire", which led to appearances in over 20 Broadway productions. His television work began in 1948 with the telecast of "A Christmas Carol", directed by pioneer television producer / director Fred Coe. Since then he has acted in over 100 television shows, including a stint as as Chief Justice Michael Bancroft on First Monday (2002) for CBS. In 1965 he began his film work in the low-budget sci-fi "epic" Frankenstein Meets the Spacemonster (1965) and now has an impressive resume of over 80 movies to his credit. He has also filmed a record-breaking 5,000+ television commercials, most while a spokesperson for the Pathmark Supermarket chain in the northeast US. He has been honored with the "Saturn Award" for Lifetime Achievement given by the Academy of Science Fiction, Fantasy and Horror Films. He has also been presented "The Buster Award", by The International Buster Keaton Society. This award is given to the person who has demonstrated professional excellence in the tradition of Buster Keaton.- Elina Labourdette was born on 21 May 1919 in Paris, Ile-de-France, France. She was an actress, known for The Ladies of the Bois de Boulogne (1945), Elena and Her Men (1956) and The Shanghai Drama (1938). She was married to Louis Pauwels. She died on 30 September 2014 in Le Mesnil-le-Roi, Yvelines, France.
- Blustery, stocky, loud although often genial character actor who has created a niche for himself playing often frustrated and fast talking Southern characters... most noticeably as Sheriff J.W. Pepper alongside Roger Moore in the James Bond adventures Live and Let Die (1973) and The Man with the Golden Gun (1974).
He may have perfected a Southern drawl, however Clifton James was actually born on May 29, 1921 in Spokane, Washington. A graduate of the Actors Studio, he regularly appeared in guest roles on television series, including Gunsmoke (1955), Bonanza (1959) and The Virginian (1962). He was also busy in the cinema with minor roles in classy productions, such as Cool Hand Luke (1967), Will Penny (1967) and The New Centurions (1972). After his 007 escapades, James remained busy putting in a great dramatic performance in The Deadly Tower (1975), played another loud-mouthed Sheriff in the action comedy Silver Streak (1976) and was superb as team owner Charles Comiskey in the dramatization of the 1919 Chicago White Sox scandal, Eight Men Out (1988).
His other roles include that of a wealthy Montana baron whose cattle are being rustled in Rancho Deluxe (1975), and as the source who tips off a newspaper reporter (Bruce Willis) to a potentially explosive story in The Bonfire of the Vanities (1990). He had been quieter in his later years, but showed he could still contribute an enjoyable performance in the wonderful John Sayles movie Sunshine State (2002). James died at age 96 from complications of diabetes at his home in Gladstone, Oregon on April 15, 2017. - Actor
- Soundtrack
A dapper, debonair, darkly attractive leading man of 1920s stage and '30s screen, actor David Manners was born Rauff de Ryther Duan Acklom on April 30, 1900, in Halifax, Nova Scotia, Canada. A highly serviceable, if sometimes overshadowed, co-star opposite Hollywood's top 1930s female superstars, It seems ironic that, out of all these beautiful leading lady co-stars, his best-remembered pairings were opposite Dracula and the Mummy!
Of well-to-do stock, David was the son of British parents Lilian Manners Acklom and writer George Moreby Acklom, who was, at the time, the headmaster of Harrow House School, a renowned private boarding school in Halifax. His mother's lineage alleges Lady Diana Cooper and the Duke of Rutland as descendants, while his father's family tree includes Sir Arthur Conan Doyle. Moving to New York City in 1907, his father found work as a major editor and literary advisor for the publishing firm E.P. Dutton. Employed while young as an assistant publisher, it seemed David might follow into his father's career footsteps. Instead he returned to Canada to study forestry at the University of Toronto. While there he joined the university's theatre group and, through them, made his debut at the city's Hart House Theatre in the Euripides' play "Hippolytus".
Against his father's steadfast objections, Manners left college in early 1923, with only months away from graduation, when he was invited to join Basil Sydney's Touring Co. Firmly dedicated now to performing, he settled in New York City after the tour and enrolled at the Trinity School of drama where he first performed as Fernando in "The Tempest". He subsequently became a member of Eva Le Gallienne's Civic Repertory Co. in New York. One theatre highlight was appearing in the 1924 Broadway play "Dancing Mothers" with legendary Helen Hayes at the Booth Theatre.
In Los Angeles from 1927, David made an uncredited film debut in the action adventure The Sky Hawk (1929) headlining lovely Helen Chandler. It was famed director James Whale who opened the doors wide open while searching out a film cast for Journey's End (1930) after its highly successful Broadway run. Witnessing David's work in a New York play, Whale hired him to portray idealistic, innocent-eyed 2nd Lt. Raleigh opposite star Colin Clive's Capt. Stanhope. The film was critically acclaimed and it paved the way for David to play glossy romantic co-stars.
Following David and lovely Frances Dade played the third and fourth-billed love interest behind stars Lowell Sherman and Alice Joyce in the romantic comedy He Knew Women (1930), the nascent film actor moved right to the head of the class with the crime drama Sweet Mama (1930) opposite Tessa Wells, who tries to save him from a gangster's life. He next played Caliph Abdallah opposite Loretta Young's Marsinsah in the musical fantasy Kismet (1930) and then found himself entangled in a romantic quartet with Young, Conway Tearle and Myrna Loy in the romancer The Truth About Youth (1930). By this time David had reached heartthrob status playing these well-bred gents, finding himself occasionally on the "top 10" list of popular film actors.
Reunited with Helen Chandler in the family drama Mother's Cry (1930), David's next role as John Harker (opposite Chandler playing the ill-fated Mina) would become his most famous. As the nagging nemesis to Bela Lugosi's lethal Count in Universal's granddaddy of horror classics, Dracula (1931), the Harker role would follow him the rest of his life. This visibility allowed a permanent "in" as a glitzy movie charmer opposite Hollywood's finest lady divas. His bevy of beautiful stars included Barbara Stanwyck in the Frank Capra drama The Miracle Woman (1931); Constance Bennett in Lady with a Past (1932); Kay Francis in Man Wanted (1932); Katharine Hepburn in A Bill of Divorcement (1932); and Loretta Young once again in They Call It Sin (1932).
David reunited with his "Dracula" stars Lugosi and Edward Van Sloan (who played Van Helsing) with the murder mystery The Death Kiss (1932), then hopped aboard the "horror express" once again in his second classic, The Mummy (1932), wherein he plays a similar damsel-saving Harker role (Frank Whemple) out to outdo Boris Karloff's nefarious creature. As usual, David continued with ritzy co-leads and second leads in such films as From Hell to Heaven (1933) starring Carole Lombard; The Devil's in Love (1933) with Loretta Young once again; and The Barretts of Wimpole Street (1934) starring Claudette Colbert. A third terror opus had Dave joining both Boris Karloff and Bela Lugosi in the horror stars' first pairing). In The Black Cat (1934), David and his newlywed wife are menaced by Karloff's Satanic architect.
After playing the title role in the mystery horror Mystery of Edwin Drood (1935), a starring role as an ex-con arrested for a syndicate murder in the crime mystery The Perfect Clue (1935), a featured role in a lesser Katharine Hepburn feminist film A Woman Rebels (1936), and a lead role in the "B" level Canadian crime drama Lucky Fugitives (1936), David, tired of the Hollywood grind and pretentiousness, called it quits in films. Returning to stage tours and summer stock, he showed up on Broadway in the short-lived plays "Truckline Café" (with a cast including a young Marlon Brando) and "Hidden Horizon", both in early 1946. At the end of the year he served as a Broadway replacement in a revival of "Lady Windemere's Fan". In 1953, Manners retired from acting entirely.
Early back in 1933, Manners had bought and designed a ranch in the Mojave desert, which he called Rancho Yucca Loma. After Hollywood, he spent much time there making home movies, writing and painting. In 1941 he published his first novel Convenient Season, which was followed by a second, Under Running Laughter, in 1943. Both were published by E.P. Dutton. David was once married briefly (1929-1932) to Suzanne Bushnell. In 1948, he established a long-term personal relationship with playwright Frederic William ("Bill") Mercer (1918-1978). The couple remained together in California until Bill's death.
After his Hollywood years, David re-intensified his strong spiritual interest and took a path that resulted in a number of philosophical writings. Look Through: An Evidence of Self Discovery was published in 1971 and his esoteric book Awakening from the Dream of Me came out in 1987. His journal writings, from 1973 on, were published posthumously as The Wonder Within You in 2006. The nonagenarian's health began to decline in 1993 and on December 23, 1998, he died at a Santa Barbara facility at the age of 97.- Actress
- Soundtrack
Dubbed "The Sweetest Girl in Pictures", Mary Brian started life as Louise Byrdie Datzler. She was born in Corsicana, Texas, and went to high school in Dallas. Her widowed mother had big plans for young Louise and took her to California in 1923, with the intention of getting her into the film business. After several unsuccessful attempts, a bathing beauty competition in Long Beach resulted in a second-prize letter of introduction to Herbert Brenon at Paramount and the girl with the dark brown curls and blue/gray eyes wound up being screen-tested for the role of Wendy in Peter Pan (1924), co-starring Betty Bronson and Esther Ralston (with whom she would form lifelong friendships). She not only got the part but a five-year contract with Paramount (1925-30) and a new name.
In 1926 she became one of the WAMPAS Baby Stars, which further enhanced her popularity. During the next few years she played ornamental leads and second leads as adolescent heroines, co-eds and ingénues. Many of those early silent features no longer exist today (Paris at Midnight (1926), among others), though surviving reels of some, like The Air Mail (1925), can still be accessed at the Library of Congress. Mary effortlessly made the transition from silents to talkies, co-starring with Gary Cooper as a feisty schoolmarm on the frontier in The Virginian (1929). One of her biggest hits was as Gwen Cavendish in the urbane comedy The Royal Family of Broadway (1930), with Ina Claire and Fredric March. A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent that Ethel Barrymore even threatened to sue Paramount. Mary acted three times opposite W.C. Fields, first as his daughter in Running Wild (1927), later reprising her role for The Man on the Flying Trapeze (1934) (the third was Two Flaming Youths (1927), another lost film).
Signing up for another four-year contract, Mary was one of the all-star cast in the musical Paramount on Parade (1930) and then was given another good part in the first talkie version of The Front Page (1931). However, she was dropped from her contract (alongside her more illustrious colleagues Fay Wray and Jean Arthur) when Paramount began to forsake innocence and charm in favor of glamour and sophistication. From 1932 Mary freelanced and also performed occasionally in vaudeville at the Palace Theater. Arguably her last good picture was the romantic comedy Hard to Handle (1933), with James Cagney as a grifter (hilariously promoting grapefruit diets, spoofing his infamous scene with Mae Clarke in The Public Enemy (1931)). In 1936 Mary went to England, where she co-starred opposite Cary Grant in The Amazing Adventure (1936). She then made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboiler I Escaped from the Gestapo (1943).
Mary's motion picture career faded after 1937 and she turned towards the stage. In 1940 she went on tour with "Three after Three" , alongside Simone Simon and Mitzi Green and later entertained American troops in the South Pacific as part of the USO. In the 1950's, she enjoyed a brief resurgence on television as the mother of a "Gidget"-type teen in the syndicated sitcom Meet Corliss Archer (1954). After the death of her second husband, the film editor George Tomasini, Mary spent her retirement fulfilling a lifelong passion for portrait painting.- Addie McPhail was born on 15 July 1905 in White Plains, Kentucky, USA. She was an actress, known for Corsair (1931), Aloha (1931) and Midnight Daddies (1930). She was married to Roscoe 'Fatty' Arbuckle and Lindsay McPhail. She died on 14 April 2003 in Canoga Park, Los Angeles, California, USA.
- Actress
- Soundtrack
Nancy Reagan was born on 6 July 1921 in New York City, New York, USA. She was an actress, known for Hellcats of the Navy (1957), Night Into Morning (1951) and Donovan's Brain (1953). She was married to Ronald Reagan. She died on 6 March 2016 in Los Angeles, California, USA.- Actor
- Writer
- Producer
African-American movie actor and producer Noble Johnson was born on April 18, 1881, in Marshall, Missouri. His family moved to Colorado Springs, Colorado, when Noble was very young, and it was there that he met Lon Chaney at school. They became friends as children, and later got re-acquainted when both were making movies in Hollywood and became friends all over again (surprisingly, they never made any movies together).
Johnson was built like a bull, standing 6'2" at 215 pounds. His impressive physique and handsome features made him in demand as a character actor and bit player. In the silent era he essayed a wide variety of characters of different races in a plethora of films, primarily serials, westerns and adventure movies. While Johnson was cast as blacks in many films, he also played Native American and Latino parts and "exotic" characters such as Arabians or even a devil in hell in Dante's Inferno (1924) (the old black and white orthochromatic film stock of the early days was less discriminating about a person's color, as were B+W stocks in general, permitting some African-American actors a break, as their "color" was washed out or less obvious when photographed in B+W. As late as the early 1960s, there were very few African-American members of the Screen Actors Guild, since there was a lack of opportunity for them as black performers were confined mostly to race films until the 1960s). In all his roles, Johnson lived up to his Christian name: his was a noble and dignified presence that exhibited great power and substance.
Johnson also was an entrepreneur. In 1916 he founded his own studio to produce what would be called "race films", movies made for the African-American audience, which was ignored by the "mainstream" film industry. The Lincoln Motion Picture Co., which was in existence until 1921, was an all-black company, the first to produce movies portraying African-Americans as real people instead of as racist caricatures (Johnson was followed into the race film business by Oscar Micheaux and others). Johnson, who served as president of the company and was its primary asset as a star actor, helped support the studio by acting in other companies' productions such as 20,000 Leagues Under the Sea (1916), and using the money he made in those films to invest in Lincoln.
Lincoln's first picture was The Realization of a Negro's Ambition (1916). For four years Johnson managed to keep Lincoln a going concern, primarily due to his extraordinary commitment to African-American filmmaking. However, he reluctantly resigned as president in 1920, as he no longer could continue his double business life, maintaining a demanding career in Hollywood films while trying to run a studio.
In the 1920s Johnson was a very busy character actor, appearing in such top-notch films as The Four Horsemen of the Apocalypse (1921) with Rudolph Valentino, Cecil B. DeMille's original The Ten Commandments (1923) andThe Thief of Bagdad (1924). He made the transition to sound, appearing in the 1930 version of Moby Dick (1930) as Queequeg to John Barrymore's Captain Ahab. He was also the tribal leader on Skull Island in the classic King Kong (1933) (and its sequel, Son of Kong (1933)) and appeared in Frank Capra's classic Lost Horizon (1937) as one of theporters. One of his last films was John Ford's classic She Wore a Yellow Ribbon (1949), in which he played Native American Chief Red Shirt. He retired from the movie industry in 1950.
Johnson died on January 9, 1978, in Yucaipa (San Bernardino), California, at age 96. He is buried in the Garden of Peace at Eternal Valley Memorial Park in Newhall, California.- Actor
- Costume and Wardrobe Department
- Producer
British actor Patrick Macnee was born on February 6, 1922 in London, England into a wealthy and eccentric family. His father, Daniel Macnee, was a race horse trainer, who drank and gambled away the family fortune, leaving young Patrick to be raised by his lesbian mother, Dorothea Mary, and her partner. Shortly after graduating from Eton (from which he was almost expelled for running a gambling ring), Macnee first appeared on stage and made his film debut as an extra in Pygmalion (1938). His career was interrupted by World War II, during which he served in the Royal Navy. After military service, Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career, with bit parts such as Young Jacob Marley in A Christmas Carol (1951). Disappointed with his limited roles, Macnee left England for Canada and the United States.
In 1954, he went to Broadway with an Old Vic troupe and later moved on to Hollywood, where he made occasional television and film appearances until returning to England in 1959. Once back home, he took advantage of his producing experience in Canada to become co-producer of the British television series Winston Churchill: The Valiant Years (1960). Shortly thereafter, Macnee landed the role that brought him worldwide fame and popularity in the part of John Steed, in the classic British television series The Avengers (1961). His close identification with this character limited his career choices after the cancellation of the series in 1969, prompting him to reprise the role in The New Avengers (1976), which, though popular, failed to recapture the magic of the original series. During the 1980s and 1990s, Macnee became a familiar face on American television in such series as Gavilan (1982), Empire (1984), Thunder in Paradise (1994) and NightMan (1997). In the past decade, Macnee has also made several audio recordings of book fiction.- Actor
- Producer
- Soundtrack
Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Mary Slattery was born on 4 June 1915 in Lakewood, Ohio, USA. She was married to Arthur Miller. She died on 12 December 2008 in Laguna Beach, California, USA.
- After retiring from acting, Charlotte Wynters MacLane, divided her time between her home in LA and her cattle ranch in the Sierra Nevada foothills of Madera County, which she continued to own until her death in 1991.
- Actor
- Soundtrack
Although this pint-sized actor started out in films often in innocuous college-student roles in mid-30s rah-rahs, playing alongside the likes of a pretty Gloria Stuart or a young, pre-"Oz" Judy Garland, casting directors would soon enough discover his flair for portraying intense neurotics or spineless double-dealers. Thus was he graduated from the innocuous to the noxious. In Warners' They Won't Forget (1937), for example, he plays the role of a student whose social engagement with a young Lana Turner, debuting here in a featured role, seems to have been broken by her whereas, possibly unbeknownst to him, she has quite mysteriously been murdered. Cook becomes so enraged, venting such venom, that the movie audience can only look upon him as a prime suspect in Lana's demise. In Universal's Phantom Lady (1944), he portrays a nightclub-orchestra drummer who, under the intoxicating influence of some substance or other, encounters Ella Raines during an afternoon's band practice. Thoroughly taken with her slinky allure, he enacts a drum-solo piece that is of such crescendo, and played with such innuendo, as to suggest - glaringly - nothing except his own fantasized sexual journey from cymbal foreplay through bass-drum climax.- Actor
- Producer
- Director
Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actor
- Composer
- Music Department
Artie Shaw played ukulele at ten and began as an alto saxophonist at the age of twelve. While still in his teens he formed his first band, the Bellevue Ramblers which performed at local gigs. He took up the clarinet in 1926 and spent several years honing his talent playing for various local bands in Florida and Ohio, often doubling up as an arranger and tenor sax player. He arrived in New York in 1929, participated in numerous recording sessions and quickly established a reputation for technical excellence on his chosen instrument. In his 1952 autobiographical book "The Trouble with Cinderella" he described himself as a mediocre talent who improved himself through countless hours of rehearsal. That self-critique notwithstanding, Shaw was a consummate perfectionist, almost to the point of obsession. He was unconventional, highly literate and often difficult to deal with. He hated 'annoying fans', eschewed fame for its own sake, avoided publicity whenever possible and rarely did encores. He was also a gifted musician, able to draw a richer, cleaner sound out of his instrument than any other contemporary clarinet player. Artie himself recalled "I didn't play clarinet. I played music".
Shaw formed his first band in 1936 (featuring a string quartet) but was unhappy with the result, disbanded and the following year set up a full-size conventional swing orchestra (three trumpets, two trombones, four saxes, four rhythm). He had his first million selling success for Bluebird Records with a Jerry Gray arrangement of the Cole Porter song "Begin the Beguine" which quickly became a swing standard and established the band as one of the best in the business. On October 26 1938, the Shaw orchestra opened at the Blue Room of the Hotel Lincoln on New York's Eighth Avenue, complete with a coast-to-coast radio hook up. More hits followed with "Yesterdays", "Out of Nowhere", "Nightmare" (his theme), "Softly As in A Morning Sunrise" and "Any Old Time" (famous for a magnificent vocal by Billie Holiday). Artie himself acquired the sobriquet "King of the Clarinet" as opposed to his perennial rival Benny Goodman who was known as "the King of Swing" (incidentally, this 'rivalry' was entirely orchestrated by publicists -- there was never any genuine ill-will between the two). Shaw later recalled "We weren't playing dance music. Our music was for listening primarily......If we had wanted to play just dance music, I could have saved myself an awful lot of money on some of the sidemen I paid". Those sidemen over the years included jazz greats like drummer Buddy Rich (whom Artie referred to as the band's 'spark plug'), Georgie Auld, Johnny Best, Ray Conniff and Billy Butterfield . Shaw also consistently hired top notch singers, foremost among them Helen Forrest, Kitty Kallen, Peg La Centra and Bea Wain. Sadly, Billie Holiday's tenure with the band was short-lived. Issues with racial discrimination came to a head at various New York concert venues and on radio broadcasts, forcing her to quit.
Nothing if not mercurial, Shaw folded the band at the peak of its popularity and left suddenly for self-imposed exile in Mexico. He stayed only a couple of months, gigging with local musicians and collecting traditional songs. Back in the U.S. in January 1940, he began work on the musical Second Chorus (1940). The film was a rare failure for its star Fred Astaire and Shaw also recalled it as the worst movie he ever made. On the positive side, he cut two hugely successful recordings of songs he had unearthed in Mexico: "Frenesi" and "Adios, Mariquita Linda". His new band now included a string section and a sextet nucleus which would become known as "Artie Shaw and His Gramercy Five". This incarnation, too, only lasted a few months as did the one which succeeded it. Fed up with celebrity, Artie enlisted in the U.S. Navy in April 1942 and eventually assembled the Rangers, a 17-piece orchestra which toured the Pacific theatre from Pearl Harbour to Guadalcanal. The band performed in jungles and aircraft hangars, surviving seventeen bombing attacks from Japanese aircraft while en route from island to island. In November 1943, Shaw was medically discharged and later hospitalised with a severe case of nervous depression. His wartime band was taken over by saxophonist Sam Donahue. It retained its popularity with service personnel and recorded many successful V-discs. Meanwhile, Shaw recuperated in Hollywood and eventually put together another 17-piece outfit which featured Barney Kessel on guitar, Dodo Marmarosa on piano and arrangements by Ray Conniff. Among the big selling hits for this group were "S'Wonderful" and "Ac-Cent-Tchu-Ate the Positive". After switching his record affiliation to Musicraft, Shaw added more strings and woodwinds. He recorded several excellent Cole Porter tracks with Mel Tormé and his vocal group, the Mel-Tones. Again, the venture merely lasted a year. For Artie Shaw "the personal price was too great. I wanted to do other things. And I just didn't have the temperament to stay on the scene too long". His final throw of the dice was the creation of a band playing bop-style jazz in 1949. It failed to find much of an audience and Shaw decided to call it a day. By the mid-50s, he had forsaken the instrument which made him famous and turned to writing. He even authored a novel about three failed marriages, titled "I Love You. I Hate You. Drop Dead". He may have had certain insights, since his unsettled private life seemed to mirror his career: married eight times, his wives have included actresses Ava Gardner, Lana Turner and Evelyn Keyes.
Shaw came out of retirement on rare occasions, notably at a London concert in June 1992 in which some of his music was performed by Bob Wilber.- Margaret Perry is one of two daughters of Antoinette 'Toni' Perry, namesake of the Tony Awards for Broadway Theater. Her sister Elaine Perry was a noted Broadway director and producer, who passed away on the family's Salt Works Ranch, in Colorado, in 1986. Most of Margaret's work was done on stage in New York and on tour. Margaret was married three times, to newspaperman Windsor French, to actor Burgess Meredith and finally, Paul Fanning, scenic artist and art director/co-producer of The Brain That Wouldn't Die (1962). Margaret and Paul had four children: Karl, Antoinette (Toni-deceased 2003), John Taggart 'Tag' and Clare. She and Paul divorced in 1952 and Margaret retired to Colorado to raise her children. Margaret continued to live on the family's Salt Works Ranch, in South Park, Park County, Colorado until her death.
- Actor
- Producer
- Writer
Hume Cronyn was a Canadian actor with a lengthy career. He was nominated for an Academy Award for Best Supporting Actor for his performance in "The Seventh Cross" (1944).
Cronyn was born to a prominent family. His father was politician Hume Blake Cronyn (1864-1933), Member of Parliament for London, Ontario (term 1917-1921). The elder Cronyn was a grandson of both Benjamin Cronyn, first bishop of the Anglican Diocese of Huron (1802-1871) and politician William Hume Blake (1809-1870), first Chancellor of Upper Canada.
Cronyn's mother was Frances Amelia Labatt, heiress of the Labatt Brewing Company. Labatt remains the largest brewing company of Canada. Frances' father was businessman John Labatt (1838-1915), and her grandfather was company founder John Kinder Labatt (1803-1866). The Labatts were a prominent Irish-Canadian family, claiming descent from a French Huguenot family which settled in Ireland.
Cronyn was sent to a boarding school in Ottawa, where he studied from 1917 to 1921. The school was at the time called "Rockliffe Preparatory School", but has since been renamed to Elmwood School. Elmwood has become a school for girls. Cronyn attended first Ridley College in St. Catharines, and then McGill University in Montreal.
During his university years, Cronyn was a featherweight boxer. He was nominated for Canada's Olympic Boxing team for the 1932 Summer Olympics in Los Angeles. Cronyn was studying pre-law in the University, but switched his major to acting. He then enrolled at the American Academy of Dramatic Arts, where he studied under theatrical director Max Reinhardt (1873-1943).
Cronyn made his Broadway debut in 1934, in the play "Hipper's Holiday". He had the minor role of a janitor. After a decade as a theatrical actor, Cronyn made his film debut in the psychological thriller "Shadow of a Doubt" (1943). He played crime fiction buff Herbie Hawkins. This was Cronyn's first collaboration with director Alfred Hitchcock. Cronyn later acted in "Lifeboat" (1944), and served as a screenwriter for both "Rope" (1948) and "Under Capricorn" (1949).
Cronyn was nominated for the Academy Award for Best Supporting Actor for his role as Paul Roeder in the concentration camp themed film "The Seventh Cross" (1942). Roeder is a common factory worker in Nazi Germany, who risks his life and family to assist his old friend George Heisler (played by Spencer Tracy) to flee the country. While Cronyn's role was well-received, the award was instead won by rival actor Barry Fitzgerald (1888-1961).
In 1942, Cronyn married actress Jessica Tandy, and for many years they appeared together in theatre, film and television. The duo headlined the radio series "The Marriage" (1953-1954), depicting the difficulties of a professional woman in transitioning to the roles of housewife and mother. The duo also appeared in a television adaptation of the radio series, but it only lasted for 8 episodes.
Cronyn acting career mostly included supporting roles, but he found himself in the spotlight for the role of Joe Finley in the science fiction film "Cocoon". It became a surprise box office hit, and Cronyn was nominated for the Saturn Award for Best Actor. The award was instead won by a much younger actor, Michael J. Fox (1961-).
Cronyn returned to the role of Joe Finley in the sequel "Cocoon: The Return" (1988). While less successful than its predecessor, Cronyn's role was well-received. He was again nominated for the Saturn Award for Best Actor, but again lost to a younger actor. The award was won by Tom Hanks (1956-).
Jessica Tandy died in 1994, and the widowed Cronyn married writer Susan Cooper in 1996. Cronyn had one of his last prominent roles in the film "Marvin's Room" (1996). He played the incapacitated and bed-ridden Marvin Wakefield, who has to be taken care of by his adult daughters. The cast of the film was collectively nominated for a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.
Cronyn's last film role was the role of con-artist Sam Clausner in the television film "Off Season" (2001). Cronyn died in 2003 from prostate cancer. He was 91-years-old.- Doreen Lawrence was born on 13 July 1919 in Southampton, Hampshire, England, UK. She was an actress, known for The British Greats (1980), This Is Your Life (1955) and Hollywood Greats (1977). She was married to Jack Hawkins and Patrick Harry Grantham Atkinson. She died on 15 June 2013 in Chelsea and Westminster Hospital, Chelsea, London, England, UK.
- Actress
- Producer
- Writer
Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.
Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.
She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.
She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.
Betty White died on 31 December 2021, at the age of 99.- Actor
- Writer
- Director
As a film character actor, Klugman was the epitome of the everyman. He was one of the pioneers of television acting in the 1950s, and is best remembered for his 1970s TV work as Oscar Madison on The Odd Couple (1970) and as the medical examiner on Quincy M.E. (1976).- Producer
- Additional Crew
- Production Manager
Carlo Ponti was born on 11 December 1912 in Magenta, Lombardy, Italy. He was a producer and production manager, known for Doctor Zhivago (1965), The Road (1954) and Marriage Italian Style (1964). He was married to Sophia Loren and Giuliana Fiastri. He died on 10 January 2007 in Geneva, Switzerland.- Costume and Wardrobe Department
- Costume Designer
- Actor
Oleg Cassini Loiewski was born on April 11, 1913, in Paris, France, into the family of Russian diplomat Alexander Loiewski and Italian Countess Marguerite Cassini. His maternal grandfather, Arthur Paul Nicholas, Marquis de Capuzzuchi di Bologna, Count de Cassini, worked for the Russian Tsar Nicholas II as a diplomat in China and the United States.
Cassini spent his early childhood between Russia and Copenhagen, Denmark, where his father was a diplomat with the Russian Embassy. His family were landed aristocracy in Russia until 1917, when the communists seized their ancestral estate and the family fled to Florence, Italy. There Cassini helped his mother, who worked as a fashion designer of hats at the salon of Countess Fabricotti. He also traveled with his mother to Paris twice a year, where he studied and sketched the new French fashions. In the 1920's-1930's Oleg Cassini studied art at the Academia Belle Arte in Florence under Giorgio De Chirico. In 1933 he opened his own design studio.
He won 5 First Prizes at the 1934 International Fashion Competition in Turin, Italy. There Cassini showed a woman's suit in his famous Cossac-style design featuring huge buttons. He moved to New York in 1936 and then to Hollywood. There he worked first for Paramount Pictures and even designed a sarong for Dorothy Lamour. At that time Cassini was paid $250 a week designing wardrobes for the stars of B movies. In the 40's and 50's he designed costumes for 20th Century Fox and other studios and stars such as Marilyn Monroe, Natalie Wood, Grace Kelly, and Gene Tierney.
Cassini's marriage to Merry Fahrney was brief. Cassini then married Gene Tierney in 1941. As Tierney's parents didn't approve of their union, the couple eloped to Las Vegas, where they used her earrings as wedding rings. He became an American citizen in 1942. He served in the Coast Guard and in the U.S. Cavalry Corps, having become an expert horse rider, and soon earned his lieutenant's bars. After the end of WWII he was discharged and moved back to New York, where he opened the 'Oleg Cassini' Salon on the East 55th Street. In 1950 he played a cameo role of the Fashion Designer to a model, played by his wife, Gene Tierney, in "Where the Sidewalk Ends."
In 1952 Oleg Cassini divorced from Gene Tierney, whose fame grew so much faster, that in Hollywood they began to call him Mr. Gene Tierney. The first of their two daughters was born deaf, due to Tierney's measles infection. Tierney had an affair with then representative John F. Kennedy. Cassini was briefly engaged to Grace Kelly in 1954. She broke their engagement to marry Prince Rainier of Monaco. Before and after his two marriages Cassini was known as a ladies man. He dated actresses Betty Grable, Lana Turner, Ursula Andress among others. He was always seen in the company of starlets, débutantes, heiresses, ingénues, showgirls.
In 1960 Oleg Cassini became the Principal State robe designer chosen by Jacqueline Kennedy, who knew him for years. His solid training in art and his long experience in Hollywood served him well. Cassini created the new image for the First Lady, which became the first memorable fashion line to emerge on TV sets across the world. Cassini's experience with Hollywood cameras gave him the important knowledge of how the clothing would look on the screen, being photographed from a distance. That's how Jacqueline Kennedy's wardrobe was created by Cassini with the emphasis on geometric clarity of lines, pronounced color, sumptuous fabrics, and even the big buttons.
For the President Kennedy's Inauguration in 1961, Cassini dressed the First Lady in a fawn beige wool coat with a small sable collar and a matching pillbox hat. Cassini may have seen pictures of the First Lady of Mexico wearing a pillbox hat a year earlier, but Mrs. Kennedy was the first one to be seen on every TV in the world. Soon, it seemed, women all over the world followed the First Lady's image. In 1963 the world saw another pink pillbox hat by Cassini on Mrs. Kennedy, when she was next to the President when he was assassinated. In less than 3 years Cassini created about three hundred outfits for the First Lady. His creativity was inspired by Russian, Italian, French, Oriental, and Native American cultures.
Cassini is credited for such design accomplishments as the sheath, the A-line, the little white collar dress, the knit, and the military look for women. He claimed credit for introducing the Nehru Jacket in 1966-67, based on a traditional Indian jacket and named after the Indian Prime Minister Jawaharlal Nehru. Cassini also designed a Johnny Carson line of men's suits. In 1980's Cassini began to lose the public attention. He enjoyed a comeback in 2001, when he introduced the Oleg Cassini Sport line, alluding to his designs and color-schemes of the 60's. He also had a successful bridal business and about 40 licensees across the world. His collection of Jacqueline Kennedy's dresses was displayed at the Metropolitan Museum of Art in 2001. Some pieces of her wardrobe were sold at auction houses.
Oleg Cassini died on March 17, 2006, on Long Island, New York, where he had an Oyster Bay home, previously owned by the Tiffany family. He was arguably the oldest famous fashion designer in the world.- Actress
- Writer
- Camera and Electrical Department
Canadian-born Fay Wray was brought up in Los Angeles and entered films at an early age. She was barely in her teens when she started working as an extra. She began her career as a heroine in westerns at Universal during the silent era. In 1926 the Western Association of Motion Picture Advertisers selected 13 young starlets it deemed most likely to succeed in pictures. Fay was chosen as one of these starlets, along with Janet Gaynor and Mary Astor. Fame would indeed come to Fay when she played another heroine in Erich von Stroheim's The Wedding March (1928). She continued playing leads in a number of films, such as the good-bad girl in Thunderbolt (1929). By the early 1930s she was at Paramount working with Gary Cooper and Jack Holt in a number of average films, such as Master of Men (1933). She also appeared in such horror films as Doctor X (1932) and The Vampire Bat (1933). In 1933 Fay was approached by producer Merian C. Cooper, who told her that he had a part for her in a picture in which she would be working with a tall, dark leading man. What he didn't tell her was that her "tall, dark leading man" was a giant gorilla, and the picture turned out to be the classic King Kong (1933). Perhaps no one in the history of pictures could scream more dramatically than Fay, and she really put on a show in "Kong". Her character provided a combination of sex appeal, vulnerability and lung capacity as she was stalked by the giant beast all the way to the top of the Empire State Building. That was as far as Fay would rise, however, as this was, after all, just another horror movie. After "Kong", she began a slow decline that put her into low-budget action films by the mid '30s. In 1939 her 11-year marriage to screenwriter John Monk Saunders ended in divorce, and her career was almost finished. In 1942 she remarried and retired from the screen, forever to be remembered as the "beauty who killed the beast" in "King Kong". However, in 1953 she made a comeback, playing mature character roles, and also appeared on television as Catherine, Natalie Wood's mother, in The Pride of the Family (1953). She continued to appear in films until 1958 and television into the 1960s.- Actor
- Soundtrack
Tatsuo Matsumura was born on 18 December 1914 in Kanagawa, Japan. He was an actor, known for Harakiri (1962), Madadayo (1993) and 47 Ronin (1994). He died on 18 June 2005 in Tokyo, Japan.- Actor
- Additional Crew
- Director
Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
- Producer
- Soundtrack
Gaunt, wavy-haired Sicilian-American character actor Joseph Campanella seemed to pop up in just about every second TV series and telemovie of the 1960s and 70s. A tireless veteran of stage and screen, he remained very much in demand well into his eighties. His older brother Frank was also an actor. The son of a musician, Campanella began his flirtation with show biz as a teenage sports announcer for a small Pennsylvania radio station. He served in the U.S. Navy during the Second World War, where, at 18, he commanded a landing craft. Campanella initially studied architecture, earned a Bachelor of Arts in English literature and studied for a Master's Degree in speech and drama at Columbia University. His stage career began at the Colonial Theatre in Boston in 1954. He subsequently relocated from New York to Hollywood. Beginning with anthology television in 1952, he amassed numerous guest credits and even had a recurring role as Lew Wickersham (the suave, scientifically-minded head of the Intertect detective agency) in Mannix (1967), for which he received an Emmy Award nomination. For the better part of his career, Campanella was cast as priests (a standout role was that of Father Corelli in The Invaders (1967) episode "Storm"), police officers or doctors. He had a knack for playing characters of a volatile or tortured disposition. Campanella appeared on many daytime soap operas, including a lengthy spell on The Bold and the Beautiful (1987) and the short-lived Dynasty spin-off The Colbys (1985). As narrator, he provided the voice for National Geographic specials (for each episode some eight hours of voice-over were taped, though only fifty minutes were actually used), as well as doing commercials for BMW and the National Automotive Parts Association. On Broadway his roles have included "Captain and the Kings," "Hot Spot," "Born Yesterday," and "The Caine Mutiny".- Actress
- Soundtrack
Jean Stapleton was born Jeanne Murray in Manhattan, New York City, to Marie A. (Stapleton), an opera singer, and Joseph Edward Murray, a billboard advertising salesman. Her paternal grandparents were Irish. She was a cousin of actress Betty Jane Watson. Other relatives in show business were her uncle, Joseph E. Deming, a vaudevillian; and her brother Jack Stapleton, a stage actor. She graduated from Wadleigh High School, NYC, in 1939. She worked as a secretary before becoming an actress. Stapleton made her stage debut at the Greenwood Playhouse, Peaks Island, Maine, in the summer of 1941, and her New York stage debut in "The Corn Is Green" (1948). She appeared on Broadway in the musicals "Damn Yankees" (1955) and "Bells Are Ringing" (1956), and later repeated her roles in the movie versions (Damn Yankees (1958) and Bells Are Ringing (1960)). Her other Broadway roles included the original companies of "Rhinoceros" (1961) and "Funny Girl" (1964). Stapleton also played Abby Brewster in the 1986-87 revival of "Arsenic and Old Lace".- Actress
- Producer
- Soundtrack
British-born actress who appeared in both British and American films, but who found her greatest success in Hollywood second leads. After a variety of jobs, including nurse, chorus girl and milkmaid, Barnes entered vaudeville. She appeared in more than a score of short comedies with comedian Stanley Lupino before making her feature bow in 1931. Two years later she achieved prominence as one of the half-dozen wives of the King in The Private Life of Henry VIII (1933). The following year she moved to Hollywood and began a career as the smart-aleck pal of the lead or as the angry "other woman." Barnes also played numerous leading roles, but spent most of the 1930s and 40s in strong supporting parts. In 1940 she married football star (and later producer) M.J. Frankovich and after the war, they moved to Italy and appeared in several films there and elsewhere in Europe. She retired from films in 1954, but returned for a few roles in the late 60s and early 70s. She worked busily with numerous charities until her death in 1998.- Actor
- Producer
- Director
Milton Berle was an American comedian and actor.
Berle's career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950. In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television." He was twice nominated for Emmys for his acting, in 1962 and 1995.
Berle was inducted into the Television Hall of Fame in 1984. On December 5, 2007, Berle was inducted into the California Hall of Fame.- Actress
- Soundtrack
The delightful twinkle in her eye and that elderly mischievous look coming from the tiniest of frames were unmistakable traits in 1970s and 1980s lightweight films. One of a slew of popular elderly ladies getting their "fifteen minutes" at the time, character actress Paula Trueman was born in 1897 in New York City. She was the daughter of Joseph and Eva (Cohn) Trueman and was educated at Hunter College before preparing for the stage on a fellowship at the Neighborhood Playhouse.
Long trained in dance, Paula made her first stage appearance as a musical performer at the Hippodrome in a production of "The Thunderbird" in 1922. From there she appeared in revues, particularly the Grand Street Follies of 1924--staying with that annual show until 1929. Dramatic roles were not beyond her as she made her straight-acting debut in "The Little Clay Cart" in December of 1924. For the next four decades she was a theater presence to be reckoned with. Over the years she delighted audiences in such plays as "The Dybbuk (1927), "A Midsummer Night's Dream (as Puck) (1932), "The Merchant of Venice" (1932), "You Can't Take It With You" (1936), "Gentlemen Prefer Blondes" (1949), "The Solid Gold Cadillac" (1954), "Wonderful Town" (1963), "The Music Man" (1965) and "Catsplay (1977).
She had an uncredited role in the Ben Hecht/Charles MacArthur crime feature Crime Without Passion (1934), but it did not lead to any other offers. Other than an unbilled part in One Foot in Heaven (1941), she did not appear again until the musical film version of Paint Your Wagon (1969) with Clint Eastwood. She then got on a roll and appeared as a number of feisty, dotty, careworn grannies. She co-starred in the cult movie Homebodies (1974) and Eastwood handed her a prime featured part in his western The Outlaw Josey Wales (1976). For the next decade she continued to spring up in a number of comedies, albeit bit parts, including Woody Allen's Annie Hall (1977) and Zelig (1983). This adorable little bundle of joy made her last film appearances with Sweet Lorraine (1987) and Moonstruck (1987). She died of natural causes in her beloved New York in 1994, aged 96.- Emmy and Tony Award-winner Barnard Hughes forged a career as one of American's most successful character actors, equally at home and successful on stage, the silver screen, and television. Most of his success came after middle-age. He made his Broadway debut in 1939 in Mary McCarthy's "Please, Mrs. Garibaldi", a flop that lasted only four performances. He appeared in another 22 Broadway shows, his last being Noël Coward's "Waiting in the Wings, which closed in the year 2000. His Broadway career lasted spanned 61 years and eight decades. Along the way, he won the 1978 Tony Award as best Actor in a play for Da (1988), his most famous role, which also brought him the Drama Desk Award as Outstanding Actor in a Play. (He won a lifetime achievement Drama Desk Award in 2000.) He also was nominated for a Tony Award for Best Featured Actor in a Play in 1973 for Much Ado About Nothing (1973), which was fitting, as it was in Shakespeare repertory that he honed his craft. Hughes was born Bernard Aloysius Kiernan Hughes on July 16, 1915, in Bedford Hills, New York, to Irish immigrants Marcella "Madge" (Kiernan) and Owen Hughes. Bedford Hills is a hamlet lying 41 miles north of the heart of Broadway in Times Square (He changed the spelling of his Christian name on the advice of a numerologist; thespians are very superstitious). After graduating from the La Salle Academy and attending Manhattan College, he joined New York City's Shakespeare Fellowship Repertory Co. He was a member of the company for two years. He did not actually appear on Broadway in Shakespeare until 1964, when he played Marcellus to Richard Burton's Hamlet (1964). Off-Broadway, he played Polonius to Stacy Keach's Obie Award-winning Hamlet in 1972. His only other Shakespearean turn on the boards of the Great White Way was as Dogberry in "Much Ado About Nothing" in the 1972-73 season, which brought him his first Tony nomination. Off-Broadway, he also appeared as the Chorus in "Pericles, Prince of Tyre" and Sir John Falstaff in "The Merry Wives of Windsor". Back on Broadway, his most prominent role other than "Da" (which he also played in the roadshow tour) was as the Old Man opposite Alec Baldwin in Prelude to a Kiss (1992). Hughes had a 54 year-long screen career, equally adept in television as in movies. He was a regular on the soap opera Guiding Light (1952) from 1961-66. Though Hughes was a highly effective dramatic actor, he had a flair for comedy and appeared on such sit-coms as _"The Phil Silvers Show" (TV series) and _"Car 54, Where Are You?" (1962)_ before having recurring roles on "All In the Family" (1971) as a priest and on The Bob Newhart Show (1972) as Bob's father in the 1970s. He eventually headlined his own sit-com in the mid '70s, Doc (1975), which had a successful first season but was canceled early into its second after the network demanded changes to boost ratings. Instead, the ratings sank. His break-through performance in the movies arguably was a the messianic doctor who was a victim of malpractice and turned avenger in Paddy Chayefsky's The Hospital (1971) in 1971. It came two years after a small but memorable part in Best Picture Oscar winner Midnight Cowboy (1969), as he middle-aged gay mamma's boy who picks up self-styled "hustler" Joe Buck with disastrous consequences. Hughes married actress Helen Stenborg in 1950 and they remained married until his death on July 11, 2006, five days before what would have been his 91st birthday. The couple had two children, theatrical director Doug Hughes (who was also a Tony-winner) and a daughter, actress Laura Hughes.
- Actress
- Make-Up Department
- Soundtrack
Diller put out an autobiography in 2005 in her late 80s, and entitled it "Like a Lampshade in a Whorehouse", which pretty much says it all when recalling the misfit life and career of the fabulous, one-of-a-kind Phyllis Diller. It may inspire all those bored, discouraged and/or directionless housewives out there to know that the one-time 37-year-old chief bottle washer and diaper disposer of five started out writing comedy routines for her fellow female laundry mates as a sort of reprieve from what she considered her everyday household doldrums. Little did she know she would wind up an entertainment legend who would share the biggest comedy stages with the likes of Bob Hope, George Burns and Jack Benny.
They said it couldn't be done back then (to be a successful lady comic, that is) but the doyenne of female stand-up did just that -- opened the doors for other odd-duck funny girls who dared to intrude on what was considered a man's profession. Initially, the comedienne whipped up an alter-ego that could have only been created with the aid of hallucinogens. Boldly facing the world as a scrawny, witchy-faced, flyaway haired, outlandishly costumed, cigarette-holding, magpie-cackling version of "Auntie Mame", Diller made a virtue out of her weird looks and cashed in on her wifely horror tales and her own idiosyncratic tendencies. Her solid fan base has been thriving now for over five decades.
She was born Phyllis Ada Driver on July 17, 1917 in Lima, Ohio to Perry Marcus and Frances Ada (Romshe) Driver. A student at Lima's Central High School, she went on to study for three years at the Sherwood Music Conservatory in Chicago, before transferring to Bluffton (Ohio) College where she served as the editor of the school's more humorous newspaper articles. She was a serious student of the piano but was never completely confident enough in her performance level to try and act on it as a possible career.
She wed Sherwood Anderson Diller at age 22 in November 1939 and had six children (one of whom died in infancy). On the sly, she was an advertising copywriter. During World War II, the family moved to Michigan where her husband had found work at the Willow Run Bomber Plant. A natural laugh-getter, she began writing household-related one-liners and the feedback from the fellow wives greatly encouraged her. When the family moved to California for job-related reasons, Diller became a secretary at a San Francisco television station. By this time, she had built up the courage to put together a nightclub act.
The local television hosts at the station (Willard Anderson and Don Sherwood) thought her act was hilarious and invited her on their show in 1955. Not long after, at age 38, Diller made her debut at San Francisco's Purple Onion nightclub. What was to be a two-week engagement was stretched out to more than a year and a half. The widespread publicity she received took her straight to the television talk and variety circuits where she was soon trading banter with Jack Paar, Jack Benny and Red Skelton, among others, on their popular television series. She was a contestant on Groucho Marx's popular quiz show You Bet Your Life (1950).
Throughout the 1960s, audiences embraced her bold and brazen quirkiness. Diller formed a tight and lasting relationship with Bob Hope, appearing in scores of his television specials and co-starring in three of his broad 1960s comedy films (Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967) and The Private Navy of Sgt. O'Farrell (1968). Diller joined Hope in Vietnam in 1966 with his USO troupe.
Her celebrity eventually took its toll on her marriage. She separated from and eventually divorced Sherwood in 1965, who had, by this time, become a favorite topic and target of her act in the form of husband "Fang". That same year, she married singer, film actor and television host Warde Donovan who appeared with her in the slapstick movie Did You Hear the One About the Traveling Saleslady? (1968). They divorced in 1975.
By this time, Diller was everywhere on the small screen. A special guest on hordes of television series and comedy specials and, especially on such riotfests as Laugh-In (1977) and the Dean Martin celebrity series of roasts, she became a celebrity on the game show circuit as well, milking laughs on such established shows as The Hollywood Squares (Daytime) (1965) and The Gong Show (1976). She published best-selling comedy records to her credit and humorous anecdotes to pitch that made it to the bookstore shelves, such as "Phyllis Diller Tells All About Fang". However, stand-up remained her first love.
Her forays on television in her own series were, regretfully, unsuccessful. Her first television series, The Phyllis Diller Show (1966), had her pretty much pulling out all the stops as a wacky widow invariably scheming to keep up a wealthy front despite being heavily in debt. She had the reliably droll Reginald Gardiner and cranky Charles Lane as foils and even Gypsy Rose Lee, but to little avail. Revamped as "The Phyllis Diller Show", several of comedy's best second bananas (John Astin, Paul Lynde, Richard Deacon, Billy De Wolfe, Marty Ingels) were added to the mix, but the show was canceled after a single season. A second try with The Beautiful Phyllis Diller Show (1968), a comedy/variety show that had the zany star backed by none other than Rip Taylor and Norm Crosby, lasted only three months.
Seldom did she manage or receive offers to take her funny face off long enough to appear for dramatic effect. Somewhat more straightforward roles came later on episodes of Boston Legal (2004) and 7th Heaven (1996). Back in 1961, interestingly enough, she made both her stage and film debuts in the dramas of William Inge. Her theatrical debut came with a production of "The Dark at the Top of the Stairs" and she appeared first on film in the highly dramatic Splendor in the Grass (1961), lightening things up a bit with a cameo appearance as larger-than-life nightclub hostess Texas Guinan. Diller later impressed with her harridan role in the film The Adding Machine (1969) opposite Milo O'Shea.
Diller enjoyed a three-month run on Broadway in "Hello, Dolly!", co-starring Richard Deacon and appeared in other shows and musicals over time: "Wonderful Town" (she met her second husband Warde Donovan in this production), "Happy Birthday", "Everybody Loves Opal" and "Nunsense". In 1993, Diller was inducted into the St. Louis Walk of Fame. Her cackling vocals have enhanced animated features, too, what with Mad Monster Party? (1967) and A Bug's Life (1998). It took a heart attack in 1999 to finally slow down the comedienne and she eventually announced her retirement in 2002.
Aside from the baby who died in infancy, Diller was also predeceased by her eldest son, Peter (who died of cancer in 1998) and her daughter, Stephanie Diller (who died of a stroke in 2002). Her surviving children are Sally Diller, Suzanne Sue Diller and Perry Diller. As late as January 2007, she made an appearance on The Tonight Show with Jay Leno (1992). She was set to return on her 90th birthday in July but a back injury forced her to cancel. She died at age 95 of heart failure on August 20, 2012 in her home in Brentwood, California.- Actor
- Soundtrack
Bill Macy was born on 18 May 1922 in Revere, Massachusetts, USA. He was an actor, known for The Jerk (1979), Maude (1972) and Analyze This (1999). He was married to Samantha Harper and Judith Janus. He died on 17 October 2019 in Los Angeles, California, USA.- Actor
- Soundtrack
A golden career was reflected in his name. Robert Golden Armstrong ("Bob" to his friends) was born in Birmingham, Alabama on April 7, 1917. He attended the University of North Carolina at Chapel Hill. While there, he was frequently performing on stage with the Carolina Playmakers. After graduating, R.G. headed to New York, where his acting career really took off. In 1953, along with many of his Actors Studio buddies, he was part of the cast of "End As a Man" -- this became the first play to go from off-Broadway to Broadway. The following year, R.G. got his first taste of movies, appearing in Garden of Eden (1954). However, he returned to New York and the live stage. He received great reviews for his portrayal of Big Daddy in the Broadway production of "Cat On a Hot Tin Roof" in 1955.
In 1958, R.G. took the plunge to Hollywood -- he appeared in two movies, a television series, and did numerous guest appearances on television series that year, usually in Westerns such as The Rifleman (1958), Have Gun - Will Travel (1957) and Zane Grey Theatre (1956), among others. He would go on to appear in 80 movies and three television series in his career, and guest-starred in 90 television series, many of them Westerns, often as a tough sheriff or a rugged land baron. R.G. was a regular cast member in the television series T.H.E. Cat (1966), playing tough, one-handed Captain MacAllister. During the filming of Steel (1979) in Kentucky, watching the mammoth Kincaid Tower being built, he made some good friends in the cast: "You become a family on the set," he said in an interview at the time.
Even though he had a long, versatile career, the younger generation knows him as the demonic Lewis Vandredi (pronounced VON-drah-dee), who just would not let the main characters have a good night's sleep on the television series Friday the 13th: The Series (1987). Finally retiring after six successful decades in show business -- his last film appearance was Purgatory (1999) -- R.G. and his lovely wife Mary Craven were mostly just enjoying life in California, and still traveled and vacationed in Europe occasionally. His upbeat, fun-loving personality made him a delight for all who came in contact with him. R.G. Armstrong died at age 95 of natural causes in Studio City, California on July 27, 2012.- Actress
- Soundtrack
Poised and lovely Marjorie Lord started her long and varied career on the Broadway stage and in "B" films as a sweet-natured ingénue. Born Marjorie F. Wollenberg, of German and Czech heritage, on July 26, 1918 in San Francisco, California, her family transported themselves to New York City when she was 15. Here she enrolled in both acting and ballet at the American Academy of Dramatic Arts and the Chaliff School of Dance, respectively.
Marjorie's first job (billed as Marjorie Lord) was as a 17-year-old replacement on Broadway in "The Old Maid" starring Judith Anderson in 1935. Film parts from recently-signed RKO Studio started coming her way in 1937 with the Harry Carey western Border Cafe (1937); the murder mystery Forty Naughty Girls (1937); the Wheeler & Woolsey musical comedy High Flyers (1937); and a top role in the family drama The Middleton Family at the New York World's Fair (1939).
She met actor John Archer after they appeared together in the stage production of "The Male Animal" and married at the end of 1941, they settled in Hollywood after playing Los Angeles in a stage tour of "Springtime for Henry" with Edward Everett Horton in 1942. The couple had two children before divorcing in 1953. Son Gregg avoided show business and became an airline pilot while daughter Anne Archer followed in her parents' footsteps as an actress.
Marjorie earned a Universal contract in the process and throughout the 1940s and 1950s and would alternate between theater and film assignments. She returned to Broadway with the plays "Signature" in 1945 and "Little Brown Jug" a year later, returning a decade later as a replacement in the popular Moss Hart comedy "Anniversary Waltz" in the mid-1950s. Most of Marjorie's films were inconsequential and set her up as a pretty diversion -- Escape from Hong Kong (1942), Moonlight in Havana (1942) and The Adventures of Smilin' Jack (1943). Some of her better films of that period included a loan-out, Johnny Come Lately (1943), with James Cagney, and Sherlock Holmes in Washington (1943) starring the irrepressible sleuthing team of Basil Rathbone and Nigel Bruce.
Freelancing from the late 1940s on, Marjorie was the co-star or second lead in such films as the jazzy musical drama New Orleans (1947) for Hal Roach Studios; the Universal crimers The Strange Mrs. Crane (1948) and The Argyle Secrets (1948) as a femme fatale; the Columbia action adventure Air Hostess (1949); the Tim Holt RKO western Masked Raiders (1949) in an interesting shady role; Monogram's Bomba the Jungle Boy offering The Lost Volcano (1950); the Columbia action drama Chain Gang (1950); and the amusing crime comedy Stop That Cab (1951).
Moving more into the new 1950s medium of TV, Marjorie had guest parts on such shows as "Racket Squad," "The Adventures of Kit Carson," "China Smith," "Ramar of the Jungle," "Hopalong Cassidy," "The Loretta Young Show" and "Wagon Train," along with the anthology series "Four Star Playhouse," "Schlitz Playhouse," "Fireside Theatre," and "'Cavalcade of America." Marjorie greatest exposure, however, came in 1957 when she was cast as the second wife of widower/entertainer Danny Thomas in the long-established comedy hit The Danny Thomas Show (1953). She lucked into the role when Danny's "first wife" (played by actress Jean Hagen, best known for her classic role as screechy "Lina Lamont" in Singin' in the Rain (1952)) asked to leave the series and the writer had her character "die." Marjorie proved an able sparring partner for the comedian for seven more seasons, but was unsparingly typecast as the wholesome wife thereafter.
Following this Marjorie appeared in a number of dinner theater productions for work, but would indelibly remain Kathy ("Clancy") Williams in the public eye and appeared very sparsely on TV ("Love, American Style") and film (fifth billed as the wife of Bob Hope in the comedy Boy, Did I Get a Wrong Number! (1966)). As a result, she graciously returned to Danny Thomas and her famous TV wife role in the sequel series Make Room for Granddaddy (1970).
Marjorie gently phased her career out for the most part after her third marriage in 1977, but could be seen from time to time in such programs as "Fantasy Island" and "The Love Boat." In 1987, she returned for a short-lived run on the domestic sitcom Sweet Surrender (1987) starring Dana Delany and Mark Blum, as the latter's mother. Her last camera appearance was a featured part in the "grumpy old men"-styled TV movie Side by Side (1988) starring Milton Berle, Sid Caesar and her TV husband Danny Thomas.
Made a widow by her second and third husbands, Marjorie published her memoir, "A Dance and a Hug," in 2005. She died on November 28, 2015, age 97, in Beverly Hills, California, of natural causes.- Actress
- Soundtrack
Lola Jean Albright was born on July 20, 1924 in Akron, Ohio, the daughter of John Paul Albright and Marion Harvey, both of whom were gospel singers. She worked as a model before moving to Hollywood in the mid-1940s, studied piano for 20 years and worked as a receptionist at radio station WAKR in Akron. Considered one of the most stylish, sultriest and beautiful actresses in Hollywood, with one of the throatiest, smokiest and most distinctive voices in the business, she starred with Kirk Douglas in the film noir Champion (1949). From 1958 to 1961, she played sultry nightclub singer Edie Hart on the popular television series Peter Gunn (1958).
She also made guest appearances on the television series Gunsmoke (1955), Bonanza (1959), Alfred Hitchcock Presents (1955), The Beverly Hillbillies (1962) and The Man from U.N.C.L.E. (1964). She played Constance McKenzie on the night-time soap opera Peyton Place (1964) after Dorothy Malone became sick and could no longer play the role. She received critical acclaim for her performances in A Cold Wind in August (1961), Joy House (1964) and How I Spent My Summer Vacation (1967). Retired from acting, Lola Albright died at age 92 on March 23, 2017 in Toluca Lake, California.- As a youngster his cute round face and red hair made him popular in his neighbourhood. A Paramount film executive suggested he could have a film career so his family moved to Hollywood where in 1929 he became the youngest actor ever put under contract, at the age of 4, to Paramount. Soon after he was given the stage name of Jerry Tucker and immediately became famous at the studio for his ability to recite his lines from memory. He appeared in Our Gang films until 1937 when his final appearance was in Glove Taps. In 1934 he was one of the Our Gang kids to appear with Laurel and Hardy in 'Babes in Toyland'. Outside of the Gang films he worked with Buster Keaton in 'Sidewalks of New York', Clark Gable in 'San Francisco' and Shirley Temple in 'Captain January'. In 1939 he and his mother moved to New York where he auditioned for a number of radio programmes. In 1942 he joined the navy and was wounded when a Japanese kamikaze plane hit the destroyer U.S.S, Sigsbee which he was on. In 1944 he married Myra Heino and had two daughters, Karen Beth and Renee Eve. After the war he studied electrical engineering at college and was employed as an engineer for RCA Global Communications retiring in 1981 and living on Long Island, New York.
- Actress
- Soundtrack
Born in Campgaw, New Jersey, Jane Waddington Wyatt came from a New York family of social distinction (her father was a Wall Street investment banker and her mother was a drama critic). Jane was raised from the age of three months in New York City and attended the fashionable Chapin School and later Barnard College. After two years of college, she left to join the apprentice school of the Berkshire Playhouse at Stockbridge, Massachusetts, where for six months she played an assortment of roles. One of her first jobs on Broadway was as understudy to Rose Hobart in a production of "Trade Winds"--a career move that cost her her slot on the New York Social Register. Wyatt made the transition from stage to screen and was placed under contract at Universal, where she made her film debut in director James Whale's One More River (1934). She went back and forth between Universal and Broadway (and co-starred in Frank Capra's Columbia film Lost Horizon (1937) on loan out from Universal). In the 1950s, she co-starred with Robert Young in Father Knows Best (1954), the classic sitcom chronicling the life and times of the Anderson family in the Midwestern town of Springfield. Jane Wyatt died at age 96 of natural causes at her home in Bel-Air, California, on October 20, 2006.- Warren Stevens was born in Pennsylvania and joined the Navy at age 17. His interest in acting was piqued while he was attending Annapolis, and this resulted in 12 weeks of summer stock in Virginia. His friends, Gregory Peck and Kenneth Tobey, later arranged interviews for Stevens at the renowned Neighborhood Playhouse in New York City. Following service as an Army Air Corps pilot in Europe during World War II, Stevens began concentrating on his acting career, working in radio and summer stock and joining New York's Actors Studio.. His break came via a key role in Broadway's "Detective Story", which in turn led to offers from Hollywood studios and a contract with 20th Century-Fox. In the half-century since his movie debut, he has acted in dozens of features and hundreds of TV episodes.
- One of those strikingly familiar matrons you just can't place, character actress Mary Jackson is probably best known for her recurring role as one of the delightfully eccentric bootlegging sisters, "Miss Emily" Baldwin, on the series The Waltons (1972) that ran for nine seasons. She was born November 22, 1910 in rural Milford, Michigan, and earned a bachelor's degree from West Michigan University in 1932. A Depression-era school teacher for one year before pursuing her interest in theater, she returned to college (this time Michigan State University) in a fine arts program. She started out on the Chicago stage and in summer stock before migrating to the larger stages in New York and Los Angeles.
Film and TV roles did not come her way until well into middle age. Guesting on such TV shows as "The Andy Griffith Show," "The Twilight Zone," "My Three Sons," "Hazel," "The Mary Tyler Moore Show," "Barnaby Jones" and "Highway to Heaven," she usually appeared as ladylike small-town citizens. She was also part of the ensemble in Peter Bogdanovich's first lowbudget film thriller Targets (1968), which was Boris Karloff's last feature. In the 70s she started gathering up character bits here and there, such as her nuns in the all-star epic Airport (1970) and the horror Audrey Rose (1977). A variety of pleasant, maternal parts came her way, including Lynn Carlin's mother in the Blake Edwards' western Wild Rovers (1971) and Jane Fonda's in the comedy caper Fun with Dick and Jane (1977). She supported Fonda again in the Vietnam-era drama Coming Home (1978), was among the cast in the cultish Big Top Pee-wee (1988) and had a noticeable role in Steve Martin's Leap of Faith (1992).
As for "The Waltons" success, character actress Dorothy Stickney played the part of Emily in the initial TV pilot along with Josephine Hutchinson as older sister Mamie. When the series came to fruition, Mary and actress Helen Kleeb, another one of those "I've seen her before" character faces, took over the spinster roles. Both she and Kleeb continued their sister act periodically in several Walton "reunion" TV-movies, which included assorted weddings and holiday gatherings. Both ladies made their final TV appearances in A Walton Easter (1997). Kleeb died of natural causes in 2003 at age 96. Mary passed away two years later at age 95 of complications from Parkinson's disease. - Margot Stevenson was born on 8 February 1912 in Manhattan, New York City, New York, USA. She was an actress, known for Calling Philo Vance (1940), Granny Get Your Gun (1940) and Flight Angels (1940). She was married to Val Avery and Robert Russell. She died on 2 January 2011 in New York, New York, USA.
- In 1906, Madge went to New York City to study at the Art Students League where she hoped to become an illustrator. This lasted until she appeared in a student musical, which led to a full time job in a traveling stock company. By 1912, Madge was a Broadway Star with the bedroom farce "Little Miss Brown". For the next five years, Madge continued to find success on Broadway appearing in similar roles. Within 3 months of the formation of Goldwyn Pictures, Sam Goldwyn had signed Madge Kennedy to a big movie contract. Goldwyn was at his best when it came to publicity. It was Goldwyn himself who gave Madge the title of "winsome", and Madge was as winsome and sweet as her light comedies suggested. Some of her films were 'Baby Mine (1917)', 'Our Little Wife (1918)', The Kingdom of Youth (1918)' and 'Dollars and Sense (1920)'. While at Goldwyn, Madge shared a dressing room with actress Mabel Normand. After 21 films, Madge left Goldwyn Pictures and appeared in a handful of films produced by her husband, Harold Bolster. These films included 'The Purple Highway (1923)' and 'Bad Company (1925)'. After that, Madge retired from the screen and returned to the stage. After a few years and her remarriage, Madge retired from acting altogether. In 1952, Madge was coaxed out of retirement by George Cukor for the small role of Judge Carroll in 'The Marrying Kind (1952)'. With that, she started another career as Character Actress appearing in films like 'Lust for Life (1956)', 'The Catered Affair (1956)', 'North by Northwest (1959)' and 'The Day of the Locust (1975)'. On the small screen, Madge played the part of Aunt Martha on "Leave It to Beaver (1957)".
- Actress
- Soundtrack
Character actress Shirley Booth could play everything in all facets of show business, whether it was Miss Duffy the Tavern Owner's Man Crazy Daughter on "Duffy's Tavern", the sassy maid on TV's Hazel (1961) or the pathetic woman in Come Back, Little Sheba (1952). For those who only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-70. She was highly regarded as a stage actress and ranks as one of the premier talents of the 20th-century theatre.- Kay Griffith was born on 10 September 1915 in Chicago, Illinois, USA. She was an actress, known for Covered Wagon Days (1940), Wife, Husband and Friend (1939) and My Lucky Star (1938). She was married to Broderick Crawford. She died on 10 December 2002 in San Diego, California, USA.
- Actress
- Soundtrack
Barbara Hale was born on April 18, 1922 in DeKalb, Illinois, to Wilma (née Colvin) and Luther Ezra Hale, a landscape gardener. She had one sister, Juanita. As a young girl, she intended to major in art and drawing but to work her way through The Chicago Academy of Fine Arts, she began her professional career as a model for a comic strip called "Ramblin' Bill."
Hale is best remembered as Della Street, long-time secretary to attorney Perry Mason on the TV series Perry Mason (1957) from 1957 to 1966 and again in over 25 Perry Mason TV movies from 1985 to 1995. She married actor Bill Williams in 1946. He was best remembered for his portrayal of Kit Carson in The Adventures of Kit Carson (1951) from 1951 to 1955. The couple had three children - two daughters: Jody (born in 1947), Juanita (born in 1953), and, in 1951, a son, William Katt (the spitting image of his father), and actor in his own right, probably best known as the titular character's ill-fated prom date in the film Carrie (1976) and, later, as Ralph Hinkley, the klutzy superhero on the quirky 1980s adventure series The Greatest American Hero (1981) (from 1981 to 1986).- Actress
- Soundtrack
The multifaceted Ellen Albertini was a student of dance and piano at the age of five, and obtained a B.A. and M.A. in theater from Cornell University. She moved to New York, and studied and worked with the legendary likes of Hanya Holm, Martha Graham, Michael Shurtleff, Uta Hagen, Marcel Marceau, and Jacques Lecoq in Paris. She was an acting coach before she made her debut film appearance in American Drive-in (1985), and later became memorable as the rapping grandmother in The Wedding Singer (1998), "Disco Dottie" in 54 (1998) and the homophobic grandmother in Wedding Crashers (2005).- Garry Walberg was born on 10 June 1921 in Buffalo, New York, USA. He was an actor, known for Quincy M.E. (1976), King Kong (1976) and Johnny Staccato (1959). He was married to Florence M Apostol, Patsy Collett and Betty Jean Horner. He died on 27 March 2012 in Northridge, California, USA.
- Actor
- Producer
- Soundtrack
Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).- Salem Ludwig was born on 31 July 1915 in Brooklyn, New York, USA. He was an actor, known for Unfaithful (2002), The Savages (2007) and Family Business (1989). He died on 1 April 2007 in New York City, New York, USA.
- Actor
- Soundtrack
Dabbs Greer was a very familiar face in films and especially on TV. He was a sort of "everyman" in his roles and played merchants, preachers, businessmen, and other "pillars of the community" types as well as assorted villains. With his plain looking face, wavy hair and mellow, distinctive voice he was a solid supporting actor.
He was born on April 2, 1917, in Fairview, Missouri, to Randall Alexander Greer and Bernice Irene Dabbs. Reared in Anderson, Missouri, he was the only child of a pharmacist father and a speech therapist mother. His first acting experience was on stage in a children's theatre production when he was eight years old. He attended Drury College in Springfield, Missouri, where he earned a BA and headed the drama department and Little Theatre in Mountain Grove, Missouri, from 1940-43. He then moved on to the famed Pasadena Playhouse in California as actor, instructor and administrator from 1943-50. He made his film debut in Reign of Terror (1949) (aka "The Black Book") in an uncredited bit part and went on to appear in many parts during the next 50 years. He is probably best remembered for his role as Rev. Alden on Little House on the Prairie (1974) but he was also a regular on the TV series Gunsmoke (1955) as a merchant, Mr. Jonas; Hank (1965) as Coach Ossie Weiss and Picket Fences (1992) as Rev. Henry Novotny. He also appeared in made-for-TV movies and guest-starred on such series as Adventures of Superman (1952); The Rifleman (1958); Wanted: Dead or Alive (1958); Trackdown (1957); Perry Mason (1957); Bonanza (1959); The Fugitive (1963) and The Brady Bunch (1969). He died in 2007, aged 90. He never married, had no children, and left no immediate relatives.- Actress
- Soundtrack
The daughter of a retired sea captain and his much-younger wife, actress Norma Varden was born and raised in turn-of-the-century London. A piano prodigy, she studied in Paris and appeared in concert in England during her teenage years. Acting, however, became her career of choice, studying at the Guildhall School of Music. She took her very first stage bow in a production of Peter Pan. In the adult role of Mrs. Darling, she was actually younger than the actors playing her children. In years to come, Norma would play a number of mature, lady-like roles that were much older than she was.
She performed Shakespeare in repertory and was at first cast in dramatic plays such as The Wandering Jew (1920-her West End debut) and Hamlet (1925) as the Player Queen. In various acting companies, she eventually found a flair for comedy and became the resident character comedienne for the famous Aldwych Theatre farce-ers from 1929 to 1933 à la Marx Bros. foil Margaret Dumont. Finding success there in the comedies A Night Like This and Turkey Time, she later recreated both roles on British film a couple of years later. She went on to prove herself a minor but avid scene-stealer in such movies as Evergreen (1934), The Iron Duke (1934), Stormy Weather (1935) and East Meets West (1936), quickly finding an amusing niche as a haughty society maven. She played both benevolent and supercilious with equal ease -- her height (5'7-1/2"), elongated oval face, vacant manner, plummy voice and slightly drowsy eyes adding immensely to the look and amusement of her characters.
In the early 1940s, the veteran actress visited California, accompanied by her ailing, widowed mother, for a take on the warmer climate and decided to permanently settle. Again, she found herself in demand as a now silvery-haired duchess, queen or Lady something, albeit in less meaty, sometimes even unbilled parts. Although she could dress down when called upon as a bar maid, nurse and landlady, she usually was asked to provide the requisite atmosphere for glossy, opulent settings. Her more noticeable roles came as lecherous Robert Benchley's wealthy, put-upon wife in The Major and the Minor (1942); the vile Lady Abbott in Forever Amber (1947); the giddy socialite nearly strangled by Robert Walker in Hitchcock's classic Strangers on a Train (1951); the impressively bejeweled wife of Charles Coburn, whom Marilyn Monroe fawns over in Gentlemen Prefer Blondes (1953); and the Von Trapp housekeeper Frau Schmidt in The Sound of Music (1965).
Norma became a steadfast radio and TV comedy foil during the 40s, 50s and 60s, often at the mercy of a Lucille Ball or Jack Benny. Her longest radio part was as Basil Rathbone's housekeeper on his Sherlock Holmes radio series. On TV, she appeared in such shows as Mister Ed (1961), The Beverly Hillbillies (1962), Bewitched (1964) and Batman (1966) She had recurring roles as Betty Hutton's aunt on The Betty Hutton Show (1959) and as Shirley Booth's neighbor on Hazel (1961). Never married, Norma's mother passed away in 1969, and the actress retired shortly after. She died of heart failure in 1989, a day before her 91st birthday.- Actor
- Soundtrack
Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.- Actress
- Additional Crew
Born in Buenos Aires, Argentina, on August 31, 1907, Argentina Brunetti began her show business career at the age of three with a walk-on role in the opera "Cavelaria Rusticana," and followed her famous mother Mimi Aguglia's footsteps in the theater, performing supporting roles on stages throughout Europe and South America. In 1937 she was placed under contract to MGM Pictures and began dubbing the voices of Jeanette MacDonald and Norma Shearer into Italian. Next she became a narrator for the Voice of America, interviewing American movie stars for broadcast in Italy. At the same time she began her movie career, debuting in the classic It's a Wonderful Life (1946), as "Mrs. Martini." Throughout her career she also wrote and performed in daily radio shows, became a member of the Hollywood Foreign Press Association--writing numerous articles on Hollywood personalities--authored books, wrote music and acted in over 57 television programs and 68 movies in which she mainly played multi- ethnic roles.- Actor
- Producer
- Writer
A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Actor
- Additional Crew
Curt Lowens was born on 17 November 1925 in Allenstein, East Prussia, Germany [now Olsztyn, Warminsko-Mazurskie, Poland]. He was an actor, known for Angels & Demons (2009), The Bourne Supremacy (2004) and Flightplan (2005). He was married to Katherine Guilford. He died on 8 May 2017 in Beverly Hills, Los Angeles, California, USA.- Born in Wichita Falls, Texas, and was raised in Berkeley, California, she attended/graduated at The Pasadena Community Playhouse where her major was acting, and she pursued her career immediately. The Emmy Award nominee who has played Alice Horton for the entire 37 years that Days of Our Lives has been on the air, is daytime's television's most beloved mother, grandmother and great-grandmother. As one of the two remaining original cast members, she is indisputably one of the most revered veterans in soap opera history. She has won the Soap Opera Digest Award for Outstanding Actress/Mature Role in 1978, 1979, 1984 and 1985, and was nominated for an Emmy for Outstanding Lead Actress in a Drama Series in 1986-87, and for Outstanding Supporting Actress in a Drama Series in 1978-79. It should come as a surprise that many longtime fans that watched Days who knew her as Alice that Frances had an accomplished acting career prior to her debut on November 8, 1965. Her Broadway appearances include Hamlet with Maurice Evans, Cyrano de Bergerac with Jose Ferrer, Twelfth Night and a Theater Hill production of The Rivals with Mary Boland. Her first radio job was at NBC as Ann Rutledge in Prologue To Glory, which was followed by her role of Mrs. Moonlight in Mrs. Moonlight and Charlotte Corday in Charlotte Corday. Little did she know at that time how the name Corday was to play an important role in her life. Her television credits include "The Eleventh Hour," "Little Mister," "Wagon Train," and the movie-of-the-week, "Mercy Or Murder?"
- Actress
- Camera and Electrical Department
Lydia Clarke came to Chicago in 1941, at the age of 18, and graduated from Northwestern University in 1945. She worked in summer stock at the Belfry Theater in Williams Bay, Wisconsin, and with the University Players at Northwestern. After graduating, she had four years of professional experience in the east, and in late December, 1949 and into January of 1950, she was back in Chicago on stage at the Blackstone Theater, playing Mary McLeod, wife of the hard-minded detective, played by Chester Morris, in Sidney Kingsley's "Detective Story."- Actor
- Additional Crew
- Soundtrack
George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actor
- Soundtrack
It's hardly surprising that the son of renowned Russian-born concert violinist Efrem Zimbalist Sr. (1889-1985) and Romanian-born opera singer Alma Gluck (1884-1938) would desire a performing career of some kind. Born in New York City on November 30, 1918, surrounded by people of wealth and privilege throughout his childhood, Efrem Zimbalist Jr. received a boarding school education. Acting in school plays, he later trained briefly at the Yale School of Drama but didn't apply himself enough and quit. As an NBC network radio page, he auditioned when he could and found minor TV and stock theatre parts while joining up with the Neighborhood Playhouse.
Following WWII war service with the Army infantry in which he was awarded the Purple Heart after being wounded, a director and friend of the family, Garson Kanin, gave the aspiring actor his first professional role in his Broadway production of "The Rugged Path" (1945) which starred Spencer Tracy. With his dark, friendly, clean-scrubbed good looks and a deep, rich voice that could cut butter, Zimbalist found little trouble finding work. He continued with the American Repertory Theatre performing in such classics as "Henry VIII" and "Androcles and the Lion" while appearing opposite the legendary Eva Le Gallienne in "Hedda Gabler".
Zimbalist then tried his hand as a stage producer, successfully bringing opera to Broadway audiences for the first time with memorable presentations of "The Medium" and "The Telephone". As producer of Gian Carlo Menotti's "The Consul", he won the New York Drama Critic's Award and the Pulitzer Prize for best musical in 1950. An auspicious film debut opposite Edward G. Robinson in House of Strangers (1949) brought little career momentum due to the untimely death of his wife Emily (a onetime actress who appeared with him in "Hedda Gabler" and bore him two children, Nancy and Efrem III) to cancer in 1950. Making an abrupt decision to abandon acting, he served as assistant director/researcher at the Curtis School of Music for his father and buried himself with studies and music composition.
In 1954, Efrem returned to acting and copped a daytime television soap lead (Concerning Miss Marlowe (1954)). It was famed director Joshua Logan who proved instrumental in helping Zimbalist secure a Warner Bros. contract. Despite forthright second leads in decent films such as Band of Angels (1957) with Clark Gable and Yvonne De Carlo; Too Much, Too Soon (1958) starring Dorothy Malone and Errol Flynn; Home Before Dark (1958) with Jean Simmons and Rhonda Fleming; The Crowded Sky (1960) with Dana Andrews, Rhonda Fleming, Troy Donahue and Anne Francis; A Fever in the Blood (1961) opposite Angie Dickinson and (his best) Wait Until Dark (1967) with Audrey Hepburn, it was television that made the better use of his refined, unshowy acting style. His roles as smooth private investigator Stu Bailey on 77 Sunset Strip (1958) and dogged inspector Lewis Erskine on The F.B.I. (1965) would be his ultimate claims to fame.
A perfect gentleman on and off camera, Zimbalist's severest critics tend to deem his performances bland and undernourished. Managing to override such criticisms, he maintained a sturdy career for nearly six decades. In 1991, he made fun of his all-serious reputation and pulled off a Leslie Nielsen-like role in the comedy parody Hot Shots! (1991). In addition to theater projects over the years, he has made fine use of his mellifluous baritone performing narrations and cartoon voiceovers, including that of Alfred the butler on a "Batman" animated series.
In 2003, he completed his memoirs, entitled "My Dinner of Herbs". The father of three, grandfather of four and great-grandfather of three, he settled in Santa Barbara and later in Solvang, California with longtime second wife Stephanie until her death in 2007 of cancer. Their daughter, also named Stephanie (Stephanie Zimbalist), is the well-known actress who appeared with Pierce Brosnan in the Remington Steele (1982) television series, in which Zimbalist had a recurring role. He and his daughter also appeared on stage together in his later years, their first being "The Night of the Iguana". His eldest daughter Nancy died in 2012.
Zimbalist died peacefully at his Solvang home of natural causes at the age of 95 on May 2, 2014; he had been outside watering his lawn at his Solvang, Calif., ranch when a handyman found him lying dead in the grass. "He was healthy, playing golf three days a week, and always in his garden," Zimbalist's son said.- Actor
- Producer
- Production Manager
Comedian, saxophonist, composer, actor and musician, he performed within the orchestras of Charlie Spivak, Shep Fields and Claude Thornhill as saxophonist. Later, as super-hip jazz musician "Cool Cees" in television skits, he played tenor saxophone, and sang with the satirical trio "The Hair Cuts" (with Carl Reiner and Howard Morris). He sang the lead role in "Little Me" on Broadway. Joining ASCAP in 1955, his popular song compositions include "I Wrote This Song for Your Birthday" and "Was That You?".- Actress
- Producer
Martha Ellen Scott was born in Jamesport, Missouri, to Letha (McKinley) and Walter Alva Scott, an engineer and garage owner. She entered films in the early 1940s, following an initial appearance in stock. Her first film appearance was Our Town (1940), playing the same character as she played on the stage. She won an Academy Award nomination for her superb performance in the film. Martha Scott is remembered as a highly talented actress, however her work is often forgotten today as she was never seen as a truly bankable star by the major studios.
A recent memorable performance for Martha was as Sister Beatrice in the camp disaster movie Airport 1975 (1974). She played a dominant experienced nun with Helen Reddy, in a cast of major stars facing disaster on the stricken Boeing 747 jetliner.
She continued to work consistently throughout the 1970s and 1980s, often appearing in television movies and on the stage. She died at the age of 90 in May 2003 and is buried with her husband Mel Powell.- Actress
- Additional Crew
Great-great-granddaughter of "The Commodore" Cornelius Vanderbilt, founder of her family's fortune. Her maternal aunt, Lady Thelma Furness, was a mistress of King Edward VIII of Great Britain. Gloria is a close cousin of the British Dukes of Marlborough.- This honey blonde, blue-eyed former beauty queen came endowed with a peaches-and-cream complexion and an entrancingly smoky voice. She seemed destined for Hollywood stardom. Yet, as so often in those days, success failed to materialise. She was born Mary Jo Tarola to Joseph and Mildred Tarola in Portland, Oregon. In 1948, she changed her distinctive name to the rather more commonplace stage moniker 'Linda Douglas' and was signed under that name by RKO in 1952. She made just three pictures -- none of them particularly memorable: a couple of Tim Holt westerns and a marital comedy in which she was billed third behind Victor Mature and Jean Simmons (ironically, having reverted back to her birth name on the urging of her parents). That was the whole extent of Mary Jo's career in films.
That she attracted the headlines henceforth was due primarily to her off-screen dalliances. In December 1952, she married the self-styled 'Glamour Boy of Hollywood', 43-year old Pat DiCicco, a shady character with mob connections (allegedly an affiliate of Lucky Luciano) who operated under the guise of a talent agent to pimp out prostitutes and peddle drugs in tinseltown. He also had a reputation for abusiveness and violence towards women. His two former wives, the actress Thelma Todd and heiress and fashion designer Gloria Vanderbilt, suffered numerous beatings at his hands. Both sued for divorce on grounds of cruelty. His union to Mary Jo lasted (amazingly) just over seven years and ended childless. In 1964, Mary Jo got married again, (this time with happier results) to Hall of Fame Detroit Tigers baseball legend Hank Greenberg . She was widowed in 1986 and as Mary Jo Greenberg spent her remaining years at her Beverly Hills Regency style-mansion, latterly valued at $9.5 million. - Music Department
- Actor
- Soundtrack
Flamboyant, latterly white-maned, U.S. conductor known best for his popularization of classical music. (He is also known for teaching 'Mickey Mouse' a few things about music in Walt Disney's Fantasia (1940), in which Stokowski was featured with the Philadelphia Orchestra). He was a pioneer in the use of hi-fi sound and bringing great music to the screen.- Actor
- Script and Continuity Department
- Writer
Clark Howat was born on 22 January 1918 in Calaveras County, California, USA. He was an actor and writer, known for Airport (1970), The Giant Claw (1957) and Billy Jack (1971). He was married to Muriel Mansell. He died on 30 October 2009 in Arroyo Grande, California, USA.- Actor
- Writer
- Director
Burly, handsome and rugged character actor John Crawford appeared in over 200 movies and TV shows combined in a career that spanned over 40 years, usually cast as tough and/or villainous characters.
Crawford was born Cleve Richardson on September 13, 1920, in Colfax, Washington. He was discovered by a Warner Bros. scout while attending the University of Washington's School of Drama. Although he failed his screen test, Crawford nonetheless joined RKO as a laborer. He then got a job building sets at Circle Theater in Los Angeles, and eventually persuaded the producers to cast him in some of their plays. He was soon signed to Columbia Pictures to act in secondary roles in westerns. In the late 1950s he graduated to bigger parts in such films as Orders to Kill (1958), The Key (1958) and Hell Is a City (1960), all of which were made in the UK. Crawford returned to America in the early 1960s and began a prolific career in both movies and TV series, up until 1986. His most memorable film roles include the ill-fated chief engineer in The Poseidon Adventure (1972), the hearty Tom Iverson in Night Moves (1975), the bumbling mayor of San Francisco in The Enforcer (1976), hard-nosed police chief Buzz Cavanaugh in Outlaw Blues (1977) and amiable old mine hand Brian Deerling in The Boogens (1981). John had recurring parts as Sheriff Ep Bridges in The Waltons (1972) and Capt. Parks on Police Woman (1974). Among the many TV shows he made guest appearances in are The Lone Ranger (1949), Adventures of Superman (1952), I Spy (1965), The Twilight Zone (1959), The Untouchables (1959), Wagon Train (1957), The Fugitive (1963), Star Trek (1966), Lost in Space (1965), Bonanza (1959), Hogan's Heroes (1965), Mission: Impossible (1966), Gunsmoke (1955), The Bionic Woman (1976), Dallas (1978) and Dynasty (1981). Crawford died at age 90 following complications from a stroke on September 21, 2010, in Thousand Oaks, California. He's survived by his ex-wife Ann Wakefield, four daughters and two grandchildren.- Actor
- Writer
- Additional Crew
Art Gilmore was born on 18 March 1912 in Tacoma, Washington, USA. He was an actor and writer, known for Highway Patrol (1955), Dragnet (1951) and Dragnet 1967 (1967). He was married to Grace Weller. He died on 25 September 2010 in Irvine, California, USA.- Actress
- Soundtrack
Claire Trevor was born Claire Wemlinger in the Bensonhurst section of Brooklyn, New York, the only child of Fifth Avenue merchant-tailor Noel Wemlinger, an immigrant Frenchman from Paris who lost his business during the Depression, and his Belfast-born wife, Benjamina, known as "Betty". Young Claire's interest in acting began when she was 11 years old. She attended high school in Mamaroneck, Westchester County, New York. After starting classes at Columbia University, she spent six months at the American Academy of Dramatic Arts, also in New York. Her adult acting experience began in the late 1920s in several stock productions; she appeared with Robert Henderson's Repertory Players in Ann Arbor, Michigan in 1930. That same year, aged 20, she signed with Warner Bros. Not too far from her home haunts was Vitagraph Studios in Brooklyn, the last and best of the early sound process studios, which had been acquired by Warner Bros. in 1925 to become Vitaphone. Trevor appeared in several of the nearly 2000 shorts cranked out by the studio between 1926 and 1930. Then she was sent west to do ten weeks of stock productions with other contract players in St. Louis. In 1931 she did summer stock with the Hampton Players in Southampton, Long Island. Finally, she debuted on Broadway in 1932 in "Whistling in the Dark".
Trevor moved to the silver screen, debuting in the western Life in the Raw (1933). There would be three more films (one more western) that year and six or more through the 1930s. Although she had been typed playing gun molls and hard-case women of the world, she displayed her already considerable versatility in these early films, often playing competent, take-charge professional women as well as "shady" ladies. There was a disappointed-pout-vulnerability in her face and that famous slightly New York-burred voice that cracked with a little cry when heightened by emotion that quickly revealed an unusual and sensitive performer. Many of her early films were "B" potboilers, but she worked with Spencer Tracy on several occasions, notably Dante's Inferno (1935).
Hollywood finally took notice of her talents by nominating her for a Best Supporting Actress Oscar for her standout performance as a slum girl forced by poverty into prostitution in Dead End (1937), opposite Humphrey Bogart. That same year she did the radio drama "Big Town" with Edward G. Robinson, then teamed with he and Bogart again for the slightly hokey but entertaining The Amazing Dr. Clitterhouse (1938). Director John Ford tapped her for his first big sound Western film, Stagecoach (1939), the film that made a star of John Wayne. All her abilities to bring complexity to a character showed in her kicked-around dance hall girl "Dallas", one of the great early female roles. She and Wayne were electric, and they were paired in three more films during their careers.
In the 1940s, Trevor began appearing in the genre that brought her to true stardom: "film noir". She started in a big way as killer Ruth Dillon in Street of Chance (1942) with Burgess Meredith. She was equally convincing as the more complex but nonetheless two-faced Mrs. Grayle in the Philip Marlowe vehicle Murder, My Sweet (1944). However, she was something very different and quite extraordinary as washed-up, hopelessly alcoholic former nightclub singer and moll Gaye Dawn in Key Largo (1948), for which she won an Academy Award as Best Supporting Actress, again working with Bogart and Robinson. Her pitiful rendition of the torch song "Moanin' Low", which her character was forced to sing, humiliatingly, for the sadistic crime boss played by Robinson (to whom she is, figuratively speaking, permanently tethered) in exchange for a desperately needed drink. There were more quality movies and an additional Academy nomination (The High and the Mighty (1954)) into the 1950s,, but she also was doing work on stage and in television.
She was enthusiastic about live TV and appeared on several famous shows by the mid-1950s. She won an Emmy for Best Live Television Performance by an Actress as the flighty wife of Fredric March in NBC's Dodsworth (1956). She alternated her career among film, stage and TV roles. As she aged she easily transitioned into "distinguished matron" and mother roles, one of her most unusual ones being the murderous Ma Barker in Ma Barker and Her Boys (1959). Her final film role was as Sally Field's mother in Kiss Me Goodbye (1982).
Trevor and her third husband, producer Milton H. Bren, had long been residents of tony Newport Beach, California, to which they returned when she finally retired from screen work. However, she did maintain an active interest in stage work, and became associated with the University of California-Irvine's School of Arts. She and her husband contributed some $10 million to further its development for the visual and performing arts (that included three endowed professorships). After her passing in April 2000 at 90 years of age, the University renamed the school The Claire Trevor School of the Arts. Her presence on the UCI campus is in more than spirit alone. She donated her Oscar and her Emmy to UCI; both are on display in the arts plaza at the campus theatre that bears her name.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Norman Leavitt was born on 1 December 1913 in Lansing, Michigan, USA. He was an actor, known for Off Limits (1952), Trackdown (1957) and Bonanza (1959). He was married to Irene Nelson and Emily A Kipp. He died on 11 December 2005 in Solvang, California, USA.
- Actor
- Stunts
A champion athlete and trackman in his native northern Australia, Gil Perkins always wanted to get into films; as a teenager he virtually ran away from home, taking a job as a deck hand on a Norwegian freighter. He eventually landed in Hollywood in the late '20s, during the era of part-silent, part-talkie movies, and (because his accent was mistaken for English) he played young Englishmen in some of his first films. He soon drifted into stuntwork, regularly doubling cowboy star William Boyd and putting a red toupee over his own blond hair to double 'Red Skelton', among others. Some of his most notable stunt jobs were in the sci-fi/horror field. He doubled star Bruce Cabot throughout King Kong (1933), stood in for Spencer Tracy as Mr. Hyde in Dr. Jekyll and Mr. Hyde (1941) and replaced Bela Lugosi as the Monster in the climactic battle sequence of Frankenstein Meets the Wolf Man (1943). In addition to his feature films, Perkins turned up regularly in serials and on TV. On many occasions he worked with special effects and rigging departments, setting up large action scenes. By the 1960s he was doing more acting than stunts; he "officially" retired in 1972, although he took a number of subsequent jobs.- Wilbur Mack was born on 29 July 1873 in Binghamton, New York, USA. He was an actor, known for Redheads on Parade (1935), Gold and Grit (1925) and The Crimson Canyon (1928). He was married to Constance Purdy and Nella Walker. He died on 13 March 1964 in Hollywood, Los Angeles, California, USA.
- American character actor of rustic types, Si Jenks was born Howard Hansell Jenkins in Norristown, Pennsylvania, on 23 September 1876, to John (a shopkeeper) and Catherine Jenkins. He was the sixth of seven children. Little is known of his boyhood. At 21, on 21 April 1898, the first day of the Spanish-American War, he enlisted in the Pennsylvania National Guard (Co. F, 6th Regiment, Pennsylvania Infantry). He served until October, 1898 (two months following the end of the war), but never left the U.S. during his tour of duty. The following January, he enlisted for three years in the U.S. Army, but only served eight months, as an artilleryman, again without leaving the U.S. He returned to Norristown in 1899 after his military service and worked at a local inn as a hostler through at least 1904. At some point, he developed an interest in entertainment as a career. By 1919, he was married to Victoria Allen, with whom he teamed up in a vaudeville act called "Small Town Wise Crackers." They toured the Orpheum Circuit, appearing in 45 theatres in 36 cities across the U.S. At some point, the marriage and the act broke up, and Jenkins, now billing himself as Si Jenks, continued with a variety of new partners in the act. In 1922, the tour landed him in Los Angeles. Comic actor-director Al St. John, whose later career as a bearded Western sidekick would come to resemble Jenks's, gave the 46-year-old vaudevillian small parts in a couple of his comedy shorts at Fox, where Jenks also was also cast in his first feature film, John Ford's The Village Blacksmith (1922) After a lapse of a couple of years, Jenks came to the attention of Mack Sennett, who put Jenks to work in some 15 pictures over the next decade. Jenks's most familiar roles called for him to work without his dentures and with a scrubby beard, and he quickly found work in a large number of mainly comedic roles, primarily in Westerns. Despite his familiarity as bearded sidekick types, he never achieved the fame of a George 'Gabby' Hayes or Al 'Fuzzy' St. John, but he was very much of a type with those actors. Largely in smaller roles, Jenks made over 220 films, as well as a handful of TV episodes, over the course of his thirty-year career. He retired in 1954 at 78 and lived much of the rest of his life with his wife and fellow ex-vaudevillian, British actress Lilian Hartford, at the Motion Picture Country House & Hospital in Woodland Hills, California. He died there of heart disease at 93, on 6 January 1970. She followed him in death at age 100, in 1983.
- Actress
- Soundtrack
Rosemary Shirley DeCamp was the quintessential small-town American mother, a calming and steadying presence in scores of films in the 1940s and 1950s. She came to Hollywood after a successful career on the stage and in radio, making her film debut in 1941. Though she worked for many studios, she was most closely associated with Warner Bros., for whom she made many pictures, often playing a young mother or the friend or sister of the heroine. Her best-known role was probably as the mother of George M. Cohan (played by James Cagney) in the classic Yankee Doodle Dandy (1942). She also did a lot of work on television; she was a regular on The Bob Cummings Show (1961) and played Marlo Thomas's mother on That Girl (1966).- Hal J. Moore was born on 11 October 1913 in Bath, Pennsylvania, USA. He was an actor, known for The Story of Seabiscuit (1949). He died on 19 February 2006 in Burbank, California, USA.
- Actress
- Soundtrack
As a child she studied at Seattle's Cornish School. Still in her early twenties, after several years of stock work in New York, she joined Eva Le Gallienne's Civic Repertory Theater where she won critical praise for her title role in "Alice in Wonderland." She came to Hollywood in 1934 under contract with Warners, debuting in Happiness Ahead (1934). She co-starred with Paul Muni in The Story of Louis Pasteur (1936) and played in many small roles, both in films - e.g., the phony U.N. ambassador's wife in North by Northwest (1959) - and television: The Twilight Zone (1959), Gunsmoke (1955), and Perry Mason (1957) in the fifties and sixties. She died at Manhattan's Florence Nightingale Nursing Home, aged 94.- Actor
- Production Manager
- Additional Crew
Ronald Reagan had quite a prolific career, having catapulted from a Warner Bros. contract player and television star, into serving as president of the Screen Actors Guild, the governorship of California (1967-1975), and lastly, two terms as President of the United States (1981-1989).
Ronald Wilson Reagan was born in Tampico, Illinois, to Nelle Clyde (Wilson) and John Edward "Jack" Reagan, who was a salesman and storyteller. His father was of Irish descent, and his mother was of half Scottish and half English ancestry.
A successful actor beginning in the 1930s, the young Reagan was a staunch admirer of President Franklin D. Roosevelt (even after he evolved into a Republican), and was a Democrat in the 1940s, a self-described 'hemophiliac' liberal. He was elected president of the Screen Actors Guild in 1947 and served five years during the most tumultuous times to ever hit Hollywood. A committed anti-communist, Reagan not only fought more-militantly activist movie industry unions that he and others felt had been infiltrated by communists, but had to deal with the investigation into Hollywood's politics launched by the House Un-American Activities Committee in 1947, an inquisition that lasted through the 1950s. The House Un-American Activities Committee investigations of Hollywood (which led to the jailing of the "Hollywood Ten" in the late '40s) sowed the seeds of the McCarthyism that racked Hollywood and America in the 1950s.
In 1950, U.S. Representative Helen Gahagan Douglas (D-CA), the wife of "Dutch" Reagan's friend Melvyn Douglas, ran as a Democrat for the U.S. Senate and was opposed by the Republican nominee, the Red-bating Congressman from Whittier, Richard Nixon. While Nixon did not go so far as to accuse Gahagan Douglas of being a communist herself, he did charge her with being soft on communism due to her opposition to the House Un-American Activities Committee. Nixon tarred her as a "fellow traveler" of communists, a "pinko" who was "pink right down to her underwear." Gahagan Douglas was defeated by the man she was the first to call "Tricky Dicky" because of his unethical behavior and dirty campaign tactics. Reagan was on the Douglases' side during that campaign.
The Douglases, like Reagan and such other prominent actors as Humphrey Bogart and Edward G. Robinson, were liberal Democrats, supporters of the late Franklin D. Roosevelt and his New Deal, a legacy that increasingly was under attack by the right after World War II. They were NOT fellow-travelers; Melvyn Douglas had actually been an active anti-communist and was someone the communists despised. Melvyn Douglas, Robinson and Henry Fonda - a registered Republican! - wound up "gray-listed." (They weren't explicitly black-listed, they just weren't offered any work.) Reagan, who it was later revealed had been an F.B.I. informant while a union leader (turning in suspected communists), was never hurt that way, as he made S.A.G. an accomplice of the black-listing.
Reagan's career sagged after the late 1940s, and he started appearing in B-movies after he left Warner Bros. to go free-lance. However, he had a eminence grise par excellence in Lew Wasserman, his agent and the head of the Music Corp. of America. Wasserman, later called "The Pope of Hollywood," was the genius who figured out that an actor could make a killing via a tax windfall by turning himself into a corporation. The corporation, which would employ the actor, would own part of a motion picture the actor appeared in, and all monies would accrue to the corporation, which was taxed at a much lower rate than was personal income. Wasserman pioneered this tax avoidance scheme with his client James Stewart, beginning with the Anthony Mann western Winchester '73 (1950) (1950). It made Stewart enormously rich as he became a top box office draw in the 1950s after the success of "Winchester 73" and several more Mann-directed westerns, all of which he had an ownership stake in.
Ironically, Reagan became a poor-man's James Stewart in the early 1950s, appearing in westerns, but they were mostly B-pictures. He did not have the acting chops of the great Stewart, but he did have his agent. Wasserman at M.C.A. was one of the pioneers of television syndication, and this was to benefit Reagan enormously. M.C.A. was the only talent agency that was also allowed to be a producer through an exemption to union rules granted by S.A.G. when Reagan was the union president, and it used the exemption to acquire Universal International Pictures. Talent agents were not permitted to be producers as there was an inherent conflict of interest between the two professions, one of which was committed to acquiring talent at the lowest possible cost and the other whose focus was to get the best possible price for their client. When a talent agent was also a producer, like M.C.A. was, it had a habit of steering its clients to its own productions, where they were employed but at a lower price than their potential free market value. It was a system that made M.C.A. and Lew Wasserman, enormously wealthy.
The ownership of Universal and its entry into the production of television shows that were syndicated to network made M.C.A. the most successful organization in Hollywood of its time, a real cash cow as television overtook the movies as the #1 business of the entertainment industry. Wasserman repaid Ronald Reagan's largess by structuring a deal by which he hosted and owned part of General Electric Theater (1953), a western omnibus showcase that ran from 1954 to 1961. It made Reagan very comfortable financially, though it did not make him rich. That came later.
In 1960, with the election of the Democratic President John F. Kennedy, the black and gray lists went into eclipse. J.F.K. appointed Helen Gahagan Douglas Treasurer of the United States. About this time, as the civil rights movement became stronger and found more support among Democrats and the Kennedy administration, Reagan - fresh from a second stint as S.A.G. president in 1959 - was in the process of undergoing a personal and political metamorphosis into a right-wing Republican, a process that culminated with his endorsing Barry Goldwater for the Republican presidential nomination in 1964. (He narrated a Goldwater campaign film played at the G.O.P. Convention in San Francisco.) Reagan's evolution into a right-wing Republican sundered his friendship with the Douglases. (After Reagan was elected President of the United States in 1980, Melvyn Douglas said of his former friend that Reagan turned to the right after he had begun to believe the pro-business speeches he delivered for General Electric when he was the host of the "G.E. Theater.")
In 1959, while Reagan was back as a second go-round as S.A.G. president, M.C.A.'s exemption from S.A.G. regulations that forbade a talent agency from being a producer was renewed. However, in 1962, the U.S. Justice Department under Attorney General Robert F. Kennedy successfully forced M.C.A. - known as "The Octopus" in Hollywood for its monopolistic tendencies - to divest itself of its talent agency.
When Reagan was tipped by the California Republican Party to be its standard-bearer in the 1965 gubernatorial election against Democratic Governor Pat Brown, Lew Wasserman went back in action. Politics makes strange bedfellows, and though Wasserman was a liberal Democrat, having an old friend like Reagan who had shown his loyalty as S.A.G. president in the state house was good for business. Wasserman and his partner, M.C.A. Chairman Jules Styne (a Republican), helped ensure that Reagan would be financially secure for the rest of his life so that he could enter politics. (At the time, he was the host of "Death Valley Days" on TV.)
According to the Wall Street Journal, Universal sold Reagan a nice piece of land of many acres north of Santa Barbara that had been used for location shooting. The Reagans sold most of the ranch, then converted the rest of it, about 200 acres, into a magnificent estate overlooking the valley and the Pacific Ocean. The Rancho del Cielo became President Reagan's much needed counterpoint to the buzz of Washington, D.C. There, in a setting both rugged and serene, the Reagans could spend time alone or receive political leaders such as the Soviet President Mikhail Gorbachev, Margaret Thatcher, and others.
Reagan was known to the world for his one-liners, the most famous of them was addressed to Mikhail Gorbachev in 1987. "Mister Gorbachev, tear down this wall" said Reagan standing in front of the Berlin Wall. That call made an impact on the course of human history.
Ronald Reagan played many roles in his life's seven acts: radio announcer, movie star, union boss, television actor-cum-host, governor, right-wing critic of big government and President of the United States.