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Born in Norfolk, Virginia to wealthy stockbroker Cornelius Hancock Sullavan and heiress Garland Council Sullavan, Margaret Brooke overcame a muscle weakness in her childhood to go on to become a rebellious teenager at posh private schools. She went on to perform with the University Players at Harvard and made her Broadway debut in Hello, Lola in 1926. Her Christmas Day marriage in 1931 to Henry Fonda lasted only 15 months, and her later marriages to director William Wyler and agent Leland Hayward were also tempestuous. Two of her three children, Bridget and Bill, would spend some time in mental institutions, and commit suicide. Friends noted that the collapse of her family life led to her breakdown. Her condition worsened over time, until she was discovered unconscious from barbiturate poisoning in a hotel room. Her death was ruled accidental by the county coroner.- Actor
- Producer
Born in Mexican revolution times, Pedro Armendáriz was the first child of Mexican Pedro Armendáriz García-Conde and American Adele Hastings. He was raised in Churubusco, then a suburb of Mexico City, before the family traveled to Laredo, Texas. They lived there until 1921, the year Armendáriz' parents died. His uncle Francisco took charge of his education, and young Pedro went to the Polytechnic Institute of San Luis Obispo, California. There, he studied business and journalism. He graduated in 1931 and returned to Mexico City where he found work as a railroad employee, insurance salesman and tourist guide. He was discovered by director Miguel Zacarías when Armendáriz was reciting Hamlet's monologue (to be or not to be) to an American tourist in a cafeteria.
After that, Armendáriz began a brilliant career in Mexico, the United States and Europe. Together with Dolores Del Río and Emilio Fernández, Armendáriz made many of the greatest films in the so-called Mexican Cinema Golden Era: Wild Flower (1943), Bugambilia (1945), Maria Candelaria (1944), among others. He was considered a prototype of masculinity and male beauty. His green eyes and almost perfect features made him perfectly cast in any role he made. But it was his passion, force and acting abilities, combined with his quality of a gentleman what made him an instant favorite of great directors like John Ford, international costars like María Félix, Sean Connery or Susan Hayward, and his fans in Mexico and other countries.- Actor
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George Sanders was born of English parents in St. Petersburg, Russia. He worked in a Birmingham textile mill, in the tobacco business and as a writer in advertising. He entered show business in London as a chorus boy, going from there to cabaret, radio and theatrical understudy. His film debut, in 1936, was as Curly Randall in Find the Lady (1936). His U.S. debut, the same year, with Twentieth Century-Fox, was as Lord Everett Stacy in Lloyd's of London (1936). During the late 1930s and early 1940s he made a number of movies as Simon Templar--the Saint--and as Gay Lawrence, the Falcon. He played Nazis (Maj. Quive-Smith in Fritz Lang's Man Hunt (1941)), royalty (Charles II in Otto Preminger's Forever Amber (1947)), and biblical roles (Saran of Gaza in Cecil B. DeMille's Samson and Delilah (1949)). He won the 1950 Academy Award for Best Supporting Actor as theatre critic Addison De Witt in Joseph L. Mankiewicz's All About Eve (1950). In 1957 he hosted a TV series, The George Sanders Mystery Theater (1957). He continued to play mostly villains and charming heels until his suicide in 1972.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Barbara Kwiatkowska was a girl from the Polish countryside. One day, she took part in a competition called "Piekne dziewczyny na ekrany" ("Pretty Girls on to the Screens"). She won and landed the title role of "Ewa Bonecka" in the comedy Eva Wants to Sleep (1958) as the main prize. During filming, she met Roman Polanski, whom she later married. In the 60s, she left Poland. She changed her last name to Lass for the sake of foreign viewers.
- Actress
- Soundtrack
Sharon's early life was one of constant moving as her father served in the military. When she lived in Italy, she was voted "Homecoming Queen" of her high school. After being an extra in a few Italian films, Sharon headed to Hollywood where she would again start as an extra. Her first big break came when she was cast as the shapely bank secretary, "Janet Trego", in the television series The Beverly Hillbillies (1962) (1963-1965). In 1967, she would meet her future husband, director Roman Polanski, on the set of the English film The Fearless Vampire Killers (1967). Sharon's big role would be that same year when she was the starlet in Valley of the Dolls (1967). With her marriage to Roman, her life became one of parties, travel and meeting influential movie people. She would appear as a red-haired beauty in the spy spoof The Wrecking Crew (1968) working with Dean Martin and the equally beautiful Elke Sommer. Sharon was 2 months pregnant of her first child while filming in Italy and France a funny Italian comedy movie 12 + 1 (1969) in February 1969. On August 9, 1969 Sharon Tate, Abigail Folger, Jay Sebring, Steve Parent, and Voytek Frykowski were murdered by 3 of Charles Manson's followers: Charles 'Tex' Watson, Susan Atkins (died in prison in 2009), and Patricia Krenwinkel. Manson died in prison in 2017. Watson and Krenwinkel are still in prison.- Gregory Rozakis was born on 30 January 1943 in New York City, New York, USA. He was an actor, known for America America (1963), Death Wish (1974) and The Cotton Club (1984). He died on 24 August 1989 in Brooklyn, New York, USA.
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Jill Ireland was a British-American actress best known for her appearance as "Leila Kalomi," the only woman Mr. Spock ever loved (in the Star Trek (1966) episode, This Side of Paradise (1967)) and for her many supporting roles in the movies of Charles Bronson. She is also known for her battle with breast cancer, having written two books on her fight with the disease and serving as a spokesperson for the American Cancer Society.
Jill Dorothy Ireland was born in London on April 24, 1936, to wine merchant Jack Ireland and his wife Dorothy, who were fated to outlive their daughter. Young Jill started her entertainment career at age 16 as a dancer, and made her screen debut in 1955, in Michael Powell's Oh... Rosalinda!! (1955). On May 11, 1957, she married actor David McCallum, whom she met on the set of the Stanley Baker action picture Hell Drivers (1957). In the mid-'60s, they moved to the United States so McCallum could star as agent "Ilya Kuryakin" in the TV series The Man from U.N.C.L.E. (1964). She got steady work on American television and would co-star with her husband in five episode of the series in 1964, 1965 and 1967.
Ireland separated from McCallum, with whom she had two biological sons and one adopted son, in June 1965. He filed for divorce in August 1966, and it was finalized in February 1967. On October 5, 1968, she married Charles Bronson, who was 15 years her senior and still several years away from coming into his own as a leading man. They had first met when McCallum introduced them on the set of The Great Escape (1963). With Bronson, she had two children, a daughter born to the couple in 1971, and an adopted daughter. They first co-starred together in the 1970 French movie Rider on the Rain (1970), which made Bronson a major star in Europe (she had first played an uncredited bit part in his movie London Affair (1970), released that same year). They starred in 13 more pictures over the next 17 years, a period during which Bronson and Ireland rivaled Clint Eastwood and Sondra Locke as the most prolific screen couple. During her marriage to Bronson, Ireland appeared in only one TV episode, one TV movie and one theatrical picture that didn't star her husband.
She was diagnosed with cancer in her right breast in 1984 and underwent a mastectomy. She wrote about her battle and became an advocate for the American Cancer Society, which led to the organization giving her its Courage Award. Ireland was presented with the award by President Ronald Reagan. Tragically, she lost her battle with the disease after it metastasized and died at her home in Malibu, California, on May 18, 1990, aged only 54. She was survived by her husband, children, stepchildren, parents, brother, and extended family.- Actor
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Keefe Brasselle was born on 7 February 1923 in Elyria, Ohio, USA. He was an actor and producer, known for The Eddie Cantor Story (1953), A Place in the Sun (1951) and If You Don't Stop It... You'll Go Blind!!! (1975). He was married to Arlene DeMarco and Norma Jean Aldrich. He died on 7 July 1981 in Downey, California, USA.- Actor
- Soundtrack
This popular, baggy-eyed, bald-domed, big lug of a character actor had few peers when called upon to display that special "slow burn" style of comedy few others perfected. But perfect he did -- on stage, film and TV. In fact, he pretty much cornered the market during the 50s and 60s as the dour, ill-tempered guy you loved to hate.
Born Frederick Leonard Clark on March 19 1914, the son of Frederick Clark, a county agriculture commissioner, and Stella (née Bruce) Clark, in Lincoln, California, Fred's initial interest was in medicine and he pursued his pre-med studies at Stanford University. A chance role in the college play "Yellow Jack" change the coarse of his destiny. Earning a scholarship to the American Academy of Dramatic Arts, he paid his dues performing in local community theater and summer stock. By May of 1938, at age 24, he was making his Broadway debut with the short-lived comedy play "Schoolhouse on the Lot". He then returned to Broadway a few months later to appear in the melodrama "Ringside Seat", which also closed early.
Fred's nascent career was interrupted when America entered World War II. He served as a Navy pilot in 1942 but later joined the Army and spent nearly two years with the Third Army in Europe. Clark returned to acting and in during the post-war years broke into films via Hungarian film director Michael Curtiz who cast him in the noir classic The Unsuspected (1947). Able to provide cold-hearted villainy in crime drama as well as dyspeptic humor to slapstick comedy, film work came to Fred in no short order. Ride the Pink Horse (1947), Cry of the City (1948), Flamingo Road (1949), White Heat (1949), Alias Nick Beal (1949), Sunset Blvd. (1950), The Jackpot (1950), The Lemon Drop Kid (1951) and Meet Me After the Show (1951) all made the most of Fred's sour skills. Around this time (1952) he married actress Benay Venuta, whom he met while both were performing on stage in "Light Up the Sky" (1950). The popular couple continued to work together from time to time, which included a 1956 stage production of "Bus Stop" at the La Jolla Playhouse.
Well-established on film by this point, Fred set his sights on TV and earned raves providing weekly bombastic support to George Burns and Gracie Allen on their popular sitcom The George Burns and Gracie Allen Show (1950). Joining the cast into its second season (his role had already been played by two other actors), Fred made the role of neighbor/realtor Harry Morton his own, becoming the first definitive Harry on the show. Investing his character with an amusing, child-like grumpiness, he was ideally paired with comedienne Bea Benaderet (as wife Blanche). Together they provided perfect foursome chemistry with Burns and Allen, much in the same way Vivian Vance and William Frawley did for Lucille Ball and Desi Arnaz on I Love Lucy (1951). Clark, however, would leave the show in the fall of 1953 following a salary dispute, and was replaced by a fourth Harry Morton, Larry Keating, who managed to keep the role until the end in 1958. Fred would find steady but lesser success on TV after this.
With his trademark cigar, scowl, shiny baldness and pencil-thin mustache, Fred continued to be high in demand in film, usually playing some high-ranking military officer, gang boss, shifty politician or executive skinflint. The Martin & Lewis comedy The Caddy (1953), Marilyn Monroe's How to Marry a Millionaire (1953), The Solid Gold Cadillac (1956), Don't Go Near the Water (1957), The Mating Game (1959), Auntie Mame (1958), Bells Are Ringing (1960), Visit to a Small Planet (1960), Boys' Night Out (1962) and Move Over, Darling (1963), all displayed Clark at his blustery best. And on TV he contributed to such comedy shows as The Beverly Hillbillies (1962), I Dream of Jeannie (1965) and The Dick Van Dyke Show (1961). He also received some attention pushing potato chips in commercials.
Fred made a successful stage debut in London with 1963's "Never Too Late" co-starring Joan Bennett and Samantha Eggar, as a cranky middle-aged father-to-be. He would also return infrequently to Broadway with prime roles in "Romanoff and Juliet" (1957), Viva Madison Avenue! (1960) and "Absence of a Cello" (1964). On a sad note, many of Fred's final years were spent in inferior film. Movies such as Dr. Goldfoot and the Bikini Machine (1965), I Sailed to Tahiti with an All Girl Crew (1969) and the notorious bomb Skidoo (1968), which was directed by Otto Preminger and starred Jackie Gleason and Carol Channing, were undeserving of his talents.
Divorced from Ms. Venuta in August of 1962, Fred subsequently married a model, Gloria Glaser, in 1966. Fred's sudden death of liver disease two years later on December 5, 1968, at the untimely age of 54, had Hollywood mourning one of its finest comic heavies -- gone way before his time.- Actor
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John Ridgely was a versatile character actor who made over 100 films at Warner Brothers during the 1930s and 1940s. Starting out in bit roles in such films as Dark Victory (1939), They Died with Their Boots On (1941) and The Man Who Came to Dinner (1941), Ridgely eventually graduated to larger roles in such classics as Howard Hawks' Air Force (1943), The Big Sleep (1946), Destination Tokyo (1943) and Possessed (1947). After his Warner Brothers tenure ended, he freelanced at other studios and made stage and TV appearances until his untimely passing in 1968 at age 58.- Actor
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Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta (1920-2014) and eighteen months after his brother Brooks Clift. He was the son of Ethel "Sunny" Anderson (Fogg; 1888-1988) and William Brooks Clift (1886-1964). His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats.
At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict. While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality. She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Sunset Blvd. (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and High Noon (1952).
His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles. By the early 1950s he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).
His film debut was Red River (1948) with John Wayne quickly followed by his early personal success The Search (1948) (Oscar nominations for this, A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961)). By 1950, he was troubled with allergies and colitis (the U.S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.
In 1956, during filming of Raintree County (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.
With his Hollywood career in an irreversible slide despite giving an occasional riveting performance, such as in Stanley Kramer's Judgment at Nuremberg (1961), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan. He was set to play in Taylor's Reflections in a Golden Eye (1967), when he died in the early morning hours of July 23, 1966, at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James, who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease." Clift's last 10 years prior to his death from his 1956 car accident were called the "longest suicide in history" by famed acting teacher Robert Lewis.- Actor
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Richard Beckinsale was an English actor, primarily known for his roles in sitcoms. His best known characters were prison inmate Leonard Arthur "Lennie" Godber in "Porridge" (1974-1977) and its sequel series "Going Straight" (1978), and medical student Alan Moore in "Rising Damp" (1974-1978).
Beckinsale was born in the suburban town of Carlton, Nottinghamshire, which is part of the Borough of Gedling. His father Arthur John Beckinsale was Anglo-Burmese, while his mother Maggie Barlow was English. Beckinsale claimed to be a distant cousin of actor Charles Laughton (1899-1962).
Beckinsale attended College House Junior School in Chilwell, and performed in many school plays. His first notable role was that of Dopey the Dwarf in a school play adaptation of "Snow White and the Seven Dwarfs". He also appeared in school plays while attending Alderman White Secondary Modern School. In 1962, he decided to drop out of school and pursue a career as a professional actor. At age 15, Beckinsale was too young to attend drama school. He financially supported himself through a series of odd jobs.
In 1963, Beckinsale was enrolled at Nottingham College, Clarendon, pursuing a drama teacher's training programme. In 1965, Beckinsale applied for training the Royal Academy of Dramatic Art (RADA). He was accepted there with his second audition, one of only 31 applicants accepted. During his training, Beckinsale accepted a comedy award. He graduated in 1968.
Following his graduation, Beckinsale started appearing in repertory theatre. He toured the United Kingdom with such roles as the Scarecrow in "The Wizard of Oz", Sir Andrew Aguecheek in "Twelfth Night", and the title role in Shakespeare's Hamlet. He made his television debut in 1969, playing a one-shot police officer character in the soap opera "Coronation Street". He next gained a minor role in the drama series "A Family at War" (1970-1972).
His first major television role was that of leading Geoffrey Scrimshaw in the sitcom "The Lovers" (1970-1971). The premise was having a mismatched couple, with a romantic girl paired with a sex-obsessed boyfriend. It was a minor ratings hit and brought some much-needed fame to Beckinsale.
Beckinsale's career reached new heights with the hit sitcoms "Porridge" and "Rising Damp". He also appeared in the sequel series "Going Straight", with the humorous concept of former prison inmates trying to rebuild their lives and seeking honest jobs. His final major role was as the leading actor in the sitcom "Bloomers", but only five episodes were completed before his death.
In December, 1978, while filming episodes for "Bloomers", Beckinsale suffered from dizzy spells. He was worried about his health and sought medical help, but his doctor reassured him that his only health problems were "an overactive stomach lining, and slightly high cholesterol". He subsequently had further signs of ill health, but he attributed them to his nerves.
By 18 March, 1979, Beckinsale was suffering from pain in his chest and arms, but decided against seeking further help. He went to bed, and was found dead the next morning. He had died during the night due to a heart attack. At the time of his death, his wife Judy Loe was recovering in hospital after having an operation. A post-mortem examination revealed that his recent health problems were the results of undiagnosed coronary artery disease. He was only 31 at the time of his death.
Beckinsale was cremated in Bracknell, Berkshire, and his remains were taken to Mortlake Crematorium. A memorial service for him was attended by 300 people, a testament to his popularity. In his will, he left about 65,000 pounds for his wife and daughters. Only 18,000 pounds were left after taxes.- Music Artist
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Mac Miller was born on 19 January 1992 in Pittsburgh, Pennsylvania, USA. He was a music artist and actor, known for Scary Movie V (2013), Tall Girl (2019) and Lethal Weapon (2016). He died on 7 September 2018 in San Fernando Valley, California, USA.- Jimmie lived in Valley City, Ohio as a very young boy, and then moved to Elyria, Ohio, as an adolescent. He got his start in acting performing in the All School play, "The Great Sabastions". He graduated from Elyria High School in 1963.
- Excellent, prolific, and versatile film, stage, and television actor Steven Keats was born on February 6, 1945 in The Bronx, New York City, to a Danish-born father from Copenhagen and an NY-born mother, both of Polish Jewish descent. Keats grew up in Canarsie, Brooklyn and graduated from the High School for Performing Arts in Manhattan. He served in the Air Force during the Vietnam War in 1965 and 1966. Following his tour of duty, Steven returned to the United States and attended both the Yale School of Drama and Montclair State College. Keat made his Broadway stage debut in 1970 as part of the second cast for "Oh! Calcutta." His most memorable movie roles include spaced-out punk hood Jackie Brown in "The Friends of Eddie Coyle," Charles Bronson's son-in-law Jack Toby in "Death Wish," Carol Kane's Americanized Jewish immigrant husband Jake Putkovsky in "Hester Street," Robert Shaw's Israeli sidekick Moshevsky in "Black Sunday," and obsessive mad scientist Dr. Philip Spires in "Silent Rage." Steven was nominated for an Emmy for Outstanding Lead Actor in a Limited Series for his exceptional portrayal of ruthless Depression-era rag trade tycoon Jay Blackman in the mini-series "Seventh Avenue." Among the many shows Keats made guest appearances on are "Kojak," "The Streets of San Francisco," "The Rockford Files," "Starsky and Hutch," "Barnaby Jones," "Cagney & Lacey," "The Love Boat," "The A-Team," "Hunter," "T.J. Hooker," "Hill Street Blues," "Miami Vice," "Matlock," and "MacGyver." Moreover, he played Thomas Edison on an episode of "Voyagers!". He was the father of sons Shane and Thatcher. Steven was found dead in his Manhattan apartment on May 8, 1994; the cause of death was ruled an apparent suicide. Keats was only 49 years old.
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Warren Oates was an American character actor of the 1960s and 1970s and early 1980s whose distinctive style and intensity brought him to offbeat leading roles.
Oates was born in Depoy, a very small Kentucky town. He was the son of Sarah Alice (Mercer) and Bayless Earle Oates, a general store owner. He attended high school in Louisville, continuing on to the University of Louisville and military service with the U.S. Marines.
In college he became interested in the theatre and in 1954 headed for New York to make his mark as an actor. However, his first real job in television was, as it had been for James Dean before him, testing the contest gags on the game show Beat the Clock (1950). He did numerous menial jobs while auditioning, including serving as the hat-check man at the nightclub "21".
By 1957 he had begun appearing in live dramas such as Studio One (1948), but Oates' rural drawl seemed more fitted for the Westerns that were proliferating on the big screen at the time, so he moved to Hollywood and immediately stared getting steady work as an increasingly prominent supporting player, often as either craven or vicious types. With his role as one of the Hammond brothers in the Sam Peckinpah masterpiece Ride the High Country (1962), Oates found a niche both as an actor and as a colleague of one of the most distinguished and distinctive directors of the period. Peckinpah used Oates repeatedly, and Oates, in large part due to the prominence given him by Peckinpah, became one of those rare character actors whose name and face is as familiar as those of many leading stars. He began to play roles which, while still character parts, were also leads, particularly in cult hits like Two-Lane Blacktop (1971) and Bring Me the Head of Alfredo Garcia (1974).
Although never destined to be a traditional leading man, Oates remained one of Hollywood's most valued and in-demand character players up until his sudden death from a heart attack on April 3, 1982 at the age of 53. His final two films, Tough Enough (1983) (filmed in early 1981) and Blue Thunder (1983) (filmed in late 1981), were released over one year after his death and were dedicated to his memory.- Actor
- Writer
- Producer
Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Larger than life, Laughtonesque, and with an eloquent, king-sized appetite for maniacal merriment, a good portion of the work of actor Victor Buono was squandered on hokey villainy on both film and television. Ostensibly perceived as bizarre or demented, seldom did Hollywood give this cultivated cut-up the opportunity to rise above the deliciously hammy arrogance that flowed through so many of his cartoonish characters. He loved to make people laugh and while he could have approached his career with more serious attention, the real money was in his madness. In the end, the actor's chronic weight and accompanying health problems took their toll -- a fatal heart attack at the untimely age of 43 -- and a wonderful actor/writer/poet/chef had exited way before his time.
Born on February 3, 1938 in San Diego, California, the son of Victor Francis Buono and Myrtle Belle (née Keller), his interest in entertainment was originally encouraged by his grandmother, Myrtle Glied (1886-1969), who had once been a vaudevillian on the Orpheum Circuit. It was she who taught Victor how to sing and recite in front of company. His initial choice of career was somewhere in the direction of medicine but the pure joy he experienced from several high school performances (playing everything from Aladdin's evil genie to Hamlet himself) led him to dismiss such sensible thinking and take on the bohemian life style of an actor.
The already hefty-framed hopeful started appearing on local radio and television stations in San Diego. At age 18, he became a member of the Globe Theater Players where he was cast in Shakespeare and the classics ["Volpone", "A Midsummer Night's Dream", "Knight of the Burning Pestle", "The Man Who Came to Dinner", "Witness for the Prosecution", "Henry IV, Part I (as Falstaff)", "As You Like It", "Hamlet" (as Claudius)].
In 1959, a Warner Bros. agent happened to scope out the talent at the Globe Theatre and caught Victor's wonderfully robust portrayal of Falstaff (a role he would return to now and then) and gave him a screen test. Looking older than he was, the studio set upon using Victor in weird and wacky ways, such as his bearded poet Bongo Benny in an episode of 77 Sunset Strip (1958). His wry and witty demeanor, fixed stare, huge girth and goateed mug was guaranteed to put him in nearly every television crime story needing an off-the-wall character or outlandish villain.
Following an unbilled appearance in The Story of Ruth (1960), Victor was intriguingly cast by director Robert Aldrich to play Edwin Flagg, the creepy musical accompanist and opportunist who tries to use one-time child celebrity Bette Davis for his own piggy bank in the gothic horror classic What Ever Happened to Baby Jane? (1962). He held his own beautifully opposite the scenery-chewing Davis and was nominated for a Best Supporting Oscar for his efforts. This role also set the tone for the increasingly deranged characters he would go on to play.
Cast as the title menace in The Strangler (1964), Victor delved wholeheartedly into the sick mind of a mother-obsessed murderer and offered a startling, tense portrayal of a child-like monster who gives new meaning to the art of "necking" with women. Director Aldrich used Victor again (albeit too briefly) for his Southern-baked "Grand Guignol" horror Hush...Hush, Sweet Charlotte (1964) this time as Ms. Davis' crazed father. Victor also showed up in The Greatest Story Ever Told (1965) starring Max von Sydow where he flamboyantly took on the High Priest Sorak role in this epic but criticized retelling of Jesus.
He enhanced a number of lightweight 1960s movies including 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966) and Who's Minding the Mint? (1967) with his clever banter and gleeful menace. The lurid title said it all when Victor gamely took on the horror movie The Mad Butcher (1971) [aka The Strangler of Vienna] wherein he played a former mental patient preying on women again. This deranged low-budget German/Italian co-production added a "Sweeney Todd" meatpie tie in.
Victor's hearty, scene-stealing antics dominated late 1960s television series. Recurring madmen included his Count Carlos Manzeppi on The Wild Wild West (1965) and King Tut who habitually wreaked havoc on Gotham City on Batman (1966). One could always find his unsympathetic presence somewhere on a prime-time channel (Perry Mason (1957), Get Smart (1965), I Spy (1965)) but his roles ended up more campy than challenging. However, one heartfelt, serious portrayal was his portrayal of President William Howard Taft in the epic miniseries Backstairs at the White House (1979). Elsewhere, he recorded a self-effacing comedy album ("Victor Buono: Heavy!") and even wrote comic poetry ("Victor Buono: It Could Be Verse". He was indeed a sought-after raconteur on daytime and nighttime talk shows.
Continuing with the theatre but on a more infrequent basis, his one-man stage shows included "Just We Three", "Remembrance of Things Past" and "This Would I Keep". He also appeared as Pellinore opposite Robert Goulet and Carol Lawrence in a 1975 performance of "Camelot" and earned minor cult status for his memorable performance in the play "Last of the Marx Brothers' Writers" in a return to the Old Globe Theatre in 1977.
The never-married actor felt compelled to conceal his homosexuality. A well-regarded gourmet chef and an expert on Shakespeare, he died of a massive heart attack at his ranch in Apple Valley, California on January 1, 1982. Before his death was announced, Buono had just been cast in the Broadway-bound play "Whodunnit?" by Anthony Shaffer. The show finally arrived in New York without him and almost a year to his death (December 30, 1982). - Actor
- Stunts
Emory Souza was born on 31 October 1937 in Alameda County, California, USA. He was an actor, known for The Evil (1978), Little Cigars (1973) and Alice (1976). He was married to Linda Jo Hingston Souza. He died on 6 January 1980 in Los Angeles County, California, USA.- Stunts
- Actor
- Second Unit Director or Assistant Director
One of the modern US cinema's greatest stuntmen and stunt innovators, Dar Robinson only appeared in a relatively small number of films compared to other stuntmen (before losing his life in an off-set motorcycle accident); however, he set new benchmarks in stunt performances.
Robinson first appeared onscreen doubling for Steve McQueen jumping into the sea off a clifftop in Papillon (1973), and the following year leapt into the sea again on a motorbike doubling for crooked cop David Soul in Magnum Force (1973). Robinson also doubled for Henry Silva in the dramatic conclusion to Sharky's Machine (1981) where Silva's hitman character is blasted by cop Burt Reynolds through a plate glass window and falls to his death from an Atlanta, Georgia, skyscraper. In reality, Robinson took the dive out the window and landed an on an airbag many floors below to break his fall!
Dar was a high-fall specialist and one of his most amazing stunts was doubling for Christopher Plummer at the conclusion of Highpoint (1982) where the villain falls from the 1,170-foot-high CN Tower in Toronto, Canada. Once again, Dar took the plunge with a concealed parachute, which he opened at the absolute last moment, and he earned $150,000 for his work. Robinson also appeared in several minor acting roles onscreen; however, in 1987, Burt Reynolds backed his faith in Dar by casting him as the sadistic albino villain "Moke" in the crime thriller Stick (1985). Not only did Dar act in front of the camera but he also designed and performed the incredible stunt where "Moke" falls to his death from a very high balcony, seemingly straight onto the pavement below. In actual fact, Dar was rigged to a complex wire rig that "deccelerated" his fall, and made the use of an airbag unnecessary.
Dar Robinson was much loved by many people in Hollywood and his tragic passing meant the movie business lost a stunt genius and many people lost a sincere friend. Director Richard Donner dedicated his high voltage action film Lethal Weapon (1987) to Dar's memory!- Music Artist
- Actor
- Music Department
Elvis Aaron Presley was born on January 8, 1935 in East Tupelo, Mississippi, to Gladys Presley (née Gladys Love Smith) and Vernon Presley (Vernon Elvis Presley). He had a twin brother who was stillborn. In 1948, Elvis and his parents moved to Memphis, Tennessee where he attended Humes High School. In 1953, he attended the senior prom with the current girl he was courting, Regis Wilson. After graduating from high school in Memphis, Elvis took odd jobs working as a movie theater usher and a truck driver for Crown Electric Company. He began singing locally as "The Hillbilly Cat", then signed with a local recording company, and then with RCA in 1955.
Elvis did much to establish early rock and roll music. He began his career as a performer of rockabilly, an up-tempo fusion of country music and rhythm and blues, with a strong backbeat. His novel versions of existing songs, mixing 'black' and 'white' sounds, made him popular - and controversial - as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Jailhouse Rock" and "Hound Dog" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop music. Teenage girls became hysterical over his blatantly sexual gyrations, particularly the one that got him nicknamed "Elvis the Pelvis" (television cameras were not permitted to film below his waist).
In 1956, following his six television appearances on The Dorsey Brothers' "Stage Show", Elvis was cast in his first acting role, in a supporting part in Love Me Tender (1956), the first of 33 movies he starred in.
In 1958, Elvis was drafted into the military, and relocated to Bad Nauheim, Germany. There he met 14-year old army damsel Priscilla Ann Wagner (Priscilla Presley), whom he would eventually marry after an eight-year courtship, and by whom he had his only child, Lisa Marie Presley. Elvis' military service and the "British Invasion" of the 1960s reduced his concerts, though not his movie/recording income.
Through the 1960s, Elvis settled in Hollywood, where he starred in the majority of his thirty-three movies, mainly musicals, acting alongside some of the most well known actors in Hollywood. Critics panned most of his films, but they did very well at the box office, earning upwards of $150 million total. His last fiction film, Change of Habit (1969), deals with several social issues; romance within the clergy, an autistic child, almost unheard of in 1969, rape, and mob violence. It has recently received critical acclaim.
Elvis made a comeback in the 1970s with live concert appearances starting in early 1970 in Las Vegas with over 57 sold-out shows. He toured throughout the United States, appearing on-stage in over 500 live appearances, many of them sold out shows. His marriage ended in divorce, and the stress of constantly traveling as well as his increasing weight gain and dependence upon stimulants and depressants took their toll.
Elvis Presley died at age 42 on August 16, 1977 at his mansion in Graceland, near Memphis, shocking his fans worldwide. At the time of his death, he had sold more than 600 million singles and albums. Since his death, Graceland has become a shrine for millions of followers worldwide. Elvis impersonators and purported sightings have become stock subjects for humorists. To date, Elvis Presley is the only performer to have been inducted into three separate music 'Halls of Fame'. Throughout his career, he set records for concert attendance, television ratings and recordings sales, and remains one of the best-selling and most influential artists in the history of popular music.- Actor
- Producer
- Director
Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.
He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).
He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).
Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night". His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity", "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).
He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.
Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.
On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.- Actress
- Writer
- Director
The late Adrienne Shelly was born in Queens, New York, to Elaine Langbaum and Sheldon Levine. After graduating Jericho High School in Jericho, New York, she enrolled at Boston University and majored in film production. She dropped out after her junior year and moved to Manhattan, where she made a name for herself in independent films with her work in The Unbelievable Truth (1989) and Trust (1990). She eventually moved behind the camera, writing and directing I'll Take You There (1999) and Waitress (2007) (her final film).
On November 1, 2006, Adrienne Shelly was murdered. She was survived by her husband Andy Ostroy and their daughter Sophie.- Born in Boston of Irish ancestry and raised in Dallas, Jack Nance traveled throughout the country doing children's theater. For eight years, he performed with the American Conservatory Theater in San Francisco. Later, he became involved with avant-garde theater. He first met David Lynch in the early 1970s in Philadelphia while he was performing in a local theater, and Lynch decided to cast him as the lead in Eraserhead (1977). Originally, it was to be a six-week shooting project, but due to budget restrictions and technical complications, the production and filming took nearly five years to complete. Nance relocated to Los Angeles in the early 1980s, where he appeared in unusual and widely praised films that were not always considered mainstream Hollywood. He has appeared in almost every movie by Lynch, including the television series Twin Peaks (1990), usually playing secondary characters or quirky supporting parts. Nance died suddenly and unexpectedly on December 30, 1996 from an apparent internal head injury the morning after getting into a physical brawl at a donut shop with some rowdy patrons.
- Kelly Van Dyke was born on 5 June 1958 in Danville, Illinois, USA. She was an actress. She was married to Jack Nance and Jeffrey Archer. She died on 17 November 1991 in Los Angeles, California, USA.
- Peter Risch was born on 10 October 1947 in Illinois, USA. He was an actor, known for Ghoulies (1984), The Lord of the Rings (1978) and Something Wicked This Way Comes (1983). He died on 21 October 1989 in Los Angeles County, California, USA.
- Actress
- Additional Crew
Tamara De Treaux was born on 21 October 1959 in California, USA. She was an actress, known for E.T. the Extra-Terrestrial (1982), Ghoulies (1984) and Rockula (1990). She died on 28 November 1990 in Los Angeles, California, USA.- Actor
- Producer
- Director
Christopher Shannon Penn was born on October 10, 1965 in Los Angeles, California, the third son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His siblings are musician Michael Penn and actor Sean Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half-Italian and half-Irish descent.
Penn set out to follow in his parents' footsteps and started acting at age twelve in the Loft Studio. While in high school he and his brother Sean made several shorts with their classmates, which included such would-be stars as Emilio Estevez and Rob Lowe. Penn made his onscreen debut in the Christopher Cain movie, Charlie and the Talking Buzzard (1979). After a few years Penn caught the eye of acclaimed director Francis Ford Coppola, who cast him in a supporting role in the teen drama Rumble Fish (1983). Although the film was a flop critically and commercially, Penn's career was well under way.
That same year he acted in All the Right Moves (1983), a high school drama film starring a young Tom Cruise. The next year Penn gave a performance in Footloose (1984), starring Kevin Bacon and dealing with a small town which bans rock & roll music. The movie was a smash hit, and remains a classic to this day. Penn followed this up with a villainous role in Clint Eastwood's Pale Rider (1985), and the crime movie At Close Range (1986), starring Christopher Walken.
Penn acted in a few smaller productions until he was cast as Travis Brickley in the sports drama Best of the Best (1989). Penn's character is a martial arts fighter who joins the other main characters when they enter a taekwondo tournament against the Korean team. The movie spawned several sequels, though Penn only appeared in the first and second films. A few more jobs followed until Penn landed what is known as his most famous movie: Quentin Tarantino's Reservoir Dogs (1992). The indie crime film concerned a heist gone wrong, as the criminals search for a rat in their midst. Penn played the role of Nice Guy Eddie, the son of the old gangster that arranges the heist. The film continues to receive acclaim as a classic movie and as the start of Tarantino's directing career. Penn also acted in the Tarantino-scripted Tony Scott crime movie True Romance (1993), albeit in a much smaller role. Penn also took a supporting role in the ensemble film Short Cuts (1993) by Robert Altman.
After participating in these acclaimed films, Penn took on several smaller projects, including a role as the villain in the second "Beethoven" movie. In this period of time, Penn acted in such films as the crime film Mulholland Falls (1996), set in the 1950s. Penn then gave one of his greatest performances in the Abel Ferrara crime drama The Funeral (1996). The movie starred Christopher Walken, Penn, and Vincent Gallo as three brothers who are involved in the world of crime, even as it threatens to take them all down. Penn plays Chez, the middle brother, who has a very short temper. Penn also sang a song in the film as his character. While the film was well received critically and Penn received an award for Best Supporting Actor at the Venice Film Festival for his excellent performance, The Funeral (1996) went largely unseen. Penn followed up with the Canadian film The Boys Club (1996), the crime thriller One Tough Cop (1998), and a supporting role in the hit comedy Rush Hour (1998).
Following his latest success, Penn acted in the drama-comedy The Florentine (1999), the English comedy Kiss Kiss Bang Bang (2001), and the crime thriller Murder by Numbers (2002). Penn was also one of the many stars that acted in the box office failure Masked and Anonymous (2003), starring Bob Dylan. The last few years of his career mainly featured supporting roles in such movies as After the Sunset (2004), Starsky & Hutch (2004), and the Canadian crime film King of Sorrow (2007), his last film appearance. Throughout his life Penn had had battles with heart disease and multiple drug use. He was found dead in his home on January 24, 2006. He was only forty years old.
Penn left behind a career that featured many roles in small, independent productions as well as several very well-known films. Penn worked with several esteemed directors and fellow actors, lending his talent to both television and film. Although he never received nearly as much attention or as many awards as his brother Sean, Chris Penn will always be remembered by those who watch movies and appreciate his work.- Actor
- Producer
- Additional Crew
Steve was born and raised on the Blackfeet Reservation in Browning, Montana. Son of Curley and Lila Reevis, he is the 4th of 6 siblings. He graduated from Flandreau High School and attended Haskell Indian Junior College in Lawrence, Kansas where he received a degree in arts. After junior college, he left the reservation in Montana to try to begin an acting career in Los Angeles. He lived on the beach in his car, a 1971 Ford Torino, for many months before he began to have a more steady income. He and his wife Macile, an artist and clothing designer, have three children.
In 1996 Steve received an award from First Americans in the Arts (FAITA) for his supporting roles in both the critically acclaimed movie Fargo and in the made for television movie Crazy Horse. In 2004 he repeated this honor for his work on the ABC series Line of Fire.- Actor
- Soundtrack
Beefy, roughhewn actor Robert Pastorelli was a former boxer and an admitted drug addict before he cleaned up his act and pursued theater work in New York in such 1970s productions as "Rebel Without a Cause," "The Rainmaker," and "Death of a Salesman," he headed west and turned to film and TV in 1982, soon finding a fairly comfortable niche playing ballsy, streetwise characters often with a Runyonesque feel and truck driver mentality. Supporting Bette Midler and Shelley Long in Outrageous Fortune (1987) and Eddie Murphy in Beverly Hills Cop II (1987), his first meaty film role came with Kevin Costner's Dances with Wolves (1990). But it was TV that would be his claim to fame as Candice Bergen's gruff but mushy-hearted house painter in Murphy Brown (1988), staying with the show for seven seasons. With that came more visible roles in Sister Act 2: Back in the Habit (1993), Michael (1996), and Modern Vampires (1998). He played the role of salty Luther Billis in the mini-movie remake of South Pacific (2001) with Glenn Close, then appeared as Mitch with Ms. Close on stage in "A Streetcar Named Desire" a year later. Sadly, drugs once again took hold of Pastorelli in full force in later years. In 2004, the 49-year-old died of a heroin overdose and was found at home with a syringe in his arm in the bathroom by his assistant.- One of the most unlikely TV stars in history, Alvin Samples, Jr., was a carpenter by vocation and avid fisherman and teller of tall tales by avocation. A recording of Junior's tall tales, originally made for a radio program, was heard by Chet Atkins, who, in turn, introduced him to country music comedian Archie Campbell. The album the two men made, "Bull Session at Bull's Gap" on RCA, was a direct stepping stone to both men's being signed to the "Hee Haw" television show, where they remained regulars for years. A mammoth bear of a man, whose weight came close to 400 pounds, Samples was still a regular on the program when he died of a heart attack at age 57.
- Writer
- Director
- Actor
John Monk Saunders was born on 22 November 1895 in Hinckley, Minnesota, USA. He was a writer and director, known for The Dawn Patrol (1930), Wings (1927) and Devil Dogs of the Air (1935). He was married to Fay Wray and Avis Bissell (Hughes). He died on 11 March 1940 in Ft. Myers, Florida, USA.- Writer
- Producer
- Director
Robert Riskin was born on 30 March 1897 in New York City, New York, USA. He was a writer and producer, known for It Happened One Night (1934), You Can't Take It with You (1938) and Mr. Deeds Goes to Town (1936). He was married to Fay Wray. He died on 20 September 1955 in Beverly Hills, Los Angeles, California, USA.- British actor Bob Peck was born in Leeds in north England on August 23, 1945. He attended Leeds Modern School and then graduated from Leeds College of Art before starting professional stage acting. Peck acted for the Royal Shakespeare Company and the National Theatre. He also starred in more than 20 television dramas. In Britain, he was best known for his role in the 1985 television series, Edge of Darkness (1985). Internationally, he made his mark as "Robert Muldoon", a game warden in Steven Spielberg's Jurassic Park (1993). Peck was known as a highly adaptable actor and garnered wide respect from his colleagues. Actor Sir Ian McKellen has credited Peck as being the actor from whom he has learned the most. Peck died in London of cancer at age 53. He had fought the disease for several years. He was survived by his wife, Jill Baker, two daughters and a son.
- Actress
- Soundtrack
Spanish actress-dancer-singer who starred in one U.S. television series before her early death. A native of Madrid, Sierra was an accomplished tap dancer at the age of four. She appeared throughout her childhood in children's shows and later in nightclubs as a dancer and singer, touring Spain and Central and South America. At the age of 20, she arrived in the U.S. on a nightclub tour. She was a hit appearing on the Jack Paar show, but got her big break in television when Warner Bros. executive William T. Orr spotted her in performance at the Persian Room in New York. He signed her to a contract and gave her the starring role of "Cha Cha O'Brien" in the series Surfside 6 (1960). The show ran two seasons, and Sierra returned to nightclub performances. In the spring of 1963, Sierra was overcome by a heart ailment and had heart surgery. After several months, she was hospitalized again in Hollywood, where she died on September 6, at the age of 27.- Actor
- Director
- Soundtrack
Dark haired, athletic American leading man of '40s B-movies. Richard Crane was at his most successful at a time when Hollywood was somewhat denuded of its male stars, most of whom were doing wartime military service. Upon their return to the ranks, Crane's career went into decline. He did, however, have a brief resurgence in the 1950s as the square-jawed, muscular hero of several space-borne serials, notably as the titular star of Rocky Jones, Space Ranger (1954). The next fifteen years he spent guesting in TV westerns and crime dramas, frequently appearing on The Lone Ranger (1949) and Lassie (1954). His final recurring role was as a police lieutenant in Surfside 6 (1960), a detective series aimed at the teenage market. At the time of Crane's death, he was President of Film Trend Productions.- Actress
- Soundtrack
Well-endowed, attractive Joyce Jameson was typecast as "broads," "dames," and dizzy blondes -- somewhat in the vein of Barbara Nichols. In real life, she was said, like such other ditzy blondes as Judy Holliday and Jayne Mansfield, to have been the antithesis of her screen personae, a graduate in theatre arts from UCLA, highly intelligent and well-read.
Born in Chicago in 1927 (not 1932 as has been misreported) as Joyce Kingsley as per the Cook County, Illinois Birth Index, 1916-1935 (File Number 6045258), she began acting in films from 1951, after being 'spotted' at the small Cabaret Club by Steve Allen. At that time, she was already a seasoned performer on stage in musical revue, featured playing multiple parts in shows staged by her then-husband and mentor, Billy Barnes, initially at the Cabaret Club, then at the Las Palmas Theatre in Hollywood, and finally on Broadway.
After several small supporting bits on the big screen and the odd ghost-written TV script, Jameson's career gained momentum from the late 1950s. She was seen in better productions, such as Billy Wilder's The Apartment (1960). Adept at dialects and mimicry, Jameson made a name for herself on The Tonight Show Starring Jack Paar (1957) with a ventriloquist act, featuring her 'alter ego,' an imaginary dummy, unsurprisingly named "Marilyn." Jameson was said to have derived the idea of being subsumed by this 'other personality' from the British horror classic Dead of Night (1945). Reputedly still more uproarious, were her biting impersonations of Judy Garland, Grace Kelly, and, above all, Marlene Dietrich.
She may be most-fondly remembered for her first two cult Gothic horrors she made for Roger Corman, loosely based on stories by Edgar Allan Poe. Tales of Terror (1962), finds her (in story number two, 'The Black Cat') as perpetually inebriated Peter Lorre's philandering wife Annabel, who suffers the ignominious fate of being entombed alive in a wine cellar, alongside paramour Vincent Price. Her performance on the way to that demise -- at once funny and tragic -- amply demonstrated her ability to hold her own in a leading role opposite such dominant personalities as Lorre and Price. She was quite good (and certainly very decorative) in her second outing for Corman, The Comedy of Terrors (1963) albeit in a more typical role as decrepit Boris Karloff's ditzy daughter, Amaryllis Trumbull.
On television, she had a recurring spot on The Andy Griffith Show (1960) and guested in many classic series, including westerns and science fiction, though her forte was almost certainly comedy. Unable to escape her typecasting, she rarely got roles her acting talent would have justified. Jameson once commented acerbically in an interview, "Everyone expects to cast me as the dumb or victimized blonde. After they interview me, I can just hear them say, 'Hey! She's intelligent, but what do you do with it?'" (The Pittsburgh Press, July 27,1958).- Actress
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Gertrude Michael was born in Talladega, Alabama, on June 1, 1911. After graduating from high school, she appeared on radio, as a musician and "Home Arts" advisor. A piano prodigy, she dropped out of the Cincinnati Conservatory of Music at age 18 to pursue acting. It was in Cincinnati, in 1929, that she made her stage debut in a stock company headed by Stuart Walker. She subsequently appeared on Broadway in Rachel Crothers's "Caught Wet" (1931). She entered the movies playing Richard Arlen's fiancée in Wayward (1932). Arguably her best remembered role is the jealous "Rita Ross" of Murder at the Vanities (1934). She died in Hollywood on December 31, 1964, having never married. She was interred at the Chapel of the Pines Crematory, Los Angeles, California.- Actor
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Russell Hopton was born on 18 February 1900 in New York City, New York, USA. He was an actor and director, known for Once in a Lifetime (1932), The Little Giant (1933) and Star of Midnight (1935). He died on 7 April 1945 in North Hollywood, California, USA.- Actress
Irene Labhart was born in 1937 in Switzerland. She was an actress. She was married to Lex Barker. She died on 23 October 1962 in Rome, Italy.- Actor
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Cy Kendall was born on 10 March 1898 in St. Louis, Missouri, USA. He was an actor, known for Lady in the Death House (1944), Blonde for a Day (1946) and Pacific Liner (1939). He was married to Margaret. He died on 22 July 1953 in Woodland Hills, Los Angeles, California, USA.- Actor
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Charles Kemper was born on 6 September 1900 in Oklahoma, USA. He was an actor, known for Scarlet Street (1945), The Doolins of Oklahoma (1949) and Fighting Father Dunne (1948). He was married to Jacqueline Kemper. He died on 12 May 1950 in Burbank, California, USA.- Alexander Crichlow Barker Jr. was a direct descendant of the founder of Rhode Island, Roger Williams, and of Sir William Henry Crichlow, historical Governor-General of Barbados. Barker attended the Fessenden School and Phillips-Exeter Academy, where he excelled in football and track. He went to Princeton, but left to become an actor. A year later he was spotted while working in summer stock theatre, and received a contract offer from 20th Century Fox. World War II intervened; he enlisted as an infantry private, and rose to the rank of major.
Although later signed by Fox and then Warner Bros, he was too tall for supporting parts and too unknown for leads. Tarzan's Magic Fountain (1949) (RKO) provided his first starring role. After five Tarzan films, he went into other adventure films. After 16 non-Tarzan films, mostly westerns, he went to Europe in 1957 (he spoke French, Spanish, Italian, and German). He went on to make more than 50 more films worldwide: Brazil, Germany, Spain, Yugoslavia, Italy, Lebanon, France, as well as the USA. He became very popular in Germany owing to his roles as "Old Shatterhand", "Kara Ben Nemsi", and "Dr. Karl Sternau", in films based on books written by Karl May, a popular German writer of adventure literature. Barker won Germany's Bambi Award as Best Foreign Actor of 1966. - Actor
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Paul Richards was born on 23 November 1924 in Hollywood, California, USA. He was an actor, known for Beneath the Planet of the Apes (1970), Monkey on My Back (1957) and The St. Valentine's Day Massacre (1967). He was married to Monica Keating. He died on 10 December 1974 in Culver City, California, USA.- Actress
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Ann Sheridan won the "Search for Beauty" contest which carried with it a Paramount screen test. Signed to a contract at 18, she was put into a number of small roles under her real name of Clara Lou Sheridan. As she got better, her name was changed to Ann. In 1936, after two dozen films, she went to Warner Brothers, which billed her as the "Oomph Girl," a name she despised -- although she certainly looked the part. She was allowed to mature into a leading star who could be the girl next door or the tough-as-nails dame. She was in a lot of comedies and a number of forgettable movies, but the public liked her, and her career flourished. She also gave great performances such as the singer in Torrid Zone (1940) and the waitress in They Drive by Night (1940). In 1948, she was dropped by Warner Bros., but came back in Howard Hawks' comedy I Was a Male War Bride (1949) with Cary Grant. She continued to make films into the 1950s but retired before the end of the decade. She starred in the soap opera Another World (1964) and the western series Pistols 'n' Petticoats (1966). Unfortunately, just as her career was reviving with this series, she died of cancer.- Actor
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Born Robert Alexander Cochran, son of a California lumberman, he worked mostly in the theatre before landing a contract with Samuel Goldwyn in 1945. His debut was Wonder Man (1945) with Virginia Mayo and Danny Kaye. From 1949 to 1952, he was signed to Warner Brothers, then started up his own production company. In 1965, he sailed off in his yacht to Guatemala to look for suitable filming locations but died of a lung infection before reaching land.- Actor
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Born into a prominent Boston family of bankers whose patriarch was said to have arrived in America from England in 1683, Sonny Tufts would end his career as a Hollywood "bad boy," immersed in drink and scandal.
Tufts was graduated from Yale in 1935 and began pursuing a career in opera, eventually auditioning with the Metropolitan Opera in New York. But he drifted into the world of pop music and soon found himself on the Broadway stage. He went to Hollywood in 1942 and for most of the 1940's appeared in supporting roles or as second leads in light comedies produced by Paramount Pictures. An old college football injury had disqualified him for military duty, and so, with many of Hollywood's younger leading men serving overseas in World War II, this tall, blond, blue-eyed actor became something of a star, if only by default. But by the turn of the decade he had found his name in print on account of his off-screen activities. In 1949 he had been found drunk on a Hollywood sidewalk. In 1950 he was sued by two women for allegedly biting each of them in the thigh. In 1951 his wife had him jailed for drunkenness. The name Sonny Tufts itself became a joke. Thereafter he made few films, but could be found in occasional guest appearances on inconsequential TV shows. He died of pneumonia at age 58.- Actor
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John Nesbitt was born on 23 August 1910 in Victoria, British Columbia, Canada. He was an actor and producer, known for Telephone Time (1956), Souvenirs of Death (1948) and Clues to Adventure (1949). He died on 10 August 1960 in Carmel, California, USA.- Actor
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Michael Landon was born Eugene Maurice Orowitz, on Saturday, October 31st, 1936, in Forest Hills, Queens, New York. In 1941, he and his family moved to Collingswood, New Jersey.
When Eugene was in high school, he participated -- and did very well -- in track and field, especially javelin throwing, and his athletic skills earned him a scholarship to USC. However, an accident injured his arm, ending his athletic career -- and his term at USC -- and he worked a number of odd jobs and small roles to make ends meet and decided that acting was for him. However, he thought that his real name was not a suitable one for an aspiring actor, and so "Michael Landon" was born.
Two of his first big roles were as Tony Rivers in I Was a Teenage Werewolf (1957) and as Tom Dooley in the western The Legend of Tom Dooley (1959). That same year he was approached by producer David Dortort to star in a pilot called The Restless Gun (1957), which was renamed when the series was picked up to Bonanza (1959). Landon played Little Joe Cartwright, the youngest of the three Cartwright brothers, a cocky and somewhat rebellious youth nevertheless had a way with the ladies. For 14 years, Landon became the heart and soul of the show, endearing himself to both younger and older viewers, and he became a household name during the 1960s and 1970s.
In 1968, after almost ten years of playing Little Joe, he wanted an opportunity to direct and write some episodes of the show. After the season finale in 1972, Dan Blocker, who played his older brother Hoss and was also a close friend, died from a blood clot in his lung, after gall bladder surgery, but Michael decided to go back to work, revisiting his own character in a two-part episode called "Forever."
Bonanza (1959) was finally canceled in early 1973, after 14 years and 430 episodes. Michael didn't have to wait long until he landed another successful role that most TV audiences of the 1970s would thoroughly enjoy, his second TV western, for NBC, Little House on the Prairie (1974). That show was based on a popular book written by Laura Ingalls Wilder, and he played enduring patriarch and farmer Charles Ingalls. Unlike Bonanza (1959), where he was mostly just a "hired gun," on this show he served as the producer, writer, director, and executive producer. By the end of its eighth season in 1982, Landon decided to step down from his role on "Little House" as he saw his TV children grown up and moved out of their father's house, and a year later, the show was canceled. After 14 years on Bonanza (1959) and 8 years on Little House on the Prairie (1974), it was about time to focus on something else, and once again, he didn't have to wait too long before Highway to Heaven (1984) came along. Unlike the western shows that he did for 23 years, this NBC fantasy/drama show focused on Jonathan Smith, an angel whose job was to save peoples' lives and work for God, his boss. Victor French played ex-cop Mark Gordon, who turned down a fortune but had redeemed himself by meeting Jonathan.
By the end of the fifth season in 1989, French was diagnosed with lung cancer and died in June of that same year. Landon was devastated by the loss and pulled the plug on Highway to Heaven (1984). In early 1991, after 35 years of working on NBC, he was axed by the network, so he moved to CBS to star in the pilot of a two-hour movie, Us (1991), in which he played Jeff Hayes, a man freed from prison by new evidence after 18 years wrongfully spent inside. This was going to be another one of Landon's shows but, in April 1991, he was diagnosed with pancreatic cancer. He later appeared on The Tonight Show Starring Johnny Carson (1962) to talk about his battle with the disease, and many people in the audience were affected by the courage and energy he showed. Unfortunately, he was already terminally ill by that time, and on Monday, July 1st, 1991, after a three-month battle, he finally succumbed to the disease. His family, his colleagues, and his children were all by his side. His life-time: Saturday, October 31st, 1936 to Monday, July 1st, 1991, was 19,966 days, equaling 2,852 weeks & 2 days.- Beryl Measor was born on 22 April 1908 in Shanghai, China. She was an actress, known for The Last Chronicle of Barset (1959), Odd Man Out (1947) and BBC Sunday-Night Theatre (1950). She was married to Terence de Marney. She died on 8 February 1965.
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Gaunt, emaciated-looking British character actor who enjoyed a lengthy career on the stage, both as an actor and as a director. By the age of 19, he was already a noted writer and producer of plays. De Marney made his theatrical debut in London in 1923. His first major role was as Jim Hawkins in "Treasure Island". For the next eight years, he went on tour with "The Last of Mrs. Cheyney", "Journey's End" and "The Lady of the Camelias". In 1931, he started to direct plays at the Connaught Theatre in Worthing and in the following year co-founded the Independent Theatre Club (formerly the Kingsway Theatre) with his brother Derrick De Marney, as an outlet for works banned for various reasons by the Lord Chamberlain. His next important part was that of Tybalt in "Romeo and Juliet" at the Open Air Theatre in 1934 which marked the beginning of a tendency towards villainous, or, at least, antagonistic portrayals. In the 1930's, he acted in a variety of thrillers and Victorian mysteries, ranging from Agatha Christie's "Dear Murderer" to Daphne Du Maurier's "Trilby" . He also co-wrote (in conjunction with Percy Robinson) several mystery plays, the most successful of which, "The Crime of Margaret Foley", ran for 210 performances at the Comedy Theatre in 1947 (with De Marney himself in the cast). Another, Wanted for Murder (1946), was later filmed, starring Eric Portman and Dulcie Gray. De Marney was also the very first actor to portray 'the Saint' (Simon Templar) in a radio serial of 1940.
After one of his plays flopped in 1953, De Marney went to Hollywood to try his luck on the screen. By the time he returned to England in 1962, he had notched up an impressive portfolio of credits as a TV guest star. This even included a recurring role in the western series Johnny Ringo (1959). For the better part of his remaining years, De Marney would relish the sinister and the macabre. Several of his outings into the horror genre have not travelled well : they include the abysmal Pharaoh's Curse (1957) and the poorly scripted H.P. Lovecraft adaptation Die, Monster, Die! (1965). On the other side of the ledger is a rather decent B-production, Beast of Morocco (1968), a vampire tale shot on location in Morocco. The film has style and atmosphere to boot (though the sound mixing is of variable quality) and De Marney's performance as the maniacal Omar (henchman to the vampire queen Aliza Gur) is quite memorable.
Terence De Marney died tragically when he fell under a tube train at the High Street Kensington Underground Station in London on May 25th 1971. Though he had always looked considerably older than his years, he was only 63.- Lowell Gilmore was born on 20 December 1906 in St. Paul, Minnesota, USA. He was an actor, known for The Picture of Dorian Gray (1945), The Black Arrow (1948) and Tripoli (1950). He died on 31 January 1960 in Hollywood, California, USA.
- Brenda Benet, born Brenda Ann Nelson in Los Angeles, California, on August 14, 1945, was a classic example of the modern-day Hollywood tragedy. As a television actress with good dramatic scope, she managed to piece together a wide and impressive portfolio of guest shots in a career spanning just over 16 years before taking her life at the age of 36. She spent her childhood and early teenage years feeling awkward and self-conscious because her complexion was darker than those of her siblings. Because of this, she felt that she did not fit in with her family, and often fantasized about being adopted.
Brenda attended UCLA for a brief time, majoring in languages. In 1962 she entered show business; her breakthrough role came in 1964 when she was selected to play the part of Jill McComb in The Young Marrieds (1964). After that came stints on various comedy and drama series in the '60s and '70s, usually playing ethnic, exotic types. She was probably best known for her role as the kind-hearted prostitute in Walking Tall (1973). During this time she married and divorced actor Paul Petersen. She began a relationship with Bill Bixby and moved in with him in 1969, and they married in 1971. By the late '70s, however, they were divorced.
Brenda retired from the business in the mid-'70s to raise a family, and in late 1974 she gave birth to a boy, Christopher Sean Bixby. Tragically, Christopher died in 1981 during a winter ski vacation in California. It was believed that this and her divorce from Bixby were the events which caused Brenda's life to spin out of control. On April 7, 1982, Brenda went into the bathroom of her West Los Angeles home, lit and arranged some candles in a circle on the floor and lay down. She then placed a Colt .38-cal. revolver into her mouth and pulled the trigger. She died instantly. - Music Department
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Harry Nilsson was born on 15 June 1941 in Brooklyn, New York City, New York, USA. He was a composer and actor, known for Magnolia (1999), Punch-Drunk Love (2002) and Contact (1997). He was married to Una Mary O'Keeffe, Diane Clatworthy and Sandra Lee McTaggart. He died on 15 January 1994 in Agoura Hills, California, USA.- Actor
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Born on November 8, 1924, in Youngstown, Ohio and after attending Northwestern University, Flynn began his entertainment career as a ventriloquist and as a radio performer. During World War II, he served in the Army's Special Services Branch (formerly the Morale Branch) entertaining the troops in the United States. After the war, Flynn moved to Hollywood. He made his film debut as Joseph Flynn in the bottom-of-the-barrel, beneath-B-picture potboiler The Big Chase (1954), which co-starred Lon Chaney Jr., which he followed up with a part as a priest in The Seven Little Foys (1955) starring Bob Hope.
Flynn began to achieve success on television in the late 1950s, becoming a regular on The George Gobel Show (1954). This landed him a role on The Joey Bishop Show (1961), but Flynn was dumped after the first season by Bishop for stealing too many scenes. By the time he was booted off, he had developed a reputation as a reliable comic foil.
The termination of his Bishop gig proved fortuitous for he landed the role that made him a television immortal that very next season: Captain Wallace 'Leadbottom' Binghamton on McHale's Navy (1962). The classic sit-com, which co-starred Ernest Borgnine and Tim Conway, ran until 1966 and spawned two theatrical movie releases. It also lead to a co-starring role on the short-lived The Tim Conway Show (1970).
Beginning with his appearance in Walt Disney Co.'s The Love Bug (1969), Flynn appeared in nine other Disney productions: seven theatrical releases and two TV movies, including two movies released after his death. He appeared in five movies with Kurt Russell, including three in which he played Eugene (E.J.) Higgins, the dean of financially-strapped Medfield College: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975).
In the early 1970s, Flynn was one of the leaders of a Screen Actors Guild group that sought a more equitable distribution of TV residual payments. On July 19, 1974, just after completing his voice-over work on the Disney animated movie The Rescuers (1977)," he died of a heart attack in the swimming pool of his Beverly Hills home. Apparently, he had gone into the pool with a cast on his broken leg. His body was found at the pool's bottom, held down by the weight of the cast. He was 49 years old.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Dorothy Whitney was born on 31 October 1933 in New York City, New York, USA. She was an actress, known for Breakfast at Tiffany's (1961) and Oh... Rosalinda!! (1955). She was married to Richard Bell Coney and Ramon Bieri. She died on 25 January 1977 in Reno, Nevada, USA.
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Truman Capote was born on 30 September 1924 in New Orleans, Louisiana, USA. He was a writer and actor, known for Murder by Death (1976), The Innocents (1961) and Breakfast at Tiffany's (1961). He died on 25 August 1984 in Los Angeles, California, USA.- Actress
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Lynn Forman was born on 4 June 1923 in Pennsylvania, USA. She was an actress, known for Trilogy (1969), ABC Stage 67 (1966) and The Thanksgiving Visitor (1968). She died on 5 June 1980 in Jermyn, Pennsylvania, USA.- Additional Crew
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Isla Cameron was born on 5 March 1927 in Blairgowrie, Perthshire, Scotland, UK. She was an actress, known for The Innocents (1961), The Prime of Miss Jean Brodie (1969) and Far from the Madding Crowd (1967). She died on 3 April 1980 in Islington, London, England, UK.- Best remembered in Britain for the television series Arthur of the Britons (1972), Ken Russell's The Devils (1971) and as the villain in For Your Eyes Only (1981). His break into films came with Don Levy's Herostratus (1967). His career was intermittently successful, interspersing notable performances with spells of unemployment. Michael was unmarried, living in Hampstead, London, and under treatment for depression at the time of his suicide in 1992.
- An enchantingly beautiful, luminous blonde, Mary Ure was born in Glasgow on February 18th, 1933. Her first film was Zoltan Korda's Storm Over the Nile (1955), a misfiring remake of The Four Feathers (1939). Next was Windom's Way (1957) - a tale of rubber plantation strikes and marital strife, but more significant events had been occurring off-screen. In 1956, she starred as "Alison" in John Osborne's "Look Back in Anger" at the Royal Court theatre in London. She began an affair with the married Osborne and, after his divorce, they tied the knot in 1957. By 1958, however, the marriage was falling apart. Osborne could be cold and detached and he did not hold his wife in particularly high esteem, as he wrote in the second volume of his memoirs, "Almost a Gentleman".
She began an affair with Robert Shaw around 1959 though she wasn't divorced from Osborne until 1962 and was complicit in the charade that the father of her first child, Colin born 31 August 1961, was Osborne's. In the meantime, she transferred her fragile, captivating portrayal of "Alison Porter" from stage to screen in the 1959 film adaptation of Look Back in Anger (1959), which also starred Richard Burton and Claire Bloom. Her beautiful performance of "Clara Dawes" in 1960's Sons and Lovers (1960) won her an Oscar nomination. In this time, she also performed a season at Stratford and, while pregnant, "The Changeling" at the Royal Court with Shaw. At the time she was pregnant, Jennifer Bourke, Shaw's first wife, was also pregnant by him (at his death in 1978 he left 9 children).
In 1963, she married Shaw and, after an absence of three years, returned to cinema screens with a good performance in The Mind Benders (1963) with Dirk Bogarde, a thought-provoking sci-fi drama. Then it was The Luck of Ginger Coffey (1964) and the flawed Custer of the West (1967), both with Shaw. Neither of these productions made a significant impact, though Ure performed admirably. In 1968, she made her one and only bona-fide big-budget blockbuster, Where Eagles Dare (1968) with Richard Burton and Clint Eastwood. It was a huge success but it would be two years before Ure's next, and last, film appearance.
In the meantime, she had continued to act on stage. Shaw's first wife, Jennifer Bourke, had given up her career as an actress to be a wife and mother. Ure didn't give up her career but the demands of motherhood (she bore Shaw 3 more children) and her growing dependence on alcohol meant it lapsed. Her final film was A Reflection of Fear (1972), an interesting horror psychodrama but Ure was absurdly cast as the mother of Sondra Locke, only 11 years younger than herself. After this, she returned to the stage. She died of an accidental overdose on April 3rd, 1975, taking too many sleeping pills on top of alcohol after a very late night, following an opening night on the London stage. She was a wonderful actress whose luster lingers in the mind long after the film has ended. Sadly, her own life ended aged at just 42. - Actor
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Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander.
As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic.
He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman. He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place." It was a success, selling 12,000 copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England, and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a.m. while visiting the couple, and she called him the next day. It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other. Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film. He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and Battle of Britain (1969). One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS." It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism. Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976). During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it. Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture." It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to be his last film; in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier, in June 1978, brought production to a halt.
While living in Ireland and taking a hiatus from work, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland, with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with Virginia in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia had started earlier that day while he was playing golf but whose pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk the pains off. After taking four or five steps from the parked car, he collapsed by the side of the road, and his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later, and Shaw was taken to Mayo General Hospital in Castlebar, where he was pronounced dead on arrival.- Chris Rebello was born on 8 August 1963 in Oak Bluffs, Massachusetts, USA. He was an actor, known for Jaws (1975). He was married to Lyn Wadsworth. He died on 30 November 2000 in Oak Bluffs, Massachusetts, USA.
- Actor
- Producer
- Director
Gary Dubin was born on 5 May 1959 in Los Angeles, California, USA. He was an actor and producer, known for The Aristocats (1970), Jaws 2 (1978) and Pump Up the Volume (1990). He was married to Marietha Zumaran. He died on 8 October 2016 in Burbank, California, USA.- He was David Thayer Hersey from an upper crust Winchester, Massachusetts family. After secondary school he began attending Harvard University. Along with several students he founded the Brattle Theatre Company in 1946. After working closely on Brattle with fellow Harvard graduates and his father,Thayer Frye Hersey, David took the stage name Thayer David in honor of his father.
Thayer David was tall and heavy-set with a prominent beetling brow and protruding lips (a somewhat intimidating demeanor) which inevitably bound him to character roles. But he had no false illusions about leading man roles and whatnot other than applying a consummate passion for being a good actor in those parts allotted him. To this he brought a forceful if pursed and imperious voice and a knack for developing voice characterizations to fit any part.
By late 1950 he was on Broadway in a revival of the comedy play "The Relapse" Through most the 1950s he was busy with theater roles rounded with returns to Broadway for the next two decades in some great dramas, including stepping in as a replacement to play Cardinal Wolsey in "A Man for All Seasons" (1961-63). Like many a trained actor looking beyond the stage, David saw the potential of the small screen as a new acting vehicle. By 1957 he had launched his TV career amid the television playhouse phenomenon which had been established by 1950. He would revisit perennially through most of the 1960s, but he had about the same time been discovered by filmdom as well.
His first role was in the quite well done Baby Face Nelson (1957), part of the body of serious dramas that Mickey Rooney (as the machine gun-happy 1930s gangster) was amassing since his early days as one of Hollywood's biggest juvenile stars. David next film had the clumsy and long forgotten title A Time to Love and a Time to Die (1958), but it was a much more substantial part with young John Gavin as German friends who become World War II officers and confront humanity versus the Nazi war mentality. As was usual with his roles, David was the veiled (if not overt) antagonist-always intellectual but with a brutish shadow. Within a year the chance to play a really melodramatic villain came with his casting in the film version of Journey to the Center of the Earth (1959) from the novel by the visionary French 19th century sci-fi author Jules Verne. Although the film substantially strayed from the novel, the latter plodded along, while the script was fast-paced and engaging. And where there was no villain except nature herself, the film had David as the self-serving-downright nasty - Count Saknussem. With James Mason heading the cast and-then-teen heartthrob Pat Boone drawing in as well a young female audience, the film and its special effects made for a rousing good time.
Into the 1960s David's opportunities focused most on television. And among these was a fad TV acting goal of being a guest super villain on the highly popular and inventive The Wild Wild West (1965 to 1969). David had the even better fortune of being cast in two episodes (1967 and 1969). In the meantime David had hit some more substantial TV pay dirt. The smash daytime horror soaper Dark Shadows had premiered in 1966, and David was in on the ground floor as perfect for several characters to emerge through the series run (1966 to 1971). He played seven characters in the course of the show, the most prominent being Professor T. Elliot Stokes. He reprised this role in the substantially more potent in-a-nutshell film version of the story House of Dark Shadows (1970), considered by horror aficionados as one of best blood and gore vampire romps. David returned in the studio-butchered and thus unsuccessful film sequel Night of Dark Shadows (1971) as his eighth characterization, the Reverend Strack. In all cases David was intimately involved and delighted in meshing makeup and costumes with the voices he invented for all these roles (most of which he developed) for the series.
If not from an already dependable track record, David's longevity on the series marked him as a veteran trooper in the casting halls of Hollywood. But he later recalled that his time invested in doing voice over commercials could often come close to DS production schedule conflicts. His commercial work marked the inevitable practical side of acting. Even the best known actors and actresses have stooped to such business over art, for the money is always good.
David was thereafter quite in demand through the decade of the 1970s in both film and TV. Although he might be best recalled from the era as the crooked fight manager in historic Rocky (1976), his most character of character roles was by far his Dragon in the Clint Eastwood adventure/thriller The Eiger Sanction (1975). Based on the novel by American author Rod Whitaker who used the pseudonym Trevanian to come off European, there is much name wordplay, for instance, Dragon's full name in the novel is Uras S. Dragon (say it fast). David's Dragon is head of CIA-like shadow hit unit which employed Eastwood's character, and Dragon is an extreme albino (can't tolerate normal environment). David gives him a rather strident rasping voice with a hint of menace that along with his nearly colorless eyes and figure bathed in the dramatic red light of an infrared-controlled environment easily makes him the most memorable character in the film.
David guest-starred on some of the most watched episodic fare of the 1970s, and he was especially busy between 1975 and 1977. Amid two to three films per year he made the rounds of TV production at the major studios. Universal had continued using his talents during this period when this contributor met and worked with Thayer David in early 1977. He was an engaging person who enjoyed good conversation - the more obscure the better - and a good cigar. Among outside pursuits he was also a rare book collector with varied interests and enjoyed entertaining at home.
A big man, he was nonetheless at that time overweight and the demands of production visibly put a strain on him - he looked ill. But an actor must work, and he carried on into the next year and lost some weight as well. It was then that Paramount television offered him a potentially great opportunity. This was the lead role in the TV pilot movie for a series on the preoccupied but brilliant, corpulent - and most important, rich - detective Nero Wolfe. The script was good, and Thayer lent his accumulated and considerable characterization talents to make Wolfe his own, although his loss of weight was now much more noticeable and was rumored to be cancer. The success of the TV pilot looked promising, as would the subsequent go-ahead for the series. But in one of the ironic twists of fate, Thayer David suddenly died of a heart attack, perhaps a complication of the purported advancing cancer - he was only 51 years old. The pilot was shelved for over a year, ending up premiering as a late night TV offering (Dec 1979). A Nero Wolfe series did appear (1981), but it was short-lived.
One can only wonder if Thayer David had remained hale. A Nero Wolfe series with such a dedicated and creative actor may have thrived with a long run - the Holy Grail of any actor - the dream of security and the opportunity to contribute thoroughly to on-going success. Oh well - the stuff of dreams - posterity has to settle for the filmed record of Thayer David as is - and that is a very substantial offering indeed. - Actor
- Writer
- Producer
Joseph J. Spagnuolo was born on October 28, 1936 in Manhattan, New York City at his family's apartment on 2nd Avenue. Spinell was a tough guy on and off the screen all his life. During his teen years, while still in high school, he acted in various plays on the New York stage, on and off Broadway, eventually earning a place in Joe Papp's Shakespeare Festival Theater. In 1960, he parlayed his stage work into a performing contract for MGM, where it was suggested that he change his name to Joe Spinell to make his name easier to pronounce. For nine years, Spinell worked with the group, which was also known as the Theater of the Forgotten, which also put on plays in prisons for the inmates. His minimal salary for his stage work forced him to hold down other jobs to make ends meet. Those jobs included working as a taxi driver, a post office clerk, and a liquor store clerk during Christmas holidays.
In 1972, Spinell was originally noticed when he appeared in his first movie role, a small, uncredited speaking part in The Godfather (1972), the right film for a tough, mean-looking Italian with a New York City accent. After his success, he became a familiar character actor who appeared in violent urban movies where he was usually cast as vicious thugs or seedy gang leaders. In both Godfather movies he played the hit man Willy Cici. In Rocky (1976), the first of several films he made with Sylvester Stallone, he played the loan shark Gazzo who employs Rocky as a collector.
His best (or worst) or most disgusting role is probably the one for which he is best remembered: the rare starring role of Frank Zito in Maniac (1980), a serial killer who kills women and uses their scalps to dress up female mannequins he keeps in his apartment. After Maniac (1980), Spinell continued acting with big-name Hollywood and independent movie directors, usually playing villainous thugs in small to medium roles.
During the last years of his life, Spinell's choice of projects became increasingly suspect; for example, imprisoned serial killer John Wayne Gacy wanted Spinell to play him in a movie. But with Maniac (1980) still on his mind, Spinell always wanted to do a sequel to the movie and with New York filmmaker Buddy Giovinazzo, they shot a 10-minute promo reel in 1986 titled Mr. Robbie, which was to be the sequel for Maniac (1980). After a few years of hard work and searching, Spinell found financing for the sequel, though just as pre-production was to begin, Joe Spinell suddenly passed away in his apartment in Sunnyside, Queens, New York on January 13, 1989, at age 52, due to undetermined causes, still the subject of much speculation. Some say he died of a heart attack because of his failing health in recent months due to his heavy drinking, drug use, and the emotional turmoil resulting from his mother's death in 1987. Others say he died from an asthma attack, or that he bled to death from an accidental (or deliberate) cut since he was a hemophiliac.
Spinell left behind an impressive body of film work all of which stand as a testament to his talent and unique screen presence as a character actor. He is survived by an ex-wife, a daughter, two brothers and a sister.- Actor
- Additional Crew
George Memmoli was born on 3 August 1938 in New York City, New York, USA. He was an actor, known for Mean Streets (1973), Phantom of the Paradise (1974) and Rocky (1976). He died on 20 May 1985 in Los Angeles, California, USA.- Actor
- Writer
- Producer
Once an overweight comic from Canada, Rick Ducommun slimmed down in the late 1980s and went on to tackle solid co-starring roles in feature films and TV, as well as headline several HBO and other pay-cable specials.
Ducommun grew up on a farm, the son of an entrepreneur father with whom he did not get along. Running away from home at age 14, he hitchhiked around the northern U.S., often living in communes, until returning to Canada at age 17, this time to Vancouver.
On a dare, Ducommun tried to do stand-up comedy at a Vancouver club. He was not only asked back, but bitten by the show business bug. He began playing clubs in Canada, hosted his own children's show, "ZigZag," and was put on TV by Alan Thicke, who was then hosting a talk show out of Vancouver.
When Thicke made his deal to do Thicke of the Night (1983), a late-night talk show from L.A., he brought Ducommun down to be announcer and a performer. When the show flopped, Ducommun began performing at L.A. clubs and acting in sitcoms. He was one of the zany cops on The Last Precinct (1986) -- a short-lived NBC show, and Mahler on Max Headroom (1987). Ducommun also played small parts in films, beginning with No Small Affair (1984) but found himself limited by a frame carrying 426 lb. He slimmed down more than 200 lb., and won the role of Art Weingartner, the dumb lug nosy neighbor to Tom Hanks in The 'Burbs (1989).
Despite good reaction to his work, the film was not a success, and Ducommun found himself mixing live performances in with his occasional film work, including an appearance in Blank Check (1994).
HBO did a special with Ducommun in 1989 called Rick Ducommun: Piece of Mind (1989), which was well received, as was the follow-up, "Hit and Run" in 1992. Ducommun frequently hosted pay and cable programs featuring stand-up comedy and was an regular performer on the Comedy Channel, later renamed, Comedy Central.- Actor
- Writer
- Producer
Once an overweight comic from Canada, Rick Ducommun slimmed down in the late 1980s and went on to tackle solid co-starring roles in feature films and TV, as well as headline several HBO and other pay-cable specials.
Ducommun grew up on a farm, the son of an entrepreneur father with whom he did not get along. Running away from home at age 14, he hitchhiked around the northern U.S., often living in communes, until returning to Canada at age 17, this time to Vancouver.
On a dare, Ducommun tried to do stand-up comedy at a Vancouver club. He was not only asked back, but bitten by the show business bug. He began playing clubs in Canada, hosted his own children's show, "ZigZag," and was put on TV by Alan Thicke, who was then hosting a talk show out of Vancouver.
When Thicke made his deal to do Thicke of the Night (1983), a late-night talk show from L.A., he brought Ducommun down to be announcer and a performer. When the show flopped, Ducommun began performing at L.A. clubs and acting in sitcoms. He was one of the zany cops on The Last Precinct (1986) -- a short-lived NBC show, and Mahler on Max Headroom (1987). Ducommun also played small parts in films, beginning with No Small Affair (1984) but found himself limited by a frame carrying 426 lb. He slimmed down more than 200 lb., and won the role of Art Weingartner, the dumb lug nosy neighbor to Tom Hanks in The 'Burbs (1989).
Despite good reaction to his work, the film was not a success, and Ducommun found himself mixing live performances in with his occasional film work, including an appearance in Blank Check (1994).
HBO did a special with Ducommun in 1989 called Rick Ducommun: Piece of Mind (1989), which was well received, as was the follow-up, "Hit and Run" in 1992. Ducommun frequently hosted pay and cable programs featuring stand-up comedy and was an regular performer on the Comedy Channel, later renamed, Comedy Central.- He was a highly successful black actor/director in the 1950s and 1960s who - because of his light-skinned appearance - transcended race and ethnicity in his performances. In motion pictures, Frank Silvera was cast as black, Latino, Polynesian and "white"/racially indeterminate (due to black + white film stock's lack of discernment when rendering light-skinned African-Americans).
He was actively engaged in the Civil Rights Struggles of the 1950s and 1960s and called on all of his associates in the theater and film world to support the efforts of Black Americans during this watershed in American history. The Frank Silvera Writers' Workshop Foundation, Inc. was founded by actor/ director Morgan Freeman, playwright/director Garland Lee Thompson, director/ actress Billie Allen and journalist Clayton Riley in 1973. - Samantha Smith was born on 29 June 1972 in Houlton, Maine, USA. She was an actress, known for Lime Street (1985), Charles in Charge (1984) and The Tonight Show Starring Johnny Carson (1962). She died on 25 August 1985 in Auburn, Maine, USA.
- Actor
- Writer
American stage actor and director who made numerous silent film appearances. Blinn was born and raised in San Francisco and attended nearby Stanford University. But his stage career had begun years before, when he made his acting debut at age six. Following his education, he resumed acting, eventually becoming a prominent figure on Broadway. He directed many of the plays he appeared in. In 1914, he made his first film and kept busy on screen and on stage for the remainder of his life. During the volatile strike of stage actors in 1919 that led to the formation of the actors' union, Actors Equity, Blinn was one of a minority of actors who sided with the opposition, the producers. He served as president of the Actors Fidelity League, which unsuccessfully fought the formation of the actors' union. During a vacation at Journey's End, his country home in Croton-on-Hudson, New York, Blinn was thrown from a horse. He appeared to be recuperating well, but the injury to his arm became infected and led to respiratory failure. He died on 24 June 1928 at 56.- Helena Pickard was born on 13 October 1900 in Handsworth, Sheffield, Yorkshire, England, UK. She was an actress, known for The Lodger (1944), The Lady with a Lamp (1951) and Vanity Fair (1956). She was married to Herbert Rothbarth and Cedric Hardwicke. She died on 27 September 1959 in Oxfordshire, England, UK.
- Richard Fiske was born on 20 November 1915 in Shelton, Washington, USA. He was an actor, known for Across the Sierras (1941), North from the Lone Star (1941) and The Officer and the Lady (1941). He was married to Marjorie Jean McGregor. He died on 10 August 1944 in La Croix-Avranchin, Manche, France.
- Max Hoffman Jr. was born on 13 December 1902 in Norfolk, Virginia, USA. He was an actor, known for Radio Patrol (1937), Freckles Comes Home (1942) and Sergeant Murphy (1938). He was married to Luana Walters, Helen Kane, Thelma White and Norma Terris. He died on 31 March 1945 in New York City, New York, USA.
- Shapely film brunette Luana Walters was one of film western's more sensual prairie flowers during the late 30s and early 40s. She was certainly one of the more decorative distractions in between all those cowboy heroics displayed by her co-stars: Gene Autry, Buck Jones, Tim McCoy, Charles Starrett and Bill Elliott.
Born July 22, 1912, in the Los Angeles area, she was the second child of a signal operator for the Southern Pacific Railroad. Educated at Ramona Convent in Alhambra, California, her incredible beauty was picked up on early and, by age 18, she had been scouted out and signed by United Artists. She had just appeared unbilled in a single 1930 film and in a San Francisco stage production of "The Shyster" when illness forced her off the screen for a couple of years. When she finally returned, she began working for other independent studios. A spirited, hot-blooded gal with a lovely, exotic allure, she apprenticed and more-than-paid her dues in film bits as a chorus girl, spitfire or floozie type.
Her lowbudget career was quite erratic and, for the most part, quite frustrating for her. Other than a handful of westerns and cliffhangers, she remained stuck in the bottom ranks, with numerous unbilled sexy roles in "A" pictures. Campy leads in a couple of exploitive morality mellers came her way that at least brought her a desirous bit of attention. She played a high school teen lured down the road to "reefer madness" in Assassin of Youth (1938), and then headed up the cast that warned of syphilis among WWII soldiers in No Greater Sin (1941). She also co-starred in The Corpse Vanishes (1942) as an intended victim of 'Bela Lugosi (I)''s mad doctor who kills virtuous brides in order to secure an eternal youth potion for his aging wife. As usual, Luana shows her strong side and turns the tables on him.
By 1942, Luana's career had all but dissipated and the abrupt death of her actor/husband Max Hoffman Jr. in 1945 at age 42 proved too much for her. She subsequently turned to drink and despair. A "comeback" in the "B" film noir Shoot to Kill (1947) plus a minor part as "Lara", Kirk Alyn's intergalactic mother, in the Superman (1948) serial failed to encourage other work. Other than a few obscure parts here and there in the 50s, she was little seen although she remained in the Los Angeles area for the remainder of her life. On May 19, 1963, at the age of 50, she became another tragic, barely-reported Hollywood statistic when she died from the effects of her alcoholism. - Tall, hulking character actor Dick Curtis spent years at Columbia Pictures menacing everyone from cowboy star Charles Starrett to the slapstick team of The Three Stooges. Curtis, unlike many movie villains, showed a genuine flair for comedy--especially physical comedy--in his many appearances in the studio's two-reelers and could do a double-take, a pratfall, take a pie in the face, a finger-poke to the eyes or a crowbar on the top of the head with the best of them. Although much of his career was spent at Columbia, where he specialized in western villains, he can also be seen as one of the crewmen who set out to rescue Fay Wray from the clutches of the giant ape in the original King Kong (1933).
He died in Hollywood of pneumonia in 1952. - Rita Carewe was born Violette Fox on September 9, 1909 in New York City. Her father was Native American director Edwin Carewe. The family moved to Hollywood in 1914 after he was hired by United Artists. When Rita was a teenager her father helped her get contract at First National. She made her film debut in the 1925 silent comedy Joanna. Then she appeared in High Steppers and Resurrection which were both directed by her father. Rita became known for polishing her legs to give the impression she was wearing silk stockings. In 1927 she was chosen to be a WAMPAS Baby Star along with Sally Rand and Adamae Vaughn. The beautiful blonde auditioned for the role of Lorelei Lee in Gentlemen Prefer Blondes but Ruth Taylor got the part.
Rita was briefly engaged to Tom McDonald, a real estate dealer. The couple never made it down the aisle. She married actor LeRoy Mason in 1928. Unfortunately her career never took off. Her final film was the 1930 comedy Radio Kisses with Marjorie Beebe. She divorced LeRoy in 1936 claiming he drank too much and had threatened her with a gun. They never had children, With her acting days behind her she started working as a saleswoman in a dress shop. Sadly in 1954 she was diagnosed with mouth cancer. On October 22, 1955 she died from the disease. Rita was only forty-six years old. She was cremated and buried in an unmarked grave at Angelus Rosedale Cemetery in Los Angeles, California. - Actor
- Soundtrack
LeRoy Mason was born on 2 July 1903 in Larimore, North Dakota, USA. He was an actor, known for Daughter of Don Q (1946), California Straight Ahead! (1937) and The Tiger Woman (1944). He was married to Rita Carewe and Bernice. He died on 13 October 1947 in Los Angeles, California, USA.- Actress
- Soundtrack
Sheila Ryan was born on 8 June 1921 in Topeka, Kansas, USA. She was an actress, known for Deadline for Murder (1946), The Lone Wolf in Mexico (1947) and Song of Texas (1943). She was married to Pat Buttram, Edward Norris and Allan Lane. She died on 4 November 1975 in Woodland Hills, Los Angeles, California, USA.- Josephine Norman was born on 12 November 1904 in Vienna, Austria-Hungary [now Austria]. She was an actress, known for The King of Kings (1927), Ramshackle House (1924) and The Forbidden Woman (1927). She was married to Herbert Rawlinson. She died on 24 January 1951 in Roslyn, Long Island, New York, USA.
- John Dilson was born on 18 February 1891 in Brooklyn, New York City, New York, USA. He was an actor, known for The Man with Nine Lives (1940), Drums of Fu Manchu (1940) and Gang Bullets (1938). He died on 1 June 1944 in Ventura, California, USA.
- Actor
- Soundtrack
Who could forget Colin Clive's "It's Alive! It's Alive!" as he melted to the floor mumbling the same over and over in ecstasy after his success at animating the Monster in the first sound version of Frankenstein (1931). Film history - horror film history - but part of a short history for actor Colin Clive - he died at 37 years of age. The son of a British army colonel on assignment in France at the time of Colin's birth, Clive the younger might have been expected to follow an army career-his ancestor was Baron Robert Clive, founder of the British Indian Empire. But he became interested in theater instead. His acting talents progressed through the 1920s to sufficient degree to replace Laurence Olivier who was starring in the R. C Sherriff play "Journey's End" in London. The director was up-and-coming James Whale, who had also been working his way up in London stage and film work as a budding scene designer and director. Among his stage and entertainment acquaintances in London was Elsa Lanchester - the future bride of Frankenstein. When Olivier moved on to other stage work, the play moved to the Savoy Theater in London with Clive in the lead in 1928.
Whale was waiting for the opportunity to move onto Broadway and Hollywood films. The success of "Journey's End" gave Whale his break. Broadway called for the play with him as both director and scene designer. It opened in March of 1929 but with Colin Keith-Johnston in the lead. Nevertheless, Clive came to New York as well to await developments. Halfway through 1930, the play had ended, and Whale was contracted by Paramount as a dialog director. Things continued to unfold quickly. Whale was very soon called on to direct what would be the first British/American co-produced sound film, a movie version of the popular Journey's End (1930). Whale got Clive back as the lead-the laconic, alcoholic Capt. Stanhope. And Clive showed on screen what came out in his stage performances - a measured intensity to his character, bolstered by his unique cracked baritone voice - seemingly always on the edge of irritation. Clive's first picture then led to opportunities in both British and American films. But he got his first play on Broadway "Overture" in late 1930 which ended in January of 1931. Then it was back to London where he was prophetically cast with Lanchester in The Stronger Sex (1931).
As they say, what came next was film history. Whale was contracted by Universal where Dracula (1931) had just been a huge hit and the studio was looking for a quick follow up. Shelley's Frankenstein was optioned as the next 'horror' movie with Whale directing. Whale wanted Clive as Dr. Henry Frankenstein, and it all came together. Clive played the tortured legitimate doctor driven to macabre surgery and near insanity with over-the-top theatrics that would type him for the remainder of his short career.
The next few years he played both B leading and A supporting roles. Two apt examples were playing brooding but romantic Edward Rochester in an early Jane Eyre (1934) and playing a British officer in Clive of India (1935) in which Ronald Colman - not he - played his illustrious ancestor. Clive returned to Broadway for two plays in 1933 and 1934 and one more in the 1935-36 season. Then it was back to Universal for the "Bride" sequel of Frankenstein (1935) in which his Dr. Henry was somewhat more subdued. This was mostly to do with a broken leg suffered from a horseback riding accident. He is seen doing a lot of sitting or lying down because of it. Dour and sour seemed to be his trademark, bolstered that much more with the remainder of his films in which he was usually disturbed supporting characters.
His final two films were in early 1937 with the better known History Is Made at Night (1937) - awkward type-casting him as the world's most sour grapes ex-husband, Bruce Vail, who engineers a sure collision of his new steamship with any available iceberg in foggy weather to hopefully drown his ex-wife Jean Arthur and her romantic true love Charles Boyer. But the sinking ship is stabilized and the lovers are saved to live happily ever after. Ironically, but befitting such a deed in Hollywood ethics, Vail shoots himself.
Ironically, Clive, suffering from tuberculosis, furthered along by chronic alcoholism, died not long after in late June of 1937.- Born in Ontario, Canada, Douglas, like other Canadian actors before and since, made his way to Chicago, then New York. Being of slight frame with a boyish face with a tuft of blond hair completing that latter effect, Walton looked the part of ineffectual, effeminate, snobbish sophisticates, whining cowards, and other assorted types which were in demand during Hollywood's heyday of 1930s and 1940s film-noir. Not interested in the stage, Douglas made his way to Hollywood, where casting directors were availing themselves of his type. From mere small character roles, he began to receive lines to speak--to accent the parts. Walton's soft tenor voice lent well to the 'weakling' roles, but he could talk in a deeper voice for dramatic moments, an early example being his young Albert de Mondego in The Count of Monte Cristo (1934), in which he registers a fine dramatic range. A year later, another opportunity presented itself. One of the real gems in Bride of Frankenstein (1935) is the opening scene with Elsa Lanchester as Mary Shelley with Walton as husband Percy and American character actor Gavin Gordon as Lord Byron. In one of the old Universal sound stages with a huge fireplace and an even huger picture window looking out on a stormy night, the histrionics of these three make the film, if nothing else did--but as a sequel, 'Bride' lends enough to campiness to make it work wonderfully. Walton continued his run of high-profile film outings later that year with the much-anticipated Mutiny on the Bounty (1935) starring Clark Gable. As jealous, priggish midshipman Stewart, he lends the right characterization to make the part his own. Walton's best role of the period was probably Lord Darnley in Mary of Scotland (1936), in which he gives an over-the-top, playing-to-the-hilt rendition of the effeminate noble weakling who by default weds Katharine Hepburn as the vivacious Mary Stuart. Director John Ford was noted for pushing his actors, and he must have been satisfied with Walton and his impressive registering everything in the human emotional range from Darnley's fawning and jealous snits to the fear and terror of his impending doom. Into the late '30s the parts were more conventional secondary characters.
By 1939, halfway through his career of almost 60 films, he decided to take his first (and only) Broadway role, in the original comedy "Billy Draws a Horse". Unfortunately, the play folded after only a week and a half in late December. Ford called on him again for two films: his western remake of The Lost Patrol (1934), Bad Lands (1939); and his reading of Eugene O'Neill's The Long Voyage Home (1940).
There were other high-profile films into the 1940s, including Northwest Passage (1940) and The Picture of Dorian Gray (1945), but by the late decade, he was simply credited as 'Fop' in the epic flop Forever Amber (1947) or, as in the remainder of his films, given no credit at all.
Walton left film after 1950 and passed away form a heart attack a decade later at only 51. - Actor
- Soundtrack
Edward E. Clive was a Welsh-born actor/manager, initially, it seemed, slated for a medical career. After four years, he suddenly elected to abandon his studies at the University of Wales. For the next ten years, he trod the boards in diverse theatrical productions across Britain, becoming adept at a variety of regional dialects. Clive arrived in the United States in 1912 and set up the Copley Theatre Stock Company in Boston, with himself as leading performer. By the 1920's, he made a name for himself as a producer and director on Broadway ("The Creaking Chair",1926; "The Whispering Gallery",1929; "The Bellamy Trial",1931). He also continued in his position as director of the Copley.
Clive arrived on Hollywood screens relatively late in life, making his debut with The Invisible Man (1933). Thereafter, he was effectively typecast in a long line of austere, humourless British butlers, town mayors and haughty aristocrats, his demeanour invariably ranging from gloomy to irritable. Though most these parts were often quite small, Clive managed to steal the odd scene or two. At his best, he was the burgomaster in Bride of Frankenstein (1935), Sir Humphrey Harcourt in The Charge of the Light Brigade (1936) and (in a recurring role), manservant 'Tenny' Tennison in several instalments of Paramount's 'Bulldog Drummond' series.- Actor
- Soundtrack
O.P. Heggie was born on 17 September 1877 in Angaston, South Australia, Australia. He was an actor, known for Bride of Frankenstein (1935), The Count of Monte Cristo (1934) and Smilin' Through (1932). He was married to Lilian Clara Rogers. He died on 7 February 1936 in Los Angeles, California, USA.- An extremely versatile character actor and originator of several memorable characterizations in the horror film genre, Dwight Frye had a notable theatrical career in the 1920s, moving from juvenile parts to leads before entering film. A favorite actor of Broadway theatrical producer-director Brock Pemberton, he originated the part of "the Son" in his hit 1922 production of Luigi Pirandello's "Six Characters in Search of an Author". Pemberton would continue to employ Frye in Broadway productions throughout the decade. Cast with Bela Lugosi in a 1926 production of "The Devil and the Cheese", he ultimately appeared in at least two Lugosi films.
Despite (or perhaps because of) his memorable, impassioned portrayals of real estate agent-cum-madman Renfield in Tod Browning's Dracula (1931) and Fritz the sadistic hunchbacked lab-assistant in James Whale's Frankenstein (1931), the industry seemed determined to typecast Frye, and his film career would be marked with frustration. The Crime of Doctor Crespi (1935) offered him billing second only to that of villain Erich von Stroheim, but all too soon, he was consigned to playing a lackluster array of crazies, spies, red herrings, grasping heirs and bit parts. He occasionally returned to the stage in comedies, musicals, and thrillers such as "Night Must Fall" and a stage version of "Dracula".
Frye was perplexed to find that his versatility in the theatre went unnoticed in Hollywood, where he was relegated to lunatic roles and often had his parts severely cut. Indeed, in Son of Frankenstein (1939) his role was deemed as unnecessary when an abrupt switch was made from Technicolor to black-and-white after his scenes were shot.
Dwight Frye, a devout Christian Scientist, had concealed a heart-condition from his friends and family. After the outbreak of WWII, unable to enlist, he worked nights (between films and local theatre-productions) as a draftsman for the Lockheed Aircraft Co. An uncanny physical resemblance to then-Secretary of War Newton Baker led his to being signed to a substantial role in Wilson (1944), directed by Henry King, based on the life of U.S. President Woodrow Wilson, but Frye succumbed to a heart-attack on a crowded bus a few days after being cast while returning home from a movie with his son. He was buried at Forest Lawn Cemetery in Glendale, California. - Actress
- Additional Crew
- Soundtrack
Berlin-born actress Kaaren Verne (sometimes billed as Karen) was born Ingeborg Catherine Marie Rose Klinkerfuss in 1918. Originally a stage actress and member of the Berlin State Theatre, she and her first husband, Arthur Young, fled their homeland in 1938. She began her career in England as a model and eventually signed with 20th Century-Fox for films. No movies came out of this agreement, however, but her screen test interested Fox, making her debut with the drama Missing Ten Days (1940) starring Rex Harrison.
Jumping on the popular foreign bandwagon during WWII along with other European hopefuls, this highly attractive blonde turned in strong lead and second lead roles throughout the early 1940s. An MGM contract led to a couple of films (Sky Murder (1940) and The Wild Man of Borneo (1941)). A freelance contract with Warner Bros. stabilized things a bit. The Teutonic actress initially intended to "Americanize" her stage name to the more acceptable Catherine Young, but her vehement anti-Nazi sentiment made for more publicity and stronger audience identification, so the name of Kaaren Verne quickly returned. She appeared frequently as mysterious ladies in both propaganda films such as Underground (1941) and whodunit mysteries, keeping Walter Pidgeon's Nick Carter and Basil Rathbone's Sherlock Holmes on their toes. For the most part she remained in the "B" movie realm.
Kaaren had a couple of fine chances for stardom. She shared a touching scene with Robert Cummings in the classic soaper Kings Row (1942) and appeared opposite Humphrey Bogart as a romantic interest in All Through the Night (1942), a combination gangster/spy film. One of Bogie's lesser known movies, the best thing it did for Kaaren was introduce her to one of her co-stars Peter Lorre. Divorcing first husband Arthur Young, by whom she had a son, Alastair, she quickly married Lorre in 1945 and put her career on hold for a time. The turbulent union was rather brief, however, lasting only five years before separating in 1950 and finally divorcing two years later. During the course of that marriage, she attempted suicide more than once. Upon their divorce, she made herself available again for films but the wind had already been kicked out of her career sails. Kaaren found some sporadic TV work but they were minor and few and far between. Her looks grew hard and coarse over time and she moved wisely into small, drab character parts, usually as a world-weary matron. One of her last movie roles was the minor part of the hausfrau and mother to Gila Golan in the all-star epic picture Ship of Fools (1965).
Kaaren, who had married a third time, died quite suddenly in her Hollywood home during Christmas week in 1967, looking much older than her 49 years. Her death is somewhat of a mystery. Some sources say she committed suicide; others claim she died of a heart ailment. She was buried at Calvary Cemetery in Minnesota and was survived by her third husband, theatre and film critic/historian James Powers, and an adopted daughter.- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).- Actor
- Writer
- Soundtrack
Ted Healy was was born Ernest Lea Nash and grew up as a very good friend of Moses "Moe" and Samuel "Shemp" Horwitz (later Moe and Shemp Howard). In the '20s he changed his name to Ted Healy and got Moe, Shemp, and a violinist named Larry Feinberg (later Larry Fine) to do vaudeville acts with him as his stooges. As the 1930s started, Ted was becoming addicted to alcohol. Shemp left the act and Moe replaced him with Jerome "Curly" Howard. Those three also left the act because Ted Healy underpaid them and kept getting drunk. He spent the rest of his life doing feature films, most notably "Operator 13." Ted Healy died on December 21, 1937 while out celebrating the birth of his son. The cause of death was listed as nephritis on the autopsy.- Billy Dooley was born on 8 February 1893 in Chicago, Illinois, USA. He was an actor, known for Call of the Yukon (1938), The Marines Are Here (1938) and Manhattan Tower (1932). He died on 4 August 1938 in Hollywood, California, USA.
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- Producer
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Harold Huber was born on 5 December 1909 in New York City, New York, USA. He was an actor and producer, known for The Thin Man (1934), Charlie Chan on Broadway (1937) and The Lady and the Mob (1939). He was married to Ethel Silverberg. He died on 29 September 1959 in New York City, New York, USA.- Actor
- Second Unit Director or Assistant Director
Henry B. Walthall was a respected stage actor who became a favorite of pioneering film director D.W. Griffith. Born in 1878 in Alabama, Walthall embarked on a law career but quit law school in 1898 to enlist in the US Army in order to fight in the Spanish-American War. Returning from the war he decided to take up an acting career instead of the law, and traveled to New York City to make his mark on Broadway. He debuted on the Great White Way in 1901. His friend and fellow actor James Kirkwood introduced him to Griffith, who already knew of Walthall's reputation as a stage actor. He hired Walthall to appear in his A Convict's Sacrifice (1909), the first of many films they would make together. Griffith, like Walthall a Southerner, cast him as "the little colonel" in his epic The Birth of a Nation (1915).
Shortly afterward Walthall left Biograph and Griffith for Balboa Pictures in Long Beach, CA. In 1917 he and his wife formed their own production company, but after a few films he went back to work for Griffith at Biograph. However, his career went on a downward spiral, and by the 1920s he was appearing in mostly low-budget "B" fare, with only a few side journeys into more quality "A" pictures--Tod Browning's London After Midnight (1927) among them.
The sound period rejuvenated Walthall's career somewhat. He had a distinguished bearing and his voice, unlike those of many bigger silent-screen stars, was perfectly acceptable for talkies. He appeared in such productions as John Ford's Judge Priest (1934) and Browning's The Devil-Doll (1936). He was hired by director Frank Capra to play the High Lama in Capra's production of Lost Horizon (1937), but before the film began production he died of influenza, on June 7, 1936.- Actor
- Director
- Additional Crew
Edgar Kennedy, who was born on April 26, 1890, near Monterey, California, hit the road as a young man and traveled across the country, working in a succession of jobs. He became a professional boxer, claiming to have gone 14 rounds against The Manassas Mauler, Jack Dempsey.
In addition to his knowledge of the "Sweet Science", Kennedy possessed a good musical voice, and wound up singing in musical shows in the Midwest, his first taste of show business. During his cross-country peregrinations he wound up in Los Angeles, and found himself hired as an actor by comedy producer Mack Sennett. At the Sennett Studios he was allegedly one of the original Keystone Kops, but soon graduated from bit parts to supporting roles in Keystone comedies, including Tillie's Punctured Romance (1914) with Charles Chaplin. Kennedy had good roles in other Chaplin movies, but when his contract expired in 1921 he went freelance, though he did occasionally return to Sennett.
After leaving Sennett Kennedy established himself as a first-rate supporting comic, and made a career out of playing harassed businessmen, next-door neighbors, cops, etc. By the late 1920s his craft was most prominently featured in comedies for Hal Roach, Sennett's arch-rival, where he flourished in support of Stan Laurel and Oliver Hardy. It was with Roach that he developed his mastery of the "slow burn", a routine for which he became famous. He often played a none-too-bright policeman brought to the boiling point by the absurdities of Laurel and Hardy. He also directed the two in From Soup to Nuts (1928) and You're Darn Tootin' (1928).
RKO hired Kennedy to appear in a series of comedy shorts called "The Average Man," in which he played the head of a family. The shorts had very tight shooting schedules, often as few as three days, but Kennedy was always a pro and delighted the audience by giving them his all. He made over 200 short subjects and appeared in over 100 feature films, still in demand right up to the day he died of cancer on November 9, 1948.- Although he occasionally played honest police officials or army officers, New York-born C. Henry Gordon excelled at playing oily, duplicitous villains, whether gangsters, businessmen or evil rulers. Among the many evildoers he portrayed, his most memorable would have to be the murderous Surat Khan, who massacred prisoners, women and children, in the classic Errol Flynn swashbuckler The Charge of the Light Brigade (1936).
- John Wray was an American character actor from Philadelphia, Pennsylvania. He was primarily active during the 1930s.
Wray's real name was "John Griffith Malloy". He had a notable theatrical career, and appeared regularly in Broadway. In the late 1920s, there was a transition from silent films to sound films. Many stage actors headed to Hollywood, in the hope that their acting experience may help them find steady work in the new medium. Wray was one of the actors in this wave of prospective film stars.
Wray made his film debut in "New York Nights" (1929), where he played racketeer Joe Prividi. Prividi was the film's main villain, and the role helped Wray find steady work as a heavy. Among his most notable roles was sadistic drill instructor Himmelstoss in "All Quiet On The Western Front" (1930), gangster Morton Bradstreet in "The Czar of Broadway", con-artist Frog in "The Miracle Man" (1932), the starving farmer in "Mr. Deeds Goes to Town" (1936), and prison warden Wheeler in "You Only Live Once" (1937).
Wray's career was seemingly in decline by the late 1930s, when he was at times reduced to the role of an uncredited extra. But he continued acting until 1940, with his last known role being a bit part in the screwball comedy "The Doctor Takes a Wife" (1940). Wray died in April 1940, at the age of 53. - Actress
- Soundtrack
Mary Lou Cook was born on 12 December 1908 in Brooklyn, New York, USA. She was an actress, known for Melody Lane (1941), A Night at Earl Carroll's (1940) and Moonlight in Hawaii (1941). She was married to Elisha Cook Jr.. She died on 17 August 2008 in La Jolla, California, USA.- Writer
- Producer
- Actor
Tony Barrett was born on 24 May 1916 in New York City, New York, USA. He was a writer and producer, known for Mod Squad (1968), Impact (1949) and Peter Gunn (1958). He was married to Stephanie "Steffi" Nordli. He died on 16 November 1974 in Los Angeles, California, USA.