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Samuel Larsen was born on 28 August 1991 in San Francisco, California, USA. He is an actor, known for Glee (2009), Shoulder Dance (2023) and After (2019).- Dylan Rieder was born on 26 May 1988 in Westminster, California, USA. He was an actor, known for Grind (2003), Mind Field (2009) and Smile: An Ode to Dylan Rieder (2016). He died on 12 October 2016 in Duarte, California, USA.
- Actor
- Soundtrack
River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).
A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.
River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.- Actor
- Producer
- Soundtrack
Timothée Hal Chalamet was born in Manhattan, to Nicole Flender, a real estate broker and dancer, and Marc Chalamet, a UNICEF editor. His mother, who is from New York, is Jewish, of Russian Jewish and Austrian Jewish descent. His father, who is from Nîmes, France, is of French and English ancestry. He is the brother of actress Pauline Chalamet, a nephew of director Rodman Flender, and a grandson of screenwriter Harold Flender.
He grew up in an artistic family, appearing in commercials and the New York theatre scene, and attending the LaGuardia High School of Music, Art and Performing Arts, where his classmate and friend was actor Ansel Elgort (the two later received their first Golden Globe nominations in the same year, 2017). For a time, Timothée also attended Columbia University.
He made his film debut in 2014, as a high school student in Jason Reitman's Men, Women & Children (2014) and Matthew McConaughey's character's teenage son in Interstellar (2014). He subsequently had sizable roles in several indie films, playing the younger version of writer Stephen Elliott in The Adderall Diaries (2015), the male lead, Zac, in the drama One and Two (2015), and Billy in the road trip drama Miss Stevens (2016). On stage, he has appeared in the plays The Talls, by Anna Kerrigan, and John Patrick Shanley's autobiographical Prodigal Son, while on television, he has had a minor role in the film Loving Leah (2009), a big part in Law & Order (1990), and meatier roles on the shows Royal Pains (2009) and Homeland (2011), among other work.
He broke out in 2017, appearing in notable supporting roles, as a soldier in the western Hostiles (2017) and a high school crush of the title character in Lady Bird (2017), and in a leading role as Elio, an Italian Jewish seventeen year-old who romances his father's older assistant, played by Armie Hammer, in the Luca Guadagnino drama Call Me by Your Name (2017). Timothée's role as Elio received significant critical acclaim, and he was nominated for the Academy Award for Best Actor, and the Golden Globe Award for Best Actor, Drama, and won many critics' groups' awards for Best Actor of the Year.
In 2018, he starred as Nic Sheff, who suffers from substance abuse problems, in the drama Beautiful Boy (2018). In 2019, he will headline the Woody Allen comedy A Rainy Day in New York (2019), with Selena Gomez, play Henry V of England, King from 1413 to 1422, in the historical drama The King (2019), and embody love interest Laurie in Greta Gerwig's take on Little Women (2019).- Actor
- Music Department
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Cole Mitchell Sprouse was born in Arezzo, Tuscany, Italy to American parents, Melanie (Wright) and Matthew Sprouse, and was raised with his older identical twin Dylan Sprouse in Long Beach, in their parents' native California. Cole began his acting career alongside Dylan at the tender age of six months. From 1993 to 1998 the twins shared the role of Patrick Kelly on ABC's hit series Grace Under Fire (1993), soon booking Julian in Adam Sandler's box office hit, Big Daddy (2000). That same month, their second feature film, The Astronaut's Wife (1999), starring Johnny Depp and Charlize Theron, was also released. Cole appeared without his brother on the NBC series Friends (1994), portraying Ross's son Ben Gellar; in the fall of 2003, the brothers again shared a lead role: Jeremiah in The Heart Is Deceitful Above All Things (2004). After that, Cole began starring alongside his twin in their own half-hour sitcom on the Disney Channel, The Suite Life of Zack & Cody (2005). After wrapping his sixth year of this program, Cole chose to attend NYU and remain absent from entertainment until he finished his college education in 2015, graduating with honors. The graduate soon booked the role of Jughead on Riverdale (2017), becoming a fan favorite, and then starred as Will Newman in the box office hit Five Feet Apart (2019), which was one of the highest-grossing non-genre teen movies of the 2010s.- Actor
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Keanu Charles Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born September 2, 1964 in Beirut, Lebanon. He is the son of Patric Reeves, a showgirl and costume designer, and Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry, and Keanu's mother is originally from Essex England. After his parents' marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, River's Edge (1986), and landed a supporting role in the Oscar-nominated Dangerous Liaisons (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude Ted "Theodore" Logan in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Parenthood (1989) and Lawrence Kasdan's I Love You to Death (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Bram Stoker's Dracula (1992), and Shakespearean party-pooper Don John in Much Ado About Nothing (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and The Last Time I Committed Suicide (1997), and big films like A Walk in the Clouds (1995) and The Devil's Advocate (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Chain Reaction (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, The Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them The Replacements (2000), The Watcher (2000), The Gift (2000), Sweet November (2001), and Hardball (2001) - before The Matrix Reloaded (2003) and The Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Something's Gotta Give (2003), The Lake House (2006), and Street Kings (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and The Day the Earth Stood Still (2008). And he's waded back into art-house territory with Ellie Parker (2005), Thumbsucker (2005), The Private Lives of Pippa Lee (2009), and Henry's Crime (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He also directed another Asian-influenced project, Man of Tai Chi (2013).
In 2014, Keanu played the title role in the action revenge film John Wick (2014), which became popular with critics and audiences alike. He reprised the role in John Wick: Chapter 2 (2017), taking the now-iconic character to a better opening weekend and even more enthusiastic reviews than the first go-around.- Actor
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Jensen Ross Ackles, better known as simply Jensen Ackles, was born on March 1, 1978, in Dallas, Texas, to Donna Joan (Shaffer) and actor Alan Ackles. He has English, German, and Scottish ancestry. Jensen grew up in Richardson, Texas, together with his older brother, Joshua, and a younger sister, Mackenzie. Jensen graduated from Dartmouth Elementary School in 1990, he graduated from Apollo Junior High School in 1993, and LV Berkner High School in 1996.
Jensen is a sports junkie. He loves football, lacrosse, baseball and basketball. He even played on the baseball and lacrosse teams in high school. The 6' 1" actor first started modeling when he was just 2 years old. When he turned 4, he started appearing in TV commercials for Nabisco, RadioShack and Wal-Mart. He caught the acting bug because he was mostly influenced by his father, who was an actor in Dallas. He used to watch his father study scripts, and that taught him a few things about the industry. During his later years in high school, he started taking theater classes, where he claimed he was the only "jock" in that department. When he was just a sophomore, a friend of Jensen had asked him to attend a local acting seminar. Two guys, Craig Wargo, and an agent, 'Michael Einfeld', were interested in Jensen's talent and wanted him to go to Los Angeles with them.
Jensen had to say no to the offer and admitted at one point, he thought they would forget about him but, eventually, when he went to Los Angeles, he still managed to get help from them. Prior to that, Jensen actually planned to study sports medicine at Texas Tech University and become a physical therapist, before he decided to move to Los Angeles to give acting a try. In 1996, he managed to secure guest roles on several TV shows, which included Wishbone (1995), Mr. Rhodes (1996) and Sweet Valley High (1994). Jensen's big break came when he was cast in the NBC soap opera, Days of Our Lives (1965), as Eric Brady in 1997. He won a Soap Opera Digest Award for Best Male Newcomer in 1998, and was nominated three times in 1998, 1999, and 2000 for a Daytime Emmy Award for Outstanding Younger Actor in a Drama Series for his work on Days of Our Lives (1965). After spending about three years on a soap set, he left Days of Our Lives (1965) and went on to appear in the mini-series Blonde (2001), which was about the life of Marilyn Monroe, playing Eddie G. He also auditioned for the role of Clark Kent on Smallville (2001), but lost the part to Tom Welling, instead.
Not giving up hope, he went for a few auditions and managed to secure a guest role on the popular James Cameron TV series, Dark Angel (2000), as serial killer Ben/X5-493, the brother of main character Max/X5-452, who was played by Jessica Alba. His character died in the episode, but Jensen eventually returned to the show as a regular in the second season as Ben's clone, Alec/X5-494 and continued on until the show's cancellation in 2002. In 2003, he joined the cast of Dawson's Creek (1998), playing the role of C.J., Jen Lindley's lover. He also filmed episodes of the TV series, Still Life (2003), playing the role of Max Morgan, not knowing that the series was actually dropped. He also had a small role in the short film, The Plight of Clownana (2004), playing the role of Jensen. That same year, he was offered the part of Eliza Dushku's love interest on the second season of Tru Calling (2003). Jensen, however, turned down the role which was later offered to another actor, Eric Christian Olsen. He was subsequently cast on Smallville (2001), as Assistant football coach Jason Teague, the new love interest of Lana Lang. In 2005, Jensen managed to earn a lead role in the movie, Devour (2005), playing the role of Jake Gray. Jensen also earned the opportunity to work his father, actor Alan Ackles, who happened to play his character's father, Paul Kilton. The movie, however, received mixed reviews from the public.
That same year, Jensen joined the cast of the CW series, Supernatural (2005), where he plays the role of Dean Winchester. Dean and his brother Sam, who is played by Jared Padalecki, are brothers who drive throughout the United States hunting paranormal predators, sometimes with their father, John Winchester, played by Jeffrey Dean Morgan. It was reported that the creator of the show, Eric Kripke, mentioned that the show will last for a maximum of five seasons. In 2006, Jensen took on a role in the Independently filmed comedy/drama movie, Ten Inch Hero (2007), which explores the theme of honesty and the flaw of judging by appearances. In 2007 the film began a limited run at number of film festivals including the Newport Beach Film Festival, Phoenix Film Festival and the Santa Cruz Film Festival but never made it into major mainstream theatrical release. In the Spring of 2008 Ten Inch Hero was released onto DVD exclusively through Blockbuster. Jensen however, received high praise for his work as Priestly, who one of the movie's more quirky characters.
From June 5-10 in 2007 Jensen had his professional stage debut as Lt. Daniel Kaffee in "A Few Good Men" at Casa Manana Theatre in Fort Worth, Texas, working along side Lou Diamond Phillips. This proved to be another successful acting venture for Jensen, as critics were impressed with his work in this role. During his free time, Jensen enjoys golfing, horseback riding, scuba diving and photography. He is also a big fan of country music. His favorite musician is Garth Brooks. He even sang back-up vocals on good friend Steve Carlson's albums "Spot in the Corner" and "Rollin' On." In the summer of 2008 Jensen traveled to Kittaning, PA to film the horror/thriller movie, My Bloody Valentine (2009), which was filmed in the cutting edge Real D technology, Jensen played the lead role of Tom Hanniger and starred alongside Jaime King and Kerr Smith.
Jensen splits his time between Vancouver, British Columbia where he films Supernatural (2005) and his home in Austin, Texas.- Actor
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Joseph Jason Namakaeha Momoa was born on August 1, 1979, in Honolulu, Hawaii. He is the son of Coni (Lemke), a photographer, and Joseph Momoa, a painter. His father is of Native Hawaiian and Samoan descent; and his mother, who is from Iowa, is of German, Irish, and Native American ancestry. Jason was raised in Norwalk, Iowa, by his mother. After high school, he moved to Hawaii, where he landed a lead role, beating out of thousands of hopefuls in the TV series Baywatch (1989) (known as "Baywatch Hawaii" in its 10th season). When the show ended, he spent the next couple of years traveling around the world. In 2001, he moved to Los Angeles, where he continued to pursue an acting career. In 2004, after the short-lived TV series North Shore (2004), he was cast as the popular character "Ronon Dex" in the TV series Stargate: Atlantis (2004), which achieved a cult-like following. In 2010, he appeared in the Emmy-nominated HBO series Game of Thrones (2011), playing the Dothraki king, Khal Drogo. To illustrate to the producers that he was Khal Drogo, he performed the Haka, a traditional war dance of the Maori of New Zealand. The audition was with the same casting director who was casting the titular role in the reboot of Conan the Barbarian (2011). Four weeks after being cast as the popular Robert E. Howard character, Momoa began shooting in Bulgaria. His approach, like that of the filmmakers, was to pull from the eight decades of comics and stories as well as the Frank Frazetta images rather than the hugely popular 1982 movie. Jason has a production company, Pride of Gypsies, in which he is expanding his career from actor to filmmaker. He has directed a couple of short films and is working on his feature film debut Road to Paloma (2014), which is pulled from a series of stories that he's been developing over the years, which he calls the Brown Bag Diaries: Ridin' the Blinds in B Minor (2010). Jason lives with his wife, actress Lisa Bonet, with whom he has two children, Lola and Nakoa-Wolf.- Actor
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Milo Ventimiglia is an American actor, director and producer.
Milo currently stars on the critically acclaimed drama series "This is Us." He has been nominated twice for an Emmy Award for Outstanding Lead Actor in a Drama Series (2017 & 2018) and a Critic's Choice Award for Best Actor in a Drama Series (2019) for his portrayal of the family patriarch, Jack Pearson. The show won the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series and the People's Choice Award for Best New Drama. In 2016 he reprised his role of Jess in the continuation of critically acclaimed television drama "Gilmore Girls,' which returned with four 90-minute episodes on Netflix. His other television credits include a memorable recurring role as 'The Ogre' in the FOX drama "Gotham," the Frank Darabont helmed TNT drama "Lost Angels," NBC's "Heroes," the critically acclaimed drama "American Dreams" and David. E. Kelley's drama "Boston Public."
Milo's passion for the art of acting keeps him drawn to both studio and independent features. Milo is wrapped production on the Fox 2000 feature film "The Art of Racing in the Rain," an adaptation of the international best-selling novel by Garth Stein. The book focuses on a family dog named Enzo who evaluates his life through the lessons learned by his human owner, a professional race-car driver named Denny Swift, played by Milo. The film will be released in September 2018. Ventimiglia recently starred alongside Jennifer Lopez in the romantic comedy "Second Act" and had a memorable cameo in "Creed II." He starred alongside Sylvester Stallone as his son in sixth installment of the Rocky series "Rocky Balboa, in Adam Sandler's "That's My Boy," and "Grown Ups 2" and alongside Nicole Kidman in "Grace of Monaco." His other film credits include Xan Cassavetes' "Kiss of the Damned," a remake of the 1986 Burt Reynolds drama "Heat" alongside Jason Statham" and the "Killing Season" with Robert DeNiro.
Behind the camera Ventimiglia and his partner at Divide Pictures Russ Cundiff are involved in traditional content having sold TV shows to NBC, SyFy and FX, and producing the independent feature TELL which Ventimiglia co-starred along side of Jason Lee and Katee Sackoff as well as STATIC, which Ventimiglia co-starred with Sarah Shahi and Sara Paxton. Ventimiglia also produced the web-series Chosen, now in it's second season for Sony's Crackle as well as directed other digital projects for American Eagle Outfitters, Cadillac, GQ and Liberty Mutual. Divide Pictures' latest web-series "The P.E.T. Squad" Files for CW's Seed, is about a group of amateur ghost hunters who chase fame without having seen an actual apparition. The show launches summer 2013 from San Diego Comicon. Ventimiglia's passion for comic books led him to produce two titles for Top Cow / Image Comics "Rest" and "Berserker."
Ventimiglia spends his free time working with vets through the Iraq and Afghanistan Veterans of America as well as taking USO tours to troops abroad.- Actor
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Taylor Kinney is an American actor and model. On TV, he is best known for his role as Kelly Severide on the hit series, Chicago Fire (2012), and its spin-off Chicago P.D. (2014) on NBC, also as Mason Lockwood on The Vampire Diaries (2009), on The CW; and as Glenn Morrison on Trauma (2009) on NBC. His film work includes The Other Woman (2014), Consumed (2015), and The Forest (2016).
Taylor was born in Lancaster, Pennsylvania, to Pamela Heisler, a dental hygienist, and Daniel Kinney, a banker. He is of German, Swiss-German, and English ancestry. He and his three brothers were raised in Neffsville, Pennsylvania by their single mother. Kinney studied business management at West Virginia University, before developing an interest in acting.- Actor
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Known for his breakthrough starring role on Freaks and Geeks (1999), James Franco was born April 19, 1978 in Palo Alto, California, to Betsy Franco, a writer, artist, and actress, and Douglas Eugene "Doug" Franco, who ran a Silicon Valley business. His mother is Jewish and his father was of Portuguese and Swedish descent.
Growing up with his two younger brothers, Dave Franco, also an actor, and Tom Franco, James graduated from Palo Alto High School in 1996 and went on to attend UCLA, majoring in English. To overcome his shyness, he got into acting while studying there, which, much to his parents' dismay, he left after only one year. After fifteen months of intensive study at Robert Carnegie's Playhouse West, James began actively pursuing his dream of finding work as an actor in Hollywood. In that short time, he landed himself a starring role on Freaks and Geeks (1999). The show, however, was not a hit to its viewers at the time, and was canceled after its first year. Now, it has become a cult-hit. Prior to joining Freaks and Geeks (1999), Franco starred in the TV miniseries To Serve and Protect (1999). After that, he had a starring role in Whatever It Takes (2000).
Although he'd been working steadily, it wasn't until the TNT made-for-television movie, James Dean (2001) that James rose to fan-magazine fame and got to show off his talent. Since then, he has been working non-stop. After losing the lead role to Tobey Maguire, James settled for the part of "Harry Osborne", Spider-Man's best friend in the summer 2002 major hit Spider-Man (2002). He returned to the Osborne role for the next two films in the trilogy.
Next was Deuces Wild (2002) and City by the Sea (2002), in which Robert De Niro personally had him cast, after viewing his performance in James Dean (2001). He was seen in David Gordon Green's Pineapple Express (2008) opposite Seth Rogen, in George C. Wolfe's Nights in Rodanthe (2008), starring Richard Gere and Diane Lane and in Paul Haggis' In the Valley of Elah (2007), starring Tommy Lee Jones. Also starring opposite Sean Penn in Gus Van Sant's Milk (2008) in which his performance earned him an Independent Spirit Award for Best Supporting Actor. Definitely growing out of his shyness, James Franco is turning into a legend of his own.- Actor
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Benicio Del Toro emerged in the mid-1990s as one of the most watchable and charismatic character actors to come along in years. A favorite of film buffs, Del Toro gained mainstream public attention as the conflicted but basically honest Mexican policeman in Steven Soderbergh's Traffic (2000).
Benicio was born on February 19, 1967 in San Germán, Puerto Rico, the son of lawyer parents Fausta Genoveva Sanchez Rivera and Gustavo Adolfo Del Toro Bermudez. His mother died when he was young, and his father moved the family to a farm in Pennsylvania. A basketball player with an interest in acting, he decided to follow the family way and study business at the University of California in San Diego. A class in acting resulted in his being bitten by the acting bug, and he subsequently dropped out and began studying with legendary acting teacher Stella Adler in Los Angeles and at the Circle in the Square Acting School in New York City. Telling his parents that he was taking courses in business, Del Toro hid his new studies from his family for a little while.
During the late 1980s, he made several television appearances, most notably in an episode of Miami Vice (1984) and in the NBC miniseries Drug Wars: The Camarena Story (1990). Del Toro's big-screen career got off to a slower start, however--his first role was Duke the Dog-Faced Boy in Big Top Pee-wee (1988). However, things looked better when he landed the role of Dario, the vicious henchman in the James Bond film Licence to Kill (1989). Surprising his co-stars at age 21, Del Toro was the youngest actor ever to portray a Bond villain. However, the potential break was spoiled as the picture turned out to be one of the most disappointing Bond films ever; this was lost amid bigger summer competition.
Benicio gave creditable performances in many overlooked films for the next several years, such as The Indian Runner (1991), Christopher Columbus: The Discovery (1992) and Money for Nothing (1993). His roles in Fearless (1993) and China Moon (1994) gained him more critical notices, and 1995 proved to be the first "Year of Benicio" as he gave a memorable performance in Swimming with Sharks (1994) before taking critics and film buffs by storm as the mumbling, mysterious gangster in The Usual Suspects (1995), directed by Bryan Singer. Del Toro won an Independent Spirit Award for Best Supporting Actor for the role in the Oscar-winning film.
Staying true to his independent roots, he next gave a charismatic turn as cold-blooded gangster Gaspare Spoglia in The Funeral (1996) directed by Abel Ferrara. He also appeared as Benny Dalmau in Basquiat (1996), directed by artist friend Julian Schnabel. That year also marked his first truly commercial film, as he played cocky Spanish baseball star Juan Primo in The Fan (1996), which starred Robert De Niro. Del Toro took his first leading man role in Excess Baggage (1997), starring and produced by Alicia Silverstone. Hand-picked by Silverstone, Del Toro's performance was pretty much the only thing critics praised about the film, and showed the level of consciousness he was beginning to have in the minds of film fans.
He took a leading role with his good friend Johnny Depp in Fear and Loathing in Las Vegas (1998), co-written and directed by the legendary Terry Gilliam. Gaining 40 pounds for the role of Dr. Gonzo, the drug-addicted lawyer to sportswriter Raoul Duke, Benicio immersed himself totally in the role. Using his method acting training so far as to burn himself with cigarettes for a scene, this was a trying time for Del Toro. The harsh critical reviews proved tough on him, as he felt he had given his all for the role and been dismissed. Many saw the crazed, psychotic performance as a confirmation of the rumors and overall weirdness that people seemed to place on Del Toro.
Taking a short break after the ordeal, 2000 proved to be the second "Year of Benicio". He first appeared in The Way of the Gun (2000), directed by friend and writer Christopher McQuarrie. Then he went to work for actor's director Steven Soderbergh in Traffic (2000). A complex and graphic film, this nonetheless became a widespread success and Oscar winner. His role as conflicted Mexican policeman Javier Rodriguez functions as the movie's real heart amid an all-star ensemble cast, and many praised this as the year's best performance, a sentiment validated by a Screen Actor's Guild Award for "Best Actor". He also gave a notable performance in Snatch (2000) directed by Guy Ritchie, which was released several weeks later, and The Pledge (2001) directed by Sean Penn. Possessing sleepy good looks reminiscent of James Dean or Marlon Brando, Del Toro has often jokingly been referred to as the "Spanish Brad Pitt".
With his newfound celebrity, Del Toro has become a sort of heartthrob, being voted one of People magazine's "50 Most Beautiful People" as well as "Most Eligible Bachelors." A favorite of film fans for years for his diverse and "cool guy" gangster roles, he has become a mainstream favorite, respected for his acting skills and choices. So far very careful in his projects and who he works with, Del Toro can boast an impressive resume of films alongside some of the most influential and talented people in the film business."younger"- Actor
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Ian Somerhalder was born and raised in the small southern town of Covington, Louisiana. His mother, Edna (née Israel), is a massage therapist, and his father, Robert Somerhalder, is a building contractor. He has Cajun (French), English, and Scots-Irish ancestry. Boating, swimming, fishing and training horses filled much of his recreational time growing up, as did the school drama club and performing with the local theater group. With his mother's encouragement, at age 10, he began a modeling career that took him to New York each summer. By junior high, he opted to put modeling on the back burner and focus more on sports and school. A few years later, when the opportunity to model in Europe arose, Somerhalder grabbed it, embarking on an enriching path of work, travel and study that took him to cities, including Paris, Milan and London. At 17, he began studying acting in New York and, by 19, had committed himself to the craft, working with preeminent acting coach William Esper. His fate was sealed while working as an extra in a club scene in the feature film, Black & White (1999). A talent manager visiting a client on the set spotted Somerhalder in a crowd scene of 400 and immediately signed him for representation. He was cast later for the drama Changing Hearts (2002) directed by Martin Guigui. Happy to be anchored in New York, Somerhalder spends much of his time studying acting, writing and practicing yoga. His recreational interests include water and snow skiing and horseback riding.- Actor
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Penn Badgley was born in Baltimore, Maryland, to Lynne Murphy Badgley and Duff Badgley, who worked as a newspaper reporter and carpenter. Badgley split his childhood years between Richmond, Virginia. and Seattle, Washington. In Seattle, he was involved in the Seattle Children's Theater and did voice-overs for a children's radio station. It was through these experiences that Badgley discovered his love of acting. This passion brought him one summer to Hollywood, where he landed an agent and his first big break guest-starring on Will & Grace (1998). After relocating with his mother to Los Angeles, Badgley secured several recurring roles on Daddio (2000).
Badgley lives in New York City. At the age of 14, Penn completed his California High School Proficiency Exam and began attending Santa Monica City College. Also musically gifted, he enjoys singing, writing, and playing the guitar. In his spare time, Badgley likes to go skateboarding, surfing, skiing and snowboarding.- Nathan Parsons was born on 16 June 1988 in Adelaide, Australia. He is an actor, known for The Originals (2013), General Hospital (1963) and The Roommate (2011).
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Adam Douglas Driver was born in San Diego, California. His mother, Nancy (Needham) Wright, is a paralegal from Mishawaka, Indiana, and his father, Joe Douglas Driver, who has deep roots in the American South, is from Little Rock, Arkansas. His stepfather is a Baptist minister. His ancestry includes Dutch, English, German, Irish and Scottish. Driver was raised in Mishawaka after his parents' divorce, attending Mishawaka High School, where he appeared in plays. After 9/11, he enlisted in the Marines, serving for more than two years before being medically discharged after he suffered an injury, which prevented him from being deployed.
Driver attended the University of Indianapolis (for a year) and then transferred to study drama at Juilliard School in New York City, graduating in 2009. He began acting in plays, appearing on Broadway, before being cast in Lena Dunham's series Girls (2012), as her character's love interest, Adam Sackler. The role gained him attention, and he subsequently began a robust film career, appearing in small roles in J. Edgar (2011) and Lincoln (2012), supporting roles in Frances Ha (2012) and Inside Llewyn Davis (2013), and then to major mesmerizing roles like in the comedy-drama This Is Where I Leave You (2014), Martin Scorsese's Silence (2016) and as Kylo Ren in the Star Wars movie saga beginning with Star Wars: Episode VII - The Force Awakens (2015).
Widely regarded as the one of greatest actors of his generation by now both in the United States and internationally as his superb qualities have been expressed further in a sublime range of excellent performances full of unique profoundness, subtlety, charisma and insights such as the ones included in brilliant films like Paterson (2016), Logan Lucky (2017), The Man Who Killed Don Quixote (2018) and The Report (2019). His interpretations in BlacKkKlansman (2018) and Marriage Story (2019) were also nominated in the Academy Awards for Best Performance by an Actor in a Supporting Role and Best Performance by an Actor in a Leading Role respectively.- Actor
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Jeffrey Dean Morgan endeared himself to audiences with his recurring role on ABC's smash hit series Grey's Anatomy (2005). His dramatic arc as heart patient Denny Duquette, who wins the heart of intern Izzie Stevens (Katherine Heigl) in a star-crossed romance, made him a universal fan favorite. He also had recurring roles on The CW and Warner Bros' television series Supernatural (2005), The Good Wife (2009), and on Showtime and Lions Gate Television's award-winning comedy series Weeds (2005). He currently stars as Negan on the hit AMC series, The Walking Dead (2010).
Morgan starred in Warner Bros.' Watchmen (2009), director Zack Snyder's (300 (2006)) adaptation of the iconic graphic novel. He played the pivotal role of the Comedian, a Vietnam War vet who is a member of a group of heroes called the Minutemen. He next appeared in producer Joel Silver's The Losers (2010), for Warner Bros. It is an adaptation of DC-Vertigo's acclaimed comic book series about a band of black ops commandos who are set up to be killed by their own government. The team barely survives and sets out to get even. James Vanderbilt adapted the screenplay, and Sylvain White directed. He appeared in Focus Features' Taking Woodstock (2009), directed by Oscar-winning director Ang Lee. He also starred opposite Uma Thurman in Yari Film Group's romantic comedy The Accidental Husband (2008). Additional feature credits include a cameo role opposite Rachel Weisz in Warner Bros.' comedy Fred Claus (2007), and the independent office comedy Kabluey (2007), in which he played a charismatic yet smarmy co-worker of Lisa Kudrow's character.
In 2011, the in-demand actor starred in the independent murder mystery Texas Killing Fields (2011). In the film, based on a true story, Morgan plays a detective transplanted from New York who teams with a local investigator (Sam Worthington) to work on a series of unsolved murders in industrial wastelands surrounding Gulf Coast refineries, where as many as 70 bodies turned up over the past two decades. Together, they wage a war against the unknown assailants. Michael Mann produced the film, while his daughter, Ami Canaan Mann, directed. The actor traveled to Thailand, where he filmed the Weinstein Company's period drama Shanghai (2010), under the direction of Mikael Håfström (1408 (2007)). John Cusack stars as an American who returns to a corrupt, Japanese-occupied Shanghai four months prior to Pearl Harbor and learns that his friend Connor (Morgan) was killed. While trying to solve the murder, he discovers a much larger secret that his own government is hiding. In addition, Morgan has a role in Michael London's Groundswell Productions' All Good Things (2010), starring Kirsten Dunst and Ryan Gosling, also for the Weinstein Co.
He also stars opposite two-time Academy Award winner Hilary Swank in the suspense thriller The Resident (2011), for Hammer Films. It is the story of a young doctor (Swank) who moves into a Brooklyn loft and becomes suspicious that she is not alone. Morgan plays Max, her charming new landlord whom she discovers has developed a dangerous obsession with her. Morgan previously co-starred with Swank in Warner Bros.' P.S. I Love You (2007).
Morgan also appeared in the MGM/UA reboot of the 1984 action movie Red Dawn (2012). The plot focuses on a group of teenagers who form an insurgency called the Wolverines when their town is invaded by Cuban and Russian soldiers. Morgan plays the role of Lieutenant Andrew Tanner, the leader of the US Special Forces who finds the Wolverines.
Morgan was born in Seattle, Washington, to Sandy Thomas and Richard Dean Morgan. In his spare time, Morgan enjoys barbecuing on the grill, reading, watching movies, and listening to his favorite band, Eagles. He also loves to root for his home team, the Seattle Seahawks. He resides in Los Angeles with his dogs, Honey Dog and Bandit Morgan, a puppy he rescued in Puerto Rico while filming. He resides in a farm in New York's Hudson Valley, where he is also part-owner of a small coffee shop with business partner The Losers (2010).- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Skeet Ulrich is an American actor. He is best known for his roles in popular 1990s films, including Billy Loomis in Scream (1996) and Scream (2022), Chris Hooker in The Craft (1996) and Vincent Lopiano in As Good as It Gets (1997). Since 2017, he has starred as Forsythe Pendleton "F.P." Jones II on The CW's Riverdale. His other television roles include Johnston Jacob "Jake" Green Jr. in the television series Jericho, and LAPD Detective Rex Winters, a Marine veteran from the Law & Order franchise.- Actor
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A native of Washington, DC, Feldman made his first foray into acting at the age of 6 when a camp counselor convinced him to participate in the musical "Annie." In high school, Feldman was involved in the school theater program and participated in many plays. He also hosted the school's yearly production of "Blast from the Past." Feldman then attended Ithaca College and majored in acting.
In 2005, Ben Feldman made his Hollywood feature film debut in The Perfect Man (2005), co-starring Hilary Duff, Chris Noth, and Heather Locklear. Previous to this, he starred in the independent feature When Do We Eat? (2005).
His theater work includes the Broadway production of The Graduate (1967), with Kathleen Turner and Alicia Silverstone.
Feldman made his television-series debut in Living with Fran (2005)- Actor
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Joseph Quinn was born on 26 January 1994. He is an actor, known for Stranger Things (2016), Overlord (2018) and Dickensian (2015).- Actor
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Josh O'Connor is a British actor, originally from Cheltenham, England. He trained as an actor at the Bristol Old Vic Theatre School. He has become known to a wide audience for portraying Prince Charles in the Netflix series The Crown, for which he was nominated for a BAFTA.
He is also known from God's Own Country (2017), and the series The Durrells and Les Misérables.- Actor
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Evan Peters was born in 1987 in St. Louis, Missouri to Phil and Julie Peters. When his father's job was transferred, the family moved to Grand Blanc, Michigan. There, Evan began taking acting classes and at age 15, he moved with his mother to Los Angeles in hopes of pursuing a career in the entertainment industry. His breakthrough role came when he was cast as the controversial Tate Langdon in American Horror Story (2011).- Actor
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Charles Melton was born on 4 January 1991 in Juneau, Alaska, USA. He is an actor, known for May December (2023), Riverdale (2017) and The Sun Is Also a Star (2019).