Hollywood supporting actresses
List activity
623 views
• 1 this weekCreate a new list
List your movie, TV & celebrity picks.
26 people
- Actress
- Soundtrack
Character actress Beulah Bondi was a favorite of directors and audiences and is one of the reasons so many films from the 1930s and 1940s remain so enjoyable, as she was an integral part of many of the ensemble casts (a hallmark of the studio system) of major and/or great films, including The Trail of the Lonesome Pine (1936), Mr. Smith Goes to Washington (1939), Our Town (1940) and Penny Serenade (1941). Highly respected as a first-tier character actress, Bondi won two Best Supporting Actress Oscar nominations, for The Gorgeous Hussy (1936) and Of Human Hearts (1938), and an Emmy Award in 1976 for her turn in the television program The Waltons (1972).
She was born Beulah Bondy on May 3, 1888, in Chicago, and established herself as a stage actress in the first phase of her career. She made her Broadway debut in Kenneth S. Webb's "One of the Family" at the 49th Street Theatre on December 21, 1925. The show was a modest hit, racking up 238 performances. She next appeared in another hit, Maxwell Anderson's "Saturday's Children," which ran for 326 performances, before appearing in her first flop, Clemence Dane's "Mariners" in 1927. Philip Barry's and Elmer Rice's "Cock Robin" was an extremely modest hit in 1928, reaching the century mark (100 performances), but it was Bondi's performance in Rice's "Street Scene," which opened at the Playhouse Theatre on Jamuary 10, 1929, that made her career. This famous play won Rice the 1929 Pulitzer Prize for Drama and was a big hit, playing for 601 performances. Most importantly, though, it brought Bondi to the movies at the advanced age of 43. She made her motion picture debut in 1931 in the movie adaptation (Street Scene (1931)), recreating the role she had originated on the Broadway stage. The talkies were still new, and she had the talent and the voice to thrive in Hollywood.
Bondi appeared in four more Broadway plays from 1931 to 1934, only one of which, "The Late Christopher Bean", a comedy by Sidney Howard, was a hit. Her last appearance on Broadway for a generation was in a flop staged by Melvyn Douglas, "Mother Lode" (she made two more appearances on the Great White Way, in "Hilda Crane" (1950) and "On Borrowed Time" in 1953; neither was a success). For the rest of her professional life, her career lay primarily in film and television.
She was typecast as mothers and, later, grandmothers, and played James Stewart's mother four times, most famously as "Ma Bailey" in It's a Wonderful Life (1946). Her greatest role is considered her turn in Leo McCarey's Depression-era melodrama Make Way for Tomorrow (1937), in which she played a mother abandoned by her children.
Beulah Bondi died on January 1, 1981, from complications from an accident, when she broke her ribs after falling over her cat. She was 92 years old.- Actress
- Soundtrack
The daughter of a clergyman, Anna Lee was born Joan Boniface Winnifrith and encouraged to pursue an acting career by her father. After training at London's Royal Albert Hall, she took to the boards and later began appearing in English films, first as an extra, then working her way up to featured roles and finally earning the unofficial title "The Queen of the Quota Quickies". Lee and her husband, director Robert Stevenson, relocated to Hollywood in the late 1930s, and Lee began starring in stateside productions as well as becoming a fixture of the John Ford stock company (she appeared in How Green Was My Valley (1941), Fort Apache (1948) and a half-dozen others). In 1970, she became the seventh wife of novelist, poet and playwright Robert Nathan (Portrait of Jennie (1948), The Bishop's Wife (1947)); they married three months after they met. Now widowed, Lee continued despite adversity, regularly playing wealthy Lila Quartermaine on the soap opera General Hospital (1963). She was appointed Member of the Order of the British Empire at the 1982 Queen's Birthday Honours for her services to drama. On May 14, 2004, Anna Lee passed away from pneumonia at age 91 at her home in Beverly Hills, California.- Canadian-born actor Arthur Hill was raised in the Saskatchewan town of Melfort. The son of a lawyer, he served with the Royal Canadian Air Force during WWII before receiving his college education at the University of British Columbia. Intending on following in his father's footsteps in the field of law, he supported himself in school with a job doing radio theatre with the Canadian Broadcasting Co.
Continuing to pursue his interest in acting for a time in Seattle, he married fellow actress Peggy Hassard and subsequently made a major move in 1948, at age 26, to England where he slowly built up a fine, steadfast theatre reputation for himself along with occasional radio, film and TV roles. Making his London stage debut with "Home of the Brave" in 1948, he achieved major attention playing Cornelius Hackl in the Thornton Wilder classic "The Matchmaker", a role he took successfully to Broadway. Other important work on stage included "Man and Superman" (1951) and "Look Homeward Angel (1957).
In 1962, he, Uta Hagen, George Grizzard and Melinda Dillon bowled over Broadway audiences as the vitriolic foursome in Edward Albee's 'Who's Afraid of Virginia Woolf?' Hill won both the Tony and New York Drama Critics awards for his role as George, the browbeaten academician and husband of Hagen's emasculating Martha (played by theatre legend Uta Hagen, who also won a Tony Award for her performance), who manages to turn the tables on her in front of two young guests invited for an ill-fated nightcap .
This led to stable work in Hollywood films in the 1960s with stalwart support roles in The Ugly American (1963), Harper (1966), Rabbit, Run (1970) and The Andromeda Strain (1971). This, in turn, led to an abundance of television work in the 1970s where Hill found a comfortable white-collar niche as mild-mannered, gray-haired professionals and an occasional shady villain. He earned star status with his own series Owen Marshall, Counselor at Law (1971), and in such quality mini-movies as Death Be Not Proud (1975) and Judge Horton and the Scottsboro Boys (1976), among others.
He retired in the 1990s and later was suffered from Alzheimer's disease, which claimed his life at an assisted-living facility in Pacific Palisades, California. At the time of his death on October 23, 2006, he was survived by his second wife, Anne-Sophie Taraba, and his son, Douglas. (Hill's first wife, Peggy, had died in 1998, also of complications from Alzheimer's disease.) - Actress
- Producer
- Production Manager
Actress with a notable career in films and television. Born and raised in Hollywood, she moved to New York at eighteen to study acting with Charles Conrad and ballet with Nina Fonaroff. She continued her training in Los Angeles at the Estelle Harman Workshop, securing a contract with Twentieth Century Fox. Baker's first film assignment was a true prestige picture: legendary director George Stevens cast her as Margot Frank, older sister of Anne, in The Diary of Anne Frank (1959). Baker remained at Fox as a contract player performing in films such as Journey to the Center of the Earth (1959), The Best of Everything (1959) and Nine Hours to Rama (1963). After her contract ended, she worked on a pair of distinguished projects at Universal Studios: Mirage (1965) with Gregory Peck and Marnie (1964) for director Alfred Hitchcock.
Baker was also a reliable performer in episodic television. She produced sensitive, affecting work in Rod Serling's touching They're Tearing Down Tim Riley's Bar/The Last Laurel (1971) and, in a colorful turn as an unstable dipsomaniac, in Last Salute to the Commodore (1976).
While continuing to perform, Baker moved into producing small, independent films such as Portrait of Grandpa Doc (1977) with director Randal Kleiser and Never Never Land (1980) with Petula Clark, and larger projects such as the Emmy-nominated television miniseries adaptation of Barbara Taylor Bradford's A Woman of Substance (1984) with Deborah Kerr.
More recently, she distinguished herself essaying the role of clan matriarch Rose Kennedy in the CBS miniseries Jackie Bouvier Kennedy Onassis (2000) and performed memorably with Anthony Hopkins in The Silence of the Lambs (1991) as the distraught Senator Ruth Martin and, with Jim Carrey and Matthew Broderick, in The Cable Guy (1996).
In 2005, she acted with Frank Langella in the HBO series Unscripted (2005) directed by George Clooney. She also teaches acting courses in the School of Motion Pictures, Television, and Acting at the Academy of Art University, San Francisco.- Actress
- Producer
- Director
Beth Grant has the unique honor of having co-starred in three Academy Award winning Best Pictures - Barry Levinson's Rain Man, the Coen Brothers's No Country For Old Men and Michel Hazanavicius's The Artist. Furthering her reputation as an Oscar lucky charm was her work with Johnny Depp in Gore Verbinski's Rango, the Academy's Best Animated Feature. Grant received the Screen Actors Best Ensemble Award for No Country For Old Men and Dayton-Faris's Little Miss Sunshine.
Grant co-starred in David O. Russell's Amsterdam, playing Robert De Niro's wife, opposite Margot Robbie, Christian Bale and John David Washington. As a Southerner she is particularly proud of her critically acclaimed role as "Addy Bundren" in Faulkner's As I Lay Dying directed by James Franco, premiering at Cannes. Grant enjoys cult status with hits Donnie Darko, To Wong Foo and Sordid Lives.
Grant had a blast in a five-episode arc on the final season of Amazon's Goliath where she gave hell to Billy Bob Thornton, Nina Arianda, Bruce Dern, Jena Malone, and J.K. Simmons. Grant stars as Carlotta Mayfair on Anne Rice's Mayfair Witches on AMC, AMC+, two seasons as "Cat Lady" in Dollface with Kat Dennings on Hulu, and 6 seasons as fan favorite "Beverly" on The Mindy Project now on Fox, Hulu and Netflix.
Her 140+ films include Lucky with Harry Dean Stanton and David Lynch, Pablo Larrain's Jackie, starring Natalie Portman, Words On Bathroom Walls with Charlie Plummer and Taylor Russell, Ridley Scott's Matchstick Men starring Nic Cage, and her four movies with Sandra Bullock - Speed, A Time To Kill, All About Steve and Bullock directed Making Sandwiches.
Grant delights in having created so many well known and popular, if often wacky, characters who she remembers as dear friends. Among her favorites are characters in Friends, Child's Play 2, Flatliners, CSI, Criminal Minds, The X-Files, Coach and recurring roles on Elmore Leonard's Maximum Bob, and Lemony Snicket's A Series Of Unfortunate Events both directed by Barry Sonnenfeld.
She adored working with writer/director Todd Holland on The Wizard, Malcolm In The Middle, and Wonderfalls, co-created with Bryan Fuller who also wrote roles for her on Pushing Daisies, Mockingbird Lane and American Gods.
Beth Grant loves doing theatre! She received the Los Angeles Drama Critics Circle Award, LA Stage Alliance Ovation, LA Weekly Award, Backstage West Award for Lead Actress in Del Shores's The Trials And Tribulations Of Trailer Trash Housewife. Grant starred Off Broadway in Tony George's Tricks The Devil Taught Me at The Minetta Lane Theater. Grant has won three Ovation Awards, including Lead Actress for Grace And Glorie at The Colony Theatre directed by Cameron Watson who also directed her in his beloved feature Our Very Own opposite Allison Janney, Robert Carradine and Jason Ritter.
Theatre credits also include world premieres by Maya Angelou, Romulus Linney, Horton Foote and Mark V. Olsen. Grant had two stints at The Ahmanson in Picnic with Jennifer Jason Leigh and Gregory Harrison and Summer And Smoke, directed by renowned Broadway director Marshall Mason, starring Christopher Reeve.
Grant enjoys claiming several hometowns in the South from Ft. Payne, Alabama to Atlanta, Georgia to Wilmington, North Carolina. She was a Page in the North Carolina Senate, attended the NC Governor's School for Gifted And Talented, was a two term president of the College Democrats at her Alma Mater, East Carolina University, and was Governor Robert Scott's appointee to Arts and Recreation Commission at age 19. Early on she studied film acting with Clu Gulager. In later year years she found an acting home as student of Milton Katselas's Master Class.
Grant is a co-executive producer on upcoming release of Flannery O'Connor's Wildcat directed by Ethan Hawke. She produced and plays the title role in Del Shores' film Blues For Willadean, co-starring with Octavia Spencer and Dale Dickey.
Grant directed a multi-award winning short, The Perfect Fit, also starring Spencer along with Lauren Miller Rogen, Ahna O'Reilly, Frances Fisher, Jennifer Zaborowski and Grant's daughter, Mary Chieffo.
Chieffo graduated with honors from The Juilliard School and is the first female Chancellor of The Klingon Empire on Star Trek: Discovery. Grant and her daughter produced Operation Othello with Julius Tennon and Viola Davis's JuVee Productions and Oculus Story Studio, wherein Chieffo re-imagined Shakespeare's Othello, playing his nemesis "Iago" as a woman.
Beth Grant has been married to Mary's father, actor Michael Chieffo, for 37 years. She attributes much of her success to them and to her family of origin, brother Bubba Grant, his wife Dr. Mary Grant, and Beth's always beloved and remembered parents, activist Southern Belle Libba and mild-mannered Southern Gentleman William Grant, all of whom supported her wild and crazy dreams. Beth Grant says she is the luckiest woman in Hollywood.- Cynthia Harris was most famed for her roles in L.A. Law (1986), Edward & Mrs. Simpson (1978), and Mad About You (1992). She made her Broadway debut in 1963. In 1971, she appeared on Broadway in the Landmark Stephen Sondheim-George Furth musical, "Company." She was a founding member and co-artistic director of The Actors Company Theatre. In 1978, she received a BAFTA nomination for her performance as "Wallis Simpson" in Edward & Mrs. Simpson (1978).
- Actress
- Writer
- Director
Ellen Geer, the daughter of actors Will Geer and Herta Ware, has worked continuously for 40 years in television and motion pictures since making her debut in Richard Lester's "Petulia (1968)" (1968) in support of Julie Christie and George C. Scott. Probably best remembered for her turn as the committed actress who is lined up as the third (and last) date for "Harold" by his mother in the cult classic Harold and Maude (1971) (1971) (and who confounds "Harold" by recognizing his "suicide" by hari-kari as an act and eagerly joins in, playing "Juliet" to his "Romeo"), Geer has played character and supporting parts in scores of movies and television shows.
Upon the death of her father in 1978, Ellen took over as artistic director of Theatrical Botanicum, an outdoor amphitheater in Topanga Canyon, California, where she has both acted and directed in 50 productions, including "A Streetcar Named Desire", "Medea" and "The Madwoman of Chaillot". Under Geer's direction over the past 28 years, the "Will Geer Theatricum Botanicum" has developed from essentially a workshop to a respected theatrical company with an Equity contract. In the year 2000, the Theatricum Botanicum put on a dramatization of "Harold and Maude" in which Ellen played the free-spirited "Maude", the senior citizen who befriends, comforts and ultimately romances the 20-year-old "Harold", who is obsessed with death and suicide. The Theatricum Botanicum has also put on works written by Ellen Geer.
Ellen Geer is a visiting associate professor of acting at the University of California, Los Angeles' School of Theater, Film, and Television, working both with undergraduate and Master of Fine Arts student, concentrating on acting in Shakespeare and other classics. She is a major force in the Los Angeles area in providing theater education to public school children through several Theatricum Botanicum-sponsored programs. Despite this commitment to theatrical education, she continues with her own busy acting career, appearing in films and on TV while acting at major regional theaters, including the Tyrone Guthrie Theatre, the American Conservatory Theatre of San Francisco and the Globe Shakespeare Festival of San Diego.- Actress
- Producer
Born in Dallas, Texas, K Callan's first professional job was at the Margo Jones Theatre. She first gained national attention as Peter Boyle's mousy wife in the legendary Joe (1970). Her career includes film, television and theater. Other memorable films include American Gigolo (1980) and A Touch of Class (1973). A regular guest star in countless television movies and series, her favorite television roles include the lesbian Veronica in the Emmy-winning "Cousin Liz" episode of All in the Family (1971), Superman's mom on Lois & Clark: The New Adventures of Superman (1993) and the wife of an Alzheimer's patient on Nip/Tuck (2003).
Callan is a member of The Academy of Motion Picture Arts & Sciences, the Television Academy and is a past Board Member of the Screen Actors Guild. In addition to her work as an actor, she has also authored a string of showbiz reference books: "How to Sell Yourself as an Actor", "The Script is Finished, Now What do I Do?", "Directing Your Directing Career", "The Los Angeles Agent Book" and "The New York Agent Book".- Actress
- Soundtrack
Unsmiling character player Lucile Watson was one of Hollywood's most indomitable mothers of the 1930s and 1940s...and you can take that both ways. The archetypal matriarch who enhanced scores of plush, soapy, Victorian-styled drama, her prickly pears could be insufferable indeed and heaven help anyone who gathered up the courage to take them on. A fiercely protective mother usually to everyone's detriment, her narrow-minded characters were overt and opinionated, customarily equipped with a withering look and slivered tongue as weapons. Having no trouble whatsoever situating themselves into any and all's business, Lucile played imperious mother to filmdom's top stars including James Stewart and Robert Taylor, and often stole a bit of the thunder from under them.
She was born on May 27, 1879 in Quebec, Canada and trained at New York's Academy of Dramatic Arts, making her first professional stage appearance in "The Wisdom of the Wise" in 1902 at the age of 23. For the next three decades plus, she played, in stark contrast to her later stereotype, frothy ladies in witty, sparkling comedy. Her superlative performance on Broadway in "The City" in 1909 guaranteed her position as a stage star. Playwright Clyde Fitch went on to use her quite frequently in his productions. Other stage successes over the years included "Under Cover" (1913), "Heartbreak House" (1920), "Ghosts" (1926), The Importance of Being Earnest (1926), "No More Ladies" (1934), "Pride and Prejudice" (1935) and "Yes, My Darling Daughter" (1936). She blossomed in both chic lead and support roles.
It took her longer, however, to bloom on film... and it was not as a leading lady. She didn't make her film bow until age 55 in the Helen Hayes vehicle What Every Woman Knows (1934). She then slowly moved up the credits list after playing minor servile roles at first. Her first noticeable support was as Norma Shearer's advice-spouting mom in the classic Clare Boothe Luce film adaptation of The Women (1939) in which she expounds on the inescapable infidelities of husbands and the importance of saving face in high society. Better yet was her thorny, smothering mother to James Stewart in Made for Each Other (1939) in which she squares off with Carole Lombard who poses a threat as a possible daughter-in-law. So too was her cool-as-ice matriarch in Waterloo Bridge (1940) as she tries to separate son Robert Taylor from Vivien Leigh's fiancé with a sordid past.
Lucile reached the apex of her adult career with Lillian Hellman's anti-fascist war drama "Watch on the Rhine" (1941) starring Paul Lukas on Broadway. Two years later she and Lukas preserved their brilliance on film. Co-starring Bette Davis, Watch on the Rhine (1943) won Lukas the Academy Award for "best actor" and Lucile was acknowledged for her matriarchal supporting turn, but lost to Katina Paxinou for her work in For Whom the Bell Tolls (1943).
Lucile continued to set a pattern of excellence in the post-war years with arch supports in such films as My Reputation (1946) as Barbara Stanwyck iron-willed mom, the class Disney film Song of the South (1946) and cranky Aunt March in the MGM remake of Little Women (1949). She wound up her film career wreaking havoc in the musical Let's Dance (1950) as Betty Hutton's maligning mother-in-law and in the overly melodramatic My Forbidden Past (1951) as newly-rich Ava Gardner's scheming great aunt. Following a return to the stage and some scattered work in television anthologies, Lucile retired in 1954 at the age of 75 to live out her last years in New York.
Lucile's first marriage somewhere around 1910 to actor Rockliffe Fellowes was brief. She subsequently married playwright Louis Evan Shipman in 1928, a union that lasted until his death in 1933. The character veteran passed away on June 25, 1962, after suffering a heart attack at age 83.- Actress
- Soundtrack
Dennie Moore was born on 30 December 1902 in New York City, New York, USA. She was an actress, known for The Women (1939), The Model and the Marriage Broker (1951) and The Adventures of Jane Arden (1939). She died on 22 February 1978 in New York City, New York, USA.- Actress
- Soundtrack
Lively, buxom character actress Mary Boland made a name for herself playing vacuous or pixilated motherly types during the 1930s. One of her most memorable performances was as the addle-brained Mrs. Rimplegar of Three Cornered Moon (1933), who gives away her family fortune to a swindler because he seemed like 'such a nice young man'. She also made a series of popular homespun comedies under contract to Paramount, in which she co-starred opposite Charles Ruggles. She was notable as a social snob in Ruggles of Red Gap (1935), the oversexed and alcoholic Countess DeLave in The Women (1939) and as Mrs. Bennet in MGM's classic Pride and Prejudice (1940). For all her scatty or matronly character roles in the movies, Mary Boland had once been a star comedienne on Broadway.
Born in Philadelphia, the daughter of traveling actor William A. Boland (who happened to be on tour at her birth), she was educated at Sacred Heart Convent in Detroit. At 25, Mary appeared in her first play, 'Strongheart', and was on Broadway two years later in 'The Ranger', with Dustin Farnum. She started in silent films in 1915, her debut being Thomas H. Ince's 'The Edge of the Abyss'. After a wartime interval, entertaining troops on the Western Front during World War I, she made a return to the stage and had notable successes with the comedies 'Clarence' (1919-20,with Alfred Lunt) as Mrs.Wheeler, 'Meet the Wife' (1923-24,with a young Humphrey Bogart) and 'Cradle Snatchers' (1925-26), starring as Susan Martin. These performances established her as one of theaters foremost comediennes, ideally cast as dithery wives and mothers, or social climbers.
Mary's film career ended in 1950 and she appeared in her last play, 'Lullaby', in 1954. She retired to live out the rest of her days in her suite at the Essex House in New York.- Sly, manipulative, dangerously cunning and sinister were the key words that best described the roles that Gale Sondergaard played in motion pictures, making her one of the most talented character actresses ever seen on the screen. She was educated at the University of Minnesota and later married director Herbert J. Biberman. Her husband went to find work in Hollywood and she reluctantly followed him there. Although she had extensive experience in stage work, she had no intention of becoming an actress in film. Her mind was changed after she was discovered by director Mervyn LeRoy, who offered her a key role in his film Anthony Adverse (1936); she accepted the part and was awarded the very first Academy Award as Best Supporting Actress. LeRoy originally cast her as the Wicked Witch in The Wizard of Oz (1939), but she felt she was not right for that role. Instead, she co-starred opposite Paul Muni in The Life of Emile Zola (1937), a film that won Best Picture in 1937. Sondergaard's most-remembered role was that of the sinister and cunning wife of a husband murdered by Bette Davis' character in The Letter (1940). Sondergaard continued her career rise in films such as Juarez (1939), The Mark of Zorro (1940), The Black Cat (1941), and Anna and the King of Siam (1946). Unfortunately, she was blacklisted when she refused to testify during the McCarthy-inspired "Red Scare" hysteria in the 1950s. She eventually returned to films in the 1960s and made her final appearance in the 1983 film Echoes (1982). Gale Sondergaard passed away of an undisclosed illness at the Motion Picture and Television Hospital in Woodland Hills, California, at the age of 86.
- Actress
- Soundtrack
Virginia Gregg was born on 6 March 1916 in Harrisburg, Illinois, USA. She was an actress, known for Operation Petticoat (1959), Police Story (1973) and Crime in the Streets (1956). She was married to Jaime Del Valle. She died on 15 September 1986 in Encino, Los Angeles, California, USA.- Actress
- Soundtrack
Nancy Kulp wore many hats: Publicity person, actress, linguist, would-be politician, and teacher. Originally from Harrisburg, Pennsylvania, Kulp attended college in Florida, then headed for Hollywood to work in publicity for the movies, not star in them. Soon after arriving in Hollywood, Kulp was convinced by director George Cukor and casting director Billy Gordon that she should be in front of the camera, not behind the scenes. She then began a solid career as a character actress in films and television, including two memorable roles: on The Bob Cummings Show (1955) as bird-loving "Pamela Livingstone", and on The Beverly Hillbillies (1962) as the long-suffering, lovesick, and bird-loving "Miss Jane Hathaway". After the Hillbillies ended its 9-year run, Kulp found work in theater, Broadway, and television, and dabbled in politics, making an unsuccessful 1984 run for Congress in Pennsylvania. Later, she taught acting and retired to a farm in Connecticut and, later, Palm Springs, where she died of cancer in 1991.- Actress
- Soundtrack
Kitty Kelly was born on 27 April 1902 in New York City, New York, USA. She was an actress, known for Beginner's Luck (1935), So Proudly We Hail! (1943) and Men of Chance (1931). She died on 29 June 1968 in Hollywood, California, USA.- Fay Baker was born on 31 January 1917 in New York City, New York, USA. She was an actress, known for Notorious (1946), The House on Telegraph Hill (1951) and Deadline - U.S.A. (1952). She was married to Arthur Weiss. She died on 8 December 1987 in Sleepy Hollow, New York, USA.
- Jesslyn Fax was born on 4 January 1893 in Toronto, Ontario, Canada. She was an actress, known for Rear Window (1954), The Ghost and Mr. Chicken (1966) and Kiss Me Deadly (1955). She died on 16 February 1975 in Hollywood, California, USA.
- Actress
- Soundtrack
Sara Haden was the daughter of silent screen star Charlotte Walker who was also a celebrated beauty in her day. Alas, Sara did not inherit her mother's good looks. She was actually born Catherine Haden in Center Point, Texas, on November 17 1898. There was nothing particularly outstanding about her childhood, except that her mother did not encourage her to become an actress. At least not to begin with. She was educated at the Dominican Convent in Galveston, then began acting in repertory with the James Hayden Players in Galveston and Dallas. She reputedly worked in early radio "as a dog impersonator for her own stories" but in 1921 debuted on Broadway in a rather more serious vein as Macduff's son (!) in "Macbeth". For the next eight years, she alternated between comedy and melodrama, scoring leads in such plays as "Trigger", "Lawful Larceny", "The Wrecker" and "Hot Water". Sara began her screen career in 1934, playing Etta Dawson in Spitfire (1934), thereby reprising her original Broadway performance in "Trigger". However, with her schoolmarmish looks she was quickly typecast as austere spinsters, eccentric aunts and crotchety dowagers. She had a certain knack for playing nasty (especially towards children), but beneath her villainous celluloid reputation lurked a great sense of humour. She was once quoted as saying (about her screen personae) "I'm always mean but there is no monotony about my meanness. I am mean in a great variety of fashions" and "I am glad my dog doesn't go the the movies. Maybe he wouldn't think as much of me if he did". As an MGM contract player from 1938 to 1946, Sara became best known as the starchy, but gentle Aunt Milly Forrest in the popular Andy Hardy series. Ironically, her best scenery-chewing moments came in Universal's cheaply made She-Wolf of London (1946), a typically sinister role for which Sara was paid a princely $2167 per week and (according to her lesser paid co-star June Lockhart) had a turn reminiscent of the Miss Danvers character (Judith Anderson) in Alfred Hitchcock's Rebecca (1940). Sara remained much in demand as a television actress until her retirement from acting in 1965. She died as Catherine Haden Vandenburg in Woodland Hills, California, in September 1981 at the age of 82.- Actress
- Soundtrack
Kathryn Card was born on 4 October 1892 in Butte, Montana, USA. She was an actress, known for I Love Lucy (1951), Born to Kill (1947) and The Hucksters (1947). She was married to Erwin Foster Card. She died on 1 March 1964 in Costa Mesa, California, USA.- Actress
- Soundtrack
Aida Turturro is an American actress best known for playing Janice Soprano on the HBO drama series The Sopranos. Aida Turturro was born in Brooklyn, New York, daughter of a Sicilian mother, Dorothy, a homemaker, and an Italian-American father, Domenick Turturro, an artist. After graduating from high school, Turturro earned a Bachelor of Arts degree in theatre from the State University of New York at New Paltz.- Actress
- Make-Up Department
Nan Martin was born on 15 July 1927 in Decatur, Illinois, USA. She was an actress, known for Shallow Hal (2001), A Nightmare on Elm Street 3: Dream Warriors (1987) and Cast Away (2000). She was married to Harry Harmer Gesner and Robert Emmett Dolan. She died on 4 March 2010 in Malibu, California, USA.- Nellie Burt was born on 4 January 1900 in Aberdeen, Washington, USA. She was an actress, known for Ben Casey (1961), Bound and Gagged (1919) and The Outer Limits (1963). She was married to William Henry McMullen and Paul Edward Martin . She died on 3 November 1986 in East Rockaway, New York, USA.
- Patricia Smith was born on 20 February 1930 in New Haven, Connecticut, USA. She was an actress, known for The Spirit of St. Louis (1957), The Debbie Reynolds Show (1969) and Helen Keller and Her Teacher (1970). She was married to John Lasell. She died on 2 January 2011 in Los Angeles, California, USA.
- Katherine Cannon was born on 6 September 1953 in Hartford, Connecticut, USA. She is an actress, known for The Hidden (1987), Black Sheep Squadron (1976) and Battlestar Galactica (1978). She has been married to Dean Butler since 2002. She was previously married to Richard Chambers.
- Actress
- Soundtrack
Freda Foh Shen was born on 25 April 1948 in Atlanta, Georgia, USA. She is an actress, known for Dude, Where's My Car? (2000), Star Trek (2009) and Mulan (1998).- Actress
- Producer
- Soundtrack
Tamala Jones was born on 12 November 1974 in Pasadena, California, USA. She is an actress and producer, known for Blue Streak (1999), Can't Hardly Wait (1998) and Booty Call (1997).