Top 100 Canadian Actresses

Born in Whitby, Ontario, May Irwin started her performing career at a young age, when she began a singing act with her younger sister Flora in 1874. The act was popular, and Irwin began working as an actress when she was 21 years old. She found success and was appearing in a Broadway show called "The Widow Jones" when Thomas A. Edison saw her and co-star John C. Rice exchanging a kiss on-stage. He hired them to do the same in one of his films, The Kiss (1896). This marked the first kiss in cinematic history. After participating in this milestone moment in film history, Irwin continued to be a popular performer and appeared in one more film, the silent feature Mrs. Black Is Back (1914).

Alice Nevalinga was previously married to Nanook.

She won a beauty contest at age fourteen. In 1920 her mother, Edith Shearer, took Norma and her sister Athole Shearer (Mrs. Howard Hawks) to New York. Ziegfeld rejected her for his "Follies," but she got work as an extra in several movies. She spent much money on eye doctor's services trying to correct her cross-eyed stare caused by a muscle weakness. Irving Thalberg had seen her early acting efforts and, when he joined Louis B. Mayer in 1923, gave her a five year contract. He thought she should retire after their marriage, but she wanted bigger parts. In 1927, she insisted on firing the director Viktor Tourjansky because he was unsure of her cross-eyed stare. Her first talkie was in The Trial of Mary Dugan (1929); four movies later, she won an Oscar in The Divorcee (1930). She intentionally cut down film exposure during the 1930s, relying on major roles in Thalberg's prestige projects: The Barretts of Wimpole Street (1934) and Romeo and Juliet (1936) (her fifth Oscar nomination). Thalberg died of a second heart attack in September, 1936, at age 37. Norma wanted to retire, but MGM more-or-less forced her into a six-picture contract. David O. Selznick offered her the part of Scarlett O'Hara in Gone with the Wind (1939), but public objection to her cross-eyed stare killed the deal. She starred in The Women (1939), turned down the starring role in Mrs. Miniver (1942), and retired in 1942. Later that year she married Sun Valley ski instructor Martin Arrouge, eleven years younger than she (he waived community property rights). From then on, she shunned the limelight; she was in very poor health the last decade of her life.

A pretty, diminutive (4'11") actress of the silent and early sound era, Barbara Cloutman (later Kent) was born in Gadsby, Alberta, Canada on December 16, 1907. Upon graduating from Hollywood High School in 1925, Kent won the Miss Hollywood Pageant, and set her sights on a career in the movies. She was 18 when Universal Studios signed her; she made her film debut in the western Prowlers of the Night (1926). That same year, Kent established herself with the classic romantic melodrama Flesh and the Devil (1926), in which she played the rival to femme fatale Greta Garbo's affections for John Gilbert. She was loaned to MGM for that movie. Kent was selected as one of the WAMPAS Baby Stars of 1927 as a result of the popularity of her film No Man's Law (1927), in which she had a nude scene.

Kent subsequently appeared opposite Richard Barthelmess in The Drop Kick (1927) and had a starring role in another silent classic, Lonesome (1928), before smoothly making the transition to talkies. She played Harold Lloyd's love interest in his first two sound movies, Welcome Danger (1929) and Feet First (1930). Kent had supporting parts opposite Gloria Swanson in Indiscreet (1931) and Marie Dressler in Emma (1932), as well as playing the role of the aunt in Oliver Twist (1933) (notable since the character is often omitted from dramatizations of the novel).

In 1933, Kent took a year-long hiatus from acting so that her new husband, talent agent Harry E. Edington, could groom her for what he intended to be a high-profile return. Unfortunately, Kent's popularity had declined by the time she did return. She made three more films between 1935 and 1941, before retiring from the screen.

Edington died in 1949, and Kent remarried in 1954, to Jack Monroe, an engineer. They settled in Palm Desert, California, where Kent remained after Monroe's death. Her retirement was long and peaceful; she passed away on October 13, 2011 at the age of 103.

Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in a restaurant to make ends meet--a rough beginning for an actress who would, one day, be one of Hollywood's elite. Yvonne's mother wanted her to be in the entertainment field and enrolled her in a local dance school and also saw that she studied dramatics. Yvonne was not shy in the least. She was somewhat akin to Colleen Moore who, like herself, entertained the neighborhood with impromptu productions. In 1937, when Yvonne was 15, her mother took her to Hollywood to try for fame and fortune, but nothing came of it and they returned to Canada. They came back to Hollywood in 1940, where Yvonne would dance in chorus lines at night while she checked in at the studios by day in search of film work. After appearing in unbilled parts in three short films, she finally got a part in a feature.

Although the film Harvard, Here I Come! (1941) was quite lame, Yvonne glowed in her brief appearance as a bathing beauty. The rest of 1942 and 1943 saw her in more uncredited roles in films that did not quite set Hollywood on fire. In The Deerslayer (1943), she played Wah-Tah. The role did not amount to much, but it was much better than the ones she had been handed previously. The next year was about the same as the previous two years. She played small parts as either secretaries, someone's girlfriend, native girls or office clerks. Most aspiring young actresses would have given up and gone home in defeat, but not Yvonne. She trudged on. The next year, started out the same, with mostly bit parts, but later that year, she landed the title role in Salome, Where She Danced (1945) for Universal Pictures. While critics were less than thrilled with the film, it was at long last her big break, and the film was a success for Universal. Now she was rolling.

Her next film was the western comedy Frontier Gal (1945) as Lorena Dumont. After a year off the screen in 1946, she returned in 1947 as Cara de Talavera in Song of Scheherazade (1947), and many agreed that the only thing worth watching in the film was Yvonne. Her next film was the highly regarded Burt Lancaster prison film Brute Force (1947). Time after time, Yvonne continued to pick up leading roles, in such pictures as Slave Girl (1947), Black Bart (1948), Casbah (1948) and River Lady (1948). She had a meaty role in Criss Cross (1949), a gangster movie, as the ex-wife of a hoodlum. At the start of the 1950s, Yvonne enjoyed continued success in lead roles. Her talents were again showcased in movies such as The Desert Hawk (1950), Silver City (1951) and Scarlet Angel (1952). Her last film in 1952 was Hurricane Smith (1952), a picture most fans and critics agree is best forgotten.

In 1956, she appeared in the film that would immortalize her best, The Ten Commandments (1956). She played Sephora, the wife of Moses (Charlton Heston). The film was, unquestionably, a super smash, and is still shown on television today. Her performance served as a springboard to another fine role, this time as Amantha Starr in Band of Angels (1957). In the late 1950s and early 1960s, Yvonne appeared on such television series as Bonanza (1959) and The Virginian (1962). With film roles drying up, she took the role of Lily Munster in the smash series The Munsters (1964). However, she still was not completely through with the big screen. Appearances in such films as McLintock! (1963), The Power (1968), The Seven Minutes (1971) and La casa de las sombras (1976) kept her before the eyes of the movie-going public. Yvonne De Carlo died at age 84 of natural causes on January 8, 2007 in Woodland Hills, California.

Lovely French Canadian actress Suzanne Cloutier, the daughter of the director of the National Printing Office, was born into a large family. She had indeed no fewer than six brothers and sisters. After happily growing up in the heart of nature (her parents had a house in the woods), she became a model in New York. A photograph of her was noticed by director-producer George Stevens who offered her a contract but, as she did not speak English well enough yet, she declined. Later on, having improved her level in Shakepeare's language, she was hired by a drama company featuring Charles Laughton. Which did not hinder her from playing in French for, after her American experience, she chose to join Jean Dasté's company in France. It is when she appeared in one of the plays produced by Dasté that she was hired by Julien Duvivier for her first major role in the movies, the unfortunate Marie Lambert in The Sinners (1949). Another interesting role in an interesting movie followed ( Juliette, Gérard Philipe 's dream lover in'Marcel Carné''s poetic Juliette ou La clef des songes (1951). To crown it all, 'Orson Welles' chose her to play Desdemona in his admirable adaptation of 'William Shakespeare''s Othello (1951). Suzanne Cloutier really excelled in the pathetic role of the beautiful but doomed wife of the jealous Moor. It looked as if Suzanne was then on the threshold of a great career. In fact, It was the contrary that happened due to the fact that she chose family life instead . Indeed after marrying Peter Ustinov she practically retired from artistic life. Too bad for the frustrated spectator but so much the better for her as she always declared herself happy with her married life.

Frances Hyland was born on 25 April 1927 in Shaunavon, Saskatchewan, Canada. She was an actress, known for The Changeling (1980), Happy Birthday to Me (1981) and Hounds of Notre Dame (1980). She was married to George McCowan. She died on 11 July 2004 in Toronto, Ontario, Canada.

Johanne Harelle was born on 29 January 1930 in Montreal, Quebec, Canada. She was an actress, known for Take It All (1963), The Kiss (1988) and Marisol (1980). She was married to Edgar Morin and Miklos Engelmayer. She died on 4 August 1994 in Montreal, Quebec, Canada.

Julie Biggs is known for Nobody Waved Good-bye (1964), Festival (1960) and Unfinished Business (1984).

Barbara Ulrich is known for Communists (2014), The Cat in the Bag (1964) and Ascension (2002).

Haji was a Cando-American actress renowned for starring in Russ Meyer's sexploitation classic Faster, Pussycat! Kill! Kill! (1965), in which she made her theatrical film debut. Barbarella Catton was born in Quebec City, Quebec on January 24, 1946, and at the age of 14, began dancing topless. The renamed Haji caught the eye of cinema's "King Leer" while performing as an exotic dancer.

He also cast her as one of three go-go dancers who turn into avenging furies in "Pussycat" Faster, Pussycat! Kill! Kill! (1965) after her theatrical film debut in Motorpsycho! (1965) technically released before Faster, Pussycat! Kill! Kill! (1965). She also appeared in Meyer's potboiler Good Morning... and Goodbye! (1967), his big budget Hollywood sextravaganza Beyond the Valley of the Dolls (1970), and his cartoonish amalgamation of sex and violence, Supervixens (1975).

Haji died on August 10, 2013 at the age of 67.

Barbara Parkins is best remembered as an icon of the Sixties who had starring roles in two of the era's more notorious productions, Peyton Place (1964) and Valley of the Dolls (1967). After arriving in Hollywood as a teenager, Parkins soon began appearing on episodic television programs such as Wagon Train (1957) and Perry Mason (1957). She also appeared with George Burns as a dancer in his nightclub act. She was soon offered the pivotal role of "Betty Anderson" in what would become television's first prime-time soap opera, Peyton Place (1964). The show was an immediate success and turned Parkins, along with costars Ryan O'Neal and Mia Farrow into household names. Parkins was nominated for an Emmy Award as Best Actress and stayed with the series for its entire 5 year run. Her popularity was further solidified when, in 1967, she starred in the motion picture Valley of the Dolls (1967), which became a huge box office hit. She became close friends with her "Dolls" costar, Sharon Tate and traveled to London to be her bridesmaid when Tate married director Roman Polanski in 1968. Parkins fell in love with England, UK. After Tate's murder in 1969, Parkins decided to leave Hollywood and took up residence in London. There, she appeared on the BBC and starred in such international productions as Puppet on a Chain (1971), Christina (1974) and Shout at the Devil (1976). Her career, however, was no longer the prime focus of her life. She married in the late 1970's and lived in France for awhile. When her marriage ended, Parkins returned to the United States and gave Hollywood another try. She appeared in popular TV shows of the day, such as The Love Boat (1977), Fantasy Island (1977), and Hotel (1983). She also filmed Bear Island (1979) with Donald Sutherland and Vanessa Redgrave and Breakfast in Paris (1982). Parkins joined other original cast members for a Peyton Place reunion movie, Peyton Place: The Next Generation (1985), in 1985. Her career, however, was once again put on hold when her daughter, Christina Parkins, was born. Parkins has made infrequent appearances since the late 1980's although she did return to weekly television for a brief stint in the CBS-TV series Scene of the Crime (1991) which was filmed in the city she was born, Vancouver. In 1997, Parkins was the guest of honor at a 30th anniversary screening of Valley of the Dolls (1967) in San Francisco. During a question-and-answer segment with columnist Ted Casablanca, she announced to the sold-out audience that she planned to retire. The following year, however, she appeared in Scandalous Me: The Jacqueline Susann Story (1998), based on the life of Valley of the Dolls' controversial author. Whether Parkins will resume her career full- time or really retire is unknown at this time.

Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.

After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.

The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).

After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).

In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).

Margot died on May 13, 2018, in Livingston, Montana.

The brilliant and versatile London-born stage, radio and TV actress Kate Reid was actually born Daphne Kate Reid in 1930 to Canadian parents, Walter Clarke Reid and Helen Isabel Moore. The family moved back to Ontario before she was a year old. An introverted child of delicate health, Kate sought refuge in books and role-playing and began studying drama in her mid-teens. She apprenticed in summer stock and trained with Uta Hagen and Herbert Berghof at the HB Studio in New York. Earning critical acclaim as Lizzie in "The Rainmaker"and as Masha in "The Three Sisters", her decade with the Stratford Festival in Canada would establish her as one of North America's most accomplished actresses.

In the Shakespearean canon, she played numerous characters, from Lady Macbeth to the shrewish Katharina, who may or may not have been tamed by the end of the comedy of the same name. She often played women older than she actually was, and battled alcohol and weight problems throughout much of her life. She was to have taken "The Rainmaker" to England's West End at one point but severe anxiety attacks kept her from doing so. She made her Broadway debut in 1962, playing the matinée Martha in Edward Albee's "Who's Afraid of Virginia Woolf?", which role was played 7 out of eight weekly performances by Reid's legendary mentor, Uta Hagen.

Filming for Reid would be very erratic during her career. She played Natalie Wood's mother in This Property Is Condemned (1966) and may be best-remembered as a scientist in the thriller The Andromeda Strain (1971) or as the brittle, bitter, boozing Claire in A Delicate Balance (1973), opposite such heavyweights as Katharine Hepburn, Paul Scofield, Lee Remick, Joseph Cotten, and Betsy Blair. She earned two Tony nominations in the 1960s for her participation in the plays "Dylan" and "Slapstick Tragedy". Further respect came in the package of Arthur Miller's "The Price" and John Guare's "Bosoms and Neglect". On U.S. television, she played the skeptical mother of a murder witness in the Columbo (1971) episode Dead Weight (1971), as well as a treacherous foreign agent in the Scarecrow and Mrs. King (1983) episode The First Time (1983). She also managed a recurring part on Dallas (1978) as well as regular roles on the short-lived TV series Gavilan (1982) and Morningstar/Eveningstar (1986).

Plagued by ill health in later years, Reid nevertheless offered a couple of outstanding contributions. She was the invalid mistress in the film Atlantic City (1980) opposite Burt Lancaster, and portrayed the devoted, long-suffering wife Linda Loman alongside Dustin Hoffman in the critically-acclaimed 1984 remake of Miller's "Death of a Salesman" on Broadway. She and Hoffman (who was seven years her junior) subsequently preserved their roles with a TV adaptation the following year. Likewise, she appeared in the television movie Morning's at Seven (1982), reprising and preserving on celluloid her performance in the same role in the successful Broadway production. Her last role was in the miniseries Murder in the Heartland (1993). Reid succumbed to brain cancer at age 62 in Ontario, Canada.

She was adopted two weeks after her birth by a Catholic family after her birth mother had died when she was born, becoming their seventh child, and was raised in Shawinigan, a city in Quebec. She attended school at a local convent, developed a passion for music at a young age and trained as a concert pianist. She trained as a teacher after graduating from school but, at the age of twenty, she became involved in film, making her acting debut in Mon enfance à Montréal (1971), directed by Jean Chabot. Three years later, she met director Gilles Carle, who helped her career. Her exotic beauty (her mother has Indian blood), her charm and spontaneity, her dark eyes with light melancholy look, made her a star in French-Canadian cinema. She is not only acting but also sings. Carole has recorded several LPs in French and English, collaborating with Lewis Furey. She also sings in the musical Fantastica (1980) directed by her old friend, Gilles. Laure and Furey continue to split their time between homes in France and Quebec.

Rae Dawn Chong was born February 28, 1961 in Edmonton, Canada. After a few film and television spots, Rae Dawn earned a Genie for her performance in Jean-Jacques Annaud's prehistoric-drama Quest for Fire (1981). She played the young, Ivaka prisoner, Ika. Other notables roles include Harpo's girlfriend "Squeek", aka, Mary Agnes in Steven Spielberg's five-time Academy Award-nominated film, The Color Purple (1985), and James Remar's beautiful and mysterious wife, Carola in Tales from the Darkside: The Movie (1990).

Sonja Smits career has included the lead in three television series, Street Legal, Traders and the Eleventh Hour as well as many TV movies such as Margret Lawrence's The Diviners. Her feature films, include David Cronenberg's cult classic, Videodrome and Owning Mahoney with Philip Seymour Hofffman. Sonja's theatre work has taken her across Canada as well as the US. Sonja has received numerous honours and awards for her work including a Gemini Award-Best Actress, TWFT- Outstanding Achievement Award and ACTRA Award of Excellence. She was the first artist named as President of Harbourfront Centre Board, was a founding member of ACTRA Women's Caucus and served as Chair at Toronto Artscape Foundation. Sonja is the co-owner of Closson Chase Vineyards, a pioneer in the creation of the viticulture region of Prince Edward County.

Meg Tilly was set on being a dancer, and at 17 connected to the Connecticut Ballet Company and later Throne Dance Theatre. It was in this capacity that she had her screen debut in Alan Parker's Fame (1980). Unfortunately, an injury to her back cut short her plans for a dance career, and a small appearance in the TV series Hill Street Blues (1981) turned her towards acting (her dancing skills were not all forgotten, as was evident in The Big Chill (1983) and Psycho II (1983)). She received an Oscar nomination for Best Supporting Actress for Agnes of God (1985), and nobody doubted that she was on her way to stardom. One step on the road to that status was her being cast in Milos Forman's Amadeus (1984) as Constanza, but again her body interfered, and seven weeks into the production with her foot in a cast were more than the producers could accept, and she was replaced. Her "consolation", was a role in Forman's next project Valmont (1989), didn't do her career much good. Since then she has averaged a movie a year, and with the exception of Leaving Normal (1992), none have tapped the enormous reservoir of talent she has.

Vibrant, buxom, ravishing and voluptuous redhead beauty Joy Boushel only acted in a handful of movies and TV shows for just ten years, but she nonetheless made a nice favorable impression with her winning blend of bubbly vitality and unbridled sex appeal. Boushel made her splendidly spirited debut as the sassy waitress Sally in the enjoyably lowbrow comedy "Pick-Up Summer" (1980). Joy was likewise solid and credible as a primitive cave woman in the excellent "Quest for Fire" (1981). Moreover, she had memorably sexy roles in the horror films "Terror Train" (1980), "Humongous" (1982), and David Cronenberg's outstanding "The Fly" (1986), giving an especially notable turn in the latter as the enticing young woman Jeff Goldblum picks up in a bar. Alas, despite a funny part in the hit comedy "Look Who's Talking" (1989) her acting career came to a sudden complete end in the early 90s.

Helen Shaver has built a lasting legacy, both behind and in front of the camera. She has directed hundreds of hours of television ranging from Law & Order: Special Victims Unit (1999) to Castle (2009), from The Unit (2006) to The Outer Limits (1995). Her film, Summer's End (1999), a Showtime feature starring James Earl Jones, won multiple Emmy awards for Outstanding Children's Special, Outstanding Performer in a Children's Special and Helen was nominated for her direction. Her producing credits include Judging Amy (1999) for CBS, Showtime's Due East (2002) starring Cybill Shepherd and Robert Forster and the independent feature We All Fall Down (2000), for which she also received a Best Supporting Actress award.

It was Martin Scorsese who first suggested Helen direct. Working with him and other such greats as Steven Spielberg, Robert Rodriguez, Sam Peckinpah, Brian De Palma, Helen amassed a wealth of knowledge and experience in the collaborative world of cinematic storytelling.

Helen first appeared on the silver screen at 22 years old, starring in a series of award-winning Canadian films; Best Supporting Actress for Who Has Seen the Wind (1977) and Best Actress for In Praise of Older Women (1978). Hollywood took note and in 1977 she co-starred in The Amityville Horror (1979) directed by Stuart Rosenberg. Larry Gelbart's United States (1980), Martin Scorsese's, The Color of Money (1986), John Schlesinger's The Believers (1987), Donna Deitch's Desert Hearts (1985), Andrew Fleming's The Craft (1996), and a trip to China with Donald Sutherland to realize Bethune: The Making of a Hero (1990) broadened her education.

MAWD (Mother Actress Wife Director), Helen's production company, has three theatrical features in development, as well as a feature-length documentary. MAWD continues to expand becoming an umbrella for young filmmakers who Helen has mentored.

Arsinée Khanjian was born on 6 September 1958 in Beirut, Lebanon. She is an actress and producer, known for Ararat (2002), Exotica (1994) and The Captive (2014). She is married to Atom Egoyan. They have one child.

Gabrielle Rose is an award-winning actor, born in BC, Canada. She is married to actor Hrothgar Mathews. They have two children, Liam and Finn. Her grandfather was a producer, playwright, L Arthur Rose, known for writing the hit musical Me and My Girl. Gabrielle has worked in film, television, and theatre. She is known for her indie film work in Canada, most notably for 'The Sweet Hereafter', 'Maudie' and 'Kingsway'.

Francine Racette was born on 23 September 1947 in Québec, Canada. She is an actress, known for Au Revoir les Enfants (1987), Lumiere (1976) and Four Flies on Grey Velvet (1971). She was previously married to Donald Sutherland.

Genevieve Bujold spent her first twelve school years in Montreal's oppressive Hochelaga Convent, where opportunities for self-expression were limited to making welcoming speeches for visiting clerics. As a child she felt "as if I were in a long dark tunnel trying to convince myself that if I could ever get out there was light ahead." Caught reading a forbidden novel, she was handed her ticket out of the convent and she then enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was trained in classical French drama and shortly before graduation was offered a part in a professional production of Beaumarchais' "The Barber of Seville." In 1965 while on a theatrical tour of Paris with another Montreal company, Rideau Vert, Bujold was recommended to director Alain Resnais (by his mother) who cast her opposite Yves Montand in The War Is Over (1966). She then made two other French films in quick succession, the Philippe de Broca cult classic King of Hearts (1966) and Louis Malle's The Thief of Paris (1967). She was also very active during this time in Canadian television where she met and married director Paul Almond in 1967. They had one child and divorced in 1974. Two remarkable appearances - first as the titular Saint Joan (1967) on television, then as Anne Boleyn in her Hollywood debut Anne of the Thousand Days (1969), co-starring Richard Burton - introduced Bujold to American audiences and yielded Emmy and Oscar nominations respectively. Immediately after "Anne," while under contract with Universal, she opted out of a planned Mary, Queen of Scots (1971) ("it would be the same producer, the same director, the same costumes, the same me") prompting the studio to sue her for $750,000. Rather than pay, she went to Greece to film The Trojan Women (1971) with Katharine Hepburn. Her virtuoso performance as the mad seer Cassandra led critic Pauline Kael to prophesy "prodigies ahead" but to assuage Universal, Bujold eventually returned to Hollywood to make Earthquake (1974), co-starring Charlton Heston, which was a box office hit. A host of other films of varying quality followed, most notably Obsession (1976), Coma (1978), The Last Flight of Noah's Ark (1980), and Tightrope (1984), but she managed nevertheless to transcend the material and deliver performances with her trademark combination of ferocious intensity and childlike vulnerability. In the 1980s she found her way to director Alan Rudolph's nether world and joined his film family for three movies including the memorable Choose Me (1984). Highlights of recent work are her brave performance in the David Cronenberg film Dead Ringers (1988) and a lovely turn in the autumnal romance Les noces de papier (1990).

Heidi von Palleske was born in Toronto, Canada. She is an actress and writer, known for My Animal (2023), Bordello (2023) and A Hole in One (2004).