Top 10 Bollywood Bad Boys
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Pran was one of the leading character actors of Indian cinema. He was born on 12 February,1920 at Delhi. Pran was educated at different places namely Kapurthala, Unnao, Meerut, Dehradun and Rampur as his father late Lala Kewal Krishnan Sikand was a Government Civil Contractor for the construction of roads and bridges. Pran started his career by learning photography in Lahore. A chance meeting with a film producer, got him his first break in 'Yamla Jat' in 1940.
Married in 1945 to Shukla, he had two sons Arvind and Sunil, and one daughter Pinky. At partition in 1947, Pran came to Mumbai and restarted his film career after a brief struggle. He acted in over 400 films in a variety of roles. As a villain, in films like 'Ram Aur Shyam' people shuddered with fear and hated him, and yet loved him as the good, unforgettable 'Mangal chacha' in 'Upkar'. He went on to star in films with the leading actors of various decades from Raj Kapoor, Dilip Kumar, Dev Anand, Rajendra Kumar, Rajesh Khanna, Amitabh Bachchan, Dharmendra to Sanjay Dutt, Sunny Deol and Salman Khan. He was among the highest paid and most sought after character actors of his time, starring in some of the biggest and most acclaimed films of all time.
Being a sports lover and a good sportsmen he had his own football team "Dynamos Football Club" which he financed for a number of years in the fifties. Along with his film career he had been engaged in a number of Social activities, including the Chief Minister's Relief Fund, Maratha Sikshan Sanatha, Film Industry Welfare Trust. He had organised charity events and cricket matches, as well as the 'Hope 86' and 'Hope 87' shows for the needy people in the film industry.
Under the patronage of the Late, His Excellency Nawab Ali Yawar Jung, Pran presented a number of charity shows for the refugees of Bangladesh and for the deaf and dumb.
In an illustrious career of over six decades, Pran was bestowed with many awards including 4 Filmfare Awards, Villain of the Millennium honour from Stardust, Padma Bhushan, India's third highest civilian award from the Government of India in 2000 and the DadaSaheb Phalke Award for Lifetime Achievement (highest honour for cinema in India) from the Government of India in 2012. He died on 12 July 2013 at the age of 93 after a prolonged illness in Mumbai's Lilavati Hospital.- Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
- Camera and Electrical Department
Ajit Khan was born on 27 January 1922 in Golconda, Hyderabad State, British India. He was an actor, known for Zanjeer (1973), Awara Badal (1964) and Shareef Budmaash (1973). He died on 22 October 1998 in Hyderabad, Andhra Pradesh, India.- Actor
- Director
- Composer
Amjad Khan was a renowned Bollywood actor and film director, widely popular for his performance as Gabbar Singh in Sholay (1975). He went to both R. D. National College and St. Andrew's High School in Bandra.
Khan was the president of the Actors Guild Association and took a keen interest in the matters of the film industry. As a youngster, Khan acted with his father, Jayant, in movies like Nazneen (1951) and Ab Dilli Dur Nahin (1957).
With the film Hindustan Ki Kasam (1973), he first appeared as a professional silver-screen performer. When he played Gabbar Singh in Sholay (1975), he transformed the stereotypical Bollywood bad guy into a new genre icon. Gabbar transformed into him preparing for the role- this has been his most famous role of all time.
In Prakash Mehra's Muqaddar Ka Sikandar (1978), he portrayed the part of Dilawar, a gangster. He was also cast in several other movies, including Shatranj Ke Khilari (1977), Hum Kisise Kum Naheen (1977), Ganga Ki Saugand (1978), Des Pardes (1978), Dada (1979), Chambal Ki Kassam (1980), Naseeb (1981), Satte Pe Satta (1982), and Nastik (1983).
In films like Yaarana (1981) and Laawaris (1981), he portrayed likeable protagonists. In addition to his dramatic roles, he branched out and performed comedic roles in the films Qurbani (1980), Love Story (1981), Chameli Ki Shaadi (1986).
In the Hindi parody film Ramgarh Ke Sholay (1991), helmed by Ajit Dewani, he once again played the part of Gabbar Singh, and the film became an unexpected blockbuster.
He debuted as a director with Chor Police (1983), in which he also co-starred with Parveen Babi, Shatrughan Sinha, Kader Khan, and Shakti Kapoor. His film Ameer Aadmi Ghareeb Aadmi (1985) was released in 1985- it was a great commercial success. He also appeared in a small role in [link= tt0154591 in 1973.
He won the best supporting actor in the BFJA Awards for Sholay in 1976. Apart from that, he won best supporting actor at the Filmfare awards for Dada (1980) and Yaarana (1982). Khan also won best performance in a comedic role at the Filmfare awards for Maa Kasam (1986).- Kulbhushan Kharbanda, born in Hasan Abdal, Punjab, British India (now in Pakistan), is a highly acclaimed Indian actor who has left an indelible mark on both mainstream Bollywood and parallel cinema. Known for his versatility and ability to portray a wide range of characters, Kulbhushan Kharbanda is regarded as one of the finest actors in the Indian film industry.
Kulbhushan Kharbanda began his acting career in the theater, honing his skills before transitioning to films. He made his mark in Bollywood with Shyam Benegal's critically acclaimed film "Nishant" (1975). The film marked the beginning of Kharbanda's association with parallel cinema, where he often collaborated with directors who focused on socially relevant and thought-provoking themes.
One of his most memorable performances came in the iconic film "Shatranj Ke Khilari" (1977), directed by Satyajit Ray. In the film, based on a short story by Munshi Premchand, Kharbanda played the role of Mir Roshan Ali, showcasing his ability to bring depth to historical characters.
Kulbhushan Kharbanda continued to deliver stellar performances in films like "Junoon" (1978), "Kalyug" (1981), and "Aghaat" (1985). His association with directors like Shyam Benegal, Govind Nihalani, and Gulzar highlighted his commitment to meaningful and impactful storytelling.
Apart from parallel cinema, Kharbanda also made a mark in mainstream Bollywood with films like "Muqaddar Ka Sikandar" (1978), "Shaan" (1980), and "Ram Lakhan" (1989). He portrayed a variety of roles, including memorable negative characters, showcasing his versatility as an actor.
Kulbhushan Kharbanda's talent and dedication to his craft extended beyond Hindi cinema, as he also worked in Punjabi, Kannada, and other regional films. He is recognized for his contribution to Indian cinema and has received accolades for his performances.
In addition to his film career, Kulbhushan Kharbanda has been associated with theater and television, contributing to various facets of the entertainment industry. His distinctive voice, commanding screen presence, and ability to immerse himself in diverse characters have made him a respected and admired figure in Indian cinema. - Actor
- Music Department
Prem Chopra is an actor in Hindi and Punjabi films. Prem Chopra was born to a Hindu Punjabi family in Lahore on 23 September 1935 to Ranbirlal and Rooprani Chopra. He was third of six children.His father worked at the attorney-general's office. He was brought up in Shimla. His father wanted him to be a IAS officer but Chopra pursued performing arts in College and graduated in arts from Punjab University. Shimla had a strong theater movement in the period 1957-1961 and Chopra reveled in it. He watched a lot of Hindi and English movies and, after graduation, came to Bombay in the early 1960's and joined the Times of India's circulation department due to his art's degree. Simultaneously, he kept visiting studios and tried to get a break in films.
He kept trying to get a break in films. Prem Chopra made his debut in Bollywood with the Bharat Bhushan-starer Mud Mud Ke Na Dekh in 1960, which didn't do well. In 1960 he got a Punjabi film Chaudhary Karnail Singh opposite established star Jabeen Jalil and the film won a National Award and got Prem noticed.But he didn't have much hit Hindi films till 1964 with exception of his debut Punjabi hit films Karnail Singh and Sapni.
Next in 1964 he played Sukhdev in Shaheed, one of his rare positive leading roles which became hit.His performances from 1965-67 in hit films like Sikandar E Azam ,Nishan,Kunwari,Teesri Manzil ,Mera Saaya and Upkar showcased his versatility. After Teesri Manzil and Upkaar he was flooded with films as a villain. Prem Chopra continued working with TOI, when already he was part of box-office hits like Nishan,Sikandar E Azam in 1965 and Sagaai, Mera Saaya in 1966. After Upkaar in 1967 he left The Times of India. As a villain, he gained fame all round India when he acted with Superstar Rajesh Khanna in Do Raaste. The duo of Rajesh-Prem worked in 19 films from 1969 till Ghar Parivaar in 1991.In the critically acclaimed comedy film Hulchul (1971), played the lead hero in this suspense thriller and was not a villain and Prem was leading man in Kunwari(1966), Samaj Ko Badal Dalo(1970). Prem Chopra played the main lead in 1970 box-office hit small budget comedy film Samaj Ko Badal Dalo as lead hero and was paired opposite Tamil actresses Kanchana and Shardha. The song sung by Rafi and pictured on Prem Chopra -Tum Apni Saheli Ko Itna Bata Do Ki Usse Koi Pyar Karne Laga Hai from this 1970 film continues to be popular. His peak period in Hindi films as a villain has been from 1967 to 1991. After 1999, he appeared as a villain in very few films. He took up positive character roles from 1999 and started getting more positive roles from 2005.His screen space got reduced in the films after 2005.
Chopra regards his best roles and costumes were in Shaheed (1965), Sikander-e-Azam (1965), Kunwari (1966), Upkaar (1967),Do Raaste (1969), Purab Aur Pachhim(1970), Kati Patang (1970), Keemat(1973), Ajanabee(1974),Prem Nagar(1974), Kaala Sona (1975), Mehbooba(1976), Do Anjaane (1976),Jaadu Tona (1977), Tyaag (1977), Dostana (1980), Kranti (1981), Souten, Oonche Log (1985), Phool Bane Angaarey (1991), Bewaffa Se Waffa(1992). Prem played positive roles with large screen space in few films in 60's to 90's like in Shaheed, Kuwari, Samaj Ko Badal Dalo, Hulchul, Jadu Tona, Prem Pratigya.Later after 1999 Chori Chori Chupke Chupke and Koi Mil Gaya, Bunty aur Bubli, Virrudh, Maine Gandhi Ko Nahin Mara, Dhamaal, Rocket Singh, Delhi 6, Daddy Cool.had him in positive roles.
He has ever since 1967 been a leading villain in Hindi films. The dialogs "My name is Prem, Prem Chopra" from the film Bobby and from the film Souten "Mai wo bala hu jo sheshay se pathar ko todtee hai" which closely translates to "I am that trouble which crushes stones with glass" are immensely popular.
Prem Chopra married Uma, who is the younger sister of Krishna Kapoor, Prem- nath and Rajendranath in 1969 and they have three daughters: Rakita, Punita and Prerana.- Actor
- Director
- Composer
Premnath Malhotra was born on 21 November 1926 in Peshawar, North-West Frontier Province, British India. He was an actor and director, known for Johny Mera Naam (1970), Roti Kapada Aur Makaan (1974) and Barsaat (1949). He was married to Bina Rai. He died on 3 November 1992 in Bombay, Maharashtra, India.- Actor
- Music Department
- Soundtrack
Shakti Kapoor is one of the most comic actors to grace the Bollywood screen. Since the start of his career he has done more than 300 films. He had been often nominated for the Filmfare Award in the most comic performance category. His on-screen pairing with another comic actor Kader Khan as the latter's son has often led to laughable comedies. When the Mumbai film industry competed with its American counterpart in serving the audience the 'show must go on' formula of 'sex and violence' this actor became one of the most recognized faces of the hodge-podge filmdom. His very notable performances include Nandu of the David Dhawan masterpiece Raja Babu.- Actor
- Writer
- Producer
Kader Khan was an Indian actor, comedian, and screenwriter who worked in Hindi cinema. Khan's family migrated from Afghanistan to Mumbai, India, in 1942, and was raised in the neighbourhood of Kamathipura, Mumbai.
He completed his education at Ismail Yusuf College in Mumbai, earning a Master's degree in Civil Engineering (M.Tech). However, his passion for writing and acting led him to pursue a career in the film industry.
Kader Khan debuted in the film industry as a writer with the film Jawani Diwani (1972) in 1972. However, his first film as an actor was Daag: A Poem of Love (1973), starring Rajesh Khanna in the lead role.
He went on to write dialogues for numerous successful films in the 1970s and 1980s, including Sholay (1975), Muqaddar Ka Sikandar (1978), Amar Akbar Anthony (1977), Naseeb (1981), and Coolie (1983).
Khan has acted in over 300 films and appeared in supporting roles in some of Bollywood's biggest hits, such as Sharaabi (1984), Baap Numbri Beta Dus Numbri (1990), Agneepath (1990), Hum (1991), and Khuda Gawah (1992).
Some of his notable performances as an actor include Main Khiladi Tu Anari (1994), Coolie No. 1 (1995), Taqdeerwala (1995), and Judwaa (1997). He also worked in television serials such as Hasna Mat (2001) and Khuda Gawah (1992).
Kader Khan was also a prolific screenwriter and wrote scripts for films like Dharam Veer (1977), Mr. Natwarlal (1979), Laawaris (1981), and Geraftaar (1985). He also wrote and produced the film Shama (1981), which was released in 1981.
Some of Kader Khan's most memorable performances were in comedies, where he was known for his impeccable comic timing. He worked with some of the biggest stars in the industry, including Amitabh Bachchan, Govinda, Salman Khan, and Akshay Kumar.
Kader Khan's last appearance was in the 2019 Rangeela Raja film Rangeela Raja (2019). He passed away on December 31, 2018, at 81.
Kader Khan was awarded numerous awards for his contributions to the Indian film industry. He won the Filmfare Award for Best Dialogue twice for Meri Aawaz Suno (1981) and Angaar (1992). He also received the Filmfare Award for Best Comedian for Baap Numbri Beta Dus Numbri (1990).
In addition, he was honoured with the Padma Shri award, one of India's highest civilian honours, in 2019, which was posthumously awarded to him.- Actor
- Director
- Producer
Ranjeet Bedi was born on 12 September 1942 in Jandiala Guru, Amritsar, Punjab, British India. He is an actor and director, known for Amir Garib (1974), Namak Halaal (1982) and Heeralal Pannalal (1978).