The Hungarian Connection
A roster of Hollywood professionals with some notable connection to the country of Hungary. The purpose of this list is to help me remember my many compatriots working in the English-speaking movie industry, for future reference. Names are mostly added as I encounter them while watching movies, old and new. Suggestions are also welcome in the comment section! (It has to be said, though, that due to some weird glitch in the site's comment system, I cannot see any of the entries unless I copy-paste them into a text document - which I do so from time to time, but not daily. Also, some comments seem to vanish randomly, and to boot it all, IMDB does not notify me when a new entry is made or an old one is removed, so please don't get upset if I fail to respond relatively soon!)
Edit: Facebook-plugin seems to be fixed, I can see the comments now!
Many thanks to the following commenters for their suggestions (indicated in parentheses):
Diana Marton Alf (Tony Curtis)
Patricia Nolan-Hall (Paul Lukas)
Mercedes Marton (Eva and Magda Gabor)
Philip Mammano (Jerry Seinfeld)
Szonja Zemkó (Franciska Gaal, Vilma Bánky, Charles Vidor, Paul Fejos)
Paul Gottlieb (Cornel Wilde)
Edit: Facebook-plugin seems to be fixed, I can see the comments now!
Many thanks to the following commenters for their suggestions (indicated in parentheses):
Diana Marton Alf (Tony Curtis)
Patricia Nolan-Hall (Paul Lukas)
Mercedes Marton (Eva and Magda Gabor)
Philip Mammano (Jerry Seinfeld)
Szonja Zemkó (Franciska Gaal, Vilma Bánky, Charles Vidor, Paul Fejos)
Paul Gottlieb (Cornel Wilde)
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Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.Born as "Béla Ferenc Dezső Blaskó"; emigrated Hungarian.- Actor
- Writer
- Director
Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).Born as "László Löwenstein"; emigrated Hungarian.- Actor
- Director
- Writer
The great American escape artist and magician Houdini (immortalized by a memorable performance by Tony Curtis in the eponymous 1953 film) was born Erich Weiss on March 24, 1874 in Budapest, Hungary, though he often gave his birthplace as Appleton, Wisconsin, where he was raised. One of five brothers and one daughter born to rabbi Samuel Weiss and his wife Cecilia, the future Houdini was four years old when his parents emigrated to the U.S., where Weiss, as "Harry Houdini", became one of the major celebrities of the first age dominated by the mass media.
His boyhood was spent in poverty and, when he was 17, he conjured up a magic act with his friend Jack Hayman, in order to escape the poverty and anonymity of manual labor which would likely have been his lot in life. Young Erich had been fascinated with magic since he was a young lad, when he was in the audience of a magic show put on by a traveling magician named Dr. Lynch. Billing themselves as the "Houdini Bros." in tribute to French magician Jean-Eugène Robert-Houdin, Erich Weiss became an entertainer, though it took him some seven years to catch on.
Weiss and Hayman specialized in the Crate Escape (eventually known as Metamorphosis or The Substitution Trunk), and Houdini's brother Theodore replaced Hayman when he became uninterested in the act. Eventually, Theodore -- billed as Hardeen -- was replaced by Wilhemina Rahner (known as Bess), the woman "Harry Houdini" would eventually marry. The marriage on June 22, 1894 caused a conflict with his Jewish family as Bess was a Roman Catholic. They married in secret, then again at a synagogue and in a Catholic church to please both of their families.
While developing his act, Houdini was not above the old carny trick of posing as a spirit medium, making the rounds of the town clerk's office and nearby cemeteries in order to provide "messages from beyond". In 1896, while visiting a doctor friend in Nova Scotia, he saw his first strait jacket, which gave him the idea of developing an act in which he would escape from it.
Houdini finally hit the big-time when he was 24 years old with his Challenge Act in 1898, while he was making the rounds of vaudeville. Houdini's Challenge Act consisted of him escaping from a pair of handcuffs produced by an audience member. Eventually, this evolved into escapes from strait jackets, boxes, crates, safes, and other instruments and devices (such as his Water Torture Cell), as well as from jail cells. Houdini was also adept at escaping from being "buried alive". Hand-cuffed and strait-jacketed, he could escape while being hung upside down from a crane, or while lowered from a bridge, or even make his escape from padlocked crates lowered into a river.
Houdini also became famous as a debunker of mediums and "experts" of the paranormal, but this was done in hope he could find an actual medium that could communicate with the dead so that he could communicate with his beloved mother Cecilia after she passed away. He became quite famous in the ragtime age of the first quarter of the last century, even appearing in motion pictures produced by his own company.
Harry Houdini, the greatest magician ever produced by America, died in Detroit, Michigan during a national tour. The cause of death officially was peritonitis from a ruptured appendix. His death came nine days after having been punched in the stomach during the Canadian leg of the tour by J. Gordon Whitehead, a McGill University student who was testing Houdini's famed ability to take body blows. Always the trouper, Houdini had soldiered on despite stomach pains. (Early during the tour, he had broken an ankle but did not let it stop him or the tour.) His wife Bess, to whom Houdini left his half-million dollar estate, collected a double indemnity on his life insurance policy, as the blow was considered to have shortened the great magician's life and contributed to his premature death at the age of 52.
The date of his death was October 31, 1926 -- Halloween, one of three days (October 31-November 2) of Samhain, the Celtic New Year, when the veil between the living and the dead allegedly is at its thinnest and the living can make contact with the dead. Annually on Halloween from 1927 to 1937, Bess held a séance to try to contact her departed husband. She did not succeed, though she helped keep the memory of her husband alive in the American consciousness. Even today, magicians worldwide conduct séances on Halloween in an effort to contact the late escapologist.Born as "Erik Weisz"; emigrated Hungarian.- Additional Crew
- Producer
- Actor
Adolph Zukor was a poor Hungarian immigrant when he arrived in the United States in 1889. He tried his hand in the fur trade (starting as a sweeper for $2 a week pay) and proved his entrepreneurial acumen by steady advancement, eventually setting up successful businesses in New York and Chicago. By the time he reached thirty, he had already amassed a considerable personal fortune. As early as 1903, Zukor astutely forecast the prospective financial rewards to be made from the burgeoning celluloid medium. Within a decade, he became heavily involved in the independent production of 'flickers', setting up penny arcades with nickelodeons and shooting galleries. In partnership with Marcus Loew, Zukor soon operated a major chain of cinemas. In 1912, he acquired the American rights to a popular French four-reel feature film, Les amours de la reine Élisabeth (1912), starring Sarah Bernhardt. The picture premiered at New York's Lyceum Theatre and its inevitable box office success led Zukor to challenge the notion -- commonly held by thespians of the period -- that motion pictures were inferior to the stage and were 'beneath' stage actors. In short order, he succeeded in persuading important Broadway-based stars like Minnie Maddern Fiske and James K. Hackett to join his Famous Players Film Company (set up in partnership with Loew Enterprises and veteran impresario Daniel Frohman). Other big names soon followed: Marie Doro, Pauline Frederick, Henry Ainley, Florence Reed, to name but a few. The undisputed star on the Famous Players roster, however, was Mary Pickford -- signed for two years in August 1916.
Four days after Pickford signed her contract, Zukor inaugurated the forthcoming wave of Hollywood mergers by combining his interests with those of pioneer producer Jesse L. Lasky to create Famous Players-Lasky. Several other companies -- Morosco, Bosworth and Pallas -- were also acquired. The distribution chain Paramount Pictures Corporation, jointly created by Zukor and Lasky in 1914, served to ensure nationwide distribution (more than a hundred additional cinemas were purchased near the end of the decade, including prestige venues such as the Rialto and Rivoli on Broadway). By 1919, Zukor effectively dominated the film industry in America. At least half of the major stars in the business were on his payroll. Realart Pictures Corporation was added to the mix as an outlet for second features while the A-grade output was released through Artcraft. Two production facilities were in place, one in Hollywood, the other, Astoria Studios, in New York. A partnership between Zukor and newspaper tycoon William Randolph Hearst also resulted in the formation of Cosmopolitan Productions (as a vehicle for films starring Hearst's mistress, Marion Davies). In 1924, Zukor's theatres began to proliferate even in Europe with the opening of the Paris Paramount and the London Plaza. Zukor further cemented this preeminent position in the industry by promoting the practice of 'block-booking'. This was a way of coercing independent theatre owners who wished to exhibit the films of a bankable box office star to also take a package -- sight unseen -- which was bound to include much of the lesser Realart product.
Between 1920 and 1923, Paramount averaged an annual profit of $4.5 million. By 1930, that figure had risen to $18.4 million. Wile this was largely the result of clever marketing and effective distribution, Zukor's shrewd, multifarious financial machinations had also contributed greatly to that success. He was not particularly concerned with film making itself, other than the monetary aspects (a long-standing dispute between Zukor and Cecil B. DeMille over budgets and salary demands led to Paramount's premier director departing the company in 1925). The artistic impetus for Paramount's rise to preeminence in the 20's was provided by the likes of Lasky and the creative genius of B.P. Schulberg (an independent producer with a keen eye for talent, hired in 1926 to head the West Coast studios as vice president in charge of production). Zukor, conversely, rarely left New York (except for a brief visit West in 1936 to help restructure the company).
In 1932, Paramount went bankrupt and declared a $ 15.8 million deficit. Chiefly to blame for this decline was an over-expansion propelled by Zukor himself, in particular the acquisition of the Publix theatre chain which had been bought with Paramount stock -- stock rendered all but worthless after the Wall Street Crash. Heads rolled, including those of Schulberg, sales chief Sidney Kent, and, ultimately, Lasky. Zukor, the consummate survivor, remained in place as company president until 1936, thereafter holding the position of chairman of the board and chairman emeritus until his death at the extraordinary age of 103. He went on to preside over a revitalised and profitable organisation (though no longer the industry leader it had been the 1920's -- a mantle now held by MGM). During the 1940's, Paramount showed record profits ($39.2 million in 1946)), a trend which continued through the 50's.
Zukor was described as mild-mannered, lean and aquiline in appearance, a reserved man who did not make friends easily. He also had a reputation for ruthlessness, which people like Samuel Goldwyn and Lewis J. Selznick could certainly attest to. Above all, he was a shrewd financier, never more than a self-proclaimed merchant with a 'calculated vision' who 'looked ahead a little and gambled a lot'.Born as "Adolf Zukor"; emigrated Hungarian.
Founder of Paramount Pictures.- Additional Crew
- Producer
- Writer
Starting at the age 8 he had a series of jobs before starting his own business in 1900, which was sold to buy a Brooklyn nickelodeon in 1904. As the new owner with an empty house, Fox hired a coin manipulator and a barker to attract patrons into the dark 146-seat theatre. Once audiences adequately understood what moving pictures were, live acts were dispensed with. More nickelodeons were opened and he became a successful film exhibitor. He then won a long legal battle against Thomas Edison's Motion Pictures Patent Company, ending the film trust and allowing him to start his own production company in 1913. Operations were consolidated into the Fox Film Corporation in 1915. Theda Bara and Tom Mix starred in successful pictures made at the Fox Hollywood studios and the profits from them, and from the 1000 house Fox theatre chain, paid for "artistic" projects like Sunrise (1926), for awards and critical acclaim. In 1927, Fox acquired the American patent rights to the sound-on-film process developed by a Swiss firm. Fox pioneered the widescreen film with The Big Trail (1930). Poised for the future of talkies, he attempted to buy MGM just in time for 1929s stock market crash. In 1930 Fox was forced out of his company after a federal anti-trust investigation. His version is told in 1933 Upton Sinclair's book, 'Upton Sinclair Presents William Fox.' In 1936, a year after Darryl F. Zanuck's 20th Century Pictures merged with Fox Films, Fox bribed a judge during the liquidation of his holdings in bankruptcy proceedings. His sentence, a year in prison, began in 1941. Paroled in 1943, he was a pariah in Hollywood. Though secure from his many patent holdings, the industry for which he had been so visionary was closed to him. A virtual pariah at the time of his death, no industry representative came to eulogize at his funeral.Born as "Vilmos Fried"; emigrated Hungarian.
Founder of Fox Films (which merged with 20th Century Pictures in 1935, and is now known as 20th Century Fox).- Producer
- Production Manager
- Director
The son of an out-of-work bookkeeper, Pasternak arrived in the U.S. from Hungary in 1921. After working in a belt factory in Philadelphia, he moved to New York where he plucked chickens and worked in a cafeteria. Becoming increasingly infatuated with the film business, it didn't take him long to find a job at the Long Island Paramount studio as a busboy and washing dishes in the commissary for 15 $ a week. His easy manner earned him the sobriquet 'Smiling Joe' and he was invited to do a screen test, which went rather badly. As acting seemed out of the question, one of Paramount's directors took pity on the young man and gave him a tryout as fourth assistant. By 1923, Joe had advanced to second assistant and was regularly associated with the films of his protégé, Allan Dwan. When Paramount closed their Long Island facility, Joe made the trip to Hollywood, but found work scarce. However, his effort as director of a low budget two-reel comedy was noticed by the director Wesley Ruggles, who promptly engaged him as his assistant at Universal studios. In 1926, he was packed off to Europe to act as talent scout and, after another two years, was offered the position of manager of their European operation, Deutsche Universal-Film AG, based in Berlin.
From 1929, Joe also worked as producer of a string of German, Austrian and Hungarian light entertainments, a mixture of musicals, comedies and romances. In 1935, Universal, in dire financial straits, wound down their European unit and a new management recalled Joe to Hollywood. Within a year, he managed to almost single-handedly save the studio from bankruptcy through his canny promotion of charismatic teenage singing sensation Deanna Durbin (a recent acquisition from MGM) to star status. At the same time, he imported several fellow Hungarian émigrés into Hollywood, notably his close friend, the talented director Henry Koster, and his brother-in-law, the character actor S.Z. Sakall, who was to become fondly known as 'Cuddles'. Assigning direction to Koster, Joe produced the hugely successful box office hit Three Smart Girls (1936), followed by nine more musical outings in a similar vein, which brought fame and fortune to both Deanna and Joe, and put Universal financially in the pink. Joe stuck to the same formula (wholesome , Cinderella-type stories with polished musical interludes) on every occasion, using a tried-and-tested crew of writers and directors - all musical comedy experts - including Koster, Norman Krasna, Edward Ludwig and Norman Taurog. After launching the career of another talented juvenile soprano named Gloria Jean, Joe proceeded to revive the flagging fortunes of former Paramount star Marlene Dietrich, remodelling her image into one that was more approachable to a general audience. He effectively recast her original 'Blue Angel' bar room singer as wisecracking, good-hearted saloon girl Frenchy in Destry Rides Again (1939), a gently self-mocking western, which turned out to be one of the biggest hits for Universal in 1939.
In 1941, now firmly ensconced in Hollywood as the 'king of musicals', Joe made the natural progression by joining MGM, the organisation most adept at this particular genre. While Arthur Freed headed the A-team, Joe was assigned the second string production unit at MGM, which handled operettas and light musical entertainments. During his tenure, Joe became protégé to Kathryn Grayson and Jane Powell and helped to make swimming talent Esther Williams into a bankable movie star. He had huge successes with operatic films, like Mario Lanza's The Great Caruso (1951) and The Merry Widow (1952). He also handled some lavish, big budget extravaganzas, including Thousands Cheer (1943), Anchors Aweigh (1945) and the compelling, though fictionalised, story of Ruth Etting, Love Me or Leave Me (1955). Joe rounded off his career with a trio of Elvis Presley musicals and produced the 1966 Academy Award ceremonies (the first to be filmed in colour), at which one of the most honoured films was the David Lean-directed epic Doctor Zhivago (1965) - which just happened to have been authored by Joe's distant relative Boris Pasternak. Joe retired in 1968 with an impressive one hundred production credits to his name, and died in Hollywood in September 1991 at the age of 89.Born as "Paszternák Jakab", emigrated Hungarian.- Director
- Writer
- Actor
Curtiz began acting in and then directing films in his native Hungary in 1912. After WWI, he continued his filmmaking career in Austria and Germany and into the early 1920s when he directed films in other countries in Europe. Moving to the US in 1926, he started making films in Hollywood for Warner Bros. and became thoroughly entrenched in the studio system. His films during the 1930s and '40s encompassed nearly every genre imaginable and some, including Casablanca (1942) and Mildred Pierce (1945), are considered to be film classics. His brilliance waned in the 1950s when he made a number of mediocre films for studios other than Warner. He directed his last film in 1961, a year before his death at 74.Born as "Kaminer Manó", later known as "Mihály Kertész"; emigrated Hungarian.- Additional Crew
Jolie Gabor was born on 30 September 1896 in Budapest, Austro-Hungarian Empire (now Budapest, Hungary). She is known for Captain Blackjack (1950), The Colgate Comedy Hour (1950) and All Star Revue (1950). She was married to Count Edmond de Szigethy, Peter Howard Christman and Vilmos Gabor. She died on 1 April 1997 in Rancho Mirage, California, USA.Born as "Janka Tilleman"; emigrated Hungarian.
Mother of Magda, Eva and Zsa Zsa Gabor.- Magda Gabor was born on 11 June 1914 in Budapest, Austria-Hungary [now Hungary]. She was an actress, known for Mai lányok (1937), Tokaji rapszódia (1937) and The Colgate Comedy Hour (1950). She was married to Tibor Heltai, George Sanders, Tony Gallucci, Sidney R. Warren, William Rankin and Jan de Bichovsky. She died on 6 June 1997 in Palm Springs, California, USA.Born as "Magda Gábor"; emigrated Hungarian.
Daughter of Jolie Gabor, sister of Eva and Zsa Zsa Gabor. - Actress
- Soundtrack
Eva Gabor was born on February 11, 1919 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), a soldier. Her older siblings were Magda Gabor, an actress, and Zsa Zsa Gabor, an actress and socialite. Her parents were both from Jewish families. She went to Hollywood, California, to act in the 1930s. Her mother escaped from Nazi-occupied Budapest in the 1940s, also settling in the U.S.
Eva appeared both in films and on Broadway in the 1950s, as well as in several "A"-movies, including The Last Time I Saw Paris (1954), starring Elizabeth Taylor, and Artists and Models (1955), which featured Dean Martin and Jerry Lewis.
In 1953, she was given her own television talk show, The Eva Gabor Show (1953). Throughout the rest of the 1950s and early 1960s, she appeared on television and in movies. She appeared on one episode of the mystery series Justice (1954), and was on the game show What's My Line? (1950) as the "mystery challenger". Her film appearances during this period include a remake of My Man Godfrey (1957), Gigi (1958) and It Started with a Kiss (1959).
However, she is best remembered as Lisa Douglas, the socialite turned farm wife on Green Acres (1965) with co-star Eddie Albert playing her attorney husband Oliver Wendell Douglas. Eva Gabor died at age 76 from respiratory failure and pneumonia on July 4, 1995 in Los Angeles, California.Born as "Éva Gábor"; emigrated Hungarian.
Daughter of Jolie Gabor, sister of Magda and Zsa Zsa Gabor.- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.Born as "Sári Gábor"; emigrated Hungarian.
Daughter of Jolie Gabor, sister of Magda and Eva Gabor.- Vilma Bánky appeared in Hungarian, Austrian and French movies between 1920 and 1925, the year in which Samuel Goldwyn signed her, in Budapest, to a Hollywood contract. In Hollywood she was billed as the "The Hungarian Rhapsody". In the mid and late 1920s she was Goldwyn's biggest money maker, especially playing with Ronald Colman. Her best-known works were with Rudolph Valentino: daughter of a Russian aristocrat in The Eagle (1925) and an Arab dancer in The Son of the Sheik (1926). Her first talking movie was This Is Heaven (1929). She toured the U.S. in "Cherries Are Ripe" with her husband Rod La Rocque in 1930-1 and, the next year, went with him to Germany to make her last film.Born as "Vilma Koncsics"; emigrated Hungarian.
Sister of Viktor Bánky. - Editor
- Director
- Writer
Viktor Bánky was born on 17 January 1899 in Nagydorog, Austria-Hungary [now Hungary]. Viktor was an editor and director, known for Bors István (1939), Ma, tegnap, holnap (1941) and Boldoggá teszlek (1944). Viktor was married to Panni Kéry and Pókay, Magda. Viktor died on 13 March 1967 in Munich, West Germany.Born as "Viktor Koncsics"; emigrated Hungarian.
Brother of Vilma Bánky.- Director
- Writer
- Producer
Hungarian-born Karoly Vidor spent the First World War as a lieutenant in the Austro-Hungarian infantry. Following the armistice, he made his way to Berlin and worked for the German film company Ufa, as editor and assistant director. In 1924, he emigrated to the U.S. and, for several years, earned his living as a singer in Broadway choruses and (at one time) with a Wagnerian troupe. While little detail is extant of this period in his career, it enabled him to accumulate the means with which to finance his own project: an experimental short film entitled The Bridge (1929). On the strength of this, he was signed by MGM to co-direct his first feature film The Mask of Fu Manchu (1932). For the remainder of the decade, Vidor worked with relatively undistinguished material at various studios, notably RKO (1935) and Paramount (1936-37). In 1939, he joined Columbia, where he remained under contract until 1948.
Vidor's career is something of an enigma. Never a particularly prolific filmmaker, his output has been variable. It includes a good-looking, but decidedly stodgy romance, The Swan (1956) (starring Grace Kelly in her penultimate screen role); and the interminably dull remake of A Farewell to Arms (1957). On the other side of the ledger is the lavish showbiz biopic of singer Ruth Etting, Love Me or Leave Me (1955), for which Vidor elicited powerhouse performances from his stars Doris Day and James Cagney. Frank Sinatra, also, gave one of his best performances as nightclub entertainer Joe E. Lewis, descending into alcoholism in The Joker Is Wild (1957). Other Vidor standouts are Ladies in Retirement (1941), a gothic Victorian thriller, tautly directed and maintaining its suspense, despite a relatively claustrophobic setting (among the cast, as Lucy the maid, was actress Evelyn Keyes, who became Vidor's third wife in 1944). Finally, two Rita Hayworth vehicles, the breezy musical Cover Girl (1944), and Vidor's principal masterpiece, the archetypal film noir Gilda (1946). This cleverly plotted, morally ambiguous tale of intrigue and ménage-a-trois was one of Columbia's biggest money-earners to date.
Some of the wittier dialogue in "Gilda" was voiced in re-takes, long after primary filming had been completed. The same applies to the two main musical numbers, the show-stopping "Put the Blame on Mame", and "Amado Mio". Yet, under Vidor's direction, all the dramatic and musical elements blended perfectly. The film has an undeniably electric atmosphere, largely due to the chemistry between the three leads. When the same material was later re-worked as Affair in Trinidad (1952) (with a bigger budget), that chemistry was notably absent.
In 1948, Vidor fell out with studio boss Harry Cohn, taking him to court for alleged verbal abuse and exploitation. He wanted out of his contract. Having just married Doris Warner, daughter of Warner Brothers president Harry M. Warner, Vidor sensed opportunities in working at a more prestigious studio. Cohn wasn't going to let him go quietly. It was pretty much all over, when actor Steven Geray testified, that he had himself been on the receiving end of invective at the hands of Vidor on the set of "Gilda". Glenn Ford, who thought Vidor opportunistic, then went on the stand, relating, that Cohn routinely used foul language on everyone around him, rather than aiming at any individual in particular. The fact that Vidor was not the easiest man to get along with, became evident during filming of the Liszt biopic Song Without End (1960). Both his stars (Dirk Bogarde and Capucine) found him to be ill-tempered and erratic. However, since Vidor died before the film was completed (George Cukor taking over), other factors may have played a part. In the final analysis, for "Gilda" alone, Charles Vidor deserves a niche in Hollywood heaven.Born as "Károly Vidor"; emigrated Hungarian.- Director
- Writer
- Production Designer
Budapest-born director Paul Fejos first called attention to himself in Kecskemét, Hungary, as a student actor. During World War I he was a soldier in the army of the Austro-Hungarian Empire, and after the war he became a student of chemistry. His artistic inclination, however, drew him to the scenery workshop of the local opera house. In 1919 he organized the film-scenic affairs of the Government of the Commune. Later he became scenic director of Orient Film and in 1920 he was the leading director for the Mobil Film Co., and also wrote the scripts for his films. His early works are adventure sketches, but even they show his growing reputation for demanding high standards. He still kept his hand in stage work, though, and tried to establish a folklorist passion play in the Hungarian city of Mikófalva.
In 1923, after the failure of his film Egri csillagok (1923), he left Hungary. Arriving in Vienna, Austria, he worked with the legendary Max Reinhardt, then traveled to Berlin to study with Fritz Lang. He later went to the US, working at the Rockefeller Institute for Chemistry as an assistant chemist, eventually becoming a medical bacteriologist. His passion for film never left him, though, and in 1927 he used his own money to produce and direct an avant-garde piece called "Az utolsó pillanat", which told the story of a suicide victim. The film was critically and financially successful, and Universal Pictures put him under contract. His next film was Lonesome (1928), a sweet film about two lonely people who meet at an amusement park, enjoy a wonderful day together but lose each other in the crowd and frantically search for each other. In 1932 he returned to Hungary to shoot two films for a French production company: Ítél a Balaton (1933) and Spring Shower (1932), a tale of a servant girl for a wealthy family who is fired and driven from her village when she gets pregnant by the fiance of the family's daughter.
He stayed in Europe for a while, shooting films in Austria and Denmark, then traveled to Asia and spent several years shooting documentaries. He made his last film in 1941 and switched careers to archaeological and anthropological research. He led an archaeological expedition to ancient Inca towns in South America, and published several scientific papers. He was President of the Wenner-Green Foundation and spent time lecturing on archaeology. He died in New York City in 1963.Born as "Pál Fejős", also known as "Paul Fejos"; emigrated Hungarian.- Actress
- Soundtrack
From the day she was born Martha lived in a world of music. For sure her father was a banker but he was also an amateur pianist. As for her mother, she was a housewife but also a very talented opera singer who had given up her career for the joys of matrimony and motherhood. It does not come as a surprise, under such circumstances, that the little girl's singing capacities were soon discovered. At eight she was already on a scene singing an aria from "The Barber of Seville". A critic attended the show and was impressed by her performance. He introduced her to the director of the Magyar Theater, where she landed her first contract. As of the age of 10 she was hailed as Hungary's "national idol". And it was not long before her triumph became international. An operetta, "Pogasza", was written specially for the crystal-clear-voiced little singer. Among others, she played the role of the doll in "Tales of Hoffmann" and starred in "Das Veilchen vom Montmartre" by Kalman. With the advent of sound films, she found herself very much in demand in the 1930s, bringing her beautiful voice and looks to yet more delighted viewers. It is on the set of "Mein Herz ruft nach dir" that she met Jan Kiepura, another successful opera and operetta singer. Although it was not love at first sight, Jan and Martha gradually fell in love, married two years later, had two sons and were separated only by death with the demise of Jan in 1966. In 1938, the couple fled Austria after its annexation by Hitler and settled down in the South of France first then in the USA. Martha made fewer movies but kept on singing. For instance she co-starred in "The merry Widow" in Broadway for three years with Jan Kiepura. She became an American citizen in the fifties and currently lives in Rye, new York.Born as "Márta Eggerth"; emigrated Hungarian.- Director
- Writer
- Editor
László Kardos was born on 8 October 1905 in Budapest, Austria-Hungary [now Hungary]. He was a director and writer, known for The Man Who Turned to Stone (1957), Dark Streets of Cairo (1940) and Small Town Girl (1953). He was married to Lenka Pasternak. He died on 11 April 1962 in Los Angeles, California, USA.Emigrated Hungarian.- Actor
- Writer
- Soundtrack
Hungarian-born S.Z. Sakall was a veteran of German, Hungarian and British films when he left Europe because of the rise of Adolf Hitler and the Nazi movement. In Hollywood from shortly after the outbreak of World War II, Sakall began appearing in comedies and musicals, often playing a lovable if somewhat excitable and/or befuddled uncle, businessman or neighborhood eccentric. Memorable as the waiter in Casablanca (1942) and as a somewhat lecherous Broadway producer in Yankee Doodle Dandy (1942). He retired from films in 1954 and died of a heart attack in Hollywood in 1955.Born as "Sándor Gärtner", also known as "Jenő Gerő"; emigrated Hungarian.- Actor
- Soundtrack
Oscar-winning actor Paul Lukas was born in Hungary and graduated from the School for Dramatic Arts. In 1916 he went to Kosice (Kassa) to be an actor; in 1918 he became an actor specializing in comedy. For ten years he was the most popular character player and romantic lead of the company. In 1918 he began making movies in Budapest and in the 1920s he began appearing in films in Austria as well. He journeyed to Hollywood in 1927, where he finally settled down. He wasn't untrue to the stage--he played Dr. Rank to Ruth Gordon's Nora in Henrik Ibsen's "A Doll's House" in the Morosco Theatre in New York in 1937--but concentrated on films until 1948. In the '50s he started appearing on stage more and more, and worked in films and on TV only sporadically.Born as "Pál Lukács"; emigrated Hungarian.- Writer
- Producer
- Additional Crew
Joe Eszterhas was born on 23 November 1944 in Csakanydoroszlo, Hungary. He is a writer and producer, known for Basic Instinct (1992), Showgirls (1995) and Sliver (1993). He has been married to Naomi Baka since 30 July 1994. They have four children. He was previously married to Geraldine Javer.Born as "Jószef Esterhas"; emigrated Hungarian.- Cinematographer
- Camera and Electrical Department
- Actor
Along with László Kovács, a fellow student who fled Hungary in 1956, Zsigmond rose to prominence in the 1970s. He is known for his use of natural light and vivid use of color on features such as The Long Goodbye (1973) and Close Encounters of the Third Kind (1977).Emigrated Hungarian.- Cinematographer
- Camera and Electrical Department
- Director
László Kovács was born on May 14, 1933 in Cece, Hungary. He is known for his work on Easy Rider (1969), Five Easy Pieces (1970), Ghostbusters (1984) and Copycat (1995). He won the Lifetime Achievement Award from the ASC in 2002. He was married to Audrey. He died on July 22, 2007 in Beverly Hills, Los Angeles, California, USA.Emigrated Hungarian.- Actor
- Additional Crew
- Stunts
Diminutive 2'9" actor and circus performer Mihaly 'Michu' Meszaros was born in 1939 in Budapest, Hungary. Meszaros performed for the Hungarian National Circus prior to coming to America in the 1970s. Not surprisingly, he portrayed circus midgets in both "Big Top Pee-wee" and "Warlock: The Armageddon." Mihaly was best known for donning the furry full body costume as the titular rascally extraterrestrial on the hugely popular 1980s sitcom "ALF" in scenes that featured the little creature walking, running, or standing in complete view. He also appeared on the TV shows "H.R. Pufnstuf" and "Dear John." He performed stunts for the hit comedy "Look Who's Talking." In addition, Meszaros was the tiny butler Hans in the nifty horror flick "Waxworks" and the grotesquely mutated George Ramirez in the hilariously wacky cult favorite "Freaked." Moreover, Mihaly was a member of Ringling Brothers and Barnum & Bailey Circus. His hobbies included drinking scotch and smoking giant cigars. Meszaros died at age 76 after falling into a coma on June 13, 2016.Emigrated Hungarian.- Producer
- Writer
- Animation Department
Gábor Csupó is a Hungarian animator, film director, and producer. He has had a long career, but he is better known as the co-founder of animation studio Klasky-Csupo, Inc., a graphic design and animation studio based in Hollywood. The other major co-founder was his business partner and wife Arlene Klasky.
Gábor Csupó was born in Budapest, Hungary in 1952. At the time the country was known as the Hungarian People's Republic, a so-called "socialist republic" which served as a satellite state of the Soviet Union. He grew up during the Cold War (1947-1991). He started his animation career c. 1971, working as an animator for the animation studio Pannonia Film Studio. A state-financed company, Pannonia had a virtual monopoly in the Hungarian animation market. Csupó left the company and Hungary itself in 1975, migrating to Western Europe in search of better career opportunities.
While working in Sweden, Gábor Csupó met Arlene Klasky, an expatriate American animator who was a few years older than him. They started a relationship and were married to each other in 1979. Csupó came to the United States with her. He was able to find work as an animator at an American animation studio called Hanna-Barbera, which specialized on animated series for television. His relatively few credits with the company included the series "Casper and the Angels" (1979), "Scooby-Doo and Scrappy-Doo" (1979-1980), and "The World's Greatest Super Friends" (1979-1980). All were short-lived works based on existing properties. None lasted more than 16 episodes.
In 1980, Gábor Csupó left Hanna-Barbera to start their own company with his wife Arlene Klasky their nephew Attila Csupó called Klasky-Csupo, Inc., a graphic design and animation studio based in Hollywood. Due to their lack of funds, the company's initial offices were just a spare room in its founders' apartment. For much of the 1980's, the company mainly worked on logo designs, feature film trailers, television show titles, and promos for various clients. The company acquired a reputation for creativity and originality, which allowed its founders to hire more personnel and expand its offices.
Csupo's first major career break came in 1987. James L. Brooks, founder of Gracie Films, was producing a new television show, "The Tracey Ullman Show" (1987-1990). It would include an animated segment featuring the Simpsons family, based on an idea by Matt Groening. Brooks needed an animation studio to handle production of the animation and hired Klasky Csupo to be that studio.
Csupo's ideas about the design of the Simpsons' characters were considered unorthodox. He and colorist Gyorgyi Peluce came up with the idea that all the characters would have yellow skin, and female character Marge Simpson would have blue hair. They felt that this would give the series a unique look. Gracie Films executives reportedly disliked the idea, but Groening liked it and convinced the others. The Simpsons caught on, and received their own spin-off series, called "The Simpsons" (1989-). Klasky Csupo served as the main company behind the series' animation for the first two seasons.
"The Simpsons" series had a larger cast of characters than the original short episodes for the "Ullman Show". The design of a supporting character called Dr. Nicholas "Dr. Nick" Riviera, an inept quack, was reportedly based on Csupo's own appearance. As the series progressed, Csupo had arguments with the executives of Gracie Film, over budgets and creative decisions. This resulted in Gracie deciding to terminate its relationship with Klasky Csupo in 1992, and to start a business relationship with rival animation studio Film Roman. Loosing its cash-cow series, Klasky Csupo was forced to fire much of its personnel.
The downturn in Klasky Csupo's fate was only temporary. In 1991, cable network Nickelodeon (which previously focused on live-action shows) wanted to add animated series to its line-up. Klasky Csupo's managed to convince the network to sign a contract about an original animation series called "Rugrats" (1991-2004). Starting out as an average television show, it turned to be a major commercial success. Production continued on-and-off for more than a decade, and the series received spin-off films and sequel series.
For most of the 1990s and the early 2000s, Klasky Csupo was a high-profile animation studio, with several television series in production. Gabor Csupo is credited as one of the main creators of "Rugrats", "Aaahh!!! Real Monsters" (1994-1997), "Santo Bugito" (1995-1996), "The Wild Thornberrys" (1998-2004), "Rocket Power" (1999-2004), "All Grown Up" (2003-2008), and "Rugrats Pre-School Daze" (2005). The company also had series by other creators. They worked with various networks, but the company's main customer was always Nickelodeon.
In 2006, Nickelodeon terminated its business relationship with Klasky Csupo, apparently due to its belief that the animation studio was producing work in an outdated style. The company went dormant for a number of years, though it has never been declared defunct. Gabor Csupo, on the other hand, was hired as the director of a live-action film: "Bridge to Terabithia" (2007). It was a relatively low-budget film with a cast consisting mainly of child actors, but tuned out be a minor box office hit (earning about 137 million dollars at the worldwide box office). The film in part served as a star vehicle for female lead AnnaSophia Robb, who was chosen for the role by Csupo himself.
Csupo returned to directing with the adult animated film "Immigrants" (2008). It featured two immigrants, one Hungarian and one Russian, getting in comical misadventures in modern day Los Angeles. Intended to become the start of a new franchise, the film failed to achieve much success.
Csupo next directed another live-action film, the fantasy film "The Secret of Moonacre" (2009). An adaptation of the novel "The Little White Horse" (1946) by Elizabeth Goudge, the film received only a limited release in a hand full of countries. The main star of the film was teenage actress Dakota Blue Richards, relatively popular in her native United Kingdom.
Csupo is living is semi-retirement in Hawaii for most of the 2010s, though he is reputedly attached to new projects and may yet make a comeback.Emigrated Hungarian.- Actor
- Director
- Writer
Endre was born and raised in Hungary. He studied music and acting at the famous Cellar Theatre in Budapest, and started writing plays, composing and directing there at the age of 17. He visited regularly Jerzy Grotowski's Laboratory Theatre in Poland, Eugenio Barba's International School of Theatrical Anthropology in Germany, and graduated from the prestigious National University of Theatre and Film Arts as a director. After directing at the National Theatres of Pecs and Szeged, as well as Television and Radio he moved to Paris, then to New York directing for the stage as well as teaching acting, writing and directing at conservatories, universities and workshops all over Europe, North America and Asia, including at New York University, Espace Acteur, Smith College, Bard College, University of Southern California, etc. His directing repertoire spanned from classics to musicals, original and experimental projects to improvisation, with plays by Shakespeare, Moliere, Calderon, Goldoni, Chekhov, Stoppard, Brecht, Pinter, Orton, Ibsen and Miller, among other places, at the Biennale die Paris, Williamstown Theatre Festival, La Mama, New York, the Los Angeles Theatre Center and the Shakespeare World Congress. From New York he moved to Los Angeles to try his hand in films. He became a Producing Fellow at the American Film Institute in Los Angeles, where he had written and produced several shorts. In the meantime, he acted in several dozen Hollywood movies and television shows. He has written and sold a dozen feature scripts from comedies to dramas, thrillers, historical adventures, documentaries, and biopics before he finally got his chance to write and direct his first feature, Torn From the Flag, a full-length documentary that went on to win awards at many festivals and had an Oscar run. This was followed by The Maiden Danced, sold on every continent, and invited to over 30 festivals worldwide, and Prima Primavera, which he wrote with director Janos Edelenyi. He continues acting for directors like David Fincher and Ron Howard, as well as guest starring in television series and New Media productions.Emigrated Hungarian.- Actress
- Writer
- Producer
Dr. Ava's personal brand is "Sexual Empowerment". She is a media therapist, author of ten books, global speaker and founder of Lovelogy University.
Dr. Ava, has appeared on hundreds of shows including The Doctors (2008), LA Shrinks (2013), Kendra on Top (2012), Cathouse: The Series (2005), and a variety of programs for MTV, VH1, Discovery, Lifetime, TLC, "E" and A&E.
Dr. Ava has earned a doctorate in human behavior from Newport University (CA) and a doctorate of education in human sexuality from the Institute for Advanced Study of Human Sexuality in San Francisco. She is also a certified hypnotherapist, certified AASECT sex counselor, continuing education provider for the California Board of Behavioral Sciences and California Board of Nursing.
Through her private practice in L.A., she counsels some of Hollywood's elite on personal issues that range from anger management, fear of intimacy, communication problems, performance anxiety, infidelity, love and sex addiction, lack of desire, power struggles to parental concerns. A highly sought after speaker, Dr. Ava has traveled to four continents motivating Fortune 500 business people, religious organizations, medical institutes, women's groups and college students to embrace the power of love and create magical relationships.Born as "Ildikó Éva Csáth"; emigrated Hungarian.- Born in Budapest, Hungary, her true name is Katherina Freiin Schell von Bauschlott, the scion of a once wealthy German patrician family. Her father, the Baron Paul Schell von Bauschlott, was a well-respected diplomat until the Nazis confiscated their estates during WWII, while her mother was Countess Katharina Maria Etelka Georgina Elisabeth Teleki de Szék. Her family was living in poverty until 1948 when they sought asylum in Vienna and Salzburg as the communist regime began to take hold in Hungary. In 1950, her family emigrated to the States and Baron von Schell Bauschlott renounced his title in order for his family to gain citizenship. Catherine entered a convent school in New York's Staten Island area. In 1957, her father joined Radio Free Europe, taking the family to Munich where she developed an interest for acting and trained at the prestigious Falconberg School. Her inauspicious debut (sometimes billed as Catherine von Schell) was in the German film Lana, Queen of the Amazons (1964). While filming Amsterdam Affair (1968), she met and married actor William Marlowe, subsequently moving to London. She went on to appear in Moon Zero Two (1969), the James Bond feature On Her Majesty's Secret Service (1969), Callan (1974) and The Black Windmill (1974), but is best known at that time for the slapstick comedy The Return of the Pink Panther (1975), which marked Peter Sellers' cinematic revisiting of his "Inspector Clouseau" character. Extremely visible on TV with frequent work in such series as The Persuaders! (1971), The Adventurer (1972) and the cult sci-fi series Space: 1999 (1975) starring Barbara Bain and Martin Landau playing the role of "Maya", an alien, for which she is best known. Her marriage to actor Marlowe had run its course by 1977, and she met director Bill Hays that same year, who had two children from a previous marriage. They married in 1982, together working on a TV production of A Month in the Country (1985). Her career began to wane by the time she did the series Wish Me Luck (1987) and she retired shortly thereafter, running a small guest hotel in France. Catherine is often mistakenly thought of as a sister of actors Maximilian Schell, Maria Schell, Immy Schell and Carl Schell, but she is not. One of her two brothers, Paul von Schell, is, however, the widower of actress Hildegard Knef.Emigrated Hungarian.
- Miklós László was born on 5 May 1903 in Budapest, Austria-Hungary [now Hungary]. He was a writer and actor, known for The Shop Around the Corner (1940), You've Got Mail (1998) and In the Good Old Summertime (1949). He was married to Florence Herrman. He died on 19 April 1973 in New York City, New York, USA.Emigrated Hungarian.
- Born in Budapest, Hungary, his true name is Paul Rudolf Schell von Bauschlott, the scion of a once wealthy German patrician family. His father, the Baron Paul Schell von Bauschlott, was a well-respected diplomat until the Nazis confiscated their estates during WWII, while his mother was Countess Katharina Maria Etelka Georgina Elisabeth Teleki de Szék. His family was living in poverty until 1948 when they sought asylum in Vienna and Salzburg as the communist regime began to take hold in Hungary. In 1950, his family emigrated to the States and Baron von Schell Bauschlott renounced his title in order for his family to gain citizenship. In 1957, his father joined Radio Free Europe, taking the family to Munich where she developed an interest for acting and trained at the prestigious Falconberg School. Paul Rudolf is often mistakenly thought of as a brother of actors Maximilian Schell, Maria Schell, Immy Schell and Carl Schell, but he is not.Emigrated Hungarian.
- Actress
- Soundtrack
Käthe von Nagy wanted to get married at the age of 16, therefore, her parents put her in the Santa Chrisitana Convent, near Vienna. After that, she worked in her father's office and besides started to secretly write short stories for newspapers. In Budapest, she studied acting, dancing and singing, but her parents were not very happy. In 1926, she went to Berlin to make movies. She got a small part in the film _Männer von der Ehe (1927)_ and _Wien, du Stadt meiner Träume (1927)_ "Vienna, City of My Dreams". In 1930, she went into talkies with Der Andere (1930). She also made the French version of "Bomben auf Monte Carlo" (1931). In the German film, Anna Sten played the part. In 1938, she played in "Finale" ("Die Unruhigen Mädchen", "Les Sourires de Vienne"). After that she made 6 films in France. Her last one was Die Försterchristl (1952), alongside Johanna Matz. She died of cancer in Hollywood.Emigrated Hungarian.- Actress
- Soundtrack
A vintner's daughter, she was trained as a ballet dancer at the Budapest Opera. While still in her teens, she began on stage in amateur theatricals. By the early 1930s, she performed professionally in Salzburg, Berlin and London, appearing in the plays 'Wonder Bar' and 'Words and Music' (with John Mills). Arrived in New York in 1932 with next to no knowledge of English, but proved a fast learner. The following year, she went on to play Polly Peachum in Brecht's 'The Threepenny Opera' on Broadway, co-starring Burgess Meredith. Came to Hollywood a year later and made a notable impression for her interpretation of the title song in the technicolor short La Cucaracha (1934). Otherwise, she was seen in an assortment of decorative senoritas (Dancing Pirate (1936),Law of the Pampas (1939), etc) and even an Eskimo. Her most notable roles were in support, such as the half-caste mistress Neleta in Anthony Adverse (1936) and Lydia in Waterloo Bridge (1940).Born as "Stefánia Berindey"; emigrated Hungarian.- Eva Six was born in 1937 in Budapest, Hungary. She is an actress, known for Beach Party (1963), Operation Bikini (1963) and 4 for Texas (1963).Born as "Éva Klein"; emigrated Hungarian.
- Actor
- Writer
- Soundtrack
Mostly forgotten today, radio comic Joe Penner was a major craze back in Depression-era 1933 and 1934. There was no heavy social significance to his work and certainly no subtlety -- just a lot of slapstick silliness that helped audiences forget their troubles and get happy.
Born József Pintér in Hungary, he arrived as a child in New York City. He changed his name to Joe Penner and became fairly successful on the vaudeville and burlesque circuits as a Lou Costello-like patsy. His catchphrase "Wanna buy a duck?" started here. The story goes that in his routine he would customarily go out on stage with some sort of prop and say to his straight man, "Wanna buy a..." whatever the prop was. No laughs basically until one day when he went out on stage with a wooden decoy and said, "Wanna buy a duck?" The house went wild. Penner would parlay this one simple line into a major radio career. He was introduced to the air waves by Rudy Vallee and enjoyed a meteoric rise, quickly becoming a household name with his unabashed "anything for a joke" antics and other one-liners like "You naaaaasty man!" One of the earliest roles of voice talent Mel Blanc on national radio was as the voice of Goo-Goo, the duck that figured in Penner's famous catchphrase. Egghead, the forerunner of the Elmer Fudd character, was partly based on Penner too, which used a similar voice and mannerisms. Penner was one of the first to have a regular radio series regularly broadcast from Los Angeles.
His popularity and ability at singing novelty songs helped move him into minor leads in Hollywood "B" musical films during the 30s. Often the movies had college themes such as College Rhythm (1934), Collegiate (1935) and Mr. Doodle Kicks Off (1938). His talents were limited but the call seemed to be there. His best known film The Boys from Syracuse (1940), based on the Broadway musical, had him playing dual roles while hamming it up with Martha Raye.
Had he not died so young (of a heart attack at age 36 in 1941), Penner probably would have suffered an early decline anyway simply due to the repetitive nature of his shtick and faded into supporting character roles.Born as "József Pintér"; emigrated Hungarian.- Actress
- Soundtrack
Born on June 16, 1910, sultry, opulent, mole-lipped, Budapest-bred blonde singer/actress Ilona Massey survived an impoverished childhood in Hungary to become a glamorous talent both here and abroad. As a dressmaker's apprentice she managed to scrape up money together for singing lessons and first danced in chorus lines, later earning roles at the Staats Opera.
A statuesque Broadway, radio and night-club performer, Ilona made her debut in the Austrian film Heaven on Earth (1935) before coming to America to duet with Nelson Eddy in a couple of his glossy operettas. In the first, Rosalie (1937), she was secondary to Mr. Eddy and Eleanor Powell, but in the second vehicle, Balalaika (1939), she was the popular baritone's prime co-star.
Billed as "the new Dietrich," Ms. Massey did not live up to the hype as her soprano voice was deemed too light for the screen and her acting talent too slight and mannered. An American citizen in 1946, continued pleasantly moody in non-singing roles in a brief movie career that included such films as the Franz Schubert biopic New Wine (1941); the action adventure International Lady (1941); the double agent Nazi thriller Invisible Agent (1942), the musical comedy Holiday in Mexico (1946), the action drama Northwest Outpost (1947) and the romantic drama Trouble in the Air (1948).
For the most part Ilona was called upon to play ladies of mystery and sophisticated temptresses in thrillers and spy intrigues. Frankenstein Meets the Wolf Man (1943) and Love Happy (1949), the latter starring The Marx Brothers, are her best recalled. She appeared on radio as a spy in the Top Secret program and, on TV, co-starred in the espionage series Rendezvous (1952). The ABC mystery-drama had glamorous Ilona as a nightclub owner.
In the mid-50s, in addition to singing appearances on "Cavalcade of Stars," "The Milton Berle Show," "The Robert Q. Lewis Show," The Colgate Comedy Hour" and "The Ken Murray Show" and acting guest spots on such anthologies as "Lux Video Theatre," "Cameo Theatre" and "Studio One in Hollywood," Ilona hosted her own musical program, The Ilona Massey Show (1954), in which she sang classy ballads. By the 1960's she was rarely seen and ended her career with an obscure bit in the film The Cool Ones (1967).
Three marriages ended in divorce, her second being to actor Alan Curtis. 64-year-old Ms. Massey died of cancer on August 20, 1974, and was survived by her fourth husband, (retired) Major Donald Shelton Dawson. She had no children.Born as "Ilona Hajmássy"; emigrated Hungarian.- Actress
- Soundtrack
Eva Bartok was both a beautiful lady and a talented actor whose roots were in classical theater. Her first and only film in Hungary, Mezei próféta (1947) ("Prophet of the Fields"), was banned by communist censorship. Actually her life up to that point had been marked by confusion and tragedy. Her father,a Jew who had married a Catholic lady, disappeared without a trace during the rise of Nazism in Europe and Eva, herself, was forced to marry a Nazi officer at age 15 in order to avoid being sent to a concentration camp.
Having survived the horrors of Nazism and World War II, she found her vocation in acting but was soon threatened and persecuted by the new Communist regime. Hollywood-based producer Alexander Paal helped her escape from Hungary by marrying her and taking her to England, where she made her screen debut in Paal's production of A Tale of Five Women (1951), filmed in 1948 but shelved for several years due to financial difficulties. After divorcing Paal, Eva received valuable support from film mogul and fellow Hungarian expatriate,Alexander Korda, who was then president of MGM-England. He placed her under contract to London Films which provided a small salary, an English language coach and the opportunity to audition for developing film projects at the studio.
In spite of this, Eva spent months without finding real work and was becoming quite desperate. William Wordsworth, a public relations man who became her third husband, suggested that she attend as many premieres and theater opening nights as possible in order to bring attention to herself. Unable to buy the proper wardrobe and accessories to make a decent showing at these social events, Eva began designing and making her own gowns and hats from pieces of cheap materials. Soon the media took notice of this beautiful brunette dressed in weird costumes and Eva Bartok became a local celebrity most notable for her hats.
The publicity caught the eye of an Italian promoter who offered Eva a contract to perform in a vaudeville show. With Korda's permission, Eva flew to Italy and had great success reciting monologues on the stages of Milan, Florence and Rome. Meanwhile, in England, the film, A Tale of Five Women (1951) had finally reached movie houses and was seen by producer-actor Burt Lancaster, who was looking for a leading lady for his next film, The Crimson Pirate (1952). Impressed by Eva's beauty and talent, he wired her in Italy and she accepted promptly, sensing the importance of the project.
Thanks to the publicity and worldwide distribution of this film, Eva was perceived as a real movie queen but her next vehicles were not what you would expect from a rising superstar. It is understandable that Eva was a young woman marked by the horrendous experiences of her early years which might explain that, over time, she would become more concerned with spirituality than with the quality of the projects she took on all over Europe. Somehow, she became more famous for her off-camera antics than for her screen work. Eva's long lasting affair with David Michael Mountbatten, 3rd Marquess of Milford Haven and related to the Royal Family, made headlines everywhere especially when David's wife, the Machioness, filed for divorce and named Eva Bartok as the culprit in her failed marriage. For a long time, the actress seemed to be divided between her image as a glamorous carefree playgirl among the European rich and a real human in desperate need to find the meaning of her own existence.
Her filmography in the 1950s is prolific both in England and in West Germany but it includes lots of low-budget turkeys (now "cult classics"), some decent vehicles and a few top productions. She also made a series of films that paired her with popular actor-director, Curd Jürgens, who became her fourth husband. Besides her work in movies, she appeared on London stages and on television in the UK and in the US. After turning down a Hollywood contract in 1956, Miss Bartok faced a serious health crisis when she was diagnosed with an ovarian tumor and was found pregnant at the same time. An Indonesian mystic helped her out of this predicament with a new spirituality called Subud. Eva reported later that she had been healed and was successful in giving birth to a "miraculous" baby girl in 1957. (see 'Deana Jürgens').
From then on, she was totally committed to Subud although she made half a dozen more films before retiring from movies altogether in 1967 at age 40. In later years, she revealed that daughter Deana had been fathered by Frank Sinatra but the claim went ignored by Sinatra and family. She continued her Subud activities during residencies in Indonesia, Hawaii, San Francisco, Los Angeles and London where she died quietly in 1998.Born as "Éva Márta Szőke Ivanovics"; emigrated Hungarian.- Music Department
- Composer
- Soundtrack
Composer and songwriter, educated at the University of Budapest and the Academy of Music in Budapest. He wrote several operettas in Europe and the USA, including "The Black Pierrot", "The Red Cat", "Natja", "White Lilacs", and "America Sings". Joining ASCAP in 1929, his popular-song compositions include "Falling Leaves", "Beautiful Dawn", and "Melodies Within My Heart".Born as "Károly Hajós"; emigrated Hungarian.- Music Department
- Composer
- Actor
A child prodigy, Miklos Rózsa learned to play the violin at the age of five and read music before he was able to read words. In 1926, he began studying at the Leipzig Conservatory where he was considered a brilliant student. He obtained his doctorate in music in 1930. Moving to Paris the following year, Rózsa had much of his own chamber music performed, as well as his 'Variations on a Hungarian Peasant Song' and his 'Symphony and Serenade for Small Orchestra'. However, he soon became disenchanted with meagre wages for playing classical music in concert. Attempting to change his financial situation, Rózsa managed to secure a contract with Pathe records to compose music for use in intermissions between movies. This was to be his first step in entering the more lucrative field of film composition. In 1935, Rózsa went to London after being invited by the Hungarian Legation to write the music for a ballet. The resulting work, 'Hungaria', so impressed the director Jacques Feyder that he set up a meeting with fellow Hungarian Alexander Korda, who then commissioned him to write an opulent score for the romantic drama Knight Without Armor (1937). Rózsa later recalled having to learn to write music for films 'the hard way': "I bought one German and one Russian book on the technique of film music and everything I learned from these books was absolutely wrong! But then I had long conferences with Muir Mathieson, who was the music director and conductor for Korda, and somehow I learned."
While writing the score for The Thief of Bagdad (1940), Rózsa relocated to Hollywood where he remained gainfully employed over the next four decades. An expert at orchestration and counterpoint with a great flair for the dramatic, he often concentrated on the psychological aspects of a film. One of his innovations was the use of a theremin for the famous dream sequence in Spellbound (1945) which accompanies Salvador Dalí's transcendental nightmare images. Few composers have managed to convey suspense and tension as powerfully as Rózsa with his eerily haunting scores for some of the Golden Era's best films noir (Double Indemnity (1944), The Strange Love of Martha Ivers (1946), The Killers (1946), The Naked City (1948)) or his lush, stirring music for spectacular epics (Quo Vadis (1951), Ivanhoe (1952), El Cid (1961)). In addition to winning three Oscars for his film work, Rózsa also continued as a prolific composer of classical music, including Violin and Piano Concertos, a Concerto for String Orchestra, a Sinfonia Concertante and Notturno Ungherese (influenced, respectively, by Stravinsky and Bartók). In 1945, he was appointed Professor of Composition at the University of Southern California where also lectured on the subject for many years.Emigrated Hungarian.- Director
- Producer
- Cinematographer
George Pal was born on February 1, 1908, in Cegled, Austria-Hungary. Later, when he was still a child, his stage-entertainer parents divorced, and he was raised by his grandparents.
In 1928, Pal graduated from the Budapest Academy of Arts with a degree in Architecture and highly developed drawing skills. There were no opportunities for an Architect when he left the University, so, putting his other talents to work, he found employment at Hunnia Films in Budapest. Later on, through his films, Pal became an architect of worlds, but first...
At Hunnia, Pal drew lobby posters and created embellished titles for silent movies. He also quickly learned the craft of motion picture cartooning.
In 1930, George married Elisabeth Josepha (Zsoka) Grandjean, with whom he later had two sons, David (born, 1937) and Peter (born, 1941). Seeking work with better pay, the young couple moved to Berlin, a center for film innovation. Pal's talents were soon noticed.
From 1931-1932, Pal worked at UFA Studios in Berlin where he became head of the cartoon department. Then, he set up his own film studio elsewhere in Berlin. His credentials attracted orders from companies for animated advertising. Instead of the cartoon approach, he developed his own take on making inanimate objects move, even dance, using the still evolving art of stop-motion photography. Advertisements featuring, for instance, Overstolz cigarettes, outfitted with faces, arms, and legs, were shown on theater screens strutting and singing as if drawn by a cartoonist. These "puppets" without strings would later evolve into animated characters made of wood who would have names and star in their own films.
When the Nazi regime installed itself in Germany, George and Zsoka left for Prague for a short time. Then it was on to Paris where they received an invitation from Sies Neuman, head of Philips Radio's advertising, to move to Eindhoven, Noord-Brabant, Netherlands, and work there. Before long, he had his own studio and made commercials for Dutch, English, and American firms.
It was in Eindhoven that George and American film maker, Dave Bader, invented a name for the three-dimensional cartoons that George was also now producing: "Puppetoons." George made many films in Holland, including "The Ship of the Ether." He changed his last name from Marczincsak to Pal, and, in 1937, George and Zsoka's first son, David, was born.
During the 1930s, George and Zsoka applied for an American emigration visa, only to be told each time that the small Hungarian quota was filled. Then, in 1939, the American consulate granted a visa for them and their young son to leave for New York.
First, Pal made a solo trip to New York. Not long after arriving, Columbia University offered him a lectureship on the process of making stop-motion films. Coincidentally, Barney Baliban, the president of Paramount Pictures' New York office, saw one of Pal's Puppetoon films at a party. He was so impressed by it that he contacted Pal and offered him a contract to make them for Paramount, either in New York or at their animation studio in Florida.
Pal returned to Holland and made arrangements for his family to leave Europe and move to America. Then, Frank Freeman, the President of Paramount Studios in Hollywood offered him a studio of his own and a staff of 25 film makers. The Pals arrived in New York early in 1940 and were soon settled in Beverly Hills, California.
In 1941, George and Zsoka's second son, Peter, was born.
From 1941 to 1947, Pal created more than 40 Puppetoon films, and received a special Academy Award in 1943. His studio staffers included Willis H. O'Brien, Ray Harryhausen, Wah Chang, and Gene Warren. He was also close friends with animation producer, Walter Lantz, as well as film pioneer, Walt Disney.
From 1948 to 1949, he began work on his first full-length motion pictures that combined live action with special photographic and sound effects. In the 1950s and 1960s, six of his films received Academy Awards. He worked with many gifted talents, including: director Byron Haskin; writers Robert A. Heinlein, Barré Lyndon, and David Duncan; cinematographers George Barnes, and Paul Vogel; visual-effects masters Gordon Jennings and his crew at Paramount, plus A. Arnold Gillespie, Wah Chang, and Gene Warren at MGM.
Pal also worked with sound-effects wizards Gene Garvin, Harry Lindgren, Franklin Milton, and Van Allen James; art directors Albert Nozaki, Hal Pereira, Ernst Fegté, and William Ferrari; film editors Everett Douglas and George Tomasini; composers Leith Stevens and Russell Garcia; space artist Chesley Bonestell; many animation craftsmen, including his son, David Pal, (who brought the elves to life in "The Wonderful World of the Brothers Grimm") and Don Sahlin who would later go on to design the original Muppet characters; plus countless actors and actresses, many of whom are remembered to this day.
Throughout the 1970s, Pal worked on several film proposals, but only one was distributed. He passed away on May 2, 1980 while working on "The Voyage of the Berg" for AIP Filmways. It was never finished, but his other films endure.Born as "György Pál Marczincsak"; emigrated Hungarian.- Producer
- Director
- Additional Crew
One of a large group of Hungarian refugees who found refuge in England in the 1930s, Sir Alexander Korda was the first British film producer to receive a knighthood. He was a major, if controversial, figure and acted as a guiding force behind the British film industry of the 1930s and continued to influence British films until his death in 1956. He learned his trade by working in studios in Austria, Germany and America and was a crafty and flamboyant businessman. He started his production company, London Films, in 1933 and one of its first films The Private Life of Henry VIII (1933), received an Oscar nomination as best picture and won the Best Actor Oscar for its star, Charles Laughton. Helped by his brothers Zoltan Korda (director) and Vincent Korda (art director) and other expatriate Hungarians, London Films produced some of Britain's finest films (even if they weren't all commercial successes). Korda's willingness to experiment and be daring allowed the flowering of such talents as Michael Powell and Emeric Pressburger and gave early breaks to people such as Laurence Olivier, David Lean and Carol Reed. Korda sold his library to television in the 1950s, thus allowing London Films' famous logo of Big Ben to become familiar to a new generation of film enthusiasts.Born as "Sándor László Kellner"; emigrated Hungarian, husband of María Corda.- María Corda was born on 4 May 1898 in Deva, Hungary. She was an actress, known for The Private Life of Helen of Troy (1927), Samson und Delila (1922) and Tragödie im Hause Habsburg (1924). She was married to Alexander Korda. She died on 2 February 1976 in Thonex, Switzerland.Born as "Mária Antónia Farkas"; emigrated Hungarian, wife of Alexander Korda.
- Director
- Producer
- Writer
A one time Hungarian cavalry officer, Zoltan Korda started working in films as a cameraman then an editor before becoming a director with London Films run by his brother Alexander Korda. Zoltan had strong liberal/socialist ideals and often clashed with Alexander, who, despite their both being born in Hungary, was a proud supporter of the old British Empire.Born as "Zoltán Kellner"; emigrated Hungarian.- Art Department
- Art Director
- Production Designer
Hungarian born Vincent Korda came to Britain in the 1930s with his brothers Alexander Korda and Zoltan Korda. Vincent became a distinguished Art Director and Production Designer. Among his best works are Things to Come (1936), The Thief of Bagdad (1940) and The Longest Day (1962).Born as "Vince Kellner"; emigrated Hungarian, father of author Michael Korda.- Writer
- Script and Continuity Department
Lajos Biró was born on 22 August 1880 in Nagyvarad, Austria-Hungary [now Oradea, Bihor, Romania]. He was a writer, known for The Thief of Bagdad (1940), The Last Command (1928) and Women Everywhere (1930). He died on 9 September 1948 in London, England, UK.Emigrated Hungarian.- Actor
- Stunts
Janos Prohaska was born on 10 October 1919 in Budapest, Hungary. He was an actor, known for Bewitched (1964), Star Trek (1966) and The Outer Limits (1963). He was married to Irene M . Knoke. He died on 13 March 1974 in Bishop, California, USA.Emigrated Hungarian.- Writer
- Producer
- Additional Crew
Paul Tabori was born on 8 May 1908 in Budapest, Hungary. He was a writer and producer, known for Spaceways (1953), Four Sided Triangle (1953) and Matinee Theatre (1955). He died on 9 November 1974 in London, England, UK.Born as "Pál Tábori"; emigrated Hungarian.- Producer
- Writer
- Director
Alexander Paal was born on 18 May 1910 in Budapest, Hungary. He was a producer and writer, known for Columbus entdeckt Krähwinkel (1954), Four Sided Triangle (1953) and A Tale of Five Women (1951). He was married to Eva Bartok. He died on 8 November 1972 in Madrid, Spain.Emigrated Hungarian.- Director
- Writer
- Second Unit Director or Assistant Director
Steve Sekely was born on 25 February 1899 in Budapest, Austria-Hungary [now Hungary]. He was a director and writer, known for Boy, the Noszty (1938), Die große Sehnsucht (1930) and The Fabulous Suzanne (1946). He was married to Klára Makoldy and Irén Ágay. He died on 9 March 1979 in Palm Springs, California, USA.Born as "István Székely", and also kown as "Stefan Szekely" and "S. K. Seeley"; emigrated Hungarian.- Writer
- Actor
- Composer
László Vadnay was born on 6 June 1904 in Budapest, Austria-Hungary [now Hungary]. He was a writer and actor, known for Easy to Love (1953), Copacabana (1947) and Uncertain Glory (1944). He died on 18 April 1967 in Budapest, Hungary.Emigrated Hungarian.- He spent 3 years studying at a Budapest theatre school then during the 1956 revolution he escaped from Hungry and after arriving in England he joined the Old Vic Theatre School in Bristol. He also worked as a nightclub singer in London's West End clubs. Later he signed for Associated British Films in 1960Emigrated Hungarian.
- Director
- Producer
- Writer
Peter Sasdy was born on 27 May 1935 in Budapest, Hungary. He is a director and producer, known for The Lonely Lady (1983), Welcome to Blood City (1977) and Journey to the Unknown (1968). He has been married to Myrtill Nádasi since 24 July 1965. They have two children.Emigrated Hungarian.- Writer
- Actor
- Director
George Tabori was born on 24 May 1914 in Budapest, Austria-Hungary [now Hungary]. He was a writer and actor, known for Chance Meeting (1954), Frohes Fest (1981) and I Confess (1953). He was married to Ursula Höpfner, Ursula Grützmacher-Tabori, Viveca Lindfors and Hannah Freund. He died on 23 July 2007 in Berlin, Germany.Born as "György Tábori"; emigrated Hungarian, step-father of Kristoffer Tabori.- Make-Up Department
- Actress
- Special Effects
Stefania Koszti is known for Emily the Criminal (2022), The Human Race (2013) and Legend of the White Dragon (2024).Emigrated Hungarian.- Director
- Second Unit Director or Assistant Director
- Editor
Budapest-born Endre Marton began in the film industry as an editor and assistant director with Vita and Sascha Films in Vienna. Following a brief sojourn in Hollywood with Ernst Lubitsch in 1923, he returned to Germany, having being signed as chief editor by the Tobis company. He made his directorial debut with an independently produced British mystery, Dreary House (1928). As a Jew, he was one of many talented film makers forced to flee Germany after the Nazis rose to power.
Marton had spent much of his youth in the Tyrolean Alps, nurturing an adventurous spirit and developing a fondness for spectacular mountain scenery and skiing. This was certainly a contributing factor to his being hired by MGM, initially to direct the ski sequences for Greta Garbo's Two-Faced Woman (1941). Later, his work was increasingly typified by outdoor adventure subjects, like The Wild North (1952), Green Fire (1954) and Storm Over Tibet (1952) (a remake of his earlier effort Der Dämon des Himalaya (1935), a Swiss production shot on location in Tibet). Taking risks was always inherent in Marton's preoccupation with achieving suspense and an authentic feel for location. For instance, during the filming for 'The Wild North' in Sun Valley, Idaho, he and actor Stewart Granger fell into an icy crevice and were trapped there for more than two hours. One of his more prestigious assignments came about by chance, when he was tasked with replacing Compton Bennett as director of King Solomon's Mines (1950), after the latter had been taken ill.
His chief claim to fame, however, lay in some excellent work as second-unit director, notably in charge of the chariot race for William Wyler's Ben-Hur (1959), as well as of the Normandy invasion sequences for the World War II epic The Longest Day (1962). After his contract with MGM expired in 1954, Marton founded his own production company in conjunction with fellow Hungarian émigrés Ivan Tors and Laslo Benedek. He later concentrated on TV adventure series, helming the pilots, respectively for Daktari (1966) and Cowboy in Africa (1967).Born as "Endre Marton"; emigrated Hungarian.- Producer
- Script and Continuity Department
- Production Manager
Katinka Farago was literally the collaborator of Ingmar Bergman who was closest to him, as she sat right next to his chair for decades as his script girl (or in a less sexist term, continuity clerk.) She was born in Vienna in 1936 with her parents having fled from Hungary, her father Alexander or Sandor in an interesting link to Hollywood being the author of the European play that the Astaire-Rogers classic Top Hat was based on.She landed the Bergman assignment in the early 1950s when no one else at his studio would do that job, based on his already well known displays of temperamental behavior, and as his assistant she would be the first he would turn to when he was displeased about something.Nonetheless their relationship lasted 30 years with her moving into the role of production manager on several of the later films, and then Farago became a producer in her own right.Born as "Katerina Faragó"; emigrated Hungarian.- Composer
- Music Department
- Writer
1941-43 he began his study of composition under Ferenc Farkas; 1945-49 he continued at the Budapest Music Academy under the same teacher and Sándor Veress. 1950-56 he was lecturer in Harmony and Counterpoint at the Academy at Budapest. Left Hungary toward the end of 1956. 1957-59 freelance work at the Studio for electronic music of the West German Radio (WDR) in Cologne. Since 1959, residence in Vienna, becoming an Austrian Citizen in 1967. In the 60s he was an annual lecturer at the Darmstadt Music Courses and also visiting professor at the Stockholm Music Academy. 1969-70 fellow of the German academic exchange organization in Berlin; 1972 Composer in residence at Stanford University, California. Since 1973 professor of Composition at the Hamburg Music Academy.Emigrated Hungarian.- Producer
- Editor
- Additional Crew
M.J. Winkler was born on 22 April 1895 in Hungary. She was a producer and editor, known for Alpine Antics (1929), Alice's Picnic (1927) and The New Champ (1925). She was married to Charles Mintz. She died on 21 June 1990 in Mamaroneck, New York, USA.Emigrated Hungarian? Born on the territory of Austria-Hungary? Early cartoon producer, her partnership with Disney led to the foundation of Walt Disney Productions.- Actor
- Director
- Producer
Cornel Wilde was born Kornel Lajos Weisz on October 13, 1912 in Prievidza, Hungary (now part of Slovakia) to a Jewish family. In 1920, he immigrated to New York City with his parents, Rayna (Vid) and Vojtech Béla Weisz, and elder sister, Edith. His family Anglicized their names. Kornel took the name Cornelius Louis Wilde. He spent much of his youth traveling in Europe, developing a continental flair as well as an affinity for languages. He received a scholarship for medical school, but turned it down in favor of his new love, the theatre.
A natural athlete and a champion fencer with the U.S. Olympic fencing team, he quit the team just prior to the 1936 Berlin Olympics in order to take a role in a play. In 1937, he married Marjorie Heintzen (later known as Patricia Knight), and they both shaved a few years off their ages in order to get work, Wilde thereafter claiming publicly he was born in New York in 1915 while continuing to list his correct place and year of birth on government documents.
Shortening his name to Cornel Wilde for the stage, he appeared in the Broadway hit "Having a Wonderful Time", but it wasn't until he was hired in the dual capacities of fencing choreographer and actor (Tybalt) in Laurence Olivier's 1940 Broadway production of "Romeo and Juliet" that Hollywood spotted him. He played a few minor roles before leaping to fame and an Oscar nomination as Frederic Chopin in A Song to Remember (1945). He spent the balance of the 1940s in romantic, and often swashbuckling, leading roles.
During the 1950s, his star dimmed a little, and aside from an occasional blockbuster like The Greatest Show on Earth (1952), he settled mainly into adventure films. A growing interest in directing led him to form his own production company with the goal of directing his own films. Several of his ventures into film noir in this period, both his own and those of other directors, are quite interesting (The Big Combo (1955) and Storm Fear (1955), for example). He produced, directed and starred in The Naked Prey (1965), a tour-de-force adventure drama that brought him real acclaim as a director. His later films were of varying quality, and he ended his career in near-cameos in minor adventure films. He died of leukemia in 1989, three days after his 77th birthday, leaving behind an unpublished autobiography, "The Wilde Life".Born as "Kornél Lajos Weisz"; emigrated Hungarian.- Producer
- Additional Crew
Andy Vajna was born in Budapest. In 1956 at the age of 12, he fled from Hungary and with the support of Red Cross he made his way alone to Canada. Vajna launched his career in the entertainment industry with his purchase of motion picture theaters in the Far East. He founded Panasia Films Limited in Hong Kong in 1976. Vajna met with Mario Kassar at the 1975 Cannes Film Festival, then he and Kassar formed Carolco. In 1982, Vajna was a founder and then president of the American Film Marketing Association. During that same year, Vajna and Kassar made their film production debut. In December 1989, Vajna sold all his interest in Carolco and formed Cinergi Productions, Inc. to engage in the financing, development, production and distribution of major event motion pictures. As part of its business plan, Cinergi has formed an alliance with The Walt Disney Company for distribution of Cinergi motion pictures in the United States, Canada and Latin America. Vajna has never forgotten his Hungarian roots and always tried to help the Hungarian film industry. He also actively participated in the distribution of Motion Pictures in Hungary eventually having a 70% share of the Hungarian box office. In 1989 Vajna founded InterCom that has become a market leader and a distributor of many Hollywood studios, including 20th Century Fox, Warner Bros., Sony Pictures, Disney and MGM. In 2002 he founded Digic Pictures in Hungary which is a high-end animation studio. Since 2011 Andrew G. Vajna has been working as Government Commissioner in charge of the Hungarian film industry. In the same year he conceived Hungarian National Film Fund with the mission to contribute to the production of Hungarian films or co-productions that provide art and entertainment for moviegoers and bring significant success both domestically and on an international level. Under the Vajna era Hungarian movies financed by the Hungarian National Film Fund won altogether more than 130 international awards (including a Golden Globe award for Best Foreign Language Film) while the number of foreign films produced in Hungary increased significantly.Born as "Vajna András György"; originally an emigrated Hungarian, later he became employed both in the US and Hungary.- Mickey Hargitay was born on 6 January 1926 in Budapest, Hungary. He was an actor, known for The Loves of Hercules (1960), Delirium (1972) and Bloody Pit of Horror (1965). He was married to Ellen Hargitay, Jayne Mansfield and Mary Birge. He died on 14 September 2006 in Los Angeles, California, USA.Born as "Miklós Hargitay"; emigrated Hungarian.
Father of Mariska Hargitay. - Actor
- Producer
Actor, director, artist, sculptor, violinist and teacher, born in the USA but raised in Czechoslovakia from age five until age twenty. He was a child actor in a number of Hungarian productions. At his parents' direction he joined a Presbyterian clerical institution in Ontario to become a minister, but while there he received an urgent telegram from Bela Lugosi (whom he had met while acting in Europe) asking him to join a touring company to fill a role. He told a lie to obtain a leave of absence from the academy, and never returned. During World War II he served as a translator for American military intelligence, then afterwards joined the Pasadena Playhouse, while working evenings as a cafe violinist, before reaching a nationwide audience on TV's "Space Patrol". Finding himself typecast after the series ended, he came to New York and found work directing the short-lived off-Broadway play "The Detectives". But the Hungarian revolution started in 1956, and he traveled to Austria to assist refugees. Returning to New York the next year, he joined Manhattan's prestige Dalton School as a professor of art and acting, a teaching career which lasted 22 years.Of Hungarian descent (through both parents?). Born in the US, then returned to Europe with his family. Later, emigrated Hungarian.- Director
- Additional Crew
- Second Unit Director or Assistant Director
George Cukor was an American film director of Hungarian-Jewish descent, better known for directing comedies and literary adaptations. He once won the Academy Award for Best Director, and was nominated other four times for the same Award.
In 1899, George Dewey Cukor was born on the Lower East Side of New York City. His parents were assistant district attorney Viktor Cukor and Helén Ilona Gross. His middle name "Dewey" honored Admiral George Dewey who was considered a war hero for his victory in the Battle of Manila Bay, in 1898.
As a child, Cukor received dancing lessons, and soon fell in love with the theater, appearing in several amateur plays. In 1906, he performed in a recital with David O. Selznick (1902-1965), who would later become a close friend.
As a teenager, Cukor often visited the New York Hippodrome, a well-known Manhattan theater. He often cut classes while attending high school, in order to attend afternoon matinees. He later took a job as a supernumerary with the Metropolitan Opera, and at times performed there in black-face.
Cukor graduated from the DeWitt Clinton High School in 1917. His father wanted him to follow a legal career, and had his son enrolled City College of New York. Cukor lost interest in his studies and dropped out of college in 1918. He then took a job as an assistant stage manager and bit player for a touring production of the British musical "The Better 'Ole". The musical was an adaptation of the then-popular British comic strip "Old Bill" by Bruce Bairnsfather (1887-1959).
In 1920, Cukor became the stage manager of the Knickerbocker Players, a theatrical troupe. In 1921, Cukor became the general manager of the Lyceum Players, a summer stock company. In 1925, Cukor was one of the co-founders the C.F. and Z. Production Company. With this theatrical company, Cukor started working as a theatrical director. He made his Broadway debut as a director with the play "Antonia" by Melchior Lengyel (1880-1974).
The C.F. and Z. Production Company was eventually renamed the Cukor-Kondolf Stock Company, and started recruiting up-and-coming theatrical talents. Cukor's theatrical troupe included at various times Louis Calhern, Ilka Chase, Bette Davis, Douglass Montgomery, Frank Morgan, Reginald Owen, Elizabeth Patterson, and Phyllis Povah.
Cukor attained great critical acclaim in 1926 for directing "The Great Gatsby", an adaptation of a then-popular novel by F. Scott Fitzgerald (1896-1940). He directed six more Broadway productions until 1929. At the time, Hollywood film studios were recruiting New York theater talent for sound films, and Cukor was hired by Paramount Pictures. He started as an apprentice director before the studio lent him to Universal Pictures. His first notable film work was serving as a dialogue director for "All Quiet on the Western Front" (1930).
After returning to Paramount Pictures, he worked as aco-director. His first solo directorial effort was "Tarnished Lady" (1931), and at that time he earned a weekly salary of $1500. Cukor co-directed the film "One Hour with You" (1932) with Ernst Lubitsch, but Lubitsch demanded sole directorial credit. Cukor filed a legal suit but eventually had to settle for a credit as the film's assistant director. He left Paramount in protest, and took a new job with RKO Studios.
During the 1930s, Cukor was entrusted with directing films for RKO's leading actresses. He worked often with Katharine Hepburn (1907-2003), although not always with box-office success. He did direct such box office hits as "Little Women" (1933) and "Holiday" (1938), but also notable flops such as "Sylvia Scarlett" (1935).
In 1936, Cukor was assigned to work on the film adaptation of the blockbuster novel "Gone with the Wind" by Margaret Mitchell. He spent the next two years preoccupied with the film's pre-production, and with supervising screen tests for actresses seeking to play leading character Scarlett O'Hara. Cukor reportedly favored casting either Katharine Hepburn or Paulette Goddard for the role. Producer David O. Selznick refused to cast either one, since Hepburn was coming off a string of flops and was viewed as "box office poison," while Goddard was rumored to have had a scandalous affair with Charlie Chaplin (1889-1977) and her reputation suffered for it.
Cukor did not get to direct "Gone with the Wind", as Selznick decided to assign the directing duties to Victor Fleming (1889-1949). Cukor's involvement with the film was limited to coaching actresses Vivien Leigh (1913-1967) and Olivia de Havilland (1916-). Similarly, the very same year, Cukor also failed to receive a directing credit for "The Wizard of Oz" (1939), though he was responsible for several casting and costuming decisions for this iconic classic.
In this same period, Cukor did direct an all-female cast in "The Women" (1939), as well as Greta Garbo's final motion picture performance in "Two-Faced Woman" (1941). Then his film career was interrupted by World War II, as he joined the Signal Corps in 1942. Given his experience as a film director, Cukor was soon assigned to producing training and instructional films for army personnel. He wanted to gain an officer's commission, but was denied promotion above the rank of private. Cukor suspected that rumors of his homosexuality were the reason he never received the promotion.
During the 1940s, Cukor had a number of box-office hits, such "A Woman's Face" (1941) and "Gaslight" (1944). He forged a working alliance with screenwriters Garson Kanin and Ruth Gordon, and the trio collaborated on seven films between 1947-1954.
Until the early 1950s, most of his Cukor's films were in black-and-white, and his first film in Technicolor was "A Star Is Born" (1954), with Judy Garland as the leading actress. Casting the male lead for the film proved difficult, as several major stars were either not interested in the role or were considered unsuitable by the studio. Cukor had to settle for James Mason as the male lead, but the film was highly successful and received 6 Academy Award nominations. But Cukor was not nominated for directing.
He had a handful of critical successes over the following years, such as Les Girls (1957) and "Wild Is the Wind" (1957), and also helmed the unfinished "Something's Got to Give" (1962), which had a troubled production and went at least $2 million over budget before it was terminated.
Cukor had a comeback with the critically and commercially successful "My Fair Lady," one of the highlights of his career., for which he won both an Academy Award and a Golden Globe Award for Best Director, along with the Directors Guild of America Award. However, his career very quickly slowed down, and the aging Cukor was infrequently involved with new projects.
Cukor's most notable film in the 1970s was the fantasy The Blue Bird (1976) , which was the first joint Soviet-American production. It was a box-office flop, though it received a nomination for the Saturn Award for Best Fantasy Film and was groundbreaking for its time. Cukor's swan song was "Rich and Famous" (1981), depicting the relationship of two women over a period of several decades., played by co-stars Jacqueline Bisset and Candice Bergen, Cukor's final pair of leading ladies.
He retired as a director at the age of 82, and died a year later of a heart attack in 1983. At the time of his death, his net worth was estimated to be $2,377,720. He was buried at the Forest Lawn Memorial Park in Glendale, CA. Cukor was buried next to his long-time platonic friend Frances Howard (1903-1976), the wife of legendary studio mogul Samuel Goldwyn.Of Hungarian descent (through both parents).- The only child of Jozsef Barsi and Maria Benko, Judith Eva Barsi beat 10,000-to-1 odds when she was discovered at a San Fernando Valley skating rink at age 5 1/2 in 1983 and mistaken for a three-year-old. Her first commercial was for Donald Duck Orange Juice and she went on to appear in anywhere between fifty and a hundred commercials, several episodes of various T.V. series, and three major motion pictures. Her mother Maria was the main thrust of her career as a Hollywood starlet, but also took great pains to try to give her a normal, happy childhood; bringing her Hungarian meals like duck for her school lunch. But this happy childhood did not last long. Beginning in 1985, Jozsef would often be home drunk instead of working as a plumber, and he refused to let Maria work. As a result, the family briefly went on welfare until Judith's career took off in 1986 and 1987. By the time she entered fourth grade, she was pulling in an estimated $100,000 a year, which bought her family a nice four-bedroom house on a quiet street in West Hill. As her career soared, her father became an increasingly abusive recluse who constantly threatened to kill his wife and daughter. In stressful moods Judith bit her nails and plucked out her eyebrows and eyelashes and her cats' whiskers. C.P.S. was called in numerous times, but as Maria was reluctant to press charges and many of the reports/accounts were emotional and not physical abuse, the case was not pursued.
On Wednesday, July 27th, Eunice Daly, a next-door neighbor, heard a loud bang next door while watering her plants. The house had been set on fire, and later the Barsis' bodies were discovered shot dead. All of Judith's toys that were not destroyed by the fire were given to the local Goodwill, and her best friend continued to feed her cats for months afterward.Of Hungarian descent (through both parents). - Actor
- Producer
- Soundtrack
Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958).Born as "Bernard Schwartz"; of Hungarian descent (through both parents).- Actress
- Additional Crew
- Producer
Two time Emmy Nominee for Outstanding Actress (2020, 2016), and winner of seven Best Actress awards, a Best Supporting Actress Award and a Best Actress Nominee, Kathleen Gati is very well known as the stewardess on AMC's Fear The Walking Dead: Flight 462; for her role as Raisa on (CW) Arrow; eleven seasons (521 episodes) as Dr. Liesl Obrecht on (ABC) General Hospital (1963) and as the CEO on (BET) Being Mary Jane. She is also very popular for her two seasons on 24: Redemption (2008) as Anya Suvarov, the First Lady of Russia. She has garnered nine Audiofile Earphones Awards for her over 80 audiobook narrations.
Gati was born and raised in Canada by Hungarian immigrants and was brought up in an artistic environment. Her father was a symphony conductor and her mother an opera singer, so performing was in her blood. She started acting at the age of three, wrote, directed and starred in her first play at the age of eight. After high school, she moved to New York to pursue her dream, where she studied and performed in dozens of plays both on and Off Broadway, as well as working in numerous roles on television and in film. Gati was invited to Hungary to be in the feature Goldberg variácók (1992), for which she won the Television and Film Critics Best Supporting Actress award.
She subsequently stayed on in Hungary for six years, during which time she starred in numerous films, television series and several movies of the week, winning multiple additional awards along the way, including the Film and Television Critics award for her story and lead role for A színésznö és a halál (1995) (The Actress and the Death). Her performance in Hungary's biggest hit of the 1990s, Sose halunk meg (1993) (We Never Die), which made the final 35 films selected for Best Foreign Film entries for the Academy Awards, made her an extremely popular actress in eastern and central Europe. She won Best Actress at the Los Angeles Hungarian Film Festival in 2011 for her lead role in Retrace (2011) and was nominated for Best Actress at the New York International Film Festival in 2015 for A Play on Words (2015). Her lead role in Lifeline (2015) has garnered Gati five Best Actress awards.Of Hungarian descent (through both parents).
Employed in the US, Canada and Hungary.- Composer
- Music Department
- Soundtrack
Irving Szathmary was born on 30 October 1907 in Quincy, Massachusetts, USA. He was a composer, known for Get Smart (2008), Get Smart (1965) and I'm Dickens, He's Fenster (1962). He was married to Monica E Reighley, Irene Braun and Julia Cutter. He died on 29 October 1983 in London, England, UK.Born as "Isadore Szathmary"; of Hungarian descent (through both parents? through his father?).
Brother of Bill Dana.- Actor
- Writer
- Producer
Comedian, author and composer, educated at Emerson College. He served in the US Infantry during World War II. Later, he was part of the team Dana and Wood on television and in supper clubs. As a single, he appeared on television with Martha Raye and Imogene Coca and was a writer for Steve Allen, and he also appeared in night clubs and on records. Joining ASCAP in 1958, his popular-song compositions include "My Name Jose Jimenez", "All About Love" and "Big Bells and Bongo Drummers".Born as "William Szathmary"; of Hungarian descent (through both parents? through his father?).
Brother of Irving Szathmary.- Francesca Hilton was born on 10 March 1947 in New York City, New York, USA. She was an actress, known for The Dion Brothers (1974), Forever Fabulous (1999) and A Safe Place (1971). She was married to Joseph Piche. She died on 5 January 2015 in Los Angeles, California, USA.Of Hungarian descent (through her mother).
Daughter of Zsa Zsa Gabor, born as "Constance Francesca Gabor Hilton". - Actress
- Producer
- Director
Mariska (Ma-rish-ka) Magdolna Hargitay was born on January 23, 1964, in Santa Monica, California. Her parents are Mickey Hargitay and Jayne Mansfield. She is the youngest of their three children. In June 1967, Mariska and her brothers Zoltan and Mickey Jr. were in the back seat of a car when it was involved in the fatal accident which killed her mother. The children escaped with minor injuries. Her father remarried a stewardess named Ellen, and they raised the three children and gave them a normal childhood. They also financially supported the children, since Jayne Mansfield's debt-ridden estate left no money for them.
Mariska majored in theater at UCLA. Her first motion picture feature was the cult favorite, Ghoulies (1984), where she gave a memorable performance as Donna. Unlike her mother Jayne, who had changed her name, her hair color, and did nude pictorials to become a star, Mariska took a very different approach on her journey to become a star. She rejected advice to change her name and appearance. And she refused to copy her mother's sexy image by turning down nude scenes in her next film Jocks (1986). She told casting directors that she was her own person when she held onto her dark locks and athletic figure, when they were expecting another blond, buxom Jayne Mansfield. Mariska continued with her acting classes and waited on tables, while she landed forgettable roles in short-lived television shows. She appeared a few times on the nighttime soap Falcon Crest (1981). She also appeared in the hit film Leaving Las Vegas (1995), credited as 'Hooker at the bar', and in the flop film Lake Placid (1999) as Myra Okubo. Her recurring role on the top-rated show ER (1994) in 1998 gave her career enough of a jolt to land her the starring role of Det. Olivia Benson in Law & Order: Special Victims Unit (1999), the first spin off from the excellent franchise of Law & Order (1990). The hour-long show deals with sex crimes and the detectives who solve these cases. Mariska played Olivia as a tough, compassionate detective, who did action scenes and her own stunt work. She reaped the rewards from the hit TV show, after struggling and studying her craft for fifteen years. She became the highest paid actress on television, and she won Emmy and Golden Globe awards for her performance. The show also changed her personal life, since she met her husband actor Peter Hermann on the set and married him on August 28, 2004. That same year, she appeared in the television movie Plain Truth (2004), in which she played attorney Ellie Harrison. Mariska became an activist, when fans of her show who were abused, would write to her, and she founded a non-profit organization called "Joyful Heart Foundation" to help "survivors of sexual assault, domestic violence, and child abuse."
Mariska gave birth to her son August in 2006. But that tremendous joy was soon followed by tremendous sadness when her beloved father Mickey died just two months later at the age of 80. Mariska and her husband Peter adopted two children, a girl named Amaya, and a boy named Andrew, within a span of few months in 2011.
Mariska speaks English, Hungarian, French, Spanish, and Italian, and her husband also speaks several languages, including his native language German. They divide their time between New York and Los Angeles.Of Hungarian descent (through her father).
Daughter of Mickey Hargitay.- Actor
- Director
- Producer
Excellent, prolific and versatile character actor Michael Pataki had a long, varied and impressive career in both movies and TV shows, alike, that spanned a little over 50 years. Pataki was born on January 16, 1938 in Youngstown, Ohio. He attended the University of Southern California as a double major in Drama and Political Science. Michael made his film debut with an uncredited small part in the 1958 feature, Ten North Frederick (1958). However, it was his acclaimed acting on stage in 1966 at a summer stock festival in Edinburgh that really launched Pataki's career. Although usually cast as mean and unlikable antagonistic characters, Michael on occasion portrayed more appealing folks with equal skill and conviction. Pataki gave a superbly chilling and compelling performance as vicious bloodsucker "Caleb Croft" in the creepy horror winner, Grave of the Vampire (1972). Other memorable roles included nasty biker "Snake" in The Dirt Gang (1972), Marianna Hill's weak masochistic boyfriend "Dennis" in the perverse The Baby (1973), the lecherous "Sergeant Ward" in the crummy, The Bat People (1974), hi-jacker "Wilson" in Airport '77 (1977), Dracula's modern-day descendant "Michael Drake" in the hilariously horrible Dracula's Dog (1977), sleazy bounty hunter "Harry Iverson" in The Glove (1979), hard-nosed "District Attorney Dino Fulgoni" in the splendidly gritty The Onion Field (1979), oddball cemetery caretaker "Sam" in the offbeat zombie doozy Dead & Buried (1981), ramrod Russian sports official "Nicoli Koloff" in Rocky IV (1985) and the stern "Dr. Hoffman" in Halloween 4: The Return of Michael Myers (1988). Pataki had a recurring role on the TV series, The Amazing Spider-Man (1977); he also appeared in the two spin-off theatrical pictures, Spider-Man (1970) and Spider-Man Strikes Back (1978). Among the numerous TV shows Michael made guest appearances on are The Twilight Zone (1959), Star Trek (1966), Combat! (1962), Rawhide (1959), My Favorite Martian (1963), Ben Casey (1961), Batman (1966), Mission: Impossible (1966), The Flying Nun (1967), Baretta (1975), Happy Days (1974), McCloud (1970), Barney Miller (1975), Little House on the Prairie (1974), Charlie's Angels (1976), T.J. Hooker (1982), WKRP in Cincinnati (1978), Laverne & Shirley (1976), The Jeffersons (1975), The Fall Guy (1981), Airwolf (1987), St. Elsewhere (1982) and Star Trek: The Next Generation (1987). Moreover, Pataki provided voices for cartoon television programs; he was especially notable as the voice of the demented "George Liquor" on The Ren & Stimpy Show (1991). Michael directed two low-budget 70s drive-in exploitation features for producer Charles Band: the potently unnerving horror shocker, Mansion of the Doomed (1976), and the amusingly silly soft-core comedy musical, Cinderella (1977). In addition, Pataki also worked as an acting coach. Michael died of cancer at age 72 on April 15, 2010 in North Hollywood, California.Of Hungarian descent (through his father).- Actor
- Writer
- Producer
Author, actor, comedian, composer and producer. He was educated at the New York School of Theatre, and received the Sylvania Television Award. Joining the American Society of Composers, Authors, and Publishers (ASCAP) in 1957, he composed a number of songs and themes, a number of which were used in his famed television comedy sketches including "Mr. Question Man". His other popular-songs included "Ugly Duckling", "So Good to Me", "The Patty Cake", "The Irving Wong Song", and many more.Of Hungarian descent (through his father).- Writer
- Director
Phyllis Nagy was born on 7 November 1962 in New York City, New York, USA. She is a writer and director, known for Call Jane (2022), Carol (2015) and Mrs. Harris (2005).Of Hungarian descent (through her father).- Actor
- Producer
- Composer
Adrien Nicholas Brody was born in Woodhaven, Queens, New York, the only child of retired history professor Elliot Brody and Hungarian-born photographer Sylvia Plachy. He accompanied his mother on assignments for the Village Voice, and credits her with making him feel comfortable in front of the camera. Adrien attended the American Academy of Dramatic Arts and LaGuardia High School for the Performing Arts in New York.
Despite a strong performance in The Thin Red Line (1998), time constraints forced the director to edit out much of Adrien's part. In spite of his later work with Spike Lee and Barry Levinson, he never became the star many expected he would become until Roman Polanski called on him to play a celebrated Jewish pianist in Nazi-occupied Warsaw. He pulled off a brilliant performance in The Pianist (2002), drawing on the heritage and rare dialect of his Polish-born grandmother, as well as his father, who lost family members during the Holocaust, and his mother, who fled Communist Hungary as a child during the 1956 uprising against the Soviet Union.Of Hungarian descent (through his mother).- Actor
- Soundtrack
Marton was born in Invercargill, Aotearoa (New Zealand), to Margaret Christine (Rayner), a nurse, and Márton Csókás, a mechanical engineer. His father is Hungarian and his mother is Australian (of English, Irish, and Danish origin). He inherited some of his talents from his father, who was also a trained opera singer and at one time, a trapeze artist in the Hungarian Circus.
His academic training began at Canterbury University, Christchurch, New Zealand, where he commenced a Bachelor of Arts degree, majoring in Art History, and then transferred to, Te Kura Toi Whakaari o Aotearoa/ The New Zealand Drama School, graduating in December, 1989. His first acting role was in Te Whanau a Tuanui Jones by Apairana Taylor at the Taki Rua Theatre in Wellington New Zealand, (1990). He has since had an eclectic career of theatre, television and film.
He appeared in the 1994 movie Jack Brown Genius (1996) in which he played the role of Dennis. After starring for two years in the New Zealand soap opera Shortland Street (1992), he starred in the 1996 movie Broken English (1996) as Darko. After performing in a great number of theatrical plays, writing his own and co-founding his own theatre company, the Stronghold Theatre, Marton got the role of Tarlus in an episode of Hercules: The Legendary Journeys (1995). After that, he continued working with Renaissance Pictures, playing the roles of Khrafstar and Borias in the 1997-1998 seasons of Xena: Warrior Princess (1995). He continued appearing in many other shows in both NZ and Australia, such as Farscape (1999), BeastMaster (1999), Water Rats (1996), Cleopatra 2525 (2000), and more, returning for the role of Borias in three episodes of the 2000-2001 season of Xena: Warrior Princess (1995). He was also in many movies produced in NZ and Australia, such as Hurrah (1998), The Monkey's Mask (2000) and the mini-series The Farm (2001). He is a citizen of the European Union and Hungary, and is a permanent resident of the United States.
Most recently, Csokas starred opposite Denzel Washington in Sony's hit film The Equalizer. He played a brutal fixer for the Russian mafia and a formidable villain to Washington's reluctant hero.
Csokas appeared in Darren Aronofsky's Noah as well as Robert Rodriguez's Sin City: A Dame to Kill For, a sequel to the 2005 hit film Sin City. Csokas also played the psychiatrist, "Dr. Kafka," in the hit movie sequel, The Amazing Spiderman 2, alongside Andrew Garfield, Emma Stone and Jamie Foxx.
Csokas most famously starred as "Lord Celeborn" in one of the highest-grossing film series of all time, Peter Jackson's Lord of the Rings trilogy. Some of his other film credits include 2010's The Debt opposite Jessica Chastain and Paul Greengrass' The Bourne Supremacy with Matt Damon. His depth of experience is illustrated in Asylum in which he starred opposite Natasha Richardson and Ian McKellen, as well as the Ridley Scott epic, Kingdom of Heaven, with Jeremy Irons, Brendan Gleeson and Liam Neeson.
On the small screen, Csokas recently starred on the History Channel's miniseries Sons of Liberty as well as Discovery Channel's miniseries Klondike with Tim Roth and Sam Shepard.
On stage, Csokas continues to work internationally, most recently starring in a production of Lillian Hellman's "Little Foxes" at The New York Theatre Workshop by acclaimed director, Ivo van Hove. The play was noted by Time Magazine as one of the "Top 10 of Everything of 2010." The actor has numerous classical credits, including 'Orsino' in Shakespeare's "Twelfth Night" at the National Theatre of Great Britain, 'Anthony' in "Anthony and Cleopatra" at the Theatre of a New Audience, 'Brutus' in "Julius Caesar" and as 'Septimus' in Tom Stoppard's "Arcadia" in his birthplace of New Zealand. On the Australian stage, Csokas has appeared as 'George' in "Who's Afraid of Virginia Woolf," directed by Benedict Andrews of the Schaubuhne Theatre in Berlin and in "Riflemind," directed by Phillip Seymour Hoffman at the Sydney Theatre Company.Of Hungarian descent (through his father).- Music Artist
- Actress
- Composer
Alanis Nadine Morissette was born in Ottawa, Canada, on June 1st 1974. Alanis' Greek name is a feminine version of her father's name, Alan. Her mother's name's Georgia and she has two brothers: Chad and Wade (Alanis' Twin). She learned to play the piano at age 6 and the guitar at age 21. In 1986 Alanis made a single called Fate Stay With Me (b-side: Find The Right Man). She recorded two albums as a dance-pop singer in Canada: Alanis (1991) and Now Is The Time (1992). At age 18, she moved to Toronto and worked with several musicians and songwriters, but the collaborations didn't work. In 1994, she finally found the right partner: producer and songwriter Glen Ballard, who had already worked with many artists, including Aretha Franklin, Michael Jackson and Barbra Streisand. Then she moved to LA at age 19. On June 13th 1995 "Jagged Little Pill" was released by Madonna's Maverick Records. Alanis had found an autobiographical, extremely personal way to write songs. JLP has sold about 30 million copies around the world, turning into the highest selling female album and the 3rd highest selling album of all times. After going through emotional conflicts (when she even contemplated not recording another album) and a trip to India (where she had the opportunity to recharge ) Alanis returned with the song Uninvited, for City of Angels (1998) soundtrack on March 31st 1998. In the same year the album "Supposed Former Infatuation Junkie" was released. Alanis directed the videos Joining You, Unsent and So Pure from SFIJ. In 1999 she played the role of God in the movie Dogma (1999) and collaborated with the song Still for the soundtrack. In 1999 she also recorded the album MTV Unplugged. In 2000 Alanis performed on Broadway show The Vagina Monologues. She lives in Brentwood, California.Of Hungarian descent (through her mother).- Producer
- Actress
- Director
Since melting audiences' hearts at the age of just six in E.T. the Extra-Terrestrial (1982), Drew Barrymore has emerged as one of the most beloved and singularly gifted actresses of her generation. Born in Culver City, California to John Drew Barrymore and Jaid Barrymore, the clutches of fame were near inescapable for young Drew, her father being a member of the esteemed showbiz dynasty fronted by stage star Maurice Barrymore, his thespian wife Georgiana and their three children: Lionel Barrymore, Ethel Barrymore, and John Barrymore.
Tailgating a turbulent adolescence that saw her grapple with insobriety, substance abuse, and cutthroat media vitriol, a diligent Barrymore threw herself into her career throughout the early-mid nineties, first with a succession of 'bad girl' parts in cultish B-pictures like Poison Ivy (1992), Guncrazy (1992) and - fittingly - Bad Girls (1994); then warmly received turns in prestige vehicles such as Boys on the Side (1995), Woody Allen's Everyone Says I Love You (1996), and Wes Craven's game-changing Scream (1996). Equal portions of goofball - The Wedding Singer (1998), Never Been Kissed (1999), Charlie's Angels (2000) - and gravitas - Riding in Cars with Boys (2001), Donnie Darko (2001), Confessions of a Dangerous Mind (2002) - came next, with a Golden Globe-grabbing pièce de résistance - her divine incarnation of Edith Bouvier Beale in Grey Gardens (2009) - confirming that her skill set was every bit as forceful and far-reaching as imagined.
Having already set in motion a bunch of lucrative projects via production house Flower Films (co-est. with Nancy Juvonen in '95), Barrymore fastened an additional string to her bow when she spearheaded the sports dramedy Whip It (2009), her glowingly appraised directorial debut. Fresh off a healthy run of movie parts at the launch of the 2010s, her star turn as zombified suburban realtor Sheila Hammond - a tour de force at once dizzy and detailed - on Netflix's Santa Clarita Diet (2017) saw her step with trademark resolve into newer territory still: the flourishing world of small screen entertainment, a metamorphosis she continues to espouse with her role as compère of spirited daytime staple The Drew Barrymore Show (2020).Of Hungarian descent (through her mother).- Actress
- Producer
- Director
Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.
Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.
She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.
Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.Of Hungarian descent (through her father).- Actor
- Writer
- Producer
Christopher Lee Kattan was born in Sherman Oaks, California, to model Hajni Joslyn and actor Kip King. Chris moved to Mt. Baldy when he turned five, and resided there until the age of fifteen, when he moved to Bainbridge Island, Washington for high school.
After he graduated from high school, Chris moved to the L.A. area to join up with the improv/sketch comedy group "The Groundlings". He became a featured player on Saturday Night Live (1975) in March of 1996, and a cast member in September of the same year. He remained on the show until May 2003. Chris lives in the Los Angeles area.Born as "Christopher Lee Kattan"; of Hungarian descent (through his mother).- Music Artist
- Actor
- Composer
Michael Peter Balzary was born on the sixteenth of October 1962, in Melbourne, Australia. When he was four, his parents divorced and Michael, his sister Karen and his mother Patricia headed for New York; they didn't stay long and soon ended up in L.A. (in 1972), where his step-father, a jazz musician named Walter Urban Jr., intended to start a career. Flea would often sit in on weekly jam sessions with his stepfather and the constant flow of musicians who trucked through. High school was not always an easy road for young Michael. He was a misfit because of his unusual musical taste. While most of the kids were into disco and dance music, Flea preferred jazz artists like Miles Davis and Dizzy Gillespie. Flea's first musical instrument was the drums, but soon he also began playing the trumpet. After school he would race home to listen to his Gillespie records and play along with his idol. He counts as his greatest childhood memory the time his mother got him back-stage to meet Gillespie after one of his concerts. He also played with the Los Angeles Junior Philarmonic Orchestra. Influenced by some of his friends from school who shared the same passion for music - among them, Jack Irons and Hillel Slovak, who would later play in the Red Hot Chili Peppers with him - his musical interests then diversified: he discovered funk music, and Jimi Hendrix became his new idol. At the end of 1977, he met Anthony Kiedis. For some reason, Michael was holding a young schoolmate named Tony Sherr in a headlock, when Kiedis, who was Tony's best friend at the time, came to rescue him; they almost had a fight. After this meeting, they soon became aware they were made to be friends, and have been inseparable since. The two became known for their mischievous antics, which often got them into trouble. This is also when he gained the nickname Flea, while he was joking with some friends about calling each other a cartoon name. Around 1979, due to Flea's obvious musical talent, he was sought out as a recruit for a band formed by his school-mates, Anthym, with Jack Irons (drums), Hillel Slovak (guitar) and Alain Johannes (vocals and guitar) as members. Flea picked up the bass, which he had never played before, and became so good that within a few months he had forged his very own style, which later would make him one of the most famous and talented bass players in the world. After a shaky start the band got a few club gigs but no major breaks. Anthony Kiedis, who was always there to support them, became the presenter of their shows which he opened with a few jokes or improvised poems of his own. In 1982, Flea joined the L.A. punk band Fear. He also landed a small role in the Penelope Spheeris film Suburbia (1984). John Lydon of PIL asked Flea to join his band when he left Fear in 1984, but Flea instead decided to rejoin his friends. With Kiedis, Slovak and Irons, they started another band together, the Red Hot Chili Peppers, which soon earned a good reputation in the Los Angeles underground music scene. Flea was married in 1985 to Loesha Zeviar, whose first name he got tattooed above his left nipple - close to his heart. They have since divorced, but still share daughter Clara, born on September 16, 1988. Clara sometimes goes on the road with her dad, and has done artwork for the Chili Peppers' t-shirts and promotional material. In 2001, along with friends Pete Weiss and Keith Barry, Flea founded the Silverlake Conservatory Of Music, an organization whose aim is to provide affordable music lessons to everyone and to encourage children's musical education.Born as "Michael Peter Balzary"; of Hungarian descent (through his father?).- Michaela Bercu was born on 31 March 1967 in Tel Aviv, Israel. She is an actress, known for Bram Stoker's Dracula (1992). She is married to Ron Zuckerman. They have four children.Probably of Hungarian descent (through her mother). Speaks Hungarian.
- Actress
- Producer
- Additional Crew
Mary Debra Winger was born May 16, 1955 in Cleveland, Ohio, to Ruth (Felder), an office manager, and Robert Jack Winger, a meat packer. She is from a Jewish family (originally from Austria-Hungary and the Russian Empire). Her maternal grandparents called her Mary, while her parents called her Debra (her father named her Debra after his favorite actress, Debra Paget). The family moved to California when Debra was five. She fell in love with acting in high school but kept it a secret from her family. She was a precocious teenager, having graduated high school at an early age of 15. She enrolled in college, majoring in criminology. She worked part-time in the local amusement park when she got thrown from a truck and suffered serious injuries and went temporarily blind for several months. She was in the hospital when she vowed to pursue her passion for acting.
After she recovered, she abandoned college and studied acting. Like any struggling actor, she did commercials and guest-starred on 70s TV shows like Task Force: Part I (1976) and Wonder Woman (1975), where she performed as Diana's little sister, Wonder Girl. She also made her feature film debut in the embarrassing soft-core porn film, Slumber Party '57 (1976). (Years later on Inside the Actors Studio (1994), host James Lipton asked her to name her first film, and she refused to answer him.) Her next two films, French Postcards (1979) and Thank God It's Friday (1978), did absolutely nothing for her career. When Sissy Spacek said no to playing the character Sissy in Urban Cowboy (1980), almost every young actress in Hollywood pursued the role. Debra won the role over a then-unknown Michelle Pfeiffer and gave a star-making performance as John Travolta's wife. Her handling of the mechanical bull made her a new kind of sex symbol. She would always remain grateful to her director James Bridges for threatening to quit the film if the studio didn't cast her. However, she followed it up with a flop, Cannery Row (1982). But, she became part of one of the top-grossing films of all time by providing her deep, throaty voice to the title character of E.T. the Extra-Terrestrial (1982) as a favor to the film's director Steven Spielberg (Note: IMDB cast list for E.T. indicates Pat Welsh as the voice for that character.). She also appeared in the film for a few seconds in the Halloween scene, where she is wearing a zombie mask and carrying a poodle. She received her first Academy Award nomination as Best Actress for the huge hit, An Officer and a Gentleman (1982), where her on-screen love scenes with Richard Gere became just as legendary as her off-screen fights with him and with director Taylor Hackford.
Debra's reputation as a great talent, as well as her reputation as a difficult actress grew with her next film, Terms of Endearment (1983), which not only earned her a second Oscar nomination as Best Actress but also won the Best Picture as well. She also earned the Best Actress Award from the National Society of Film Critics. Debra was at the top of her game and was the most sought-after actress in Hollywood, but she turned down quality roles and lucrative offers for three years. Some speculated that the reason was her romantic involvement with Bob Kerrey, then-governor of Nebraska, while others have stated it was her back problems. Whatever her reasons were, her career lost its heat. Her long-delayed film Mike's Murder (1984), reuniting her with her "Urban Cowboy" director James Bridges, didn't help matters either when it became a critical and financial flop. Debra tried to revive her career by starring in the big-budget comedy Legal Eagles (1986), but she disliked the film so much that she publicly stated that the director, Ivan Reitman, was one of the two worst directors she worked with, the other director being Taylor Hackford (An Officer and a Gentleman (1982)). She also walked out on her agency, CAA, but returned several years later.
Her personal life made headlines when she left Bob Kerrey and eloped with Oscar-winning actor Timothy Hutton in 1986. In 1987, she gave birth to their son, Noah Hutton. She also starred in Black Widow (1987), which wasn't a hit, and acted alongside Hutton as a male angel in Made in Heaven (1987) which flopped. She followed that up by starring in another flop, Betrayed (1988), which featured a fleeting cameo by Hutton. She separated from Hutton in 1988 and they divorced in 1990, at which time she had two more bombs, Everybody Wins (1990) and The Sheltering Sky (1990). However, she relished the experience on The Sheltering Sky (1990) so much that she stayed in the Sahara desert long after filming wrapped. She came back to US and filmed a Steve Martin vehicle, Leap of Faith (1992), which did nothing for her career. But, she found love on the set of her next film, Wilder Napalm (1993) when she co-starred opposite Arliss Howard, who became her next husband. The film flopped but their marriage lasted. She received good notices for A Dangerous Woman (1993), but it was Shadowlands (1993) which finally brought her renewed respectability and her third Academy Award nomination as Best Actress. She followed that up with a forgettable comedy, Forget Paris (1995). Then, she signed to do "Divine Rapture" with Marlon Brando and Johnny Depp in a small village in Ireland, but two weeks into filming, financing fell apart, and the film was never completed. Winger was never paid for her work, and neither were the poor villagers, and Winger said she was devastated for them. Now 40, Debra felt that there were no good roles for her and she concentrated on motherhood by having a second son, Babe Howard, in 1997. Her six-year absence from films inspired a documentary by Rosanna Arquette titled Searching for Debra Winger (2002), which is about sexism and ageism in Hollywood. In 2001, she returned to acting in her husband's film, Big Bad Love (2001), which she also co-produced. It renewed her love for acting, and she has ventured out into television as well by earning her first Emmy nomination as Best Actress for Dawn Anna (2005), directed by her husband. In 2008, she wrote a well-written book, based on her personal recollections, titled "Undiscovered". And she followed that up by winning rave reviews as Anne Hathaway's mother in Jonathan Demme's Rachel Getting Married (2008). However, it wasn't enough to reignite her feature film career, so she ventured towards television in 2010 with a guest-starring role on "Law and Order" titled Boy on Fire (2010), to a seven-episode stint on In Treatment (2008), to a two-part miniseries The Red Tent (2014), to a regular role on The Ranch (2016) . Her television exposure reignited her feature film career, and she was cast in her first romantic lead in 22 years in The Lovers (2017). And she had also mellowed with age, presenting an award to Richard Gere in 2011 and saying kind things about director Taylor Hackford in 2017, after having fought with both of them during An Officer and a Gentleman (1982). Nobody can deny that Debra Winger is one of the best American actresses ever. Her fans hope that Hollywood will finally reward her talent with a long-overdue Academy Award.Of Hungarian descent (through her paternal grandparents and her maternal great-grandparents).- Actress
- Producer
- Director
Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.Of Hungarian descent (through her maternal grandparents).
Mother of Kate Hudson.- Actress
- Producer
- Editorial Department
Emmy Award-winning Sarah Michelle Gellar was born on April 14, 1977 in New York City, the daughter of Rosellen (Greenfield), who taught at a nursery school, and Arthur Gellar, who worked in the garment industry. She is of Russian Jewish and Hungarian Jewish descent.
Eating in a local restaurant, Sarah was discovered by an agent when she was four years old. Soon after, she was making her first movie An Invasion of Privacy (1983). Besides a long list of movies, she has also appeared in many TV commercials and on the stage. Her breakthrough came with the television series Swans Crossing (1992). In 1997, she became known to the cinema audience when she appeared in two movies: I Know What You Did Last Summer (1997) and Scream 2 (1997). But she is most commonly known for her title role in the long-running television series Buffy the Vampire Slayer (1997). She also won an Emmy Award for her performance as Kendall Hart on the soap opera All My Children (1970).
Sarah has since starred in many films, including Simply Irresistible (1999), Cruel Intentions (1999), and the live-action Scooby-Doo (2002) movies as the lovable Daphne Blake. She also provided her voice to several movies, including Small Soldiers (1998), Happily N'Ever After (2006) and TMNT (2007), starred in the box office hit The Grudge (2004), and co-starred with Robin Williams and James Wolk in the television series The Crazy Ones (2013).
She resides in Los Angeles, California, with her husband, Freddie Prinze Jr.. They have been married since 2002, and have two children.Of Hungarian descent (through her maternal grandparents).- Actor
- Soundtrack
Jeffrey Tambor starred in Amazon Studios hit series TRANSPARENT, playing family patriarch "Mort Pfefferman," who over the course of the show becomes the unforgettable "Maura." Tambor's groundbreaking performance earned him two Emmy Awards, a Golden Globe Award, a SAG Award and a Critics' Choice Award. He's also starred in the Emmy-winning sitcom ARRESTED DEVELOPMENT, playing twin brothers "George Bluth" and "Oscar Bluth," and played "Hank Kingsley," the self-centered sidekick on HBO's critically acclaimed THE LARRY SANDERS SHOW.Of Hungarian descent (through his paternal grandparents).- Actress
- Producer
- Director
Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween H20: 20 Years Later (1998) in which she reprised her role that made her famous back in 1978.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.Of Hungarian descent (through her paternal grandparents).
Daughter of Tony Curtis.- Actor
- Writer
- Producer
Jonathan Michael Lovitz is a American comedian and actor from Tarzana who is known for voicing Jay Sherman from The Critic and for being a Saturday Night Live cast member in the 1990s. He acted in a lot of Adam Sandler films such as The Wedding Singer, Little Nicky, Hotel Transylvania, Grown Ups 2 and Eight Crazy Nights.Of Hungarian descent (through his maternal grandmother and maternal great-grandfather).- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.Of Hungarian descent (through his paternal grandfather).- Actor
- Writer
- Producer
Writer, actor, comedian, doer of good works, excellent good friend to the famous and not, Fry lives in his London SW1 flat and his Norfolk house when not traveling. Famous for his public declaration of celibacy in the "Tatler" back in the 1980s, Emma Thompson has characterised her friend as "90 percent gay, 10 percent other."
Stephen Fry was born in Hampstead, London, to Marianne Eve (Newman) and Alan Fry, a physicist and inventor. His maternal grandparents were Hungarian Jewish immigrants, while his father's family was of English background. He grew up in Norfolk and attended Uppingham School and Stout's Hill. After his notorious three months in Pucklechurch prison for credit card fraud, he attended Queens College, Cambridge in 1979, finishing with a 2:1 in English in 1981/2. While at Cambridge, he was a member of the Cherubs drinking club, and Footlights with Thompson, Tony Slattery, Martin Bergman, and Hugh Laurie (to whom he was introduced by E.T.). His prolific writing partnership with Laurie began in 1981 with resulting Footlights revues for (among others) Mayweek, Edinburgh Festival, and a three month tour of Australia. In 1984, Fry was engaged to do the rewrite of the Noel Gay musical "Me and My Girl," which made him a millionaire before the age of 30. It also earned him a nomination for a Tony award in 1987. (Sidenote: It was upon SF's suggestion that Emma Thompson landed a leading role in the London cast of this show.) Throughout the 1980s, Fry did a huge amount of television and radio work, as well as writing for newspapers (e.g. a weekly column in the "Daily Telegraph") and magazines (e.g. articles for "Arena"). He is probably best known for his television roles in Blackadder II (1986) and Jeeves and Wooster (1990).
His support of the Terence Higgins Trust through events such as the first "Hysteria" benefit, as well as numerous other charity efforts, are probably those works of which he is most proud. Fry's acting career has not been limited to films and television. He had successful runs in Alan Bennett's "Forty Years On," Simon Gray's "The Common Pursuit" with John Sessions, Rik Mayall, John Gordon Sinclair, and others. Michael Frayn's "Look Look" and Gray's "Cell Mates" were less successful for both Fry and their playwrights, the latter not helped by his walking out of the play after only a couple of weeks. Fry has published four novels as well as a collection of his radio and journalistic miscellanea. He has recorded audiotapes of his novels (an unabridged version of "The Liar" was released in 1995), as well as many other works for both adults and children.Of Hungarian descent (through maternal grandfather).- Writer
- Producer
- Actor
Louis C.K. was born on 12 September 1967 in Washington, District of Columbia, USA. He is a writer and producer, known for Louie (2010), American Hustle (2013) and Horace and Pete (2016). He was previously married to Alix Bailey.Born as "Louis Szekely". Of Hungarian descent (through paternal grandfather).- Producer
- Writer
- Actor
Jerry Seinfeld was born in Brooklyn, New York, the son of Betty (Hesney) and Kalman Seinfeld. His father was of Hungarian Jewish descent, while Jerry's maternal grandparents, Salha and Selim Hosni, were Syrian Jewish immigrants (from Aleppo). He moved with his family, including sister Carolyn, to suburban Massepequa, Long Island, at a young age. Jerry's dad, who had a terrific sense of humor, was a commercial sign maker.
Jerry attended Oswego College in upstate New York however transferred to Queens College back in New York City. Developed an interest in stand-up comedy after brief stints in college productions. Went straight from college graduation to amateur night tryout at New York's Catch a Rising Star, 1976.
Continued to perform in local clubs and Catskill Mountain resorts until his career was boosted by an appearance on a Rodney Dangerfield HBO special, 1976. Career took off after first successful spot on The Tonight Show Starring Johnny Carson (1962), May 1981, at age 27. Appearances on [error] and The Merv Griffin Show (1962) followed. Also appeared four times as Frankie on Benson (1979) sitcom. After he was abruptly fired from the show, he swore never to do another sitcom unless he had greater control. This opportunity emerged when he was invited to create a sitcom for NBC in 1989 and teamed with one-time stand-up colleague Larry David.
Progression of "The Seinfeld Chronicles" into the long-running Seinfeld (1989) series phenomenon was ended by its co-creator and co-executive producer, Larry David. Still unmarried, he moved back to New York City into a new multimillion-dollar, multilevel apartment on Central Park West just down the street from his small bachelor studio on West 81st.Of Hungarian descent (through his paternal grandfather).- Actor
- Director
- Writer
Robert Downey Sr. served in the army, played minor-league baseball, was a Golden Gloves champion and off-off Broadway playwright, all before he was 22 years old.
Downey was born in New York City, New York, the son of Elizabeth (McLoughlin), a model, and Robert Elias, who worked in hotel/restaurant management. He took the surname of his stepfather, James Downey, when enlisting in the army. His father was of Lithuanian Jewish descent, while his mother was of half-Irish and half-Hungarian Jewish ancestry. In 1960, he began writing and directing basement-budgeted, absurdist films that gained an underground following: Balls Bluff (1961), Babo 73 (1964), Chafed Elbows (1966) and No More Excuses (1968). Putney Swope (1969) was the first Downey-directed film to earn a mainstream release. A devastating satire of Madison Avenue, it explored what happens when an African-American activist is given carte blanche at an advertising agency. The film was among the year's Top 10 Films in New York Magazine.
Downey thrived in the laissez-faire film world of the 1970s with such irreverent films as Pound (1970), where humans play dogs waiting to be adopted. Around this time he worked on projects for Joseph Papp and the New York Public Theatre, directing David Rabe's play "Sticks and Bones" for CBS (Sticks and Bones (1973)). The strong anti-war sentiments expressed in this live broadcast resulted in a major controversy when its sponsors pulled out at the last minute, and the network had to air the film uninterrupted because it couldn't find a sponsor. His Greaser's Palace (1972) is an outrageous restaging of the life of Christ in "spaghetti western" terms. Time Magazine put this film on its list of the year's Top 10 movies. Downey's take-no-prisoners sense of humor is also apparent in Two Tons of Turquoise to Taos Tonight (1975) and Hugo Pool (1997) (world premiere at the Sundance festival in 1997), a film that examines a day in the life of a female pool cleaner in Hollywood. Rittenhouse Square (2005) was the feature presentation of the Galway Film Festival and his second teaming with Max L. Raab, having been a consultant on Raab's award-winning Strut! (2001).
From time to time, Downey acted (badly, according to him) and he can be seen in films such as Boogie Nights (1997), Magnolia (1999) and The Family Man (2000). He appeared twice on The Tonight Show Starring Johnny Carson (1962), The Dick Cavett Show (1968), IFC's At the IFC Center (1997), Sundance Channel and countless other TV and radio shows. In addition, Downey was a guest speaker at film festivals and universities throughout the country. He developed an update of "Putney Swope." He lived in New York City with his wife, Rosemary Rogers.
Robert was the father of actors Robert Downey Jr. and Allyson Downey.Born as "Robert Elias, Jr."; of Hungarian descent (through his maternal grandmother).
Father of Robert Downey, Jr.- Actor
- Producer
- Director
Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.Of Hungarian descent (through his maternal grandfather).- Michael Vartan came to international acclaim with his starring role as 'Agent Michael Vaughn' on the worldwide hit ABC series, "Alias," which ran for five seasons. With upcoming film and television roles, he continues to explore the different facets of his talent and versatility.
Vartan currently stars in E!'s original one-hour drama series "The Arrangement," about the relationship between an A-list movie star 'Kyle West' (Josh Henderson) and his beautiful young co-star 'Megan Morrison' (Christine Evangelista). Vartan portrays 'Terrence Anderson,' best friend, producing partner and mentor to 'Kyle,' as well as leader of a fictitious self-help organization called the Institute of the Higher Mind. His influence on Kyle's life is pervasive, and when 'Kyle' begins to date 'Megan,' 'Terrence' becomes particularly invested, presenting her with a marriage contract to ensure that the 'The Arrangement' goes as planned. E! will debut the 10-episode first season on March 5, 2017.
He played a key role in Season 2 of A&E's "Bates Motel" as 'George,' a charming divorcé who caught the eye of Norma (played by Emmy-nominee Vera Farmiga). He also had a recurring role in USA Network's "Satisfaction." He previously starred for three seasons alongside Jada Pinkett Smith in TNT's medical drama "HawthoRNe."
On the feature front, Vartan next appears in the indie thriller "Small Town Crime," with Academy Award nominee John Hawkes. The storyline revolves around a boozing ex-cop 'Mike' (Hawkes) who becomes a makeshift private investigator to solve the murder of a young prostitute. Vartan plays 'Detective Scott Crawford' who is investigating the murder and knows that 'Mike' has messed up in the past, yet to a certain extent still believes in him and trusts him to carry out his private investigation as long as he reports back to him with his findings. The film will make its World Premiere at the SXSW Film Festival on March 11, 2017.
Vartan previously starred opposite Zoe Saldana ("Avatar") in TriStar Pictures' "Colombiana." In 2011, he starred opposite Jessica Chastain, as 'Brad Benton' in the independent film "Jolene: My Life," for director Dan Ireland ("The Whole Wide World"). Based on a story from critically acclaimed author, E.L. Doctorow ("Ragtime," "Billy Bathgate").
He previously starred opposite Jane Fonda and Jennifer Lopez in New Line's summer blockbuster, "Monster-In-Law." He also starred opposite Robin Williams in the psychological thriller, "One Hour Photo." Additional film credits include a starring role opposite Drew Barrymore in the romantic comedy "Never Been Kissed."
Born in Paris to a French father and an American mother, Vartan grew up in the tiny Normandy village of Fleury until the age of 16 when he moved to Los Angeles to live with his mother, who encouraged him to take acting classes.
After starring in two small French films, Vartan grabbed the attention of the film world with his breakthrough performance in the 1993 Italian epic, "Fiorile," directed by Paolo and Vittorio Taviani. Soon after, Vartan signed with an agent and landed a role in "To Wong Foo, Thanks for Everything! Julie Newmar," playing the bigoted small-town thug who harasses three drag queens (Wesley Snipes, Patrick Swayze and John Leguizamo). He went on to star opposite David Schwimmer as one of his best friends in "The Pallbearer," a comedy of escapades surrounding three old high school pals coping with bachelorhood, marriage and a case of mistaken identity. He also starred in Sony Pictures Classics' "The Myth of Fingerprints" with Julianne Moore.
For television, Vartan appeared in the two-part TNT mini-series "The Mists of Avalon," a retelling of the legendary story of Camelot. He portrayed 'Sir Lancelot,' opposite Angelica Huston, Julianna Margulies and Joan Allen.
In his limited free time, Vartan feeds his obsession with sports, particularly ice hockey. "If it weren't for acting, I'd give anything to play a professional sport," he says, still holding onto his life-long dream.Of Hungarian descent (through his paternal grandmother). - Actress
- Producer
- Soundtrack
Alexandra Anna Daddario was born on March 16, 1986 in New York City, New York, to Christina, a lawyer, and Richard Daddario, a prosecutor. Her brother is actor Matthew Daddario, her sister is actor Catharine Daddario, and her grandfather was congressman Emilio Daddario (Emilio Q. Daddario), of Connecticut. She has Italian, Irish, Hungarian/Slovak ancestry. She wanted to be an actress when she was young. Her first job came at age 16, when she got the role of "Laurie Lewis" on All My Children (1970). Alex co-starred, with Logan Lerman and Brandon T. Jackson, in the role of Annabeth Chase in the Percy Jackson movies, Percy Jackson & the Olympians: The Lightning Thief (2010) and Percy Jackson: Sea of Monsters (2013), which were based on Rick Riordan's best-selling teen books. At the end of 2012, Alex starred in the music video, Imagine Dragons's "Radioactive."
Alexandra became more known in the 2010s, as she starred as Blake Gaines in earthquake film San Andreas (2015), alongside Dwayne Johnson, and in the films Hall Pass (2011), Texas Chainsaw (2013), and Baywatch (2017). She has appeared on many TV series, including White Collar (2009), It's Always Sunny in Philadelphia (2005), and American Horror Story (2011): Hotel. In 2014, Daddario gained attention for her role on the first season of the HBO series, True Detective (2014).Of Hungarian descent (through her maternal great-grandparents).- Actress
- Soundtrack
Adrianne Palicki was born in Toledo, Ohio, to Nancy (French) and Jeffrey Palicki. Her father is of Polish and Hungarian descent, and her mother is of English and German ancestry. Adrianne graduated from Whitmer High School. She did not take the stage in her first play until she was a sophomore at Whitmer High School. While in high school, she played basketball and ran track, and was runner-up for homecoming queen. She was a series regular on the first three seasons of NBC's drama series Friday Night Lights (2006). She has since starred of co-starred in the films Legion (2010), Red Dawn (2012), and G.I. Joe: Retaliation (2013).Of Hungarian descent (through her paternal great-grandparents).- Actor
- Soundtrack
River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).
A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.
River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.Born as "River Jude Bottom"; of Hungarian descent (through his maternal great-grandparents).
Brother of Rain, Joaquin, Liberty and Summer Phoenix.- Actress
- Composer
- Producer
Rain Phoenix is the second child and first daughter born to Arlyn and John Bottom. At a young age, she and her brother River Phoenix were singing on the streets of South America for money for their growing family. As the years carried on, Rain became a big sister to brother, Joaquin, and sister, Liberty. When Arlyn was pregnant with Rain's youngest sister, Summer, the Bottom family were moving back to the United States and changed their name to 'Phoenix', to commemorate their new beginning. With a love of nature and animals, the Phoenixes decided to become vegans. A short while later, all five talented Phoenix children were signed to agent Iris Burton.
Over the years, Rain has starred along celebrities like Julia Stiles, Josh Hartnett and Uma Thurman. Her love of music has lead her to appear in such bands as Aleka's Attic, whom her brother River was also in, The Causey Way with her sister Summer and her band, The Paper Cranes with her husband, Michael Tubbs. She also toured with the Red Hot Chilli Peppers as a backup singer during their 'One Hot Minute' tour in 1996. A good friend of Michael Stipe, they have collaborated together on many projects (including the soundtrack to Happiness, and several REM songs).Born as "Rain Joan of Arc Bottom"; of Hungarian descent (through her maternal great-grandparents).
Sister of River, Joaquin, Liberty and Summer Phoenix.- Actor
- Producer
- Director
Joaquin Phoenix was born Joaquin Rafael Bottom in San Juan, Puerto Rico, to Arlyn (Dunetz) and John Bottom, and is the middle child in a brood of five. His parents, from the continental United States, were then serving as Children of God missionaries. His mother is from a Jewish family from New York, while his father, from California, is of mostly British Isles descent. As a youngster, Joaquin took his cues from older siblings River Phoenix and Rain Phoenix, changing his name to Leaf to match their earthier monikers. When the children were encouraged to develop their creative instincts, he followed their lead into acting. Younger sisters Liberty Phoenix and Summer Phoenix rounded out the talented troupe.
The family moved often, traveling through Central and South America (and adopting the surname "Phoenix" to celebrate their new beginnings) but, by the time Joaquin was age 6, they had more or less settled in the Los Angeles area. Arlyn found work as a secretary at NBC, and John turned his talents to landscaping. They eventually found an agent who was willing to represent all five children, and the younger generation dove into television work. Commercials for meat, milk, and junk food were off-limits (the kids were all raised as strict vegans), but they managed to find plenty of work pushing other products. Joaquin's first real acting gig was a guest appearance on River's sitcom, Seven Brides for Seven Brothers (1982).
He worked with his brother again on the afterschool special Backwards: The Riddle of Dyslexia (1984), then struck out on his own in other made-for-TV productions. He made his big-screen debut as the youngest crew member in the interstellar romp SpaceCamp (1986), then won his first starring turn in the Cold War-era drama Russkies (1987). In the late '80s, the Phoenix clan decided to pull up stakes and relocate again--this time to Florida. River's film career had enough momentum to sustain the move, but Joaquin wasn't sure what lay in store for him in the Sunshine State. As it happened, Universal Pictures had just opened a new studio in the area and he was cast almost immediately as an angst-ridden adolescent in Parenthood (1989). His performance was very well-received, but Joaquin decided to withdraw from acting for a while--he was frustrated with the dearth of interesting roles for actors his age, and he wanted to see more of the world.
His parents were in the process of separating, so he struck out for Mexico with his father. Joaquin returned to the public eye three years later under tragic circumstances. On October 31, 1993, he was at The Viper Room (a Los Angeles nightclub partly-owned by Johnny Depp) when his brother River collapsed from a drug overdose and later died. Joaquin made the call to 911, which was rebroadcast on radio and television the world over. Months later, at the insistence of friends and colleagues, Joaquin began reading through scripts again, but he was reluctant to re-enter the acting life until he found just the right part. He finally signed up to work with Gus Van Sant (who had directed River in My Own Private Idaho (1991) and Even Cowgirls Get the Blues (1993)) to star as Nicole Kidman's obsessive devotee in To Die For (1995). The performance made Joaquin (who had dropped Leaf and reverted to his birth name) a critics' darling in his own right.
His follow-up turn in Inventing the Abbotts (1997) scored more critical kudos and, perhaps more importantly, introduced him to his one-time fiancée Liv Tyler. (The pair dated for almost three years.) He returned to the big screen later that year with a supporting role in Oliver Stone's U Turn (1997), then played a locked-up drug scapegoat in Return to Paradise (1998). He and "Paradise" co-star Vince Vaughn re-teamed almost immediately for the small-town murder caper Clay Pigeons (1998), which Joaquin followed with a turn as a porn store clerk in 8MM (1999). The film that confirmed Phoenix as a star was the historical epic Gladiator (2000). The Roman epic cast him as the selfish, paranoid young emperor Commodus opposite Russell Crowe's swarthy hero. Determined to make his character as real as possible, Phoenix gained weight and cultivated a pasty complexion during the shoot. He received international attention and an Academy Award nomination for Best Supporting Actor for that role.
Later that year, he appeared in two indies, playing a dock worker in The Yards (2000) (which he counts among his favorite experiences--and one of the only films of his that he can sit through) and the priest in charge of the Marquis de Sade's asylum in Quills (2000). He received an Academy Award nomination for Best Actor as the legendary musician Johnny Cash in the biography Walk the Line (2005). He also recorded an album, the film's soundtrack, for which he received the Grammy Award for Best Compilation Soundtrack for Visual Media.Born as "Joaquin Rafael Bottom"; of Hungarian descent (through his maternal great-grandparents).
Brother of River, Rain, Liberty and Summer Phoenix.- Liberty Phoenix was born on 5 July 1976 in Caracas, Venezuela. She is an actress, known for Seven Brides for Seven Brothers (1982), Kate's Secret (1986) and Mercy for Animals Gala: Red Carpet (2022). She is married to Andy Lord. They have two children. She was previously married to Ernesto Asch.Born as "Libertad Mariposa Bottom"; of Hungarian descent (through her maternal great-grandparents).
Sister of River, Rain, Joaquin and Summer Phoenix. - Actress
- Soundtrack
Born on December 10, 1978. Summer Joy Phoenix is the fifth and youngest child of Arlyn Phoenix and John Bottom, a carpenter. Summer was raised in Southern California, but spent her teen years in Central Florida, where she was born. She is an active supporter of numerous charities and activist groups, mainly concerning the environment, animal rights and vegetarianism. Summer has also appeared in many print ads in Europe.
Summer was married to actor Casey Affleck. She filed for divorce in July 2017.Born as "Summer Joy Bottom"; of Hungarian descent (through her maternal great-grandparents).
Sister of River, Rain, Joaquin and Liberty Phoenix.- Actress
- Producer
- Director
Almost everyone who has spent time with Kate Hudson -including directors, family members, co-stars and interviewers - is quick to comment on her ability to light up a room. Through some combination of a winning smile, solid work ethic, and good old-fashioned talent, the young actress has gone from indie beginner to Vanity Fair cover girl in just three years. What's more, she's done it all without capitalizing on the success of legendary actress mom, Goldie Hawn.
Kate Hudson was born in Los Angeles, California, to Goldie Hawn and Bill Hudson, a comedian, actor and singer. She was raised by her mother and her mother's longtime boyfriend, actor Kurt Russell, whom she considers to be her father. Kate is the sister of actor Oliver Hudson, the half-sister of actor and hockey player Wyatt Russell, and the granddaughter of band musician Rut Hawn. She is the niece of entertainment publicist Patti Hawn, record producer Mark Hudson and musician Brett Hudson. Kate is of Hungarian Jewish (from her maternal grandmother), Italian (from her paternal grandmother), English, and German ancestry.
By all accounts, Hudson was a born performer - as a child she danced and sang at every opportunity. Her family hoped that she would attend New York University after graduating from high school, but she opted to get her feet wet in the professional acting world first. She made her big-screen debut as an ambitious young starlet stranded in a tiny California town in Desert Blue (1998). Her next two films, while critically panned, made it into wider release: 200 Cigarettes (1999) (in which she played an earnest but accident-prone ditz) and Gossip (2000) (which cast her as a rich, virginal college student). Perhaps Hudson's biggest break was landing the role of rock groupie (or "Band Aide") Penny Lane in Almost Famous (2000). The part was originally intended for Sarah Polley; when Polley backed out to pursue another project, director Cameron Crowe considered scrapping the film altogether. Hudson, who had been cast in a smaller role (as William's stewardess sister), begged for a chance to read for Penny. Crowe was impressed, Hudson got the part, and the show went on. As much as Tinseltown gossipmongers would like to put them at odds, mother and daughter agree that Hawn is one of Hudson's biggest supporters.Of Hungarian descent (through her maternal great-grandparents).
Daughter of Goldie Hawn.