Oscar and Hispanics: Friends or Foes
A list of Hispanic and Latino actors and actress who have been either nominated or won an Oscar. Hopeful the list will grow in the future.
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Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.Mexican
2 Best Actor Nominations: "Zorba the Greek" and "Wild is the Wind"
2 Best Supporting Actor Oscars: "Viva Zapata" and "Lust for Life"
*The only Hispanic to have won more than 1 Oscar.
*First and only Mexican actor to have won an Oscar.- Actor
- Director
- Additional Crew
José Ferrer was a Puerto Rican actor and film director. He won an Academy Award for Best Actor for playing the title character in Cyrano de Bergerac (1950). Ferrer was the first Puerto Rican actor to win an Academy Award, and also the first Hispanic actor to win an Academy Award.
In 1912, Ferrer was born is San Juan, the capital city of Puerto Rico. Established as a Spanish colonial city in 1521, San Juan is the third oldest European-established capital city in the Americas, following Santo Domingo (established in 1496) and Panama City (established in 1521). Ferrer's father was Rafael Ferrer, a lawyer and author who was born and raised in San Juan. Ferrer's mother was María Providencia Cintrón, a native of the coastal town of Yabucoa. Ferrer's paternal grandfather was Dr. Gabriel Ferrer Hernández, who had campaigned for Puerto Rican independence from the Spanish Empire.
The Ferrer family moved to New York City in 1914, when José was 2-years-old. As a school student, Ferrer was educated abroad at the Institut Le Rosey, a prestigious boarding school located in Rolle, Switzerland. In 1933, Ferrer was enrolled at Princeton University, located in Princeton, New Jersey. He studied architecture, and wrote a senior thesis about French Naturalism and the literary works of Spanish naturalist writer Emilia Pardo Bazán (1851-1921). In 1934, Ferrer transferred to Columbia University, where he studied Romance languages.
In 1934, while still a college student, Ferrer made his theatrical debut in Long Island-based theatre. In 1935, he was hired as the stage manager at the Suffern Country Playhouse. Later in 1935, Ferrer made his Broadway debut in the comedy play "A Slight Case of Murder" by Damon Runyon (1880-1946) and Howard Lindsay (1889-1968). This stage production of the play ran for 69 performances, with Ferrer appearing in all of them.
Ferrer's major success as a Broadway actor was performing in the play "Brother Rat" by John Monks Jr. (1910-2004) and Fred F. Finklehoffe (1910-1977). The play had a ran of 577 performances from 1936 to 1938. Among his subsequent theatrical appearances, the most successful were staged productions of Mamba's Daughters (1938), which ran for 163 performances, and "Charley's Aunt" (1940-1941), which ran for 233 performances. His role in "Charley's Aunt" required him to perform in drag, for the first time in his career.
Ferrer had one of the greatest theatrical successes of his career when playing the villainous Iago in a Broadway production of "Othello' by William Shakespeare. The production had a ran of 296 performances, lasting from 1943 to 1944. Ferrer played his most famous role as the historical figure of Cyrano de Bergerac (1619-1655) in the 1946-1947 Broadway season. For this role, Ferrer won the 1947 Tony Award for Best Actor in a Play.
Ferrer made his film debut in the Technicolor epic "Joan of Arc" (1948). He played the historical monarch Charles VII of France (1403-1461, reigned 1422-1461), the ruler who Joan of Arc served during the Hundred Years' War. For his debut role, Ferrer was nominated for the Academy Award for Best Supporting Actor. The Award was instead won by rival actor Walter Huston (1883-1950).
Ferrer's success as a film actor, helped him gain more film roles in Hollywood-produced films. He played the "smooth-talking hypnotist David Korvo" in the film noir "Whirlpool" (1949), and dictator Raoul Farrago in the film noir "Crisis". He had a career highlight with a film adaptation of the play "Cyrano de Bergerac", where he played the title role. For this role, he won the Academy Award for Best Actor.
His next critically successful role was that of artist Henri de Toulouse-Lautrec (1864-1901) in the historical drama "Moulin Rouge" (1952). For this role, Ferrer was again nominated for the Academy Award for Best Actor. The award was instead won by rival actor Gary Cooper (1901-1961). The film also marked a financial success for Ferrer, who received 40% of the film's profits.
Ferrer also appeared in other box office hits of the 1950s, such as the musical "Miss Sadie Thompson" (1953), the Navy-themed drama "The Caine Mutiny" (1954), and the biographical film "Deep in My Heart" (1954). Ferrer was also interested in becoming a film director. He made his directing debut with the film noir "The Shrike" (1955). His subsequent directing efforts included war film "The Cockleshell Heroes" (1955), the film noir "The Great Man" (1956), the biographical film I Accuse! (1958), and the comedy film "The High Cost of Loving" (1958). While still critically well-received, several of these films were box office flops. He took a hiatus from films productions.
Ferrer attempted a comeback as a film director with the sequel film "Return to Peyton Place" (1961) and the musical film "State Fair" (1962). Both films were box office flops. As an actor, Ferrer had a supporting role as a Turkish Bey in the historical drama "Lawrence of Arabia" (1962). While a relatively minor role, Ferrer considered the finest role of his film career.
In television, Ferrer gained a notable role as the narrator in the pilot episode of the hit sitcom "Bewitched" (1964-1972). In films, Ferrer started playing mostly supporting roles. He briefly returned to the role of Cyrano de Bergerac in the French adventure film "Cyrano and d'Artagnan". He had another notable role as a historical monarch, playing Herod Antipas, Tetrarch of Galilee and Perea (reigned 4 BC-39 AD) in the Biblical epic "The Greatest Story Ever Told" (1965).
Ferrer had his first notable role as a voice actor, playing the villain Ben Haramed in the Rankin/Bass Christmas "The Little Drummer Boy" (1968). But at this time, he started having legal troubles. The Internal Revenue Service (IRS) accused Ferrer of still owing unpaid taxes since 1962.
Ferrer had many film roles in the 1970s, but no outstanding highlights. As a voice actor, he voiced Cyrano de Bergerac in an episode of "The ABC Afterschool Special". In the 1980s, Ferrer played a monarch again, playing Padishah Emperor Shaddam IV in the science fiction film "Dune". The film was an adaptation of the 1965 novel "Dune" by Frank Herbert (1920-1986), and Shaddam was one of the film's villains. This was among the last notable roles of Ferrer's long career.
Ferred retired from acting entirely in 1991, due to increasing health problems. His last theatrical performance was a production of the generation-gap drama "Conversations with My Father". Ferrer died in 1992, due to colorectal cancer. He was 80-years-old. He died in Coral Gables, Florida, but was buried in the Santa María Magdalena de Pazzis Cemetery of Old San Juan, Puerto Rico. Several of his children had acting careers of their own.Puerto Rican
Best Actor Oscar: "Cyrano de Bergerac"
Best Actor Nomination: "Moulin Rouge"
Best Supporting Actor Nomination: "Joan of Arc"
*Only Hispanic to have won an Oscar for Best Actor.- Actor
- Producer
- Music Department
Javier Bardem belongs to a family of actors that have been working on films since the early days of Spanish cinema.
He was born in Las Palmas de Gran Canaria, Spain, to actress Pilar Bardem (María del Pilar Bardem Muñoz) and businessman José Carlos Encinas Doussinague. His maternal grandparents were actors Rafael Bardem and Matilde Muñoz Sampedro, and his uncle is screenwriter Juan Antonio Bardem. He got his start in the family business, at age six, when he appeared in his first feature, "El picaro" (1974) (A.K.A. The Scoundrel). During his teenage years, he acted in several TV series, played rugby for the Spanish National Team, and toured the country with an independent theatrical group. Javier's early film role as a sexy stud in the black comedy, Jamón, Jamón (1992) (aka Ham Ham) propelled him to instant popularity and threatened to typecast him as nothing more than a brawny sex symbol. Determined to avert a beefcake image, he refused similar subsequent roles and has gone on to win acclaim for his ability to appear almost unrecognizable from film to film. With over 25 movies and numerous awards under his belt, it is Javier's stirring, passionate performance as the persecuted Cuban writer, Reynaldo Arenas, in Before Night Falls (2000) that will long be remembered as his breakthrough role. He received five Best Actor awards and a Best Actor Oscar nomination for his portrayal.Spanish
Best Supporting Actor Oscar: "No Country for Old Men"
3 Best Actor Nominations: "Becoming the Ricardos", "Biutiful", and "Before Night Falls"
*First Spanish Male to win an Oscar.- Actor
- Producer
- Director
Benicio Del Toro emerged in the mid-1990s as one of the most watchable and charismatic character actors to come along in years. A favorite of film buffs, Del Toro gained mainstream public attention as the conflicted but basically honest Mexican policeman in Steven Soderbergh's Traffic (2000).
Benicio was born on February 19, 1967 in San Germán, Puerto Rico, the son of lawyer parents Fausta Genoveva Sanchez Rivera and Gustavo Adolfo Del Toro Bermudez. His mother died when he was young, and his father moved the family to a farm in Pennsylvania. A basketball player with an interest in acting, he decided to follow the family way and study business at the University of California in San Diego. A class in acting resulted in his being bitten by the acting bug, and he subsequently dropped out and began studying with legendary acting teacher Stella Adler in Los Angeles and at the Circle in the Square Acting School in New York City. Telling his parents that he was taking courses in business, Del Toro hid his new studies from his family for a little while.
During the late 1980s, he made several television appearances, most notably in an episode of Miami Vice (1984) and in the NBC miniseries Drug Wars: The Camarena Story (1990). Del Toro's big-screen career got off to a slower start, however--his first role was Duke the Dog-Faced Boy in Big Top Pee-wee (1988). However, things looked better when he landed the role of Dario, the vicious henchman in the James Bond film Licence to Kill (1989). Surprising his co-stars at age 21, Del Toro was the youngest actor ever to portray a Bond villain. However, the potential break was spoiled as the picture turned out to be one of the most disappointing Bond films ever; this was lost amid bigger summer competition.
Benicio gave creditable performances in many overlooked films for the next several years, such as The Indian Runner (1991), Christopher Columbus: The Discovery (1992) and Money for Nothing (1993). His roles in Fearless (1993) and China Moon (1994) gained him more critical notices, and 1995 proved to be the first "Year of Benicio" as he gave a memorable performance in Swimming with Sharks (1994) before taking critics and film buffs by storm as the mumbling, mysterious gangster in The Usual Suspects (1995), directed by Bryan Singer. Del Toro won an Independent Spirit Award for Best Supporting Actor for the role in the Oscar-winning film.
Staying true to his independent roots, he next gave a charismatic turn as cold-blooded gangster Gaspare Spoglia in The Funeral (1996) directed by Abel Ferrara. He also appeared as Benny Dalmau in Basquiat (1996), directed by artist friend Julian Schnabel. That year also marked his first truly commercial film, as he played cocky Spanish baseball star Juan Primo in The Fan (1996), which starred Robert De Niro. Del Toro took his first leading man role in Excess Baggage (1997), starring and produced by Alicia Silverstone. Hand-picked by Silverstone, Del Toro's performance was pretty much the only thing critics praised about the film, and showed the level of consciousness he was beginning to have in the minds of film fans.
He took a leading role with his good friend Johnny Depp in Fear and Loathing in Las Vegas (1998), co-written and directed by the legendary Terry Gilliam. Gaining 40 pounds for the role of Dr. Gonzo, the drug-addicted lawyer to sportswriter Raoul Duke, Benicio immersed himself totally in the role. Using his method acting training so far as to burn himself with cigarettes for a scene, this was a trying time for Del Toro. The harsh critical reviews proved tough on him, as he felt he had given his all for the role and been dismissed. Many saw the crazed, psychotic performance as a confirmation of the rumors and overall weirdness that people seemed to place on Del Toro.
Taking a short break after the ordeal, 2000 proved to be the second "Year of Benicio". He first appeared in The Way of the Gun (2000), directed by friend and writer Christopher McQuarrie. Then he went to work for actor's director Steven Soderbergh in Traffic (2000). A complex and graphic film, this nonetheless became a widespread success and Oscar winner. His role as conflicted Mexican policeman Javier Rodriguez functions as the movie's real heart amid an all-star ensemble cast, and many praised this as the year's best performance, a sentiment validated by a Screen Actor's Guild Award for "Best Actor". He also gave a notable performance in Snatch (2000) directed by Guy Ritchie, which was released several weeks later, and The Pledge (2001) directed by Sean Penn. Possessing sleepy good looks reminiscent of James Dean or Marlon Brando, Del Toro has often jokingly been referred to as the "Spanish Brad Pitt".
With his newfound celebrity, Del Toro has become a sort of heartthrob, being voted one of People magazine's "50 Most Beautiful People" as well as "Most Eligible Bachelors." A favorite of film fans for years for his diverse and "cool guy" gangster roles, he has become a mainstream favorite, respected for his acting skills and choices. So far very careful in his projects and who he works with, Del Toro can boast an impressive resume of films alongside some of the most influential and talented people in the film business.Puerto Rican
Best Supporting Actor Oscar: "Traffic"
Best Supporting Actor Nomination: "21 Grams"
*First and only Puerto Rican to win for Supporting Actor.- Actress
- Producer
- Director
Known outside her native country as the "Spanish enchantress," Penélope Cruz Sánchez was born in Madrid to Eduardo Cruz, a retailer, and Encarna Sánchez, a hairdresser. As a toddler, she was already a compulsive performer, re-enacting TV commercials for her family's amusement, but she decided to focus her energies on dance. After studying classical ballet for nine years at Spain's National Conservatory, she continued her training under a series of prominent dancers. At 15, however, she heeded her true calling when she bested more than 300 other girls at a talent agency audition. The resulting contract landed her several roles in Spanish TV shows and music videos, which in turn paved the way for a career on the big screen. Cruz made her movie debut in El laberinto griego (1993) (The Greek Labyrinth), then appeared briefly in the Timothy Dalton thriller Framed (1992). Her third film was the Oscar-winning Belle Epoque (1992), in which she played one of four sisters vying for the love of a handsome army deserter. The film also garnered several Goyas, the Spanish equivalent of the Academy Awards. Her resume continued to grow by three or four films each year, and soon Cruz was a leading lady of Spanish cinema. Live Flesh (1997) (Live Flesh) offered her the chance to work with renowned Spanish director Pedro Almodóvar (who would later be her ticket to international fame), and the same year she was the lead actress in the thriller/drama/mystery/sci-fi film Open Your Eyes (1997), a huge hit in Spain that earned eight Goyas (though none for Cruz). Her luck finally changed in 1998, when the movie-industry comedy The Girl of Your Dreams (1998) won her a Best Actress Goya. Cruz made a few more forays into English-language film, but her first big international hit was Almodóvar's All About My Mother (1999), in which she played an unchaste but well-meaning nun. As the film was showered with awards and accolades, Cruz suddenly found herself in demand on both sides of the Atlantic. Her next big project was Woman on Top (2000), an American comedy about a chef with bewitching culinary skills and a severe case of motion sickness. While in the US, she also signed up to star opposite Johnny Depp in the drug-trafficking drama Blow (2001) and opposite Matt Damon in Billy Bob Thornton's All the Pretty Horses (2000). Cruz says she's wary of being typecast as a beautiful young damsel, but it's hard to imagine disguising her wide-eyed charms and generous nature. Fortunately, with Cameron Crowe's Vanilla Sky (2001) (a remake of Open Your Eyes (1997)) and a John Madden collaboration looming in her future, Damsel Penelope isn't likely to disappear just yet.Spain
Best Supporting Actress Oscar: "Vicky Christina Barcelona"
2 Best Actress Nominations: "Parallel Mothers" and"Volver"
Best Supporting Actress Nomination: "Nine"
*First and only Spanish woman to win an Oscar.- Actress
- Producer
- Soundtrack
Rita Moreno is one of the very few performers to win an Oscar, an Emmy, a Tony and a Grammy, thus becoming an EGOT. She was born Rosita Dolores Alverío in the hospital in Humacao, Puerto Rico on December 11, 1931 (but raised in nearby, smaller Juncos, which had no hospital), to seamstress Rosa María (Marcano) and farmer Francisco José "Paco" Alverío. Her mother moved to New York City in 1937, taking Rita with her while leaving her reportedly unfaithful husband and Rita's younger brother behind. Rita's professional career began before she reached adolescence.
From the age of nine, she performed as a professional dancer in New York night clubs. At age 11, she landed her first movie experience, dubbing Spanish-language versions of US films. Less than a month before her 14th birthday on November 22, 1945, she made her Broadway debut in the play "Skydrift" at the Belasco Theatre, costarring with Arthur Keegan and a young Eli Wallach. Although she would not appear again on Broadway for almost two decades, Rita Moreno, as she was billed in the play, had arrived professionally. In 1950, she was signed by MGM, but the studio dropped her option after just one year.
The cover of the March 1, 1954, edition of "Life Magazine" featured a three-quarters, over-the-left-shoulder profile of the young Puerto Rican actress/entertainer with the provocative title "Rita Moreno: An Actresses' Catalog of Sex and Innocence". It was sexpot time, a stereotype that would plague her throughout the decade. If not cast as a Hispanic pepper pot, she could rely on being cast as another "exotic", such as her appearance on Father Knows Best (1954) as an exchange student from India. Because of a dearth of decent material, Moreno had to play roles in movies that she considered degrading. Among the better pictures she earned featured roles in were the classic Singin' in the Rain (1952) and The King and I (1956).
Director Robert Wise, who was chosen to co-direct West Side Story (1961) (the film version of the smash Broadway musical, a retelling of William Shakespeare's "Romeo & Juliet" with the warring Venetian clans the Montagues and Capulets re-envisioned as Irish/Polish and Puerto Rican adolescent street gangs, the Jets and the Sharks), cast Moreno as "Anita", the Puerto Rican girlfriend of Sharks' leader Bernardo, whose sister Maria is the piece's Juliet.
However, despite her talent, roles commensurate with that talent were not forthcoming in the 1960s. The following decade would prove kinder, possibly because the beautiful Moreno had aged gracefully and could now be seen by filmmakers, TV producers and casting directors as something other than the spitfire/sexpot that Hispanic women were supposed to conform to. Ironically, it was in two vastly diverging roles--that of a $100 hooker in director Mike Nichols' brilliant realization of Jules Feiffer's acerbic look at male sexuality, Carnal Knowledge (1971), and Milly the Helper in the children's TV show The Electric Company (1971)--that signaled a career renaissance.
Moreno won a 1972 Grammy Award for her contribution to "The Electric Company"'s soundtrack album, following it up three years later with a Tony Award as Best Featured Actress in a Musical for "The Ritz" (a role she would reprise in the film version, The Ritz (1976)). She then won Emmy Awards for The Muppet Show (1976) and The Rockford Files (1974).
She has continued to work steadily on screen (both large and small) and on stage, solidifying her reputation as a national treasure, a status that was officially ratified with the award of the Presidential Medal of Freedom by President George W. Bush in June 2004.Puerto Rican
Best Supporting Actress Oscar: "West Side Story"
*First Puerto Rican woman to win an Oscar.- Actress
- Director
- Writer
Ariana DeBose is an American actress, dancer, and singer. Known for her performances on stage and screen, she has received multiple accolades, including an Academy Award, a British Academy Film Award and a Golden Globe Award. In 2022, Time magazine named her one of the 100 most influential people in the world.
DeBose made her television debut competing on the sixth season of So You Think You Can Dance in 2009, where she finished in the top 20. She then made her Broadway debut in Bring It On: The Musical in 2011 and continued her work on Broadway with roles in Motown: The Musical (2013) and Pippin (2014). From 2015 to 2016, she originated the role of The Bullet in Lin-Manuel Miranda's musical Hamilton, and appeared as Jane in A Bronx Tale (2016-2017). In 2018, she was nominated for the Tony Award for Best Featured Actress in a Musical for her role as Donna Summer in Summer: The Donna Summer Musical. In 2022, she hosted the 75th Tony Awards.
DeBose appeared in the Netflix musical film The Prom (2020) and the Apple TV+ musical comedy series Schmigadoon! (2021), before gaining widespread recognition for her role as Anita in Steven Spielberg's musical West Side Story (2021). For her performance, she won the Academy Award for Best Supporting Actress, making her the first queer woman of color to receive an Oscar in an acting category.Puerto Rican
Best Supporting Actress Oscar: "West Side Story 2021"
*1st Afrolatina to win an Oscar
*1st Queer Latina to win an Oscar- Actress
- Soundtrack
Ruehl received her first Academy Award nomination and win for her performance as Anne Napolitano, the emotionally driven girlfriend to fallen radio personality, (played by Jeff Bridges), in Terry Gilliam's masterpiece, The Fisher King (1991). In addition to an Oscar, and a Golden Globe, Ruehl's performance garnered several accolades. Los Angeles Times commended the performance, calling it "a bravura performance that runs from high, bantering comedy to an intense projection of pain and sorrow."
Notable film credits include The Fisher King (1991), Lost in Yonkers (1993) and For Roseanna (1997).Cuban American
Best Supporting Actress Oscar: "The Fisher King"
*First and only Cuban to win an Oscar.- Actress
- Producer
- Director
Salma Hayek was born on September 2, 1966 in Coatzacoalcos, Mexico. Her father is of Lebanese descent and her mother is of Mexican/Spanish ancestry. After having seen Willy Wonka & the Chocolate Factory (1971) in a local movie theater, she decided she wanted to become an actress. At age 12, she was sent to the Academy of the Sacred Heart in New Orleans, Louisiana. After attending Mexico City's prestigious university Universidad Iberoamericana, she felt ready to pursue acting seriously.
She soon landed the title role in Teresa (1989), a hugely successful soap opera which earned her the star status in her native Mexico. However, anxious to make films and to explore her talent as well as passion, she left both Teresa (1989) and Mexico in 1991. Heartbroken fans spread rumors that she was having a secret affair with Mexico's president and left to escape his wife's wrath. She made her way to Los Angeles. She approached Hollywood with naive enthusiasm and quickly learned that Latina actresses were typecast as the mistress maid or local prostitute. By late 1992, she had landed only small roles. She appeared on Street Justice (1991), The Sinbad Show (1993), Nurses (1991), and as a sexy maid on Dream On (1990). She also had only one line in My Crazy Life (1993). Feeling under-appreciated by Anglo filmmakers, she vented her frustrations on Paul Rodriguez's late-night Spanish-language talk show.
Robert Rodriguez and his wife Elizabeth Avellan happened to be watching and were immediately smitten with her. He soon gave her big break -- to star opposite Antonio Banderas in the cult classic Desperado (1995), bringing her into Hollywood prominence. The moviegoers were as dazzled with her as he had been. Afterwards, she was cast again by Rodriguez to star in the cult classic From Dusk Till Dawn (1996). Her first star billing came later that year with Fools Rush In (1997) opposite Matthew Perry. It was a modest hit and her star continued to rise in both commercial and films such as Breaking Up (1997) with an unknown Russell Crowe, 54 (1998), Dogma (1999) and In the Time of the Butterflies (2001), the small artistic film which won her an ALMA award as best actress and the summer blockbuster Wild Wild West (1999). Her production company Ventanarosa produced the Mexican feature film El coronel no tiene quien le escriba (1999), which was shown at the Cannes Film Festival and selected as Mexico's official Oscar entry for best foreign film.
The new millennium started out quietly as she prepared to produce and star in her dream role of Frida Kahlo, the legendary Mexican painter whom she had been admiring her entire life and whose story she wanted to bring to the big screen ever since she arrived in Hollywood. Frida (2002) was full of passion and enthusiasm, with performances from her and Alfred Molina as Kahlo's cheating husband Diego Rivera. It also featured an entourage of stars such as Antonio Banderas, Ashley Judd, Geoffrey Rush, Edward Norton and Valeria Golino.
It was a box office hit and was nominated for six Academy Awards, including best actress for Hayek. It won awards for make-up and score by Elliot Goldenthal. Later that year, she expanded her horizons, directing The Maldonado Miracle (2003), which was shown at the Sundance Film Festival. In 2003, she starred in the finale of Rodriguez's Desperado trilogy Once Upon a Time in Mexico (2003), again opposite Banderas. She also starred in After the Sunset (2004) opposite Pierce Brosnan, and Ask the Dust (2006) opposite Colin Farrell. She then starred in Bandidas (2006), which also featured Penélope Cruz, and Lonely Hearts (2006) opposite Jared Leto.Mexican
Best Actress Nomination: "Frida"
*First Mexican nominated for Lead Actress.- Actor
- Producer
- Director
Demián Bichir Nájera was born in Mexico City, Mexico, to Maricruz Nájera (María de la Cruz Najera Botello), an actress, and Alejandro Bichir (Alejandro Bichir Batres), a theatre director. His parents met in the theatre. He has two brothers who are also actors, Bruno Bichir and Odiseo Bichir. His paternal grandfather was from Mlij, Lebanon. Demián began acting, at age 3 at the Palace of Fine Arts in his native Mexico City. He became a member of the National Theater Company of Mexico at age 13 and acted in several plays directed by renowned international masters such as José Tamayo, Clifford Williams and José Quintero. He starred in the Spanish versions of Ah! Wilderness, Equus, Broadway Bound, The Ghost Sonata and Malcolm VS the eunuchs. He made his Amrican stage debut in By the waters of Babylon at the Geffen Play House in Los Angeles.
At age 22, he moved to New York. He decided he wanted a break from acting, so that he could experience life and learn English. He got a job as a busboy at Rosa Mexicano, where he would make guacamole at customer's tables. He then moved to Los Angeles for four years, attempting to land acting roles. But, unsuccessful, he was tempted back to Mexico with the offer of role in Hasta Morir, for which he won an Ariel (the Mexican equivalent of an Oscar). His career took off in Mexico. In 1991, his movie Sexo, pudor y lágrimas broke Mexican box office records becoming the #1 movie in the history of Mexican cinema.
He decided to try his luck again in America. His American debut occurred in the television movie In the Time of the Butterflies (2001), starring Salma Hayek. Later, he went on to play Fidel Castro in Che: Part One (2008) and Che: Part Two (2008). In 2012, he was nominated for an Oscar for Best Performance by an Actor in a Leading Role in A Better Life (2011).Mexican
Best Actor Nomination: "A Better Life"- Actor
- Producer
- Director
Born February 24, 1947, in East Los Angeles, at The First Japanese Hospital to Pedro Olmos and Eleanor Huizar. Raised on Cheesebrough's Lane, he attended Greenwood Elementary and Montebello Junior High. He then graduated from Montebello High School in 1964. After which he received an Associative Arts Degree in Sociology and Criminal Justice at East Los Angeles College in 1966. Olmos since then has gone on to receive many accolades from the City of Montebello, including the Alumni of The Year from Montebello High School in 2014, and Man of the Year Award from The Mexican American Opportunity Foundation in 2015.
He has achieved extraordinary success as an actor, producer and humanitarian. The Tony, Emmy and Academy Award® Nominated actor, is probably best known to young audiences for his work on the SYFY television series "Battlestar Galatica" as Admiral William Adama. Although the series kept the actor busy during its run from 2003 through 2009, it didn't stop him from directing the HBO movie "Walkout" in 2007, for which he earned a DGA Nomination in the Outstanding Directorial Achievement in Movies for Television category.
Olmos' career in entertainment spans over 30 years. In that time he created a signature style and aesthetic that he applies to every artist endeavor, often grounding his characters in reality and gravitas. His dedication to his craft has brought him attention across the industry, and with audiences worldwide.Mexican American
Best Actor Nomination: "Stand and Deliver"- Additional Crew
- Director
- Actress
Adriana Barraza was born on 5 March 1956 in Toluca, Estado de Mexico, Mexico. She is a director and actress, known for Babel (2006), Blue Beetle (2023) and Drag Me to Hell (2009). She has been married to Arnaldo Pipke since 29 April 2005. She was previously married to Carlos Valsagna.Mexican
Best Supporting Actress Nomination: "Babel"- Katy Jurado was born María Cristina Estela Jurado García into a wealthy family on January 16, 1924. Her early years were spent amid luxury until her family's lands were confiscated by the federal government for redistribution to the landless peasantry. Despite the loss of property, the matriarch of the family, her grandmother, continued to live by her aristocratic ideals. When movie star Emilio Fernandez discovered Katy at the age of 16 and wanted to cast her in one of his films, Jurado's grandmother objected to her wish to become a movie actress. To get around the ban, Katy slipped from the grasp of her family's control by marrying actor Víctor Velázquez.
Jurado eventually made her debut in No matarás (1943) during the what has been called "The Golden Age of Mexican Cinema". Blessed with stunning beauty and an assertive personality, Jurado specialized in playing determined women in a wide variety of films in Mexico and the United States. Her looks were evocative of the indigenous peoples of Mexico, and she used what she called her "distinguished and sensuous look" to carve a niche for herself in Mexican cinema. Indian features were unusual for a film star in Mexico--despite the success of Fernandez, the fabled "El Indio"--and her ethnic look meant she typically was cast as a dangerous seductress, a popular type in Mexican movies. The Mexican media reported that an American movie director at one of her first Hollywood auditions laughed at her derisively because she spoke English so poorly, and an outraged Jurado promptly stormed out of the audition room, cursing in Spanish. As it turned out, that kind of brazen behavior was exactly the type of personality that the director was looking for.
In addition to acting, Jurado worked as a movie columnist and radio reporter to support her family. She also worked as a bullfight critic, and it was at a bullfight that Jurado was spotted by John Wayne and director Budd Boetticher. Boetticher, who was also a professional bullfighter, cast Jurado in his autobiographical film Bullfighter and the Lady (1951), which he shot in Mexico. She was cast in her part despite having very limited English-language skills and had to speak her lines phonetically. Luis Buñuel cast her in his Mexican melodrama The Brute (1953), and then she made her big breakthrough in American films in the role of Gary Cooper's former mistress, saloon owner Helen Ramirez, in High Noon (1952). The role necessitated her moving to Hollywood. She received two Golden Globe nominations from the Hollywood Foreign Press Association for that part, for Most Promising Newcomer and Best Supporting Actress, winning the latter. "She planted the Mexican flag in the U.S. film industry, and made her country proud", said National Actors Association official Mauricio Hernandez. Her "High Noon" performance historically proved to be an important acting watershed for Latino women in American movies. Jurado's portrayal undermined the Hollywood stereotype of the flaming, passionate Mexican "spitfire." Previously, Mexican and Latino women in Hollywood films were characterized by an unbridled sexuality, as exemplified by such diverse actresses as Lupe Velez, Dolores Del Río (who came to loathe Hollywood and returned to Mexico in the 1940s), and Rita Hayworth, nee Margarita Cansino. Although Jurado's character was forced to kow-tow to the stereotype in "High Noon", delivering such lines as, "It takes more than big, broad shoulders to make a man," the actress' great dignity in her role as a moral arbiter among the competing factions of the marshal and his fiancée, the townspeople and the gunmen out to kill the marshal showed her Helen Ramirez to be in control and controlled by nothing, not even her former love for the marshal. Her restrained performance, delivered with a great deal of conviction, emphasized the shortcomings of the rest of the other characters. Her moral integrity is the reason she, like the marshal, must abandon the town.
With her superb performance, Jurado proved that Latino women could be more than just sexpots in the American cinema. Importantly, working against the tropes of a racist cinema, she used her talent to introduce into the American cinema the model of the un-stereotyped Mexican woman who is identifiably Mexican. One of the best examples of this can be seen at the end of the middle of her career, when Jurado played sheriff Slim Pickens' wife and partner in Sam Peckinpah's elegiac Pat Garrett & Billy the Kid (1973). Determined and tough as nails, Jurado's character was clearly her screen husband's equal, and she had a very moving scene with Pickens as his character faced death. Jurado was blessed with extraordinary eyes, which were both beautiful and expressive, their beauty and strength never fading with age. Two years after "High Noon", Jurado received an Academy Award nomination as Best Supporting Actress for her role as Spencer Tracy's Indian wife in Edward Dmytryk's Broken Lance (1954), making her the first Mexican actress thus honored.
She refused to sign a contract with a major Hollywood studio in order to be able to return to Mexico between her American roles to star in Mexican films. She +remained in Los Angeles for 10 years, marrying Ernest Borgnine, her co-star in The Badlanders (1958), in 1959. During their tempestuous relationship, Jurado and Borgnine separated and reconciled before finally separating for good in 1961. The tabloids reported that Borgnine had abused her, and their separation proved rocky as well, as they fought over alimony. Their divorce became final in 1964. Borgnine summed up his ex-wife as "beautiful, but a tiger", a bon mot that described her on-screen persona as well (she had two children with former husband Victor Velasquez, a daughter and a son, who tragically was killed in an automobile accident in 1981).
Jurado played the wife of Marlon Brando's nemesis Dad Longworth (Karl Malden) in One-Eyed Jacks (1961), Brando's sole directorial effort. In her role she also was the mother of a young woman who was Brando's love interest, thus marking a career transition point as she assumed the role of a mature woman. As Jurado aged, she appeared in fewer films, but notable among them included Arrowhead (1953) with Charlton Heston, Trapeze (1956) in support of Burt Lancaster and Man from Del Rio (1956) with her fellow Mexican national Anthony Quinn who, unlike Jurado, had become an American citizen. She also appeared with Quinn in _Barabbas (1962)_and The Children of Sanchez (1978).
She appeared on the Western-themed American TV shows Death Valley Days (1952), The Rifleman (1958), The Westerner (1960) and The Virginian (1962). Her career in the US began to wind down, and she was reduced to appearing in "B" pictures like Smoky (1966) with Fess Parker and the Elvis Presley movie Stay Away, Joe (1968). She attempted to commit suicide in 1968, and then moved back home to Mexico permanently, though she continued to appear in American films as a character actress. Her last American film appearance was in Stephen Frears' The Hi-Lo Country (1998), capping a half-century-long American movie career that continued due to her talent and remarkable presence, long after her extraordinary good looks had faded.
Aside from acting in films in the US and Europe, she continued to act in Mexican films. Her most memorable role in Mexican movies was in Nosotros los pobres (1948) (aka "We the Poor") opposite superstar Pedro Infante. Though in the latter part of her career she appeared occasionally in American films shot in Mexico (including an appearance with her former mentor, Emilio Fernandez, in "Pat Garrett & Billy the Kid" and John Huston's Under the Volcano (1984)), she appeared mostly in Mexican movies in the last decades of her career, becoming a prominent and highly respected character actress. She played the leader of a religious cult in the Bunuel-like satire Divine (1998). Jurado won three Ariel awards, the Mexican equivalent of the Oscar, a Best Supporting Actress award in 1954 for Bunuel's The Brute (1953) a Best Actress Award in 1974 for Fe, esperanza y caridad (1974) and a Best Supporting Actress award in 1999 for "El evangelio de las Maravillas". She also was awarded a Special Golden Ariel for Lifetime Achievment in 1997. In the north, she was honored with a Golden Boot Award by the Motion Picture & Television Fund in 1992 and has a star on the Hollywood Walk of Fame. Jurado was an avid promoter of her home state of Morelos as a location for filmmakers.
Towards the end of her life, she suffered from heart and lung ailments. Katy Jurado died on July 5, 2002, at the age of 78 at her home in Cuernavaca, Mexico. She was survived by her daughter.Mexican
Best Supporting Actress Nomination: "Broken Lance"
*First Mexican nominated for an Oscar - Actress
- Writer
Norma Aleandro is the Grande Dame of Argentine theater and cinema not only because she was not content to have trodden the stage as early as the the age of nine, she is still active in theater and cinema in 2011. Her last film to date, Daniel Burman's La suerte en tus manos (2012) is in pre-production), that is sixty-six years later, but also because she has always brought distinction and nobility to her roles (Maria Callas in the play "Master Class", the guilt-ridden foster mother in The Official Story (1985)). To say nothing of her courageous political stance, her progressive views during the military dictatorship in the late 70s forcing her to go into exile to Uruguay. Back in Argentina, she became known internationally following her poignant role in The Official Story (1985) and soon co-starred in a few Hollywood movies such as Gaby: A True Story (1987) and James Ivory's The City of Your Final Destination (2009). Honored by many awards, Norma Aleandro is a key figure of the performing arts of Argentina.Argentinian
Best Supporting Actress Nomination: "Gaby: A True Story"
*First Argentinian nominated for an Oscar- Actress
- Cinematographer
Actress Bérénice Bejo was born in Buenos Aires, the daughter of Silvia De Paoli, a lawyer, and Miguel Bejo, a filmmaker. When she was three, Bejo's family relocated to Paris, France. She embarked on a successful acting career in the 1990s, with various roles in French television and film productions. She made her American film debut as Christiana in A Knight's Tale (2001), but came to major international recognition with her role as Peppy Miller in the critical and popular hit, The Artist (2011), which was written and directed by her husband, Michel Hazanavicius. The film garnered many major awards and nominations. Bejo herself was nominated as Best Supporting Actress of the year at the Golden Globes, the Screen Actors Guild Awards and the Oscars. She was also nominated as Best Leading Actress at the BAFTA Awards.Argentinian
Best Supporting Actress Nomination: "The Artist"
*Born in Argentina but raised in France.- Actress
- Additional Crew
- Director
Rosie Perez was born in Bushwick, Brooklyn, New York City, to Lydia Perez and Ismael Serrano, a merchant marine. She is of Puerto Rican descent. Rosie attended Grover Cleveland High School in Ridgewood, Queens, New York, and later enrolled at Los Angeles City College in Los Angeles, California. Rosie Perez was in her second year of college, and just about to move back to New York from Los Angeles. Her friends had given her a going-away party. When Spike Lee proposed that she work in his film Do the Right Thing (1989), she accepted. It would be her first major acting role. She went on play the supporting role of Carla Rodrigo in Peter Weir's Fearless (1993), for which she was nominated for an Academy Award for Best Supporting Actress. (She lost to Anna Paquin for The Piano (1993).)Puerto Rican
Best Supporting Actress Nomination: "Fearless"- Actress
- Soundtrack
Susan Kohner was born on November 11, 1936 in Los Angeles, California. Her Mexican mother was actress Lupita Tovar, a successful performer from the 1930s and it was only natural that for Susan to gravitate toward acting. Her first role was in To Hell and Back (1955) in 1955. One more film in 1956 and one in 1957 brought her to the attention of producers in the movie industry. Susan made four in 1959. The best of the lot was Imitation of Life (1959), a film starring Lana Turner and Sandra Dee. It was a dual story of Lana portraying a struggling actress and Susan as Sara Jane, struggling with the fact that although she appeared white, her mother was Black. Susan's role as a young woman trying to cope in the white world while hiding the fact she was Black was enough to win her an Academy Award nomination as Best Supporting Actress. Unfortunately, Susan lost out to Shelley Winters in The Diary of Anne Frank (1959). After appearing in Freud (1962), Susan left films for good with the exception of appearing in the television program Temple Houston (1963) in 1963. She wed John Weitz in 1964 and retired to raise a family.Puerto Rican
Best Supporting Actress Nomination: "Imitation of Life"- Actor
- Producer
- Director
One of Hollywood's most private and guarded leading men, Andy Garcia has created iconic characters while at the same time staying true to his acting roots and personal projects.
Garcia was born Andrés Arturo García Menéndez on April 12, 1956, in Havana, Cuba, to Amelie Menéndez, a teacher of English, and René García Núñez, an attorney and avocado farmer. Garcia's family was relatively affluent. However, when he was two years old, Fidel Castro came to power, and the family fled to Miami Beach. Forced to work menial jobs for a while, the family started a fragrance company that was eventually worth more than a million dollars. He attended Natilus Junior High School and later at Miami Beach Senior High School. Andy was a popular student in school, a good basketball player and good-looking. He dreamed of playing professional baseball. In his senior year, though, he contracted mononucleosis and hepatitis, and unable to play sports, he turned his attention to acting.
He studied acting with Jay W. Jensen. Jensen was a South Florida legend, counting among his numerous students, Brett Ratner, Roy Firestone, Mickey Rourke, and Luther Campbell. Following his positive high school experiences in acting, he continued his drama studies at Florida International University.
Soon, he was headed out to Hollywood. His first break came as a gang member on the very first episode of the popular TV series Hill Street Blues (1981). His role as a cocaine kingpin in 8 Million Ways to Die (1986) put him on the radar of Brian De Palma, who was casting for his gangster classic The Untouchables (1987). At first, he envisioned Garcia as Al Capone's sadistic henchman Frank Nitti, but fearing typecasting as a gangster, Garcia campaigned for the role of "George Stone", the Italian cop who gets accepted into Eliot Ness' famous band of lawmen. Garcia's next notable role came in Black Rain (1989) by acclaimed director Ridley Scott, as the partner of police detective Michael Douglas. He then co-starred with Richard Gere in Internal Affairs (1990), directed by Mike Figgis. In 1989, Francis Ford Coppola was casting for the highly anticipated third installment of his "Godfather" films. The Godfather Part III (1990) included one of the most sought-after roles in decades, the hot-headed son of "Sonny Corleone" and mob protégé of "Michael Corloene", "Vincent Mancini". A plum role for any young rising star, the role was campaigned for by a host of actors. Val Kilmer, Alec Baldwin, Vincent Spano, Charlie Sheen, and even Robert De Niro (who wanted the role changed to accommodate his age) were all beaten out by the up-and-coming Garcia. His performance was Oscar-nominated as Best Supporting Actor, and secured him international stardom and a place in cinematic history. Now a leading man, he starred in such films as Jennifer 8 (1992) and Hero (1992). He won raves for his role as the husband of Meg Ryan in When a Man Loves a Woman (1994) and gave another charismatic gangster turn in Things to Do in Denver When You're Dead (1995). He then returned in Night Falls on Manhattan (1996), directed by Sidney Lumet, as well as portraying legendary mobster Lucky Luciano in Hoodlum (1997). In perhaps his most mainstream role, he portrayed a cop in the action film Desperate Measures (1998). Garcia then starred in a few lower-profile projects that didn't do much for his career, but things turned around in 2001, with the first of many projects being his role as a cold casino owner in Ocean's Eleven (2001), directed by Steven Soderbergh. Seeing his removal from Cuba as involuntary, Garcia is proud of his heritage which influences his life and work. One such case is his portrayal of renowned Cuban trumpet player Arturo Sandoval in For Love or Country: The Arturo Sandoval Story (2000). He is an extremely private man, and strong believer in old-fashioned chivalry. Married to his wife, Maria Victoria, since 1982, the couple has three daughters. One of the most talented leading men around, Garcia has had a unique career of staying true to his own ideals and thoughts on acting. While some would have used some of the momentum he has acquired at different points in his career to get rich off lightweight projects, Garcia has stayed true to stories and films that aspire to something more. But with a presence and style that never seem old, a respect from directors and film buffs, alike, Andy Garcia will be remembered for a long time in film history.Cuban
Best Supporting Actor Nomination: "The Godfather: Part III"
*First and only Cuban nominated for Supporting Actor.- Actress
- Producer
- Soundtrack
Catalina Sandino Moreno made her screen debut as the title character in the critically-acclaimed film "Maria Full of Grace" from Fine Line Features/HBO. For her performance, Sandino was nominated for an Academy Award for Best Actress in a Leading Role, a Screen Actors Guild Award for Performance by a Female Actor in a Leading Role and won an Independent Spirit Award for Best Female Lead. The film debuted in the U.S. at the 2004 Sundance Film Festival, where it won the Audience Award, and opened in limited release in July 2004. The film won the Grand Special Prize at the 2004 Deauville Film Festival. Sandino has earned other awards and nominations for her performance, including the Silver Berlin Bear for Best Actress at the 2004 Berlin International Film Festival, the Golden Space Needle Award for Best Actress at the 2004 Seattle International Film Festival and the award for Breakthrough Actor at the 2004 Gotham Awards. She was named ShoWest's International Star of the Year for 2005. She currently lives in Los Angeles.Colombian
Best Actress Nomination: "Maria Full of Grace"
*Only Colombian nominated for an Oscar.- Actress
- Producer
- Soundtrack
Yalitza Aparicio is a Mexican actress. She is best known for her film debut Roma (2018), which earned her a nomination for the Academy Award for Best Actress.
Aparicio was born on December 11, 1993, in Tlaxiaco, Oaxaca, Mexico. She also has an baccalaureate in early childhood education.
Her parents are of indigenous origin.Mexican
Best Actress Nomination: "Roma"
*First and only indigenous Mexican nominated for an Oscar- Marina de Tavira is a Mexican theatre, film and television actress. Her career has mainly developed on the Mexican stage working with the most prestigious directors in the scene. She has played the lead parts in stagings of play writes like Bertold Brecht, Harold Pinter, David Mamet, and Ximena Escalante. In film she has worked with directors like Rodrigo Plá (in the film winner of the Lion of the Future Award in Venice 2007), Carlos Carrera, Issa López, Mariana Chenillo, Hari Sama and Alfonso Cuarón in his most recent film Roma. Her most recent TV work includes the series Ingobernable for Netflix, and Falco for Amazon directed by Ernesto Contreras. Her work has been nominated and awarded with various theatre critics and journalist associations in Mexico.Mexican
Best Supporting Actress Nomination: "Roma" - Actor
- Producer
- Writer
Antonio Banderas, one of Spain's most famous faces, was a soccer player until breaking his foot at the age of fourteen; he is now an international movie star known for playing Zorro in the eponymous movie series.
He was born José Antonio Domínguez Banderas on August 10, 1960, in Málaga, Andalusia, Spain. His father, Jose Dominguez, was a policeman in the Spanish civil guards. His mother, Doña Ana Banderas Gallego, was a school teacher. Young Banderas was brought up a Roman Catholic. He wanted to play soccer professionally and made much success playing for his school team until the age of 14, albeit his dream ended when he broke his foot. At that time, he developed a passion for theatre after seeing the stage production of "Hair". Banderas began his acting studies at the School of Dramatic Arts in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station, he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street.
In 1979, at age 19, he moved to Madrid in pursuit of an acting career. Being a struggling young actor, he also worked as a waiter and took small modeling jobs. At that time, he joined the troupe at the National Theatre of Spain, becoming the youngest member of the company. Banderas' stage performances caught the attention of movie director Pedro Almodóvar, who cast the young actor in his movie debut Labyrinth of Passion (1982). Banderas and Almodovar joined forces in making innovative and sexually provocative movies during the 1980s. In 1984, Banderas made headlines in Spain with his performance as a gay man, making his first male-to-male on-screen kiss in Almodovar's Law of Desire (1987). Banderas' long and fruitful collaboration with Pedro Almodóvar eventually prepared him for international recognition that came with his work in the Academy Award-nominated film Women on the Verge of a Nervous Breakdown (1988). In 1991, he appeared as an object of Madonna's affection in Madonna: Truth or Dare (1991).
In 1992, Banderas made his Hollywood debut with The Mambo Kings (1992). Because he did not speak English at that time, his dialogue for the movie was taught to him phonetically. Banderas shot to international fame with his sensitive performance as a lover of Tom Hanks' AIDS-infected lawyer in Philadelphia (1993), then played opposite Tom Cruise and Brad Pitt in Interview with the Vampire: The Vampire Chronicles (1994). Banderas further established himself as one of Hollywood's leading men after co-starring in Evita (1996) opposite Madonna in the title role. In 1998, he won acclaim for his portrayal of Zorro, opposite Anthony Hopkins and Catherine Zeta-Jones, in The Mask of Zorro (1998). For the role as Zorro, Banderas took training with the Olympic national fencing team in Spain, and practiced his moves with real steel swords, then he used the lighter aluminum swords in the movie. He also took a month-long course of horse-riding before the filming. He later returned to the role in The Legend of Zorro (2005). In 1999, Banderas made his directorial debut in Crazy in Alabama (1999), starring his wife, Melanie Griffith. He received critical acclaim for his portrayal of Mexican artist David Alfaro Siqueiros opposite Salma Hayek in Frida (2002). He voiced Puss in Boots in the Shrek franchise.
Banderas established himself as internationally known Latin heartthrob with charismatic looks, and was chosen as one of the 50 most beautiful people in the world by People magazine in 1996. He won numerous awards and nominations for his works in film, including three ALMA awards and three Golden Globe nominations, among many other. From 1996 to 2014, Banderas was married to American actress Melanie Griffith and the couple have one daughter, Stella (born 1996). Outside of his acting profession, Banderas has been a passionate soccer fan and a staunch supporter of the Real Madrid Football Club. He shares time between his two residencies, one in the United States, and one in the South of Spain.Spanish
Best Actor Nomination: "Dolor y Gloria"- Actress
- Soundtrack
Arlette Pinheiro Esteves da Silva was born on 16th October 1929 in Rio de Janeiro. She adopted the name "Fernanda" because she thought it sounded good. "Montenegro" came after her family doctor.
In late 40s she was translating and adapting famous theater plays to radio. She begun her artistic life in the theater with the play "Alegres Canções nas Montanhas" in 1950. Among her mates was Fernando Torres, who would soon become her husband. Next she use the married name Arlette Pinheiro Monteiro Torres. In the next years she worked with other great actors like Sérgio Britto, Cacilda Becker, Nathália Timberg, Cláudio Corrêa e Castro and Ítalo Rossi.
In the early 60s she moved to São Paulo where she worked on many theater plays and also stared working on television. Her first soap operas was "Pouco Amor Não é Amor". In 1964 she started working for cinema as well. Her first film was "A Falecida". In 1965 her daughter Fernanda Torres was born. She later also became a famous actress.
As time went by, more and more successful soap operas and plays came up and she received many prizes. She was later called "The First Lady of Brazilian Theater". In cinema, after some not very famous films, she worked on "Eles Não Usam Black-Tie" (1981), largely applauded by the critics.
Her success on television and theater continued, but her cinema career, although it never stopped, was largely unnoticed until 1997, when "O Que é Isso, Companheiro?", a nominee for the Oscar of Best Film in a Foreign Language, was released. In 1998 "Central do Brasil" enchanted the world. This film, another nominee for the Oscar, was the highest moment of Fernanda Montengro's cinema career, once she was a nominee for Best Actress. The Oscar was not given to her, but the actress got the Berlin prize. In 1999 she had another great achievement on TV, "O Auto da Compadecida", later cut to a film format and released in the movie theaters.Brazilian
Best Actress Nomination: "Central Station"
*Only Brazilian nominated for an Oscar