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Roger Joseph Ebert was the all-time best-known, most successful movie critic in cinema history, when one thinks of his establishing a rapport with both serious cineastes and the movie-going public and reaching more movie fans via television and print than any other critic. He became the first and only movie critic to win a Pulitzer Prize (it would be 28 years before another film critic, Stephen Hunter, would win journalism's top tchotchke). His opinions likely were relied on by more movie-goers than any other critic in cinema history, making Roger Ebert the gold standard for film criticism.
Ebert was born in Urbana, Illinois, to Annabel (Stumm), a bookkeeper, and Walter Harry Ebert, an electrician. He was married to Chaz Ebert. Roger Ebert died on April 4, 2013, in Chicago, Illinois."reviews went far deeper than simply thumbs up or thumbs down. He wrote with passion through a real knowledge of film and film history, and in doing so, helped many movies find their audiences... [he] put television criticism on the map." ~ Steven Spielberg
Influenced: A.O. Scott; Richard Corliss; James Berardinelli; Michael Phillips; Will Leitch; Harry Knowles; David Bordwell; Doug Walker; Jackson "Lights Camera Jackson" Murphy; Dan Schneider- Writer
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Gene Siskel was an American film critic and journalist for the Chicago Tribune. He partnered with fellow critic Roger Ebert to present a series of television shows which centered on film reviews. Their partnership lasted from 1975 to Siskel's death in 1999. Siskel became famous for his heated arguments with Ebert, as they frequently disagreed on the merits of particular films. Siskel had brain surgery in 1998. He died in 1999, due to complications from the surgery.
In 1946, Siskel was born in Chicago. His parents were Nathan William Siskel and his wife Ida Kalis, first-generation Russian-Jewish immigrants. Both of his parents had died by 1955, when Siskel was 9-years-old. He was primarily raised by his uncle and aunt. Siskel was educated at the Culver Academies, a college preparatory boarding school which was located in Culver, Indiana.
Siskel received his college education at Yale University. He graduated with a degree in philosophy in 1967. He was interested in a writing career, and studied writing under the famous journalist John Hersey (1914-1993). Hershey provided the recommendation which allowed Siskel to be hired by the Chicago Tribune.
Following his college graduation, Siskel joined the United States Army Reserve. He served as a military journalist, and as a public affairs officer for the Defense Information School. In 1969, he was hired by the Chicago Tribune as a journalist. Shortly after, Siskel was appointed as the newspaper's new film critic. He would continue working for this newspaper for 30 years.
In 1975, Siskel and Ebert started presenting a film review show for WTTW, the local Chicago PBS station. The original title for the show was "Opening Soon at a Theater Near You". In 1977, it was renamed to "Sneak Previews". At this point, it became available to the PBS program system. In 1978, the show started airing biweekly on PBS, where it gained a national audience. In 1980, the show started airing weekly on over 180 stations. It reportedly became "the highest rated weekly entertainment series in the history of public broadcasting".
In 1982, Siskel and Ebert were offered a new contract by WTTW. The duo found the contract's terms to be unfavorable to them and they chose to resign instead. They were replaced by new hosts for the show, Neal Gabler and Jeffrey Lyons. Ratings soon declined, and the new hosts were ridiculed in press reviews as inferior to Siskel and Ebert. Meanwhile, Siskel and Ebert were offered their own syndicated television show by Tribune Broadcasting, the parent company of the Chicago Tribune. They took the offer, and became the original hosts of "At the Movies" (1982-1990).
In 1986, Siskel and Ebert were offered a new contract by Buena Vista Entertainment, the television division of the Walt Disney Company. They launched their new show under the title "Siskel & Ebert & the Movies" (1986-1999). At about this time, the Chicago Tribune chose to demote Siskel. He was no longer the newspaper's full-time film critic, but a freelance contract writer. Siskel chose not to protest his demotion, though Ebert publicly criticized the mistreatment of his partner.
In May 1998, Siskel was hospitalized for treatment of a brain tumor. He underwent brain surgery. For weeks, he only participated in his show through comments delivered by phone. When he resumed work at the studio, Siskel seemed to be more lethargic and mellow than usual.
Siskel published his last newspaper review on January 29, 1999. He praised the young actress Rachael Leigh Cook, and commented that he hoped to see her next film. With signs that his health was declining again, Siskel had to seek further medical treatment. On February 3, 1999, he announced that he was taking a leave of absence from his television show. He appeared optimistic that he would be able to recover within a few months. He died on February 20 of the same year, due to complications from his surgery. He was 53-years-old at the time of his death. His funeral was held at the "North Suburban Synagogue Beth El", located in Highland Park, Illinois. Siskel was buried at Westlawn Cemetery, located in Norridge, Illinois.
Following Siskel's death, his television show was renamed to "Roger Ebert & the Movies". A series of guest critics served as temporary replacements for Siskel, until a more permanent solution could be found. In 2000, Siskel was finally replaced by the new host Richard Roeper. Ebert was also diagnosed with cancer in 2002. As Ebert's health declined, the show lost much of its viewership. It was canceled in 2010. Siskel is still fondly recalled by the viewers of his shows, who found that their favorite host was irreplaceable.- Andrew Sarris was born on 31 October 1928 in Brooklyn, New York City, New York, USA. He was a writer, known for Billy Baxter Presents Diary of the Cannes Film Festival with Rex Reed (1980). He was married to Molly Haskell. He died on 20 June 2012 in Manhattan, New York City, New York, USA.Influenced: J. Hoberman; Kenneth Turan; Armond White; Michael Phillips; A.O. Scott
- J. Hoberman is known for Trigon Fire (1989), Breaking Good (2012) and Midnight Movies: From the Margin to the Mainstream (2005).
- Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s. After success with national magazines in the 1960s and publishing her first book, "I Lost It At the Movies,", she became a film critic for The New Yorker in 1968, and wrote for that magazine until 1991. She published 13 books of her essays and criticism, and won the National Book Award in 1974, and wielded power and influence, even after retiring. She passed away on September 3, 2001."had a more positive influence on the climate for film in America than any other single person over the last three decades." ~ Roger Ebert
"was more than a great critic. She re-invented the form, and pioneered an entire aesthetic of writing. She was like the Elvis or the Beatles of film criticism." ~ Owen Gleiberman
Influenced: Paul Schrader, Wes Anderson, David Denby, David Edelstein, Anthony Lane, Greil Marcus, Elvis Mitchell, A. O. Scott, Michael Sragow, Quentin Tarantino, Armond White, Stephen Hunter, Tom Shales, Dr. Joseph Heiter, Jordi Costa, James Wolcott - Writer
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Leonard Maltin is one of the most recognized and respected film critics of our time. He recently completed his 30th season with the long-running television show, Entertainment Tonight (1981).
Maltin was born on Friday, December 18th, 1950, in New York City and grew up in suburban Teaneck, New Jersey. He credits the huge volume of old movies shown on New York television - and access to the City's famous revival theaters, as well as the Museum of Modern Art - with his "basic training" in film history. He attended New York University as a journalism major, and quickly became the entertainment editor of the campus' daily newspaper.
He and a friend published their own home-grown magazine when they were in the fifth grade. This evolved into a mimeographed publication called "Profile", which reflected Leonard's growing interest in show business and film history. At the age of 13, he volunteered his services as a writer to two fanzines: "The 8mm Collector", of Indiana, Pennsylvania, and "Film Fan Monthly", of Vancouver, Canada. Two years later, he assumed responsibility for "Film Fan Monthly" and continued publishing it for the next nine years.
It was that magazine that inspired an English teacher in his high school to suggest that he meet a friend of hers who was an editor at Signet Books. That meeting led to an offer for him to compile a paperback compendium of capsule movie reviews. The book was published in 1969, when Maltin was 18 and a freshman at NYU. Decades later, he is still best-known for that now-annual paperback reference, "Leonard Maltin's Movie Guide". A perennial best-seller, "The Guide" has become an indispensable tool for movie lovers and includes over 16,000 film reviews, with ratings and essential facts about each title. In 2005, he introduced a companion volume, "Leonard Maltin's Classic Movie Guide", which focuses on movies made before 1965, going back to the silent era.
Leonard's other books include "The Best 151 Movies You've Never Seen", "The Disney Films", "Of Mice and Magic: A History of American Animated Cartoons", "The Great American Broadcast: A Celebration of Radio's Golden Age", "The Great Movie Comedians", "The Art of the Cinematographer", "Selected Short Subjects" and (as co-author) "The Little Rascals: The Life and Times of Our Gang".
Leonard has been teaching at the USC School of Cinematic Arts for the last fifteen years. His popular class screens new films prior to their release, followed by a Q&A with the filmmakers. Guests over the years have included: Alexander Payne, Judd Apatow, James Franco, David Lynch, Spike Jonze, Charlie Kaufman, Costa-Gavras, Bertrand Tavernier, Anthony Hopkins, Annette Bening, Paul Haggis, Paul Weitz, Mark Ruffalo, Walter Salles, Guillermo del Toro & Jason Segel, to name just a few. In addition to top writers and directors, Maltin welcomes costume and production designers, editors, composers, cinematographers, casting directors, and other creative collaborators, in order to explore all aspects of the filmmaking process. This direct access to top talent has proven to be invaluable in his students' own filmmaking endeavors.
Leonard's reviews and signature on-air interviewing style can now be seen on his weekly program, Maltin on Movies (2010), on ReelzChannel, where he has appeared since the channel went on the air. He also previews movies-on-demand on Comcast and appears occasionally on "Turner Classic Movies". For three years, he co-hosted the weekly syndicated movie review program, "Hot Ticket", which was produced by Entertainment Tonight (1981).
Leonard is a prolific freelance writer, whose articles have appeared in "The New York Times", "The Los Angeles Times", "The London Times", "Smithsonian", "TV Guide", "Esquire", "The Village Voice" and "American Film". He has contributed to Oxford University Press' "American National Biography", and was the film critic for "Playboy" magazine for six years.
Additionally, Leonard frequently lectures on film and was a member of the faculty of New York City's "New School for Social Research" for nine years. He served as Guest Curator at the "Museum of Modern Art" film department in New York on two separate occasions.
Leonard created, hosted and co-produced the popular "Walt Disney Treasures" DVD series and appeared on Warner Home Video's "Night at the Movies" features. He has written a number of television specials, including "Fantasia: The Creation of a Disney Classic and has hosted, produced and written such video documentaries and compilations as The Making of 'The Quiet Man' (1992), The Making of 'High Noon' (1992), "Cartoons for Big Kids", The Lost Stooges (1990), "Young Duke: The Making of a Movie Star", Cliffhangers! Adventures from the Thrill Factory (1993) and _Cartoon Madness: The Fantastic Max Fleischer Cartoons (1900)_.
In 2006, he was named by the Librarian of Congress to join the Board of Directors of the National Film Preservation Foundation. He also has received awards and citations from the American Society of Cinematographers, Anthology Film Archives, The Society of Cinephiles and the Telluride Film Festival. In 1997, he was made a voting member of the National Film Registry, which selects 25 landmark American films every year. Perhaps the greatest indication of his fame was his appearance in a now-classic episode of the animated series, South Park (1997).
He has been married, since 1975, to fellow movie lover Alice Tlusty Maltin. They are the proud parents of Jessie Maltin (aka Jessica Bennett Maltin), who in recent years has become a valued contributor to the annual Movie Guide.- Peter Travers is known for US Magazine Looks at the '70s (1980), Popcorn with Peter Travers (2009) and Showbiz Today (1985).
- Joel Siegel was born on 7 July 1943 in Los Angeles, California, USA. He was an actor, known for Deathtrap (1982), Hotel (1983) and Hail Sid Caesar! The Golden Age of Comedy (2001). He was married to Ena Swansea, Melissa DeMayo, Jane Kessler and Karen Oshman. He died on 29 June 2007 in New York City, New York, USA.
- A.O. Scott was born on 10 July 1966 in Northampton, Massachusetts, USA.
- Maitland McDonagh was TV Guide Online's Senior Movie Editor from 1998-2008 and in 2012 founded 120 Days Books to republish forgotten gay adult genre novels of the 1970s. Born and raised in New York City, McDonagh received her undergraduate education at Hunter College, CUNY, and earned her MFA in Film History/Theory/Criticism from Columbia University, where she co-founded and -edited Columbia Film Review, subsequently renamed Columbia Film View. McDonagh has written extensively on the cinema for magazines in the United States and Europe, including Film Journal International, Film/Psychology Review, Film Comment, Mad Movies, Premiere, Entertainment Weekly, L'Ecran Fantastique, Interview, Film Quarterly, Fangoria, Persistence of Vision and Gorezone. She is the author of four books on film: Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento; Filmmaking on the Fringe: The Good, the Bad and the Deviant Directors; The 50 Most Erotic Films of All Time and Movie Lust: Recommended Viewing for Every Mood, Moment and Reason, and has contributed essays to many others, including The Last Great American Picture Show: New Hollywood 1967-1976; Film Out of Bounds: Essays and Interviews on Non-Mainstream Cinema Worldwide and Exile Cinema: Filmmakers at Work Beyond Hollywood.
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Jonathan Rosenbaum was born on 27 February 1943 in Alabama, USA. He is an actor and cinematographer, known for The Other Side of the Wind (2018), Hotel New York (1984) and Hollywoodism: Jews, Movies and the American Dream (1998)."I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He's one of the best; we don't have writers like him in France today. He's like André Bazin." ~ Jean-Luc Godard- Writer
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Todd is a veteran trade publication film critic, columnist and reporter who has also written several acclaimed books and documentary films. He served two stints on the staffs of Variety and The Hollywood Reporter and extensively covered film festivals internationally for both publications. His film "Visions of Light: The Art of Cinematography" won the best documentary prizes from the New York Film Critics and National Society of Film Critics associations and he won an Emmy for writing the documentary "Preston Sturges: The Rise and Fall of an American Dreamer." He also directed the documentaries "Man of Cinema: Pierre Rissient" and "Forever Hollywood," which played at the American Cinematheque's Egyptian Theater for a decade. His books include "Kings of the Bs: Working Within the Hollywood System," the definitive biography "Howard Hawks: The Grey Fox of Hollywood" and "Fast Women: The Legendary Women of Racing."- Richard Corliss was born on 6 March 1944 in Philadelphia, Pennsylvania, USA. He was married to Mary Corliss. He died on 23 April 2015 in New York City, New York, USA.
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Dave Kehr was born in 1953 in Oklahoma City, Oklahoma, USA. He is a writer and producer, known for American Masters (1985), Budd Boetticher: An American Original (2005) and Budd Boetticher: A Man Can Do That (2005)."one of the most gifted film critics to come out of America, the peer of James Agee and Pauline Kael." ~ Philip French
"one of the most gifted film critics in America." ~ Roger Ebert- Writer
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Richard Roeper was born on 17 October 1959 in Chicago, Illinois, USA. He is a writer and actor, known for Something to Live For, Siskel & Ebert (1986) and Entourage (2004).- Owen Gleiberman was born on 24 February 1959 in Ann Arbor, Michigan, USA. He is an executive.
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Robert Osborne was the host on Turner Classic Movies from its inception in 1994, in large part due to his deep and abiding love and knowledge of film. Osborne got his start working for Lucille Ball and Desi Arnaz. The ever-perspicacious Ball suggested that Osborne combine his interest in classic film and training in journalism, and write instead of act. Osborne took this advice and produced "Academy Awards Illustrated" a book which then begat his years at The Hollywood Reporter. He also became the official historian of the Academy of Motion Picture Arts and Sciences. An elegant and unassuming man, Osborne combined a startling facility with movie names, dates, and facts with the gift to tell a good story and ability to be a gracious host.- Writer
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French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.
The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.
From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.- Judith Crist was born on 22 May 1922 in Manhattan, New York City, New York, USA. She was an actress, known for Stardust Memories (1980). She was married to William B. Crist. She died on 7 August 2012 in Manhattan, New York City, New York, USA.
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Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Director
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Admirers have always had difficulty explaining Éric Rohmer's "Je ne sais quoi." Part of the challenge stems from the fact that, despite his place in French Nouvelle Vague (i.e., New Wave), his work is unlike that of his colleagues. While this may be due to the auteur's unwillingness to conform, some have argued convincingly that, in truth, he has remained more faithful to the original ideals of the movement than have his peers. Additionally, plot is not his foremost concern. It is the thoughts and emotions of his characters that are essential to Rohmer, and, just as one's own states of being are hard to define, so is the internal life of his art. Thus, rather than speaking of it in specific terms, fans often use such modifiers as "subtle," "witty," "delicious" and "enigmatic." In an interview with Dennis Hopper, Quentin Tarantino echoed what nearly every aficionado has uttered: "You have to see one of [his movies], and if you kind of like that one, then you should see his other ones, but you need to see one to see if you like it."
Detractors have no problem in expressing their displeasure. They use such phrases as "tedious like a classroom play," "arty and tiresome" and "donnishly talky." Gene Hackman, as jaded detective Harry Moseby in Night Moves (1975), delivered a now famous line that sums up these feelings: "I saw a Rohmer film once. It was kind of like watching paint dry." Undeniably, his excruciatingly slow pace and apathetic, self-absorbed characters are hallmarks, and, at times, even his greatest supporters have made trenchant remarks in this regard. Said critic Pauline Kael, "Seriocomic triviality has become Rohmer's specialty. His sensibility would be easier to take if he'd stop directing to a metronome." In that his proponents will quote attacks on him, indeed Rohmer may be alone among directors. They revel in the fact that "nothing of consequence" happens in his pictures. They are mesmerized by the dense blocks of high-brow chatter. They delight in the predictability of his aesthetic. Above all, however, they are touched by the honesty of a man who, uncompromisingly, lays bear the human soul and "life as such."
Who is Eric Rohmer? Born Jean-Marie Maurice Scherer on December 1, 1920 in Nancy, a small city in Lorraine, he relocated to Paris and became a literature teacher and newspaper reporter. In 1946, under the pen name Gilbert Cordier, he published his only novel, "Elizabeth". Soon after, his interest began to shift toward criticism, and he began frequenting Cinémathèque Français (founded by archivist Henri Langlois) along with soon-to-be New Wavers Jean-Luc Godard, Jacques Rivette, Claude Chabrol and François Truffaut. It was at this time that he adopted his pseudonym, an amalgam of the names of actor/director Erich von Stroheim and novelist Sax Rohmer (author of the Fu Manchu series.) His first film, Journal d'un scélérat (1950), was shot the same year that he founded "Gazette du Cinema" along with Godard and Rivette. The next year, Rohmer joined seminal critic André Bazin at "Cahiers du Cinema", where he served as editor-in-chief from 1956 to 1963. As Cahiers was an influential publication, it not only gave him a platform from which to preach New Wave philosophy, but it enabled him to propose revisionist ideas on Hollywood. An example of the latter was "Hitchcock, The First Forty-Four Films", a book on which he collaborated with Chabrol that spoke of Alfred Hitchcock in highly favorable terms.
Rohmer's early forays into direction met with limited success. By 1958, he had completed five shorts, but his sole attempt at feature length, a version of La Comtesse de Ségur's "Les Petites filles modèles", was left unfinished. With Sign of the Lion (1962), he made his feature debut, although it was a decade before he achieved recognition. In the interim, he turned out eleven projects, including three of his "Six contes moraux" (i.e., moral tales), films devoted to examining the inner states of people in the throes of temptation. The Bakery Girl of Monceau (1963) and Suzanne's Career (1963) are unremarkable black-and-white pictures that best function as blueprints for his later output. They also mark the beginning of a business partnership with Barbet Schroeder, who starred in the former of the two. The Collector (1967), his first major effort in color, has been mistaken for a Lolita movie; on a deeper plane, it questions the manner in which one collects or rejects experience. Rohmer's first "hit" was My Night at Maud's (1969), which was nominated for two Oscars and won several international awards. It continues to be his best-known work. In it, on the eve of a proclaiming his love to Francoise, his future wife, the narrator spends a night with a pretty divorcée named Maud. Along with a friend, the two have a discussion on life, religion and Pascal's wager (i.e., the necessity of risking all on the only bet that can win.) Left alone with the sensual Maud, the narrator is forced to test his principles. The final parts in the series, Claire's Knee (1970) and Love in the Afternoon (1972) are mid-life crisis tales that cleverly reiterate the notion of self-restraint as the path to salvation.
"Comedies et Proverbs," Rohmer's second cycle, deals with deception. The Aviator's Wife (1981) is the story a naïve student who suspects his girlfriend of infidelity. In stalking her ex-lover and ultimately confronting her, we discover the levels on which he is deceiving himself. Another masterpiece is Pauline at the Beach (1983), a seaside film about adolescents' coming-of-age and the childish antics of their adult chaperones. Of the remaining installments, The Green Ray (1986) and Boyfriends and Girlfriends (1987) are the most appealing. The director's last series is known as "Contes des quatre saisons" (i.e., Tales of the Four Seasons), which too presents the dysfunctional relationships of eccentrics. In place of the social games of "Comedies et Proverbs", though, this cycle explores the lives of the emotionally isolated. A Tale of Springtime (1990) and A Tale of Winter (1992) are the more inventive pieces, the latter revisiting Ma Nuit chez Maud's "wager." Just as his oeuvre retraces itself thematically, Rohmer populates it with actors who appear and reappear in unusual ways. The final tale, Autumn Tale (1998), brings together his favorite actresses, Marie Rivière and Béatrice Romand. Like "hiver," it hearkens back to a prior project, A Good Marriage (1982), in examining Romand's quest to find a husband.
Since 1976, Rohmer has made various non-serial releases. Four Adventures of Reinette and Mirabelle (1987) and Rendez-vous in Paris (1995), both composed of vignettes, are tongue-in-cheek morality plays that merit little attention. The lush costume drama The Marquise of O (1976), in contrast, is an excellent study of the absurd formalities of 18th century aristocracy and was recognized with the Grand Prize of the Jury at Cannes. His other period pieces, regrettably, have not been as successful. Perceval le Gallois (1978), while original, is a failed experiment in stagy Arthurian storytelling, and the beautifully dull The Lady and the Duke (2001) is equally unsatisfying for most fans of his oeuvre. Nonetheless, the director has demonstrated incredible consistency, and that he was able to deliver a picture of this caliber so late in his career is astounding. The legacy that this man has bestowed upon us rivals that of any auteur, with arguably as many as ten tours de force over the last four decades. Why, then, is he the least honored among the ranks of the Nouvelle Vague and among all cinematic geniuses?
Stories of Rohmer's idiosyncrasies abound. An ardent environmentalist, he has never driven a car and refuses to ride in taxis. There is no telephone in his home. He delayed the production of Ma Nuit chez Maud for a year, insisting that certain scenes could only be shot on Christmas night. Once, he requested a musical score that could be played at levels inaudible to viewers. He refers to himself as "commercial," yet his movies turn slim profits playing the art house circuit. Normally, these are kinds of anecdotes that would endear a one with the cognoscenti. His most revealing quirk, however, is that he declines interviews and shuns the spotlight. Where Hitchcock, for instance, was always ready to talk shop, Rohmer has let his films speak for themselves. He is not worried about WHAT people think of them but THAT, indeed, they think.
It would be dangerous to supplant the aforementioned "je ne sais quoi" with words. Without demystifying Rohmer's cinema, still there are broad qualities to which one may point. First, it is marked by philosophical and artistic integrity. Long before Krzysztof Kieslowski, Rohmer came up with the concept of the film cycle, and this has permitted him to build on his own work in a unique manner. A devout Catholic, he is interested in the resisting of temptation, and what does not occur in his pieces is just as intriguing as what occurs. Apropos to the mention of his spirituality is his fascination with the interplay between destiny and free will. Some choice is always central to his stories. Yet, while his narrative is devoid of conventionally dramatic events, he shows a fondness for coincidence bordering on the supernatural. In order to maintain verisimilitude, then, he employs more "long shots" and a simpler, more natural editing process than his contemporaries. He makes infrequent use of music and foley, focusing instead on the sounds of voices. Of these voices, where his narrators are male (and it is ostensibly their subjective experience to which we are privy), his women are more intelligent and complex than his men. Finally, albeit deeply contemplative, Rohmer's work is rarely conclusive. Refreshingly un-Hollywood, rather than providing an escape from reality, it compels us to face the world in which we live.- Director
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Although François Truffaut has written that the New Wave began "thanks to Rivette," the films of this masterful French director are not well known. Rivette, like his "Cahiers du Cinéma" colleagues Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer, did graduate to filmmaking but, like Rohmer, was something of a late bloomer as a director. He made two shorts (At the Four Corners (1949) and The Quadrille (1950), starring Jean-Luc Godard); in the mid-1950s he served as an assistant to Jean Renoir and Jacques Becker; and in 1958 he was, along with Chabrol, the first of the five to begin production on a feature-length film. Without the financial benefit of a producer, Rivette took to the streets with his friends, a 16mm camera, and film stock purchased on borrowed money. It was only, however, after the commercial success of Truffaut's The 400 Blows (1959), Resnais' Hiroshima Mon Amour (1959) and Godard's Breathless (1960) that the resulting film, the elusive, intellectual, and somewhat lengthy (135 minutes) Paris Belongs to Us (1961), saw its release in 1960. In retrospect, Rivette's debut sketched out the path which all his subsequent films would follow; PARIS NOUS APPARTIENT was a monumental undertaking for the critic-turned-director, with some 30 actors (including Chabrol, Godard and Jacques Demy), almost as many locations, and an impenetrably labyrinthine narrative. His next film, the considerably more commercial The Nun (1966), was an adaptation of the Diderot novel which Rivette had staged in 1963. The least characteristic of all his features, it was also his first and only commercial success, becoming a succèss de scandal when the government blocked its release for a year. Rivette's true talents first made themselves visible during the fruitful period, 1968-74. During this time he directed the 4-hour Mad Love (1969), the now legendary 13-hour Out 1 (1971) (made for French TV in 1970 but never broadcast; edited to a 4-hour feature and retitled Out 1: Spectre (1972)), and the 3-hour Celine and Julie Go Boating (1974), his most entertaining and widely seen picture. In these three films, Rivette began to construct what has come to be called his "House of Fiction"--an enigmatic filmmaking style influenced by the work of Louis Feuillade and involving improvisation, ellipsis and considerable narrative experimentation. Unfortunately, Rivette seems to have no place in contemporary cinema. On the one hand, his work is considered too inaccessible for theatrical distribution; on the other, although his revolutionary theories have influenced figures such as Jean-Marie Straub & Danièle Huillet and Chantal Akerman, he is deemed too commercial to be accepted by the underground cinema; he still employs a narrative and uses "name" actors such as Jean-Pierre Léaud, Juliet Berto, Anna Karina and Maria Schneider. Since CÉLINE AND JULIE, Rivette's career has been as mysterious as one of his plots. In 1976 he received an offer to make a series of four films, "Les Filles du Feu." Duelle (1976), the first entry, received such negative response that the second, Noroît (1976)--which some critics call his greatest picture--was held from release. The final two installments (one of which was due to star Leslie Caron and Albert Finney) were never filmed. The 1980s proved no kinder. He made five films, but only one of them, Love on the Ground (1984), opened in the US (it received disastrous reviews). Although he continues to be an innovative and challenging artist, Rivette has failed to find the type of audience that has contributed to the commercial success of his New Wave compatriots.- Director
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Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.- Michael Phillips was born on 11 March 1961 in Kenosha, Wisconsin, USA. He has been married to Heidi Stevens since 2013. He was previously married to Ann Jarmusch and Andrea Lenaburg.
- Philip French was born in Liverpool on 28 August 1933 to John and Bessie French and originally studied Law at Exeter College, Oxford. However after National Service he went into journalism, particularly writing about film. In 1978 he became the cinema critic for the Observer newspaper and remained in that capacity until 2013, when he received the O.B.E. - additionally publishing several books on film. He died on October 27th 2015.
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Lisa Schwarzbaum was born in New York City, New York, USA. She is known for Zoom (1972), For the Love of Movies: The Story of American Film Criticism (2009) and Who Wants to Be a Super Millionaire (2004).- Peter Bradshaw is known for Baddiel's Syndrome (2001), A Stab in the Dark (1992) and Coffee and Cake (2014).
- Armond White was born on 24 April 1953 in Detroit, Michigan, USA.
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Ben Mankiewicz was born on 25 March 1967 in Washington, District of Columbia, USA. He is a writer and producer, known for White House Down (2013), Mank (2020) and The Practice (1997). He has been married to Michelle (Lee) Larkin Russo since 12 December 2013. They have one child. He was previously married to Contessa Lynn Kellogg.- Tom Charity is known for The Last Seduction: The Art of Seduction (2006).
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Richard Rayner was born on 15 December 1955 in Bradford, West Yorkshire, England, UK. He is a writer and producer, known for Knightfall (2017), Amazing Stories (2020) and Crash Unit.- Geoff Brown is known for Vibe (1997) and Zo What? Morning Show (2014).
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Rex was born in Fort Worth, Texas, and grew up in Louisiana. He became one of the most prolific movie critics in the country, and for decades has written entertainment columns for The New York Observer.
In 1970, Rex made his movie debut, playing Myron in Myra Breckinridge (1970) - Myron was the young man whose post sex-change operation persona was played by Raquel Welch. But Rex's success came in reviewing movies, not starring in them.
Rex currently lives in New York - at the Dakota, one of Manhattan's most expensive and exclusive apartment buildings (John Lennon was shot there). Rex also owns a spread in an elite corner of rural Connecticut, and is a single man-about-town. Movie stars may come and go, but movie reviews by Rex Reed go on forever.- Producer
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Elvis Mitchell was born in 1958 in Detroit, Michigan, USA. He is a producer and actor, known for Is That Black Enough for You?!? (2022), Black Lightning (2018) and The Black List: Volume One (2008).- Molly Haskell was born on 29 September 1939 in Charlotte, North Carolina, USA. She is a writer, known for Billy Baxter Presents Diary of the Cannes Film Festival with Rex Reed (1980) and For the Love of Movies: The Story of American Film Criticism (2009). She was previously married to Andrew Sarris.
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Eddie Muller is known for Mau Mau Sex Sex (2001), The Grand Inquisitor (2008) and Twelve Chimes It's Midnight Podcast (2017).- Jami Bernard is an award-winning film critic, media consultant, and author. Her books include "Quentin Tarantino: The Man and His Movies," Chick Flicks," "First Films," "Total Exposure," "The Incredible Shrinking Critic," and "Breast Cancer: There & Back." She is a former chair of the New York Film Critics Circle, and a member of the National Society of Film Critics and editor of its anthology "The X List: The Movies that Turn Us On."
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Rudy Behlmer was born and raised in San Francisco, California. He has had a strong interest in the history and evolution of motion pictures since childhood when he began filming his own miniature dramas. He served two years in the Naval Air Corps, then was a Theatre Arts major at Los Angeles City College and Pasadena Playhouse College. He began his career with KLAC-TV (now KCOP-TV) in Hollywood as a stage manager. Two years later he became a staff director there, leaving to direct network television shows. For twenty-one years he was a producer and vice-president for Leo Burnett U.S.A. Following 'Movies' Golden Age' (1961), a syndicated TV special he produced, directed and edited, Behlmer started researching and writing articles on various aspects of film history. One project - a career piece on producer David O. Selznick - led indirectly to his book Memo from David O. Selznick (1972), followed by nine other books as well as a great many magazine articles and booklets to accompany film music recordings. Behlmer has also contributed to a wide variety of documentaries, videos, DVDs, and laser discs about Hollywood's Golden Age. For many years he lectured weekly on film subjects at Cal State University, Northridge, and Art Center College of Design, Pasadena. Behlmer is a longtime member of the Directors Guild of America where he has guest-lectured on different occasions. He has also guest-lectured at the Academy of Motion Picture Arts and Sciences, the University of Southern California, etc.- Writer
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Richard Schickel was born on 10 February 1933 in Milwaukee, Wisconsin, USA. He was a writer and producer, known for The Big Red One (1980), Minnelli on Minnelli: Liza Remembers Vincente (1987) and Watch the Skies!: Science Fiction, the 1950s and Us (2005). He was married to Carol Rubenstein and Julia Carroll Whedon. He died on 18 February 2017 in Los Angeles, California, USA.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Writer
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Ben Lyons is a Television, Radio, and Online host and producer from New York City, who covers pop culture and sports like nobody else. Based in Los Angeles, Ben is a special correspondent on EXTRA!, a regular contributor for ESPN LA radio and was just named Chief Content Officer for Derek Jeter's Players' Tribune.
Ben is also the lead host on Yahoo's LIVE movie premiere and awards show coverage, and hosted On The Road for Yahoo, a nationwide series of concerts and events.
He reviews movies on Mario Lopez's national radio show every week, and recently has been seen on The View, Wendy Williams, ESPN's SportsNation, On-Air with Ryan Seacrest, Steve Harvey and Good Morning America. Previously he appeared on the E! Network and E! News as their lead film correspondent and movie critic covering major awards shows and interviewing the biggest stars in the world.
Ben was the host of At The Movies for Disney/Buena Vista and My Family's Got Guts for Nickelodeon. He produced a music documentary in 2012 called Alekesam that premiered at the Tribeca Film Festival about legendary South African Jazz Musician Hugh Masekela, and his son Sal.
Most recently, Ben co-hosted BACKSTAGE OSCARS, ABC.com and Oscars.com's LIVE coverage of the 2014 Academy Awards.
Born and raised in New York City, Ben is the grandson of legendary New York Post columnist Leonard Lyons, and is the son of film and theater critic Jeffrey Lyons. The Lyons family has been covering pop culture in American media for more than 80 years.
He is also a die-hard New York Knicks fan and is a contributor for KnicksNow.com. On his down time, Ben enjoys traveling, golfing, seeing live music, and playing basketball.- Bosley Crowther was born on 13 July 1905 in Lutherville, Maryland, USA. He was married to Florence Marks. He died on 7 March 1981 in Mount Kisco, New York, USA.
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Joe Morgenstern was born on 3 October 1932 in Matamoras, Pennsylvania, USA. He is a writer and producer, known for Law & Order (1990), American Playhouse (1980) and The Boy in the Plastic Bubble (1976). He was previously married to Piper Laurie.- Actor
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Stephen Hunter is known for Rough and Ready (2015), The X Factor UK (2004) and The Xtra Factor (2004).- Producer
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Rod Lurie is the director of the "The Outpost," released July 2020, starring Scott Eastwood, Caleb Landry Jones, and Orlando Bloom. The film, based on CNN chief correspondent Jake Tapper's bestselling book of the same name, tells the true story of the events leading up to and including the Battle of Kamdesh in Afghanistan, where a small unit of U.S. soldiers defended against an overwhelming force of Taliban fighters in what was one of the bloodiest American engagements of the Afghan War. The battle resulted in two living service members, Ty Carter and Clint Romesha, being awarded the Medal of Honor - the first time that had happened in fifty years.
Previously Lurie wrote and directed the widely-praised Academy Award and Golden Globe Award nominated political thriller "The Contender," starring Joan Allen, Jeff Bridges, Gary Oldman and Christian Slater. The film was also honored by the Broadcast Film Critics with the first-ever Alan J. Pakula Award. He also wrote and directed the films "Straw Dogs," a remake of the 1971 classic starring James Marsden, Kate Bosworth, and Alexander Skarsgard, "Nothing But the Truth," starring Kate Beckinsale, Alan Alda, and Matt Dillon, "Resurrecting the Champ," starring Samuel L. Jackson and Josh Hartnett. Additionally, he created and executive-produced "Line of Fire," a one-hour FBI drama for ABC, and directed the feature film "The Last Castle," which starred Robert Redford, James Gandolfini, and Mark Ruffalo.
In television, Lurie created the series "Commander In Chief," which was nominated for the Best Drama Series Golden Globe, and for which Geena Davis won the Best Actress Golden Globe for her depiction of the first female President of the United States.
Lurie made his film writing and directing debut in 1998 with the dramatic short "Four Second Delay," which won the Best Short Film award at the Atlanta Film Festival and the Crested Butte Reel Fest. The film also won the Prix du Jury at the Festival of American Cinema in Deauville, France. Lurie followed in 2000 with his first feature film, "Deterrence," a drama about America coming to the brink of nuclear war, starring Kevin Pollak and Timothy Hutton.
Before he segued to filmmaking, Lurie graduated from the United States Military Academy at West Point in 1984 and went on to serve for four years as a Combat Arms officer in the U.S. Army. After the military, Lurie first enjoyed success as a film critic and entertainment reporter, breaking into journalism as a reporter for the New York Daily News, and was also a film critic and interviewer for Channel 12 in Fairfield, Connecticut. In addition, he was a frequent contributor to such magazines as Premiere, Movieline and Entertainment Weekly.
After moving to Los Angeles, Lurie worked as a film critic, investigative reporter and contributing editor to Los Angeles Magazine from 1990-1995.
As an investigative reporter in the entertainment industry, Lurie's discovery of unethical and illegal practices of tabloid newspapers gained him national exposure on programs such as "60 Minutes" and "Nightline."
He spent the next four years as the film critic for KABC 790 Radio in Los Angeles, where his top-rated movie review show entertained Southern California moviegoers every Saturday from 1995 to 1999. His on-air guests included: Tom Hanks, James Woods, Billy Bob Thornton, Dustin Hoffman, John Travolta, Francis Ford Coppola, Martin Landau, James Cameron and Mel Gibson. In addition, Lurie authored the book Once Upon A Time in Hollywood in 1995.
He lives in Los Angeles with his wife, the bestselling novelist Kyra Davis.- Writer
- Script and Continuity Department
- Additional Crew
Jay Cocks was born on 1 December 1944 in New York City, New York, USA. He is a writer, known for Silence (2016), Strange Days (1995) and Gangs of New York (2002). He was previously married to Verna Bloom.- Director
- Writer
- Producer
Thom Andersen was born in 1943 in Chicago, Illinois, USA. He is a director and writer, known for Los Angeles Plays Itself (2003), The Thoughts That Once We Had (2015) and Eadweard Muybridge, Zoopraxographer (1975).- Writer
- Actor
- Director
James Agee, Pulitzer Prize winning author, was born in Knoxville in 1909. The intense writer was to enjoy little real success in his lifetime, but after death won accolades. In 1958 he won the Pulitzer Prize in fiction for his uncompleted biographical novel A Death in the Family. Agee also wrote the classic Let Us Now Praise Famous Men with Walker Evans and the Oscar nominated screenplay for The African Queen with John Huston. Agee also appeared in a film and several TV shows while working in Hollywood. He died in 1955, only 45 years old, of a heart attack in NYC.- Steven Rea is known for Angry Boards (2012).
- Actor
- Composer
Emanuel Levy is known for Somewhere (2010), The Reunion (2015) and The Evolution of Clint Eastwood (2008).- Kenneth Turan was born on 27 October 1946 in Brooklyn, New York, USA. He is a writer, known for Call Me Anna (1990) and Love Hollywood Style (2004).
- Producer
- Writer
- Director
Park Chan-wook was born on 23 August 1963 in Seoul, South Korea. He is a producer and writer, known for Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022). He is married to Eun-hee Kim. They have one child.- Director
- Writer
- Actor
Kiyoshi Kurosawa was born on 19 July 1955 in Kobe, Japan. He is a director and writer, known for Tokyo Sonata (2008), Pulse (2001) and Cure (1997).- Actor
- Production Manager
- Additional Crew
Jay Scott is known for The Cut-Throats (1971) and Garden of the Dead (1972).