Living silent film stars
Mickey Rooney was one of the few persons who worked in the silent age of film and that was still alive. With his recent death the list of silent film stars that are confirmed to be alive is smaller, which of them is your favorite?
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Manoel de Oliveira was born on 11 December 1908 in Oporto, Portugal. He was a director and writer, known for The Cannibals (1988), I'm Going Home (2001) and Christopher Columbus, the Enigma (2007). He was married to Maria Isabel Brandão de Meneses de Almeida Carvalhais. He died on 2 April 2015 in Oporto, Portugal.- Actress
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Carla Laemmle was born on 20 October 1909 in Chicago, Illinois, USA. She was an actress, known for The Adventures of Frank Merriwell (1936), King of Jazz (1930) and The Gate Crasher (1928). She died on 12 June 2014 in Los Angeles, California, USA.- Actress
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She was the standard prototype of the porcelain-pretty collegiate and starry-eyed romantic interest in a host of Depression-era films and although her name may not ring a bell to most, Mary Carlisle enjoyed a fairly solid decade in the cinematic limelight.
The petite Boston-born, blue-eyed blonde was born on February 3, 1914, and brought to Hollywood in 1918, at age 4, by her mother after her father passed away. The story goes that the 14-year-old and her mother were having lunch at the Universal commissary when she was noticed by producer Carl Laemmle Jr., who immediately gave her a screen test. Her age was a hindering factor, however, and Mary completed her high school studies before moving into the acting arena. An uncle connected to MGM helped give the young hopeful her break into the movies as a singer/dancer a few years later.
Mary started out typically as an extra and bit player in such films as Madam Satan (1930), The Great Lover (1931) and in Grand Hotel (1932) in which she played a honeymooner. The glamorous, vibrant beauty's career was given a build-up as a "Wampas Baby Star" in 1933 and soon she began finding work in films playing stylish, well-mannered young co-eds. Although she performed as a topline actress in a number of lightweight pictures such as Night Court (1932) with Anita Page, Murder in the Private Car (1934) starring Charles Ruggles, and It's in the Air (1935) alongside Jack Benny, she is perhaps best remembered as a breezy co-star to Bing Crosby in three of his earlier, lightweight '30s musicals: College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938). In the last picture mentioned she is the lovely focus of his song "My Heart Is Taking Lessons". Her participation in weightier material such as Kind Lady (1935) was often overshadowed by her even weightier co-stars, in this case Basil Rathbone and Aline MacMahon.
Disappointed with the momentum of her career and her inability to extricate herself from the picture-pretty, paragon-of-virtue stereotype, Mary traveled and lived in London for a time in the late '30s. Following her damsel-in-distress role in the horror opus Dead Men Walk (1943) with George Zucco and Dwight Frye, Mary retired from the screen, prompted by her marriage to James Blakeley, a flying supervisor, the year before. The Beverly Hills couple had one son. Her husband, a former actor who also appeared in '30s musicals with Crosby as a dapper second lead (e.g., in Two for Tonight (1935)), later became an important executive (producer, editor, etc.) at Twentieth Century-Fox.
In later years Mary managed an Elizabeth Arden Salon in Beverly Hills and received a star on the Hollywood Walk of Fame. Her husband passed away in 2007. Mary herself lived to the ripe old age of 104 on August 1, 2018.- Actress
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Fay Eunice McKenzie was born February 19, 1918 into a show business family where she was the youngest of two sisters and an actress cousin, and made her screen debut at only ten weeks old in "Station Content" (1918) in which she was carried in the arms of Gloria Swanson. Her parents, Eva & Bob "Pops" McKenzie were already veteran performers and apparently wanted their daughter to get an early start in films. She nearly stole the show from Oliver Hardy as "the baby" in the Alice Howell short "Distilled Love" (filmed in 1918 but released two years later). By the time she was six, Fay was considered an old hand, having played diverse parts in her father's stock company. Among her early films was the 1924 Photoplay Medal Winner, "The Dramatic Life of Abraham Lincoln."
A native of Hollywood, she got most of her schooling on movie sets including the famous Little Red Schoolhouse at MGM. Her classmates included Betty Grable, Ann Rutherford and June Storey. As a teenager in the early 1930's Fay appeared in a number of low budget westerns with Wally Wales and Buddy Roosevelt as well as the all-star MGM musical "Student Tour" (1934). In 1937 she starred in the cult propaganda film about the dangers of marijuana entitled "Assassin of Youth". She also had a small part in the 1939 classic "Gunga Din". Her first Broadway venture was at age 17 and in 1940 she appeared as Miss Hollywood in "Meet the People", a popular review of that season starring Jack Gilford and Jack Albertson.
But she is probably best remembered for her work with Gene Autry at Republic Studios, where she was the feminine interest in "Down Mexico Way" (1941), "Sierra Sue" (1941), "Home in Wyomin'" (1942), "Heart of the Rio Grande" (1942) and "Cowboy Serenade" (1942). Finally getting the leading lady roles she deserved, the raven-haired beauty was an immediate hit with audiences. In 1942 Republic co-starred her with Don 'Red' Barry in the war-time flag waver, "Remember Pearl Harbor!" During WWII she toured with the Hollywood Victory Caravan and appeared in dozens of USO shows with various show biz legends including Frank Sinatra, Phil Silvers and Desi Arnaz. At the same time she could be heard on radio in "Pabst's Blue Ribbon Town" starring Groucho Marx. Featured film roles continued to come her way with Universal's "The Singing Sheriff" (1944), Warner Bros' "Night and Day" (1946) and "Murder in the Music Hall" (1946), the latter filmed at her home studio of Republic.
In 1946 she married the dark, husky actor Steve Cochran, but their union was short lived and they divorced two years later. She went back to Broadway to appear opposite comedian Bert Lahr (best known as The Cowardly Lion in "The Wizard of Oz") in the 1946 revival of "Burlesque." During the 1950's she studied with Sanford Meisner and at The Actor's Studio with Lee Strasberg in NYC. She was seen to favorable advantage on a number of TV shows including "The Millionaire" (1959), "Mr. Lucky" (1960), "Bonanza" (1961), and "Experiment in Terror" (1962).
She also appeared in a number of films for close friend and director Blake Edwards, including "Breakfast at Tiffany's" (1961) as the party guest laughing in the mirror, "The Party" (1968) and "S.O.B." (1981). She was especially proud of "The Party" with Peter Sellers and agreed to play the cameo role of Alice Clutterbuck (the hostess of the party) because the script was co-written by her husband, Tom Waldman. She and Waldman married in 1949 and had two children Tom Jr. and Madora. Waldman Sr. passed away in 1985. Her older sister Ella "Lolly" McKenzie was also an actress and was married to well-known comedian Billy Gilbert. Her other sister Ida Mae McKenzie started in silent films as well and went on to work behind the scenes of popular game shows including the original "Hollywood Squares".
McKenzie traveled extensively as a Christian Science Practitioner, lecturing all over the country and in Europe. In 2012 she received the Career Achievement Award at the Cinecon Classic Film Festival and in 2017 she was on-hand to present some of her family's home movies at the TCM Film Festival (those films are now housed the Academy Film Archive in Hollywood). During the summer of 2018 she made a cameo appearance alongside her son Tom as Mrs. Van Proosdy in the film "Kill A Better Mousetrap". Her performance marks the first century-spanning career in motion picture history. She passed away peacefully in her sleep on the morning of April 16th at the age of 101. She is survived by her son, actor Tom Waldman, Jr., daughter Madora McKenzie Kibbe and her two grandchildren.- Actress
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Silent moppet star Jackie Coogan, immortalized as Charles Chaplin's The Kid (1921), had only one screen rival during the early 1920s, and that was none other than Baby Peggy. She was "discovered" while visiting the Century Studios lot on Sunset Boulevard with her mother when she was a mere 19 months old and went on to appear in nearly 150 shorts (between 1920 and 1923) and nine feature films during her silent heyday. Often considered a precursor to Shirley Temple, Baby Peggy's most popular film vehicle was the child classic Captain January (1924), which would be made a decade later as a vehicle for Temple.
She was born Peggy-Jean Montgomery in 1918 in San Diego, California, of acting stock. She was the daughter of Marian (Baxter), from Wisconsin, and Jack Montgomery, a Nebraska-born cowboy for years all over the western states. He ended up in the movies as a stuntman and extra, driving stagecoaches and buckboards. He supported himself as Tom Mix's double, but never achieved the rugged stardom he yearned for. In fact, his daughter was the one who became the celebrity and chief breadwinner for the family.
Many of Baby Peggy's popular comedies were parodies of movies that grown-up stars had made, and she delightfully imitated such legends as Rudolph Valentino, Pola Negri, Mary Pickford and Mae Murray. Her first feature-length film was Penrod (1922); her first film with Universal, The Darling of New York (1923), shot when she was 3-1/2 years old, was a solid hit. A few more, including Helen's Babies (1924), were also certifiable winners. However, by the age of 8, she was finished.
Her fortune reportedly was depleted by her father Jack's stepfather, a banker to whom she had entrusted all her money. Within a short time, she was forced to turn to the vaudeville circuit for survival. A comeback in early talkies with the new moniker Peggy Montgomery was very short-lived. Her credits, as a result, are often mixed up with another actress named Peggy Montgomery, who was a western ingénue for many years.
The former child star lived in dire straits and suffered from nervous breakdowns and near poverty for many years until she found a new and unexpectedly successful career as a book publisher and writer, using the pseudonym "Diana Serra Cary". As the author of "Hollywood Posse" (1975) and (later) "Hollywood's Children", she wrote about her youthful career, post-stardom years, child stars in general, and Hollywood history in all its fascinating glory. Her own autobiography, "Whatever Happened to Baby Peggy?", was released in 1996.
In 2016, Diana was inducted into the Classic Film Hall of Fame at the Rheem Theater in Moraga, CA. Diana was present, at age 98, to receive the honor and answer questions. She is considered to have been the last living star of the silent film era. Per Robert Garfinkle, a board member of the Niles Essanay Silent Film Museum in Fremont, CA, Diana now has the longest acting career of all time, from 1920 to 2015. Her last film was a silent film she made at the above-referenced museum. The film was actually made using one of their antique hand-cranked cameras!
Baby Peggy died on February 24, 2020 in Gustine, California. She was 101.- Dorothy Morrison was born on 3 January 1919 in Los Angeles, California, USA. She was an actress, known for Hearts in Dixie (1929), Sleepless Hollow (1936) and The Champeen (1923). She died on 18 October 2017 in the USA.
- Louise Watson was born on 22 November 1919 in Los Angeles, California, USA. She was an actress, known for Bingles (1992), Angel Baby (1995) and Stark (1993). She died on 5 June 2018 in Burbank, California, USA.
- Lassie Lou Ahern, who enjoyed a substantial career in 1920s Hollywood working with the likes of Will Rogers, Charley Chase, Helen Holmes, and the team of Ronald Colman and Vilma Banky, has passed away in Prescott, Arizona, USA, due to complications of the flu. After decades of relative obscurity, interest in her life and filmography won her a new audience of fans during her final years owing to a renewed cultural appreciation of silent cinema and to efforts made toward restoring her final silent film. Along with surviving star "Baby Peggy" (Diana Serra Cary), 99, Ahern was the last Hollywood performer with deep roots in motion pictures before the coming of sound. Brimming with stories, details, and information, her loss finds our relationship to silent cinema moving from living history to simply that of history.
She was born four blocks away from the Ambassador Hotel in Hollywood. Her father, Fred Ahern, was a real estate agent who had Will Rogers as a leading client as Culver City was being formed. After meeting Lassie and her older sister Peggy, Rogers encouraged Ahern to take his daughters to Hal Roach studios to be cast in parts calling for children, and soon they earned ancillary roles in the Our Gang. Rogers took an active interest in Lassie, ensuring she had parts in his films. Throughout her life, with great fondness, she considered him her "real" father. She made her debut in Roach's first full-length movie, an adaptation of The Call of the Wild (1923), and soon was regularly cast in Charley Chase comedies and as the object of rescue in the popular serials of Helen Holmes. In pictures such as Webs of Steel (1925), Lassie, like Holmes, supplied her own dangerous stunt work. Meanwhile she appeared in productions by independent producers (The Dark Angel for Samuel Goldwyn, Hell's Highroad for Cecil B. DeMille, Robes of Sin for William Russell [all 1925]), as well as features at major studies (John Ford's now lost film Thank You and Excuse Me starring Norma Shearer [both 1925]), before landing a contract with Universal in the mid-1920s.
She found her biggest success in the epic Uncle Tom's Cabin (1927), in which she landed the part of Little Harry over hundreds of boys who auditioned for the role. Shot largely on location on the Mississippi River, she appeared in the legendary sequence featuring the escape across the ice floes. While the movie would be the object of a spate of bad fortune that led to its taking more than a year and a half to make, it was the highlight of her career and won her excellent notices. Of her acting, biographer Jeffrey Crouse, in an extended interview conducted with her in 2013 for Film International, has written that, "though by today's standards she fails to convince as a boy, she commits fully to the movie in such an animated, engaging way that she provides it with a color splash which sweetly enlivens the picture." It ended up becoming the third most expensive 1920s Hollywood production after Ben Hur: A Tale of the Christ (1925) and Old Ironsides (1926), and like those other films it lost money at the box office.
At Universal she had her own dressing room (it had once been Conrad Nagel's) and star on the door. An entire clothing line was named after her ("Lassie Lou Classics"), and her name and image were used to endorse such brands as Sunkist oranges, Buster Brown shoes, and Jean Carol frocks. At the same time, she was cast in the rare Jewish-themed drama Surrender (1927) opposite Mary Philbin and, in his only American film, Ivan Mozhukhin. She also appeared as an Arab girl in The Forbidden Woman (1927) starring Jetta Goudal and Joseph Schildkraut. Schildkraut, who would later win an Oscar for playing Captain Alfred Dreyfus in The Life of Emile Zola (1937), announced at the wrap party that he was so impressed by her acting skills that he considered her his "favourite co-star." That year also saw her cast as the co-lead opposite rising child star Frankie Darro in the FBO production Little Mickey Grogan. It was her swan song to silent pictures, and alongside her part as Little Harry, her role as the street urchin Susan Dale was the one of which she was most proud.
The late 1920s saw a spate of proto-gangster films (Underworld [1927], Ladies of the Mob [1928], and Thunderbolt [1929]), and alarmed by the rising depiction of screen violence, Fred Ahern took his daughters out of pictures. Instead, he opened a dance studio, only blocks from MGM, called "Ahern's Allied Arts." There--besides dance styles such as ballet and tap--acrobatics, rope tricks, and music were taught. Ernest Belcher, Marge Champion's father, had been Lassie's dance instructor, and indeed she had been a trained dancer before the studio opened, amply showing off her skills in Uncle Tom's Cabin and Little Mickey Grogan. From 1932 to 1939, the sisters successfully toured the world together in a variety of venues, even appearing on screen (marvelous in 1937's Hollywood Party). Their act broke up when each sister decided to marry.
While Peggy permanently retired from performing, Lassie returned to Hollywood in 1941 with husband Johnny Brent, a former Dixieland drummer who was employed for years as a musician for studio orchestras. She danced in City of Lost Girls (1941) and in the early musicals Donald O'Connor made at Universal (1943's Top Man and Mister Big and 1945's Patrick the Great). She was effusive in her praise for O'Connor, openly regarding him as the finest performer she ever worked with. She was also nearly cast opposite Jennifer Jones in The Song of Bernadette (1943), and had a bit part with Joseph Cotten in George Cukor's Gaslight (1944). When she returned to the screen decades later, it was not on the big one but on television, in small parts in episodes of The Odd Couple; Love, American Style; and other popular series.
In middle age, she not only was a travel agent but for more than thirty years taught dance to generations of students at the Ashram Spa near San Diego, with Renee Zellweger and Cindy Crawford among her pupils. In the 1970s, while researching an upcoming role in which she was to be cast as a madam, Faye Dunaway approached Lassie for walking lessons because of her commanding posture.
Besides her late husband and sister, Lassie's half-brother Fred had also worked in the industry, notably as a production designer for Alfred Hitchcock in five pictures he made for the Master of Suspense from the period of Spellbound (1945) to Stage Fright (1950). Lassie leaves behind three children, Cary, Debra, and John. She told Crouse in 2013, "It's gratifying to experience such interest in my work from you and so many others from around the world. Fan letters, especially from Germany and Spain, still arrive at my mailbox at a rate that amazes me."
An original 35-mm nitrate copy of Little Mickey Grogan has been found in the Lobster Films Archive in Paris. Crouse and co-producer Eric Grayson are working to restore it. - Actress
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Having toured the world with husband, Kajar the Magician's Show 'Magicadabr', Jean Darling settled in Dublin and became an author of dozens of short mysteries for Ellery Queen, Alfred Hitchcock, Mike Shayne Mystery Magazines and Horror Fantasy for Whispers Magazine, etc. In 1980 she became Aunty Poppy (named for her home State flower) writing and telling over 450 children's story on both RTE radio and TV. Jean has also written several radio plays broadcast on RTE.- Hanna Maron was born on 22 November 1923 in Berlin, Germany. She was an actress, known for Krovim Krovim (1983), Sof Shavua be-Galil (2007) and Handsome Gigolo, Poor Gigolo (1930). She was married to Yossi Yadin and Jacob Rechter. She died on 30 May 2014 in Tel Aviv, Israel.
- Billy Watson was born on 25 December 1923 in Los Angeles, California, USA. He was an actor, known for Mr. Smith Goes to Washington (1939), In Old Chicago (1938) and Kidnapped (1938). He was married to Sue Watson. He died on 17 February 2022 in Spokane, Washington, USA.
- Mildred Gene Kornman was the daughter of German-born still photographer Eugene Kornman and his wife, the actress Verna Kornman. Eugene was employed on the staff of Harold Lloyd at Hal Roach Studios. His close friendship with star comedian Lloyd led to the child being named Mildred, after Lloyd's wife Mildred Davis. The younger sister (by ten years) of the already established child actress Mary Kornman, Mildred began appearing on screen as a toddler and eventually followed in her sister's footsteps as a regular cast member of Our Gang, playing Joe Cobb's sibling. She featured in some 20 episodes of the series between 1926 and 1935, beginning with the two-reel comedy short Thundering Fleas (1926). Mildred also worked as a bit part player and extra (frequently for 20th Century Fox) on and off between 1930 and 1962.
Mildred was educated at Hollywood High School (graduating in 1943) and later attended UCLA where she majored in English, Spanish and art. She began to freelance as a photographic model from the age of sixteen, some of her income used in support of her family during the depression years. Married at eighteen and having changed her name to Ricki VanDusen, she now concentrated increasingly on her new career path as a leading fashion model, soon featuring on the cover of prestigious American magazines, such as Vogue and Harper's Bazaar, and in advertising campaigns for top shelf cosmetics firms like Elizabeth Arden, Revlon and Helena Rubenstein. In 1968, she set up her own business, the fashion boutique Van Dusen-Green Inc. in Encino, California. In the wake of her acting career, she also emulated her father by taking up professional photography.
Fully retired at 89, Mildred/Ricki resided on a secluded ranch in Utah and passed away seven years later in August 2022, one of the very last survivors from the age of silent cinema. - Actor
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Dickie Moore made his acting and screen debut at the age of 18 months in the 1927 John Barrymore film The Beloved Rogue (1927) as a baby, and by the time he had turned 10 he was a popular child star and had appeared in 52 films. He continued as a child star for many more years, and became the answer to the trivia question, "Who was the first actor to kiss Shirley Temple on screen?" when that honor was bestowed upon him in 1942's Miss Annie Rooney (1942). As with many child actors, once Dickie got older the roles began to dry up. He made his last film in 1952, but was still in the public eye with the 1949 to 1955 TV series Captain Video and His Video Rangers (1949). He then retired from acting for a new career in publicity. He later produced industrial shows.