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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.ADOLF HITLER IN "THE GREAT DICTATOR"- Actor
- Writer
- Soundtrack
Prolific Irish character actor Thomas J. Dugan was born in Dublin on New Year's Day 1889. At a young age, his family moved to Philadelphia, where Dugan attended high school. He had a good tenor voice so, after leaving school, he decided to pursue a career in show business. Before appearing on stage, Dugan performed in minstrel and traveling medicine shows that were popular at the time. He played in musical comedies in New York City and vaudeville theaters such as Earl Carroll's Vanities before eventually becoming a comedian on Broadway.
Dugan began his acting career in 1927 with roles in some obscure silent movies. He was lucky enough to be cast in Lights of New York (1928), the very first feature film with all synchronous dialogue (The Jazz Singer (1927) was the first movie to use audible dialogue, but it still used title cards). His best-known films are Ernst Lubitsch's satirical World War II comedy To Be or Not to Be (1942) and the Gene Kelly/Frank Sinatra/Esther Williams musical Take Me Out to the Ball Game (1949).
Over the years, Dugan appeared in more than 260 films, appearing on silver screens frequently until a road accident in California took his life on March 7, 1955. He was 66 years old at the time of his death.ADOLF HITLER IN "TO BE OR NOT TO BE"- Bobby Watson's acting career began in the late 19th Century, in Springfield, Illinois. At age 10 he had the peanut concession on Saturday afternoons at Springfield's only dance hall, the Olympic Theatre. By age 12 he graduated to the evening concession, and joyously studied the travelling variety acts that came through the town. When he was 15, the theatre manager offered him a chance to show what he had learned from watching all the acts. His first performance consisted of two comedic impressions, the first was a blackface act and the second was a drunken Irishman. Bobby was immediately put on the Olympic payroll. A travelling medicine show, called "Kickapoo Remedies Show" (a name W.C. Fields might have used with good effect), came through Springfield and the owner of the Kickapoo medicine show took Watson out of Springfield to perform with him all over the mid west. Apparently unafraid of criticism, Watson performed the female role "Rosalind" by William Shakespeare, and the comedy mold was cast. From then on, Watson was often, but not exclusively, cast as an effeminate or unathletic character. While in Chicago, he was offered a job with Gus Edwards' shows in New York's Martinique Hotel and Coney Island, Brooklyn. While entertaining the crowds at Coney Island, the Broadway producers Cohan and Harris hired him to replace Frank Craven in the 1918 musical "Going Up." From that point on, he was destined to remain as one of the worthwhile "finds" of the theatre, and subsequently, films. A big break came in 1919 in the form of an original musical "Irene" (songs by Joseph McCarthy & Harry Tierney) with Edith Day. Watson became one of the most beloved characters in the show, portraying a popular male modiste (dressmaker) nicknamed "Madame Lucy." The show was a huge success, and a few years later he appeared in a revival of it with Irene Dunne, with whom he would be reunited in the film "The Awful Truth" (1937). He appeared in another Cohan musical show, "The Rise of Rosie O'Reilly" in 1923, and shortly thereafter he was approached with film offers. Bobby Watson is one of those versatile actors every filmgoer has seen many times playing memorable character parts. Beginning in 1942, Watson was cast as Adolf Hitler in more films than any other actor. The list of titles includes "Hitler: Dead or Alive," "The Hitler Gang," "Miracle of Morgan's Creek" and "That Nazty Nuisance." Since his earliest films, he portrayed all kinds of roles; interior decorator, radio announcer, hotel manager, a dance director, a band leader, dress maker, detective, and even a diction coach (uncredited) in "Singin' in the Rain."ADOLF HITLER IN "THE DEVIL WITH HITLER"
- Actor
- Soundtrack
The actor and Broadway director Luther Adler was born into a Yiddish theatrical dynasty. One of the six children born to Jacob P. and Sara Adler, he made his debut in the world in New York City, originally billed as Lutha J. Adler. His full siblings Charles, Jay, Julia, and Stella (the famous acting teacher) as well as his half-siblings Celia and Abram Adler all appeared on Broadway, and his father Jacob, the biggest star of the Yiddish-language theater, was considered one of the great American actors.
The Yiddish theater was an important cultural venue in the days when the millions of Jewish immigrants in the greater metropolitan New York area spoke Yiddish as their first (and sometimes only) language. People who trained and appeared in the Yiddish theater were instrumental in the development of the modern American theater and film, and some, including Sidney Lumet, are still active in the 21st century. It was in this cultural milieu that Luther and his siblings got their grounding in acting and the theater.
Jacob Adler owned and operated his own stage in New York's Lower East Side, and Luther began appearing in the family productions at the age of five with the Adler production of "Schmendrick." He made his official debut as an actor at the age of 13 at his father's theater and his Broadway debut at the the age of 18. Billed as Lutha Adler, he appeared in the Provincetown Players' production of Theodore Drieser's "The Hand of the Potter" in December 1921 at the Provincetown Playhouse,
Adler's first Broadway hit was "Humoresque" in 1923, and he appeared regularly in top productions throughout the '20s, including "Street Scene" (1929) and "Red Dust" (1929). Along with his sister 'Stella Adler", Luther Adler was one of the original members of the Group Theatre acting company, which was formed in 1931 by Harold Clurman (his future brother-in-law), Cheryl Crawford, and Lee Strasberg. Others who would make their bones in the company were Elia Kazan, Julius "John" Garfield, Howard Da Silva, Franchot Tone, John Randolph, Will Geer, Clifford Odets and Lee J. Cobb.
The Group Theatre was dedicated to bringing realism to the American stage and was instrumental in introducing the Stanislavsky technique into American acting. Most members were leftists if not communists, and the collective wanted to produce plays dealing with social issues. For the Groupe Theatre, Adler appeared in "Night Over Taos" (1932), "Success Story" (1933), "Alien Corn" (1933) and two seminal works of the American stage written by Odets: "Awake and Sing!" (1935) and "Golden Boy" (1937). He played opposite leading ladies Katharine Cornell in "Alien Corn" (1933), his sister Stella in "Gold Eagle Guy "(1934), "Awake and Sing!" and "Paradise Lost" (both 1935), and Frances Farmer in "Golden Boy" (1937).
His appearance as the urban ethnic boxer Joe Bonaparte in Odets' "Golden Boy" arguably was his greatest role, but when the film was made in 1939, he was passed over for the improbably cast Wlliam Holden, a white-bread WASP. Although Adler appeared in many motion pictures, his reputation would remain primarily that of a stage actor.
Adler became a director on Broadway in 1942, though his first staging, "They Should Have Stayed in Bed", was a flop, lasting but 11 performances. He next directed Ben Hecht's pro-Israel propaganda play "A Flag is Born" in 1946, starring the great Paul Muni, a graduate of the Yiddish theater, and newcomer Marlon Brando, an Irish-American born-Protestant who had been trained by his sister Stella. The play, which raised money for Jewsh refugees from the Holocaust seeking sanctuary in Palestine, was a hit, running for 120 performances. He also directed "Angel Street" (1955) and "A View from the Bridge" (1960). He last appeared on Broadway as a replacement in the long running "Fiddler on the Roof."
Adler made his movie debut in Lancer Spy (1937), but he never became a star in that medium. His best roles like "Golden Boy" and "Humoresque" were taken by other actors, including Group Theatre alumnus John Garfield. He had memorable supporting turns in the noir classic D.O.A. (1949), in Joseph Losey's remake of M (1951), in Paul Muni's last film The Last Angry Man (1959), in the Holocaust drama The Man in the Glass Booth (1975), and as Paul Newman's mobster uncle in Absence of Malice (1981). He also worked frequently on television.
From 1938 until 1947, Adler was married to the actress Sylvia Sidney. They had one child, a son, Jacob. Luther Adler died in Kutztown, Pennsylvania on December 8, 1984. He was 81 years old.ADOLF HITLER IN "ROMMEL, THE FOX OF THE DESSERT"- Actor
- Director
- Additional Crew
Despite many a powerful performance, this actor's actor never quite achieved the stardom he deserved. Ultimately, Richard Basehart became best-known to television audiences as Admiral Harriman Nelson, commander of the glass-nosed nuclear submarine 'S.S.R.N Seaview' in Irwin Allen's Voyage to the Bottom of the Sea (1964), shown on ABC from 1964 to 1968. Basehart's distinctively deep, resonant voice also provided narrations in feature films, TV mini-series and for documentaries.
Born in Zanesville, Ohio, on August 14 1914, Basehart was one of four siblings born to a struggling and soon-to-be widowed editor of a local newspaper. Upon leaving college, he worked briefly as a radio announcer and then attempted to follow in his father's journalistic footsteps as a reporter. Controversy over one of his stories led to his departure from the paper and cleared the path to pursue acting as a career. In 1932, Basehart made his theatrical bow with the Wright Players Stock Company in his home town and subsequently spent five years playing varied and interesting roles at the Hedgerow Theatre in Philadelphia. From 1938, he began to work in New York on and off-Broadway. Seven years later he received the New York Drama Critics Circle Best Newcomer Award for "The Hasty Heart", a drama by John Patrick, in which Basehart played a dying Scottish soldier. In 1945, he received his first film offers. When he heard director Bretaigne Windust was seeking an authentic Scot for the lead role in The Hasty Heart, Basehart not only effected an authentic enough burr to win the part, but won also the 1945 New York Critic's Award as the most promising actor of the year. His accent was so good that a visiting leader of a Scottish clan told the actor he knew his clan.
Basehart made his debut on the big screen with Repeat Performance (1947) at Eagle-Lion, a minor film noir with Joan Leslie, followed at Warner Brothers with the Gothic Barbara Stanwyck thriller Cry Wolf (1947). His third picture finally got him critical plaudits for playing a sociopathic killer, relentlessly hunted through drainage tunnels in He Walked by Night (1948), a procedural police drama shot in a semi-documentary style. Variety gave a positive review, commenting "With this role, Basehart establishes himself as one of Hollywood's most talented finds in recent years. He heavily overshadows the rest of the cast..."
It was the first of many charismatic performances in which Basehart would excel at tormented or introverted characters, portraying angst, foreboding or mental anguish. His gallery of characters came to include the notorious Robespierre, chief architect of the Reign of Terror (1949), set during the French Revolution. He was one of the feuding Hatfields in Roseanna McCoy (1949) and in Fourteen Hours (1951) (based on a real 1938 Manhattan suicide) had a tour de force turn as a man perched on the high ledge of an office building threatening to jump. For much of the film's duration, the camera was firmly focused on the actor's face. Basehart later recalled "It was an actor's dream, in which I hogged the camera lens, and the role called on me to act mostly with my eyes, lips and face muscles". The New York Times reviewer Bosley Crowther called his performance 'startling and poignant'.
Eschewing conventional movie stardom, Basehart meticulously selected and varied his roles, avoiding, as he put it, "stereotyping at the expense of not amassing an impressive bank account.'' In the wake of the sudden death of his first wife, Basehart left the U.S. for Italy. In March 1951, he got married a second time (to the actress Valentina Cortese) and appeared in a succession of European movies, playing the ill-fated clown Il Matto in Federico Fellini's classic The Road (1954); against type, essayed a swashbuckling nobleman reclaiming his titles and estate in Cartouche (1955), and (again for Fellini), played a member of a gang of grifters in The Swindle (1955). He was also ideally cast as the mild-mannered Ishmael in John Huston's excellent version of Moby Dick (1956) and as Ivan, one of The Brothers Karamazov (1958).
By 1960, Basehart's second marriage had ended in divorce and the actor returned to America where he found movie opportunities few and far between. The small screen to some extent reinvigorated his career with numerous series guest appearances and his lengthy stint in the popular Voyage to the Bottom of the Sea. He also received critical praise for his role as Henry Wirtz, commandant of the Confederacy's most infamous prison camp, in the Emmy and Peabody Award-winning television drama The Andersonville Trial (1970).
Not only an active human rights campaigner, Basehart was also strongly opposed to the experimental use of animals. With his third wife Diana Lotery he set up the animal welfare charity, Actors and Others for Animals, in 1971. He died after suffering a series of strokes in Los Angeles on September 17 1984 at the age of 70.ADOLF HITLER IN "HITLER"- Actor
- Writer
- Director
Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.ADOLF HITLER IN "SOFT BEDS, HAAD BATTLES"- Actor
- Writer
- Soundtrack
Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.ADOLF HITLER IN "HITLER THE LAST TEN DAYS"- Actor
- Director
- Writer
Of Greek descent on both sides, the son of immigrants, Savalas was a soldier during World War II, although most of his enlistment records were destroyed in a fire at the National Personnel Records Center in St. Louis, Missouri, in 1973. He later studied psychology at Columbia University under the GI Bill.
Iconically bald, he often played character roles, sometimes as sadists or psychotics. He became famous in the 1970s when his role as Det. Theo Kojak in the TV movie The Marcus-Nelson Murders (1973) was expanded into the gritty Kojak (1973) TV series (1973-78).ADOLF HITLER IN "INSIDE OUT"- Actor
- Composer
- Producer
Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.ADOLF HITLER IN "THE BUNKER"- Michael Sheard was born on 18 June 1938 in Aberdeen, Grampian, Scotland, UK. He was an actor, known for Star Wars: Episode V - The Empire Strikes Back (1980), The Outsider (1983) and Mind Your Language (1977). He was married to Rosalind Allaway. He died on 31 August 2005 in Newport, Isle of Wight, England, UK.ADOLF HITLER IN "INDIANA JONES AND THE LAST CRUSADE"
- Actor
- Writer
- Producer
Widely regarded as one of greatest stage and screen actors both in his native Great Britain and internationally, twice nominated for the Oscar and recipient of every major theatrical award in the UK and US, Ian Murray McKellen was born on May 25, 1939 in Burnley, Lancashire, England, to Margery Lois (Sutcliffe) and Denis Murray McKellen, a civil engineer and lay preacher. He is of Scottish, Northern Irish, and English descent. During his early childhood, his parents moved with Ian and his older sister, Jean, to the mill town of Wigan. It was in this small town that young Ian rode out World War II. He soon developed a fascination with acting and the theatre, which was encouraged by his parents. They would take him to plays, those by William Shakespeare, in particular. The amateur school productions fostered Ian's growing passion for theatre.
When Ian was of age to begin attending school, he made sure to get roles in all of the productions. At Bolton School in particular, he developed his skills early on. Indeed, his first role in a Shakespearian play was at Bolton, as Malvolio in "Twelfth Night". Ian soon began attending Stratford-upon-Avon theatre festivals, where he saw the greats perform: Laurence Olivier, Wendy Hiller, John Gielgud, Ralph Richardson and Paul Robeson. He continued his education in English Drama, but soon it fell by the wayside as he concentrated more and more on performing. He eventually obtained his Bachelor of Arts in 1961, and began his career in earnest.
McKellen began working in theatre over the next few years. Very few people knew of Ian's homosexuality; he saw no reason to go public, nor had he told his family. They did not seem interested in the subject and so he saw no reason to bring it up. In 1988, Ian publicly came out of the closet on the BBC Radio 4 program, while discussing Margaret Thatcher's "Section 28" legislation, which made the promotion of homosexuality as a family relationship by local authorities an offense. It was reason enough for McKellen to take a stand. He has been active in the gay rights movement ever since.
Ian resides in Limehouse, where he has also lived with his former long-time partner Sean Mathias. The two men have also worked together on the film Bent (1997) as well as in exquisite stage productions. To this day, McKellen works mostly in theatre, and was knighted by Queen Elizabeth II in 1990 for his efforts in the arts. However, he has managed to make several quite successful forays into film. He has appeared in several productions of Shakespeare's works including his well received Richard III (1995), and in a variety of other movies. However, it has only been recently that his star has finally begun to shine in the eyes of North American audiences. Roles in various films, Cold Comfort Farm (1995), Apt Pupil (1998) and Gods and Monsters (1998), riveted audiences. The latter, in particular, created a sensation in Hollywood, and McKellen's role garnered him several of awards and nominations, including a Golden Globe and an Oscar nod. McKellen, as he continues to work extensively on stage, he always keeps in 'solidifying' his 'role' as Laurence Olivier's worthy 'successor' in the best sense too, such as King Lear (2008) / King Lear (2008) directed by Trevor Nunn and in a range of other staggering performances full of generously euphoric delight that have included "Peter Pan" and Noël Coward's "Present Laughter", as well as Samuel Beckett's "Waiting for Godot" and Harold Pinter's "No Man's Land" (National Theatre Live: No Man's Land (2016)), both in acclaimed productions brilliantly directed by Sean Mathias.
McKellen found mainstream success with his performance as Magneto in X-Men (2000) and its sequels. His largest mark on the big screen may be as Gandalf in "The Lord of the Rings" film trilogy directed by Peter Jackson, which he reprised in "The Hobbit" trilogy. He also reprised the role of 'King Lear' with new artistic perspectives in National Theatre Live: King Lear (2018) offering an invaluable mesmerizing experience as a natural force of stage - and screen - of infinite generosity through his unsurpassable interpretation of the titanically vulnerable king.ADOLF HITLER IN "COUNTDOWN TO WAR"- Actor
- Director
- Soundtrack
Robert Carlyle was born in Maryhill, Glasgow, Scotland, to Elizabeth, a bus company employee, and Joseph Carlyle, a painter and decorator. He was raised by his father after his mother left him when he was four. At the age of 21, after reading Arthur Miller's "The Crucible," he enrolled in acting classes at the Glasgow Arts Centre. In 1991, together with four other actors, he founded the Raindog theatre company (named after Tom Waits' album "Rain Dog," one of Carlyle's favorites), a company dedicated to innovative work. Danny Boyle's film Trainspotting (1996) marked his breakthrough.ADOLF HITLER IN "THE RISE OF EVIL"- Actor
- Director
- Cinematographer
Bruno Ganz was an acclaimed Swiss actor who was a prominent figure in German language film and television for over fifty years. He is internationally renowned for portraying Adolf Hitler in the Academy Award-nominated film Downfall (2004).
Ganz was born in Zürich, to a Swiss mechanic father and a northern Italian mother. He decided to pursue an acting career by the time he entered university. He debuted at the theatre in 1961, and gained a reputation as a reflective, charismatic and technically brilliant stage actor. In 1970, he and Peter Stein founded the theatre company 'Schaubühne' in Berlin, Germany. On stage, Ganz portrayed Dr. Heinrich Faust in Peter Stein's staging of Faust, Part One and Faust, Part Two in 2000.
In cinema, Ganz became one of the best-known and most acclaimed actors in the German language, collaborating with many of the most respected European actors and directors of his time. He also starred in international features that reached a global audience. His film debut was The Gentleman in the Black Derby (1960). He also starred in Unknown (2011), The Counselor (2013), and The Party (2017).
Ganz died from cancer on 16 February 2019 at his home in the village of Au, in Wädenswil, Switzerland.ADOLF HITLER IN "THE DOWNFALL"- Actor
- Additional Crew
Udo Schenk was born on 11 April 1953 in Wittenberge, German Democratic Republic. He is an actor, known for In aller Freundschaft (1998), The King's Choice (2016) and Netaji Subhas Chandra Bose: The Forgotten Hero (2005). He is married to Marina Krogull. They have one child. He was previously married to Cornelia Lippert.ADOLF HITLER IN "VALKIRIA"- Actor
- Director
Ulrich Mühe was born on 20 June 1953 in Grimma, East Germany. He was an actor and director, known for The Lives of Others (2006), Funny Games (1997) and Der letzte Zeuge (1998). He was married to Susanne Lothar, Jenny Gröllmann and Annegret Hahn. He died on 22 July 2007 in Walbeck, Saxony-Anhalt, Germany.ADOLF HITLER IN "MEIN FUHRER"- Actor
- Soundtrack
Carl Ekberg was born on 1 March 1903 in Skien, Norway. He was an actor, known for Loving Couples (1964) and Djurgårdsnätter (1933). He died on 25 April 1976 in Los Angeles, California, USA.ADOLF HITLER IN "CITIZEN KANE"- Actor
- Producer
- Soundtrack
Preeminent British classical actor of the first post-Olivier generation, Derek Jacobi was knighted in 1994 for his services to the theatre, and, in fact, is only the second to enjoy the honor of holding TWO knighthoods, Danish and English (Olivier was the other). Modest and unassuming in nature, Jacobi's firm place in theatre history centers around his fearless display of his characters' more unappealing aspects, their great flaws, eccentricities and, more often than not, their primal torment.
Jacobi was born in Leytonstone, London, England, the only child of Alfred George Jacobi, a department store manager, and Daisy Gertrude (Masters) Jacobi, a secretary. His paternal great-grandfather was German (from Hoxter, Germany). His interest in drama began while quite young. He made his debut at age six in the local library drama group production of "The Prince and the Swineherd" in which he appeared as both the title characters. In his teens he attended Leyton County High School and eventually joined the school's drama club ("The Players of Leyton").
Derek portrayed Hamlet at the English National Youth Theatre prior to receiving his high school diploma, and earned a scholarship to the University of Cambridge, where he initially studied history before focusing completely on the stage. A standout role as Edward II at Cambridge led to an invite by the Birmingham Repertory in 1960 following college graduation. He made an immediate impression wherein his Henry VIII (both in 1960) just happened to catch the interest of Olivier himself, who took him the talented actor under his wing. Derek became one of the eight founding members of Olivier's National Theatre Company and gradually rose in stature with performances in "The Royal Hunt of the Sun," "Othello" (as Cassio) and in "Hay Fever", among others. He also made appearances at the Chichester Festival and the Old Vic.
It was Olivier who provided Derek his film debut, recreating his stage role of Cassio in Olivier's acclaimed cinematic version of Othello (1965). Olivier subsequently cast Derek in his own filmed presentation of Chekhov's Three Sisters (1970). On TV Derek was in celebrated company playing Don John in Much Ado About Nothing (1967) alongside Maggie Smith and then-husband Robert Stephens; Derek had played the role earlier at the Chichester Festival in 1965. After eight eventful years at the National Theatre, which included such sterling roles as Touchstone in "As You Like It", Jacobi left the company in 1971 in order to attract other mediums. He continued his dominance on stage as Ivanov, Richard III, Pericles and Orestes (in "Electra"), but his huge breakthrough would occur on TV. Coming into his own with quality support work in Man of Straw (1972), The Strauss Family (1972) and especially the series The Pallisers (1974) in which he played the ineffectual Lord Fawn, Derek's magnificence was presented front and center in the epic BBC series I, Claudius (1976). His stammering, weak-minded Emperor Claudius was considered a work of genius and won, among other honors, the BAFTA award.
Although he was accomplished in The Day of the Jackal (1973) and The Odessa File (1974), films would place a distant third throughout his career. Stage and TV, however, would continue to illustrate his classical icon status. Derek took his Hamlet on a successful world tour throughout England, Egypt, Sweden, Australia, Japan and China; in some of the afore-mentioned countries he was the first actor to perform the role in English. TV audiences relished his performances as Richard II (1978) and, of course Hamlet, Prince of Denmark (1980).
After making his Broadway bow in "The Suicide" in 1980, Derek suffered from an alarming two-year spell of stage fright. He returned, however, and toured as part of the Royal Shakespeare Company (1982-1985) with award-winning results. During this period he collected Broadway's Tony Award for his Benedick in "Much Ado about Nothing"; earned the coveted Olivier, Drama League and Helen Hayes awards for his Cyrano de Bergerac; and earned equal acclaim for his Prospero in "The Tempest" and Peer Gynt. In 1986, he finally made his West End debut in "Breaking the Code" for which he won another Helen Hayes trophy; the play was then brought to Broadway.
For the rest of the 80s and 90s, he laid stage claim to such historical figures as Lord Byron, Edmund Kean and Thomas Becket. On TV he found resounding success (and an Emmy nomination) as Adolf Hitler in Inside the Third Reich (1982), and finally took home the coveted Emmy opposite Anthony Hopkins in the WWII drama The Tenth Man (1988). He won a second Emmy in an unlikely fashion by spoofing his classical prowess on an episode of "Frasier" (his first guest performance on American TV), in which he played the unsubtle and resoundingly bad Shakespearean actor Jackson Hedley.
Kenneth Branagh was greatly influenced by mentor Jacobi and their own association would include Branagh's films Henry V (1989), Dead Again (1991), and Hamlet (1996), the latter playing Claudius to Branagh's Great Dane. Derek also directed Branagh in the actor's Renaissance Theatre Company's production of "Hamlet". In the 1990s Derek returned to the Chichester Festival, this time as artistic director, and made a fine showing in the title role of Uncle Vanya (1996).
More heralded work of late include profound portrayals of the anguished titular painter in Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the role of Gracchus in the popular, Oscar-winning film Gladiator (2000), and sterling performances in such films as Two Men Went to War (2002), Bye Bye Blackbird (2005), The Riddle (2007), Endgame (2009), The King's Speech (2010), Jail Caesar (2012), and as the King in Cinderella (2015). Continuing to mesmerize on the stage, he has turned in superb performances in "Uncle Vanya" (2000), Friedrich Schiller's "Don Carlos" (2005), _A Voyage 'Round My Father (2006), "Twelfth Night" (2009) and the title role in "King Lear" (2010). On the British TV series front, he has commanded more recent attention in the title role of a crusading monk in the mystery series Mystery!: Cadfael (1994), as Lord Pirrie in Titanic: Blood and Steel (2012), as Alan in Last Tango in Halifax (2012), and as Stuart Bixby in Vicious (2013).
He and his life-time companion of three decades, Richard Clifford, filed as domestic partners in England in 2006. Clifford, a fine classical actor and producer in his own right, has shared movie time with Jacobi in Little Dorrit (1987), Henry V (1989), and the TV version of Cyrano de Bergerac (1985).ADOLF HITLER IN "INSIDE THE THIRD REICH"- Actor
- Writer
Gerhard Haase-Hindenberg was born on 14 May 1953 in Schweinfurt, Bavaria, Germany. He is an actor and writer, known for Valkyrie (2008), Streit um Drei (1998) and Deathline (1996).HERMANN GÖRING IN "VALKIRIA"- Mathias Gnädinger was born on 25 March 1941 in Ramsen, Kanton Schaffhausen, Switzerland. He was an actor, known for Downfall (2004), Der grosse Sommer (2015) and Ricordare Anna (2004). He was married to Ursula Zarotti. He died on 3 April 2015 in Zürich, Switzerland.HERMANN GÖRING IN "THE DOWNFALL"
- Chris Larkin was born on 19 June 1967 in Middlesex Hospital, London, England, UK. He is an actor, known for Master and Commander: The Far Side of the World (2003), Valkyrie (2008) and Official Secrets (2019). He has been married to Victoria "Suki" Steadman since June 2005. They have two children.HERMANN GÖRING IN "HITLER:THE RISE OF EVIL"
- Actor
- Producer
- Director
Brian Cox is an Emmy Award-winning Scottish actor. He was born on June 1, 1946 in Dundee, Scotland, to Mary Ann Guillerline Cox, maiden surname McCann, a spinner, and Charles McArdle Campbell Cox, a shopkeeper and butcher. His father was of Irish ancestry and his mother was of Irish and Scottish descent.
Cox first came to attention in the early 1970s with performances in numerous television films. His first big break was as Dr. Hannibal Lecter in Manhunter (1986). The film was not overly successful at the box office, although Cox's career prospects and popularity continued to develop. Through the 1990s, he appeared in nearly 20 films and television series, as well as making numerous television guest appearances. More recently, Cox has had roles in some major films, including The Corruptor (1999), The Ring (2002) and X2 (2003). He was awarded Commander of the Order of the British Empire in the 2003 Queen's New Year's Honours List for his services to drama.HERMANN GÖRING IN "NUREMBERG"- Actor
- Soundtrack
A true character actor in the best sense of the word, offbeat British thespian Peter Vaughan's hefty frame could appear intimidating or benevolent; his mere presence menacing or avuncular. Adept at playing both sides of the law, his characters usually possessed a strange, somewhat wary countenance that seemed to keep his audience slightly off balance. This veteran actor has been a stalwart presence for nearly fifty years. Born Peter Ohm in 1923, he began on the stage and didn't enter films until 1959, well into his thirties.
Married in 1952 to rising actress Billie Whitelaw, Peter was primarily in the background at first, offering a cheapjack gallery of thugs, unsmiling cops, and foreign agents in movies. An easily unsympathetic bloke, he played unbilled policemen in his first two films, then slowly gravitated up the credits list. He appeared as the chief of police in the spy drama The Devil's Agent (1962), which also featured his wife, and then gained a bit more attention in a prime part as an offbeat insurance investigator in the B movie Smokescreen (1964), a role that propelled him into the higher ranks. Noticeably shady roles came with playing Tallulah Bankhead's seedy handyman who meets a fatal end in the Gothic horror Die! Die! My Darling! (1965) [aka Die! Die! My Darling!]; his villainous roles in the spy thrillers The Naked Runner (1967) opposite Frank Sinatra and The Man Outside (1967); a German thug in A Twist of Sand (1968); and Sgt. Walker in The Bofors Gun (1968).
Divorced from Whitelaw in 1966, he later married actress Lillias Walker, who had roles in a couple of his pictures: Malachi's Cove (1973) and Intimate Reflections (1975). TV became a large source of income for Vaughan in the 1970s, particularly in his role of Grouty in Porridge (1974) on both the large and small screen, and his quirky demeanor fitted like a glove for bizarre director Terry Gilliam, who cast him as the Ogre in Time Bandits (1981) and then as Mr. Helpman in Brazil (1985). For the past few decades he has maintained a healthy balance between film (including standout roles in Zulu Dawn (1979), The Remains of the Day (1993) and The Life and Death of Peter Sellers (2004)) and TV mini-movies, both contemporary and period. He was still performing into his 90s: his final role was Maester Aemon Targaryen in HBO's Game of Thrones (2011).
He died at age 93 on December 6, 2016, in Sussex, England.HERMANN GÖRING IN "COUNTDOWN TO WAR"- Writer
- Producer
- Additional Crew
Dave King was born on 6 June 1978. He is a writer and producer, known for Parks and Recreation (2009), The Good Place (2016) and The Bubble (2022).HERMANN GÖRING IN "THE BUNKER"- Hein Riess was born on 11 September 1913 in Hamburg, Germany. He was an actor, known for Battle of Britain (1969), Heimweh nach St. Pauli (1963) and Pension Clausewitz (1967). He died on 7 September 1993 in Hamburg, Germany.HERMANN GÖRING IN "THE BATTLE OF ENGLAND"
- Actor
- Director
- Writer
Barry Primus was born on 16 February 1938 in New York City, New York, USA. He is an actor and director, known for Grudge Match (2013), Righteous Kill (2008) and 15 Minutes (2001). He has been married to Julie Arenal since 23 December 1960. They have one child.HERMANN GÖRING IN "VON RICHTOFEN AND BROWN"- Actor
- Soundtrack
John Newman Mitchum was the September child of a Norwegian mother and an Irish/Blackfoot father whom he never knew, as he was killed in a tragic train yard accident in 1919. His two-years-older brother Robert filled the role as best as he could, while their older sister Annette studied the lively arts and eventually joined a traveling vaudeville team. Born in Bridgeport, Connecticut, the young family moved to Rising Sun, Delaware, where farm life didn't agree with the young boys. Scarce opportunities took them to New York City, where the streets of Hell's kitchen taught the brothers to fight, a skill they developed so well they earned the moniker 'them ornery Mitchum boys'. Eventually, when the Great Depression deepened, the family was forced to separate with the intention of meeting up with sister Annette, who had married a sailor and moved to California, changing her name to Julie. The teenage boys set out with little more than clean handkerchiefs to find their way across the country by the only means they could: hitchhiking and riding the rails. Their somewhat aimless journey took them to places they had never been; where their Eastern accents were not welcome, so they quickly learned that accurately mimicking the local dialect would keep them out of trouble--some of the time! While brother Robert fairly quickly discovered his place in Hollywood legend, John sought his destiny on the high seas, professionally boxing, or conducting a choir. When the opportunity for acting came along John found his perfect niche as a character actor, mostly playing heavies since he was an imposing figure of a man. John's roles had him playing alongside a wide range of celebrities, from Humphrey Bogart in "Knock On Any Door" (1949) to Gladys Knight in "Pipe Dreams" (1976), Clint Eastwood of "Dirty Harry" (1971) to John Wayne in "Chisum" (1970), appearing in 58 films overall. It was during production of "Chisum" that John Wayne offered his voice for an anthology of John's poetry that seeks to uplift US culture, "America, Why I Love Her", a recording for which Mitchum was nominated for a Grammy in 1973. John was a consummate storyteller (as was his brother Robert), and with his fascination with US history in particular he was ever-ready to regale anyone with a thoughtful, interesting, and insightful anecdote, especially if a guitar was available. It was the wedding of music and history that brought him to create the recording "Our Land, Our Heritage" with Dan Blocker; big "Hoss" from "Bonanza", in 1964. Mitchum had some recurring roles throughout his television career; such as "Pickalong" from "Riverboat", or "Hoffenmueller" from "F-Troop", over 150 appearances in all during the span of a half-century career. The brothers Mitchum legacy has been well-preserved in his often hilarious autobiography, "Them Ornery Mitchum Boys", published in 1989. The subjects range from brother Robert escaping a Georgia chain-gang to his "poontang" interview; from John surviving an attacking whale on a three-masted schooner to his adventures riding the rails, developing a great love and respect for the people of the United States.HERMANN GÖRING IN "HITLER"- Sylvester Groth was born in Jerichow, German Democratic Republic on March 31st, 1958. He is an actor with an extensive television and theater career, well known for portraying Goebbels in Inglourious Basterds (2009), Clausen in Dark (2019) and starring in The Man from U.N.C.L.E. (2015), Stalingrad (1993) and Deutschland 83 (2015).JOSEPH GOEBBELS IN "INGLORIOUS BASTARDS"AND IN "MEIN FUHRER"
- Actor
- Sound Department
Harvey Friedman was born in 1959 in Pittsburgh, Pennsylvania, USA. He is an actor, known for Valkyrie (2008), Speed Racer (2008) and The Physician (2013). He has been married to Cynthia Barcomi Friedman since 26 July 2003. They have two children.JOSEPH GOEBBELS IN "VALKIRIA"- Adrian Schiller was born on 21 February 1964 in London, England, UK. He was an actor, known for Beauty and the Beast (2017), Suffragette (2015) and Bright Star (2009). He died on 3 April 2024 in the UK.JOSEPH GOEBBELS IN "GOOD"
- Ulrich Matthes was born on 9 May 1959 in West Berlin, West Germany. He is an actor, known for Downfall (2004), A Hidden Life (2019) and Feuerreiter (1998).JOSEPH GOEBBELS IN "THE DOWNFALL"
- JOSEPH GOEBBELS IN "HITLER THE RISE OF EVIL"
- Actor
- Music Department
Johannes Silberschneider was born on 13 December 1958 in Mautern, Styria, Austria. He is an actor, known for The Red Violin (1998), Life Eternal (2015) and Hamlet_X (2003).JOSEPH GOEBBELS IN "LA NIÑA DE TUS OJOS"- Producer
- Second Unit Director or Assistant Director
- Actor
Thomas Schühly was born on 20 September 1951 in Karlsruhe, Germany. He is a producer and assistant director, known for The Name of the Rose (1986), The Adventures of Baron Munchausen (1988) and Alexander (2004).JOSEPH GOEBBELS IN "Die Sehnsucht der Veronika Voss"- Queens-born actor Cliff Gorman, who peaked on stage and in film in the 1970s, was of solid New York stock and well-represented his city throughout his acting career. Short statured, with a set chin, eyes slightly askew, and dark, ethnic looks, his working-class characters reeked of New York realism. Career-wise, it gave Gorman an unsympathetic veneer, taking keen advantage of it especially on the award-winning stage and in a handful of strong film/TV roles. His versatility was obvious -- he was often cast to strut about as a smug and smarmy ladies' man; or berate club patrons as a lewd, below-the-belt entertainer; or portray corrupt cops known for playing by their own rules. Gorman blended easily into the seamy atmosphere of New York's underbelly anywhere and anytime. Known for adding an exciting, dangerous quality to the characters he imbued, it made him fascinating, at the very least, even when the storyline itself wasn't. Even his unflinching anti-heroes were hard to take at times due to their open callousness.
Born on October 13, 1936, Gorman attended both the University of Mexico and UCLA during the mid-1950s, but received his B.S. in education in 1959 from New York University. The acting bug caught up with him early into the next decade. The first production that merited any critical attention was the 1965 off-Broadway drama "Hogan's Goat" with the also up-and-coming Faye Dunaway. A one-time member of Jerome Robbins American Theatre Laboratory, Gorman really turned heads in a decidedly atypical role -- that of the arrogant, sharp-tongued, super flamboyant Emory in the 1968 gay counterculture dramedy "The Boys in the Band". Along with this attention came a well-deserved Obie Award. The ensemble play, which was the first to focus exclusively on gay characters, maintained a superlative mixture of pathos, bathos, caustic humor and witty double entendres. The show also was ground-breaking in that it presented homosexuals as realistic, three-dimensional characters and not merely sideshow objects of humor and/or ridicule. Author Mart Crowley smartly transitioned his play to film and kept his talented theater ensemble intact, some having never appeared in films before. In turn, director William Friedkin's The Boys in the Band (1970) became a milestone in movie-making, an instant cult classic that is today viewed as the fore-daddy of gay cinema.
In 1972, Gorman became the toast of Broadway when he dissolved into the depressing world of comedy. His stark, searing, no-holds-barred portrayal of manic blue comedian Lenny Bruce, whose life and career disintegrated into one huge heroin habit, brought the house down and earned him both the Tony and Drama Desk awards. Although having made his film debut in Justine (1969) and despite receiving top billing in the well-received comedy crime yarn Cops and Robbers (1973), Gorman was not a name star by the time "Lenny" was made into a film. As such, superstar Dustin Hoffman was given the incredible opportunity of playing Lenny (1974). Unarguably, the Oscar-nominated Hoffman was amazing in his resurrection of the irreverent, ill-fated entertainer, but it could have been THE film role for Gorman -- one that might have changed the momentum and destiny of his film career forever. A few years later Bob Fosse, in tribute, would cast Gorman in a very Lenny Bruce-like cameo role in his autobiographical film All That Jazz (1979).
Gorman ventured on but at a much more sporadic pace. He did make TV infamy with the mini-movie Class of '63 (1973), in which he played the insanely obsessive husband of Joan Hackett who terrorizes his wife's former beau (James Brolin) at a school reunion. He backed this up as the zealous Nazi politician Joseph Goebbels alongside Anthony Hopkins' Adolf Hitler in the acclaimed mini-movie The Bunker (1981). On a more compassionate note, Gorman came to the aid of ostracized West Point cadet Richard Thomas in The Silence (1975) as a writer and publisher who helps abolish an inhumane academy tradition. Gorman also displayed a proper toughness and edge-of-the-seat intensity in various good guy/bad guy crimers, notably several "Police Story" episodes and a spate of mini-movies co-starring Richard Crenna.
The bad guy was in top form when Gorman led a Palestinian terrorist group in Otto Preminger's rather abysmal Rosebud (1975); played a slick and sleazy cad who mistreats poor, vulnerable Jill Clayburgh in the popular feminist weeper An Unmarried Woman (1978); and then portrayed another psycho nemesis for James Brolin in the lurid thriller Night of the Juggler (1980).
Gorman made a noticeable return to Broadway with a Tony nomination for his role in Neil Simon's comedy "Chapter Two" in 1977, then prodded his more amusing instincts a decade later in both "Doubletake" (replacing Ron Leibman in 1985) and "Social Security" (replacing Ron Silver in 1986). Into the 1990s Gorman was seen here and there on film, including a supporting mobster part in Ghost Dog: The Way of the Samurai (1999) and as the estranged father of John Leguizamo in King of the Jungle (2000).
Diagnosed with leukemia, Gorman died at age 65 on September 5, 2002, in his beloved New York City and was survived by his long-time wife of almost 40 years, Gayle. His last film Kill the Poor (2003), made in 2002, was released posthumously.JOSEPH GOEBBELS IN "THE BUNKER" - Actor
- Soundtrack
The lean, rather emaciated-looking John Bennett studied acting at the Central School of Speech and Drama in London. After years in repertory theatre, he made his feature debut in 1960, and, thereafter, appeared regularly on British screens. He was prone to perform in diverse ethnic guises, often adopting heavy make-up and using his penchant for accents and dialects. One of his first notable appearances was as the evil Injun Joe in the BBC children's series The Adventures of Tom Sawyer (1960). He came to be much in demand for crime-time TV series, like The Avengers (1961), The Saint (1962) and Z Cars (1962), effortlessly switching from menacing roles to law enforcement.
In feature films, he was generally confined to background support, except for his titular lead in the little-seen drama The Barber of Stamford Hill (1963). He also provided an effective thread connecting the various vignettes of The House That Dripped Blood (1971), as the sceptical investigating Chief Inspector. Bennett also appeared as Joseph Goebbels in Hitler: The Last Ten Days (1973), French Prime Minister Georges Clemenceau in the excellent miniseries Fall of Eagles (1974), and as Greek historian and philosopher Xenophon in I, Claudius (1976). He twice guested in Doctor Who (1963), giving one of his most indelible performances as the Fu Manchu look-alike, Li H'sen Chang, an evil Chinese magician and hypnotist roaming Victorian-era London in search of victims to aid in his master's reincarnation, in "The Talons of Weng-Chiang". Bennett managed to avoid the pitfalls of caricature and gave a thoroughly convincing performance, managing to portray the arch villain with dignity and, ultimately, even a degree of sympathy.
In addition to his work on screen, Bennett remained an exceedingly busy stage performer, at once in classical roles at the National Theatre and with the Royal Shakespeare Company, and in West End revivals of noted musicals like "The King and I" (1979) and "The Sound of Music" (1981).JOSEPH GOEBBELS IN "HITLER THE LAST TEN DAYS"- Actor
- Additional Crew
His icy demeanor and piercing stare on screen epitomized the type of Nazi menace with a blind obedience to Hitler that everyone loved to hate. Kosleck portrayed Goebbels, Hitler's propaganda minister, 5 times, as well as various German army officers, SS troopers and concentration camp officers. He was also effective playing spies, agents, and psychopaths.JOSEPH GOEBBELS IN "HITLER"- Actor
- Animation Department
- Additional Crew
Sir Ian Holm was one of the world's greatest actors, a Laurence Olivier Award-winning, Tony Award-winning, BAFTA-winning and Academy Award-nominated British star of films and the stage. He was a member of the prestigious Royal Shakespeare Company and has played more than 100 roles in films and on television.
He was born Ian Holm Cuthbert on September 12, 1931, in Goodmayes, Essex, to Scottish parents who worked at the Essex mental asylum. His mother, Jean Wilson (née Holm), was a nurse, and his father, Doctor James Harvey Cuthbert, was a psychiatrist. Young Holm was brought up in London. At the age of seven he was inspired by the seeing 'Les Miserables' and became fond of acting. Holm studied at the Royal Academy of Dramatic Arts, graduating in 1950 to the Royal Shakespeare Company. There he emerged as an actor whose range and effortless style allowed him to play almost entire Shakespeare's repertoire. In 1959 his stage partner Laurence Olivier scored a hit on Ian Holm in a sword fight in a production of 'Coriolanus'. Holm still had a scar on his finger.
In 1965 Holm made his debut on television as Richard III on the BBC's The Wars of the Roses (1965), which was a filmed theatrical production of four of Shakespeare's plays condensed down into a trilogy. In 1969 Holm won his first BAFTA Film Award Best Supporting Actor for The Bofors Gun (1968), then followed a flow of awards and nominations for his numerous works in film and on television. In 1981, he played one of his best known roles, Sam Mussabini in Chariots of Fire (1981), for which he was nominated for Oscar for Best Actor in a Supporting Role. In the late 1990s, he gave a highly-acclaimed turn as the lawyer, Mitchell, in Atom Egoyan's The Sweet Hereafter (1997), and was subsequently cast in a number of high-profile Hollywood films of the next decade, playing Father Vito Cornelius in The Fifth Element (1997), Bilbo in The Lord of the Rings: The Return of the King (2003), and Professor Fitz in The Aviator (2004), as well as Zach Braff's character's father Gideon in Garden State (2004). His last non-Hobbit film role was a voice part as Skinner in Ratatouille (2007).
Ian Holm had five children, three daughters and two sons from the first two of his four wives and from an additional relationship. In 1989 Holm was created a Commander of the British Empire (CBE), and in 1998 he was knighted for his services to drama. He died in London in June 2020.JOSEPH GOEBBELS IN "INSIDE THE THIRD REICH"- Matthias Freihof is one of the most variable actors and singers in the Berlin Art Scene. His regular stage appearances as entertainer, performing American musical songs, French "chansons", Greek and even Lebanese love songs as well as new and old German songs are attracting quite large groups of fans of different age. His dynamism on stage and his outstanding and flexible voice get him always good critics in the newspapers. Matthias Freihof's biggest success however was the main role in the former GDR-film 'Coming Out' in 1989. He and the film won prizes in several festivals as best actor and best film as well as "The Silver Bear" in the Berlin Film Festival 1990. This gave him an enormous popularity among the East-German population and a great attention in the German speaking countries at all. Already during his early years, he was educated in singing, flute and guitar playing. In 1983 he started his studies as an actor, singer and dancer at the Ernst-Busch-Actors-School in Berlin. Already during this period Matthias Freihof appeared in some of the most famous Berlin theaters as Berliner Ensemble and Maxim Gorki Theatre e.g. under the directorship of Thomas Langhoff. Matthias Freihof then started his official career in a provincial theater, but soon was performing in Berlin in political cabaret programs or in big entertainment shows as singer, dancer, musical clown etc.. He performed in many TV films but always comes back to live stage performing as an actor, and more and more as a singer as with his own 2 hours show 'Leidenschaften' (passions), 'Präsent 20'. His own demand of quality of a program and his efforts to be perfect make him one of the most interesting and variable actors and singers of highest standard in Germany.HEINRICH HIMMLER IN "VALKIRIA"
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Ulrich Noethen was born on 18 November 1959 in Munich, Germany. He is an actor, known for Downfall (2004), Das Sams (2001) and Das fliegende Klassenzimmer (2003). He was previously married to Friederike Wagner.HEINRICH HIMMLER IN "MEIN FUHRER" AND IN "THE DOWNFALL"- Actor
- Additional Crew
A prolific character actor on British television for three decades, Ronald Lacey was born on June 18, 1935 in the suburbs of London. He began his career in 1961 after compulsory National Service. He attended The London Academy of Music and Dramatic Art. His first notable performance was delivered on stage in 1962 at The Royal Court Theatre in "Chips With Everything". Lacey had an unusual pug look with beady eyes and cherub's cheeks which landed him repeatedly in bizarre roles on both stage and screen. However it was his unforgettable demonic smile and peculiar Peter Lorre mannerisms that would bring Lacey a short period of fame in Hollywood.
After performing on British television throughout the 1960's and 1970's, Lacey finally landed the role for which these characteristics could be used to full advantage. In 1981 he was cast as the villainous Nazi henchman in 'Steven Spielberg' 's widescreen blockbuster Raiders of the Lost Ark (1981) He followed this with a series of various villainous roles for the next five to six years: Firefox (1982) with 'Clint Eastwood', Sahara (1983) with Brooke Shields, and Red Sonja (1985) with Arnold Schwarzenegger. Lacey turned in two hilarious cinematic performances in full drag (Disney's Trenchcoat (1983) with Margot Kidder from 1982 and Invitation to the Wedding (1983) from 1985 - in which he played a husband/wife couple!).
Lacey died in London of liver failure on May 15, 1991. A tremendous talent with great depth and many facets, Ronald Lacey will probably be remembered best for his small but significant role as the dapper yet psychotic Nazi in Raiders of the Lost Ark (1981).HEINRICH HIMMLER IN "INDIANA JONES AND THE LAST CRUSADE"- John Normington was a distinguished English actor and a veteran of stage and screen. He also trained as an opera singer at the Northern School of Music. He made his theatrical debut in the 1950 production of "The Happiest Days of Your Life". He later became a member of the Royal Shakespeare Company (1962-1966).
Perhaps his most prominent and enduring film role was in the classic British comedy A Private Function (1984), where he holds his own among a heavyweight supporting cast that included Maggie Smith, Denholm Elliott, Richard Griffiths, Alison Steadman, Jim Carter and Pete Postlethwaite. His television appearances were also vast. He is fondly remembered by science fiction fans for his role as the scheming villain Morgus in one of the most popular Doctor Who (1963) serials ever produced, The Caves of Androzani: Part One (1984).
He was diagnosed with pancreatic cancer in 2004 but continued working, making his final screen appearance in Atonement (2007), which was released in the UK following his death. Tributes were paid by Old Vic artistic director Kevin Spacey, National Theatre artistic director Nicholas Hytner and Royal Shakespeare Company artistic director Michael Boyd. Normington was gay and was survived by John Anderson, his partner of almost 40 years.HEINRICH HIMMLER IN "HITLER:THE RISE OF EVIL" - Michael Sheard was born on 18 June 1938 in Aberdeen, Grampian, Scotland, UK. He was an actor, known for Star Wars: Episode V - The Empire Strikes Back (1980), The Outsider (1983) and Mind Your Language (1977). He was married to Rosalind Allaway. He died on 31 August 2005 in Newport, Isle of Wight, England, UK.HEINRICH HIMMLER IN "THE BUNKER"
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Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.HEINRICH HIMMLER IN "THE EAGLE HAS LANDED"- Rick Traeger was born on 14 December 1912 in Hagen, Germany. He was an actor, known for Bedknobs and Broomsticks (1971), Combat! (1962) and Hitler (1962). He was married to Siegrid. He died on 14 November 1987 in Lakewood, California, USA.HEINRICH HIMMLER IN "HITLER"
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James Babson is a graduate of the Carnegie Mellon School of Drama with a B.F.A. in Acting.
After graduation , James worked in the downtown theatre scene in NYC, working on devised theatre pieces at NADA, Ensemble Studio Theatre and Circle Rep East before making a move Uptown in the North American Premiere of "After the Rain" Off Broadway.
Then James made to leap to Europe where he lived in Prague for several years, getting his legs working in film. Notable credits from that time were "Hellboy", "League of Extraordinary Gentlemen" Polanski's "Oliver Twist" and playing Rudolf Hess in the CBS mini series "The Rise of Evil".
Having spent the past 16 years in LA, James has worked in film , TV and voiceover . Recent credits include guest spots on "Criminal Minds", "9-11", Timeless, I Think You Should Leave and a recurring role as Michael on "Transparent" .
James currently resides in Los Angeles.RUDOLF HESS IN "HITLER:THE RISE OF EVIL"- Actor
- Producer
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Roc Lafortune was born on 21 December 1956 in Lachute, Québec, Canada. He is an actor and producer, known for Beastly (2011), I'm Not There (2007) and The Adventures of Pluto Nash (2002).RUDOLF HESS IN "NUREMBERG"- Actor
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Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).RUDOLF HESS IN "WILD GEESE II"- Thomas Kretschmann was born in East Germany. Before becoming an actor, he was a swimmer. He has acted in several popular American movies, such as Resident Evil: Apocalypse (2004), The Pianist (2002), U-571 (2000), In Enemy Hands (2004), etc. He has three children, Nicolas, Stella and Sascha with his ex-girlfriend Lena.ADOLF EICHMANN IN "EICHMANN"
- Actor
- Producer
- Writer
Actor Stanley Tucci was born on November 11, 1960, in Peekskill, New York. He is the son of Joan (Tropiano), a writer, and Stanley Tucci, an art teacher. His family is Italian-American, with origins in Calabria.
Tucci took an interest in acting while in high school, and went on to attend the State University of New York's Conservatory of Theater Arts in Purchase. He began his professional career on the stage, making his Broadway debut in 1982, and then made his film debut in Prizzi's Honor (1985).
In 2009, Tucci received his first Academy Award nomination for his turn as a child murderer in The Lovely Bones (2009). He also received a BAFTA nomination and a Golden Globe nomination for the same role. Other than The Lovely Bones, Tucci has recently had noteworthy supporting turns in a broad range of movies including Lucky Number Slevin (2006), The Devil Wears Prada (2006) and Captain America: The First Avenger (2011). Tucci reached his widest audience yet when he played Caesar Flickerman in box office sensation The Hunger Games (2012).
While maintaining an active career in movies, Tucci received major accolades for some work in television. He won an Emmy and a Golden Globe for his role in TV movie Winchell (1998), an Emmy for a guest turn on Monk (2002), and a Golden Globe for his role in HBO movie Conspiracy (2001).
Tucci has also had an extensive career behind the camera. His directorial efforts include Big Night (1996), The Impostors (1998), Joe Gould's Secret (2000) and Blind Date (2007), and he did credited work on all of those screenplays with the exception of Joe Gould's Secret (2000).
Tucci has three children with Kate Tucci, who passed away in 2009. Tucci married Felicity Blunt in August 2012.ADOLF EICHMANN IN "CONSPIRACY"- Actor
- Producer
- Director
Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.ADOLF EICHMANN IN "THE MAN WHO CAPTURED EICHMANN"- Actor
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Werner Klemperer, everyone's favorite TV German Air Force colonel, was best known for his role as the bumbling Col. Wilhelm Klink on the comedy series Hogan's Heroes (1965). Although he'll forever be known as the blustering but inept German commandant of Stalag 13, Klemperer was in fact a talented dramatic actor, as evidenced by his acclaimed performance as an arrogant, unrepentant Nazi judge being tried for crimes against humanity in Judgment at Nuremberg (1961). His identification with Nazi roles notwithstanding, Klemperer was in real life the son of a Jew who fled with his family from Nazi Germany in the 1930s. He served in the U.S. Army during World War II. When he was offered the Col. Klink role, Klemperer only agreed to do it if the show's producers promised that Klink would never succeed in any of his schemes. "Col. Klink" earned Klemperer five Emmy nominations, and he took home the trophy twice, in 1968 and 1969. After the series, Klemperer carved out an impressive musical career as a conductor and also served as a narrator with many major U.S. symphony orchestras. He was an accomplished concert violinist.ADOLF EICHMANN IN "OPERATION EICHMANN"- Actor
- Producer
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Kenneth Charles Branagh was born on December 10, 1960, in Belfast, Northern Ireland, to parents William Branagh, a plumber and carpenter, and Frances (Harper), both born in 1930. He has two siblings, William Branagh, Jr. (born 1955) and Joyce Branagh (born 1970). When he was nine, his family escaped The Troubles by moving to Reading, Berkshire, England. At 23, Branagh joined the Royal Shakespeare Company, where he took on starring roles in "Henry V" and "Romeo and Juliet". He soon found the RSC too large and impersonal and formed his own, the Renaissance Theatre Company, which now counts Prince Charles as one of its royal patrons. At 29, he directed Henry V (1989), where he also co-starred with his then-wife, Emma Thompson. The film brought him Best Actor and Best Director Oscar nominations. In 1993, he brought Shakespeare to mainstream audiences again with his hit adaptation of Much Ado About Nothing (1993), which featured an all-star cast that included, among others, Denzel Washington, Michael Keaton and Keanu Reeves. At 30, he published his autobiography and, at 34, he directed and starred as "Victor Frankenstein" in the big-budget adaptation of Mary Shelley's novel, Frankenstein (1994), with Robert De Niro as the monster himself. In 1996, Branagh wrote, directed and starred in a lavish adaptation of Hamlet (1996). His superb film acting work also includes a wide range of roles such as in Celebrity (1998), Wild Wild West (1999), The Road to El Dorado (2000), Valkyrie (2008) and his stunning portrayal of Laurence Olivier in My Week with Marilyn (2011), where once again he offered a great performance that was also nominated for an Academy Award.REINHARD HEYDRICH IN "CONSPIRACY"- Actor
- Producer
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Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.REINHARD HEYDRICH IN "HITLER: THE RISE OF EVIL"- Martin Held was a leading German film actor of the 1950's and 60's. He attended school in Berlin and then worked for a while as a technician at Siemens. In 1929, he received a stipend to train for acting at the Berlin University of the Arts, graduating in 1931. He then performed at most of the leading theatres in Germany, often in classical roles. In 1951, he was discovered by the director Alfred Weidenmann for the screen. Critical success in Deadly Decision (1954) (as Heydrich) led to further starring roles. An incisive, dominant personality with a somewhat brooding, mysterious air, he was frequently cast as anti-heroes, schemers and swindlers, men with a dark past or shallow bon vivants. He could also personify integrity (his mayor in The Captain from Köpenick (1956)), but was not generally called upon to play romantic leads. Perhaps against type, he starred in the military comedy Fast ein Held (1967), as a German NCO in a fictitious village in occupied France, who unwittingly becomes town commandant (ironically, to the betterment of the locals). His performance won him the Ernst Lubitsch Preis for best comedy performance. Held also had a powerful baritone voice which he used to good effect on radio and for dubbing such Hollywood tough guys as E.G. Marshall, George Macready and Neville Brand.REINHARD HEYDRICH IN "CANARIS"
- Hans Heinrich von Twardowski was born on 5 May 1898 in Stettin, Pomerania, Germany [now Szczecin, Zachodniopomorskie, Poland]. He was an actor and writer, known for The Cabinet of Dr. Caligari (1920), Hangmen Also Die! (1943) and Crown of Thorns (1923). He died on 19 November 1958 in New York City, New York, USA.REINHARD HEYDRICH IN "HANGMEN ALSO DIE"
- Udo Kroschwald was born in 1955 in Freiberg, German Democratic Republic. He is an actor, known for The Pianist (2002), The Monuments Men (2014) and SOKO Wismar (2004).MARTIN BORMANN IN "MEIN FUHRER"
- Thomas Thieme was born on 29 October 1948 in Weimar, Thuringia, Germany. He is an actor, known for The Lives of Others (2006), Downfall (2004) and The Baader Meinhof Complex (2008).MARTIN BORMANN IN "THE DOWNFALL"
- Actor
- Writer
- Additional Crew
Tall, bearded, heavy-set Anglo-French character actor, best known internationally for playing Deputy Commissioner Claude Lebel in The Day of the Jackal (1973) and Bond villain Hugo Drax in Moonraker (1979). The son of an English army officer (Edward Lonsdale-Crouch) and a Franco-Irish mother (Simone Béraud), he was born in Paris and spent his early childhood in England. The family moved to Morocco in 1939 where Edward found work in the fertilizer trade (he was later imprisoned by the Vichy government for political reasons). Michael returned to France in 1947 where he met actor/director Roger Blin who awakened his interest in the dramatic arts. Following acting studies, Michael made his theatrical debut at 24 and appeared on screen for the first time a year later, for much of his career billed as 'Michel' Lonsdale. Having toiled for over a decade in smallish supporting roles, he received his first major critical acclaim in two films by François Truffaut (The Bride Wore Black (1968) and Stolen Kisses (1968)). Though primarily active in French cinema, the bilingual Lonsdale made occasional (but often memorable) forays into English-language productions, his first as a reporter in Fred Zinnemann's Behold a Pale Horse (1964). Subsequent parts have included a titled landowner who sets in motion the Caravan to Vaccares (1974), a CIA agent in Enigma (1982) and a Swiss banker in The Holcroft Covenant (1985). James Ivory cast him in two of his films consecutively as a French delegate in The Remains of the Day (1993) and as King Louis XVI in Jefferson in Paris (1995). Lonsdale also had a prominent role as The Abbot who commissions the Franciscan friar William of Baskerville (Sean Connery) to investigate the murder of a monk in Jean-Jacques Annaud's Italian-German-French co-production of Umberto Eco's novel The Name of the Rose (1986) . By and large, it is for his powerhouse performance as Roger Moore's megalomaniacal antagonist Sir Hugo Drax in Moonraker for which Lonsdale is likely to be most remembered. He received a BAFTA nomination for his role in The Day of the Jackal but only achieved major acting honors in 2011, winning a César Award as best supporting actor for Of Gods and Men (2010).
Lonsdale's career could well be described as eclectic. In 1972, he co-founded (with French composer Michel Puig) the Théâtre musical des Ulis, a musical theater company which was subsidised by the French government. The soft-spoken actor also lent his voice to radio recordings and audio books. He had a reputation as a painter of some renown and authored or co-authored more than twenty works of fiction and non-fiction.MARTIN BORMANN IN "THE BUNKER"- Mark Kingston was born on 18 April 1934 in Greenwich, London, England, UK. He was an actor, known for United! (1965), Poirot (1989) and Shine on Harvey Moon (1982). He was married to Marigold Sharman. He died on 9 October 2011 in Denville Hall, Northwood, Hillingdon, London, England, UK.MARTIN BORMANN IN "HITLER:THE LAST TEN DAYS"
- Stan Jones was born on 23 October 1926 in Canada. He was an actor, known for The Transformers: The Movie (1986), Little Shop of Horrors (1986) and The Transformers (1984). He died on 30 December 1998 in Los Angeles, California, USA.MARTIN BORMANN IN "HITLER"
- Benoît Girard was born on 26 January 1932 in Montreal, Quebec, Canada. He was an actor, known for Les rescapés (2010), Nuremberg (2000) and Minuit, le soir (2005). He was married to Monique Joly. He died on 26 March 2017 in Montréal, Québec, Canada.JOACHIM VON RIBBENTROP IN "NUREMBERG"
- Actor
- Soundtrack
Born in the Simonside area of South Shields, he left the North East when he was five, but went back for holidays with his grandparents. As he grew older he had it in his mind to be an actor, but had no idea how to go about it, so did various jobs before being called up for National Service in the RAF. On being demobbed he still wanted to be an actor, but was still unaware of how to become one, so worked for wool merchants for three years, during which he became a keen amateur actor. When the wool merchant went bankrupt, he managed to get a grant from Essex County Council to go to drama school. On completing the course his first job was with a company that traveled around in a bus doing shows at military camps. He then joined The Old Vic doing walk on parts and small speaking parts then spent 2 years in America and on his return joined the Bristol Old Vic. After about 12 years in the business he went to Newcastle to appear in 'Close the Coalhouse Door' at the Jesmond Playhouse - written by Alan Plater and also featuring fellow North East actors Colin Douglas and Alan Browning - which he considered made him a better actor. He appeared in the TV series 'Z Cars' as a Geordie police inspector but didn't enjoy it. There was then a 90 minute play for Granada Television which was done live.JOACHIM VON RIBBENTROP IN "COUNTDOWN TO WAR"- Richard Kane was born on 17 September 1938 in Birmingham, England, UK. He was an actor, known for A Bridge Too Far (1977), Doctor Who (1963) and A.D. (1985). He died on 15 February 2023 in the UK.JOACHIM VON RIBBENTROP IN "MUSSOLINI:THE UNTOLD STORY"
- One of Hollywood's greatest screen villains, Charles Henry Pywell Daniell was born in London, England, the son of Elinor Mary (Wookey) and Henry Pyweh Daniell, L.R.C.P. He had the profound misfortune to make his professional theatrical debut on the eve of World War I. His life thus interrupted, he served in the trenches on the Western Front with the 2nd Battalion of the British Army's Norfolk Regiment. Wounded in action, he was invalided out of service in 1915 and spent much of the next few years on the West End stage without rising to particular prominence. In 1921, he made his way to the U.S. and worked hard to establish himself as a character player on Broadway, beginning with his role as Prince Charles de Vaucluse in "Claire de Lune". He enjoyed critical acclaim in only his third performance on the 'Great White Way', co-starring with Ethel Barrymore in "The Second Mrs. Tanqueray" (1924). For the remainder of the decade, Daniell alternated touring on both sides of the Atlantic, before making his first appearance on screen in 1929. Daniell's lean physique, sardonic, almost reptilian features, cold voice and incisive manner made him ideally cast as icy, austere aristocrats or as insidious, manipulating evil masterminds in period drama.
His most famous role was as the duplicitous Lord Wolfingham in The Sea Hawk (1940), though Daniell's inexperience as a swordsman compelled Warner Brothers to use a stuntman for the climactic fight scene with Errol Flynn. The previous year, Daniell had essayed the conspiratorial Sir Robert Cecil, spy master to Elizabeth I, with equal verve in The Private Lives of Elizabeth and Essex (1939). Under contract to MGM (1936-37), he also excelled as the erstwhile mentor of Greta Garbo's Camille (1936), the Baron de Varville. Their vitriolic exchanges are a highlight of the film and belie the fact that Daniell was fretfully nervous acting opposite Garbo. His other, invariably unsympathetic, portrayals include the scheming La Motte in Marie Antoinette (1938), the hypocritical clergyman Henry Brocklehurst in Jane Eyre (1943) and the gleefully villainous Regent in The Bandit of Sherwood Forest (1946). By the 1940's, Daniell popped up more and more in lower budget productions, yet managed to deliver two of his finest performances to date: the first, as Professor Moriarty, arch nemesis of Sherlock Holmes (played by his real-life friend Basil Rathbone) in The Woman in Green (1945); the second, as Dr. Wolfe MacFarlane, a 19th century Edinburgh surgeon employing the grave-robbing services of Boris Karloff in The Body Snatcher (1945), a Faustian parable in which any semblance of morality and virtue is sacrificed to the pursuit of scientific knowledge. In the end, Gray (Karloff), the instrument of MacFarlane's machinations becomes "a canker in his body", but even his killing cannot assuage the surgeon's guilty conscience and he is eventually hounded to death by visions of the latter's corpse. This was a rare leading role for Daniell whose scenes with Karloff are among the most chilling of any in this genre. For a change of pace -- or, perhaps, to change his image -- Daniell did the occasional comedic turn, most notably in Charles Chaplin's Third Reich parody The Great Dictator (1940), as 'Garbitsch', a none too thinly disguised caricature of Joseph Goebbels.
On stage, he enjoyed his most successful run (344 performances) as the avaricious Henri Trochard in "My 3 Angels" at the Morosco Theatre in 1953. The play was filmed two years later as We're No Angels (1955), with, who else, but Basil Rathbone, in the part.
Daniell died after being stricken with a heart attack at his home, a few hours after filming a scene for his final film, My Fair Lady (1964).JOACHIM VON RIBBENTROP IN "MISSION TO MOSCOW" - Thomas Kretschmann was born in East Germany. Before becoming an actor, he was a swimmer. He has acted in several popular American movies, such as Resident Evil: Apocalypse (2004), The Pianist (2002), U-571 (2000), In Enemy Hands (2004), etc. He has three children, Nicolas, Stella and Sascha with his ex-girlfriend Lena.KARL DöNITZ IN "THE SINKING OF THE LACONIA"
- Peter Rühring was born on 10 July 1942 in Bremerhaven, Germany. He is an actor, known for The English Patient (1996), Joyeux Noel (2005) and 2030 - Aufstand der Alten (2007).KARL DÖNITZ IN "SPEER UND ER"
- Actor
- Director
- Writer
Raymond Cloutier was born on 3 May 1945. He is an actor and director, known for Montréal blues (1972), Nuremberg (2000) and Saint Jude (2000). He was previously married to Danielle Proulx.KARL DÖNITZ IN "NUREMBERG"- Actor
- Director
- Writer
Anton Algrang was born in 1965 in Bruneck, Italy. He is an actor and director, known for Die Macht der Entscheidung (2022), Valkyrie (2008) and Almanya: Welcome to Germany (2011).ALBERT SPEER IN "VALKIRIA"- Actor
- Producer
- Composer
Stefan Kurt was born on 22 October 1959 in Berne, Switzerland. He is an actor and producer, known for Der Schattenmann (1996), Dreileben (2011) and The Foster Boy (2011).ALBERT SPEER IN "MEIN FUHRER"- Actor
- Soundtrack
Sebastian Koch is one of the most internationally sought-after German actors of his generation. After stage engagements in Berlin, Bochum and Darmstadt, the Karlsruhe native was twice awarded the "Grimme Prize" in 2002 for the title role in Peter Keglevic's "Der Tanz mit dem Teufel - Die Entführung des Richard Oetker" (Dance with the devil - The kidnapping of Richard Oetker) and for his acting performance as Klaus Mann in the family story "The Manns" by Heinrich Breloer. He also received the "Bavarian Television Award" for his portrayal of Klaus Mann. His international breakthrough came in 2006 with director Florian Henckel von Donnersmarck's Oscar-winning theatrical success "The Lives Of Others". For his outstanding portrayal of the GDR writer Georg Dreyman, Koch received numerous nominations and awards, including the 2007 Italian Foreign Press Award, the "Globo d'Oro" for Best European Actor.
He has since appeared in numerous international film productions. His performances in the historical drama "Napoleon" alongside Isabella Rossellini, Gérard Depardieu and John Malkovich, and alongside Catherine Deneuve in Benoît Jaquot's "Princesse Marie" (Marie Bonaparte, 2004) brought him great attention. He starred in Constantin Costa-Gavra's Hochhuth adaptation "Amen" (2002) and played the title role in Jo Baier's documentary "Stauffenberg". He received the "German Television Award" for his portrayal of Nazi criminal Albert Speer in Heinrich Breloer's multi-part series "Speer and Hitler".
Together with Paul Verhoeven, Sebastian Koch filmed the World War II drama "Black Book" (Zwartboek, 2006) and was nominated for an "Emmy Award" in 2008 for his portrayal of the title role in the international co-production "The Sea Wolf", based on Jack London's classic. He also appeared in Jaume Collet-Serra's "Unknown" (2011) with Liam Neeson, as well as Mike Figgis' "Suspension Of Disbelief" (2012). He assumed the lead role in the most successful Greek film of 2012, "God Loves Caviar" (O Theös Agapäei To Chaviäri), alongside John Cleese and Catherine Deneuve. Koch starred alongside Bruce Willis in John Moore's "A Good Day To Die Hard" (2013) and in the pilot of Ridley Scott's US series "The Vatican" (2014). He then co-starred with Daniel Auteuil in the German-French feature film "Kalinka" (Au Nom De Ma Fille, 2015) and with Oscar winners Eddie Redmayne and Tom Hooper in Hooper's Oscar-nominated bestselling adaptation "The Danish Girl" (2016). That same year, Sebastian Koch joined Tom Hanks in front of the camera for Steven Spielberg's "Bridge Of Spies", a story about brokering the first agent exchange in the Cold War - the film was nominated for an "Academy Award". Koch was lauded for his leading role in Kai Wessel's "Fog In August" (2016). In "Bel Canto" (2017), a film by Paul Weitz, he stars alongside Julianne Moore and Ken Watanabe. In the 5th and 6th seasons of the US series "Homeland", he played the German entrepreneur Otto Düring. The film "Never Look Away", yet another collaboration with director Florian Henckel von Donnersmarck, gained international attention after it premiered at the Venice International Film Festival in fall 2018 and was nominated for several Oscars and Golden Globes. Sebastian Koch received the "Bambi" in the category "Best Actor National" for the role of Prof. Seeband in 2018. In 2021, he was awarded the European film prize "Die Europa" at the Braunschweig International Film Festival. Most recently, Sebastian Koch starred in the German-Austrian thriller series "Euer Ehren" (Your Honor), which is set to air in spring 2022 on the German public broadcaster Das Erste. He was also involved in the creation of the scripts.
Sebastian Koch has been a member of the Academy of Motion Pictures Arts and Sciences (AMPAS) since July 2019.
In addition to his acting work, he regularly delights audiences with symphonic-scenic readings, including "Paradise" with violinist Daniel Hope, "Dream Story" with the Hubert Nuss Jazz Quartet and recently "The Kreutzer Sonata" after L. Tolstoy, which Sebastian Koch dramaturgically adapted and conceived as a stage play with piano and violin.ALBERT SPEER IN "SPEER UND ER"- During his school years he was enthusiastic about artistry and gymnastics. His athletic skills helped him land a role in the musical "Can Can" in 1978, which also sparked his interest in acting. After finishing school, Heino Ferch devoted himself to his acting training at the Salzburg Mozarteum. In addition to the classical acting courses, he was also trained here in singing, ballet and tap dancing. He completed his training in 1987 and was immediately hired by the Freie Volksbühne Berlin, whose ensemble he was a member of until 1990. Also in 1987 he had his first screen role in the cinema production "Schloss Königswald".
After his time at the Freie Volksbühne, Ferch went to the Berlin Schillertheater in 1990, where he remained loyal until 1994. During this time he had several guest appearances at the Scala in Milan, at the Salzburg Festival and at the Burgtheater in Vienna. He quickly attracted attention both through his performance in the theater and in film. He received particular praise for his portrayal of Obersturmbandführer Raufeisen in "Unhold" (1996) and for his portrayal of Gestapo leader Klaus Barbie in "Lucie Aubrac" (1996). His role as Roman Cycowski in the hit production "Comedian Harmonists" helped him achieve widespread popularity in 1997. Heino Ferch became one of the most sought-after German actors and several successful productions followed, both for cinema and television.
His most successful TV production to date was "The Miracle of Lengede" in 2003, which was awarded a "Bambi" as "TV Event of the Year". Ferch left a lasting impression as Albert Speer in "Downfall," in which he played Lara alongside Bruno Ganz and Alexandra Maria. "Ghetto," another Third Reich drama, was released in German cinemas in 2006. However, the production did not achieve the desired success and also failed to convince the critics. Ferch was in a relationship with the actress Susanne von Borsody for several years. He has been married to the rider Marie-Jeanette Steinle since August 2005.ALBERT SPEER IN "THE DOWNFALL" - Actor
- Producer
- Director
Blond, blue-eyed, tall and handsome Dutch actor Rutger Hauer enjoyed an international reputation for playing everything from romantic leads to action heroes to sinister villains. Hauer was born in Breukelen, a Dutch town and former municipality in the province of Utrecht.
He was the son of Teunke Hauer (née Mellema) and Arend Hauer, actors who operated an acting school. As his parents were often touring, he and his three sisters were raised by a nanny. A bit of a rebel during his childhood, he chafed at the rules and rigors of school and was often getting into mischief. His grandfather had been the captain of a schooner and at age fifteen, Hauer ran away to work on a freighter for a year. Like his great-grandfather, Hauer was color-blind, which prevented him from furthering his career as a sailor.
Upon his return he attended night school and started working in the construction industry. When he again bombed at school, his parents enrolled him in drama classes. An amateur poet, he spent most of his time writing poetry and hanging out in Amsterdam coffee houses instead of studying. He was expelled for poor attendance and afterward spent a brief period in the Dutch navy.
Deciding he didn't like military life, Hauer honed his acting skills trying to convince his superiors he was mentally unfit and was sent to a special home for psych patients. It was an unpleasant place, but Hauer remained there until he had convinced his ranking officers that the military really did not need him.ALBERT SPEER IN "INSIDE THE THIRD REICH"- Actor
- Producer
- Script and Continuity Department
Harvard-educated stage and screen actor Richard Jordan was born into a socially prominent family on July 19, 1937 in New York City, the grandson of Learned Hand, the greatest American jurist never to have served on the U.S. Supreme Court. Newbold Morris, his stepfather, was a member of the New York City Council during Mayor Fiorello LaGuardia's administration. Young Richard was educated in private Manhattan schools and then at the exclusive Hotchkiss prep school in Lakeville, Connecticut. While at Hotchkiss, he was outstanding as the eponymous lead of the school play "Mr. Roberts", which won him a place in the Sharon, Connecticut summer stock company. Jordan went to England as an exchange student at the Sherbourne School, a college (private school) that was over 1,000 years old. After graduating from Sherbourne, Jordan entered Harvard College and took his degree in three years.
At Harvard, Jordan was a member of the Dramatic Club, both as an actor and as a director. It was while at Harvard that he decided to become a professional actor and began performing with off-campus stage companies. After graduating from Harvard, Jordan launched what was to be a prolific stage career in New York, making his Broadway debut in December 1961 in the play "Take Her, She's Mine" under the direction of the venerable George Abbott in Biltmore Theatre. The play, which starred Art Carney, Elizabeth Ashley in a Tony Award-winning turn, and Heywood Hale Broun, was a hit, playing 404 performances.
Jordan next appeared in a one-night flop, in "Bicycle Ride to Nevada", which opened and closed on September 24, 1963. He was more lucky with his next play, "Generation", a comedy starring Henry Fonda that played for 300 performances in the 1965-66 season. He last appeared on Broadway in a success d'estime, John Osborne's "A Patriot for Me", directed by Peter Glenville and starring Maximilian Schell and Tommy Lee Jones, who was making his Broadway debut. By that time, Jordan had established himself as a leading player Off-Broadway and Off-Off-Broadway, which accounted for the majority of his over 100 New York stage appearances.
Jordan, as actor and director, was a major force in the development of New York's "Off-Off-Broadway" theater that flourished in the 1960s. He was one of the founders of the Gotham Arts Theater, which put on plays in an old funeral parlor on West 43rd Street. Fittingly, the company's first play was about necrophilia. Jordan engaged young New York artists to design the sets, the results of which were not always auspicious. Jordan said of this development, "With our weirdo plays against their far-out sets...it was total insanity!" He made a significant breakthrough, career-wise, with his appearance in the anti-war play "The Trial Of The Catonsville Nine" in both New York and California.
Jordan spent eight years with Joseph Papp's New York Shakespeare Festival. He made his debut with Papp's Shakespeare Festival in 1963, playing "Romeo" opposite the "Juliet" of Kathleen Widdoes, the fellow Papp stock company member who would become his wife, in Papp's Shakespeare in the Park series. The couple married in 1964, and their eight-year marriage produced a daughter, Nina Jordan, born in 1964, who would later co-star with her father in the movie Old Boyfriends (1979).
Although he appeared on television during the 1960s, the tall, handsome and talented Jordan did not make his motion picture debut until 1971, when he appeared in a supporting role in Michael Winner's horse opera Lawman (1971), which featured a first-rate cast, including Burt Lancaster, Robert Ryan, Lee J. Cobb and Robert Duvall. However, it was his role as the baby-faced, amoral Treasury agent in The Friends of Eddie Coyle (1973) that made him a known commodity on-screen, while it was the monumental mini-series Captains and the Kings (1976) that made his reputation. His performance as the Irish immigrant "Joseph Armagh" brought him an Emmy nomination and a Golden Globe award, and it also brought him his long-time companion, co-star Blair Brown, whom he lived with for many years and by whom he had a son.
An actor rather than a star, Jordan played many unsympathetic roles, including that of Nazi Albert Speer in the TV movie The Bunker (1981). He continued to appear on the stage, Off-Broadway and in stock companies touring the major cities of the U.S., while appearing in films and on TV. Jordan was the manager of the L.A. Actors Theater in Los Angeles during the 1970s, where he produced, directed and wrote his own plays. For the 1983-84 Off-Broadway season, he won an Obie Award for his performance in Czech playwright Václav Havel's "A Private View". He won the Los Angeles Drama Critics Circle Award for directing Havel's "Largo Desolato" at the Taper, Too in 1987.
In 1992, Jordan had begun filming The Fugitive (1993) when his fatal illness forced him to leave the production. Thus, Jordan's final role was that of "General Lewis Armistead" in the film Gettysburg (1993), which was a labor of love for him. He was close friends with Michael Shaara, the author of the novel "The Killer Angels", which the movie was based upon, and contributed to the screenplay. Jordan's last appearance as an actor was the death of his on-screen character, "General Armistead".
Richard Jordan died in Los Angeles, California of a brain tumor on August 30, 1993. He was 56 years old.ALBERT SPEER IN "THE BUNKER"- Peter Wolf is known for Liebe auf Eis (1950).ERNST KALTENBRUNNER IN "ROMMEL"
- Hans Meyer was born in South Africa, into a German farming family. He spent his childhood in Natal and Zululand. He also became a farmer, but then he decided to travel to Europe. A friend in Germany working in an advertising agency helped him get his first acting job, in a popular television advert for Puschkin Vodka. He helped the vodka become Germany's leading brand and he became well known and his acting career took off!
He quickly became very successful, working with many of the top directors in both films and television in Europe. He is fluent in English, German, French and Zulu. He is highly respected by fellow actors, a very cultured man who is both reserved and modest about his long and distinguished career.ERNST KALTENBRUNNER IN "INSIDE THE THIRD REICH" - A London-born stage and film veteran, actor Edward Underdown was educated at Eton College and began in theatre roles in 1932 with "Words and Music". A former jockey and steeplechase rider, he quickly forged ahead in films making his debut in The Warren Case (1934) and appearing in secondary roles. A tall, officious and good looking gent, he came into his own in post-war film leads and supports with prominent roles in The October Man (1947), Her Panelled Door (1950), The Dark Man (1951), Murder Will Out (1952), The Shadow Man (1953), and John Huston's cult overseas hit Beat the Devil (1953) starring Humphrey Bogart and Jennifer Jones in which he played Jones' prim dullard of a husband. Most of his work was in dismissible "B" level fare as dour, damp, stuffy types. He started moving down the credits list in 1960s horrors and action drama until he was reduced to bit parts. Over the course of his career, he played everything from British lords to archaeologists, but never branched out into a successful international career.
Things might have turned out differently had a little more luck come his way. It seems writer Ian Fleming's first choice for the role of James "007" Bond was the handsome but still relatively undistinguished Underdown, but the actor was never even considered by producer Albert R. Broccoli. Of course, Sean Connery soared to stardom in the part and, ironically, Underdown wound up with a very small part in one of the more popular of the film series Thunderball (1965). Underdown died in his native England on December 15, 1989 at age 81.ERNST KALTENBRUNNER IN "THE DOUBLE-HEADED SPY" - Actor
- Soundtrack
Dunfermline-born character actor Kenneth Cranham has specialised in playing abrasive characters, reprobates and rough diamonds on stage, on radio, in films and in one-off dramas or guest roles on TV. The son of Ronald Cranham, an English civil servant and former army staff sergeant and his Scottish wife Margaret McKay Cranham (née Ferguson), he spent the first four years of his life in Scotland. The family then moved to London where Kenneth attended Tulse Hill Comprehensive School. At the age of nineteen, while working at a bookshop, he was discovered by the playwright Joe Orton who cast him in his radio play 'The Ruffian on the Stair'. This marked the beginning of his career.
Cranham trained for acting at the National Youth Theatre of Great Britain and then studied at RADA, graduating in 1966. His association with Orton continued that year with a role in 'Loot' at the Royal Court (and, subsequently, at the Criterion Theatre). The actor later remarked that this role set him up "for all the hoodies in Softly, Softly, Z Cars and New Scotland Yard." With his craggy features and gruff voice, it is hardly surprising that Cranham has often been cast in tough or villainous roles. On screen from 1964, he first came to notice as Noah Claypole, one of Fagin's gang of pickpockets, in Oliver! (1968). His first starring turn was in the comedy series Shine on Harvey Moon (1982) as the titular character, a demobbed RAF corporal. Other notable roles across diverse genres have included the callous Gratiano in The Merchant of Venice (1980), Lenin in Reilly: Ace of Spies (1983), a wealthy, despotic landowner in Heart of the High Country (1985) (set in 1880s New Zealand), the comically over-zealous Pastor Finch in Oranges Are Not the Only Fruit (1989), British gangster Gus Mercer in El C.I.D. (1990), cunning magician Aulfric in Merlin (2008), a scurrilous newspaper editor who gets his comeuppance in Hustle (2004) and Caesar's rival Pompey in Rome (2005). A more recent TV guest spot saw Cranham as an ailing patient in India, attempting to rediscover a lost love in season three of The Good Karma Hospital (2017). He has also essayed real life barristers Michael Mansfield Q.C. (The Murder of Stephen Lawrence (1999)) and George Carmen Q.C. (Justice in Wonderland (2000)).
For the big screen, Cranham has been notable as the maniacal Dr. Channard in Hellbound: Hellraiser II (1988), double-dealing mob boss Jimmy Price in Layer Cake (2004), another elder statesman of the London underworld in Gangster No. 1 (2000), farmer James Reaper in the buddy-cop comedy Hot Fuzz (2007) and as the tyrannical King Henry, a main antagonist in Disney's Maleficent (2014).
The actor has been equally prolific on stage where he has headlined as the amoral title character in Orton's play Entertaining Mr. Sloane. He was much acclaimed for his role as Inspector Goole in An Inspector Calls at the National Theatre (an Olivier Award-nominated performance, which transferred to Broadway in 1994-95). He played the avuncular detective Rough in Gaslight at the Old Vic in 2007 and finally won the coveted Olivier Award in 2016 for his performance as an elderly man with dementia in Florian Zeller's play The Father. For services to drama, Cranham received a CBE (Commander of the Order of the British Empire) in 2023.WILHELM KEITEL IN "VALKIRIA"- Dieter Mann was born on 20 June 1941 in Berlin, Germany. He was an actor, known for Downfall (2004), Vergiss dein Ende (2011) and Karl May (1992). He died on 3 February 2022 in Berlin, Germany.WILHELM KEITEL IN "THE DOWNFALL"
- Actor
- Director
- Producer
German actor and director, the son of physician Hartmut Doermer and the actress and drama coach Ruth von Zerboni. Although Doermer studied sociology and economics after matriculating from school, he ended up opting for the acting profession courtesy of his mother's mentoring and connections. He made his screen debut in 1954, at the same time playing small roles on stage in Hamburg and Munich. Audiences first took notice of him in Teenage Wolfpack (1956), a seminal crime drama dealing with post-war juvenile delinquency. Doermer was cast as the gang leader's sensible younger brother, juxtaposed to the erratic rebel (as played by Horst Buchholz). Doermer also appeared as an NCO in the classic war drama Der Stern von Afrika (1957), a biopic based on the meteoric, though brief career of Luftwaffe ace Hans Joachim Marseille. He received the Deutscher Filmband in Gold for his performance as a disillusioned member of the socialist SED party who escapes with his girlfriend to the West in Escape to Berlin (1961).
In the 60s, Doermer became a co-founder and prominent member of the New German Cinema. He subsequently starred in several high profile pictures, often in intellectual, cynical or angst-ridden roles. His more commercial projects included the hugely popular murder whodunnit Das Halstuch (1962) and a small role in Robert Redford's Downhill Racer (1969). In 1963, Doermer formed his own production company, Filmfirma Cine Dokument Film, which served as an outlet for a series of social and cultural documentaries -- often set in Africa or India -- which Doermer wrote, directed, produced and occasionally narrated. In the 80's, Doermer resumed screen acting, though appearing almost exclusively on television, often portraying both fictional and historical authority figures. In 1989, he (in association with the actor Hans Clarin) set up a private, culturally focused regional radio network (Ensemble am Chiemsee) in upper Bavaria. Doermer was predeceased by his wife, the writer Lore Bender Schmidt-Polex with whom he fathered three children.WILHELM KEITEL IN "STAUFFENBERG"- Actor
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Kenneth Colley was born on 7 December 1937 in Manchester, England, UK. He is an actor and director, known for Star Wars: Episode V - The Empire Strikes Back (1980), Firefox (1982) and Star Wars: Episode VI - Return of the Jedi (1983). He has been married to Mary Dunne since 1962.WILHELM KEITEL IN "THE PLOT TO KILL HITLER"- Actor
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John Paul was born on 20 April 1921 in Hertfordshire, England, UK. He was an actor, known for Eye of the Needle (1981), Doomwatch (1972) and Doomwatch (1970). He was married to Jean ?. He died on 23 February 1995 in Buckinghamshire, England, UK.WILHELM KEITEL IN "THE BUNKER"- Actor
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Elegant, urbane and well-spoken, Gabriele Ferzetti was one of Italy's most prominent international stars of the 1950's and 60's. His passion for the stage had begun with performing in university plays. This paved the way to a scholarship at the Rome Academy of Dramatic Art (Accademia d'arte drammatica). Before long, he was expelled for appearing with a professional theatrical troupe and proceeded to join the National Theatre, and, a year later, the company of Vivi Gioi. As the silver screen beckoned, Ferzetti made his motion picture debut at the age of seventeen in Luigi Chiarini's Via delle cinque lune (1942). After a succession of supporting roles and uncredited bits as an extra, his first genuine lead came opposite Gina Lollobrigida in the comedy The Wayward Wife (1953). This role won him an award from the Italian National Syndicate of Film Journalists and established his reputation as a major romantic star. In its wake came steady offers for more challenging roles across diverse genres. He played the central character, respectively in Puccini (1953) and Sins of Casanova (1955) before excelling as a struggling artist in Michelangelo Antonioni's The Girlfriends (1955). He impressed again as the failed architect and irresolute playboy Sandro in the controversial L'Avventura (1960), again directed by Antonioni.
By the early 60's, Ferzetti's distinguished features had him frequently cast in provocative political dramas as flawed men hiding behind charming, sophisticated facades. He also acquired an international following with character roles in Torpedo Bay (1963), I Spy (1965), as a cynical railway baron in Sergio Leone's epic Once Upon a Time in the West (1968) and as syndicate boss Marc-Ange Draco joining forces with James Bond in On Her Majesty's Secret Service (1969) (his accent was deemed to be too strong, however, and he was dubbed by David de Keyser ). Ferzetti's career continued to prosper during the 70's and beyond,despite occasional missteps (including the incongruously cast Hitler: The Last Ten Days (1973) and the box office disaster that was Inchon (1981). During his final years, he restricted his appearances predominantly to the small screen.WILHELM KEITEL IN "HITLER:THE LAST TEN DAYS"- Actor
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Gerd Michael Henneberg was born on 14 July 1922 in Magdeburg, Germany. He was an actor, known for The Crucible (1957), Nakovalnya ili chuk (1972) and Die gefrorenen Blitze (1967). He was married to Maria Kühne. He died on 1 January 2011 in Berlin, Germany.WILHELM KEITEL IN "THE BATTLE OF BERLIN"- Actor
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Born Willy Eichberger in Vienna, Austria, he changed his name to the ethnically nondescript Carl Esmond and went on to become a well-regarded actor both here and in Europe, a career that sustained itself for nearly 50 years. He initially studied drama in Vienna at the State Academy of Dramatic Arts and started things off with the German film Kaiserwalzer (1933) [The Emperor's Waltz]. He had developed into a matinée idol in both Germany and Austria with such films as Die Liebe siegt (1934) [Love Conquers] by the time he moved to London. He started treading the marquee boards there in such plays as "Victoria Regina" with a repertoire that would include everything from Shakespeare to Shaw.
In the late 1930s Esmond made a strategic career move to the United States, where he briefly changed his name yet again to Charles Esmond before reverting back to Carl. He eventually became an American citizen. Over the years, the slick, mustachioed, well-groomed actor poured on the charm in a number of popular war-era films as both cultivated romancers and urbane villains, in addition to the nefarious Teutonic officers he customarily played. Making his debut with the classic The Prisoner of Zenda (1937), Esmond went on to appear opposite Errol Flynn in The Dawn Patrol (1938), Gary Cooper in both Sergeant York (1941) and The Story of Dr. Wassell (1944), Ray Milland in Ministry of Fear (1944), Susan Hayward in Smash-Up: The Story of a Woman (1947) and Gregory Peck in The World in His Arms (1952).
By the 1950s Carl was a steady fixture on television drama and portrayed Victor Lazlo in a 1955 presentation of "Casablanca." A guest star of such series as "77 Sunset Strip," "Maverick," "the Big Valley" and "McMillan and Wife," his last film was the very forgettable Agent for H.A.R.M. (1966). Sporadically seen after that, he retired following his appearance in the TV mini-movie My Wicked, Wicked Ways: The Legend of Errol Flynn (1985), a biopic of his 30s co-star Errol Flynn. Long wed to literary agent Ruth Taub, who predeceased him, he died of natural causes at 102 years.WILHELM KEITEL IN "HITLER"- Jochen Hauer was born on 31 August 1899. He was an actor, known for Ich war Jack Mortimer (1935), Eskapade (1936) and It Happened on July 20th (1955). He died on 29 March 1966.WILHELM KEITEL IN "IT HAPPENED ON JULY 20"
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John Hoyt was born on 5 October 1905 in Bronxville, New York, USA. He was an actor and writer, known for When Worlds Collide (1951), Spartacus (1960) and Brute Force (1947). He was married to Dorothy Marion Oltman and Marion Virginia Burns. He died on 15 September 1991 in Santa Cruz, California, USA.WILHELM KEITEL IN "ROMMEL:THE FOX OF THE DESSERT"- Actor
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He spent his childhood and youth in Hesse, Westphalia and Lower Saxony. As a teenager he lived in the Wedemark region of Lower Saxony near Hanover. He spent his school years there, completing his high school diploma as an exchange student for the American Field Service AFS in Boston (USA). In 1977 he graduated from high school in Germany. He then did his military service. He then attended the University of Tübingen, where he studied German, English and history. During this time he also worked as a musician. It was at one of these performances that he was discovered for acting. In 1980, Ulrich Tukur started acting training at the Stuttgart State University of Music and Performing Arts. While he was still studying, he played the student and member of the resistance group against the Nazi dictatorship Willi Graf in the film "The White Rose" - directed by Michael Verhoeven.
He completed his training in 1983 and then initially played at the Heidelberg Municipal Theater. In Munich, Turkur had another engagement from this period, in which he took part in the play "Illness of Youth". The renowned theater maker Peter Zadek liked his acting skills and subsequently worked with him. It was also Zadek who brought Ulrich Tukur to success on stage in 1984. Tukur portrayed the SS soldier Kittel in the play "Ghetto" directed by Peter Zadek at the Freie Volksbühne Berlin. From 1985 to 1995 the actor was engaged at the Deutsches Schauspielhaus in Hamburg - under Peter Zadek as artistic director. During these ten years a fruitful collaboration developed between the two. Tukur played, among other things, in "As You Like It" by Shakespeare, Marc Anton in "Julius Caesar" based on Shakespeare, in Frank Wedekind's "Lulu" the role of Alwa Schön and in Shakespeare's "Hamlet".
Tukur's convincing stage performances were rewarded with the title "Actor of the Year" by German theater critics in 1986. From 1995, Tukur himself was director of the Hamburg Festival as director together with Ulrich Waller - until 2003. A year later, he appeared in a "Tatort" episode for the first time: in "Das Böse" he played Andrea Sawatzki's counterpart and appeared in He shot a mass murderer so brilliantly that he was awarded the German Television Prize for it. In 2009 he played the character of the same name in the film's lead role in the drama "John Rabe". Since 2010 he has been playing the Hessian LKA detective Felix Murot, who fights against crime around Wiesbaden, in the HR series of the international crime production "Tatort". Tukur plays a lonely character who suffers from a brain tumor. The sought-after artist expressed his musical inclination in 1995 by founding the dance band Ulrich Tukur & The Rhythm Boys.
Since then he has been touring with the band and releasing his own compositions and cover music. Ulrich Tukur is the front man as a singer, but also plays the piano and accordion keyboards himself. In 2007, the artist made his debut as the author of his collection of stories "The Water Lily in the Dining Room - Venetian Stories", in which he makes a declaration of love for Venice. Ulrich Tukur is a member of the Free Academy of Arts Hamburg. Tukur became the father of two daughters from his first marriage. His second wife Katharina John is a photographer. He lives with her on the island of Giudecca in Venice and in the mountain village of Montepiano, where he also works as a winemaker. Tukur has won numerous prizes and awards, including the 1985 O.E. Hasse Prize and the Boy Gobert Prize, the title of "Actor of the Year" in 1986, the Golden Bear at the Berlinale in 1986 for "Stammheim" and the Golden Camera in 1996 for the portrayal of the sex offender in "The Murderer and His Child".
He also received the Hamburg Island Art Prize in 1996, the Adolf Grimme Prize in 2000, the German Television Prize in 2004 - Best Actor for the role of a banker in Tatort "Das Böse", and the German Film Prize in 2006 - Best Actress - Male Supporting Role for " The Lives of Others", the 2009 Bavarian Film Prize in 2008 as Best Actor in "John Rabe", the German Film Prize as Best Actor for "John Rabe" and the German Film Peace Prize for "John Rabe", and the Lower Saxony State Prize in 2010 together with Wilhelm Krull and in 2011 the Golden Camera as Best German Actor for Tatort: "Like Lilly" and the Chevalier de l''Ordre National des Arts et des Lettres.ERWIN ROMMEL IN "ROMMEL"- Actor
- Producer
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Michael York was born in Fulmer, England, 27 March 1942. He performed on stage with the National Youth Theatre in London's East End and on international tour. Other early acting experience came through the Oxford University Dramatic Society (he graduated from Oxford in1964), the Dundee Repertory, and Laurence Olivier's National Theater Company - where he worked with Franco Zeffirelli, who gave him his film debut as Lucentio in The Taming of The Shrew (1967) and his breakthrough role as Tybalt in Romeo and Juliet (1968). He achieved early TV acclaim for his portrayal of Jolyon in The Forsyte Saga (1967). Other notable early movie roles include Brian Roberts in Cabaret (1972), Count Andrenyi in Murder on the Orient Express (1974) and D'Artagnan in several Musketeers films. He has starred in over 50 TV movies, continued stage work, starring on Broadway, made many spoken word recordings, written and lectured internationally. His autobiography (1993) was issued as "Accidentally on Purpose" in the U.S. and "Travelling Player" in Britain. He was in the hit The Omega Code (1999) with Catherine Oxenberg and Casper Van Dien. He had a great part in all of the "Austin Powers" films.ERWIN ROMMEL IN "THE NIGHT OF THE FOX"- Helmut Griem was born on 6 April 1932 in Hamburg, Germany. He was an actor, known for Cabaret (1972), The Damned (1969) and Fabrik der Offiziere (1960). He was married to Helga Koehler. He died on 19 November 2004 in Munich, Bavaria, Germany.ERWIN ROMMEL IN "THE PLOT TO KILL A HITLER"
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Tall, slim and exceedingly good-looking American leading man Robert Culp, a former cartoonist in his teen years, appeared off-Broadway in the 1950s before settling into polished, clean-cut film leads and "other man" supports a decade later. Hitting the popular TV boards in the hip, racially ground-breaking espionage program I Spy (1965), he made a slick (but never smarmy), sardonic name for himself during his over five-decade career with his sly humor, casual banter and tongue-in-cheek sexiness. Though he had the requisite looks and smooth, manly appeal (not to mention acting talent) for superstardom, a cool but cynical and somewhat detached persona may have prevented him from attaining it full-out.
He was born Robert Martin Culp on August 16, 1930, in Oakland California. The son of attorney Crozie Culp and his wife, Bethel Collins, who was employed at a Berkeley chemical company, he offset his only-child loneliness by playacting in local theater productions. Culp also showed a talent for art while young and earned money as a cartoonist for Bay Area magazines and newspapers in high school, but the fascination with becoming an actor proved much stronger. He attended Berkeley High School and graduated in 1947. The athletically-inclined Culp dominated at track and field events and, as a result, earned athletic scholarships to six different universities. He selected the relatively minor College of the Pacific in Stockton, California primarily because of its active theater department. Transferring to various other colleges of higher learning (including San Francisco State in 1949), he never earned a degree. After performing in some theatre in the San Francisco area, he moved to Seattle and then New York in 1951.
Studying under famed teacher Herbert Berghof and supporting himself during this time teaching speech and phonetics, Bob eventually found work on the theatre scene, making his 1953 Broadway debut (as Robert M. Culp) in "The Prescott Proposals" with Katharine Cornell. He eventually returned to Broadway with "Diary of a Scoundrel" starring Blanche Yurka and Roddy McDowall in 1956 and with a strong role in "A Clearing in the Woods" (alongside Kim Stanley) a year later. He earned an off-Broadway Obie Award for his very fine work in "He Who Gets Slapped" in 1956, and also appeared in the plays "Daily Life" and "Easter".
Gracing a few live-TV dramas during his New York days, he returned to his native California for his first major TV role. It was an auspicious one as post-Civil War Texas Ranger "Hoby Gilman" in the western series Trackdown (1957). He earned widespread attention in the series that based many of its stories from actual Texas Ranger files, and the show itself received the official approval not only of the Rangers themselves but by the State of Texas. The series led to a CBS spin-off of its own: Wanted: Dead or Alive (1958), which made a TV star out of Steve McQueen.
From there, Culp guested on a number of series dramas: Bonanza (1959), The Rifleman (1958), Rawhide (1959), The Detectives (1959), Ben Casey (1961), The Outer Limits (1963), Naked City (1958) and Combat! (1962). He also starred in the two-part Disney family-styled program "Sammy the Way Out Seal" (1962), which was subsequently released as a feature in Europe. He and Patricia Barry played the hapless parents of precocious Bill Mumy and Michael McGreevey whose "adopted" pet animal unleashes major chaos in their suburban neighborhood.
During this time, Bob began to seek lead and supporting work in films. Despite his co-starring with Cliff Robertson, Rod Taylor and the very perky Jane Fonda (as her straight-laced boyfriend) in the sparkling Broadway-based sexcapade Sunday in New York (1963); playing Robertson's naval mate in the popular John F. Kennedy biopic PT 109 (1963); recreating the legendary "Wild Bill" Hickok in the western tale The Raiders (1963); and heading up the adventurous cast of the Ivan Tors' African yarn Rhino! (1964) (which included Harry Guardino and the very fetching British import Shirley Eaton), Culp wasn't able to make a serious dent in the medium.
TV remained his best arena and gave him more lucrative offers, professionally. It rewarded him quite richly in 1965 with the debonair series lead "Kelly Robinson", a jet-setting, pro-circuit tennis player who leads a double life as an international secret agent in I Spy (1965). Running three seasons, Culp co-starred with fellow secret agent Bill Cosby, who, as "Alexander Scott", posed as Culp's tennis trainer. The role was tailor-made for the suave, Ivy-League-looking actor. He looked effortlessly cool posing in sunglasses amid the posh continental settings and remained handsomely unflinching in the face of danger. It was the first U.S. prime-time network drama to feature an African-American actor in a full-out starring role and the relationship between the two meshed perfectly and charismatically on screen. Both were nominated for acting Emmys in all three of its seasons, with Cosby coming out the victor each time. Filmed on location in such cities as Hong Kong, Acapulco and Tokyo, Culp also wrote and directed certain episodes of the show He also met his third wife, the gorgeous Eurasian actress France Nuyen, while on the set. They married in 1967 but divorced three years later. At this stage, the actor already had four children (by second wife, sometime actress Nancy Ashe).
Following the series' demise, Culp took on perhaps his most-famous and controversial film role as Natalie Wood's husband "Bob" in the titillating but ultimately teasing "flower power" era film Bob & Carol & Ted & Alice (1969), with Elliott Gould and Dyan Cannon as the other-half couple who examine the late 60s "free love" idea of wife-swapping. The film was nominated for four Academy Awards (two went to supporting actors Gould and Cannon). The movie did not reignite Culp's popularity on the large screen, but it did lead to his rather strange pairing with buxom Raquel Welch in the violent-edged western Hannie Caulder (1971) and a reunion with his I Spy (1965) pal Cosby in the far-more entertaining Hickey & Boggs (1972), which reestablished their great tongue-in-cheek rapport as two weary-eyed private eyes. Culp also directed the film while his real-life wife, actress Sheila Sullivan, played his screen wife as well.
The late 1970s produced a flood of routine mini-movies and B-pictures, the latter including Inside Out (1975), Sky Riders (1976), Breaking Point (1976), The Great Scout & Cathouse Thursday (1976), Flood (1976), Goldengirl (1979) and Hot Rod (1979). While he remained a sturdy and standard presence in such mini-movies as Houston, We've Got a Problem (1974), Spectre (1977) and Calendar Girl Murders (1984), his better TV-movie roles were in A Cold Night's Death (1973), Outrage (1973), A Cry for Help (1975) and as "Lyle Pettyjohn" in the acclaimed mini-series sequel Roots: The Next Generations (1979).
Bob returned to series TV as stern FBI Special Agent "Bill Maxwell", whose job was to work with handsome William Katt, who starred as an ersatz The Greatest American Hero (1981). The show lasted three seasons. Other series guest spots, both comedic and dramatic, included Hotel (1983), Highway to Heaven (1984), The Golden Girls (1985) and an episode of his old buddy's show The Cosby Show (1984). He was also a guest murderer in three of the "Columbo" episodes. Although he was relegated to appearing in such film fodder as Turk 182 (1985), Big Bad Mama II (1987) and Pucker Up and Bark Like a Dog (1989), the 1990s offered him one of his best film roles in years as the ill-fated President in the Denzel Washington/Julia Roberts political thriller The Pelican Brief (1993). A year later, he again reteamed with Cosby in the TV-movie I Spy Returns (1994).
Culp became very active in the 1960s Civil Rights movement and later became a prominent face in local civic causes, joining in a lawsuit to cease construction of an elephant exhibit at the Los Angeles Zoo and accusing officials there of mistreatment. In the long run, however, the construction was given the green light. Culp also married a fifth time to Candace Faulkner and, by her, had daughter Samantha Culp in 1982. Older sons Jason Culp (born 1961) and Joseph Culp (born 1963) became actors, while another son, Joshua Culp (born 1958), entered the visual effects field. Daughter Rachel, an outré clothing designer for rock stars, was born in 1964.
In later years, Culp could be seen occasionally as Ray Romano's father-in-law on the hugely popular Everybody Loves Raymond (1996). His last film, the family drama The Assignment (2010), was unreleased at the time of his death. On March 24, 2010, the 79-year-old Culp collapsed from an apparent heart attack while walking near the lower entrance to Runyon Canyon Park, a popular hiking area in the Hollywood Hills. Found by a hiker, Culp was transported to a nearby hospital where he died from the head injuries he sustained in the fall. Five grandchildren also survive.ERWIN ROMMEL IN "THE KEY TO REBECCA"- Actor
- Soundtrack
Born in Nuremberg on February 27, 1910, the son of a school teacher, well-known German actor Wolfgang Preiss started studying philosophy and theatre sciences alternately (including dance training) and made his stage debut in 1932 in Munich. He appeared in many theatres throughout his country in the 30s including Heidelberg, Bonn, Bremen, Stuttgart, Baden-Baden and Berlin.
Beginning in a couple of early 1940s German films, WWII interrupted Preiss' movie output for quite some time, but, in many ways, the war never left him, for he would continue playing war-time colonels, generals, and field marshals for the duration of his prolific career.
Following more theatre and radio work, Preiss returned to post-war German filming and was seldom seen out of uniform with a mass of pictures including Deadly Decision (1954), The Plot to Assassinate Hitler (1955) (starring role), Der Cornet - Die Weise von Liebe und Tod (1955), Anastasia: The Czar's Last Daughter (1956), Stresemann (1957), Haie und kleine Fische (1957) and I Was All His (1958). His diabolical tendencies also lent to his casting as the title criminal mastermind in a series of mystery films: The 1,000 Eyes of Dr. Mabuse (1960), The Return of Dr. Mabuse (1961), The Invisible Dr. Mabuse (1962), The Terror of Doctor Mabuse (1962) and Dr. Mabuse vs. Scotland Yard (1963).
Preiss continued to keep his Nazi uniform starched and pressed as he branched out internationally for such 1960's war films as The Counterfeit Traitor (1962), The Longest Day (1962), The Cardinal (1963), The Train (1964), Von Ryan's Express (1965), Is Paris Burning? (1966), Anzio (1968) and Battle of the Commandos (1969). As the nemesis of such American heroes as William Holden, Burt Lancaster, Frank Sinatra, Robert Mitchum and Peter Falk, he moved into the next decade with portrayals of Rommel in Raid on Rommel (1971) starring Richard Burton and Field Marshal Von Rundstedt in Richard Attenborough's A Bridge Too Far (1977) which featured an international star cast.
Preiss would appear in over 100 German and continental productions in his lifetime. Other popular filming would include featured roles in The Salzburg Connection (1972), The Boys from Brazil (1978), Bloodline (1979) and The Formula (1980). In his twilight years, Preiss turned more and more to TV as part of the ensemble casts of the quality miniseries Wallenstein (1978), The Winds of War (1983) and War and Remembrance (1988). He ended his career with a role in the French adventure movie drama Aire libre (1996).
Preiss died on November 27, 2002, at the age of 92, as the result of a fall. Married three times, he was survived by his third wife, Ruth, whom he married in 1955.ERWIN ROMMEL IN "RAID ON ROMMEL"- Tall, dark-haired German leading actor, the son of a blacksmith. Vogler was educated in Innsbruck and Vienna, where he studied psychology and art history, in addition to taking acting classes on the side. He made his theatrical debut in Innsbruck in 1950, then acted in classical roles on stage in Germany, including as Horatio in Hamlet, and as Marquis Posa in 'Don Karlos'. On screen from the late 1950's, he achieved international acclaim through his portrayal of stalwart Prussian officers in several expensive, all-star productions, notably Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), The Blue Max (1966), Patton (1970) (as Field Marshal Erwin Rommel) and Shout at the Devil (1976).
A likeable and reassuring screen presence and possessed of a well-intoned, resonant speaking voice, Vogler became immensely popular on German television from the mid-1970's. He is best remembered as the titular hero of Kara Ben Nemsi Effendi (1973), based on the adventure stories of Karl May, set in the 19th century Ottoman Empire. The 80's and 90's saw Vogler in recurring roles in varying genres, from medical soap opera to sitcoms and satire. He also guested on 'crime time' shows like Derrick (1974) and Tatort (1970). After his retirement from the screen, he devoted time to recording audio books and giving public recitals of German literary classics (often to the accompaniment of jazz), from poems to fairy tales and short stories by, among others, Johann Wolfgang von Goethe, Theodor Storm and Joseph Freiherr von Eichendorff.ERWIN ROMMEL IN "PATTON" - Actor
- Producer
- Music Department
Legendary actor Christopher Plummer, perhaps Canada's greatest thespian, delivered outstanding performances as Sherlock Holmes in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), the iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), the kindly and clever mystery writer in Knives Out (2019), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a Supporting Role, one of three Academy Award nominations he received in the 2010s, along with All the Money in the World (2017) (as J. Paul Getty) and Beginners (2010); he won for the latter role. He will also likely always be remembered as Captain Von Trapp in the atomic bomb-strength blockbuster The Sound of Music (1965), a film he publicly despised until softening his stance in his autobiography "In Spite of Me" (2008).
Christopher Plummer was born Arthur Christopher Orme Plummer on December 13, 1929 in Toronto, Ontario. He was the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. Christopher was a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Presbyterian clergyman John Bethune. He had Scottish, English, Anglo-Irish, and Cornish ancestry. Plummer was raised in Senneville, Quebec, near Montreal, at his maternal grandparents' home.
Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Plummer was the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.
Like another great stage actor, Richard Burton, early in his career Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, he didn't succeed as a younger leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was, he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character roles. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".
Plummer won two Emmy Awards out of seven nominations stretching 46 years from 1959 and 2011, and one Genie Award in six nominations from 1980 to 2009. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore". Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".
Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award. In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Lev Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thus: "You're only two years older than me darling, where have you been all of my life?"
Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it." The Academy Award was a long time in coming and richly deserved.
Plummer gave many other fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He continued to be an in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he would have been knighted. (In 1968, he was appointed Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".
As it is, as attested to in his witty and well-written autobiography, Plummer was amply rewarded in life. In 1970, Plummer - then a self-confessed 43-year-old "bottle baby" - married his third wife Elaine Taylor, a dancer, who helped wean him off his dependency on alcohol. They lived happily with their dogs on a 30-acre estate in Weston, Connecticut. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life." Although he spent the majority of his time in the United States, he remained a Canadian citizen. He died in his Weston, Connecticut home on February 5, 2021 at age 91.
His daughter, with actress Tammy Grimes, is actress Amanda Plummer.ERWIN ROMMEL IN "THE NIGHT OF THE GENERALS"- Werner Hinz was born on 18 January 1903 in Berlin, Germany. He was an actor, known for The Longest Day (1962), No Greater Love (1952) and The Plot to Assassinate Hitler (1955). He was married to Ehmi Bessel. He died on 10 February 1985 in Hamburg, West Germany.ERWIN ROMMEL IN "THE LONGEST DAY"
- Actor
- Soundtrack
Gregory Gaye was born on 10 October 1900 in St. Petersburg, Russian Empire [now Russia]. He was an actor, known for Dodsworth (1936), Ninotchka (1939) and Creature with the Atom Brain (1955). He died on 23 August 1993 in Studio City, Los Angeles, California, USA.ERWIN ROMMEL IN "HITLER"- Actor
- Producer
- Writer
James Mason was born in Huddersfield and had a film career spanning over 50 years during which he appeared in over 100 films in England and America but never won an Oscar. Whatever role he played, from the wounded Belfast gunman in Odd Man Out to Rommel in The Desert Fox, his creamy velvet voice gave him away. Like Charlie Chaplin James left the screen to spend his later life living in Switzerland. His first marriage had been to Pamela Kellino, a Yorkshire mill owner's daughter and his second to Australian actress Clarissa Kaye.ERWIN ROMMEL IN "THE DESERT RATS"AND IN "ROMMEL:THE FOX OF THE DESSERT"- Actor
- Writer
- Director
Erich von Stroheim was born Erich Oswald Stroheim in 1885, in Vienna, Austria, to Johanna (Bondy), from Prague, and Benno Stroheim, a hatter from Gleiwitz, Germany (now Gliwice, Poland). His family was Jewish.
After spending some time working in his father's hat factory, he emigrated to America around 1909. Working in various jobs he arrived in Hollywood in 1914 and got work in D.W. Griffiths' company as a bit player. America's entry into WW1 enabled him to play sadistic monocled German officers but these roles dried up when the war ended. He turned to writing and directing but his passion for unnecessary detail such as Austrian guards wearing correct and expensively acquired regulation underwear which was never seen in 'Foolish Wives' caused the budget to reach a reported $1 million. Although the film became a hit the final edit was given to others resulting in a third of his footage being cut. Irving Thalberg fired him from 'Merry Go Round' which was completed by Rupert Julien. He then started on 'Greed', which when completed was unreleasable being 42 reels with a running time of 7 hours. It was eventually cut down to 10 reels which still had a striking effect on audiences. 'The Wedding March' was so long that even in it's unfinished state it was released as two separate films in Europe. Gloria Swanson fired him from her production of 'Queen Kelly' when with no sign of the film nearing completion the costs had risen to twice the budget partly due to him re-shooting scenes that had already been passed by the Hays office. She then had to spend a further $200,000 putting the footage into releasable state. It was the end for him as a director, but he made a reasonable success as an actor in the talkies.ERWIN ROMMEL IN "FIVE GRAVES TO CAIRO"- Actor
- Additional Crew
Christian Redl was born on 20 April 1948 in Schleswig, Schleswig-Holstein, Germany. He is an actor, known for Downfall (2004), Der Hammermörder (1990) and Tattoo (2002).ALFRED JODL IN "THE DOWNFALL"- Tony Steedman was born on 21 August 1927 in Warwickshire, England, UK. He was an actor, known for Bill & Ted's Excellent Adventure (1989), Citizen Smith (1977) and Scrooged (1988). He was married to Judy Parfitt and Ann Steedman. He died on 4 February 2001 in Haywards Heath, West Sussex, England, UK.ALFRED JODL IN "THE BUNKER"
- Philip Stone was an English character actor, born in Leeds, West Yorkshire, in 1924. His first job was for an engineering company in Leeds and he served in the Royal Air Force during the Second World War. He was on stage at the West End in London from 1947. He also contracted tuberculosis that year and was forced to give up acting for several years to undergo treatment.
Stanley Kubrick noticed him during 1969 while acting in "The Contractor" at the Royal Court Theatre. Stone was the only actor to appear in three consecutive Kubrick films. He played the central character Alex's "P" (as in "M" and "P" for "Ma" and "Pa") in A Clockwork Orange (1971), and then subsequently played Graham, the Lyndon family lawyer, in Barry Lyndon (1975), and Delbert Grady, the original caretaker who murdered his family in The Shining (1980). The only other actor to be credited in three Kubrick films is Joe Turkel. Other film roles included Thunderball (1965), Where Eagles Dare (1968), Quest for Love (1971), Flash Gordon (1980) and Indiana Jones and the Temple of Doom (1984). In the animated version of The Lord of the Rings (1978), he voiced the role of Theoden.
Stone was also a prolific stage and television actor, appearing in many popular TV series, including the very first episode of The Avengers (1961), as well as Dalziel and Pascoe (1996), A Touch of Frost (1992), Heartbeat (1992), Yes Minister (1980) and Coronation Street (1960). At one time he fronted his own production company, Philip Stone Productions. He died of a heart attack in London in 2003, aged 79.ALFRED JODL IN "HITLER THE LAST TEN DAYS"