The Most Atractive Actors (Mum's opinion)
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Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of Irish origin. Gerard spent some of his very early childhood in Montreal, Quebec, but was mostly raised, along with his older brother and sister, in his hometown of Paisley. His parents divorced when he was a child, and he and his siblings were raised primarily by their mother, who later remarried. He had no contact with his father between the ages of two and 16 years old, after which time they became close. His father passed away when Gerard was in his early 20s. Butler went on to attend Glasgow University, where he studied to be a lawyer/solicitor. He was president of the school's law society thanks to his outgoing personality and great social skills.
His acting career began when he was approached in a London coffee shop by actor Steven Berkoff, who later appeared alongside Butler in Attila (2001), who gave him a role in a stage production of "Coriolanus" (later, Butler played Tullus Aufidius in a big screen Coriolanus (2011). After that, Butler decided to give up law for acting. He was cast as Ewan McGregor's character "Renton" in the stage adaptation of Trainspotting. His film debut was as Billy Connolly's younger brother in Mrs. Brown (1997). While filming the movie in Scotland, he was enjoying a picnic with his mother near the River Tay when they heard the shouts of a young boy, who had been swimming with a friend, who was in some trouble. Butler jumped in and saved the young boy from drowning. He received a Certificate of Bravery from the Royal Humane Society. He felt he only did what anyone in the situation would have done.
His film career continued with small roles, first in the "James Bond" movie, Tomorrow Never Dies (1997), and then Russell Mulcahy's Tale of the Mummy (1998). In 2000, Butler was cast in two breakthrough roles, the first being "Attila the Hun" in the USA Network mini-series, Attila (2001). The film's producers wanted a known actor to play the part but kept coming back to Butler's screen tests and decided he was their man. He had to lose the thick Scottish accent, but managed well. Around the time "Attila" was being filmed, casting was in progress for Wes Craven's new take on the "Dracula" legacy. Also wanting a known name, Butler wasn't much of a consideration, but his unending tenacity drove him to hounding the producers. Eventually, he sent them a clip of his portrayal of "Attila". Evidently, they saw something because Dracula 2000 (2000) was cast in the form of Butler. Attila's producers, thinking that his big-screen role might help with their own film's ratings, finished shooting a little early so he could get to work on Dracula 2000 (2000). Following these two roles, Butler developed quite a fan base, and began appearing on websites and fancasts everywhere.
Since then, he has appeared in Reign of Fire (2002) as "Creedy" and Lara Croft: Tomb Raider - The Cradle of Life (2003) as "Terry Sheridan", alongside Angelina Jolie. The role that garnered him the most attention from both moviegoers and movie makers, alike, was that of "Andre Marek" in the big-screen adaptation of Michael Crichton's novel, Timeline (2003). Butler played an archaeologist who was sent back in time with a team of students to rescue a colleague. Last year, he appeared in Andrew Lloyd Webber's musical, The Phantom of the Opera (2004), playing the title character in the successful adaptation of the stage musical. It was a role that brought him much international attention. Other projects include Dear Frankie (2004), The Game of Their Lives (2005) and Beowulf & Grendel (2005).
In 2007, he starred as Spartan "King Leonidas" in the Warner Bros. production 300 (2006), based on the Frank Miller graphic novel, and Shattered (2007), co-starring Pierce Brosnan and Maria Bello, which aired on network TV under the title, "Shattered". He also starred in P.S. I Love You (2007), with Academy Award-winner Hilary Swank.
In 2007, he appeared in Nim's Island (2008) and RocknRolla (2008), and completed the new Mark Neveldine / Brian Taylor film, Gamer (2009). His next films included The Ugly Truth (2009), co-starring Katherine Heigl, which began filming in April 2008, The Bounty Hunter (2010), How to Train Your Dragon (2010), Chasing Mavericks (2012) and Olympus Has Fallen (2013). In recent years, he has appeared in films such as Gods of Egypt (2016), Geostorm (2017), Den of Thieves (2018), The Vanishing (2018) and Hunter Killer (2018). Butler is related to writer-director Mark Flood.- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actor
- Producer
- Writer
Ewan Gordon McGregor was born on March 31, 1971 in Perth, Perthshire, Scotland, to Carol Diane (Lawson) and James Charles McGregor, both teachers. His uncle is actor Denis Lawson. He was raised in Crieff. At age 16, he left Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series Lipstick on Your Collar (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald. This was followed by The Pillow Book (1995) and Trainspotting (1996), the latter of which brought him to the public's attention.
He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series Kavanagh QC (1995). They married in France in the summer of 1995, and have four daughters. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor and Bryant left the company in 2002. He was awarded Officer of the Order of the British Empire in the 2013 Queen's New Years Honours List for his services to drama and charity.
Ewan made his directorial debut with American Pastoral (2016), an adaptation of Philip Roth's book, in which Ewan also starred.
In 2018 McGregor won an Golden Globe for his work in the TV Series Fargo.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Colin Andrew Firth was born into an academic family in Grayshott, Hampshire, England. His mother, Shirley Jean (Rolles), was a comparative religion lecturer at the Open University, and his father, David Norman Lewis Firth, lectured on history at Winchester University College (formerly King Alfred's College) in Winchester, and worked on education for the Nigerian government. His grandparents were missionaries. His siblings Katie Firth and Jonathan Firth are also actors.
Firth's first acting experience came in infant's school when he played "Jack Frost" in a Christmas pantomime. Three of his four grandparents were Methodist missionaries and he spent his early childhood in Nigeria, returning to England at age five where he entered a comprehensive school in Winchester. He spent two years at the Drama Centre, then in Chalk Farm, where he was "discovered" whist playing "Hamlet" during his final term. His first professional role was as "Bennet" in the West End production of "Another Country". From this performance, he was chosen to play the character of "Judd" in the movie of the play. He went on to play a variety of character parts in both film and television. For his portrayal of "Robert Lawrence" in the 1989 TV production Tumbledown (1988), he received the Royal Television Society Best Actor award and also a BAFTA nomination. He also received a BAFTA nomination for "Mr. Darcy" in the 1995 TV version of Pride and Prejudice (1995). In 2011, he won the Oscar for Best Actor for his commanding leading role, playing British King George VI in The King's Speech (2010).- Actor
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Exotic leading man of American films, famed as much for his completely bald head as for his performances, Yul Brynner masked much of his life in mystery and outright lies designed to tease people he considered gullible. It was not until the publication of the books "Yul: The Man Who Would Be King" and "Empire and Odyssey" by his son, Yul "Rock" Brynner, that many of the details of Brynner's early life became clear.
Yul sometimes claimed to be a half-Swiss, half-Japanese named Taidje Khan, born on the island of Sakhalin; in reality, he was the son of Marousia Dimitrievna (Blagovidova), the Russian daughter of a doctor, and Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German and Russian descent. He was born in their home town of Vladivostok on 11 July 1920 and named Yuli after his grandfather, Jules Bryner. When Yuli's father abandoned the family, his mother took him and his sister Vera to Harbin, Manchuria, where they attended a YMCA school. In 1934 Yuli's mother took her children to Paris. Her son was sent to the exclusive Lycée Moncelle, but his attendance was spotty. He dropped out and became a musician, playing guitar in the nightclubs among the Russian gypsies who gave him his first real sense of family. He met luminaries such as Jean Cocteau and became an apprentice at the Theatre des Mathurins. He worked as a trapeze artist with the famed Cirque d'Hiver company.
He traveled to the U.S. in 1941 to study with acting teacher Michael Chekhov and toured the country with Chekhov's theatrical troupe. That same year, he debuted in New York as Fabian in "Twelfth Night" (billed as Youl Bryner). After working in a very early TV series, Mr. Jones and His Neighbors (1944), he played on Broadway in "Lute Song" with Mary Martin, winning awards and mild acclaim. He and his wife, actress Virginia Gilmore, starred in the first TV talk show, Mr. and Mrs. (1948). Brynner then joined CBS as a television director. He made his film debut in Port of New York (1949). Two years later Mary Martin recommended him for the part he would forever be known for: the King in Richard Rodgers' and Oscar Hammerstein II's musical "The King and I". Brynner became an immediate sensation in the role, repeating it for film (The King and I (1956)) and winning the Oscar for Best Actor.
For the next two decades, he maintained a starring film career despite the exotic nature of his persona, performing in a wide range of roles from Egyptian pharaohs to Western gunfighters, almost all with the same shaved head and indefinable accent. In the 1970s he returned to the role that had made him a star, and spent most of the rest of his life touring the world in "The King and I". When he developed lung cancer in the mid 1980s, he left a powerful public service announcement denouncing smoking as the cause, for broadcast after his death. The cancer and its complications, after a long illness, ended his life. Brynner was cremated and his ashes buried in a remote part of France, on the grounds of the Abbey of Saint-Michel de Bois Aubry, a short distance outside the village of Luzé. He remains one of the most fascinating, unusual and beloved stars of his time.- Actor
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Antonio Banderas, one of Spain's most famous faces, was a soccer player until breaking his foot at the age of fourteen; he is now an international movie star known for playing Zorro in the eponymous movie series.
He was born José Antonio Domínguez Banderas on August 10, 1960, in Málaga, Andalusia, Spain. His father, Jose Dominguez, was a policeman in the Spanish civil guards. His mother, Doña Ana Banderas Gallego, was a school teacher. Young Banderas was brought up a Roman Catholic. He wanted to play soccer professionally and made much success playing for his school team until the age of 14, albeit his dream ended when he broke his foot. At that time, he developed a passion for theatre after seeing the stage production of "Hair". Banderas began his acting studies at the School of Dramatic Arts in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station, he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street.
In 1979, at age 19, he moved to Madrid in pursuit of an acting career. Being a struggling young actor, he also worked as a waiter and took small modeling jobs. At that time, he joined the troupe at the National Theatre of Spain, becoming the youngest member of the company. Banderas' stage performances caught the attention of movie director Pedro Almodóvar, who cast the young actor in his movie debut Labyrinth of Passion (1982). Banderas and Almodovar joined forces in making innovative and sexually provocative movies during the 1980s. In 1984, Banderas made headlines in Spain with his performance as a gay man, making his first male-to-male on-screen kiss in Almodovar's Law of Desire (1987). Banderas' long and fruitful collaboration with Pedro Almodóvar eventually prepared him for international recognition that came with his work in the Academy Award-nominated film Women on the Verge of a Nervous Breakdown (1988). In 1991, he appeared as an object of Madonna's affection in Madonna: Truth or Dare (1991).
In 1992, Banderas made his Hollywood debut with The Mambo Kings (1992). Because he did not speak English at that time, his dialogue for the movie was taught to him phonetically. Banderas shot to international fame with his sensitive performance as a lover of Tom Hanks' AIDS-infected lawyer in Philadelphia (1993), then played opposite Tom Cruise and Brad Pitt in Interview with the Vampire: The Vampire Chronicles (1994). Banderas further established himself as one of Hollywood's leading men after co-starring in Evita (1996) opposite Madonna in the title role. In 1998, he won acclaim for his portrayal of Zorro, opposite Anthony Hopkins and Catherine Zeta-Jones, in The Mask of Zorro (1998). For the role as Zorro, Banderas took training with the Olympic national fencing team in Spain, and practiced his moves with real steel swords, then he used the lighter aluminum swords in the movie. He also took a month-long course of horse-riding before the filming. He later returned to the role in The Legend of Zorro (2005). In 1999, Banderas made his directorial debut in Crazy in Alabama (1999), starring his wife, Melanie Griffith. He received critical acclaim for his portrayal of Mexican artist David Alfaro Siqueiros opposite Salma Hayek in Frida (2002). He voiced Puss in Boots in the Shrek franchise.
Banderas established himself as internationally known Latin heartthrob with charismatic looks, and was chosen as one of the 50 most beautiful people in the world by People magazine in 1996. He won numerous awards and nominations for his works in film, including three ALMA awards and three Golden Globe nominations, among many other. From 1996 to 2014, Banderas was married to American actress Melanie Griffith and the couple have one daughter, Stella (born 1996). Outside of his acting profession, Banderas has been a passionate soccer fan and a staunch supporter of the Real Madrid Football Club. He shares time between his two residencies, one in the United States, and one in the South of Spain.- Actor
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Personal life
Mario Casas, has 4 siblings. Born in La Coruña, although very young, at just 4 years old, he left with his family to Barcelona. Later, at the age of 18, he emigrated to the Spanish capital in an adventure in which he took his whole family with him.
His parents were very young when they had him; his mother, Heidi, was only 17 and his father, Ramon, 19. Only a year and a half later they had their sister, so they were very young and had two children. For Mario, his father is his "reference", while his mother, like his brothers, are his "confidants".
His mother has been raising her children, while his father is a cabinetmaker, but has also done construction and renovation work. Because of this work, his father had no problems moving to another city, so they decided to accompany Mario when he left for Madrid and settled with him in the city.
Mario has four other brothers and sisters, forming what he defines as "a Sicilian family", a family with many children established around a "matriarch". Mario, is the oldest of them all. He is followed by his sister Sheila, and two other brothers, named Christian and Oscar. Finally, the youngest member of the family, Daniel, who was born in 2014, and whom he considers almost as his "nephew" because of the enormous age difference.
He gets along well with all of them, although especially with his sister Sheila, as they have grown up together. Mario, a loyal tattoo lover, has one dedicated to each of his parents and siblings, with the initials of each one.
He remembers his childhood as "wonderful", although he had a bit of a hard time because he was given "a lot of cane" for being short, even the girls. He developed very late, until he was 15 years old, he continued to have the body of a child. Even so, he has always been a flirt, and had his first "girlfriend" at the age of 4.
As a child he liked everything: singing, dancing, ping-pong, football.... He says he liked to try everything, although he admits that he got tired fast. His professional career began as an "advertisement child", as he was involved in advertising as a child. He advertised Cola Cao, Telepizza, Scalextric... He eventually decided to become an actor after he had enrolled the Cristina Rota School of Dramatic Arts
He also keeps "lifelong" friends from school. They are the ones he made when he arrived in Barcelona and have always been with him. In his words, true friends who you can count on the fingers of one hand.
Over the years he dated a few fellow actresses he starred with in movies such as María Valverde and Berta Vázques. Since 2018, he is in a relationship with famous Spanish actress Blanca Suarez he played with in movies/tv shows such as: Carne de Neon (2010), El Barco (2011-2013), Mi Gran Noche (2015), and El Bar (2017).- Actor
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While his acting debut was at the age of 15, Diogo Morgado later became known internationally for his groundbreaking portrayal of "Jesus" in 20th Century Fox's feature film "Son of God" and in The History Channel's highly rated, Emmy-nominated miniseries "The Bible." Morgado's recent work includes the lead role in the Netflix original feature film "The Killer," which was streamed in over 190 countries. On television, Diogo had a recurring role on CBS' "CSI: Cyber," alongside Academy Award-winning actress Patricia Arquette, and starred in the TV movie, "Love Finds You In Valentine." Morgado was also a lead on the CW Network series "The Messengers." In addition to his work in television, Diogo has had leading roles in independent films in the U.S., including the action-driven adrenaline film "Born to Race: Fast Track," and the gritty urban drama "Red Butterfly."
In his native Portugal, where he is already a household name and one of GQ's "Men of the Year," Morgado's career spans top television, film and stage productions, including a lead role in the #1 rated Portuguese television series and International Emmy-winner "Laços de Sangue." Diogo began his career at the age of fifteen when he joined the cast of the top rated television series "Terra Mãe," But it was his breakthrough performance as "Miguel" in "Amo-Te, Teresa," which still remains as one of Portugal's highest rated telefims ever, that Diogo earned high praise as one of the most promising actors of his generation. Diogo has worked consistently in Portuguese television since, in over 15 series regular roles, including his memorable performance as "Santiago Medina" in the hugely successful series, "Vingança." Morgado's film credits include a noteworthy performance as Portuguese dictator Antonio De Oliveira Salazar in the acclaimed feature film "A Vida Privada De Salazar." Diogo was able to showcase his comedic chops in "O Crime do Padre Amaro," which received international attention from directors all over the world. Diogo starred in another hit comedy film, "Virados do Avesso," which debuted at the top of the Portuguese box office. Diogo is also a passionate theater actor and has had lead roles in prestigious plays such as David Hare's "Skylight" and Peter Shaffer's "The Royal Hunt to the Sun."
Beyond Portugal and the United States, Morgado has had lead roles in such international films as Spain's "Dos Rivales Casi Iguales," "Mami Blue," and "Star Crossed," as well as Brazil's "Revelação" and "The Jungle."
Morgado divides his time between Los Angeles and Lisbon, where he has begun pursuing his passion behind the camera as well -- writing and directing both English and Portuguese films, including the recent award-winning short film, "Signal."- Actor
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Patrick Wayne Swayze was born on August 18, 1952 in Houston, Texas, to Patsy Swayze (née Yvonne Helen Karnes), a choreographer, and Jesse Wayne Swayze, a chemical plant engineer draftsman. His mother owned a dance school in Houston, where Patrick was also a student. His father passed away in 1982. He graduated from Waltrip High School in Houston, and attended San Jacinto College in Pasadena, Texas. He married actress/dancer Lisa Niemi on June 12, 1975, whom he had known when she was 15 and a student at his mother's dance school. His New York City dance training included the Harkness Ballet School and Joffrey Ballet School. He first danced professionally as "Prince Charming" in "Disney on Parade". After a stint as "Danny Zuko" in the original Broadway production of "Grease", he made his film debut with a small role in Skatetown U.S.A. (1979). He made his television debut in 1981 on M*A*S*H (1972), as a soldier diagnosed with leukemia.
After many supporting roles in films and a lead role in the TV mini-series North & South: Book 1, North & South (1985), he landed his breakthrough role as dance instructor "Johnny Castle" in the hit film Dirty Dancing (1987), for which he received a Golden Globe nomination. He received a second nomination for his portrayal of "Sam Wheat" in the blockbuster Ghost (1990). Ghost (1990) was the highest-grossing film of 1990, and at one point, the fourth highest-grossing film of all time. Unfortunately, he did not capitalize on its success. His subsequent films like City of Joy (1992), Tall Tale (1995), Black Dog (1998), and Waking Up in Reno (2002) did not fare well with critics or audiences. In December 2003, he returned to Broadway as a replacement for the lead role of "Billy Flynn" in the acclaimed revival of John Kander & Fred Ebb's musical, "Chicago". The production also went on tour in several cities of the United States, including Los Angeles. In January 2008, he was diagnosed with pancreatic cancer. He fought the illness for well over a year and was able to continue working, but died on September 14, 2009.- David Conrad was born on 17 August 1967 in Pittsburgh, Pennsylvania, USA. He is an actor, known for Men of Honor (2000), Wedding Crashers (2005) and Anything Else (2003).
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Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
- Producer
- Soundtrack
Zachary David Alexander Efron was born October 18, 1987 in San Luis Obispo, California, to Starla Baskett, a secretary, and David Efron, an electrical engineer. He has a younger brother, Dylan. The surname "Efron", which is Hebrew and a Biblical place name, comes from Zac's Polish Jewish paternal grandfather.
Zac was raised in Arroyo Grande, CA. He took his first step toward acting at the age of eleven, after his parents noticed his singing ability. Singing and acting lessons soon led to an appearance in a production of "Gypsy" that ran 90 performances, and he was hooked. After appearing on-stage in "Peter Pan", "Auntie Mame", "Little Shop of Horrors" and "The Music Man", guest parts quickly followed on television series, including Firefly (2002), ER (1994), CSI: Miami (2002), NCIS (2003), and The Guardian (2001). After guest-starring in several episodes of Summerland (2004), Zac joined the regular cast as girl-crazy Cameron Bale. He also starred in several pilots, such as The Big Wide World of Carl Laemke (2003) and Triple Play (2004), and played an autistic child in the television film Miracle Run (2004), alongside Mary-Louise Parker and Aidan Quinn. He graduated from Arroyo Grande High School in June 2006.
Efron came to fame for starring in the Disney Channel original film High School Musical (2006), for which he won the Teen Choice Award for Breakout Star. He returned to the role of Troy Bolton in High School Musical 2 (2007), which broke cable TV records with 17.5 million viewers.
He had the lead roles in the fantasy romance Charlie St. Cloud (2010) and the comedy 17 Again (2009), both from director Burr Steers, and as the lovable Link Larkin in 2007's smash hit musical Hairspray (2007), directed by Adam Shankman. As part of the all-star cast, he shared a Critics Choice Award for Best Acting Ensemble and the 2007 Hollywood Film Festival Award for Ensemble of the Year, and was honored with a Screen Actors Guild Award® nomination for Outstanding Motion Picture Cast. In addition, he won an MTV Movie Award for Breakthrough Performance.
Efron then starred in Richard Linklater's Me and Orson Welles (2008), an adaptation of the novel by Robert Kaplow, which premiered to rave reviews at the 2008 Toronto Film Festival. That same year, he led Kenny Ortega's High School Musical 3: Senior Year (2008), which set a box office record for the highest grossing opening weekend for a musical. In 2012, Efron took the lead in The Lucky One (2012), a film adaptation of the Nicholas Sparks novel, playing a marine who returns to North Carolina after serving in Iraq in search for the unknown woman he believes was his good luck charm during the war. He also lent his voice to the animated feature Dr. Seuss' The Lorax (2012), and co-starred in Lee Daniels' thriller The Paperboy (2012), alongside Nicole Kidman, John Cusack, Matthew McConaughey and Scott Glenn, as well as Josh Radnor's Liberal Arts (2012), which premiered to rave reviews at the Sundance Film Festival. Another indie film he co-starred in, At Any Price (2012), was released in 2013.
Most recently, Zac starred with Seth Rogen in the hit comedy film Neighbors (2014), headlined the 2015 drama We Are Your Friends (2015), carried three 2016 comedies, Dirty Grandpa (2016), Neighbors 2: Sorority Rising (2016), and Mike and Dave Need Wedding Dates (2016), and starred opposite Hugh Jackman and Zendaya in the musical drama The Greatest Showman (2017), about showman P. T. Barnum. The latter title was a sleeper hit in the winter of 2017, becoming Zac's highest-grossing live action film in the U.S.
Zac's 2019 roles include a supporting part in Harmony Korine's The Beach Bum (2019), and playing serial killer Ted Bundy in Joe Berlinger's biographical drama Extremely Wicked, Shockingly Evil and Vile (2019).
Efron's favorite sports include golf, skiing, rock climbing, and snowboarding. He added surfing after spending days on the beach for "Summerland." He played the piano at home. He has also fixed up two cars in his spare time, a Delorean and '65 Mustang convertible, both treasured hand-me-downs from his even-more-treasured grandfather.- Actor
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Tobias Vincent Maguire was born in Santa Monica, California. His parents were 18 and 20, and not yet married, when he was born. His mother, Wendy (Brown), did advertising, publicity, and acting in Hollywood for years as she coached and managed Tobey. His father, Vincent Maguire, was a cook and sometimes a construction worker. Tobey did not finish high school in order to pursue and focus on acting roles, but he did end up getting his GED. He did several commercials (he was a model dancer for Nordstrom by age six), and he had some roles on various TV shows before landing a starring role on the Fox comedy Great Scott! (1992). That role lasted nine weeks before the show was canceled. Fox-made series were not doing well in general at the time. He avoids drugs and alcohol, and his best friend is Leonardo DiCaprio. Tobey is a vegan and studies yoga. He now has two beautiful children with his ex-wife Jennifer Meyer Maguire. Their names are Ruby Sweetheart and Otis Tobias Maguire. Another little known fact is that his two half-brothers, Jopaul and Weston Epp, were the child actors who handed Tobey (Peter Parker) his mask after the train scene in Spider-Man 2.- Actor
- Producer
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Christopher D'Olier Reeve was born September 25, 1952, in New York City, to journalist Barbara Johnson (née Barbara Pitney Lamb) and writer/professor F.D. Reeve (Franklin D'Olier Reeve). He came from an upper-class family; his paternal grandfather was CEO of Prudential Financial, and one of his maternal great-grandfathers was Supreme Court Associate Justice Mahlon Pitney.
When Reeve was four, his parents divorced. His mother moved him and his brother Benjamin to Princeton, New Jersey, and married an investment banker a few years later. After graduating from high school, Reeve studied at Cornell University while at the same time working as a professional actor. In his final year at Cornell, he was one of two students selected (Robin Williams was the other) to study at New York's famous Juilliard School, under the renowned John Houseman. Although Christopher is best known for his role as Superman (1978), a role which he played with both charisma and grace, his acting career spans a much larger ground. Paralyzed after a horse riding accident, he died suddenly at age 52 after several years of living and working with his severe disability.- Hayden Christensen was born April 19, 1981 in Vancouver, British Columbia, Canada. His parents, Alie and David Christensen, are in the communications business. He is of Danish (father) and Swedish and Italian (mother) descent. Hayden grew up in Markham, Ontario, with siblings Kaylen, Hejsa, and Tove. Hayden set out to become an actor when a chance encounter at the age of eight placed him in his first commercial, for Pringles. When he was thirteen, he had starring roles in several dramatic television series.
His biggest break was a major part in the Fox Family Network's Higher Ground (2000). On the series, Hayden showed off his acting talent as a teen who was sexually molested by his stepmother, and turns to drugs in despair. Later, he appeared in the television movie Trapped in a Purple Haze (2000), where he co-starred with his friend Jonathan Jackson. Hayden also had a role in the film The Virgin Suicides (1999).
On May 12, 2000, it was announced that Christensen would star as Anakin Skywalker in the prequels Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). The star was chosen by director George Lucas because he felt that Hayden had raw talent and good chemistry with actress Natalie Portman. Lucas stunned the movie world by picking the then-unknown actor after he had turned down such big names as Leonardo DiCaprio and Jonathan Jackson, as well as 400 other candidates.
His role as the troubled, misunderstood teenager Sam Monroe in Irwin Winkler's Life as a House (2001) won him 'Breakthrough Performance of the Year' from the National Board of Review. The film also placed him as a nominee for 'Best Supporting Actor' at both the Golden Globe and Screen Actors Guild Awards. Hayden then starred in Shattered Glass (2003), quoted by some of the real Stephen Glass' colleagues as giving an eerie and uncanny portrayal.
Since his Star Wars days, Hayden has headlined several action films, including Jumper (2008) and Takers (2010).
When not working, he enjoys spending quality time with his family (such as big brother Tove), hanging out with his friends, and exploring other hobbies such as the blues, jazz and piano.
Hayden was in a relationship with actress Rachel Bilson from 2007 to 2017. The two have a child, born in 2014. - Actor
- Producer
- Additional Crew
Paul William Walker IV was born in Glendale, California. He grew up together with his brothers, Caleb and Cody, and sisters, Ashlie and Amie. Their parents, Paul William Walker III, a sewer contractor, and Cheryl (Crabtree) Walker, a model, separated around September 2004. His grandfather, William Walker, was a Pearl Harbor survivor and a Navy middleweight boxing champion, while his maternal grandfather commanded a tank battalion in Italy under General Patton during World War II. Paul grew up active in sports like soccer and surfing. He had English and German ancestry.
Paul was cast for the first season of the family sitcom, Throb (1986) and began modeling until he received a script for the 1994 movie, Tammy and the T-Rex (1994). He attended high school at Village Christian High School in Sun Valley, California, graduating in 1991. With encouragement from friends and an old casting agent who remembered him as a child, he decided to try his luck again with acting shortly after returning from College.
He starred in Meet the Deedles (1998), a campy, silly but surprisingly fun film which failed to garner much attention. However, lack of attention would not be a problem for Paul Walker for long. With Pleasantville (1998), he appeared in his first hit. As the town stud (a la 1950s) who more than meets his match in modern day Reese Witherspoon, he was one of the most memorable characters of the film. That same year, Paul and his then-girlfriend Rebecca had a baby girl named Meadow Walker (Meadow Rain Walker). Even though Paul publicly admitted that Meadow was not planned, he said that she is his number one priority. Paul and Rebecca separated and Meadow lives with her mother in Hawaii. She often visited with Paul as his homes in Santa Barbara and Huntington Beach, California.
Roles in the teen hits Varsity Blues (1999), She's All That (1999) and The Skulls (2000) cemented Walker's continued rise to celebrity. He was chosen to be one of the young stars featured on the cover of Vanity Fair's annual Hollywood issue in April 2000. While the other stars on the cover, brooded and tried their best to look sexy and serious, Paul smiled brightly and showed why he is not part of the norm. This is one young actor who certainly stood apart from the rest of the crowd, not only with his talent but with his attitude. The Dallas Morning News commented in March of 2000 that, "Paul is one of the rarest birds in Hollywood- a pretension free movie star." The latest blockbuster hit, The Fast and the Furious (2001), had raised his stardom to an even higher level.
His fighting scenes in movies lead to a passion for martial arts. He has studied various forms of Jujitsu, Taekwondo, Jeet Kune Do and Eskrima. Paul mentioned in a magazine interview that he had hoped enroll in the Keysi Fighting Method when it comes to the United States. Other than practicing martial arts, Paul enjoyed relaxing at home with his daughter, Meadow Rain, surfing near his Huntington Beach abode, walking his dogs and just driving.
When Paul seriously did get a break from the entertainment business, he said he loved traveling. Paul had traveled to India, Fiji, Costa Rica, Sarawak, Brunei, Borneo and other parts of the Asian continent. Tragically, Paul Walker died in a car crash on Saturday November 30, 2013, after attending a charity event for "Reach Out Worldwide".
Several of Paul's films were released after his death, include Hours (2013), Brick Mansions (2014), and his final starring role in The Fast and the Furious series, Furious 7 (2015), part of which was completed after his death. The film's closing scenes paid tribute to Walker, whose character met with a happy ending, and rode off into the sunset. He appeared archival footage in Fast X (2023).- Actor
- Writer
- Producer
Eduardo Noriega Gómez was born in Santander, Cantabria, Spain. The youngest of 7 siblings, he had shown a very big talent for artistic activities since he was a child. He began taking piano lessons and got into the Santander Music Conservatory, where he studied for five years. His music professors discovered that he had many conditions for playing piano, so they would keep him practicing for hours until he got tired of it and quit. After finishing high school, he decided to become a lawyer and majored at University of Santander, one of the most prestigious universities in Europe.That wouldn't last long either, because he got the acting bug by chance when attended an acting class alongside a friend that wanted to be an actress, he was invited to participate and enjoyed it enough to do that for living. At 19, he relocated to Madrid to start his drama classes at the R.E.S.A.D. (Madrid Acting Conservatory) and tried to continue with Law School attending the U.N.E.D. (a college where people can study even if they live far away), but due to the time the acting classes demanded him, couldn't focus on his other career and quit after passing the first signature. Once at the Conservatory he met Mateo Gil and Alejandro Amenábar, who was searching for good average students to make his first short films. Noriega shot a few shorts with both of them until he landed one of the starring roles in Amenábar's opera prima Thesis (1996). This movie became the most successful movie of the year in Spain and Eduardo Noriega and Fele Martínez became huge stars. In 1996, Eduardo had a tiny part in Pedro Olea's Más allá del jardín (1996) and the main role in Question of Luck (1997), shot in San Sebastián. During the making of this movie, his mother passed away and he channeled his grief into work by making Open Your Eyes (1997), another Amenábar's movie that became one of the suspense classics worldwide. This part gave Noriega his first Goya Award nomination, but he lost to Fernando Fernán Gómez, although he was consecrated as a very promising actor. Soon after, he tried himself in comedy by taking part in the movie Cha Cha Cha (1998) where he showed his skills as a comedian and met who would be his girlfriend for two years: Ana Alvarez. The relationship ended in good terms and afterward, he arrived to Argentina to make another movie that would become a cult one: Burnt Money (2000). This flick won the Goya Award in 2001 and Eduardo met his now friend Leonardo Sbaraglia. Between 2001 and 2004, he made movies in France, Madagascar and Spain. 2004 was the year that gave him the chance to play a real life character for first time in the movie El Lobo (2004). He played Txema, an insider infiltrated in ETA who gave information to the government to dismantle the terrorist group. Critics and people loved his interpretation and earned him a second Goya nomination. Next year, he had the chance to play another controversial character: Che Guevara, becoming the first Spanish actor to play it. In 2006 Master Kowalski (2006) was released at the same time that the theater play and became a blockbuster in Spain and Argentina, Marcelo Piñeyro was the director and also had directed Burnt Money (2000). His most challenging role was yet to come, nevertheless: Vicente Aranda was preparing to direct Canciones de amor en Lolita's Club (2007)and also looking for an actor who dared play twins who where identical in the outside but totally different inside, because one was a violent smart cop and the other one a mentally retarded sweet man. On December 3, 2007 he won the GQ award as the "Actor of the Year". In 2008 he participated in two American movies: Vantage Point (2008) and Transsiberian (2008). In 2009 he re-teamed with Amenábar (this time as a producer, not director) in El mal ajeno (2010), where he had to look older to play an apparently cold-blooded doctor that used to deal with terminal patients, but his life is stricken when his teenage daughter becomes his patient. With this movie, Eduardo showed his maturity as an actor and next year he could fulfill a dream: making a western. Blackthorn (2011) told the story of Butch Cassidy in exile while staying in Bolivia. Sam Shepard and Stephen Rea were part of this superb cast as well. During the half of 2011 a new suspense TV series called Homicidios (2011) began to be promoted on channel Tele5. This thriller meant the return of Eduardo Noriega to television (he had only had a small part in the 1994-1996 show "Colegio Mayor"). "Homicidios" premiered on 20 September 2011 in prime-time with a very high rating. Although it was switched to different times until even midnight, it had the highest audience of his all time branches. In 2013 he will release the movie The Last Stand, alongside Arnold Schwarzenegger.- David Janer was born on 5 May 1973 in Granollers, Barcelona, Catalonia, Spain. He is an actor, known for Águila Roja (2009), Compañeros (1998) and Mar de fons (2006).
- Rodolfo Sancho was born on 14 January 1975 in Madrid, Spain. He is an actor, known for Isabel (2011), The Ministry of Time (2015) and MIR (2007).
- Actor
- Producer
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Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.
In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).
Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.
After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in The Samurai (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.- Actor
- Producer
James Patrick Caviezel was born on September 26, 1968 in Mount Vernon, Washington. He was one of five children born to Margaret (Lavery), a former stage actress, and James Caviezel, a chiropractor. The Caviezels are a closely knit Catholic family. He is of Irish (mother) and Swiss-Romansh and Slovak (father) descent; the surname, "Caviezel", is Romansh. As a boy, Jim was described as being "very intense." His two main interests growing up were sports and religion. He was athletically gifted on the basketball court and dreamed of someday playing in the N.B.A. He was also instilled with Christianity at a very young age, attending Church regularly with his family. In 1984, he went to Mount Vernon High School but transferred to O'Dea High School after two years. The following spring, he transferred again to Burien Kennedy High School in Burien, Washington where he was a star on the basketball team and graduated in 1987. While at O'Dea and Kennedy, he stayed with family friends. Following high school Jim enrolled at Bellevue Community College where he again played on the basketball team. A foot injury in his sophomore season put an end to Jim's basketball career and his dreams of playing in the N.B.A. Shortly after this, he turned his focus toward acting. In 1990, he auditioned for a part in the independent film My Own Private Idaho (1991). He won a very small role as a foreign airline clerk after he told casting agents that he was a recent Italian immigrant. The following year, Jim moved to Los Angeles where he worked as a waiter between auditions. He landed small roles in Diggstown (1992) and Wyatt Earp (1994) and guest starring roles on The Wonder Years (1988) and Murder, She Wrote (1984). He continued to go relatively unnoticed in small roles and even thought about quitting acting until 1998 when he received critical recognition for his role as idealist Private Witt in The Thin Red Line (1998). The following year, he gained further recognition with roles in Ride with the Devil (1999) and Frequency (2000). In 2001, his role as Jennifer Lopez's love interest in Angel Eyes (2001) helped to establish him as a versatile actor and leading man. It wasn't until 2002 that Jim made his strong religious beliefs known. While filming High Crimes (2002), he refused to do any love scenes with on-screen wife Ashley Judd because it conflicted with his strong Catholic faith. It was also around this time when he was chosen by Mel Gibson to star as Jesus Christ in The Passion of the Christ (2004). The movie made headlines and broke box-office records around the world, becoming one of the highest grossing films of all time. Although the movie dealt with controversial matters, Caviezel's performance was acclaimed by both critics and viewers. Jim's next big role would be on the small screen. In 2011, he landed the lead role in the CBS crime drama Person of Interest (2011). The show instantly clicked with audiences, becoming one of the highest rated shows on television. From an outcast actor to a respected film star to a television star, James Caviezel is continuing to give his best to play challenging roles. Off screen, Jim lives with his wife, Kerri, a school teacher whom he met on a blind date in 1993 and married in 1996, and their adopted children.- Producer
- Actor
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Benjamin Géza "Ben" Affleck-Boldt was born on August 15, 1972 in Berkeley, California and raised in Cambridge, Massachusetts, to mother Chris Anne (Boldt), a school teacher, and father Timothy Byers "Tim" Affleck, a social worker. Ben has a younger brother, actor Casey Affleck, who was born in 1975. He is of mostly English, Irish, German, and Scottish ancestry. His middle name, Géza, is after a Hungarian family friend who was a Holocaust survivor.
Affleck wanted to be an actor ever since he could remember, and his first acting experience was for a Burger King commercial, when he was on the PBS mini-series, The Voyage of the Mimi (1984). It was also at that age when Ben met his lifelong friend and fellow actor, Matt Damon. They played little league together and took drama classes together. Ben's teen years consisted of mainly TV movies and small television appearances including Hands of a Stranger (1987) and The Second Voyage of the Mimi (1988). He made his big introduction into feature films in 1993 when he was cast in Dazed and Confused (1993). After that, he did mostly independent films like Kevin Smith's Mallrats (1995) and Chasing Amy (1997) which were great for Ben's career, receiving renowned appreciation for his works at the Sundance film festival. But the success he was having in independent films didn't last much longer and things got a little shaky for Ben. He was living in an apartment with his brother Casey and friend Matt, getting tired of being turned down for the big roles in films and being given the forgettable supporting ones. Since Matt was having the same trouble, they decided to write their own script, where they could call all the shots. So, after finishing the script for Good Will Hunting (1997), they gave it to their agent, Patrick Whitesell, who showed it to a few Hollywood studios, finally being accepted by Castle Rock. It was great news for the two, but Castle Rock wasn't willing to give Ben and Matt the control over the project they were hoping for. It was friend Kevin Smith who took it to the head of Miramax who bought the script giving Ben and Matt the control they wanted and, in December 5, 1997, Good Will Hunting (1997) was released, making the two unknown actors famous. The film was nominated for 9 Academy Awards and won two, including Best Original Screenplay for Ben and Matt. The film marked Ben's breakthrough role, in which he was given for the first time the chance to choose roles instead of having to go through grueling auditions constantly.
Affleck chose such roles in the blockbusters Armageddon (1998), Shakespeare in Love (1998), and Pearl Harbor (2001). In the early years of the 2000s, he also starred in the box office hits Changing Lanes (2002), The Sum of All Fears (2002), and Daredevil (2003), as well as the disappointing comedies Gigli (2003) and Surviving Christmas (2004). While the mid 2000s were considered a career downturn for Affleck, he received a Golden Globe nomination for his performance in Hollywoodland (2006). In the several years following, he played supporting roles, including in the films Smokin' Aces (2006), He's Just Not That Into You (2009), State of Play (2009), and Extract (2009). He ventured into directing in 2007, with the thriller Gone Baby Gone (2007), which starred his brother, Casey Affleck, and was well received. He then directed, co-wrote, and starred in The Town (2010), which was named to the National Board of Review Top Ten Films of the year. For the political thriller Argo (2012), which he directed and starred in, Affleck won the Golden Globe Award and BAFTA Award for Best Director, and the Academy Award, Golden Globe Award, and BAFTA Award for Best Picture (Affleck's second Oscar win).
In 2014, Affleck headlined the book adaptation thriller Gone Girl (2014). He starred as Bruce Wayne/Batman in the superhero film Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), and Justice League (2017). He reprised the role in Zack Snyder's Justice League (2021) and he will next appear as Batman in Aquaman and the Lost Kingdom (2023) and The Flash (2023).
Recently he has given praise-worthy performances in The Way Back (2020) as a recovering alcoholic, The Last Duel (2021) (notably he also co-wrote the script), and a scene-stealing golden globe nominated performance in The Tender Bar (2021).- Actor
- Producer
- Soundtrack
British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).
Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"
Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.
Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.
In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.
More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).
Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.- Actor
- Producer
- Soundtrack
One of the British theatre's most famous faces, Daniel Craig, who waited tables as a struggling teenage actor with the National Youth Theatre, has gone on to star as James Bond in Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021).
He was born Daniel Wroughton Craig on March 2, 1968, at 41 Liverpool Road, Chester, Cheshire, England. His father, Timothy John Wroughton Craig, was a merchant seaman turned steel erector, and then became landlord of the "Ring O'Bells" pub in Frodsham, Cheshire. His mother, Carol Olivia (Williams), was an art teacher. Craig has English, as well as Irish, Scottish and Welsh, ancestry. His parents split up in 1972, and young Daniel was raised with his older sister, Lea, in Liverpool, then in Hoylake, Wirral, in the home of his mother. His interest in acting was encouraged by visits to the Liverpool Everyman Theatre arranged by his mother. From the age of six, Craig started acting in school plays, making his debut in the Frodsham Primary School production of "Oliver!", and his mother was the driving force behind his artistic aspirations. The first Bond movie he ever saw at the cinema was Roger Moore's Live and Let Die (1973); young Daniel Craig saw it with his father, so it took a special place in his heart. He was also a good athlete and was a rugby player at Hoylake Rugby Club.
At age 14, Craig played roles in "Oliver", "Romeo and Juliet" and "Cinderella" at Hilbre High School in West Kirby, Wirral. He left Hilbre High School at age 16 to audition at the National Youth Theatre's (NYT) troupe on their tour in Manchester in 1984. He was accepted and moved down to London. There, his mother and father watched his stage debut as Agamemnon in Shakespeare's "Troilus and Cressida". As a struggling actor with the NYT, he was toiling in restaurant kitchens and as a waiter. Craig performed with NYT on tours to Valencia, Spain, and to Moscow, Russia, under the leadership of director Edward Wilson. He failed at repeated auditions at the Guildhall, but eventually his persistence paid off, and in 1988, he entered the Guildhall School of Music and Drama at the Barbican. There, he studied alongside Ewan McGregor and Alistair McGowan, then later Damian Lewis and Joseph Fiennes, among others. He graduated in 1991, after a three-year course under the tutelage of Colin McCormack, the actor from the Royal Shakespeare Company. From 1992-1994, he was married to Scottish actress Fiona Loudon, their daughter, named Ella Craig (born 1992).
Craig made his film debut in The Power of One (1992). His film career continued on television, notably the BBC2 serial Our Friends in the North (1996). He shot to international fame after playing supporting roles in Lara Croft: Tomb Raider (2001) and Road to Perdition (2002). He was nominated for his performances in the leading role in Layer Cake (2004), and received other awards and nominations. Craig was named as the sixth actor to portray James Bond, in October 2005, weeks after he finished his work in Munich (2005), where he co-starred with Eric Bana under the directorship of Steven Spielberg. Craig's reserved demeanor and his avoidance of the showbiz-party-red-carpet milieu makes him a cool 007. He is the first blond actor to play Bond, and also the first to be born after the start of the film series, and also the first to be born after the death of author Ian Fleming in 1964. Four of the past Bond actors: Sean Connery, Roger Moore, Timothy Dalton and Pierce Brosnan have indicated that Craig is a good choice as Bond.
He was appointed Companion of the Order of St. Michael and St. George (CMG) by Queen Elizabeth II at the 2022 Queen's New Years Honours for his services to Film and Theatre.- Actor
- Producer
- Director
The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actor
- Production Manager
- Producer
Patrick will next be seen in Eli Roth's new feature film THANKSGIVING as well as Michael Mann's new film, FERRARI, in which he stars opposite Adam Driver and Penélope Cruz. He was just seen starring in the Disney+ feature film and sequel to ENCHANTED, DISENCHANTED, opposite Amy Adams and most recently starred in the SKY-Italy television series, DEVILS that aired throughout Europe. Other credits include Universal's BRIDGET JONES'S BABY alongside Renee Zellweger and Colin Firth, and the EPIX mini-series THE TRUTH ABOUT THE HARRY QUEBERT AFFAIR. Patrick Dempsey is well-known for his portrayal of Dr. Derek Shepherd on the hit ABC series, GREY'S ANATOMY. His performance earned him a 2007 Screen Actors Guild Award and was nominated in 2006 and 2007 for a Golden Globe for Best Performance by an Actor in a Television Series - Drama. Patrick's other film credits include TRANSFORMERS: DARK OF THE MOON, VALENTINE'S DAY, MADE OF HONOR, FREEDOM WRITERS, SWEET HOME ALABAMA, SCREAM 3, WITH HONORS, OUTBREAK, HUGO POOL, THE TREAT, THE PALACE THIEF, HEAVEN HELP US, HAPPY TOGETHER, SOME GIRLS, COUPE DE VILLE, RUN, MOBSTERS, and IN THE MOOD. Dempsey became well known from such classic '80s nostalgia films such as, CAN'T BUY ME LOVE and LOVERBOY.- Actor
- Producer
- Additional Crew
Benedict Timothy Carlton Cumberbatch was born and raised in London, England. His parents, Wanda Ventham and Timothy Carlton (born Timothy Carlton Congdon Cumberbatch), are both actors. He is a grandson of submarine commander Henry Carlton Cumberbatch, and a great-grandson of diplomat Henry Arnold Cumberbatch CMG. Cumberbatch attended Brambletye School and Harrow School. Whilst at Harrow, he had an arts scholarship and painted large oil canvases. It's also where he began acting. After he finished school, he took a year off to volunteer as an English teacher in a Tibetan monastery in Darjeeling, India. On his return, he studied drama at Manchester University. He continued his training as an actor at the London Academy of Music and Dramatic Art graduating with an M.A. in Classical Acting. By the time he had completed his studies, he already had an agent.
Cumberbatch has worked in theatre, television, film and radio. His breakthrough on the big screen came in 2004 when he portrayed Stephen Hawking in the television movie Hawking (2004). In 2010, he became a household name as Sherlock Holmes on the British television series Sherlock (2010). In 2011, he appeared in two Oscar-nominated films - War Horse (2011) and Tinker Tailor Soldier Spy (2011). He followed this with acclaimed roles in the science fiction film Star Trek Into Darkness (2013), the Oscar-winning drama 12 Years a Slave (2013), The Fifth Estate (2013) and August: Osage County (2013). In 2014, he portrayed Alan Turing in The Imitation Game (2014) which earned him a Golden Globe, Screen Actors Guild Award, British Academy of Film and Television Arts and an Academy Award nomination for Best Actor in a Leading Role.
Cumberbatch was appointed Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in the 2015 Birthday Honours for his services to the performing arts and to charity.
Cumberbatch's engagement to theatre and opera director Sophie Hunter, whom he has known for 17 years, was announced in the "Forthcoming Marriages" section of The Times newspaper on November 5, 2014. On February 14, 2015, the couple married at the 12th century Church of St. Peter and St. Paul on the Isle of Wight followed by a reception at Mottistone Manor. They have three sons, Christopher Carlton (born 2015), Hal Auden (born 2017), and Finn (born 2019).- Actor
- Writer
- Producer
Omar Sharif, the Egyptian actor best known for playing Sherif Ali in Lawrence of Arabia (1962) and the title role in Doctor Zhivago (1965), was born Michel Demitri Shalhoub on April 10, 1932 in Alexandria, Egypt to Joseph Shalhoub, a lumber merchant, and his wife, Claire (Saada). Of Lebanese and Syrian extraction, the young Michel was raised Catholic. He was educated at Victoria College in Alexandria and took a degree in mathematics and physics from Cairo University with a major. Afterward graduating from university, he entered the family lumber business.
Before making his English-language film debut with "Lawrence of Arabia", for which he earned a Best Supporting Actor Academy Award nomination and international fame, Sharif became a star in Egyptian cinema. His first movie was the Egyptian film The Blazing Sun (1954) ("The Blazing Sun") in 1953, opposite the renowned Egyptian actress Faten Hamamah whom he married in 1955. He converted to Islam to marry Hamama and took the name Omar al-Sharif. The couple had one child (Tarek Sharif, who was born in 1957 and portrayed the young Zhivago in the eponymous picture) and divorced in 1974. Sharif never remarried.
Beginning in the 1960s, Sharif earned a reputation as one of the world's best known contract bridge players. In the 1970s and 1980s, he co-wrote a syndicated newspaper bridge column for the Chicago Tribune. Sharif also wrote several books on bridge and has licensed his name to a bridge computer game, "Omar Sharif Bridge", which has been marketed since 1992. Sharif told the press in 2006 that he no longer played bridge, explaining, "I decided I didn't want to be a slave to any passion any more except for my work. I had too many passions, bridge, horses, gambling. I want to live a different kind of life, be with my family more because I didn't give them enough time.".
As an actor, Sharif had made a comeback in 2003 playing the title role of an elderly Muslim shopkeeper in the French film Monsieur Ibrahim (2003). For his performance, he won the Best Actor Award at the Venice Film Festival and the Best Actor César, France's equivalent of the Oscar, from the Académie des Arts et Techniques du Cinéma.
Diagnosed with Alzheimer's disease in 2012, Sharif died of a heart attack on July 10, 2015, in Cairo, Egypt.- Actor
- Producer
- Director
A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.