Band Singer/Recording Artist Before Films
Soundtrack performers who were band singers or recording artits or vaudeville performers prior to appearing in films.
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Her real name was Frances "Fanny" Rose Shore, and she was born in Winchester, Tennessee. Stricken with polio at 18 months of age, she recovered after receiving the Sister Kenny treatment. She became a cheerleader at Hume-Fogg High School in Nashville and went on to graduate from Vanderbilt University in 1938, where she majored in sociology. She took voice and acting lessons on the side and sang on radio station WSM in Nashville. In 1938 she left Tennessee for New York City and began singing on radio station WNCW in New York. Her first recordings were with bandleader Xavier Cugat, and she later changed her named to Dinah after her success with the song of the same name. She received numerous Emmy awards for television specials and productions and appeared in many films. She was married to actor George Montgomery, with whom she had one daughter and adopted a son.- Music Artist
- Actress
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Peggy Lee was Born Norma Dolores Egstrom in Jamestown, North Dakota, on May 26, 1920. At age four her mother died. Peggy's father, a railroad station agent, remarried but later left home, leaving Peggy's care entrusted to a stepmother who physically abused her. Peggy later memorialized this in the calypso number "One Beating a Day", one of 22 songs she co-wrote for the autobiographical musical "Peg", in which she made her Broadway debut in 1983 at the age of 62. As a youngster Peggy worked as a milkmaid, later turning to singing for money in her teens. While singing on a local radio station in Fargo, the program director there suggested she change her name to Peggy Lee. Peggy's big break came when Benny Goodman hired her to sing with his band after hearing her perform. Peggy shot to stardom when she and Goodman cut the hit record "Why Don't You Do Right?" and went out on her own to record such classics as "Fever", "Lover", "Golden Earrings", "Big Spender" and "Is That All There Is?" - the latter winning her a Grammy Award in 1969. Peggy's vocal style provided a distinctive imprint to countless swing tunes, ballads and big band numbers. She was considered the type of performer equally capable of interpreting a song as uniquely as Billie Holiday, Ella Fitzgerald and Bessie Smith. Her 1989 album, "Peggy Sings the Blues", was a Grammy Award nominee. Peggy was a prolific songwriter and arranger and her 1990 "The Peggy Lee Songbook" contained four songs she wrote with guitarist John Chiodini. Peggy also wrote for jazz greats Duke Ellington, who called her "The Queen", and Johnny Mercer, and composer Quincy Jones. Also in 1990 Peggy was awarded the coveted Pied Piper Award presented by the American Society of Composers, Authors and Publishers (ASCAP). She made her mark in Hollywood as an actress, winning an Academy Award nomination for her role as the hard-drinking singer in the jazz saga, Pete Kelly's Blues (1955) and composed songs for the 1955 Walt Disney animated classic Lady and the Tramp (1955). The animated film featured a character named Peg, a broken-down old showgirl of a dog, whose provocative walk was based on the stage-prowl of Peggy Lee. Later she sued Disney and won a landmark legal judgment for a portion of the profits from the videocassette sale of the film. Peggy's private life was racked by physical ailments, a near-fatal fall in 1976, diabetes and a stroke in 1998. She was married four times, all ending in divorce. She and first husband, guitarist Dave Barbour, had a daughter, Nicki, her only child. Peggy and Dave were on the verge of a reconciliation in 1965, but he died of a heart attack before the couple got back together. Peggy has left a vast legend of music that is constantly finding new generations of fans.- Actress
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One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance on the High Seas (1948). The next year, she made two more films, My Dream Is Yours (1949) and It's a Great Feeling (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in Calamity Jane (1953), which was a major hit, and several more followed: Lucky Me (1954), Love Me or Leave Me (1955), The Man Who Knew Too Much (1956) and what is probably her best-known film, Pillow Talk (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Please Don't Eat the Daisies (1960).
In 1958, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Do Not Disturb (1965), The Glass Bottom Boat (1966), Where Were You When the Lights Went Out? (1968) and With Six You Get Eggroll (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, The Doris Day Show (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.- Actress
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She was the daughter of Andrew and Frances Clooney and grew up in Maysville, Kentucky, where she and her sister Betty Clooney used to sing in her grandfather's mayoral election campaigns, which he won three times. She made her singing debut on Cincinnati radio station WLW in 1941 at 13. On WLW she worked with band leader Barney Rapp, who had also worked with Doris Day and Andy Williams at the same station. She attended high school at Our Lady of Mercy in Cincinnati. In 1946 she appeared with her sister in Atlantic City, New Jersey, at the Steel Pier with Tony Pastor's band. In 1949 she went solo and later appeared in White Christmas (1954), co-starring opposite Bing Crosby and Danny Kaye. Her first big hit was "Come On A My House" in 1951. She married José Ferrer in 1953 and they had five children between 1955 and 1960. Her marriage to Ferrer was a tempestuous one and she had a nervous breakdown in 1968, but went on to resume her career in 1976. Her life was dramatized in a 1982 made-for-television movie starring Sondra Locke, who was actually just 16 years Rosemary's junior but constantly lied about her age.
Her son Gabriel is married to singer Debby Boone, daughter of 1950s pop singer Pat Boone. Her brother, Nick Clooney, was an ABC news anchor in Cincinnati, and her nephew George Clooney has developed into one of the biggest movie stars of the 21st century. In 1968 she was standing in the Ambassdor Hotel in Los Angeles with Roosevelt Grier when Robert F. Kennedy was assassinated in the hotel kitchen after she had participated in his campaign rally. Her top hits include "Hey There" in 1954, "Tenderly", "This Ole House" and "Half As Much" in 1952.- Actress
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Patti Page was born Clara Ann Fowler in Oklahoma in 1927. She began her professional singing career at KTUL, a Tulsa radio station. Since the program was sponsored by Page Milk, she adopted the moniker Patti Page, and it stuck. Patti toured the US in the late 1940s with Jimmy Joy, and notably sang with the Benny Goodman band in Chicago. In 1950 she recorded "With My Eyes Wide Open I'm Dreaming", her first platinum-selling record. In 1951 her rendition of "The Tennessee Waltz" became the biggest hit of her career. It was #1 on the Billboard charts and stayed there for 30 weeks; over the years it would sell 10 million copies. Patti was the best-selling female vocalist of the 1950s, and was wildly popular all through the 1960s. She got national exposure on TV shows, appearing on such top-rated television programs as The Dean Martin Show (1965). In 1968 she recorded what some consider her signature song, "Have a Little Faith and Love Will Come to You." Patti continued to thrill fans for decades. In 1999 she received a Grammy for her "Live at Carnegie Hall" album, a compilation from her 50th-anniversary concert. Patti has millions of fans, and we can live by the words of her famous song: "Beyond the clouds the sky is always blue / Have a little faith and love will come to you."- Actress
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American leading lady of musical westerns of the 1940s. Born Frances Octavia Smith in Uvalde, Texas. She was raised in Texas and Arkansas. Married at 14 and a mother at 15, she was divorced at 17 (some sources say widowed). Intent on a singing career, she moved to Memphis, Tennessee, and worked in an insurance company while taking occasional radio singing jobs. After another unhappy marriage, she went to Louisville, Kentucky, and became a popular singer on a local radio station. There she took the stage name Dale Evans (from her third husband, Robert Dale Butts, and actress Madge Evans). Divorced in 1936, she moved to Dallas, Texas, and again found local success as a radio singer. She married Butts and they moved to Chicago, where she began to attract increasing attention from both radio audiences and film industry executives. She signed with Fox Pictures and made a few small film appearances, then was cast as leading lady to rising cowboy star Roy Rogers. She and Rogers clicked and she became his steady on-screen companion. In 1946, Rogers' wife died and Evans' marriage to Butts ended about the same time. Rogers and Evans had been close onscreen in a string of successful westerns, and now became close off-screen as well. A year later she married Rogers and the two become icons of American pop culture. Their marriage was dogged by tragedy, including the loss of three children before adulthood, but Evans was able not only to find inspiration in the midst of tragedy but to provide inspiration as well, authoring several books on her life and spiritual growth through difficulty. She and Rogers starred during the 1950s on the popular TV program bearing his name, and even after retirement continued to make occasional appearances and to run their Roy Rogers and Dale Evans Museum in Victorville, California. Following Dale's death, the Roy Rogers and Dale Evans Museum moved to Branson, Missouri.- Music Artist
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The preeminent singing sister act of all time with well over 75 million records sold by which the swinging big-band era could not be better represented were the fabulous Andrews Sisters: the blonde melodic mezzo Patty Andrews, the brunette soprano Maxene Andrews and the red-headed contralto Laverne Andrews.
With their precise harmonies and perfectly syncopated dance moves, the girls reached heights of worldwide fame still unattained by any group which followed. They delivered an optimistic, upbeat war campaign that instilled hope, joy and allegiance through song, comedy, and lively movement. Providing a musical security blanket to a war-torn country via records, films, radio, clubs, stages, canteens, they bravely traveled overseas war zones emphasizing through song the motto that America was strong and proud ... and to keep on singing and swinging! Unfortunately, while the adhesive harmonies of The Andrews Sisters were intricately close, their personal harmonies were more discordant.
Second only to perhaps Bob Hope in commitment and extensive USO touring, the girls' profound influence extends even today with such current pop idols as Bette Midler, The Pointer Sisters, Barry Manilow, The Manhattan Transfer and Christina Aguilera. All have reinvented themselves in Andrews Sisters' style at one time or another. .
Hailing from Minnesota, eldest sister LaVerne Sophie was born on July 6, 1911, followed by Maxene Angelyn on January 3, 1916, and finally Patricia Marie on February 16, 1918. Greek father Peter was a restaurateur in the Minneapolis area; their mother Ollie was a Norwegian homemaker. Childhood was, for the most part, lost to them. The girls' musical talents were quickly identified and they started performing on the road as youngsters, entering assorted kiddie contests and often winning for their efforts. They practically grew up on the vaudeville circuit, roughing it and toughing it with various bands and orchestras.
Signed by orchestra leader Leon Belasco in 1937, the girls made their very first recordings with "There's a Lull in My Life" (an early solo by Patty), "Jammin'" and "Wake Up and Live." Subsequent radio work eventually led to the Decca Records label. Although LaVerne read music and was, in fact, an accomplished pianist, the trio learned by sense memory, pure instinct and a strong ear. Patty, the youngest, became the lively melodic leader, engulfed by the warm harmonies of LaVerne and Maxene.
The old Yiddish song "Bei Mir Bist Du Schon" was translated into English for them by Sammy Cahn and the girls walked off with their first huge hit in late 1937 (and paid a flat fifty dollars and no royalties!). An overnight sensation upon release wherein it sold more than a million copies, their contract was immediately revised by Decca and throughout the rest of the decade, they recorded smash after smash -- "The Beer Barrel Polka (Roll Out the Barrel!)," "Well, All Right," "Hold Tight, Hold Tight" (with Jimmy Dorsey ), "Oh, Johnny! Oh, Johnny! Oh!," and their first two duets with Bing Crosby in 1939: "Ciribiribin" and "Yodelin' Jive" (both featuring jazz violinist Joe Venuti and his orchestra).
The country was absolutely enthralled and captivated. Universal responded in like by signing them to some of their nonsensical "B" musicals derived purely for escapism as the U.S. prepared itself and became embroiled in WW2. Their first appearance co-starred the zany and sometimes corny antics of The Ritz Brothers in an unflattering ditty called Argentine Nights (1940). The frizzy-bobbed trio were introduced as a sort of specialty act with the songs "Hit the Road," "Oh, He Loves Me" and "Rhumboogie." This was followed by a 1-2-3 punch back at the recording studio with their renditions of the rollicking "Beat Me, Daddy, Eight to the Bar," a reinvention of the WW1 waltz "I'll Be with You in Apple Blossom Time" and the soft, sentimental ballad "Mean to Me."
Their second film was the above-average Bud Abbott - Lou Costello vehicle Buck Privates (1941), which solidly showcased the tunes "You're a Lucky Fellow, Mr. Smith," "Bounce Me Brother with a Solid Four," "I'll Be with You in Apple Blossom Time," and their infectious signature jump hit "Boogie Woogie Bugle Boy." The girls vocalized perfectly and stepped in swinging time for two other Bud Abbott - Lou Costello comedies, In the Navy (1941) and Hold That Ghost (1941).
Box-office sellouts on stage and in personal appearances across the nation, they were given their own radio show in late 1944, which continued through 1946, featuring such weekly guest stars as Bing Crosby, Frank Sinatra, Bob Hope, Eddie Cantor, Bud Abbott and Lou Costello, Carmen Miranda, Judy Garland, Ethel Merman, Rudy Vallee, and many other prominent celebrities. In late1947, CBS Radio signed the sisters as regulars on "Club Fifteen" (they appeared three times a week for five years with alternating hosts Bob Crosby and crooner Dick Haymes.
In 1942, Universal decided it was the right time to spruce them up and give them a bit more on-screen persona by featuring them front-and-center in what turned out to be an unfortunate string of poorly-produced "quickies." In Give Out, Sisters (1942), they posed as rich society matron types out to better their careers while featuring their big hit "Pennsylvania Polka." In Private Buckaroo (1942), they put on a show for servicemen singing, among others, the huge hit "Don't Sit Under the Apple Tree with Anyone Else But Me". The plots may have been pancake-thin but they were sure-fire morale boosters and needed war-time tension relievers. No trained actresses by any margin, the girls emanated a down-home naturalness and appeal with a comedic flair that attracted audiences coast-to-coast.
In later films, the girls played everything from "lonely hearts" club managers in Always a Bridesmaid (1943), to elevator operators in How's About It? (1943), to war-time factory workers in Swingtime Johnny (1943). The girls were also featured in Universal's Follow the Boys (1944) and Paramount's Hollywood Canteen (1944), popular all-star productions designed to promote the war effort. With a never-say-die flair, they finished up their Universal contract rather inauspiciously with Her Lucky Night (1945), just as WW2 had come to an end.
Still highly in demand in the recording studio, on radio, on stage and in clubs, they had no trouble moving on. In the post-war years, they appeared in Paramount's Die Welt dreht sich verkehrt (1947) and teamed with Bing Crosby on "You Don't Have to Know the Language." The picture was the highest-grossing film of that year. The Disney company also utilized the girls' voices in their cartoon features Make Mine Music (1946) and Melody Time (1948).
All three girls experienced down times in their personal lives as well during the late-1940s. There were rumblings amid the group. Maxene and Patty went through painful divorces (Maxene split with the group's manager Lou Levy; Patty lost agent and husband, Martin Melcher to singer Doris Day), and lost their parents within a year of each other, as did their mentor Jack Kapp of Decca Records. Moreover, the girls squabbled over their parents' estate shares and individual career desires.
In 1953, Patty, the group's lead, declared she was going solo. LaVerne and Maxene attempted to duo for a time until Maxene attempted suicide, of a drug overdose in 1954, heartbroken over the brittle breakup of the group. LaVerne denied the suicide attempt to reporters. The girls reunited in 1956 and worked constantly for the next decade in recording studios (Capitol and Dot), on stages throughout the world (frequently in England), and in countless guest-star television spots.
LaVerne's serious illness in 1966, however, promptly ended the trio permanently. She died of liver cancer in May of the next year. Maxene retired shortly after and became Dean of Women at a Tahoe, Nevada college. Patty, ever the trouper, continued on television, in clubs and in film cameos...wherever there was an audience.
In 1973, Patty and Maxene reunited for their first Broadway musical, the nostalgic "Over Here" (Tony-winning Janie Sell played the LaVerne counterpart) in which they performed their old standards following the show's second act; but it did little to repair the strained Patty/Maxene off-stage relationship, especially since LaVerne wasn't around to foster peace-making tactics. As Maxene blamed Patty's husband, Walter Weschler, as an instigator in separating her from Patty, the estrangement remained permanent until Maxene's death in 1995.
The two sisters did reunite briefly when they earned a star on the Hollywood Walk of Fame in 1987. The group was also inducted into the Vocal Group Hall of Fame in 1998. Patty sang in shows and on cruise ships while Maxene continued soloing and did quite well for a time in such musical shows as "Pippin" and "Swing Time Canteen" (the latter as late as 1995).
Plagued by heart problems (she suffered a massive heart attack in 1982), Maxene died of a second coronary on October 21, 1995. Patty remained in seclusion in her Northridge home near Los Angeles with husband Wally for years. After his death in 2010, Patty began a slow and steady decline and died on January 30, 2013, just two weeks before her 95th birthday.
Fortunately, The Andrews Sisters' legendary feuding can never overshadow their exhaustive musical contributions and unparalleled success during 36 years of performing together. In 1987, the group was honored with a Hollywood Walk of Fame star for their recording work. The following year, they were among the inaugural inductees to the Vocal Group Hall of Fame.- Actress
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Mary Ford was born on 7 July 1924 in El Monte, California, USA. She was an actress, known for Speed Racer (2008), Casino (1995) and Carol (2015). She was married to Les Paul and Donald Hatfield. She died on 30 September 1977 in Arcadia, California, USA.- Actress
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Keely Smith was born March 9, 1928 in Norfolk, VA. After her parents divorced and her mother remarried Jesse Smith when she was nine years old, she changed her name to Keely Smith after she joined Louis Prima and his band. Her family had a tough time and her three brothers and her took in laundry to make ends meet. In 1947, she was on a vacation trip to New York City where the heat became oppressive. The family decided to go to Atlantic City, N.J. instead. Keely went to the Steel Pier where Louis Prima was appearing. In 1948, Prima appeared at the surf club in Virginia looking for a singer. Keely auditioned and was selected and hit the road at 18-years-old. They were subsequently married on July 13, 1953 and issued two daughters, Toni Prima and Luanne Prima. Keely was Prima's fourth wife. For many years, they appeared together in Las Vegas with bandleader Sam Butera and made "that old black magic" a standard. In 1961, Keely filed for divorce citing extreme mental cruelty. In 1965, she married Jimmy Bowen, a record producer and they were later divorced. She currently lives in Nevada and makes appearances in the Las Vegas area. Prima died in a nursing home in New Orleans on August 24, 1978 after being in a coma for several years. Her film credits include: Sing Sing Sing (2002), Thunder Road (1958) and Hey Boy! Hey Girl! (1959).- Music Artist
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On Saturday, June 15th, 1996, an era in jazz singing came to an end, with the death of Ella Fitzgerald at her home in California. She was the last of four great female jazz singers (including Billie Holiday, Sarah Vaughan, and Carmen McRae) who defined one of the most prolific eras in jazz vocal style. Ella had extraordinary vocal skills from the time she was a teenager, and joined the Chick Webb Orchestra in 1935 when she was 16 years old. With an output of more than 200 albums, she was at her sophisticated best with the songs of Richard Rodgers and Lorenz Hart, of George Gershwin, and of Cole Porter. Her 13 Grammy awards are more than any other jazz performer, and she won the Best Female Vocalist award three years in a row. Completely at home with up-tempo songs, her scat singing placed her jazz vocals with the finest jazz instrumentalists, and it was this magnificent voice that she brought to her film appearances. Her last few years, during which she had a bout with congestive heart failure and suffered bilateral amputation of her legs from complications of diabetes, were spent in seclusion.- Music Artist
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Billie Holiday was a true artist of her day and rose as a social phenomenon in the 1950s. Her soulful, unique singing voice and her ability to boldly turn any material that she confronted into her own music made her a superstar of her time. Today, Holiday is remembered for her masterpieces, creativity and vivacity, as many of Holiday's songs are as well known today as they were decades ago. Holiday's poignant voice is still considered to be one of the greatest jazz voices of all time.
At the age of 18 and after gaining more experience than most adult musicians can claim, Holiday was spotted by John Hammond and cut her first record as part of a studio group led by Benny Goodman, who was then just on the verge of public prominence. In 1935 Holiday's career got a big push when she recorded four sides that went on to become hits, including "What a Little Moonlight Can Do" and "Miss Brown to You." This landed her a recording contract of her own, and then, until 1942, she recorded a number of master tracks that would ultimately become an important building block of early American jazz music.
Holiday recorded about 100 new recordings on another label, Verve, from 1952 to 1959. Her voice became more rugged and vulnerable on these tracks than earlier in her career. During this period, she toured Europe, and made her final studio recordings for the MGM label in March of 1959. Billie Holiday, a musical legend still popular today, died an untimely death at the age of 44. Her emotive voice, innovative techniques and touching songs will forever be remembered and enjoyed- Actress
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Singer and actress Abbe Lane made a splash in the 50s and 60s with revealing costumes and a seductive style of dancing. Far removed from her sultry Latin image, she was born Abigail Francine Lassman in Brooklyn, of Jewish parentage. Abbe began performing on radio from the age of four and first appeared on screen two years later (under her birth name) in the Vitaphone featurette Toyland Casino (1938), warbling "Five and Ten Cent Soldiers on Parade". Billed as Abbe Marshall --probably in deference to her father's first name 'Abbey'-- she became a hoofer on Broadway by her mid-teens (having lied about her age to get into musicals), before finagling a gig on television as a vocalist for bandleader Vincent Lopez. While performing a calypso number in the 1948 Broadway musical As Girls Go, she was spotted by the charismatic Spanish maestro Xavier Cugat and hired on the spot. For the next few years, she became 'Cugie's' featured vocalist and the 'Rumba King's' star attraction.
Despite a considerable difference in their respective ages (he was thirty-two years her senior), Lane and Cugat married in 1952. During their twelve years together, Lane sang on several Cugat LP's and was featured --with her hair dyed blonde-- on the cover of "The Best of Cugat", a compendium of hits released by Mercury Records. In 1958, Abbe co-starred on Broadway opposite Tony Randall in Oh, Captain, a musical comedy based on the English motion picture The Captain's Paradise (1953). She also sidelined as a nightclub singer, recorded a popular album with Tito Puente's orchestra, entitled "Be Mine Tonight" and appeared in a handful of Hollywood pictures.
Frustrated with being typecast in American films merely as "a decorative accessory", Lane joined Cugat in Italy in 1956 and enjoyed almost immediate screen success. Her first motion picture lead was in I girovaghi (1956), as a fiery dancer who enchants Peter Ustinov's itinerant puppeteer. The following year, she partnered Gabriele Ferzetti (as a suave jewel thief) in the caper comedy Parola di ladro (1957) and starred alongside Totò and Vittorio De Sica in another comedy, The Lady Doctor (1957). Aside from romances and musicals, Lane also featured in peplum (Caesar Against the Pirates (1962)) and as the tempestuous ex-flame of daredevil fire fighter Cornel Wilde (who also directed) in the Paramount love-triangle melodrama Maracaibo (1958), which was filmed on location in Venezuela.
In 1956, Cugat returned to New York while his spouse opted to remain in Italy. The bandleader had no intention of raising a family and this ultimately led to the couple's divorce in June 1964. Lane did not stay single for long. By November, she had moved back to America and married Harvard graduate and Hollywood theatrical agent Perry Leff. The union produced two sons and endured until Leff's death in 2020.
Though unable to reignite her career as an actress, Lane went on to appear as panelist or singer on numerous TV variety shows throughout the 60s and 70s, hosted by the era's most prominent emcees, including Ed Sullivan, Steve Allen, David Frost, Jack Paar, Merv Griffin and Johnny Carson. In her later years, Lane tended to distance herself from her previous sensual image. In January 1993, she published a semi-autobiographical novel, entitled But Where is Love?, a thinly-veiled account of her early career and turbulent marriage to Cugat.
Abbe Lane has a star on the Walk of Fame on Hollywood Boulevard.- Actress
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Fiery brunette Andalusian-born singer, dancer and actress, in the U.S. from 1928. Using the stage name "Isabelita", she performed with Xavier Cugat and His Orchestra and was spotlighted at the Mocambo and Ciro's night clubs on the Sunset Strip. There, she came to the attention of up-and-coming movie star (and future husband) Rory Calhoun and was quickly destined to be in pictures. Continuing to be billed as "Isabelita" in her first few films -- invariably as south-of-the-border señoritas -- she mostly free-lanced for the smaller studios like Republic, Monogram, RKO and PRC. In 1948, she adopted her mother's maiden name and called herself Lita Baron. She had exotic leads in a couple of Boy's Own Paper-type adventures (with Johnny Sheffield in Bomba on Panther Island (1949) and opposite Sabu in Savage Drums (1951)). Latino actresses were often typecast in westerns and Lita was no exception: she played a dance hall singer in The Broken Star (1956), looked fetching as a female gunslinger in the (otherwise) mediocre Jesse James' Women (1954) and guested several times in her husband's hit CBS-Desilu series The Texan (1958). A memorable guest role was as Cuban bombshell Renita Perez, Ricky Ricardo's ex-dance partner, in a 1952 episode of I Love Lucy (1951).
Since her screen career had turned out to be somewhat desultory, Lita continued to perform on the nightclub circuit (in L.A. and, occasionally, in Vegas). From 1949, she co-hosted "Latin Cruise" on KTLA local television, a pioneering weekly musical variety show which showcased Latin tunes. In the 70's, she moderated a popular radio program, "Lunch with Lita", broadcast from Ingleside Inn in Palm Springs, featuring interviews with stars from her Hollywood past. When that ended, she found a new vocation in real estate marketing.- Actress
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The child of a teenage rape victim, Ethel Waters grew up in the slums of Philadelphia and neighboring cities, seldom living anywhere for more than a few weeks at a time. "No one raised me, " she recollected, "I just ran wild." She excelled not only at looking after herself, but also at singing and dancing; she began performing at church functions, and as a teenager was locally renowned for her "hip shimmy shake". In 1917 she made her debut on the black vaudeville circuit; billed as "Sweet Mama Stringbean" for her tall, lithe build, she broke through with her rendition of "St. Louis Blues", which Waters performed in a softer and subtler style than her rivals, Ma Rainey and Bessie Smith. Beginning with her appearances in Harlem nightclubs in the late 1920s, then on the lucrative "white time" vaudeville circuit, she became one of America's most celebrated and highest-paid entertainers. At the Cotton Club, she introduced "Stormy Weather", composed for her by Harold Arlen: she wrote of her performance, "I was singing the story of my misery and confusion, the story of the wrongs and outrages done to me by people I had loved and trusted". Impressed by this performance, Irving Berlin wrote "Supper Time", a song about a lyncing, for Waters to perform in a Broadway revue. She later became the first African-American star of a national radio show. In middle age, first on Broadway and then in the movies, she successfully recast herself as a dramatic actress. Devoutly religious but famously difficult to get along with, Waters found few roles worthy of her talents in her later years.- Actress
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Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that, on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven, her mother returned and the two traveled around the state which meant that Lena was enrolled in numerous schools. For a time she also attended schools in Florida, Georgia and Ohio. Later she returned to Brooklyn.
Lena quit school when she was 14 and got her first stage job at 16 dancing and later singing at the famed Cotton Club in Harlem, a renowned theater in which black performers played before white audiences immortalized in The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots. Before long, her talent resulted in her playing before packed houses.
If Lena had never made a movie, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearance on Broadway, Hollywood came calling. At 21 years of age, Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South since most theaters in the South refused to show films that portrayed blacks in anything other than subservient roles to whites. Most movie studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles and who could blame her?
In 1943, MGM loaned Lena to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box office. Her rendition of the title song became a major hit on the musical charts. In 1943, she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all black production. Rumors were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. However, that was not the only feud on that picture. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the movie was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood, especially Lena.
Lena's musical career flourished, but her movie career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time. Even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed because they would not let blacks stay there. After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969 as Claire Quintana in Death of a Gunfighter (1969). Nine years later, she returned to the screen again in the all black musical The Wiz (1978) where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television appearing in A Century of Women (1994) and That's Entertainment! III (1994).
Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, it's fair to say that it would have been much bigger and come much sooner. Even taking those factors into account, Lena Horne is still one of the most respected, talented and beautiful performers of all time.- Actress
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Frances Langford won fame on radio (primarily as Bob Hope's vocalist, later sparring comically with Don Ameche as "The Bickersons"), via recordings and in the movies. In spite of the fact that she played mostly in minor musicals (plus appearing occasionally in "A" productions, including Yankee Doodle Dandy (1942), This Is the Army (1943) and The Glenn Miller Story (1954)), she introduced major songs like "I'm in the Mood for Love" in Every Night at Eight (1935), "You are My Lucky Star" and "Broadway Rhythm" in Broadway Melody of 1936 (1935), Cole Porter's "Easy to Love" in Born to Dance (1936) and "Hooray for Hollywood" in Hollywood Hotel (1937).- Actress
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Ruth Etting was born on 23 November 1896 in David City, Nebraska, USA. She was an actress, known for Hips, Hips, Hooray! (1934), Road to Perdition (2002) and Water for Elephants (2011). She was married to Myrl Alderman and Martin Snyder. She died on 24 September 1978 in Colorado Springs, Colorado, USA.- Actress
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Jane Froman was born on 10 November 1907 in University City, Missouri, USA. She was an actress, known for Radio City Revels (1938), With a Song in My Heart (1952) and Stars Over Broadway (1935). She was married to Rowland H. Smith, John Curtis Burn and Donald McKaig Ross. She died on 22 April 1980 in Columbia, Missouri, USA.- Actress
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Kay Starr was born on 21 July 1922 in Dougherty, Oklahoma, USA. She was an actress, known for The Nice Guys (2016), L.A. Confidential (1997) and Shutter Island (2010). She was married to Earl Spencer Callicutt, George Alfred Mellen, Vic Schoen, Harold Solomon (Stanley), Roy E. Davis and Woody Gunther. She died on 3 November 2016 in Los Angeles, California, USA.- Actress
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Her father Joseph was a minister and her mother was named Ella Mae. Her birth name was Pearly Mae but her parents anticipated she would be a boy and when a girl was born she was nicknamed "Dickie". Her brother was entertainer Bill Bailey (1912-1978). She spent her early life in Washington DC where she received her early education. Bailey frequently appeared in the Old Howard theater in downtown Washington. As a young woman she toured the Pennsylvania mining towns as a dancer and later as a singer in Vaudeville. She starred in the film St. Louis Blues opposite Nat King Cole, which was the biography of W.C. Handy. Her greatest theater role was in the Broadway musical "Hello Dolly".- Actress
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Brunette Helen Forrest was born Helen Fogel in Atlantic City, New Jersey. She loved singing from early childhood and keenly listened to recordings by all the major female jazz and blues vocalists of the day. At the age of ten, Helen competed in a dance marathon and sang with her brother's band in Washington, D.C. By the time she reached her mid-teens, was a salaried employee of CBS radio and WNEW (New York), singing under the pseudonyms Bonnie Blue, Blue Lady and Marlene. In 1937, she was invited for a guest spot with the orchestra of Bunny Berigan. Clarinettist and bandleader Artie Shaw witnessed her performance and was so impressed that he promptly hired her as main female vocalist to perform alongside the great Billie Holiday.
Though their styles and repertoire differed considerably, Billie was very supportive and became a powerful (though sadly short-lived) influence on young Helen. When Billie was forced to leave the band in October 1938 due to race-related issues (much to Shaw's disgust), Helen was thrust into the limelight as the band's sole vocal star. Performing out of the Blue Room of New York's Hotel Lincoln, she recorded the first of some 40 sides with Shaw, including two tracks that made it to Number 1 in the U.S. charts: "They Say" and "Thanks for Everything". Though Helen was not, perhaps, a jazz singer in the truest sense, she brought to her songs a wistful 'girl-next-door' quality that no other singer of the time possessed in equal measure. The femininity and warmth of her voice and the clear, emotional phrasing of her lyrics were never more effectively expressed than in the Tin Pan Alley ballads showcased by the Shaw orchestra, notably Rodgers & Hart's "I Didn't Know What Time It Was", "What's New", Jimmy Van Heusen's "Deep In A Dream" (which reached Number 3 in the charts) and "Melancholy Mood" (from the Broadway musical 'Very Warm For May').
Helen's vocals contributed in no small measure to the success and popularity of the Artie Shaw orchestra and she herself became a national favorite. However, when Shaw impulsively disbanded the organisation in November 1939, Helen found herself momentarily unemployed. Benny Goodman, who was notorious for his off-hand attitude towards his singers, seized the opportunity for a bargain and hired her at half her previous salary. Thus began the second phase of Helen's career which lasted until 1941. She made 54 recordings with the Goodman band, many of them arranged by the brilliant Eddie Sauter who tailored many songs specifically for her voice, including "How High The Moon", Gershwin's "The Man I Love" and , another Number 1 hit, "Taking A Chance On Love", by Vernon Duke. After two years, Helen felt herself unable to cope any further with Goodman's abuse and left to join trumpet playing bandleader Harry James in what became a very productive collaboration.
Unlike her previous employers, James didn't merely utilize Helen as a band vocalist, but as jazz critic George T. Simon put it, he built "the arrangements around his horn and Helen's voice, establishing warmer moods by slowing down the tempo so that two, instead of the usual three or more choruses, would fill a record ...many an arrangement would build to a closing climax during Helen's vocal, so that she would emerge as its star" (p.270, "The Big Bands", 1968). Helen recorded several top hits with the band, notably "Skylark", "I Don't Want To Walk Without You" and "I've Heard That Song Before". She was frequently paired with the band's main male vocalist, Buenos Aires-born crooner Dick Haymes, performing duets such as "Long Ago And Far Away". At this time, Helen was also showcased in several colourful motion pictures as part of 'Harry James and His Music Makers' , singing one of her most enduring numbers (and the title of her autobiography, co-written with Bill Libby) "I Had The Craziest Dream" in Springtime in the Rockies (1942). The film starred Betty Grable, who eventually became Mrs. Harry James. Helen, who had been romantically involved with James, left the band in late 1943 to pursue a solo career.
During the next few years, Helen free-lanced, playing in clubs and theatres and teaming up with Haymes for a popular radio show. As the big band era drew to a close, she became less active as a recording artist, though, in 1955, Helen briefly rejoined the James orchestra to record some of their earlier hits together on a new compendium LP, entitled 'Harry James in Hi Fi'. In the early 60's, she went on tour with the Sam Donahue-led orchestra of Tommy Dorsey, then, in 1964, with Frank Sinatra. Helen had a stroke in 1980, but still went on to work on her final album, 'Now and Forever', which was released in 1983. Rheumatoid arthritis eventually necessitated her retirement and she died in July 1999 at the age of 82. To this day, Helen Forrest is regarded by many as the most outstanding female vocalist of the swing era.- Actress
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Jo Stafford's early fame came as a vocalist with the big band of Tommy Dorsey, for which she sang both on her own and with her group, The Pied Pipers. After leaving Dorsey in 1944, Stafford went solo, eventually racking up no less than 93 hits over the next 13 years. Among them: chart-toppers like "Candy" (1945), "My Darling, My Darling" (1948), "You Belong To Me" (1952) and "Make Love To Me" (1955). According to Joel Whitburn's Record Research, Jo Stafford and Dinah Shore were the two top female hit-makers of the pre-rock era. Jo also ranked #6 among all hit makers of the early '50s (1950-4). As her music career dominated her time, Stafford's movie appearances were limited to a handful in '40s films featuring Dorsey and his band.- Actress
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Betty Hutton was born Elizabeth June Thornburg on February 26, 1921, in Battle Creek, Michigan. Two years later, Betty's father decided that the family way of life wasn't for him, so he left (he committed suicide 16 years later). Having to fend for themselves, Mrs. Thornburg moved the family to Detroit to find work in the numerous auto factories there, but times were hard and she decided to take advantage of Prohibition and opened a small tavern, at the time called a speakeasy. The police were always looking for those types of operation, both big and small, and when they detected one, they swooped in and closed it down. Mrs. Thornburg was no different from the other owners, they simply moved elsewhere. Poverty was a constant companion. In addition to that, Mrs. Thornburg was an alcoholic.
At nine years old, Betty began singing publicly for the first time in a school production. Realizing the voice Betty had, her mother took her around Detroit to have her sing to any group that would listen. This was a small way of getting some money for the poor family. When she was 13, Betty got a few singing jobs with local bands in the area. Thinking she was good enough to make the big time, she left for New York two years later to try a professional career. Unfortunately, it didn't work out and Betty headed back to Detroit.
In 1937, Betty was hired by Vincent Lopez who had a popular band that appeared on the local radio. Later, she would return to New York and it was here that her career took off. Betty found herself on Broadway in 1940, and it was only a matter of time before her career took off to bigger heights. The following year, she left New York for Hollywood, where she was to find new life in films. She was signed by Paramount Pictures and made her debut, at 21, in The Fleet's In (1942), along with Eddie Bracken, William Holden and Dorothy Lamour. Reviews were better than expected, with critics looking favorably upon her work. She had previously appeared in a few musical shorts, which no doubt helped her in her first feature film. She made one more musical in 1942 and two more in 1943.
In 1944, she tried to break away from musicals and try her hand in a screwball comedy, The Miracle of Morgan's Creek (1943). She proved - to herself, the public and the critics - that she was marketable outside musicals. In subsequent films, Betty was able to show her comedic side as well as her singing. In 1948, she appeared in her first big box-office bomb, Dream Girl (1948), which was ripped to shreds by critics, as was Betty's acting, and the movie flopped at the box office. It wasn't long before Betty became unhappy with her career. In truth, she had the acting talent, but the parts she got weren't the types to showcase that. Though she did appear in three well-received films later, Red, Hot and Blue (1949), Annie Get Your Gun (1950) and The Greatest Show on Earth (1952), her career was winding down.
Later, after filming Somebody Loves Me (1952), Betty was all but finished. She had married Charles O'Curran that year and he wanted to direct her in an upcoming film. Paramount didn't like the idea and the temper tantrum-prone Betty walked out of her contract and movies. She did concentrate on the relatively new medium of television and the stage, but she never recovered her previous form. Her final film was a minor one, Spring Reunion (1956). Her TV series, The Betty Hutton Show (1959), didn't fare too well at all. Betty lived in quiet retirement in Palm Springs, California until her death on March 11, 2007. She was 86 years old.- Actress
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Sarah Vaughan was born March 27, 1924 in Newark, NJ, and died April 3, 1990, in Los Angeles of lung cancer. Her parents were Asbury, a carpenter, and Ada, a laundress. She began studying music when she was seven, taking eight years of piano lessons and two years of organ. As a child she sang in the choir at the Mt. Zion Baptist Church in Newark and played piano and organ in high school productions at Arts High School. She entered an amateur contest at the Apollo Theater in New York's Harlem area, singing "Body and Soul", and won the $10 prize and a week's engagement at the Apollo. From 1944 to 1945, she sang with Billy Eckstine and in 1947 she married her manager, trumpeter George Treadwell. Her later husbands included pro football player Clyde Atkins and trumpeter Waymon Reed. She received many awards, including an Emmy in 1981 for a tribute to George Gershwin and a Grammy in 1983.