Top Ten Collaborators - The Brasher Doubloon (1947)
An Adaptation of Raymond Chandler's High Window was released by 20th Century Fox in 1947. Here are the top 10 collaborators involved in bringing this material to the screen.
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- Writer
- Actor
An American novelist, writer of crime fiction featuring the private detective Philip Marlowe, Raymond (Thornton) Chandler was born in Chicago of an American father and an Anglo-Irish mother. He moved to England when his parents divorced. He attended Dulwich College and studied languages in France and Germany before returning to England in 1907 and becoming a naturalized British subject. He took a civil service job in the Admiralty, which he left in 1912 to return to America, settling in California. After the US entered World War I he enlisted in the Canadian Army, then transferred to the Royal Flying Corps. After the armistice he returned to California and got a series of bookkeeping jobs, finally becoming a vice-president with the Dabney Oil syndicate.
All along, however, he had been submitting stories, poems, sketches and essays to a number of periodicals, but when the Depression hit and the bottom fell out of the oil business, he lost his job and turned to writing full-time. He found a niche with stories of the "hard-boiled" school popularized by Dashiell Hammett, and had many of his early stories accepted by Black Mask, the same mystery magazine that had first published Hammett. His first four novels--"The Big Sleep" (1939, filmed 1946 [The Big Sleep (1946)] and 1978 [The Big Sleep (1978)]); "Farewell My Lovely" (1940, filmed 1944 [Murder, My Sweet (1944)] and 1975 [Farewell, My Lovely (1975)]); "The High Window" (1942, filmed 1947 [The Brasher Doubloon (1947)]); and "The Lady in the Lake (1943, filmed 1946 [Lady in the Lake (1946)])--which reworked plots from some of his short stories, were his most successful.
He spent some time in Hollywood as a screenwriter, contributing to Billy Wilder's Double Indemnity (1944), the film noir classic The Blue Dahlia (1946) and Alfred Hitchcock's Strangers on a Train (1951). He wrote realistically, in stark contrast to the English style of drawing-room puzzle mysteries where an amateur detective always knows more than the police and clues turn up at just the right moment. Chandler dismissed these plots as "having God sit in your lap."wrote the original story - The High Window- Director
- Second Unit Director or Assistant Director
- Production Manager
The son of comedian and theatre director Ludwig Brahm, Hans followed in his father's footsteps and began his career on the stages of Vienna, Berlin and Paris. Again, like his father, he graduated to directing and had his first fling with the film business as a dialogue director for a Franco/German co-production, starring his future wife Dolly Haas. Hans went to England in 1934 to escape Nazi persecution (and to avoid being caught up in another war, having spent much of the previous conflagration as a conscript on the Russian Front). After a brief spell as a production supervisor, Brahm made his directing debut with an undistinguished remake of D.W. Griffith's Broken Blossoms (1936). A year later, he moved on to the U.S..
Having anglicised his first name to John, he arrived in Hollywood in 1937 and was signed to a three-year contract at Columbia (1937-40), followed by another three years with 20th Century Fox (1941-44). Brahm specialised in suspense thrillers, often with psychological undertones, at times involving madness. His affinity with filming the sinister and the grotesque had much to do with the influence of his uncle Otto, once an influential theatrical producer. Otto introduced his nephew to the dark and fantastic elements of classic German expressionist cinema, including films like Faust (1926). At Fox, Brahm directed two masterpieces back-to-back: the stylish and moody 'Jack the Ripper' look-alike The Lodger (1944); and, in a similar vein, Hangover Square (1945), a gothic melodrama about insanity and murder, set in Victorian London. Both films starred the excellent, sadly short-lived, actor Laird Cregar, whose professionalism and finely-etched performances Brahm greatly appreciated. Much of the credit for the pace and detail of these films belongs to Brahm himself, who meticulously mapped out every scene and camera angle before shooting commenced.
Another of Brahm's films, not in the same league as the aforementioned, but nonetheless quite enjoyable, is The Mad Magician (1954). Something of a precursor to the cycle of low-budget horror films Vincent Price was later to make at American-International, it was shot in the experimental 3-D process. What the picture lacked in a visceral sense, it made up for in period detail and in an enjoyable star performance reminiscent of the earlier House of Wax (1953).
By the mid-1950's, Brahm had segued from films to television, but never strayed far from the macabre. He directed some of the best-loved episodes of Alfred Hitchcock Presents (1955), The Outer Limits (1963), The Alfred Hitchcock Hour (1962) and, especially, The Twilight Zone (1959) ("Time Enough at Last" comes to mind, in particular). Brahm retired in 1968. He spent the last years of his life confined to a wheelchair and died in October 1982 at the respectable age of 89.asked to direct by 20th Century Fox- Grew up in Detroit. Took night school classes in playwriting. Worked in the advertising department of Hudson's Department Store in Detroit. Moved to New York and wrote the play "Fly Away Home". When the play was going to be made into a movie she decided to move to Los Angeles. Met her future husband Link Hanna on a trip to New York. Worked at MGM studios as a writer in Hollywood.assisted by Leonard Praskins
- Music Department
- Composer
- Soundtrack
Prolific screen composer, arranger, and conductor, educated at Juillard and the Academie fur Musik in Vienna. He played in night clubs in Vienna and Munich from 1923 to 1926, then was an opera coach in Munich, 1926-1927. In 1927 he conducted for NBC, and then became music director for WGY in Schenectady, New York. In 1933, he departed for Hollywood and joined ASCAP in 1944.behind the music for Brasher Doubloon- Cinematographer
- Camera and Electrical Department
- Additional Crew
Lloyd Ahern Sr. was born on 7 April 1905 in Mississippi, USA. He was a cinematographer, known for Columbo (1971), Miracle on 34th Street (1947) and The 20th Century-Fox Hour (1955). He was married to Lucy Florence Learnihan. He died on 29 December 1983 in California, USA.director of photography- Actor
- Stunts
- Director
George Montgomery was boxing champion at the University of Montana where he majored in architecture and interior design. Dropping out a year later he decided to take up boxing more seriously. He moved to California where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford, though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra.
In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavorably with that of Humphrey Bogart and found the film "pallid" overall. So it was back in the saddle for George. Unable to shake his image as a cowboy actor he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall, Desperado (1953), and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60s, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines.
At the height of his popularity, George attracted as much publicity for his acting as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.played lead character - Philip Marlowe with a mustache- Actress
- Soundtrack
Movie and television actress Nancy Guild was a contract player at 20th Century-Fox, which reminded the public that her surname "rhymes with wild" after she was signed to a seven-year contract in 1946. The studio bosses must have changed their mind how they would position her as she typically played demure, ladylike roles.
She made her debut as a night club chanteuse in Joseph L. Mankiewicz's Somewhere in the Night (1946), which was marketed with newspaper ads bearing the "Nancy Guild Rhymes with Wild" catch line. She followed that up with the Philip Marlowe picture The Brasher Doubloon (1947), based on Raymond Chandler's novel "The High Window."
On the rebound from an engagement with producer Edward Lasker, Guild married fellow 20th Century-Fox contract player Chuck Russell in early 1947. The following year, they appeared together in the Dan Dailey musical Give My Regards to Broadway (1948).
Leaving Fox, she co-starred with Orson Welles in Gregory Ratoff's Black Magic (1949) before moving on to Universal Studios, where she appeared in Bud Abbott and Lou Costello Meet the Invisible Man (1951). In 1953, she appeared opposite a talking mule in Francis Covers the Big Town (1953), her last picture until Such Good Friends (1971).
Having divorced Russell in 1950, Guild married the successful Broadway impresario Ernest H. Martin, the three-time Tony Award-winning producer of Guys and Dolls (1955), The Sound of Music (1965), and A Funny Thing Happened on the Way to the Forum (1966) among others, in 1951. She appeared occasionally on television, retiring after an appearance on Robert Montgomery Presents (1950) in 1955. She did return to the silver screen in 1971, in Otto Preminger's Such Good Friends (1971)
She divorced Martin in 1975, marrying photojournalist John Bryson in 1978. Her final marriage lasted 17 years. She divorced Bryson in 1995. In all, she was both married and divorced three times.
Nancy Guild died in East Hampton, New York on August 16, 1999, at the age of 73. She was survived by her three daughters and three granddaughters.played female lead - Merle Davis- Actor
- Soundtrack
Veteran character player Roy Roberts proudly claimed over 900 performances in a 40-year career. He might not have been known necessarily by name, but the face was distinct and obviously familiar. The prototype of the steely executive, the no-nonsense mayor, the assured banker, the stentorian leader, Roberts looked out of place without his patented dark suit and power tie. His silvery hair, perfectly trimmed mustache, nonplussed reactions and take-charge demeanor reminded one of the "Mr. Monopoly" character from the classic board game.
Roberts was born Roy Barnes Jones on March 19, 1906, in Tampa, Florida, the youngest of six children. The year 1900 is given as his birth date in several reference books, which seems compatible with his noticeably aged appearance in the last decade or so of his life, but his final resting stone bears the year 1906. His early career was on the Broadway stage, gracing such plays as "Old Man Murphy" (1931), "Twentieth Century" (1932), "The Body Beautiful" (1935) and "My Sister Eileen" (1942). In 1943 he made a successful switch to films, debuting as a Marine officer in Guadalcanal Diary (1943). Usually billed around tenth in the credits, he played a reliable succession of stalwart roles (captains, generals, politicians, sheriffs, judges, et al.). He was also a semi-standard presence in film noir, appearing in such classics as Force of Evil (1948), He Walked by Night (1948) and The Enforcer (1951) as both good cop and occasional heavy.
When Roberts made the move to TV he began to include more work in comedies. The 1950s and 1960s would prove him to be a most capable foil to a number of prime sitcom stars, including Gale Storm and Lucille Ball. His patented gruff and exasperated executives often displayed their prestige by the mere use of initials, such as "W.W." and "E.J." While he never landed the one role on film or TV that could have led to top character stardom, he nevertheless remained a solid and enjoyable presence, a character player who added stature no matter how far down the credits list.
A stocky man for most his life, Roberts gained considerable girth in the late 1960s, which made his characters even more imposing. He died of a heart attack on May 28, 1975, in Los Angeles and was buried in Fort Worth, Texas. He was survived by his wife, actress Lillian Moore.played a police lieutenant- Actor
- Director
- Producer
After decades in show business, character actor Conrad Janis came to prominence as Mindy's father on TV's Mork & Mindy (1978). Manhattan-born Janis was the son of renowned art dealer and clothing manufacturer Sidney Janis (1986-1989), and his wife Harriet (Grossman), who wrote books about jazz. He began acting as a 13 year old with a travelling stock company. Subsequently working as a radio actor, he went on to provide assorted voices, ranging from teens to middle aged men. He also had a small role in the 1945 Broadway play Dark of the Moon which was noticed by a Hollywood talent scout and paved the way to some freelance work in motion pictures, where he was featured as juvenile leads. In the early 50s, Janis segued into television while pursuing a separate career as a jazz trombonist, inspired by the music of Kid Ory. Having perfected his skills by studying under Cab Calloway alumni Tyree Glenn and Herbie Nichols, Janis fronted his own Dixieland/trad combo (Conrad Janis and His Tailgate Five) in the early 50s. By the late '70s, he had formed the Beverly Hills Unlisted Jazz Band which performed in many festivals and was often showcased on David Letterman's and Johnny Carson's late shows.
Janis acted in anthology TV dramas from as early as 1950, according to his account ultimately racking up some 700 appearances (many of them not recorded or otherwise lost to posterity). He toiled away in fairly minor parts until his breakout role as music store owner Fred McConnell in Mork & Mindy. In addition to numerous guest appearances, the balding Janis was also seen as a regular in the short-lived sitcom Quark (1977) (as philistine bureaucrat Otto Bob Palindrome) and in recurring roles on Murder, She Wrote (1984) and Frasier (1993). True to his roots, he remained involved with the art world and with music education throughout his life.played Leslie Murdock- Actor
- Additional Crew
After graduating from high school in St. Louis, Missouri, Miller attended that city's Washington University, where he was a member of the dramatic and musical comedy groups. He played in the band, edited the school newspaper, and started his professional career in radio, making his debut in his freshman year. Without previous training, he applied for a job at a local radio station but was turned down. Undeterred, he returned a few days later to audition as a character actor. He played all the roles in a sketch he had written himself, including an Englishman, a Frenchman, an Italian, an American gangster, and a straight man. This time he was hired as a summer replacement. After graduation, he moved to Chicago where he soon became a leading announcer and actor.
Before leaving for Hollywood in 1944 he was appearing on an average of 45 broadcasts a week. Variety dubbed him "Chicago's one-man radio industry." His second day in town he began landing parts in two major programs and a number of shows. He either narrated or appeared in, among others, The Millionaire (1955) (as narrator "Michael Anthony"), Insight (1960), The Famous Adventures of Mr. Magoo (1964), The Adventures of Ozzie and Harriet (1952), Space Patrol (1950), The George Burns and Gracie Allen Show (1950), The F.B.I. (1965), and Love, American Style (1969), among many others. In addition to what's listed here (which is by no means complete), Marvin Miller did quite a bit of character voice work. An excellent dialectician, Miller played the French Surete's Commissioner in DePatie-Freleng's "The Inspector" cartoons (alternating in that role with Voice Actor Paul Frees), That series was a part of "The Pink Panther Show," as well as various voices in a number of other cartoons in "Pink Panther." He played a wisecracking Native American on the beach when Columbus landed, during the Sailor's voyage in 1492, on the early 1960's record album, "Stan Freberg Presents The United States Of America." Miller also narrated films including My Country 'Tis of Thee (1950), which was nominated for an Academy Award, and the pseudo-documentary Unidentified Flying Objects: The True Story of Flying Saucers (1956). He won Grammy Awards in 1965 and 1966 for his recordings of stories by Dr. Seuss.
His hobbies including woodworking, collecting menus, bookbinding, painting, photography, and collecting rare phonograph recordings. He also recorded the entire Holy Bible on record, the first time that had ever been done. It contained more than a million words, and took a week and a half to play.played Vince Blair