The Movie Brats (Scorsese, Spielberg & Co.)
The Movie Brats was a term coined by iconic film critic Pauline Kael when referring to a new crop of young and influential filmmakers that came about during the late 1960s and 1970s, notably Steven Spielberg, Martin Scorsese, George Lucas, Francis Ford Coppola, and Brian de Palma.
Here, I list their collaborators, colleagues, proteges and other people in the same circle as well.
Here, I list their collaborators, colleagues, proteges and other people in the same circle as well.
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- Producer
- Director
- Actor
Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
- Writer
- Director
One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Director
- Writer
- Producer
Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family. Originally entering university as a physics student, De Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as To Bridge This Gap (1969). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, De Palma made the comedic film Greetings (1968) starring Robert De Niro in his first ever credited film role. The two followed up immediately with the films The Wedding Party (1969) and Hi, Mom! (1970).
After making such small-budget thrillers such as Sisters (1972) and Obsession (1976), De Palma was offered the chance to direct a film based on Stephen King's classic novel "Carrie". The story deals with a tormented teenage girl who finds she has the power of telekinesis. The film starred Sissy Spacek, Piper Laurie and John Travolta, and was for De Palma, a chance to try out the split screen technique for which he would later become famous.
Carrie (1976) was a massive success, and earned the two lead females (Laurie and Spacek) Oscar nominations. The film was praised by most critics, and De Palma's reputation was now permanently secured. He followed up this success with the horror film The Fury (1978), the comedic film Home Movies (1979) (both these films featured Kirk Douglas), the crime thriller Dressed to Kill (1980) starring Michael Caine and Angie Dickinson, and another crime thriller entitled Blow Out (1981) starring John Travolta.
His next major success was the controversial, ultra-violent film Scarface (1983). Written by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the United States through the drug trade. While being a critical failure, the film was a major success commercially.
Moving on from Scarface (1983), De Palma made two more movies before landing another one of his now-classics: The Untouchables (1987), starring old friend Robert De Niro in the role of Chicago gangster Al Capone. Also starring in the film were Kevin Costner as the man who commits himself to bring Capone down, and Sean Connery, an old policeman who helps Costner's character to form a group known as the Untouchables. The film was one of De Palma's most successful films, earning Connery an Oscar, and gave Ennio Morricone a nomination for Best Score.
After The Untouchables (1987), De Palma made the Vietnam film Casualties of War (1989) starring Michael J. Fox and Sean Penn. The film focuses on a new soldier who is helpless to stop his dominating sergeant from kidnapping a Vietnamese girl with the help of the coerced members of the platoon. The film did reasonably well at the box office, but it was his next film that truly displayed the way he could make a hit and a disaster within a short time. The Bonfire of the Vanities (1990) starred a number of well-known actors such as Bruce Willis and Morgan Freeman, however it was still a commercial flop and earned him two Razzie nominations.
But the roller coaster success that De Palma had gotten so far did not let him down. He made the horror film Raising Cain (1992), and the criminal drama Carlito's Way (1993) starring Al Pacino and Sean Penn. The latter film is about a former criminal just released from prison that is trying to avoid his past and move on. It was in the year 1996 that brought one of his most well-known movies. This was the suspense-filled Mission: Impossible (1996) starring Tom Cruise and Jon Voight.
Following up this film was the interesting but unsuccessful film Snake Eyes (1998) starring Nicolas Cage as a detective who finds himself in the middle of a murder scene at a boxing ring. De Palma continued on with the visually astounding but equally unsuccessful film Mission to Mars (2000) which earned him another Razzie nomination. He met failure again with the crime thriller Femme Fatale (2002), the murder conspiracy The Black Dahlia (2006), and the controversial film Redacted (2007) which deals with individual stories from the war in Iraq.
Brian De Palma may be down for the moment, but if his box office history has taught us anything, it is that he always returns with a major success that is remembered for years and years afterwards.- Producer
- Director
- Writer
Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Writer
- Producer
- Director
George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Thomas Downey High School and was very much interested in drag racing. He planned to become a professional racecar driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life.
He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including Electronic Labyrinth THX 1138 4EB (1967) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd.
In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay which became Star Wars: Episode IV - A New Hope (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established ILM. (Industrial Light & Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster" and the rest is history.
Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theaters with the THX system which was created to maintain the highest quality standards in motion picture viewing.
He went on to produce several more movies that have introduced major innovations in filmmaking technology. He is chairman of the board of the George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his lifetime achievement.
He reentered the directing chair with the production of the highly-anticipated Star Wars prequel trilogy beginning with Star Wars: Episode I - The Phantom Menace (1999) . The films have been polarizing for fans and critics alike, but were commercially successful and have become a part of culture. The animated spin-off series Star Wars: The Clone Wars (2008) was supervised by Lucas. He sold Lucasfilm to Disney in 2012, making co-chair Kathleen Kennedy president. He has attended the premieres of new Star Wars films and been generally supportive of them.- Producer
- Actor
- Writer
Academy Award-winning filmmaker Ron Howard is one of this generation's most popular directors. From the critically acclaimed dramas A Beautiful Mind (2001) and Apollo 13 (1995) to the hit comedies Parenthood (1989) and Splash (1983), he has created some of Hollywood's most memorable films.
Howard made his directorial debut in 1978 with the comedy Grand Theft Auto (1977). He began his career in film as an actor. He first appeared in The Journey (1959) and The Music Man (1962), then as Opie on the long-running television series The Andy Griffith Show (1960). Howard later starred in the popular series Happy Days (1974) and drew favorable reviews for his performances in American Graffiti (1973) and The Shootist (1976).
Howard and long-time producing partner Brian Grazer first collaborated on the hit comedies "Night Shift" and "Splash." The pair co-founded Imagine Entertainment in 1986 to create independently produced feature films.
Howard's portfolio includes some of the most popular films of the past 20 years. In 1991, Howard created the acclaimed drama "Backdraft", starring Robert De Niro, Kurt Russell and William Baldwin. He followed it with the historical epic Far and Away (1992), starring Tom Cruise and Nicole Kidman. Howard directed Mel Gibson, Rene Russo, Gary Sinise and Delroy Lindo in the 1996 suspense thriller Ransom (1996). Howard worked with Tom Hanks, Kevin Bacon, Ed Harris, Bill Paxton, Gary Sinise and Kathleen Quinlan on "Apollo 13," which was re-released recently in the IMAX format.
Howard's skill as a director has long been recognized. In 1995, he received his first Best Director of the Year award from the DGA for "Apollo 13." The true-life drama also garnered nine Academy Award nominations, winning Oscars for Best Film Editing and Best Sound. It also received Best Ensemble Cast and Best Supporting Actor awards from the Screen Actor's Guild. Many of Howard's past films have received nods from the Academy, including the popular hits Backdraft (1991), "Parenthood" and Cocoon (1985), the last of which took home two Oscars.
Howard directed and produced Cinderella Man (2005) starring Oscar winner Russell Crowe, with whom he previously collaborated on "A Beautiful Mind," for which Howard earned an Oscar for Best Director and which also won awards for Best Picture, Best Screenplay and Best Supporting Actress. The film garnered four Golden Globes as well, including the award for Best Motion Picture Drama. Additionally, Howard won Best Director of the Year from the Directors Guild of America. Howard and producer Brian Grazer received the first annual Awareness Award from the National Mental Health Awareness Campaign for their work on the film.
Howard was honored by the Museum of Moving Images in December 2005, and by the American Cinema Editors in February 2006. Howard and his creative partner Brian Grazer, were honored by the Producers Guild of America with the Milestone Award in January 2009, NYU's Tisch School of Cinematic Arts with the Big Apple Award in November 2009 and by the Simon Wiesenthal Center with their Humanitarian Award in May 2010. In June 2010, Howard was honored by the Chicago Film Festival with their Gold Hugo - Career Achievement Award. In March 2013, Howard was inducted into the Television Hall of Fame. In December 2015, Howard was honored with a star in the Motion Pictures category, making him one of the very few to have been recognized with two stars on the Hollywood Walk of Fame.
Howard also produced and directed the film adaptation of Peter Morgan's critically acclaimed play Frost/Nixon (2008). The film was nominated for five Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Howard has also served as an executive producer on a number of award-winning films and television shows, such as the HBO miniseries From the Earth to the Moon (1998), Fox's Emmy Award winner for Best Comedy, Arrested Development (2003), a series which he also narrated, Netflix's release of new episodes of "Arrested Development," and NBC's "Parenthood."
Howard's recent films include the critically acclaimed drama Rush (2013), staring Chris Hemsworth and Daniel Brühl, written by Peter Morgan; and Made in America (2013), a music documentary he directed staring Jay-Z for Showtime.
Howard's other films include In the Heart of the Sea (2015), based on the true story that inspired Moby Dick; his adaptation of Dan Brown's best-selling novels Angels & Demons (2009), and The Da Vinci Code (2006) staring Oscar winner Tom Hanks; the blockbuster holiday favorite "Dr. Seuss' How the Grinch Stole Christmas (2000)" starring Jim Carrey; "Parenthood" starring Steve Martin; the fantasy epic Willow (1988); Night Shift (1982) starring Henry Winkler, Michael Keaton and Shelley Long; and the suspenseful western, The Missing (2003), staring Oscar winners Cate Blanchett and Tommy Lee Jones.
Recently, Howard directed Inferno (2016), the third installment of Dan Brown 's Robert Langdon franchise and The Beatles: Eight Days a Week - The Touring Years (2016), a documentary about the rock legends The Beatles. He also produced the second season of Breakthrough (2015), Mars (2016), and directed the first episode of Genius (2017), based on the life of Albert Einstein, all for NatGeo.- Writer
- Producer
- Director
John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars: Episode IV - A New Hope (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Southern California. In 1967, Milius won first prize at USC School of Cinema-for his student film Marcello, I'm Bored (1970).
A gun enthusiast, Milius serves as a member of the National Rifle Association's Board of Directors.- Art Department
- Director
- Writer
Academy Award winner Roger Christian has had an extensive film career. He won an Academy Award for set decoration on director George Lucas's Star Wars: Episode IV - A New Hope (1977), which began a long collaboration between the filmmakers. Christian subsequently worked with Lucas on Star Wars: Episode VI - Return of the Jedi (1983) and was hand-picked by Lucas to direct the second unit on the recent Star Wars: Episode I - The Phantom Menace (1999). It was through Lucas that Christian got his first opportunity to direct a film, the short feature entitled Ángel Negro (2000), which accompanied the UK release of Star Wars: Episode V - The Empire Strikes Back (1980). Christian followed "Black Angel" with another short, The Dollar Bottom (1981), which won the 1981 Academy Award for Best Live Action Short Film. He followed that success with the thriller The Sender (1998), which received much critical acclaim and a nomination for Best Film by the Academy of Science Fiction, Fantasy and Horror Films.
His directing credits include the 1994 Orion Pictures release _Nostradamus (1994/I)_, starring Julia Ormond and F. Murray Abraham, the HBO premiere movie The Final Cut (1995), Underworld (1996) starring Annabella Sciorra and Masterminds (1997) starring Patrick Stewart. Christian has also directed numerous high profile commercials, including worldwide campaigns for SEGA, Taco Bell, Jeep, Lancia, Fiat and Chrysler/Dodge, among others. Christian's work as an art director and production designer was highly regarded. He was nominated for an Academy Award for his art direction on Ridley Scott's Alien (1979). His other art direction credits include Life of Brian (1979), Ken Russell's Mahler (1974) and Peter Hall's Akenfield (1974). Roger also directed Battlefield Earth (2000), with John Travolta and Forest Whitaker.
Roger Christian recently wrapped production on Bandido (2004), starring Angie Everhart, for Fries Film Group. Written by Carlos Gallardo, who also wrote El Mariachi, Bandidos continues the saga of the stylish Mexican thief who remains nameless. The same character was also portrayed by Antonio Banderas in Desperado (a remake of El Mariachi). In Bandidos, Carlos Gallardo reprises the starring role as the most infamous thief in Mexico.- Director
- Cinematographer
- Actor
Irvin Kershner was born on April 29, 1923 in Philadelphia, Pennsylvania. A graduate of the University of Southern California film school, Kershner began his career in 1950, producing documentaries for the United States Information Service in the Middle East. He later turned to television, directing and photographing a series of documentaries called "Confidential File". Kershner was one of the directors given his first break by producer Roger Corman, for whom he shot Stakeout on Dope Street (1958). The main theme that runs through many of his films is social alienation and human weaknesses - although his biggest commercial success was the science fiction blockbuster Star Wars: Episode V - The Empire Strikes Back (1980). Irvin Kershner died at age 87 of lung cancer in his home in Los Angeles, California on November 27, 2010.- Director
- Visual Effects
- Producer
Joseph Eggleston Johnston II is an American film director from Texas who is known for directing the cult classic film The Rocketeer, Jumanji, Honey, I Shrunk the Kids, The Wolfman, October Sky, The Pagemaster, Jurassic Park III and Captain America: The First Avenger. He was an art director for Raiders of the Lost Ark and the Star Wars original trilogy.- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.- Music Department
- Composer
- Actor
As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Writer
- Producer
- Actor
Writer, director, producer, actor. Born in Los Angeles, California, USA, and raised in the seaport town of San Pedro. Got his start acting and writing for legendary exploitation director/producer Roger Corman. Came into his own during the 1970s when he was regarded as one of the finest screenwriters in Hollywood. Began directing with mixed success in 1982. One of the best script doctors in Hollywood, he contributed crucial scenes to such films as Bonnie and Clyde (1967) and The Godfather (1972).- Editor
- Editorial Department
- Producer
Marcia Lucas was born on 4 October 1945 in Modesto, California, USA. She is an editor and producer, known for Star Wars: Episode IV - A New Hope (1977), American Graffiti (1973) and Taxi Driver (1976). She was previously married to Tom Rodrigues, George Lucas and George Michael Cooper.- Director
- Producer
- Writer
Richard Marquand was born on 22 September 1937 in Llanishen, Cardiff, Glamorgan, Wales, UK. He was a director and producer, known for Star Wars: Episode VI - Return of the Jedi (1983), Nowhere to Run (1993) and Jagged Edge (1985). He was married to Carol Bell and Josephine Marquand. He died on 4 September 1987 in Tunbridge Wells, Kent, England, UK.- Producer
- Writer
- Director
A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.- Writer
- Producer
- Director
Steven Zaillian was born on 30 January 1953 in Fresno, California, USA. He is a writer and producer, known for Searching for Bobby Fischer (1993), A Civil Action (1998) and The Girl with the Dragon Tattoo (2011). He is married to Elizabeth Zaillian. They have two children.- Writer
- Actor
- Producer
Tony Kushner's play "Angels in America: A Gay Fantasia on National Themes" earned him the Pulitzer Prize, among many other awards. His other acclaimed plays include "Slavs", "Homebody/Kabul" and "Caroline, or Change". He has collaborated with children's author and illustrator Maurice Sendak on several books. In 2003, Kushner married his boyfriend, Mark Harris, editor at large of Entertainment Weekly; they were the first gay couple to be featured in The New York Times' "Vows" column.- Writer
- Director
- Producer
Director and screenwriter Philip Kaufman was born in Chicago, Illinois. He attended the University of Chicago and later Harvard Law School. He won the Prix de la Nouvelle Critique at Cannes in 1965 for his film Goldstein (1964). He was the screenwriter for The Outlaw Josey Wales (1976) and was to direct it but was replaced as director by Clint Eastwood, owing to their love triangle with the late Sondra Locke. Kaufman's first hit as director was Invasion of the Body Snatchers (1978), a remake of Don Siegel's 1956 sci-fi classic (in fact, Siegel has a cameo in it as a cab driver), and later, Kaufman was nominated for an Oscar for Best Screenplay on Material from Another Medium in 1988 for The Unbearable Lightness of Being (1988). Kaufman's steamy Henry & June (1990) was the first film released by a major studio to be rated NC-17, which created much controversy.- Writer
- Producer
- Director
Lawrence Kasdan is an American filmmaker, producer and screenwriter. He directed Body Heat, Grand Canyon, The Big Chill, Silverado and Dreamcatcher. He wrote Raiders of the Lost Ark, The Bodyguard, The Empire Strikes Back, Return of the Jedi, The Force Awakens and Solo: A Star Wars Story. He is married to Meg Goldman since 1971 and has two sons.- Producer
- Production Manager
- Actor
As the producer of the three Star Wars prequels - The Phantom Menace, Attack of the Clones and Revenge of the Sith - Rick McCallum has helped bring to the screen some of the most successful independent films of all time.
The global blockbusters are highlights in a career that has seen McCallum produce remarkably eclectic, and always groundbreaking, film and television projects, beginning with the 1981 Depression-era musical Pennies from Heaven for director Herbert Ross and writer Dennis Potter.
McCallum has produced movies with such renowned filmmakers as David Hare (Strapless); Neil Simon (I Ought to Be in Pictures); and Harvey Fierstein, whose HBO film On Tidy Endings received four CableAce Awards. McCallum was also producer of the music video "Undercover" for The Rolling Stones, which MTV named the Best Video of the Decade. Establishing a close working relationship with director Nicolas Roeg, McCallum acted as producer on such films as Castaway and Track 29.
In 1986, McCallum re-teamed with Potter, serving as executive producer on the landmark BBC-TV series "The Singing Detective." They worked together again in1989 for BBC's four-part "Blackeyes." Their successful collaboration also brought to life Potter's acclaimed Dreamchild, an unusual exploration of the creation of Alice in Wonderland, which won three BAFTA awards.
It was on the set of Dreamchild that McCallum met Star Wars creator George Lucas. Several years after their first meeting, Lucas was preparing his first weekly live-action television program, The Young Indiana Jones Chronicles, and he turned to McCallum to produce the ambitious series, which was shot in 35 countries. With a unique perspective on the eventful early life of Indiana Jones - including its cinematic qualities, an emphasis on storytelling and characters, and an enticing promise of new adventures each week - McCallum attracted a stellar list of writers and actors to the creative ranks of the series. Among the renowned directors with whom McCallum worked on the series: Bille August, Nicolas Roeg, David Hare, Mike Newell, Deepa Mehta, Terry Jones, Simon Wincer and Carl Shultz. During its run, the Academy of Television Arts & Sciences honored Young Indiana Jones with 11 Emmys and 25 nominations. The series debuted on DVD in 2007, and McCallum served as executive producer on a series of 94 acclaimed documentaries that accompany the episodes and illuminate the real-life history behind their stories.
When Young Indiana Jones wrapped, McCallum produced Radioland Murders (1994), for which Lucas served as executive producer. During its production, Lucas confided to McCallum the plans for three new Star Wars movies. To test the digital waters, McCallum produced revised versions of Star Wars, The Empire Strikes Back and Return of the Jedi - each of which proved remarkably successful at the box office and proved that the once-impossible visual feats needed for Lucas's next movies were indeed possible. Assembling an extraordinary group in front of and behind the cameras, McCallum produced the next three films that Lucas wrote and directed: Star Wars: Episode I The Phantom Menace (1999), Star Wars: Episode II Attack of the Clones (2002) and Star Wars: Episode III Revenge of the Sith (2005). Two of them are among the 10 most-successful movies in history. Together, the Star Wars films McCallum has produced have grossed more than $3 billion worldwide. Recognizing his contributions to the movies, in 1999 CinemaExpo named McCallum its Producer of the Year.
The Star Wars prequels also ushered in a new era of digital filmmaking, and McCallum played the leading role in its development. He oversaw a team of creative and technical professionals that developed and created the industry's first all-digital production pipeline, allowing every aspect of movie production - from production, to post-production, to distribution - to take place digitally. In 2000, Attack of the Clones became the first movie with all-digital principal photography, editing, visual and sound effects, exhibition and distribution.
The McCallum-Lucas collaboration continued, with McCallum producing Red Tails, an action-adventure film that pays tribute to the spirit of World War II's Tuskegee Airmen, and on which Lucas acted as executive producer. McCallum also served as Head of Production for Lucasfilm for 17 years.
Since moving to Prague in 2012 after retiring from Lucasfilm, McCallum co-founded the Czech film company Film United to act as a service provider and producer of films and television.
Film United has become one of the leading producers and service providers in Central and Eastern Europe.- Producer
- Second Unit Director or Assistant Director
- Production Manager
Gary Kurtz was born on 27 July 1940 in Los Angeles, California, USA. He was a producer and assistant director, known for Star Wars: Episode IV - A New Hope (1977), American Graffiti (1973) and The Dark Crystal (1982). He was married to Stephanie Clare Gabriel, Roberta Jimenez and Meredith Marie Alsup. He died on 23 September 2018 in London, England, UK.- Director
- Writer
- Cinematographer
Eleanor Coppola was born on 4 May 1936 in Long Beach, California, USA. She was a director and writer, known for Paris Can Wait (2016), Love Is Love Is Love (2020) and Hearts of Darkness: A Filmmaker's Apocalypse (1991). She was married to Francis Ford Coppola. She died on 12 April 2024 in Rutherford, California, USA.- Mario Puzo was born October 15, 1920, in "Hell's Kitchen" on Manhattan's (NY) West Side and, following military service in World War II, attended New York's New School for Social Research and Columbia University. His best-known novel, "The Godfather," was preceded by two critically acclaimed novels, "The Dark Arena" and "The Fortunate Pilgrim." In 1978, he published "Fools Die," followed by "The Sicilian" (1984) and "The Fourth K" (1991). Mario Puzo has also written several screenplays, including Earthquake (1974), Superman (1978), and all three "Godfather" movies, for which he received two Academy Awards. Mario's latest novel, 1996's "The Last Don," was made into a CBS television miniseries in May 1997, starring Danny Aiello, Kirstie Alley and Joe Mantegna. In 1997, Part II was aired. Also in 1997, Mario's "The Fortunate Pilgrim" was re-released by Random House. Mario passed away July 2, 1999, at his home in Bay Shore, Long Island. His last novel, "Omerta," will be published July, 2000. He is survived by his companion of 20 years, Carol Gino, and five children.
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- Second Unit Director or Assistant Director
After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977).- Director
- Producer
- Additional Crew
Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company's biggest hits and was distributed throughout the rest of the world by United Artists. During his tenure at New World, Dante edited Ron Howard's directorial debut Grand Theft Auto (1977) and co-wrote the original story for Rock 'n' Roll High School (1979).
For Avco-Embassy Dante next directed the highly praised werewolf thriller The Howling (1981), followed by the It's a Good Life segment of the episodic Twilight Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for Warner Bros. Gremlins (1984) became a runaway hit and grossed more than $200 million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own spaceship, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy in which miniaturized test pilot Dennis Quaid is injected into the body of supermarket clerk Martin Short.
Tom Hanks starred in Dante's next film for Imagine/Universal, The 'Burbs (1989), which was followed by Gremlins 2: The New Batch (1990) for Warner Bros. in 1990. Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis, was a production of Dante and partner Michael Finnell's Renfield Productions for Universal in 1993.
Dreamworks/Universal's Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action (2003) featuring one of Dante's favorite actors, Bugs Bunny.
Dante's Homecoming (2005), debuted in December 2005 to rave reviews from critics and audiences alike and was named to numerous "Top 10" critics lists. The Sitges and Brussels International Film Festivals both honored Homecoming with Special Jury Recognition Awards, and the New Yorker called it the best political film of 2005. More recent work includes The Screwfly Solution (2006), and Boo (2007). His new 3D thriller, The Hole (2009), for Bold Films recently premiered at the Venice Film Festival where it garnered the first-ever award for Best 3D Feature.
Dante also produces the critically-acclaimed webisode/mobile phone series, Trailers from Hell.
Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories (1985), The Twilight Zone (1985), Police Squad! (1982), Night Visions (2001) and Picture Windows (1994). He also directed the network pilots for The Osiris Chronicles (1998) and the NBC series Eerie, Indiana (1991), on which he was creative consultant throughout its run.
Dante received Cable Ace nominations for his direction of Showtime's Runaway Daughters (1994) and HBO's The Second Civil War (1997).- Producer
- Director
- Actor
Roger William Corman was born April 5, 1926, in Detroit, Michigan. Initially following in his father's footsteps, Corman studied engineering at Stanford University, but, while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked a total of three days as an engineer at US Electrical Motors, which cemented his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually rising to the position of story analyst.
After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).
Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history.
With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.
In the early 1960s, he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop. He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainments.
Those messages became more radical as the 1960s wound to a close and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)
With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. Among those he mentored are Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009, he was honored with an Academy Award for Lifetime Achievement.- Visual Effects
- Additional Crew
- Actor
In 1986, John Knoll joined Industrial Light & Magic as a Technical Assistant and was soon promoted to Motion Control Camera Operator for Captain EO. After three years of operating, John was called upon to work on the ground breaking digital effects for The Abyss, a film that saw the first use of Photoshop, which he had co-developed with his brother, Thomas. Since that time, John has been promoted to Visual Effects Supervisor helming the visual effects on more than twenty feature films and commercials and most recently Chief Creative Officer of the studio. His film background coupled with an advanced understanding of digital technologies has made John a much sought-after supervisor having been honored with an Oscar and a BAFTA Award for Pirates of the Caribbean: Dead Man's Chest and six additional visual effects Academy Award nominations as well as five additional BAFTA nominations.
John's supervisory credits also include the Star Wars Prequels, Episodes I, II,and III, Mission to Mars, Deep Blue Sea, Star Trek: First Contact, Mission: Impossible, Ghost Protocol and the Academy Award(TM)-winning Rango among others. Prior to his promotion to Chief Creative Officer in May of 2013 he served as the Visual Effects Supervisor on Guillermo del Toro's science fiction epic, Pacific Rim for which he received a BAFTA Award nomination for Best Achievement in Special Visual Effects. In 2017, John was nominated for an Academy Award, a BAFTA, and a Visual Effects Society Award for Visual Effects for Rogue One: A Star Wars Story, the first film in the Star Wars stand-alone series and one for which John served as both an Executive Producer and Visual Effects Supervisor. The film is based on a concept John created.
John's interest in filmmaking began at an early age. Having a keen interest in visual effects, he was mesmerized by the original Star Wars film. During a visit to ILM in 1978 he was able to observe first-hand the world of visual effects. Inspired to learn more, John attended the USC School of Cinema and earned a Bachelor of Arts in Cinema Production, while freelancing as a modelmaker at a variety of Los Angeles-based production facilities.
During his last year at USC, John took an advanced animation class where he built a motion control system from an Oxberry animation stand, an Apple II computer, a CNC milling machine controller, and a bunch of industrial surplus stepper motors. Impressed by the student film that was generated from this class project, ILM hired John as a Technical Assistant for motion control photography.
Greatly impressed by visits to ILM's newly founded computer graphics department, John took up computer graphics as a hobby. Teaming up with his brother who was working on his Doctoral Thesis in computer vision at the University of Michigan, the Knoll brothers created Photoshop in 1987.
John is a member of the Academy of Motion Pictures Arts and Sciences and currently serves on the Board of Governors representing the Visual Effects Branch.- Stunts
- Second Unit Director or Assistant Director
- Actor
He was a stuntman for over 30 years having left school at14 and started working with his father and the intention of being jockey riding point to point but he grew too big. As he was interested in films stuntman jimmy Lodge got him a job working with the horses on the film Arabesque, Some years down the line having become a professional stuntman he was in the Bond film You Only Live Twice in which he slid down a rope one handed while firing a machine gun with the other,- Visual Effects
- Producer
- Director
Phil Tippett is the founder and namesake of Tippett Studio. His varied career in visual effects has spanned more than 30 years and includes two Academy Awards; and six nominations, one BAFTA award and four nominations, two Emmys and the advent of modern digital effects in motion pictures.
As a child of seven, Phil was profoundly inspired by Ray Harryhausen's stop-motion classic, The Seventh Voyage of Sinbad and Willis O'Brien's classic character King Kong. His subsequent devotion to the creation of the fantastic creatures in film has become his raison d'etre. As a kid, and then as a student always drawing, sculpting and making animations, he developed his skills in a broader context first with a Fine Arts degree from University of California at Irvine, then as an animator at the commercial house, Cascade Pictures in Los Angeles. As a young adult Phil sought out teachers and mentors establishing connections and friendships with Ray Harryhausen and Ray Bradbury.
A huge turning point came in 1975 when George Lucas hired Phil and Jon Berg to create a stop motion miniature chess scene for Star Wars: A New Hope. Phil also had a hand in many other aspects of the Star Wars films, including modeling and casting alien heads and limbs for the busy Cantina scene in the first film. By 1978 Phil lead the animation team at Industrial Light and Magic that would launch his career bringing life to the sinister Imperial Walkers and the alien hybrid Tauntaun for The Empire Strikes Back.
In 1982, building upon insights from 'Empire', the same ILM team developed a stop-motion process that they comically christened as 'Go Motion' that produced a startlingly realistic beast for Dragonslayer and won Phil an Academy Award; nomination. And in 1983, as head of the ILM creature shop, he began work on Return of the Jedi, designing Jabba The Hut and the Rancor Pit Monster as well as animating the two legged Walker and later winning the Oscar; for Best Visual Effects.
In 1984 Phil left ILM to create a 10-minute short film, Prehistoric Beast. The newly formed Tippett Studio, then operating out of Phil's garage, drew upon Phil's wealth of experience with stop motion and his expertise in anatomical modeling and rigging. He and Tippett Studio went on to create top-notch stop motion animations for various television and film projects including Dinosaur!, Willow, Honey, I Shrunk the Kids, and the Robocop trilogy.
In 1991, Steven Spielberg, learning of Phil's expertise in dinosaur movement and behavior, selected him to supervise the dinosaur animation for Jurassic Park. When Phil learned of the choice to go with the computer generated dinosaurs, instead of stop motion, his initial reaction was, "I think I'm extinct!" It was this project that was responsible for Tippett Studio's transition from stop-motion to computer generated animation and for which Phil was awarded his second Oscar®.
Phil's next major challenge came in 1995 when Paul Verhoeven, again with producer Jon Davison, asked Tippett Studio to create the swarms of deadly arachnids for the sci-fi extravaganza, Starship Troopers. Leading a team of 150 computer artists and technicians, earned Phil a sixth Academy Award; nomination in 1997. Starship Troopers firmly planted Tippett Studio (and Phil) into the digital age of filmmaking.
In the following years Phil has been a guide and mentor for the Tippett Studio VFX supervisors and crew as they create monsters, aliens and appealing creatures for the numerous films that wind their way through the Tippett pipeline.
Partnering with associate, writer Ed Neumeier (Starship Troopers and Robocop scribe), the two created the story for Starship Troopers 2: Hero of the Federation, which Phil went on to direct in 2004 for Screengems.
Recently, Phil oversaw the design and creation of the wolf pack in Summit Entertainment's New Moon and Eclipse, the second and third film installments based on the Twilight series of novels by Stephanie Meyer.
Phil's roots in stop motion, modeling and practical effects and his ability to use this foundation in conjunction with developing technologies has made him one of a handful of artists whose careers have spanned the transition of visual effects from largely practical to digital. In this way he is a great teacher and mentor to the crew passing on the tradition of mentorship given to him in the early part of his career.- Writer
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Writer, director and producer Hal Barwood was born and raised in Hanover, New Hampshire. His father ran a local movie theater. Barwood graduated with honors with a BA in arts from Brown University in Providence, Rhode Island. Hal then attended the University of Southern California's School of Cinema-Television, where he first met both George Lucas and future frequent collaborator Matthew Robbins. Barwood and Robbins wrote the screenplays for Steven Spielberg's debut theatrical feature "The Sugarland Express," the amiable sports comedy "The Bingo Long Traveling All-Stars & Motor Kings," the magical science fiction classic "Close Encounters of the Third Kind" (Hal also has a small role in this film), and the bio epic "MacArthur." Moreover, Barwood both co-wrote and produced two films that Robbins directed: the charming teen coming-of-age winner "Corvette Summer" and the first-rate fantasy cult favorite "Dragonslayer." Barwood made his sole foray as a director of a theatrical feature with the excellent and underrated medical horror chiller "Warning Sign." From 1990 to 2003 Hal worked as director, producer and scriptwriter for the video game company LucasArts; he's perhaps best known for his work on the 1992 game "Indiana Jones and the Fate of Atlantis." He was named one of the top 25 game designers in America in the August, 1999 issue of the magazine "PC Gamer." The video games Barwood has designed include "Star Wars: Yoda Stories," "RTX Red Rock," "Zengemsi," and "Mata Hari." Hal Barwood resides in Portland, Oregon and works as a freelance independent contractor for his company Finite Arts.- Writer
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Matthew Robbins was born in New York City and went to the Johns Hopkins University, where he received a BA degree in Romance Languages. Shortly after getting his MFA at the USC School of Cinema, he began writing screenplays with partner Hal Barwood. Together, in a period of three years, they wrote and sold six scripts.
The Sugarland Express was Steven Spielberg's first feature film and starred Goldie Hawn. He t won Best Screenplay at the Cannes Film Festival.
He t was followed by two more features for Universal Studios: MacArthur, starring Gregory Peck, and The Bingo Long Traveling All-Stars and Motor Kings, starring James Earl Jones, Richard Pryor and Billy Dee Williams.
For MGM, he co-wrote and directed, Corvette Summer starring Mark Hamill and Annie Potts. At Paramount, with Hal Barwood, he co-wrote and directed Dragonslayer, starring Sir Ralph Richardson and Peter MacNicol. The film received two Academy Award nominations.
At TriStar, he directed The Legend of Billie Jean and, with Hal Barwood, wrote the screenplay for Twentieth Century Fox's Warning Sign.
For Steven Spielberg's Amblin Productions, he co-wrote and directed Batteries Not He ncluded, starring Hume Cronyn and Jessica Tandy. He also directed the comedy Bingo, for Tri-Star.
Collaborating with writer/director Guillermo del Toro, he wrote Mimic, starring Mira Sorvino and Jeremy Northam. They also wrote Don't Be Afraid of the Dark, starring Katie Holmes and Guy Pearce.
Other screenplays written with Guillermo del Toro include The Count of Montecristo for American Zoetrope, The Coffin for Lightstorm Entertainment/20th Century-Fox and Wind in the Willows for Sony. He wrote the screenplay for Pinocchio based on his collaboration of the story with Mr. Del Toro, their stop-motion puppet interpretation of the Collodi classic for the Henson Company. They co-wrote H.P. Lovecraft fantasy classic, At the Mountains of Madness that was purchased by Universal Studios.
Del Toro/Robbins spec screenplay Crimson Peak, starring Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam and Directed by Mr. Del Toro was released in October 2015 by Universal Studios.
The French comedy The Concert, co-written with director Radu Mihaileanu, was nominated for Best Original Screenplay by l'Academie des arts et techniques du cinéma. The film starred Melanie Laurent, Aleksei Guskov and Miou-Miou.
Working with Bollywood director Vishal Bhardwaj, he has co-written Ek Thi Daayan, starring Emraan Hashmi, Konkona Sen Sharma and Kalki Koechlin. They also collaborated on 7 Khoon Maaf, starring Priyanka Chopra and He rrfan Khan. Their most recent film, Dedh He shqiya, stars Naseeruddin Shah and Madhuri Dixit. Rangoon.
Mr. Robbins collaborated with director Joann Sfar on The Shot, an English-language thriller for Pathé.
He n affiliation with George Lucas' company He ndustrial Light and Magic, Mr. Robbins has directed TV commercials for Coca-Cola, Chrysler, British Petroleum, Eveready, Kentucky Fried Chicken, Primestar, Eukanuba, Friday's, Crystal Light among many others.- Producer
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Frank was born in Glendale, California to musician Jack Marshall. He entered the film world when his parents invited him to a birthday party for the daughter of directing legend John Ford in 1966. There, he met Peter Bogdanovich and soon agreed to work on his first film, Targets (1968), later followed by collaborating on The Last Picture Show (1971) and many other films.
Continuing to branch out into the industry, he served as line producer on Martin Scorsese's The Last Waltz (1978) and associate producer on Walter Hill's crime thriller, The Driver (1978). Marshall first worked as executive producer on Hill's cult classic The Warriors (1979). While producing the iconic Raiders of the Lost Ark (1981), he met Steven Spielberg and their future wife Kathleen Kennedy, and Frank himself was hired to join the Amblin Productions company in 1980.
He continued producing memorable films with Spielberg including Poltergeist (1982) and Twilight Zone: The Movie (1983) (while Kennedy separately produced E.T. the Extra-Terrestrial (1982)). He worked as executive producer on Indiana Jones and the Temple of Doom (1984), Gremlins (1984), The Goonies (1985) and the Back to the Future (1985) trilogy.
He married Kathleen Kennedy in 1987, and after producing numerous films, he made his feature directing debut with Arachnophobia (1990). Reacting to the success of his directorial debut, he left Amblin in 1991. In 1992, The Kennedy/Marshall Company was formed, and the next year they released its first film Alive (1993), directed by Marshall. Both Kennedy and Marshall signed deals with Paramount in 1992, at the same time the company was formed. His productivity has only increased since then, as he took over primary duties of the production company since Kennedy was named president of Lucasfilm in 2012.- Producer
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Eight-time Academy Award®-nominated, Kathleen Kennedy is one of the most successful and respected producers and executives in the film industry today. As President of Lucasfilm, she oversees the company's three divisions: Lucasfilm, Industrial Light & Magic and Skywalker Sound. In 1992, she co-founded the production company The Kennedy/Marshall Company with director/producer Frank Marshall, and in 1982 she co-founded Amblin Entertainment with Marshall and Steven Spielberg. Altogether, Kennedy has further produced or executive produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins.
For much of the past 20 years, Kennedy served as a governor and officer of the Academy of Motion Picture Arts and Sciences and serves on the board of the new Academy Museum of Motion Pictures. She also sits on the boards of numerous educational, arts, and philanthropic organizations.- Actor
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Jim Henson never thought that he would make a name of himself in puppetry; it was merely a way of getting himself on television. The vehicle that achieved it was Sam and Friends (1955), a late-night puppet show that was on after the 11:00 news in Washington DC. It proved to be very popular and inspired Jim to continue using puppets for his work. He made many commercials, developing the signature humor that Henson Productions is known for. A key reason for the success of his puppets is that Jim realized he didn't need to hide puppeteers behind a structure when they were in front of a camera. All he had to do was instruct the camera operators to focus on the puppets and keep the puppeteers out of the frame. This allowed the puppets to dominate the image and make them more lifelike. This work on puppets and television would lead to separate projects that had different goals. The first one was his work on the The Jimmy Dean Show (1963) with the character Rowlf the Dog, the oldest clearly identified character that Henson Productions still uses. This show provided an income that allowed Jim to work on a pet project. That project was Time Piece (1965), a surrealistic short about time which was nominated for best live-action short Oscar. Henson shot to prominence when he was approached to use his muppets for the revolutionary educational show Sesame Street (1969). The show was a smash hit and his characters have become staples on public television. Unforetunately, this also led to Henson being typecast as only an entertainer for children. He sought to disprove that by being part of the initial crew of Saturday Night Live (1975), but his style and that of the creative staff simply didn't jibe. It was this circumstance that encouraged him to develop a variety show format that had the kind of sophisticated humor that "Sesame Street (1969)" didn't work with. No American broadcaster was interested, but British producer Lew Grade was. This led to The Muppet Show (1976). It initially struggled both in the ratings and in the search for guest stars, but in the second season it became a smash hit and would eventually become the most widely watched series in television history. Hungry for a new challenge, Henson made The Muppet Movie (1979), defying the popular industry opinion that his characters would never work in a movie. The film became a hit and spawned a series of features which included the moody fantasy The Dark Crystal (1982), which was a drastic and bold departure from the amiable tone of his previous work. The most successful TV work in the 1980s was Fraggle Rock (1983), a fantasy series specifically designed to appeal to as many cultural groups as possible. During this time he also established the Creature Shop, a puppet studio that became renowned for being as brilliant with puppetry as ILM was at special effects. When he died all too soon in 1990, he was indisputably one of the geniuses of puppetry. More importantly, he was a man who achieved his phenomenal success while still retaining his social conscience and artistic integrity as his work in promoting environmentalism and his brilliant The Storyteller (1987) series respectively attest to.- Writer
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Ken Wheat was born in 1950. He is a writer and producer, known for Pitch Black (2000), Riddick (2013) and The Chronicles of Riddick (2004).- Writer
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Jim Wheat was born in 1952. He is a writer and producer, known for Pitch Black (2000), Riddick (2013) and The Chronicles of Riddick (2004).- Director
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John Korty was born on 22 June 1936 in Lafayette, Indiana, USA. He was a director and writer, known for Who Are the DeBolts? and Where Did They Get Nineteen Kids? (1977), The Music School (1974) and Farewell to Manzanar (1976). He was married to Jane Silvia, Beulah Chang Korty and Carol E Tweedie. He died on 9 March 2022 in Point Reyes Station, California, USA.- Writer
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Willard Huyck was born on 8 September 1945 in Los Angeles, California, USA. He is a writer and director, known for Howard the Duck (1986), American Graffiti (1973) and Indiana Jones and the Temple of Doom (1984). He was previously married to Gloria Katz.- Writer
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Gloria Katz was born on 25 October 1942 in Los Angeles, California, USA. She was a writer and producer, known for Howard the Duck (1986), American Graffiti (1973) and Indiana Jones and the Temple of Doom (1984). She was married to Willard Huyck. She died on 25 November 2018 in Los Angeles, California, USA.- Writer
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Melissa Mathison was born on 3 June 1950 in Los Angeles, California, USA. She was a writer and producer, known for E.T. the Extra-Terrestrial (1982), The BFG (2016) and Kundun (1997). She was married to Harrison Ford. She died on 4 November 2015 in Los Angeles, California, USA.- Writer
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Born in Santa Monica, California, on December 4, 1951, Mick Garris grew up with his mother in the San Fernando Valley neighborhood of Van Nuys from age 12, following his parents' divorce. Garris was making his own 8mm home movies around that time, and when he got older be became a freelance critic for a number of film and music celebrities. He wrote publications for various bands and movies for newspapers and magazines like "The San Diego Door", "The Los Angewles Herald-Examiner", "Cinefantastique" and "Starlog" through the 1970s.
For eight years he was the lead singer in a band called The Horsefeathers Quintet, which disbanded in 1976. In 1977 Garris was hired as a receptionist in George Lucas' newly formed company Star Wars Corporation where, through industry contacts, he created and served as the on-screen host for a Los Angeles cable access interview program show called "Fastasy Film Festival," which aired on L.A.'s legendary Z-Channel. Guests included filmmakers like John Landis, Joe Dante, John Carpenter and Steven Spielberg and actors like William Shatner and Christopher Lee.
In 1980 Garris worked as a press agent for the newly merged Pickwick-Maslansky-Koeninsberg agency. He also began making a name for himself with photographing and directing "making-of..." features for such films as Scanners (1981), The Howling (1981), Halloween II (1981), The Thing (1982) and Videodrome (1983). In 1982 Garris was hired by MCA/Universal to write the script for Coming Soon (1982), which was a collection of horror movie trailers featuring Jamie Lee Curtis as the hostess and directed by John Landis. While struggling to find more work, Garris was hired by Steven Spielberg to be one of the writers and story editors for Spielberg's sci-fi anthology series Amazing Stories (1985). Garris worked as as an editor again for Spielberg in the sci-fi fantasy *batteries not included (1987). He also wrote screenplays for more horror anthology TV shows, from Freddy's Nightmares (1988) to a stint on the HBO cable series Tales from the Crypt (1989), as well as co-writer on the screenplays for The Fly II (1989) and the 'Stephen Sommers' remake The Mummy (1999). Garris wrote and directed Psycho IV: The Beginning (1990) as a prequel to the Anthony Perkins "Psycho" films, featuring Perkins in his fourth (and last) appearance as Norman Bates. Co-starring with Perkins was Henry Thomas (from E.T. the Extra-Terrestrial (1982) fame), whom Garris hired to play young Norman. That same year Garris was approached by MCA/Universal to create a syndicated TV series about werewolves which was to be based on the hit John Landis film An American Werewolf in London (1981). The resulting series, She-Wolf of London (1990), ran for two seasons.
In 1992 Garris directed an original screenplay by Stephen King, Sleepwalkers (1992). The following year Garris received story and screenplay credit for the comic horror film Hocus Pocus (1993), and the year after that he took the reins at the request of Stephen King for the six-hour mini-series The Stand (1994) based on King's best-selling horror novel. The mini-series, which had a grueling 20-month shooting schedule, was one of the most-watched shows of 1994. Garris and King again teamed up for a three-part made-for-TV rewriting of King's novel, The Shining (1997). Later that year Garris oversaw the directing for Quicksilver Highway (1997), based on a pair of horror stories by King and Clive Barker. Garris directed Höst (1998) (later changed to "Virtual Obsession"), based on a novel by Peter James, with a screenplay written by P.G. Sturges, about a computer genius stalked by a female colleague bent on digitizing her consciousness. Taking a break from horror films, Garris directed The Judge (2001), an adaption of the mystery novel by Steve Martini. Garris and Stephen King reunited for Riding the Bullet (2004), directed by Garris and written by King, based on an internet short short about a hitchhiker being picked up by a soul-searching angel of death driving a 1959 Plymouth. They also collaborated on Desperation (2006), based on King's 1997 horror novel.
In 2005 Garris was able to assemble a group of his fellow horror film directors in the anthology horror series Masters of Horror (2005), which he created and executive-produced. Garris' own contribution, "Chocolate", was based on his own short story, written 20 years earlier.- Producer
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Born in Pennsylvania and raised in Ohio, Chris Columbus was first inspired to make movies after seeing "The Godfather" at age 15. After enrolling at NYU film school, he sold his first screenplay (never produced) while a sophomore there. After graduation Columbus tried to sell his fourth script, "Gremlins", with no success, until Steven Spielberg optioned it; Columbus moved to Los Angeles for a year during rewrites on the project in Spielberg's bungalow at Universal. After writing two more scripts for Spielberg, "The Goonies" and "Young Sherlock Holmes", Columbus' own directing career was launched a few years later with "Adventures in Babysitting". He is best known to audiences as the director of the runaway hit "Home Alone", written and produced by John Hughes its sequel "Home Alone 2", and most recently "Mrs. Doubtfire".- Producer
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Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.- Writer
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David Koepp is an American film director and screenwriter. He is known for writing Jurassic Park directed by Steven Spielberg, The Lost World: Jurassic Park, Mission: Impossible, Indiana Jones and the Kingdom of the Crystal Skull, Spider-Man directed by Sam Raimi and Panic Room directed by David Fincher. He also directed You Should Have Left starring Kevin Bacon and Amanda Seyfried.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Writer
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Jeffrey Boam was born on 30 November 1946 in Rochester, New York, USA. He was a writer and producer, known for Indiana Jones and the Last Crusade (1989), The Dead Zone (1983) and The Phantom (1996). He was married to Paula M. Boam. He died on 26 January 2000 in Los Angeles, California, USA.- Cinematographer
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Multiple award-winning cinematographer Dean Cundey, ASC, CSC who was nominated for an Oscar for "Who Framed Roger Rabbit" and took home the BAFTA for the same film, has a career spanning decades with awards and nominations including a Primetime Emmy (2023 "The Mandalorian") a Daytime Emmy (2001 "The Face: Jesus in Art"), a Chicago Film Critics Association award ("Apollo 13"), to American Society of Cinematographers awards ("Apollo 13," "Hook"). His prolific career also includes a Lifetime Achievement Award from the ASC and a President's Award from the SOC, and he's still not done shooting. Born in Alhambra, California, Cundey spent his childhood building miniature sets and reading "American Cinematographer." Following graduation from UCLA film school, where he was taught by James Wong Howe, ASC, Cundey's first job on set was as a makeup artist on Roger Corman's "Gas!" or "It Became Necessary to Destroy the World in Order to Save It." Cundey's first assignment as a director of photography was on the revenge film "The No Mercy Man." He continued with other horror and exploitation movies, then began a collaboration with director John Carpenter on five films for which he received accolades: "Halloween," "The Fog," "Escape from New York," "The Thing" and "Big Trouble in Little China." Cundey transitioned into a collaboration with Robert Zemeckis on impressive features such as "Romancing the Stone," all three "Back to the Future" films, "Who Framed Roger Rabbit" and "Death Becomes Her." Not content to settle for that, he also dabbled in directing with his debut on "Honey, We Shrunk Ourselves" and was also the second-unit director on "Deep Rising" and "Garfield: A Tail of Two Kitties." .- Cinematographer
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Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
His other film's as an cinematographer includes Amistad (1997), A.I. Artificial Intelligence (2001), Catch Me If You Can (2002), The Diving Bell and the Butterfly (2007), War Horse (2011), Lincoln (2012), Bridge of Spies (2015), The BFG (2016), and Ready Player One (2018).- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Writer
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Although his name is often linked to that of the "movie brat" generation (Steven Spielberg, Martin Scorsese, Francis Ford Coppola, George Lucas, Brian De Palma, etc.) Paul Schrader's background couldn't have been more different than theirs. His strict Calvinist parents refused to allow him to see a film until he was 18. Although he more than made up for lost time when studying at Calvin College, Columbia University and UCLA's graduate film program, his influences were far removed from those of his contemporaries--Robert Bresson, Yasujirô Ozu and Carl Theodor Dreyer (about whom he wrote a book, "Transcendental Style in Film") rather than Saturday-morning serials. After a period as a film critic (and protégé of Pauline Kael), he began writing screenplays, hitting the jackpot when he and his brother, Leonard Schrader (a Japanese expert), were paid the then-record sum of $325,000, thus establishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films (which he and many others regard as his best) was the Japanese co-production Mishima: A Life in Four Chapters (1985).- Special Effects
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Carlo Rambaldi was born on 15 September 1925 in Vigarano Mainarda, Emilia-Romagna, Italy. He is known for E.T. the Extra-Terrestrial (1982), King Kong (1976) and Alien (1979). He was married to Bruna Basso. He died on 10 August 2012 in Lamezia Terme, Calabria, Italy.- Director
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Bille August was born on 9 November 1948 in Brede, Denmark. He is a director and writer, known for The House of the Spirits (1993), Pelle the Conqueror (1987) and Les Misérables (1998). He is married to Sara-Marie Maltha. He was previously married to Pernilla August, Masja Dessau and Annie Munksgaard.- Producer
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Legendary filmmaker and visual effects pioneer, Douglas Trumbull, was one of the Special Photographic Effects Supervisors for 2001: A Space Odyssey (1968). He went on to become the Visual Effects Supervisor for such classics as Close Encounters of the Third Kind (1977), Star Trek: The Motion Picture (1979), and Blade Runner (1982), each of which earned him an Academy Award nomination for Best Visual Effects.
Mr. Trumbull directed Silent Running (1972), Brainstorm (1983), Back to the Future... The Ride (1991) and numerous other special format films.
He is the recipient of an Academy Award in the area of Scientific and Technical Achievement, as well as the International Monitor Award and American Society of Cinematographers' Lifetime Achievement Award for his outstanding contributions in the field of filmmaking. Douglas is currently involved in the evolution of visual effects using virtual digital sets and electronic cinematography.