Women Make Films too
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Born in Madrid, Iciar Bollain has worked as an actress in films such El Sur (1983), directed by Víctor Erice; Sublet (1991) directed by Chus Gutiérrez, Malaventura (1988) directed by Manuel Gutiérrez Aragón; El Mejor de los Tiempos (1990) and Un Paraguas para Tres (1992) directed by Felipe Vega, Tierra y Libertad (1995) directed by Ken Loach, LEO (2000) directed by Jose Luis Borau, Nos Miran (2002) directed by Norberto Pérez, La Balsa de Piedra (2003) directed by Geogre Sluiezer and La Noche del Hermano (2005) directed by Santiago García de Leániz. As a director, Icíar has written and directed many renowned films. Flowers from Another World, her second film, was awarded at Cannes Film Festival in 1999 (Best Film in the International Critics' Week). Take my eyes (2003), her following film as writer and director, won 7 Goyas (Spanish Academy Awards), including Best Film, among many other international awards. She directed a script by Paul Laverty in 2009, Even the Rain. The film obtained national and international recognition: 13 nominations to the Goya Awards, Panorama Award at the Berlinale, Ariel Award to best Latin-American film and it was in the short list of the foreign films selected for the Academy Awards in 2010 representing Spain. In 2011 she directed and co-wrote Katmandú, un Espejo en el Cielo. The film was nominated to the Goya Awads in the categories of Best Actress and Best Adapted Screenplay. In 2014 it was released En Tierra Extraña, a documentary that Iciar directed about the life of young Spanish immigrants in Edinburgh, Scotland, who had to leave Spain due to recession and unemployment Iciar Bollain is currently in pre-production of his next film, The Olive Tree, a new collaboration with the writer Paul Laverty and Morena Films. The film will start principal photography in May 2015.- Director
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Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Director
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Accomplished Film Director/Writer/Producer Mira Nair was born in India and educated at Delhi University and at Harvard. She began her film career as an actor and then turned to directing award-winning documentaries, including So Far From India and India Cabaret. Her debut feature film, Salaam Bombay! was nominated for an Academy Award for Best Foreign Language Film in 1988; it won the Camera D'Or (for best first feature) and the Prix du Publique (for most popular entry) at the Cannes Film Festival and 25 other international awards. Her next film, Mississippi Masala, an interracial love story set in the American South and Uganda, starring Denzel Washington and Sarita Choudhury, won three awards at the Venice Film Festival including Best Screenplay and The Audience Choice Award. Subsequent films include The Perez Family (with Marisa Tomei, Anjelica Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed and co-wrote. Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature. Nair returned to the documentary form in August 1999 with The Laughing Club of India, which was awarded The Special Jury Prize in the Festival International de Programmes Audiovisuels 2000. In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian actors. Winner of the Golden Lion at the 2001 Venice Film Festival, Monsoon Wedding also won a Golden Globe nomination for Best Foreign Language Film and opened worldwide to tremendous critical and commercial acclaim. Nair's next feature was an HBO original film, Hysterical Blindness. Set in working class New Jersey in 1987, the film stars Uma Thurman, Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking for love in all the wrong places, while Rowlands, who plays Thurman's mother, adds to her daughter's hysteria when she finds Mr. Right in Ben Gazarra. The film received great critical acclaim and the highest ratings for HBO, garnering an audience of 15 million, a Golden Globe for Uma Thurman, and 3 Emmy Awards. Following the tragic events of September 11, 2001, Nair joined a group of 11 renowned filmmakers, each commissioned to direct a film that was 11 minutes, 9 seconds and one frame long. Nair's film is a retelling of real events in the life of the Hamdani family in Queens, whose eldest son was missing after September 11, and was then accused by the media of being a terrorist. 11.09.01 is the true story of a mother's search for her son who did not return home on that fateful day. In May 2003, Nair helmed the Focus Features production of the Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial England, in which Reese Witherspoon plays the lead, Becky Sharp. The film is scheduled to release in Fall 2004. Nair's upcoming projects include Tony Kushner's Homebody/Kabul for HBO, and Hari Kunzru's The Impressionist, and there are also plans to take Monsoon Wedding to Broadway. Mirabai Films is establishing an annual filmmaker's laboratory, Maisha, which will be dedicated to the support of visionary screenwriters and directors in East Africa and India. The first lab, which is only for screenwriters, will be launched in August 2005 in Kampala, Uganda.- Producer
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Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.- Director
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Agnès Varda was born on 30 May 1928 in Ixelles, Belgium. She was a director and writer, known for Cléo from 5 to 7 (1962), Vagabond (1985) and Faces Places (2017). She was married to Jacques Demy. She died on 29 March 2019 in Paris, France.- Writer
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Jane Campion was born in Wellington, New Zealand, and now lives in Sydney, New South Wales, Australia. Having graduated with a BA in Anthropology from Victoria University of Wellington in 1975, and a BA, with a painting major, at Sydney College of the Arts in 1979, she began filmmaking in the early 1980s, attending the Australian Film Television and Radio School (AFTRS). Her first short film, Peel (1982) won the Palme D'Or at the Cannes Film Festival in 1986. Her other short films include A Girl's Own Story (1984), Passionless Moments (1983), After Hours (1985) and the tele-feature 2 Friends (1986), all of which won Australian and international awards. She co-wrote and directed her first feature film, Sweetie (1989), which won the Georges Sadoul prize in 1989 for Best Foreign Film, as well as the LA Film Critics' New Generation Award in 1990, the American Independant Spirit Award for Best Foreign Feature, and the Australian Critics' Award for Best Film, Best Director and Best Actress. She followed this with An Angel at My Table (1990), a dramatization based on the autobiographies of Janet Frame which won some seven prizes, including the Silver Lion at the Venice Film Festival in 1990. It was also awarded prizes at the Toronto and Berlin Film Festivals, again winning the American Independent Spirit Award, and was voted the most popular film at the 1990 Sydney Film Festival. The Piano (1993) won the Palme D'Or at Cannes, making her the first woman ever to win the prestigious award. She also captured an Academy Award for Best Original Screenplay at the 1993 Oscars, while also being nominated for Best Director.- Director
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A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.- Writer
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Robin Swicord was born in 1952 in Columbia, South Carolina, USA. She is a writer and director, known for The Curious Case of Benjamin Button (2008), Memoirs of a Geisha (2005) and Little Women (1994). She has been married to Nicholas Kazan since 1984. They have two children.- Actress
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Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.
She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.
Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.
Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.
Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.
Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.
She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.
Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.- Writer
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During the 1970s, Lina Wertmüller emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically outspoken and iconoclastic members of the second generation of postwar directors - the direct heirs to the neo-realists - Wertmüller was also one of the first woman directors to be internationally recognized and acclaimed. Armed with a keenly satiric and Rabelaisian humor, Wertmüller reinvented the narrative forms and character types of Italian comedy to create one of the rare examples of a radical, politically galvanized cinema that managed to achieve widespread popularity. Indeed, the fierce invectives against social, cultural and historical inequities at the heart of Wertmüller's mid-1970s masterworks Love and Anarchy, Seven Beauties and Swept Away seemed only to help the films find an appreciative audience, especially in the United States, where they broke box office records for foreign films and even secured Wertmüller an Oscar nomination for Best Director - the very first woman named for this category. Although Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.- Actress
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Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.- Director
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Tanya Wexler was born on August 6, 1970 in Chicago, Illinois, USA. She is an award-winning film and TV director, known for her feature films Hysteria (2011), Ball in the House (2001) and Finding North (1998). At current, Wexler lives in New York City with her four children and their dog, Snoopy.- Actress
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Katie Aselton was born on 1 October 1978 in Milbridge, Maine, USA. She is an actress and director, known for The Freebie (2010), Old Dads (2023) and Black Rock (2012). She has been married to Mark Duplass since 26 August 2006. They have two children.- Director
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Having graduated from FAMU in Prague film (1971), Agnieszka Holland returned to Poland and began her film career working with Krzysztof Zanussi as assistant director, and Andrzej Wajda as her mentor. Her first feature film was PROVINCIAL ACTORS (1978), one of the flagship pictures of the "cinema of moral disquiet" and the winner of the International Critics Prize at the Cannes Film Festival in 1980. Subsequently, she made the films FEVER (1980) and THE LONELY WOMAN (1981). In 1981, just before the declaration of the state of emergency in Poland, Agnieszka Holland emigrated to France.
She directed ANGRY HARVEST (1985) which was nominated for a foreign-language Oscar. Her film EUROPA EUROPA (1990) also received a U.S. Academy Award nomination (best screenplay) and IN DARKNESS (2011) was again nominated as best foreign-language film. She also collaborated with her friend Krzysztof Kieslowski on the screenplay of his trilogy, THREE COLOURS (1993).
Holland's other films include TO KILL A PRIEST (1988), OLIVIER, OLIVIER (1992), THE SECRET GARDEN (1993), TOTAL ECLIPSE (1995), WASHINGTON SQUARE (1997), THE THIRD MIRACLE (1999), SHOT IN THE HEART (2001), JULIE WALKING HOME (2001), COPYING BEETHOVEN (2006), IN DARKNESS (2011), BURNING BUSH (2013), SPOOR (2017), MR. JONES (2019) and CHARLATAN (2020). She also directed several episodes of many notable TV series, including THE WIRE, JAG, COLD CASE, TREME (for the pilot of the latter she was nominated for an Emmy) and HOUSE OF CARDS. Agnieszka Holland has also written or co-written screenplays for films made by other directors and directed plays for Polish television. She was elected chairwoman of the Board of the European Film Academy in 2014 and was elected as its President in 2021.- Actress
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Coline Serreau was born on 29 October 1947 in Paris, France. She is an actress and writer, known for Three Men and a Cradle (1985), Why Not! (1977) and Chaos (2001). She was previously married to Benno Besson.- Director
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Lisa Cholodenko earned an MFA at Columbia University Film School where she made an award-winning short film Dinner Party (1997) Her feature High Art (1998) won the National Society of Film Critics award for Ally Sheedy's performance and The Waldo Salt Screenwriting award at Sundance. Both "High Art" and Laurel Canyon (2002) premiered at Cannes Director's Fortnight.- Actress
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Margarethe von Trotta was born in Berlin in 1942. In the 1960s she moved to Paris where she worked for film collectives, collaborating on scripts and co-directing short films. She also pursued an acclaimed acting career, starring in films by well known German directors such as Rainer Werner Fassbinder, and Volker Schlöndorff. In 1971, von Trotta divorced her first husband Juergen Moeller (with whom she had a child) and married Schlöndorff. She co-wrote many of the scripts for his films, and in 1975 the two of them co-directed The Lost Honor of Katharina Blum (1975). In 1977, von Trotta directed her first solo feature The Second Awakening of Christa Klages (1978). With her third film, Marianne & Juliane (1981), von Trotta's position as New German Cinema's most prominent and successful female filmmaker was fully secured.
Her films feature strong female protagonists, and are usually set against an important political background. Themes in her work include the effect of the political on the personal, and vice versa, as well as the relationships between female characters, often sisters.- Director
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Debra Granik (born February 6, 1963) is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2004's Down to the Bone, which starred Vera Farmiga, 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock.
Granik was born in Cambridge, Massachusetts, to father William R. Granik, who was an attorney with H.U.D. who litigated fair housing, and mother Marian Gay. She grew up in the suburbs of Washington D.C. Granik is the granddaughter of broadcast pioneer Ted Granik (1907-1970), founder and moderator of the long-run public affairs panel discussion program, The American Forum of the Air, on from 1934 to 1956, first on the radio and later on television. Granik is from a Jewish family.
In 1985, Granik received her B.A. in political science from Brandeis University. As an undergraduate at Brandeis, Granik also took classes at the Studio for Interrelated Media at the Massachusetts College of Art. In 2001, Granik received an MFA from NYU's Tisch School of the Arts.
While at Brandeis, Granik took Henry Felt's film and media workshop production class and volunteered with the Boston grassroots filmmaking organization Women's Video Collective. She also took film classes at the Studio for Interrelated Media at the Massachusetts College of Art. During this time, Granik made educational films for trade unions on subjects like workplace health and safety, one of which was made for the Massachusetts Division of Occupational Safety. Granik worked in production on educational media projects, eventually working on long form documentaries by Boston-area filmmakers before deciding to go to graduate school for filmmaking at New York University.
In 1997, Granik directed her first short film, Snake Feed, as her senior thesis with the mentorship of NYU film professor Boris Frumin, who was instrumental in sharing his love of post-World War II European neorealist films. Snake Feed, which began its life as a 7-minute documentary portrait exercise, was accepted into Sundance Institute's Lab Program for screenwriting and directing. Granik workshopped and developed the short film into a feature film at the Sundance Lab. Granik has said that Snake Feed was a work of narrative fiction, with the main characters, recovering addict Irene and her boyfriend Rick, playing dramatized versions of themselves.
In 2004, the short film of Snake Feed and the story of Irene and Rick became the basis of Granik's first feature-length film, Down to the Bone, which was a fictionalized depiction of their struggles. Down to the Bone is the story of an upstate New York mother who goes to rehab to kick her cocaine addiction and ends up falling in love with a nurse and descending back into her old drug habits. Down to the Bone was based on an original screenplay written by Granik and her creative partner, Anne Rosellini. The role of the main character Irene, played by Vera Farmiga, significantly raised Farmiga's profile as an actor. Down to the Bone was shot in Ulster County in upstate New York.
Granik's second feature, 2010's Winter's Bone, was an adaptation by Granik and Rosellini of the 2006 novel by Daniel Woodrell. It is the story of Ree Dolly, a teenager living in the Missouri's Ozark Mountains who is the sole caretaker of her two younger siblings and her catatonic mother. She is forced to hunt down her missing drug-dealing father in order to save her family from eviction.
The film starred a then-unknown Jennifer Lawrence and John Hawkes and won the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival, which led to a distribution deal with Roadside Attractions. Winter's Bone won the Seattle International Film Festival Golden Space Needle Audience Award for Best Director and Best Actress award for Jennifer Lawrence. In 2011, Winter's Bone was nominated for four Academy Awards: Best Picture, Best Adapted Screenplay, Best Actress for Jennifer Lawrence and Best Supporting Actor for John Hawkes. The film featured a soundtrack made up of old time gospel, bluegrass, and traditional music found in the Ozarks and was produced by Steve Peters. It features the singing of Marideth Sisco, who worked as a music and folklore consultant for the region, and also appeared in the Winter's Bone. The actor John Hawkes sings one track on the soundtrack.
Winter's Bone was shot on location in the Ozark area of southern Missouri. Granik cast many of the supporting roles with first-time actors from the surrounding area and all of the homes on screen were established Ozark homes-no sets were built for this film. For the look of the film, Granik kept most of the established aesthetics of the homes in which they were shooting and many of the few mementos that were added to the homes were contributed by Ozark people in the community.
Granik produced and directed an HBO television pilot called American High Life. The show was a family drama that "follows a young career woman to her economically depressed small home town in the midwest."The show was not picked up.
Granik developed a film adaption of Rule of the Bone, the 1995 novel by Russell Banks, but the project is still in development.
In 2014, Granik's film, Stray Dog, was released. The film is a documentary about a man named Ron Hall, whose nickname is "Stray Dog," and portrays his life as an avid biker and Vietnam Veteran who sometimes struggles with PTSD. The film documents Hall's participation in an annual pilgrimage motorcycle ride called "Ride to the Wall" with fellow biker Vietnam vets from all over the country where they ride to the Vietnam Veterans Memorial in Washington, D.C. Granik had met Hall, who had a small role on Winter's Bone, during filming.
Granik directed the drama Leave No Trace, starring Ben Foster and newcomer Thomasin McKenzie, which was released in 2018, domestically by Bleecker Street and internationally by Sony Worldwide Acquisitions. The film tells the story of a father and daughter who illegally live on government land and are forced to adapt to more traditional living in mainstream life. It examines ideas of self-reliance and community, and was a critics' pick of The New York Times. Leave No Trace premiered at the 2018 Sundance Film Festival, and played at the Cannes Film Festival, and was shot in the forested areas of Oregon, including Forest Park near Portland, Oregon, over the course of 30 days. In addition to Oregon, Washington state was used for locations, with some scenes shot at a Christmas tree farm. Leave No Trace took approximately three and a half years to develop, from the first time Granik read Peter Rock's novel, My Abandonment, on which the film was based.
Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City.
Another project is a film based on Barbara Ehrenreich's book, Nickel and Dimed: On (Not) Getting By in America, which focuses on poverty and the working poor in America- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Writer
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Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.
Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.
Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.- Actress
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Andrea Arnold was born on 5 April 1961 in Dartford, Kent, England, UK. She is an actress and director, known for American Honey (2016), Fish Tank (2009) and Red Road (2006).- Writer
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Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her first novel, L'Homme Facile, at the age of 17. Breillat acted in Bernardo Bertolucci's Last Tango in Paris (1972) and wrote the screenplay for Maurice Pialat's movie Police (1985) . Since her first own film A Real Young Girl (1976), which was released 23 years after its shooting, Breillat explored critically as well as in an innovative way the perceptions imposed on female sexuality, related family and coming of age issues.- Director
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Though Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier's work often plays out against a wide-reaching global backdrop, its focus is intimate, carefully exploring the explosive emotions and complexities of familial bonds. This unique combination is part of the formula that has made her Denmark's leading female filmmaker and a powerhouse worldwide.
Bier's 2010 film In a Better World won the Academy Award for Best Foreign Language Film in 2011, as well as an Italian Golden Globe Award® for Best European Film and Best Director at the European Film Awards. She previously helmed the multi-award-winning After the Wedding (2006), which was also an Academy Award® nominee for Best Foreign Language Film, and was remade as an English-language film in 2019 starring Julianne Moore, Michelle Williams, and Billy Crudup.
Bier won an Emmy Award in 2016 for directing the six-part AMC mini-series The Night Manager, based on the 1993 novel of the same name by John le Carré, with stars Tom Hiddleston, Hugh Laurie, and Olivia Colman all winning Golden Globes for their work.
Bier followed this with the 2018 Netflix film Bird Box, starring Sandra Bullock, which went on to become the most-watched film in Netflix history. In 2020, she directed the six-part HBO series The Undoing, starring Nicole Kidman and Hugh Grant, the network's first original series to grow its audience each week.
Prior to this, Bier co-wrote and directed the romantic comedy The One and Only (1999), which won Best Film at the Danish Robert Awards and was the most watched domestic film in Denmark in 20 years, with one-fifth of the country's population having seen it at the cinema.
In 2002, she directed Open Hearts, shot in accordance with the Dogme '95 filmmaking aesthetic. The film won numerous awards, including the Audience Award at the Robert Festival (Danish Academy Award) and the International Film Critics' Award at the Toronto International Film Festival. Bier followed this with Brothers (2004), which won, among others, the Audience Award at the Sundance Film Festival.
In 2007, Bier directed the award-winning Things We Lost in the Fire, starring Halle Berry and Benicio Del Toro, her first English-language film.
In 2012, Bier made her triumphant return to the genre with the 2013 winner of the European Film Award for Best Comedy, Love Is All You Need, starring Pierce Brosnan and Trine Dyrholm. In 2014, Bier directed A Second Chance, starring Nikolaj Coster-Waldau, which premiered at the Toronto International Film Festival.
Most recently, Susanne Bier directed the Showtime limited series The First Lady, starring Viola Davis, Michelle Pfieffer, and Gillian Anderson.- Director
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Kimberly Peirce was born on 8 September 1967 in Harrisburg, Pennsylvania, USA. She is a director and producer, known for Boys Don't Cry (1999), Stop-Loss (2008) and Carrie (2013).- Director
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Jonathan Dayton and Valerie Faris have built an impressive body of work by perpetually seeking innovative projects in a variety of mediums.
After introducing bands such as REM and The Red Hot Chili Peppers on their ground breaking MTV show The Cutting Edge, Jonathan and Valerie continued to work in music television directing music videos and documentaries for bands such as The Smashing Pumpkins, Jane's Addiction, Macy Gray, Janet Jackson, Oasis, Weezer, and The Ramones. Their music productions have earned them two Grammy Awards, nine MTV Music Video Awards, and a Billboard Music "Director of the Year" Award.
In 1998, Jonathan and Valerie co-founded Bob Industries, one of the country's leading commercial production companies. Directing commercials for VW, Sony Playstation, Gap, Target, Ikea, Apple, ESPN amongst others, Dayton and Faris continue to push the medium into new vistas. In 2002, Creativity Magazine labeled them as one of their top ten best commercial directors.
Aside from their work in music videos and commercials, Jonathan and Valerie have done extensive work in television and film, including directing episodes of "Mr. Show with Bob and David" for HBO and producing two feature films, "The Decline of Western Civilization Part II: The Metal Years" for New Line Cinema, and "Gift" for Warner Bros. Music.- Actress
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Rebecca Miller was born on 15 September 1962 in Roxbury, Connecticut, USA. She is an actress and writer, known for Maggie's Plan (2015), Personal Velocity (2002) and Angela (1995). She has been married to Daniel Day-Lewis since 13 November 1996. They have two children.- Writer
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Writer/director Lone Scherfig graduated from The National Film School of Denmark in 1984. Her first feature film, THE BIRTHDAY TRIP (1990), was selected for Panorama in Berlin, the New Directors section at MOMA in New York and won the Grand Jury Prix in Rouen. Her next film, ON OUR OWN (1998), received the Grand Prix in Montreal and the Cinekid Prize in Amsterdam. Scherfig then wrote and directed ITALIAN FOR BEGINNERS (2000; the Danish 'Dogma' #5), which was a huge audience hit and won her the Silver Bear and the international film critics' award FIPRESCI at the 2001 Berlinale, plus numerous other awards around the world.
Scherfig's first English-language feature, WILBUR WANTS TO KILL HIMSELF (2002), toured the festival circuit and brought home awards from e.g. France, the US and Japan. Her next production, AN EDUCATION (2009), won the Audience Award at Sundance and was nominated for three Oscars and eight BAFTAs. Scherfig has since directed three British films, i.e. ONE DAY (2011), THE RIOT CLUB (2014) and THEIR FINEST (2016) which premiered at TIFF in 2016 and screened in Sundance and London as the Mayor's gala. In 2019, Lone Scherfig's The Kindness of Strangers opened and was in competition at Berlin International Film Festival.
In between features Scherfig has directed a range of TV-series, including TAXA (1997), QUIET WATERS (1999), BETTER TIMES (2004) and, most recently, THE ASTRONAUT WIVES CLUB (2015; conceptualised by Scherfig).- Director
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Nicole Holofcener was born on 22 March 1960 in New York City, New York, USA. She is a director and writer, known for Enough Said (2013), Friends with Money (2006) and Can You Ever Forgive Me? (2018). She was previously married to Benjamin Allanoff.- Director
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Maya Deren came to the USA in 1922 as Eleanora Derenkowsky. Together with her father Solomon Derenkowsky, a psychiatrist, and her mother Maria Fidler, an artist, she fled the pogroms organized by the Bolsheviks against the Jews. She studied journalism and political science at the Syracuse University in New York, finishing her BA at the New York University (NYU) in June 1936, and then received her MA in English literature from the Smith College in 1939.
In 1943, she made her first film Meshes of the Afternoon (1943), co-starring with Alexander Hammid. Through this association, at Hammid's suggestion, she changed her name to Maya, meaning "illusion." Overall, she made six short films and several incomplete films, including Witch's Cradle (1944) starring Marcel Duchamp.
Deren is the author of two books, "An Anagram of Ideas on Art, Form, and Film" 1946 (reprinted in "The Legend of Maya Deren," vol 1, part 2) and "Divine Horsemen: The Living Gods of Haiti" (1953)--a book that was made after her first trip to Haiti in 1947 and which is still considered one of the most useful on Haitian Voudoun. Deren wrote numerous articles on film and on Haiti. Maya Deren shot over 18,000 feet of film in Haiti from 1947 to 1954 on Haitian Voudoun, parts of which can be viewed in Divine Horsemen: The Living Gods of Haiti (1993) made after her death by her then-husband Teiji Ito and his new wife Cherel Ito.
In 1947, Maya Deren became the first filmmaker to receive a Guggenheim grant for creative work in motion pictures. She wrote film theory, distributed her own films, traveled across the USA, and went to Cuba and Canada to promote her films using the lecture-demonstration format to teach film theory, and Voudoun and the interrelationship of magic, science, and religion. Deren established the Creative Film Foundation in the late 1950s to reward the achievements of independent filmmakers.- Director
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Catherine Shortland is an Australian filmmaker from Temora, New South Wales who is known for directing the Marvel film "Black Widow." She also directed the feature-length films "Somersault", "Lore", and "Berlin Syndrome." She directed the short films "Pentuphouse", "Flowergirl", and "Joy." She is married to Tony Krawitz and they have two children.- Director
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Isabel Coixet was born on 9 April 1960 in Sant Adrià de Besòs, Barcelona, Catalonia, Spain. She is a director and writer, known for My Life Without Me (2003), The Secret Life of Words (2005) and The Bookshop (2017).- Director
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Born in China in 1947, Ann Hui moved to Hong Kong when she was still in her youth. After graduating in English and Comparative Literature from Hong Kong University, she spent two years at the London Film School. Returning to Hong Kong, she worked as an assistant to director King Hu before joining TVB to direct drama series and short documentaries. In 1978, she directed three episodes for the RTHK series Si ji san ha (1972). After that, she directed her debut feature The Secret (1979).- Director
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Haifaa Al Mansour is the first female filmmaker in Saudi Arabia and is regarded as one of the most significant cinematic figures in the Kingdom. She finished her bachelor's degree in Literature at the American University in Cairo and completed a Master's degree in Directing and Film Studies from the University of Sydney. The success of her three short films, as well as the international acclaim of her award-winning 2005 documentary Women Without Shadows, influenced a whole new wave of Saudi filmmakers and made the issue of opening cinemas in the Kingdom a front-page discussion. Within the Kingdom her work is both praised and vilified for encouraging discussion on topics generally considered too taboo, like tolerance, the dangers of orthodoxy, and the need for Saudis to take a critical look at their traditional and restrictive culture.- Director
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Anaïs Barbeau-Lavalette is a Montreal cinematographer, director, and author. She is known for Le ring (2007),Les Petits Géants (2008), Inch'allah (2012), Sept heures trois fois par année (2012), Prends-moi (2014), Le Plancher des vaches -Choisir la terre (2014), Ma fille n'est pas à vendre (2016) La déesse des mouches à feu (2020) and Chien blanc (2021).- Director
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Antoinette Beumer was born in 1962 in Nieuwer-Amstel, Noord-Holland, Netherlands. She is a director and producer, known for Soof (2013), Loft (2010) and De gelukkige huisvrouw (2010).- Director
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Sacha Polak was born on 29 July 1982 in Amsterdam, Noord-Holland, Netherlands. She is a director and writer, known for Dirty God (2019), Silver Haze (2023) and Hemel (2012).- Writer
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Céline Sciamma was born on 12 November 1978 in Pontoise, Val-d'Oise, France. She is a writer and director, known for Portrait of a Lady on Fire (2019), Petite Maman (2021) and Tomboy (2011).- Director
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Sally Potter made her first 8mm film aged fourteen. She has since written and directed seven feature films, as well as many short films (including THRILLER and PLAY) and a television series, and has directed opera (Carmen for the ENO in 2007) and other live work. Her background is in choreography, music, performance art and experimental film. ORLANDO (1992), Sally Potter's bold adaptation of Virginia Woolf's classic novel, first brought her work to a wider audience. It was followed by THE TANGO LESSON (1996), THE MAN WHO CRIED (2000), YES (2004), RAGE (2009) and GINGER & ROSA (2012).
Sally Potter is known for innovative form and risk-taking subject matter and has worked with many of the most notable cinema actors of our time. Sally Potter's films have won over forty international awards and received both Academy Award and BAFTA nominations. She has had full career retrospectives of her film and video work at the BFI Southbank, London, MoMA, New York, and the Cinematheque, Madrid. She was awarded an OBE in 2012. Her book Naked Cinema - Working with Actors was published by Faber & Faber in March, 2014. Sally Potter co-founded her production company Adventure Pictures with producer Christopher Sheppard.- Director
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Two time Emmy-nominated actress and director Lynn Shelton fell ill and was taken to a Los Angeles, California hospital. During her medical examination it was found that she had been suffering, without diagnosis or any apparent symptoms, from acute myeloid leukemia, a cancer of the blood. She died just a few days later on May 16, 2020 at age 54.- Director
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Maria Blom was born on 28 February 1971 in Täby, Stockholms län, Sweden. She is a director and writer, known for Dalecarlians (2004), Hallåhallå (2014) and Fishy (2007).- Actress
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Nadine Labaki was born on 18 February 1974 in Beirut, Lebanon. She is an actress and director, known for Where Do We Go Now? (2011), Capernaum (2018) and Caramel (2007). She has been married to Khaled Mouzanar since October 2007.- Writer
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Dörrie completed her schooling at a humanistic high school, from which she graduated in 1973 with her Abitur. In the same year he spent two years in the USA. There she studied film and acting at the Drama Department at the University of the Pacific in Stockton, California. This was followed by studies at the New School of Social Research in New York. She also worked in cafés and as a projectionist in the Goethe House in New York. In 1975 she returned to Germany. She then studied at the University of Television and Film in Munich. At the same time, she worked as a film critic journalist for the Süddeutsche Zeitung.
Her final film is entitled "The First Waltz" and was broadcast on Bavarian television as "Max and Sandie". Doris Dörrie made various documentaries until 1982. In 1983 she made her first feature film in Munich called "Mitten ins Herz". Three years later she had a cinema hit with the title "Men". The well-known actors Uwe Ochsenknecht and Heiner Lauterbach star in the chaotic relationship comedy. The play became the most successful German film of 1986. Doris Dörrie was married to Helge Weindler from 1988 to 1996. Their daughter Carla was born in 1990.
In 1991 she had another cinema success with the title "Happy Birthday, Turk". She filmed the novel by the German writer Jakob Arjouni, a novel in the Kayankaya series. The witty film is in the tradition of classic detective films and tells the story of the search for a missing person in the Frankfurt milieu. The Turkish private detective Kayankaya, played by Hansa Czypionka, experiences police corruption. In 1994, Doris Dörrie shot the comedy film "Nobody Loves Me" with Maria Schrader. This production is about personal happiness. The work was honored with the silver film ribbon, the leading actress Maria Schrader with the gold film ribbon.
Her other film works include "No Trace of Romanticism" from 1980, "Between" from 1981, "Love in Germany" from 1989 and "Enlightenment Guaranteed" from 1999. Among all her film works The director also wrote the script herself. The films were often cast with well-known actors such as Senta Berger, Gottfried John or Uwe Ochsenknecht. She also shot the documentary entitled "What can it be?" In addition to her role behind the camera, she also performed guest roles in front of the camera. For example, she played in the film "The Leading Man" from 1977 or in "King Kong's Fist" and in "Back to Go" from 2000.
In addition to her film work, Doris Dörrie realized literary projects. This is how the short stories entitled "Love, Pain and All the Damned Stuff" and "What Do You Want from Me?" were created. She also wrote the short story "The Man of My Dreams" and the novel "What Do We Do Now?" In 1991 her collection of short stories entitled "Forever and Ever" was created. The 300-page work was well received by critics. In 2002 her film work entitled "Naked" and her novel "Happy" followed. In 2005 she staged Giuseppe Verdi's opera "Rigoletto" at the Bavarian State Opera in Munich under the musical direction of Zubin Mehta.
In the same year, 2005, she directed Giacomo Puccini's "Madame Butterfly" at the Gärtnerplatztheater. At the Salzburg Festival in 2006 she staged Wolfgang Amadeus Mozart's "La finta Giardiniera".- Director
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Lynne Ramsay was born on 5 December 1969 in Glasgow, Strathclyde, Scotland, UK. She is a director and writer, known for You Were Never Really Here (2017), We Need to Talk About Kevin (2011) and Ratcatcher (1999). She was previously married to Rory Stewart Kinnear.- Director
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Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), I, You, He, She (1974) and A Couch in New York (1996). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.- Director
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Naomi Kawase was born on 30 May 1969 in Nara, Japan. She is a director and writer, known for Sweet Bean (2015), Still the Water (2014) and Suzaku (1997). She was previously married to Takenori Sentô.- Director
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Cinema came into Mia Hansen-Løve's life when she was seventeen, as Olivier Assayas made her start as an actress in Late August, Early September (1998). Two years later, he gave her the part of "Aline" in his Les Destinées (2000). Their artistic collaboration was coupled by a union in real life, Mia and Olivier becoming life companions. In 2001, Mia Hansen-Løve began studying at the municipal Conservatory of Dramatic Arts in Paris' 10th district but she dropped our after two years to contribute instead to the famous film magazine "Les Cahiers du Cinéma", where Olivier Assayas also wrote. In 2001, she tried her hand at directing and, as of the first day of shooting, discovered that this WAS what she wanted to do. The result was Après mûre réflexion (2004). Since then, although aged only twenty-eight, she has already made two more films, All Is Forgiven (2007) and Father of My Children (2009), both acclaimed by the critics, both showing consistent thematic and stylistic unity.- Director
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Vera Chytilová was born on February 2, 1929, in Ostrava, Czechoslovakia (now Czech Republic). She studied philosophy and architecture in Brno for two years, then worked as a technical draftsman, a designer, a fashion model, a photo re-toucher, then worked as a clapper girl for Barrandov Film Studios in Prague. There she continued as a writer, actress, and assistant director.
She was denied a scholarship, or even a recommendation from Barrandov, but she took the admissions tests at FAMU and was accepted. From 1957-1962 she studied film directing under Otakar Vávra, who also taught Jirí Menzel, Milos Forman, Jan Nemec, and Ivan Passer. In 1962 she graduated as director from Film Academy (FAMU) in Prague. Her graduation film 'Strop' (Ceiling 1962) and the following film 'Pytel blech' (A Bagful of Fleas 1963) were "staged" improvisations with non-actors. In 1966 Chytilova and her husband, 'Jaroslav Kucera', made a witty surrealist comedy Daisies (1966), which was immediately banned, but then was released in 1967, and won the Grand Prix at the Bergamo Film Festival. She remained in Czechoslovakia after the events of 1968, when her colleagues Milos Forman, Jan Nemec, and Ivan Passer emigrated. Her films were often "shelved" for reasons of political censorship. For six years Chytilova was banned from making films. In 1976 she wrote a letter of complaint to President Gustav Husak, describing her artistic position. After some behind-the-scenes influence by her supporters, Chytilova was allowed to make a low-budget Hra o jablko (1977), which won a Silver Hugo at Chicago Film Festival.
Chytilova belongs among the foremost directors of the 1960's Czech New Wave, which was influenced by both the French New Wave and Italian Neo-Realism. Her films were acclaimed for visual experimentation and for bold unmasking of the moral problems of contemporary society. Her art belongs to what Sergei Eisenstein described as "intellectual cinema", that embraces the mix of "avant-garde", "cinema verite", "formalism", "feminism", or "happening" and, with a good deal of humor, it spreads beyond definitions. Chytilova's films often present a multi-layered plethora of visual associations that encourages the viewer to make active interpretations. She survived through the political turbulences in Czechoslovakia and has been a highly original and uncompromising filmmaker.- Director
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Claudia Llosa was born on 15 November 1976 in Lima, Peru. She is a director and writer, known for The Milk of Sorrow (2009), Madeinusa (2006) and Loxoro (2012).- Actress
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Maja Milos is a Serbian film director and screenwriter. She achieved her greatest success with the film "Clip." She graduated in film management in 2008 from the University of Arts in Belgrade. During her studies, she directed eleven films, including "Interval." "Clip" is her first feature film, which won the Tiger Award at the International Film Festival Rotterdam.- Director
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Gillian Armstrong was born on 18 December 1950 in Melbourne, Victoria, Australia. She is a director and producer, known for My Brilliant Career (1979), Not Fourteen Again (1996) and Little Women (1994). She is married to John Pleffer. They have two children.- Director
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Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter. She gained recognition for her role in writing and directing several independent films, including I Shot Andy Warhol (1996), American Psycho (2000), and The Notorious Bettie Page (2005). She co-wrote American Psycho and The Notorious Bettie Page with Guinevere Turner. Although Harron has denied this title, she has been thought to be feminist filmmaker due to her film on lesbian feminist Valerie Solanas, in I Shot Andy Warhol (1996), and a queer story-line within her teenage Gothic horror, The Moth Diaries (2011).- Actress
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Ida was born in London to a show business family. In 1932, her mother took Ida with her to an audition and Ida got the part her mother wanted. The picture was Her First Affaire (1932). Ida, a bleached blonde, went to Hollywood in 1934 playing small, insignificant parts. Peter Ibbetson (1935) was one of her few noteworthy movies and it was not until The Light That Failed (1939) that she got a chance to get better parts. In most of her movies, she was cast as the hard, but sympathetic woman from the wrong side of the tracks. In The Sea Wolf (1941) and High Sierra (1940), she played the part magnificently. It has been said that no one could do hard-luck dames the way Lupino could do them. She played tough, knowing characters who held their own against some of the biggest leading men of the day - Humphrey Bogart, Ronald Colman, John Garfield and Edward G. Robinson. She made a handful of films during the forties playing different characters ranging from Pillow to Post (1945), where she played a traveling saleswoman to the tough nightclub singer in The Man I Love (1946). But good roles for women were hard to get and there were many young actresses and established stars competing for those roles. She left Warner Brothers in 1947 and became a freelance actress. When better roles did not materialize, Ida stepped behind the camera as a director, writer and producer. Her first directing job came when director Elmer Clifton fell ill on a script that she co-wrote Not Wanted (1949). Ida had joked that as an actress, she was the poor man's Bette Davis. Now, she said that as a director, she became the poor man's Don Siegel. The films that she wrote, or directed, or appeared in during the fifties were mostly inexpensive melodramas. She later turned to television where she directed episodes in shows such as The Untouchables (1959) and The Fugitive (1963). In the seventies, she made guest appearances on various television show and appeared in small parts in a few movies.- Director
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Deepa Mehta is a transnational artist and a screenwriter, director, and producer whose work has been called "courageous", "provocative" and "breathtaking". Her visually lush and emotionally resonating films have played at every major international film festival; receiving numerous awards and accolades, and have been distributed around the world. Deepa was born in India and received a degree in philosophy from the University of New Delhi before immigrating to Canada. She began her career making documentaries in India.
In 1991, Deepa's first feature film Sam & Me, which stars Om Puri, won a Special Jury Mention in the Camera D'Or section at the Cannes Film Festival. Between 1992-1994 she directed two episodes of The Young Indiana Jones, produced by George Lucas for ABC. In 1993, Deepa directed her second feature film Camilla, a Canada-UK co-pro starring Jessica Tandy, Bridget Fonda, Elias Koteas, Maury Chaykin, Graham Greene, and Hume Cronyn. Fire, which Deepa wrote and directed, is the first film in her Elemental Trilogy (Fire, Earth, Water). Fire opened Perspective Canada at the 1996 Toronto International Film Festival, where it was runner-up for the People's Choice Most Popular Film Award. It played at the New York Film Festival and won many awards worldwide, including the Audience Award for Best Canadian Film at the Vancouver International Festival, the Special Jury Prize at the Mannheim-Heidelberg International Film Festival and Silver Hugo Awards for Best Direction and Best Actress in Chicago.
Earth, based on Bapsi Sidhwa's acclaimed novel about Partition, Cracking India, is the second film in the Elemental Trilogy. It premiered as a Special Presentation at the 1998 Toronto International Film Festival, and won the Prix Premiere du Public at the Festival du Film Asiatique de Deauville and the Critics' Award at the Verona Schermi d'Amore International Film Festival. Bollywood/Hollywood was a change of pace. Written and directed by Deepa, it is a lighthearted, affectionate comedy about two mismatched lovers. It opened Perspective Canada at the 2002 Toronto International Film Festival and was a tremendous crossover box office success. It remains one of the top 10 grossing English language Canadian movies. In 2003 Deepa co-wrote and directed the Canada-UK co-pro The Republic of Love, based on a Carol Shields novel.
After a disrupted and hazardous production history Deepa's final film in the Elemental Trilogy Water opened the 2005 Toronto International Film Festival, and was the first Canadian film acquired by US distributor Fox Searchlight. Water is a powerful, hauntingly tragic story, set in Benares (Varanasi) about a child widow who at the age of eight is forced to enter a house of widows where she has to live for the rest of her life. The movie was to have been shot in India in 2000, but Hindu fundamentalists fomented riots, burnt sets, and issued death threats against the director and actors, forcing production to shut down and the filmmakers to leave the country. Water was successfully remounted in Sri Lanka and completed shooting in June 2004, and features many of India's most renowned actors.
Water was an enormous success. It was nominated for an Oscar for Best Foreign Language Film at the 79th Annual Academy Awards, and has screened at festivals around the world, winning many awards, and remains an audience favourite. The Vancouver Film Critics Circle named Deepa Mehta the Best Canadian Director of 2006. This fall (2015) is the 10th anniversary of Water's launch.
In 2006 Deepa made a documentary about domestic violence in Toronto's immigrant families called Let's Talk About It, which continues to be used in community outreach programs. She then thematically segued into the feature film Heaven On Earth, which explores arranged marriages and isolation. Starring Preity Zinta, the film had its world premiere at the Toronto International Film Festival in 2008. It was awarded a Silver Hugo for Best Actress at the Chicago International Film Festival, and received the Best Screenplay Award at the Dubai International Film Festival. It also won the Youth Jury Award at the Schermi d'Amore Film Festival in Verona and the Audience Award at the River to River Florence Indian Film Festival.
In 2012, Deepa completed her epic cinematic adaptation of Salman Rushdie's famous novel about the history of India in the 20th century, Midnight's Children. A novel that won three Booker prizes. The movie, with 127 speaking parts, and covering five distinct time periods from 1917-1977, was a vast, ambitious undertaking and has screened all over the world, including the Telluride Film Festival, Toronto International Film Festival, Vancouver International Film Festival, and the BFI London Film Festival. Midnight's Children was chosen as the Best Feature Film of 2013 at the Directors Guild of Canada's Awards.
Deepa's work as an artist, as a progressive voice about social issues, and her generous mentorship have often been recognized. She has received numerous honorary degrees and many awards and honours, among them: The Life of Distinction Award from the Canadian Centre of Diversity, The Excellence in the Arts Award from the Canadian Civil Liberties Association, and the Woman of Distinction, President's Award from the YMCA. She is a recipient of the Governor General's Lifetime Artistic Achievement Award for Film. Most recently, in 2013, Deepa was appointed as an officer to the Order of Canada, Canada's highest civilian honour, for her work as a "groundbreaking screenwriter, director, and producer." She is also a recipient of the province of Ontario's highest honour, the Order of Ontario.- Writer
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Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Actress
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Mai Zetterling was born in Sweden in 1925, and lived briefly in Australia while still a child. She's known as a director and actor and trained on the Stockholm repertory stage, she began appearing in war-era films starting in her teens. Following her debut in Lasse Maja (1941), she made quite an impact in the terminally dark Ingmar Bergman-written film Torment (1944) [known as Torment in the US and Frenzy in the UK], who went on to direct her in his Music in Darkness (1948) [Music in Darkness].
The international attention she received from her Bergman association led her to England where she debuted in the title role of Frieda (1947), a war drama co-starring David Farrar, Glynis Johns and Flora Robson. Developing modest sex symbol success, she went on to co-star opposite a number of handsome leading men throughout the post-war years in primarily dramatic works, including Dennis Price in The Bad Lord Byron (1949), Dirk Bogarde in Blackmailed (1951), Herbert Lom in The Ringer (1952), Richard Widmark in A Prize of Gold (1955), Tyrone Power in Seven Days from Now (1957) (which was a variation on Hitchcock's Lifeboat (1944)), John Gregson in Faces in the Dark (1960), William Sylvester in The Devil Inside (1961), and Stanley Baker in The Man Who Finally Died (1963). Along the way she proved just as adaptable and sexy in smart comedy when she came between husband and wife Peter Sellers and Virginia Maskell in Only Two Can Play (1962).
Mai abandoned acting in the mid-1960s and courted some controversy when she successfully began sitting in the director's chair. Divorced from Norwegian actor Tutte Lemkow in the early 1950s, she later wed writer David Hughes in 1958, who collaborated with her on a number of her directing ventures, which seemed ahead of their time. Obviously influenced by Bergman, the dark, sexy drama Loving Couples (1964) [Loving Couples] dealt with homosexual themes and featured nudity; Night Games (1966) [Night Games] revolved around sexual decadency and repression; and The Girls (1968) [The Girls], which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, expounded on women's liberation. She divorced her second husband in 1979. She had two children, Louis and Etienne, from her first marriage.
Toward the end of her life, Mai made a return to film acting and is best remembered at this late stage for her nurturing and resilient grandmother in the film The Witches (1990) wherein she is forced to tangle with a particularly virulent ringleader Anjelica Huston to save her grandson from her coven of hags. Mai died of cancer in 1994.- Director
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Lotte Reiniger was born on 2 June 1899 in Berlin, Germany. She was a director and writer, known for Silhouetten (1936), Der Graf von Carabas (1935) and Lotte Reiniger - The Fairy Tale Films (1961). She was married to Carl Koch. She died on 19 June 1981 in Dettenhausen, Baden-Württemberg, Germany.- Director
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The world's first female filmmaker, French-born Alice Guy entered the film business in 1896 as a secretary at Gaumont, a manufacturer of movie cameras and projectors who had purchased a "cinématographer" from its inventors, the Lumiere brothers. The next year Gaumont became the world's first motion picture production company when they switched to creating movies, and Guy became its first film director. She impressed the company so much with the output (she averaged two two-reelers a week) and quality of her productions that by 1905 she was made the company's production director, supervising its other directors. In 1907 she married Herbert Blaché, an Englishman who ran Gaumont's British and German offices. The pair went to the U.S. to set up the company's operations there. In 1910 Mme. Guy set up her own production company, Solax, in New York and with her husband built a studio in Fort Lee, New Jersey. After a period of critical and financial success, the couple's fortunes declined when Thomas Alva Edison's trust hindered film production in the East coast, and they eventually shut down the studio in 1919. Although her husband secured work directing films for several major Hollywood studios, Guy was never able to secure any directorial jobs there, never made a film again, most of her films were lost, some were credited to other film directors, and she did no receive recognition for her pioneering work in France and the United States. She returned to France in 1922 after her divorce from Blaché, and in 1964 returned to the U.S. and lived in Mahwah, New Jersey - not far from where her original studios were - with her daughter, where she died in 1968.- Director
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Dorothy Arzner, the only woman director during the "Golden Age" of Hollywood's studio system--from the 1920s to the early 1940s and the woman director with the largest oeuvre in Hollywood to this day--was born January 3, 1897 (some sources put the year as 1900), in San Francisco, California, to a German-American father and a Scottish mother. Raised in Los Angeles, her parents ran a café which featured German cuisine and which was frequented by silent film stars including: Charles Chaplin and William S. Hart, and director Erich von Stroheim. She worked as a waitress at the restaurant, and no one could have foreseen at the time that Arzner would be one of the few women to break the glass ceiling of directing and would be the only woman to work during the early sound era.
In her 15-year career as a director (1928-43), Arzner made three silent movies and 14 "talkies". Her path to the director's chair was different than that of women directors in the future (indeed, different than most male directors too). Directors nowadays are typically graduates of film schools or were working actors prior to directing. Like most of the directors of her generation, Arzner gained wide training in most aspects of filmmaking by working her way up from the bottom. It was the best way to become a filmmaker, she later said.
After graduating from high school in 1915, she entered the University of Southern California, where she was in the pre-med program for two years. When the US entered World War I in 1917, Arzner was unable to realize her ambition of serving her country in a military capacity, as there were no women's units in the armed forces at the time, so she served as an ambulance driver during the war.
After the cessation of hostilities, Azner got a job on a newspaper. The director of her ambulance unit introduced her to film director William C. de Mille (the brother of Cecil B. DeMille, one of the co-founders of Famous Players-Lasky, which eventually became known by the title of its distribution unit--Paramount Pictures). She decided to pursue a film career after visiting a movie set and being intrigued by the editing facilities. Arzner decided that she would like to become a director (there was no strict delineation between directors and editors in the immediate postwar period as the movie studios matured into a "factory" industrial production paradigm).
Though she was the sole member of her gender to direct Hollywood pictures during the first generation of sound film, in the silent era a woman behind the camera was not unknown. The first movie in history was directed by a Frenchwoman, and many women were employed in Hollywood during the silent era, most frequently as scenario writers (some research indicates that as many as three-quarters of the scenario writers during the silent era--when there was no requirement for a screenplay as such as there was no dialogue--were women). Indeed, there were women directors in the silent era, such as Frances Marion (though she was more famous as a screenwriter) and Lois Weber, but Arzner was fated to be the only female director to have made a successful transition to "talkies". It wasn't until the 1930s and the verticalization of the industry, as it matured and consolidated, that women were squeezed out of production jobs in Hollywood.
The introduction to William deMille paid off when he hired her for the sum of $20 a week to be a stenographer. Her first job for DeMille was typing up scripts at Famous Players-Lasky. She was reportedly a poor typist. Ambitious and possessed of a strong will, Arzner offered to write synopses of various literary properties, and eventually was hired as a writer. Impressing DeMille and other Paramount powers-that-be, Arzner was assigned to Paramount's subsidiary Realart Films, as a film cutter. She was promoted to script girl after one year, which required her presence on the set to ensure the continuity of the script as shot by the director. She then was given a job editing films. She excelled at cutting: as an editor (she was the first Hollywood editor professionally credited as such on-screen), she labored on 52 films, working her way up from cutting Bebe Daniels comedies to assignments on "A" pictures within a couple of years. She came into her own as a filmmaker editing the Rudolph Valentino headliner Blood and Sand (1922), about a toreador. Her editing of the bullfighting scenes was highly praised, and she later said that she actually helmed the second-unit crew shooting some of the bullfight sequences. Director James Cruze was so impressed by her work on the Valentino picture that he brought her on to his team to edit The Covered Wagon (1923). Arzner eventually edited three other Cruze films: Ruggles of Red Gap (1923), Merton of the Movies (1924) and Old Ironsides (1926). Her work was of such quality that she received official screen credit as an editor, a first for a cutter of either gender.
While collaborating with Cruze she also wrote scenarios, scripting her ideas both solo and in collaboration. She was credited as a screenwriter (as well as an editor) on "Old Ironsides", one of the more spectacular films of the late silent era, being partially shot in Magnascope, one of the earliest widescreen processes. She would always credit Cruze as her mentor and role model. "Old Ironsides" proved to be the last film on which she was credited as an editor, as her ambitions to become a director would finally come to fruition. To indulge her, Paramount gave her a job as an assistant director, for which she was happy--until she realized it was not a stepping stone to the director's chair, and she was determined to sit in that chair.
Arzner pressured Paramount to let her direct, threatening to leave the studio to work for Columbia Pictures on Poverty Row, which had offered her a job as a director. Unwilling to lose such a talented filmmaker, the Paramount brass relented, and she made her debut with Fashions for Women (1927). It was a hit. In the process of directing Paramount's first talkie, Manhattan Cocktail (1928), she made history by becoming the first woman to direct a sound picture. The success of her next sound picture, The Wild Party (1929), starring Paramount's top star, Clara Bow, helped establish Fredric March as a movie star.
Arzner proved adept at handling actresses. As Budd Schulberg related in his autobiography "Moving Pictures", Clara Bow--a favorite of his father, studio boss B.P. Schulberg--had a thick Brooklyn accent that the silence of the pre-talkie era hid nicely from the audience. She was terrified of the transition to sound, and developed a fear of the microphone. Working with her sound crew, Arzner devised and used the first boom mike, attaching the microphone to a fish pole to follow Bow as she moved around the set. Arzner even used Bow's less-than-dulcet speaking tones to underscore the vivaciousness of her character.
Though Arzner made several successful films for Paramount, the studio teetered on the edge of bankruptcy due to the Depression, eventually going into receivership (before being saved by the advent of another iconic woman, Mae West). When the studio mandated a pay cut for all employees, Arzner decided to go freelance. RKO Radio Pictures hired her to direct its new star, headstrong young Katharine Hepburn, in her second starring film, Christopher Strong (1933). It was not a happy collaboration, as both women were strong and unyielding, but Arzner eventually prevailed. She was, after all, the boss on the set: The director. The fiercely independent Hepburn complained to RKO, but the studio backed its director against its star. Eventually the two settled into a working relationship, respecting each other but remaining cold and distant from one another. Ironically, Arzner would display her directorial flair in elucidating the kind of competitive rivalries between women she experienced with Hepburn.
The Directors Guild of America was established in 1933, and Arzner became the first woman member. Indeed, she was the only female member of the DGA for many years.
Arzner's films featured well-developed female characters, and she was known at the time of her work, quite naturally, as a director of "women's pictures". Not only did her movies portray the lives of strong, interesting women, but her pictures are noted for showcasing the ambiguities of life. Since the rise of feminist scholarship in the 1960s, Arzner's movies have been seen as challenging the dominant, phallocentric mores of the times.
Arzner was a lesbian, who cultivated a masculine look in her clothes and appearance (some feel as camouflage to hide the boy's club that was Hollywood). Many gay critics discern a hidden gay subtext in her films, such as "Christopher Strong". Whereas feminist critics see a critique of gender inequality in "Christopher Strong", lesbian critics see a critique of heterosexuality itself as the source of a woman's troubles. The very private Azner, the woman who broke the glass ceiling and had to survive, and indeed thrived, in the all-male world of studio filmmaking, refused to be categorized as a woman or gay director, insisting she was simply a "director." She was right.
Arzner did have less troubled and more productive collaborations with other actresses after her experience with Hepburn. She developed a close friendship with one of her female stars, Joan Crawford, whom she directed in two 1937 MGM vehicles, The Last of Mrs. Cheyney (1937) and The Bride Wore Red (1937). Arzner later directed Pepsi commercials as a favor to Crawford's husband, Pepsi-Cola Company's Chairman of the Board Alfred Steele.
In 1943 Arzner joined other top Hollywood directors such as John Ford and George Stevens in going to work for the war effort during World War Two. She made training films for the US Army's Women's Army Corps (WACs). That same year her health was compromised after she contracted pneumonia. After the war she did not return to feature film directing, but made documentaries and commercials for the new television industry. She also became a filmmaking teacher, first at the Pasadena Playhouse during the 1950s and 1960s and then at the University of California-Los Angeles campus during the 1960s and 1970s. At UCLA she taught directing and screenwriting, and one of her students was Francis Ford Coppola, the first film school grad to achieve major success as a director. She taught at UCLA until her death in 1979.
She was honored in her own lifetime, becoming a symbol and role model for women filmmakers who desired entry into mainstream cinema. The feminist movement in the 1960s championed her. In 1972 the First International Festival of Women's Films honored her by screening "The Wild Party", and her oeuvre was given a full retrospective at the Second Festival in 1976. In 1975 the DGA honored her with "A Tribute to Dorothy Arzner." During the tribute, a telegram from Katharine Hepburn was read: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"- Actress
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A one-time pin-up beauty and magazine story model, Barbara Loden studied acting in New York in the early 50s and was on the Broadway boards within the decade. She was discovered for films by legendary producer/director Elia Kazan who was impressed with what she did in a small role as Montgomery Clift's secretary in Wild River (1960). He moved her up to feature status with her next role as Warren Beatty's wanton sister in his classic Splendor in the Grass (1961). As Kazan's protégé, she appeared as part of Kazan's stage company in the Lincoln Center Repertory Theater's production of After the Fall, winning the Tony and Outer Critic's Circle awards for that dazzling performance. An oddly entrancing, delicate blonde beauty possessed with a Marilyn Monroe-like vulnerability, she impressed in two of his other stage productions as well - But For Whom Charlie and The Changeling . After appearing in the failed movie Fade In (1973) with Burt Reynolds, she married Kazan and went into semi-retirement. Barbara wrote, directed and starred, however, in a bold independent film entitled Wanda (1970) and became an unexpected art house darling, distinguishing herself as one of the few woman directors whose work was theatrically-released during the period. She won praise in all three departments, nabbing the Venice Film Festival's International Critics Prize. Supposedly discouraged by a doubting, perhaps even resentful Kazan, Barbara never followed up on this success. She expressed interest and was in the midst of putting together another film, based on the novella The Awakening by Kate Chopin, when she learned in 1978 she had breast cancer. Barbara died two and a half years later, at age 48, after the cancer spread to her liver - before the project ever came to fruition. The Hollywood industry lost a burgeoning talent who just might have opened doors for other women directors had she been given the time.- Director
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A loud and constantly innovative voice in independent film, Barbara Hammer was born in 1939 in California. From a young age, she was encouraged to be pretty and feminine, her mother constantly forcing the images of child actors like Shirley Temple on her daughter. Her grandmother, a Ukrainian immigrant, worked as a cook for the famous actress Lillian Gish, and at one point, little Barbara and her mother were introduced to D. W. Griffith. Barbara, however, did not want to be a child star, and when she became of age, found a new way to express herself. Barbara made her first film, in 1974, and since then has made somewhere between 80 and 100 films and videos. Many of her works have been very controversial, dealing often with sex, gender, society and history. Her first feature film, Nitrate Kisses, appeared in 1992.- Director
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Fanta Régina Nacro was born on 4 September 1962 in Tankodogo, Burkina Faso. She is a director and writer, known for The Night of Truth (2004), A Close-Up on Bintou (2001) and A Certain Morning (1992).- Director
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Safi Faye was born on 22 November 1943 in Dakar, Senegal. She was a director and writer, known for Mossane (1996), Fad'jal (1979) and Letter from My Village (1976). She died on 22 February 2023 in Paris, France.- Director
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Li Yu is known for Yang Zi Jiang te yi hao (1971).- Director
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The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as I Can't Sleep (1994) and Nénette and Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (1999), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.- Director
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Monika Treut was born on April 6, 1954 in Mönchengladbach, North Rhine-Westphalia, Germany. She is an award-winning director and writer of documentaries and features. Treut is known for Of Girls and Horses (2014) , Kriegerin des Lichts (2001), Gendernauts: A Journey Through Shifting Identities (1999) She has been teaching film at various universities in the U.S. and served on jurys at international film festivals like Toronto (TIFF); Amsterdam (IDFA) and many others. At Berlin film festival 2017 she's been awarded the Special Teddy for her lifetime achievement.- Director
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Liliana Cavani was born on 12 January 1933 in Carpi, Emilia-Romagna, Italy. She is a director and writer, known for L'ospite (1971), Dove siete? Io sono qui (1993) and The Night Porter (1974).- Editor
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Manuela Viegas was born on 13 October 1957 in Porto, Portugal. She is an editor and writer, known for Glória (1999), O Lugar do Morto (1984) and Haircut (1995).- Actress
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Ana Mariscal was born on 31 July 1923 in Madrid, Spain. She was an actress and director, known for Segundo López, aventurero urbano (1953), Una sombra en la ventana (1945) and Un hombre va por el camino (1949). She was married to Valentín Javier. She died on 28 March 1995 in Madrid, Spain.- Director
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Gracia Querejeta was born on 13 August 1962 in Madrid, Spain. She is a director and writer, known for Siete mesas de billar francés (2007), 15 Years and One Day (2013) and Cuando vuelvas a mi lado (1999).- Director
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Born to a military family. Attends law studies before starting a newspaper career. In 1960 starts on TV. Joins the Socialist Party in 1976 and conducts the electoral campaign in 1982 and in the same year she is designated General Director of Cinema. Resigning in 1985, the next year she joins the State Television (RTE). The last work was the coverage of the Royal Wedding of Infanta Cristina in Barcelona (October 1997 ).- Director
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Rose Troche was born in 1964 in Chicago, Illinois, USA. She is a director and producer, known for Go Fish (1994), The Safety of Objects (2001) and Bedrooms and Hallways (1998).- Director
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Lois Weber, who had been a street-corner evangelist before entering motion pictures in 1905, became the first American woman movie director of note, and a major one at that. Herbert Blaché, the husband of Frenchwoman Alice Guy, the first woman to direct a motion picture (and arguably, the first director of either gender to helm a fictional narrative film), cast her in the lead of "Hypocrites" (1908). Weber first got behind the camera on A Heroine of '76 (1911), a silent that was co-directed by pioneering American director Edwin S. Porter and actor Phillips Smalley, who played George Washington. She also starred in the picture.
In 1914, a year in which she helmed 27 movies, Weber co-directed William Shakespeare's The Merchant of Venice (1914) with Smalley, who also played Shylock, making her the first woman to direct a feature-length film in the US. (Jeanie Macpherson, who would play a major role in cinema as Cecil B. DeMille's favorite screenwriter, also acted in the film).
In the spirit of her evangelism, she began directing, writing and then producing films of social import, dealing with such themes as abortion, alcoholism, birth control, drug addiction and prostitution. By 1916 she had established herself as the top director at Universal Film Manufacturing (now Universal Studios), the top studio in America at the time, making her the highest-paid director in the world. The following year she formed Lois Weber Productions.
She directed over 100 films, but her production company went bankrupt in the 1920s as her career faltered. She did not make the transition to sound, although she did make one talkie, White Heat (1934), in 1934.- Director
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The daughter of a cavalry captain, she was raised by a grandmother in Paris, where she studied various forms of art with an emphasis on music and the opera. In 1905 she married engineer-novelist Marie-Louis Albert-Dulac and under his influence veered toward journalism. As one of the leading radical feminists of her day, she was editor of La Française, the organ of the French suffragette movement. She also doubled as theater and cinema critic of the publication and became increasingly enamored with film as an art form. In 1915 she formed, with her husband, a small production company, Delia Film, and began directing highly inventive, small-budget pictures. Chronologically, she was the second woman director in French films, after Alice Guy, a contemporary of Georges Méliès. With La fête espagnole (1920) and her masterpiece, _Souriante Madame Beudet, La (1922)_, Dulac emerged as a leading figure in the impressionist movement in French films. In the late 20s, she was an important part of the "second avant-garde" of the French cinema with the surrealistic _Coquille et le Clergyman, La (1927)_ and a number of other experimental films. In these as well as in her theoretical writing, her goal was "pure" cinema, free from any influence from literature, the stage, or even the other visual arts. She talked of "musically constructed" films, or "films made according to the rules of visual music." Dulac was also instrumental in the development of cinema clubs throughout France in the mid-20s. Sound put an end to her experimentations and her career as a director. From 1930 until her death she was in charge of newsreel production at Pathé, then at Gaumont.- Actress
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Tanaka Kinuyo was a highly regarded and prolific actress best known for her films with director Mizoguchi Kenji. She was immersed in the world of film having received her start in the world of entertainment at age fourteen, being a filmmaker herself, being the cousin of director Kobayashi Masaki and, very much like Hara Setsuko and Ozu Yasujiro, being anecdotally romantically linked with the aforementioned Mizoguchi. The director would later recommend against her being hired as a director, which caused a rift between the two. She received her first known credit in Shochiku's Genroku Onna in 1924. She stayed to become the studio's biggest actress, and a paradigm of beauty, until approximately 1949 when she travelled to the United States Of America as an ambassador of Japanese culture. Upon her return from the US the Japanese detected a change of attitude in her, as well as noting a new short hairdo, which momentarily lead to some criticism. She had married director Shimizu Hiroshi, with whom she had worked, in 1929. Sources claim this was a mere cohabitation however. The marriage lasted a matter of months, but the two worked together beyond their romantic union. She married another one of her directors Gosho Heinosuke, but not before also starring in several Ozu films. It looked like films like Aizen Katsu and Naniwa Onna would be the height of her fame with all their popularity, but post-war films like Life Of Oharu, Sansho The Bailiff and Ugetsu were even bigger classics and immortalized the actress. Another of her many other noteworthy performances was in The Ballad Of Narayama based on a tradition and folklore of Japan. As if to complete her tour de force of Japanese cinema she directed several films and even worked with Kurosawa Akira in Red Beard. She died of a brain tumor in 1977.- Director
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Patricia Cardoso is an award-winning director who has directed a wide range of films and episodes for the screen. Her first feature film, REAL WOMEN HAVE CURVES, was a box office and critical success and has become a landmark in US cinema. Cardoso's directing credits include episodes of THE SOCIETY, QUEEN SUGAR, WILL TRENT, THE WATCHFUL EYE, TALES OF THE CITY, the pilot for HARLAN COBEN'S SHELTER for Amazon Prime, and the feature EL PASEO DE TERESA -the largest box office for a woman director in Colombia. Cardoso is an anthropologist, an archaeologist, and a Fulbright scholar. Cardoso's anthropological approach to directing guides her film and television work. Cardoso was the first Latinx woman director to have a film included in the Library of Congress's National Film Registry and to win a Student Academy Award® and a Sundance Audience Award. She is a graduate of UCLA's film school and was director of Sundance's Latin American program for five years. In addition to her work as a filmmaker, Cardoso is a professor at UC Riverside and previously taught at USC and UCLA. She is a member of the Academy of Motion Pictures Arts and Sciences, The British Film Academy, the Television Academy, and the Directors Guild of America.- Director
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Thirty-one years ago, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film. The Library of Congress placed Daughters of the Dust and her UCLA MFA senior thesis Illusions in the National Film Registry. These two films join a select group of American films preserved and protected as national treasures by the Librarian of Congress. Dash recently designed two rooms for the Metropolitan Museum of Art and VOGUE, In American: An Anthology of Fashion, featured at the NYC Met Gala 2022.- Director
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Yvonne Rainer was born on 24 November 1934 in San Francisco, California, USA. She is a director and editor, known for Privilege (1990), MURDER and murder (1996) and Journeys from Berlin/1971 (1980).- Director
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Trinh T. Minh-ha was born in 1952 in Hanoi, Vietnam. She is a director and writer, known for What About China? (2022), Shoot for the Contents (1991) and Night Passage (2004).- Director
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Helke Sander was born on 31 January 1937 in Berlin, Germany. She is a director and writer, known for From the Reports of Security Guards & Patrol Services Part 1 (1985), Der Beginn aller Schrecken ist Liebe (1984) and Der subjektive Faktor (1981).- Writer
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Filmmaker Magazine rated her #1 in their "25 New Faces of Indie Film" in 2004!
She is a performance artist and published short story writer. Since becoming a filmmaker, her debut feature, Me and You and Everyone We Know (2005) has won several film awards.
Daughter of Lindy Hough and Richard Grossinger, writers and publishers who founded North Atlantic Books.- Director
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Franziska Schlotterer was born in 1972 in Munich, Bavaria, Germany. She is a director and writer, known for Closed Season (2012), Totgeschwiegen (2019) and Tatort (1970).- Director
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Pola Beck was born in 1982 in Berlin, Germany. She is a director and writer, known for Breaking Horizons (2012), Kleptomami (2017) and Five to Six (2004).- Writer
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Sarah-Judith Mettke was born on 13 November 1981 in Forst, Lausitz, Germany. Sarah-Judith is a writer and director, known for Transpapa (2012), Schlaraffenland (2009) and Schnitzeljagd (2008).- Director
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Nadia El Fani was born on 1 January 1960 in Paris, France. She is a director and writer, known for Bedwin Hacker (2003), Laïcité, Inch'Allah! (2011) and Tant qu'il y aura de la pelloche (1998).- Director
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Leila Kilani was born in 1970 in Casablanca, Morocco. She is a director and writer, known for On the Edge (2011), Indivision (2023) and Nos lieux interdits (2008).- Director
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Raja Amari was born on 4 April 1971 in Tunis, Tunisia. She is a director and writer, known for Buried Secrets (2009), Satin Rouge (2002) and Foreign Body (2016).- Director
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Caroline Kamya is an award-winning filmmaker with a BSc in Architecture and Urban design and an MA in TV Documentary from Goldsmiths College (University of London). She gained valuable experience working in TV in London for several years working her way from runner to AD and working at the BBC. In 2004 she set up a company office in Kampala, Uganda with the intention to make her first feature film after a few years. iVAD International is now one of the most innovative drama production house in Uganda.
Caroline attended various film labs including the Maisha Film Lab,Berlinale Talent Campus, DOX Lab, Durban Talent Campus and most recently Binger. Caroline also set up a not for profit training arm of IVAD to provide TV training to young people in Uganda Arts and Media Academy.
Caroline works as a director of fiction and doc films plus"cross genre" films collaborating with local and international co producers.
IMANI is her debut feature film opened at the Berlinale International Film Festival 2010 were it was nominated for "Best First Feature" and has since traveled the world gaining several international awards so far.
Caroline then completed two further films "Chips and Liver Girls" shot in Uganda and "Fire Fly" shot in China commissioned by The Danish Film Institute and the Rotterdam International Film Festival. She has a T.V obs doc series, two fiction features and one feature documentary in the development stages.
Most recently Caroline has won an award and funding from DOCUBOX at the Durban Film Market 2014 towards the feature documentary she is working on with Agnes called - "In Search of African Duende: The Uganda Flamenco Project". In addition her second feature has been invited to Locarno 2014.- Director
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Hana Makhmalbaf was born on 3 September 1988 in Tehran, Iran. She is a director and assistant director, known for Buddha Collapsed Out of Shame (2007), Lezate divanegi (2003) and Green Days (2009).- Director
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Anne Sewitsky was born on 12 January 1978 in Stavern, Norway. She is a director and producer, known for Happy, Happy (2010), Totally True Love (2011) and Homesick (2015).- Writer
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Alexandra-Therese Keining was born in 1976 in Sweden. She is a director and screenwriter known for Pojkarna (2014), Kyss Mig (2011), Elegia (2011) and Hot Dog (2002) which marked her debut as the youngest female filmmaker to direct a feature film in Sweden. She has also worked as a casting director for many film and television projects.- Producer
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Gabriela Cowperthwaite is known for Our Friend (2019) and Blackfish (2013).- Director
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Ursula Meier was born on 24 June 1971 in Besançon, Doubs, France. She is a director and writer, known for The Line (2022), Home (2008) and Sister (2012).- Director
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Bettina Oberli was born in 1972 in Interlaken, Bern, Switzerland. She is a director and writer, known for My Wonderful Wanda (2020), With the wind (2018) and Im Nordwind (2004).- Producer
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Jehane Noujaim was born on 17 May 1974 in Cairo, Egypt. She is a producer and director, known for Control Room (2004), Startup.com (2001) and The Square (2013).- Actress
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Feo Aladag is an Austrian showrunner, producer, director, screenwriter and actress who lives in Berlin, Germany. She is the producer, executive producer, director and writer of the multi-awarded feature films "When We Leave", "Inbetween Worlds" and "Alone - A Family Story" (aka "The Boy Who Wants To Live"). She runs the production house Independent Artists GmbH, based in Berlin, Germany.
"When We Leave" was selected as the German entry in the category "Best Foreign Film" for the Academy Awards, winning 47 international awards. Feo's second feature film, "Inbetween Worlds" was shot heavily pregnant with her second child on location in war-torn Afghanistan. Award winning "Inbetween Worlds" premiered in competition at the Berlin International Film Festival. The film screened at 50 international film festivals and won numerous national and international awards. Feo's commitment to powerful storytelling continued with her feature film "Alone - A Family Story" , which she wrote, directed, and produced with her Independent Artists Production Company in Niger, West Africa, and Berlin.
As a dedicated filmmaker and activist, Feo is an active member and jury president of the Tarabya Foundation, the German Hearing Film Award, a member of the European Film Academy and the German Federal Association of Directors, the Germany Film Academy/Section Producers, she serves as a constant jury member for various film institutions and awards, including the FFA-Federal Film Fund in Germany, Berlinale Kompagnon Film Award, Perspektive Award Jury and Amnesty International Film Prize at the Berlin International Film Festival.- Director
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Samira Makhmalbaf Filmmaker
Born on February 15,1980 in Tehran. At the age of eight, she played in "The Cyclist" directed by her father, Mohsen Makhmalbaf the celebrated Iranian filmmaker.
At the age of 17, she directed her first feature titled "The Apple" and She went on to become the youngest director in the world participating in the official section of the 1998 Cannes Film Festival. She was praised on different occasions by the legendary Jean-Luc Godard for her film. The Apple was invited to more than 100 international film festivals in a period of two years, while going to the screen in more than 30 countries.
In 1999, Samira made her second feature film titled "Blackboards" in Kurdistan of Iran, and for the second time was selected by the Cannes Film Festival to compete in the official section in 2000. She was granted the Special Jury Award. The Blackboards received many international awards including the "Federico Fellini Honor Award" from UNESCO and "Francois Truffaut Award" from Italy. The film was widely released across the world and more than two hundred thousand people watched the film in France alone.
Samira alongside other prominent director like Ken Loach, Shohei Imamura, Youssef Chahine, Sean Penn.... made one of the eleven episodes of the film "September 11". The film was premiered at Venice International Film Festival in 2002.
The third feature by Samira Makhmalbaf titled "At Five in the Afternoon", the first feature film shot in Afghanistan post Taliban. The film was selected for the competition section of Cannes Film Festival in 2003, receiving the Jury's Special Award for the second time. In 2004, she was selected as one of forty best directors of the world by Guardian newspaper.
Samira Makhmalbaf shot her fourth feature film in Afghanistan titled Two-Legged Horse in 2007, receiving the Grand Jury Awardof San Sebastian Film Festival in Spain.
Samira Makhmalbaf has also participated as jury member in reputable film festivals such as Cannes, Venice, Berlin, Locarno, Moscow, Montreal...- Writer
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Lucía Puenzo was born on 28 November 1976 in Buenos Aires, Argentina. She is a writer and director, known for XXY (2007), The German Doctor (2013) and The Fish Child (2009).- Director
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Caroline Link was born on 2 June 1964 in Bad Nauheim, Hesse, Germany. She is a director and writer, known for Nowhere in Africa (2001), Beyond Silence (1996) and Annaluise & Anton (1999).