Frank Muir's Sketchwriters
These people wrote sketches in Frank Muir's (which see) Book of Comedy Sketches
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One of four stars of the London and New York revues Beyond the Fringe and Beyond the Fringe (with Jonathan Miller, Alan Bennett, and Dudley Moore). Later created scatological comedy routine "Derek & Clive" with Moore.The most popular writer in the book. Has several sketches which he wrote with Pieces of Eight-Not An Asp, Hand Up Your Sticks, Critic's Choice and One Leg Too Few; Beyond the Fringe-TVPM, Take a Pew, The Great Train Robbery.- Actor
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- Music Department
Ronnie Barker's remarkable versatility as a performer can be traced back to his time in repertory theatre, where he was able to play a wide range of roles and develop his talent for accents, voices and verbal dexterity. It was during this time that he met Glenn Melvyn, who taught him how to stammer (something he would later use to great effect in the sitcom Open All Hours (1976)). Melvyn also gave Ronnie his break into television by offering him a role in I'm Not Bothered (1956). During the 1960s, Ronnie became well-established in radio, providing multiple voices for "The Navy Lark" and working with comedy great Jon Pertwee. He also became a regular face on television, appearing in The Frost Report (1966) (perhaps most memorably in a sketch about Britain's class system, with John Cleese and Ronnie Corbett) and playing character roles on The Saint (1962) and The Avengers (1961).
In 1971, Ronnie teamed up with Ronnie Corbett again, this time for a BBC sketch series called The Two Ronnies (1971). This series proved enormously popular, continuing until the late 1980s. In addition to "The Two Ronnies", Barker starred on the popular BBC sitcoms Porridge (1974) (as a cockney prisoner) and Open All Hours (1976) (as a stammering Northern shopkeeper). In fact, only Leonard Rossiter could be said to have rivaled him during this time for the crown of British television's most popular comedy star. In 1982, he revived silent comedy in By the Sea (1982). Despite his extrovert performances on television, Barker remained a quiet, retiring individual in his personal life, much preferring to spend time with his family rather than mix with the celebrity crowd. This humility, combined with memories of his extraordinary abilities, meant that he continued to be greatly respected by his fellow professionals. In a BAFTA special shown by the BBC in 2004, stars as diverse as Gene Wilder, Peter Kay and Peter Hall paid tribute to his contribution to comedy and British television in general. Ronnie Barker died on 3 October 2005 after suffering from heart problems.Wrote sketches as Gerald Wiley-Doctor's Waiting Room.- Writer
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Noel Coward virtually invented the concept of Englishness for the 20th century. An astounding polymath - dramatist, actor, writer, composer, lyricist, painter, and wit -- he was defined by his Englishness as much as he defined it. He was indeed the first Brit pop star, the first ambassador of "cool Britannia." Even before his 1924 drugs-and-sex scandal of The Vortex, his fans were hanging out of their scarves over the theater balcony, imitating their idol's dress and repeating each "Noelism" with glee. Born in suburban Teddington on 16 December 1899, Coward was on stage by the age of six, and writing his first drama ten years later. A visit to New York in 1921 infused him with the pace of Broadway shows, and he injected its speed into staid British drama and music to create a high-octane rush for the jazz-mad, dance-crazy 1920s. Coward's style was imitated everywhere, as otherwise quite normal Englishmen donned dressing gowns, stuck cigarettes in long holders and called each other "dahling"; his revues propagated the message, with songs sentimental ("A Room With A View," "I'll See You Again") and satirical ("Mad Dogs and Englishmen," "Don't Put Your Daughter On the Stage, Mrs. Worthington"). His between-the-wars celebrity reached a peak in 1930 with "Private Lives," by which time he had become the highest earning author in the western world. With the onset of World War II he redefined the spirit of the country in films such as This Happy Breed (1944), In Which We Serve (1942), Blithe Spirit (1945) and, perhaps most memorably, Brief Encounter (1945). In the postwar period, Coward, the aging Bright Young Thing, seemed outmoded by the Angry Young Men, but, like any modern pop star, he reinvented himself, this time as a hip cabaret singer: "Las Vegas, Flipping, Shouts "More!" as Noel Coward Wows 'Em in Cafe Turn" enthused Variety. By the 1960s, his reappraisal was complete -- "Dad's Renaissance", called it -- and his "Hay Fever" was the first work by a living author to be produced at the National Theatre. He was knighted -- at last -- in 1970, and died in his beloved Jamaica on 26 March 1973. Since his death, his reputation has grown. There is never a point at which his plays are not being performed, or his songs being sung. A playwright, director, actor, songwriter, filmmaker, novelist, wit . . . was there nothing this man couldn't do? Born into a musical family he was soon treading the boards in various music hall shows where he met a young girl called Gertrude Lawrence, a friendship and working partnership that lasted until her death. His early writings were mainly short songs and sketches for the revue shows popular in the 1920s, but even his early works often contained touches of the genius to come ("Parisian Pierrot" 1923). He went on to write and star (with Gertie) in his own revues, but the whiff of scandal was never far away, such as that from the drug addict portrayed in "The Vortex." Despite his obvious homosexual lifestyle he was taken to the hearts of the people and soon grew into one of the most popular writer/performers of his time.Wrote revue sketches Sorry You've Been Troubled, Growing Pains and The Order of the Day.- Writer
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Harold Pinter, the 2005 Nobel Laureate for Literature, was born October 10, 1930, in London's working-class Hackney district to Hyman and Frances Pinter, Eastern European Jews who had immigrated to the United Kingdom from Portugal. Hyman (known as "Jack") was a tailor specializing in women's clothing and Frances was a homemaker. The Pinters, whose families hailed from Odessa and Poland in the Russian Empire, were part of a wave of Jewish emigration to the UK at the turn of the last century. It was a community that revered learning and culture. The Pinter family was close, and young Harold was traumatized when, at the outbreak of World War II, he was evacuated from London to Cornwall with other London children for a year to avoid becoming casualties of German aerial bombing.
Pinter has said that his encounter with anti-Semitism while growing up was the fuse that ignited the organic process leading him to becoming a playwright. As the Nobel Prize citation attests, Pinter developed into the greatest English dramatist of the post-World War II era. The young Pinter studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama. In 1950 he published several poems and began working as a professional actor. Under the stage name David Baron, he toured the Republic of Ireland with Anew McMaster's Shakespearean repertory company in 1951-52. Significantly for Pinter's future, 1951 not only marked the debut of his career as a professional actor but also marked the first performance of future Nobel Literature Laureate Samuel Beckett's absurdist masterpiece "Waiting for Godot." He next appeared with Sir Donald Wolfit's theatrical company at the King's Theatre, Hammersmith, for the 1953- 54 season before becoming a player with various provincial repertory companies, including the Birmingham Rep, until he gave himself over full-time to playwriting in 1959.
Two significant events that would change Great Britain forever occurred during his apprenticeship in provincial rep: (1) the Suez Crisis of 1955 that shattered the UK's pretensions to empire in a post-colonial world and doomed the imperial generations represented by Prime Minister Anthony Eden and his mentor Winston Churchill, and (2) the 1956 premiere of John Osborne's play "Look Back in Anger." The shattering of the United Kingdom's complacency over imperialism meant that many successful people of Pinter's generation, who normally would have become Tories upon achieving some modicum of success, were disillusioned and drifted towards Labour and the left. No longer would a working- class person, if he so chose, have to be ashamed or stymied if \eschewing becoming middle-class or bourgeois. Osborne's play was the seminal work of the "kitchen-sink" school of drama that would dominate English theater for a decade, in which working-class life and struggles were dramatized. The hegemony of this school of theater was such that for the first time, a working-class or provincial accent became something treasured, something to be proud of, as the former world was set firmly upon its head. Even the great Laurence Olivier turned his back on the commercial theater to assay Osbourne's Archie Rice, a down-at-the-heels music hall performer, in "The Entertainer" (1957).
The kitchen-sink drama was a movement that Pinter would not be a part of, though it did open the doors for working-class writers who, unlike the working class-born Noël Coward, had no interest in becoming bourgeois. The other major element in the cultural milieu that forged Pinter was the Cold War, the absurdity of facing doomsday everyday under the threat of The Bomb (the USSR had acquired the means to produce a bomb through its atomic spy ring and exploded its first A-bomb in 1949, thus ending the US monopoly on nuclear weapons and making the Korean war, the suppression of an East Berlin uprising and the squashing of the Hungarian Revolution practical, if not possible). The Cold War gave legitimacy to the rise of the police state, not in totalitarian countries but in the use of police-state tactics in the western industrial democracies. To quote American poet' Charles Bukowski', this was an era marked by "War All The Time," not between two superpower behemoths but in everyday human relations, poisoned as they were by the Cold War climate of absurdity, paranoia and imminent holocaust.
In 1953 the accused "atomic spies" Julius Rosenberg and Ethel Rosenberg were executed in the United States when President Dwight D. Eisenhower, the man who had overseen the liberation of Europe as Supreme Allied Commander fighting the Nazi totalitarian menace, had refused clemency for even Ethel, the mother of two small boys. It was a domestic drama -- a woman's loyalty to her husband, her loss of not only her life but the Issac-like evocative sacrifice of any normal life for her two children when Eisenhower-Jehovah refused to stay the executioner's hand -- that had combined with the felicities of affairs of state and world power politics. The question of whether they were guilty or innocent--not proven beyond a doubt in 1951, when they had been convicted in a trial that was compared by many to the Stalinist show-trials that had occurred in the Soviet Union and still occurred in the satellite countries of the Warsaw Pact after World War II - gave rise to an overwhelming fundamental question: What is real? Reality, as Hannah Arendt had put it in "The Human Condition," is socially defined; that is a given. But how about when that reality no longer makes sense, when the individual cannot partake of the consensus demanded of him in the 1950s, whether conservative, middle-class, haute bourgeoisie or radical left as dictated by some flaming Red party boss - a person struggling with his own life? How does he answer the question: What is real? It is a question that Pinter took upon himself to answer, and answered by showing us there is no answer. In this quest, a genius arrived on the world stage in the form of a player who decided to craft his own words, for himself and his post-Holocaust, pre-Holocaust audience. When life stops making sense, as it did in the 1940s when the global war against fascism left 50 million dead and the modern industrial state was tasked with the exigencies of mass- murder, and as it did in the 1950s when, under the aegis of combating another totalitarian system a domestic fascism in kind if not degree arose in the Anglo-Saxon countries with their great gravital pull towards conformity within a shell of consumerism, it still behooves a human being to try to understand the human condition.
In 1957 Bristol University staged Pinter's first play "The Room." He had told a friend who worked in Bristol University's drama department an idea he had for a play. The friend was so enamored of the idea that he commissioned the work, with the proviso that a script be ready within a week. Though he didn't believe he could meet his friend's demands, Pinter wrote the one-act play in four days. "The Room" had all the hallmarks of what would become known as "Pinteresque," in that it had a mundane situation that gradually filled with menace and mystery through the author's deliberate omission of an explanation or motivation for the action on stage. It is ironic perhaps that an actor would rid his script of motivation as "motivation" is the Holy Grail of inwardly-directed actors such as those tutored in "The Method" in America, but it was emblematic of the times that stated motivations frequently masked other, starker, more id-like drives in people or in nation-states that were beyond human comprehension in terms of being rational. Modern society had become irrational, and motivations post-Freud could be understood as a manifestation of Thanatos, the Death Instinct. Imminent violence and power plays would become other leitmotifs of Pinter's oeuvre.
Pinter wrote a second one-act play in 1957, "The Dumb Waiter," an absurdist drama concerning two hit men employed by a secret organization to kill an unknown victim. It was with this play that Pinter added an element of black comedy, mostly through his brilliant use of dialog, which not only elucidated the killers' growing anxiety but underscored the very absurdity of their situation. The play would not be performed until 1960, after the staging of his first two full-length plays, one a flop, and one a hit. His first full-length play, "The Birthday Party," debuted at the Arts Theatre in Cambridge in 1958. In the play the apathetic Stanley, the denizen of a dilapidated boarding house, is visited by two men. The audience never learns their motivation, but knows that Stanley is terrified of them. They organize a birthday party for Stanley, who insists that it is not his birthday. Pinter is following in the footsteps of the great absurdist Samuel Beckett in that he steadfastly refuses to give clear motivations to his characters, or rational explanations for the sake of his audience (Pinter and Beckett became friends). The play, now considered a masterpiece, flopped on its initial London run after being savaged by critics. It was revived after Pinter's second full-length play, 1960's "The Caretaker," established him as a major force in the English-language theater.
His early plays were rooted in the absurdism that became the major theatrical paradigm on the European stage in the third quarter of the 20th century, after the horrors of the war and the Holocaust. The early plays that made his reputation such as "The Homecoming" (1964) and his middle-period work such as "No Man's Land" (1976) have been called "comedies of menace." Typically, they use what at first seems like an innocent situation and develop it into an absurd and threatening environment through actions that usually are inexplicable to the audience and sometimes even to the other characters in the play. A Pinter drama is dark and claustrophobic. His language is full of menacing pauses. The lives of Pinter's characters usually are revealed to be stunted by guilt and horror. The duality and absurdity of Pinter's theatrical world-view gave rise to the adjective "Pinteresque," which took its place next to "Kafkaesque," a product of the horrors of the first quarter of the century (Pinter would write the screenplay for an adaption of Franz Kafka's "The Trial".)
Beginning in the 1960s, Pinter further enhanced his reputation as a writer with his screenplays, particular his work with Joseph Losey in The Servant (1963) and Accident (1967) (Losey planned an adaptation of Marcel Proust's "Le Temps Retrouve" and commissioned Pinter to write the screenplay. The film was never made by Losey, but Pinter's screenplay was subsequently published to great acclaim). His later screenplays, including his last produced work with Losey, The Go-Between (1971), are, ironically, noted for their clarity. He was twice nominated for the Academy Award as a screenwriter, for his adaptation of John Fowles' labyrinthine novel into the film The French Lieutenant's Woman (1981) and for Betrayal (1983), his adaptation of his own play. Such was the respect that Pinter was held that Elia Kazan, one of the great film directors, complained in his autobiography "A Life" (1988) that The Last Tycoon (1976) producer Sam Spiegel had such reverence for Pinter that he would not let Kazan change his script.
After the great plays of his early and mid-period, Pinter became more overtly political. His later plays, which generally are shorter than the plays from the period in which he made his reputation, typically address political subjects and often are allegories on oppression. In the late 1970s Pinter became more outspoken on political issues and is decidedly of the left. He is passionately committed to human rights and is not shy about bringing examples of oppression from client states sponsored by the Anglo-Saxon democracies to the public's attention. In 2002 Pinter experienced what he described as a "personal nightmare" when he had to undergo chemotherapy to treat a case of cancer of the esophagus. The ordeal, which has been ongoing for three years, triggered a personal metamorphosis in the man. "I've been through the valley of the shadow of death," Pinter explained about his quickening. "While in many respects I have certain characteristics that I had, I'm also a very changed man."
In early 2005 Pinter declared in a radio interview that he was retiring as a dramatist in favor of writing poetry: "I think I've stopped writing plays now, but I haven't stopped writing poems. I've written 29 plays. Isn't that enough?" Pinter has become an outspoken critic of war. He was a bitter critic of the US-led intervention against Slobodan Milosevic's Serbia during President Bill Clinton's administration and an even harsher critic of the US-led war in Iraq. The fiercely anti- war Pinter has accused President George W. Bush of being a "mass-murderer" and has called British Prime Minister Tony Blair a "deluded idiot" for supporting US foreign policy. Pinter claimed immediately after the 9/11 attacks on New York City and the Pentagon that they were a requited revenge for the destruction wrought on Afghanistan and Iraq by US imperialism and its anti-Taliban policies and sanctions on Iraq. He has publicly denounced the retaliatory U.S. invasion of Afghanistan and the unprovoked 2003 invasion of Iraq. Pinter likens the Bush administration and Bush's America to Adolf Hitler and Nazi Germany, claiming the US is bent on world hegemony. Controversially, he has declared that the only difference between Nazi Germany and the Stalinist Soviet Union is that the US is more hypocritical and has better public relations.
One cannot fault Pinter, in the political ring, for being inconsistent or for jumping on a bandwagon. The man, as well as the artist, is a person that sticks to his convictions. The award of the Nobel Prize for Literature to Pinter just after he celebrated his 75th birthday was completely unexpected by pundits handicapping the award. Turkish writer Orhan Pamuk and Syrian poet Adonis were considered the front-runners, as European writers recently had dominated the award (Pinter's Nobel Prize makes it nine out of ten times in the past ten years that a European writer has won, and the second time in the past five years an English writer has banged the gong), and it was felt the Academy would recognize a writer from another continent, particularly one from Asia Minor. Thus, the award can be seen as a not-so-veiled criticism of the United States in general and President George W. Bush in particular by the Swedish Academy. Because of Pinter's renouncing of the form of which he was a master and his anointment of himself as a poet, in light of his volume of poetry, "War" (2003) that denounces the Iraq War frequently in vulgar, raw and unrythmic poetry that poses no threat to William Butler Yeats or W.H. Auden or Robert Frost or Stevens, one must consider that the Swedish Academy was giving the world's highest prize for literature at least in part to a poet whose latest work was fiercely anti-American and anti-imperialist.
Despite being highly controversial, Pinter -- who was appointed a Commander of the British Empire in 1966 (one step down from a knighthood, an honor he subsequently turned down) -- was named a Companion of Honour in 2002, an honor that does not carry a title. In addition to writing poetry, acting and directing in the theater, Pinter serves as the chairman of the Gaieties Cricket Club, an affiliate of he Club Cricket Conference. He also is active in the Cuba Solidarity Campaign, an organization that supports Fidel Castro, who remains the #1 bugaboo of the United States after Islamic terrorists, just slightly ahead of fellow hemispheric boogeyman Hugo Chávez, a recent arriviste on the world stage. He also is a member of the International Committee to Defend Slobodan Milosevic, an organization that appeals for the freedom of Slobodan Milosevic on the grounds that NATO's war against Milosevic's Yugoslavia was unjustified under international law.More famous for his plays, wrote Trouble in the Works.- Writer
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Michael Palin is an English comedian, actor, writer and television presenter. He was one of the members of the comedy group Monty Python.
After the Monty Python television series ended in 1974, the Palin/Jones team worked on Ripping Yarns, an intermittent television comedy series broadcast over three years from 1976. In 1980, Palin co-wrote Time Bandits with Terry Gilliam. He also acted in the film. In 1984, he reunited with Terry Gilliam to appear in Brazil. He appeared in the comedy film A Fish Called Wanda (1988), for which he won the BAFTA Award for Best Actor in a Supporting Role.Wrote Hendon, Forgery, Report on the Village Fete, Christmas Oath, for The Frost Report. Wrote Hello (Party sketch) for Two Ronnies.- Writer
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Terry Jones was born in Colwyn Bay, North Wales, the son of Dilys Louisa (Newnes), a homemaker, and Alick George Parry Jones, a bank clerk. His older brother is production designer Nigel Jones. His grandparents were involved in the entertainment business, having managed the local Amateur Operatic Society and staged Gilbert and Sullivan concerts. Jones studied at St. Edmund Hall College, Oxford University, read English but graduated with a degree in History. He was variously captain of boxing, captain of the Rugby Team and School Captain. At about this time, he befriended Michael Palin. Both performed comedy together as part of the Oxford Revue. In 1965, he again partnered Palin in The Late Show (1966) and worked in the dual capacity of writer/actor on Do Not Adjust Your Set (1967) with Palin, Eric Idle and David Jason. Another noteworthy television credit was Complete and Utter History of Britain (1969) (again with Palin) in which fun was poked at famous historical personae, Jones essaying Oliver Cromwell, Sir Walter Raleigh and Henry VIII (among others).
Needless to say that Jones found his greatest success as a founding member of the anarchic and irreverent Monty Python's Flying Circus (1969), along with Palin, Idle, Graham Chapman, John Cleese and Terry Gilliam. Jones not only provided much of the written comic input, but also portrayed many of the classic characters: the implausibly obese Mr. Creosote in The Meaning of Life (1983) (who explodes after one more little wafer), the inept Detective Superintendent Harry "Snapper" Organs in the Piranha Brothers sketch (a take on the Kray Twins), the tobacconist in the Dirty Hungarian Phrasebook sketch and numerous assorted shrill-voiced, slovenly 'rat-bag women' (Mrs. Equator comes to mind).
The Pythons were unconventional, controversial, certainly groundbreaking and invariably inspired, at their best in their unrelenting satirical attacks on established British institutions, ruling hierarchies and the class structure. Jones later said "The thing is we never thought Python was a success when it was actually happening, it was only with the benefit of hindsight". In addition to writing and acting, Jones also co-directed Monty Python and the Holy Grail (1975) (with Terry Gilliam) and took solo directing credit for Life of Brian (1979) and The Meaning of Life. Post-Python, he rejoined Palin as co-writer for some of the very best episodes of Ripping Yarns (1976), including Whinfrey's Last Case, Tompkinson's Schooldays, Murder at Moorstone Manor, The Curse of the Claw and The Testing of Eric Oldthwaite. Jones later scripted Labyrinth (1986) from a story by Jim Henson and Dennis Lee and wrote, as well as directed, Erik the Viking (1989) and Absolutely Anything (2015), a science fiction comedy with Simon Pegg and Kate Beckinsale.
On a more serious note, Jones sidelined as a newspaper columnist and was an outspoken social and political commentator (a staunch critic of the Iraq War). His lifelong fascination with medieval and ancient history (and Geoffrey Chaucer in particular) led to presenting a series of television documentaries (Medieval Lives (2004) and Barbarians (2006))) as well as publishing several well researched, if sometimes controversial, books including Chaucer's Knight: The Portrait of a Medieval Mercenary and Who Murdered Chaucer?: A Medieval Mystery.
Jones died at the age of 77 on 21 January 2020 from complications of dementia, at his home in Highgate, North London.Wrote Hendon, Forgery, Report on the Village Fete for the Frost Report. Wrote Hello (party sketch) for Two Ronnies.- Writer
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David Nobbs was born on 13 March 1935 in Orpington, Kent, England, UK. He was a writer, known for The Wedding Date (2005), Tommy Cooper (1969) and The Frost Report (1966). He was married to Susan Bray and Mary Blatchford. He died on 9 August 2015 in Harrogate, Yorkshire, England, UK.Wrote Repeats and Orgy and Less for Two Ronnies.- Writer
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Dick Vosburgh was born on 27 August 1929 in Elizabeth, New Jersey, USA. He was a writer and actor, known for The Stanley Baxter Show (1963), Tommy Cooper (1969) and Planet Patrol (1963). He was married to Beryl Roques. He died on 18 April 2007 in London, England, UK.Wrote (bad) secretary sketch for Frost Report, Sketcherism Spoon for The Frost Report.- Writer
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Neil Shand was born on 3 March 1934 in Luton, Bedfordshire, England, UK. He was a writer, known for Carrott's Lib (1982), Mike Yarwood in Persons (1976) and Carrott Confidential (1987). He was married to Judith Keppel, Pamela Reeves and Mary Massie. He died on 14 April 2018 in Winteringham, North Lincolnshire, England, UK.Co-wrote Strangers When We Meet for Two Ronnies.- Writer
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Barry Cryer was born on 23 March 1935 in Leeds, Yorkshire, England, UK. He was a writer and actor, known for The Stanley Baxter Show (1963), Tommy Cooper (1969) and The Russ Abbot Show (1986). He was married to Theresa Margaret 'Terry' Donovan. He died on 25 January 2022 in Northwick Park, Harrow, London, England, UK.Wrote Chancellor of the Exchequer and Nows at Ton for Two Ronnies,- Writer
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Barry Took was born on 19 June 1928 in Muswell Hill, North London, England, UK. He was a writer and producer, known for Marty (1968), Rowan & Martin's Laugh-In (1967) and Grubstreet (1972). He died on 31 March 2002 in London, England, UK.Wrote the Educating Alec sketch with Marty Feldman.- Writer
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"I am too old to die young, and too young to grow up," Marty Feldman told a reporter -- a week before he died.
This beloved comedian, who poked fun at himself, as well as others, was born Martin Alan Feldman on July 8, 1934, in London, England. His parents were of Ukrainian Jewish heritage (from Kiev). He was the son of Cecilia (née Crook) and Myer Feldman, a gown manufacturer. Marty spent his childhood in the poverty-stricken London East End and left school at the age of 15, hoping for a career as a jazz trumpeter (his appearance in a Variety show earned him the title "the worst trumpeter in the world"). He had just started his comedy career, as a writer for BBC radio programs and TV shows in the late 1950s, when he married Lauretta Sullivan in January 1959 (they would stay married until his death in 1982). There's a saying: "Your face is your fortune"; Marty had received a double-whammy. His nose was mangled in his youthful years in a boxing match; his walleyed orbs were the result of both a hyperactive thyroid and a botched operation after a car accident before his 30th birthday, in 1963. American audiences first saw Marty in Dean Martin Presents the Golddiggers (1968), where he did comedy skits with Susie Ewing and the Golddiggers. He appeared in a number of movies, his most-remembered role being that of Igor (pronounced Eye-Gor) in Young Frankenstein (1974). Besides acting, he made his directorial debut in The Last Remake of Beau Geste (1977). Beloved and popular, it seemed Marty was to enjoy a long career in the entertainment field. However, he died of a massive heart attack, caused by shellfish food poisoning, while filming Yellowbeard (1983) in Mexico City, on December 2, 1982... he was only 48.Wrote the Educating Alec sketch with Barry Took.- Writer
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Frank Muir was born on 5 February 1920 in Broadstairs, Kent, England, UK. He was a writer and actor, known for The Seven Faces of Jim (1961), The Frost Report (1966) and Bachelor in Paris (1952). He was married to Polly McIrvine. He died on 2 January 1998 in Thorpe, Surrey, England, UK.The creator of this book. Wrote the Balham sketch for Peter Sellers, and Common Entrance and the Private Lives sketch,. with Denis Norden.- Writer
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Denis Norden was born on 6 February 1922 in Hackney, London, England, UK. He was a writer and actor, known for Buona Sera, Mrs. Campbell (1968), The Seven Faces of Jim (1961) and Every Home Should Have One (1970). He was married to Esther Avril Rosen (1921-2018). He died on 19 September 2018 in Royal Free Hospital, Hampstead, London, England, UK.- Actor
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Robb Wilton was born on 28 August 1881 in Liverpool, England, UK. He was an actor and writer, known for Two's Company (1936), The Love Match (1955) and It's Love Again (1936). He was married to Florence Palmer. He died on 1 May 1957 in London, England, UK.Created The Day War Broke Out sketches.- Actor
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Reginald Beckwith was born on 2 November 1908 in York, England, UK. He was an actor and writer, known for Thunderball (1965), Curse of the Demon (1957) and Sword of Lancelot (1963). He died on 26 June 1965 in Bourne End, Buckinghamshire, England, UK.- Writer
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Alan Bennett is an award-winning dramatist and screenwriter who is best known as a member of Beyond the Fringe (1964) (a satirical review that was a hit on both the London stage and on Broadway and featured fellow members Peter Cook, Jonathan Miller and Dudley Moore) and for his plays The Madness of King George (1994) and The History Boys (2006). Bennett and Miller also collaborated on the TV sketch show On the Margin (1966).
In 1995, Bennett was nominated for an Academy Award for his adaptation of his own play "The Madness of King George." He has declined a knighthood and an honorary doctorate from Oxford University.- Writer
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When he appeared at the London Palladium in 1948 sporting an untidy black beard he brought the house down with a 5 minute act using an antique chair back which became a ships rudder , a harp, a flag, a comb and a cows udder, He was booked for the Royal Variety show and looked set for stardom but 5 years of obscurity followed during which time he toured the States and spent 2 years in Australia. Back in Britain he made the comedy film The Sandwhich Man (Oct 65) and periodically he goes to a West Londonm rifle range and fires off at clay pigeons,- Writer
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Bob Block was born on 20 July 1921 in Plymouth, Devon, England, UK. He was a writer, known for Pardon My Genie (1972), Galloping Galaxies! (1985) and Rentaghost (1976). He was married to Madeline Gamblin. He died on 17 April 2011 in the UK.- Actor
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Tim Brooke-Taylor was born on 17 July 1940 in Buxton, Derbyshire, England, UK. He was an actor and writer, known for The Goodies (1970), At Last the 1948 Show (1967) and Engelbert with the Young Generation (1972). He was married to Christine Wheadon. He died on 12 April 2020 in Cookham, Berkshire, England, UK.- Writer
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Rob Buckman was born on 22 August 1948 in London, England, UK. He was a writer and actor, known for Doctors and Nurses (1979), Doctor on the Go (1975) and The Pink Medicine Show (1978). He was married to Patricia Shaw. He died on 11 October 2011 in aboard a transatlantic flight from London to Toronto.- Actor
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John Cleese was born on October 27, 1939, in Weston-Super-Mare, England, to Muriel Evelyn (Cross) and Reginald Francis Cleese. He was born into a family of modest means, his father being an insurance salesman; but he was nonetheless sent off to private schools to obtain a good education. Here he was often tormented for his height, having reached a height of six feet by the age of twelve, and eventually discovered that being humorous could deflect aggressive behavior in others. He loved humor in and of itself, collected jokes, and, like many young Britons who would grow up to be comedians, was devoted to the radio comedy show, "The Goon Show," starring the legendary Peter Sellers, Spike Milligan, and Harry Secombe.
Cleese did well in both sports and academics, but his real love was comedy. He attended Cambridge to read (study) Law, but devoted a great deal of time to the university's legendary Footlights group, writing and performing in comedy reviews, often in collaboration with future fellow Python Graham Chapman. Several of these comedy reviews met with great success, including one in particular which toured under the name "Cambridge Circus." When Cleese graduated, he went on to write for the BBC, then rejoined Cambridge Circus in 1964, which toured New Zealand and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry Gilliam, another future Python.
Returning to England, he began appearing in a BBC radio series, "I'm Sorry, I'll Read That Again", based on Cambridge Circus. It ran for several years and also starred future Goodies Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefly, with Brooke-Taylor, Graham Chapman and Marty Feldman in At Last the 1948 Show (1967), for television, and a series of collaborations with some of the finest comedy-writing talent in England at the time, some of whom - Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman - eventually joined him in Monty Python. These programs included The Frost Report (1966) and Marty Feldman's program Marty (1968). Eventually, however, the writers were themselves collected to be the talent for their own program, Monty Python's Flying Circus (1969), which displayed a strange and completely absorbing blend of low farce and high-concept absurdist humor, and remains influential to this day.
After three seasons of the intensity of Monty Python, Cleese left the show, though he collaborated with one or more of the other Pythons for decades to come, including the Python movies released in the mid-70s to early 80s - Monty Python and the Holy Grail (1975), Life of Brian (1979), Monty Python Live at the Hollywood Bowl (1982), and The Meaning of Life (1983). Cleese and then-wife Connie Booth collaborated in the legendary television series Fawlty Towers (1975), as the sharp-tongued, rude, bumbling yet somehow lovable proprietor of an English seaside hotel. Cleese based this character on a proprietor he had met while staying with the other Pythons at a hotel in Torquay, England. Only a dozen episodes were made, but each is truly hilarious, and he is still closely associated with the program to this day.
Meanwhile Cleese had established a production company, Video Arts, for clever business training videos in which he generally starred, which were and continue to be enormously successful in the English-speaking world. He continues to act prolifically in movies, including in the hit comedy A Fish Called Wanda (1988), in the Harry Potter series, and in the James Bond series as the new Q, starting with The World Is Not Enough (1999), in which he began as R before graduating to Q. Cleese also supplies his voice to numerous animated and video projects, and frequently does commercials.
Besides the infamous Basil Fawlty character, Cleese's other well-known trademark is his rendition of an English upper-class toff. He has a daughter with Connie Booth and a daughter with his second wife, Barbara Trentham.
Education and learning are important elements of his life - he was Rector of the University of Saint Andrews from 1973 until 1976, and continues to be a professor-at-large of Cornell University in New York. Cleese lives in Santa Barbara, California.- Composer
- Music Department
Ian Davidson is known for Mission Top Secret (1993), Crosstalk (1982) and Escape from Jupiter (1994).- Additional Crew
- Actor
Herbert Farjeon was born on 27 October 1879 in San Francisco, California, USA. He was an actor, known for Ex-Flame (1930), The Time, the Place and the Girl (1946) and Thank Your Lucky Stars (1943). He was married to Claribel Fontaine. He died on 3 November 1972 in San Marcos, California, USA.- Actress
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One of stage, screen, radio and TV's most inimitable, irrepressible entertainers, Hermione Ferdinanda Gingold was born in London on December 9, 1897, the daughter of an upscale Austrian-Jewish financier and English homemaker. The blue-eyed blonde loved to perform in school plays and made her professional stage debut at age 11 as the Herald in "Pinkie and the Fairies."
She went on to appear at London's Savoy Theatre, at Christmastime in 1911, in the children's fantasy "Where the Raindow Ends," starring Reginald Owen and a cast of 45 children, including Gingold and a 12-year-old Noël Coward. Trained in the classics under actress/writer Rosina Filippi (1866-1930), Hermione played everything from the Page in "The Merry Wives of Windsor" to Jessica in "The Merchant of Venice" and Cassandra in "Troilus and Cressida." Stage parts in "Little Lord Fauntleroy" and "The Dippers" also came about during this period.
But it was Hermione's deep, guttural voice (as a result of vocal nodes) and flair for tart, quirky comedy that truly boosted her notoriety in the 1930's when she triumphed as a musical revue artist. Sharpening her talent and bawdy, razor-like wit in this venue throughout World War II, she graced such revues as "The Gate Revue," "Sweet and Low," "Sweet and Lower," "Sweet and Lowest," "Swinging the Gate" and "Rise Above It." In between she appeared in a few films, including a cleaning woman bit in the comedy thriller Someone at the Door (1936), and featured roles in the comedies Meet Mr. Penny (1938) and The Butler's Dilemma (1943).
After performances in such legit plays as "Fumed Oak" and "Fallen Angels" in 1949, and having completed character roles in the pictures The Pickwick Papers (1952), The Slasher (1953) and The Adventures of Sadie (1953), she transported herself to the States, making her New York bow with the popular revue "John Murray Anderson's Almanac," directed by Cyril Ritchard. She was an immediate success and went on to win the theatre's Donaldson Award for this performance. Settling now in America, she involved herself with a variety of theatre projects including "Sticks and Stones" (revue, 1956), "The Sleeping Prince (play) 1956), "Fallen Angels" (play, 1957-58), "First Impressions (play, 1959), "From A to Z (revue, 1960) and as Julia in "Abracadabra," (play, 1960), which she also wrote.
Beloved on Broadway, Hermione served as intriguing replacements for "Milk and Honey" (1962) and "Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Sad" (1963) and continued to make a mark with such plays as "Charley's Aunt." In 1973, the 75-year-old veteran was a featured highlight nostalgically warbling the exotic tune "Liaisons" in the Stephen Sondheim musical hit "A Little Night Music" as Madame Armfeldt. She later returned to Sondheim with the tribute show "Side by Side by Sondheim" in 1978.
Never one to be overlooked for long, she was invited to Hollywood and made a delightfully offbeat niche for herself in several eccentric comedies and plush musical films. Usually permitted to play her charming and haughty self, she was Golden Globe awarded playing the aging courtesan in Gigi (1958) while singing the nostalgic duet "I Remember It Well" with equally aging playboy Maurice Chevalier. Other movie roles would include a quirky cameo as a witch queen in the comedy Bell Book and Candle (1958); another quirky cameo in the second-rate Hitchcockian thriller The Naked Edge (1961); a Golden Globe nominated part as the mayor's wife in the musical The Music Man (1962); a comically villainous voice in the animated musical feature Gay Purr-ee (1962) starring the vocal talents of Judy Garland; a charming reunion with Chevalier in the lightweight comedy I'd Rather Be Rich (1964); a bizarre landlady in the romantic comedy Promise Her Anything (1966), which reunited her with her "Gigi" star Leslie Caron; a devious British Munster relative in Munster, Go Home! (1966); and her Madame Armfeldt recreation in a rather pallid film version of her stage hit A Little Night Music (1977). Her last film was as an aging actress who rubbed elbows with Garbo in the comedy-drama Garbo Talks (1984) starring Anne Bancroft.
Gingold was a delightfully ribald raconteur and became a very popular TV talk show guest, particularly on The Tonight Show Starring Jack Paar (1957). She was finishing up the last touches on her autobiography when she passed away in New York City of pneumonia and a heart ailment on May 24, 1987. Her autobiography, How to Grow Old Disgracefully, was published a year after her death (1988). It had been previously presented in installments -- The World Is Square (1946), My Own Unaided Work (1952) and Sirens Should Be Seen and Not Heard (1963). A one-of-a-kind entertainer if ever there was one.- Actor
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Harry Tate born Ronald Hutchison in Scotland in 1872. Tate worked for Harry Tate & Sons, Sugar Refiners before going on the theatre, and took his stage name from them. British comedian, made his stage debut at the Oxford Music Hall in 1895, becoming a highly well-known impressionist of popular music hall stars such as Dan Leno, Eugene Stratton, George Robey and R.G. Knowles and also was highly successful with his comedy sketches, most notably 'Motoring' which he later starred in the movie version made by the Inter-Cine Film Co in 1927, his other comedy sketches include 'Running an Office' and 'Billiards and Fishing'. He first starred in films impersonating music hall stars for the Warwick Trading Film Co in 1899. Appeared mostly in character and support in talkies from 1932 until his last screen appearance in Sam Small Leaves Town (1937) starring Stanley Holloway. He used his bristling moustache to express all kinds of emotions by twitching it. Died shortly after suffering a stroke in 1940 age 67. Father of actor Harry Tate Jr..- Writer
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When he appeared at the London Palladium in 1948 sporting an untidy black beard he brought the house down with a 5 minute act using an antique chair back which became a ships rudder , a harp, a flag, a comb and a cows udder, He was booked for the Royal Variety show and looked set for stardom but 5 years of obscurity followed during which time he toured the States and spent 2 years in Australia. Back in Britain he made the comedy film The Sandwhich Man (Oct 65) and periodically he goes to a West Londonm rifle range and fires off at clay pigeons,- English character actress best known for her many portrayals of feisty cockney types, ranging from barmaids to landladies, charwomen to cooks. Unlike her working class screen personae, Irene's parentage was quite cosmopolitan, her father (Frederick) a Viennese banker, her mother (Maria) a French aristocrat - affluent enough to enable her to travel extensively in her youth. She received her acting training at the Embassy School, under the auspices of the sister of Sybil Thorndike, but did not make her debut on the London stage until 1938.
Her first successful role was in a West End comedy entitled 'George and Margaret' and this led to many other parts, including 'Blithe Spirit' by Noël Coward. From 1937, plump, cheerful Irene Handl became a popular supporting character in British films, usually in small roles or cameos, often as eccentric or pixillated old ladies. On occasion she could be a scene-stealer, as in I'm All Right Jack (1959) as the grumbling wife of shop steward Peter Sellers. She was also the definitive Mrs. Hudson, landlady to the famous detective at 221b Baker Street, in The Private Life of Sherlock Holmes (1970).
Irene Handl enjoyed a prolific career on radio (partnering Arthur Askey in 'Hello Playmates' and Tony Hancock in 'Hancock's Half Hour'), as well as in television. Her best-loved appearance was opposite Wilfred Pickles in the title role of Ada Cresswell in the sitcom For the Love of Ada (1970). She also made guest appearances in numerous shows, ranging from The Adventures of Robin Hood (1955) to The Rag Trade (1975), and remained an active performer well into her eighties. She also narrated an audio-book version of The Importance of Being Earnest and published two novels: The Sioux in 1969 (described by a reviewer as a 'gothic comic melodrama') and a more downbeat sequel, The Gold Tip Pfitzer in 1986. Besides acting and writing, Handl was a fellow of the Royal Geographical Society, loved Chihuahua dogs and Rock and Roll music. Irene never married. Shortly before she died at her flat in Kensington, she had been making plans for a third novel. - Actor
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Roger McGough was born on 9 November 1937 in Liverpool, England, UK. He is an actor and writer, known for But Seriously, It's Sheila Hancock (1972), Plays for Britain (1976) and At Lunchtime: A Story of Love (2011).- Producer
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Jonathan Miller was born on 21 July 1934 in London, England, UK. He was a producer and writer, known for Cosi Fan Tutte (1986), Sunday Night (1965) and Sensitive Skin (2005). He was married to Helen Rachel Collet. He died on 27 November 2019 in London, England, UK.- Writer
- Script and Continuity Department
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David Nobbs was born on 13 March 1935 in Orpington, Kent, England, UK. He was a writer, known for The Wedding Date (2005), Tommy Cooper (1969) and The Frost Report (1966). He was married to Susan Bray and Mary Blatchford. He died on 9 August 2015 in Harrogate, Yorkshire, England, UK.- Actor
- Writer
Nigel Rees was born on 5 June 1944 in England, UK. He is an actor and writer, known for Cabbages and Kings (1979), Harry Enfield and Chums (1994) and Amoebas to Zebras (1986).- Writer
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Peter Shaffer was born on 15 May 1926 in Liverpool, England, UK. He was a writer, known for Amadeus (1984), Equus (1977) and The Public Eye (1972). He died on 6 June 2016 in County Cork, Ireland.- Writer
- Script and Continuity Department
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Peter Vincent is known for The Two Ronnies (1971), Tommy Cooper (1969) and The Brittas Empire (1991).- Keith Waterhouse was born on 6 February 1929 in Hunslet, Leeds, West Yorkshire, England, UK. He was a writer, known for A Kind of Loving (1962), Billy Liar (1963) and Whistle Down the Wind (1961). He died on 4 September 2009 in London, England, UK.