Notable Gay Directors
LGBT filmmakers past and present.
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Xavier Dolan was born on 20 March 1989 in Montreal, Quebec, Canada. He is an actor and producer, known for I Killed My Mother (2009), Tom at the Farm (2013) and Heartbeats (2010).- Writer
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Julián Hernández was born on 9 January 1973 in Mexico, Distrito Federal, Mexico. He is a writer and director, known for A Thousand Clouds of Peace (2003), Long Sleepless Nights (2000) and Dos entre muchos (2022).- Writer
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Danny Cheng Wan-Cheung, known by the stage name Scud Cheng, is a Hong Kong director. He was born in Guangzhou and moved to Hong Kong with his family at the age of 13 and spent his youth in part-time study. After getting a degree in computers from the Open University of Hong Kong and working in the IT industry for 20 years and working stint at an MNC, he decided to take a step back and moved to Australia to rethink the direction of life and re-plan his future for his love in music and literature. He established an independent film company "Artwalker Limited" and co-operated with Hong Kong senior director Liu Guochang for the first film "A City Without Wilderness". He also wrote and produced a number of works including "Permanent Residence", "Amphetamine", "Love Sucks", "You" and "Tong Liu He Wu".- Director
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George Cukor was an American film director of Hungarian-Jewish descent, better known for directing comedies and literary adaptations. He once won the Academy Award for Best Director, and was nominated other four times for the same Award.
In 1899, George Dewey Cukor was born on the Lower East Side of New York City. His parents were assistant district attorney Viktor Cukor and Helén Ilona Gross. His middle name "Dewey" honored Admiral George Dewey who was considered a war hero for his victory in the Battle of Manila Bay, in 1898.
As a child, Cukor received dancing lessons, and soon fell in love with the theater, appearing in several amateur plays. In 1906, he performed in a recital with David O. Selznick (1902-1965), who would later become a close friend.
As a teenager, Cukor often visited the New York Hippodrome, a well-known Manhattan theater. He often cut classes while attending high school, in order to attend afternoon matinees. He later took a job as a supernumerary with the Metropolitan Opera, and at times performed there in black-face.
Cukor graduated from the DeWitt Clinton High School in 1917. His father wanted him to follow a legal career, and had his son enrolled City College of New York. Cukor lost interest in his studies and dropped out of college in 1918. He then took a job as an assistant stage manager and bit player for a touring production of the British musical "The Better 'Ole". The musical was an adaptation of the then-popular British comic strip "Old Bill" by Bruce Bairnsfather (1887-1959).
In 1920, Cukor became the stage manager of the Knickerbocker Players, a theatrical troupe. In 1921, Cukor became the general manager of the Lyceum Players, a summer stock company. In 1925, Cukor was one of the co-founders the C.F. and Z. Production Company. With this theatrical company, Cukor started working as a theatrical director. He made his Broadway debut as a director with the play "Antonia" by Melchior Lengyel (1880-1974).
The C.F. and Z. Production Company was eventually renamed the Cukor-Kondolf Stock Company, and started recruiting up-and-coming theatrical talents. Cukor's theatrical troupe included at various times Louis Calhern, Ilka Chase, Bette Davis, Douglass Montgomery, Frank Morgan, Reginald Owen, Elizabeth Patterson, and Phyllis Povah.
Cukor attained great critical acclaim in 1926 for directing "The Great Gatsby", an adaptation of a then-popular novel by F. Scott Fitzgerald (1896-1940). He directed six more Broadway productions until 1929. At the time, Hollywood film studios were recruiting New York theater talent for sound films, and Cukor was hired by Paramount Pictures. He started as an apprentice director before the studio lent him to Universal Pictures. His first notable film work was serving as a dialogue director for "All Quiet on the Western Front" (1930).
After returning to Paramount Pictures, he worked as aco-director. His first solo directorial effort was "Tarnished Lady" (1931), and at that time he earned a weekly salary of $1500. Cukor co-directed the film "One Hour with You" (1932) with Ernst Lubitsch, but Lubitsch demanded sole directorial credit. Cukor filed a legal suit but eventually had to settle for a credit as the film's assistant director. He left Paramount in protest, and took a new job with RKO Studios.
During the 1930s, Cukor was entrusted with directing films for RKO's leading actresses. He worked often with Katharine Hepburn (1907-2003), although not always with box-office success. He did direct such box office hits as "Little Women" (1933) and "Holiday" (1938), but also notable flops such as "Sylvia Scarlett" (1935).
In 1936, Cukor was assigned to work on the film adaptation of the blockbuster novel "Gone with the Wind" by Margaret Mitchell. He spent the next two years preoccupied with the film's pre-production, and with supervising screen tests for actresses seeking to play leading character Scarlett O'Hara. Cukor reportedly favored casting either Katharine Hepburn or Paulette Goddard for the role. Producer David O. Selznick refused to cast either one, since Hepburn was coming off a string of flops and was viewed as "box office poison," while Goddard was rumored to have had a scandalous affair with Charlie Chaplin (1889-1977) and her reputation suffered for it.
Cukor did not get to direct "Gone with the Wind", as Selznick decided to assign the directing duties to Victor Fleming (1889-1949). Cukor's involvement with the film was limited to coaching actresses Vivien Leigh (1913-1967) and Olivia de Havilland (1916-). Similarly, the very same year, Cukor also failed to receive a directing credit for "The Wizard of Oz" (1939), though he was responsible for several casting and costuming decisions for this iconic classic.
In this same period, Cukor did direct an all-female cast in "The Women" (1939), as well as Greta Garbo's final motion picture performance in "Two-Faced Woman" (1941). Then his film career was interrupted by World War II, as he joined the Signal Corps in 1942. Given his experience as a film director, Cukor was soon assigned to producing training and instructional films for army personnel. He wanted to gain an officer's commission, but was denied promotion above the rank of private. Cukor suspected that rumors of his homosexuality were the reason he never received the promotion.
During the 1940s, Cukor had a number of box-office hits, such "A Woman's Face" (1941) and "Gaslight" (1944). He forged a working alliance with screenwriters Garson Kanin and Ruth Gordon, and the trio collaborated on seven films between 1947-1954.
Until the early 1950s, most of his Cukor's films were in black-and-white, and his first film in Technicolor was "A Star Is Born" (1954), with Judy Garland as the leading actress. Casting the male lead for the film proved difficult, as several major stars were either not interested in the role or were considered unsuitable by the studio. Cukor had to settle for James Mason as the male lead, but the film was highly successful and received 6 Academy Award nominations. But Cukor was not nominated for directing.
He had a handful of critical successes over the following years, such as Les Girls (1957) and "Wild Is the Wind" (1957), and also helmed the unfinished "Something's Got to Give" (1962), which had a troubled production and went at least $2 million over budget before it was terminated.
Cukor had a comeback with the critically and commercially successful "My Fair Lady," one of the highlights of his career., for which he won both an Academy Award and a Golden Globe Award for Best Director, along with the Directors Guild of America Award. However, his career very quickly slowed down, and the aging Cukor was infrequently involved with new projects.
Cukor's most notable film in the 1970s was the fantasy The Blue Bird (1976) , which was the first joint Soviet-American production. It was a box-office flop, though it received a nomination for the Saturn Award for Best Fantasy Film and was groundbreaking for its time. Cukor's swan song was "Rich and Famous" (1981), depicting the relationship of two women over a period of several decades., played by co-stars Jacqueline Bisset and Candice Bergen, Cukor's final pair of leading ladies.
He retired as a director at the age of 82, and died a year later of a heart attack in 1983. At the time of his death, his net worth was estimated to be $2,377,720. He was buried at the Forest Lawn Memorial Park in Glendale, CA. Cukor was buried next to his long-time platonic friend Frances Howard (1903-1976), the wife of legendary studio mogul Samuel Goldwyn.- Writer
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Pier Paolo Pasolini achieved fame and notoriety long before he entered the film industry. A published poet at 19, he had already written numerous novels and essays before his first screenplay in 1954. His first film Accattone (1961) was based on his own novel and its violent depiction of the life of a pimp in the slums of Rome caused a sensation. He was arrested in 1962 when his contribution to the portmanteau film Ro.Go.Pa.G. (1963) was considered blasphemous and given a suspended sentence. It might have been expected that his next film, The Gospel According to St. Matthew (1964) (The Gospel According to St. Matthew), which presented the Biblical story in a totally realistic, stripped-down style, would cause a similar fuss but, in fact, it was rapturously acclaimed as one of the few honest portrayals of Christ on screen. Its original Italian title pointedly omitted the Saint in St. Matthew). Pasolini's film career would then alternate distinctly personal and often scandalously erotic adaptations of classic literary texts: Oedipus Rex (1967) (Oedipus Rex); The Decameron (1971); The Canterbury Tales (1972) (The Canterbury Tales); Arabian Nights (1974) (Arabian Nights), with his own more personal projects, expressing his controversial views on Marxism, atheism, fascism and homosexuality, notably Teorema (1968) (Theorem), Pigsty and the notorious Salò, or the 120 Days of Sodom (1975), a relentlessly grim fusion of Benito Mussolini's Fascist Italy with the 'Marquis de Sade' which was banned in Italy and many other countries for several years. Pasolini was murdered in still-mysterious circumstances shortly after completing the film.- Writer
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Above all, Rainer Werner Fassbinder was a rebel whose life and art was marked by gross contradiction. Openly homosexual, he married twice; one of his wives acted in his films and the other served as his editor. Accused variously by detractors of being anticommunist, male chauvinist, antiSemitic and even antigay, he completed 44 projects between 1966 and 1982, the majority of which can be characterized as highly intelligent social melodramas. His prodigious output was matched by a wild, self-destructive libertinage that earned him a reputation as the enfant terrible of the New German Cinema (as well as its central figure.) Known for his trademark leather jacket and grungy appearance, Fassbinder cruised the bar scene by night, looking for sex and drugs, yet he maintained a flawless work ethic by day. Actors and actresses recount disturbing stories of his brutality toward them, yet his pictures demonstrate his deep sensitivity to social misfits and his hatred of institutionalized violence. Some find his cinema needlessly controversial and avant-garde; others accuse him of surrendering to the Hollywood ethos. It is best said that he drew forth strong emotional reactions from all he encountered, both in his personal and professional lives, and this provocative nature can be experienced posthumously through reviewing his artistic legacy.
Fassbinder was born into a bourgeois Bavarian family in 1945. His father was a doctor and his mother a translator. In order to have time for her work, his mother frequently sent him the movies, a practice that gave birth to his obsession with the medium. Later in life, he would claim that he saw a film nearly every day and sometimes as many as three or four. At the age of 15, Fassbinder defiantly declared his homosexuality, soon after which he left school and took a job. He studied theater in the mid-sixties at the Fridl-Leonhard Studio in Munich and joined the Action Theater (aka, Anti-Theater) in 1967. Unlike the other major auteurs of the New German Cinema (e.g., Schlöndorff, Herzog and Wenders) who started out making movies, Fassbinder acquired an extensive stage background that is evident throughout his work. Additionally, he learned how to handle all phases of production, from writing and acting to direction and theater management. This versatility later surfaced in his films where, in addition to some of the aforementioned responsibilities, Fassbinder served as composer, production designer, cinematographer, producer and editor. [So boundless was his energy, in fact, that he appeared in 30 projects of other directors.] In his theater years, he also developed a repertory company that included his mother, two of his wives and various male and female lovers. Coupled with his ability to serve in nearly any crew capacity, this gave him the ability to produce his films quickly and on extremely low budgets.
Success was not immediate for Fassbinder. His first feature length film, a gangster movie called Love Is Colder Than Death (1969) was greeted by catcalls at the Berlin Film Festival. His next piece, Katzelmacher (1969), was a minor critical success, garnering five prizes after its debut at Mannheim. It featured Jorgos, an emigrant from Greece, who encounters violent xenophobic slackers in moving into an all-German neighborhood. This kind of social criticism, featuring alienated characters unable to escape the forces of oppression, is a constant throughout Fassbinder's diverse oeuvre. In subsequent years, he made such controversial films about human savagery such as Pioneers in Ingolstadt (1971) and Whity (1971) before scoring his first domestic commercial success with The Merchant of Four Seasons (1972). This moving portrait of a street vendor crushed by the betrayal and his own futility is considered a masterpiece, as is his first international success Ali: Fear Eats the Soul (1974) (Fear Eats the Soul). With a wider audience for his efforts, however, some critics contend that Fassbinder began to sell out with big budget projects such as Despair (1978), Lili Marleen (1981) and Lola (1981). In retrospect, however, it seems that the added fame simply enabled Fassbinder to explore various kinds of filmmaking, including such "private" works as In a Year with 13 Moons (1978) and The Third Generation (1979), two films about individual experience and feelings. His greatest success came with The Marriage of Maria Braun (1979) (The Marriage of Maria Braun), chronicling the rise and fall of a German woman in the wake of World War II. Other notable movies include The Bitter Tears of Petra von Kant (1972), Fox and His Friends (1975), Satan's Brew (1976) and Querelle (1982), all focused on gay and lesbian themes and frequently with a strongly pornographic edge.
His death is a perfect picture of the man and his legend. On the night of June 10, 1982, Fassbinder took an overdose of cocaine and sleeping pills. When he was found, the unfinished script for a version of Rosa Luxemburg was lying next to him. So boundless was his drive and creativity that, throughout his downward spiral and even in the moment of his death, Fassbinder never ceased to be productive.- Writer
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The most internationally acclaimed Spanish filmmaker since Luis Buñuel was born in a small town (Calzada de Calatrava) in the impoverished Spanish region of La Mancha. He arrived in Madrid in 1968, and survived by selling used items in the flea-market called El Rastro. Almodóvar couldn't study filmmaking because he didn't have the money to afford it. Besides, the filmmaking schools were closed in early 70s by Franco's government. Instead, he found a job in the Spanish phone company and saved his salary to buy a Super 8 camera. From 1972 to 1978, he devoted himself to make short films with the help of of his friends. The "premieres" of those early films were famous in the rapidly growing world of the Spanish counter-culture. In few years, Almodóvar became a star of "La Movida", the pop cultural movement of late 70s Madrid. His first feature film, Pepi, Luci, Bom and Other Girls Like Mom (1980), was made in 16 mm and blown-up to 35 mm for public release. In 1987, he and his brother Agustín Almodóvar established their own production company: El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world, making his films very popular in many countries.- Director
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Gus Green Van Sant Jr. is an American filmmaker, painter, screenwriter, photographer and musician from Louisville, Kentucky who is known for directing films such as Good Will Hunting, the 1998 remake of Psycho, Gerry, Elephant, My Own Private Idaho, To Die For, Milk, Last Days, Finding Forrester, Promised Land, Drugstore Cowboy and Mala Noche.- Actor
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Casper is an accomplished actor, writer, film director and producer.
In 2020, he was nominated for the John Cassavetes Award at the Sprit Awards for producing "Wild Nights with Emily", Madeleine Olnek's comedic biopic about Emily Dickinson starring Molly Shannon. Also in 2020, Casper premiered his 10th feature film as a producer, when the Swedish relationship drama "Are We Lost Forever", directed by David Färdmar, had its world premiere at the Gothenburg International Film Festival.
Prior to this Casper produced and directed eight multi-award winning features in the US (five of which he also wrote): "Slutty Summer" (2004), "A Four Letter Word" (2007), "Between Love & Goodbye" (2008), "The Big Gay Musical" (2009), "Violet Tendencies" (2010), "Going Down in LA-LA Land" (2011), "Kiss Me Kill Me" (2015) and "Flatbush Luck" (2016). in Sweden he wrote and directed the drama "Ett Sista Farväl" ("A Last Farewell") in 2013. The short film went on to play over 130 film festivals worldwide and picking up 18 awards.
As an actor, Casper most recently appeared on Swedish TV in the film "Beck - ett nytt liv", and series "Dolt under ytan" and "Harmonica". In the US he has guest-starred on TV shows like "Hawaii Five-0," "Deadbeat" and"Swedish Dicks." Co-starring credits include "The Blacklist" and "Lethal Weapon." His many film roles include the Academy Award winning "Little Children". On stage, Casper has played as Hamlet in "Hamlet" in New York City and Romeo in "Romeo & Juliet" in Paris.
Casper is a dual citizen of the United States and Sweden, splitting his time between Stockholm, New York and Los Angeles. He studied acting and directing at the Lee Strasberg Theatre & Film Institute in New York.
Casper has been selected as one of the 100 most influential and newsworthy people by Out Magazine.- Writer
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Gregg Araki was born on 17 December 1959 in Los Angeles, California, USA. He is a writer and director, known for Mysterious Skin (2004), White Bird in a Blizzard (2014) and Kaboom (2010).- Director
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Rikki Beadle Blair was born on 25 July 1961 in Camberwell, London, England, UK. He is a director and writer, known for Kickoff (2011), Bashment (2011) and Stonewall (1995).- Director
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Marco Berger was born on 8 December 1977 in Buenos Aires, Argentina. He is a director and writer, known for Absent (2011), The Blonde One (2019) and Taekwondo (2016).- Director
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James Whale was an English film director, theatre director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). He also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936).
In 1931 Universal Pictures signed him to a five-year contract and his first project was Waterloo Bridge (1931). Based on the Broadway play by Robert E. Sherwood, the film starred Mae Clarke. That same year Universal chief Carl Laemmle Jr. offered Whale his choice of any property the studio owned. Whale chose Frankenstein (1931), mostly because none of Universal's other properties particularly interested him and he wanted to make something other than a war picture.
In 1933 Whale directed The Invisible Man (1933), based on the book by H.G. Wells. Shot from a script approved by Wells, the film blended horror with humor and confounding visual effects. It was critically acclaimed, with "The New York Times" listing it as one of the ten best films of the year, and it broke box-office records in cities across America. So highly regarded was the film that France, which restricted the number of theaters in which undubbed American films could play, granted it a special waiver because of its "extraordinary artistic merit". Also in 1933 Whale directed the romantic comedy By Candlelight (1933). He directed Bride of Frankenstein (1935), a sequel of sorts to "Frankenstein", which Whale was somewhat apprehensive about making because he feared being pigeonholed as a horror director. "Bride" hearkened back to an episode from Mary Shelley's original novel in which the Monster promises to leave Frankenstein and humanity alone if Frankenstein makes him a mate. He does, but the mate is repelled by the monster who then, setting Frankenstein and his wife free to live, chooses to destroy himself and his "bride." The film was a critical and box office success. However, his next major project, The Road Back (1937), was a critical and financial disaster, and contributed to his retiring from the film industry in 1941.
Beset by personal, health and professional problems, James Whale committed suicide by drowning himself in the swimming pool of his Pacific Palisades (CA) home on 29 May 1957 at the age of 67. He left a suicide note, which his longtime companion David Lewis withheld until shortly before his own death decades later. Because the note was suppressed, the death was initially ruled accidental.- Director
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F.W. Murnau was a German film director. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at the age of 12, and became a friend of director Max Reinhardt. During World War I he served as a company commander at the eastern front and was in the German air force, surviving several crashes without any severe injuries.
One of Murnau's acclaimed works is the 1922 film Nosferatu, an adaptation of Bram Stoker's Dracula. Although not a commercial success due to copyright issues with Stoker's novel, the film is considered a masterpiece of Expressionist film.
He later emigrated to Hollywood in 1926, where he joined the Fox Studio and made three films: Sunrise (1927), 4 Devils (1928) and City Girl (1930). The first of these three is widely regarded as one of the greatest films ever made.
In 1931 Murnau travelled to Bora Bora to make the film Tabu (1931) with documentary film pioneer Robert J. Flaherty, who left after artistic disputes with Murnau, who had to finish the movie on his own. A week prior to the opening of the film Tabu, Murnau died in a Santa Barbara hospital from injuries he had received in an automobile accident that occurred along the Pacific Coast Highway near Rincon Beach, southeast of Santa Barbara. Only 11 people attended his funeral. Among them were Robert J. Flaherty, Emil Jannings, Greta Garbo and Fritz Lang, who delivered the eulogy.
Of the 21 films Murnau directed, eight are considered to be completely lost.
In July 2015 Murnau's grave was broken into, the remains disturbed and the skull removed by persons unknown. Wax residue was reportedly found at the site, leading some to speculate that candles had been lit, perhaps with an occult or ceremonial significance. As this disturbance was not an isolated incident, the cemetery managers are considering sealing the grave.- Director
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Lino Brocka was born on 7 April 1939 in Pilar, Sorsogon, Luzon, Philippines. He was a director and writer, known for Dirty Affair (1990), Bayan Ko (1984) and Dipped in Gold (1970). He died on 22 May 1991 in Quezon City, Philippines.- Director
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Q. Allan Brocka's work as a director and screenwriter spans a range of genres in television, animation, live action, documentary, commercial, and feature film. He is best known as the creator, director and showrunner of Rick & Steve the Happiest Gay Couple in All the World, a prime time animated series starring that ran two seasons on MTV's Logo Network. He has also directed 5 independent feature films, screened at Sundance, Tribeca, and more than 100 film festivals.
Allan was born in Guam and raised all over the world. He earned his master's degree in film at California Institute of the Arts. Since graduating, he has volunteered with the Outfest Los Angeles LGBT film festival as filmmaker, fundraiser, mentor, and even served on its Board of Directors.- Director
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Bruce La Bruce was born on 3 January 1964 in Southampton, Ontario, Canada. He is a director and writer, known for Gerontophilia (2013).- Director
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After school, Jarman studied history and art history at King's College. In 1963 he began studying art in Pop Art London. In the general mood of optimism from the mid-1960s onward, he began to openly confront his homosexuality. Jarman took over the set design for Ken Russell on the films "The Devils" (1971) and "Savage Messiah" (1972). Then he began making experimental films himself - initially in Super 8 format. Jarman presented his first feature film in 1976 with "Sebastiane", an openly homosexual film adaptation of the life of the early Christian martyr Sebastian - in Latin! This was followed by "Jubilee" (1978), a sarcastic allusion to the crown jubilee of Elizabeth II the year before.
Jarman then turned to Shakespeare, which he filmed in the punk revue "The Tempest" (1979) and in the erotic-themed work "The Angelic Conversation" (1985). With "Caravaggio" (1986), Jarman approached the passions depicted in the Renaissance painter's paintings and which the director re-staged. At the end of 1986, Jarman learned of his HIV infection. The films "The Last of England" (1987) and "War Requiem" (1989) were made under the sign of the AIDS threat and the Falklands War, which deal with the themes of death and destruction. His films about the ambivalent historical figures of "Edward II" also deal with homosexual dramas. (1991) and "Wittgenstein" (1992). When Jarman slowly went blind, he made "Blue" in 1993, a film that only shows a blue screen and otherwise lives from its texts and sounds from the "off".- Director
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Everett Lewis is known for The Natural History of Parking Lots (1990), Somefarwhere (2011) and Territory (2016).- Director
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Apichatpong Weerasethakul (b. 1970, Bangkok) grew up in Khon Kaen, a city in the north east of Thailand. He has a degree in Architecture from Khon Kaen University and a Master of Fine Arts in Filmmaking from The School of the Art Institute of Chicago. He has been making films and videos since the early 90s. He is one of the few filmmakers in Thailand who have worked outside the strict Thai studio system. In his films, he experiments with certain elements found in the dramatic plot structure of Thai television and radio programs, comics and old films. He finds his inspiration in small towns around the country. In his work, he often uses non-professional actors and improvised dialogue in exploring the shifting boundaries between documentary and fiction.
In 2000, he completed his first feature, Mysterious Object at Noon (2000), a documentary that has been screened at many international festivals and received enthusiastic reviews and awards as well as being listed among the best films of the year 2000 by Film Comment and the Village Voice. He is active in promoting experimental and independent films through Kick the Machine, the company he founded in 1999. He is currently working on several video projects and a new feature, Tropical Malady.- Producer
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Born and raised in Hong Kong, Quentin Lee first moved to Montreal, Canada, for high school and then went to UC Berkeley for his B.A. in English, Yale University for his M.A. in English and the UCLA School of Theater, Film & TV for his M.F.A. in Film Directing in the 90s. A double immigrant and an out LGBTQ BIPOC creator, he received his green card as an Alien of Extraordinary Ability and became a US citizen to vote for President Obama on his second term. He made his first feature SHOPPING FOR FANGS which premiered at Toronto International Film Festival in 1997 and became part of the Asian American New Wave 97'. A member of Producers Guild of America and Canadian Media Producers Association, Quentin has directed and produced over 10 feature films and 3 television series. Most of his films were released theatrically and his works were sold to Netflix and Hulu and are also available on AppleTV, Amazon, Tubi and other global streaming platforms.- Director
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Writer-Director Bavo Defurne is best known for _Souvenir_ starring Academy Award Nominee Isabelle Huppert . Defurne encourages his cast and crew to transform the story material into a visually beautiful and expressive tale. Unspoken desire, the human body and nature play a prominent role in his artistic universe. Defurne's award-winning debut feature, _North Sea Texas_ was theatrically released in 2012 in among others the USA, the United Kingdom, France and Germany and became a Netflix favorite. Defurne first established himself as an exciting new talent with a series of critically acclaimed, award-winning short films, of which _Campfire_ is the best known. The very close artistic collaboration between Defurne and his writer-producer Yves Verbraeken dates back to that period. Before Bavo focused on writing and directing, he worked as a decorator for Peter Greenaway, among others, and was assistant director of the German media artist Matthias Müller. He has made a number of commercials, including the music video of "Anger Never Dies" by the hugely popular band Hooverphonic. Bavo Defurne was born in Ghent, Belgium on the 8th of June 1971 and grew up in the coastal town of Ostend. His father is a sea captain and his mother a biology teacher.- Director
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Olivier Ducastel was born on 23 February 1962 in Lyon, Rhône, France. He is a director and writer, known for The Adventures of Felix (2000), Paris 05:59: Théo & Hugo (2016) and Côte d'Azur (2005).- Director
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Jacques Martineau was born on 8 July 1963 in Montpellier, Hérault, France. He is a director and writer, known for The Adventures of Felix (2000), Paris 05:59: Théo & Hugo (2016) and Côte d'Azur (2005).- Director
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Jenni Olson's 16mm essay films have earned awards and acclaim for their uniquely contemplative storytelling style. Jenni's debut feature, The Joy of Life had its world premiere at the 2005 Sundance Film Festival and went on to play a pivotal role in renewing debate about the need for a suicide barrier on the Golden Gate Bridge. Her second film, The Royal Road premiered at Sundance in 2015 and won the jury award for Best LGBTQ Film at the Ann Arbor Film Festival.
Jenni was a co-founder of the pioneering LGBT online platform, PlanetOut.com where she established the massive queer movie database, PopcornQ and launched the first showcase for LGBT streaming media, the PlanetOut Online Cinema. Jenni subsequently served as VP of e-commerce and marketing at Wolfe Video where she created the first global LGBT streaming movie platform, WolfeOnDemand.com.
One of the world's leading experts on LGBT cinema history, Jenni's ambitious coffee table tome, The Queer Movie Poster Book (Chronicle Books), was a 2005 Lambda Literary Award nominee. She is on the advisory boards of the Outfest/UCLA Legacy Project for LGBT Film Preservation and Canyon Cinema, and on the board of the San Francisco Jewish Film Festival. She is also co-founder of the legendary Queer Brunch at Sundance and proud proprietor of Butch.org. Materials from her personal LGBT film archive have been featured in documentaries galore including Stonewall Uprising and I Am Divine. Her vintage 35mm movie trailer programs (Homo Promo, Afro Promo, Trailer Camp, etc.) have traveled the world. She continues to cover LGBT film-related news for Logo TV's NewNowNext and for various other websites. She is currently an independent consultant and serves as an advisor to many filmmakers. In one way or another she continues to champion queer independent cinema on a daily basis.- Director
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Ira Sachs was born on 21 November 1965 in Memphis, Tennessee, USA. He is a director and writer, known for Keep the Lights On (2012), Passages (2023) and Little Men (2016).- Director
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Cheryl Dunye was born on 13 May 1966 in Liberia. She is a director and producer, known for The Watermelon Woman (1996), The Owls (2010) and Mommy Is Coming (2012).- Director
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PJ Raval is a queer first generation Filipinx American filmmaker who examines social justice issues through the voices of queer and marginalized subjects. Named one of Out Magazine's "Out 100," Raval's feature credits include TRINIDAD (Showtime) and BEFORE YOU KNOW IT (PBS), a film about three gay seniors hailed by IndieWire as "a crucial new addition to the LGBT doc canon." His film CALL HER GANDA chronicles the events surrounding the murder of trans woman Jennifer Laude by a US marine in the Philippines. CALL HER GANDA broadcast on POV (PBS) in 2019 and was nominated for a Philippines Academy Award for Best Documentary and anchored an impact campaign with over 150+ community screenings including a meeting with the US State Department.
An accomplished cinematographer, Raval shot the Academy Award-nominated documentary TROUBLE THE WATER and is a co-founder of the NEA supported queer transmedia arts organization OUTsider. He serves on the steering committee of the Asian American Documentary Network (A-Doc) and is a Soros Justice Fellow, a Guggenheim Fellow, a member of the Academy of Motion Pictures Arts and Sciences.- Producer
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Arthur Dong is an Oscar®-nominated and triple Sundance award-winning filmmaker, author and curator whose work centers on Asian American and LGBTQ stories. A common theme that underscores his films is personal stories of survival and resistance set against backdrops of social and cultural oppressions. A San Francisco native, Dong's film career began with "Public," an animated Super-8 film shot on his bedroom floor. Based on a poem he wrote, "Public" tells the story of a child's response to societal norms and the culture of violence in America. The five-minute film earned first prize at the California High School Film Festival and was the young filmmaker's introduction to the power of film as a tool for progressive change. Dong's films that investigate anti-gay prejudice include "Family Fundamentals," "Licensed to Kill," and "Coming Out Under Fire." His films about Chinese Americans include "Sewing Woman," "Forbidden City, USA," and "Hollywood Chinese." His latest film, "The Killing Fields of Dr. Haing S. Ngor," profiles a Cambodian genocide survivor who went on to become the only Asian male who has ever won an Oscar® for acting. Among Arthur's over 100 film excellence awards are an Oscar® nomination, three Sundance Film Festival awards, the George Foster Peabody Award, five Emmy nominations, the Berlin Film Festival's Teddy Award, Taiwan's Golden Horse Award, and two GLAAD Media Awards. He has also been twice-selected a Rockefeller Fellow in Media as well as a Guggenheim Fellow in Film. His honors for public service include the Organization of Chinese America's Pioneer Award, The Art Deco Society's Historic Preservation Award, the OUT Magazine 100 Award, Equality Forum's LGBT History Month Icon award, and San Francisco State University's 2007 Alumnus of the Year award "for his continued success in the challenging arena of independent documentary filmmaking and his longstanding commitment to social justice." Funding for Dong's work has been received from the National Endowment for the Humanities, the National Endowment for the Arts, the Ford Foundation, the Soros Documentary Fund, the Sundance Institute's Documentary Film Program Fund, the John D. and Catherine T. MacArthur Foundation Initiative, the Independent Television Service (ITVS), the Center for Asian American Media, the Corporation for Public Broadcasting, Cal Humanities, the American Film Institute, among many others. Besides film production, Arthur has served as a curator for the exhibitions, "Chop Suey on Wax: the Flower Drum Song Album" at the Chinese Historical Society of America Museum in San Francisco, "Forbidden City, USA: Chinatown Nightclubs" at the San Francisco Public Library, and most recently, "Hollywood Chinese " at the iconic Formosa Cafe in West Hollywood. Arthur has served on the boards of the Academy of Motion Picture Arts and Sciences, the National Film Preservation Board at the Library of Congress, Film Independent and Outfest. He is the subject of full chapters in the books "Travels in a Gay Nation: Portraits of LGBTQ Americans," "The Views from Here: Conversations with Gay and Lesbian Filmmakers," "Hostile Climate: Report on Anti-Gay Activity," and "Independent Film Distribution." He recently served as Distinguished Professor in Film at Loyola Marymount University in Los Angeles where he taught graduate courses and designed MFA and certificate documentary programs. Dong's first book, "Forbidden City, USA: Chinatown Nightclubs, 1936-1970" won the American Book Award, and his follow-up book, "Hollywood Chinese: The Chinese in American Feature Films," was published in 2019.- Director
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British film director Anthony Asquith was born on November 9, 1902, to H.H. Asquith, the Chancellor of the Exchequer, and his second wife. A former home secretary and the future leader of the Liberal Party, H.H. Asquith served as prime minister of the United Kingdom from 1908-1916 and was subsequently elevated to the hereditary peerage. His youngest child, Anthony, was called Puffin by his family, a nickname given him by his mother, who thought he resembled one. Puffin was also the name his friends called him throughout his life.
Asquith was active in the British film industry from the late silent period until the mid-1960s. As a director he was highly respected by his contemporaries and had a long and successful career; by the 1960s he was one of only three British directors (the others being David Lean and Carol Reed) who were directing major international motion picture productions. However, Asquith's proclivity for adapting plays for the screen caused an erosion in his critical reputation as a filmmaker after his death. He was faulted for what was perceived as his failure to focus, like his contemporary Alfred Hitchcock, on the cinematic. Asquith was known as an actor's director, and solicited some of the finest film performances from Britain's greatest actors, including Edith Evans and Michael Redgrave.
Although Asquith's first love was music, he lacked musical talent. He channeled his artistic ambitions toward the nascent motion picture, and was instrumental in the formation of the London Film Society to promote artistic appreciation of film. Asquith traveled to Hollywood in the 1920s to observe American film production techniques, and after returning to England, he became a director.
Among his best-known films is Pygmalion (1938), an adaptation of George Bernard Shaw's stage play, which he co-directed with its star, Leslie Howard. The film was a major critical success, even in the United States, winning multiple Academy Award nominations. Nobel Prize-winner Shaw, who had been a co-founder of the London Film Society along with Asquith, won an Academy Award for best adapted screenplay for the film. Asquith had a long professional association with playwright Terence Rattigan, and two of Asquith's most famous and successful pictures were based on Rattigan plays, The Winslow Boy (1948) and The Browning Version (1951). Asquith directed the screen version of Rattigan's first successful play, French Without Tears (1940), in 1940.
Asquith's most successful postwar film was, arguably, his adaptation of Oscar Wilde's play The Importance of Being Earnest (1952). More than a half-century after it was made, Asquith's film remains the best adaptation of Wilde's work. Ironically, Asquith's father H.H., while serving as Home Secretary, ordered Wilde's arrest for his homosexual behavior. Wilde's arrest, for "indecent behavior", led to his incarceration in the Reading jail and destroyed the great playwright, personally. The Wilde incident stifled gay culture in Britain for the first two-thirds of the 20th century. Another irony of the situation is that H.H.'s youngest son, Anthony, himself was gay.
By the 1960s Asquith was directing Hollywood-style all-star productions, including the episodic The Yellow Rolls-Royce (1964), once again from a screenplay by Rattigan, and the Richard Burton-Elizabeth Taylor potboiler The V.I.P.s (1963), also with a screenplay by Rattigan. It is based in an incident in the life of Laurence Olivier, a frequent Asquith collaborator. In 1967 Asquith was tipped to direct the big-screen adaptation of the best-selling novel The Shoes of the Fisherman (1968) set to co-star Olivier and Anthony Quinn, but he had to drop out of the production due to ill heath. He died on February 20, 1968, at the age of 65.
The British Academy Award for best music is named the Anthony Asquith Award in his honor.- Director
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One of the pioneers of independent gay cinema in the 1970s and '80s, Arthur J. Bressan, Jr. is best known for his 1985 drama, Buddies (the first feature film about AIDS). Working across multiple genres including documentary, narrative, adult and short form filmmaking, Bressan's boldness and artistry as a writer-director earned him both acclaim and controversy over the course of his decade-long filmmaking career.
In addition to Buddies, Bressan's best known films include Abuse (hailed by Rex Reed as "a film of astonishing power and emotional impact"); the ambitious 1977 documentary Gay U.S.A. which showcased LGBT Pride celebrations across the country during the time of Anita Bryant's anti-gay crusade; and Passing Strangers, Bressan's lyrical hard-core coming out drama which earned him the Best Director Prize at the 1974 San Francisco Erotic Film Festival. Other films include: Forbidden Letters (1979), Family Affair (1982), Thank You, Mr. President (1983), Pleasure Beach (1984), Juice (1984) and Daddy Dearest (1984).
Bressan died of AIDS in 1987.- Director
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The Village Voice called Young's first feature, Parallel Sons "...one of the best independent films of the decade." After its premiere in the Dramatic Competition at Sundance, it won Best Feature awards at the Florida Film Festival, OutFest and Frameline. It screened at over 40 national and international film festivals before it was released theatrically.
Young's second feature The Reception opened in 2005 to rave reviews after premiering at the Tribeca Film Festival. The L.A. Times called it "polished, worldly and witty," while Variety called the film "effortlessly cosmopolitan." The New York Times said it was "quietly ambitious and memorable." The film won a Best Actor Award at OutFest and was released theatrically.
Rivers Wash Over Me, Young's third feature film, premiered in 2009 as Newfest's Centerpiece. The film went on to play over 30 festivals garnering a Jury Award for Best Feature from The Chicago International LGBT Film Festival, and a Best Actor Award from OutFest. It made several top 10 lists for 2009.
Young's most recent feature "bwoy" staring Anthony Rapp premiered in 2016 and will be released theatrically in 2017.- Art Department
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Yen Tan was born in 1975 in Malaysia. He is a director and writer, known for 1985 (2018), Pit Stop (2013) and Happy Birthday (2002).- Additional Crew
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Richard Glatzer was born on 28 January 1952 in Flushing, Queens, New York City, New York, USA. He was a producer and writer, known for Still Alice (2014), Quinceañera (2006) and Colette (2018). He was married to Wash Westmoreland. He died on 10 March 2015 in Los Angeles, California, USA.- Director
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Hailing from Leeds, England, Westmoreland earned his college degree in Politics at the University of Newcastle-upon-Tyne, and soon after moved to America to pursue filmmaking. His 2014 film, "Still Alice," starring Julianne Moore, Kristen Stewart, Alec Baldwin and Kate Bosworth, saw Moore win nearly every acting award including a BAFTA and her first Oscar.
In 2015, Westmoreland was awarded the Humanitas Prize in the feature film category for the movie, an award he shared with co-writer Richard Glatzer. The duo's previous pictures include "The Last of Robin Hood," starring Kevin Kline, Susan Sarandon and Dakota Fanning, as well as the 2006 movie "Quinceañera." The latter went on to win the Audience Award and the Grand Jury Prize at the 2006 Sundance Film Festival and also picked up the Humanitas Prize as well as the the John Cassavetes Spirit Award.
In 2018, Westmoreland directed the critically lauded "Colette" starring Keira Knightley - a film about the iconic French novelist and her tumultuous first marriage. The movie, written by Wash and Richard Glatzer, premiered Sundance and was quickly snapped up by Bleecker Street in a competitive situation.
Next, he adapted and directed the psychological drama "Earthquake Bird" for Netflix, produced by Ridley Scott and his Scott Free banner. Originally from Leeds in the North of England, Westmoreland currently lives in Los Angeles, California.- Director
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John Greyson was born in 1960 in Toronto, Ontario, Canada. He is a director and writer, known for Lilies (1996), Zero Patience (1993) and Fig Trees (2009).- Producer
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Andrew Ahn was born on 10 March 1986 in Los Angeles, California, USA. He is a director and producer, known for Spa Night (2016), Andy (2010) and Dol (First Birthday) (2011).- Director
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Tom Gustafson is a director/producer whose work has won more than 60 awards & played over 250 international film festivals. The NY Times chose his first feature, Were The World Mine, as "Critics' Pick" calling it "Movie Musical Magic." About his second feature, the NY Times proclaimed, "¡Hurra! Mariachi Gringo is right on pitch." And about his latest musical film, Hello Again, the NY Times proclaimed "The movie musical needs more ambitious creators like this." Tom graduated from Northwestern University and moonlights as an On Location Casting Director on studio projects.- Director
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Thom Fitzgerald: Since his 1997 feature debut, Thom has won over two dozen international awards including the Academy of Canadian Cinema and Television Award (Genie), The FIPRESCI European International Critics' Prize, The Emerging Master Award at the Seattle International Film Festival, and the Reader Jury of the "Siegessäule" Award at the Berlin International Film Festival. He won both the Best Canadian Film Award and the People's Choice Award at the Toronto International Film Festival. Thom is a three time premiere guest of The Sundance Film Festival, and has been lauded abroad with the City of Grandola Prize at the Troia Film Festival in Portugal, and the Best Screenplay Prize at the Mar del Plat Film Festival in Argentina. He was awarded both the Best Screenplay Award and the Most Popular Film Award at the Vancouver International Film Festival. Thom was cited as "One of the top 100 filmmakers in the world" by Screen International and "One of the Top Ten of the Next Generation" by the Hollywood Reporter. Thom was nominated for The Directors Guild of Canada Award and won the Best Director Award at the Atlantic Film Festival for "3 Needles". In 2012 Thom was awarded the prestigious Portia White Prize which is the highest honor awarded to an artist by the government of Nova Scotia recognizing artistic excellence. For his theatre work he won the Merritt Award for Best New Play (CLOUDBURST) and was nominated for Outstanding Set Design. CLOUDBURST was also nominated as Outstanding Production of 2010.- Writer
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Patrik-Ian Polk (Director, Writer, Producer), attended Brandeis University in Massachusetts and received his undergraduate degree in film and theatre from the University of Southern Mississippi in his hometown of Hattiesburg, Mississippi. He then attended graduate film school at the prestigious University of Southern California School of Cinema-Television, where he wrote and directed a number of short films. After a brief stint as a producer's assistant on Amblin Entertainment's television series, "SeaQuest,DSV," Polk was hired as a development executive at MTV's then-new Paramount-based feature film division, MTV Films. Polk actively participated in the development of such productions as the hugely successful "Beavis and Butthead Do America" and the critically acclaimed and Oscar-nominated high school dark comedy "Election."
Next, Polk served as Vice President of production and development at Tracey and Kenneth "Babyface" Edmonds' Edmonds Entertainment/e2 filmworks. During his tenure there, Polk worked on the films, "Soul Food," "Hav Plenty," and "Light It Up."
Polk made his feature film directorial debut with "Punks," an independent feature that he also wrote and produced. Often described as a male "Waiting to Exhale," "Punks" was produced by Tracey and Kenny "Babyface" Edmonds and had its world premiere in January 2000 at the Sundance Film Festival, as part of its prestigious American Spectrum series. The film delighted audiences, picked up many awards at festivals around the world and was released theatrically in November 2001. In New York City, the film played at the Quad to sold-out screenings and lines around the block. "Punks" was nominated for a 2002 Independent Spirit Award for Best low-budget feature.
In 2006, Polk made his first foray into television with the original comedy-drama series "Noah's Arc". Often described as a gay male "Sex and the City", the show centers around four black gay men in Los Angeles and was the first scripted series for the MTV/Viacom gay & lesbian themed cable network, Logo, which launched in June 2005. After its premiere, "Noah's Arc" quickly became Logo's highest rated series garnering a passionate fan base that crosses all demographics. In addition to creating and executive producing the series, Polk wrote and directed all nine of the first season's episodes. The first and second seasons of "Noah's Arc" are available on dvd in stores now and also available for download on iTunes and other on-line download services. With the two seasons fast approaching online and dvd sales of 100,000 units and recent airings on Viacom sister network BETJ, the popular series is now poised to make the transition onto the big screen this fall as the raucous and heart-warming feature film, "Noah's Arc: Jumping The Broom"- written, directed and produced by Polk. The film hits movie theaters in select cities across the country on October 24th. In addition to his work on the "Noah's Arc" film, Polk also wrote and performs three tracks on the film's upcoming soundtrack album (Tommy Boy Music/Silver Label).
Polk's next feature film is "Blackbird", based on the novel by Larry Duplechan. This coming-of-age high school drama begins production in Polk's hometown of Hattiesburg, Mississippi (Nov. 17, 2008).- Producer
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Andrew Haigh is a writer and director. His film work includes Weekend, which premiered at SXSW and won the audience award. 45 Years, premiered at the Berlin Film Festival, won 2 Silver Bears, and received an Academy Award nomination for lead actress Charlotte Rampling. Lean on Pete premiered in competition at Venice and won the Marcello Mastroianni award for actor Charlie Plummer. His most recent film, All of Us Strangers, has been nominated for 6 BAFTAs. His television work includes Looking for HBO and The North Water, a limited series for BBC.- Director
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Moshe "Mauritz" Stiller, born July 17, 1883, in Helsinki, Finland, was a director, writer and actor. He began his artistic activity in the theatre, as an actor at 16. Mauritz Stiller portrayed 87 roles from 1899-1916 and directed 16 productions 1911-28. Together with Viktor Sjöström ( director, actor, writer) he was recruited in 1912 as director/actor to the Swedish film industry by Charles Magnusson at AB Svenska Biografteatern. Mauritz Stiller's films was instantly successful. During his first year he directed six feature films. "Herr Arnes pengar" (1919), "Erotikon" (1920) and "Gösta Berlings saga" (1923) are three cornerstones of Swedish film production. In "Gösta Berlings saga" Greta Garbo, 18 years old, made her first major role. Greta Garbo and Mauritz Stiller came to be best friends and allies forever. Stiller introduced Garbo to the German audience in 1925, before the two sailed of to the USA to make "The Temptress" for Paramount/Irving Thalberg in 1926. Mauritz Stiller directed 51 feature films and appeared as an actor in seven productions from 1912-1927. At 1:05 am Nov 8, 1928, Mauritz Stiller died in Stockholm, after undergoing numerous surgeries, an abscess of a lung ended a great artist's life.- Director
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Todd Haynes was always interested in art, and made amateur movies and painted while he was still a child. He attended Brown university and majored in art and semiotics. After he graduated he moved to New York City and made the controversial short film Superstar: The Karen Carpenter Story (1987). The movie uses dolls instead of actors to tell the the story of the late Karen Carpenter. The movie was a success at several film festivals, and because of a lawsuit by Richard Carpenter (over musical rights) is very hard to see but it is a true classic for bootleg video buyers. His first feature, Poison (1991) was even more controversial. The film was attacked by conservatives and Christians who said it was pornographic, but it won the Grand jury prize at the Sundance Film Festival. It is now considered a seminal work of the new queer cinema. His short film Dottie Gets Spanked (1993) was aired on PBS. His next feature film Safe (1995) told the story of a woman played by his good friend, Julianne Moore, suffering from a breakdown caused by a mysterious illness. Many thought the film was a metaphor of the Aids virus. The movie was considered to be an outstanding work and one of the best films of the year. In Velvet Goldmine (1998), starring Christian Bale and Ewan McGregor, he combines the visual style of 60s/70s art films and his love for glam rock music to tell the story of a fictional rock star's rise and fall. Far from Heaven (2002), set in the 1950s and starring Julianne Moore and Dennis Quaid, is about a Connecticut housewife who discovers that her husband is gay, and has an affair with her black gardener, played by Dennis Haysbert. The film was a critical and box office success, garnering four Academy Awards. It was hailed as a breakthrough for independent film, and brought Haynes mainstream recognition. With I'm Not There (2007), Haynes returned to the theme of musical legend bio, portraying Bob Dylan via seven fictive characters played by six different actors. The film brought him critical claim, with special attention to the casting of Cate Blanchett as arguably the most convincing of the Dylan characters, for which she received an Academy Award nomination. In 2011, Haynes directed Mildred Pierce, a five-hour miniseries for HBO starring Kate Winslet in the title role. His new feature film Carol (2015) with Cate Blanchett premiered at the Cannes International Festival 2015 to rave reviews and won Best Actress for Rooney Mara.- Writer
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Céline Sciamma was born on 12 November 1978 in Pontoise, Val-d'Oise, France. She is a writer and director, known for Portrait of a Lady on Fire (2019), Petite Maman (2021) and Tomboy (2011).- Director
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Auraeus Solito was born in 1969 in Manila, Philippines. He is a director and writer, known for Pisay (2007), Palawan Fate (2011) and Ang pagdadalaga ni Maximo Oliveros (2005).- Director
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Sébastien Lifshitz was born on 21 January 1968 in Paris, France. He is a director and writer, known for Wild Side (2004), Little Girl (2020) and Casa Susanna (2022).- Director
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Marcel Carné, the son of a cabinet maker, entered the movies as the assistant of Jacques Feyder. At the age of 25 he directed his first movie Jenny (1936). Colaborating with the writer Jacques Prévert, the decorator Alexandre Trauner, the musician and composer Maurice Jaubert and the actor Jean Gabin he became the great director of the pre-war era of the French cinema with the poetic realism style (e.g. Hotel du Nord (1938)). During the occupation of France by Nazi-Germany he worked in the zone of the government of Vichy making Children of Paradise (1945), a clear anti-Nazi parable and all time classic of French cinema. After having been confronted with a purge trial he went on filming but none of his later movies could catch up with his former works.- Director
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The main part of his few movies were filmed in the quarter of a century in which he worked closely together with the Indian producer Ismail Merchant and the German writer Ruth Prawer Jhabvala. His first films are all set in India and are very much influenced by the style of Satyajit Ray and Jean Renoir. After this period, he filmed three stories in New York and then dedicated his work to the great works of the English literature which made him internationally famous. Examples of this period are The Europeans (1979) and The Bostonians (1984) by Henry James, Jane Austen in Manhattan (1980) by Jane Austen, Quartet (1981) by Jean Rhys or A Room with a View (1985) and Maurice (1987) by E.M. Forster.- Actor
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Oscar-winning director John Schlesinger, who was born in London, on February 16, 1926, was the eldest child in a solidly middle-class Jewish family. Berbard Schlesinger, his father, was a pediatrician, and his mother, Winifred, was a musician. He served in the Army in the Far East during World War II. While attending Balliol College at Oxford, Schlesinger was involved with the Undergraduate Dramatic Society and developed an interest in photography. While at Oxford, he made his first short film, "Black Legend," in 1948. He took his degree in 1950 after reading English literature and then went into television. From 1958 through 1961, he made documentaries for the British Broadcasting Corp.
His 1960 documentary, Terminus (1961), which was sponsored by British-Transport, won him a British Academy Award and the Gold Lion at the Venice Film Festival. He made the transition to feature films in 1962, with the "kitchen sink" drama A Kind of Loving (1962), which got him noticed on both sides of the Atlantic. His next film, the Northern comedy Billy Liar (1963), was a success and began his association with actress Julie Christie, who had a memorable turn in the film. Christie won the Best Actress Academy Award and international superstardom and Schlesinger his first Oscar nomination as Best Director with his next film, the watershed Darling (1965), which dissected Swinging London. Subsequently, Schlesinger and Christie collaborated on Far from the Madding Crowd (1967), an adaptation of Thomas Hardy's classic novel, in 1967. The movie was not a success with critics or at the box office at the time, though its stature has grown over time. His next film, Midnight Cowboy (1969), earned him a place in cinema history, as it was not only a huge box office hit but also widely acclaimed as a contemporary classic. It won the Oscar for Best Picture and garnered Schlesinger an Oscar for Best Director.
Schlesinger earned his third, and last, Oscar nomination for the highly acclaimed Sunday Bloody Sunday (1971). He continued to operate at a high state of aesthetic and critical achievement with The Day of the Locust (1975), Marathon Man (1976) and Yanks (1979), but his 1981 comedy, Honky Tonk Freeway (1981), was one of the notable flops of its time, bringing in only $2 million on a $24-million budget when breakeven was calculated as three times negative cost. Although Schlesinger continued to work steadily as a director in movies and TV, he never again tasted the sweet fruits of success that he had for more than a decade, beginning in the mid-'60s.
Schlesinger's artistic fulfillment increasingly came from directing for the stage and, specifically, opera. He directed William Shakespeare's "Timon of Athens" for the Royal Shakespeare Company (RSC) in 1964, and after his movie career faded, he directed plays, musicals, and opera productions. After Laurence Olivier was eased out of the National Theatre in 1973, Schlesinger was named an associate director of the NT under Olivier's successor, Sir Peter Hall of the RSC.
Schlesinger suffered a stroke in December 2000. His life partner, Michael Childers, took him off life support, and he died the following day, July 24, 2003, in Palm Springs, Claifornia. He was 77 years old.- Director
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Rob Epstein was born in New Brunswick, New Jersey, USA as Robert P. Epstein. He is a producer and director, known for The Celluloid Closet (1995), Paragraph 175 (2000) and The Times of Harvey Milk (1984).
Rob has produced films that have screened worldwide, in cinemas, on television, home video and digital platforms, at museums, and at leading film festivals such as Sundance, Berlin, Venice, Telluride, Toronto and New York. Rob has received two Academy Awards®, five Emmy Awards, three Peabodys and both a Guggenheim and Rockefeller Fellowship.
Rob moved by bus from New York City to San Francisco at age 19. His first job in the city was as an usher at the Castro Theater back when there was still a smoking section. While taking a filmmaking class at San Francisco State University, he became a production assistant on a documentary in early development where he met his mentor, Peter Adair. He quickly rose to co-director, with the other members of the Mariposa Film Group. The film became the landmark documentary Word Is Out, released in theaters in 1978, airing nationally on prime-time public television, and recently restored and re-released by Milestone.
Rob's next project was the Oscar-winning feature documentary The Times of Harvey Milk, which he conceived, directed, co-produced and co-edited. The film touched audiences immediately, becoming an international festival sensation starting at Berlinale, and winning the Academy Award® for Best Feature Documentary as well as the New York Film Critics Award for Best Non-Fiction Film of 1985. In 2013, the Library of Congress selected it for the National Film Registry, and the film is now part of the prestigious Criterion Collection. Harvey Milk was recently named one of "25 most influential documentaries of all time" by the Cinema Eye honors and in 2017 received the Legacy Award.
Since 1987, Rob and his producing partner Jeffrey Friedman have worked under the Telling Pictures banner, traversing the worlds of non-fiction and scripted narrative. Rob won his second Oscar for the documentary Common Threads: Stories from the Quilt, made with Jeffrey Friedman. Rob's other films with Jeffrey include the box office hit The Celluloid Closet (Emmy Award for directing), the HBO documentary Paragraph 175 (Sundance Film Festival Jury Award for Directing), Where Are We?, And the Oscar Goes to for Turner Classic Movies and most recently Killing the Colorado, a feature documentary about the drought in the Western U.S. premiering on Discovery Channel in August 2016.
In moving from documentary to dramatic narrative, Rob and Jeffrey collaborated on the narrative feature HOWL, starring James Franco, followed by Lovelace, starring Amanda Seyfried, Peter Sarsgaard and Sharon Stone, and released by The Weinstein Company's Radius-TWC. Both films premiered at the Sundance and Berlin Film Festivals. HOWL was developed at the Sundance Institute Writer's Lab, where Rob and Jeffrey were Sundance Screenwriting Fellows in 2009, and was released theatrically by Oscilloscope Laboratories. It received the Freedom of Expression Award from the National Board of Review.
In addition to his Oscars for The Times of Harvey Milk and Common Threads, Rob has received several Peabody and Emmy Awards, as well as Guggenheim and Rockefeller Fellowships. In 2008, Rob was recognized with the Pioneer Award from the International Documentary Association (IDA) for distinguished lifetime achievement. He has also received achievement awards from Frameline (1990), Outfest (2000) and the Provincetown International Film Festival. In 2016, Epstein was awarded the Kenneth Rainin Foundation Screenwriting Grant by the San Francisco Film Society for his original screenplay Dogpatch (working title).
Career retrospectives honoring Rob's work have been presented at the Institute of Contemporary Art in London (ICA), the Taipei International Film Festival in Taiwan, the Cinémathéque Québécoise in Montreal, and the Pink Apple Film Festival in Zurich.
In addition to his filmmaking career, Rob is a professor at California College of the Arts, where he serves as Co-chair of the Film program. He has been a visiting professor at the Graduate Film Program at NYU's Tisch School of the Arts. He serves on the Sundance Institute's Board of Trustees and is a member of the Directors Guild of America as well as the Academy of Motion Picture Arts and Sciences' Documentary Branch where he served as an elected member of the Board of Governors for three terms.- Director
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Jeffrey Friedman is a producer, director, and editor, known for Linda Ronstadt: The Sound of My Voice (2019), The Celluloid Closet (1995) and Howl (2010).
Jeffrey began his film career in New York City working with some of the most respected filmmakers in the industry. He apprenticed with the legendary editor Dede Allen on the Arthur Penn segment of Visions of Eight (1973), and assisted Thelma Schoonmaker on Martin Scorcese's Raging Bull (Academy Award, Film Editing, 1980). His editing credits include three Oscar-nominated documentaries, one of which, Common Threads: Stories From the Quilt (1989), won for Best Documentary Feature.- Actor
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John Cameron Mitchell was born on 21 April 1963 in El Paso, Texas, USA. He is an actor and director, known for Hedwig and the Angry Inch (2001), Shortbus (2006) and How to Talk to Girls at Parties (2017).- Director
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Bill Condon was born on 22 October 1955 in New York City, New York, USA. He is a director and writer, known for Dreamgirls (2006), Gods and Monsters (1998) and Kinsey (2004).- Director
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Randal Kleiser has been an internationally known film director since the release of his first feature, Grease (1978). Other features include The Blue Lagoon (1980) with Brooke Shields, Summer Lovers (1982) starring Peter Gallagher and Daryl Hannah, Grandview, U.S.A. (1984) with Jamie Lee Curtis, Flight of the Navigator (1986), featuring the first use of digital morphing in a motion picture; Honey, I Blew Up the Kid (1992) and White Fang (1991). In London he directed the critically acclaimed comedy Getting It Right (1989) starring Lynn Redgrave, Helena Bonham Carter, Jane Horrocks and Sir John Gielgud. In 1996 he wrote and directed It's My Party (1996) starring Eric Roberts, Gregory Harrison, Lee Grant, Bruce Davison and Marlee Matlin.
As a writer-producer, he was responsible for the surfing classic North Shore (1987) for Universal Pictures. He also directed the thriller Shadow of Doubt (1998) with Melanie Griffith and Tom Berenger. Working in 70mm 3-D, he directed Honey, I Shrunk the Audience (1994), which drew record crowds at the Disney Theme Parks in Anaheim, Orlando, Tokyo and Paris. His television movies include The Boy in the Plastic Bubble (1976) with John Travolta; the Emmy Award-winning The Gathering (1977) and Dawn: Portrait of a Teenage Runaway (1976).
As a freshman at USC, he appeared in George Lucas' first student film, Freiheit (1966). Kleiser's award-winning Master's thesis film, Peege (1973), launched his professional career. He has taught a graduate production workshop at USC and Master Directing Classes for European students at film festivals in Deauville and Sarlat, and Malaga. Kleiser serves as a judge on the Student Awards for the Academy of Motion Picture Arts and Sciences, and as chairman of the Academic Subcommittee for the Directors Guild of America, he inaugurated a videoconferencing program to connect film classes with working directors. Working with the Graphics Lab at USC's Institute for Creative Technologies, Kleiser has co-invented a digital Cinerama-like process called Vistarama HD and developed "Silver Metal Lover" for Dimension Pictures. In 2005 he directed Amanda Bynes for Lovewrecked (2005), shot in the Caribbean. Two years later Kleiser came up with an original musical movie shot on virtual sets, Red Riding Hood (2006), starring Joey Fatone and Lainie Kazan.
Kleiser has spent several years working with George Lucas to create The Nina Foch Course for Filmmakers and Actors (2010), an instructional video for aspiring actors, writers and filmmakers. Kleiser was heavily influenced by Nina Foch's teachings during his time at USC and maintained a relationship with Foch as his mentor throughout his career.
Randal Kleiser wrote and directed the 360 degree Virtual Reality series Defrost: The Virtual Series (2019), featuring Carl Weathers, Bruce Davison and Harry Hamlin which was shown at the Sundance Film Festival and the Cannes Film Festival in 2016.
Kleiser serves on the Sci Tech Council of the Academy of Motion Picture Arts and Sciences. At the Directors Guild of America, Kleiser chairs the annual Digital Day presentation and serves on the National Board.
Official Site: http://www.randalkleiser.com/- Writer
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Keisuke Kinoshita was born on 5 December 1912 in Hamamatsu, Shizuoka, Japan. He was a writer and director, known for Twenty-Four Eyes (1954), The Ballad of Narayama (1958) and The Garden of Women (1954). He died on 30 December 1998 in Tokyo, Japan.- Writer
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Terence Davies was born on 10 November 1945 in Liverpool, England, UK. He was a writer and director, known for Distant Voices, Still Lives (1988), The House of Mirth (2000) and Benediction (2021). He died on 7 October 2023 in Mistley, Essex, England, UK.- Writer
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Jean Cocteau was one of the most multi-talented artists of the 20th century. In addition to being a director, he was a poet, novelist, painter, playwright, set designer, and actor. He began writing at 10 and was a published poet by age 16. He collaborated with the "Russian Ballet" company of Sergei Diaghilev, and was active in many art movements, but always remained a poet at heart. His films reflect this fact. Cocteau was also a homosexual, and made no attempt to hide it. His favorite actor was his close friend Jean Marais, who appeared in almost every one of his films. Cocteau made about twelve films in his career, all rich with symbolism and surreal imagery. He is now regarded as one of the most important avant-garde directors in cinema.- Director
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Nicholas Hytner was born on 7 May 1956 in Manchester, England, UK. He is a director and producer, known for The Madness of King George (1994), The Crucible (1996) and The History Boys (2006).- Director
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Rob Marshall was born on 17 October 1960 in Madison, Wisconsin, USA. He is a director and producer, known for Mary Poppins Returns (2018), Chicago (2002) and Into the Woods (2014).- Writer
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Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism. This triangulation of monuments would create an equally titanic filmmaker whose work remained stylistically sui generis through arguably the most impressive decades of 20th century filmmaking. The quietude of La Terra Trema (1948) is managed with an operatic virtuosity, and the baroque period pieces-for which he is best known today-clearly point to a noble upbringing. However, there is also a Gothic character to Visconti-embodied in the spired cathedral that overshadowed his childhood-that has remained largely unsung. The relationship between the Visconti family and Gothic architecture stretches back to the Medieval Era. In 1386, Duke Gian Galeazzo Visconti envisioned a cathedral in the heart of Milan, though it was fated to remain under construction for almost half a millennium until Napoleon ordered its completion in the 19th century. Just as his ancestor brought Northern Gothic architecture to Italy, so, in 1943, did Luchino introduce the groundbreaking cinematic genre of Italian neorealism to the peninsula. Doing away with sets, neorealist cinema was set in the raw environment of postwar Italy. In one sense anti-architectural in its desire to transcend the bonds of interior space, this same ambition is what makes the style a perfect cinematic analog to the Gothic. The Gothic is an architecture of exteriority: Throwing ceilings to the sky and opening walls onto the outside with large windows, the Gothic presents light as the manifestation of divinity within a place of worship. The mysticism of light, dating back to the pseudo-Dionysian theology of Abbot Suger of St. Denis Cathedral, translates well to the medium of light that is the cinema. In any Visconti work, lighting is intimately connected to set design: It is often seen in the gleam of curtains, the radiance of starlight or the glow of Milanese fog, where the director carries the religiosity of Gothic architecture into his realism. Visconti's religion (or should we say religions? For he was also a Marxist) adds an ethical weight, powerful and challenging, to his works. The term decadence, often associated with Visconti, only attains meaning through being in excess of contemporary mores. Neither the Catholic Church nor the Italian communists could accept Visconti's homosexuality, and a resultant displaced angst is plainly worn by his protagonists-monumental individuals who bear the full weight of their social milieus. While neorealism has come to be packaged with its own mythology-a new cinema for a liberated nation, the idea of a new "Italian" style-re-centering our historical gaze on the Gothic Visconti allows one's imagination to spread across a much larger plane of geography and time. From his cinematic apprenticeship with Jean Renoir in France-the very cradle of Gothic architecture-to his German trilogy, Visconti's style has always been one of cosmopolitan effort. This international flavor also matches the deeper etymological referent of the Gothic-the Goths, those barbarian invaders who toppled the Roman Empire. Among Visconti's formal signatures are many borrowings from foreign directors, including the particularly pronounced influence of Jean Renoir, Josef Von Sternberg and Elia Kazan. Global in scope, timeless in influence and architectural in spirit: This is the legacy of Luchino Visconti.- Director
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Luca Guadagnino was born on 10 August 1971 in Palermo, Sicily, Italy. He is a director and producer, known for Call Me by Your Name (2017), Suspiria (2018) and Bones and All (2022).- Writer
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Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996). His film Open Your Eyes (1997) was a huge success in Spain and was distributed worldwide. It was remade in Hollywood by Cameron Crowe as Vanilla Sky (2001), starring Tom Cruise, Penelope Cruz (also the star of the original version) and Cameron Diaz. The Others (2001) is Amenábar's first English language film.- Director
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A graduate of Carnegie Tech, Arthur Lubin entered films as an actor in the 1920s, and after appearing in many films turned to directing in 1934, mainly for Universal. His forte was light comedy, but he helmed many different types of pictures for the studio. Lubin was the director Universal entrusted with its new comedy team of Bud Abbott and Lou Costello; he didn't let the studio down, and the team's films with Lubin, such as Buck Privates (1941), Hold That Ghost (1941) and Ride 'Em Cowboy (1942), rank among their best. Lubin has said that while shooting an Abbott and Costello film he would have one camera do nothing but focus on Costello, who had so much energy that he would run around the set doing wild improvisations, make up bits of business and mischievously throw actors wrong cues or not cue them at all, making it impossible to plan a shot before shooting; with one camera focused solely on Costello, whatever craziness he was engaged in could be edited in (or out; Costello was renowned for his off-color ad libs) later. Lubin's Abbott & Costello films saved Universal from bankruptcy, and as a reward he was handed the assignment of directing Universal's remake of its silent classic, Phantom of the Opera (1943). It was very successful, and remains as Lubin's highest-grossing and most critically acclaimed film. In the 1950s he was put in charge of the "Francis the Talking Mule" series, which also became successful, so much so that Lubin turned to television and developed another talking-animal series, the popular and long-running Mister Ed (1961).- Writer
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Spanish movies director. He studied cinema in Paris at the IDHEC. He began working in cinema in 1966, though he became famous in the years of the spanish transition to the democracy with provoking films. Drugs, delinquence, terrorism and generational problems are the common subjects in his films.- Actor
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A talented actor and distinguished stage director, Peter Glenville was the son of Shaun Glenville, the British music hall artist and noted pantomime dame. Born in London Glenville was educated at the Jesuit's Stonyhurst College where he appeared in a production of Hamlet in the 1930s and was singled out by critics for his matinee idol looks.
He played small roles in West End shows during the 1940s but his true talent lay as a director. He became a director at the Old Vic Theatre in 1944 and worked with some of the leading playwrights of the period including Tennessee Williams, Jean Anouilh, Terence Rattigan and Graham Greene.
In 1949 he took Rattigan's The Browning Version to Broadway and later went on to direct the writer's Separate Tables, which starred Eric Portman and Margaret Leighton. Later stage productions included The Prisoner (with Alec Guinness) and Romeo and Juliet (with Olivia de Havilland). One of his most long running commercial productions was Feydeau's Hotel Paradiso which ran on Broadway and in London starring Alec Guinness, Douglas Byng and Martita Hunt. On Broadway Byng's role was taken by Bert Lahr.
In an interview about his life in the theatre and cinema Glenville said: "I believe that the director should, like a conductor, be an interpreter of a particular world of each playwright with whom he works. On occasion, the style of the play should call for the most delicate and unobtrusive staging. Sometimes other plays allow for broad and colourful strokes of direction, involving all the tricks that theatre magic can provide."- Director
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Stanley Kwan was born on 9 October 1957 in Hong Kong. He is a director and producer, known for Lan Yu (2001), Hold You Tight (1998) and Rouge (1987).- Producer
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In 1989, Stephen Daldry worked as a freelance reader of unsolicited manuscripts for Literary Manager Nicholas Wright in the Scripts Department at the Royal National Theatre. In July of that year, he directed a Dadaist/expressionist production of "Judgement Day," a play by Odon von Horvath, at the Old Red Lion in London.- Director
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Stephan Elliott was born on 27 August 1964 in Sydney, New South Wales, Australia. He is a director and writer, known for The Adventures of Priscilla, Queen of the Desert (1994), Easy Virtue (2008) and Eye of the Beholder (1999).- Writer
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Roland Emmerich is a German film director and producer of blockbuster films like The Day After Tomorrow (2004), Godzilla (1998), Independence Day (1996) and The Patriot (2000). Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope (1977). Emmerich began his career in his native Germany. In his youth, he pursued painting and sculpting. While enrolled in the director's program at film school in Munich, his student film The Noah's Ark Principle (1984) went on to open the 1984 Berlin Film Festival. The feature became a huge success and was sold to more than 20 countries. In an amazing trivia, he directed his first feature, The Noah's Ark Principle (1984), in 1984. He is openly gay and a campaigner for the LGBT community.
A director/writer/producer with a flair for special effects-driven action, German Roland Emmerich made himself at home in blockbuster-hungry 1990s Hollywood. Born and educated in West Germany, Emmerich studied production design as well as direction at the Munich Film and Television School. After his student film, The Noah's Ark Principle, debuted at the 1984 Berlin Film Festival, Emmerich formed his production company Centropolis and directed supernatural fantasies Making Contact (1986) and Ghost Chase (1987), and the straight-to-video action film Moon 44 (1990). On the latter, he met actor Dean Devlin who subsequently switched jobs to become Emmerich's writing and producing partner once Emmerich set up shop in Hollywood.
After making his solo Hollywood debut directing Jean-Claude Van Damme in the cyborg action fest Universal Soldier (1992), Emmerich and Devlin revealed a talent for conjuring A-level action spectacles out of B-movie scenarios with their first film together, Stargate (1994). A space odyssey mixing ancient Egyptiana and high-tech wizardry, Stargate became an unexpected hit. Emmerich hit his blockbuster stride with his next film, Independence Day (1996). With its eye-popping destruction of major cities and climactic annihilation of a spacecraft via portable computer, Independence Day blew away its summer movie competition on the strength of its visual flash. Geared to repeat with the endlessly- and creatively-hyped version of Godzilla (1998), Emmerich instead faced the conundrum of directing a $100 million grossing film that did not live up to box office expectations. Emmerich and Devlin next turned their epic visions to the decidedly lower-tech (but still CGI-enhanced) action of the American Revolution in the Mel Gibson summer vehicle The Patriot (2000).- Writer
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Robin Campillo was born on 16 August 1962 in Mohammédia, Morocco. He is a writer and editor, known for Eastern Boys (2013), 120 BPM (2017) and The Class (2008).- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Director
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H.P. Mendoza was born in San Francisco, California, USA. H.P. is a director and writer, known for Bitter Melon (2018), I Am a Ghost (2012) and Colma: The Musical (2006).- Director
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Writer/Director Dee Rees is an alumna of New York University's graduate film program and a Sundance Screenwriting & Directing Lab Fellow.
In 2018, Dee became the first Black woman nominated for an Oscar in the Best Adapted Screenplay category for her highly-acclaimed film Mudbound (2017). The film, starring Jason Mitchell, Carey Mulligan and Mary J. Blige, tells the story of two men returning home from World War II, struggling to deal with racism and post-war life and was nominated for four Oscars, two Golden Globes, and received over 100 nominations between 2017 and 2018.
Her 1980's political thriller The Last Thing He Wanted is an adaptation of the novel by Joan Didion and will star Anne Hathaway as hardened journalist Elena McMahon.
Dee's Emmy-Award winning HBO film Bessie (2015) starred Queen Latifah as the legendary American Blues singer and was nominated for a total of twelve Emmy Awards, including Dee's individual nominations for Outstanding Writing and Outstanding Directing For A Limited Series, Movie or Dramatic Special. Bessie was also nominated for four Critics' Choice Awards and Dee was the recipient of the 2016 Director's Guild of America Award for Outstanding Directorial Achievement in Movies for Television and Miniseries as well as the NAACP Image Award for Outstanding Directing in a Television Movie.
Dee's debut feature film Pariah starring Adepero Oduye and Kim Wayans premiered at the 2011 Sundance Film Festival where it was honored with the festival's U.S. Dramatic Competition "Excellence in Cinematography" Award and was later released by Focus Features. Pariah went on to win numerous awards including the John Cassavetes Award at the Independent Spirit Awards (2011), the Gotham Award for Best Breakthrough Director (2011), Outstanding Film- Limited Release at the GLAAD Media Awards (2012) and it received seven NAACP Image Award nominations including Outstanding Motion Picture, Outstanding Directing and Outstanding Writing and won the award for Outstanding Independent Motion Picture. Pariah also earned Dee a spot on New York Times' 10 Directors to Watch list in 2013.
Previously, Dee was selected as a 2008 Tribeca Institute/Renew Media Arts Fellow and appeared on Filmmaker Magazine's 25 New Faces of Independent Film that same year. She is a 2011 United States Artists Fellow and her notable residencies include Yaddo and The MacDowell Colony.
Dee Rees was born and raised in Nashville, Tennessee and resides in New York.- Writer
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Hashiguchi Ryosuke directed 8mm-films while still at secondary school. In 1989 his short film "A Secret Evening" won the grand prix at the Pia Film Festival. In 1992 he made his first feature "The Slight Fever of a 20-year old", which was screened in Berlin and broke box-office records at one of the cinemas it was screened in in Japan.- Director
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Lindsay was born in Bangalore, India but educated in England at Cheltenham College and Wadham College, Oxford where he was a classical scholar. He then spent 3 years war time service in the Kings Royal Rifle Corps. His career in the theatre started at the Royal Court in the late 1950's where he was responsible for the premiere productions of The Long and the Short and the Tall, Sergeant Musgrave's Dance, Billy Liar and The Bed Before Yesterday. His collaboration with David Storey began with the film This Sporting Life followed by the plays In Celebration, Home, The Changing Room, Early Days and his last, in 1992, Stages He also contributed to the Times, Observer and New Statesman newspapers.- Writer
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James Bridges was born on 3 February 1936 in Paris, Arkansas, USA. He was a writer and actor, known for The China Syndrome (1979), Perfect (1985) and The Paper Chase (1973). He died on 6 June 1993 in Los Angeles, California, USA.- Additional Crew
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Patrice Chéreau was born on 2 November 1944 in Lézigné, Maine-et-Loire, France. He was a director and actor, known for Intimacy (2001), The Last of the Mohicans (1992) and Queen Margot (1994). He died on 7 October 2013 in Clichy, Hauts-de-Seine, France.- Director
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Lisa Cholodenko earned an MFA at Columbia University Film School where she made an award-winning short film Dinner Party (1997) Her feature High Art (1998) won the National Society of Film Critics award for Ally Sheedy's performance and The Waldo Salt Screenwriting award at Sundance. Both "High Art" and Laurel Canyon (2002) premiered at Cannes Director's Fortnight.- Producer
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Jeffrey Schwarz is an Emmy Award-winning producer, director and editor based in Los Angeles. His latest feature documentary is "Commitment to Life," which chronicles the city of Los Angeles' response to the HIV/AIDS crisis. It premiered at the Santa Barbara International Film Festival and is currently streaming on NBCUniversal's Peacock. Previous work includes "Boulevard! A Hollywood Story," "The Fabulous Allan Carr," "Tab Hunter Confidential," "I Am Divine," "Wrangler: Anatomy of an Icon," "Spine Tingler! The William Castle Story," and the Emmy Award-winning HBO Documentary Films' "Vito."- Director
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Curtis Harrington was an excellent and shamefully underrated writer and director who specialized in marvelously offbeat and atmospheric low-budget independent horror pictures. Harrington was born on September 17, 1926, in Los Angeles and grew up in Beaumont, California. A hardcore film buff from a very young age, Harrington worked as a movie theater usher, a messenger at Paramount and a stagehand during his younger days. He made his first 8mm effort at age 14 and attended UCLA. In the 1940s and 1950s Harrington made a string of experimental avant-garde underground shorts, such as Picnic (1949), Fragment of Seeking (1946), "The Assignation" and "Wormwood Star". He was the cinematographer on Kenneth Anger's Puce Moment (1949) and acted in Anger's Inauguration of the Pleasure Dome (1954).
Harrington also was involved with fellow avant-garde filmmaker Maya Deren. He began working for Jerry Wald Productions at 20th Century-Fox in 1957 and served as a producer's assistant on several big-budget pictures, including Peyton Place (1957) and The Long, Hot Summer (1958). In 1961 he made a strong--and impressive--feature-film debut with the nicely moody and quirky Night Tide (1961)_. His follow-up features were a pleasingly diverse, idiosyncratic and often entertaining bunch, and included the nifty sci-fi/horror Alien (1979) precursor Queen of Blood (1966) and the delightfully campy Shelley Winters vehicles Whoever Slew Auntie Roo? (1972) and What's the Matter with Helen? (1971) (the latter was Harrington's personal favorite of all his films), the perverse The Killing Kind (1973) and the immensely fun Ruby (1977). Moreover, Harrington directed a handful of solid and satisfying made-for-TV offerings: How Awful About Allan (1970), The Cat Creature (1973), Killer Bees (1974), The Dead Don't Die (1975) and the hilariously horrible Devil Dog: The Hound of Hell (1978). In addition, Harrington directed episodes of such popular TV shows as Dynasty (1981), The Twilight Zone (1959), The Colbys (1985), Hotel (1983). Wonder Woman (1975) and Charlie's Angels (1976). Harrigton's final film was the typically oddball short Usher (2000).
Curtis Harrington died at age 80 from complications following a stroke on May 6th, 2007.- Director
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Robert James Hamer was born in 1911 along with his twin sister Barbara, the son of Owen Dyke Hamer, a bank clerk, and his wife, Annie Grace Brickell. He was educated at Cambridge University where he wrote some poetry and was published in a collection 'Contemporaries and Their Maker', along with the spy Donald Maclean.
Hamer's cinematic career began as a clapper boy at London Films in 1934, and by 1938 he was on the editing staff. He worked as an editor on Alfred Hitchcock's Jamaica Inn (1939) and worked briefly for the GPO Film Unit. He joined Ealing in 1941 as an editor, becoming an associate producer in 1943. He first made a name for himself as a director with the "The Haunted Mirror" segment in the 1945 omnibus film Dead of Night (1945).
At Ealing he directed one of the classic British comedies, Kind Hearts and Coronets (1949), in which Alec Guinness played eight roles. Hamer was nominated for the Golden Lion at the 1949 Venice Film Festival for his work on the film, as he was in 1954 for directing Guinness in The Detective (1954), which was based on G.K. Chesterton's short stories (Hamer also also directed Guinness in the 1955 romantic comedy To Paris with Love (1955) at Rank and the thriller The Scapegoat (1959), which was based on the Daphne Du Maurier novel, for Du Maurier-Guinness/MGM).
Hamer's last directorial effort was 1960's School for Scoundrels (1960) with Terry-Thomas and Alastair Sim. He died in London on December 4, 1963, and was buried at Llandegley.- Director
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Yonfan wrote, directed and produced all 14 of his motion pictures.
He was born in Wuhan, China and brought up in Taiwan now lives in Hong Kong. Throughout his career, he gave Maggie Cheung her first on-screen romantic role and made Chow Yun-fat a box-office star, Story of Rose (1985), discovered Daniel Wu, Bishonen (1998) and revived the career of the legendary Rie Miyazawa, Peony Pavilion (2002). He has pioneered LGBT theme in the Hong Kong mainstream cinema. He has worked with practically every Chinese screen siren of his era. He also restored his complete film library and is now restoring his photographic work including images of China and Tibet in the late 70's and 80's. In 1997, French President Jacques Chirac presented the title of Chevalier de la Légion d'Honneur to Yonfan to honor his contribution to film art.
As a connoisseur of Chinese paintings, Yonfan has made donations to Musée Guimet Paris and the Arthur M Sackler Gallery. He is also a renowned writer in Chinese and has had books of his essays and short stories, memoirs of world cinema, his photography and his art collections published in Chinese, English and Japanese.
No.7 Cherry Lane is Yonfan's debut animation and his first new film in a decade (Prince of Tears in 66th Venice Competition, 2009) and awarded "Best Screenplay" in 76th Venice Competition, 2019.- Director
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Born in Lucknow, India, Waris Hussein moved to England at age nine with his parents. He later attended Cambridge and at 21 started as a trainee director with BBC, where his mother, the late Attia Hussein, worked. In addition to reading news in Hindi, she was also the station's dramatic star--translating William Shakespeare in Urdu and Hindi--as well as an author. Young Hussein, too, was influenced by his mother's artistic abilities and knew very early on that he wanted to be a director. After starting in television with work on Doctor Who (1963) (including directing the very first episode, An Unearthly Child (1963)), Hussein moved on to film, directing such legends as Lord Laurence Olivier, Bette Davis and Joan Plowright.
While considering himself a British filmmaker, Hussein has worked both sides of the Atlantic, as well as in the country of his birth, India.- Director
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Malcolm Ingram (Director / Producer) While on assignment for Film Threat magazine, Ingram met filmmaker Kevin Smith (Chasing Amy, Dogma, Clerks), who soon became his mentor. Smith financed Ingram's first feature film, "Drawing Flies," starring rising talent Jason Lee. Shot in the summer of 1995, the comedy found success on the Festival circuit and was released on DVD. Ingram's next feature, "Tail Lights Fade" featured a high profile, talented cast including Denise Richards, Jake Busey, Elizabeth Berkeley and Margot Kidder. The film, a delirious action-comedy-drama, was released by Trimark/Lions Gate in 1999.
His third film, the documentary "Small Town Gay Bar," has screened at over 100 film festivals around the globe. Making its world premiere at the 2006 Sundance Film Festival, the film received a nomination for the Grand Jury Prize and went on to get a GLAAD Media Award nomination for Best Documentary. It also garnered multiple awards including the HBO Award for Best Documentary at the Miami LGBT Film Festival and the Grand Jury Award at Outfest in Los Angeles. Ingram's next film project, "Bear Nation," premiered at the 2010 SXSW Film Festival and played over 50 film festivals before winning the Best Documentary at the Atlanta International Film Festival.
His most recent documentary "Continental," that tells the story of the infamous NYC gay landmark that started the careers of Bette Midler, Barry Manilow, Patti LaBelle and Frankie Knuckles while serving as a cultural and political hub, premiered to sell-out audiences at the 2013 SXSW Film Festival. It has since gone on to win awards and screen at festivals including the Hot Docs International Documentary Festival, Outfest, Frameline, Palm Springs International Film Festival, Melbourne International Film Festival and 2013 BAM Cinemafest.
He is currently finishing his fourth documentary, "Out To Win" about gay people in sports.- Director
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Marlon Riggs was born on 3 February 1957 in Texas, USA. He was a director and producer, known for Tongues Untied (1989), Color Adjustment (1992) and Black Is... Black Ain't (1994). He died on 5 April 1994 in Oakland, California, USA.- Director
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Antonio Hens was born in 1969 in Córdoba, Córdoba, Andalucía, Spain. He is a director and producer, known for Doors Cut Down (2000), Oh! Mammy Blue (2018) and Clandestinos (2007).- Writer
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Lucky Kuswandi is one of Indonesia's most exciting young directors. His films have been screened in International festivals worldwide, receiving accolades, awards and distribution. The Wall Street Journal praises his work as "original and uncharted."
His career started in 2006, when he was invited to the Berlinale Talent Campus in Berlin, Germany. It is a forum for young, promising filmmakers. He was selected among more than 6000 applicants around the world. In 2008 he directed a documentary short "Miss or Mrs." as part of the anthology "At Stake". The documentary was screened in the prestigious Berlin Film Festival 2009 at the Panorama Section.
In 2010 he directed his first full-length film "Madame X". The film was nominated for 2 Asian Film Awards in Hong Kong at 2011, and won the Best Film Award at the Copenhagen LGBT Film Festival. It is currently available to stream at Disney Plus.
In 2014, Kuswandi released his second feature film, a love letter to Jakarta titled "In the Absence of the Sun". The film won him the Best Director Award from the Indonesian Film Director's Club. The Straits Times praised the film, calling it "dripping with social commentary, the feature illustrates the contradictions that make up the rich mosaic that is one of Asia's most populous cities." The film is available to stream at Netflix and Amazon Prime.
In 2015, Kuswandi's latest short film, "The Fox Exploits the Tiger's Might", competed at the Cannes Film Festival in the Semaine de la Critique (Critic's Week) Section. The film became the second Indonesian film ever screened in the section, and the first in 26 years. The film won Best Short Film & Best Director at the Silver Screen Awards in Singapore 2015. It also won Lucky his first Piala Citra Award for Best Short Film. The film is available to stream at MUBI.
In 2017, Lucky released his third feature film, "Galih & Ratna", a remake of the infamous Indonesian film "Gita Cinta dari SMA". It is available to stream at Netflix and Disney Plus.
In 2019 he was one of the screenwriters of the Indonesian adaptation of Warner Bros "Gossip Girl". In 2020 he also wrote and plans to direct the second season of the series.
In 2020, Lucky directed his fourth feature film "Ali & Ratu-Ratu Queens" (Ali and the Queens), to be released in 2021
Lucky also works as a film lecturer in Universitas Multimedia Nusantara, teaching film directing. He has given film talks and workshops in various events, including ones held by the Media Development Authority (MDA) Singapore and the Motion Pictures of Association (MPAA).- Writer
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Eytan Fox is one of Israel's leading directors. His films-among them Yossi & Jagger, Walk on Water, The Bubble, Yossi and Cupcakes-have been released theatrically in over 30 countries and have won 28 international awards, including from the Berlin Film Festival, the Tribeca Film Festival and the National Board of Review, USA. His first English-language film, Sublet, which stars Tony Award-winning actor, John Benjamin Hickey, will be released in 2020.- Producer
- Director
- Writer
Fenton Bailey is known for Party Monster (2003), RuPaul's Drag Race (2009) and The Eyes of Tammy Faye (2021).- Producer
- Director
- Additional Crew
Randy Barbato is known for Party Monster (2003), RuPaul's Drag Race (2009) and The Eyes of Tammy Faye (2021).- Director
- Writer
- Producer
Born in Kuching, Malaysia, he graduated from the Drama and Cinema Department of the Chinese Cultural University of Taiwan and worked as a theatrical producer and TV director. His second feature film, Vive L'Amour (1994), won the Golden Lion (best picture) at the 1994 Venice Film Festival. His idiosyncratic oeuvre continues to enthrall audiences worldwide.- Writer
- Director
- Producer
Sebastián Silva was born on 9 April 1979 in Santiago, Metropolitan Region, Chile. He is a writer and director, known for Tyrel (2018), The Maid (2009) and Crystal Fairy & the Magical Cactus (2013).- Director
- Writer
- Editor
François Ozon was born on 15 November 1967 in Paris, France. He is a director and writer, known for In the House (2012), 8 Women (2002) and Swimming Pool (2003).- Director
- Producer
- Cinematographer
Todd Verow was born on 11 November 1966 in Bangor, Maine, USA. He is a director and producer, known for Little Shots of Happiness (1997), Once and Future Queen (2000) and The Trouble with Perpetual Deja-Vu (1999).