18 - Cowboys on the trail
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Joe King was born on 9 February 1883 in Austin, Texas, USA. He was an actor and director, known for Smashing the Money Ring (1939), Special Agent (1935) and Her Bitter Cup (1916). He was married to Hazel Buckham. He died on 11 April 1951 in Woodland Hills, Los Angeles, California, USA.- Stunts
- Actor
- Second Unit Director or Assistant Director
Starting out as a rodeo cowboy and then becoming a stuntman in silent westerns, Yakima Canutt later doubled for such stars as Clark Gable and John Wayne, among others, in such dangerous activities as jumping off the top of a cliff on horseback, leaping from a stagecoach onto its runaway team, being "shot" off a horse at full gallop and other such potentially life-threatening activities. He became expert at staging massive events involving livestock, such as cattle stampedes and covered-wagon races, as well as Indians-vs.-cavalry battles on a grand scale. Canutt's most noteworthy achievement as a second-unit director came in his staging and direction of the chariot-race sequence in William Wyler 's Ben-Hur (1959)--which, from initial planning to final execution, took two years.- Born Lafayette Russell on May 31, 1905, "Reb" Russell grew up in Coffeyville, Kansas. A superb athlete all through his school years, he was a star running back on the University of Nebraska football team, and gained even more fame when he switched to Illinois' Northwestern University, where he played fullback and was named an All-American in 1930.
It was inevitable that a big, good-looking, famous football star would be courted by Hollywood, and Russell was eventually given small parts in a few films at Fox Pictures, but nothing really came of them. However, he did sign a contract with independent producer Willis Kent to star in a series of low-budget westerns. He made nine of them, with titles like The Man from Hell (1934), Lightning Triggers (1935) and Blazing Guns (1935), for Kent during 1934 and 1935, and "low-budget" is perhaps a charitable description of them. For all his athletic prowess, riding ability and good looks, Russell just wasn't much of an actor, but even if he had been he wouldn't have been able to overcome the threadbare production values, lame and trite scripts and overall shoddiness of the films themselves. They were distributed through the states-rights syndication system, which meant that basically not a whole lot of people saw them, and Russell never really made an impression on either fans or Hollywood itself. By 1935 he and Kent had parted ways. He left Hollywood and toured with several traveling circuses during the rest of the 1930s. In the 1940s he returned to Coffeyville, married and raised a family. He bought several ranches, becoming somewhat of an expert on livestock breeding. He died in Coffeyville of a heart attack in 1978. - Welshman Caryl ap Rhys Pryce spent much of his life as a professional soldier, and fought in units as varied as the British army, the Royal Canadian Mounted Police and Mexican revolutionaries fighting against dictator Porfirio Díaz.
Born in British India, he was an RCMP officer in 1911 when he became aware of the revolution in Mexico, and decided to leave Canada, travel south and join the rebel army. He found himself in the Mexican state of Baja California, and joined a rebel unit comprised of Mexicans, American radicals and European mercenaries. He was soon elected commander by the unit, and took part in the Battle of Tijuana. The Mexican government apparently complained to the American government about American citizens joining the rebel forces, and Pryce and the Americans in his unit were indicted by the US government for violating neutrality laws. Captured by the Mexican government and charged with murder and arson--because of his involvement in the Battle of Tijuana--Pryce was eventually released on bail. Charges against him were soon dismissed and he left Mexico for Canada. He joined the Canadian army and fought in World War I. He then transferred to the British army, attaining the rank of major, which he held until he retired. He is known to have been alive in 1925, according to records in the British Army's personnel office, but nothing was heard of him after that date. - Jack Trent was born on 24 August 1896 in Texas, USA. He was an actor, known for The Devil Plays (1931), The Woman Who Was Forgotten (1929) and Discarded Lovers (1932). He died on 1 August 1961 in Los Angeles, California, USA.
- Actor
- Stunts
Jack Montgomery was born on 14 November 1891 in Omaha, Nebraska, USA. He was an actor, known for The New Frontier (1935), Pursued (1947) and The Outlaw Deputy (1935). He was married to Marian Baxter. He died on 21 January 1962 in Hollywood, California, USA.- Kansas Moehring was born on 9 July 1897 in St. Marys, Ohio, USA. He was an actor, known for Shootin' for Love (1923), Out of Luck (1923) and Trailing Danger (1947). He died on 2 October 1968 in Los Angeles, California, USA.
- Actor
- Stunts
- Soundtrack
Rocky Shahan was born on 4 March 1919 in Denton, Texas, USA. He was an actor, known for Rawhide (1959), Ride a Violent Mile (1957) and Blood Arrow (1958). He died on 8 December 1981 in Denton, Texas, USA.- Stunts
- Actor
Bill Yrigoyen was born on 14 October 1912 in Ventura, California, USA. He was an actor, known for The Phantom Rider (1946). He died on 27 October 1976 in Lake, Oregon, USA.- Actor
- Soundtrack
Perhaps best remembered today for the '60s sitcom Petticoat Junction (1963), Rufe Davis had a long and varied career in show business, winding from an Oklahoma farm to the bright lights of New York and ultimately to Hollywood, including stops around the world.
Rufus Eldon Davidson was born in Vinson, Oklahoma on December 2, 1908, one of twelve children. He began imitating animal sounds at a young age and proved himself to be a natural mimic. Although he was a fullback on the Mangum High football team, Rufus was more interested in practicing his imitations than schoolwork or sports and he dropped out in the tenth grade. Mimicry would become his trademark; he later claimed to be able to imitate over 200 different sounds, though he regretted that he never mastered the sound of a piano. As an adult, he carried a tape recorder with him so that he could record various noises and perfect his repertoire.
After teaching himself some basic guitar chords, he won $5 in a local talent contest. Inspired by the possibility of life as a performer rather than a cotton farmer, he left home to try his hand at show business. Initially compelled to pick up farm work in Kansas, he continued to perform at every chance until he impressed the manager of a tent show and earned himself a $15 a-week-gig (roughly $280 today.) Adopting the stage name Rufe Davis, he toured with such vaudeville groups as Weaver Brothers and Elviry and The Radio Rubes and eventually landed in New York, performing with Xavier Cugat, and at numerous theatres and nightclubs. In the 1930s, he was active on the famed radio broadcast National Barn Dance, where his fellow players included future Petticoat Junction (1963) colleagues Smiley Burnette, Pat Buttram, and Curt Massey.
He made his big-screen debut in the Warner Brothers' short The City's Slicker (1936), playing a hillbilly mimic pursuing stardom in the big city. Paramount signed him to a film contract in 1937 after one of their talent scouts caught his performance in New York's aptly-named Hollywood Restaurant. Following eight films in three years for Paramount, Rufe signed with Republic in 1940 and was immediately cast in their "Three Mesquiteers" series as Lullaby Joslin, a role he would play for a total of fourteen films.
It was during a USO tour of the South Pacific after WWII that he first met Gene Autry, who invited him to appear in his touring company and The Strawberry Roan (1948). He recorded several songs during this time, the most well-known being "The Sow Song," "I'm The Sound Effects Man," and "Mama Don't Allow It." While Rufe continued to make films throughout the 1940s, his stock-in-trade remained the live show. He made repeated tours with the Autry group (which often included Burnette and Buttram) in addition to his individual performances, which blended music, imitations and down-home country humor. That solo work sustained him for over a decade as he criss-crossed the country maintaining an ambitious schedule; he estimated that in 1962, he put over 75,000 miles on his car, in addition to his considerable rail and bus travel.
Reunited again with old pal Smiley Burnette on Petticoat Junction in 1963, Rufe provided comic relief as Floyd Smoot, fireman and conductor of the Hooterville Cannonball. Occasionally the show would display Rufe's mimicry and musical skills. Smiley penned the song "Steam, Cinders, and Smoke," which the duo performed on the show and released as a single in 1964. Rufe and Smiley spent much of their time off from the show traveling the country, entertaining audiences as their Hooterville characters - and fishing as time allowed. In 1966, the two even became neighbors when Rufe took the apartment next door to Smiley, in a building within walking distance to the studio. Their personal and professional collaboration continued right up until Smiley's death in 1967, one day before the pair was scheduled to perform at LA's Shrine Auditorium.
Rufe left Petticoat Junction the following year when producers refused his request for a guaranteed number of episodes, though he did return to the show twice in 1970. In his final appearance, Last Train to Pixley (1970), he sang a shortened version of "Steam, Cinders, and Smoke," perhaps a bittersweet tribute to his late friend. Off-screen he kept up a steady touring schedule, with a particular fondness for country fairs and children's hospitals.
Married to former ballerina Hermoine Hawkinson from 1940 to 1956, Rufe was the father of four children: Susan, James, Richard, and Vivian. In 1969, he married Nettie Jane Scott Nettie Scott, the wardrobe mistress on Petticoat Junction. The couple soon embarked on a cross-country trip in their camper so that Rufe could continue his personal appearances. He suffered a heart attack in the fall of 1974 and later underwent open-heart surgery. Rufus Davidson died on December 13, 1974, eleven days after his sixty-sixth birthday. He is interred at Forest Lawn Hollywood Hills, where Nettie joined him in 1999.- Actor
- Music Department
A Canadian actor of Cree and Stoney descent, Gordon Tootosis made his film debut in the western film Alien Thunder (1974) with Donald Sutherland and Chief Dan George. Tootoosis provided memorable performances in television and movies, including the role of 'One Stab' in Legends of the Fall (1994), the role of 'Growling Bear' in the Steven Spielberg produced miniseries Into the West (2005) and the role of 'Chief Red Cloud' in the HBO film Bury My Heart at Wounded Knee (2007). His television credits include guest appearances on Friday the 13th: The Series (1987), MacGyver (1985), Northern Exposure (1990), The X-Files (1993), The Magnificent Seven (1998) and Smallville (2001). Tootoosis provided the voice of 'Kekata' in Disney's animated feature Pocahontas (1995) and Sheriff Gordy in Open Season (2006).- Henry Stanley was born on 25 January 1864 in New York City, New York, USA. He is known for A Woman in the Case (1910), Neal of the Navy (1915) and The Human Soul (1914).
- Tall, dark and very handsome-looking Robert Kellard remains a little known lead and support player of late 30s and 40s "B" action and multi-chapter cliffhangers. Born the younger of two boys in Los Angeles on April 23, 1915, initial interest was triggered by his actor father, Ralph Kellard. An aunt, Virginia Harned Courtenay, was also an actress and helped steer him for a short time. Attending Hollywood High School, Robert made his minor movie debut as a teenager in the film A Connecticut Yankee (1931), which was directed by a family friend. Following graduation, he supported himself in various menial jobs -- from cashier to carpenter and from lifeguard to seaman -- while waiting for his break, which wound up being a 1934 Broadway stage role in "Mother Lode" handed to him by another friend of the family, star actress Beulah Bondi.
Kellard remained in New York following this acting stint and became a member of the Stagecraft Theater while continuing to look for other employment. He finally returned to Broadway with a role in "Hitch Your Wagon" in 1937, which earned him a 5-year contract with 20th Century-Fox. Older brother Thomas Kellard also found some unbilled bit roles earlier at Fox in such films as The Little Colonel (1935). Robert himself started out just as uneventfully with uncredited bits in Second Honeymoon (1937) and Annapolis Salute (1937). From there he progressed to more interesting parts in Island in the Sky (1938) and Time Out for Murder (1938) starring Michael Whalen and Gloria Stuart in which he played murder suspects. He rose in rank to Jean Rogers' love interest in the films Always in Trouble (1938), While New York Sleeps (1938) and Stop, Look and Love (1939), but his career soon stalled with more bit parts mixed in.
Kellard freelanced in 1940, working for Republic in the serials Drums of Fu Manchu (1940) in which he played adventure hero Allan Parker, and in King of the Royal Mounted (1940) in support to Allan Lane as ill-fated aide-de-camp Corporal Tom Merritt. He then went on to serviceable secondary supports in Phantom of Chinatown (1940), _Prairie Pioneers (1941) and Gentleman from Dixie (1941), in addition to a square-jawed lead in Escort Girl (1941). He appeared for a time on the stage until signing with Columbia in 1942. The studio changed his name to Robert Stevens but it didn't help things. Primarily in second-string parts, his sole lead was in another stalwart serial, Perils of the Royal Mounted (1942), as Sgt. Mack MacLane.
Robert joined the Navy during WWII and stayed for nearly four years. He returned to Columbia in late 1945 but, again, found little except for unbilled parts in such "B" fare as The Return of Rusty (1946) and The Millerson Case (1947) and a few Three Stooges shorts. Although he managed to earn one more rugged lead with the serial Tex Granger: Midnight Rider of the Plains (1948), the writing was on the wall. He turned to TV in the 1950s and served as an actor/writer and dialogue director on The Lone Ranger (1949) series, before leaving acting permanently and joining the Merchant Marines. He later moved into sales work as a rep for Showcase Films and also did some writing. He suffered from prostate cancer in later years and died at age 65 of complications from pneumonia on January 13, 1981. - Actor
- Stunts
- Additional Crew
He was obviously handed one of those unique stage names, like Lash La Rue, in order for audiences (especially the kiddies) to immediately associate him with western heroics and the trademark he would be remembered for in films. Not one of the better remembered sagebrush heroes in today's world, Whip Wilson came along at the tail end of the huge western craze of the late 40s and early 50s and managed a three-year career at Monogram Pictures that encompassed about two dozen oaters.
Born with the more proper name of Roland Charles Meyers on June 16, 1911, in Granite, Illinois, he was one of eight children. A talented singer before going to Hollywood, he supposedly sang in a few pictures but was not considered or ever promoted as a "singing cowboy" per se. It was Scott R. Dunlap, a Monogram Pictures studio executive, who handed Whip his career on a silver platter. A close friend and business partner of the late western star Buck Jones, Dunlap had been searching for a replacement ever since Buck perished in the Boston Cocoanut Grove nightclub fire in 1942. He was caught off guard when he met Whip, who happened to bear a strong resemblance to Jones. Dunlop excitedly signed him up despite having no prior experience. Cowboy star Lash La Rue had already displayed cowboy heroics cracking a bull whip so Dunlap decided to capitalize on the popular gimmick and handed Wilson a whip as well, grooming him into a combination of LaRue and Buck Jones.
To whip up (sorry) a bit of experience in front of the camera, Dunlap gave the movie tenderfoot a part in the Jimmy Wakely oater Silver Trails (1948). By the next year Whip was starring in his own tailor-made vehicles, the first being Crashing Thru (1949) as a white-hatted, white steed-mounting hero, accompanied by his very own sidekick in the form of veteran comic actor Andy Clyde. After about a dozen pictures, Clyde left the series and was replaced by Fuzzy Knight and/or Jim Bannon. Both blonde bombshell Reno Browne and dark-haired beauty Phyllis Coates served as frequent "prairie flower" co-stars in Whip's films. Browne was once married to cowboy actor LaRue and Coates was better known for playing Lois Lane on film and TV's Adventures of Superman (1952).
After only three years as a movie cowboy Whip rode off into the sunset after starring in the western programmer Wyoming Roundup (1952). He worked only one more time in the industry when he was hired to provide whip-wielding instructions to Burt Lancaster in a couple of scenes and also appeared unbilled in the western The Kentuckian (1955). He managed a Los Angeles apartment complex in later years. Whip died of a heart attack on October 22, 1964 at the relatively young age of 53, and was survived by third wife Monica. He had no children and was buried in his native state of Illinois.- Actor
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- Writer
Charles K. French was born on 17 January 1860 in Columbus, Ohio, USA. He was an actor and director, known for The Abysmal Brute (1923), Hands Up! (1926) and Gentle Julia (1923). He was married to Doris Herbert, Isabelle Gurton and Helen French. He died on 2 August 1952 in Hollywood, California, USA.- Jim Bannon was a star athlete at Rockhurst College. After graduation, he became a sportscaster in Kansas City, and after 1938, in California. He began working as a radio actor and got small parts in movies. He was a movie stuntman in the early 1940s before starring in a detective movie series for Columbia, based on a radio show "I Love a Mystery." In 1949, he was given the title role of Red Ryder in the western series produced by Eagle Lion Productions. In the 1950s, he appeared in smaller character parts in westerns and on television.
- Actor
- Soundtrack
Paul Brinegar was born on 19 December 1917 in Tucumcari, New Mexico, USA. He was an actor, known for Rawhide (1959), High Plains Drifter (1973) and Maverick (1994). He was married to Shirley Talbott. He died on 27 March 1995 in Los Angeles, California, USA.- American character actor of rustic types, Si Jenks was born Howard Hansell Jenkins in Norristown, Pennsylvania, on 23 September 1876, to John (a shopkeeper) and Catherine Jenkins. He was the sixth of seven children. Little is known of his boyhood. At 21, on 21 April 1898, the first day of the Spanish-American War, he enlisted in the Pennsylvania National Guard (Co. F, 6th Regiment, Pennsylvania Infantry). He served until October, 1898 (two months following the end of the war), but never left the U.S. during his tour of duty. The following January, he enlisted for three years in the U.S. Army, but only served eight months, as an artilleryman, again without leaving the U.S. He returned to Norristown in 1899 after his military service and worked at a local inn as a hostler through at least 1904. At some point, he developed an interest in entertainment as a career. By 1919, he was married to Victoria Allen, with whom he teamed up in a vaudeville act called "Small Town Wise Crackers." They toured the Orpheum Circuit, appearing in 45 theatres in 36 cities across the U.S. At some point, the marriage and the act broke up, and Jenkins, now billing himself as Si Jenks, continued with a variety of new partners in the act. In 1922, the tour landed him in Los Angeles. Comic actor-director Al St. John, whose later career as a bearded Western sidekick would come to resemble Jenks's, gave the 46-year-old vaudevillian small parts in a couple of his comedy shorts at Fox, where Jenks also was also cast in his first feature film, John Ford's The Village Blacksmith (1922) After a lapse of a couple of years, Jenks came to the attention of Mack Sennett, who put Jenks to work in some 15 pictures over the next decade. Jenks's most familiar roles called for him to work without his dentures and with a scrubby beard, and he quickly found work in a large number of mainly comedic roles, primarily in Westerns. Despite his familiarity as bearded sidekick types, he never achieved the fame of a George 'Gabby' Hayes or Al 'Fuzzy' St. John, but he was very much of a type with those actors. Largely in smaller roles, Jenks made over 220 films, as well as a handful of TV episodes, over the course of his thirty-year career. He retired in 1954 at 78 and lived much of the rest of his life with his wife and fellow ex-vaudevillian, British actress Lilian Hartford, at the Motion Picture Country House & Hospital in Woodland Hills, California. He died there of heart disease at 93, on 6 January 1970. She followed him in death at age 100, in 1983.
- Blackjack Ward was born on 3 May 1891 in Franklin, Louisiana, USA. He was an actor, known for Texas Stampede (1939), Rainbow Riders (1934) and Lighting Bill (1934). He was married to Madeline J.. He died on 29 April 1954 in Los Angeles, California, USA.
- Actor
- Additional Crew
Dave Kashner was born on 4 March 1896 in Jaffa, Palestine. He was an actor, known for Bonanza (1959), The Sundowners (1950) and The Little Witch (1945). He died on 4 February 1985 in Los Angeles, California, USA.- Julian Rivero was born on 25 July 1890 in San Francisco, California, USA. He was an actor, known for Burn 'Em Up Barnes (1934), The Mad Empress (1939) and Heroes of the Alamo (1937). He was married to Isobel Thomas. He died on 24 February 1976 in Hollywood, Los Angeles, California, USA.
- Rafael Campos was born on 13 May 1936 in Santiago, Dominican Republic. He was an actor, known for Agent for H.A.R.M. (1966), This Could Be the Night (1957) and Centennial (1978). He was married to Dinah Washington and Sally Boyd. He died on 9 July 1985 in Woodland Hills, Los Angeles, California, USA.
- Actor
- Soundtrack
Lynn was one of the old grubby prospector sidekicks who supplied the comic relief in a number of Republic Westerns through the forties and early fifties. He also appeared with the Three Stooges in 'The Yokes on Me (1944)'. His last two films were of a religious nature with 'A Man Called Peter (1955)' and 'The Ten Commandments (1956)'.- Mexican character actor who achieved his greatest success in U.S. films. He was born in Mexico city, living in numerous places throughout the country. He received a private education in Houston, Texas as a teenager, but dropped out and roamed about doing an assortment of jobs. His family, however, brought him back to Mexico City, where he subsequently found work in the struggling Mexican film industry. He appeared in many Mexican films before director John Huston offered him the role of Gold Hat in The Treasure of the Sierra Madre (1948). Bedoya stole the scenes in which he appeared as the smiling cutthroat and delivered the famous line about not needing any "stinking badges". He made a number of popular films in the U.S. in the next nine years, but a drinking problem destroyed his health. He died of a heart attack at the age of 53.
- Chubby Johnson was born Charles Rutledge Johnson on August 13, 1903, in Terre Haute, Indiana. He made a living as a journalist and did not become a movie actor until he was in his 40s, making his debut in the Randolph Scott oater Abilene Town (1946) in support of Scott, Ann Dvorak and Edgar Buchanan. He continued to practice his craft as a member of the press, serving as a radio announcer as well as pounding the keys as a columnist, until he was nearly 50. Chubby appeared in the Errol Flynn horse opera Rocky Mountain (1950) as part of an army of quirky character actors, including Guinn 'Big Boy' Williams and Slim Pickens. Chubby then quit the Fourth Estate for a Hollywood career.
When Republic Pictures sought a replacement for Eddy Waller to play sidekick to B-movie cowboy star Allan Lane in the Rocky Lane series, Chubby filled in for most of 1951-52. He also starred in the TV series Sky King (1951) as ranch foreman Jim Bell. The low-budget series, a spin-off from a five-year-old radio show in which individual episodes were made for approximately $9,000 each, ran on NBC from Sept 16, 1951, until Oct 26, 1952. The series was then picked up by ABC, which ran the same NBC episodes from November 8, 1952, until September 12, 1954. A season of new episodes was aired in 1955.
Chubby freelanced as a character actor after these stints on the TV, appearing in support of James Stewart in the Anthony Mann classic Bend of the River (1952), and in their The Far Country (1954), which also featured character actor par excellence Walter Brennan, the movies' first triple-Oscar threat. Chubby then went on to appear in support of Doris Day in Calamity Jane (1953), Audie Murphy in Gunsmoke (1953), Ronald Reagan in Law and Order (1953), Barbara Stanwyck and Ronnie again in Cattle Queen of Montana (1954) and James Cagney in Tribute to a Bad Man (1956), one of the legend's rare forays into the western.
Other stars Chubby supported were Richard Chamberlain and Claude Rains in Twilight of Honor (1963), the 1963 courtroom drama that won the ill-fated Nick Adams a Best Supporting Actor Oscar nomination; James Garner in Support Your Local Sheriff! (1969); and Burt Reynolds in his audacious debut as a big-screen star as the eponymous Sam Whiskey (1969). He also appeared uncredited in the classic High Noon (1952).
After appearing as a regular in the short-lived series Frontier Doctor (1956), Chubby appeared as Concho on another TV western, Temple Houston (1963), which starred Jeffrey Hunter. He also guested on many other TV westerns, including Bonanza (1959), Gunsmoke (1955) and The Rifleman (1958).
Chubby continued to appear in films until 1969, with Sam Whiskey (1969) serving as the nightcap to his career. He died on Halloween Day 1974 from complications from a leg infection. - At six and a half feet tall, Robert Emmet Milasch might have made a great circus performer. In fact, early in his career, that's exactly what he was. Born April 18, 1885, in New York City, Milasch ran away as a youngster and joined a circus, becoming a contortionist. He then joined another circus which toured South Africa. When he joined his last circus, in England, he performed as a clown. Returning to the United States when he was about fifteen years old, he got a job with the Gaumont Film Company, earning a few dollars a day. He then joined the Edison Company. Some sources claim his first film was "Babes in a Barrel," a 300-foot short produced by Edison around 1900. He was paid three dollars to appear as a brakeman and a train robber in the famous 1903 Edison film The Great Train Robbery (1903). In the early days of films, Milasch would write scenarios, erect sets, handle props, and even cast the parts. Often he would find extras in neighborhood saloons, offering customers five dollars for a day's work. He appeared in the first talkie, entitled "The Chimes of Normandie." The dialog was recorded on cylinders and played on a phonograph behind the movie screen. In 1912, he began filming a semi-documentary entitled "The Great Diamond Mystery," based upon a real diamond theft in Europe. His camera crew followed the police every time there was a new lead. Apparently the film was never completed. In 1913, while filming the two-reel short Hard Cash (1913), produced by the Edison Company, Milasch escaped serious injury. He was on a ship's mast during a fire scene, and his shoes and socks were scorched from the flames. Milasch was able to stay on the mast until the scene was over. Years later, Director Henry King offered him a role in Tol'able David (1921). Milasch was already committed to something else, but he had a friend who looked a lot like him and told King about him. The friend's name was Ernest Torrence, who got the part, and also a career start. Milasch had an extensive filmography, and claimed he had appeared in about 3000 films. He also claimed he had appeared in three versions of "The Hunchback of Notre Dame": the 1939 Charles Laughton version, the 1923 Lon Chaney version, and the 1917 version entitled The Darling of Paris (1917), which featured Theda Bara as the gypsy Esmeralda. He worked steadily into the early 1950s, in uncredited roles. After retiring from the screen, he ran a gift shop in Plattsmouth, Nebraska. Milasch died on November 14, 1954, at the Motion Picture Country Hospital in Los Angeles. He was married twice, and was survived by a son named Wally.
- Actor
- Soundtrack
Slim Andrews was born on 8 December 1906 in Gravette, Arkansas, USA. He was an actor, known for Arizona Frontier (1940), Ridin' the Cherokee Trail (1941) and Rollin' Home to Texas (1940). He was married to Lucille. He died on 3 April 1992 in Gravette, Arkansas, USA.- Jack Kenny was born on 16 November 1886 in Chicago, Illinois, USA. He was an actor, known for The Northern Code (1925), Not Quite Decent (1929) and Beauty and Bullets (1928). He was married to Bryna Davis. He died on 26 May 1964 in Hollywood, California, USA.
- Actor
- Soundtrack
First came to notice as a contestant on Groucho Marx's quiz show, You Bet Your Life (1950). His highly amusing personality won him bit parts in films, and he continued to work as a minor supporting player for years. He is the brother of Jose Gonzales-Gonzales. His most famous role was on John Wayne's movie Rio Bravo (1959).- Actor
- Stunts
- Additional Crew
Bill Coontz was born on 28 August 1917 in Johnson, Iowa, USA. He was an actor, known for Convoy (1978), Plunderers of Painted Flats (1959) and Frankenstein's Daughter (1958). He died on 7 April 1978 in Van Buren, Arkansas, USA.- Tall in the saddle, and dark and handsome to boot, he may be little remembered today when compared to a William S. Hart, Tom Mix or Hoot Gibson, but cowboy hero Roy Stewart was arguably one of the best known of the silent screen back then. While touring with the famous Floradora Girls, Stewart entered films in the early 1910s in support roles until signing with Triangle in 1916 and emerging as a star. Known for his engaging, dimpled grin, he proved a solid and rugged hero and churned out during the course of his career hundreds of two-fisted two-reelers such as The Learnin' of Jim Benton (1917), Cactus Crandall (1918), which he co-wrote, and The Sagebrusher (1920), not to mention reenacting a number of tales from the Old West and portraying such legendary figures as Buffalo Bill and Daniel Boone. Out of the saddle Stewart was quite at home in plush drama and served as a perfect leading man for the likes of Lillian Gish in __House Built Upon Sand, The (1916), Bessie Love in A Daughter of the Poor (1917) and Mary Pickford in her classic silent Sparrows (1926). Come the advent of sound, Stewart lost his footing and was relegated to support roles as a character actor. He continued working until his sudden death in 1933 of a heart attack in his Los Angeles home at the age of 49.
- Fred Parker was born on 31 August 1876 in Sigourney, Iowa, USA. He was an actor, known for Hell's Headquarters (1932), Range Riders (1934) and Timber Terrors (1935). He died on 29 February 1960 in Los Angeles, California, USA.
- Tex Driscoll was born on 7 September 1889 in Center, Indiana, USA. He was an actor, known for In the Days of Buffalo Bill (1922), The Squaw Man (1914) and The Country Boy (1915). He died on 1 June 1970 in Los Angeles, California, USA.
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- Soundtrack
Frank Fenton was born on 9 April 1906 in Hartford, Connecticut, USA. He was an actor, known for Tripoli (1950), Isle of Forgotten Sins (1943) and Streets of Ghost Town (1950). He was married to Queena Bilotti. He died on 24 July 1957 in Los Angeles, California, USA.- Actor
- Additional Crew
Fred Aldrich was born on 23 December 1904 in New York City, New York, USA. He was an actor, known for I Love Lucy (1951), Journey Into Light (1951) and Mrs. Mike (1949). He died on 25 January 1979 in Los Angeles, California, USA.- Eddy Waller worked in vaudeville and the theater before he entered movies in 1936. Within a few years he was being cast in character parts. In the 1940s he would be a mainstay in the westerns of Republic Pictures and would work with just about every cowboy actor from Tim Holt to Rocky Lane. With Lane, Eddy's billing would be as high as second, as he played grizzly old prospector Nugget Clark, adding the comic relief to a picture with such pearls as "He is as square as the day is long". The "B" western finally died out in the 1950s, and so did Eddy's career.
- Hank Bell was born on 21 January 1892 in Los Angeles, California, USA. He was an actor, known for The White Horseman (1921), The Last Straw (1920) and The Scrappin' Kid (1926). He died on 4 February 1950 in Hollywood, California, USA.
- Born in Naponee, Nebraska. His father was horse buyer for the U.S. Army. Pierce learned to ride horses bareback because parents could not afford a saddle. Attended University of Nebraska and the Emerson College of Oratory. Received the "Golden Boot" award in 1992. The city of Orange, California declared a "Pierce Lyden Day". He also received a star on the Palm Springs Walk of Fame. The state of Nebraska honored him with the prestigious "Buffalo Bill Award" in 1997. He had divorced once and is twice widowed. His only child, a son, died in 1988.
- American cowboy and actor Slim Whitaker was working the rodeo circuit at age 17, eventually becoming a cowhand on the Chowchilla Ranch in central California. In 1912 he was hired as a riding extra and stunt man by Gilbert M. 'Broncho Billy' Anderson for westerns being filmed in Niles Canyon, CA. During the silent era his peers were Hal Taliaferro, Al Bridge, Charles King, Ken Maynard, Yakima Canutt, Walter Brennan, Hoot Gibson, a very young John Wayne and many others. He was one of the most prolific of the B-western bad guys and supporting actors. His movie career spanned 36 years, from the silents through the post-World War II period, and he appeared in over 300 films.
- Actor
- Art Department
- Art Director
Ben has had a diverse career both on screen and on stage.
He has acted in many plays over his life, the majority of which were with Bill Fegan's Kaleidoscope Players. He has also written several plays and some, such as "Some Die From Drinking Water" and "Back to the Hat Factory" produced.
In addition on the silver screen, he has worked behind it as well. Ben worked in the Art and Construction departments of numerous films, including Dances With Wolves, Wyatt Earpp, Medicine Man, McHale's Navy, Fool for Love and Silent Tongue.
Ben has also written two novels. In his book "The Coordinator, several killings, attempted murders and kidnappings plague a Hollywood company preparing to film in the coastal jungles of Mexico.
His other novel, "Firedamp" is a story of love, hate and revolution, of heroes and villains. In the late eighteen/early nineteen hundreds thousands of poor but hopeful immigrant coal miners, railroaded to the Colorado/New Mexico border, found themselves and their families in a hostile environment. Forced to work under deplorable conditions for next to nothing, they fought back. It is this story and the story of the powerfully wealthy men who tried to drive them to do their bidding.
He has a home on Mexico's Pacific coast and a ranch in Tinaja, N.M.- Actor
- Second Unit Director or Assistant Director
Bob Kortman was born on 24 December 1887 in Philadelphia, Pennsylvania, USA. He was an actor and assistant director, known for Arabian Love (1922), Another Man's Boots (1922) and The Last of the Mohicans (1932). He was married to Gonda Durand and Nellie Vignonette Varain. He died on 13 March 1967 in Long Beach, California, USA.- Actor
- Additional Crew
Monte Montague was born on 23 April 1891 in Somerset, Kentucky, USA. He was an actor, known for The Radio Detective (1926), A Western Demon (1922) and The Rookie Cop (1939). He was married to Mary M.. He died on 6 April 1959 in Burbank, California, USA.- Actor
- Soundtrack
The son of a physician, Horace Murphy started his career as a child actor on showboats on the Mississippi. He later played the cornet in the band and eventually became half-owner of the showboat "Cottonblossom Floating Palace". After two seasons he sold his interest and organized a string of dramatic tent shows from New Orleans to Los Angeles, each of which also had a baseball team. Later he sold these and built two theaters, one in Los Angeles and one in Burbank. He entered movies in 1936 and went on to a career mostly in B-Westerns. He is perhaps best known as "Ananias", Tex Ritter's partner in a string of films. He also appeared on radio with Gene Autry and Roy Rogers.- Actor
- Additional Crew
Frank Mills was born on 26 January 1891 in Kalamazoo, Michigan, USA. He was an actor, known for Those Who Dance (1930), Parole! (1936) and Charlie Chan's Courage (1934). He died on 18 August 1973 in Los Angeles, California, USA.- Actor
- Director
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Al St. John was born on 10 September 1893 in Santa Ana, California, USA. He was an actor and director, known for Billy the Kid in Texas (1940), Prairie Badmen (1946) and Billy the Kid Trapped (1942). He was married to Yvonne June Villon Price Pearce (actress), Lillian Marion Ball and Flo-Bell Moore. He died on 21 January 1963 in Lyons, Georgia, USA.- Actor
- Writer
Jack was born in San Francisco in 1880 in to the well-known Curtis family. Chris Curtis was himself well-known in the financial circles. His uncle William was a lawyer in New York City in the early 1900s. Jack and Lil met on a ship heading to Hong Kong in 1904 and were married sometime in 1904. Both had toured with Vaudeville companies. They had one child born April 7, 1914, a daughter named Laura Ann Curtis, later becoming Hurst in 1935. Jack started in films in 1915 and lasted until 1951 when a stroke slowed him down. He was a great grandfather and a wonderful story teller.- Actress
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Although there may have been "bigger" actresses in Hollywood's history, there were few larger than Hope Emerson. She notably appeared as a witness for the defense in "Adam's Rib". At 6' 2" and 230 pounds, she towered over many of her male co-stars, and her size, brusque voice and stern demeanor typed her for a career in villainous roles, such as her star turn as the sadistic prison matron in Caged (1950), which garnered her an Oscar nomination. She could, however, play lighter parts, as in Westward the Women (1951), in which she played, of all things, a mail-order bride. She also worked steadily in television and played "Mother" in the landmark series Peter Gunn (1958). In the 1950s she was the voice of Elsie the Cow in a series of TV commercials for Borden's milk. She died of liver disease in 1960.- Actor
George Huggins was born on 8 November 1901 in Rainy River, Ontario, Canada. He was an actor. He died on 5 April 1959 in Los Angeles, California, USA.- Actor
- Soundtrack
Eddie Dean made his name as a country-western singer on radio in the '30s. He journeyed to Hollywood to make it in western movies, debuting in Manhattan Love Song (1934), but he could only land bit parts in features and musical shorts. His career started to take off in the early 1940s, though, and by 1945 he was among the more popular of the cowboy stars. However, several factors weighed against him rising much further: his stolid, somewhat dour screen personality, the fact that he was under contract to low-rent PRC (later Eagle-Lion) Pictures--whose shoddiness was legendary and whose westerns were not particularly popular among aficionados--and the unfortunate fact that the singing cowboy craze had pretty much run its course by the time he came along. His career can be summed up in a review of one of his films by the "New York Times": "Instead of the usual black and white, Eddie Dean's newest western has been shot in Cinecolor, but it's not an improvement; you can still see him."- Actor
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Baseball gave burly Fred Graham his start in motion pictures. In 1928 he was working for the MGM sound department and also playing semi-pro baseball on the side. The studio was making a murder mystery called Death on the Diamond (1934), starring Robert Young and Nat Pendleton. Graham was hired to tutor Young and Pendleton in the fine points of the game, and doubled Pendleton in the catching scenes. This started him on a more than 40-year career as a stuntman and actor. While at the studio he doubled Clark Gable, Nelson Eddy and Charles Bickford. He went over to Warner Bros. in 1938, and his initial assignment was to double Basil Rathbone in The Adventures of Robin Hood (1938). In 1941 he moved to Republic Pictures and worked on the studio's famed westerns and serials, and was a major part of the team of stunt experts, including such aces as David Sharpe and Tom Steele, responsible for the reputation that Republic enjoyed as having the best stunt department in the business. Graham met John Wayne there and stunted for him in many of the films Wayne made at the studio. He also appeared in many films as an actor, usually playing truck drivers, cops, soldiers, crooks, etc. In 1968 he went to work for Arizona's Department of Economic Planning and Development of Motion Pictures, and had more to do with bringing filming to the state of Arizona than anyone else. In Arizona they have the "Carefree at Southwest Studios", which was formerly known as "The Graham Studio". In 1978 "Slugger", a nickname he got in his Republic days, passed away.- Actor
- Music Department
- Stunts
A cousin of cowboy actors Rex Allen and Glenn Strange, Taylor Curtis McPeters was the oldest son born to John and Leona Byrd McPeters in Weed (Otero County), New Mexico, USA on August 8, 1899. He was the second of eleven children. Glenn Strange's mother was Leona's sister. Rex Allen was 21 years McPeters junior on his father's side. McPeters and Strange learned ranching in Coke,Texas, USA before their families moved to Willcox (Cochise County), Arizona, USA. McPeters married Etta Sarah Jessee on July 4, 1922 in Tombstone, Arizona, USA. Cactus Mack was a talented musician. He played violin with Ray Whitley's "Six Bar Cowboys" and guitar with Fred Scott's "The Cimarron Cowboys". He later played villain roles in many westerns, along with other character parts. Injured during his final appearance on Gunsmoke, he required abdominal surgery in late 1961. As he was filming his closeups on location for The Ugly American with Marlon Brando, he died of a heart attack on April 17, 1962 in Hollywood, California, USA.- Producer
- Director
- Actor
Gaston Méliès was born on 12 February 1852 in Paris, France. He was a producer and director, known for The Prisoner's Story (1912), Hinemoa (1913) and Captured by Aboriginals (1913). He died on 9 April 1915 in Ajaccio, Corsica, France.- Actor
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Gary Grimes was born on 2 June 1955 in San Francisco, California, USA. He is an actor, known for Summer of '42 (1971), Gus (1976) and The Culpepper Cattle Co. (1972).- Actor
- Additional Crew
Chick Hannan was born on 24 May 1901 in Iron River, Michigan, USA. He was an actor, known for Stars Over Arizona (1937), Westbound Stage (1939) and Sing, Cowboy, Sing (1937). He was married to Delia L. Larson, Thecla Hansley and Peggy Taylor. He died on 14 August 1980 in Los Angeles, California, USA.- Actor
- Soundtrack
Paul Birch, born Paul Lowery Smith in Atmore, Alabama, was a stocky and barrel-chested actor, gifted with a resonant baritone speaking voice. Birch was a veteran of 39 movies, 50 stage dramas and an untold number of television shows, including the Hallmark Hall of Fame (1951). He entered motion pictures via small roles in several westerns in the late 1940s and early 1950s. In the middle 1950s he became part of the repertory company of Roger Corman, where he achieved star billing, but which he left following a physical confrontation with Corman during the filming of one of Birch's best-remembered films, Not of This Earth (1957), which had to be completed with the use of a double.
In the late 1950s, Birch starred, along with William Campbell, in the syndicated series Cannonball (1958), a half-hour drama/adventure show about long-haul truckers. He was the original "Marlboro Man" in TV commercials and played both Union Gen. U.S. Grant and Confederate Gen. Robert E. Lee in several historical playlets. He started out as the first of the original members of the Pasadena Playhouse and his stage work included "The Caine Mutiny". He was often called upon to play Grant due to the striking resemblance (when bearded) he bore to the former General and President. He enjoyed playing the roles of Lee and Grant and once remarked, "There were times when I was switching those two roles so fast I could have surrendered to myself."
Birch died on May 24, 1969 in St. George, Grenada, West Indies.- Actor
- Stunts
Guy Teague was born on 20 January 1913 in Mount Vernon, Texas, USA. He was an actor, known for Zane Grey Theatre (1956), Vigilante Hideout (1950) and The Kid from Amarillo (1951). He was married to Fredda Mae Merritt. He died on 24 January 1970 in Mineral Wells, Texas, USA.- Actor
- Soundtrack
Bill Nestell was born on 3 March 1893 in San Francisco, California, USA. He was an actor, known for Buckskin Frontier (1943), Sir Lumberjack (1926) and When the Law Rides (1928). He died on 18 October 1966 in Bishop, California, USA.- Actor
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Dick Hatton was born on 11 November 1888 in Lexington, Kentucky, USA. He was an actor and director, known for Two Fisted Justice (1924), The Seventh Sheriff (1923) and Speeding Hoofs (1927). He was married to Annette Ophelia Burger. He died on 9 July 1931 in Los Angeles, California, USA.- Buck Morgan was born on 20 June 1907 in St. Louis, Missouri, USA. He was an actor, known for The Texas Rambler (1935) and Six Gun Justice (1935). He was married to Agnes. He died on 27 August 1981 in Los Angeles, California, USA.
- Paul E. Burns was born on 26 January 1881 in Philadelphia, Pennsylvania, USA. He was an actor, known for Smoky River Serenade (1947), The Pilgrim Lady (1946) and Son of Paleface (1952). He died on 17 May 1967 in Van Nuys, California, USA.
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Dean Smith was raised in Eliasville, Texas, and later lived in Breckenridge, Texas, where he raised horses and longhorn cattle. He attended the University of Texas at Austin where he competed in track and football. He won an Olympic gold medal for the 400-meter relay in the 1952 Helsinki games and finished fourth in the 100-dash in the closest race in Olympic history. He was the lead-off man on the University of Texas world record relay team, 1954-55, and AAU national champion in the 100-meter dash. He played with the Los Angeles Rams during exhibition season and was traded to the Pittsburg Steelers at which time he decided to enter the movie business. He also won amateur rodeo championships for bareback bronco riding and calf roping.
He was an honorary member of the Professional Rodeo Cowboys Association, was inducted into the Texas Rodeo Cowboy Hall of Fame (2006), the Texas Sports Hall of Fame (1985), Stuntman's Hall of Fame (1980), and the University of Texas Hall of Fame (1980). He was awarded the American Culture Award for Western Movies and Television (2000), the Golden Boot Award in 1998, the Ben Johnson Award in 1993, the All American Cowboy Award in 1997, and the Head of the Class Alvin Davis Award in 2002.
In 2002, he organized the Dean Smith Celebrity Rodeo benefiting the Cowboy Cancer Crusade tribute to Ben Johnson, the Dean Smith Celebrity Rodeo benefiting the John Wayne Cancer Institute honoring John Wayne and, in 2006, the Dean Smith Celebrity Rodeo benefiting the John Wayne Cancer Institute honoring The Singing Cowboys in Abilene, Texas, the third weekend in October. On April 8, 2006, the John Wayne Cancer Institute honored him with the "Duke Award" for his contributions to cancer research.
In 2023, Dean Smith died of cancer, aged 91, in Breckenridge, Texas.- Mathew McCue was born on 4 October 1895 in Chicago, Illinois, USA. He was an actor, known for The Fugitive (1963) and Gunsmoke (1955). He died on 10 April 1966 in Los Angeles, California, USA.
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He appeared in a number of John Wayne movies and made headlines in 1953 when he roped Pres Eisenhower as a gag during his inaugural parade. He asked the President's permission first, but Secret Service agents were unamused by the incident. Mr Montana was a fixture on the rodeo circuit in the USA and Canada and also appeared in more than 60 annual Tournament of Roses parades in Pasadena, California, waving to the crowd from a silver saddle.- Actor
- Soundtrack
Of Swedish descent, burly, light-haired character actor Karl Swenson was born in Brooklyn and started his four-decade career on radio. Throughout the late 30s and 40s, his voice could be heard all over the airwaves, appearing in scores of daytime serials ("Lorenzo Jones") and mystery dramas ("Inner Sanctum Mysteries"). He gave visual life to one of his serial characters, Walter Manning, in "Portia Faces Life" when it went to TV in 1953. It was during his lengthy work in this medium that he met his wife, stage and radio actress Joan Tompkins. They appeared together throughout their careers on TV and in a few films. In the 1950s, he kept afloat on TV in rugged guest spots (Dr. Kildare (1961), Gunsmoke (1955), Maverick (1957), Mission: Impossible (1966) and Hawaii Five-O (1968)). He didn't appear in films until age 50+ with minor roles in Kings Go Forth (1958), North to Alaska (1960), The Birds (1963) and The Sons of Katie Elder (1965). His voice was also well utilized in such animated features as The Sword in the Stone (1963) as the voice of Merlin. Karl met actor Michael Landon on the set of Bonanza (1959), appearing in four separate episodes over time. Landon remembered him when he began to film Little House on the Prairie (1974). Cast in the recurring role of lumber mill owner Lars Hanson, he remained with the show until his death in 1978 of a heart attack. His character on the show also died.- Actor
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Will Geer was born William Aughe Ghere in Frankfort, Indiana, to Katherine (Aughe), a teacher, and Roy Aaron Ghere, a postal worker. Will admired his grandfather, a man who said hello to trees by their Latin names and who had used what he brought back to Indiana from the California gold rush to build Frankfort's first opera house. Will pursued a college major in botany, from Chicago through a Master's degree at Columbia, but ultimately gave in to his need to perform. Starting with touring company tent shows and river boats, his six-decade career included Broadway, movies, television; many Shakespeare roles; one-man performances as Walt Whitman and Mark Twain. His best known role was his last, Zebulon Walton, grandpa in the long-running television series The Waltons (1972). Less well-known was his life-long role as a political agitator and radical ("Someone who goes to the roots, which is the Latin derivation of radical") and folklorist/folksinger - he toured U.S. government work camps in the 1930s, singing with Woody Guthrie and Burl Ives. He was blacklisted during the McCarthy era for refusing to testify before the House Committee on Un-American Activities. In 1951, he formed the "Theatricum Botanicum," a repertory theater in Topanga Canyon, California, where he not only coached actors but also encouraged outdoor philosophical discussion and, of course, folksinging. At his deathbed, his family sang "This Land Is Your Land" and recited Robert Frost poems. His ashes lie in a corner of the Shakespearean garden on the grounds of his Theatricum Botanicum.- Actor
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Gruff, burly American character actor. Born in 1903 in Benkelman, Nebraska (confirmed by Social Security records; sources stating 1905 or Denver, Colorado are in error.) Bond grew up in Denver, the son of a lumberyard worker. He attended the University of Southern California, where he got work as an extra through a football teammate who would become both his best friend and one of cinema's biggest stars: John Wayne. Director John Ford promoted Bond from extra to supporting player in the film Salute (1929), and became another fast friend. An arrogant man of little tact, yet fun-loving in the extreme, Bond was either loved or hated by all who knew him. His face and personality fit perfectly into almost any type of film, and he appeared in hundreds of pictures in his more than 30-year career, in both bit parts and major supporting roles. In the films of Wayne and Ford, particularly, he was nearly always present. Among his most memorable roles are John L. Sullivan in Gentleman Jim (1942), Det. Tom Polhaus in The Maltese Falcon (1941) and the Rev. Capt. Samuel Johnson Clayton The Searchers (1956). An ardent but anti-intellectual patriot, he was perhaps the most vehement proponent, among the Hollywood community, of blacklisting in the witch hunts of the 1950s, and he served as a most unforgiving president of the ultra-right-wing Motion Picture Alliance for the Preservation of American Ideals. In the mid-'50s he gained his greatest fame as the star of TV's Wagon Train (1957). During its production, Bond traveled to Dallas, Texas, to attend a football game and died there in his hotel room of a massive heart attack.- Actor
- Producer
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American character actor, mainly in Westerns in comic or rustic roles. Born Norton Earl Worden in Rolfe, Iowa, during his parents' visit to a relative's home there, he was raised on a cattle ranch near Glendive, Montana. Educated at Stanford and the University of Nevada as an engineer, he trained as an Army pilot, but washed out of flight school. Worden toured the country in rodeos as a saddle bronc rider and broke his neck in a horse fall in his 20s, but didn't know it until his 40s. Chosen along with Tex Ritter from a rodeo at Madison Square Garden in New York to appear in the Broadway play "Green Grow the Lilacs", the play from which the musical "Oklahoma" was later derived, he afterward drove a cab in New York, then worked on dude ranches as a wrangler and as a guide on the Bright Angel trail of the Grand Canyon. Recommended by Billie Burke to several movie producers, Worden became friends with John Wayne, Howard Hawks, and later John Ford, all of whom provided him with much work. He was married to Louise Eaton, who predeceased him. Following his wife's death, he shared his house with Jim Beaver for several years, thus generously helping the young actor gain a foothold in Hollywood. He died in his sleep at 91, survived by his adopted daughter Dawn Henry.- Highly recognizable Irish-American character actor whose small stature and wizened features made him resemble a leprechaun (a role which he played on more than one occasion). Probably best known as Willie Stark's bodyguard in All the King's Men (1949).
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American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin. His family moved soon after his birth to San Antonio, Texas, but quickly returned to Indiana. Strother Jr. grew up in Indianapolis and in Cloverdale, Indiana. He excelled at swimming and diving, and at 17 won the National Junior Springboard Diving Championship. He attended the University of Michigan as diving team member. He served in the U.S. Navy as a swimming instructor in World War II. Nicknamed "T-Bone" Martin for his diving style, his 3rd place finish in the adult National Springboard Diving Championships cost him a place on the 1948 Olympic team. He moved to California to become an actor, but worked in odd jobs and as a swimming instructor to Marion Davies and the children of Charles Chaplin. He found work as a swimming extra in several films and as a leprechaun on a local children's TV show, "Mabel's Fables." Bit parts came his way, leading to television work with Sam Peckinpah, which led to a lifelong relationship. He also found memorable roles for John Ford and by the 1960s was a familiar face in American movies. With Cool Hand Luke (1967) in 1967 came new acclaim and a place among the busiest character actors in Hollywood. He worked steadily and in substantial roles throughout the 1970s and seemed at the peak of his career when he died suddenly of a heart attack in 1980.- Actor
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One of those familiar character actors who seems to have been born old, Will Wright specialized in playing crusty old codgers, rich skinflints,crooked small-town politicians and the like. A former newspaper reporter in San Francisco, he switched careers and entered vaudeville, then took to the stage. He ventured from acting to producing, and staged shows on Broadway as well as other cities, eventually making his way to Hollywood. He appeared in over 100 films and did much TV work, including a recurring role on The Andy Griffith Show (1960). Although his hunched-over figure, craggy face and somewhat sour disposition made it seem like he started out his 20+-year career as an old man, he was actually only 68 when he died of cancer in Hollywood in 1962.- Actor
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American character actor, the most famous of Western-movie sidekicks of the 1930s and 1940s. He was born May 7, 1885, the third of seven children, in the Hayes Hotel (owned by his father) in the tiny hamlet of Stannards, New York, on the outskirts of Wellsville, New York. Hayes was the son of hotelier and oil-production manager Clark Hayes, and grew up in Stannards. As a young man, George Hayes worked in a circus and played semi-pro baseball while a teenager. He ran away from home at 17, in 1902, and joined a touring stock company. He married Olive Ireland in 1914 and the pair became quite successful on the vaudeville circuit. Retired in his 40s, he lost much of his money in the 1929 stock market crash and was forced to return to work. Although he had made his film debut in a single appearance prior to the crash, it was not until his wife convinced him to move to California and he met producer Trem Carr that he began working steadily in the medium. He played scores of roles in Westerns and non-Westerns alike, finally in the mid-1930s settling in to an almost exclusively Western career. He gained fame as Hopalong Cassidy's sidekick Windy Halliday in many films between 1936-39. Leaving the Cassidy films in a salary dispute, he was legally precluded from using the "Windy" nickname, and so took on the sobriquet "Gabby", and was so billed from about 1940. One of the few sidekicks to land on the annual list of Top Ten Western Boxoffice Stars, he did so repeatedly. In his early films, he alternated between whiskered comic-relief sidekicks and clean-shaven bad guys, but by the later 1930s, he worked almost exclusively as a Western sidekick to stars such as John Wayne, Roy Rogers, and Randolph Scott. After his last film, in 1950, he starred as the host of a network television show devoted to stories of the Old West for children, The Gabby Hayes Show (1950). Offstage an elegant and well-appointed connoisseur and man-about-town, Hayes devoted the final years of his life to his investments. He died of cardiovascular disease in Burbank, California, on February 9, 1969.- One of those wonderfully busy character actors whose face is familiar if not his name, mild-mannered actor Byron Foulger began performing with community theater, and stock and repertory companies after graduating from the University of Utah. He met his future wife, character actress Dorothy Adams, in one of these companies. The marriage lasted nearly five decades and ended only with his death.
Making his Broadway debut in a 1920 production of "Medea" that featured Moroni Olsen as Jason (of the Argonauts), and went on to appear in several other Olsen Broadway productions and in close succession (including "The Trial of Joan of Arc," "Mr. Faust" and "Candida"). While touring the country with Olsen's stock company, he ended up at the Pasadena Playhouse where he both acted and directed. Thereafter he and wife Dorothy decided to settle in Los Angeles.
Together the acting couple tried to stake a claim for themselves in 30s and 40s Hollywood films. Both succeeded, appearing in hundreds of film parts, both together and apart, albeit in small and often unbilled bits. A man of meek, nervous countenance, Foulger's short stature and squinty stare could be used for playing both humble and shady fellows. In the 1940s, the actor became a part of Preston Sturges' company of players, appearing in five of his classic films -- The Great McGinty (1940), Sullivan's Travels (1941), The Palm Beach Story (1942), The Miracle of Morgan's Creek (1943) and The Great Moment (1944).
Although predominantly employed as an owlish storekeeper, mortician, professor, or bank teller, his better parts had darker intentions. He was exceptional as weaselly, mealy-mouthed, whining henchmen who inevitably showed their yellow streak by the film's end.
The character actor eased into TV roles in the 1950s and '60s, displaying a comedy side in many folksy, rural sitcoms. His final regular TV role was as train conductor Wendell Gibbs in the final years of the Petticoat Junction (1963) series. The father of actress Rachel Ames, Foulger died of a heart ailment on April 4, 1970, coincidentally the same day the final new episode of Petticoat Junction (1963) was broadcast. . - Actor
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Royal Dano was undoubtedly one of the best, most quirky and striking character actors to ever grace the big and small screen alike in a lengthy and impressive career which spanned 42 years.
Royal Edward Dano was born on November 16, 1922 in New York City, to Mary Josephine (O'Connor) and Caleb Edward Dano, a newspaper printer. He was of mostly Irish descent (his mother was an immigrant). Royal ran away from home at age twelve and lived in such states as Texas, Florida and California. He struck a deal with his father to continue his education, but still be able to travel around the country. Dano eventually attended New York University. His performing career began as part of the 44th Special Service Provisional Company during World War II. Dano soon branched out to the New York stage and made his Broadway debut with a small role in the hit musical "Finian's Rainbow." He was nominated by the New York Critic's Circle as one of the Promising Actors of 1949. Tall and lean, with a gaunt face, dark hair, a rangy build, and a very distinctive deep croaky voice, Dano was usually cast in both movies and TV shows as gloomy and/or sinister characters. He appeared most often in westerns and worked several times with James Stewart and director Anthony Mann. He made his film debut in Undercover Girl (1950). Dano's more memorable roles include the Tattered Soldier in The Red Badge of Courage (1951), a sickly bookworm bad guy in Johnny Guitar (1954), Elijah in Moby Dick (1956), Peter in King of Kings (1961), a cattle rustler in The Culpepper Cattle Co. (1972), a coroner in Electra Glide in Blue (1973), a profanity-spewing preacher in Big Bad Mama (1974), Ten Spot in The Outlaw Josey Wales (1976), a weary factory line worker in Take This Job and Shove It (1981), a lightening rod salesman in Something Wicked This Way Comes (1983), a caterwauling minister who showed up at the doors of newly widowed wives of test pilots, and sang "Eternal Father Strong To Save" in The Right Stuff (1983). He was a stuffy high school teacher in Teachers (1984), rascally zombie old-timer Gramps in House II: The Second Story (1987), a cantankerous farmer in Killer Klowns from Outer Space (1988), and in his last part, a cemetery caretaker in George A. Romero's The Dark Half (1993). Among the numerous TV shows Dano did guest spots on are Twin Peaks (1990), Amazing Stories (1985), CHiPs (1977), Quincy M.E. (1976), Fantasy Island (1977), Little House on the Prairie (1974), Kung Fu (1972), Ben Casey (1961), Planet of the Apes (1974), Cannon (1971), Playhouse 90 (1956), Lost in Space (1965), Gunsmoke (1955), Bonanza (1959), Wagon Train (1957), The Virginian (1962), Hawaii Five-O (1968), Alfred Hitchcock Presents (1955), Wanted: Dead or Alive (1958), Night Gallery (1969), Route 66 (1960), The Rifleman (1958), and Rawhide (1959). Moreover, Dano did the voice of the animatronic Abraham Lincoln for Walt Disney's Hall of Presidents for both Disneyland and Disney World. Dano also portrayed Lincoln on the Omnibus (1952) television series. He's the father of actor Rick Dano. Royal Dano died at age 71 of a heart attack on May 15th, 1994.- Actor
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Emilio "El Indio" Fernandez Romo is the most famous person in the history of Mexican movies. For an era he symbolized Mexico due to his violent machismo, rooted in the Revolution of 1910-17, and because of his staunch commitment to Mexican cultural nationalism. Born to a Mexican (Mestizo) father and a Native American Kickapoo mother, Emilio was himself the "mestizaje" (mestizo) that his films would later glorify.
The teenaged Fernandez abandoned his studies to serve as an officer in the Huertista rebellion, which broke out on 12/4/1923, led by Gen. Adolfo de la Huerta. On July 20th of that year, Pancho Villa had been ambushed and murdered; one theory was that the killing was done by agents of Mexican President Álvaro Obregón. Obregon, when he served as a general during the revolution, had defeated Villa in four successive battles collectively known as the Battle of Celaya, which was the largest military confrontation in Latin-American history before the 1982 Falklands War.
Under the Constitution of 1917 that Obregon himself helped write, Mexican presidents could not succeed themselves (Obregon would later have the constitution amended so he could serve a second, non-consecutive term; after winning the presidential election of 1928, he was assassinated before his inauguration). Obregon had won the presidency in 1920 after inciting a successful military revolt against President Venustiano Carranza, who had planned on naming Ignacio Bonillas as his successor instead of Obregon, who believed that he deserved it. The revolt began when the governor of the state of Sonora, Gen. Huerta, broke with President Carranza and declared the secession of Sonora. This was a signal for the beginning of the successful uprising against Carranza, led by Obregon and supported by Gen. Plutarco Elías Calles. After Carranza was killed in an ambush, Huerta served as provisional president of Mexico from 6/1/1920 to 12/1/1920, until elections could be held. When Obregon won the federal election, Huerta became Minister of Finance in the new government.
Huerta considered himself the natural successor to President Obregon, just as Obregon had considered himself Carranza's natural successor. The murdered Villa was seen as an ally of Huerta, who had publicly announced his candidacy for the presidency. Obregon, however, planned to remain in power by handpicking his successor, a tradition that lasted throughout 20th-century Mexican politics. When he named his anti-clerical Minister of the Interior, the former Gen. Calles, as his heir, Huerta rose up in a rebellion that eventually affected half of the Mexican army. Like Huerta a native of Sonora and a former general in the Mexican army, Calles had preceded him as governor and military ruler of their home state from 1915-16. Huerta thought his service and loyalty to Obregon should have brought him the presidency, but Mexican presidents, not allowed to succeed themselves and limited (mostly) to one term, tried to extend their power by naming political puppets as successors (Calles would outdo Obregon by controlling the Mexican presidency outright or through puppets from 1924-34).
The rebellion was a serious threat to Obregon, but he was able to quash it by using loyal army units, battalions of workers and farmers and intervention by the US. By the time the revolt ended in March 1924, 54 generals and 7,000 soldiers were gone, either killed in battle, executed, exiled or dismissed. Obregon banished Huerta to exile in the US (where he lived in Los Angeles, supporting himself as a music teacher). This was the cauldron of violence and nationalism in which the young Fernandez came into his manhood. He received a 20-year prison sentence for his participation in the rebellion on the losing side. Escaping prison by following Huerta into exile in Los Angeles, Fernandez absorbed the rudiments of filmmaking as a bit player and extra working in Hollywood in the 1920s and early 1930s. With the election of Lázaro Cárdenas as president in 1934, the Huertista rebels were granted an amnesty (Huerta himself was recalled from exile by Cardenas in 1935 and served in several posts, including Inspector General of Foreign Consulates and Director General of Civil Pensions). Fernandez returned to Mexico in 1934 and began working in the Mexican movie industry as a screenwriter and actor. His Indian looks, which gave him his nickname "El Indio," also brought him his first lead role, playing an Indian in Janitzio (1935). Due to his imposing physical presence and Indian countenance, El Indio was cast as bandits, charros (cowboys) and revolutionaries.
The Cardenas government of 1934-40 established the framework in which the "Golden Age of Mexican Cinema" could be realized. The political system that dominated Mexico for over half a century was consolidated during his regime. The government incorporated trade unions, campesino (peasant) organizations and middle-class professionals and office workers into the ruling Party of the Mexican Revolution (later the Party of the Institutional Revolution, or PRI). Cardenas oversaw the redistribution of millions of acres of land to peasants and the expansion of collective bargaining rights and wage increases to workers.
Cardenas and all subsequent PRM/PRI presidents (all presidents of Mexico in the 20th century beginning with Calles were PRM/PRI members; Vicente Fox was the first from outside the party in three-quarters of a century) maintained political control of Mexico by granting favors and concessions to their constituencies inside the corporatist party structure in exchange for worker and campesino organizations delivering votes and suppressing discontent among their constituencies. The PRM/PRI itself created an organizational structure for the government that allowed citizens access to the political realm, in the sense that they could interface with government agencies. Once inside the government machine, seeking redress, favors, etc., the non-connected citizen was led through a maze of layers of bureaucracy that never permitted a satisfactory result. Citizens caught in the maze were eventually frustrated and discouraged, but the ingenious if disingenuous system worked as it gave them input--just no guaranteed output. By frustrating them within an institutional structure, the PRM/PRI governments--both federal and state--took the fight out of them. The PRM/PRI sought to control frustration that had led to violence in the past, particularly among the generals who had the power to destabilize the society and economy. That government structure thus served as a homeostatic device for the people's frustration, relieving it and never allowing it to build up again into a revolutionary situation.
Cardenas' most notable achievement arguably was the nationalization of Mexico's oil industry. After unsuccessfully trying to negotiate better terms with Mexican Eagle--the holding company owned by Royal Dutch/Shell and Standard Oil of New Jersey--Cardenas nationalized Mexico's petroleum reserves and expropriated the equipment of the foreign oil companies on 3/18/38. A spontaneous six-hour parade broke out in Mexico City to celebrate the event. Unlike Fidel Castro's nationalization of foreign assets in Cuba, Shell and SONJ were compensated for their expropriated assets. Petroleos Mexicanos (Pemex) and the Mexican model became a beacon for other oil-producing nations seeking to gain control over their own energy resources from foreign companies. Cardenas was the only PRM/PRI president who did not enrich himself while in office. After retiring as Minister of Defense in 1945--the post he took after relinquishing the presidency--he assumed a modest lifestyle. He spent the last years of his life supervising irrigation projects and promoting education and free medical care for the poor. This was the man who set the tone of the modern Mexico that arose from the revolution and civil wars of the 1920s, who cleared the ground for the economic boom of the 1940s in which the "Golden Age of Mexican Cinema" reached its apogee. Classic Mexican cinema has mostly been ignored in the US due to the language barrier and a colonialist mindset suffused with racism. When Mexican cinema has been addressed by those north of the border, the primary focus fell on the brilliant cinematography of Gabriel Figueroa, who shot films for John Ford and John Huston, or on former Hollywood star Dolores Del Río. Fernandez's reputation was so great that he was even appreciated in the US in his lifetime, but his notoriety as a sort of wildman of the Mexican movie industry and his appearance as an actor in Sam Peckinpah's The Wild Bunch (1969) overshadowed his greatness as a director. While Mexico has often served as a locale for American films--the genres of sweet (white) young things imperiled by swarthy Mexican bandits and of Americans in revolutionary Mexico, to say nothing of Zorro and The Cisco Kid--have been part of the Yankee cinema since the East Coast-based film companies began relocating to southern California in the early 1910s. Gringo Warner Baxter won the second Oscar ever awarded for Best Actor playing The Cisco Kid in a role originally intended for Raoul Walsh, of all people. Mexico has been the site of such blockbuster films as Viva Villa! (1934), Juarez (1939), Viva Zapata! (1952), Vera Cruz (1954), The Professionals (1966) and "The Wild Bunch," but except for La caza del oro (1972), a Johnny-Come-Lately to the genre, they seldom featured Mexican actors in anything other than bit parts, if at all, with the exception of Anthony Quinn, one of the few Mexican-Americans to achieve superstar status. Mexican performers taken up by Hollywood --such as Ramon Novarro, Rita Hayworth, John Gavin and Raquel Welch--were, like half-Mexican baseball great Ted Williams (born in San Diego), de-ethnicized in a sort of cultural ethnic cleansing. Salma Hayek, who is of mixed Mexican and Lebanese parentage, is arguably the first Mexican since Lupe Velez and Dolores del Rio to cross over as a Hollywood superstar and remain identifiably Mexican (even at the dawn of a new millennium, she was urged by her Hollywood agents to play up her Arabic ethnicity, even with anti-Arab feeling rife in Hollywood and the US at large--their "reasoning" was that no one would go see a Mexican in movies since their cleaning ladies were Mexican),
Until the 1990s, with Like Water for Chocolate (1992) ("Like Water for Chocolate"), Mexican films themselves seldom strayed in the Yankee consciousness, except for the rare one like The Pearl (1947), based on a novel by Californian John Steinbeck and a prize-winner at the Venice Film Festival. "La Perla" was directed by Fernandez, the greatest director to come out of Mexico's golden age of cinema. The first Mexican feature was released in 1906, though production often was eclipsed by political and economic conditions. There were documentaries made about the Mexican Revolution in the 1910s, but very few films were made in the 1920s. Sergei Eisenstein's trip to Mexico in the early 1930s to make Que Viva Mexico (1979), which remained unfinished due to his problems with his American backer, Upton Sinclair, injected a new enthusiasm into the Mexican movie industry.
While most American film historians place the Golden Age firmly in the 1940s--some specifically assigning it to the period 1943-46 and others extending it until the mid-'50s--the Golden Age of Mexican Cinema properly stretches back to 1936, peaks in the mid-'40s (when the Mexican cinema receives international recognition; two of Fernandez's films won the Grand Prix at the Cannes Film Festival and were nominated for the Golden Lion at the Venice Film Festivals) and terminates in the mid-'50s, with the end of Fernandez's 25-film collaboration with cinematographer Gabriel Figueroa. Figueroa, the Mexican movie industry's first great director, inaugurated the Golden Age in 1936 with two hits, Out on the Big Ranch (1936) ("Out at Big Ranch") and Let's Go with Pancho Villa (1936) ("Let's Go with Pancho Villa"). Both were "political message" movies addressing the social and cultural issues lying at the heart of Mexican Revolution. "Vamonos con Pancho Villa" has the distinction of being the first feature produced at the Mexican government-subsidized studio Cinematografica Latino Americana S.A., while "Allá en el Rancho Grande" made Tito Guízar a star. Guizar eventually became the Mexican movie industry's first superstar by playing in the "comedias rancheras" (ranch comedies) genre that was the most popular type of film in Mexico in the 1930s. A hit with audiences throughout Latin America, "comedias rancheras" were set in an idyllic, pre-revolutionary Mexico. The vaudevillian Mario Moreno, who became a Latin-American superstar under the name Cantinflas, made his short-subject debut in 1936 and would soon become the Latin-American film industry's leading comedian when he made his feature-film debut in You're Missing the Point (1940) ("There is the Detail"). The Cantinflas character is rooted in the image of the "pelado," or poor white trash, and his character deflates respectable society through his sharp repartee. Peace--i.e., a lack of overt domestic political turmoil--laid the groundwork for the development of a truly popular indigenous cinema in the 1930s and '40s. The comedias rancheras and Cantinflas comedies helped make the Mexican cinema commercially viable. With Hollywood distracted by turning out propaganda and military training films during World War II, there was an opening in Latin America that the Mexican industry filled. Without competition from Hollywood, the Mexican movie industry dominated Latin-American cinemas for most of the decade. Movie production tripled in the 1940s compared to the previous decade. The Mexican film industry underwent a consolidation and developed a star system, some of whom crossed over to achieve international recognition. The peak of the Golden Age of Mexican cinema came in the 1940s, spurred by rapid industrialization and a resulting affluence--although inequitably distributed--caused by trade with the US, as World War II boosted American demand for Mexican raw materials. The Mexican movie industry became the world's largest producer of Spanish-language films, helped by the fact that the other large producers, Argentina and Spain, were headed by fascist governments. Though the Mexican government was conservative and repressive in the 1940s, it encouraged the production of nationalist films that helped articulate a Mexican identity. During the 1940s Mexican movie stars and directors became popular icons, and some even became public figures with effective political influence. Among the movie stars blossoming during the decade were Dolores del Rio, Pedro Infante, Jorge Negrete, Joaquín Pardavé and María Félix, while Fernandez and Figueroa became globally known. Luis Buñuel moved to Mexico and would direct some of the country's major movies in the following decade.
Mexican movies typically were genre pictures, melodramas, romances, musicals, comedies and horror, which addressed all aspects of Mexican society, from love stories about the "lumpen proletariat" to dramas about the Indians. Mexican movies are a mirror of Mexican society, including history (19th-century dictator Porfirio Díaz and his court, The Revolution and Villa and Emiliano Zapata), obsessions (both familial and erotic) and mythology (Indian and big-city culture). Mexican cinema did this using the classic genres of the the melodrama, the comedy (in its romantic, musical and ranchera versions, and slapstick and farce) and even the horror film. With its proximity to Hollywood, and the fact that many leading lights of the Mexican cinema were familiar with Hollywood production values, the indigenous movie industry set a high standard for itself, as it had to measure up to Hollywood product.
Fernandez made his motion picture debut as an actor in Chano Urueta's El destino (1928), but his early work in movies was in American westerns churned out by Monogram director John P. McCarthy, including the Bob Steele programmers The Oklahoma Cyclone (1930), The Land of Missing Men (1930), Headin' North (1930), The Sunrise Trail (1931) and the Tim McCoy "hoss opera" The Western Code (1932). After a supporting role in Enrico Caruso Jr.'s La buenaventura (1934), he made his return to Mexican pictures in 1934, starring in Heart of a Bandit (1934) and director Fernando de Fuentes' Cruz Diablo (1934).
Fernandez's first film as a director was La isla de la pasión (1942), in 1941, which he also wrote and in which he played a bit part. The movie starred Pedro Armendáriz, who Fernandez would cast in many of his films. Another favorite collaborator was his wife Columba Domínguez. El Indio rapidly gained a reputation as Mexico's premier director making populist dramas. His Maria Candelaria (1944) put Mexican film on the map when it won the Grand Prize at the Cannes Film Festival in 1946. It has been variously praised as "the highest triumph of Mexican plastic arts on celluloid" and as "a titanic promise for strictly patriotic [Mexican] cinema." French film critic Georges Sadoul, in his 1954 book "Histoire General du Cinema," praised the film for its "authentic" portrayal of rural Mexican life and for addressing race relations.
The film remains controversial in Mexico due to El Indio's aesthetic choices, which emphasized the exotic and primitive, and his representation of Mexican Indians, which some critics believed was inauthentic or "touristy." The nationalistic Fernandez wanted to articulate an idea of what it meant to be Mexican that was uniquely Mexican, and not influenced by Hollywood, whose films he felt were Americanizing Mexican cinema audiences. Terming his films "autos sacramentales [passion plays] of mexicanidad," Fernandez wanted to create a Mexican cinema that Mexicanized Mexicans. The film stars Dolores del Rio, the Hollywood movie star who had returned to Mexico after becoming disillusioned with the American movie industry, as the daughter of a prostitute trying to survive just before the Revolution. Set in the floating gardens of Xochimilco in Mexico City, del Rio's character is shunned by the locals, who are indigenous people. Her great desire is to marry her lover, played by Pedro Armendariz, but their romance proves to be star-crossed. Fernandez's direction was flawless, and Figueroa's black-and-white cinematography was masterful. The collaborators created one of the classics of not just Mexican movies but of world cinema. When El Indio and Figueroa were making "Maria Candelaria," they were part of a movement in which Mexican filmmakers were consciously attempting to create an indigenous art cinema that could compete with Hollywood product while simultaneously articulating a vision of Mexicans that was rooted in the "indigenismo" and "mestizophilia" of Mexican intellectuals. José Vasconcelos, the Minister of Education during the Obregon administration, was particularly influential due to his concepts of "mexicanos en potencia" and the cosmic race. In Vasconcelos' philosophy, the "barbarous" Indian was redeemed by a modernization program based on education, and by the assimilation of the Indians with the Caucausian Europeans into "la raza" of mestizos ("mestizaje"). Gabriel Figueroa was conscious of the fact that he and Fernandez, a creative team that became known as "Epoca de Oro," invented an idea of rural Mexico that did not actually exist. Figueroa established himself as the leader in imagining a new, post-revolutionary Mexican consciousness, through the vehicle of the visual image. A "painter in light," Figueroa learned his craft from Gregg Toland and Eduard Tisse, Eisenstein's cinematographer. Figueroa is credited with creating the classic Mexican film aesthetic in collaboration with El Indio and other film directors. In over 200 movies, he developed the classic imagery and aesthetic of Mexican cinema, which also influenced and was influenced by contemporary Mexican artists. Figueroa pioneered an indigenous visual vernacular that affected the muralist movement, and he has been referred to as the fourth of the most important Mexican muralist after Orozco, Diego Rivera and David Siqueiros. Siqueiros himself called Figueroa's cinematography "murals that travel."
In their 25 films together between 1942-58, El Indio and Figueroa created the idea of "mexicanidad" cinema while elevating the mestizaje (mixed-race) identity, as well as the status of the pre-Columbian culture. The epic visual style they developed was indebted to Eisenstein's unfinished "Que viva Mexico." Their style fetishized the Mexican landscape through beautiful, carefully composed, stationary long shots. For two decades Mexican art cinema was identified with the films resulting from the Fernandez-Figueroa collaboration. Their films not only affected Mexican audiences' collective identity, but they affected how their audiences, both domestic and global, viewed Mexico and its history.
The climax of "Maria Candelaria" was an homage to Carlos Navarro's classic "indigenista" film Janitzio (1935). The movie is evocative of the anti-clerical struggles engendered by the Revolution. The secularization of the Mexican state was begun with the 1910 Revolution, continued with the 1917 Constitution, and reached a violent apotheosis in the Cristero Rebellion of 1926-29, when the President tried to crack down on the Roman Catholic church. However, the anti-clericalism of the revolutionaries had to co-exist with the cult of Our Lady of Guadalupe, the symbol that has proved the most powerful and enduring in creating a Mexican national consciousness. Our Lady has served as a symbol for political struggles from the 19th-century wars of independence to the Cristero wars. On one level, "Maria Candelaria" is a paean to the cult of the Virgin Mary, a phenomenon present in much of classical Mexican cinema, which likely is one of the reasons the films Fernandez and Figueroa and others of the 1940s and 1950s proved so popular all over Latin America.
In 1946 Fernandez filmed an adaptation of John Steinbeck's novella "The Pearl," in Spanish- and English-language versions. Shot by Figueroa and starring El Indio's favorite actor, Pedro Armendariz, "La perla" won El Indio a nomination for Golden Lion at the Venice Film Festival, further solidifying his notoriety as a director and publicizing the Mexican movie industry. The film also won him the Golden Ariel for Best Picture at the 1948 Ariel Awards (the Mexican equivalent of the Oscars), and Fernandez, Figueroa, Armendariz and Juan García won Silver Ariels for Best Direction, Cinematography, Actor and Supporting Actor, respectively. Figueroa won a Golden Globe for Best Cinematography in 1949 from the Hollywood Foreign Press Association.
In 1948 Salón México (1949) was released, written and directed by Fernandez with cinematography by Figueroa. An urban melodrama, the film was groundbreaking in that it helped usher in a new genre, the "cabaretera" (cabaret) film, racier and just as commercial as the familiar genre of rancheras, which was then fading in popularity. The movie recreates the atmosphere of the famous Mexico City dance hall and won Marga López an Ariel Award for her role as the taxi dancer Mercedes. The movie featured a sensual soundtrack performed by the Afro-Cuban music group Son Clave de Oro. By the end of the 1940s Emilio Fernandez was the most famous and prestigious director in all of Latin America. He would continue his reign as Mexico's premier director into the mid-'50s, when his powers began to decline and Spanish amigra Luis Buñuel took over the title. As the most famous directors and biggest stars aged or died, Mexican cinema began to decline commercially, and the Golden Age of Mexican cinema came to an end (ironically, Bunuel's Mexican oeuvre strengthened as the national cinema went into decline and L'age d'or went into eclipse).
Although Fernandez and Figueroa last worked together in El puño del amo (1958), which starred El Indio's half-brother Jaime Fernández, the collaboration was essentially over by the mid-'50s when they made La rosa blanca (1954) and La Tierra del Fuego se apaga (1955). Their last great film together was La rebelión de los colgados (1954) (based on B. Traven's "Rebellion of the Hanged," it's English-language title), which starred Pedro Armendariz and Emiolio's half-brother Jaime Fernández, both of whom were nominated for Silver Ariel awards as Best Actor and Best Supporting Actor, respectively. Jaime Fernandez won the Ariel, as did Amanda del Llano for Best Supporting Actress, Gloria Schoemann for editing and José B. Carles for sound. Antonio Díaz Conde was nominated for a Silver Ariel for Best Score. As his collaboration with Fernandez waned, Figueroa's professional relationship with Bunuel waxed. Figueroa first served as director of photography on Bunuel's classic The Young and the Damned (1950), which won 11 Ariels in 1951, including the Golden Ariel as Best Picture in 1951 and awards for Best Cinematography for Figueroa and Best Director and Original Story for Bunuel. Their other films together were Nazarin (1959) ("This Strange Passion"; winner of the International Prize at the 1959 Cannes Film Festival), Fever Mounts at El Pao (1959); The Young One (1960), (which won a Special Mention at the 1960 Cannes Film Festival); The Exterminating Angel (1962), ("The Exterminating Angel"); and Simon of the Desert (1965) ("Simon of the Desert"). Of the Golden Age output, "New York Times" movie critic A.O. Scott said, "There is a frankness in these films that would never have passed muster with the Hays Office." The Golden Age had peaked in the 1940s, bolstered by the economic boom caused by the World War II alliance with the US, government support for the industry via state-funded studios, the maturation of a star system, and the rationalization of distribution and exhibition. Aside from Bunuel's pictures, the post-Golden Age era saw indigenous cinema suffer through the 1960s, as the industry became more dependent on formulaic pictures and such popular genres as the "Santo the Wrestler" series. During the 1960s and 1970s many low-grade horror and action movies were produced with professional wrestler Santo and Hugo Stiglitz being the biggest stars. However, the moribund 1960s led to a revival of government support for the industry in the 1970s, which established the base for a revival of Mexican art cinema in the 1980s and 1990s. El Indio continued directing films until 1979, but when his collaboration with Figueroa ended in 1958, his reputation suffered as the artistry of his pictures declined. He began acting more, though he directed a picture every few years. Gradually, the notoriety of his life began overtaking his reputation as a filmmaker. El Indio lived out the fantasy of perhaps every director when he shot a critic, who had dissed one of his movies, in the testicles. A violent man, he shot and killed a farm laborer, which he claimed was in self-defense. Convicted of manslaughter in 1976, he served six months of a 4-1/2-year sentence. By the 1960s Fernandez's off-screen reputation as a violent man led to his typecasting as brutal villains in many Mexican and American films. As an actor, Fernandez appeared with his brother, singer/actor Fernando Fernández, in John Ford's The Fugitive (1947), on which he also served as associate producer. Other American films he appeared in were John Huston's The Unforgiven (1960) (on which he also served as second unit director) and The Night of the Iguana (1964), the John Wayne pictures The War Wagon (1967) and Chisum (1970) (on which he also served as second unit director), Sidney J. Furie's The Appaloosa (1966) in support of Marlon Brando, and Burt Kennedy's Return of the Seven (1966). After assaying the role of renegade Mexican Gen. Mapache in the classic "The Wild Bunch", Fernandez appeared in two other Peckinpah films, as Paco in Pat Garrett & Billy the Kid (1973) and as El Jefe, who gives the order to Bring Me the Head of Alfredo Garcia (1974). He was reunited with John Huston in Under the Volcano (1984) and appeared in Roman Polanski's Pirates (1986).
El Indio's last two films as a writer-director were México Norte (1979) and Erótica (1979), in which he also starred. In all, El Indio directed 43 pictures from 1942-79. He was the credited screenwriter on 40 pictures, starting with Beautiful Sky (1936) in 1936. He also served as second-unit director, both credited and uncredited, on such American pictures shot in Mexico as The Magnificent Seven (1960), in which he was attached to the American crew by the Mexican government to ensure that the depictions of Mexicans were not racist or demeaning. Fernandez died in Mexico City on 8/6/86.
Government sponsorship of the industry and the creation of state-supported film helped create the phenomenon known as the "Nuevo Cine Mexicano" ("New Mexican Cinema") that catapulted Mexican movies into prominence on the global market in the 1990s. Amores Perros (2000), And Your Mother Too (2001) and The Crime of Padre Amaro (2002) are just three of the most recent Mexican films that have featured prominently in American art cinemas. The spirit of El Indio lives on!
In 2002 "La Perla" was named to the National Film Preservation Board's National Film Registry, which is maintained by the US Library of Congress. Fernandez and his collaborator Gabriel Figueroa were honored on the occasion of the 100th anniversary of El Indio's birth at the inaugural Puerto Vallarta Film Festival of the Americas held in Puerto Vallarta, Mexico, in November 2004.- Louis Mason was born on 1 June 1888 in Danville, Kentucky, USA. He was an actor, known for The Return of Frank James (1940), This Man Is Mine (1934) and The Velvet Touch (1948). He died on 12 November 1959 in Los Angeles, California, USA.
- Hailing from Long Beach, California, talented character actor Anthony Zerbe has kept busy in Hollywood and on stage since the late 1960s, often playing villainous or untrustworthy characters, with his narrow gaze and unsettling smirk. Zerbe was born May 20, 1936 in Long Beach, and served a stint in the United States Air Force before heading off to New York to study drama under noted acting coach Stella Adler. He made his screen debut as Dutchie, one of Charlton Heston's fellow cowhands in the western Will Penny (1967), played a miner in The Molly Maguires (1970), was a post-apocalyptic, lunatic messiah in The Omega Man (1971), hustled a naive Paul Newman in The Life and Times of Judge Roy Bean (1972), played a leper colony leader in Papillon (1973) and a former lawman gone bad in Rooster Cogburn (1975).
Zerbe also starred alongside David Janssen in the television series Harry O (1973) as the urbane, nattily dressed Lieutenant K.C. Trench, Janssen's sometime nemesis, for which he picked up an Emmy Award. Definitely in strong demand for sinister roles, Zerbe played a crazed scientist in the corny Kiss Meets the Phantom of the Park (1978), was an arrogant father in The Dead Zone (1983), made a great General Ulysses S. Grant in North & South: Book 2, Love & War (1986), starred in the military drama Opposing Force (1986) and suffered a grisly demise in an airlock full of money in the James Bond thriller Licence to Kill (1989). Most recently, Zerbe has been seen as Councillor Hamann in The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
In addition to his extensive television and film appearances, Zerbe has appeared in Broadway productions including "The Little Foxes", "Terra Nova" and "Solomon's Child". He was in residence for five summer seasons at The Old Globe Theatre playing several key Shakespearean characters to strong critical acclaim. He has also held residencies at the Theatre of the Living Arts in Philadelphia, the Arena Stage in Washington, D.C., and the Huntington Theatre Company in Boston. In 2003, he toured across several states with Roscoe Lee Browne in their production of "Behind the Broken Words", a performance of 20th-century poetry, comedy and drama. - Actor
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This old codger film favorite, born in 1869 (some reports say 1875), got into the entertainment field at an early age, first as a circus performer (aerialist and trapeze artist). When acting sparked his interest, he worked in a series of stock companies while writing stage plays that he himself could star in. He married actress Anna Chance around the turn of the century, and they remained a devoted couple until her death 47 years later. They had no children. Charley came into his own in films at the ripe old age of 60 as the ultimate humorous, toothless character in a range of films with rustic settings. Notable movies include The Petrified Forest (1936) with Leslie Howard and Humphrey Bogart, The Good Earth (1937) with Paul Muni and Luise Rainer, and They Died with Their Boots On (1941) with Errol Flynn. However, his best-remembered parts were as huggable Uncle Henry in the classic The Wizard of Oz (1939), ornery Grandpa Joad, who refused to leave the homestead in The Grapes of Wrath (1940), Inspector Queen in the Ellery Queen whodunits that ran from 1940 through 1942, and the amiable ne'er-do-well Jeeter Lester in Tobacco Road (1941). A soft, humorous presence who seemed frail around the edges, he was a thorough delight, his folksy presence gracing over 100 films. He died in 1956.- Actor
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Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.- Actor
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An American character actor of prodigious output who also directed and wrote silent films, Paul Hurst spent much of his early work in low-budget westerns. A native of Traver, California (in the San Joaquin Valley), Hurst had first-hand knowledge of western lore, growing up surrounded by the multimillion-acre Lux & Miller ranches that ran cattle throughout the state. Visiting San Francisco as a young man, he became involved in amateur theatricals and thereafter traveled to Los Angeles to join the emerging film industry there. He began appearing in films as early as 1912, most of them westerns. By 1916 Hurst was directing them as well (some sources report that he served in World War I as a member of the French Foreign Legion, but the dates of his film projects make this story highly suspect).
In the early 1920s Hurst wrote several scenarios for films he directed and in which he appeared. He proved adept at working as a director for some of the cheapest producers along Gower Gulch, where movies were normally shot on location in a week or less and where stuntmen were often the highest-paid folks on the set. Within a few years he focused all of his energies into acting, however, notably becoming one of the few successes to emerge from "Poverty Row".
Hurst quickly became one of the more prolific and familiar characters in American movies. With his stocky build and squinty demeanor, and with a raspy voice that enhanced his memorability once sound pictures came in, Hurst played villains, cops and comedy sidekicks in more than 250 films. His most famous role was that of the deserter shot dead on the stairway of Tara by Vivien Leigh in Gone with the Wind (1939). Hurst was the sidekick to Monte Hale in a number of B westerns. Former Gower Gulch veteran John Wayne hired Hurst for Big Jim McLain (1952) knowing that Hurst was ill with terminal cancer. In 1953, at age 64, owing to his health problems, Paul Hurst committed suicide.- Actor
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The son of a circuit-riding Methodist preacher in rural Alabama, Pat Buttram became one of America's best-known comic entertainers. He left Alabama a month before his 18th birthday to attend the 1933 Chicago World's Fair. An announcer from radio station WLS was on hand to interview members of the crowd and settled on Pat as a typical visitor from the South. The interview that followed was anything but typical. Pat made a hit with his hilarious observations on the fair and was immediately offered a job with the station. This led to a long and happy association with the popular "National Barn Dance" radio program. During those years Pat met Gene Autry, who took a liking to the young comic and later brought him to Hollywood to replace Smiley Burnette, who had found other work while Gene served in WWII. Together Pat and Gene made many western films and a television series, The Gene Autry Show (1950), which aired from 1950 until 1956. They remained close friends until Pat's death in 1994.
In 1952 Pat married actress Sheila Ryan, whom he had met on the set of Mule Train (1950). Over the next 40 years Pat prospered in radio, films and television, making stand-up appearances on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and lending his vocal talents to many animated television shows and films, including several Walt Disney features. In the early 1960s he revealed a flair for dramatic acting when Alfred Hitchcock tapped him for roles in two The Alfred Hitchcock Hour (1962) episodes. His big television break came in 1965 with the role of "Mr. Haney" in the long-running CBS comedy Green Acres (1965). Throughout his career Pat was in constant demand as a toastmaster and after-dinner speaker, where his agile and sophisticated wit belied his "countrified" appearance. In 1982 Pat founded the Golden Boot Awards to honor actors, directors, stunt people and other industry professionals who have made significant contributions to the western film genre. Proceeds from the annual event are donated to the Motion Picture Health and Welfare Fund.- Actor
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Born in Montana to homesteading parents, Robert Bray eventually moved to Seattle with his family and attended Lincoln High School. After graduation, he knocked around for a while as a lumberjack, cowboy and a member of the CCC (Civilian Conservation Corps).
As a young man, Bray worked for a while in Hollywood as a studio carpenter in the early 1940s, before joining the U.S. Marine Corps in 1942 during World War II. He saw heavy action in the South Pacific during his tour of duty, before finally mustering out as a Master Sergeant at war's end.
With aspirations of being a taxidermist or owner of a hunting/fishing lodge, Bray finally decided to pursue acting as a career, and was eventually signed in 1946 to a contract at RKO Pictures where he was looked upon as the new Gary Cooper. He spent three years of a seven-year deal playing supporting roles in a variety of RKO police dramas and Tim Holt westerns before his contract was dropped. From then until the early 1960s when he landed the plum TV role of Ranger Corey Stuart in the Lassie (1954) TV series, he was a freelance actor, who found work mainly portraying he-men such as a tough cavalry officers, hard-bitten cops, a stagecoach driver, etc., in a wide range of action-oriented movies and television episodes. He won the part in "Lassie" over several other candidates because of his affinity for animals, and theirs for him.
Earlier in his career Bray played in some well-received if minor roles such as "Carl" the bus driver in Bus Stop (1956), the film that finally got Marilyn Monroe taken seriously as a dramatic actress. That picture's director, Joshua Logan, offered Bray a part in his next film, South Pacific (1958) but, to his never-ending regret, Bray instead opted to star in several forgettable low-budget pictures for Allied Artists. "Had I appeared in the smash hit South Pacific," he said, "who knows where I might have ended up."
After being replaced on "Lassie" in 1968, Bray's motivation for continued acting work waned and he eventually retired with his wife Joan to Bishop, California, where he could often be found cruising around town in his Winnebago motor home with his dog Lady. An ardent fly fisherman, hunter, model duck carver and all-around sportsman, Bob lived out his final years in the shadow of the eastern High Sierras, where he made so many of his early western movies. After his passing in 1983, his ashes were scattered over Zuma Beach, California, where he spent many pleasant days as a young man.- Actor
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Stocky tough-guy character actor Richard Jaeckel was one of Hollywood's most prolific supporting stars. Born in Long Island, New York, on October 10, 1926, Jaeckel's family moved to Los Angeles when he was still in his teens. After graduation from Hollywood High School, Jaeckel was discovered by a casting director while working as a mailboy for 20th Century-Fox. Although he had some reluctance to act, Jaeckel accepted a key part in the war epic Guadalcanal Diary (1943) and remained in films for over 50 years, graduating from playing baby-faced teenagers (like Dick Clark, Jaeckel never seemed to age) to gunfighters and hired killers with ease. From 1944-48 he served in the US Navy, and after his discharge he co-starred in Sands of Iwo Jima (1949) with John Wayne. Jaeckel's other notable roles in films include one of a trio of GIs accused of raping a German girl in Town Without Pity (1961)--a standout performance--and The Dirty Dozen (1967) as tough MP Sgt. Clyde Bowren, who goes along on the mission to keep an eye on the prisoners he's trained, a role he reprised in a made-for-TV sequel in 1985. Jaeckel also received an Academy Award nomination as Best Supporting Actor for his funny but tragic performance in Sometimes a Great Notion (1971). Although he appeared in over 70 films, he was very active in television series such as Frontier Circus (1961), Banyon (1971), Firehouse (1974), Salvage 1 (1979), At Ease (1983), Spenser: For Hire (1985) and Supercarrier (1988). From 1991-94 he played Lt. Ben Edwards on the hit series Baywatch (1989). He passed away after a three-year battle with melanoma cancer on June 14, 1997, at the Motion Picture and Television Hospital in Woodland Hills, California. Jaeckel was 70 years old.- Actor
- Writer
David Brian was born Brian James Davis on August 5, 1914 in New York City. After graduating from City College, he found work as a doorman before entering show business with a song-and-dance routine in vaudeville and nightclubs. He did a wartime stint with the United States Coast Guard and returned to acting on the New York stage after World War II.
Persuaded by Joan Crawford to try his hand at film acting, he joined her in Hollywood and, in 1949, signed a contract with Warner Brothers. In his feature debut, Flamingo Road (1949), he played a political boss infatuated with Crawford's carnival girl. His most critically acclaimed performance was as the fair-minded, resourceful Southern lawyer defending condemned but innocent Juano Hernandez from a lynch mob in Intruder in the Dust (1949). For this role, he was nominated for a Golden Globe Award as Best Supporting Actor.
Brian portrayed a powerful gang leader in The Damned Don't Cry (1950), again opposite Crawford. In spite of his commanding presence in the film, his performance was somewhat compromised by a cliche-laden screenplay. In This Woman Is Dangerous (1952), it was Crawford who played the criminal and Brian the role of her insanely jealous paramour. For the remainder of the decade and into the 1960s, Brian played an assortment of western heavies on the big screen -- notably raider leader Austin McCool in Springfield Rifle (1952) and saloon owner Dick Braden in Dawn at Socorro (1954) -- and did the same with equal verve on television, in Gunsmoke (1955). An incisive actor with sardonic looks and a hard edge to his voice, he was often typecast as ruthless or manipulating types. Somewhat against character, he essayed a weakling in the ground-breaking airborne drama The High and the Mighty (1954).
On the right side of the law, he starred as crusading District Attorney Paul Garrett in Mr. District Attorney (1954), reprising his earlier role on radio. In 1968, he also made a contribution to Star Trek (1966) as John Gill, a Federation cultural observer on the planet Ekos whose experiment in creating a government based on National Socialist principles goes disastrously wrong. In private life, he was a celebrated fundraiser for the Volunteers of America, a non-profit charitable organization. On July 15, 1993, David Brian died at age 78 of cancer and heart disease in Sherman Oaks, California.- Actor
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Dick Botiller was born on 12 October 1896 in Ventura, California, USA. He was an actor, known for Radio Patrol (1937), The Secret Code (1942) and Scouts to the Rescue (1939). He died on 24 March 1953 in Ridgecrest, California, USA.- Roger Williams was a man of many careers, one of which was portraying heavies in a hundred plus B westerns, serials and a other features during the years 1933 - 1939. At Republic Pictures, he did westerns with the Three Mesquiteers, Roy Rogers, and Gene Autry. But his usual employers were Poverty Row production companies churning out westerns starring Fred Scott, Tom Tyler, Jack Perrin, Kermit Maynard, Harry Carey, Bob Custer, Rex Bell, Rex Lease, Reb Russell, others.
Roger Grimes Williams was born in Denver, Colorado on February 8, 1898 to Charles H. Williams and Eva / Evangeline Lloyd. Circa 1910, the family had re-located to Los Angeles.
He served in the Army during World War I, became a Second Lieutenant in the Field Artillery, and served from June 23, 1917 - January 8, 1919.
Before and after his brief time in Hollywood, Williams had many jobs. In the census and other records, he was a "Paper Maker", "General utility - Iron works", "Ox Welder", "Mechanic", "Designer - Ornamental Iron", "Stage Manager", and "Engineer" for Douglas Aircraft, McDonnell Aircraft and Northrop Aircraft.
Appears he also did four years of college, probably after his World War I military service.
Circa 1939 - 1940, Williams exited the movie business and began work in the airplane industry. In the 1940 census, he's with Douglas Aircraft in California and when he registered for the World War II draft in late 1942, he was in St. Louis, Missouri and employed by McDonnell Aircraft ... and he still had the "acting bug".
Several articles in the August, 1943 editions of the St. Louis Star-Times newspaper highlight a play to be performed by McDonnell Aircraft's in-house MAC Players dramatic group. The director was Roger Williams, aeronautical engineer at McDonnell Aircraft and one-time actor at Republic Pictures.
Circa late 1940s, Roger and family returned to California and he was employed as an engineer with Northrop Aircraft Corporation.
Roger was married three times. His first was to (purported) actress Vera Paloma Bennett in 1916 and that ended in a 1919 divorce. Marriage number two was in 1920 to Ruby Bell Noe in Utah and daughter Juanita was born in 1921. Ruby passed away from tuberculosis in December, 1922. Ellen was his third wife and they had two sons and a daughter: Dolores Evangeline was born in 1928; Roger Lincoln in 1930; and Arthur Francis in 1932.
In their later years, Roger and Ellen resided in Paramount, Los Angeles County, California. He passed on December 18, 1964 at St. Helens Hospital, Bellflower, California and cause of death was arteriosclerotic heart disease. Roger and Ellen are interred at Westminster Memorial Park, Westminster, Orange County, California.
Current biographies on Roger Williams are chock full of misinformation. He did not graduate from the Colorado School of Mines in Denver. And he was not the Roger Williams who died in 1939 at the Wildyrie Camp in the San Bernardino Mountains in California. That Roger Williams was born in 1889 in Dayton, Ohio, is interred in Dayton, and was an auditor for the Los Angeles Biltmore hotel. - James Westerfield was born on 22 March 1913 in Nashville, Tennessee, USA. He was an actor, known for On the Waterfront (1954), True Grit (1969) and Hang 'Em High (1968). He was married to Alice Gertrude Fay (Fay Tracey) and Rosemary Doris Deveson. He died on 20 September 1971 in Woodland Hills, Los Angeles, California, USA.
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Olin Howland had a career in movies which stretched from the 20s, up through the time he passed away, in the late 50s. After a few attempts at films in the silent era, Olin began to appear regularly in the sound pictures of the 1930s. His roles were usually in mysteries and dramas, and he became a western character actor in the 'horse operas' put out by Republic in the 1940s. One of his most memorable roles was also one of his last; he appeared in First Stop (1955), as the owner of a broken down motel in the middle of nowhere, which the Ricardo's and Mertz's are forced to stay at for the night (and which the can't leave because the car's steering wheel was mysteriously *stolen*.- Actor
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Clem Fuller was born on 6 July 1908 in Los Angeles County, California, USA. He was an actor, known for Peter Gunn (1958), The Sundowners (1950) and The Great Sioux Uprising (1953). He died on 24 May 1961 in Hollywood, California, USA.- Actor
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- Soundtrack
Christian Rub was born on 13 April 1886 in Graz, Styria, Austria. He was an actor, known for You Can't Take It with You (1938), Peter Ibbetson (1935) and Girls' Dormitory (1936). He was married to Amy. He died on 14 April 1956 in Santa Barbara, California, USA.- Jim Corey was born on 22 March 1889 in Buffalo, New York, USA. He was an actor, known for The Border Legion (1924), Gold Mine in the Sky (1938) and The Lost Jungle (1934). He was married to Sylvia Frey. He died on 26 March 1950 in Burbank, California, USA.
- Actor
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Michael Vandever was born on 10 March 1937 in Coatesville, Pennsylvania, USA. He was an actor, known for Batman (1966), The Twilight Zone (1959) and Mackenzie's Raiders (1958). He was married to Janet. He died on 5 July 2021 in Los Angeles, California, USA.- Actor
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Cantinflas, born Mario Moreno as the son of a Mexican postal employee, was a prolific and productive Mexican comedian/producer/writer/singer who also knew a fair bit about agriculture and medicine. He was married to Valentina Ivanova from 1936 until her death. He appeared in more than 55 films, including (as Passepartout) Around the World in 80 Days (1956).- Actor
- Producer
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Born of African and West Indian ancestry on July 2, 1927 in New York City, Brock Peters set his sights on a show business career early on, at age ten. A product of NYC's famed Music and Arts High School, Peters initially fielded more odd jobs than acting jobs as he worked his way up from Harlem poverty. Landing a stage role in "Porgy and Bess" in 1949, he quit physical education studies at CCNY and went on tour with the acclaimed musical. His film debut came in Carmen Jones (1954), but he really began to make a name for himself - having dropped his real name, George Fisher, in 1953 - in such films as To Kill a Mockingbird (1962) and The L-Shaped Room (1962). He received a Tony Award nomination for his starring stint in Broadway's "Lost in the Stars" in 1973. He also appeared in Star Trek IV: The Voyage Home (1986) and Star Trek VI: The Undiscovered Country (1991), two sequels to the popular Star Trek films. Brock Peters died at age 78 of pancreatic cancer on August 23, 2005.- "Doc T". as he was known, was a Ph.D., and Professor of Theatre at Michigan State University in the early 1940s, just before World War II. He often spoke about leaving academia and actually trying his hand at the craft he taught. After the war, he got his chance and never looked back.
- Jimmie Horan was born on 23 October 1907 in Minneapolis, Minnesota, USA. He was an actor, known for F Troop (1965), Shirley Temple's Storybook (1958) and Cavalcade of America (1952). He died on 4 May 1967 in Hollywood, California, USA.
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- Producer
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Considering the kind of scruffy, backwoods, uneducated, Deep-South hillbilly types he played, many people would be surprised to hear that Ken Curtis wasn't actually born in the south but in the small town of Las Animas, Colorado, the son of the town sheriff. They would probably be even more surprised to learn that he began his show business career as a singer in the big-band era, and was a vocalist in the legendary Tommy Dorsey orchestra. He entered films in the late 1940s at the tail-end of the singing-cowboy period in a series of low-budget Westerns for Columbia Pictures. When that genre died out, Curtis turned to straight dramatic and comedy parts and became a regular in the films of director John Ford (who was his father-in-law). Curtis branched out into film production in the 1950s with two extremely low-budget monster films, The Killer Shrews (1959) and The Giant Gila Monster (1959), but he is best known for his long-running role as Festus Hagen, the scruffy, cantankerous deputy in the long-running TV series Gunsmoke (1955).- Actor
- Stunts
Bill Clark was born on 11 February 1919 in Alabama, USA. He was an actor, known for Bonanza (1959) and Young Fury (1964). He died on 7 June 1973 in Los Angeles, California, USA.- Bill Borzage was born on 4 March 1892 in Salt Lake City, Utah, USA. He was an actor, known for Way Down East (1935). He died on 7 June 1973 in Los Angeles, California, USA.
- Actor
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Frank McGrath was born on 2 February 1903 in Mound City, Missouri, USA. He was an actor, known for The Reluctant Astronaut (1967), Wagon Train (1957) and Tammy and the Millionaire (1967). He was married to Libby Quay Buschlen. He died on 13 May 1967 in Hollywood, California, USA.- Actor
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Wally West was born on 11 October 1903 in Gough, Texas, USA. He was an actor, known for The Sagebrush Family Trails West (1940), Desert Mesa (1935) and Ambush Valley (1936). He was married to Jean H. Pray and Mary E.. He died on 16 May 1984 in Los Angeles, California, USA.