(Cast) Best From John Adams
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- Actor
- Producer
- Director
Paul Giamatti is an American actor who has worked steadily and prominently for over thirty years, and is best known for leading roles in the films American Splendor (2003), Sideways (2004), and Barney's Version (2010) (for which he won a Golden Globe), and supporting roles in the films Cinderella Man (2005), The Illusionist (2006), and San Andreas (2015).
Paul Edward Valentine Giamatti was born June 6, 1967 in New Haven, Connecticut, and is the youngest of three children. His mother, the former Toni Marilyn Smith, was an actress before marrying. His father, Bart Giamatti (Angelo Bartlett Giamatti), was a professor of Renaissance Literature at Yale University, and went on to become the university's youngest president (in 1986, Bart was appointed president of baseball's National League. He became Commissioner of Baseball on April 1, 1989 and served for five months until his untimely death on September 1, 1989. He was commissioner at the time Pete Rose was banned from the game). Paul's father also wrote six books. Paul's older brother, Marcus Giamatti, is also an actor. His sister, Elena, designs jewelry. His ancestry is Italian (from his paternal grandfather), German, English, Dutch, Scottish, and Irish.
Paul graduated from Choate Rosemary Hall prep school, majored in English at Yale, and obtained his Master's Degree in Fine Arts, with his major in drama from the Yale University School of Drama. His acting roots are in theatre, from his college days at Yale, to regional productions (Seattle, San Diego and Williamstown, Massachusetts), to Broadway.John Adams
The Truman Show
Saving Private Ryan
Fred Claus
John Adams
The Hangover Part II
Rock of Ages
12 Years a Slave
Turbo
The Amazing Spider-Man 2
San Andreas
BoJack Horseman
11/47- Actor
- Producer
- Soundtrack
Andrew Scott is an Irish actor who started his career at a very young age. He made his first appearance on television in an advertisement for a brand of porridge at the age of 6.
He was born into an Irish family where his father, Jim, worked in a recruitment agency and his mother, Nora, taught art. He has an older sister, Sarah, and a younger sister, Hannah.
He received the Laurence Olivier Award for Best Performance in an Affiliated Theater for the play A Girl in a Car with a Man at Jerwood Theater Upstairs and the Irish Film and Television Award for Best Actor for the film Dead Bodies.
He is known for his portrayal of Paul McCartney in the 2010 BBC drama Lennon Naked and for his portrayal of villain Jim Moriarty in the modern adaptation Sherlock, also produced in 2010 by the BBC and for which he received the BAFTA Award for Best Supporting Actor in 2012.
In November 2013, he revealed his homosexuality during an interview for the British daily The Independent, while indicating that he did not play it in the interpretation of his roles: "Fortunately, nowadays, people don't perceive homosexuality as a defect. But it's also not a quality, like kindness. Or a talent, like knowing how to play the banjo. It's simply a fact. Of course, that's part of what I'm sending back, but I don't want to play with it. I'm not advertising it; I think it's important when you're an actor. But there's a difference between privacy and secrecy, and I'm not a secretive person. All I really want to do is continue doing my job, which is pretending to be a bunch of different people. It's as simple as that. »
In 2014, he took on the role of a priest in Ken Loach's film: Jimmy's Hall.
In 2015, he appeared in the new James Bond: 007 Spectre, as Max Denbigh aka "C", a member of the British government whose goal is to shut down the Double-0 spy branch.
In 2017, he returned to the role of Hamlet in the theater, under the direction of Robert Icke, for nearly 150 performances. The piece lasts almost 4 hours. His performance was unanimously praised by critics.
In 2019, he played "the priest" in the second season of the multi-award winning British series: Fleabag. A role which will notably earn him a nomination for the Golden Globes in 2020, as best supporting role in a TV series. Fans of the series will nickname "the hot priest", this Catholic priest with whom Fleabag will fall in love. He will reprise the role of the priest in 2020, in a "special" episode of the Irish series Normal people.
The same year, he reunited with Sam Mendes, with whom he had already collaborated several times in the past, in the film 1917.
Then he participated in an episode of the successful British series: Black Mirror for episode 2 of season 5 entitled Smithereens.
In 2020, Andrew Scott landed the lead role in the series Tom Ripley, adapted from the novels by Patricia Highsmith. The same year, the actor read the poem Everything is Going to be All Right by Irish poet Derek Mahon, in a video posted on Instagram by actress Emilia Clarke. This reading is dedicated to Irish men with cancer.
Andrew Scott will be part of the jury for the 2021 GQ Grooming Awards, a ceremony created by GQ magazine and which celebrates men's cosmetic products.
Andrew Scott is filming in November 2020 alongside Ruth Wilson in the television adaptation for HBO of the play Oslo by J.T. Rogers. With Steven Spielberg as executive producer.
In March 2021, Andrew Scott will begin filming Lena Dunham's new film: Catherine, Called Birdy, the adaptation of the book of the same name, alongside Billie Piper.Colonel William Smith
Saving Private Ryan
Spectre
Sherlock#
Band of Brothers
John Adams
Alice Through the Looking Glass
5/47- John Dossett was born on 15 April 1958 in Louisville, Kentucky, USA. He is an actor, known for Man on a Ledge (2012), That Night (1992) and JAG (1995). He has been married to Michele Pawk since 14 February 2004. They have one child.Benjamin Rush
John Adams
Suits
2/26 - Actor
- Soundtrack
Stephen Dillane was born on 27 March 1957 in London, England, UK. He is an actor, known for The Hours (2002), Game of Thrones (2011) and Darkest Hour (2017).Thomas Jefferson
John Adams
Game of Thrones
2/66- Actress
- Producer
- Additional Crew
Laura Leggett Linney was born in New York City on February 5, 1964, into a theatre family. Her father was prominent playwright Romulus Linney, whose own great-grandfather was a congressman from North Carolina. Her mother, Miriam Anderson (Leggett), is a nurse. Although she did not live in her father's house (her parents having divorced when she was an infant), Linney's world revolved, in part, around his profession from the earliest age. She graduated from Brown University in 1986 and studied acting at Juilliard and the Arts Theatre School in Moscow and, thereafter, embarked on a career on the Broadway stage receiving favorable notices for her work in such plays as "Hedda Gabler" and "Six Degrees of Separation".
Linney's film career began in the early 1990s with small roles in Lorenzo's Oil (1992) and Dave (1993). She landed the role of Mary Anne Singleton in the PBS film adaptations of Armistead Maupin's "Tales of the City" series, playing her in Tales of the City (1993), More Tales of the City (1998) and Further Tales of the City (2001). Linney's first substantial big-screen role was as the ex-girlfriend of Richard Gere's character in Primal Fear (1996) and her superb performance brought her praise and a better selection of roles. Clint Eastwood chose Linney to play his daughter, another prominent role, in 1997's Absolute Power (1997), followed by another second billing in the following year's The Truman Show (1998).
Always a strong performer, Linney truly came into her own after 2000, starting the decade auspiciously with her widely-praised, arguably flawless performance in You Can Count on Me (2000). She found herself nominated for an Academy Award for this, her first lead role, for which her salary had been $10,000. Linney won numerous critics' awards for her role as Sammy, a single mother whose life is complicated by a new boss and the arrival in town of her aimless brother. On the heels of this success came her marvelous turn as Bertha Dorset in The House of Mirth (2000), clearly the best performance in a film of strong performances. Since then, Linney has frequently been offered challenging dramatic roles, and always rises to the occasion, such as in Mystic River (2003) and Kinsey (2004), for which she received another Academy Award nomination.Abigail Adams
The Truman Show
Love Actually
John Adams
Arthur Christmas
Mr. Holmes
Ozark#
BoJack Horseman
7/61- Actor
- Producer
- Director
David Morse, a 6' 4" tall blue-eyed blond who performed on stage for 10 years before breaking into film, has become established as a respected supporting, character actor and second lead.
He was born the first of four children of Charles, a sales manager, and Jacquelyn Morse, a schoolteacher, on October 11, 1953, in Beverly, Massachusetts. He grew up with three younger sisters. After graduating from high school, Morse studied acting at the William Esper Studio. In 1971, he began his professional acting career appearing in over 30 productions with the Boston Repertory Company from 1971 to 1977. In the late 1970s, Morse continued his stage career with the Circle Repertory Company in New York before moving into television and film. In the late 1990s, he returned to the Off-Broadway stage starring in Paula Vogel's Pulitzer Prize winning drama, "How I Learned to Drive" (1997), for which he won the Drama Desk Award and the Obie.
Morse made his big screen debut in 1980 co-starring as "Jerry Maxwell", a cheerful bartender turned basketball player, opposite John Savage and Diana Scarwid in Inside Moves (1980), written by Barry Levinson and directed by Richard Donner. Although Inside Moves (1980) was nominated for an Oscar, Morse had to wait a few years until his career took off. His big break came in 1982 when he was cast as Dr. Jack "Boomer" Morrison, a young doctor who struggles as a single parent after the death of his wife, in St. Elsewhere (1982), a medical drama that ran for six seasons. He co-starred as opposite Jodie Foster and young Jena Malone in the Oscar nominated Sci-Fi drama Contact (1997). In 1999, he appeared in Stephen King's The Green Mile (1999), with Tom Hanks. A year later, he played a supporting role as a kidnapped husband of Meg Ryan in Proof of Life (2000). In 2002, Morse became the first English-speaking actor nominated for the Golden Horse Award, the Chinese equivalent of the Oscars, for his superb performance as FBI expert "Kevin Richter" in Double Vision (2002). From 2002 to 2004, Morse had a regular gig starring as "Mike Olshansky", an ex-Philadelphia policeman turned cab driver, in the TV series Hack (2002) which ran three seasons and was filmed in Philadelphia, close to his home. In 2006-2007, he has a recurring role on season 3 of an Emmy award-winning medical drama House (2004).
David Morse has been married to fellow actress Susan Wheeler Duff since 1982. They have three children, one daughter and twin sons. In 1994, after the the Northridge earthquake destroyed his home in Sherman Oaks, Morse moved from LA to Philadelphia with his family, and resides in his wife's hometown.George Washington
House M.D.
John Adams
True Detective
The Green Mile
4/91- Actor
- Music Department
- Soundtrack
He originated the role of Posner in the award winning National Theatre production of The History Boys and repeated the role in the regional and international tours of the play and on Broadway where he received a Tony nomination for Best Featured Actor in a Play, He trained at LAMDA and has appeared at the National in His Dark Materials and in The Accrington Pals at the Chichester Festival Theatre. His television work includes The Royal, Doctors and Inpectot LinleyThomas Adams
John Adams
1/29- Actress
- Director
- Writer
Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.
She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.
Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.
Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.
Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.
Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.
She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.
Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.Nabby Adams
John Adams
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