VP's GREATEST INDIAN ACTORS of ALL TIME.
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- Kay Kay Menon is a well-known Indian actor who has acted in numerous movies and web series. He was born in Thiruvananthapuram, Kerala, India, but raised in Ambarnath, Maharashtra, India.
Menon pursued his early education at St Joseph High School in Pune. After this, he went on to earn a degree in Physics from Mumbai University.
He then pursued an MBA from the University of Pune. After completing his education, he joined the advertising industry.
Menon began his acting career with a theatre break opposite Naseeruddin Shah in Mahatma vs Gandhi. After that, he started working in the TV industry with the television serial Darr (1995).
His debut movie was Naseem (1995) in 1995, but he got recognition for his role in the critically acclaimed movie Bhopal Express (1999) in 1999.
He has acted in numerous movies, including Hazaaron Khwaishein Aisi (2003), Black Friday (2004), Sarkar (2005), Corporate (2006), Life in a Metro (2007), ABCD (Any Body Can Dance) (2013), Ankur Arora Murder Case (2013), Haider (2014) and The Ghazi Attack (2017).
He is also known for his role in the Hotstar web series Special OPS (2020) and Special Ops 1.5: The Himmat Story (2021), where he played the role of RAW officer Himmat Singh.
He has played the role of Mansoor Dalal in the web series, Farzi (2023).
Some of his best performances are in the movies Black Friday (2004), where he played the role of DCP Rakesh Maria, Sarkar (2005), where he played the role of Vishnu Nagre, Gulaal (2009) where Menon played the role of Dukey Bana, and Haider (2014), where he played the role of Khurram Meer.
Kay Kay Menon has received several awards and nominations for his performances in movies and web series. He was nominated for the Filmfare Award for Best Performance in a Negative Role for his role in Sarkar (2005).
He won the Filmfare Award for Best Supporting Actor and the IIFA Award for Best Performance in a Negative Role for his role in Haider (2014). - Actor
- Director
- Producer
Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."- Actor
- Producer
- Music Department
Anupam Kher is a renowned Indian actor who has worked extensively in the Indian film industry, as well as in international films and television shows. He is known for his versatile acting skills and has portrayed a wide range of characters throughout his career.
Kher studied at Simla in D.A.V. School and graduated with a degree in Economics from Simla's Himachal Pradesh University. He studied at the Government College, Sanjauli. He left the university mid-way and instead studied the Indian theatre in Chandigarh at Panjab University.
Kher was a part of several plays at Himachal Pradesh University. He took drama classes in Lucknow at Raj Bisaria's Bharatendu Natya Akadem for a small role in Sheeshay Ka Ghar (1984), his debut film.
In 1984, he landed his first role in Bollywood with the film Saaransh (1984). He played the role of a 65-year-old teacher in this film. He went on to work in projects like Tezaab (1988) and Vijay (1988), for which he was awarded the Filmfare Award for Best Supporting Actor.
Kher received public recognition for his performances in movies like Ram Lakhan (1989) and his first Filmfare Award under the Best Performer in a Comic Role category. He also won a Filmfare Critics Award and a National Film Award - Special Mention for his role in Daddy (1989).
In 1990, Kher starred in Dil (1990) and received another Filmfare Best Supporting Actor nomination. He was critically acclaimed for his performance in Lamhe (1991). He won a Filmfare Award as the Best Comedian for his role in the movie.
Kher later appeared in Beta (1992) alongside Madhuri Dixit and Anil Kapoor. In the same year, his role in Khel (1992) earned him another Filmfare Award as the Best Comedian.
Kher went on to star in massive hits like Darr (1993), which got him a Filmfare award as the Best Comedian. In 1994, he appeared in another blockbuster, Laadla (1994).
One of Kher's most successful movies Hum Aapke Hain Koun..! (1994), earned him another nomination as the Best Supporting Actor at Filmfare and was the second movie for which he won the National Film Award, this time under the category Best Popular Film.
Kher's performance in Dilwale Dulhania Le Jayenge (1995) got him his fifth Filmfare Best Comedian Award and was highly applauded and loved by the audience.
After a gap of almost three years, he made his comeback in yet another blockbuster Kuch Kuch Hota Hai (1998), for which he received the Best Comedian nomination at Filmfare.
Kher also tried his skills in directing with Om Jai Jagadish (2002) and was also the producer. In 2007, Kher collaborated with Satish Kaushik and started Karol Bagh Productions, a film production company. They produced their first movie Teree Sang: A Kidult Love Story (2009), in 2009.
He hosted TV shows like Say Na Something to Anupam Uncle (2000) and The Anupam Kher Show (2014).
Kher has also appeared in international films like Bend It Like Beckham (2002) and Bride & Prejudice (2004).
Kher received the Best Actor Award at the Karachi International Film Festival for his performance in I Did Not Kill Gandhi (2005), which was also produced by him.
His other foreign films were The Mistress of Spices (2005), Lust, Lust, Caution (2007), the TV show ER (1994), Oscar-winning Silver Linings Playbook (2012), and Hotel Mumbai (2018).
He also received a nomination for BAFTA for his supporting role in the British sitcom The Boy with the Topknot (2017).
In 2019, Kher took the role of Manmohan Singh, India's former Indian Prime minister in The Accidental Prime Minister (2019). In 2022, he appeared in the controversial film The Kashmir Files (2022), which was a blockbuster.
Kher was awarded the best actor for his role in a short film titled Happy Birthday (2021) at the New York City International Film Festival. He is a recipient of two National Film Awards, eight Filmfare Awards, two International Indian Film Academy Awards, two Screen Awards India, and five other state/viewer awards.
His handprint was preserved for posterity at Bandra Bandstand in Mumbai as he was honoured by 'Walk of the Stars'. The US state of Texas presented him with the "Honoured Guest" award for his contribution to cinema and art.
He has also been honoured with Civilian Awards like the Padma Shri in 2004 and the Padma Bhushan in 2016 by the Indian Government for his contribution to Indian cinema and arts.
Anupam Kher tied the knot with Kirron Kher, a fellow Indian actress, in 1985. Kher became a stepfather to Kirron's son, actor Sikandar Kher. He was appointed as the goodwill ambassador of the Pratham Education Foundation in 2010, which works to improve the education of children in India. In 2021, Kher received an honorary doctorate degree in Philosophy of Hindu Studies from the Hindu University of America.- Actor
- Producer
- Director
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.- Actor
- Writer
- Director
Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.- Actor
- Producer
- Writer
Amitabh Bachchan was born on October 11, 1942 in Allahabad, British India (present-day Prayagraj, Uttar Pradesh, India) to legendary poet Harivansh Rai Bachchan & Teji Bachchan. He also has a brother named Ajitabh. He completed his education from Uttar Pradesh and moved to Bombay to find work as a film star, in vain though, as film-makers preferred someone with a fairer skin, and he was not quite fair enough. But they did use one of his other assets, his deep baritone voice, which was used for narration and background commentary. He was successful in being cast in Saat Hindustani. He got his break in Bollywood after a letter of introduction from the then Prime Minister Mrs. Indira Gandhi, as he was a friend of her son, Rajiv Gandhi. This is how Bachchan made an entry in Bollywood, starting with Zanjeer, co-starred with his future wife Jaya Bhaduri, and since then there has been no looking back.
He married Jaya Bhaduri, an accomplished actress in her own right, and they had two children, Shweta and Abhishek. Shweta is married, lives a non-filmy life and has two children.
Being friends with Rajiv Gandhi, got him to decide to run for seat in the Indian National Congress (political party) from his home town but had to leave mid-term because of controversies, particularly after Rajiv and he were implicated in the now infamous "Bofors" case along with the U. K. based Hinduja Brothers.
After a four year break, he was back in the unsuccessful Mrityudaata (1997), a comeback which the actor wanted to forget. Critics written him off but his career was saved with Bade Miyan Chote Miyan (1998). But four flops in 1999 and incurring debt of over 90 crore rupees of his sinking company ABCL saw him at an all-time low. To make matters worse, after the defeat of the Congress party, Bachchan lost considerable political support, the opposition made him a target, and his credit rating deteriorated to such an extent that a leading nationalized bank, Canara Bank, sued him for outstanding loans. He did bounce back, presenting the Indian version of Who Wants To Be A Millionaire called Kaun Banega Crorepati? (2000). After a series of hits with Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003) and Khakee (2004), Bachchan is showing no signs of slowing down and proving the critics wrong once again.
Amitabh and Jaya were interested in getting their son Abhishek married to Karisma Kapoor, the daughter of Babita and Randhir Kapoor, they went through a formal engagement, but later broke it off.
The former Miss World and Bollywood actress, Aishwarya Rai and Abhishek, were formally engaged on Sunday January 14, 2007, at the Bachchan residence in Juhu, Bombay, with the marriage taking place at the Bachchan residence on April 20, 2007.
On November 16, 2011, he became a Dada (paternal grandfather) when Aishwarya gave birth to a daughter in a Mumbai Hospital. He is already a Nana (maternal grandfather) to Navya and Agastye - Shweta's children.
He continues to be one of the busiest actors and singers in Bollywood as well as on TV, as can be seen from the commercials that he appears on, especially on Sahara One. Looks like there are no limits for this super-star and once the "Angry Young Man" of Bollywood.- Actor
- Producer
- Music Department
Manoj Bajpayee is a highly acclaimed Indian film actor known for his versatile acting skills and intense performances. Despite facing financial struggles during his childhood, he pursued his passion for acting and worked hard to achieve success in the film industry. Bajpayee is the second child in a family of six siblings, with two brothers and two sisters.Bajpayee decided to become an actor after watching the 1973 film Zanjeer (1973). He began his acting career with small roles in plays and television shows. He made his acting debut in the film Droh Kaal (1994) in 1994. He also played a minor role as a dacoit in Bandit Queen (1994) the same year. Bajpayee gained recognition for his performance in the film Satya (1998) in 1998. Although considered a flop at first, this film won him critical acclaim and established him as a celebrated actor in Indian cinema. Since then, he has acted in numerous successful films and has become known for his ability to portray complex, grey, and challenging characters. He is well-known for his ability to deliver powerful performances in a variety of genres and roles, ranging from gangsters to cops to journalists. Bajpayee has a diverse filmography that includes both mainstream and independent films. His filmography includes many notable films, including Satya (1998), Shool (1999), Pinjar (2003), Special 26 (2013), Aligarh (2015), and Sonchiriya (2019). The actor was also part of the popular web series The Family Man (2019). Some of his other top works include Gangs of Wasseypur (2012), LOC: Kargil (2003), Raajneeti (2010), Satyameva Jayate (2018), and Shootout at Wadala (2013), among others. Bajpayee has also been seen in Despatch and Joram (2023). He has also been a part of Gulmohar (2023), directed by Rahul V. Chittella. The story is based on complex, dysfunctional family life. Throughout his career, Bajpayee has been recognized for his talent and has received numerous awards and nominations. He has won three National Film Awards - Best Supporting Actor for Satya in 1999, Special Jury Award (Feature Film) for Pinjar in 2004, and Best Actor for Bhonsle (2018) in 2021.He has also won four Filmfare Awards, two under the category of Best Actor (Critics) for the films Satya, Shool, and Aligarh in 1999, 2000, and 2017 respectively, and one under the category of Best Actor in a Short Film?? for Taandav (2016?) in 2017.In 2019, Bajpayee was awarded the Padma Shri, which is India's fourth-highest civilian honour. In addition to his work in the film industry, Bajpayee is also known for his philanthropic efforts. He is actively involved in various social and charitable causes, including education and healthcare. He is also a strong advocate for environmental protection. He has also voiced his concerns about the state of migrants during the COVID-19 pandemic. Bajpayee married Shabana Raza in 2006. They met in 1998 at a Bollywood party when the latter debuted with the film Kareeb (1998) opposite Bobby Deol. They have a daughter, Ava Nayla.- Actor
- Producer
- Director
Vishal Veeru "Ajay" Devgn was born on April 02, 1969, in New Delhi, Delhi to action director Veeru Devgan and his wife Veena Devgan. He is an Indian actor, film director and producer who works in the Bollywood industry and is one of the highest-paid celebrities in India. Devgn started his film career with Phool Aur Kaante (1991). He is known for films like All The Best: Fun Begins (2009), Hindustan Ki Kasam (1999), Ishq (1997), The Legend of Bhagat Singh (2002), Singham (2011), Total Dhamaal (2019) etc. He is married to actress Kajol with whom he has two children (i.e son Yug and daughter Nysa). He is also the founder and owner of the production banner Ajay Devgn Ffilms.- Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
- Additional Crew
- Music Department
Om Puri was an Indian actor who has appeared in both mainstream Indian films and art films. His credits also include appearances in British and American films. He has received an honorary OBE.
Puri was born in Ambala, Haryana. His father worked on the railways and served in the Indian Army. Puri graduated from the Film and Television Institute of India. He is also an alumnus of the 1973 class of National School of Drama where Naseeruddin Shah was a co-student.
Puri had worked in numerous Indian films and in many films produced in the United Kingdom and the United States. He made his film debut in the 1976 film Ghashiram Kotwal, based on a Marathi play of the same name. He has claimed that he was paid "peanuts" for his best work. He had collaborated with Amrish Puri as well as Naseeruddin Shah, Shabana Azmi and Smita Patil in art films such as Bhavni Bhavai (1980), Sadgati (1981), Ardh Satya (1982), Mirch Masala (1986) and Dharavi (1992). He had been active in cinema. He was critically acclaimed for his performances in many unconventional roles such as a victimized tribal in Aakrosh (1980) (a film in which he spoke only during flash-back sequences); Jimmy's manager in Disco Dancer (1982); a police inspector in Ardh Satya (1982), where he revolts against life-long social, cultural and political persecution and for which he got the National Film Award for Best Actor; the leader of a cell of Sikh militants in Maachis (1996); as a tough cop again in the commercial film Gupt in 1997; and as the courageous father of a martyred soldier in Dhoop (2003). In 1999, Puri acted in a Kannada movie A.K. 47 as a strict police officer who tries to keep the city safe from the underworld - it became a huge commercial hit. Puri's acting in the movie is very memorable. He has rendered his own voice for the Kannada dialogues. In the same year, he starred in the successful British comedy film East is East, where he played a first-generation Pakistani immigrant in the north of England, struggling to come to terms with his far more westernized children. Om Puri had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough). In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, where his roles are more tuned to mass audiences than film critics. He became known internationally by starring in many British films such as My Son the Fanatic (1997), East Is East (1999) and The Parole Officer (2001). He appeared in Hollywood films including City of Joy (1992), opposite Patrick Swayze; Wolf (1994) alongside Jack Nicholson; and The Ghost and the Darkness (1996) opposite Val Kilmer. In 2007, he appeared as General Zia-ul-Haq in Charlie Wilson's War, which stars Tom Hanks and Julia Roberts. He has worked in Hindi television serials like Kakkaji Kaheen (1988) (roughly meaning "Uncle says") as a paan-chewing 'Kakkaji', which was a parody on politicians, and Mr. Yogi (1989) as a suave 'Sutradhaar' who enjoys pulling the protagonist's leg. These two serials underlined Om Puri's versatility as a comedian. He received critical acclaim for him performance in Govind Nihalani's television film Tamas (1987) based on a Hindi novel of the same name. He essayed comic roles in Hindi films like Jaane Bhi Do Yaaro which reached a cult status, followed by Chachi 420 (1997), Hera Pheri (2000), Chor Machaye Shor (2002) and Malamaal Weekly (2006). His more recent Hindi film roles include Singh Is Kinng, Mere Baap Pehle Aap and Billu. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009). In 2010, he appeared in The Hangman. In 2011 he was in the Indian action movie Don 2. He had also worked in Aahat TV Series in some episodes during second season which was aired between 2004-2005 on Sony channel.- Actor
- Director
- Writer
Amol Palekar is a well-known theatre personality and an acclaimed Indian actor and filmmaker who mainly works in Hindi and Marathi cinema. He has acted in about 50 films in five languages and has directed several feature films and TV shows.
Palekar was born in a lower-middle-class family. His father was employed with the General Post Office, while his mother worked in a private company.
He completed his schooling at Bal Mohan Vidya Mandir in Mumbai. After clearing his SSC exams, he studied fine arts at Sir J. J. School of Art in Mumbai and graduated in 1965. He had to do several "odd jobs" to sustain himself during this period.
After graduation, he worked as a clerk with the Bank of India by day and pursued his passion for painting at night. In 1967, he held his first solo painting exhibition at the Taj Art Gallery. Around this time, he ventured into theatre and started doing stage shows. An opportunity to work in the movies soon followed, and Palekar switched to acting.
Palekar made his acting debut in Bajiraocha Beta (1971), a Marathi film directed by Raja Thakur.
His first Hindi film was Rajnigandha (1974), helmed by Basu Chatterjee. The film went on to become a sleeper hit.
In 1976, he acted in Basu Chatterjee's romantic comedy Chhoti Si Baat (1976). This low-budget coming-of-age film turned out to be a box office hit.
In the same year, he acted in the romantic musical film Chitchor (1976), once again directed by Basu Chatterjee. It marked Palekar's third association with the director. With this film, Palekar scored a hat-trick of hits at the box office, which helped him to carve out a space for himself in the Hindi film industry.
In Gharaonda (1977), helmed by Bhimsain, Palekar played the role of a middle-class man looking for a house in Mumbai.
He essayed a negative role in Shyam Benegal's Bhumika (1977), starring Smita Patil, Naseeruddin Shah, and Anant Nag. The film revolves around an individual's quest for identity and self-fulfilment.
In 1979, Palekar acted in Hrishikesh Mukherjee's comedy film Gol Maal (1979). The story was about a middle-class man's quest to get a job. In this movie, he essayed the roles of Ram Prasad Sharma and Lakshman Prasad Sharma (Lucky), which became a big hit. He won the Filmfare Award for Best Actor in 1980 for Gol Maal.
He played the lead role in Baton Baton Mein (1979), directed by Basu Chatterjee, which was also released in 1979. The film revolves around the protagonist's struggle to get a girlfriend or wife, and it became a commercial and critical success.
In 1986, Palekar appeared in a leading role in the thriller Khamosh (1986), directed by Vidhu Vinod Chopra. Palekar portrayed a fictional version of himself in this movie.
He acted in the supernatural action thriller Aks (2001), helmed by Rakeysh Omprakash Mehra, which starred Amitabh Bachchan, Raveena Tandon, and Manoj Bajpayee. The same year, Palekar married Chitra Palekar in 1969, and the couple divorced in 2001. Later that year, he married Sandhya Gokhale in 2001.
Palekar appeared in Gulmohar (2023), directed by Rahul V. Chittella.
One of his directorial ventures Paheli (2005), starring Shah Rukh Khan and Rani Mukerji, was the official entry of India for the 78th Academy Awards for Best Foreign Language Film.- Actor
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- Writer
Utpal Dutt was born on 29 March 1929 in Barisal, Bengal Presidency, British India [now Bangladesh]. He was an actor and director, known for The Stranger (1991), Gol Maal (1979) and Bhuvan Shome (1969). He was married to Shobha Sen. He died on 19 August 1993 in Calcutta, West Bengal, India.- Actor
- Producer
- Director
Actor, social activist and politician. Sunil Dutt wore many hats and excelled in a plethora of roles that came his way - both on and off screen.
Born on June 6th, 1926, Sunil Dutt grew up as Balraj Dutt in a family that had survived the Partition of India. A student of Mumbai's Jai Hind college, he first started off as radio show host and celebrity interviewer, which led to his first encounter with the glamour world.
Interestingly, wife-to-be Nargis was one of the celebrities he met in the course of his work. Soon, Dutt got a chance to enter the film-world, when director Ramesh Saigal offered him the hero's role in his Nalini Jaywant starrer 'Railway Platform' (1955).
'Ek Hi Raasta' (1956), marked the start of a seven-film long association with B R Chopra. Dutt's true breakthrough came with Mehboob Khan's magnum opus 'Mother India' (1957).
His portrayal of Birju, Nargi's rebellious younger son, portrayed a raw, urgent energy. Dutt's association with Nargis in the movie resulted in a more serious one, when he married her after the release of the film.
Dutt's role in women-oriented films like 'Sadhna' (1958), 'Sujata' (1959) and 'Main Chup Rahungi' (1962) were well-appreciated. Noted filmmakers like Bimal Roy, Hrishikesh Mukherji and B R Chopra dared to defy Sunil Dutt's established rebellious Birju image and cast him as a sensitive lover.
Dutt turned producer in the early sixties with a couple of offbeat movies - 'Yeh Raaste Hain Pyar Ke' (1963), where heroine Leela Naidu has an adulterous relationship and 'Mujhe Jeene Do' (1963) where he played a dacoit.
In his cinematic association with B R Chopra, Dutt gave three big hits in the sixties - 'Gumraah' (1963), 'Waqt' (1965) and 'Humraaz' (1967). He also worked with South Indian filmmakers, which resulted in emotion-heavy, rural-based hits with Nutan like 'Khandaan' and 'Milan'.
In 1967, he had a hat-trick of hits with 'Milan', 'Meherban' and 'Humraaz'. His role of a buffoon in Mehmood's 'Padosan' (1968) was much appreciated.
In 1981, Dutt's world was rocked when his wife Nargis died after a protracted battle with her cancer. He later joined politics and social work.
But the actor in Dutt continued to surface during the last decade with movies with select filmmakers like J P Dutta 'Kshatriya' and Yash Chopra 'Parampara'. His last screen cameo was in Rajkumar Hirani's immensely popular laugh riot 'Munnabhai MBBS', where he played on-screen father to his son Sanjay.- Actor
- Writer
- Director
Rahul Bose, born in Kolkata, West Bengal, India, is a multi-talented Indian actor, director, screenwriter, social activist, and rugby player. Known for his versatility and intense performances, Rahul Bose has made significant contributions to Indian cinema and is recognized for his commitment to both artistic and social causes.
Rahul Bose began his acting career in the late 1990s with the critically acclaimed film "English, August" (1994), where he played the lead role of Agastya Sen. This marked the beginning of a career characterized by unconventional choices and a dedication to meaningful storytelling.
Throughout his career, Rahul Bose has been associated with a range of films that address diverse themes. Notable performances include his roles in "Mr. and Mrs. Iyer" (2002), "Chameli" (2003), and "15 Park Avenue" (2005), where he showcased his ability to portray complex and layered characters.
Apart from acting, Rahul Bose has ventured into directing and screenwriting. His directorial debut, "Everybody Says I'm Fine!" (2001), explored the lives of characters in a Mumbai hair salon and received positive reviews for its unique narrative.
In addition to his creative pursuits, Rahul Bose is actively involved in social activism. He is known for his work in areas such as education, healthcare, and disaster relief. He founded the NGO "The Foundation" in 2007, focusing on the development of rural India.
Rahul Bose's commitment to sports is also noteworthy. He has represented India in rugby and has been a vocal advocate for the promotion of sports at the grassroots level.
Rahul Bose continues to be a prominent figure in Indian cinema, balancing his acting career with social and sporting endeavors. His work reflects a dedication to diverse and meaningful storytelling, and he remains an influential personality in the realms of art and activism.- Actor
- Writer
- Music Department
Vinay Pathak is an accomplished Indian actor known for his versatile performances in Bollywood films. Born in Bhojpur, Bihar, India, Vinay initially pursued a career in advertising before making a successful transition to acting.
Vinay Pathak's journey in the entertainment industry began with theater, where he honed his acting skills and gained recognition for his talent. He later ventured into television and found success with shows like "Hip Hip Hurray," where his natural acting style and comedic timing became evident.
His breakthrough in Bollywood came with the critically acclaimed film "Bheja Fry" (2007), directed by Sagar Ballary. Vinay played the lead role of Bharat Bhushan, a quirky tax inspector, and his impeccable comic timing earned him widespread acclaim. The success of "Bheja Fry" established Vinay as a talented actor in the industry, particularly in the genre of comedy.
Vinay Pathak went on to deliver notable performances in films like "Khoya Khoya Chand" (2007), "Dasvidaniya" (2008), and "Rab Ne Bana Di Jodi" (2008), showcasing his ability to portray diverse characters with depth and authenticity. "Dasvidaniya," in particular, where he played a terminally ill man fulfilling his bucket list, earned him critical acclaim for his nuanced portrayal.
Apart from his prowess in comedy and drama, Vinay Pathak has also demonstrated his versatility in various genres, including suspense thriller "Johnny Gaddaar" (2007) and romantic drama "Antardwand" (2010).
In addition to his film career, Vinay Pathak has continued his association with theater and has been a part of several successful plays. His commitment to his craft and ability to immerse himself into a wide range of characters have made him a respected and sought-after actor in the Indian film industry.- Actor
- Soundtrack
Ranvir comes from a family of movie professionals. His father is Writer, Producer and Director KD Shorey and He has 2 older Brothers, Lokesh Shorey an actor and Shrinath Shorey a movie Writer and Director. Ranvir though born in Panjab, was raised and educated in Mumbai. He was very active in dramatics in school and later in college.- Actress
- Music Department
Smita Patil, born in Pune, Maharashtra, India, was a highly acclaimed Indian actress known for her exceptional performances in Hindi and Marathi cinema. Regarded as one of the finest actresses in Indian cinema, Smita Patil's career was marked by her ability to portray a wide range of characters with authenticity and depth.
Smita Patil began her acting career in Marathi theater before making her film debut with the Marathi film "Shyamchi Aai" (1974). She gained attention for her breakthrough performance in Shyam Benegal's "Manthan" (1976), which marked the beginning of her collaboration with the renowned filmmaker. Smita Patil went on to work in several of Benegal's films, including "Bhumika" (1977), for which she received the National Film Award for Best Actress.
Her impactful performances in films such as "Aakrosh" (1980), "Chakra" (1981), and "Umbartha" (1982) solidified her position as one of the leading actresses in Indian cinema. Smita Patil was known for choosing roles that challenged societal norms and highlighted social issues. Her ability to infuse realism into her characters and convey emotions with authenticity set her apart.
Smita Patil also made significant contributions to parallel cinema, working with directors like Govind Nihalani ("Ardh Satya," 1983), Shyam Benegal ("Mandi," 1983), and G. Aravindan ("Chidambaram," 1985). Her collaboration with commercial filmmakers, including Ramesh Sippy in "Shakti" (1982) and Prakash Mehra in "Namak Halaal" (1982), showcased her versatility across genres.
Beyond her acting career, Smita Patil was actively involved in social and political causes. She was known for her advocacy of women's rights and her commitment to addressing issues affecting marginalized communities.
Tragically, Smita Patil's life was cut short when she passed away on December 13, 1986, at the age of 31, shortly after giving birth to her son Prateik Babbar. Despite her short-lived career, Smita Patil's impact on Indian cinema remains enduring, and she is remembered as a trailblazer who elevated the art of acting with her remarkable talent and meaningful contributions.- Actor
- Producer
- Writer
Abhay is an actor who has never shied away from speaking his mind; a producer who doesn't believe in the 'formula', a film curator with a keen eye for detail and good stories, a painter who's not scared to experiment with colours and a philanthropist who wishes to leverage his position to bring a positive change in society. Well, that's in short Abhay Deol, if only the versatile actor could fit in boxes.
Despite coming from the most-filmy family of Bollywood- the Deols, Abhay is a man of few words who lets his work and films do the talking bit. You may call him non-conformist but Abhay's panache of portraying complex characters is matched by very few in the cinema world as evident from his filmography that includes films like Dev D, Raanjhana, Manorama six feet under, Zindagi Na Milegi Dobara, Shanghai and Oye Lucky Lucky Oye.
Whether it was acquainting Sunny Deol to Imtiaz Ali for his debut Socha Na Tha, raising funds for Manorama Six Feet Under or giving Anurag Kashyap the idea to give Devdas a contemporary twist in Dev.D, Abhay always went beyond the traditional responsibilities of an actor even in the early days of his career.
Despite his success with films that have been termed "art-house" and "off beat", Abhay - right from his first shot has continually balanced and found success both with artistic/indie cinema as well as hugely successful Bollywood blockbusters.
He has consistently taken chances with debutante directors from the start of his career. Be it Imtiaz Ali, Reema Kakdi or Navdeep Singh, just to name a few. He's also carried the freedom, and his penchant for going against the grain, into his work as a producer - backing newcomers and new storylines. With a huge fan-following across the globe, Abhay has always stood for the cause of parallel cinema, which is one of the reasons he became a film curator. He also ventured into the digital medium with Chopsticks and Line of Descent, apart from stepping into Tamil cinema with Hero and Idhu Vedhalam Sollum Kadhai. With a strong social media presence, Abhay is known to take a stand divergent to the rest of tinsel town's herd opinions, which is what makes him 'thinking women sex symbol.'- Producer
- Actor
- Soundtrack
Paresh Rawal is a renowned Indian film actor, comedian, and producer best known for his work in Bollywood films. He has also worked in Telugu, a few Tamil, and a few Gujarati movies. Highly versatile, he has essayed several types of characters, including comic, serious, and villainous character roles.
Born and brought up in Bombay (now Mumbai), he is an alumnus of Narsee Monjee College of Commerce & Economics, Mumbai. He started doing Gujarati theatres after graduating from Bombay University in 1974.
He entered Bollywood with the film Holi (1984), playing a supporting role. He also acted in the Doordarshan TV serial Bante Bigadte (1985). However, he got his first big break in Naam (1986) the following year.
He went on to act in over 100 films between the 1980s and the 1990s. He essayed mostly negative characters in films such as, Kabzaa (1988), Roop Ki Rani Choron Ka Raja (1993), King Uncle (1993), and Baazi (1995).
In Ketan Mehta's Sardar (1993), he played the lead role of freedom fighter Vallabhbhai Patel. According to him, this was a turning point for him as an actor, as studying the character of Sardar Patel in detail inspired him to work harder and improve upon his craft. He also states that it changed him, giving him a deeper understanding of Indian history and helping him appreciate these great legends' sacrifices to achieve freedom for the nation.
Rawal started with comedy in Andaz Apna Apna (1994), where he played a double role. His easy, effortless, and natural acting wowed critics and the masses.
Rawal has won acclaim for his work in the Telugu film industry, such as Kshana Kshanam (1991), Money (1993), Govindha Govindha (1993), Rikshavodu (1995), and Bavagaru Bagunnara? (1998).
His other noteworthy works in Hindi cinema include Shiva (1990), Mohra (1994), Tamanna (1998), Aitraaz (2004), Table No. 21 (2013), and Zila Ghaziabad (2013).
Rawal achieved recognition, both as a comedian and as a supporting actor in films, including Chachi 420 (1997), Nayak: The Real Hero (2001), Aankhen (2002), Awara Paagal Deewana (2002), Garam Masala (2005), Chup Chup Ke (2006), Welcome (2007), Oye Lucky! Lucky Oye! (2008), Atithi Tum Kab Jaoge? (2010), OMG: Oh My God! (2012), Tiger Zinda Hai (2017), Sanju (2018), and Uri: The Surgical Strike (2019).
In 2000, he played the unintelligent but kind Marathi landlord Baburao Ganpatrao Apte in Hera Pheri (2000). His performance won him the Filmfare Best Comedian Award. The sequel, Phir Hera Pheri (2006), was equally successful, leaving audiences begging for more. He is still remembered for this role.
Rawal went on to play the lead role in Aankhen (2002), where he depicted one of the three blind men who planned to rob a bank. Co-starring Amitabh Bachchan, Aditya Pancholi, Akshay Kumar, Arjun Rampal, and Sushmita Sen, this film established him as a master of comedy. Over the next few years, he mostly played comic roles.
In 2010, he appeared based on honour killing in the film Aakrosh (2010). In 2021, Rawal appeared in Toofaan (2021), a sports-based movie directed by Rakeysh Omprakash Mehra and starring Farhan Akhtar, who plays a national-level boxer. The film started streaming worldwide on July 16, 2021, on Amazon Prime Video.
Having worked in over 240 films, Rawal has won numerous accolades and awards, including the National Film Awards 1994: Best Supporting Actor for Sir (1993), and IIFA Awards 2001: Best Performance for Hera Pheri (2000). He also won the Producers Guild Film Awards 2010: Best Actor in a Comic Role: Atithi Tum Kab Jaoge? (2010).
Rawal is also a politician. He was victorious as the Bharatiya Janata Party's Member of Parliament (MP) from the Ahmedabad East constituency in the 2014 Indian general election. On September 10, 2020, the President of India appointed him as the National School of Drama Chairperson.- Actor
- Camera and Electrical Department
- Composer
Sanjay Mishra is an Indian actor primarily working in the Hindi film and television industry.
Mishra was raised in Varanasi, India. His father was an employee of the Press Information Bureau under the Ministry of Information and Broadcasting. His grandfather served as a District Magistrate.
Mishra's father took a keen interest in the arts, inspiring him to do something in the field. His earliest influence was his grandmother, who sang for the Patna Radio Station.
Mishra did his schooling at the Kendriya Vidyalaya BHU in Varanasi. He later attended the National School of Drama in New Delhi and graduated in 1989.
Mishra made his Bollywood debut with the film Oh Darling Yeh Hai India (1995) featuring Shah Rukh Khan and Deepa Sahi. He went on to appear in several films, including Rajkumar (1996), Dil Se.. (1998), Wajood (1998), Satya (1998), Jwalamukhi (2000), Jung (2000), and Phir Bhi Dil Hai Hindustani (2000).
At the same time, Mishra worked in numerous television shows like Chanakya (1990), Aahat (1995), Hum Bambai Nahin Jayenge (1994), Office Office (2000), C.I.D. (1998), Lapataganj (2009), Comedy Circus (2018), and Booo: Sabki Phategi (2019).
Mishra has played a range of roles in Bollywood. He starred in serious roles in movies like Satya (1998), Zameen (2003), Plan (2004), and Charas: A Joint Effort (2004). He also essayed comedic roles in films like Golmaal: Fun Unlimited (2006) and Dhamaal (2007). He went on to feature in critically acclaimed films like Bunty Aur Babli (2005) and Apna Sapna Money Money (2006) while taking a break from television.
Mishra starred in the leading role in Saare Jahaan Se Mehnga... (2013). He then played the part of the protagonist in the critically recognised film Ankhon Dekhi (2013), directed by Rajat Kapoor. He has also appeared in minor roles in big-banner films like All the Best: Fun Begins (2009) and Phas Gaye Re Obama (2010).
In the 2020s, Mishra appeared in Tanhaji: The Unsung Warrior (2020), 36 Farmhouse (2022), Cirkus (2022), Bhool Bhulaiyaa 2 (2022), Bachchhan Paandey (2022), Holy Cow (2022), and Vadh (2022).
Mishra won the Best Actor award in the critic's category for Aankhon Dekhi at the Filmfare Awards in 2015. He was nominated for Masaan and Kamyab in the following years. He went on to win awards as the best actor for Aankhon Dekhi in 2014 and best-supporting actor for Masaan in 2015 at the Filmfare awards. He also received the Best Supporting actor (Male) award for Masaan at the Zee Cine Awards in 2016.- Actor
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Satish Chandra Kaushik was a well-known Indian actor and comedian. He was also a director, producer, and screenwriter. Kaushik graduated from Kirori Mal College, Delhi, and received professional training from the National School of Drama, Delhi, and the Film and Television Institute, Pune.
In his lifetime, Kaushik was a part of more than 100 films and shows. His most famous theatre role was in the Hindi adaptation of Arthur Miller's play Death of a Salesman named Salesman Ramlal.
In the film industry, Kaushik gained popularity with his iconic role in the superhero film Mr. India (1987). His humorous role as a cook and the famous dialogue "Calendar, khaana do" became a household dialogue in the 1990s.
His most famous movies include Ram Lakhan (1989), Saajan Chale Sasural (1996), Deewana Mastana (1997), Brick Lane (2007), Udta Punjab (2016), Kaagaz (2021).
Roop Ki Rani Choron Ka Raja (1993) was Kaushik's first film as a director. The film did not do well at the box office.
The first hit film he directed was Hum Aapke Dil Mein Rehte Hain (1999). His other ventures as a director include Prem (1995), In Your Name (2003), Vaada (2005), Teree Sang: A Kidult Love Story (2009).
He won the Best Comic Actor award at the Filmfare Awards for his role in Ram Lakhan and Saajan Chale Sasural in 1990 and 1997, respectively. He won the Best Supporting Actor Award at the Dada Saheb Phalke Film Festival for his role in Kaagaz.
Shortly after celebrating Holi with his friends, Kaushik died due to cardiac arrest on March 9, 2023.- Actor
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- Director
Balraj Sahni, born in Rawalpindi, British India (present-day Pakistan), was an acclaimed Indian film and stage actor. Known for his powerful and impactful performances, Balraj Sahni became a prominent figure in the golden era of Indian cinema.
Balraj Sahni initially pursued a career in the civil service but eventually found his true calling in acting. He became associated with the Indian People's Theatre Association (IPTA), a leftist cultural organization, where he honed his skills and passion for acting. His association with IPTA marked the beginning of his journey in theater.
Balraj Sahni made his film debut in 1946 with the film "Insaaf," but he gained widespread recognition and acclaim for his role in the film "Do Bigha Zamin" (1953), directed by Bimal Roy. His portrayal of Shambhu Mahato, a poor farmer struggling to save his land, showcased his acting prowess and earned him accolades. The film won the International Prize at the Cannes Film Festival in 1954.
Throughout the 1950s and 1960s, Balraj Sahni delivered memorable performances in films such as "Kabuliwala" (1961), "Waqt" (1965), and "Neel Kamal" (1968). He often played roles that reflected the socio-economic realities of the time, and his ability to bring depth and authenticity to his characters set him apart as one of the finest actors in Indian cinema.
Balraj Sahni's filmography includes a diverse range of roles, from intense and dramatic characters to light-hearted and comedic ones. He collaborated with renowned filmmakers like Bimal Roy, Guru Dutt, and Yash Chopra, leaving an indelible mark on Indian cinema.
Apart from his acting career, Balraj Sahni was also a noted writer and penned several books, including his autobiography "Meri Filmi Aatmakatha" (My Filmy Autobiography).
Balraj Sahni's contribution to Indian cinema was not only recognized within the industry but also by the government. He received the Padma Shri, one of the highest civilian awards in India, in 1969. Unfortunately, Balraj Sahni's life was cut short, and he passed away on April 13, 1973, leaving behind a legacy of remarkable performances and a lasting impact on Indian cinema.- Actor
- Producer
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Dharmendra is one of the biggest stars of Indian cinema. Dharmendra Deol played the romantic hero in woman Cedric films from 1960-1968 and became romantic hero from 1968-69 and played the role of action hero from 1971-1997. Dharmendra has appeared in 306 films.
He is known as 'Garam' Dharam in Bollywood. Had the looks of a real gentle man, masculine body of a he-man and when it came to his films, he had a very humorous touch in his dialog-delivery and the timing.
Dharmendra's original name is Dharam Singh Deol. He was born in a Jat Sikh family in Phagwara in Kapurthala district in the Indian state of Punjab to Kewal Kishan Singh Deol and Satwant Kaur. He spent his early life in village Sahnewal and studied at Government Senior Secondary School at Lalton Kalan, Ludhiana. He did his intermediate from Ramgarhia College, Phagwara in 1952.
The heroics in his films - Phool Aur Patthar (1966), Jugnu (1973), Raja Jani (1972) and Loafer (1973) - are all quite remarkable and unforgettable. He got nominated for Filmfare best actor 4 times in his career though he couldn't get one but got "The Life Time Achievement" award in 1997 from Filmfare for his achievements, splendid performance during his times and wonderful career in Bollywood. Dharmendra was fond of movies from a young age. He participated in the Filmfare new talent contest, which he won and came to Mumbai from Punjab looking for work. He made his debut with Arjun Hingorani's Dil Bhi Tera Hum Bhi Tere (1960). After which he got supporting roles in the film Boy Friend (1961) and was cast as the romantic interest in several woman oriented films from 1960-1967, where the story revolved around the heroine's character and, he was usually cast as a romantic hero opposite senior established leading actress of the time and later, from 1974 on-wards, as an action hero. His major breakthrough was playing supporting role to hero Rajendra Kumar in Aaye Milan Ki Bela, where his character was negative and supporting role in patriotic film Haqeeqat (1964) and playing romantic interest in woman oriented films from 1960-1967 and playing supporting roles to Balraj Sahni, Ashok Kumar, Biswajit in some films from 1960-67 like Soorat Aur Seerat, Bandini, Mamta, Ghar Ka Chirag.His sensitive side was explored by Hrishikesh Mukherjee in Anupama (1966) and Satyakam (1969), the latter is considered one of the best performances of his career. He got solo hero stardom with the blockbuster, Phool Aur Patthar (1966), which was his first action film but he became established action hero from 1971 film Mera Gaon Mera Desh. He projected himself as romantic hero with films like Pyar Hi Pyar, Aaya Sawan Jhoom Ke, Mere Humdum Mere Dost and Aaye Din Bahar Ke. He cemented his image as action hero with successful films like Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Kahani Kismat Ki and Yaadon Ki Baarat (1973). Dharmendra formed a popular onscreen pair with Hema Malini who later became his second wife. Hema Malini was the biggest female star of 1970s and they went on to star in hits such as Tum Haseen Mein Jawan, Sharafat (1970), Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Pratiggya (1975), Sholay (1975), Charas (1976), Azaad(1977), Dillagi (1978), among many others. Dharmendra proved his versatility and comic timing through Pratiggya, Chupke Chupke and Sholay. In Ramesh Sippy's Sholay (1975) he shared screen space with Amitabh Bachchan, Sanjeev Kumar and Amjad Khan and is still remembered for his inimitable portrayal of Veeru. His best romantic pairing was with the actress Asha Parekh with whom he had 5 hits - Shikhar, Aaya Sawan Jhoom Ke, Aaye Din Bahar Ke, Samadhi and Mera Gaon Mera Desh. His next best pairing was with Hema Malini, with whom he did 35 films of them 31 had them as a leading romantic pair and Dharam Hema had 20 hits and 15 flops. Dharm Hema married in 1980 and Dharm-Hema have 2 children together, Esha and Ahana and he has two sons, Sunny Deol and Bobby Deol from previous marriage with Prakash Kaur.
Often in 1960's till 1971 he played the romantic lead opposite female leading ladies in woman oriented films where the female protagonist's role overshadowed his roles with Dharam playing only supporting role in these films opposite Meena Kumari, Nutan, Mala Sinha, Sharmila Tagore. Phool Aur Paththar was the turning point in his career and established him as an action hero and as a solo lead hero.Artistically and popularity wise his peak period was the 1971-1979 where he did multi star as well as solo hero films in action and comedy genres and when his performances was appreciated by critics as well as audiences. Critics panned every film he did from 1985-2002 with exception being critically acclaimed films Burning Train, Ali Baba Aur 40 Chor, Jhutha Sach, Dharm Aur Qanoon, Rajput and Ghulami. He was the 2nd highest paid actor along with Vinod Khanna in Hindi films from 1976-1982 and Dharam alone was 3rd highest paid Hindi actor from 1987-1993 of A grade Hindi Films.
In the early 70s, Dharmendra became the first Indian actor to be voted among the most handsome men in the world. Through the 70s and 80s, Dharmendra worked with some of the biggest names in B'town such as Bimal Roy, Yash Chopra, Raj Khosla, Ramesh Sippy, Rajkumar Santoshi, Hrishikesh Mukherjee and Basu Chatterji. In 1983, Dharmendra diversified into production and launched his elder son Sunny in 'Betaab', which was produced by his banner Vijayta Films and was a huge hit. in 1990, he produced Ghayal starring Sunny Deol in lead. The film was the second biggest hit of the year and won 7 Filmfare Awards including Best Film award and the coveted National Film Award for Best Popular Film Providing Wholesome Entertainment. He would later go on to launch the successful careers of his younger son Bobby in 'Barsaat'(1995) and nephew Abhay Deol in 'Socha Na Tha'(2005) under the banner. He has also periodically made films in his native tongue of Punjabi, starring in Kankan De Ole (Special Appearance) (1970 ), Do Sher (1974), Dukh Bhanjan Tera Naam (1974), Teri Meri Ik Jindri (1975), Putt Jattan De (1982) and Qurbani Jatt Di (1990).
His commercial hits from 1981 included Ram Balram, Professor Pyarelal, Kaatilon Ke Katil, Naukar Biwi Ka, Jaani Dost, Samraat, Bhaghavat, Raaj Tilak, Jaagir, Qayamat, Insaaf Kaun Karega, Insaniyat Ke Dushman, Loha, Sone Pe Suhaga, Mardo Wali Baat, Khatron Ke Khiladi, Nafrat Ki Anandi, Batwara and Elaan E Jung. His film Hukumat in 1987 was highest grossing film of that year. He continued to be strong in 1990s as the best action hero even stronger than Sunny Deol, Sanjay Dutt and Jackie Shroff. His commercial hits in 1990s included Veeru Dada, Naka Bandi, Farishtay, Tehalka, Kshatriya, Maidan E Jung and Dharma Karma.
The low brow action films directed by likes of Kanti Shah damaged his action career in late 90s. Dharmendra was nominated 4 times for Best Actor Award at Filmfare Awards but never won. He was honored with Lifetime Achievement Award by Filmfare in 1997. He made a comeback to A grade films with a role in Pyar Kiya Toh Darna Kya (1998). He joined politics and was elected as a Member of the Parliament in the 2004 general elections, from Bikaner in Rajasthan, on a Bharatiya Janata Party ticket. He returned to acting in 2007 with films Life in a... Metro and Apne were acclaimed and successful. In the latter, he appears with both his sons, Sunny and Bobby for the first time. His other release was Johnny Gaddaar, where he played a villainous role. In 2011, he starred alongside his sons again in Yamla Pagla Deewana released on 14 January 2011 and was a success. A sequel Yamla Pagla Deewana 2 was released in 2013. His also acted with his daughter Esha in his wife Hema Malini's directorial venture Tell Me O Khuda in 2011. In 2011, Dharmendra replaced Sajid Khan as the male judge of the third series of popular reality show India's Got Talent. Dharmendra's first marriage was to Prakash Kaur at the age of 19 in 1954. From his first marriage, he has two sons, Sunny Deol and Bobby Deol both successful actors, and two daughters, Vijayta Deol Gill and Ajeeta Deol. He has 4 grand sons named Karan, Rajvir, Aryaman, and Dharam. Dharmendra fell in love with Hema Malini during the filming of Sholay. She eventually married him in 1980. As the Hindu Marriage Act forbade polygamy, he converted to Islam in 1979 to avoid protests and give legitimacy to his second marriage. The couple has two daughters, Esha Deol and Ahana Deol. Esha is an actress and Ahana is a dancer. Dharmendra has received several honors for his contribution to cinema and was awarded India's third highest civilian honor Padma Bhushan by the Government of India in 2012.- Actor
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Rakesh Bedi was born on 1 December 1954 in New Delhi, India. He is an actor and director, known for Uri: The Surgical Strike (2019), Tom, Dick, and Harry (2006) and Pyar Bhara Dil (1991).- Actor
- Writer
- Director
Girish Karnad was born on 19th May 1938 in Matheran, Maharashtra. He is acclaimed for his contemporary playwrights in Kannada. He is also an actor, director and screen writer. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award.- Actor
- Producer
- Composer
Dr. Mohan Agashe is a distinguished Indian actor, psychiatrist, and academician, renowned for his versatile performances in both mainstream and parallel cinema. Born in Bhor, Maharashtra, India, Agashe has made significant contributions to Indian cinema and mental health.
Agashe's journey into the world of acting began during his college days at B. J. Medical College in Pune, where he was actively involved in theatre. After completing his medical studies, he pursued psychiatry and earned a postgraduate degree from Pune's Sassoon Hospital. Throughout his medical career, he remained passionate about acting and continued to participate in theatrical productions.
In 1974, Mohan Agashe made his debut in Marathi cinema with the film "Shantata! Court Chalu Aahe," directed by Satyadev Dubey. His performance in the film was widely acclaimed, marking the beginning of a successful acting career. He gained recognition for his ability to portray complex characters with depth and authenticity.
Agashe's versatility as an actor allowed him to seamlessly transition between mainstream and parallel cinema. He has worked with acclaimed filmmakers such as Govind Nihalani, Shyam Benegal, and Mahesh Manjrekar, among others. His notable performances include roles in films like "Aakrosh," "Gandhi," "Devrai," and "Asthu."
Apart from his work in cinema, Mohan Agashe has been actively involved in the field of mental health. He served as the Director of the Maharashtra Institute of Mental Health in Pune and played a pivotal role in promoting mental health awareness and education. He has also contributed to numerous research papers and publications in the field of psychiatry.
In addition to his acting and psychiatric career, Agashe is a respected academician. He has lectured at various universities and institutions, sharing his knowledge and expertise in both psychiatry and cinema. His interdisciplinary approach has earned him recognition as a thought leader in the intersection of arts and mental health.
Throughout his career, Mohan Agashe has received numerous accolades for his contributions to cinema and society. He has been honored with prestigious awards such as the National Film Award for Best Supporting Actor and the Maharashtra State Film Award. His dedication to his craft and his commitment to mental health advocacy continue to inspire generations of artists and professionals alike.- Actor
- Director
Rajit Kapoor, born in Amritsar, Punjab, India, is a highly respected Indian film and television actor known for his powerful and nuanced performances. With a career spanning over three decades, Rajit Kapoor has left an indelible mark on Indian cinema and theater.
Rajit Kapoor started his acting journey in the theater and gained prominence as a member of the renowned theater group Chingari in Delhi. His passion for the performing arts led him to the National School of Drama (NSD), where he further honed his skills and gained a strong foundation in acting.
In the world of cinema, Rajit Kapoor made his mark with the critically acclaimed film "Suraj Ka Satvan Ghoda" (1992), directed by Shyam Benegal. His performance in the film received widespread acclaim, showcasing his ability to portray complex characters with depth.
One of Rajit Kapoor's most iconic roles came with the television adaptation of Agha Hashar Kashmiri's play, "Ghadar" (1990), directed by Amrit Sagar. His portrayal of the historical figure Bhagat Singh in the series earned him accolades and established him as a versatile actor.
Rajit Kapoor continued to deliver stellar performances in films such as "The Making of the Mahatma" (1996), where he played Mahatma Gandhi, and "Dil Chahta Hai" (2001), where he portrayed the role of Preity Zinta's father. His ability to effortlessly transition between mainstream and parallel cinema set him apart in the industry.
Apart from his work in Hindi cinema, Rajit Kapoor has been associated with various regional and international projects. His collaboration with filmmakers like Shyam Benegal, Govind Nihalani, and Mira Nair has showcased his versatility and global appeal.
In addition to acting, Rajit Kapoor has directed and produced several plays and has been actively involved in promoting theater. His contributions to the world of arts and culture have been recognized with awards and honors, including the prestigious National Film Award for Best Actor.
Rajit Kapoor remains an influential figure in the Indian entertainment industry, admired for his dedication to the craft of acting and his contributions to the performing arts.- Actor
- Music Department
- Writer
Piyush Mishra, is an Indian film actor, music director ,lyricist, singer, script and dialogue writer, and a well known theatre director and Hindi playwright. He spent his early life in Gwalior, where he received his education.
Theater and television After his graduation from National School of Drama (NSD), New Delhi in 1986, Piyush Mishra started his career as a theatre actor and went on to write and directed several plays as a part of Act-1 Group (1990-1995). In 1996 he joined Asmita Theatre Group, and performed his Popular one man shows An Evening with Piyush Mishra. He wrote the lyrics for Asmita's popular plays.- Raj Kumar is also known as Rajkummar Rao. He was born in Gurgaon. He finished his schooling in Gurgaon and graduated in Arts from Delhi University. He was simultaneously doing theatre with Kshitij Repertory and SRC in Delhi. He is an Acting graduate from Pune's Film and Television Institute of India. Raj Kumar's debut film was Dibakar Banerjee's Love Sex aur Dhokha in 2010.
- Pankaj Tripathi is a well-known Indian actor who has made a significant contribution to Indian cinema. Born to Pandit Benares Tiwari, a priest and Hemanti Devi, Tripathi had a humble upbringing in a small town in Bihar, India.
Tripathi, as a child, participated in a few amateur plays where he played the role of a girl. However, he was not actively involved in the world of acting at that time. While studying in class 12, Tripathi's interest in theatre was sparked when he watched a play named Andha Kuan. Actor Pranita Jaiswal's emotional performance moved him to tears, which further intensified his passion for theatre. Later on, Tripathi relocated to Patna to pursue Higher education in Hotel management training and this is where his life took a new direction.
He would often cycle his way to see all the stage shows that were held in Patna from 1994 - 1995. By 1996, Tripathi stopped being in the audience and took to becoming a performer. Tripathi also worked the night shift in a hotel kitchen during this time.
His interest in acting led him to complete his graduation in Hindi literature and enrol at the National School of Drama (NSD) in Delhi, which he completed in 2004. He then moved to Mumbai.
Tripathi's initial years in the films saw him playing minor roles in several films, including Run (2004), Apaharan (2005), Omkara (2006), Shaurya (2008), Raavan (2010), Children's Party (2011), and Agneepath (2012), among others. In many of these movies, he played the role of an antagonist.
After working for about eight years, Tripathi got his first major role onscreen in the Gangs of Wasseypur (2012). The movie was a two-part gangster movie directed by Anurag Kashyap based on the coal mafia. The movie received rave reviews from critics and was included in the list of 100 best films of the 21st century by The Guardian.
Following this, Tripathi worked in several other movies, such as Dabangg 2 (2012), ABCD (Any Body Can Dance) (2013), Fukrey (2013), Singham Returns (2014), Dilwale (2015), Nil Battey Sannata (2015), Bareilly Ki Barfi (Seeking True Love (2017)), Fukrey Returns (2017), and Super 30 (2019).
Tripathi was also seen in Neeraj Ghaywan's independent drama film Masaan (2015). He played a small but impactful role of a small-town government official who has an amicable nature.
He went on to play the lead role in Shanker Raman's neo-noir thriller Gurgaon (2017). In the same year, he appeared in a prominent role in Newton (2017), a dark comedy-drama directed by Amit Masurkar. The film premiered at the 67th Berlin International Film Festival under the Forum section.
Newton won the National Film Award for Best Feature Film in Hindi 2017. Tripathi earned a special mention for his performance in the movie at the National Film Awards held in 2018. Newton was selected as the official Indian entry for the 90th Academy Awards held in 2017 under the Best Foreign Language Film.
Tripathi appeared in Pa. Ranjith action drama Kaala (2018) starring Rajinikanth and Nana Patekar the following year. It marked his debut in Tamil cinema. His next film was Stree (2018), a horror-comedy directed by Amar Kaushik. It was a huge commercial success and earned about Rs. 180 crores worldwide. For his performance in this movie, Tripathi won the Best Supporting Actor Award at the Star Screen Awards 2018.
Tripathi appeared in a supporting role in Gunjan Saxena: The Kargil Girl (2020). He played the role of a progressive father who was supportive of his daughter's dreams. His character believes in gender equality and encourages his daughter to break the bonds of patriarchy and reach for her dreams.
He also worked in Ludo (2020), directed by Anurag Basu.
Tripathi was also seen in prominent roles in Kaagaz (2021), Mimi (2021), '83 (2021), and Sherdil (2022). He has also acted in various TV series, such as Time Bomb (2005), Zindgi Ka Har Rang ... Gulaal (2010), Powder (2010), and Sarojini - Ek Nayi Pehal (2015).
Tripathi has been a part of several web series as well, including Sacred Games (2018), Mirzapur (2018), Criminal Justice (2019), Criminal Justice: Behind Closed Doors (2020), Criminal Justice: Adhura Sach (2022), and Gulkanda Tales.
His performance in Mirzapur (2018) won him Best Actor - Drama at the iReel Awards 2019 and Best Actor - Web Series at the Indian Television Academy Awards 2021.