Cute, Cuddly and Handsome Gentlemen
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- Producer
- Production Manager
- Actor
Iain Smith was born in Glasgow and graduated from the London Film School in 1971. He worked in London for several years before returning to his native Scotland to make "My Childhood", for the British Film Institute, the first of the award winning trilogy by the late Bill Douglas.
He formed his own production company in partnership with Jon Schorstein and produced television commercials, documentaries, children's feature films and low budget dramas, and in 1978 production managed Bertrand Tavernier's "Deathwatch" starring Romy Schneider and Harvey Keitel. A year later he joined David Puttnam and Hugh Hudson to make "Chariots of Fire" starring Ian Charleson and Ben Cross.
He went on to line produce a variety of films for David Puttnam including Bill Forsyth's "Local Hero" starring Burt Lancaster and Peter Riegert, Roland Joffe's "The Killing Fields" starring Sam Waterston and Haing Ngor, and Roland Joffe's "The Mission" starring Robert de Niro and Jeremy Irons. He also produced Brian Gilbert's "The Frog Prince".
In 1987 he formed Applecross Productions and went on to co-produce Richard Marquand's "Hearts of Fire" starring Bob Dylan and Rupert Everett followed by Michael Austen's "Killing Dad" starring Richard E. Grant, Denholm Elliott and Julie Walters. In 1991 he co-produced Roland Joffe's "City of Joy" starring Patrick Swayze and Pauline Collins, and in 1992, executive produced Ridley Scott's "1492 - Conquest of Paradise" starring Gerard Depardieu and Sigourney Weaver.
In 1994 he co-produced Stephen Frears' "Mary Reilly" starring Julia Roberts and John Malkovich, for Tristar Pictures, followed by Luc Besson's "The Fifth Element" in 1996, which starred Bruce Willis and Gary Oldman, and was produced by his company Zaltman Films Ltd for Gaumont.
He then produced Jean-Jacques Annaud's "Seven Years in Tibet" starring Brad Pitt and David Thewlis, for Columbia Pictures, followed by Jon Amiel's "Entrapment" with Sean Connery and Catherine Zeta-Jones, for Twentieth Century Fox.
After this he executive produced Tony Scott's "Spy Game" for Universal Pictures which starred Robert Redford and Brad Pitt, followed by Anthony Minghella's "Cold Mountain" for Miramax starring Jude Law, Nicole Kidman and Renee Zelwegger. He went on to produce Oliver Stone's "Alexander" for Intermedia starring Colin Farrell, Anthony Hopkins and Angelina Jolie followed by producing Darren Aronofsky's "The Fountain" for New Regency/Warner Bros. starring Hugh Jackman, Rachel Weisz and Ellen Burstyn, and Alfonso Cuaron's "Children of Men" for Strike Entertainment/Universal Pictures, and Timur Bekmambetrov's "Wanted" for Universal Pictures. His most recent production "The A Team" with director Joe Carnahan stars Liam Neeson, Bradley Cooper and Jessica Biel was made for Twentieth Century Fox
Iain Smith has served on the boards of the UK Film Council, Scottish Screen, the Joint board of Creative Scotland, the Scottish Film Council, the Scottish Film Production Fund, the Scottish Film Training Trust and as a Governor of the National Film and Television School. He is a patron of the London Film School, Chair of the Film Skills Council, and is a director of the Children's Film and Television Foundation. He is Chair of the UK Film Industry Training Board, and is Chair of the Edinburgh International Film Festival.
In 2005 he was awarded a BAFTA for Outstanding Achievement in Film and was made an OBE by the Queen in the 2008 New Year's Honours List for services to film.- Actor
- Producer
- Soundtrack
John Stephen Goodman's an American film, TV & stage actor. He was born in Affton, Missouri to Virginia Roos (Loosmore), a waitress and saleswoman & Leslie Francis Goodman, a postal worker who died when he was a small child. He's of English, Welsh & German ancestry. He's best known for his role as Dan Conner on the TV show Roseanne (1988), which ran until 1997 & for which he earned him a Best Actor Golden Globe in 1993. He's also noted for appearances in films of the Coen brothers, w/ prominent roles in Raising Arizona (1987) as an escaped convict, in Barton Fink (1991) as a congenial murderer, in The Big Lebowski (1998) as a volatile bowler & in O Brother, Where Art Thou? (2000) as a cultured thief. Additionally, he has done voice work in numerous Disney & Pixar films, including the Sulley in Monsters, Inc. (2001). Having contributed to more than 50 films, he has also won 2 American Comedy Awards & hosted Saturday Night Live (1975) 14 times.- Actor
- Writer
- Soundtrack
Derek McGrath was born on 4 June 1951 in Porcupine, Ontario, Canada. He is an actor and writer, known for Charlie Bartlett (2007), My Secret Identity (1988) and Police Academy 4: Citizens on Patrol (1987).- One chillingly infamous screen role for Scott Wilson in 1967 set the tone for an actor who went on to prove himself an invaluable character player for five decades. Born on March 29, 1942, the Atlanta native was awarded a basketball scholarship following high school at Georgia's Southern Tech University to study architecture. Instead, Wilson hitchhiked to Los Angeles on a whim and hooked up one day with an actor he met in a bar who took him to one of his auditions. Allowed to audition himself by chance, Wilson lost the part but was absolutely hooked. Working an assortment of menial jobs, he studied for nearly five years while gaining experience in such local theater productions as "The Importance of Being Earnest."
Scott's fledgling career took off big time after being discovered by director Norman Jewison who cast him as a murder suspect in In the Heat of the Night (1967) starring Sidney Poitier and Best Actor Oscar winner Rod Steiger. If that weren't a sufficient beginning, Wilson immediately followed this with the co-lead role of murderer Richard Hickok in the stark and disturbing In Cold Blood (1967), a superlative adaptation of the Truman Capote best-selling docu-novel. It didn't hurt that Scott himself had a startling resemblance to the real-life killer. Partnering up with Robert Blake as two ex-cons who are eventually executed for the senseless, brutal slaughter of an entire Kansas farm family, the critically acclaimed film put both men squarely on the movie map.
Although a serious contender, out-and-out stardom did not come about for the quietly handsome, slightly forlorn-looking actor. Major roles in major pictures, however, did. Among Scott's early film work were Castle Keep (1969) and The Gypsy Moths (1969), both starring Burt Lancaster; The Grissom Gang (1971); Lolly-Madonna XXX (1973) (again with Steiger); The New Centurions (1972); The Great Gatsby (1974), in which he earned raves as the garage owner who shoots Robert Redford's title character to death in Gatsby's backyard swimming pool; The Ninth Configuration (1980), for which he received a Golden Globe nomination; The Right Stuff (1983); the Venice Film Festival winner A Year of the Quiet Sun (1984); Malone (1987); and Johnny Handsome (1989). TV also showed off Scott's dark, controlled intensity and wide range in later years, appearing in guest spots on such popular dramas as "The X-Files" and "The Twilight Zone," and in a recurring role as Marg Helgenberger's unscrupulous mobster father in "CSI." In mini-movies Scott played everything from Elvis's father in Elvis and the Colonel: The Untold Story (1993) to a Wyoming governor in The Jack Bull (1999).
Hardly one of Hollywood's flashiest good ol' boys, the taciturn, unassuming actor preferred to remain discrete and let his performances do the talking. His output was minimal compared with other character stars, but he remained in the quality ranks nevertheless, mixing his standard penchant for darker movies with such family-oriented films as Shiloh (1996) and its sequels.
Supporting the newer "young guns" these days, he appeared with Vince Vaughn in Clay Pigeons (1998) and Ryan Phillippe in The Way of the Gun (2000), and ended up one of serial killer Charlize Theron's victims in Monster (2003). Other strong showings on the big screen have included a lead part as a rockabilly star in Don't Let Go (2002) and his down-home patriarch in the superb ensemble art film Junebug (2005), a breakout hit with Academy voters.
Into the millennium, Scott maintained a strong film output with gritty roles in Come Early Morning (2006), Saving Shiloh (2006), Behind the Mask: The Rise of Leslie Vernon (2006), The Heartbreak Kid (2007), Saving Grace B. Jones (2009), Radio Free Albemuth (2010), Dorfman in Love (2011) and Hostiles (2017). He ended his career strongly on TV with regular/recurring roles on Damien (2016), as adoptive father Abel Johnson in the mystery series The OA (2016), and gained a notable following sporting a full gray beard and ponytail as grizzled farm owner Hershel Greene on the popular horror series The Walking Dead (2010).
Wilson lived in Los Angeles with his attorney/wife of four decades, Heavenly, who also was an accomplished artist and writer. Diagnosed with leukemia, Scott died on October 6, 2018, aged 76. - Actor
- Producer
- Director
Brian Cox is an Emmy Award-winning Scottish actor. He was born on June 1, 1946 in Dundee, Scotland, to Mary Ann Guillerline Cox, maiden surname McCann, a spinner, and Charles McArdle Campbell Cox, a shopkeeper and butcher. His father was of Irish ancestry and his mother was of Irish and Scottish descent.
Cox first came to attention in the early 1970s with performances in numerous television films. His first big break was as Dr. Hannibal Lecter in Manhunter (1986). The film was not overly successful at the box office, although Cox's career prospects and popularity continued to develop. Through the 1990s, he appeared in nearly 20 films and television series, as well as making numerous television guest appearances. More recently, Cox has had roles in some major films, including The Corruptor (1999), The Ring (2002) and X2 (2003). He was awarded Commander of the Order of the British Empire in the 2003 Queen's New Year's Honours List for his services to drama.- Actor
- Producer
- Soundtrack
Kevin Dunn was born in Chicago, Illinois, in 1956. He is an American actor who has made over 100 appearances in both TV and film.
One of his earliest roles was in the Alan Parker film Mississippi Burning (1988) with Gene Hackman and Willem Dafoe. He followed this up with Kathryn Bigelow's Blue Steel (1990), Ghostbusters II (1989), and the Brian De Palma hit The Bonfire of the Vanities (1990).
He has since appeared in a number of box office hits, such as Hot Shots! (1991), Chain Reaction (1996), and Godzilla (1998). He also appeared in the Oliver Stone epic, Nixon (1995) and the Ridley Scott fantasy film 1492: Conquest of Paradise (1992).
Dunn is able to fit into various roles in diverse genres with ease, whether the role in question be a political thriller like 'Robert Redford (I)'s Lions for Lambs (2007), an action film such as Tony Scotts Unstoppable (2010), or a romantic drama like Woody Allen's Vicky Cristina Barcelona (2008). He is an established and reliable supporting - and character - actor.
He has gained considerable fame as the father in the hit movies Transformers (2007), Transformers: Revenge of the Fallen (2009), and Transformers: Dark of the Moon (2011).- Actor
- Soundtrack
Is understanding human behavior important to being a good actor? If so, then it's no surprise that Richard Paul is eminently qualified for his successful acting career. A native Californian with a BA in public affairs from Claremont Men's College, now Claremont McKenna College, Richard earned an MA in psychology from California State University at Los Angeles. He then began work toward a Ph. D. at the University of Arizona. The following years were a curious mixture of psychology and acting: from playing Doolittle in "My Fair Lady, " to traveling back and forth between Arizona, and Metropolitan State Hospital in Norwalk, California, where he served his internship in Clinical Psychology, and worked as a staff psychologist.
Falling in love in a mental hospital may seem unusual, but that is where he met his future wife Patty, a student worker there. He developed his own unique program there--acting lessons for the patients. At night, Richard went to L.A.'s radio station KPFK to appear on Firesign Theater. He worked on two albums with the group, "Roller Maidens from Outer Space" (playing Ozzie Nelson among several voices) and "As Time Flies, " now Firesign classics.
No matter where he was working or studying during those years, Richard returned every summer to the Pomona Valley Shakespeare Festival directed by Jesse Swan first in Balch Auditorium at Scripps, then at Garrison Theater, where he immersed himself in the great characters of Falstaff, in Henry IV, part 1; Toby Belch in Twelfth Night; Friar Lawrence in Romeo and Juliet; Bottom in Midsummer Nights Dream; Baptista in Taming of the Shrew with the best Petruchio he's ever seen, Mike Connolly; Arnolphe in the Amorous Flea, and a variety of other roles.
In 1968 Richard married Patty, and together they spent the requisite early years struggling to make a living, with Richard doing commercials, voice-overs, and working on the doctorate--torn between two careers. The turning point came when Richard accepted a nine month road engagement starring in "W.C. Fields, 80 proof, " a two-man show. The die was cast, and with Patty's support, Richard chose a career as a performer, "A decision I've never regretted--well, only twice a week."
In the years that followed, Richard did a number of voice-overs for cartoons including Mickey Mouse and Uncle Remus for Disney. Early on-camera roles included "Maude, " "Mary Hartman, " and "Mitzi Gaynor's Roarin' in the Twenties, " where he reprised the Fields role. A lunch break interview during filming of a dog food commercial led to the costarring role of Mayor Teddy Burnside ("your mayor by a landslide") in ABC-TV's "Carter Country, " where his order to "Handle it! Handle it!" became a national catch phrase. The series ran 2 years.
Richard starred with Shirley Hemphill in "One in a Million" (another ABC series), and costarred in 1982 with Dean Jones in "Herbie the Love Bug" on CBS. Recent stage roles include the Cowardly Lion in "The Wizard of Oz, " with Cathy Rigby; Mayor Shinn in the "Music Man" with John Davidson; Jimmy in "No, no, Nanette, " and the Governor in "The Best Little Whorehouse in Texas" with Ruta Lee. How did Richard Paul get Milos Forman to cast him in the role of Jerry Falwell in the award winning "The People vs. Larry Flynt?" Preparation helps. Richard has had a lot of practice playing preachers: from the pleasant parson who tried to censor "WKRP, " to the televangelical adversary of Patty Duke on "Hail to the Chief, " to the man who finally married "Scarecrow and Mrs. King, " to his critically acclaimed previous portrayal of Falwell in "Fall from Grace." with Bernadette Peters.
Richard worked on two other movies in 1996 in addition to "The People vs. Larry Flynt." He played a diamond smuggler in "The Glass Cage" with Eric Roberts, and a college dean in a leading role in "Mind Games." Director Paul Bartel cast Richard as comic heavies in the cult classic "Eating Raoul" and in "Not For Publication." He went to Yugoslavia to star with Eva Gabor in "Princess Academy." In 1997 he appeared on "Rosanne" and "Drew Carey, " Richard and Patty lived in Studio City.
His other interests included singing (an operatic tenor), writing, walking, and dieting forever. For seven years he volunteered every week as a reader for the Braille Institute's Recording program. An animal lover, Richard has also volunteered his time for years to Actors and Others for Animals. Still interested in psychology, he was a licensed Marriage and Family Therapist, and served on the Mental Health Advisory Board to the Los Angeles County Board of Supervisor. A Universal Life Church minister, Richard confesses: "I married my wife once, but I married her brother twice."- Actor
- Additional Crew
Tim was born in East Texas and grew up interested in the arts from a young age. He performed in countless Church and school musicals when he was young. He stopped performing once he joined the Army and toured the world as a demolitions expert.
When he returned home, Tim joined the fire service as a Fireman/EMT and was eventually elected Chief of his small town fire department. During his years as a fireman he began to miss the stage, so he began singing bass for the Southern Gospel group "Southern Spirit" and then later with the "Calvary Boys Trio." Tim was also a frequent cast member of the Lamplite Theater Company in Nacogdoches, Texas.
Tim eventually retired his position as fire chief and relocated to Los Angeles to pursue a career in acting.- Actor
- Soundtrack
Ken Stott was born on 19 October 1954 in Edinburgh, Scotland, UK. He is an actor, known for The Hobbit: An Unexpected Journey (2012), The Hobbit: The Desolation of Smaug (2013) and The Hobbit: The Battle of the Five Armies (2014).- Actor
- Writer
- Producer
Graduated from the University of Tulsa with a BFA. A successful illustrator, Sartain's artistic credits range from record cover designs such as Leon Russell's "Will O' the Wisp" to illustrations for nationally published magazines. Sartain created and hosted Tulsa's first late night off-the-wall comedy program, "Dr. Mazeppa Pompazoidi's Uncanny Film Festival and Camp Meeting". Guest stars included Gary Busey and 'Jim "Buck" Millaway'. Following "Dr. Mazeppa Pompazoidi's Uncanny Film Festival and Camp Meeting", Sartain has maintained a successful acting career in television and motion pictures.- Actor
- Writer
- Soundtrack
Hungarian-born S.Z. Sakall was a veteran of German, Hungarian and British films when he left Europe because of the rise of Adolf Hitler and the Nazi movement. In Hollywood from shortly after the outbreak of World War II, Sakall began appearing in comedies and musicals, often playing a lovable if somewhat excitable and/or befuddled uncle, businessman or neighborhood eccentric. Memorable as the waiter in Casablanca (1942) and as a somewhat lecherous Broadway producer in Yankee Doodle Dandy (1942). He retired from films in 1954 and died of a heart attack in Hollywood in 1955.- Music Artist
- Actor
- Additional Crew
Burl Ives was one of six children born to a farming family in Hunt City, Jasper, Illinois, the son of Cordellia "Dellie" (White) and Levi Franklin Ives. He first sang in public for a soldiers' reunion when he was age 4. In high school, he learned the banjo and played fullback, intending to become a football coach when he enrolled at Eastern Illinois State Teacher's College in 1927. He dropped out in 1930 and wandered, hitching rides, doing odd jobs, street singing.
Summer stock in the late 1930s led to a job with CBS radio in 1940; through his "Wayfaring Stranger" he popularized many of the folk songs he had collected in his travels. By the 1960s, he had hits on both popular and country charts. He recorded over 30 albums for Decca and another dozen for Columbia. In 1964 he was singer-narrator of Rudolph the Red-Nosed Reindeer (1964), an often-repeated Christmas television special. His Broadway debut was in 1938, though he is best remembered for creating the role of Big Daddy in the 1950s Cat on a Hot Tin Roof (1958) when it ran on Broadway through the early 1950s.
His four-decade, 30+ movie career began with Ives playing a singing cowboy in Smoky (1946) and reached its peak with (again) his role as Big Daddy role in the movie version of Cat on a Hot Tin Roof (1958) and winning an Oscar for best supporting actor in The Big Country (1958), both in 1958. Ives officially retired from show business on his 80th birthday in 1989 and settled in Anacortes, Washington, although he continued to do frequent benefit performances at his own request. Burl Ives died in 1995.- Actor
- Additional Crew
- Soundtrack
WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.- Actor
- Production Manager
- Director
Born Raymond William Stacy Burr on May 21, 1917 in New Westminster, British Columbia, he spent most of his early life traveling. As a youngster, his father moved his family to China, where the elder Burr worked as a trade agent. When the family returned to Canada, Raymond's parents separated. He and his mother moved to Vallejo, California, where she raised him with the aid of her parents. As he got older, Burr began to take jobs to support his mother, younger sister and younger brother. He took jobs as a ranch hand in Roswell, New Mexico; as a deputy sheriff; a photo salesman; and even as a nightclub singer.
During World War II, he served in the United States Navy. In Okinawa, he was shot in the stomach and sent home. In 1946, Burr made his film debut in San Quentin (1946). From there, he appeared in more than 90 films before landing the titular character on Perry Mason (1957), the role for which he was best-known. Decades later, he reprised the role opposite former co-star Barbara Hale in a series of NBC television movies. At age 65, he returned to teaching drama as a professor of theatre at Sonoma State University, Rohnert Park.
After a brave battle with cancer, Burr died at age 76 on September 12, 1993 at his ranch home in Geyserville, Sonoma County, California. Married once, the union ended in divorce. He had no children.- Herb Voland was born on 2 October 1918 in New Rochelle, New York, USA. He was an actor, known for Airplane! (1980), Play of the Week (1959) and The Love God? (1969). He was married to Betty Jean Carlton and Laura Elizabeth Hale. He died on 26 April 1981 in Riverside, California, USA.
- Ron Karabatsos was born on 22 April 1933 in Elizabeth, New Jersey, USA. He was an actor, known for Flashdance (1983), Surviving Christmas (2004) and Get Shorty (1995). He died on 17 April 2012 in Beaumont, California, USA.
- Robert Machray was born on 4 May 1945 in San Diego, California, USA. He is an actor, known for The Master of Disguise (2002), Star Wars: Rogue Squadron II - Rogue Leader (2001) and Thanks (1999).
- Grew up on a dairy farm outside of Cleveland, in rural Elyria, OH.
Cliff was a 1966 graduate of Clearview High School in Lorain, OH, and has been inducted into the CHS Distinguished Alumni Hall of Fame.
He has established the Cliff Bemis Music Theatre Scholarship at Baldwin-Wallace College in Berea, OH, from which he graduated in 1970. He is also the recipient of the 1998 Alumni Merit Award.
While in college, he was an active member in Alpha Tau Omega fraternity, and was inducted into the Omicron Delta Kappa Honorary Fraternity.
He built an extensive and varied career in Cleveland, OH, performing musical theatre, opera, with the Cleveland Opera Co., as well as the related fields of commercial acting which included jingle singing, voice-overs, on-camera and industrial films.
He also narrated with the Cleveland Orchestra for their Young People's Concerts.
Cliff was one of the original cast members of the musical "Jacques Brel Is Alive And Well And Living in Paris," which played for over two years on Playhouse Square in Cleveland. That show is widely recognized as the show which helped save this historic theatre district.
For seven seasons, he was a regular guest artist at The Cleveland Play House. He was also a regular singer of the National Anthem for the Cleveland Indians, Browns, and Cavaliers, as well as the Cleveland National Air Show.
In 1987, while performing on stage together at Kenley Players, Cliff met and became friends with actor Robby Benson (star of "One on One," and the voice of the Beast in "Beauty and the Beast,") and his wife actress/singer Karla DeVito. They encouraged Cliff to move to LA, which he did, where he continued to build upon his career.
Cliff has appeared in over 70 different TV shows including "Law and Order, SVU," "White Collar," "Arliss," "Married With Children," "Dallas," "Newhart," "Beverly Hills 90210," "Cheers," "Coach," and "Murder She Wrote" to name a few, and was featured in the films "Pink Cadillac" with Clint Eastwood, "Distinguished Gentlemen" with Eddie Murphy, and "Naked Gun 2 1/2."
He co-starred in "Reunited," starring Julie Hagerty of "Airplane" fame, starred opposite Lucie Arnaz in "Wonderful Town," and co-starred opposite Gregory Harrison (Trapper John, MD.) and June Lockhart of "Lassie" fame in the TV movie, "Au Pair II," shot on location in Prague in the Czech Republic.
Cliff made his Hollywood Bowl debut, performing in the concert version of the musical "Mame," starring Michelle Lee, John Schneider, Christine Ebersole, Fred Willard, and Alan Thicke.
He originated the role of Ezekiel Foster/Mr. Snoring Man in Irving Berlin's "White Christmas," in San Francisco, Los Angeles, Detroit, two years on Broadway and in 2011 at the Paper Mill Playhouse in Millburn, NJ.
In the early 1990's, Cliff began his reign as the TV spokesperson for the IHOP restaurant chain. For ten years "Cliff from IHOP" was recognized all over the country, appearing in all of the TV ads, as well as making personal appearances for IHOP all over the USA and Canada, where he autographed over 75,000 "Cliff at IHOP" pictures.
A long time supporter of law enforcement, in particular the California Highway Patrol, he is a Lifetime Member in the CHP 11-99 Foundation, and an Honorary Member of the California Association of Highway Patrolmen.
Also served on the Board of Directors for the Firefighters Quest for Burn Survivors, and is an Honorary Deputy Sheriff in the Ventura County Sheriff's Department.
For ten years, Cliff was also a volunteer during the Christmas holidays at The White House, serving on a team which prepares this historic home for the holidays, and met both Presidents and First Ladies Bush and Clinton on several different occasions.
Cliff's musical interests have resulted in three recordings, including a Christmas CD titled "Christmas Eve," featuring his vocal talents on the traditional music of the season. He has also released three instrumental CDs of favorite hymns titled "Hear My Prayer, Vol. I, II and III."
He resides in NYC, where he continues his acting and singing career.
To find out more about Cliff and his family, adventures, and to purchase his CDs, visit his Website at www.cliffbemis.com. - Actor
- Soundtrack
Peter Wight was born in 1950 in Worthing, Sussex, England, UK. He is an actor, known for Another Year (2010), Hot Fuzz (2007) and Naked (1993).- Actor
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- Producer
A grand, robust, highly theatrical British classical actor, Maurice Evans was born on June 3, 1901, in Dorchester, England, the son of a justice of the peace who enjoyed amateur play writing on the side. In fact, his father adapted several adaptations of Thomas Hardy's novels and Evans would often appear in them. Early interest also came in London choirs as a boy tenor.
Making his professional stage debut in 1926, Evans made do during his struggling years by running a cleaning and dyeing store. He earned his first triumph three years later in the play "Journey's End." When his resulting attempts as an early 1930's romantic film lead and/or second lead in White Cargo (1929), Raise the Roof (1930), The Only Girl (1933), The Path of Glory (1934), Bypass to Happiness (1934) and Checkmate (1935) didn't pan out, he refocused on the stage.
Following a season with the Old Vic theatre company, he arrived in America and proceeded to conquer Broadway, establishing himself as one of the world's more illustrious interpreters of Shakespeare. His eloquent, florid portrayals of Romeo, Hamlet, Macbeth and Richard II are considered among the finest interps. He was also deemed a master of Shavian works which included superlative performances in "Major Barbara", "Man and Superman" and "The Devil's Disciple".
As a U.S. citizen (1941), Maurice was placed in charge of the Army Entertainment Section, Central Pacific Theater during WWII and left military service with the rank of major. His post-war career included a handful of character film roles, notably Kind Lady (1951), Androcles and the Lion (1952), Gilbert and Sullivan (1953) (as composer Sir Arthur Sullivan), The War Lord (1965), Rosemary's Baby (1968), and as "Dr. Zaius" in the Planet of the Apes (1968) series.
Films would never be Evans' strong suit, earning much more stature on TV. More importantly, he brought Shakespeare and Shaw to 1950's TV, adapting (and directing) a number of his stage classics including King Richard II (1954), The Taming of the Shrew (1956), Man and Superman (1956), Twelfth Night (1957), The Tempest (1960). He won an Emmy award in 1960 for his Macbeth (1960).
Interestingly, for all his legendary performances under the theatre lights and stirring TV classics, the ever-regal stage master is probably best known to generations for his delightful, Shakespeare-spouting appearances on the Bewitched (1964) TV series, as Elizabeth Montgomery's irascible warlock father. Following guest shots on such popular TV shows as "Medical Center," "The Big Valley," "Columbo," "Streets of San Francisco," "Fantasy Island" and "The Love Boat," he made his final on-camera appearance in the TV movie A Caribbean Mystery (1983).
Evans returned to England to live out his remaining years and died there on March 12, 1989, in a Sussex nursing home of heart failure as a result of a bronchial infection, aged 87.- Actor
- Producer
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Francis Gress, Jr. was born in Brooklyn, NY. As an infant his father called him "his goo-goo baby" this became Googy. As he was raised in Connecticut - where there is a state law that you must have a stupid nickname - his stuck.
After high school, Googy attended the University of Southern California, where he earned a BFA. He then moved to New York to begin his career. While there he studied with Warren Robertson. He earned his SAG card in 1981 doing a PSA for the Social Security Administration. Soon after he was cast in The Flamingo Kid, he still counts many of the people he met on that film, in particular, Brian McNamara, Matt Dillon, and Fisher Stevens, as some of his dearest friends.
By the mid 80's he had returned to L.A. and he has worked steadily since. A true highlight of his many years in L.A. was doing Apollo 13 as it brought with it one of his most cherished rituals, his Thursday lunches with his "Apollo Girlfriends" - Christian Clemenson, Wayne Duvall, Chris Ellis, Andy Milder, and John Short, all of whom were Mission Control specialists in the film.
Googy is married to the love of his life, the actress and writer, Clarinda Ross, and they live with their three kids, Clara, Frank, and Gus in Los Angeles.- Larger than life, Laughtonesque, and with an eloquent, king-sized appetite for maniacal merriment, a good portion of the work of actor Victor Buono was squandered on hokey villainy on both film and television. Ostensibly perceived as bizarre or demented, seldom did Hollywood give this cultivated cut-up the opportunity to rise above the deliciously hammy arrogance that flowed through so many of his cartoonish characters. He loved to make people laugh and while he could have approached his career with more serious attention, the real money was in his madness. In the end, the actor's chronic weight and accompanying health problems took their toll -- a fatal heart attack at the untimely age of 43 -- and a wonderful actor/writer/poet/chef had exited way before his time.
Born on February 3, 1938 in San Diego, California, the son of Victor Francis Buono and Myrtle Belle (née Keller), his interest in entertainment was originally encouraged by his grandmother, Myrtle Glied (1886-1969), who had once been a vaudevillian on the Orpheum Circuit. It was she who taught Victor how to sing and recite in front of company. His initial choice of career was somewhere in the direction of medicine but the pure joy he experienced from several high school performances (playing everything from Aladdin's evil genie to Hamlet himself) led him to dismiss such sensible thinking and take on the bohemian life style of an actor.
The already hefty-framed hopeful started appearing on local radio and television stations in San Diego. At age 18, he became a member of the Globe Theater Players where he was cast in Shakespeare and the classics ["Volpone", "A Midsummer Night's Dream", "Knight of the Burning Pestle", "The Man Who Came to Dinner", "Witness for the Prosecution", "Henry IV, Part I (as Falstaff)", "As You Like It", "Hamlet" (as Claudius)].
In 1959, a Warner Bros. agent happened to scope out the talent at the Globe Theatre and caught Victor's wonderfully robust portrayal of Falstaff (a role he would return to now and then) and gave him a screen test. Looking older than he was, the studio set upon using Victor in weird and wacky ways, such as his bearded poet Bongo Benny in an episode of 77 Sunset Strip (1958). His wry and witty demeanor, fixed stare, huge girth and goateed mug was guaranteed to put him in nearly every television crime story needing an off-the-wall character or outlandish villain.
Following an unbilled appearance in The Story of Ruth (1960), Victor was intriguingly cast by director Robert Aldrich to play Edwin Flagg, the creepy musical accompanist and opportunist who tries to use one-time child celebrity Bette Davis for his own piggy bank in the gothic horror classic What Ever Happened to Baby Jane? (1962). He held his own beautifully opposite the scenery-chewing Davis and was nominated for a Best Supporting Oscar for his efforts. This role also set the tone for the increasingly deranged characters he would go on to play.
Cast as the title menace in The Strangler (1964), Victor delved wholeheartedly into the sick mind of a mother-obsessed murderer and offered a startling, tense portrayal of a child-like monster who gives new meaning to the art of "necking" with women. Director Aldrich used Victor again (albeit too briefly) for his Southern-baked "Grand Guignol" horror Hush...Hush, Sweet Charlotte (1964) this time as Ms. Davis' crazed father. Victor also showed up in The Greatest Story Ever Told (1965) starring Max von Sydow where he flamboyantly took on the High Priest Sorak role in this epic but criticized retelling of Jesus.
He enhanced a number of lightweight 1960s movies including 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966) and Who's Minding the Mint? (1967) with his clever banter and gleeful menace. The lurid title said it all when Victor gamely took on the horror movie The Mad Butcher (1971) [aka The Strangler of Vienna] wherein he played a former mental patient preying on women again. This deranged low-budget German/Italian co-production added a "Sweeney Todd" meatpie tie in.
Victor's hearty, scene-stealing antics dominated late 1960s television series. Recurring madmen included his Count Carlos Manzeppi on The Wild Wild West (1965) and King Tut who habitually wreaked havoc on Gotham City on Batman (1966). One could always find his unsympathetic presence somewhere on a prime-time channel (Perry Mason (1957), Get Smart (1965), I Spy (1965)) but his roles ended up more campy than challenging. However, one heartfelt, serious portrayal was his portrayal of President William Howard Taft in the epic miniseries Backstairs at the White House (1979). Elsewhere, he recorded a self-effacing comedy album ("Victor Buono: Heavy!") and even wrote comic poetry ("Victor Buono: It Could Be Verse". He was indeed a sought-after raconteur on daytime and nighttime talk shows.
Continuing with the theatre but on a more infrequent basis, his one-man stage shows included "Just We Three", "Remembrance of Things Past" and "This Would I Keep". He also appeared as Pellinore opposite Robert Goulet and Carol Lawrence in a 1975 performance of "Camelot" and earned minor cult status for his memorable performance in the play "Last of the Marx Brothers' Writers" in a return to the Old Globe Theatre in 1977.
The never-married actor felt compelled to conceal his homosexuality. A well-regarded gourmet chef and an expert on Shakespeare, he died of a massive heart attack at his ranch in Apple Valley, California on January 1, 1982. Before his death was announced, Buono had just been cast in the Broadway-bound play "Whodunnit?" by Anthony Shaffer. The show finally arrived in New York without him and almost a year to his death (December 30, 1982). - Actor
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Bill Farmer is an American voice actor from Kansas who is most well known for being the official voice actor of Walt Disney's Goofy since 1987. He also voiced Pluto and Horace Horsecaller in other Disney cartoons, Stinkie in the Casper films, Sam from Sam & Max: Hit the Road, Otis in Son of the Mask and Sylvester, Foghorn Leghorn and Yosemite Sam in Space Jam.- Actor
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George Robert Wendt III was born and raised in Chicago to Loretta Mary (Howard) and George Robert Wendt II, who was a realtor and navy officer. He attended a strict Jesuit prep school, Rockhurst College (Kansas City, Missouri). He later dropped out of Notre Dame University after a few uneventful years. He worked with Chicago's famed Second City comedy troupe from 1974-1980. He is best known for playing Norm Peterson on the hit television series, Cheers (1982). He is married to actress Bernadette Birkett, who provided the rare offscreen voice of Norm's unseen wife, Vera. The couple have two sons and a daughter. They met while working at the Second City.- Actor
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2022 brings John back to the set of The Marvelous Ms. Maisel to return to his role as 'Nicky' a humble working class gangster for which he as bestowed a 2018 SAG Award for Best Comedy Ensemble. The last two years have been spent mostly in his cottage in Woodstock, New York with his two cats and new wife and an abundance of wildlife as neighbors. Inspired by " Painting with John' on HBO, this John has been learning the art of watercolor and recommends it to all. He also raises much needed funds for The Woodstock Farm animal Sanctuary, the Ulster County SPCA as well as The Wild Bird fund in NYC. All amazing places so give if you can! Nicky Says!- Joe Bays was born on 29 September 1955 in Pahrump, Nevada, USA. He is an actor, known for Spider-Man 3 (2007), Office Space (1999) and Little Giants (1994).
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From February 2014 Dakin is taking on the iconic role of Mickey, the grizzled no-mercy trainer in ROCKY, THE MUSICAL at Broadway's Winter Gardens Theatre. This role was originally played by veteran screen actor Burgess Meredith in the original 1976 movie and he received an Academy award nomination for his achievement.- Actor
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Peter Ustinov was a two-time Academy Award-winning film actor, director, writer, journalist and raconteur. He wrote and directed many acclaimed stage plays and led numerous international theatrical productions.
He was born Peter Alexander Freiherr von Ustinow on April 16, 1921 in Swiss Cottage, London, the son of Nadezhda Leontievna (née Benois) and Jona Freiherr von Ustinow. His father was of one-quarter Polish Jewish, one-half Russian, one-eighth Ethiopian, and one-eighth German descent, while his mother was of one-half Russian, one-quarter Italian, one-eighth French, and one-eighth German ancestry. Ustinov had ancestral connections to Russian nobility as well as to the Ethiopian Royal Family. His father, also known as "Klop Ustinov", was a pilot in the German Air Force during World War I. In 1919, Jona Freiherr von Ustinow joined his own mother and sister in St Petersburg, Russia, where he met his future wife, artist Nadia Benois, who worked for the Imperial Mariinsky Ballet and Opera House in St Petersburg.
In 1920, in a modest and discreet ceremony at a Russian-German church in St Petersburg, Ustinov's father married Nadia. In February 1921, when she was seven months pregnant with Peter, the couple emigrated from Russia in the aftermath of the Communist Revolution. Young Peter was brought up in a multilingual family. He was fluent in Russian, French, Italian and German, as well as English. He attended Westminster College (1934-37), took the drama and acting class under Michel St Denis at the London Theatre Studio (1937-39), and made his stage debut in 1938 at the Stage Theatre Club in Surrey. He wrote his first play at the age of 19. In 1939, he made his London stage debut in a revue sketch, then had regular performances with the Aylesbury Repertory Company. The following year, he made his film debut in Hullo, Fame! (1940).
From 1942-46, Ustinov served with the British Army's Royal Sussex Regiment. He was batman for David Niven, and the two became lifelong friends. Ustinov spent most of his service working with the Army Cinema Unit, where he was involved in making recruitment films, wrote plays and appeared in three films as an actor. At that time he co-wrote and acted in The Way Ahead (1944) (aka "The Immortal Battalion").
Ustinov had a stellar film career as actor, director, and writer. Among his numerous screen acting gems were his unparalleled, Academy Award-nominated interpretation of Nero in Quo Vadis (1951) and roles in Max Ophüls's masterpiece Lola Montès (1955), Barefoot in Athens (1966), The Comedians (1967), Robin Hood (1973) and Logan's Run (1976). He also wrote and directed such brilliant films as Billy Budd (1962), Lady L (1965) and Memed My Hawk (1984). He was awarded two Oscars for Best Supporting Actor, one for his role in Spartacus (1960) and one for his role in Topkapi (1964), and received two more Oscar nominations as an actor and writer. His career slowed down a bit in the 1970s, but made a comeback as Hercule Poirot in Death on the Nile (1978) by director John Guillermin. In the 1980s, Ustinov recreated Poirot in several subsequent television movies and theatrical films, including Evil Under the Sun (1982) and Appointment with Death (1988), while his cinema work in the 1990s also includes his superb performance as Professor Gus Nikolais in George Miller's excellent dramatic film, Lorenzo's Oil (1992), a character partially inspired by Hugo Wolfgang Moser, a research scientist who had been director of the Neurogenetics Research Center at the Kennedy Krieger Institute and Professor of Neurology and Pediatrics at Johns Hopkins University.
His expertise in dialectic and physical comedy made him a regular guest of talk show hosts and late-night comedians. His witty and multidimensional humor was legendary, and he later published a collection of his jokes and quotations summarizing his wide popularity as a raconteur. He was also an internationally acclaimed TV journalist. Ustinov covered over 100,000 miles and visited more than 30 Russian cities during the making of his well-received BBC television series Russia (1986).
In his autobiographies, "Dear Me" (1977) and "My Russia" (1996), Ustinov revealed his observations on his life, career, and his multicultural and multi-ethnic background. He wrote and directed numerous stage plays, successfully presenting them in several countries. His drama, "Photo Finish", was staged in New York, London and St. Petersburg, Russia, where Ustinov directed the acclaimed production, starring Elena Solovey and Petr Shelokhonov. Ustinov also served as a Goodwill Ambassador for UNICEF and a president of WFM, a global citizens movement. Ustinov served as Rector of Dundee University for six years. He was awarded the Benjamin Franklin Medal from the Royal Society of Arts in 1957 and was knighted in 1990.
From 1971 until his death in 2004, Ustinov's permanent residence was a château in Bursins, Vaud, Switzerland. He died of heart failure on March 28, 2004, in a clinic in Genolier, also in Vaud. His funeral service was held at Geneva's historic Cathedral of St. Pierre, and he was laid to rest in the village cemetery of Bursins. He was survived by three daughters (Tamara, Pavla, and Andrea) and one son (Igor). His epitaph may be gleaned from his comment, "I am an international citizen conceived in Russia, born in England, working in Hollywood, living in Switzerland, and touring the World".- Actor
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Alan Shearman was born on 15 January 1947 in the USA. He is an actor and writer, known for Rise of the Planet of the Apes (2011), Bullshot Crummond (1983) and Zack Snyder's Justice League (2021).- Actor
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Erwin Steinhauer was born on 19 September 1951 in Vienna, Austria. He is an actor and writer, known for Brüder (2002), Brüder III - Auf dem Jakobsweg (2006) and Thank You for Bombing (2015).- Mark Voland was born on 25 June 1952 in North Hollywood, California, USA. He was an actor, known for Hill Street Blues (1981), The Rousters (1983) and E/R (1984). He died on 13 January 2010 in Ventura, California, USA.
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Gérard Jugnot was born on 4 May 1951 in Paris, France. He is an actor and writer, known for The Chorus (2004), Scout toujours... (1985) and Une époque formidable... (1991).- Pierre Doris was born on 29 October 1919 in Paris, France. He was an actor, known for San-Antonio ne pense qu'à ça (1981), Au théâtre ce soir (1966) and Les samedis de l'histoire (1977). He died on 27 October 2009 in Paris, France.
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Philippe Noiret was one of French cinema's most familiar faces who appeared in more than 140 films in a career that spanned more than half a century.
He was born on October 1, 1930, in Lille, Nord, France, into a middle class family of shopkeepers. His father was fond of literature. Young Noiret attended the College Janson-of-Sally in the 16th arrondissement in Paris. At school, he was more interested in acting than in academics; he failed to pass his baccalaureate exams three times and left school without graduation. He studied acting at the Centre Dramatique de l'Ouest (Western Drama Theatre). There, in 1950, Noiret made his debut sharing the stage with Gérard Philipe under directorship of Roger Blin . From 1953-1960 Noiret was a permanent member of the troupe with the Théâtre National Populaire (TNP) in Paris. There he played over 40 roles in seven years under directorship of Jean Vilar. While there he met actress Monique Chaumette, whom he married in 1962, and they had one daughter, Frederique. At that time Noiret continued his acting career as a stand-up comedian and a night club entertainer.
Noiret made his big screen debut playing bit part in Gigi (1949), then earned his first on-screen credit in Agence matrimoniale (1952). He landed his first leading role as Lui, a government inspector, in the French New Wave film La Pointe Courte (1955) by notable female director Agnès Varda. His first big success came in 1960 with Louis Malle 's film Zazie in the Metro (1960) (aka.. Zazie in the Metro). In 1968 he became a star in France with the title role in Very Happy Alexander (1968). After that success, Noiret moved on with his acting career and devoted himself almost entirely to the big screen. Noiret's trademark hangdog face and his range allowed him to portray a middle-class man or an aristocrat, but not a handsome romantic hero, so he was cast primarily as the Everyman character. In The Big Feast (1973), an allegoric film about sex orgy and suicide by overeating, which caused a scandal at Cannes in 1973, Noiret co-starred in a controversial role as suicidal judge Philippe, alongside Marcello Mastroianni.
Philippe Noiret shot to international fame with the supporting role as Alfredo, an old man who is a small town projectionist who befriends and inspires a young boy, in Cinema Paradiso (1988). He received international acclaim for his portrayal of the exiled Chilean poet Pablo Neruda in The Postman (1994) by director Michael Radford. Noiret won two Cesar Awards (the French equivalent of the Oscars) and earned three more Cesar nominations. In 1976 he won his first Cesar for his exceptional performance as Julien Dandieu, a surgeon who kills the Nazis in revenge for the death of his wife and daughter, in The Old Gun (1975) (aka.. The Old Gun). Noiret won his second Cesar for the leading role as Major Delaplane in Life and Nothing But (1989) (aka.. Life and Nothing But) in 1990. Over the years, Noiret worked with all of the France's top directors. He also made excellent radio performances and popular books readings, which he narrated with his serious voice and impeccable diction. He was decorated with the Knight of the Legion of Honor.
Philippe Noiret was also known as an elegant hedonist and an avid dog lover. His other interests outside of the acting profession included art, horses, gourmet cuisine and cigars. For about 30 years he resided in his country house in the wine country near Carcassonne, in the South of France, where he generously supported the local causes. Noiret died of generalized complications of cancer on November 23, 2006, in a hospital, in Paris, and was laid to rest in Cimetière du Monparnasse in Paris, France.- Actor
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Rodney Stephen Steiger was born in Westhampton, New York, to Augusta Amelia (Driver) and Frederick Jacob Steiger, both vaudevillians. He was of German and Austrian ancestry. After his parents' divorce, Steiger was raised by his mother in Newark, New Jersey. He dropped out of Westside High school at age 16 and joined the Navy. He saw action in the Pacific on a destroyer. Steiger returned to New Jersey after the war and worked for the VA. He was part of an amateur acting group, and then joined the Actors' Studio using his GI Bill benefits.
Steiger received his first film roles in the early 1950s. His first major one was in Teresa (1951), but his first lead role was in the TV version of Marty (1953). The movie version, however, had Ernest Borgnine in the lead and won him an Academy Award. Steiger's breakthrough role came in 1954, with the classic On the Waterfront (1954). Since then he has been a presence on the screen as everything from a popular leading man to a little-known character actor. Steiger made a name for himself in many different types of roles, from a crooked promoter in The Harder They Fall (1956) to the title character in Al Capone (1959). He was one of dozens of stars in the epic World War II film The Longest Day (1962). In 1964, he received his second Oscar nomination for The Pawnbroker (1964). The next couple of years he was at the height of his powers. In 1965, he starred in the dark comedy The Loved One (1965), and in David Lean's epic Doctor Zhivago (1965). In 1966, he starred in the BBC Play of the Month (1965) episode "Death of a Salesman" as Willy Loman in the TV version of his stage play "Death of a Salesman," but in 1967, he landed what many consider his greatest role: Sheriff Bill Gillespie in In the Heat of the Night (1967), opposite Sidney Poitier. Steiger deservedly took home the Best Actor Oscar for his work in that film.
He took another controversial role as a man with many tattoos in The Illustrated Man (1969) and as a serial killer in the classic No Way to Treat a Lady (1968). After that, he seemed to have withdrawn from high-profile movies and became more selective in the roles he chose. He turned down the lead in Patton (1970) and also in The Godfather (1972). Among his more notable roles in the 1970s are Happy Birthday, Wanda June (1971), Lolly-Madonna XXX (1973), as Benito Mussolini in The Last 4 Days (1974), Portrait of a Hitman (1979), Jesus of Nazareth (1977), F.I.S.T. (1978) and The Amityville Horror (1979). He starred in the critically acclaimed The Chosen (1981) with Robby Benson and Maximilian Schell, perhaps the highlight of his 1980s movie career. Steiger increasingly moved away from the big Hollywood pictures, instead taking roles in foreign productions and independent movies. As the 1980s ended, Steiger landed a role as the buttoned-up New York City Chief of Police in The January Man (1989).
Steiger was seriously affected by depression for 8 years. As he returned to the screen in the late 1990s he began creating some of his most memorable roles. He was the doctor in the independently-made movie Shiloh (1996), about an abused dog. He was the crazed, kill-'em-all army general in Mars Attacks! (1996) who always called his enemies peace-mongers. He took a small part as a Supreme Court judge in The Hurricane (1999) and as a preacher in the badly produced film End of Days (1999). He was still active in films moving into the new millennium.- Actor
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Gene Lockhart was born on July 18, 1891, in London, Ontario, Canada, the son of John Coates Lockhart and Ellen Mary (Delany) Lockhart. His father had studied singing and young Gene displayed an early interest in drama and music. Shortly after the 7-year-old danced a Highland fling in a concert given by the 48th Highlanders' Regimental Band, his father joined the band as a Scottish tenor. The Lockhart family accompanied the band to England. While his father toured, Gene studied at the Brompton Oratory School in London. When they returned to Canada, Gene began singing in concert, often on the same program with Beatrice Lillie. His mother encouraged his career, urging him to try for a part on Broadway. Lockhart went to America. At 25, he got a part in a New York play in September, 1917, as Gustave in Klaw and Erlanger's musical "The Riviera Girl." Between acting engagements, he wrote for the stage. His first production was "The Pierrot Players" for which he wrote both book and lyrics and played. It toured Canada in 1919 and introduced "The World Is Waiting for the Sunrise" (words by Lockhart, music by Ernest Seitz), which became a very popular ballad.. "Heigh-Ho" (1920) followed, a musical fantasy with score by Deems Taylor and book and lyrics by Lockhart. It had a short run (again, with him in the cast). Lockhart's first real break as a dramatic actor came in the supporting role of Bud, a mountaineer moonshiner, in Lula Vollmer's Sun Up (1939). This was an American folk play, first presented by The Players, a theatrical club, in a Greenwich Village little theater in 1923. After great notices it moved to a larger house for a two-year run. During this engagement, in 1924 at the age of 33, Lockhart married Kathleen Lockhart (aka Kathleen Arthur), an English actress and musician. Gene meanwhile also appeared in a series of performances presented by The Players in New York theaters: as Gregoire in "The Little Father of the Wilderness"; as Waitwell in "The Way of the World," as Gumption Cute in "Uncle Tom's Cabin", and as Faust in "Mephisto." The Lockharts' daughter, June Lockhart, was born in 1925. She would eventually appear regularly in the television series Lassie (1954) and Lost in Space (1965). In 1933, Gene and Kathleen were featured in "Sunday Night at Nine," a radio program presented at New York's Barbizon-Plaza Hotel. Meanwhile, Lockhart was keeping busy writing articles for theatrical magazines and a weekly column for a Canadian publication, coaching members of New York's Junior League in dramatics, lecturing on dramatic technique at the Julliard School of Music, and directing a revival of "The Warrior's Husband"--a formidable schedule. It amused him as he said that, "in spite of [the amount of work in a typical day] I don't get thin." Lockhart had by this time taken on the appearance that audiences would see again and again in films--short and plump with a chubby, jowly face and twinkling blue eyes. In 1933, he played Uncle Sid in the Theatre Guild's production of Eugene O'Neill's comedy "Ah, Wilderness!" co-starring George M. Cohan. This was the role that was to bring Lockhart stardom and lead to a contract with RKO Pictures and his first film, By Your Leave (1934). O'Neill wrote to Lockhart: "Every time your Sid has come in for dinner I've wanted to burst into song, and every time you've come down from that nap I've felt the cold gray ghost of an old heebie-jeebie." The acclaim for his acting in "Ah, Wilderness!" allowed Lockhart to proceed to Hollywood and remain there almost without interruption. However, he was back on Broadway in December, 1949, when he took over the part of Willy Loman in the New York production of "Death of a Salesman." Lockhart appeared in over 125 films. Though he often played upright doctors, judges and businessmen, and was in real life described as an amiable and gentle soul, Lockhart is perhaps best remembered on film as a villain who usually ends up cowering in a corner whimpering pitifully before getting his just desserts, a scene he played to the hilt in such movies as Algiers (1938) (for which he was nominated for an Oscar), Blackmail (1939), Geronimo (1939), Northern Pursuit (1943), and Hangmen Also Die! (1943). Late on Saturday, March 30, 1957, Lockhart suffered a heart attack while sleeping in his apartment at 10439 Ashton Avenue in West Los Angeles. He was taken to St. John's Hospital and died on Sunday afternoon, March 31. He is buried in Holy Cross Cemetery.- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.- F. William Parker was born on 13 December 1941 in the USA. He is an actor, known for Lost Highway (1997), Revenge of the Nerds (1984) and He Said, She Said (1991).
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Nigel was, from the beginning, typecast as bumbling English aristocrats, military types or drawing room society snobs and, within the narrow parameters of his range, he was very, very good at playing these parts. Nigel Bruce was born in Mexico, where his father, Sir William W. Bruce, worked as an engineer. His family was part of English aristocracy, ever since Charles I. bestowed a baronetcy upon them in 1629 (William's older brother Michael held the hereditary title). Nigel was educated in England at Grange, Stevenage and Abingdon. His first job was at a stockbroker's firm. During World War I, he served in the British Army (like his future co-star, Basil Rathbone) where he received a serious leg wound and was for some time confined to a wheelchair.
Following his discharge, he turned to acting in 1919, but it wasn't until ten years later that he achieved a breakthrough in Noël Coward's 'This was a Man' on Broadway. Then followed the performance which was to set the standard for all his later work in Hollywood: the 1931 comedy "Springtime for Henry". On the strength of his performance as Johnny Jelliwell, Fox offered Nigel the opportunity to reprise his role in the 1934 movie. Soon after that, Nigel was cast to star as British detective Bertram Lynch in a minor thriller, Murder in Trinidad (1934). The contemporary New York Times Review (May 16,1934) was skeptical about the film's merit, but found Nigel's performance 'compelling'. After that followed a gallery of endearingly stereotypical 'Britishers': Squire Trelawny in Robert Louis Stevenson's classic Treasure Island (1934), the Prince of Wales in The Scarlet Pimpernel (1934), Professor Holly in She (1935) and Sir Benjamin Warrenton in The Charge of the Light Brigade (1936). All, without exception, were roles in which Nigel felt perfectly at home.
In 1939, he teamed up with Basil Rathbone for the first two Holmes/Watson movies, The Hound of the Baskervilles (1939) and The Adventures of Sherlock Holmes (1939), filmed at 20th Century Fox. Both films had an authentic period feel for Victorian England and the chemistry between the two stars was just right. Three years later, Rathbone was contractually obliged to make a further series of twelve Holmes pictures at Universal, again co-starring Nigel as Dr. Watson. Nigel portrayed his lovable self in two Hitchcock classics Rebecca (1940) (as Major Giles Lacy) and Suspicion (1941) (as 'Beaky').
A prominent member of the resident English colony in Hollywood, Nigel Bruce at one time captained the cricket club established by fellow actor and compatriot C. Aubrey Smith in 1932 (other members included P.G. Wodehouse, Boris Karloff, Ronald Colman and David Niven).- Peter Gerety was born on 17 May 1940 in Providence, Rhode Island, USA. He is an actor, known for Flight (2012), Charlie Wilson's War (2007) and Public Enemies (2009). He has been married to Natalie Burton since 27 November 2000.
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The son of the great character actor (and Errol Flynn sidekick) Alan Hale, Alan Hale Jr. (he dropped the Jr. after his father passed away) was literally born into the movies. Hale did his first movie as a baby and continued to act until his death. Unlike other child actors, Hale made a smooth transition in the movies and starred in several classics like Up Periscope (1959), The Lady Takes a Flyer (1958) and The West Point Story (1950), as well as many westerns. He did many television guest appearances as well before getting his role as Skipper Jonas Grumby on the cult comedy Gilligan's Island (1964). After the sitcom went off the air, Hale continued to act and even teamed up with Gilligan co-star Bob Denver in The Good Guys (1968), a CBS-TV comedy that lasted only two years. After that ended, Hale keep busy acting in guest appearances and maintained his business interests which included a restaurant and travel agency. On January 2, 1990, Alan Hale Jr. died at age 68 of thymus cancer at St. Vincent Medical Center (SVMC) in Los Angeles, California. Upon his death, his remains were cremated and his ashes were scattered into the Pacific Ocean.- Actor
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Tall, portly Viennese character actor Walter Slezak simultaneously pursued two different careers after his arrival in America in 1930: one, as a star of musical comedy on the stage, and another, as a portrayer of villains, impish rogues or pompous buffoons on screen.
Walter was born in May 1902 in Vienna, Austria, to a musical family, the son of Elisabeth (Wertheim) and famous opera star Leo Slezak. He had Czech, Austrian, and Jewish ancestry. Walter studied medicine but quickly lost interest. For a while, he held a position working in a bank. At the age of twenty, he was spotted in a beer garden by the Hungarian actor/director Mihaly Kertesz (Michael Curtiz) and persuaded to appear in his motion picture Sodom and Gomorrah (1922). Subsequently, the then rather lean Walter Slezak was signed by Ufa and became a matinee idol in German films of the 1920s. Always somewhat too fond of the culinary arts, Slezak over the years put on so much weight that, by the end of the decade, he was no longer considered bankable as a romantic star and became relegated to playing character roles instead.
In 1930, Slezak emigrated to the United States and instantly hit it off with public and critics alike in his Broadway debut with the musical comedy 'Meet My Sister' (1930-31). Though publicly modest about his vocal abilities, Slezak gained further plaudits for his role in the Oscar Hammerstein II production, 'Music in the Air' (1932-33), scored by Jerome Kern. By the 1950s, Slezak had become an established name on Broadway, star of shows like 'My 3 Angels' (1953-54), written by Sam and Bella Spewack and directed by José Ferrer; the hit comedy 'The Gazebo' (1958-59), in which he starred as Elliott Nash, opposite Jayne Meadows (filmed afterwards at MGM, with Glenn Ford and Debbie Reynolds in the lead roles); and his greatest success, as the likable curmudgeon Panisse in the musical production of Marcel Pagnol's 'Fanny', directed by Joshua Logan. For this role, he won the 1955 Tony Award as Best Actor in a Musical. 'Fanny' chalked up an impressive run of 888 performances between 1954 and 1956. In 1959, Slezak fulfilled his dream of emulating his father by singing the part of Zsupan in 'The Gypsy Baron' at the Metropolitan Opera.
In motion pictures, Walter Slezak's career took quite a different path. He started in films in 1942, and just two years later, walked away with most of the acting honours for Alfred Hitchcock's claustrophobic thriller Lifeboat (1944). In it, he gave a compelling performance as the callous, methodical Nazi captain, who gradually assumes command of the vessel containing the survivors of the passenger ship torpedoed and sunk by his U-boat. Film critic Bosley Crowther, who had already been impressed with Slezak's previous performance as a Nazi agent in Once Upon a Honeymoon (1942), commented "Nor is he an altogether repulsive or invidious type. As Walter Slezak plays him, he is tricky and sometimes brutal, yes, but he is practical, ingenious and basically courageous in his lonely resolve. Some of his careful deceptions would be regarded as smart and heroic if they came from an American in the same spot" (New York Times, Jan.13 1944). The perceived incongruity of the enemy being portrayed with any sympathy whatever, resulted in criticism from other quarters for both the film and its director.
After 'Lifeboat', the ebullient Slezak appeared in a variety of lavish and colourful costume spectaculars: as a flamboyant pirate in the Bob Hope comedy The Princess and the Pirate (1944); as the reprehensible governor Don Alvarado, wooing Maureen O'Hara in the swashbuckler The Spanish Main (1945); and as yet another Spaniard, the boorish Don Pedro Vargas, having similar designs on Judy Garland in the MGM musical The Pirate (1948). He was also memorably evil as Sinbad's treacherous barber Melik in Sinbad, the Sailor (1947), the corrupt gumshoe Arnett in Robert Wise's gangster melodrama Born to Kill (1947), and as the scheming medicine-show man in The Inspector General (1949), starring Danny Kaye. (1949). He was again integral to the plot of Come September (1961), as enterprising major domo to Rock Hudson who secretly runs his employer's luxury villa as a hotel for eleven months of the year. Bosley Crowther described his comic performance as 'perfect'. Slezak further parodied his bad guy image in 'The Clock King' on TV's Batman (1966), then mellowed into the part of sagacious book dealer Strossel in The Wonderful World of the Brothers Grimm (1962) and the amiable Squire Trelawney in the 1972 version of 'Treasure Island'.
In his private life, Walter Slezak was known as an experienced pilot, a connoisseur of art, lover of chess and good books. His long career as one of the outstanding character players of his time ended with his retirement in 1980. Despondent over a series of debilitating medical problems, Slezak took his own life in April 1983.- Actor
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Don DeFore toured the country in stock companies for several years before making his Broadway debut in 1938. In films since 1941, he occasionally played leads in B pictures, but was more often cast as the good-natured buddy of the hero or a likable but gullible character whom the hero has to bail out of trouble. DeFore found much more success on television, and was a regular in the hit series Hazel (1961) and The Adventures of Ozzie and Harriet (1952).- Lou Jacobi was born on 28 December 1913 in Toronto, Ontario, Canada. He was an actor, known for I.Q. (1994), Irma la Douce (1963) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). He was married to Ruth Ludwin. He died on 23 October 2009 in Manhattan, New York City, New York, USA.
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George Dzundza was born on 19 July 1945 in Rosenheim, Bavaria, Germany. He is an actor and assistant director, known for Crimson Tide (1995), Basic Instinct (1992) and The Deer Hunter (1978). He has been married to Mary Jo Vermeulen since 1982. They have three children.- Gary Basaraba was raised in Vancouver, British Columbia. He entered the Yale School of Drama at age 20. As a graduate of the Class of 1982, he began his film career immediately working for Louis Malle in Alamo Bay (1985). The list of directors that have chosen him to bring their films to life includes Martin Scorsese, Louis Malle, Karel Reisz, Adrian Lyne, Tony Scott, Alan Rudolph, Errol Morris, and many others. He has appeared in all genres of film and television, from cutting edge art films such as The Last Temptation of Christ (1988), to beloved classics such as Fried Green Tomatoes (1991), and, the popular animated series of Smurf films. Having starred in several television series, including the Peabody Award-winning Boomtown (2002), and appearing in many Emmy winning series such as Homicide: Life on the Street (1993) and Mad Men (2007), as a recurring guest star, he maintains a reputation as a fine actor with an unusual range from Everyman to every man's worst nightmare.
He remains a Canadian citizen, but has enjoyed a career primarily in the United Sates having resided in New York City and Los Angeles for over 30 years. - Actor
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Best remembered as 'M' in the James Bond films, Bernard Lee was a popular character player in British films throughout the 1950s and 1960s. Born into a theatrical family, he made his stage debut at age six and later attended the Royal Academy of Dramatic Art. He first appeared on the West End stage in London in 1928, and continued to work in the theatre during the 1930s, taking only occasional film roles.
It was only after World War II that he concentrated his efforts on the cinema, and was much in demand in British films of the 1950s as friendly authority figures, including army sergeants, police detectives or navy officers. Detectives became a particular specialty, and he played this role in more than a dozen films, including The Blue Lamp (1950), Beat the Devil (1953) and The Detective (1954). In the early 1960s, he also made regular appearances as police detectives in the The Edgar Wallace Mystery Theatre (1959) second feature series, usually as "Inspector Meredith". He also made memorable appearances in The Third Man (1949), Operation Disaster (1950), Glory at Sea (1952), Pursuit of the Graf Spee (1956), Dunkirk (1958) and Whistle Down the Wind (1961).
He was effectively cast against type in only two films, as the union agitator in The Angry Silence (1960), and as a disgruntled civil servant who becomes a spy for the Russians in Ring of Treason (1964).
In 1962, he made his first appearance as the head of the British secret service in the first James Bond film, Dr. No (1962). He went on to be featured in the next ten films in the series, appearing with Sean Connery, George Lazenby and, later, Roger Moore as Bond, and will probably be considered the definitive "M" by more than one generation of Bond fans.- Actor
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Simon Russell Beale is one of the most popular and critically acclaimed talents in British theatre.
He spent his early years abroad as his father was Surgeon General to the British Army (his mother is also a doctor), but aged 8 was relocated to England and became a pupil at St Paul's Cathedral School. He then attended Clifton College in Bristol on a choral scholarship before studying English at the University of Cambridge (also on a music scholarship). He began a course at the Guildhall School of Music and Drama, initially as a singer, later switching to acting, but left unsatisfied. He was spotted in a student play at the Edinburgh Festival, which led to starting a professional acting career.
He was first noticed in comic roles at the Royal Shakespeare Company, where he forged collaborations with Sam Mendes whom he has continued to work with. Since 1995 he has been a regular player at the National Theatre.
Beale is an associate of the National Theatre and the Almeida Theatre in London, and an associate artist at the RSC.- Actor
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Gale Gordon was born on 20 February 1906 in New York City, New York, USA. He was an actor, known for Our Miss Brooks (1952), Here's Lucy (1968) and The 'Burbs (1989). He was married to Virginia Gordon. He died on 30 June 1995 in Escondido, California, USA.- Actor
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Christopher Hewett was born on 5 April 1921 in Worthing, Sussex, England, UK. He was an actor, known for The Producers (1967), Mr. Belvedere (1985) and Fantasy Island (1977). He died on 3 August 2001 in Los Angeles, California, USA.- Jack McGee was born on 2 February 1949 in The Bronx, New York City, New York, USA. He is an actor, known for The Fighter (2010), Gangster Squad (2013) and Moneyball (2011). He has been married to Stephanie since 19 August 1996.
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William G. Schilling was born on 30 August 1939 in Philadelphia, Pennsylvania, USA. He was an actor, known for Space Jam (1996), Ruthless People (1986) and In the Line of Fire (1993). He died on 28 February 2019 in Riverside, California, USA.- Actor
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The son of a country chemist, the British actor Donald Sinden intended to pursue a career in architecture but was spotted in an amateur theatrical production and asked to join a company that entertained the troops during World War II (Sinden was rejected for naval service because of asthma). Following a brief training at drama school, he established himself in theater, particularly as a Shakespearean actor. Having made his film debut in The Cruel Sea (1953), Sinden became a leading man in British films during the 1950s and then moved onto character roles later in his career. While his film appearances became less frequent, he worked steadily in theater (with the Royal Shakespeare Company, primarily) and in television, notably as the unperturbable butler in Two's Company (1975) and as a miserable in-law in Never the Twain (1981).- Matt Briggs was born on 18 November 1883 in Brooklyn, New York, USA. He was an actor, known for The Ox-Bow Incident (1942), Buffalo Bill (1944) and The Babe Ruth Story (1948). He died on 10 June 1962 in Seattle, Washington, USA.
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Born in Copenhagen, Denmark, in 1890, Lauritz Melchior was a prominent opera singer who was a latecomer to the silver screen. From the 1920s through the 1940s, he was a leading opera singer across Europe. From 1924-1939, he excelled in Wagnerian roles in Covent Garden at the Royal Opera House in London. He also sang with the Chicago Opera and the San Francisco Opera, both from 1934-1945. During his long career, he sang in most of the concert halls of Europe and the Americas.
But, Melchior was most famously known for his performances as a member of the Metropolitan Opera of New York from 1926-1950. He was a recording artist as well, and he appeared and sang on television and radio. Late in his career, he appeared in five Hollywood films. His wide voice range from baritone to tenor made him ideal for musicals of the early mid-20th century that combined operatic songs with popular tunes.
Melchior had a good command of the English language and an adroit sense of humor. So, he was well suited and well liked in the American films, and TV and radio shows in which he sang and acted late in his career. He became a U.S. citizen in 1947 and died at age 82 on March 18, 1973, in Santa Monica, California.- Actor
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Making his stage debut at age 16, John Alexander joined a Shakespearean repertory company and in 1917 appeared on Broadway in "The Merchant of Venice." Although he played many parts on both stage and in films, his best known role was that of the crazed Teddy Brewster--the son who thinks he's Theodore Roosevelt - in Arsenic and Old Lace (1944), a part he played both on stage and in the movie.- Actor
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He was honored twice off-Broadway with Distinguished Performance OBIE Award, first in 1960 for "Machinal" and again in 1969 for "Passing Through From Exotic Places." In 1972 he won a Tony Award for Best Featured Actor in a play for "Prisoner on 2nd Avenue." In 1979 he was nominated for Best Actor in a musical for "Ballroom." Gardenia was twice nominated with an Academy Award for Best Supporting Actor, first in 1974 "Bang the Drum Slowly" and again in 1988 for "Moonstruck." He won an Emmy Award in 1990 for Best Supporting Actor in a movie made for television, "Age Old Friends." In 1988 he was honored to be named the Grand Marshal of the Columbus Day Parade in New York City.- Ronald Long was born on 30 January 1911 in London, England, UK. He was an actor, known for The Time Tunnel (1966), The Man from U.N.C.L.E. (1964) and Play of the Week (1959). He died on 23 October 1986 in Burbank, California, USA.
- Lawrence Fletcher was born on 5 March 1902 in Carlton, Ohio, USA. He was an actor, known for Lux Video Theatre (1950), The Motorola Television Hour (1953) and The Ford Theatre Hour (1948). He died on 11 February 1970 in Bridgeport, Connecticut, USA.
- Charles Watts was born on 30 October 1912 in Clarksville, Tennessee, USA. He was an actor, known for An Affair to Remember (1957), Giant (1956) and Lover Come Back (1961). He died on 13 December 1966 in Nashville, Tennessee, USA.
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Veteran character player Roy Roberts proudly claimed over 900 performances in a 40-year career. He might not have been known necessarily by name, but the face was distinct and obviously familiar. The prototype of the steely executive, the no-nonsense mayor, the assured banker, the stentorian leader, Roberts looked out of place without his patented dark suit and power tie. His silvery hair, perfectly trimmed mustache, nonplussed reactions and take-charge demeanor reminded one of the "Mr. Monopoly" character from the classic board game.
Roberts was born Roy Barnes Jones on March 19, 1906, in Tampa, Florida, the youngest of six children. The year 1900 is given as his birth date in several reference books, which seems compatible with his noticeably aged appearance in the last decade or so of his life, but his final resting stone bears the year 1906. His early career was on the Broadway stage, gracing such plays as "Old Man Murphy" (1931), "Twentieth Century" (1932), "The Body Beautiful" (1935) and "My Sister Eileen" (1942). In 1943 he made a successful switch to films, debuting as a Marine officer in Guadalcanal Diary (1943). Usually billed around tenth in the credits, he played a reliable succession of stalwart roles (captains, generals, politicians, sheriffs, judges, et al.). He was also a semi-standard presence in film noir, appearing in such classics as Force of Evil (1948), He Walked by Night (1948) and The Enforcer (1951) as both good cop and occasional heavy.
When Roberts made the move to TV he began to include more work in comedies. The 1950s and 1960s would prove him to be a most capable foil to a number of prime sitcom stars, including Gale Storm and Lucille Ball. His patented gruff and exasperated executives often displayed their prestige by the mere use of initials, such as "W.W." and "E.J." While he never landed the one role on film or TV that could have led to top character stardom, he nevertheless remained a solid and enjoyable presence, a character player who added stature no matter how far down the credits list.
A stocky man for most his life, Roberts gained considerable girth in the late 1960s, which made his characters even more imposing. He died of a heart attack on May 28, 1975, in Los Angeles and was buried in Fort Worth, Texas. He was survived by his wife, actress Lillian Moore.- Actor
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Laurie Main was born on 29 November 1922 in Melbourne, Victoria, Australia. He was an actor, known for The Great Mouse Detective (1986), Time After Time (1979) and Robin Hood: Men in Tights (1993). He died on 8 February 2012 in Los Angeles, California, USA.- Actor
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Larry D. Mann was born on 18 December 1922 in Toronto, Ontario, Canada. He was an actor, known for The Sting (1973), In the Heat of the Night (1967) and Rudolph the Red-Nosed Reindeer (1964). He was married to Gloria Kochberg. He died on 6 January 2014 in Los Angeles, California, USA.- In the 1930s, 1940s, and especially the 1950s, if a director wanted a short, fat actor to play a windy storekeeper or a raucous conventioneer, he might well cast Dick Elliott. He was one of those actors who, whenever he appeared on screen, often for less than a minute, the audience would think, "Oh, it's that guy." Yet few would ever know his name.
Elliott was certainly short, probably not much more than five foot four. And he was certainly fat. His belly was large and round, so he looked a bit like a huge ball with arms and legs. One imagined him soft and pink, and always happy. A Hobbit, perhaps. Santa Claus without the whiskers. And like another short, fat actor, Eugene Pallette, Elliott had a distinctive voice. Not the bullfrog basso that rumbled out of Pallette's gullet, but higher-pitched, whiny, or honey-smooth as the role demanded, with an "sh" in place of a lot of "s" sounds.
Elliott appeared in over 240 films. He was most often cast as judges, mayors, newspaper reporters, policemen, and blowhards, usually one who can't stop talking except when he'd burst into a loud laugh that bordered on a cackle.
As was the case with many character actors who never became featured players, not much record remains of his personal life. He was born Richard Damon Elliott on April 30, 1886, in Salem, Massachusetts. His gravestone says he was a loving husband and father. And we know he began performing in stock in 1931 and was on stage for nearly thirty years before his film debut, including appearing in the long-running hit, "Abie's Irish Rose." Other than that, we have only his film and television appearances to go on, and I'll mention some highlights.
His first movie was Central Airport (1933), and he was Ned Buntline in Annie Oakley (1935) with Barbara Stanwyck in 1935. He was perfect for the role of Marryin' Sam in Li'l Abner (1940), was amusing as the Judge in Christmas in Connecticut (1945), again starring Stanwyck, and made the most of his small role as a Whiskey Drummer in The Dude Goes West (1948) with Eddie Albert. Many film fans remember him best for another small role, as the man on the porch in the holiday perennial It's a Wonderful Life (1946), who tells James Stewart to stop jabbering and go ahead and kiss Donna Reed. Often his role in a film was so small his character didn't even have a name, and was sometimes listed in the cast simply as "Fat Man." He did have a good part in the under appreciated film Park Row (1952). His last film role was in Go, Johnny, Go! (1959).
The advent of television opened up a whole new world of roles. An unending stream of weekly comedies, dramas, and even variety shows needed performers. Some featured character actors like Gene Lockhart and Cecil Kellaway might star in an episode of an anthology series. Actors who had little screen time in films became invaluable featured players, and a few even attained the Holy Grail of being a series regular, Elliott among them. In the fifties he appeared in dozens and dozens of TV shows, including Dick Tracy (1950), in which he had a recurring role as Chief Murphy, My Little Margie (1952), Adventures of Superman (1952), I Love Lucy (1951), I Married Joan (1952), in which his character was called "Fatso," December Bride (1954), and Rawhide (1959). One of his best roles was in the episode The Rain Wagon (1955), in which he played Osgood Falstaff, the Shakespeare-quoting rainmaker who is secretly a bank robber. It was rare for Elliott to play a villain, but he pulls it off, making his eyes look devious and sinister -- a cuddly fat man, but don't turn your back on him. At the other extreme, he often played Santa Claus on Christmas episodes of the Jimmy Durante, Red Skelton, and Jack Benny shows.
To many people, Elliott will always be remembered as Mayor Pike in The Andy Griffith Show (1960) Sadly, Elliott died during the second season of the show, on December 22, 1961, in Burbank, California.
Dick Elliott was one of those character actors who were almost anonymous, though they lit up the screen in short roles. Fortunately, because of "It's a Wonderful Life" every Christmas and "The Andy Griffith Show" in frequent reruns, his fans can still delight in the little fat man. - Actor
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Short, chubby-framed, twinkle-eyed, ever-huggable Charles Winninger was a veteran vaudevillian by the time he arrived in talking films. Born in a trunk to Austrian immigrant show biz folk in Athens, Wisconsin, on May 26, 1884, he was the son of Rosalia (Grassler) and Franz Winninge, a violinist. He was initially christened Karl Winninger. He left school while quite young (age 8) to join and tour with his parent's vaudeville family act which was called Winninger Family Concert Co. Upon his parents' retirement, he and his five brothers went off to play in various stock and repertory companies. On film Charlie found an "in" with silent comedy shorts between 1915-1916 but never truly settled into the movie business until the advent of sound.
In the meantime Broadway made great use of his musical comedy talents, marking his debut with "The Yankee Girl" in 1910 which also featured actress (and later stage star) Blanche Ring. He married Blanche in 1912 and the couple went on to star together quite frequently in vaudeville and on Broadway, including the musical "When Claudia Smiles" (1914) in which Blanche played the title role. Throughout the 1920s there were plenty of roles for Charlie on the Great White Way including a stint with the Ziegfeld Follies (1920), several Winter Garden productions, and in such musical comedy showcases as "The Broadway Whirl" (1921) (with Blanche), "The Good Old Days" (1923), "No, No, Nanette" (1925) and "Yes, Yes, Yvette" (1927). His most significant contribution was originating the role of beloved Cap'n Andy in "Showboat" (1927). Playing the Kern/Hammerstein musical for two years straight, he eagerly returned to the role on Broadway in 1932.
With the success of "Show Boat," Hollywood started taking more of an interest in the grey-haired song-and-dance man for character roles. Such early talking movies included the slapstick comedy Soup to Nuts (1930) with Ted Healy and The Three Stooges. Though Charlie was known for adding his immeasurable touch to the comedy genre (Flying High (1931) and Woman Chases Man (1937)), he was also a warm-hearted presence in heavier pictures as well, including the melodramas Bad Sister (1931) with Bette Davis and The Sin of Madelon Claudet (1931) with Helen Hayes, and rugged adventures Gun Smoke (1931) and White Fang (1936). Although he did not play his famous stage role in the 1929 version, Charlie was thankfully able to preserve his beloved Cap'n Andy to film in the superb Irene Dunne/Allan Jones remake of Show Boat (1936). He became so associated with the riverboat captain that he was asked to create several variations of the character on radio.
Charlie was relied upon for his benign, errant dads, old-theater entertainers, lovable drunks and other rather wanderlust types in film, characters that usually represented old-fashioned common sense or mores. He was quite entertaining in such classics as Nothing Sacred (1937), Three Smart Girls (1936) and Destry Rides Again (1939). In the 1940s he brightened up a number of MGM comedies and musicals including Babes in Arms (1939), Little Nellie Kelly (1940), Ziegfeld Girl (1941), When Ladies Meet (1941), Broadway Rhythm (1944), and Living in a Big Way (1947). One of his last important roles was playing Will Rogers' Judge Priest role in director John Ford's film The Sun Shines Bright (1953), is only leading film role. He and wife Blanche never appeared together in a film although Blanche did play herself in the film If I Had My Way (1940), a film that featured Charlie. His Broadway swan song was in "Music in the Air" in 1951 and his final film occurred about a decade later with Raymie (1960). He also played Santa Claus in the hour-long entertainment The Miracle of the White Reindeer (1960) that same year.
TV roles dominated much of his work in the 50s. On the one-season The Charles Farrell Show (1956) he played the star's dear old dad. Divorced from wife Blanche in 1951, Charlie subsequently married stage actress-turned-novelist and screenwriter Gertrude Walker whom he originally met on Broadway when he returned to "Show Boat" in 1932 (Gertrude played the role of Lottie). Retired for many years, Charlie died in 1969 following an extended illness at the age of 84.- Actor
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Alan Hale decided on a film career after his attempt at becoming an opera singer didn't pan out. He quickly became much in demand as a supporting actor, starred in several films for Cecil B. DeMille and directed others for him. With the advent of sound, Hale played leads in a few films but soon settled down into a career as one of the busiest character actors in the business. He was one of the featured members of what became known as the "Warner Brothers Stock Co.", a corps of character actors and actresses who appeared in scores of Warner Bros. films of the 1930s and 1940s. Hale's best-known role is probably in The Adventures of Robin Hood (1938), one of several films he made with his friend Errol Flynn, in which he played Little John, a role he played in two other films: Robin Hood (1922) and Rogues of Sherwood Forest (1950).- Actor
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Jovial, somewhat flamboyant Frank Morgan (born Francis Wuppermann) will forever be remembered as the title character in The Wizard of Oz (1939), but he was a veteran and respected actor long before he played that part, and turned in outstanding performances both before and after that film. One of 11 children of a wealthy manufacturer, Morgan followed his older brother, Ralph Morgan (born Raphael Wuppermann) into the acting profession, making his Broadway debut in 1914 and his film debut two years later. Morgan specialized in playing courtly, sometimes eccentric or befuddled but ultimately sympathetic characters, such as the alcoholic telegraph operator in The Human Comedy (1943) or the shop owner in The Shop Around the Corner (1940). He was nominated for an Academy Award for Best Actor for The Affairs of Cellini (1934). Frank Morgan died at age 59 of a heart attack on September 18, 1949 in Beverly Hills, California.- Steven O'Donnell was born in 1963. He is an actor, known for Shakespeare in Love (1998), Spice World (1997) and Conan the Barbarian (2011).
- Hugh Sanders was born on 13 March 1911 in East Saint Louis, Illinois, USA. He was an actor, known for That's My Boy (1951), The Outer Limits (1963) and Storm Warning (1950). He was married to Janet Bernice Putnam and Dorothy F Allsup. He died on 9 January 1966 in Los Angeles, California, USA.
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There are very few character actors from the 1930s, '40s or '50s who rose to the rank of stardom. Only a rare man or woman reached the level of renown and admiration, and had enough audience appeal, to be the first name in a cast's billing, a name that got marquee posting. Charles Coburn comes to mind, but there aren't many others. However, one who made it was Edmund Gwenn.
Gwenn was born Edmund Kellaway in Wandsworth, London, on September 26, 1877. He was the oldest boy in the family, which at that time meant he was the only one who really mattered. His father was a British civil servant, and he groomed Edmund to take a position of power in the Empire. However, early on, the boy had a mind of his own. For a while, his inclination was to go to sea, but that ended when one of his forebear's in the Queen's Navy was court-martialed for exceeding his "wine bill". In addition to that, Edmund had poor eyesight and perhaps most importantly, he was his mother's darling, and she kept having visions of shipwrecks and desert island strandings. As for the civil service, to the boy it seemed like a "continent of unexplored boredom".
He attended St. Olaf's College and would attend King's College in London as well. Surprisingly, he excelled at rugby and amateur boxing. Meanwhile, he developed a strong inclination to the stage, partly because of his admiration for the great English actor, Henry Irving. A major roadblock to that ambition, however, was his father, who, at that time, was stationed in Ireland. When Edmund broke the news to his father that he had chosen acting as a career, there followed "a scene without parallel in Victorian melodrama." His father called the theatre "that sink of iniquity." He predicted that, if Edmund went into theatre, he would end up in the gutter, and then literally "showed him the door." Years later his father would admit he had been wrong, but that didn't help the young man during an all-night crossing from Dublin to England during which he had time to reflect. He was penniless. His experience consisted of a few performances in amateur productions, and he knew that if he failed, there was no going back home.
However, in 1895, at the age of eighteen, he made his first appearance on the English stage with a group of amateurs just turned professional, playing two roles, "Dodo Twinkle" and "Damper", in "Rogue and Vagabond". For a long time afterward, he refused to go on stage without a false beard or some other disguise, fearing someone would recognize him and tell his father (it's a bit ironic, by the way, that Edmund's younger brother Arthur would also become an actor using the name of Arthur Chesney). During the next few years, roles were hard to come by but, by 1899, he made his first appearance on the West End in London in "A Jealous Mistake". This was followed by ten years in the hinterlands acting with stock and touring companies, gradually working his way up from small parts to juicier roles. While with Edmund Tearle's Repertory Company, which toured the provinces, he played a different role each night. It was excellent training, in that he acted in everything from William Shakespeare to old melodrama.
About this time, he married Minnie Terry, niece of the more famous actress Ellen Terry, a marriage that evidently was short-lived. Most sources list it as beginning and ending in 1901, perhaps only for a matter of days or even hours. From that point, Gwenn would remain a bachelor for the rest of his life. He seems to have preferred not going into any details about the marriage and divorce, and Minnie Terry, who outlived Gwenn, apparently never mentioned what happened, at least not publicly. That same year, however, he went to Australia and acted there for three years, not returning to London until 1904. There, he took a small part in "In the Hospital", which led to his receiving a postcard from George Bernard Shaw, offering him a leading role as "Straker", the Cockney chauffeur, in "Man and Superman". Gwenn accepted (by this time he was Edmund Gwenn) and the play was a success. Shaw became a sort of professional godfather for him. He appeared in "John Bull's Island", "Major Barbara", "You Never Can Tell", "Captain Brassbound's Conversion" and "The Devil's Disciple", all by Shaw. He spent three years in Shaw's company, years which he called "the happiest I've ever had in the theatre".
From 1908 until 1915, he performed in new plays by noted playwrights of the time, including John Masefield's "The Campden Wonder", 'John Galsworthy''s "Justice" and "The Skin Game", J.M. Barrie's "What Every Woman Knows" and "The Twelve Pound Look", as well as Henrik Ibsen's "The Wild Duck" and Harley Granville-Barker's "The Voysey Inheritance". By this time, World War I had started and Gwenn, despite his poor eyesight, was conscripted into the British Army. Most of his time during "The Great War" was spent drawing supplies up to the front lines, while under fire. He was so successful at this task that, after a year as a private, he received a steady stream of promotions until eventually becoming a captain.
After the War, he returned to the stage and, in 1921, made his first appearance in the US in "A Voice from the Minaret" and "Fedora". He would return to America in 1928 to replace his friend, Dennis Eadie, who had died while in rehearsal for "The House of Arrows", but for most of this time, he was in England doing more stage roles and two dozen British films.
His first appearance on screen was in a British short, The Real Thing at Last (1916) in 1916, while he was still in the army. His next film roles were in Shaw's How He Lied to Her Husband (1931) and J.B. Priestley's The Good Companions (1933). He was also in Unmarried (1920) in 1920 and a silent version of "The Skin Game" (The Skin Game (1921)) as "Hornblower", a role he would reprise in 1931 for a talking version (The Skin Game (1931)) directed by Alfred Hitchcock. From then on, Gwenn was to work steadily until the end of his life. He appeared in English stage plays and films, eventually doing more and more on Broadway and in Hollywood. For example, he played the amiable counterfeiter in "Laburnum Grove" in 1933 (later to become the film Laburnum Grove (1936) in which he would star) and then with the entire British company brought it to New York. He was also a huge success in "The Wookey" in 1942, playing a Cockney tugboat captain. That same year, he appeared as "Chebutykin" in Anton Chekhov's "The Three Sisters", with Katharine Cornell, Ruth Gordon and Judith Anderson. In such illustrious company, Gwenn was hailed by critics as "magnificent" and "superlatively good".
In 1935, RKO summoned him to Hollywood to portray Katharine Hepburn's father in Sylvia Scarlett (1935). From then on, he was much in demand, appearing in Anthony Adverse (1936), All American Chump (1936), Parnell (1937), and A Yank at Oxford (1938). In 1940, he was the delightful "Mr. Bennet" in Pride and Prejudice (1940), then made a 180-degree turn by playing a folksy assassin in Alfred Hitchcock's Foreign Correspondent (1940). The year 1941 brought Cheers for Miss Bishop (1941), One Night in Lisbon (1941), The Devil and Miss Jones (1941) and Scotland Yard (1941). Then came Charley's Aunt (1941), in which he romanced Jack Benny, masquerading as a woman. Other important films included A Yank at Eton (1942), The Meanest Man in the World (1943), The Keys of the Kingdom (1944) and Between Two Worlds (1944).
In 1945, he played villain "Albert Richard Kingby" in Dangerous Partners (1945). There is a peculiar scene in this film, which makes one wonder what director Edward L. Cahn was thinking. James Craig and Signe Hasso, the hero and heroine, are being held by the villainous Gwenn in a room, when Gwenn comes in to interrogate them. In the midst of this, the 33-year-old, 6'2" Craig punches the 68-year-old, 5'5" Gwenn in the belly and then forces the doubled-over Gwenn to release them. Admittedly, Craig and Hasso must escape, and Gwenn's character is pretty evil, but knocking the wind out of the old man makes Craig seem like a bully and far less sympathetic.
After "Dangerous Partners", Gwenn was in Bewitched (1945), She Went to the Races (1945), Of Human Bondage (1946), Undercurrent (1946), Life with Father (1947), Green Dolphin Street (1947) and Apartment for Peggy (1948). In Thunder in the Valley (1947), he played one of his most unlikable characters, a father who beats his son, smashes his violin and shoots his dog.
Then in 1947, he struck it rich. Twentieth Century-Fox was planning Miracle on 34th Street (1947). It had offered the role of "Kris Kringle" to Gwenn's cousin, the well-known character actor Cecil Kellaway, but he had turned it down with the observation that "Americans don't like whimsy". Fox then offered it to Gwenn, who pounced on it. His performance was to earn him an Academy Award as Best Supporting Actor (at age 71) and, because it is rerun every Christmas season, he would become for many their all-time favorite screen Santa. Accepting the award, Gwenn said, "Now I know there is a Santa Claus". He beat out some stiff competition: Charles Bickford (The Farmer's Daughter (1947)), Thomas Gomez (Ride the Pink Horse (1947)), Robert Ryan (Crossfire (1947)) and Richard Widmark (Kiss of Death (1947)). As soon as he got the part, Gwenn went to work turning himself into Santa Claus. Though rotund, Gwenn didn't feel he was rotund enough to look like the jolly old elf most people expected after having read Clement Moore's "The Night before Christmas", in which Santa "had a broad face and a little round belly / That shook when he laughed like a bowlful of jelly." He could of course wear padding, but he resisted that as too artificial. So he put on almost 30 pounds for the role, a fair amount for a man of his short stature, and added nearly five inches to his waistline. The problem was that after the film was finished, Gwenn found it hard to lose the extra weight. "I've been stocky all my adult life," he said, "but now I must accept the fact that I'm fat." As was his nature, he didn't get upset, and instead was able to laugh about it. Six years later, when playing an elderly professor in The Student Prince (1954), he had a scene in which he entered the Prince's chamber, struggling with the buttons of a ceremonial uniform. The line he was given was, "I'm too old to wear a uniform," but Gwenn suggested a change which stayed in the finished film, "I'm too old and fat to wear a uniform."
Gwenn had lost his hair early on, and had no more concern about it than he did about his portliness. In a fair number of films, such as Pride and Prejudice (1940), he appears bald, but he also played many roles with a toupee if he felt that worked better for the character. He would select a hairpiece that helped achieve the look he was after for the role. As regards the rest of his appearance, Gwenn is commonly listed as 5'6" tall, which may have been accurate when he was a younger man, but by the time he was a Hollywood regular he appears to be at least two inches shorter. Plagued by weak eyesight since his youth, Gwenn wore a pince-nez for a while, and then glasses, off-screen and sometimes on. Though he enjoyed fine clothes, he does not seem to have been in the least bit vain about any physical shortcomings he may have had. He looked a bit like a benign clergyman, perhaps of the Anglican faith, an image enhanced by his soft, almost soothing voice. He once said he was "always short and stocky, and not a particularly handsome thing. I could never play romantic leads." After "Miracle on 34th Street," however, Gwenn was a star and constantly in demand, especially when the role called for a kindly eccentric.
Gwenn remained a British subject all his life. When he first moved to Hollywood, he lived at the Beverly Wilshire Hotel in Beverly Hills. His home in London had been reduced to rubble during the bombings by the Luftwaffe in World War II. Only the fireplace survived. What Gwenn regretted most was the loss of the memorabilia he had collected of the famous actor Henry Irving. Eventually Gwenn bought a house at 617 North Bedford Drive in Beverly Hills, which he was to share with his secretary and "confidential man", Ernest C. Bach, and later with former Olympic athlete Rodney Soher.
The year 1950 brought a pair of interesting films. In Louisa (1950) he and Charles Coburn were romantic rivals for the hand of Spring Byington. In one scene Gwenn socks Coburn in the jaw, though Coburn later bests him in arm wrestling. Gwenn wins Byington's hand in the end. He was also delightful in Mister 880 (1950) as a kindly counterfeiter. Gwenn received his second Oscar nomination for his performance, though this time he lost out to George Sanders in All About Eve (1950) He did, however, win the Golden Globe Award.
In 1952 he appeared in Sally and Saint Anne (1952) as Grandpa Patrick Ryan, affecting an Irish brogue for the role. He played football coach Pop Doyle, teamed up with a chimpanzee, in Bonzo Goes to College (1952). "The Student Prince" followed in 1954, as did the science-fiction classic Them! (1954). This film raises an interesting observation. The year before, Cecil Kellaway had appeared in another sci-fi classic, The Beast from 20,000 Fathoms (1953). Watch the two films together and you'll see that the two cousins are playing essentially the same role, that of an elderly scientist with a lovely daughter who is able to provide the hero, and the audience, with some scholarly background on the dangers they face. The two actors could easily have switched roles. "Them!" is noteworthy, too, in that it was a particularly physically painful part for Gwenn. By this time he was 77 and suffering from advanced arthritis. Several scenes in the movie were filmed in the desert, where the temperature often reached 110 degrees. The costumer had outfitted him in a wool suit for some of the early scenes. Joan Weldon, who played his daughter, has noted that Gwenn was in great discomfort and almost certainly could not have continued without the help of his valet, Ernest.
The next year Gwenn was in It's a Dog's Life (1955) and The Trouble with Harry (1955). His film work has some interesting patterns. "Dog's Life" was at least the third time Gwenn made a film centered on a dog. He had already co-starred with Pal as Lassie in Lassie Come Home (1943) and Challenge to Lassie (1949). "Harry" was Gwenn's fourth picture directed by Alfred Hitchcock, the others being "The Skin Game", Strauss' Great Waltz (1934) and "Foreign Correspondent". Gwenn's last feature film was The Rocket from Calabuch (1956), shot in Spain and released in 1958, when he was 81. As for TV, his most memorable role may have been as a snowman that comes to life in a Christmas night telecast on The Ford Television Theatre (1952) from a story by Nathaniel Hawthorne, "Heart of Gold".
Gwenn's final days were spent at the Motion Picture Home in Woodland Hills, California. Having endured terrible arthritis for many years, he had suffered a stroke, and then contracted pneumonia, from which he died at age 81 on September 6, 1959. His body was cremated, and his ashes were originally stored in a private vault at the Chapel of the Pines Crematory in Los Angeles. In March 2023, Gwenn's misplaced urn was found in the vault by Hollywood Graveyard creator Arthur Dark and researcher Jessical Wahl. Dark and Wahl created a GoFundMe campaign to fund moving Gwenn's urn to a publicly accessible location and, on December 3, 2023, Gwenn's urn was reinurned in the Cathedral Mausoleum at Hollywood Forever Cemetery.
Gwenn had appointed Rodney Soher as the executor of his will, in which he had left Minnie Terry one-third of his estate, his sister Elsie Kellaway a third, and Ernest Bach a third, in addition to his clothes, shoes, linens, ties and luggage. However, for some reason, while he was spending his last days at the Motion Picture Home, Gwenn signed a codicil to his will, in which he said he had given Bach the lump sum of $5000, and that was all he was to receive. After Gwenn's death, Bach challenged the codicil, claiming that Gwenn was not of sound mind while in the Home and that some unnamed person--possibly referring to Soher--had unduly influenced Gwenn to change his will. The outcome is not known. There is a story that has been around for years that shortly before he died a visitor observed, "It must be hard [to die]", to which Gwenn replied, "Dying is easy. Comedy is hard". The story and the wording vary somewhat from teller to teller. Gwenn may indeed have said it, but he may have been repeating someone else. The quotation has also been ascribed to several earlier wits, including his mentor George Bernard Shaw and the famous actor Edward Keane. Gwenn's star on the Hollywood Walk of Fame can be found at 1751 Vine Street.- Actor
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The son of singers in the Metropolitan Opera, Billy Gilbert began performing in vaudeville at age 12. He developed a drawn-out, explosive sneezing routine that became his trademark (he was the model for, and voice of, Sneezy in Snow White and the Seven Dwarfs (1937)). Gilbert's exquisite comic timing made him the perfect foil for such comedians as Stan Laurel and Oliver Hardy, and he was especially memorable as the dim-witted process server Pettibone in His Girl Friday (1940).- John Williams was a tall, urbane Anglo-American actor best known for his role as Chief Inspector Hubbard in Dial M for Murder (1954), a role he played on Broadway, in Alfred Hitchcock's classic 1954 film, and on television in 1958. Playing Hubbard on the Great White Way brought him the 1953 Tony Award as Best Featured Actor in a Play. "Dial M for Murder" was the 27th Broadway play he had appeared in since making his New York debut in "The Fake" in 1924, which he had originally appeared in back in his native England.
Williams was born on April 15, 1903 in Buckinghamshire and attended Lancing College. He first trod the boards as a teenager in a 1916 production of Peter Pan (1924). He moved to America in the mid-1920s and was a busy and constantly employed stage actor for 30 years. After "Dial M for Murder" in the 1953-54 season, though, he appeared in only four more Broadway plays between 1955 and 1970 as he focused on movies and television.
In addition to "Dial M for Murder", he appeared in Hitchcock's The Paradine Case (1947) and in To Catch a Thief (1955) and in 10 episodes of the TV series Alfred Hitchcock Presents (1955). For Billy Wilder, he appeared in Sabrina (1954) and Witness for the Prosecution (1957). Beginning in the 1960s, most of his work was in television, including a nine-episode stint on Family Affair (1966) taking over Sebastian Cabot's duties as Brian Keith's butler when Cabot was waylaid by health problems.
He retired in the late '70s, his last acting gig being an appearance on Battlestar Galactica (1978) in 1979. He was known by many in the last phase of his career for his work on one of the first TV infomercials, when he served as the pitchman for a classical music record collection called "120 Music Masterpieces."
John Williams died on May 5, 1983 in La Jolla, California from an aneurysm. He was 80 years old. - Actor
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Sorrell Booke was born in Buffalo, New York in 1930, the son of a local physician. He found his calling early in life, like most actors, when his family encouraged him to entertain relatives by doing impressions and telling jokes. He went on to study at Yale and Columbia University, and mastered five languages. During the Korean War, Booke worked in counter-intelligence where his lingual talents served him well. His intelligence and subtlety are often overlooked when considering his signature role as Jefferson Davis "Boss" Hogg during his run on The Dukes of Hazzard (1979). He died of cancer in 1994 just after his 64th birthday.- Actor
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Chubby silent film comic Bert Roach began on the New York stage at the age of 17. In 1911, he headlined in the two-act musical farce Louisiana Lou and then spent several years in stock as a lead tenor. Two years later, he made his screen debut at Keystone in Mack Sennett's Fatty's Magic Pants (1914). From then on, he remained busily engaged as a utility player, tallying up an impressive 350-plus acting credits. Often sporting an oversized Germanic moustache, Bert was a natural for silent slapstick. He had recurring roles in several Alice Howell vehicles at Universal in the mid-20s. In early talkies, he was employed by both Al Christie and Hal Roach (no relation) where he often showed his penchant for playing inebriates. He also had a good line in looking scared out of his wits, which he demonstrated to effect in Murders in the Rue Morgue (1932). On rare occasions, he was featured support in A-grade product like San Francisco (1936) (Freddie Duane) or The Man in the Iron Mask (1939) (Athos). For the most part, however, he was merely glimpsed in the background as nameless bartenders, stage hands, drunks and 'fat men'. Bert was one of many veteran silent comics who came together in 1947 to appear in the (inaccurate) Pearl White biopic The Perils of Pauline (1947), starring Betty Hutton.- Actor
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Jacques Aubuchon was born on 30 October 1924 in Fitchburg, Massachusetts, USA. He was an actor, known for The Silver Chalice (1954), Thunder Road (1958) and Man Against Crime (1949). He was married to Denise Caubisens. He died on 28 December 1991 in Woodland Hills, Los Angeles, California, USA.- Actor
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Seemingly suave, cultivated actor by nature, definitely huge in both talent and girth, and capable of playing much older than he was, Hollywood of the early '40s tragically lost Laird Cregar before it could fully comprehend on how to best utilize his obvious gifts. He was born Samuel Laird Cregar in a well-to-do section of Philadelphia, eventually dropping his first name after forging an acting career. At age eight his parents sent him to England and enrolled him at the Winchester Academy. During his school's off time, his pique in acting escalated after being employed as a page boy with the Stratford-on-Avon Players. Thereafter, his mind was set to become a professional actor. Returning to the U.S., he attended Episcopal Academy in Philadelphia and the Douglas Adams School in Longport, New Jersey. Again, he found meager jobs, such as an usher, in order to stay close to the theater. Awarded a scholarship to the Pasadena Community Playhouse, he trained there for two years before going out on his own and finding minor work on the bi-coastal stage and finding minuscule parts in films.
Laird's break came of his own making. After witnessing Robert Morley's triumph in the title role of "Oscar Wilde" on Broadway, Laird set upon finding backing for his own version of the play. Debuting in Los Angeles and finding resounding success there as well as in San Francisco, film studios began competing for his services with Twentieth Century-Fox winning out. He made his feature debut opposite Paul Muni in Hudson's Bay (1940) in the boisterous role of a fur trapper and solidified his movie standing by appearing flamboyantly as a bullfighting critic at odds with Tyrone Power's matador in the popular Technicolor classic Blood and Sand (1941). He then went on to show a scene-stealing prowess for stylish farce as one of Jack Benny "suitors" in the drag comedy Charley's Aunt (1941).
By the time Laird cut a mean, sinister path in I Wake Up Screaming (1941), playing a detective so insanely hung up on a murdered girl (Carole Landis) that he deliberately frames an innocent man (Victor Mature) for her crime, it was obvious films could rely on him for any of their comedic or dramatic ventures. There seemed nothing he couldn't do, but it was obvious audiences loved him as the 300 lb. man you love to hate - goaded on by his nefarious doings in the film noir classic This Gun for Hire (1942) starring Alan Ladd and Rings on Her Fingers (1942) with Gene Tierney.
On the Los Angeles theater front he gave Monty Woolley a run for the money in Woolley's signature stage role of Sheridan Whiteside in "The Man Who Came to Dinner". Along with the good came some contrived roles in a few mediocre films ranging from training officers to hammy-styled pirates. Even so, he usually stood out among the other actors in some fashion. He even played the Devil himself in the exquisitely humor-laced Ernst Lubitsch comedy Heaven Can Wait (1943).
His film career was capped by his definitive Jack the Ripper in The Lodger (1944). Investing the psychotic role with an intense, gripping realism and off-putting, oily charm, he led a brilliantly seasoned cast and relished a death scene in the film (in truth, the real-life serial killer was never caught) that dared to forever stereotype him as a Sydney Greenstreet-like villain. Unfortunately, his early death robbed film audiences of seeing what course Laird's career would have taken. Sure enough, his last celluloid offering in Hangover Square (1945) was as another despicable character with murder on its maniacal mind. Top-lining a cast that included Linda Darnell (as an object of his affection), and George Sanders, he this time portrayed a temperamental composer who suffers from a split personality disorder and, prone to periodic blackouts, commits brutal murders. Another compelling death scene had his mad character wildly pounding out a concerto while the room around him goes up in flames and the ceiling crashes down on him.
Laird's obsession with avoiding the inevitable stereotype as a "heavy heavy" and wistful pursuit of a romantic leading man career compelled him to go on a reckless, unsupervised crash diet (from 300 lbs to 200 lbs), which is evident by his drastically trimmed-down look in his last film. This proved too strenuous on his system and he was forced to undergo surgery for a severe stomach disorder. His 30-year-old heart gave out on the morning of December 9, 1944, only days after his operation. He was survived by his mother.- Actor
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Arthur Quirk Bryan was an American actor from Brooklyn, New York City. He is primarily remembered as a voice actor for radio and animation. His best known roles were the wisecracking physician and surgeon Dr. George Gamble in "Fibber McGee and Molly" (1935-1959), and the inept hunter Elmer Fudd in "Looney Tunes". Bryan voiced Fudd from 1940 to 1959, the heyday of the character in theatrical animation. When playing Fudd, Bryan nearly always vocalized consonants [r] and [l], pronouncing them as [w] instead. This became one of the character's main traits. Following Bryan's death in 1959, Hal Smith voiced Fudd in two animated shorts. In 1962, the production crew decided to cease using Fudd as a character. The character would later be revived, with most subsequent voice actors imitating Bryan's performance in the role.
In 1899, Bryan was born in Brooklyn. In his early years, he sang in a number of churches in the New York City area. He had aspirations to become a professional singer. In 1918, the teen-aged Bryan was hired as an as insurance clerk for the Mutual Life Insurance Company. In 1926, Bryan was hired as a singer by the New York City-based radio station WINS.
In 1928, Bryan was hired as a tenor soloist by the radio station WFAN, which was also located in New York City. From 1929 to 1931, Bryan worked as an announcer for the New Jersey-based radio station WOR. In the autumn of 1931, Bryan moved to Philadelphia to work as an announcer for the radio station WCAU. In 1933, he started working for the radio station WTEL, which was also based in Philadelphia. In 1934, Bryan moved back to New York City. He was hired by the radio station WHN.
In 1936, Bryan moved to Los Angeles. He was initially hired as a screenwriter for Paramount Pictures. He soon transitioned into acting roles, frequently portraying supporting characters in B Movies. He portrayed newspaper editor Joe McGinty in the horror film "The Devil Bat" (1940). His later roles included an unnamed Philistine merchant in the Biblical drama "Samson and Delilah" (1949), two appearances in the film series "Road to ...", and a single appearance in an "Ozzie and Harriet" feature film.
From 1938 to 1940, Bryan was a regular cast member in the radio talk show "The Grouch Club". The show featured radio stars who voiced their frustrations with the recurring problems of everyday life. Vitaphone produced a short film series based on the show, with Bryan depicting unfortunate souls who struggled with taxation, with the vote registry, and with the lack of available parking places.
In 1940, Bryan was asked to voice Elmer Fudd for the animated short film "Elmer's Candid Camera". The film introduced an entirely new design for the character, following a few years of appearances by prototype versions of Fudd. Previous versions of the character had been voiced by Mel Blanc, Danny Webb, and Roy Rogers. But it Bryan's voice for the character who made Fudd a hit with the audience of the time. Bryan would continue to portray Fudd for 19 years. Fudd would serve as the main antagonist for another hit character of the "Looney Tunes" film series, Bugs Bunny.
Bryan was increasingly famous as a voice actor in the early 1940s. He was hired to portray semi-regular character Lucius Llewellyn in the radio sitcom "The Great Gildersleeve" (1941-1958), using the same voice as Elmer Fudd. In 1942, Bryan used his natural voice to portray the barber Floyd Munson in the same series. In 1943, writers Don Quinn and Phil Leslie decided to create a role for Bryan in their radio series "Fibber McGee and Molly", based on what they liked about Bryan's previous performances. His new role was Dr. George Gamble, who would exchange creative insults with the main character Fibber McGee (voiced by Jim Jordan).
Bryan was also hired to portray protagonist Major Hoople in a radio adaptation of the comic strip "Our Boarding House" (1921-1984). Hoople was portrayed as a "retired military man of dubious achievement", who would boast of the adventures of his youth. He has been described as a modernized version of Falstaff. The radio adaptation was not particularly successful, only lasting from June 1942 to April 1943. No recordings of this series have survived.
From 1948 to 1949, Bryan was a regular panelist on the television quiz show "Quizzing the News". The panelists had to identify events in the news based on spoken clues and drawings. During the 1950s, Bryan regularly appeared on television, though mostly in one shot roles. He portrayed history teacher Professor Warren in the short-lived sitcom "The Halls of Ivy" (1954-1955), his only recurring role in this medium.
In November 1959, Bryan died of a sudden heart attack. He was 60 years old at the time of his death. He was buried in Valhalla Memorial Park Cemetery, located in North Hollywood. His final appearance as Fudd was the posthumously released short "Person to Bunny" (April 1960), a parody of the interview show "Person to Person" (1953-1961). Bryan was initially replaced by Hal Smith as Fudd's voice actor, but the production crew decided to cease using Fudd as a character in 1962. Decades following his death, Bryan is still remembered as one of the most prominent voice actors of his era.- Actor
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Ronnie Barker's remarkable versatility as a performer can be traced back to his time in repertory theatre, where he was able to play a wide range of roles and develop his talent for accents, voices and verbal dexterity. It was during this time that he met Glenn Melvyn, who taught him how to stammer (something he would later use to great effect in the sitcom Open All Hours (1976)). Melvyn also gave Ronnie his break into television by offering him a role in I'm Not Bothered (1956). During the 1960s, Ronnie became well-established in radio, providing multiple voices for "The Navy Lark" and working with comedy great Jon Pertwee. He also became a regular face on television, appearing in The Frost Report (1966) (perhaps most memorably in a sketch about Britain's class system, with John Cleese and Ronnie Corbett) and playing character roles on The Saint (1962) and The Avengers (1961).
In 1971, Ronnie teamed up with Ronnie Corbett again, this time for a BBC sketch series called The Two Ronnies (1971). This series proved enormously popular, continuing until the late 1980s. In addition to "The Two Ronnies", Barker starred on the popular BBC sitcoms Porridge (1974) (as a cockney prisoner) and Open All Hours (1976) (as a stammering Northern shopkeeper). In fact, only Leonard Rossiter could be said to have rivaled him during this time for the crown of British television's most popular comedy star. In 1982, he revived silent comedy in By the Sea (1982). Despite his extrovert performances on television, Barker remained a quiet, retiring individual in his personal life, much preferring to spend time with his family rather than mix with the celebrity crowd. This humility, combined with memories of his extraordinary abilities, meant that he continued to be greatly respected by his fellow professionals. In a BAFTA special shown by the BBC in 2004, stars as diverse as Gene Wilder, Peter Kay and Peter Hall paid tribute to his contribution to comedy and British television in general. Ronnie Barker died on 3 October 2005 after suffering from heart problems.- Ralph Dumke was born on 25 July 1899 in South Bend, Indiana, USA. He was an actor, known for All the King's Men (1949), Invasion of the Body Snatchers (1956) and Mystery Street (1950). He was married to Greta Leona Edner. He died on 4 January 1964 in Sherman Oaks, California, USA.
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Parley Baer was born on 5 August 1914 in Salt Lake City, Utah, USA. He was an actor, known for License to Drive (1988), A Fever in the Blood (1961) and Dave (1993). He was married to Ernestine Clark. He died on 22 November 2002 in Los Angeles, California, USA.- Richard McKenzie was born on 2 June 1930 in Chattanooga, Tennessee, USA. He was an actor, known for Being There (1979), MacGyver (1985) and Corvette Summer (1978). He was married to Aza Cefkin. He died on 1 December 2023 in Los Angeles, California, USA.
- Sully Boyar was born on 14 December 1923 in Brooklyn, New York City, New York, USA. He was an actor, known for Dog Day Afternoon (1975), In the Soup (1992) and Car Wash (1976). He was married to Josephine Pizzo. He died on 23 March 2001 in Queens, New York City, New York, USA.
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He said that the reason he became an actor was that he was hopeless in school and only did well in the school productions of Gilbert and Sullivan light operas. His parents would have preferred him to have become a painter and decorator or a bank clerk, anything solid but not an actor. He'd always enjoyed music at school and when he was at drama school he became a violinist and saxaphone player with many dance bands in his home town of Liverpool He said that he became a ballet dancer due to wanting to see what an audition was like and wound up getting a job. and dancing with the Anton Dolin/ Alicia Markova company for three years during which he became a principle dancer.- Charlie White was born and raised in Perth Amboy, New Jersey. He credits the town for shaping the career that he has had. In the 1920s, Perth Amboy was a town where plays that were bound for Broadway were tried out on audiences. They'd rehearse the play in New York and then bring actors and scenery to Perth Amboy and try it out for a week there. After getting out of the Army, Charlie graduated Rutgers University and then studied under Sanford Meisner at the Neighborhood Playhouse School of the Theater in New York City. Following his dream to Los Angelas he appeared in a number of films before returning to Broadway. He settled into retirement enjoying guest spots on many television shows and the company of his many friends.
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Hal Smith was born on 24 August 1916 in Petoskey, Michigan, USA. He was an actor and writer, known for The Great Race (1965), The Many Adventures of Winnie the Pooh (1977) and The Andy Griffith Show (1960). He was married to Vivian M. Angstadt. He died on 28 January 1994 in Woodland Hills, Los Angeles, California, USA.- Roy Engel was born on 13 September 1913 in St. Louis, Missouri, USA. He was an actor and writer, known for Zombies of the Stratosphere (1952), The Man from Planet X (1951) and Rogue River (1951). He died on 29 December 1980 in Burbank, California, USA.
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Iggie Wolfington was born on 14 October 1919 in Philadelphia, Pennsylvania, USA. He was an actor, known for 1941 (1979), The Rockford Files (1974) and Kraft Theatre (1947). He was married to Lynn Wood. He died on 30 September 2004 in Studio City, California, USA.- Actor
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Jeff Pope was born in Memphis, Tennessee, USA. He is an actor and composer, known for Black Snake Moan (2006), Prisoners (2013) and Deep Water (2022).- Actor
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William Conrad became a television star relatively late in his career. In fact, the former Army Air Corps World War II fighter pilot began his screen career playing heavies. He was Max, one of The Killers (1946) hired to finish off Burt Lancaster in his dingy lodgings. He was the corrupt state inspector Turck working for the syndicate in The Racket (1951). He was a mobster in Sorry, Wrong Number (1948), the murderous gunslinger Tallman in Johnny Concho (1956) and sleazy nightclub owner Louie Castro who claimed to be 60% legitimate in Cry Danger (1951).
When not essaying outright villainy, Bill played characters like the tough fight promoter Quinn in Body and Soul (1947) or the doom-laden province commissioner in The Naked Jungle (1954). The portly, balding, crumple-faced, self-confessed gourmand had an ever-present weight problem (at one time 260 lbs.) which proved to be a natural obstacle to progressing to more substantial leading film roles. That, however, didn't hinder a very successful career in radio. In fact, Bill himself estimated that he had played in excess of 7,000 radio parts. Even if that was an exaggeration, his gravelly, resonant voice was certainly heard on countless broadcasts from "Buck Rogers" to "The Bullwinkle Show," from portraying Marshall Matt Dillon in "Gunsmoke" on the radio (before James Arness got the part on screen) to narrating the adventures of Richard Kimball in the television program The Fugitive (1963). In "The Wax Works," an episode of the anthology series Suspense (1949) in 1956, he voiced each and every part.
Since his corpulence effectively precluded playing strapping characters like Matt Dillon, Bill began to concentrate on directing and producing by the early 1960's. This, ironically, included episodes of Gunsmoke (1955). In 1963, he contributed to saving 77 Sunset Strip (1958) for yet another season. Later in the decade, he produced and directed several films for Warner Brothers, including the thriller Brainstorm (1965) with Jeffrey Hunter and Anne Francis. He returned to acting in 1971 to become the unlikely star of the Quinn Martin production Cannon (1971), for which he is chiefly remembered. Bill imbued the tough-talking, no-nonsense character of Frank Cannon with enough humanity and wit to make the series compelling but, despite the show's popularity, he made his views clear in a 1976 Times interview that he found himself poorly served by the scripts he had been given. A planned sequel, The Return of Frank Cannon (1980) failed to get beyond the movie-length pilot, but the actor's popularity resulted in another starring role in Jake and the Fatman (1987) as District Attorney McCabe, co-starring with Joe Penny) and a brief run as eccentric detective Nero Wolfe (1981). A self-effacing man with a good sense of humor and never afraid to speak his mind, Bill Conrad died of heart failure in February 1994. He was elected to the Broadcasting and Cable Hall of Fame and (posthumously) to the Radio Hall of Fame in 1997.- Actor
- Soundtrack
Jacques Aubuchon was born on 30 October 1924 in Fitchburg, Massachusetts, USA. He was an actor, known for The Silver Chalice (1954), Thunder Road (1958) and Man Against Crime (1949). He was married to Denise Caubisens. He died on 28 December 1991 in Woodland Hills, Los Angeles, California, USA.- Actor
- Writer
- Director
Giuseppe Battiston was born on 22 July 1968 in Udine, Friuli-Venezia Giulia, Italy. He is an actor and writer, known for Perfect Strangers (2016), Pinocchio (2022) and Bread and Tulips (2000).- Actor
- Soundtrack
The name may have been forgotten, especially today (seven decades later), but the portly, apoplectic, exasperated figure on the 1930s screen wasn't. While his film career, save a couple of silents, lasted a paltry seven years (1932-1939), character actor Walter Connolly certainly ran the distance. While some film historians complain that a number of his performances were annoying or overbaked, he was for the most part applauded for his zesty contributions to a number of comedy classics. Frank Capra's Lady for a Day (1933), Broadway Bill (1934) and It Happened One Night (1934), not to mention the Carole Lombard/Fredric March screwball farce Nothing Sacred (1937) as news reporter March's hot-headed editor boss are sure-fire examples.
The Cincinnati, Ohio native was born on April 8, 1887 and schooled there. The son of the head of the Western Union relay office, he attended St. Xavier College and the University of Dublin in Ireland before making his New York debut in 1910 in an outdoor presentation of "As You Like It". For the next year or so he was a member of E.H. Sothern's touring company and played supporting roles in a number of Shakespearean shows on the road. After a few silent pictures left him unimpressed with film-making, he turned to the Broadway stage in the 1920s and scored quite well. Somewhat short and tubby, it was not difficult for the jowly, mustachioed actor to seize laughs and he found his share in such outings as "The Talking Parrot" (1923), "Applesauce" (1925), "The Springboard" (1927), "The Happy Husband" (1928), "Stepping Out" (1929), "Your Uncle Dudley" (1930), "Anatol" (1931), "Six Characters in Search of an Author" (1931), "The Good Fairy" (1932) and "The Late Christopher Bean" (1932).
With his talents as a stage farceur firmly established, it was time to make a second attempt at a film career and Hollywood (specifically, Columbia) wisely opened their doors to him. Interestingly, his debut in a full-length talking picture came at age 45 in the form of a drama, Washington Merry-Go-Round (1932), where he was third-billed as a rather benign senator. For the next seven years Connolly, often playing older than he really was, could be found everywhere giving good fluster to the greatest and glossiest of stars -- Janet Gaynor, Carole Lombard, Clark Gable, Jean Harlow, Myrna Loy, Paul Muni, Spencer Tracy, and Ginger Rogers, among hordes of others.
Every now and then he was asked to hold up a film, as with his leading roles in the drama Whom the Gods Destroy (1934), the Hecht/MacArthur comedy/drama Soak the Rich (1936), and the whodunnits Father Brown, Detective (1934) (as the title priest/gumshoe) and The League of Frightened Men (1937) (as supersleuth Nero Wolfe). Connolly's archetypal fuming was on full display in the comedies She Couldn't Take It (1935) with George Raft and Joan Bennett and Fifth Avenue Girl (1939) with Ginger Rogers. His last role was as the great composer himself in the highly fictional The Great Victor Herbert (1939), although it wasn't the leading role.
Connolly married actress Nedda Harrigan in 1920. The two appeared together in the Broadway comedies "Treat 'Em Rough" (1926) and "Merry Andrew" (1929). They had one daughter, actress Ann Connolly (1924-2006), who also appeared on stage and played the grownup Wendy in the 'Mary Martin' /Cyril Ritchard Broadway production of "Peter Pan" in 1954. Ironically, Connolly, whose obesity was probably a contributing factor to his fatal stroke suffered on May 28, 1940, received his final divorce decree on the day he died. He was only 53.