Westerners and retirement longevity
95 - 115 years of age, with western movie credits.
Born 1828 - 1919.
Born 1828 - 1919.
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- Angela Clarke was born on 14 August 1909 in New York City, New York, USA. She was an actress, known for The Great Caruso (1951), Houdini (1953) and The Harlem Globetrotters (1951). She died on 16 December 2010 in Moorpark, California, USA.
- Connie Sawyer was born on 27 November 1912 in Pueblo, Colorado, USA. She was an actress, known for Dumb and Dumber (1994), Pineapple Express (2008) and Out of Sight (1998). She was married to Marshall Schacker. She died on 21 January 2018 in Woodland Hills, California, USA.
- Leslie Stuart was born on 22 June 1888 in Manchester, England, UK. He was an actor, known for Mr. Fix-It (1918), Bonds of Love (1919) and A Diplomatic Mission (1918). He died on 3 April 1977 in Los Angeles County, California, USA.
- Nino Cochise was born on 20 February 1874 in Chiricahua Apache Reservation, Arizona, USA. He was an actor, known for Natas: The Reflection (1986) and You Bet Your Life (1950). He was married to Minnie Cochise. He died on 23 December 1984 in Arizona, USA.
- Carmen Martínez Sierra was born on 3 May 1904 in Madrid, Comunidad de Madrid, Spain. She was an actress, known for Historias para no dormir (1966), Las ibéricas F.C. (1971) and Curro Jiménez (1976). She died on 6 November 2012 in Madrid, Comunidad de Madrid, Spain.
- Tonio Selwart was born on 9 June 1896 in Wartenberg, Bavaria, Germany. He was an actor, known for The Other Side of the Wind (2018), Wilson (1944) and The Hitler Gang (1944). He died on 2 November 2002 in New York, USA.
- Producer
- Additional Crew
- Production Manager
Run Run Shaw was born in Shanghai, China on October 4, 1907. He went into the filming industry with his brother, Runme Shaw, and established the Shaw Organization in 1926 and the Shaw Studios (formerly South Seas Film studio) in 1930. In 1967, Shaw established the famous Television Broadcasts Limited (TVB) station in Hong Kong, and it grew into a multi-billion dollar TV empire. TVB set the stage for numerous television sitcoms, drama series, documentaries and singing performances, as well as "Enjoy Yourself Tonight," a variety show similar to "Saturday Night Live."
Shaw owns many businesses throughout the world, including Macy's and Canada's Shaw Tower at Cathedral Place. Throughout the years, Shaw has donated billions of dollars to charities, schools and hospitals. As a result, many Hong Kong buildings were named after him.
Shaw himself has also made regular appearances in TV shows and programs from TVB, including their Chinese New Year celebration programs. During these programs, Shaw would often lead an "awakening" ceremony that precedes the famous Chinese Lion Dance. Shaw has continued to lead this tradition throughout the years.- Actress
- Additional Crew
- Soundtrack
Born in Oaxaca, Mexico, Lupita Tovar appeared first in silent Fox films before making the move to Universal and co-starring in the Spanish-language version of 1930's "The Cat Creeps" (La voluntad del muerto (1930)). For the same producer, Czech-born Paul Kohner, she appeared as Eva Seward (the Spanish-language counterpart of Helen Chandler's Mina) in Universal's Spanish Dracula (1931). In 1932, she married Kohner, who later became one of the top agents in Hollywood. (Their actress-daughter, Susan Kohner, was Oscar-nominated for her performance in Universal's 1959 Imitation of Life (1959); their son, Pancho Kohner, is a producer). Tovar gave up films in the 1940s and has been widowed since 1988.- Elmo Red Fox was born on 11 June 1870 in South Dakota, USA. He was an actor, known for Jesse James as the Outlaw (1921), Parkinson (1971) and The Tonight Show Starring Johnny Carson (1962). He died on 1 March 1976 in Corpus Christi, Texas, USA.
- Director
- Writer
- Actor
Miguel Morayta was born on 15 August 1907 in Ciudad Real, Castilla-La Mancha, Spain. He was a director and writer, known for El mártir del Calvario (1952), Vagabunda (1950) and La mujer marcada (1957). He died on 19 June 2013 in Mexico City, Mexico.- Mae Old Coyote was born on 19 February 1891 in Canada. She was an actress, known for Dirty Dingus Magee (1970), The Eagle and the Fawn (1919) and Before the White Man Came (1920). She died on 22 October 1995 in Big Horn, Montana, USA.
- Actress
- Soundtrack
She was the standard prototype of the porcelain-pretty collegiate and starry-eyed romantic interest in a host of Depression-era films and although her name may not ring a bell to most, Mary Carlisle enjoyed a fairly solid decade in the cinematic limelight.
The petite Boston-born, blue-eyed blonde was born on February 3, 1914, and brought to Hollywood in 1918, at age 4, by her mother after her father passed away. The story goes that the 14-year-old and her mother were having lunch at the Universal commissary when she was noticed by producer Carl Laemmle Jr., who immediately gave her a screen test. Her age was a hindering factor, however, and Mary completed her high school studies before moving into the acting arena. An uncle connected to MGM helped give the young hopeful her break into the movies as a singer/dancer a few years later.
Mary started out typically as an extra and bit player in such films as Madam Satan (1930), The Great Lover (1931) and in Grand Hotel (1932) in which she played a honeymooner. The glamorous, vibrant beauty's career was given a build-up as a "Wampas Baby Star" in 1933 and soon she began finding work in films playing stylish, well-mannered young co-eds. Although she performed as a topline actress in a number of lightweight pictures such as Night Court (1932) with Anita Page, Murder in the Private Car (1934) starring Charles Ruggles, and It's in the Air (1935) alongside Jack Benny, she is perhaps best remembered as a breezy co-star to Bing Crosby in three of his earlier, lightweight '30s musicals: College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938). In the last picture mentioned she is the lovely focus of his song "My Heart Is Taking Lessons". Her participation in weightier material such as Kind Lady (1935) was often overshadowed by her even weightier co-stars, in this case Basil Rathbone and Aline MacMahon.
Disappointed with the momentum of her career and her inability to extricate herself from the picture-pretty, paragon-of-virtue stereotype, Mary traveled and lived in London for a time in the late '30s. Following her damsel-in-distress role in the horror opus Dead Men Walk (1943) with George Zucco and Dwight Frye, Mary retired from the screen, prompted by her marriage to James Blakeley, a flying supervisor, the year before. The Beverly Hills couple had one son. Her husband, a former actor who also appeared in '30s musicals with Crosby as a dapper second lead (e.g., in Two for Tonight (1935)), later became an important executive (producer, editor, etc.) at Twentieth Century-Fox.
In later years Mary managed an Elizabeth Arden Salon in Beverly Hills and received a star on the Hollywood Walk of Fame. Her husband passed away in 2007. Mary herself lived to the ripe old age of 104 on August 1, 2018.1914 - 2018, 104- Make-Up Department
Stephanie Garland was born on 24 January 1905 in Missouri, USA. She is known for The French Line (1953) and The Underworld Story (1950). She was married to DeLoss McGraw. She died on 31 July 2009 in San Diego, California, USA.- Producer
- Actor
- Additional Crew
Jules V. Levy, Arthur Gardner and Arnold Laven met in 1943 in the First Motion Picture Unit of the Army Air Force; they were stationed at the Hal Roach Studios in Culver City, CA (with other notables such as Capt. Ronald Reagan, Capt. Clark Gable and Lt. William Holden, etc.), making training films. Levy, Gardner and Laven resolved that they would start their own independent motion picture company after they got out of the Air Force; all were discharged in 1945, but their company wasn't formed until 1951 (in the interim, Levy and Laven worked as script supervisors and Gardner as an assistant director and production manager). The first Levy-Gardner-Laven film was 1952's Without Warning! (1952); in the decades since, they have produced dozens of additional features and several TV series (including The Rifleman (1958), Law of the Plainsman (1959), The Detectives (1959) and The Big Valley (1965).104.
319 westerns, 38-72.
The Honkers (1972). 1972.
Death Never Rides Alone (1962). 1962.
1910 - 2014, 104.- Yvonne Howell was born on 31 July 1905 in Chicago, Illinois, USA. She was an actress, known for Take Me Home (1928), Fashions for Women (1927) and The Great Mail Robbery (1927). She was married to George Stevens. She died on 27 May 2010 in Hollywood, California, USA.
- Pop Taylor was born on 9 July 1828 in Brownsville, Texas, USA. He was an actor, known for As the Sun Went Down (1919). He died in 1932 in the USA.103
Miner, As the Sun Went Down (1919). 1919.
Ancient Dancing Prospector, The Gold Rush (1925). 1925. 97 years old.
1828 - 1932, 103. - Additional Crew
- Producer
- Actor
Adolph Zukor was a poor Hungarian immigrant when he arrived in the United States in 1889. He tried his hand in the fur trade (starting as a sweeper for $2 a week pay) and proved his entrepreneurial acumen by steady advancement, eventually setting up successful businesses in New York and Chicago. By the time he reached thirty, he had already amassed a considerable personal fortune. As early as 1903, Zukor astutely forecast the prospective financial rewards to be made from the burgeoning celluloid medium. Within a decade, he became heavily involved in the independent production of 'flickers', setting up penny arcades with nickelodeons and shooting galleries. In partnership with Marcus Loew, Zukor soon operated a major chain of cinemas. In 1912, he acquired the American rights to a popular French four-reel feature film, Les amours de la reine Élisabeth (1912), starring Sarah Bernhardt. The picture premiered at New York's Lyceum Theatre and its inevitable box office success led Zukor to challenge the notion -- commonly held by thespians of the period -- that motion pictures were inferior to the stage and were 'beneath' stage actors. In short order, he succeeded in persuading important Broadway-based stars like Minnie Maddern Fiske and James K. Hackett to join his Famous Players Film Company (set up in partnership with Loew Enterprises and veteran impresario Daniel Frohman). Other big names soon followed: Marie Doro, Pauline Frederick, Henry Ainley, Florence Reed, to name but a few. The undisputed star on the Famous Players roster, however, was Mary Pickford -- signed for two years in August 1916.
Four days after Pickford signed her contract, Zukor inaugurated the forthcoming wave of Hollywood mergers by combining his interests with those of pioneer producer Jesse L. Lasky to create Famous Players-Lasky. Several other companies -- Morosco, Bosworth and Pallas -- were also acquired. The distribution chain Paramount Pictures Corporation, jointly created by Zukor and Lasky in 1914, served to ensure nationwide distribution (more than a hundred additional cinemas were purchased near the end of the decade, including prestige venues such as the Rialto and Rivoli on Broadway). By 1919, Zukor effectively dominated the film industry in America. At least half of the major stars in the business were on his payroll. Realart Pictures Corporation was added to the mix as an outlet for second features while the A-grade output was released through Artcraft. Two production facilities were in place, one in Hollywood, the other, Astoria Studios, in New York. A partnership between Zukor and newspaper tycoon William Randolph Hearst also resulted in the formation of Cosmopolitan Productions (as a vehicle for films starring Hearst's mistress, Marion Davies). In 1924, Zukor's theatres began to proliferate even in Europe with the opening of the Paris Paramount and the London Plaza. Zukor further cemented this preeminent position in the industry by promoting the practice of 'block-booking'. This was a way of coercing independent theatre owners who wished to exhibit the films of a bankable box office star to also take a package -- sight unseen -- which was bound to include much of the lesser Realart product.
Between 1920 and 1923, Paramount averaged an annual profit of $4.5 million. By 1930, that figure had risen to $18.4 million. Wile this was largely the result of clever marketing and effective distribution, Zukor's shrewd, multifarious financial machinations had also contributed greatly to that success. He was not particularly concerned with film making itself, other than the monetary aspects (a long-standing dispute between Zukor and Cecil B. DeMille over budgets and salary demands led to Paramount's premier director departing the company in 1925). The artistic impetus for Paramount's rise to preeminence in the 20's was provided by the likes of Lasky and the creative genius of B.P. Schulberg (an independent producer with a keen eye for talent, hired in 1926 to head the West Coast studios as vice president in charge of production). Zukor, conversely, rarely left New York (except for a brief visit West in 1936 to help restructure the company).
In 1932, Paramount went bankrupt and declared a $ 15.8 million deficit. Chiefly to blame for this decline was an over-expansion propelled by Zukor himself, in particular the acquisition of the Publix theatre chain which had been bought with Paramount stock -- stock rendered all but worthless after the Wall Street Crash. Heads rolled, including those of Schulberg, sales chief Sidney Kent, and, ultimately, Lasky. Zukor, the consummate survivor, remained in place as company president until 1936, thereafter holding the position of chairman of the board and chairman emeritus until his death at the extraordinary age of 103. He went on to preside over a revitalised and profitable organisation (though no longer the industry leader it had been the 1920's -- a mantle now held by MGM). During the 1940's, Paramount showed record profits ($39.2 million in 1946)), a trend which continued through the 50's.
Zukor was described as mild-mannered, lean and aquiline in appearance, a reserved man who did not make friends easily. He also had a reputation for ruthlessness, which people like Samuel Goldwyn and Lewis J. Selznick could certainly attest to. Above all, he was a shrewd financier, never more than a self-proclaimed merchant with a 'calculated vision' who 'looked ahead a little and gambled a lot'.- Lillian Hamilton was born on 12 November 1893 in Michigan, USA. She was an actress, known for Bucking the Tiger (1917), The Smuggler's Daughter (1915) and Alice of the Lake (1915). She was married to Malcolm Blevins. She died on 30 May 1997 in Sacramento, California, USA.
- Actress
- Writer
Anita Farra was born on 15 July 1905 in Venice, Veneto, Italy. She was an actress and writer, known for Madrid de mis sueños (1942), I pirati della Malesia (1941) and Story of a Love Affair (1950). She died on 4 August 2008.103.
The Stranger and the Gunfighter, The Stranger and the Gunfighter (1974). 1974.
1905 - 2008, 103. Italy.- Miriam Seegar was born on September 1, 1907, to Frank and Carrie (née Wall) Seegar, both teachers. Raised in Greentown, Indiana, in the Seegar-Sewell home on 404 S. Main Street, she was the fourth of five daughters. Her sisters, known around town as the Seegar Sisters, were educator Helen Seegar-Stone (1895-1976) stage actress and opera singer Dorothy Seegar-Hatch (1897-1999) Mildred Seegar (1905-1913) and actress Sara Seegar (1914-1990.)
Seegar viewed her first movies in Kokomo, Indiana at the age of eight. As the sisters started acting and singing, Frank Seegar left teaching to open a hardware store in efforts to support his daughters' growing singing and acting pursuits. After his death at Seegar's age of 14, her two older sisters invited her to spend summers with them in their bedbug-laden Upper West Side apartment in New York City. Helen, working in a theatrical producer's office and Dorothy, acting and singing on Broadway, sent Miriam to an agent, and she began appearing on stage in minor, uncredited roles. She would return to Greentown in the winter upon her mother's insistence to complete her schooling with her younger sister, Sara.
After finishing school, Seegar acted in her first Broadway production as a Spanish blonde in a now-forgotten play at the 48th Street Theatre, followed by five more stage stints. While playing the part of the ingenue in The Squall (1926-1927) prolific producer Albert H. Woods took notice, and offered Seegar to star with Ernest Truex in the London West End production of his hit show Crime (1928.) At the age of 18, Seegar accepted Woods' offer and moved to London, soon followed by her mother and sister Sara to live with her in the Park Lane Hotel: "All my life I had wanted to go to England. I was just beginning to get a start in New York, but I was glad to be transferred to England." Between Stage engagements with multiple productions in London, she acted in her first two films The Price of Divorce and The Valley of Ghosts (film), both released in 1928. Next Miriam was chosen to co-star with Nelson Keyes in When Knights Were Bold (1929 film), as her figure of just under 5'1 and 100lbs would make her shorter and smaller than Keyes. The film was being directed by American director Tim Whelan, whom Miriam had just met. After the film's release she and Whelan, 14 years her senior, moved to Hollwood in 1929 and started dating. She quickly went to work making three pictures in 1929, signing with Paramount for Fashions in Love and the love doctor then making Seven Keys to Baldpate for RKO. For the next three years, Seegar made 11 more films, most being B-movies.
Blonde haired, blue eyed Miriam was one of the tiniest women in pictures, standing at just under 5'1 tall and weighing 100lbs. From a 1930 Photoplay magazine: "The question of clothes is a problem to her. Everything must be specially made, since she has no desire to step out in twelve-year-old dimities from a department store. She sees a gown model she likes and has it duplicated in a more miniature form. She likes frocks of rich material, but made without fuss and furbelows." Miriam didn't consider her name good for screen purposes as she said people were inclined to accent the last syllable, as if it were "cigar." However, she refused to change it unlike some Hollywood actresses, even after being asked by Albert H. Woods while offering to send her to London for "Crime." Also from Photoplay in 1930: "Miriam has had no very serious love affairs, although she does admit that she has been in love. In fact, several times. The only trouble is that she falls out of love so easily. She says that she believes married men are far more interesting than the young eligibles, but she's an old-fashioned girl and does not care to be the "heavy" in a real life triangle drama.
Seegar married Tim Whelan in 1931, and the couple had two sons, Tim Junior and Michael(1935-1997,) born with down's syndrome. Miriam's last film, false faces, was made in 1932. It played the Times Square Paramount, where her first American picture had been premiered just three and a half years earlier. Seegar retired from acting to raise her first child, Tim Whelan Jr, and found her career at odds with her husband's: "The sort of roles I got latterly were not becoming for a woman whose husband was then a major force in motion pictures. Selznick and Cukor offered me work, but after a while I just said no."
In 1953, she received her ASID certification and began working as an interior decorator, first with Harriet Shellenberger and later on her own. She did not retire until 1995. Her husband died in 1957, and decades later, both sons died within a span of nine months. Tim Whelan, Jr. died from cancer in 1997, and son Michael, who was born with Down syndrome, died in 1998. In 2000, at the age of 93, Seegar appeared in the documentary I Used to Be in Pictures, which featured commentary from many of her contemporaries. Thereafter she made a series of guest appearances at film festivals which culminated in an award for her screen work from the Memphis Film Festival when she was 95. On her 102nd birthday she sailed from Southampton to New York on the RMS Queen Mary 2 and back again.
Miriam Seegar had two grandchildren and four great-grandchildren at the time of her death on January 2, 2011. No specific cause of death was given, but her daughter-in-law Harriet Whelan stated that Seegar was very frail and had died from "age-related causes". - Hal Haig Prieste was born on 23 November 1896 in Fresno, California, USA. He was an actor, known for Taming Target Center (1917), The Battle Royal (1918) and Sheriff Nell's Tussle (1918). He was married to Hazel. He died on 19 April 2001 in Camden, New Jersey, USA.
- Editor
- Editorial Department
- Producer
Margaret Booth was born on 14 January 1898 in Los Angeles, California, USA. She was an editor and producer, known for Mutiny on the Bounty (1935), Murder by Death (1976) and Annie (1982). She died on 28 October 2002 in Los Angeles, California, USA.- Lillian (Roberts) Culver was born in Loveland, Colorado, the daughter of William Porter Roberts and Clara Ellen Lackey. Her ancestors included Brigadier General Isaac Roberts of the War of 1812 and Anne (Robertson)(Johnston) Cockrill, heroine of the Revolutionary War and sister of James Robertson, "the father of Tennessee." She was an aspiring actress in silent movies when she met Harry H. Culver in 1915; they were married a short while later. She gave up her acting career until her husband's death August 17, 1946, whereupon she played small speaking roles in movies and guested on several television shows.
- A pretty, diminutive (4'11") actress of the silent and early sound era, Barbara Cloutman (later Kent) was born in Gadsby, Alberta, Canada on December 16, 1907. Upon graduating from Hollywood High School in 1925, Kent won the Miss Hollywood Pageant, and set her sights on a career in the movies. She was 18 when Universal Studios signed her; she made her film debut in the western Prowlers of the Night (1926). That same year, Kent established herself with the classic romantic melodrama Flesh and the Devil (1926), in which she played the rival to femme fatale Greta Garbo's affections for John Gilbert. She was loaned to MGM for that movie. Kent was selected as one of the WAMPAS Baby Stars of 1927 as a result of the popularity of her film No Man's Law (1927), in which she had a nude scene.
Kent subsequently appeared opposite Richard Barthelmess in The Drop Kick (1927) and had a starring role in another silent classic, Lonesome (1928), before smoothly making the transition to talkies. She played Harold Lloyd's love interest in his first two sound movies, Welcome Danger (1929) and Feet First (1930). Kent had supporting parts opposite Gloria Swanson in Indiscreet (1931) and Marie Dressler in Emma (1932), as well as playing the role of the aunt in Oliver Twist (1933) (notable since the character is often omitted from dramatizations of the novel).
In 1933, Kent took a year-long hiatus from acting so that her new husband, talent agent Harry E. Edington, could groom her for what he intended to be a high-profile return. Unfortunately, Kent's popularity had declined by the time she did return. She made three more films between 1935 and 1941, before retiring from the screen.
Edington died in 1949, and Kent remarried in 1954, to Jack Monroe, an engineer. They settled in Palm Desert, California, where Kent remained after Monroe's death. Her retirement was long and peaceful; she passed away on October 13, 2011 at the age of 103. - Producer
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- Second Unit Director or Assistant Director
Ted Richmond was born on 10 June 1910 in Norfolk, Virginia, USA. He was a producer and writer, known for Papillon (1973), Blonde Comet (1941) and Shakedown (1950). He died on 23 December 2013 in Paris, France.- Wally Cassell was born on 3 March 1912 in Agrigento, Sicily, Italy. He was an actor, known for White Heat (1949), Sands of Iwo Jima (1949) and Story of G.I. Joe (1945). He was married to Marcy McGuire. He died on 2 April 2015 in Palm Desert, California, USA.
- Actress
- Soundtrack
In addition to her vocal dubbing and on-screen film credits, Etta Moten played the role of Bess in the 1943 revival of "Porgy and Bess" at the personal request of Ira Gershwin (not George, who had died in 1937). Etta and husband Claude Barnett, founder of the Negro Associated Press, served as US representatives to the independence celebrations of Ghana and several other African countries. Also a radio journalist, Etta interviewed Dr. Martin Luther King Jr. after the ceremonies in Ghana on March 6, 1957, and conducted her own radio show for WMAQ/NBC in Chicago for many years.- Actor
- Soundtrack
Born Willy Eichberger in Vienna, Austria, he changed his name to the ethnically nondescript Carl Esmond and went on to become a well-regarded actor both here and in Europe, a career that sustained itself for nearly 50 years. He initially studied drama in Vienna at the State Academy of Dramatic Arts and started things off with the German film Kaiserwalzer (1933) [The Emperor's Waltz]. He had developed into a matinée idol in both Germany and Austria with such films as Die Liebe siegt (1934) [Love Conquers] by the time he moved to London. He started treading the marquee boards there in such plays as "Victoria Regina" with a repertoire that would include everything from Shakespeare to Shaw.
In the late 1930s Esmond made a strategic career move to the United States, where he briefly changed his name yet again to Charles Esmond before reverting back to Carl. He eventually became an American citizen. Over the years, the slick, mustachioed, well-groomed actor poured on the charm in a number of popular war-era films as both cultivated romancers and urbane villains, in addition to the nefarious Teutonic officers he customarily played. Making his debut with the classic The Prisoner of Zenda (1937), Esmond went on to appear opposite Errol Flynn in The Dawn Patrol (1938), Gary Cooper in both Sergeant York (1941) and The Story of Dr. Wassell (1944), Ray Milland in Ministry of Fear (1944), Susan Hayward in Smash-Up: The Story of a Woman (1947) and Gregory Peck in The World in His Arms (1952).
By the 1950s Carl was a steady fixture on television drama and portrayed Victor Lazlo in a 1955 presentation of "Casablanca." A guest star of such series as "77 Sunset Strip," "Maverick," "the Big Valley" and "McMillan and Wife," his last film was the very forgettable Agent for H.A.R.M. (1966). Sporadically seen after that, he retired following his appearance in the TV mini-movie My Wicked, Wicked Ways: The Legend of Errol Flynn (1985), a biopic of his 30s co-star Errol Flynn. Long wed to literary agent Ruth Taub, who predeceased him, he died of natural causes at 102 years.102.
13 westerns, 56-70.
Col. Picard, Fury at Rio Hondo (1956). 1956.
1902 - 2004, 102. Austria. California.- Writer
- Producer
Erna Lazarus was born on 16 June 1903 in Boston, Massachusetts, USA. She was a writer and producer, known for Atlantic Flight (1937), Meet Me After the Show (1951) and Cracked Nuts (1941). She died on 19 February 2006 in Woodland Hills, Los Angeles, California, USA.- Actor
- Soundtrack
Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.- Rina Franchetti was born on 23 December 1907 in Naples, Campania, Italy. She was an actress, known for Le avventure di Nicola Nickleby (1958), David Copperfield (1965) and The Mean Machine (1973). She died on 18 August 2010 in Formello, Lazio, Italy.
- Actor
- Director
- Writer
John Calvert was born on 5 August 1911 in New Trenton, Indiana, USA. He was an actor and director, known for Dark Venture (1956), Search for Danger (1949) and Gold Fever (1952). He was married to Tammy and Ann Cornell. He died on 27 September 2013 in Lancaster, California, USA.- Editor
- Producer
- Director
Elmo Williams was born James Elmo Williams in Lone Wolf, Oklahoma. Orphaned at 16, he attended schools in Oklahoma and New Mexico before moving to Los Angeles. In 1933 he struck up a relationship with film editor Merrill G. White, who hired Williams as his assistant on a business trip to England. He learned the basics of film editing from White and soon gained a reputation as a first-rate editor, doing much work at RKO. In 1947 Williams edited the documentary Design for Death (1947), which earned an Oscar as Best Documentary, and in 1952 he received an Oscar for his editing of the western classic High Noon (1952). He soon branched out into directing, turning out several low-budget efforts for Lippert Pictures and Republic Pictures. Williams journeyed to Europe in 1958 to work as editor and second-unit director on The Vikings (1958) and wound up staying there for several years when he was hired to produce and direct the TV series Tales of the Vikings (1959).
Upon his return to the US, Williams was hired by 20th Century-Fox as a second-unit director. In that capacity, and as associate producer, he was sent back to Europe to work on the WW II epic The Longest Day (1962), helping to stage the film's spectacular battle scenes. He had another extended stay in Europe when he was given the job of Managing Director of European Production for Fox, a position he held until 1966, when he returned to the US to work on another World War II epic, Tora! Tora! Tora! (1970). In 1970 Williams was appointed Vice President in charge of Worldwide Production at Fox, a job he left in 1973 to go into independent production.- Virginia Campbell was born on 17 February 1914 in Plaquemine, Louisiana, USA. She was an actress, known for Unconquered (1947), That Lady in Ermine (1948) and Home Town Story (1951). She was married to John Becker, Richard Clark and Leonard Lambert. She died on 17 February 2016.
- Actress
Jessie Proctor was born on 20 December 1873 in Wisconsin, USA. She was an actress. She died on 6 July 1975 in Woodland Hills, Los Angeles, California, USA.- Mabel Trunnelle was born in Dwight, Illinois on November 8, 1879. A stage actress from the East Coast, Mabel was 32 when she appeared on the silver screen. In 1911 she was in A MODERN CINDERELLA, IN THE DAYS OF CHIVALRY, and THE STAR SPANGLED BANNER, the latter being the most notable. Her last film was in 1923's THE LOVE TRAP. At 44 she went back to the stage. On April 29, 1981, Mabel died in Glendale, California at the age of 101.
- Ester Carloni was born on 12 May 1897 in Naples, Campania, Italy. She was an actress, known for Flatfoot in Egypt (1980), Totò, Fabrizi e i giovani d'oggi (1960) and Fantasma d'amore (1981). She died on 24 December 1998 in Rome, Lazio, Italy.101
Armed woman, They Call Him Cemetery (1971). 1971. A Bullet for a Stranger.
1897 - 1998, 101. Italy. - Jesse De Vorska was born on 13 July 1898 in Kovno, Russian Empire [now Kaunas, Lithuania]. He was an actor, known for The Spider (1931), Around the Corner (1930) and The Last Parade (1931). He died on 27 December 1999 in Westwood, California, USA.
- Additional Crew
- Director
- Second Unit Director or Assistant Director
Irving Rapper was one of the last surviving directors from the "Golden Age of Hollywood," passing away on Dec. 20, 1999, at the age of 101, four weeks shy of his 102nd birthday. Rapper is best remembered for the films he made with Bette Davis, including the classics Now, Voyager (1942) and The Corn Is Green (1945). He also directed the first film adaptation of a Tennessee Williams play, The Glass Menagerie (1950), and the Rapper-helmed The Brave One (1956) won screenwriter Robert Rich an Oscar (Rich actually was blacklisted writer Dalton Trumbo, one of The Hollywood Ten, who did not receive his Oscar for almost 20 years). Rapper continued directing well into the 1970s.
Born in London on January 16, 1898, he emigrated to the United States and became an actor and stage director on Broadway while studying at New York University. In the mid-'30s, he journeyed westward to Hollywood, hired as an assistant director and dialog coach at Warner Bros., where he proved invaluable translating--and mediating--for non-native-English-speaking directors; by the early 1940s, he had metamorphosed into the hottest director on the Warner Bros. lot.
Hired as a "dialog director" (a position created by the film studios in the late 1920s with the advent of sound) by Warners in 1935, he practiced that craft until 1941, when he was promoted to director. While the position of dialog director no longer exists, in the first decades of the talkies dialog directors worked with the actors on their line readings and interpretation of individual scenes. The position was particularly critical when the director was a foreigner who didn't understand English very well.
Rapper initially worked with Gernan émigré William Dieterle on The Story of Louis Pasteur (1936), The Life of Emile Zola (1937) and Juarez (1939). While Dieterle was focused on the technical aspects of filmmaking, such as the lighting of the sets and the camera angles, Rapper concentrated on the actors' performances. He also served as a dialog director for Hungarian émigré Michael Curtiz, for whom he translated (and who, according to Rapper, spoke English more poorly the longer he was in Hollywood) and French-born Anatole Litvak. In that position, Rapper forged strong bonds with certain actors, who came to depend on him.
Bette Davis and Rapper formed a bond that included the free solicitation of advice. He counseled Davis to ask to have William Keighley, who was originally assigned to direct her in The Private Lives of Elizabeth and Essex (1939), replaced by Curtiz. Davis was to be in heavy makeup, and Rapper knew that Curtiz, a perfectionist, would be the right man to capture the visuals in the costume drama. Ironically, Rapper did not get to be the dialog director on the film, as he was assigned to a troubled picture helmed by Litvak. Without him on the set of "Elizabeth and Essex" to run interference, Davis and Curtiz--both strong-willed perfectionists---fought furiously.
Rapper resisted being assigned as a director of "B" films because he knew that once you were assigned to that unit you were stuck there and would never get a chance to graduate to "A" pictures. Rapper bided his time until he was offered a "programmer," Shining Victory (1941), by studio head Jack L. Warner. Shot without stars, the inspirational movie was a modest success and Warners assigned him to another "inspirational" picture, about a minister, One Foot in Heaven (1941). The minister was played by Oscar-winner Fredric March, then widely considered the best American actor since John Barrymore (who had by now turned into a parody of himself). March's talent was matched only by Paul Muni and the Great Profile's brother Lionel Barrymore. March was enthusiastic about the character and has long considered it one of his favorite roles. The film's success solidified Rapper's filmmaking career, which was further bolstered by his next picture The Gay Sisters (1942), starring the great Barbara Stanwyck, who lobbied for the role.
The next picture he directed was destined to become a classic. "Now, Voyager" (1942) was "the picture that made me," Rapper said in a 1981 interview. Politics played a role in his nabbing the choice assignment with only three directorial credits under his belt. Hal B. Wallis, a Warners producer with his own unit, intended to cast Irene Dunne in the picture, but Rapper leaked Wallis' plans to his close friend Bette Davis, who demanded the part from Jack L. Warner. The front office gave in to her demands, and she reciprocated Rapper's favor by asking for him as her director.
Rapper knew that casting Davis' co-stars was important if the picture was to work. He defied Wallis' choice of May Whitty as the mother of Davis' character, stumping for Gladys Cooper, whom Wallis claimed he had never heard of. Cooper received an Oscar nomination in the role. Paul Henreid got his first big break from Rapper, who tested him and then got approval to cast him (although the role made Henreid's career, he later humiliated Rapper at Davis' gala American Film Institute tribute in 1977, where he mocked the director and took credit for the famous scene where he lights two cigarettes at once and hands one to Davis. According to Rapper, Henreid had always wanted to be a successful director, and this engendered a personal enmity in him towards the director who "discovered him").
In addition to Davis and Henreid, Rapper attributed the film's success to lighting cameraman Sol Polito and versatile character actor Claude Rains, who played the psychoanalyst and thus the third side of the love triangle anchored by Davis and Henreid. Rapper felt that after the picture ends, Davis' character eventually will marry her psychoanalyst.
Rapper reteamed with Davis for the highly successful "The Corn Is Green" (1945), a story set in Wales but shot entirely--even the outdoor scenes--on Warners' sound stages. Rapper said that for her role as the Welsh schoolteacher, Davis tried very hard to not use the mannerisms that had made her famous. Rapper believes that John Dall, who played the schoolboy and whom he discovered, did not have a major career and became typecast as a villain because he was androgynous, and the public mood and cinema censorship of the time would not allow such an actor to be a star.
Rapper reportedly broke with Warners over Rhapsody in Blue (1945), a biography of George Gershwin. He felt that the script, which was approved by the Gershwin family which initially controlled the project, was wrong in that it made Gerswhin a character infatuated with two fictional women, while the real Gershwin was likely only really enthused about his music. Jack Warner, whose studio had never employed Gershwin and thus was an odd choice for the Gershwin family to entrust with his life story, fought the director over his choice of John Garfield to play the composer. Rapper believed that the casting of the film was all-important and its success ultimately was compromised by the casting of the bland Robert Alda at Warner's insistence. Jack Warner would not cast Garfield, as he was seeking leverage in the actor's upcoming contract negotiations. He also vetoed Rapper's second choice of Cary Grant on the grounds that no one would accept Grant as a composer (Warner subsequently took Rapper's insight to heart and cast Grant as Cole Porter in Night and Day (1946)). Although he looked like Gershwin, Alda "had a blah personality," Rapper told an interviewer in 1981. The film was showcased at the prestigious Cannes Film Festival, but ultimately it was a failure. Some movie historians believe that Rapper's disenchantment over the failure of the film caused him to eventually break with Warner Bros.
He made Deception (1946) with Davis, which reunited her with "Now, Voyager" co-stars Rains and Henreid. Rapper claims that the movie was compromised when Davis--who was convinced that Rains' performance was stealing the picture from her--went behind Rapper's back and got Jack Warner to change the script so that she could shoot Rains' character in the finale. Rapper believed that the new ending weakened the picture. He also felt that his next picture The Voice of the Turtle (1947), an adaptation of the huge Broadway hit, was compromised by the casting of Ronald Reagan as the leading man. Despite Reagan's trying to beef his part up by inventing bits of business, Rapper believes that Eve Arden stole the film from him and his co-star, Eleanor Parker.
Rapper claimed in 1981 that he left Warners and became a freelancer due to the bad advice of his agent, who told him " . . . the movie business was booming and I could have my pick of assignments." Unfortunately, neither Rapper nor his agent forecast the downturn in the industry caused by the advent of television and the US Justice Department's order that the film studios divest themselves of their theater chains. The industry went into an economic tailspin, and Rapper's career suffered.
His first post-Warners gig was at Columbia Pictures, directing Anna Lucasta (1949). Originally a story of an African-American girl looking for acceptance from society, studio boss Harry Cohn had the girl and her family's ethnic identity changed to Polish, with narrative results that were, in Rapper's words, "pretty bizarre." Rapper wanted future Oscar-winner Susan Hayward for the girl, but Columbia cast Paulette Goddard in order to fulfill a one-picture commitment she had to the studio. Goddard got the role because she had threatened to sue Columbia if the studio didn't fulfill her contract. Rapper said that Goddard was "hopeless in drama. She couldn't match any bits of business and her reading of lines was wooden." Cast in the role of a teenager, Goddard "claimed she was 34 but the records showed it was more like 44." Thus are debacles made.
Rapper returned to Warner Bros. to helm The Glass Menagerie (1950), the first movie adaptation of a Tennessee Williams play, because producer Charles Feldman requested him. Just off her Oscar win for Johnny Belinda (1948), the 36-year-old Jane Wyman was cast as the 20-something Laura to boost box-office returns. Tallulah Bankhead was hired to play Amanda Wingfield, but her drunkenness on the set on the second day of shooting led Jack Warner to fire her. Refusing to cast Miriam Hopkins "because of past differences," Warner "positively screamed when I mentioned Bette Davis." Ruth Chatterton was considered, and Ethel Barrymore, who wanted the part, was rejected as being too old. Finally, said Rapper, "that left Gertrude Lawrence, who had little camera experience and was so very jittery she'd cry every time a take was spoiled."
Commenting on the film three decades later, Rapper said, "I still like Kirk Douglas as the gentleman caller and Arthur Kennedy as Tom." The movie, considered one of the least successful adaptations of Williams' work, is barely remembered today and suffers from a bowdlerization of the original play. Williams hated the film as, against his wishes, the script implies a totally different, more upbeat ending than his play.
Of his later films, Rapper felt that they suffered, as he "missed the studio set-up." He claimed "The Brave One" (1956) as his best movie. Marjorie Morningstar (1958) was his last success at the box office, and his career tailed off in the 1960s, although he continued to direct until the end of the 1970s.
He attributed the failure of The Christine Jorgensen Story (1970) to "casting a beautiful boy [John Hansen] rather than a girl" to play Jorgensen, who rocketed to fame in the 1950s after a sex change. "That, after all, was Christine's story. She always believed she was a woman trapped inside a man's body." Born Again (1978), based on a memoir of a convicted Watergate co-conspirator who was on President Richard Nixon's staff, was a failure, as Rapper "was prevented from dramatizing the crimes of Charles Colson, only the redemption--and that made for boredom."
"Born Again" turned out to be Rapper's last film, as he reneged on his commitment to direct Sextette (1977), an exploitation film based on the joke of the elderly Mae West taking a (far younger) husband, her sixth. Rapper backed out, as he didn't have the heart for it: "Mae West was too frail-looking. She'd put her hands on her hips but there were no hips; she had faded away. However, I helped her with her line readings. So, you see, I was back to where I started--as a dialog director!"
Irving Rapper's goal late in life was to live in three separate centuries. He died on Dec. 20, 1999, aged 101, a little less than two weeks shy of fulfilling that wish.- Actor
- Soundtrack
American politician and songwriter who appeared in a number of films. Davis was born in the now-nonexistent town of Beech Springs, Louisiana, the son of sharecroppers. He and his ten siblings lived in dire poverty, but Davis paid his way through Louisiana College and Louisiana State University as a street musician. After graduate school, he taught at Dodd College for Women, supporting himself with a singing job on a local radio station. He got a chance to record one of his songs when a record talent scout heard him on a broadcast, and in 1934 his song "Nobody's Darling But Mine" was a hit. A 1931 song, "You Are My Sunshine," became a 1939 hit, a standard eventually recorded by a score of singing stars from Bing Crosby to Aretha Franklin. No longer poor, but unable to live off his songs, Davis entered politics and was elected police chief of Shreveport. He continued to record songs and occasionally acted in movies, especially B-Westerns, until in 1943 he decided to run for governor of Louisiana. Although Davis's opponent tried to use his singing background against him, it actually was a great factor in Davis's election to the post. Even after he was elected governor, he continued to record songs and played himself in a movie of his life, Louisiana (1947). During the 1950s, he made records and concert appearances, then ran again for governor again in the 1960s. He was elected again and reluctantly presided over Louisiana's difficult transition into greater racial equality. After this second term, Davis spent the rest of his career singing, recording over fifty albums. He died at 101, enormously popular in his home state and likely to be remembered less as a politician or actor than as the composer of "You Are My Sunshine," one of the most familiar American songs of all time.101.
3 westerns, 1942, 1943, 1944.
Riding Through Nevada (1942). 1942. 43 years old.
Louisiana Boys: Raised on Politics (1992). 1992.
1899 - 2000, 101.- Actress
- Additional Crew
Zoila Conan was born on 29 July 1903 in Mexico. She was an actress, known for Sensation Hunters (1933), Hearts and Hoofs (1930) and The First Round-Up (1934). She was married to Edward Rickard. She died on 12 May 2005 in Los Angeles, California, USA.- Special Effects
- Additional Crew
- Producer
Harry Redmond Jr. was born on 15 October 1909 in Brooklyn, New York City, New York, USA. He was a producer, known for Ripcord (1961), Science Fiction Theatre (1955) and Sea Hunt (1987). He was married to Dorothea Holt. He died on 23 May 2011 in Hollywood Hills, Los Angeles, California, USA.101
9 westerns, 35-54.
Special Effects, Partners of the Plains (1938). 1938. Credited.
1909 - 2011, 101.- Director
- Writer
- Producer
Richard L. Bare was born on 12 August 1913 in Turlock, California, USA. He was a director and writer, known for 77 Sunset Strip (1958), The Islanders (1960) and I Sailed to Tahiti with an All Girl Crew (1969). He was married to Gloria Jean Bailey, Jeanne Evans, Julie Van Zandt, Phyllis Coates, Virginia May Carpenter and Barbara Joyce. He died on 28 March 2015 in Newport Beach, California, USA.- Amelia Bence was born on 13 November 1914 in Buenos Aires, Argentina. She was an actress, known for A sangre fría (1947), La danza del fuego (1949) and Lauracha (1946). She was married to Alberto Closas and Charlie Ortiz Basualdo. She died on 8 February 2016 in Buenos Aires, Argentina.
- Director
- Script and Continuity Department
- Second Unit Director or Assistant Director
Leslie H. Martinson was born on 16 January 1915 in Boston, Massachusetts, USA. He was a director and assistant director, known for Batman: The Movie (1966), Mission: Impossible (1966) and Hot Rod Girl (1956). He was married to Connie Martinson. He died on 3 September 2016 in Los Angeles, California, USA.- Frank M. Thomas was born on 13 July 1889 in St. Joseph, Missouri, USA. He was an actor, known for Behind the Headlines (1937), Criminal Lawyer (1937) and The Philco Television Playhouse (1948). He was married to Mona Bruns. He died on 25 November 1989 in Tujunga, California, USA.
- Producer
- Writer
- Additional Crew
Hal Roach was born in 1892 in Elmira, New York. After working as a mule skinner, wrangler and gold prospector, among other things, he wound up in Hollywood and began picking up jobs as an extra in comedies, where he met comedian Harold Lloyd in 1913 in San Diego. By all accounts, including his own, he was a terrible actor, but he saw a future in the movie business and in Harold Lloyd. Roach came into a small inheritance and began producing, directing and writing a series of short film comedies, under the banner of Phun Philms (soon changed to Rolin, which lasted until 1922), starring Lloyd in early 1915. Initially these were abysmal, but with tremendous effort, the quality improved enough to be nominally financed and distributed by Pathe, which purchased Roach's product by the exposed foot of film. The Roach/Lloyd team morphed through two characters. The first, nominally tagged as "Will E. Work", proved hopeless; the second, "Lonesome Luke," an unabashed imitation of Charles Chaplin, proved more successful with each new release. Lloyd's increasing dissatisfaction with the Chaplin clone character irritated Roach to no end, and the two men engaged in a series of battles, walkouts and reconciliations. Ultimately Lloyd abandoned the character completely in 1917, creating his now-famous "Glasses" character, which met with even greater box-office success, much to the relief of Roach and Pathe. This new character hit a nerve with the post-war public as both the antithesis and complement to Chaplin, capturing the can-do optimism of the age. This enabled Roach to renegotiate the deal with Pathe and start his own production company, putting his little studio on a firm financial foundation. Hal Roach Productions became a unique entity in Hollywood. It operated as a sort of paternalistic boutique studio, releasing a surprising number of wildly popular shorts series and a handful of features. Quality was seldom compromised and his employees were treated as his most valuable asset.
Roach's relationship with his biggest earner was increasingly acrimonious after 1920 (among other things, Lloyd would bristle at Roach's demands to appear at the studio daily regardless of his production schedule). After achieving enormous success with features (interestingly, his only real feature flop of the 1930s was with General Spanky (1936), a very poorly conceived vehicle for the property), Lloyd had achieved superstar status by the standards of "The Roaring Twenties" and wanted his independence. The two men severed ties, with Roach retaining re-issue rights for Lloyd's shorts for the remainder of the decade. While both men built their careers together, it was Lloyd who first recognized his need for creative freedom, no longer needing Roach's financial support. This realization irked Roach, and from this point forward he found it difficult, if not impossible, to offer unadulterated praise for his former friend and star (while Lloyd himself was far more generous in his later praise of Roach, he, too, could be critical, if more accurate, in his recollections). Lloyd went on to much greater financial success at Paramount.
Despite facing the prospect of losing his biggest earner, Roach was already preoccupied with building his kiddie comedy series, Our Gang, which became an immediate hit with the public. By the time he turned 25 in 1917, Roach was wealthy and increasingly spending time away from his studio. He traveled extensively across Europe. By the early 1920s he had eclipsed Mack Sennett as the "King of Comedy" and created many of the most memorable comic series of all time. These included the team of Stan Laurel and Oliver Hardy, Charley Chase, Edgar Kennedy, 'Snub' Pollard and especially the long-running Our Gang series (AKA "The Little Rascals" in TV distribution). Pathe, which distributed his films, shut down its U.S. operations after its domestic representative, Paul Brunet, returned to France in 1927. But Roach was able to secure an even better deal with MGM (his key competitor, Mack Sennett, was also distributed by Pathe, but he was unable to land a deal, ultimately declaring bankruptcy in 1933). For the next eleven years Roach shored up MGM's bottom line, although the deal was probably more beneficial to Roach. In the mid-'30s Roach became inexplicably enamored of 'Benito Mussolini', and sought to secure a business alliance with the fascist dictator's recently completed film complex, Cinecitta. After Roach asked for (and received) assurances from Mussolini that Italy wasn't about to seek sanctions against the Jews, the two men formed RAM ("Roach And Mussolini") Productions, a move that appalled the powers at MGM parent company, Leow's Inc. These events coincided with Roach selling off "Our Gang" to MGM and committing himself solely to feature film production. In September 1937, Il Duce's son, Vittorio Mussolini, visited Hollywood and Roach's studio threw a lavish party celebrating his 21st birthday. Soon afterward the Italian government took on an increasingly anti-Semitic stance and, in retribution, Leow's chairman Nicholas Schenck canceled his distribution deal. Roach signed an adequate deal with United Artists in May 1938 and redeemed his previous record of feature misfires with a string of big hits: Topper (1937) (and its lesser sequels), the prestigious Of Mice and Men (1939) and, most significantly, One Million B.C. (1940), which became the most profitable movie of the year. Despite the nearly unanimous condemnation by his industry peers, Roach stubbornly refused to re-examine his attitudes over his dealings with Mussolini, even in the aftermath of World War II (he proudly displayed an autographed portrait of the dictator in his home up until his death). His tried-and-true formula for success was tested by audience demands for longer feature-length productions, and by the early 1940s he was forced to try his hand at making low-budget, full-length screwball comedies, musicals and dramas, although he still kept turning out extended two-reel-plus comedies, which he tagged as "streamliners"; they failed to catch on with post-war audiences. By the 1950s he was producing mainly for television (My Little Margie (1952), Blondie (1957) and The Gale Storm Show: Oh! Susanna (1956), for example). His willingness to delve into TV production flew in the face of most of the major Hollywood studios of the day. He made a stab at retirement but his son, Hal Roach Jr., proved an inept businessman and drove the studio to the brink of bankruptcy by 1959. Roach returned and focused on facilities leasing and managing the TV rights of his film catalog.
In 1983 his company developed the first successful digital colorization process. Roach then became a producer for many TV series on the Disney Channel, and his company still produces most of their films and videos. He died peacefully just shy of his 101st birthday, telling stories right up until the end.- Born in Oklahoma City, Oklahoma, Louise Currie attended Sarah Lawrence College in Bronxville, New York, became interested in acting and began taking courses at Max Reinhardt's drama school in Hollywood. Talent scouts spotted the aspiring actress in the acting workshop's stage productions and pressed her to make the rounds of the Hollywood studios, but Currie remained adamant about staying out of the limelight until she felt she was ready. After graduation, she found an agent (Sue Carol, wife of actor Alan Ladd) and began working in pictures, generally at smaller studios like Monogram and PRC. She appeared in Columbia two-reelers, many B-Westerns and two of Republic's "Golden Age" serials (Adventures of Captain Marvel (1941) and The Masked Marvel (1943)) before leaving the picture profession in the early '50s. With her husband, former actor John Good, she went into a new business: Good (an architectural designer) remodeled houses and Currie decorated them.
- Actress
- Additional Crew
- Soundtrack
Lovely brown-eyed, brunette Claire Du Brey enjoyed a rich, four-decade film career in all. Born Clara Violet Dubrey on August 31, 1892, in Bonner's Ferry Idaho, her family traveled the rugged Sierra Madre terrain by covered wagon in their move to California when she was 13.
Educated in a convent setting and once trained to be a nurse, Claire responded to an newspaper ad and found employment working part time in motion pictures. From there, she found herself in front of the camera, making her movie debut as star Billie Burke's friend in the Triangle release Peggy (1916). Universal saw a leading lady vamp in her, however, and from 1917 she enjoyed star billing in such silent short and feature-length vehicles as Princess Dione in the Rex Ingram-directed The Reward of the Faithless (1917); The Fighting Gringo (1917), opposite Harry Carey; Anything Once (1917) and The Winged Mystery (1917) both co-starring Franklyn Farnum; Brace Up (1918) with Herbert Rawlinson; the family drama The Magic Eye (1918); and A Man in the Open (1919) with Dustin Farnum. She also appeared in a number of Lon Chaney's early Universal vehicles such as The Rescue (1917) Pay Me! (1917) and Triumph (1917).
A versatile player whether asked to portray royalty, servants, temptresses or prairie flowers, Claire turned to Los Angeles stage plays during an early 1920s lull in film offers and graced such vehicles as "Madame X," "Spring Cleaning" and "The Youngest". Later "jazz age" film roles included The Sea Hawk (1924), Drusilla with a Million (1925) Exquisite Sinner (1926), and The Devil Dancer (1927).
During the declining period of her career (1928), Claire met actress Marie Dressler and they became close friends. Claire wound up serving as Dressler's secretary, fan mail handler and travel companion. In reward, Dressler arranged for Claire to get small roles a few of her talking films Politics (1931) and Prosperity (1932). She also served as Dressler's nurse in 1933 when the elder woman was dying of cancer.
As a character actress, Claire became much in demand throughout the late 1930s, 1940s and 1950s, appearing in general purpose roles as secretaries, nurses, salesladies, housekeepers, matrons, spinsters, relatives, etc. On a rare occasion she managed to stand out, none more so than in her mad scene as Bertha Rochester in a "B"-level version of Jane Eyre (1934) starring Colin Clive and Virginia Bruce. Seen sporadically on TV into the 1950s, she retired by the end of the decade. Her last film roles were in Girls Town (1959) and The Miracle (1959), both unbilled.
An early marriage to a doctor, Mark Gorman, ended in divorce. She lived another four decades after leaving the limelight. In her final years she grew deaf and her health quite fragile, dying at the age of 100 on August 1, 1993.- Elsie Greeson was born on 20 March 1895 in St. Louis, Missouri, USA. She was an actress, known for In the Days of Buffalo Bill (1922), An Heiress for Two (1915) and The Sealed Package (1914). She died on 11 June 1995 in Banning, California, USA.
- Mona Bruns was born on 26 November 1899 in St. Louis, Missouri, USA. She was an actress, known for Shadow of the Cloak (1951), The Brighter Day (1954) and Mannix (1967). She was married to Frank M. Thomas. She died on 13 June 2000 in Los Angeles, California, USA.
- Actor
- Producer
- Writer
Comedian Bob Hope was born Leslie Townes Hope in Eltham, London, England, the fifth of seven sons of Avis (Townes), light opera singer, and William Henry Hope, a stonemason from Weston-super-Mare, Somerset. His maternal grandmother was Welsh. Hope moved to Bristol before emigrating with his parents to the USA in 1908. After some years onstage as a dancer and comedian, he made his first film appearance in The Big Broadcast of 1938 (1938) singing "Thanks for the Memory", which became his signature tune.
In partnership with Bing Crosby and Dorothy Lamour, he appeared in the highly successful "Road to ..." comedies (1940-52), and in many others until the early 1970s. During World War II and the Korean and Vietnam wars he spent much time entertaining the troops in the field. For these activities and for his continued contributions to the industry he received five honorary Academy Awards.100.
6 westerns, 48-59.
Peter Potter, Jr., Son of Paleface (1952). 1952.
1903 - 2003, 100. London. California.- Cinematographer
- Camera and Electrical Department
Irving Lippman was born on 8 November 1906 in Edendale, California, USA. He was a cinematographer, known for Jungle Jim (1955), Angel Unchained (1970) and 20 Million Miles to Earth (1957). He died on 15 November 2006 in Woodland Hills, California, USA.100
113 westerns, 32-74.
1906 - 2006,. 100.- Herman Brix was a star shot-putter in the 1928 Olympics. After losing the lead in MGM's Tarzan the Ape Man (1932) due to a shoulder injury, he was contracted by Ashton Dearholt for his independent production of The New Adventures of Tarzan (1935), a serial and the only Tarzan film between the silents and the 1960s to present the character accurately, as a sophisticated, educated English nobleman who preferred living in the jungle and was able to speak directly with animals in their own language. He subsequently found himself typecast and confined to starring roles in other serials and character and even bit parts in poverty row features and two-reeler comedies. After starring in the Republic Pictures serial Hawk of the Wilderness (1938) as the Tarzan-like Kioga, he dropped out of films for a few years, took acting lessons, and changed his name to Bruce Bennett. He made many movies after that, gaining fame as a leading man in many Warners products. In 1960, he retired from acting and went into business, becoming sales manager of a major vending machine company, making only occasional TV guest appearances. A reclusive man, he eschewed interviews, although he did appear at one Burroughs-oriented convention in the 1970s and discussed some of his experiences during the making of his Tarzan serial. In 2001, he allowed himself to be interviewed for a slender biography by a Mike Chapman, and held signings at local bookstores, enjoying his "rediscovery" by the general public in the few years remaining before his death.
- Anne Sheridan was born on 27 September 1908 in Wichita, Kansas, USA. She was an actress, known for Casey at the Bat (1927), Casey Jones (1927) and The Galloping Jinx (1925). She died on 29 September 2008 in Los Angeles, California, USA.
- Georgie Stone was born on 3 September 1909 in Cleveland, Ohio, USA. He was an actor, known for Just Pals (1920), Ali Baba and the Forty Thieves (1918) and Gretchen the Greenhorn (1916). He died on 25 April 2010 in Denver, Colorado, USA.
- Art Director
- Production Designer
- Art Department
Robert F. Boyle was born on 10 October 1909 in Los Angeles, California, USA. He was an art director and production designer, known for North by Northwest (1959), Fiddler on the Roof (1971) and The Shootist (1976). He was married to Bess Boyle. He died on 1 August 2010 in Los Angeles, California, USA.- Cinematographer
- Camera and Electrical Department
- Director
Osmond Borradaile was born on 17 July 1898 in Winnipeg, Manitoba, Canada. He was a cinematographer and director, known for The Four Feathers (1939), After the Fog (1930) and The Thief of Bagdad (1940). He was married to Christiane Lippens. He died on 23 March 1999 in Canada.- Actor
- Additional Crew
- Soundtrack
One of Hollywood's more high-flying dancers on film, dimpled, robust, fair-haired Marc Platt provided fancy footwork to a handful of "Golden Era" musicals but truly impressed in one vigorous 1950s classic.
Born to a musical family on December 2, 1913 in Pasadena, California as Marcel Emile Gaston LePlat, he was the only child of a French-born concert violinist and a soprano singer. After years on the road, the family finally settled in Seattle, Washington. Following his father's death, his mother found a job at the Mary Ann Wells' dancing school while young Marc earned his keep running errands at the dance school. He eventually became a dance student at the school and trained with Wells for eight years who saw great potential in Marc.
It was Wells who arranged an audition for Marc with the Ballet Russe de Monte Carlo when the touring company arrived in Seattle. The artistic director Léonide Massine accepted him at $150 a week and changed his name to Marc Platoff in order to maintain the deception that the company was Russian. A highlight was his dancing as the Spirit of Creation in Massine's legendary piece "Seventh Symphony". Platt also choreographed during his time there, one piece being Ghost Town (1939), which was set to music by Richard Rodgers. While there he met and married (in 1942) dancer Eleanor Marra. They had one son before divorcing in 1947. Ted Le Plat, born in 1944, became a musician as well as a daytime soap and prime-time TV actor.
Anxious to try New York, Marc left the ballet company in 1942 and moved to the Big Apple where he changed his marquee name to the more Americanized "Marc Platt" and pursued musical parts. Following minor roles in the short run musicals "The Lady Comes Across" (January, 1942) with Joe E. Lewis, Mischa Auer and Gower Champion and "Beat the Band" (October-December, 1942) starring Joan Caulfield, Marc and Kathryn Sergava found themselves cast in a landmark musical, the Rodgers and Hammerstein rural classic "Oklahoma!" Choreographer Agnes de Mille showcased them in the ground-breaking extended dream sequence roles of (Dream) Curly and (Dream) Laurey. Platt stayed with the show for a year but finally left after Columbia Pictures signed him to a film contract.
Aside from a couple of short musical films, he made his movie feature debut with a featured role as Tommy in Tonight and Every Night (1945) starring Rita Hayworth. From there he appeared in the Sid Caesar vehicle Tars and Spars (1946) and back with Rita Hayworth in Down to Earth (1947). Columbia tried Marc out as a leading man in one of their second-string musicals When a Girl's Beautiful (1947) opposite Adele Jergens and Patricia Barry but did not make a great impression. Featured again in the non-musical adventure The Swordsman (1948) starring Ellen Drew and Larry Parks and the Italian drama Addio Mimí! (1949) based on Puccini's "La Boheme," Marc's film career dissipated.
After appearing on occasional TV variety shows such as "The Ed Sullivan Show" and "The Colgate Comedy Hour" and following a single return to Broadway in the musical "Maggie" (1953, Platt returned to film again after a five-year absence but when he finally did, he made a superb impression as one of Howard Keel's uncouth but vigorously agile woodsman brothers (Daniel) in MGM's Seven Brides for Seven Brothers (1954). The film still stands as one of the most impressive dancing pieces of the "Golden Age" of musicals. He followed this with a minor dancing role (it was James Mitchell who played Dream Curly here) in the film version of Oklahoma! (1955).
When the musical film lost favor in the late 1950's, Marc finished off the decade focusing on straight dramatic roles on TV with roles in such rugged series as "Sky King," "Wyatt Earp" and "Dante". By the 1960s Marc had taken off his dance shoes and turned director of the ballet company at New York's Radio City Music Hall. He and his second wife, Jean Goodall, whom he married back in 1951 and had two children (Donna, Michael), also ran a dance studio of their own. Following this they left New York and moved to Fort Myers, Florida where they set up a new dance school.
Marc moved to Northern California to be near family following his wife's death in 1994 and occasionally appeared at the Marin Dance Theatre in San Rafael. One of his last performances was a non-dancing part in "Sophie and the Enchanted Toyshop" at age 89. In 2000, Marc was presented with the Nijinsky Award at the Ballets Russe's Reunion. He appeared in the 2005 documentary Ballets Russes (2005). Platt died at the age of 100 at a hospice in San Rafael from complications of pneumonia. He was survived by his three children.- Actor
- Composer
- Director
This velvet-toned jazz baritone and sometime actor was (and perhaps still is) virtually unknown to white audiences. Yet, back in the late 1930s and early 1940s, Herb Jeffries was very big...in black-cast films. Today he is respected and remembered as a pioneer who broke down rusted-shut racial doors in Hollywood and ultimately displayed a positive image as a black actor on celluloid.
The Detroit native was born Umberto Alejandro Ballentino on September 24, 1911 (some sources list 1914). His white Irish mother ran a rooming house, and his father, whom he never knew, was of mixed ancestry and bore Sicilian, Ethiopean, French, Italian and Moorish roots. Young Herb grew up in a mixed neighborhood without experiencing severe racism as a child. He showed definitive interest in singing during his formative teenage years and was often found hanging out with the Howard Buntz Orchestra at various Detroit ballrooms.
After moving to Chicago, he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Erskine Tate signed the 19-year-old Herb to a contract with his Orchestra at the Savoy Dance Hall in Chicago. While there Herb was spotted by Earl 'Fatha' Hines, who hired him in 1931 for a number of appearances and recordings. It was during the band's excursions to the South that Jeffries first encountered blatant segregation. He left the Hines band in 1934 and eventually planted roots in Los Angeles after touring with Blanche Calloway's band. There he found employment as a vocalist and emcee at the popular Club Alabam. And then came Duke Ellington, staying with his outfit for ten years. Herb started his singing career out as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range.
The tall, debonair, mustachioed, blue-eyed, light-complexioned man who had a handsome, matinée-styled Latin look, was a suitable specimen for what was called "sepia movies" -- pictures that played only in ghetto and/or segregated theaters and were advertised with an all-black cast. Inspired by the success of Gene Autry, Herb made his debut as a crooning cowboy with Harlem on the Prairie (1937), which was considered the first black western following the inauguration of the talkies. Dark makeup was applied to his light skin and he almost never took off his white stetson which would have revealed naturally brown hair. A popular movie, Herb went on to sing his own songs (to either his prairie flower and/or horse) in both The Bronze Buckaroo (1939) and Harlem Rides the Range (1939). Outside the western venue, he starred in the crimer Two-Gun Man from Harlem (1938). As the whip-snapping, pistol-toting, melody-gushing Bronze Buckaroo, Jeffries finally offered a positive alternative to the demeaning stereotypes laid on black actors. Moreover, he refused to appear in "white" films in which he would have been forced to play in servile support.
In the midst of all this, Herb continued to impress as a singer and made hit records of the singles "In My Solitude", "I Got It Bad and That Ain't Good", "When I Write My Song", Duke Ellington's "Jump for Joy" and his signature song "Flamingo", which became a huge hit in 1941. Some of the songs he did miss out on which could have furthered his name, were "Love Letters" and "Native Boy". During the 1950s Herb worked constantly in Europe, especially in France, where he owned his own Parisian nightclub for a time. He also starred in the title film role of Calypso Joe (1957) co-starring Angie Dickinson and later appeared on episodes of "I Dream of Jeannie", "The Virginian" and "Hawaii Five-0".
Although he very well could have with his light skin tones, the man dubbed "Mr. Flamingo" never tried to pass himself off as white. He was proud of his heritage and always identified himself as black. In the mid-1990s, westerns returned in vogue and Herb recorded a "comeback album" ("The Bronze Buckaroo Rides Again") for Warner Western. During this pleasant career renaissance he has also been asked to lecture at colleges, headline concerts and record CDs. In 1999-2000, at age 88, he recorded the CD "The Duke and I", recreating songs he did with Duke. It also was a tribute honoring the great musician's 100th birthday.
His five marriages, including one to notorious exotic dancer Tempest Storm, produced five children. At age 90-plus, Herb "Flamingo" Jeffries, lived in the Palm Springs area with significant other (and later his fifth wife) Savannah Shippen, who is 45 years his junior, remaining one of the last of the original singing cowboys still alive (along with Monte Hale) until he finally passed away on May 25, 2014, having hit the century mark.
In 2003 he was inducted into the Cowboy Hall of Fame and was invited to sing for President Bush at the White House. He is also the last surviving member of The Great Duke Ellington Orchestra, and certainly deserves proper credit for his historic efforts in films and music.- Kevin O'Morrison was born on 25 May 1916 in St. Louis, Missouri, USA. He was an actor and writer, known for Sleepless in Seattle (1993), Funny Farm (1988) and Dear Ruth (1947). He was married to Linda Soma. He died on 11 December 2016 in Lynnwood, Washington, USA.
- Director
- Animation Department
- Second Unit Director or Assistant Director
Don Lusk was born on 28 October 1913 in Los Angeles County, California, USA. He was a director and assistant director, known for Lady and the Tramp (1955), Sleeping Beauty (1959) and Alice in Wonderland (1951). He was married to Marjorie Gummerson. He died on 30 December 2018 in San Clemente, California, USA.- Writer
- Actress
- Additional Crew
Jean Rouverol was born on 8 July 1916 in St. Louis, Missouri, USA. She was a writer and actress, known for It's a Gift (1934), Bar 20 Rides Again (1935) and Guiding Light (1952). She was married to Hugo Butler. She died on 24 March 2017 in Wingdale, New York, USA.- American character actress famed for roles as mothers. Born in a Philadelphia suburb as Mary Kennevan, she became a schoolteacher, but soon gave it up for work as an actress in touring companies. She married actor William Carr and toured extensively with his company. After the turn of the century, he became involved in film production as both an actor and director, and he brought Mary and their six children into the film business with him. Mary made her film debut in 1916, but it was her appearance in Over the Hill to the Poorhouse (1920) which made her a success in movies. It was a tremendous success due in large part to her touching portrayal of a poverty-stricken mother. She followed it with similar roles in scores of films throughout the silent period. A fallow period arrived with the talkies, and Carr found herself nearly destitute, but publicity about her status rallied help to her cause and she found help and occasional work. She spent her later years appearing infrequently, often in films directed by her son Thomas Carr. She died at the age of 99 in November 1973.
- Maston P. "Mack" Williams was a character actor for Republic Film Studios from 1931 to 1940. After that he retired from movies and shortly thereafter relocated to his birthplace of Corsicana, Texas to live until his death.
- Writer
- Script and Continuity Department
- Additional Crew
Ella O'Neill was born on 15 November 1885 in Chicago, Illinois, USA. She was a writer, known for Detective Lloyd (1932), Danger Island (1931) and Flash Gordon (1936). She died on 17 December 1984 in San Bernardino, California, USA.- Casting Director
- Casting Department
- Additional Crew
Ruth Burch was born on 15 June 1901 in Michigan, USA. She was a casting director, known for My Gun Is Quick (1957), Code 3 (1957) and Screen Directors Playhouse (1955). She died on 30 July 2000 in Woodland Hills, Los Angeles, California, USA.- Helen Mayon was born on 31 August 1902 in Springfield, Massachusetts, USA. She was an actress, known for Hilda Crane (1956), Four Star Playhouse (1952) and The George Burns and Gracie Allen Show (1950). She was married to Robert Lynn. She died on 24 December 2001 in Santa Monica, California, USA.
- Mary Wynn was born on 13 March 1902 in San Francisco, California, USA. She was an actress, known for The Power Divine (1923), Shattered Idols (1922) and The Frame-Up (1923). She was married to Josef Rosenfeld. She died on 22 December 2001 in Calabasas, California, USA.
- Costume Designer
- Costume and Wardrobe Department
- Actor
Earl Luick was born on 13 March 1904 in Belding, Michigan, USA. He was a costume designer and actor, known for The Desert Song (1929), Chandu the Magician (1932) and Local Boy Makes Good (1931). He died on 29 September 2003 in Riverhead, New York, USA.- Ethel Kenyon was born on 17 June 1904 in Indianapolis, Indiana, USA. She was an actress, known for Branded (1931), By Whose Hand? (1932) and June Moon (1931). She was married to Ernest Victor Heyn, Charles Butterworth and A. Edward Sutherland. She died on 22 January 2004 in New York City, New York, USA.
- Actor
- Producer
- Writer
A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Producer
- Director
- Editor
Sam White was born on 16 October 1906 in Los Angeles, California, USA. He was a producer and director, known for The Officer and the Lady (1941), People Are Funny (1946) and Underground Agent (1942). He was married to Claretta Ellis. He died on 5 August 2006 in Encino, Los Angeles, California, USA.99
26 westerns, 20-68.
1906 - 2006,. 99.- Director
- Actor
- Writer
Vincent Sherman was born on 16 July 1906 in Vienna, Georgia, USA. He was a director and actor, known for Affair in Trinidad (1952), Counsellor at Law (1933) and All Through the Night (1942). He was married to Hedda Comoraw. He died on 18 June 2006 in Woodland Hills, Los Angeles, California, USA.- Make-Up Department
Chances are, if you saw a movie with one of the stars of the 1930s or 1940s, her hair was done by Carmen Dirigo, who passed away on July 25 in Van Nuys at the age of 99.
Dirigo, born Daisy Obradowits, was a prominent hair and wig stylist in Hollywood's Golden Age, working at the various studios and later in television. Among her stable of stars were Joan Bennett, Yvonne De Carlo, Joan Fontaine and her sister, Olivia de Havilland, Ann Blyth, Elena Verdugo, and many others.
She was born in New York on December 30, 1907 and moved with her mother Lilley to Southern California in the 1920s. Soon after, Lilley started a beauty shop on Cahuenga in Hollywood while Carmen went to school. But the younger Dirigo had show business dreams. From an early age, she worked as a dancer at the Egyptian, Chinese, and Pantages theaters doing prologue shows before feature films ran.
At Carmen's urging, Lilley finally attempted to get into the movie business during the last years of the silents. "I kept after her, but she was very shy," Carmen recalled in 1999. "One day, she went and made an appointment at Universal with Carl Laemmle and she sold him on the idea of having a hairstylist established on the lot. She told him that she once saw a picture where the actress is out in the rain, and when she comes in, her hair is all dry. She told him that he could have someone established on each picture to read the script and follow the story and do it accordingly. He thought that was brilliant, and that's how it all started."
By 1933, after taking a state test to get her cosmetology license, Carmen followed her mother and entered the hairstyling field, first working at United Artists. After four years, she moved to Paramount where she first worked with stars like Fontaine and Fredric March. Eight years later, she came to Universal as head of hairstyling, where her mother had broken ground working with legendary makeup artist Jack Pierce, famous for Universal's slate of classic monster films.
Of the rapid pace of the classic studio days, Carmen remembered the structured approach to the work. "They didn't have time to talk about stuff then," she said. "We would get there early, and have to rush to get people out on time. If I had wigs to do, I'd have to be there at 6:30AM and take the wigs off the block. Max Factor's on Highland and three wigmakers out of Universal would ventilate the wigs. Then, I would style them the night before."
One of her biggest challenges at Universal was the 1948 film, Mr. Peabody and the Mermaid which featured underwater photography of star Ann Blyth. "The producer wanted her hair to look as beautiful underwater as out of the water.," she recalled. "I had to get together with a chemist to figure out what we could use that would be pliable in the water. For days, before the picture started, I would be in my department with a fishbowl, and I'd have a hunk of hair which I waved first and sprayed with this chemical. I'd plunk it in the water and swish it around and see if it held the curl. When it did, I knew that it was okay."
While at Universal, Dirigo served as president of the Cinema Hairstylists, an elite association, and was the first hairstylist in the business to get screen credit. In 1951, the nascent television medium beckoned, and she moved to TV on shows including Fireside Theater, which ran until 1955. Around that time,, she did several episodes a CBS show called You Are There, which recreated significant moments from history. For an episode which aired in April, 1955, using wigs and makeup, she and Jack Pierce transformed actor Jeff Morrow into Abraham Lincoln for a staged recreation of the signing of the Emancipation Proclamation.
Dirigo's last job in the business was as hairstyling department head for TV's Petticoat Junction, where she worked until 1970. She retired to her house on Coldwater Canyon Boulevard in Van Nuys where she lived the rest of her life. Until a severe fall at home in 2000 left her partially immobilized, Dirigo was an avid equestrian and enjoyed watching her Academy screeners on VHS tapes. She leaves behind no living heirs.
Her legacy, along with her mother's, was creating firm aesthetics for women's hairstyles in films that remains to this day. One Universal press release from 1946 stated: "She is a firm believer in frequent hair style changes and in the choice of simple styles for business and sportswear. Elaborate hairstyles should be created only for evening and formal occasions, she recommends."- Actor, jazz musician and stand-up comedian Jack LeMaire, who got his start in vaudeville, died Oct. 18 in North Hollywood, Calif., of natural causes. He was 99.
LeMaire toured with Bob Hope and Johnny Grant doing stand-up for USO shows, ending each set with a song on his guitar. His passion for playing occasionally overshadowed his love of comedy, and he can be heard on recordings with the likes of Dizzy Gillespie, who nicknamed LeMaire "Chords."
LeMaire started working vaudeville as a toddler with his father, George, in "The Ziegfeld Follies," and soon moved on to film work, making 33 silent comedies with Pathe.
Among his other credits were 1958 TV series "Mac King," 1959's "The Lawless Years" and "Bat Masterson" plus 1964's "The Farmer's Daughters."
Later in life, LeMaire appeared as Colonel Sanders in a number of KFC advertisements. Just last year, he performed in a sketch on "The Tonight Show" with Jay Leno.
Survivors include a son, two daughters, five grandchildren and six great-grandchildren. - Actress
- Costume and Wardrobe Department
- Additional Crew
Marie Osborne was born on 5 November 1911 in Denver, Colorado, USA. She was an actress, known for Milady o' the Beanstalk (1918), Twin Kiddies (1917) and The Godfather Part II (1974). She was married to Murray F. Yeats and Frank J. Dempsey. She died on 11 November 2010 in San Clemente, California, USA.- Hal Jon Norman was born on 27 August 1911 in Wichita, Kansas, USA. He was an actor, known for The Loners (1972), Escape to Passion (1971) and MacGyver (1985). He died on 14 July 2011 in Wichita, Kansas, USA.
- Camera and Electrical Department
- Director
- Writer
Eve Arnold was born on 21 April 1912 in Philadelphia, Pennsylvania, USA. She was a director and writer, known for The World About Us (1967), Behind the Veil (1973) and Love, Marilyn (2012). She was married to Arnold Arnold. She died on 4 January 2012 in London, England, UK.- Actress
- Writer
Actress, soprano, composer and author who appeared in films in 1939 and 1940. She sang with the American Musical Theatre in Pasadena, California, and formed her own opera company in New York in 1950, touring the United States and Canada. She sang with the New Opera Company and the NBC Opera Company on television, and also in Broadway musicals, operettas, music circuses, and the Chicago "Theatre of the Air".- African American actress Juanita Moore entered films in the early 1950s, a time in which few black people were given an opportunity to act in major studio films. Fortunately Moore's roles began improving as Hollywood developed a social consciousness toward the end of the decade. In 1959 she received an Academy Award nomination for her performance in Imitation of Life (1959), a glossy updating of a once controversial Fannie Hurst novel about racism. Within the next decade Hollywood underwent several sociological upheavals, and Juanita was one of the beneficiaries. She became a fixture in black-oriented films of the 1960s and 1970s, appearing in such films as Uptight (1968), Thomasine & Bushrod (1974) and Abby (1974). She also appeared in Walt Disney Pictures' The Kid (2000), and was in a total of more than 50 films. Moore retired in 2001 and passed away New Year's Day 2014 . She was 99.
- Richard Coogan was born on 4 April 1914 in Short Hills, New Jersey, USA. He was an actor, known for Captain Video and His Video Rangers (1949), Bronco (1958) and Girl on the Run (1953). He died on 12 March 2014 in Los Angeles, California, USA.
- Actor
- Additional Crew
Bert Madrid was born on 19 December 1915 in Fabens, Texas, USA. He was an actor, known for Black Sunday (1977), How Come Nobody's on Our Side? (1974) and The Stepmother (1972). He died on 26 May 2015 in Los Angeles, California, USA.99.
236 westerns, 53-74.
A Game of Death... An Act of Love: Part 1 (1973). 1973. 58 years old.
1915 - 2015, 99.- Virginia Herrick was born on 13 June 1916 in Elwha, Washington, USA. She was an actress, known for Roar of the Iron Horse - Rail-Blazer of the Apache Trail (1951), I Killed Geronimo (1950) and Secrets of Beauty (1951). She was married to Omar V. Garrison. She died on 29 January 2016 in Provo, Utah, USA.
- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- Actress
- Soundtrack
Born Virginia Pound, Lorna Gray was "discovered" by an agent while modeling in a fashion show. She was given a screen test, and Columbia was impressed enough to sign her to a contract. (It was at this time that she was given the name "Lorna Gray", which she kept until 1945, when she changed it to "Adrian Booth".) She was put in the studio's B unit, occasionally loaned out to Republic or Monogram, and when not making features was used in Columbia's comedy shorts, supporting such performers as The Three Stooges and Buster Keaton (where she actually acquitted herself quite well). She left Columbia and began her long career with Republic Pictures in 1941, appearing in westerns, thrillers, horror pictures, and especially the serials in which the studio specialized. She married David Brian in 1948, and after making films for a few more years, retired from the screen in 1951.- Karl Formes was born on 3 July 1841 in London, England, UK. He was an actor, known for Old Heidelberg (1915), Ghosts (1915) and A Connecticut Yankee in King Arthur's Court (1921). He died on 18 November 1939 in Los Angeles, California, USA.
- Actor
- Writer
- Producer
Al J. Jennings was born on 25 November 1863 in Virginia, USA. He was an actor and writer, known for The Lady of the Dugout (1918), Beating Back (1914) and The Tryout (1919). He died on 26 December 1961 in Tarzana, California, USA.- Camera and Electrical Department
Dave Smith was born on 11 December 1868 in California, USA. He is known for Black Magic (1944) and Power and the Land (1940). He died on 1 November 1967 in Los Angeles, California, USA.- Harry O'Connor was born on 27 April 1873 in Chicago, Illinois, USA. He was an actor, known for Stranger Than Fiction (1921), Come and Get It! (1929) and Blindfolded (1918). He died on 10 July 1971 in Woodland Hills, Los Angeles, California, USA.
- Actor
- Soundtrack
Leigh Whipper was an consummate actor who led an impressive life. Born in South Carolina in 1876, at the end of the Reconstruction Era in which his parents had participated, he was educated in Washington, D.C., attending Howard University, before turning permanently to a life in the theater. At a time when work for black actors was limited, Whipper became a successful actor, appearing in more than twenty plays and a greater number of films. He not only joined Actors Equity in 1913 and other organizations where African-Americans were few in number, but he also helped fellow African-American thespians by founding the Negro Actors Guild in 1937. His first great success was as The Crab Man in "Porgy" on the stage in 1927-1928 and 1929. His work also included radio and television. He appeared in his first movie in 1920, but his most prolific period of movie making was between the years 1939 and 1947 when he made twenty films, though sometimes he received no screen credit. His performance as Crooks in "Of Mice and Men" (1939), which reprised his Broadway role, is remarkably powerful and natural at a time when roles for African-Americans often required them to compromise their dignity by playing caricatures. In 1944, Whipper received a special honor from the Ethiopian government for his portrayal of Emperor Haile Selassie. He retired in 1972 and died three months before his 99th birthday in 1975.- Camera and Electrical Department
- Actor
- Cinematographer
Jack Wilson was born in 1881. He was an actor and cinematographer, known for Tarzan of the Apes (1918), Midnight Secrets (1924) and The Supreme Test (1915). He died on 30 April 1979 in Corona Del Mar, California, USA.- Margot Stevenson was born on 8 February 1912 in Manhattan, New York City, New York, USA. She was an actress, known for Calling Philo Vance (1940), Granny Get Your Gun (1940) and Flight Angels (1940). She was married to Val Avery and Robert Russell. She died on 2 January 2011 in New York, New York, USA.
- Robert Emmett Keane was one of Hollywood's more overworked character players to be found near the bottom of the credit list. An ex-vaudevillian, he appeared on Broadway from as early as 1914 and at the London Hippodrome two years later, invariably specialising in musicals and comedies. Keane did not enter films until 1929, but thereafter amassed an impressive record of almost 200 screen appearances, often for the smaller studios like RKO, Columbia and Monogram.
A natural farceur with immaculate attire and trademark toothbrush moustache, he turned up in an assortment of roles ranging from timid clerks to dignified hotel managers, jewellers, headwaiters, judges and pathologists. In addition, he had a nice sideline in crooked defense attorneys, drunks and conmen, his expressive features equally adept at conveying befuddlement, querulousness or exasperation. The congenial Keane remained gainfully employed until his retirement in 1958. He was married to the New York-born actress Claire Whitney. - Forbes Murray was born on 4 November 1884 in Hamilton, Ontario, Canada. He was an actor, known for The Lady and the Mob (1939), The Apache Kid (1941) and Manhunt of Mystery Island (1945). He died on 18 November 1982 in Douglas County, Oregon, USA.98.
69 westerns, 36-67.
The Adventures of Bullwhip Griffin (1967). 1967. 83 years old.
1884 - 1992, 98. Canada. USA. - Helen Dickson was born on 20 July 1885 in Wakefield, Massachusetts, USA. She was an actress, known for Honolulu Lu (1941), I Love Lucy (1951) and Mr. Wright Goes Wrong (1946). She was married to Lawrence A. Williams. She died on 17 November 1983 in Los Angeles, California, USA.
- Effie Laird was born on 30 July 1888 in Chatfield, Minnesota, USA. She was an actress, known for Strangler of the Swamp (1945), Beneath Western Skies (1944) and The Stu Erwin Show (1950). She was married to Emory Parnell. She died on 4 September 1986 in Los Angeles, California, USA.
- Actor
- Writer
- Additional Crew
Nolan Leary was born on 26 April 1889 in Rock Island, Illinois, USA. He was an actor and writer, known for Strangler of the Swamp (1945), The Tiger Woman (1944) and Make Way for Tomorrow (1937). He was married to Helen Leary. He died on 12 December 1987 in Los Angeles, California, USA.- Director
- Writer
- Producer
One of the more prolific American directors, Charles Lamont entered films as an actor in 1919 and became a director in 1922. He churned out numerous one- and two-reel comedies for various producers, including Mack Sennett and Al Christie, and began directing features in the mid-'30s. Lamont was a staple of such independent studios as Chesterfield and Republic, for whom he turned out many action, western and comedy films, but he found his niche at Universal in the late 1930s, and directed several comedies for Universal's top comedy team of Bud Abbott and Lou Costello, including one of their best, Hit the Ice (1943). Lamont also handled a number of Universal's Yvonne De Carlo Technicolor adventure extravaganzas, and helmed many entries in the studio's successful "Ma and Pa Kettle" series.- Art Department
- Camera and Electrical Department
- Set Decorator
Leigh Carson was born on 29 October 1895 in New Brunswick, Canada. Leigh was a set decorator, known for Sky Liner (1949), Arson, Inc. (1949) and Thunder in Carolina (1960). Leigh died on 24 June 1994 in Orange County, California, USA.