Martha Kent casting picks
Casting Ma Kent
List activity
1.9K views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
46 people
- Actress
- Producer
- Music Department
Mary Steenburgen is an Academy Award-winning American actress.
She was born in Newport, Arkansas, USA. Her mother, Nellie May (Wall) Steenburgen, was a school-board secretary, and her father, Maurice H. Steenburgen, was a freight-train conductor. Her surname comes from distant Dutch ancestry, and her roots also include English, Scottish, and Welsh.
Young Steenburgen was fond of arts and literature. Mary grew up tap-dancing her way through talent shows and school functions. She was active in her school drama class. After appearing in a number of high school plays, she enrolled at Hendrix College, a highly progressive Southern School located in Conway, Arkansas. Upon the recommendation of her drama professor, she left college in 1972 and moved to New York to study acting professionally. In the past several years, Mary Steenburgen has emerged as one of the most accomplished and sought-after screen actresses. Ever since Jack Nicholson discovered her and cast her as a sassy adventuress in his rollicking western, Goin' South (1978), her career has skyrocketed and she has won acclaim for exceptional performances in each of her diverse film roles. In Nicholas Meyer's Time After Time (1979), Steenburgen was afforded critical praise for her portrayal of a somewhat dippy but liberated young bank clerk in San Francisco who crosses paths, via time machine, with English author H.G. Wells (played by Malcolm McDowell, who later became her husband). In 1980 she shot to fame with her role as Lynda Dummar in Melvin and Howard (1980) for which she won Oscar for Best Actress in a Supporting Role. Steenburgen again impressed audiences and critics alike with her stunning performance as the strong-willed turn-of-the-century mother in Ragtime (1981).
Steenburgen is a notable patron of arts. She is also an active supporter of humanitarian causes. She has two children from her previous marriage to actor Malcolm McDowell. Since 1995 she has been married to actor Ted Danson, and the couple is living in the Los Angeles area.- Actress
- Producer
- Additional Crew
It was after the 1968 Democratic convention and there was a casting call for a film with several roles for the kind of young people who had disrupted the convention. Two recent graduates of Catholic University in Washington DC, went to the audition in New York for Joe (1970). Chris Sarandon, who had studied to be an actor, was passed over. His wife Susan got a major role.
That role was as Susan Compton, the daughter of ad executive Bill Compton (Dennis Patrick). In the movie Dad Bill kills Susan's drug dealer boyfriend and next befriends Joe (Peter Boyle)-- a bigot who works on an assembly line and who collects guns.
Five years later, Sarandon made the film where fans of cult classics have come to know her as Janet, who gets entangled with transvestite Dr. Frank n Furter in The The Rocky Horror Picture Show (1975). More than 15 years after beginning her career Sarandon at last actively campaigned for a great role, Annie in Bull Durham (1988), flying at her own expense from Rome to Los Angeles. "It was such a wonderful script ... and did away with a lot of myths and challenged the American definition of success", she said. "When I got there, I spent some time with Kevin Costner, kissed some ass at the studio and got back on a plane". Her romance with the Bull Durham (1988)) supporting actor, Tim Robbins, had produced two sons by 1992 and put Sarandon in the position of leaving her domestic paradise only to accept roles that really challenged her. The result was four Academy Award nominations in the 1990s and best actress for Dead Man Walking (1995). Her first Academy Award nomination was for Louis Malle's Atlantic City (1980).- Actress
- Producer
- Soundtrack
Frances Louise McDormand was born on June 23, 1957, in Gibson City, Illinois. She was adopted by Canadian-born parents Noreen Eloise (Nickleson), a nurse from Ontario, and Rev. Vernon Weir McDormand, a Disciples of Christ minister from Nova Scotia, who raised her in the suburbs of Pittsburgh. She earned a BA in theater from Bethany College in 1979 and an MFA from Yale University in 1982. Her career after graduation began onstage, and she has retained her association with the theater throughout her career. She soon obtained prominent roles in movies as well, first starring in Blood Simple (1984), in which she worked with filmmaker Joel Coen, whom she married that year. She frequently collaborated with Coen and his brother, Ethan Coen, in their films.
McDormand's skilled and versatile acting has been recognized by both the critics and the Academy, and in addition to many critics' awards, she has been nominated for an Academy Award six times - Supporting in Mississippi Burning (1988), Almost Famous (2000), and North Country (2005), and Lead in Fargo (1996), Three Billboards Outside Ebbing, Missouri (2017), and Nomadland (2020), winning the Oscar for the latter three. She also won a Best Picture Oscar as co-producer of "Nomadland." Keenly intelligent and possessed of a sharp wit, McDormand is the antithesis of the Hollywood starlet - rather than making every role about Frances McDormand, she dissolves into the characters she plays. Accordingly, she has expressed some reservations about the iconic recognition she has gained from her touching and amusing portrayal of Police Chief Marge Gunderson, the quintessential Minnesota Scandinavian, in Fargo (1996).
McDormand and Coen adopted a son, Pedro McDormand Coen, who was born in Paraguay, in 1994. They live in New York.- Actress
- Producer
- Soundtrack
Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.- Actress
- Director
- Soundtrack
Karen Jane Allen was born in Carrollton, rural southern Illinois, to Patricia (Howell), a teacher, and Carroll Thompson Allen, an FBI agent. She spent her first 10 years traveling around the country with her parents and two sisters. She was always "the new girl in school." Acting did not really cross Allen's mind until she was in her early 20s, when she saw a Jerzy Grotowski theater production that impressed her so much, she instantly decided to give it a shot. She trained as a classical actress and enrolled at the Actors Studio and with Lee Strasberg in New York City. During this period, she made several student films and directed and acted in several plays. In 1976, she made her first film appearance in the award-winning small film The Whidjitmaker (1976).
Her first major film role came as Katy in 1978's National Lampoon's National Lampoon's Animal House (1978), which became one of the biggest hits of the year, obtained "classic" status, and launched a whole host of young "hot" stars. However, shortly after National Lampoon's Animal House (1978) opened, Allen was struck by a rare and dangerous eyesight condition called keratoconjunctivitis. Luckily, the condition subsided and Allen could continue her dramatic rise to the top. Lead roles in cult favorites like The Wanderers (1979) and the controversial thriller Cruising (1980) followed, as did smaller parts as in Woody Allen's Manhattan (1979). However, it was her performance in Rob Cohen's A Small Circle of Friends (1980), as well as her previously mentioned turn in National Lampoon's Animal House (1978), that caught the eye of a certain Steven Spielberg. He then cast her as the feisty heroine and co-star of Harrison Ford in his big-budget blockbuster Raiders of the Lost Ark (1981), which became a huge hit in 1981-82 and is regarded by many film buffs as the greatest action-adventure film ever made.
Following the huge success of Raiders of the Lost Ark (1981), Allen chose to spend more than two years out of the limelight, concentrating on smaller, more personal projects. She won a major award for her performances on Broadway, won critical acclaim for her portrayal of Abra in the hugely successful ABC production of East of Eden (1981), and had parts in two smaller films: Alan Parker's Shoot the Moon (1982) and Split Image (1982), co-starring James Woods and Peter Fonda. She returned to the mainstream in 1984 with Until September (1984) and Starman (1984), co-starring Jeff Bridges and directed by John Carpenter (of Halloween (1978) fame), but once again decided to leave the limelight for a couple of years to do more stage work and some troubled indie films. While Allen has worked almost constantly since then, giving notable performances in Paul Newman's screen adaptation of The Glass Menagerie (1987), the Christmas hit Scrooged (1988), and Steven Soderbergh's underrated King of the Hill (1993), she has not been able to scale the same dizzy heights as the early 1980s hits. Most of her lead roles in feature films since Starman (1984) have not been that well-received (Animal Behavior (1989), Ghost in the Machine (1993), and The Turning (1992) among them). However, she has been seen to good effect on TV in such films as Challenger (1990), in which she portrayed tragic schoolteacher Christa McAuliffe, and All the Winters That Have Been (1997), co-starring Richard Chamberlain.
She has also made special guest star appearances on such shows as Law & Order (1990), Knots Landing (1979), and Alfred Hitchcock Presents (1985), and in several TV movies, including Hostile Advances: The Kerry Ellison Story (1996) and Secret Weapon (1990). She also played the lead in the CBS series The Road Home (1994). Karen Allen was married to soap star Kale Browne (with whom she co-starred in 'Til There Was You (1997)) in 1988 and they have a son, Nicholas. Apart from acting, Allen is also an accomplished singer, songwriter, and musician. She played in a band with Kathleen Turner, and recorded a duet with Jeff Bridges for the Starman (1984) soundtrack album.
She also writes plays, screenplays, and poetry; owns her own Ashtanga yoga enterprise; and spends time at her Berkshire Mountains farm or Upper West Side Manhattan townhouse. The classically trained actress also has a screenplay called "The Second Coming," which is about to be made into a movie. Most recently she has starred opposite Peter Coyote in The Basket (1999), and appeared in the blockbuster The Perfect Storm (2000), in which she co-starred with George Clooney, Mark Wahlberg, and Diane Lane. In addition to these, she is working on Shaka Zulu: The Citadel (2001) and recently made an independent film, In the Bedroom (2001). Karen Allen is undoubtedly one of the most talented, ambitious, and versatile actresses of the last 20 years. In many ways, her own choices to "go back to theater and smaller projects" are the only things that have really stopped her being a major, major star. Allen was voted one of the most beautiful women in the world in 1983, and is a naturally attractive lady - who often plays characters significantly younger than herself. She also often plays unglamorous types - and there is no one better at portraying real, human, and wholly believable people.- Actress
- Writer
- Producer
Emma Thompson was born on April 15, 1959 in Paddington, London, into a family of actors - father Eric Thompson and mother Phyllida Law, who has co-starred with Thompson in several films. Her sister, Sophie Thompson, is an actor as well. Her father was English-born and her mother is Scottish-born. Thompson's wit was cultivated by a cheerful, clever, creative family atmosphere, and she was a popular and successful student. She attended Cambridge University, studying English Literature, and was part of the university's Footlights Group, the famous group where, previously, many of the Monty Python members had first met.
Thompson graduated in 1980 and embarked on her career in entertainment, beginning with stints on BBC radio and touring with comedy shows. She soon got her first major break in television, on the comedy skit program Alfresco (1983), writing and performing along with her fellow Footlights Group alums Stephen Fry and Hugh Laurie. She also worked on other TV comedy review programs in the mid-1980s, occasionally with some of her fellow Footlights alums, and often with actor Robbie Coltrane.
Thompson found herself collaborating again with Fry in 1985, this time in his stage adaptation of the play "Me and My Girl" in London's West End, in which she had a leading role, playing Sally Smith. The show was a success and she received favorable reviews, and the strength of her performance led to her casting as the lead in the BBC television miniseries Fortunes of War (1987), in which Thompson and her co-star, Kenneth Branagh, play an English ex-patriate couple living in Eastern Europe as the Second World War erupts. Thompson won a BAFTA Award for her work on the program. She married Branagh in 1989, continued to work with him professionally, and formed a production company with him. In the late 80s and early 90s, she starred in a string of well-received and successful television and film productions, most notably her lead role in the Merchant-Ivory production of Howards End (1992), which confirmed her ability to carry a movie on both sides of the Atlantic and appropriately showered her with trans-Atlantic honors - both an Oscar and a BAFTA award.
Since then, Thompson has continued to move effortlessly between the art film world and mainstream Hollywood, though even her Hollywood roles tend to be in more up-market productions. She continues to work on television as well, but is generally very selective about which roles she takes. She writes for the screen as well, such as the screenplay for Ang Lee's Sense and Sensibility (1995), in which she also starred as Elinor Dashwood, and the teleplay adaptation of Margaret Edson's acclaimed play Wit (2001), in which she also starred.
Thompson is known for her sophisticated, skillful, though her critics say somewhat mannered, performances, and of course for her arch wit, which she is unafraid to point at herself - she is a fearless self-satirist. Thompson and Branagh divorced in 1994, and Thompson is now married to fellow actor Greg Wise, who had played Willoughby in Ang Lee's Sense and Sensibility (1995). Thompson and Wise have one child, Gaia, born in 1999. She was appointed Dame Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for her services to drama.- Actress
- Producer
- Additional Crew
Laura Leggett Linney was born in New York City on February 5, 1964, into a theatre family. Her father was prominent playwright Romulus Linney, whose own great-grandfather was a congressman from North Carolina. Her mother, Miriam Anderson (Leggett), is a nurse. Although she did not live in her father's house (her parents having divorced when she was an infant), Linney's world revolved, in part, around his profession from the earliest age. She graduated from Brown University in 1986 and studied acting at Juilliard and the Arts Theatre School in Moscow and, thereafter, embarked on a career on the Broadway stage receiving favorable notices for her work in such plays as "Hedda Gabler" and "Six Degrees of Separation".
Linney's film career began in the early 1990s with small roles in Lorenzo's Oil (1992) and Dave (1993). She landed the role of Mary Anne Singleton in the PBS film adaptations of Armistead Maupin's "Tales of the City" series, playing her in Tales of the City (1993), More Tales of the City (1998) and Further Tales of the City (2001). Linney's first substantial big-screen role was as the ex-girlfriend of Richard Gere's character in Primal Fear (1996) and her superb performance brought her praise and a better selection of roles. Clint Eastwood chose Linney to play his daughter, another prominent role, in 1997's Absolute Power (1997), followed by another second billing in the following year's The Truman Show (1998).
Always a strong performer, Linney truly came into her own after 2000, starting the decade auspiciously with her widely-praised, arguably flawless performance in You Can Count on Me (2000). She found herself nominated for an Academy Award for this, her first lead role, for which her salary had been $10,000. Linney won numerous critics' awards for her role as Sammy, a single mother whose life is complicated by a new boss and the arrival in town of her aimless brother. On the heels of this success came her marvelous turn as Bertha Dorset in The House of Mirth (2000), clearly the best performance in a film of strong performances. Since then, Linney has frequently been offered challenging dramatic roles, and always rises to the occasion, such as in Mystic River (2003) and Kinsey (2004), for which she received another Academy Award nomination.- Actress
- Producer
- Soundtrack
Elisabeth Shue was born in Wilmington, Delaware, to Anne Brewster (Wells), who worked for the Chemical Banking Corporation, and James William Shue, a lawyer and real estate developer. She is of German and English ancestry, including descent from Mayflower passengers. Shue's parents divorced while she was in the fourth grade. Owing to the occupational demands of her parents, Shue and her siblings found plenty of time to get into trouble in their suburban neighborhood, but Elisabeth soon enrolled in Wellesley College, an all-female institution which kept her out of trouble.
During her studies, she found a way to make a little extra money by acting in television commercials. Elisabeth became a common sight in ads for Burger King, DeBeers diamonds, and Hellman's mayonnaise. In 1984, she landed a role in the The Karate Kid (1984) as the on-screen girlfriend of Ralph Macchio and a role as the teenage daughter of a military family in the short-lived series Call to Glory (1984). At this time, Shue got herself an acting coach and transferred to Harvard, where she began studying political science.
She continued her acting work with Adventures in Babysitting (1987), Cocktail (1988), Soapdish (1991) and The Marrying Man (1991). Unfortunately, time was catching up with the impressive girl-next-door. Her brother Andrew Shue had almost eclipsed her own fame by landing a starring role in the hit TV series Melrose Place (1992). It was at this time that Elisabeth took a chance on a low-budget, high-risk project entitled Leaving Las Vegas (1995), directed by Mike Figgis. Her gutsy portrayal of a prostitute mixed up with a suicidal alcoholic paid off as she was recognized with a Best Actress nomination at the Academy Awards that year. This was the turning point of her career. What followed was a barrage of film roles, including The Saint (1997), Woody Allen's Deconstructing Harry (1997), Palmetto (1998) and Hollow Man (2000).- Actress
- Producer
- Soundtrack
Marisa Tomei was born on December 4, 1964, in Brooklyn, New York, to Patricia "Addie" (Bianchi), a teacher of English, and Gary Tomei, a lawyer, both of Italian descent. Marisa has a brother, actor Adam Tomei. As a child, Marisa's mother frequently corrected her speech as to eliminate her heavy Brooklyn accent. As a teen, Marisa attended Edward R. Murrow High School and graduated in the class of 1982. She was one year into her college education at Boston University when she dropped out for a co-starring role on the CBS daytime drama As the World Turns (1956). Her role on that show paved the way for her entrance into film: in 1984, she made her film debut with a bit part in The Flamingo Kid (1984). Three years later, Marisa became known for her role as Maggie Lawton, Lisa Bonet's college roommate, on the sitcom A Different World (1987).
Her real breakthrough came in 1992, when she co-starred as Joe Pesci's hilariously foul-mouthed, scene-stealing girlfriend in My Cousin Vinny (1992), a performance that won her a Best Supporting Actress Oscar. Later that year, she turned up briefly as a snippy Mabel Normand in director Richard Attenborough's biopic Chaplin (1992), and was soon given her first starring role in Untamed Heart (1993). A subsequent starring role -- and attempted makeover into Audrey Hepburn -- in the romantic comedy Only You (1994) proved only moderately successful.
Marisa's other 1994 role as Michael Keaton's hugely pregnant wife in The Paper (1994) was well-received, although the film as a whole was not. Fortunately for Tomei, she was able to rebound the following year with a solid performance as a troubled single mother in Nick Cassavetes' Unhook the Stars (1996) which earned her a Screen Actors Guild nomination for Best Supporting Actress. She turned in a similarly strong work in Welcome to Sarajevo (1997), and in 1998 did some of her best work in years as the sexually liberated, unhinged cousin of Natasha Lyonne's Vivian Abramowitz in Tamara Jenkins' Slums of Beverly Hills (1998). Marisa co-starred with Mel Gibson in the hugely successful romantic comedy What Women Want (2000) and during the 2002 movie award season, she proved her first Best Supporting Actress Oscar win was no fluke when she received her second nomination in the same category for the critically acclaimed dark drama, In the Bedroom (2001). She also made a guest appearance on the animated TV phenomenon The Simpsons (1989) as Sara Sloane, a movie star who falls in love with Ned Flanders. In 2006, she went on to do 4 episodes for Rescue Me (2004). She played Angie, the ex-wife of Tommy Calvin (Denis Leary)'s brother Johnny (Dean Winters). At age 42, Marisa took on a provocative role in legendary filmmaker Sidney Lumet's melodramatic picture Before the Devil Knows You're Dead (2007), in which she appeared nude in love scenes with costars Ethan Hawke and Philip Seymour Hoffman. Marisa then took on another provocative role as a stripper in the highly acclaimed film The Wrestler (2008) opposite Mickey Rourke. Her great performance earned her many awards from numerous film societies for Best Supporting Actress, a third Academy Award nomination, as well as nominations for a Golden Globe and a BAFTA. Many critics heralded this performance as a standout in her career.- Actress
- Producer
- Additional Crew
Alfre Woodard was born on November 8, 1952 in Tulsa, Oklahoma, the youngest of three children of Constance, a homemaker, and Marion H. Woodard, an interior designer. She was named by her godmother, who claimed she saw a vision of Alfre's name written out in gold letters. A former high school cheerleader and track star, she got the acting bug after being persuaded to audition for a school play by a nun at her school. She went on to study acting at Boston University and enjoyed a brief stint on Broadway before moving to Los Angeles, California. She got her first break in Remember My Name (1978) which also starred Jeff Goldblum. She lives in Santa Monica, California with her husband, writer Roderick M. Spencer, and their two adopted children: Mavis and Duncan. She was named one of the Most Beautiful People in America by People Magazine.- Actress
- Producer
Hallelujah for Sela. Everyone's favorite "Sister" was born Sela Ann Ward, on July 11, 1956, in Meridian, Mississippi. Sela's parents were Annie Kate (Boswell) and Granberry Holland Ward, Jr., an electrical engineer; the three younger children in the family are Jenna (1957), Berry (1959) and Brock (1961). "Sela" is a Hebrew word that means "rock, boulder, cliff". Sela graduated from the University of Alabama in 1977, with a Bachelor of Fine Arts degree in art and advertising; Sela was also a cheerleader for the Crimson Tide football team, a Homecoming Queen and a member of the Chi Omega sorority. Sela moved to New York to work for an advertising agency.
Responding to a friend's suggestion that she was tall (5' 7") and pretty enough to try modeling, Sela began a highly successful career with the Wilhelmina Agency. Sela's first gig was in the Pepsi advertising department, and her first commercial was for Maybelline. After appearing in 20 national television commercials, Sela moved to Los Angeles and got her first television role in Emerald Point N.A.S. (1983); she dated tall co-star Richard Dean Anderson for three years (which is much longer than the television series lasted). Sela's movie break came by appearing with Burt Reynolds in the film The Man Who Loved Women (1983), and by now her acting career was established.
But perhaps Sela is best known for starring in the television series Sisters (1991), which ran for six seasons. The series was a big hit with women, and if the males in the audience stuck around after the steamy (literally) opening sauna sequence, they too would discover a series with fascinating writing and story plots, with Sela as Teddy Reed -- in the fashion industry she began her first company, which she wanted to call Teddy Wear. In 1992 and 1994, Sela got the Golden Globe Award nomination for best lead actress in a drama series; in 1994, she won an Emmy Award and, in 1996, the Screen Actors Guild Award.
During the series' run, Sela married Howard Sherman (May 23, 1992 - present). They had two children: Austin Ward (May 13, 1994), Anabella Raye (May 30, 1998). Still very much a pretty woman, Sela appeared in Runaway Bride (1999) as Pretty Bar Woman. In 2000, Sela won her second Emmy Award, this time for her work in Once and Again (1999).- Actress
- Producer
- Director
Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween H20: 20 Years Later (1998) in which she reprised her role that made her famous back in 1978.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.- Actress
- Producer
- Additional Crew
Born in Shenyang, grew up in Jinan, the daughter of an economics professor. Loved music from childhood, and dreamed of a singing career. After failing to gain entrance to China's top music school in 1985, applied for and was admitted to the Central Drama Academy in Beijing, from which she graduated in 1989. While still a student, was cast as the female lead in Red Sorghum (1988)(aka "Red Sorghum"), the initial directing effort by Yimou Zhang. China's best-known actress in the West, she was named Best Actress at the 49th Venice International Film Festival for her role in The Story of Qiu Ju (1992) (aka "The Story of Qiu Ju"). Made a series of successful films with Yimou Zhang, a collaboration that apparently ended with the breakup of their personal relationship in 1995 and Gong's subsequent marriage to a tobacco company executive.- Actress
- Producer
- Additional Crew
Gates McFadden was born on 2 March 1949 in Cuyahoga Falls, Ohio, USA. She is an actress and producer, known for Star Trek: Picard (2020), Star Trek: The Next Generation (1987) and Labyrinth (1986). She is married to John Talbot. They have one child.- Actress
- Producer
- Soundtrack
Joan Allen was born on August 20, 1956 in Rochelle, Illinois, the youngest of four children. She is the daughter of homemaker Dorothea Marie (Wirth) and gas station owner James Jefferson Allen. Her mother's family was German, and her father had English, Scots-Irish, and German ancestry. She attended Rochelle Township High School where she was voted most likely to succeed. Joining Chicago's famed Steppenwolf Theatre Company ensemble in 1977, she was one of the group's original members and starred in a number of its original productions. Her first major film credits included two critically-lauded supporting performances that showcased her versatility: a comedic turn in the suburban murder mystery Compromising Positions (1985) and a dramatic role as a blind woman befriended by a serial killer in Manhunter (1986). Around the same time, Allen was making a name for herself on the New York stage; she would eventually become one of the New York theater world's most honored actresses and a winner of every major prize for her work on Broadway and off. She received a Best Actress Tony Award in 1988 for her performance, opposite John Malkovich, in Lanford Wilson's Burn This and was Tony-nominated in the same category in 1989 for the title role in The Heidi Chronicles.
Continuing her work in film as well, Allen received her first Academy Award nomination for her role as Pat Nixon in Oliver Stone's Nixon (1995), for which she also won awards from seven critics' associations, including the Los Angeles Film Critics Association and the National Society of Film Critics. Allen received her second consecutive Best Supporting Actress Oscar nomination for her role in Arthur Miller's The Crucible (1996). Subsequently, her work in The Ice Storm (1997), opposite Kevin Kline and Sigourney Weaver, and in Pleasantville (1998), opposite William H. Macy and Jeff Daniels, earned her high praise and several critics' awards; she also co-starred in the action blockbuster Face/Off (1997) opposite John Travolta and Nicolas Cage. For her starring role in The Contender (2000), Allen received Best Actress nominations at the Golden Globes, the Academy Awards, the SAG Awards, and the Independent Spirit Awards.
Throughout the early 2000s Allen worked in both film and television, with roles in three of the Bourne films - The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and The Bourne Legacy (2012) - as well as The Notebook (2004), The Upside of Anger (2005), and Death Race (2008). Allen also received Emmy nominations for The Mists of Avalon (2001) and for the title role in the biopic Georgia O'Keeffe (2009), for which she was also executive producer. She was also recently seen in HBO's drama series Luck (2011).
Allen married actor Peter Friedman in 1990, and the two divorced in 2002; Allen's daughter Sadie was born in 1994.- Actress
- Soundtrack
Kelly Preston was born on October 13, 1962 in Honolulu, Hawaii. A talented and captivating performer, she first garnered international attention with her role as "Marnie Mason" in Ivan Reitman's Twins (1988), starring Arnold Schwarzenegger and Danny DeVito. With her diverse character portrayals in films, such as director Cameron Crowe's Jerry Maguire (1996); Citizen Ruth (1996) for Alexander Payne; and For Love of the Game (1999), directed by Sam Raimi, she continued to capture audience attention.
In the early part of her career, Kelly worked with notable director John Frankenheimer in the Elmore Leonard film, 52 Pick-Up (1986), alongside Roy Scheider and Ann-Margret. Her career saw her cast her beside some of Hollywood's most notable names, including Kevin Spacey in Casino Jack (2010); Quentin Tarantino, George Clooney, and Harvey Keitel in Robert Rodriguez's From Dusk Till Dawn (1996); Kevin Bacon in Death Sentence (2007); Meg Ryan and Matthew Broderick in Addicted to Love (1997); Debra Winger, Zooey Deschanel, and Hank Azaria in Eulogy (2004); Mike Myers in The Cat in the Hat (2003); and Rod Steiger and Julie Harris in the Academy Award-nominated short, Little Surprises (1996).
Kelly was actively involved in education, drug reform and many charitable organizations. She was acknowledged with numerous awards as a result of her work. She married John Travolta on September 12, 1991, and they had three children.
Kelly died on July 12, 2020, in Ocala, Florida, after a two-year battle with breast cancer. She was 57.- Actress
- Producer
- Soundtrack
Annette Bening was born on May 29, 1958 in Topeka, Kansas, the youngest of four children. Her family moved to California when she was young, and she grew up there. She graduated from San Francisco State University and began her acting career with the American Conservatory Theatre in San Francisco, eventually moving to New York where she acted on the stage (including a Tony-award nomination in 1987 for her work in the Broadway play "Coastal Disturbances") and got her first film roles, in a few TV movies.
As is so often the case, her first big-screen role was in a forgettable movie, this one The Great Outdoors (1988), in which she had little screen time. However, her next work onscreen was in Milos Forman's Valmont (1989), a film adaptation of Choderlos de Laclos' "Les Liaisons Dangereuses". Unfortunately, de Laclos' story had also just served as the source of a more Hollywoodized and successful movie version, Dangerous Liaisons (1988), which had been released the previous year, and Foreman's treatment went little noticed. Bening's career turned an important corner the following year when she co-starred with Anjelica Huston and John Cusack in Stephen Frears's powerful, entertaining screen adaptation of Jim Thompson's novel The Grifters (1990), and her artful turn as a con artist gained her the first of several Academy award nominations. On the strength of this performance Warren Beatty cast Bening as Virginia Hill, Bugsy Siegel's fiery actress moll, in his Bugsy (1991), the story of Siegel's founding of Las Vegas. Although the movie itself did not fare well, it resulted in a relationship with Beatty which led to Bening's pregnancy and then her marriage to Beatty in 1992 - it was the second marriage for Bening, who had been separated from her first husband since 1986 but did not finalize her divorce until 1991. The couple then collaborated on the extravagant flop Love Affair (1994), though the next year her career rebounded with her turn as Queen Elizabeth in the highly-regarded 1995 production of Richard III (1995). Notable performances have since included an obsessive, pushy real estate agent in American Beauty (1999), and as the eponymous character in István Szabó's screen adaptation of the W. Somerset Maugham novel Being Julia (2004) - both were duly noted by the Academy, with Oscar nominations.
Bening has great poise and screen presence and, at her best, can turn in a very strong performance. Although her resume often features long stretches of mediocre productions before the next good part turns up, when it does, it proves worth the wait. Bening has four children with Beatty.- Actress
- Producer
- Director
Eight time Academy Award-nominated actress Glenn Close was born and raised in Greenwich, Connecticut. She is the daughter of Elizabeth Mary H. "Bettine" (Moore) and William Taliaferro Close (William Close), a prominent doctor. Both of her parents were from upper-class families.
Glenn was a noted Broadway performer when she was cast in her award-winning role as Jenny Fields in The World According to Garp (1982) alongside Robin Williams. For this role, a breakthrough in film for Close, she later went on to receive an Academy Award Nomination for Best Supporting Actress. The following year she was cast in the hit comedy The Big Chill (1983) for which she received a second Oscar Nomination, once again for Supporting Actress in the role of Sarah Cooper. In her third film, Close portrayed Iris Gaines a former lover of baseball player Roy Hobbs portrayed by Robert Redford, in one of the greatest sports films of all time, The Natural (1984). For a third time, Close was nominated for the Academy Award for Best Actress in a Supporting Role. Close went on to star in films like The Stone Boy (1984), Maxie (1985) and Jagged Edge (1985). In 1987 Close was cast in the box office hit Fatal Attraction (1987) for which she portrayed deranged stalker Alex Forrest alongside costars Michael Douglas and Anne Archer. For this role she was nominated for the Academy Award and Golden Globe for Best Actress. The following year Close starred in the Oscar Winning Drama Dangerous Liaisons (1988) for which she portrayed one of the most classic roles of all time as Marquise Isabelle de Merteuil, starring alongside John Malkovich and Michelle Pfeiffer. For this role she was nominated once again for the Academy Award and BAFTA Film Award for Best Actress. Close was favorite to win the coveted statue but lost to Jodie Foster for The Accused (1988). Close had her claim to fame in the 1980s. Close starred on the hit Drama series Damages (2007) for which she has won a Golden Globe Award and two Emmy Awards. In her career Close has been Oscar nominated eight times, won three Tonys, an Obie, three Emmys, two Golden Globes and a Screen Actors Guild Award.- Actress
- Soundtrack
Award-winning stage actress Frances Conroy was introduced and encouraged by her parents to explore the elements of theater. Born Frances Hardman Conroy in Monroe, Georgia, she attended high school in Long Island and experienced classes at the Neighborhood Playhouse as a teenager. The pale, blue-eyed redhead also studied drama at Dickinson College and the Juilliard School (BFA) where she was taught, at the latter college, by theater greats John Houseman and Marian Seldes.
Following potent dramatic roles in such classical productions as "Mother Courage...and Her Children," "King Lear," "All's Well That Ends Well," "Measure for Measure" and "Othello" (as Desdemona) in the late 70s, Frances made her Broadway debut with "The Lady from Dubuque" in 1980. She went on to earn a well-respected name for herself under the Broadway and off-Broadway lights throughout the 1980s in such esteemed plays as "Our Town" (as Mrs. Gibbs), "The Little Foxes (as Birdie) and "In the Summer House." She also appeared with Ms. Seldes in the well-received plays "Ring 'Round the Moon" and "A Bright Room Called Day."
A performer with the The Acting Company, Frances won a Drama Desk Award for "The Secret Rapture" and an Obie for "The Last Yankee." In 2000 she received the Outer Critics Circle Award and a Tony nomination for "The Ride Down Mt. Morgan." Her other Broadway credits include "Ring Round the Moon", "The Little Foxes", "The Rehearsal" (Drama Desk Nominee), "Broken Glass", "In the Summer House" (Drama Desk Nominee) and "The Secret Rapture" (Drama Desk Nominee). Conroy's numerous Off- Broadway plays include "The Dinner Party", "The Skin of Our Teeth", "The Last Yankee" and "Othello" (Drama Desk Nominee).
An actress of subtle power, great depth and astonishing versatility, she has both an aloof serenity and faintly sad/sensitive ambiance that makes her all the more mysterious and intriguing. She came out to California in 1985 at the invitation of director Houseman and appeared in more theater plays, including "Richard III," at San Diego's Globe Theater. She also earned a sprinkling of generally overlooked film and TV parts, including small parts in Woody Allen's Manhattan (1979) (debut), Another Woman (1988) and Crimes and Misdemeanors (1989). Showing a distinct flair for the offbeat and neurotic, nothing really pushed the envelope for her on screen quite like her series' turn as the dowdy, emotionally frail undertaker's widow Ruth Fisher in the cult hit TV series Six Feet Under (2001). During the five-season run she won both a Golden Globe and three Screen Actors Guild awards and was nominated four times for an Emmy.
Film roles have been growing more abundant over the years, offering a number of fascinating featured roles, often as eccentric, often disturbing mothers and matrons. Such movies include Billy Bathgate (1991), Scent of a Woman (1992), Sleepless in Seattle (1993), The Crucible (1996), Maid in Manhattan (2002), Die, Mommie, Die! (2003), Catwoman (2004), The Aviator (2004) (as Kate Hepburn's mother), Shopgirl (2005), The Wicker Man (2006), Humboldt County (2008), The Smell of Success (2009), Love Happens (2009), 6 Souls (2010), Waking Madison (2010), Chasing Ghosts (2014), Making the Rules (2014), Welcome to Happiness (2015), rare leading roles in No Pay, Nudity (2016) and Mountain Rest (2018), and as psychotic Joaquin Phoenix's needy mother in the Oscar-winning psychological drama Joker (2019).
Frances has also appeared to fine advantage in several other TV series of late, most notably American Horror Story (2011) in which she earned her fifth and sixth Emmy nomination. She also had stand-out roles in How I Met Your Mother (2005), Casual (2015), Arrested Development (2003) and Dead to Me (2019), in addition to episodic guest spots on "ER," "Desperate Housewives," "Nip/Tuck," "Grey's Anatomy," "Young Sheldon" and "Castle Rock."
In 1992, she married actor/husband Jan Munroe, an L.A. performance artist. After a few Broadway roles with "The Little Foxes" (as Birdie), "Ring Round the Moon" and "The Ride Down Mt. Morgan," Frances returned to the theatre after a six-year absence, in the 2006 production of "Pyrenees" by David Greig at the Kirk Douglas Theater in Los Angeles.- Actress
- Additional Crew
- Soundtrack
Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
- Producer
- Director
Dame Helen Mirren was born in Queen Charlotte's Hospital in West London. Her mother, Kathleen Alexandrina Eva Matilda (Rogers), was from a working-class English family, and her father, Vasiliy Petrovich Mironov, was a Russian-born civil servant, from Kuryanovo, whose own father was a diplomat. Mirren attended St. Bernards High School for girls, where she would act in school productions. After high school, she began her acting career in theatre working in many productions including in the West End and Broadway.- Actress
- Soundtrack
Swoosie is the only child of author Margo and Frank Kurtz. As her father was a colonel in the U.S. Air Force, she moved often during her school years, living in eight different states. At the University of Southern California she majored in drama; later she attended the London Academy of Music and Dramatic Art, collected Broadway's "triple crown" (the Tony, Drama Desk and Outer Critics Circle awards) for her portrayal of Gwen in Lanford Wilson's "The Fifth of July". Since then she has appeared in many TV shows and movies, and received several Emmy and Golden Globe nominations and an Emmy for her guest-starring performance on Carol Burnett's comedy series Carol & Company (1990).- Actress
- Director
- Producer
Lea Katherine Thompson was born May 31, 1961 in Rochester, Minnesota. She is the youngest of five children. Her parents are Barbara and Cliff Thompson. Since all her siblings were much older than her, Lea says it seemed like she had more than two parents. The family lived in the Starlight motel, all the kids sharing a room. Things began to look up for the family when Lea's father got a job in Minneapolis, where the family moved.
Lea's parents divorced when she was six, and her mother decided to maintain the family. This wasn't the easiest job, considering her mother was alcohol-addicted at the time. When she found the strength to quit drinking, she took a job playing the piano and singing in a bar to support Lea and her siblings. When Lea was seven, her mother remarried. Ever since Lea was little, she loved to dance -- ballet to be exact. She would practice three to four hours every day. Her first role was as a mouse in "The Nutcracker". After Lea turned fourteen, she had performed in more than 45 ballets on stages, such as The Minnesota Dance Theatre, The Pennsylvania Ballet Company, and The Ballet Repertory. She won scholarships to The American Ballet Theatre and The San Francisco Ballet. At age nineteen, she auditioned for Mikhail Baryshnikov, who later told her that she was "a beautiful dancer... but too stocky." Lea knew her dreams had been crushed. At that point, she decided to turn to acting. She began working as a waitress, also making 22 Burger King commercials and a few Twix commercials. She was perfect for these parts simply because she was the average girl-down-the-street, from the Midwest. Everyone who knows her can't believe she was and still is so completely different...trying to be independent and fight against the system. In 1982, Lea made some type of a computer game or interactive movie known as "Murder, Anyone."
Her first role was in the movie, Jaws 3-D (1983), as a water ski bunny, although she couldn't swim or ski, which she still can't! There, she met Dennis Quaid, who became her fiancée and acting coach. Her next role was in All the Right Moves (1983), where she acted opposite Tom Cruise. Director Michael Chapman was so disappointed with her performance, that he almost fired her. Between 1983 and 1984, Lea appeared in other "teen" movies, such as Red Dawn (1984), The Wild Life (1984), and Going Undercover (aka Going Undercover (1985)), and believes it was lucky that, in these movies, they were able to use anyone who could walk and talk! Lea's biggest known accomplishment, and her big break, came from the first Back to the Future (1985). It was the biggest hit of 1985, and Lea was suddenly the most wanted actress. She could have her pick of any role she wanted to take on. She chose Howard the Duck (1986). Although it was a George Lucas production, the critics turned the movie, and Lea, down. Afterwards, director Howard Deutch offered Lea a part in his movie, Some Kind of Wonderful (1987), but she refused. After he urged her to do it, she reconsidered. She won the Young Artist Award for best young actress. During filming, Howard and Lea fell in love, and she called it off with Dennis. She then went on to film The Wizard of Loneliness (1988), which was her first movie as a woman, rather than a youngster. Lea went on to film Back to the Future Part II (1989) and an episode of Tales from the Crypt (1989). She then married Howard Deutch. She continued filming Back to the Future Part III (1990), Montana (1990), and Article 99 (1992). Lea then took a break to stay home with her first born, Madelyn Deutch.
She jumped back into acting in Dennis the Menace (1993), where she says she just played herself. Then it was on to The Beverly Hillbillies (1993), Stolen Babies (1993), The Little Rascals (1994), and The Substitute Wife (1994). In 1994, she had her second child, Zoey Deutch. Lea then went into filming The Unspoken Truth (1995). It was then that she was first given the script of a new NBC sitcom, Caroline in the City (1995). It was probably the best decision Lea ever made. She won a People's choice Award for best actress in a new sitcom. Unfortunately, with all of NBC's problems, Caroline in the City (1995) kept being moved to a worse and worse time slot, giving it horrible ratings. The show ended after only four seasons. Bad ideas from the creators (Julia, etc.) didn't help, either.
Lea quickly went onto The Right to Remain Silent (1996), The Unknown Cyclist (1998), and A Will of Their Own (1998). She also guest-starred in the Friends (1994) episode, The One with the Baby on the Bus (1995), as "Caroline Duffy," and on The Larry Sanders Show (1992). Lea also did some stage work, including starring as "Sally Bowles" in "Cabaret." The show toured and also appeared on Broadway. She then did "The Vagina Monologues" in L.A. She had a stint in a dramatic role as a Chief Deputy Assistant District Attorney, "Camille Paris," on For the People (2002).
Thompson has starred in more than 30 films, 25 television movies, 4 television series, more than 20 ballets, and starred on Broadway in "Cabaret." Lea can currently be seen on ABC Family's Peabody Award winning hit show "Switched at Birth," where she acts and directs. Lea's movie credits include: "All the Right Moves," "Red Dawn," "Some Kind of Wonderful," "The Beverly Hillbillies," "Howard The Duck," (star and vocals) Clint Eastwood's "J. Edgar," the 2014 Sundance favorite Ping Pong Summer (2014), Fliegen (2005) starring Nicolas Cage, and The Year of Spectacular Men (2017), a film written by her daughter Madelyn Deutch. Thompson partnered with international Mirrorball Trophy holder Artem Chigvintsev on the 19th season of Dancing with the Stars (2005), placing sixth.
Lea lives in Los Angeles with her husband of over thirty years, film/television director Howard Deutch, and their two talented daughters, Madelyn and Zoey Deutch, along with many dogs, fish, horses, chickens, a cat, tortoise, and parrot. She supports and often performs for breast cancer, mental health, and Alzheimer's charities. Lea is currently writing her first book of essays.- Actress
- Producer
- Writer
As a child, Geena dreamed of being an actress. While in high school, she felt left out and had low self-esteem because, at 6 feet, she was the tallest girl in school. After high school graduation, Geena entered New England College in New Hampshire and then transferred the next year to Boston University, where she majored in drama. In 1977, she left BU and moved to New York to start her career. Her career consisted of sales clerk and waitress. She worked at Ann Taylor, where she eventually rose to Saturday window mannequin while trying to get a job with a modeling agency. Eventually signed by the Zoli Agency, she wound up as a model in the Victoria Secret's Catalogue. Ever vigilant, Sydney Pollack was looking for new talent in the catalog when he spotted Geena and cast her in Tootsie (1982). With good reviews, Geena moved to Los Angeles where she was cast as Wendy in the short-lived but critically acclaimed television series Buffalo Bill (1983) with Dabney Coleman. A starter marriage to restaurant manager Richard Emmolo dissolved around this time. Her next appearance on television was in her own series Sara (1985), which was also good, but soon canceled. Geena then returned to the big screen in the below-average Transylvania 6-5000 (1985) followed by the successful Chevy Chase movie Fletch (1985). From there on, she was on a roll with second husband Jeff Goldblum in the horror remake The Fly (1986). More successful were Tim Burton's dark comedy Beetlejuice (1988) and The Accidental Tourist (1988). For the last film, she was the surprise winner of the Oscar for Best Supporting Actress. More fun movies followed with the flying-saucer-in-the-pool Earth Girls Are Easy (1988) and everyone-loves-a-clown Quick Change (1990) with Bill Murray. The very successful Thelma & Louise (1991), directed by Ridley Scott, again garnered nominations for the Academy Award and Golden Globe. A League of Their Own (1992), with Tom Hanks and directed by Penny Marshall, was the turning point as her next film, Hero (1992), was only average. Then she married director Renny Harlin and they set up a production and development company called "The Forge". Their first film was Speechless (1994), which flopped at the box office. Undeterred, Renny decided to film the big-budget Cutthroat Island (1995), starring Geena as pirate leader Morgan, which also flopped. Geena has since starred in the thriller The Long Kiss Goodnight (1996) and played Eleanor Little in Stuart Little (1999) and Stuart Little 2 (2002). She's also returned to TV, headlining The Geena Davis Show (2000) and Commander in Chief (2005). Both shows were canceled after one season, but she won a Golden Globe for the latter. In 2008, after being missed from the big screen for some years, Geena ventured to Sydney, Australia, playing the foul-mouthed mother of Harry Cook and Harrison Gilbertson to shoot the dark comedy Accidents Happen (2009).- Actress
- Music Department
- Producer
Lynda Jean Cordova Carter is an American actress, singer, and beauty pageant titleholder who was crowned Miss World USA 1972 and finished in the top 15 at the Miss World 1972 pageant. Carter is best known as the star of the live-action television series Wonder Woman, in the role of Diana Prince / Wonder Woman. The role was based on the DC comic book fictional superhero character of the same name, and aired on ABC and later on CBS from 1975 to 1979.- Actress
- Producer
- Soundtrack
Jessica Lange was born in 1949, in Cloquet, Minnesota, USA, where her father worked as a traveling salesman. She obtained a scholarship to study art at the University of Minnesota, but instead went to Paris to study drama. She moved to New York, working as a model, until producer Dino De Laurentiis cast her as the female lead in King Kong (1976). The film attracted much unfavorable comment and, as a result, Lange was off the screen for three years. She was given a small but showy part in Bob Fosse's All That Jazz (1979), before giving a memorable performance in Bob Rafelson's The Postman Always Rings Twice (1981), as an adulterous waitress. The following year, she won rave reviews for her exceptional portrayal of actress Frances Farmer in Frances (1982) and a Best Supporting Actress Academy Award for her work in Sydney Pollack's Tootsie (1982) (as a beautiful soap-opera actress). She was also outstanding as country singer Patsy Cline in Karel Reisz's Sweet Dreams (1985) and as a lawyer who defends her father and discovers his past in Music Box (1989). Other important films include Martin Scorsese's Cape Fear (1991) (as a frightened housewife) and Tony Richardson's Blue Sky (1994), for which she won a Best Actress Academy Award as the mentally unbalanced wife of a military officer. She made her Broadway debut in 1992, playing "Blanche" in Tennessee Williams "A Streetcar Named Desire".- Actress
- Producer
- Soundtrack
Intriguing, inspiring, and never less than interesting -- key adjectives in describing the career of Beverly D'Angelo, which has well passed the four-decade mark. Perhaps deserving better movies than she generally found herself in, she nevertheless was always an object of fascination and the one to watch...whatever the role. Hardly the shrinking violet type, Hollywood counted on her for her colorful personality, down-to-earth demeanor and scene-stealing capabilities.
Beverly Heather D'Angelo was born on November 15, 1951 in Columbus, Ohio, the daughter of musicians Priscilla Ruth (Smith), a violinist, and Eugene Constantino "Gene" D'Angelo, a bass player who also managed a TV station. Her maternal grandfather, Howard Dwight Smith, was the architect who designed the Ohio ("Horseshoe") Stadium at Ohio State University. Her mother had English, Irish, Scottish, and German ancestry, and her father was of Italian descent. Beverly once attended an American school in Florence, Italy.
Initially drawn to art, Beverly worked as a animator/cartoonist at Hanna-Barbera Productions before moving to Canada to pursue a rock singing career, To make ends meet she worked as a session vocalist and sang anyplace she could -- from coffeehouses to topless bars. At one point the teenager was invited to join up with rockabilly legend Ronnie Hawkins. Beverly's acting career started up when she left the Hawkins band and joined the Charlottetown Festival repertory company. She was touring Canada as Ophelia in "Kronborg: 1582", a rock musical version of Shakespeare's "Hamlet" when the renowned Colleen Dewhurst caught a performance and saw promise in both Beverly and the show. Eventually musical director Gower Champion got into the mix and the show was completely revamped, becoming the rock musical "Rockabye Hamlet", which made its way to Broadway in 1976. While the show itself was short-lived, Beverly's Ophelia attracted fine notices and she soon found herself on the West coast with film and TV opportunities. After this point, she seldom returned to the stage but did star alongside Ed Harris in the 1995 off-Broadway production of Sam Shepard's "Simpatico", which earned her a Theatre World Award.
A role in the TV miniseries Captains and the Kings (1976) led to bit parts in The Sentinel (1977) and in the Woody Allen classic Annie Hall (1977). A string of co-starring roles followed with First Love (1977), the Clint Eastwood starrer Every Which Way But Loose (1978) and the film adaptation of the hit counterculture musical Hair (1979). Best of all for Beverly was her powerhouse featured performance as the one-and-only Patsy Cline in the acclaimed biopic Coal Miner's Daughter (1980). Both she and Oscar winner Sissy Spacek (as fellow country singer Loretta Lynn) expertly supplied their own vocals.
Playing everything from tough-as-nails prostitutes, party girls and barflies to rich, prim widows and depressed, alcoholic moms, most of Beverly's output was solid during this time. Playing happening kind of gals, she customarily rose above much of the standard comedic or dramatic material given. An interesting gallery of offbeat characters came her way in a number of hit-or-miss features: Paternity (1981), Finders Keepers (1984), Big Trouble (1986), Maid to Order (1987), High Spirits (1988), Cold Front (1989), Daddy's Dyin'... Who's Got the Will? (1990), The Pope Must Diet (1991), Man Trouble (1992), Lightning Jack (1994), The Crazysitter (1994), Merchants of Venus (1998) and Sugar Town (1999). She also sang in a few of these films.
Beverly attracted mainstream notice as Chevy Chase's beleaguered wife in the comedy spoof Vacation (1983) and its three sequels. Stronger roles came with such films as the English/Irish production The Miracle (1991) and the Neo-Nazi film American History X (1998). She was also a favorite of director John Schlesinger who used her in Honky Tonk Freeway (1981) and Eye for an Eye (1996), among others. In the spoof Pterodactyl Woman from Beverly Hills (1996), in which she served as associate producer, Beverly gamely starred as a chic Beverly Hills housewife who turns into a flying prehistoric reptile by night. Other offbeat independent filming includes Illuminata (1998), Merchants of Venus (1998), Weaver of Claybank (1915), Black Water Transit (2009), The House Bunny (2008), Episode #7.33 (2007), Bounty Killer (2013), Frat Pack (2018) and Dreamland (2016).
On TV, Beverly scored well as matricide victim Kitty Menendez in Menendez: A Killing in Beverly Hills (1994) and earned an Emmy-nomination (and arguably gave the best performance) as Stella Kowalski opposite "Hair" co-star Treat Williams in the TV remake of A Streetcar Named Desire (1984). Other topnotch TV mini-movies included Sweet Temptation (1996) and Judgment Day: The John List Story (1993), in which she played Robert Blake's devout wife. On primetime she has been cast quite assertively in recurring parts -- she has been spotted on Law & Order: Special Victims Unit (1999) as a defense attorney; Entourage (2004) as a talent agent; Shooter (2016) as a national security advisor; and Insatiable (2018) as a scheming beauty contestant coach.
Beverly's off-camera romantic life has been just as interesting. Following her relationship with "Hair" director Milos Forman, she married Lorenzo Salviati, an economics student who also was an Italian duke. She left Hollywood and lived with him in Europe, but separated after two years and returned. A six-year relationship with Irish director Neil Jordan was followed by one with Oscar-winning production designer Anton Furst; this ended tragically when, just weeks after their breakup, he committed suicide. A former union with the volatile Al Pacino produced twins Olivia and Anton, who were born in 2001.
These days, Beverly's career on camera has remained secondary to the raising of her children. Occasionally she has made use of her vocal talents performing at L.A. nightclubs and with a jazz band that included brother Jeff. From time to time she still lights up the screen as a brash professional or somebody's colorful mom; whatever time she has on screen, whether major or minor, it is always welcomed and never, ever less than...interesting.- Julie White was born on 4 June 1961 in San Diego, California, USA. She is an actress, known for Transformers: Revenge of the Fallen (2009), Transformers (2007) and Transformers: Dark of the Moon (2011). She was previously married to Christopher Conner and Carl Pandel.
- Actress
- Art Department
- Director
As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life.- Actress
- Producer
- Director
Mariska (Ma-rish-ka) Magdolna Hargitay was born on January 23, 1964, in Santa Monica, California. Her parents are Mickey Hargitay and Jayne Mansfield. She is the youngest of their three children. In June 1967, Mariska and her brothers Zoltan and Mickey Jr. were in the back seat of a car when it was involved in the fatal accident which killed her mother. The children escaped with minor injuries. Her father remarried a stewardess named Ellen, and they raised the three children and gave them a normal childhood. They also financially supported the children, since Jayne Mansfield's debt-ridden estate left no money for them.
Mariska majored in theater at UCLA. Her first motion picture feature was the cult favorite, Ghoulies (1984), where she gave a memorable performance as Donna. Unlike her mother Jayne, who had changed her name, her hair color, and did nude pictorials to become a star, Mariska took a very different approach on her journey to become a star. She rejected advice to change her name and appearance. And she refused to copy her mother's sexy image by turning down nude scenes in her next film Jocks (1986). She told casting directors that she was her own person when she held onto her dark locks and athletic figure, when they were expecting another blond, buxom Jayne Mansfield. Mariska continued with her acting classes and waited on tables, while she landed forgettable roles in short-lived television shows. She appeared a few times on the nighttime soap Falcon Crest (1981). She also appeared in the hit film Leaving Las Vegas (1995), credited as 'Hooker at the bar', and in the flop film Lake Placid (1999) as Myra Okubo. Her recurring role on the top-rated show ER (1994) in 1998 gave her career enough of a jolt to land her the starring role of Det. Olivia Benson in Law & Order: Special Victims Unit (1999), the first spin off from the excellent franchise of Law & Order (1990). The hour-long show deals with sex crimes and the detectives who solve these cases. Mariska played Olivia as a tough, compassionate detective, who did action scenes and her own stunt work. She reaped the rewards from the hit TV show, after struggling and studying her craft for fifteen years. She became the highest paid actress on television, and she won Emmy and Golden Globe awards for her performance. The show also changed her personal life, since she met her husband actor Peter Hermann on the set and married him on August 28, 2004. That same year, she appeared in the television movie Plain Truth (2004), in which she played attorney Ellie Harrison. Mariska became an activist, when fans of her show who were abused, would write to her, and she founded a non-profit organization called "Joyful Heart Foundation" to help "survivors of sexual assault, domestic violence, and child abuse."
Mariska gave birth to her son August in 2006. But that tremendous joy was soon followed by tremendous sadness when her beloved father Mickey died just two months later at the age of 80. Mariska and her husband Peter adopted two children, a girl named Amaya, and a boy named Andrew, within a span of few months in 2011.
Mariska speaks English, Hungarian, French, Spanish, and Italian, and her husband also speaks several languages, including his native language German. They divide their time between New York and Los Angeles.- Actress
- Producer
- Writer
Andie MacDowell was born Rosalie Anderson MacDowell on April 21, 1958 in Gaffney, South Carolina, to Pauline Johnston (Oswald), a music teacher, and Marion St. Pierre MacDowell, a lumber executive. She was enrolled at Winthrop College located in Rock Hill, South Carolina. Initially discovered by a rep from Wilhelmina Models while on a trip to Los Angeles. Later signed on with Elite Model Management in New York City in 1978. Made debut film appearance in Greystoke: The Legend of Tarzan, Lord of the Apes (1984). Went on to study method acting at the Actors Studio. Had commercial success with performances in Harold Ramis's Groundhog Day (1993) and Mike Newell's Four Weddings and a Funeral (1994).- Actress
- Producer
With roots leading back to Louisiana southern aristocracy, lovely leading lady Lynn Whitfield was born in 1953, the eldest of four children and a third-generation BFA graduate from Howard University. Her dentist father was instrumental in developing Lynn's initial interest in acting as he was a prime figure in forming community theater in her native Baton Rouge. She is of African American and Native American descent, specifically Cherokee.
First garnering attention on the stage by studying and performing with the Black Repertory Company in Washington, D.C, she married one of the company's co-founders and pioneers of black theatre, playwright/director/actor Vantile Whitfield in 1974. She eventually moved to New York and appeared off-Broadway in such shows as "The Great Macdaddy" and "Showdown" before earning acclaim in the 1977 Los Angeles production of the landmark black play "For Colored Girls Who Have Considered Suicide...When the Rainbow Is Enuf" co-starring Alfre Woodard. Lynn eventually became a force to be reckoned with intelligent and principled roles on quality film and TV as well
Lynn's Hollywood career unfolded under a talent development program at Columbia Pictures in 1979. Appearing on such established TV shows as "Hill Street Blues" and in a 1982 PBS version of her "For Colored Girls..." stage hit, she made her film debut with Doctor Detroit (1983) and doled out a number of support roles in other popular films as well such as Silverado (1985), The Slugger's Wife (1985), Jaws: The Revenge (1987), and Dead Aim (1987). It was TV, however, that garnered her the most attention, working her way into top lead and co-star roles. The topical social dramas The George McKenna Story (1986) co-starring Denzel Washington, Johnnie Mae Gibson: FBI (1986) opposite Howard E. Rollins Jr. and Oprah Winfrey's historical miniseries The Women of Brewster Place (1989) were her early highlights. In addition, she found some steadier work on series TV playing classy professionals, including two for ABC (a doctor in Heartbeat (1988) and a news anchorwoman in Equal Justice (1990).)
The peak of her acclaimed career arguably came in the form of highly popular but deeply troubled Follies Bergere headliner-turned civil rights activist Josephine Baker. In the HBO biopic The Josephine Baker Story (1991), Lynn played the legendary entertainer with Emmy-winning gusto, a role that stretched her to the limits as she played the role from age 18 to 68. Earning an NAACP Image Award in 1992 for her role in the miniseries Stompin' at the Savoy (1992), she later appeared in Pauly Shore's comedy In the Army Now (1994) and went back to series TV alongside Bill Cosby in the short-lived The Cosby Mysteries (1994).
Lynn had an upsurge in the late 90s with roles in the films A Thin Line Between Love and Hate (1996) with Martin Lawrence and Gone Fishin' (1997) with "Silverado" co-star Danny Glover. She also earned excellent reviews for her supporting work in Eve's Bayou (1997), a role that drew on her Louisiana heritage. More quality TV came her way when she starred as Sophie in Sophie & the Moonhanger (1996), a mini-movie that focused on the relationship of the wife of a Klansman and her longtime black housekeeper. She kept up the momentum with an unsympathetic role in the Oprah Winfrey miniseries The Wedding (1998), where she again had to cover a long life span, this time from 19 to 47.
Into the millennium, Lynn has continued to find prolific work both on film and TV. Big screen credits include a co-starring role as a party advisor in the Chris Rock/Bernie Mac political comedy Head of State (2003), written and directed by Rock; star/writer/director Tyler Perry's romantic comedy Madea's Family Reunion (2006); the urban film Redemption (2004) starring Jamie Foxx that chronicles the turbulent life of (now) imprisoned L.A. Crips gang founder Stan "Tookie" Williams; a featured part in an updated version of Clare Boothe Luce's The Women (2008) headed by Meg Ryan and Annette Bening; a co-starring role opposite singer/songwriter Ciara in the family musical drama Mama I Want to Sing (2011); another co-star role opposite another musical artist, rapper/songwriter 50 Cent, in the sports drama All Things Fall Apart (2011); a starring role as a woman who loses her police officer son and takes in a young parolee Crawford Wilson in the social drama King's Faith (2013); and the Sean Astin action comedy Espionage Tonight (2017).
On the TV front, Lynne has made guest appearances in such regular programs as "Boston Public," "Strong Medicine," a recurring role in "Without a Trace," "Shark," "Flash Forward," How to Get Away with Murder," "Hit the Floor," "Mistresses" and, more recently, as Lady Belle Greenleaf, the matriarch of a rich, unscrupulous Southern Baptist, mega-church family in the dramatic series Greenleaf (2016).
Divorced from Vantile Whitfield in the late 70s, Lynn later married British director Brian Gibson in 1990, by whom she has a daughter, Grace. They parted ways in 1992.- Actress
- Producer
- Director
Captivating, gifted, and sensational, Angela Bassett's presence has been felt in theaters and on stages and television screens throughout the world. Angela Evelyn Bassett was born on August 16, 1958 in New York City, to Betty Jane (Gilbert), a social worker, and Daniel Benjamin Bassett, a preacher's son. Bassett and her sister D'nette grew up in St. Petersburg, Florida with their mother. As a single mother, Betty stressed the importance of education for her children. With the assistance of an academic scholarship, Bassett matriculated into Yale University. In 1980, she received her B.A. in African-American studies from Yale University. In 1983, she earned a Master of Fine Arts Degree from the Yale School of Drama. It was at Yale that Bassett met her husband, Courtney B. Vance, a 1986 graduate of the Drama School.
Bassett first appeared in small roles on The Cosby Show (1984) and Spenser: For Hire (1985), but it was not until 1990 that a spate of television roles brought her notice. Her breakthrough role, though, was playing Tina Turner, whom she had never seen perform before taking the role, in What's Love Got to Do with It (1993). Bassett's performance earned her an Academy Award nomination and a Golded Globe Award for Best Actress.- Actress
- Producer
- Writer
Michelle Yeoh was born in Ipoh, Malaysia. She's the daughter of Janet Yeoh & Kian Teik Yeoh. She's of Hokkien descent, speaking English and Malay before Chinese. A ballet dancer since 4, she moved to London to study at the Royal Academy as a teen. After a brief dance career, she won the Miss Malaysia beauty pageant title in and the Miss Moomba beauty pageant title in Melbourne, Australia in the early 1980s. Her first on camera work was a 1984 commercial with martial arts star Jackie Chan. In 1985, she began making action movies with D&B Films of Hong Kong. She was first billed as Michelle Khan, then Michelle Yeoh. Never a trained martial artist, she relied on her dance discipline and on-set trainers to prepare for martial arts action scenes.
She uses many dance moves in her films and does most of her own stunts. In 1988, she married wealthy D&B Films executive Dickson Poon & retired from acting. Even though they divorced in 1992, she's close to Poon's second wife and a godmother to his daughter. When she returned to acting, she became very popular w/ Chinese audiences. She later became known to Western audiences through role in the James Bond film Tomorrow Never Dies (1997) and in the phenomenally successful Crouching Tiger, Hidden Dragon (2000). She turned down a role in a sequel to The Matrix (1999).
She has her own production company, Mythical Films. She trained with the Shen Yang Acrobatic team for her role in The Touch (2002), an English-language film she both starred in and produced. She hopes to use her company to discover and nurture new film-making talent. She also aspires to act in roles that combine both action and deeper spiritual themes.- Actress
- Soundtrack
Ming-Na ("enlightenment") was born on the island of Macau, forty miles from Hong Kong. Her mother, Lin Chan Wen, divorced her father when Ming-Na was only a toddler. She has an older brother named Jonathan. After the divorce, they moved to Hong Kong where her mother became a nurse. There her mother met Soo Lim Yee, a U.S. businessman. They soon married, and at four years, Ming-Na moved with her family to Queens, New York. Five years later, they transferred to Yee's hometown of Pittsburgh where his family runs the Chinatown Inn restaurant. Jonathan and half-brother, Leong, now manage this restaurant. Struggling to fit in at school, she changed her name to Maggie & Doris. She found a love for acting while appearing in a third grade Easter play, where she played a klutzy bunny. Her mother was not excited about her desire to pursue acting, She preferred that she go into medicine. Nonetheless, Ming-Na graduated from Carnegie Mellon University with a degree in theatre. She got her first acting job in 1988 on the soap As the World Turns (1956). Her big break came when she was cast in The Joy Luck Club (1993). When she needed a ride to the premiere of the film, her acting instructor sent one of his students, Eric Michael Zee. The two started dating in 1994 after Ming-Na moved permanently to Los Angeles and married in 1995, dropping her last name, Wen, at that time. She says she is now like Ann-Margret. Zee is a screenwriter and, with Ming-Na, manages At Last, a boy band.- Actress
- Producer
- Soundtrack
Michelle Pfeiffer was born in Santa Ana, California to Dick and Donna Pfeiffer. She has an older brother and two younger sisters - Dedee Pfeiffer, and Lori Pfeiffer, who both dabbled in acting and modeling but decided against making it their lives' work. She graduated from Fountain Valley High School in 1976, and attended one year at the Golden West College, where she studied to become a court reporter. But it was while working as a supermarket checker at Vons, a large Southern California grocery chain, that she realized her true calling. She was married to actor/director Peter Horton ("Gary" of Thirtysomething (1987)) in 1981. They were later divorced, and she then had a three year relationship with actor Fisher Stevens. When that didn't work out, Pfeiffer decided she didn't want to wait any longer before having her own family, and in March of 1993, she adopted a baby girl, Claudia Rose. On November 13th of the same year, she married lawyer-turned-writer/producer David E. Kelley, creator of Picket Fences (1992), Chicago Hope (1994), The Practice (1997), and Boston Public (2000). On August 5, 1994 their son, John Henry was born.- Actress
- Producer
- Casting Department
Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005). Acclaimed in her community for her quirky roles in independent film and mainstream such as The 40-Year-Old Virgin (2005), Keener got her start as a casting director in New York City.
Catherine Ann Keener was born in Miami, Florida, and was raised in Hialeah, FL. She is the daughter of Evelyn (Jamiel) and James Keener, who owned an auto shop. She is of Lebanese (mother) and English, Scottish, and German (father) descent. Keener attended Wheaton College in Massachusetts. She began taking acting classes when she was unable to sign up for a photography class. After graduating, Keener managed a McDonalds in New York City before becoming an assistant casting director and soon relocating to Los Angeles.
Not long after, Keener told her superior of her aspirations for acting and she landed a one-worded role as a waitress in About Last Night (1986). Two years later, she landed a role in a film called Survival Quest (1988), where she met her future husband, Dermot Mulroney. After struggling for years in the industry, Keener landed a role in an independent film, opposite the unknown Brad Pitt, in Johnny Suede (1991). Her ascent in independent film began as she starred in Living in Oblivion (1995) and Walking and Talking (1996) before her mainstream break with Being John Malkovich (1999) in 1999, which earned Keener her first Oscar nomination. Since then, Catherine Keener has starred in several critically acclaimed films.- Actress
- Producer
- Executive
Melissa Leo is an American actress. She is known for her Academy Award-winning performance in the 2010 film The Fighter (2010). She was born on September 14, 1960, in New York City. Leo starred as the mother of boxer Micky Ward in the 2010 film The Fighter, also starring Mark Wahlberg. The role garnered her both Golden Globe (Best Supporting Actress) and Oscar awards. Other accolades include award nominations for the film Frozen River (2008) and the HBO series Mildred Pierce.- Actress
- Soundtrack
Born in Salisbury, Maryland, USA, following high school Linda studied for two years at Washington College in Chestertown, Maryland, before moving on to acting studies in New York. In New York she attended acting workshops given by Lee Strasberg. Her first parts were small parts in TV series, with her biggest break coming with her role in The Terminator (1984). Most known to public at large from her part in the TV series Beauty and the Beast (1987) (before Terminator 2: Judgment Day (1991), at least).- Actress
- Producer
- Soundtrack
Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.- Actress
- Producer
- Director
Winona Ryder was born Winona Laura Horowitz in Olmsted County, Minnesota, and was named after a nearby town, Winona, Minnesota. She is the daughter of Cynthia (Istas), an author and video producer, and Michael Horowitz, a publisher and bookseller. Her father's family is Ukrainian Jewish and Romanian Jewish. She grew up in a ranch commune in Northern California which had no electricity. She is the goddaughter of Timothy Leary. Her parents were friends of Beat poet Allen Ginsberg and once edited a book called "Shaman Woman Mainline Lady", an anthology of writings on the drug experience in literature, which included one piece by Louisa May Alcott. Ryder would later play the lead role of Josephine March in the adaptation of this author's novel Little Women (1994).
Ryder moved with her parents to Petaluma, California when she was ten and enrolled in acting classes at the American Conservatory Theater. At age 13, she had a video audition to the film Desert Bloom (1986), but did not get the role. However, director David Seltzer spotted her and cast her in Lucas (1986). When telephoned to ask how she would like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder & The Detroit Wheels album was playing the background. Ryder was selected for the role of Mary Corleone in The Godfather Part III (1990), but had to drop out of the role after catching the flu from the strain of doing the films Welcome Home, Roxy Carmichael (1990) and Mermaids (1990) back-to-back. She said she did not want to let everyone down by doing a substandard performance. She later made The Age of Innocence (1993), which was directed by Martin Scorsese, whom she believes to be "the best director in the world".- Actress
- Producer
- Writer
Her mother, Anna Griffiths, is an art consultant. Her uncle is a Jesuit priest. Has two older brothers. One brother, Ben, is a ski instructor. Lived on the Gold Coast, Queensland until age five, then moved to Melbourne. Attended Star of the Sea Catholic Girls' College, did well at school and learned ballet. When she was 11, her father left home with an 18 year old woman. She hasn't seen him for years. Her mother was an art teacher at the time and raised the children alone. Has an Education Degree in dance and drama. Worked for the theatre company The Woolly Jumpers, in Geelong. Made famous by Muriel's Wedding (1994).- Actress
- Producer
- Writer
Laura Dern was born on February 10, 1967 in Los Angeles, the daughter of actors Bruce Dern and Diane Ladd. Dern was exposed to movie sets and the movie industry from infancy, and obtained several bit parts as a child. Her parents divorced when Dern was two and Dern lost contact with her father for several years as a result.
Her parents' background and her own early taste of the movie-making world soon convinced the young Dern to pursue acting herself. Like so many young actors, her decision may have been influenced by social awkwardness -- the child of 1960s counterculture parents, she was steeped in Eastern mysticism and political radicalism, and was seen as an oddball by her more conservative classmates. Even before her teens, she had achieved most of her impressive 5' 10" height and was rail-skinny with a slouching posture.. Perhaps the nine-year-old Dern found refuge by studying acting at the Lee Strasberg Theater Institute.
The first success for the young Dern came in 1980, with a role in Adrian Lyne's Foxes (1980), a teen movie starring Jodie Foster. She followed this with several small parts, or parts in small movies, such as Ladies and Gentlemen, the Fabulous Stains (1982) and Teachers (1984), as a student who has an affair with a teacher. (Her mother objected to her active presence on movie sets at age thirteen, which required Dern to sue for emancipation so she could play her role in "The Fabulous Stains"). Her next roles, as the blind girl who befriends the deformed boy in Mask (1985), and as a teen-aged girl whose sexual awakening collides with a mysterious older man in Smooth Talk (1985), gave her career an important boost. Dern appeared to have made it with a leading role in David Lynch's acclaimed Blue Velvet (1986), but it was four years before her next notable film, and this was the bizarre Wild at Heart (1990), also directed by Lynch.
The following year, Dern starred in Rambling Rose (1991), which would become her signature performance, as a sexually-precocious, free-spirited young housemaid in the South in the 1930s. Dern earned an Oscar nomination for her performance, and so did her mother and co-star, Diane Ladd. Dern continues to win prominent roles on the big screen, often in smaller, highly-regarded human dramas such as October Sky (1999), I Am Sam (2001) and We Don't Live Here Anymore (2004), although she is perhaps most widely known for her repeat role as Ellie Sattler in the summer adventure movies Jurassic Park (1993) and Jurassic Park III (2001), or for her guest performance on Ellen (1994), as the woman to whom Ellen finally comes out as a lesbian.
Dern's pre-teen gawkiness matured into lithe beauty, but this doesn't prevent Dern from fearlessly throwing herself into a wide variety of roles which are sometimes unflattering, an excellent example being her unflinchingly comic portrayal of an intensely annoying loser whose pregnancy becomes a social and political football in Citizen Ruth (1996). This results in Dern being one of the most interesting actors working in Hollywood today.
Having previously dated such Hollywood talent as Treat Williams, Renny Harlin, Kyle MacLachlan, Jeff Goldblum and Billy Bob Thornton, Dern eventually married musician Ben Harper in 2005. Early in her career, Dern was roommate to Marianne Williamson, the spirituality guru. Dern attended two days of college at UCLA and one semester at USC.- Actress
- Producer
- Director
Helen Hunt began studying acting at the age of eight with her father, respected director and acting coach Gordon Hunt. A year later she made her professional debut and afterwards worked steadily in films, theatre and television.- Actress
- Producer
- Soundtrack
Phylicia Rashad was born in Houston, Texas to African-American parents Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Phylicia, her older brother Andrew (called Tex), and younger sister, dancer and actress Debbie Allen, lived in Mexico. She has another brother, Hugh Allen (a real-estate banker in North Carolina). Their mother decided to live in Mexico to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Phylicia and Debbie are fluent in Spanish. Phylicia graduated from Howard University and later taught drama there.
With younger sister Debbie Allen, she has a production company, D.A.D., which stood for Doctor Allen's Daughters. Her Pulitzer-nominated mother is the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Rashad as a performer.- Actress
- Producer
- Writer
Lisa Deanna Rinna was born on July 11, 1963 in Newport Beach, California and raised in Medford, Oregon to Lois Rinna & Frank Rinna, she has an older half-sister: Nancy Rinna. As an actress, she is best known for her roles as Billie Reed on the NBC daytime soap opera, Days of Our Lives (1965) and Taylor McBride on Fox's television drama, Melrose Place (1992). Since 2014, Rinna has been a cast member on Bravo's hit reality television series, The Real Housewives of Beverly Hills (2010). Other television credits include being a contestant on NBC's The Celebrity Apprentice and ABC's Dancing with the Stars, as well as guest-starring roles on Entourage, The Middle, Veronica Mars, Community & 8 Simple Rules. Rinna made her Broadway debut in Chicago as Roxie Hart on June 2007. She was the host of Soapnet's talk show, SoapTalk (2002) for which she earned four Emmy nominations for Outstanding Talk Show Host. Rinna has also written three books: Starlit, The Big, Fun, Sexy Sex Book and The New York Times best-seller Rinnavation. Her other ventures include a fashion line for QVC named The Lisa Rinna Collection and the cosmetics collection Rinna Beauty.