Beautiful actresses from the past
Most beautiful actresses when they were young (before 1990)
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If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Actress
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In America, the early performing arts accomplishments of young Maureen FitzSimons (who we know as Maureen O'Hara) would definitely have put her in the child prodigy category. However, for a child of Irish heritage surrounded by gifted parents and family, these were very natural traits. Maureen made her entrance into this caring haven on August 17, 1920, in Ranelagh (a suburb of Dublin), Ireland. Her mother, Marguerita Lilburn FitzSimons, was an accomplished contralto. Her father, Charles FitzSimons, managed a business in Dublin and also owned part of the renowned Irish soccer team "The Shamrock Rovers." Maureen was the second of six FitzSimons children - Peggy, Florrie, Charles B. Fitzsimons, Margot Fitzsimons and James O'Hara completed this beautiful family.
Maureen loved playing rough athletic games as a child and excelled in sports. She combined this interest with an equally natural gift for performing. This was demonstrated by her winning pretty much every Feis award for drama and theatrical performing her country offered. By age 14 she was accepted to the prestigious Abbey Theater and pursued her dream of classical theater and operatic singing. This course was to be altered, however, when Charles Laughton, after seeing a screen test of Maureen, became mesmerized by her hauntingly beautiful eyes. Before casting her to star in Jamaica Inn (1939), Laughton and his partner, Erich Pommer, changed her name from Maureen FitzSimons to "Maureen O'Hara" - a bit shorter last name for the marquee.
Under contract to Laughton, Maureen's next picture was to be filmed in America (The Hunchback of Notre Dame (1939)) at RKO Pictures. The epic film was an extraordinary success and Maureen's contract was eventually bought from Laughton by RKO. At 19, Maureen had already starred in two major motion pictures with Laughton. Unlike most stars of her era, she started at the top, and remained there - with her skills and talents only getting better and better with the passing years.
Maureen has an enviable string of all-time classics to her credit that include the aforementioned "The Hunchback of Notre Dame," How Green Was My Valley (1941), Miracle on 34th Street (1947), Sitting Pretty (1948), The Quiet Man (1952), and The Parent Trap (1961). Add to this the distinction of being voted one of the five most beautiful women in the world and you have a film star who was as gorgeous as she was talented.
Although at times early in her career Hollywood didn't seem to notice, there was much more to Maureen O'Hara than her dynamic beauty. She not only had a wonderful lyric soprano voice, but she could use her inherent athletic ability to perform physical feats that most actresses couldn't begin to attempt, from fencing to fisticuffs. She was a natural athlete.
In her career Maureen starred with some of Hollywood's most dashing leading men, including Tyrone Power, John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith, Sir Alec Guinness and, of course, her famed pairings with "The Duke" himself, John Wayne. She starred in five films with Wayne, the most beloved being The Quiet Man (1952).
In addition to famed director John Ford, Maureen was also fortunate to have worked for some other great directors in the business: Alfred Hitchcock, William Dieterle, Henry Hathaway, Henry King, Jean Renoir, John M. Stahl, William A. Wellman, Frank Borzage, Walter Lang, George Seaton, George Sherman, Carol Reed, Delmer Daves, David Swift, Andrew V. McLaglen and Chris Columbus.
In 1968 Maureen found much deserved personal happiness when she married Charles Blair. Gen. Blair was a famous aviator whom she had known as a friend of her family for many years. A new career began for Maureen, that of a full-time wife. Her marriage to Blair, however, was again far from typical. Blair was the real-life version of what John Wayne had been on the screen. He had been a Brigadier General in the Air Force, a Senior Pilot with Pan American, and held many incredible record-breaking aeronautic achievements. Maureen happily retired from films in 1973 after making the TV movie The Red Pony (1973) (which on the prestigious Peabody Award for Excellence) with Henry Fonda. With Blair, Maureen managed Antilles Airboats, a commuter sea plane service in the Caribbean. She not only made trips around the world with her pilot husband, but owned and published a magazine, "The Virgin Islander," writing a monthly column called "Maureen O'Hara Says."
Tragically, Charles Blair died in a plane crash in 1978. Though completely devastated, Maureen pulled herself together and, with memories of ten of the happiest years of her life, continued on. She was elected President and CEO of Antilles Airboats, which brought her the distinction of being the first woman president of a scheduled airline in the United States.
Fortunately, she was coaxed out of retirement several times - once in 1991 to star with John Candy in Only the Lonely (1991) and again, in 1995, in a made-for-TV movie, The Christmas Box (1995) on CBS. In the spring of 1998, Maureen accepted the second of what would be three projects for Polson Productions and CBS: Cab to Canada (1998) - and, in October, 2000, The Last Dance (2000).
On St. Patrick's Day in 2004, she published her New York Times bestselling memoir, 'Tis Herself, co-authored with her longtime biographer and manager Johnny Nicoletti.
On November 4, 2014 Maureen was honored by a long overdue Oscar for "Lifetime Achievement" at the annual Motion Picture Arts and Sciences Governors Awards.
Maureen O'Hara was absolutely stunning, with that trademark red hair, dazzling smile and those huge, expressive eyes. She has fans from all over the world of all ages who are utterly devoted to her legacy of films and her persona as a strong, courageous and intelligent woman.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.best time 1951 to 1959- Actress
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On November 12, 1929, Grace Patricia Kelly was born in Philadelphia, Pennsylvania to wealthy parents. Her girlhood was uneventful for the most part, but one of the things she desired was to become an actress which she had decided on at an early age. After her high school graduation in 1947, Grace struck out on her own, heading to New York's bright lights to try her luck there. Grace worked some as a model and made her debut on Broadway in 1949. She also made a brief foray into the infant medium of television. Not content with the work in New York, Grace moved to Southern California for the more prestigious part of acting -- motion pictures. In 1951, she appeared in her first film entitled Fourteen Hours (1951) when she was 22. It was a small part, but a start nonetheless. The following year she landed the role of Amy Kane in High Noon (1952), a western starring Gary Cooper and Lloyd Bridges which turned out to be very popular. In 1953, Grace appeared in only one film, but it was another popular one. The film was Mogambo (1953) where Grace played Linda Nordley. The film was a jungle drama in which fellow cast members, Clark Gable and Ava Gardner turned in masterful performances. It was also one of the best films ever released by MGM. Although she got noticed with High Noon, her work with director Alfred Hitchcock, which began with Dial M for Murder (1954) made her a star. Her standout performance in Rear Window (1954) brought her to prominence. As Lisa Fremont, she was cast opposite James Stewart, who played a crippled photographer who witnesses a murder in the next apartment from his wheelchair. Grace stayed busy in 1954 appearing in five films. Grace would forever be immortalized by winning the Academy Award for Best Actress for her portrayal of Georgie Elgin opposite Bing Crosby in The Country Girl (1954). In 1955, Grace once again teamed with Hitchcock in To Catch a Thief (1955) co-starring Cary Grant. In 1956, she played Tracy Lord in the musical comedy High Society (1956) which also starred Frank Sinatra and Bing Crosby. The whimsical tale ended with her re-marrying her former husband, played by Crosby. The film was well received. It also turned out to be her final acting performance. Grace had recently met and married Prince Rainier of the little principality of Monaco. By becoming a princess, she gave up her career. For the rest of her life, she was to remain in the news with her marriage and her three children. On September 14, 1982, Grace was killed in an automobile accident in her adoptive home country. She was just 52 years old.- Actress
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Angie Dickinson was born in Kulm, North Dakota, in 1931, the daughter of Mr. and Mrs. L. H. Brown. Mr. Brown was the publisher of The Kulm Messenger. The family left North Dakota in 1942 when Angie was 11 years old, moving to Burbank, California. In December of 1946, when she was a senior at Bellamarine Jefferson High School in Burbank, she won the Sixth Annual Bill of Rights Contest. Two years later her sister Janet, did likewise. Being the daughter of a printer, Angie at first had visions of becoming a writer, but gave this up after winning her first beauty contest. After finishing college she worked as a secretary in a Burbank airplane parts factory for 3-1/2 years. In 1953 she entered the local Miss America contest one day before the deadline and took second place. In August of the same year she was one of five winners in a beauty contest sponsored by NBC and appeared in several TV variety shows. She got her first bit part in a Warner Brothers movie in 1954 and gained television fame in the TV series The Millionaire (1955) and got her first good film role opposite John Wayne and Dean Martin in Rio Bravo (1959). Her success then climbed until she became one of the nation's top movie stars.- Actress
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Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.
Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.
Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).
In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.
In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.
Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.best time from 1948 to 1963- Actress
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Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it.
Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part-time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well.
After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line (1953). The role encompassed nothing more than being seen on a set of stairs.
Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called "Kit Marlowe". She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak.
After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover (1954). Though her role as "Lona McLane" wasn't exactly a great one, it was her classic beauty that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft (1954) with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way.
Her next film was as "Kay Greylek" in 5 Against the House (1955). The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic (1955). Although Kim did a superb job of acting in the film as did her co-stars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in the controversial Otto Preminger film The Man with the Golden Arm (1955). Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit.
In 1957, Kim played "Linda English" in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did very well at the box office, but was condemned by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character.
That same year, Novak risked her career when she started dating singer/actor Sammy Davis Jr.. The interracial affair alarmed studio executives, most notably Harry Cohn, and they ended their relationship in January of the following year. In 1958, Kim appeared in Alfred Hitchcock's, now classic, Vertigo (1958) with James Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end, Stewart finds that he has been duped in an elaborate scheme.
Her next film was Bell Book and Candle (1958) which was only a modest success. By the early 1960s, Kim's star was beginning to fade, especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of "Mildred Rogers" in the remake of Of Human Bondage (1964). The film debuted to good reviews.
In the meantime, Kim broke off her engagement to director Richard Quine and embarked on a brief dalliance with basketball player Wilt Chamberlain. While filming The Amorous Adventures of Moll Flanders (1965), she had a romance with co-star Richard Johnson, whom she married, but the marriage failed the following year.
Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). It was a resounding flop, perhaps the worst of her career. However, after that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery (1969) in 1969, Kim was away for another four years until she was seen with then-boyfriend Michael Brandon in a television movie called The Third Girl from the Left (1973), playing a veteran Las Vegas showgirl experiencing a midlife crisis.
In a personal development, Novak met equine veterinarian Robert Malloy in October 1974 and the couple married in 1976. Subsequent films were not the type to get the critics to sit up and take notice, but afforded her the opportunity to work with strong talent. She appeared to good effect in Satan's Triangle (1975), Just a Gigolo (1978), The Mirror Crack'd (1980) and Malibu (1983).
In 1986 and 1987, Kim played, of all people, "Kit Marlowe" in the TV series Falcon Crest (1981). In 1990, she starred alongside Ben Kingsley in The Children (1990), a fine independent film shot in Europe. It was not widely distributed, thus few got to see Novak giving one of her most powerful performances.
Her last film, on the silver screen, was Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect. Kim clashed with director Mike Figgis over how to play her character. Consequently, the role was cut to shreds. Kim has ruled out any plans for a comeback and says she just isn't cut out for Hollywood.
Fortunately, she has found long-lasting happiness outside her career. Today she lives in Eagle Point, Oregon with her husband Bob, on a ranch where they raise horses and llamas. Kim is also an accomplished artist and has exhibited her painting in galleries around the country. She enjoys riding, canoeing and expressing herself through paint, poetry and photography.- Actress
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Elizabeth Montgomery was born into show business. Her parents were screen actor Robert Montgomery and Broadway actress Elizabeth Allen. Elizabeth graduated from the Spence School in New York City and attended the Academy of Dramatic Arts in New York. After three years' intensive training, she made her TV debut in her father's 1950s playhouse series Robert Montgomery Presents (1950) and appeared in more than 200 live programs over the next decade. She once remarked, "I guess you could say I'm a TV baby." Notable early film roles included The Court-Martial of Billy Mitchell (1955) and Johnny Cool (1963). However, she is best remembered for her leading role as the witch Samantha in the top-rated ABC sitcom Bewitched (1964). Her family - mother Endora (Agnes Moorehead), look-alike cousin Serena (Montgomery, wearing a dark wig) and advertising executive husband Darrin (first Dick York then Dick Sargent) - tried to suppress her supernatural skills but often turned to her tricks to solve problems. The signal of impending witchcraft was a twitch of Samantha's nose. After her first and only TV series ended she turned to made-for-TV movies, many of which won critical praise: A Case of Rape (1974), The Legend of Lizzie Borden (1975), Black Widow Murders: The Blanche Taylor Moore Story (1993). She narrated the movie The Panama Deception (1992) which won an Academy Award in 1993. Reference works showed her as 62 when she died though the family said she was 57. The family did not disclose the type of cancer which caused her death.best time from 1958 to 1966- Actress
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One of the leading sex symbols of the 1950s and 1960s, film actress Jayne Mansfield was born Vera Jayne Palmer on April 19, 1933 in Bryn Mawr, Pennsylvania, the only child of Vera J. (nee Palmer; later Peers) and Herbert W. Palmer. Her parents were well-to-do, with her father a successful attorney in Phillipsburg, New Jersey, where she spent a portion of her childhood. Her parents were both born with the same surname, and her ancestry was seven eighths English and Cornish and one eighth German. She was reportedly a talented pianist and played the violin when she was young.
Tragedy struck when Jayne was three, when her father suddenly died of a heart attack. Three years later, her mother remarried and she and her mother moved to Dallas, Texas, buying a small home where she had violin concerts in the driveway of their home. Her IQ was reportedly 163, and she attended the University of Dallas and participated in little-theater productions. In 1949, at the age of 16, she married a man five years her senior named Paul Mansfield. In November 1950, when Jayne was seventeen, their daughter, Jayne Marie Mansfield was born. The union ended in divorce but she kept the surname Mansfield as a good surname for an actress.
After some productions there and elsewhere, Jayne decided to go to Hollywood. Her first film was a bit role as a cigarette girl in Pete Kelly's Blues (1955). Although the roles in the beginning were not much, she was successful in gaining those roles because of her ample physical attributes which placed her in two other films that year, Hell on Frisco Bay (1955) and Illegal (1955). Her breakout role came the next year with a featured part in The Burglar (1957). By the time she portrayed Rita Marlowe in Will Success Spoil Rock Hunter? (1957) and Playgirl After Dark (1960), Jayne was now known as the poor man's Marilyn Monroe. She did not get the plum roles that Marilyn got in her productions. Instead, her films were more of a showcase for her body more than anything else. She did have a real talent for acting, but the movie executives insisted she stay in her dumb blonde stereotype roles. By the 1960s, her career had options that grew lower. She made somewhat embarrassing guest appearances like on the popular game show What's My Line? (1950), she appeared on the show four times in 1956, 1957, 1964, and 1966 and many other 1950s and 1960s game shows. By 1962, she was dropped from 20th Century Fox and the rest of her career had smaller options like being in B movies and low budget movies or performing at food stores or small nightclubs.
While traveling from a nightclub in Biloxi, Mississippi and 30 miles from New Orleans to where she was to be on television the following day, she was killed instantly on Highway 90 in Slidell, Louisiana in a car crash in the early hours of June 29, 1967, when the car in which she was riding slammed into the back of a semi-tractor trailer truck that had stopped due to a truck in front of the tractor trailer that was spraying for bugs. Her car went under the truck at nearly 80 miles per hour. Her boyfriend Samuel Brody and their driver Ronnie Harrison, were also killed. The damage to the car was so bad that the engine was twisted sideways. She was not, however, decapitated, as had long been misreported. She was 34 years old.
Mansfield's funeral was on July 3, 1967 and hundreds of people lined the main street of Pen Argyl for Mansfield's funeral, a small private ceremony at Fairview Cemetery in Plainfield (outside Pen Argyl), Pennsylvania (where her father was also buried), attended by her family. The only ex-husband to attend was Mickey Hargitay. Her final film, Single Room Furnished (1966), was released the following year. In 2000, Mansfield's 97 year old mother, Mrs. Vera Peers, was interred alongside Mansfield.
After Mansfield's death, Mansfield's mother, as well as her ex-husband Mickey Hargitay, William Pigue (legal guardian for her daughter, Jayne Marie), Charles Goldring (Mansfield's business manager), and Bernard B. Cohen and Jerome Webber (both administrators of the estate) all filed unsuccessful suits to gain control of her estate, which was initially estimated at $600,000 ($3,712,000 in 2018 dollars), including the Pink Palace (estimated at $100,000 ($619,000 in 2018 dollars)), a sports car sold for $7,000 ($43,000 in 2018 dollars), her jewelry, and Sam Brody's $185,000 estate left to her in his last will ($1,145,000 in 2018 dollars).
In 1971, Beverly Brody sued the Mansfield estate for $325,000 ($2,011,000 in 2018 dollars) worth of presents and jewelry given to Mansfield by Sam Brody; the suit was settled out of court.
In 1977, Mansfield's four eldest children (Jayne Marie, Mickey, Zoltan, and Mariska) went to court to discover that some $500,000 in debt which Mansfield had incurred ($3,093,000 in 2018 dollars) and litigation had left the estate insolvent.- Actress
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Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.best time from 1955 to 1961- Actress
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The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
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Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.- Actress
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A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.best time from 1966 to 1971- Actress
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An incredible piece of 1960s eye candy, Jill St. John absolutely smoldered on the big screen, a trendy presence in lightweight comedy, spirited adventure and spy intrigue who appeared alongside some of Hollywood's most handsome male specimens. Although she was seldom called upon to do much more than frolic in the sun and playfully taunt and tempt as needed, this tangerine-topped stunner managed to do her job very, very well. A remarkably bright woman in real life, she was smart enough to play the Hollywood game to her advantage and did so for nearly two decades before looking elsewhere for fun and contentment.
Jill St. John was actually born Jill Oppenheim in 1940 in Los Angeles. On stage and radio from age five, she was pretty much prodded by a typical stage mother. Making her TV debut in The Christmas Carol (1949), Jill began blossoming and attracting the right kind of attention in her late teens. She signed with Universal Pictures at age 16 and made her film debut as a perky support in Summer Love (1958) starring then-hot John Saxon. Moving ahead, she filled the bill as a slightly dingy love interest in such innocuous fun as The Remarkable Mr. Pennypacker (1959), Holiday for Lovers (1959), Who's Been Sleeping in My Bed? (1963), Who's Minding the Store? (1963) and Honeymoon Hotel (1964).
Whether the extremely photogenic Jill had talent (and she did!) or not never seemed to be a fundamental issue with casting agents. By the late '60s she had matured into a classy, ravishing redhead who not only came equipped with a knockout figure but some sly, suggestive one-liners as well that had her male co-stars (and audiences) more than interested. She skillfully traded sexy quips with Anthony Franciosa in the engaging TV pilot to the hit series The Name of the Game (1968) and scored a major coup as the ever-tantalizing Tiffany Case, a ripe and ready Bond girl, in Diamonds Are Forever (1971) opposite Sean Connery's popular "007" character. She also co-starred with Bob Hope in the dismal Eight on the Lam (1967), but the connection allowed her to be included in a number of the comedian's NBC specials over the years. A part of Frank Sinatra's "in" crowd, she worked with him on both Come Blow Your Horn (1963) and Tony Rome (1967).
On camera, Jill's glossy femme fatales had a delightfully brazen, tongue-in-cheek quality to them. Off-camera, she lived the life of a jet-setter and was known for her romantic excursions with such eligibles as Jack Nicholson, David Frost, Joe Namath, Bill Hudson, Roman Polanski and even Henry Kissinger. Of her four marriages, which included laundry heir Neil Dubin, the late sports car racer Lance Reventlow, son of Woolworth heiress Barbara Hutton, and easy-listening crooner Jack Jones, she seems to have found her soulmate in present husband Robert Wagner, whom she married in 1990 after an eight-year courtship. Jill first met Wagner when they were both just beginning their careers as contract players at 20th Century Fox. The couple share credits on several productions, notably Banning (1967) as well as the top-tier TV movies How I Spent My Summer Vacation (1967) and Around the World in 80 Days (1989).
Abandoning acting out of boredom, she has returned only on rare occasions. She played against type as a crazed warden in the prison drama The Concrete Jungle (1982) and has had some fun cameos alongside Wagner both on film (The Player (1992)) and even TV (Seinfeld (1989)). In the late 1990s they started touring together in A.R. Gurney's popular two-person stage reading of "Love Letters." Jill's lifelong passion for cooking (her parents were restaurateurs) has turned profitable over the years. She has written a cookbook and appeared as a TV chef and "in-house" cooking expert on Good Morning America (1975). She also served as a food columnist for the USA Weekend newspaper. On the philanthropic front, she is founder of the Aunts Club, a Rancho Mirage-based group of special women who contribute at least $1,000 per year to provide financial support for a child.
She was glimpsed more recently in the films The Calling (2002) and The Trip (2002) and she and Wagner had small roles as Santa and Mrs. Claus in the TV movie Northpole (2014). The Wagners make their home in Aspen.- Actress
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Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.- Actress
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Senta Berger was born in 1941 in Vienna, Austria to her father Josef Berger who was a musician and her mother Therese Berger, a school teacher. Senta and her father performed together when she was just four years old. She sang and her dad played the piano. At five years old, she took ballet lessons and at 14, Berger turned to acting taking private lessons. She left her private school education at 16. In 1957, Berger was discovered by famous director Willi Forst and played a small role in a film. She was accepted to the Max Reinhardt Seminar. In 1958, Berger was the youngest member at the Vienna Theater in Josefstadt. Director Bernhard Wicki and producer Artur Brauner sought after Senta producing the film The Good Soldier, by Heinz Rühmann. It succeeded and Brauner used her in several films. In 1962, Berger moved to Hollywood and starred with Charlton Heston, Frank Sinatra, Dean Martin, Richard Harris, George Hamilton, Kirk Douglas, John Wayne and Yul Brynner. In 1969 she returned to Europe and was seen during the 1970's in Italian productions of various genres. In 1967, she returned to the silver screen with an Alain Delon film. In 1968, Berger played in the three-part thriller Babeck by Herbert Reinecker. 1970 was her debut as Producer of her own company. As director she put her husband's film before the camera. Further, international successful of films of her production company have included The White Rose, The Nasty Girl and Mother Courage. In addition, Berger expanded her European career in France and Italy. The birth of her two sons, Simon (b. 1972) and Luca (b. 1979) prompted Berger to turn back to the theater. In 1985/86, she managed her TV comeback in front of the German-speaking audience in the television series Kir Royal co-starring with Franz Xaver Kroetz , Dieter Hildebrandt and Billie Zöckler. Many TV series guest appearances followed.- Producer
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Following her success as a top fashion model for the Ford Modeling Agency and Revlon cosmetics, Hutton was selected to play the only major female character in Paper Lion (1968). After a semi-successful starring role in American Gigolo (1980), Hutton's modeling career took a slide in the 1980s, and she was relegated to B-movie roles. Her modeling career was resuscitated in 1989 with photos in catalogs for Barneys and J. Crew. In 1995, she started a new job as talk show host.- Actress
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Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.
Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.
In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).
Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.
In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.
In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's La Cérémonie (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.
2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).
Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.- Actress
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Priscilla Presley's stepfather was an Air Force officer stationed in West Germany when as a teenager she met Elvis Presley in 1959, then four years into his meteoric career in rock and roll and serving with the U.S. Armed Forces. After an eight year courtship, she married him on 1 May 1967. As their marriage was winding down, she began studying karate and acting. After his death she went into business and began work in movies and TV, notably playing the part of Jenna Wade (1983-88) in the very successful series Dallas (1978). She more recently established herself as Jane Spencer in the "Naked Gun" (The Naked Gun: From the Files of Police Squad! (1988)) movies.- Actress
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Jaclyn Smith was born Jacquelyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie's Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC.
Smith is the only original "Angel" to stay with the show through its entire five-season run (1976-81). She is also the only "Angel" from the television series to make an appearance in either of the movie adaptations. (She had an uncredited cameo in Charlie's Angels: Full Throttle (2003) as "Kelly Garrett", offering advice to the new generation of angels.)
After Charlie's Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at Kmart since 1985, and is often a spokesperson.
Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to physician Dr. Brad Allen. She married him in 1997; the two created the skincare line which Smith promotes.- Music Artist
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Linda Ronstadt was born on 15 July 1946 in Tucson, Arizona, USA. She is a music artist and actress, known for The Pirates of Penzance (1983), An American Tail (1986) and The Abyss (1989).- Actress
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Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.
Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.
Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.
She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.
Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.best time 1972 to 1980- Actress
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Jessica Lange was born in 1949, in Cloquet, Minnesota, USA, where her father worked as a traveling salesman. She obtained a scholarship to study art at the University of Minnesota, but instead went to Paris to study drama. She moved to New York, working as a model, until producer Dino De Laurentiis cast her as the female lead in King Kong (1976). The film attracted much unfavorable comment and, as a result, Lange was off the screen for three years. She was given a small but showy part in Bob Fosse's All That Jazz (1979), before giving a memorable performance in Bob Rafelson's The Postman Always Rings Twice (1981), as an adulterous waitress. The following year, she won rave reviews for her exceptional portrayal of actress Frances Farmer in Frances (1982) and a Best Supporting Actress Academy Award for her work in Sydney Pollack's Tootsie (1982) (as a beautiful soap-opera actress). She was also outstanding as country singer Patsy Cline in Karel Reisz's Sweet Dreams (1985) and as a lawyer who defends her father and discovers his past in Music Box (1989). Other important films include Martin Scorsese's Cape Fear (1991) (as a frightened housewife) and Tony Richardson's Blue Sky (1994), for which she won a Best Actress Academy Award as the mentally unbalanced wife of a military officer. She made her Broadway debut in 1992, playing "Blanche" in Tennessee Williams "A Streetcar Named Desire".best time from 1975 to 1981- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."- Actress
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Cybill Lynne Shepherd was born in Memphis, Tennessee, to Patty, a homemaker, and William Shepherd, a small business owner. Named after her grandfather, Cy, and her father, Bill, Shepherd's career began at a young age in modeling, when she won the "Miss Teenage Memphis" contest in 1966 and the "Model of the Year" contest in 1968. She became a fashion icon and went on to grace the cover of every major magazine, as well as famously act as spokesperson for L'Oreal. This lead to her acting and on her screen debut in Peter Bogdanovich's The Last Picture Show (1971). Nominated for Most Promising Newcomer, Shepherd continued to build her film career with influential roles in The Heartbreak Kid (1972) and Taxi Driver (1976). After taking a break in her career to have her first child, Clementine Ford, she returned to Hollywood in 1983, to make her television series debut in an episode of Fantasy Island (1977). She went on to star with Bruce Willis in the highly recognized show, Moonlighting (1985), and won Shepherd two Golden Globe Awards. Her third Golden Globe followed for her series, Cybill (1995), with which she also took on a producer role.
Aside from the film industry, Shepherd has been an outspoken activist for issues such as gay rights and abortion rights. In 2009, she was honored by the Human Rights Campaign in Atlanta to accept one of two National Ally for Equality awards.- Actress
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Kirstie Louise Alley was an American actress. Her breakout role was as Rebecca Howe in the NBC sitcom Cheers (1987-1993), receiving an Emmy Award and a Golden Globe in 1991 for the role. From 1997 to 2000, she starred in the sitcom Veronica's Closet, earning additional Emmy and Golden Globe nominations.- Actress
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Susan Dey was born on 10 December 1952 in Pekin, Illinois, USA. She is an actress and producer, known for The Partridge Family (1970), L.A. Law (1986) and Skyjacked (1972). She has been married to Bernard Sofronski since 20 February 1988. She was previously married to Leonard Hirshan.- Actress
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Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. Kim was introspective, from her father's side. As a schoolgirl, she was very shy. To help her overcome this, her parents had Kim study ballet from an early age. By the time she reached sweet sixteen, the once-shy Kim entered the Athens Junior Miss contest. From there, she went on to win the Junior Miss Georgia title, and traveled to New York to compete in the national Junior Miss pageant. Kim, who had blossomed to a 5' 7" beauty, was offered a contract on the spot with the Ford Modeling Agency. At the age of 20, Kim was a top model commanding $1,000 a day. Throughout the early 1970s, she appeared on dozens of magazine covers and in hundreds of ads, most notably as the Breck girl. Kim took acting classes at the Neighborhood Playhouse, performed in various Greenwich Village clubs, and she sang under the stage name Chelsea. Kim moved to Los Angeles in 1976, ready to conquer Hollywood. Kim broke into television doing episodes of such hit series as Charlie's Angels (1976). In 1980, she married Ron Snyder (they divorced in 1989). In movies, she had roles like being a Bond girl in Never Say Never Again (1983) and playing a small-town Texan beauty in Nadine (1987). Her breakout role was as photojournalist Vicki Vale in the blockbuster hit Batman (1989). There was no long-orchestrated campaign on her part to snag this plum role, Kim was a last-minute replacement for Sean Young. This took her to a career high.
With perhaps too much disposable income, Kim headed up an investment group that purchased the entire town of Braselton, in her native Georgia, for $20 million (she would later have to sell it). In 1993, Kim married Alec Baldwin, and in 1995 they had a daughter, Ireland Eliesse. Kim took some time off to stay at home with her child. Kim, who loves animals and is a strict vegetarian, devoted energy to animal rights issues, and PETA (People for the Ethical Treatment of Animals), even posing for some ads. In 1997, Kim gave an Oscar-winning performance in the film noir classic L.A. Confidential (1997). Kim's salary for I Dreamed of Africa (2000) was $5,000,000, putting her firmly in the category of big-name movie star. And no doubt there are still many great things ahead, in the career of cover girl turned Oscar-winning actress Kim Basinger.- Actress
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Catherine Bach is an American actress. She is known for playing Daisy Duke in the television series The Dukes of Hazzard and Margo Dutton in African Skies. In 2012, she joined the cast of the CBS soap opera The Young and the Restless as Anita Lawson.- Actress
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The second daughter of manufacturing executive Oscar Blum and his wife Dorothy, Tanya Roberts was born 1949 in Manhattan and grew up in the elite Westchester County suburbs Scarsdale and Greenburgh. Tanya reportedly dropped out of high school, got married and hitchhiked around the country until her mother-in-law had the marriage annulled. She met psychology student Barry Roberts while waiting in line to see a movie. A few months later, she proposed to him in a subway station, and they were married. She studied acting under Lee Strasberg and Uta Hagen. In her early years in New York, she supported herself as an Arthur Murray dance instructor and by modeling. She appeared in off-Broadway productions of "Picnic" and "Antigone", and in television commercials for Ultra Brite, Clairol and Cool Ray sunglasses.
In 1977, Tanya and her husband -- by then a scriptwriter -- moved to Hollywood. She began appearing in made-for-TV films including Pleasure Cove (1979), Zuma Beach (1978), and Waikiki (1980). Her film debut was in The Last Victim (1976). After appearing in several minor films, her first big break came when she was selected as the last Angel on the final season of Charlie's Angels (1976), and was featured on the cover of People magazine (02/09/1981). The attention she garnered helped secure her most significant film roles: The Beastmaster (1982) (and posed for the cover and an inside spread in Playboy magazine to promote the film), the title role in Sheena (1984) and as a Bond girl in A View to a Kill (1985). She continued to appear in films, though mainly direct-to-video and direct-to-cable features. She was featured in the CD computer game The Pandora Directive (1996) and had a recurring lead role in the television series That '70s Show (1998). Widowed in 2006, Tanya Roberts died of sepsis from a urinary tract infection in 2021.- Actress
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Bo Derek (born Mary Cathleen Collins) is an American actress and model. Her breakthrough film role was in the romantic comedy 10 (1979). Her first husband John Derek directed her in Fantasies; Tarzan, the Ape Man (both 1981); Bolero (1984) and Ghosts Can't Do It (1989), all of which received negative reviews. Widowed in 1998, she married actor John Corbett in 2020. Now semi-retired, she makes occasional film, television, and documentary appearances.best time from 1979 to 1984- Actress
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Daryl Christine Hannah was born and raised in Chicago, Illinois. She is the daughter of Susan Jeanne (Metzger), a schoolteacher and later a producer, and Donald Christian Hannah, who owned a tugboat/barge company. Her stepfather was music journalist/promoter Jerrold Wexler. Her siblings are Page Hannah, Don Hannah and Tanya Wexler. She has Scottish, Norwegian, Danish, Irish, English, and German ancestry.
Daryl graduated from the University of Southern California School of Theatre. She practiced ballet with Maria Tallchief and studied drama at Chicago's Goodman Theatre. In her twenties, she played keyboard and sang backup for Jackson Browne. Hannah, a tall (5' 10") blond beauty, with haunting blue-green eyes, was a natural for show biz.
She started with small roles, such as a student in The Fury (1978) and as Kim Basinger's kid sister in Hard Country (1981). Daryl's breakout role was as the acrobatic, beautiful replicant punk android Pris in Blade Runner (1982); Pris was the vixen who wanted to live beyond her allotted years and risked the wrath of the title character. Showing her versatility, from there she portrayed a mermaid, Madison, who falls in love with Tom Hanks's character in Ron Howard's zany comedy Splash (1983), and a Cro-Magnon in The Clan of the Cave Bear (1986). Hannah played Roxanne in the eponymous Steve Martins contemporary take on the Cyrano de Bergerac story, and co-starred as Elle Driver in Quintin Tarantino's box office hit Kill Bill: Vol. 2 (2004).
Hannah has been a consistent, strong supporter of independent cinema, both acting in and producing many films, starring in such indie films as John Sayles's Casa de los babys (2003) as well as his political satire Silver City (2004). She worked on several films with the revered Robert Altman, including The Gingerbread Man (1998), as well as several films with the Polish Brothers including Northfork (2003) and Jackpot (2001). Daryl starred in the experimental improvised Michael Radford film Dancing at the Blue Iguana (2000) and made As a filmmaker, Hannah wrote, directed, and produced an award winning short film, entitled The Last Supper (1995). Hannah also directed, produced and shot the documentary Strip Notes (2002) which was inspired while researching her role for Dancing at the Blue Iguana (2000) that was shown on HBO and UK's Channel 4.
Daryl is in the process of shooting a documentary on Human Trafficking and has traveled undercover to South East Asia to document this atrocity and has become and advocates raising awareness and ending slavery. She has made over 40 video blogs for various websites including her popular dhlovelife.com. She designed dhlovelife.com (online since 2005) her website dedicated to sharing solutions on how to live more harmoniously with the planet and all other living things. Daryl has been passionate, committed and effective advocate for a more ethical relationship with each other and all life on the Planet. She has produced, hosted and shot numerous environmental awareness/ health documentaries, TV appearances and is a frequent speaker on both the conservative and progressive news.
Hannah has been a greening consultant for events such as the Virgin Music Festival, attended by over 150,000 people. Her many speaking engagements include keynote speeches at the UN Climate Change Summit, UN Global Business Conference on the environment, Natural and Organic Products Expo, LOHAS and numerous national and international universities, conferences and events. She has written articles on self sufficiency and sustainability for many magazines and has done a plethora of interviews on the topic in thousands of publications. The site features weekly five-minute inspirational video blogs which Daryl produces and films. There are daily news updates, alerts, community and access to goods and services. She is a member of the World Future Council, sits on the boards of the Sylvia Earle Alliance, Mission Blue, Eco America, Environmental Media Association (EMA), The Somaly Mam Foundation, and the Action Sports Environmental Coalition, She is the founder of the Sustainable Biodiesel Alliance (SBA).- Actress
- Soundtrack
Diane Lane was born on January 22, 1965, in New York. She is the daughter of acting coach Burton Eugene "Burt" Lane and nightclub singer/centerfold Colleen Farrington. Her parents' families were both from the state of Georgia. Diane was acting from a very young age and made her stage debut at the age of six. Her work in such acclaimed theater productions as "The Cherry Orchard" and "Medea" led to her being called to Hollywood. She was 13 when she was cast by director George Roy Hill in his wonderful 1979 film A Little Romance (1979), opposite Sir Laurence Olivier. The film only did so-so commercially, but Olivier praised his young co-star, calling her the new Grace Kelly. After her well-received debut, Diane found herself on magazine covers all over the world, including "Time", which declared her the "new young acting sensation". However, things quietened down a bit when she found herself in such critical and financial flops as Touched by Love (1980), Cattle Annie and Little Britches (1980), Movie Madness (1982), Ladies and Gentlemen, the Fabulous Stains (1982) and, most unmemorably, Six Pack (1982), all of which failed to set her career on fire.
She also made several TV movies during this period, but it was in 1983 that she finally began to fulfill the promise of stardom that had earlier been predicted for her. Acclaimed director Francis Ford Coppola took note of Diane's appeal and cast her in two "youth"-oriented films based on S.E. Hinton novels. Indeed, Rumble Fish (1983) and The Outsiders (1983) have become cult classics and resulted in her getting a loyal fan base. The industry was now taking notice of Diane Lane, and she soon secured lead roles in three big-budget studio epics. She turned down the first, Splash (1983) (which was a surprise hit for Daryl Hannah). Unfortunately, the other two were critical and box-office bombs: Walter Hill's glossy rock 'n' roll fable Streets of Fire (1984) was not the huge summer success that many had thought it would be, and the massively troubled Coppola epic The Cotton Club (1984) co-starring Richard Gere was also a high-profile flop. The back-to-back failure of both of these films could have ended her career there and then -- but thankfully it didn't. Possibly "burned out" by the lambasting these films received and unhappy with the direction her career was taking, she "retired" from the film business at age 19, saying that she had forgotten what she had started acting for. She stayed away from the screen for the next three years. Ironically, the two films that were the main causes of her "retirement" have since grown in popularity, and "Streets of Fire" especially seems to have found the kind of audience it couldn't get when it was first released.
The process of rebuilding her career was a slow and gradual one. First came the obscure and very sexy straight-to-video thriller Lady Beware (1987), followed by the critically acclaimed but little seen The Big Town (1987) with Matt Dillon and Tommy Lee Jones. In the former, Diane plays a very mysterious and sexy stripper and her memorable strip sequence is a highlight of the film. Despite her sexy new on-screen image, it wasn't until 1989's smash hit TV mini-series Lonesome Dove (1989) that Diane made another big impression on a sizable audience. Her performance in the hugely popular and critically acclaimed western epic as a vulnerable "whore with a heart" won her an Emmy nomination and much praise. Film producers were interested in her again. Another well-received TV production, Descending Angel (1990), was followed by smaller roles in major films like Richard Attenborough's Chaplin (1992) and Mike Binder's Indian Summer (1993), and larger parts in small independent films like My New Gun (1992), Vital Signs (1990) and Knight Moves (1992). Indeed, the latter two films co-starred her then-husband, Christopher Lambert, with whom she had a daughter named Eleanor.
Diane was now re-established in Hollywood and started to appear in higher-profile co-starring roles in some big-budget, major movies like Walter Hill's Wild Bill (1995), the Sylvester Stallone actioner Judge Dredd (1995), the Robin Williams's comedy Jack (1996) and Murder at 1600 (1997) co-starring Wesley Snipes. However, all of these still did not quite make Diane a "big-name star" and, by 1997, she found herself, possibly by choice, back in smaller, personal projects.
Her next role as a frustrated 1960s housewife in the independent hit A Walk on the Moon (1999) deservedly won her rave notices and, at last, gave her career the big lift it needed. The cute but tear-jerking comedy My Dog Skip (2000) also proved to be a small-scale success. However, it was the £330-million worldwide grossing blockbuster hit The Perfect Storm (2000) that finally made Diane Lane the household name that she always should have been.
After the worldwide success of "The Perfect Storm", she was more in demand than ever. She played Leelee Sobieski's sinister junkie guardian in the slick thriller The Glass House (2001), and co-starred with Keanu Reeves in the #1 smash hit Hardball (2001). However, her greatest career moment was still to come with her lead role in the enormous critical and commercial hit Unfaithful (2002), in which she superbly portrayed Richard Gere's adulterous wife. Her performance won the respect of critics and audiences alike, as well as many awards and nominations including Best Actress Oscar and Golden Globe nominations.
Her follow-up films including Under the Tuscan Sun (2003), Must Love Dogs (2005), Hollywoodland (2006), Secretariat (2010), and the blockbuster, Man of Steel (2013), were all received and her performances were highly praised. She won further Best Actress Golden Globe nominations for her roles in Under the Tuscan Sun (2003) and Cinema Verite (2011).
She is very well regarded within the industry, adored by film fans, and has a credibility and quality that is all too rare today. Her immense talent at playing human and real characters, her "drop dead gorgeous" beauty and down-to-earth grittiness guarantees that she will stay on top, and she guarantee has already shown the kind of resilience that will keep her working for a long, long time.- Actress
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Kevin Smith called her an American Pop Icon and John Waters called her the ultimate bad girl. While her early notoriety brought her international fame, her determination, grit, and talent have garnered her respect in many areas of the entertainment industry. She has appeared in dozens of films and television shows such as Roger Corman's cult classic Not of This Earth, John Water's Crybaby, Marvel's Blade, Kevin Smith's Zack and Miri Make a Porno, to the award-winning Excision; from Melrose Place, Roseanne, Will & Grace to series regular roles on NBC's Profiler and Syfy's First Wave. Her memoir Traci Lords Underneath It All (HarperCollins) was a NY Times Bestseller, and her pioneering techno album 1000 Fires topped the Billboard Dance Chart and was featured on both the Mortal Combat and Virtuosity soundtracks earning double platinum status. Lords is an award-winning voice over artist and has a vintage inspired line of clothing. In 2020, she made her stage debut as Gloria in the revival of Tom Eyen's cult classic Women Behind Bar which is now streaming on Broadway World.
Lords is an Ohio native born to Patricia and Louis Kuzma. Young Nora Louise Kuzma spent her early days in rural Steubenville, Ohio shuttled between her divorced parent's houses. It was then that her mother began a relationship with a man named Roger Hayes and relocated to Southern California. Teenage Nora missed her father terribly and began to treat Roger as a father figure. Her mother eventually realized that Roger was not the man she had thought he was and ended the relationship but left Nora in Roger's care, claiming she was overwhelmed and couldn't provide for the teenager. In Traci's memoir Underneath It All, she states that Roger groomed her for nude modeling and sex trafficked her at that time. Porn agent Jim South has confirmed in various interviews that it was Roger Hayes who brought the 15-year-old to his office in Van Nuys, California in 1984. Armed with a fake ID, no one questioned the stunning woman-child who signed on as a figure model which eventually led to adult films. With her rebellious attitude and stunning looks, she shot to stardom quickly in the X-rated world.
In May 1986, the Traci Lords story broke. The media had a field day with the tale of the troubled bad girl who tricked the porn world. The FBI questioned Lords and announced that because she was a minor, she was not responsible and that all films that featured her must be destroyed. Lords was never arrested or charged with any crimes but was punished in other ways. She was forced to pay estimated taxes on her purported income. And has faced years of criticism and ridicule because of her history in adult movies but eventually carved an impressive body of work in mainstream Hollywood where she continues to thrive today. Lords' lives in Southern California with her husband and their son.- Actress
- Music Department
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Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
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Barbara Eden, born Barbara Jean Morehead in Tucson, Arizona, became one of America's most endearing and enduring actresses. A graduate of Abraham Lincoln High School in San Francisco, California, Eden would go on to study at San Francisco's City College as well as the San Francisco Conservatory of Music and the Elizabeth Holloway School of Theatre. While her aspirations as a singer motivated her during her early years for a career in music, it was her starring role in the NBC TV comedy series, I Dream of Jeannie (1965) where Barbara Eden immediately gained international acclaim.
Although most remembered for her role as "Jeannie", Barbara Eden has starred in more than 20 theatrical feature films and made-for-television films for at least four different movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios, most notably in the film Flaming Star (1960), when she acted as Elvis Presley's leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon's creation of I Dream of Jeannie (1965) comical TV series.
In television, Eden made her first featured appearance on Country Club Dance (1957), as the series was nearing cancellation (there were just two more episodes). Eden immediately landed a starring role in the television version of How to Marry a Millionaire (1957), where she portrayed the same character role originated by Marilyn Monroe. Another memorable appearance came on The Manicurist (1962), featuring her in the character role, special guest-star, as well as her occupation being titled.
In 1965, Barbara Eden was cast the leading role in Sidney Sheldon's NBC sitcom, I Dream of Jeannie (1965). It televised weekly, for five successful and humorous seasons with 139 episodes. After "Jeannie," Barbara Eden went on to star in many other comical and family productions including Harper Valley P.T.A. (1978) and Chattanooga Choo Choo (1984) among other numerous highly rated made-for-television movies well into the 1990s. She has also acted in multiple western series and thrillers.
Outside of her film and television works, Barbara Eden headlined major hotel resorts and casinos including Lake Tahoe, Atlantic City and Las Vegas. She also was the star attraction at the MGM Grand, Harrah's, Caesar's Palace and on concert stages and legitimate theaters across the country.
Utilizing her singing ability, Eden released an album titled "Miss Barbara Eden" in 1967, for record company, Dot Records. She has also been a musical guest star in a wide range of variety television shows. Eden's appearances included 21 Bob Hope special shows, along with The Carol Burnett Show (1967), The Jonathan Winters Show (1967), The Sonny and Cher Show (1976), The Jerry Lewis Show (1963), This Is Tom Jones (1969), Tony Orlando and Dawn (1974), and Donny and Marie (1975).
During the Persian Gulf War, she traveled with Bob Hope to the middle-east to perform for the combat troops and then continued on with Hope in a whirlwind eight-day, around-the-world USO tour entertaining servicemen during the Christmas season.
To celebrate the 2002 Yuletide season, she responded to an invitation from President George Bush; Barbara journeyed to Washington D.C. and sang "Have Yourself a Merry Little Christmas" at the annual White House "Lighting of the National Christmas Tree" event where she also hosted the show and pageant with President and Mrs. Bush for an audience of 6,000 cheering fans on the Ellipse near the White House.
A multi-talent, Eden starred in the national touring musicals The Sound of Music (1965) and Gentlemen Prefer Blondes (1998). In the latter production, she played Lorelei Lee, the character created on Broadway by Carol Channing and performed by Marilyn Monroe in the 20th Century Fox film version. Eden also toured vastly in various stage productions like Neil Simon's Last of the Red Hot Lovers (1972), The Best Little Whorehouse in Texas (1982), Annie Get Your Gun (1967), Wild Pacific (2009) and Nite Club Confidential (1996). In the play "Love Letters," Eden reunited with her I Dream of Jeannie (1965) co-star, Larry Hagman. The duo toured metropolitan and major cities, across the United States. Eden starred in Neil Simon's "The Odd Couple: Female Version", and "Social Security" (1985). She has also been seen in TV series like, All Star Blitz (1985), Entertainment Tonight (1981) and Larry King Live (1985).
In 2011, Crown Archetype, a division of Random House, published Barbara's memoir, "Jeannie Out of the Bottle," which debuted at number 14 on the New York Times Best Seller List and on Australia's Best Seller List, published there by Harper-Collins, Inc. The autobiography chronicle's Eden's colorful life and remarkable Hollywood career that spans more than 50 years.
One of Hollywood's busiest actresses, Barbara filmed a starring role in Always and Forever (2009), a movie filmed by and for the Hallmark Channel. The move was televised numerous times during the year it was filmed and released. On the road, she hosted productions of Ballets with a Twist (1996), the new groundbreaking show that stars rotating celebrity emcees and dancers from Dancing with the Stars (2010). Barbara Eden has appeared recently in a recurring role on Lifetime's Army Wives (2007) series, guest-starred on ABC's George Lopez (2002), and enacted a recurring role on Sabrina the Teenage Witch (1996). During her long career, Barbara has starred in 25 feature films, five network TV series and 19 top-rated network made-for-television movies.
Barbara has been featured in TV commercials for Old Navy, AT&T, and she introduced the Lexus SUV, which was later named Car of the Year by Motor Trend Magazine.
People Magazine named Barbara "One of America's 200 Greatest Pop Icons of the 20th Century." She has been honored with a star on the Hollywood Walk of Fame at 7003 Hollywood Boulevard near the front of the world famous Grauman's Chinese Theatre. She was named one of TV Guide's Most Popular Comedy Stars and has received Lifetime Achievement Awards from the Broadcasters Hall of Fame, The Hollywood Chamber of Commerce, and the TV Land Television Network.
When there is time in her crowded schedule, Eden works actively on behalf of numerous charities including The Trail of Painted Ponies Breast Cancer Research, American Cancer Society, the Wellness Community, the Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children and Childhelp USA.
Barbara Eden resides with her architect/real estate developer husband Jon Eicholtz in the Benedict Canyon area of Beverly Hills.- Actress
- Additional Crew
Jean Shrimpton was born on 7 November 1942 in High Wycombe, Buckinghamshire, England, UK. She is an actress, known for Privilege (1967), Double Pisces, Scorpio Rising (1970) and We'll Take Manhattan (2012). She has been married to Michael Cox since 12 January 1979. They have one child.- Actress
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- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actress
- Producer
- Talent Agent
Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.