Favourite Directors
I dont know how much i like them, but i do appreciate some of their work.
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Brad Anderson was born in 1964 in Madison, Connecticut, USA. He is a director and producer, known for Session 9 (2001), The Machinist (2004) and Transsiberian (2008).- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Actor
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David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.- Director
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Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family. Originally entering university as a physics student, De Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as To Bridge This Gap (1969). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, De Palma made the comedic film Greetings (1968) starring Robert De Niro in his first ever credited film role. The two followed up immediately with the films The Wedding Party (1969) and Hi, Mom! (1970).
After making such small-budget thrillers such as Sisters (1972) and Obsession (1976), De Palma was offered the chance to direct a film based on Stephen King's classic novel "Carrie". The story deals with a tormented teenage girl who finds she has the power of telekinesis. The film starred Sissy Spacek, Piper Laurie and John Travolta, and was for De Palma, a chance to try out the split screen technique for which he would later become famous.
Carrie (1976) was a massive success, and earned the two lead females (Laurie and Spacek) Oscar nominations. The film was praised by most critics, and De Palma's reputation was now permanently secured. He followed up this success with the horror film The Fury (1978), the comedic film Home Movies (1979) (both these films featured Kirk Douglas), the crime thriller Dressed to Kill (1980) starring Michael Caine and Angie Dickinson, and another crime thriller entitled Blow Out (1981) starring John Travolta.
His next major success was the controversial, ultra-violent film Scarface (1983). Written by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the United States through the drug trade. While being a critical failure, the film was a major success commercially.
Moving on from Scarface (1983), De Palma made two more movies before landing another one of his now-classics: The Untouchables (1987), starring old friend Robert De Niro in the role of Chicago gangster Al Capone. Also starring in the film were Kevin Costner as the man who commits himself to bring Capone down, and Sean Connery, an old policeman who helps Costner's character to form a group known as the Untouchables. The film was one of De Palma's most successful films, earning Connery an Oscar, and gave Ennio Morricone a nomination for Best Score.
After The Untouchables (1987), De Palma made the Vietnam film Casualties of War (1989) starring Michael J. Fox and Sean Penn. The film focuses on a new soldier who is helpless to stop his dominating sergeant from kidnapping a Vietnamese girl with the help of the coerced members of the platoon. The film did reasonably well at the box office, but it was his next film that truly displayed the way he could make a hit and a disaster within a short time. The Bonfire of the Vanities (1990) starred a number of well-known actors such as Bruce Willis and Morgan Freeman, however it was still a commercial flop and earned him two Razzie nominations.
But the roller coaster success that De Palma had gotten so far did not let him down. He made the horror film Raising Cain (1992), and the criminal drama Carlito's Way (1993) starring Al Pacino and Sean Penn. The latter film is about a former criminal just released from prison that is trying to avoid his past and move on. It was in the year 1996 that brought one of his most well-known movies. This was the suspense-filled Mission: Impossible (1996) starring Tom Cruise and Jon Voight.
Following up this film was the interesting but unsuccessful film Snake Eyes (1998) starring Nicolas Cage as a detective who finds himself in the middle of a murder scene at a boxing ring. De Palma continued on with the visually astounding but equally unsuccessful film Mission to Mars (2000) which earned him another Razzie nomination. He met failure again with the crime thriller Femme Fatale (2002), the murder conspiracy The Black Dahlia (2006), and the controversial film Redacted (2007) which deals with individual stories from the war in Iraq.
Brian De Palma may be down for the moment, but if his box office history has taught us anything, it is that he always returns with a major success that is remembered for years and years afterwards.- Writer
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David Koepp is an American film director and screenwriter. He is known for writing Jurassic Park directed by Steven Spielberg, The Lost World: Jurassic Park, Mission: Impossible, Indiana Jones and the Kingdom of the Crystal Skull, Spider-Man directed by Sam Raimi and Panic Room directed by David Fincher. He also directed You Should Have Left starring Kevin Bacon and Amanda Seyfried.- Art Department
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Vincenzo Natali was born on 6 January 1969 in Detroit, Michigan, USA. He is a director and producer, known for Cube (1997), In the Tall Grass (2019) and Cypher (2002).- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Director
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Daniel Francis Boyle is a British filmmaker, producer and writer from Radcliffe, Greater Manchester. He is known for directing 28 Days Later, 127 Hours, Trainspotting, T2 Trainspotting, Slumdog Millionaire, Millions, Shallow Grave, The Beach, Yesterday, and Steve Jobs. He won many awards for Slumdog Millionaire. He was in a relationship with Gail Stevens and had three children.- Writer
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Mike White was born Michael Christopher White on June 28, 1970 in Pasadena, California. He is a writer, director and producer, mostly acknowledged for his award-winning HBO series The White Lotus (2021). He wrote and produced the HBO series Enlightened (2011), and wrote and co-produced Year of the Dog (2007) in which he made his directorial debut. Earlier works include Chuck & Buck (2000), Orange County (2002), The Good Girl (2002) and School of Rock (2003). He also wrote two episodes of the NBC series Freaks and Geeks (1999).- Director
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Todd Haynes was always interested in art, and made amateur movies and painted while he was still a child. He attended Brown university and majored in art and semiotics. After he graduated he moved to New York City and made the controversial short film Superstar: The Karen Carpenter Story (1987). The movie uses dolls instead of actors to tell the the story of the late Karen Carpenter. The movie was a success at several film festivals, and because of a lawsuit by Richard Carpenter (over musical rights) is very hard to see but it is a true classic for bootleg video buyers. His first feature, Poison (1991) was even more controversial. The film was attacked by conservatives and Christians who said it was pornographic, but it won the Grand jury prize at the Sundance Film Festival. It is now considered a seminal work of the new queer cinema. His short film Dottie Gets Spanked (1993) was aired on PBS. His next feature film Safe (1995) told the story of a woman played by his good friend, Julianne Moore, suffering from a breakdown caused by a mysterious illness. Many thought the film was a metaphor of the Aids virus. The movie was considered to be an outstanding work and one of the best films of the year. In Velvet Goldmine (1998), starring Christian Bale and Ewan McGregor, he combines the visual style of 60s/70s art films and his love for glam rock music to tell the story of a fictional rock star's rise and fall. Far from Heaven (2002), set in the 1950s and starring Julianne Moore and Dennis Quaid, is about a Connecticut housewife who discovers that her husband is gay, and has an affair with her black gardener, played by Dennis Haysbert. The film was a critical and box office success, garnering four Academy Awards. It was hailed as a breakthrough for independent film, and brought Haynes mainstream recognition. With I'm Not There (2007), Haynes returned to the theme of musical legend bio, portraying Bob Dylan via seven fictive characters played by six different actors. The film brought him critical claim, with special attention to the casting of Cate Blanchett as arguably the most convincing of the Dylan characters, for which she received an Academy Award nomination. In 2011, Haynes directed Mildred Pierce, a five-hour miniseries for HBO starring Kate Winslet in the title role. His new feature film Carol (2015) with Cate Blanchett premiered at the Cannes International Festival 2015 to rave reviews and won Best Actress for Rooney Mara.- Writer
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Director, writer, producer and composer Tom Tykwer was born in 1965 in Wuppertal, Germany. He showed an interest in film-making from childhood, making super 8 films from the age of 11. Among his first jobs was working at a local art-house cinema. Tykwer eventually relocated to Berlin, first working as a film projectionist and then becoming head of programming at the Moviemento Theater.
Tykwer's friend, the director Rosa von Praunheim, encouraged him to experiment with film-making and the result was the short Because (2001). Other short films followed, and in 1993 Tykwer made his first full length feature Deadly Maria (1993). Tykwer's international breakthrough came in 1998 with Run Lola Run (1998), which was a hit with both audiences and critics alike. The film garnered many awards and was the most successful German film of the year.
Subsequent projects include Heaven (2002), Perfume: The Story of a Murderer (2006), The International (2009) and the ambitious epic Cloud Atlas (2012).- Producer
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Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Director
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Ken Russell tried several professions before choosing to become a film director; he was a still photographer and a dancer and he even served in the Army, but film was his destiny. He began by making several short films which paved the way for his brilliant television films of the 1960s that are acclaimed for his attention to detail and opulent visuals. His third feature film Women in Love (1969) was a triumph that made him known internationally. In the 1970s, his talent truly blossomed. Over the next two decades he would direct a succession of remarkable films, most containing the trademark flamboyance that critics generally dismiss but many find engrossing. He will forever be remembered as a controversial, visionary artist with something of a third eye for oddball dramas with captivating images and themes.- Producer
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Alexandre Aja was born on 7 August 1978 in Paris, France. He is a producer and director, known for High Tension (2003), The Hills Have Eyes (2006) and Piranha 3D (2010). He is married to Laïla Marrakchi.- Producer
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Director, producer and screenwriter Alexander Payne was born in Omaha, Nebraska. His parents, Peggy (Constantine) and George Payne, ran a Greek restaurant. His father is of Greek and German ancestry, and his mother is of Greek descent; the family name was originally Papadopoulos. He is the youngest of three brothers.
Alexander attended Stanford University, where he majored in Spanish and History. He then went on to study film at UCLA Film School. His university thesis film was screened at the Sundance film festival, which led to him being backed by Miramax to write and direct Citizen Ruth (1996). Payne prefers to have control over his movies, from scripts to cast.- Music Department
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John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).- Producer
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Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.
Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.
The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.- Writer
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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Director
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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Director
- Writer
- Actor
Adam Green is an American screenwriter, director, producer, and actor known for his success within the horror genre with films like the "Hatchet" franchise, "Frozen," and "Digging Up The Marrow." He is also the creator, writer, director, star, and show runner of the television comedy series "Holliston" and the singer for the metal band "Haddonfield."
Born and raised in the small town of Holliston, Massachusetts, Green grew up performing leading roles in school plays and hosting his own morning radio program "Coffee & Donuts" on the town's local radio station. He graduated from Holliston High School in 1993. Upon graduating from Hofstra University in New York with a Bachelor of Science in film and television production in 1997, Green landed a job producing and directing local and regional cable television commercials at Time Warner Cable Advertising back in his hometown of Boston. While working at Time Warner he met cinematographer Will Barratt and in 1998 the two formed their own production company ArieScope Pictures and began making short films together under the ArieScope banner. During this time period Green was also the lead singer for the hard rock/metal band "Haddonfield" which amassed a large and loyal following as they headlined weekly club shows in Salam, MA and other large venues around Boston's north shore in the late 90's. In 1999 at the age of 24, Green wrote, directed, and starred in his first feature film "Coffee & Donuts" which was based on his own life and his experiences chasing his career dreams while trying to get over the break-up with his first girlfriend/childhood love. The autobiographical comedy was made for only $400 by "borrowing" Time Warner's commercial production equipment after hours and ultimately gained the attention of United Talent Agency (UTA) in Los Angeles when it won "Best Picture" in (what was then called) The Smoky Mountain Film Festival. Signed by UTA as an official client, Green moved to Los Angeles in February of 2000 with the intention of turning "C&D" into a sit-com.
Though reactions were positive and interest in "Coffee & Donuts" was strong within the industry, Green's first three years in Los Angeles were a major struggle and he survived by doing any odd job that would pay or feed him. Though he was able to find occasional paid work as everything from an on-set production assistant, to performing as a stand-up comic, to working as a writer's/show runner's assistant, to performing as an extra/background, to writing, shooting, and editing local cable commercials, to ghost writing jokes for other stand-up comics, Green's main occupation from 2000 to 2003 was working as the DJ in the upstairs nightclub at the world famous Rainbow Bar and Grill where he survived off of the left-over food off of customer's plates or by eating out of the restaurant's trash at the end of each night. He performed stand-up comedy at various Hollywood night clubs including monthly comedy shows at the Rainbow with his regular troupe of comedians/friends that included comics Andy Sandberg, Chris Romano, and Eric Falconer whom had also all yet to be discovered at that time. In 2003 Green sold "Coffee & Donuts" as a sit-com to Touchstone/UPN with Tom Shadyac producing. However, the week after Green delivered the final draft of his pilot script for "Coffee & Donuts", UPN announced a merger with the WB (creating the CW network) and all of UPN's pilot development was scrapped, tying up the rights to Green's dream project and life story for a further 5 years. ("C&D" would wind up going through thirteen years of development and false starts due to random corporate mergers at various networks and studios before eventually coming to fruition as the television series "Holliston" in 2012.)
Green first gained worldwide recognition with his independent slasher comedy "Hatchet", a story and character ("Victor Crowley") that he had first come up with while at summer sleep away camp in 1983 when he was just 8 years old in an effort to scare the other children in his cabin. Written in 2003 while Green was spinning heavy metal records in the DJ booth at the Rainbow, "Hatchet" was filmed independently in May/June of 2005 and had its world premiere at the Tribeca Film Festival on April 27, 2006. Green spent the next 18 months traveling the world with his gruesome slasher/comedy as it played dozens of film festivals, winning a multitude of awards and accumulating incredibly positive reviews from critics and fans along the way. "Hatchet" received a US theatrical release through Anchor Bay on September 7, 2007 and introduced the world to the iconic villain "Victor Crowley." A worldwide success, "Hatchet" has spawned three sequels to date. Green wrote and directed "Hatchet 2" which arrived in US theaters on October 1, 2010 and he also wrote and produced "Hatchet 3" (2013) which opened in US theaters on June 14, 2013.
After the first "Hatchet" film was massively censored by the Motion Picture Association of America for its 2007 theatrical release, Green made international headlines in 2010 by standing up to the MPAA's archaic and secretive ratings system and refusing to accept the organization's arbitrary NC-17 rating for "Hatchet 2" which the filmmaker stated was completely unfair given the comedic tone of his film and in comparison to the serious torture porn style films of the time, many of which featured sequences of rape and mean spirited, realistic violence but which also happened to be distributed by major studios. After offering cuts and re-submitting "Hatchet 2" to the MPAA numerous times to no avail in an effort to try and find a compromise for an "R" rating, Green and distributor Dark Sky ultimately opted to release the "Hatchet 2" uncut through an arrangement with AMC cinemas, making it the first genre film in almost 30 years to be released in mainstream multiplexes without an MPAA rating. Though the unrated release of "Hatchet 2" was endorsed and conducted exclusively through AMC theaters, the chain immediately began pulling the film from all screens upon its midnight opening and within just 48 hours of its release the film had mysteriously disappeared from all AMC screens nationwide. Though journalists in the media pointed to outside pressure from the MPAA on AMC to pull the film, no explanation was ever given on official record by a proper representative of AMC and the MPAA refused to comment on the matter. With "Hatchet 3" being green-lit almost immediately after "Hatchet 2" arrived on home video, "Victor Crowley" still succeeded despite the AMC/MPAA debacle.
Though "Hatchet" was always intended to be a trilogy, on August 22, 2017 Green took the entire genre world by surprise when he suddenly showed a 4th "Hatchet" film (titled "Victor Crowley") to a sold-out audience of fans that thought they had gathered at the Arclight Cinema in Hollywood, CA to watch a 10th anniversary screening of the original film. Written and directed by Green, "Victor Crowley" was made in complete secrecy over a two year period as the filmmaker's surprise to the fans (known as the "Hatchet Army") on the 10th anniversary of the original "Hatchet." The stunt worked famously and "Victor Crowley" was trending #5 in the world on social media on the night of its surprise premiere in Hollywood, CA - two spots above Marvel's star-studded A-list celebrity attended "Stan Lee Celebration" that was taking place that same night. Green immediately began a worldwide tour with the film that started just three nights later in London, England and carried on through cities in Germany, Canada, and all across the United States (where the tour was dubbed the "Dismember America Tour") until the middle of November. By the end of the tour "Victor Crowley" had played nightly in 57 cities and 4 countries with Green personally appearing and speaking at most of the screenings. To date "Victor Crowley" is the best reviewed of the four "Hatchet" films and the most financially successful film in the franchise since the original. Three months after the theatrical release, the film was released on home video on February 6, 2018. In the weeks leading up to the home video release "Victor Crowley" was the #3 best seller on Amazon.com and among the top 10 most pre-ordered Blu-Rays worldwide ranking above wide release studio films like "Justice League," "Blade Runner," "Jigsaw," and "Get Out" further solidifying the "Hatchet" franchise's villain "Victor Crowley" as a modern day horror icon.
"Hatchet" also earned Green his place in the "Splat Pack", a term coined by esteemed UK film critic Alan Jones to describe a core group of new genre filmmakers who brought practical effects and extreme violence/gore back to the horror genre in the mid 2000's. Heralded by Jones as "the next wave of genre filmmakers," his original article about the "Splat Pack" ran in Total Film magazine in April of 2006 and by October both Time Magazine and the New York Post had also published stories about the "Splat Pack." Green appeared in the 2010 documentary "The Splat Pack" that also featured extensive interviews with his fellow "Splat Pack" members Eli Roth, Neil Marshall, Darren Bousman, Alex Aja, and Greg McLean. (Missing from the documentary were "Splat Pack" members James Wan and Rob Zombie.) Various merchandise based on "Hatchet" and its iconic villain "Victor Crowley" continues to sell more and more each year and in August of 2015 the first widely distributed "Victor Crowley" Halloween mask hit retail shelves across America, selling out of stock nationwide long before the Halloween holiday had arrived. In 2011 "Victor Crowley" first appeared in comic book form in "Hatchet/Slash", a crossover comic between Green's "Hatchet" films and Tim Seeley's long-running "Hack/Slash" comic series. In October of 2016 the first issue of the official "Hatchet" comic hit retail stores and the series has continued on strong with a new issue being released every 3-4 months. Green's first novel, the "Hatchet" tie-in "I, Survivor" will be released in May of 2018. "I, Survivor" first appeared in "Victor Crowley" as a fictitious autobiography written by the film's main character "Andrew Yong," however Green and author Joe Knetter co-wrote the actual book so that fans could delve even further into the "Hatchet" universe and fill in the ten years that had passed in the storyline between "Hatchet 3" and "Victor Crowley."
Aside from "Hatchet" (2007) and its three sequels (2010, 2013, 2017), Green continued and diversified his filmmaking legacy by directing the award winning Hitchcockian psycho-drama "Spiral" (2008), by producing the Sundance shocker and critically acclaimed "Grace" (2009), by writing and directing another Sundance darling and global success the very next year with his snowy suspense thriller "Frozen" (2010), by producing, writing, and directing the comedy "The Diary of Anne Frankenstein" which was included as part of the drive-in anthology film "Chillerama" (2011), and by writing, directing, and starring in the genre bending and highly praised successful pseudo-documentary "Digging Up The Marrow" (2015). In between his feature films Green also continued to write and direct various short films for his ArieScope website just for fun, several of which went on to become full blown viral hits with millions of views on-line including "Jack Chop," "Fairy Tale Police," and "Saber." Written, directed, and edited by Green, "Saber" received two awards in Lucasfilm's annual Star Wars Fan Film Awards at San Diego Comic-Con in 2009 ("Best Action" and "Audience Choice") and also spawned two sequels that were released to huge success in 2012 and 2014.
Meanwhile, after thirteen years of development and setbacks due to network mergers, in 2011 Green's ultimate passion project "Coffee & Donuts" was finally brought to fruition as the sit-com "Holliston." In its new form, Green was not only "Holliston's" creator but also the series' show-runner, writer, director, and main star. Licensed for broadcast by the FEARnet cable network, "Holliston" had its world television premiere on April 3, 2012 and quickly found a loyal audience. A second season was announced the morning after only the second episode had aired. An hour-long "Holliston Christmas Special" premiered later that same year on December 18th and is still considered by most fans to be their favorite episode of the series with its unexpected amount of emotion including a tear-jerking final scene between "Adam" and "Corri" that was revealed on the Blu-ray commentary track to have been completely improvised by actors Adam Green and Corri English. Season 2 of "Holliston" premiered on June 4, 2013 and further solidified the series as a hit despite FEARnet's extremely limited broadcast accessibility. However, just as Green was beginning to write Season 3, "Holliston" suffered the tragic death of main ensemble cast member Dave Brockie who passed away in what was eventually reported to be a drug overdose. Brockie not only played "Oderus Urungus" on "Holliston" (Green's character's imaginary alien friend and ulterior conscience), he had also performed as the lead singer for the heavy metal band GWAR for 30 years and was one of Green's closest friends in real life. To make matters even worse, just three weeks after Brockie's death, the FEARnet television network was suddenly dissolved in yet another unforeseen corporate merger between Comcast and Time Warner. In August of 2014 Green delivered a eulogy for Brockie at a public memorial in Virginia attended by several thousand GWAR and "Holliston" fans. During his speech, Green's played back the final voice mail Brockie had left for him and concluded by asking the thousands of fans that were present to all hold their hands together in the air. "This is your metal family," Green reminded the grieving fans. "And your metal family will always be here for you." The memorial concluded with a traditional viking style burning of Brockie's "Oderus Urungus" costume in Richmond's Haddad Lake. Overcome with grief, Green stepped away from "Holliston" for several years without any word if he would ever return to his show again.
During Green's indefinite hiatus from "Holliston," he continued to do a weekly podcast with fellow director, co-star, and real-life best friend Joe Lynch called "The Movie Crypt" on the GeekNation digital network. Named after the fictitious cable access program that Green and Lynch's character's host on "Holliston", "The Movie Crypt" was originally designed to merely be a spin-off and companion piece to the sit-com and the two filmmakers only planned to do the podcast for the ten weeks that Season 2 was airing. However, their weekly program began pulling in extraordinarily high numbers and quickly became one of the most popular entertainment industry behind the scenes podcasts on the internet due to Green and Lynch's enjoyable on-air chemistry and the duos unfiltered honesty about their real-life experiences as working artists in the Hollywood system. Focusing on a different guest artist's entire career journey each week, "The Movie Crypt" showcases all sides of the industry from filmmakers to actors to costumers to agents to studio executives to musicians and beyond. Guests have included Chris Columbus, Slash, Joe Dante, Jordan Peele, James Gunn, Penelope Spheeris, Bobcat Goldthwait, and Rob Cohen. By January of 2015 "The Movie Crypt" was averaging over 500,000 worldwide listeners a week and the podcast was listed in Entertainment Weekly's January 9th issue as one of "The Top 20 Podcasts You Should Be Listening To" out of over 285,000 podcasts in existence. In addition to their candid and compelling weekly artist interviews, Green and Lynch have also produced special stand out episodes of "The Movie Crypt" such as the November 2015 "Addiction" episode that tackled substance abuse and addiction within the industry, the December 2014 "Holliston Reunion" episode where the cast performed a new original "Holliston" episode designed as a radio play, and their December 2015 "Christmas Special" which featured a sincere and moving 2-hour interview with Santa Claus that remains the podcast's most popular episode to date. Green and Lynch have never missed a single week since the podcast first launched on May 6, 2013. It was "The Movie Crypt's" unplanned and unexpected success that would ultimately set the stage for the return of "Holliston."
In August of 2015 Entertainment Weekly made the announcement that Green and his cast had decided that they would indeed continue on with "Holliston" and do a 3rd season. In February of 2016 the "Holliston" cast appeared together on Facebook live where they answered questions from fans after completing their first ever read through of two of Green's new scripts for Season 3. During the Q&A with fans Green stated that "Oderus" would not be recast or replaced and that when "Holliston" returns he would acknowledge the loss of Brockie and then move on with the show, keeping his character's closet door permanently closed for as long as the series may continue. As of the time of this writing, Season 3 of "Holliston" is expected to begin shooting once the cast's individual production schedules can line-up together. With series stars Adam Green and Joe Lynch both consistently directing feature films and other television shows and with series co-star Dee Snider so busy with his various music projects and tours it is very difficult to get the entire cast together at the same time to shoot. The first official "Holliston" graphic novel (titled "Friendship Is Tragic") was announced and previewed on March 17, 2016 at Chicago's C2E2 comic book expo and pop culture convention. The comic book hit retail shelves in the Fall of 2016 and a sequel was green-lit just four days later. The second graphic novel (titled "Carnival of Carnage") hits shelves in May of 2018.
In 2015 Green turned ArieScope.com into an on-line network by offering weekly original programming. With over 100 free short films and original series' episodes to watch, Green's personal blog, and an on-line merchandise store, ArieScope.com has become a destination site for original content to millions of fans worldwide. Original series such as "Adam Green's Scary Sleepover" and "Horrified" proved to be extremely popular with fans and ArieScope.com also released the award winning series "20 Seconds To Live" which was helmed by filmmaker Ben Rock, an artist that Green personally believes in and wanted to expose his own audience to. Green's original on-line series and various short films are also carried on ArieScope's YouTube channel which has received over 4.6 million individual views to date.
In 2017 Green once again turned his attention back to his longtime band "Haddonfield" and the group released the album "Ghosts of Salem" on vinyl, CD, and digital through EMP Label Group and Green's own sub-label ArieScope Records. On October 14, 2017 "Haddonfield" celebrated the release of "Ghosts of Salem" with a live performance at the Palladium in Worcester, MA during the annual Rock And Shock horror and music festival. "Ministry," "Devil Driver," and "Motionless In White" also performed at the festival with "Haddonfield" in 2017.
A celebrated leader and inspirational personality in the horror genre, Adam Green has amassed an enormous following worldwide through his down to earth and extraordinarily kind demeanor at personal appearances, by his accessibility to his fans on social networking, by performing improv comedy and original live "Holliston" episodes for fans on the convention circuit, by never charging his fans for his autograph or photo, by consistently putting out new entertainment for his audience on such a frequent schedule, and by inspiring and encouraging his own fans that they too can achieve their dreams so long as they don't let the world's negativity change or disenchant their spirit. Green has personally organized and lead many charity events over the years. In May of 2013 he raised over $15,000.00 to help the victims of the Boston Marathon bombing by putting on a three-night fundraiser in his home town of Boston where he held theatrical screenings of the "Hatchet" films, a preview screening of select Season 2 episodes of "Holliston", and a silent auction of celebrity donated genre memorabilia. In April of 2015 Green also helped raise $7,000.00 for "Save A Yorkie Rescue" at the Monstermania convention in New Jersey by auctioning himself off for a date with a fan and auctioning off a screen-used prop hatchet. While on stage during the auction event, Green stated that it was the companionship of his own Yorkie "Arwen" that got him through the various personal tragedies he underwent in 2014. "You're not just saving the lives of these wonderful dogs, you're also very likely saving the lives of the people who will adopt them." Adam Green and Joe Lynch also put on an annual 48-hour live marathon of their Movie Crypt podcast to benefit "Save A Yorkie Rescue." The two filmmakers and "Holliston" co-stars stay on the air live for an entire weekend with celebrity guests joining them around the clock providing live comedy, film commentaries, script readings, and interviews to raise money for the dog rescue through donations from their audience. The Movie Crypt marathon raised $14,000.00 in 2016 and $24,000.00 in 2017, saving hundreds of abused and abandoned dogs that were in dire need of medical care and foster homes.
At the time of this posting Adam Green is developing Season 3 of "Holliston," working on a new TV series called "Killer Pizza" which is being produced by Chris Columbus, working on his next feature film project, and writing his next record with "Haddonfield" as well as working on many other projects. He lives in Los Angeles with his dog "Arwen" and his cat "Tyler." An avid music fan he has been known to follow bands on tour such as "Aerosmith," "Metallica," and "Guns N Roses." "Twisted Sister" is his favorite band of all time and 1982's "E.T. The Extra Terrestrial" remains his most favorite film. He is active on Twitter and Instagram at @Adam_Fn_Green and he also personally responds to his fans on his public Facebook page: Facebook.com/AdamFnGreen.
Biography submitted to IMDB in May 2016. Updated in March 2018.- Writer
- Director
- Actor
Majid Majidi was born on April 17, 1959 in Tehran, Iran to a middle class family. He started acting in amateur theater groups at the age of fourteen. After receiving his high school diploma, he started studying art at the Institute of Dramatic Art in Tehran. After the Islamic Revolution of 1979, his interest in cinema brought him to act in various films, notably Mohsen Makhmalbaf's Boycott (1986) where he played a frustrated communist and Ali Asghar Shadravan's The Execution (1986) where he played the role of real life character, Andarzgoo. Later, he started writing and directing short films. His feature film screenwriting and directing debut is marked by Baduk (1992), which was presented at the Quinzaine of Cannes and won awards at Tehran's Fajr Film Festival. Since then, he has written and directed many noteworthy films that won worldwide recognition, notably Children of Heaven (1997), winner of the Best Picture award at the Montreal International Film Festival and nominated for the Best Foreign Film at the Academy Awards, The Color of Paradise (1999), which also won the Best Picture award from Montreal International Film Festival and set a new record of box office for an Asian film, and Baran (2001), which won several major awards worldwide, notably the Best Picture award at the 25th Montreal World Film Festival and received nomination for the European Film Academy Award. In 2001, during the Afghanistan anti-Taliban war, he produced Barefoot to Herat (2003), an emotional documentary about Afghanistan's refugee camps that won the Fipresci Award at Thessaloniki International Film Festival. Majjid Majid has also received the Douglas Sirk Award in 2001 and the Amici Vittorio de Sica Award in 2003. In 2005, he directed The Willow Tree (2005) about a blind man who falls in love with someone other than his wife when he gets the chance to see again, which won four awards at the 2005 Fajr Film Festival in Tehran. He is one of Iran's most influential directors and his films have a simple and poetic feel to them.- Writer
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- Composer
Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996). His film Open Your Eyes (1997) was a huge success in Spain and was distributed worldwide. It was remade in Hollywood by Cameron Crowe as Vanilla Sky (2001), starring Tom Cruise, Penelope Cruz (also the star of the original version) and Cameron Diaz. The Others (2001) is Amenábar's first English language film.- Writer
- Actor
- Director
Nacho Vigalondo was born in 1977 in Cabezón de la Sal, Cantabria, Spain. He is a writer and actor, known for Timecrimes (2007), Colossal (2016) and Extraterrestrial (2011).- Director
- Writer
- Camera and Electrical Department
Lukas Moodysson was born on 17 January 1969 in Malmö, Skåne län, Sweden. He is a director and writer, known for Show Me Love (1998), Lilya 4-Ever (2002) and Together (2000). He has been married to Coco Moodysson since 1994. They have three children.- Director
- Producer
- Actor
Gus Green Van Sant Jr. is an American filmmaker, painter, screenwriter, photographer and musician from Louisville, Kentucky who is known for directing films such as Good Will Hunting, the 1998 remake of Psycho, Gerry, Elephant, My Own Private Idaho, To Die For, Milk, Last Days, Finding Forrester, Promised Land, Drugstore Cowboy and Mala Noche.- Director
- Writer
- Producer
Christopher Smith was born in 1970 in Bristol, England, UK. He is a director and writer, known for Triangle (2009), Severance (2006) and Black Death (2010).- Producer
- Writer
- Director
James Wan (born 26 February 1977) is an Australian film producer, screenwriter and film director of Malaysian Chinese descent. He is widely known for directing the horror film Saw (2004) and creating Billy the puppet. Wan has also directed Dead Silence (2007), Death Sentence (2007), Insidious (2010), The Conjuring (2013) and Furious 7 (2015).
Before his success in the mainstream film industry, he made his first feature-length film, Stygian, with Shannon Young, which won "Best Guerrilla Film" at the Melbourne Underground Film Festival (MUFF) in 2000.
Prior to 2003, Wan and Leigh Whannell had begun writing a script based for a horror film, citing inspiration from their dreams and fears. Upon completing the script, Leigh and James had wanted to select an excerpt from their script, later to be known as Saw (2004), and film it to pitch their film to studios. With the help of Charlie Clouser, who had composed the score for the film, and a few stand-in actors, Leigh and James shot the film with relatively no budget. Leigh had decided to star in the film as well.
After the release of the full-length Saw (2004), the film was met with overwhelming success in the box office both domestically and internationally. The film ended up grossing 55 million dollars in America, and 48 million dollars in other countries, totaling over $103 million worldwide. This was over 100 million dollars profit, over 80 times the production budget. This green-lit the sequel Saw II (2005), and later the rest of the Saw franchise based on the yearly success of the previous installment. Since its inception, Saw (2004) has become the highest grossing horror franchise of all time worldwide in unadjusted dollars. In the United States only, Saw (2004) is the second highest grossing horror franchise, behind only the Friday the 13th (1980) films by a margin of $10 million.- Stunts
- Second Unit Director or Assistant Director
- Actor
Began as an actor in Kurt Russell-Disney Films in 1974. Made the switch to the Stunt world following a successful career as a junior pro surfer. Born, bred, and resided in Malibu. Many, many stunts later, David made the promotion to Stunt Coordinator in 1978 on Invasion of the Body Snatchers (1978). Coordinating TV and films all over the world brought him up to the position of 2nd Unit Director on Gorky Park (1983). "Action" movies proceeded to explode along with David's career. Befriending Harrison Ford, two of David's most notable 2nd units were Patriot Games (1992) and Clear and Present Danger (1994). As shown in Filmography, he worked back-to-back until the break from Disney, offering to 1st unit Direct the feature, Homeward Bound II: Lost in San Francisco (1996). Directorial debut grossed over $100 Million. Completed two features for 1997, Desperate Measures (1998) & Sphere (1998) with Barry Levinson.- Writer
- Director
- Producer
Don Roos was born on 14 April 1955 in New York, USA. He is a writer and director, known for The Opposite of Sex (1998), Happy Endings (2005) and M.Y.O.B. (2000). He has been married to Dan Bucatinsky since 2008. They have two children.- Producer
- Director
- Additional Crew
Mark Pellington was born on 17 March 1962 in Baltimore, Maryland, USA. He is a producer and director, known for Arlington Road (1999), The Mothman Prophecies (2002) and Jerry Maguire (1996). He was previously married to Jennifer Barrett Pellington.- Writer
- Producer
- Director
Acclaimed and highly discussed filmmaker Neil LaBute has made himself a force to be reckoned with and a name to watch. With his true-to-life cynical and self-absorbed characters and all-too-true social themes, he has firmly established himself as an unforgiving judge of the ugliest side of human nature.
LaBute was originally a playwright. He attended Brigham Young University and took theater as his major. Many say that Pulitzer-Prize winner David Mamet was a strong influence on him. He chose to attack subjects that many people don't really want to talk about and showed the way that people really talk among themselves. His first stage piece, an off-off-Broadway play which was entitled "Filthy Talk for Troubled Times", debuted in 1989 and it featured two men just sitting around a bar and making small talk and ridiculing women, minorities, homosexuals and their ways, in a manner not unlike the conversations in his In the Company of Men (1997). The foul-mouthed play was, not unsurprisingly, a hit with the critics.
After LaBute graduated from the University of Kansas and New York University, he got a scholarship to London's Royal Court Theatre in the US in Chicago, Los Angeles and New York City. Then he got into cinema. He made his films like his plays: showing characters just sitting and talking and revealing how evil, scared, ignorant, arrogant, emotionally wounded, delusional, disillusioned and cynical they are.
LaBute made his first major mark with the low-budget (and frighteningly realistic) cautionary fable In the Company of Men (1997), about two sexist male office co-workers fed up with what they believe is the way women have taken over American society and how it is no longer a man's world. They set out to find a vulnerable woman - one looking for male attention - and wine her, dine her, then cruelly dump her, just to gain some "dignity" for their gender. Shot for $25,000 in less than two weeks, the film won the Sundance Filmmaker's trophy, awards for LaBute's screenplay and the star Aaron Eckhart's performance as a heartless and misogynist creep with ambition and cockiness to spare.
His next movie and sophomore cinema effort, Your Friends and Neighbors (1998), was considerably less well-received (a casualty of what is often referred to as "the sophomore jinx"). The film was about a group of six very different, but misanthropic people (three men and three women) connected by their relationships; when unhappy in them, they begin to shamelessly lie and cheat on one another with their lovers, and even with their friends. The movie got some strong reviews, but other reviewers felt LaBute was pretty much repeating himself. The prevailing attitude seeming to be that this time he had made an entire movie with all of its characters being nothing but villains, so why should anyone care about or want these six unlikable people to ever find happiness?
Nurse Betty (2000) was LaBute's next directorial effort, from a script he didn't write himself. It was was a radical departure from LaBute's other work, about a sweet-natured waitress obsessed with a particular soap opera and especially the show's star, George McCord (Greg Kinnear). The film received the Cannes Film Festival's Best Screenplay trophy for its authors. Renée Zellweger was honored with a Golden Globe Award. LaBute had finally made a good-nature, mainstream film, and a damn good one, but he didn't spend ALL his time basking - he had put out several other things that year, such as a TV movie based on his "Bash" plays and another original work entitled Tumble (2000), none of which got wide recognition.
In 2002 LaBute got himself noticed again with another less-caustic movie - a costume period piece called Possession (2002), based on the best-selling novel, which many believed to be about his love for early English culture. It starred LaBute stalwart Eckhart and Gwyneth Paltrow, who specializes in having the most authentic sounding British accent around. It wasn't a huge box-office success, but it did have many fervent admirers.
In 2003 LaBute brought to the screen another adaptation of his own work, a play he wrote and directed and had performed in England. He brought his original cast (Paul Rudd, Rachel Weisz, Gretchen Mol and Frederick Weller) back to appear in this one. It was entitled The Shape of Things (2003), about how a seductive art student, named Evelyn, takes Paul, a nerdy, insecure, out-of-shape guy, and begins molding him to look more and more desirable, much to the confusion of his friends. He enjoys being desirable, but is unaware of where all this remodeling will lead as Evelyn gets more and more possessive and controlling.
With pieces like "In the Company of Men" and Your Friends and Neighbors (1998), LaBute has proven that he has his hand on the pulse and minds of everyday and ordinary people (not heroes or villains), just average people who sound and behave horribly for no reason, and you cringe all the more because you know and identify with those characters. With "Nurse Betty" and "Possession", however, LaBute has shown that he has more than just one really incredibly note. He's no one-hit wonder. Here is a man whose entire body of work should be watched and studied by all.- Director
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Marcus Adams, renowned for his dynamic approach to modern cinematic thrillers, merges the discipline of dance with the artistry of filmmaking. Shaped by the rigorous training at Ballet Rambert, he went on to choreograph for avant-garde live shows and founded the innovative Meat Beat Manifesto - seen throughout Europe and the US, marking the start of his journey into audio-visual expression.
Transitioning from the creation of over a hundred music videos featuring the likes of The Stone Roses and David Guetta, Adams segued into the film industry. His features, known for marrying the intensity of physical effects with the subtlety of narrative, resonate with audiences globally. His directorial style, a synthesis of energetic motion and story depth, is exemplified in the globally trending "Deep Fear", which hit top 10 streamed movies on Netflix in multiple territories.
His films are choreographed narratives that articulate his philosophy: "In action, thrillers, and horrors, the protagonist faces a physical malevolent threat... Herein lies the dance." This outlook solidifies his status as a creator of cinematic experiences that endure beyond the screen.
Inspired by the storytelling mastery of Spielberg and the narrative finesse of Ridley Scott's 'Alien' and 'Blade Runner', Adams is committed to bringing complex characters and riveting, high-stakes scenarios to life. With 'Close to Nature', his latest project, he delves deeper into the dark comedy of horror, wrapping social commentary in a layer of sharp satirical wit and suspense. As Adams continues to navigate the intricate dance between fear and laughter, his work invites us to peer beyond the thrills and find reflections of our own humanity. His anticipated projects are not just an extension of his filmography but a deeper exploration of his creative ethos, promising to engage, challenge, and redefine the boundaries of genre filmmaking.- Writer
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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.- Director
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Robert Francis 'Bobcat' Goldthwait, born May 26, 1962, is an American comedian, writer, producer, director, and star of films and television shows. He is most widely known for his at times screechy voice and scattergun delivery during his standup comedy performances and some film roles.
He was born in 1962 in Syracuse, New York, the son of Kathleen Ann (Welch), a department store employee, and Thomas Lincoln Goldthwait, a sheet metal worker. His family, of Irish, German, and English descent, was Catholic. He decided on a career as a comedian at an early age and was performing professionally while still in high school at the age of fifteen. He and his classmate, Tom Kenny, performed in a comedy duo, billing themselves as "Bobcat and Tomcat". Goldthwait became recognized as a solo stand-up comedian and had three televised concert specials in The 1980s: Bob Goldthwait - Is He Like That All the Time?, An Evening with Bobcat Goldthwait: Share the Warmth (1987) and Meat Bob.
Goldthwait's first major film role was in Police Academy 2: Their First Assignment (1985). He reprised the role in the next two films in the series. During the fall of 1993, Goldthwait did stand-up material as an opening act for Nirvana on what would be their final North American tour. He has made several guest appearances on talk shows as well as comedy programs including The Ben Stiller Show (1992). On May 9, 1994, he made a controversial appearance on The Tonight Show with Jay Leno (1992), where, on impulse, he set a couch on fire. This incident was then the basis of the plot for his subsequent appearance on The Larry Sanders Show (1992).
One of the most recognizable features of Goldthwait's performances is his voice. Goldthwait has voiced characters on the television series Capitol Critters (1992); The Moxy & Flea Show (1995); Unhappily Ever After (1995); Hercules (1998) and Buzz Lightyear of Star Command (2000). He has also appeared, as himself, hosting the comedy quiz show Bobcat's Big Ass Show (1998). Goldthwait has released two comedy albums: "Meat Bob" (1988) on Chrysalis Records and "I Don't Mean to Insult You, but You Look Like Bobcat Goldthwait" (23 September, 2003) on Comedy Central Records.
He made his feature film directorial debut with Shakes the Clown (1991), which he wrote and starred in as well. His film, Windy City Heat (2003), won a Comedia Award for Best Comedy Film at Montreal's Just for Laughs Film Festival in 2004.
Bobcat began directing ABC's Jimmy Kimmel Live! (2003) in the fall 2004 season. Since joining the show's crew, the ratings went up to 2 million viewers a night, with the numbers rising nearly 50% with the teenage demographic. In May of 2006, he left to pursue his film career as a filmmaker/director but has since returned to the show. Goldthwait's feature, "Sleeping Dogs Lie" (formally Sleeping Dogs Lie (2006)), starring Melinda Page Hamilton, was in the 2006 Sundance Film Festival and it was part of the "Independent Dramatic Features" competition. "Sleeping Dogs Lie" is about a youthful, impulsive sexual encounter which opens the door to a dark comedy about the complexities of honesty. It was also nominated for the Grand Jury Prize in the "Dramatic Features" category. "Sleeping Dogs Lie" was picked up in a mid-six figure deal for distribution in north America by Roadside Attractions & Samuel Goldwyn Films at the 2006 Sundance Film Festival. A French film company called "Gaumont" bought it for the international rights to the film in France. "Tartan Films", a UK-based production company, also bought it for international rights in the United Kingdom. The film was released in the US on October 20, 2006.
He married Ann Luly in 1986 at the age of 24. The couple have two children (now grown), Tasha and Taylor, and divorced in May 1998. At one time, Goldthwait was engaged to his Unhappily Ever After (1995) co-star, Nikki Cox, but the couple split.- Writer
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Born in Martinez, California, 20 miles outside San Francisco, Victor Salva had written and directed over 20 short and feature-length films before graduating from high school. In the mid-'80s his 37-minute short Something in the Basement (1986) took first place in the fiction category at the Sony/AFI Home Video Competition. A horror allegory about a young boy awaiting his brother's return from a bloody war, this highly acclaimed short went on to win several national awards (including a Bronze Plaque at the Chicago International Film festival) and brought Salva to the attention of Francis Ford Coppola. Coppola then produced Salva's first theatrical feature, Clownhouse (1989), which Salva again wrote and directed. Using the talented cast of his award-winning short, Salva called the film "a campfire story." However, his early career was derailed by the revelations of sexual misconduct with one of the film's underage stars. He was tried, convicted and spent a year in state prison. He described it as "a dark time in my confused young life, but also a time when I took responsibility for my own arrested development and the ramifications of growing up in a deeply dysfunctional family."
His next film brought him to Los Angeles. Based on characters he met in prison, The Nature of the Beast (1995), which Salva wrote and directed, starred Lance Henriksen and Eric Roberts and quickly became New Line Cinema's biggest direct-to-video title of that year. Salva next made his first big-studio picture, Powder (1995), a strange tale about an albino boy with special powers that ironically make him an outcast. "Powder" received much critical acclaim and made several top-ten lists for the year.
He next made Rites of Passage (1999), a coming-of-age thriller starring Jason Behr (Roswell (1999)), Dean Stockwell and James Remar which dealt with a homophobic father who unwittingly pushes his gay son into the arms of a psychotic killer. In 2001 Salva wrote and directed Jeepers Creepers (2001), which was one of the year's breakout hits and set a world record for largest Labor Day box-office in history, up until that time. Salva followed this up with his sixth feature film, Jeepers Creepers 2 (2003), breaking his old record and setting another Labor Day milestone, as of 2003. His next film, Peaceful Warrior (2006), an adaptation of Dan Millman's best-seller "The Way of the Peaceful Warrior", was very significant to him because of the year he spent in prison. The film starred Nick Nolte and Amy Smart.- Camera and Electrical Department
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John Moore was born in Dundalk, Ireland in 1970, a small town situated about 60 miles from the country's capital Dublin. Moore attended a technical college in Dublin where he studied filmmaking and after completing the school he went on to direct and write a series of short films all produced in his native Ireland. These include Jack's Bicycle (1990) which has been broadcasted on Irish TV channel RTV on occasion. Moore then was hired to make a series of commercials and ended up making the launch advertisement for the Sega Dreamcast, the ad was so bombastic and visually impressive that Twentieth Century Fox ended up offering him the job on Behind Enemy Lines (2001), a $40 million action film centered around the conflict in Bosnia. The film starred Gene Hackman and Owen Wilson. Whilst a modest box-office success the film fared only average with critics who varied in their opinions, and in later years Moore himself admitted that perhaps his approach had been to lightweight and a conflict of that scope required a more deep and thoughtful motion picture. On the set of Behind Enemy Lines (2001) Moore was nearly killed via a Tank in an action sequence and had his life saved in the last moment by a stuntman who dragged him from harm's way. Moore's next film was a remake of The Flight of the Phoenix (1965) and shared the same name only dropping the "the" at the titles beginning. Flight of the Phoenix (2004) starred Dennis Quaid and Miranda Otto and told virtually the same story as the original, a group of people stranded in the desert after a plane crash. The picture was a huge box-office flop making just slightly over $21 million worldwide on a considerably larger budget. Critics showed the same unsure reaction to the film as they had on Behind Enemy Lines (2001), lavishing praise on certain aspects but harshly criticizing others. Moore himself was more pleased with the finished article on this occasion but the public's financial rejection suggests others weren't. After this Moore was involved with two other films one entitled "The last mission" which collapsed due to script issues and the 2006 smash X-Men: The Last Stand (2006). In the end it was not Moore who directed the third in the X-Men trilogy but Rush Hour 2 (2001) director Brett Ratner. However Moore did manage to get a film into cinemas during Summer 2006 in the end, he remade The Omen (1976) and had it released on the 06/06/06, a gimmick associated with the films satanic plot. The Omen (2006) was a fairly faithful remake and starred Julia Stiles along with Liev Schreiber and David Thewlis. Moore agreed to make the film as he names the 1976 original among his all time favorite movies along with Jaws (1975) and Freaks (1932). The film made a worldwide $120 million from a $25 million budget and thus had to be considered a success in terms of box-office. The critics were once more split, most criticized the picture for following the original too closely but by the same token generally a kind word was spared for Moore's impressive visuals and the strong cast. This marked the director's third collaboration with Twentieth Century Fox, a fourth arriving in the form of video-game adaptation Max Payne (2008) in October 2008.
Moore currently resides with his son and partner, Fiona Connon in Los Angeles occasionally returning home to Ireland.- Writer
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Probably the most ambitious and visually distinctive filmmaker to emerge from Denmark since Carl Theodor Dreyer over 60 years earlier, Lars von Trier studied film at the Danish Film School and attracted international attention with his very first feature, The Element of Crime (1984). A highly distinctive blend of film noir and German Expressionism with stylistic nods to Dreyer, Andrei Tarkovsky and Orson Welles, its combination of yellow-tinted monochrome cinematography (pierced by shafts of blue light) and doom-haunted atmosphere made it an unforgettable visual experience. His subsequent features Epidemic (1987) and Europa (1991) have been equally ambitious both thematically and visually, though his international fame is most likely to be based on The Kingdom (1994), a TV soap opera blending hospital drama, ghost story and Twin Peaks (1990)-style surrealism that was so successful in Denmark that it was released internationally as a 280-minute theatrical feature.- Director
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Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.