Great actors from the Hindi movie industry
Actors who's amazing talent and contribution have enriched the Hindi movie industry.
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Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.- Actor
- Writer
- Director
Balraj Sahni, born in Rawalpindi, British India (present-day Pakistan), was an acclaimed Indian film and stage actor. Known for his powerful and impactful performances, Balraj Sahni became a prominent figure in the golden era of Indian cinema.
Balraj Sahni initially pursued a career in the civil service but eventually found his true calling in acting. He became associated with the Indian People's Theatre Association (IPTA), a leftist cultural organization, where he honed his skills and passion for acting. His association with IPTA marked the beginning of his journey in theater.
Balraj Sahni made his film debut in 1946 with the film "Insaaf," but he gained widespread recognition and acclaim for his role in the film "Do Bigha Zamin" (1953), directed by Bimal Roy. His portrayal of Shambhu Mahato, a poor farmer struggling to save his land, showcased his acting prowess and earned him accolades. The film won the International Prize at the Cannes Film Festival in 1954.
Throughout the 1950s and 1960s, Balraj Sahni delivered memorable performances in films such as "Kabuliwala" (1961), "Waqt" (1965), and "Neel Kamal" (1968). He often played roles that reflected the socio-economic realities of the time, and his ability to bring depth and authenticity to his characters set him apart as one of the finest actors in Indian cinema.
Balraj Sahni's filmography includes a diverse range of roles, from intense and dramatic characters to light-hearted and comedic ones. He collaborated with renowned filmmakers like Bimal Roy, Guru Dutt, and Yash Chopra, leaving an indelible mark on Indian cinema.
Apart from his acting career, Balraj Sahni was also a noted writer and penned several books, including his autobiography "Meri Filmi Aatmakatha" (My Filmy Autobiography).
Balraj Sahni's contribution to Indian cinema was not only recognized within the industry but also by the government. He received the Padma Shri, one of the highest civilian awards in India, in 1969. Unfortunately, Balraj Sahni's life was cut short, and he passed away on April 13, 1973, leaving behind a legacy of remarkable performances and a lasting impact on Indian cinema.- Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.
- Rehman Khan was born in Lahore, British India on June 23, 1923 in a Pathan family believed to be the descendants of Afghanistan's King Amanuallah. His family subsequently re-located to Jabalpur where he attended the Robinson College. After completing college he joined the Indian Air Force as a Pilot.
In 1944 he opted out of the Indian Air Force and started working at Prabhat Studios, Bombay, as a 3rd Assistant to Bollywood Director, Vikram Bedekar, who was then filming 'Lakharani'. On the sets of 'Chand' the crew were unable to find anyone who could tie a Pathani Turban, Rehman resolved this problem, and was given a small two lined dialog role in the film.
His first major role was in 'Hum Ek Hain' with Dev Anand during 1946, and then as legendary Emperor Shahjahan in 'Shahjahan' in the same year. He ended up starring in over 70 movies, in character roles, mostly debonair and aristocratic, often as a villain. Some of his more memorable films included 'Pyaasa', 'Sahib Biwi Aur Ghulam', 'Waqt', 'Dil Diya Dard Liya', and 'Chaudvi Ka Chand'. He was a close friend of Film-maker/Actor, Guru Dutt.
His acting career was cut short during 1977 when he suffered three massive heart attacks, which he barely survived, only to be inflicted by throat cancer - which led to the loss of his voice, and ultimately took his life during 1979.
Rehman is still remembered by his fans, and his movies continue to be popular even today on various Hindi language channels. - Actor
- Writer
- Director
Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.- Actor
- Producer
- Additional Crew
Pran was one of the leading character actors of Indian cinema. He was born on 12 February,1920 at Delhi. Pran was educated at different places namely Kapurthala, Unnao, Meerut, Dehradun and Rampur as his father late Lala Kewal Krishnan Sikand was a Government Civil Contractor for the construction of roads and bridges. Pran started his career by learning photography in Lahore. A chance meeting with a film producer, got him his first break in 'Yamla Jat' in 1940.
Married in 1945 to Shukla, he had two sons Arvind and Sunil, and one daughter Pinky. At partition in 1947, Pran came to Mumbai and restarted his film career after a brief struggle. He acted in over 400 films in a variety of roles. As a villain, in films like 'Ram Aur Shyam' people shuddered with fear and hated him, and yet loved him as the good, unforgettable 'Mangal chacha' in 'Upkar'. He went on to star in films with the leading actors of various decades from Raj Kapoor, Dilip Kumar, Dev Anand, Rajendra Kumar, Rajesh Khanna, Amitabh Bachchan, Dharmendra to Sanjay Dutt, Sunny Deol and Salman Khan. He was among the highest paid and most sought after character actors of his time, starring in some of the biggest and most acclaimed films of all time.
Being a sports lover and a good sportsmen he had his own football team "Dynamos Football Club" which he financed for a number of years in the fifties. Along with his film career he had been engaged in a number of Social activities, including the Chief Minister's Relief Fund, Maratha Sikshan Sanatha, Film Industry Welfare Trust. He had organised charity events and cricket matches, as well as the 'Hope 86' and 'Hope 87' shows for the needy people in the film industry.
Under the patronage of the Late, His Excellency Nawab Ali Yawar Jung, Pran presented a number of charity shows for the refugees of Bangladesh and for the deaf and dumb.
In an illustrious career of over six decades, Pran was bestowed with many awards including 4 Filmfare Awards, Villain of the Millennium honour from Stardust, Padma Bhushan, India's third highest civilian award from the Government of India in 2000 and the DadaSaheb Phalke Award for Lifetime Achievement (highest honour for cinema in India) from the Government of India in 2012. He died on 12 July 2013 at the age of 93 after a prolonged illness in Mumbai's Lilavati Hospital.- Actor
- Producer
- Writer
Amitabh Bachchan was born on October 11, 1942 in Allahabad, British India (present-day Prayagraj, Uttar Pradesh, India) to legendary poet Harivansh Rai Bachchan & Teji Bachchan. He also has a brother named Ajitabh. He completed his education from Uttar Pradesh and moved to Bombay to find work as a film star, in vain though, as film-makers preferred someone with a fairer skin, and he was not quite fair enough. But they did use one of his other assets, his deep baritone voice, which was used for narration and background commentary. He was successful in being cast in Saat Hindustani. He got his break in Bollywood after a letter of introduction from the then Prime Minister Mrs. Indira Gandhi, as he was a friend of her son, Rajiv Gandhi. This is how Bachchan made an entry in Bollywood, starting with Zanjeer, co-starred with his future wife Jaya Bhaduri, and since then there has been no looking back.
He married Jaya Bhaduri, an accomplished actress in her own right, and they had two children, Shweta and Abhishek. Shweta is married, lives a non-filmy life and has two children.
Being friends with Rajiv Gandhi, got him to decide to run for seat in the Indian National Congress (political party) from his home town but had to leave mid-term because of controversies, particularly after Rajiv and he were implicated in the now infamous "Bofors" case along with the U. K. based Hinduja Brothers.
After a four year break, he was back in the unsuccessful Mrityudaata (1997), a comeback which the actor wanted to forget. Critics written him off but his career was saved with Bade Miyan Chote Miyan (1998). But four flops in 1999 and incurring debt of over 90 crore rupees of his sinking company ABCL saw him at an all-time low. To make matters worse, after the defeat of the Congress party, Bachchan lost considerable political support, the opposition made him a target, and his credit rating deteriorated to such an extent that a leading nationalized bank, Canara Bank, sued him for outstanding loans. He did bounce back, presenting the Indian version of Who Wants To Be A Millionaire called Kaun Banega Crorepati? (2000). After a series of hits with Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003) and Khakee (2004), Bachchan is showing no signs of slowing down and proving the critics wrong once again.
Amitabh and Jaya were interested in getting their son Abhishek married to Karisma Kapoor, the daughter of Babita and Randhir Kapoor, they went through a formal engagement, but later broke it off.
The former Miss World and Bollywood actress, Aishwarya Rai and Abhishek, were formally engaged on Sunday January 14, 2007, at the Bachchan residence in Juhu, Bombay, with the marriage taking place at the Bachchan residence on April 20, 2007.
On November 16, 2011, he became a Dada (paternal grandfather) when Aishwarya gave birth to a daughter in a Mumbai Hospital. He is already a Nana (maternal grandfather) to Navya and Agastye - Shweta's children.
He continues to be one of the busiest actors and singers in Bollywood as well as on TV, as can be seen from the commercials that he appears on, especially on Sahara One. Looks like there are no limits for this super-star and once the "Angry Young Man" of Bollywood.- Actor
- Music Department
- Writer
Kamal Haasan was born November 7, 1954 in Paramakudi, Ramanathapuram District, Tamil Nadu. He debuted as a child artiste in the film "Kalathoor Kannamma" (1960). Since then, he has starred in nearly 220 films in the major Indian languages - Tamil, Telugu, Kannada, Malayalam and Hindi. He has been a part of the film industry for 60 years, as of 2020. His journey in cinema has seen him do various roles - from child artiste, to romantic lead to one of the most respected and revered heroes of the film industry today.
He has famously said that he is a reluctant actor. He has an avid interest in every aspect of film making and is known for his work as a choreographer, director, and writer, as well.
He wrote his first script at age 18 for the film "Unarchigal" (1976), which was then followed by films that have gone on to become cult classics - Rajapaarvai (1981), Sathya (1988), Apoorva Sahotharargal (1989), Thevar Magan (1992), Mahanadi (1994), Kurudhippunal (1995), Avvai Shanmugi (1996), Hey Ram (2000), Pammal K Sambandam (2002), Panchathanthiram (2002), Anbe Sivam (2003), are a few of the films etched in popular memory for having set the bar for craftsmanship in the fields of screenplay, script, and dialogue.
He is also a prolific writer of fiction and non-fiction in Tamil and his published work is testament to his constant exploration of structure and form.
Kamal Haasan's strong convictions in his art have led to some of Indian cinema's most path-breaking films like Pushpak / Pushpaka Vimaanam / Pesum Padam (1987). Kamal Haasan also worked as a choreographer while transitioning as a well-known child artiste to the lead actor in a feature length film. Some of his best-known work as a dancer can be seen in Saagara Sangamam (1983) and the popular hit Punnagai Mannan (1986).
Kamal Haasan is also a student of Carnatic music, studying under musical maestro Dr. Balamuralikrishna. One of his biggest hits as a playback singer was the song "Inji Iduppazhagi" for the film Thevar Magan.
His career as a director began with the film Chachi 420 (1997), the Hindi remake of Avvai Shanmugi. Since then he has called the shots for critically acclaimed films like "Hey Ram" and "Virumaandi".
He has never hesitated to state his opinions and encourage debate about topics that are socially relevant. He is a rationalist in thought and moderate in opinion and a humanist in philosophy. The need to be socially conscious is seen in the way his fan clubs have revamped themselves into entities that carry out charity and volunteer work.- Actor
- Music Department
- Director
Naseeruddin Shah was born on July 20 1950, in Barabanki, a small village in Uttar Pradesh. He is a seasoned Bollywood actor and has received several awards for his notable performance in several movies. The actor has also been awarded the Padma Shri and the Padma Bhushan awards for his enormous contributions to Indian cinema.
Shah was born into a Nawab family. He studied at St. Anselm's Ajmer School in Rajasthan and St. Joseph's College in Nainital. He completed his graduation from the Aligarh Muslim University in 1971. He also attended the National School of Drama, New Delhi.
At the age of 19, Shah married Manara Sikri, who was 36 years old and a divorcee. Post one year of their marriage, their daughter Heeba Shah was born. However, the relationship didn't work out, and they decided to part ways after 12 years of marriage.
Shah met Ratna Pathak Shah, daughter of Dina Pathak and a Bollywood actor in the 1970s. They fell in love and went on to co-star in several films. They tied the knot in 1982. They have two sons together - Imaaduddin Shah and Vivaan Shah. The couple currently resides with their children in Mumbai.
At the age of 18, Shah acted in Sapnon Ka Saudagar (1968), starring Hema Malini and Raj Kapoor. However, his scene was removed before the release of the movie.
He made his Bollywood debut with an uncredited role in Aman in 1967, a film starring Rajendra Kumar Tuli and Saira Banu. From then onwards, he went on to feature in various movies like Nishant (1975), Jaane Bhi Do Yaaro (1983), Jaane Bhi Do Yaaro (1983), Katha (1983) and Junoon (1979).
In 1974, Shah founded a theatre company called Motley Productions, and their inaugural production was Waiting for Godot. He is also part of a theatre troupe and has performed across different cities like New Delhi, Lahore, and Mumbai. He has directed a few plays written by Lavender Kumar, Ismat Chughtai and Saadat Hasan Manto.
He started gaining popularity with his films Hum Paanch (1980) and Masoom (1983), which was shot at St Joseph's College, Nainital, where Shah had studied during his childhood. Another movie called Karma (1986), where he starred beside Dilip Kumar gained much acclaim.
Shah has been a part of several multi-star Bollywood movies like Ghulami (1985), Tridev (1989), and Tridev (1989). In 1994, he completed his 100th movie as an actor with Mohra (1994), where he played the role of a villain.
Shah has also been a part of international projects like the Hollywood adaptation of The League of Extraordinary Gentlemen (2003). He played the role of Captain Nemo in the film, which gained him a lot of praise.
In 2003, he acted in Vishal Bhardwaj's Maqbool (2003), an Indian adaptation of Macbeth, and in 2004, he appeared in Rajiv Rai's Asambhav (2004) with Arjun Rampal and Priyanka Chopra.
Shah has won several awards, including three National Film Awards, three Filmfare awards, one IIFA award and two Bengal Film Journalists' Association awards. He also received the Volpi Cup for Best Actor at the Venice Film Festival in 1984.- Actor
- Producer
- Second Unit Director or Assistant Director
Shashi Kapoor is one of the leading actors of Indian cinema having appeared in 160 movies - 12 in English and 148 in Hindi. He has appeared in 148 Hindi films - of them played the solo lead hero in 61 films, was lead hero in 53 released multi star cast Hindi films, 2 unreleased multi star film and 21 Hindi films had him in supporting role, worked in 4 films as a child artist and made 7 guest appearances.
Indian actor of Bollywood, Parallel Cinema, and International productions; Shashi Kapoor is the youngest son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shashi grew up traveling around the country with his father's acting trope "Prithvi Theatres." from 1940-59. He began appearing on stage from the age of four. He also began working in films in the early 1940s. As a child, he appeared in 4 films from 1948-53 which includes 2 films of his eldest brother Raj Kapoor as the hero and Sangram, where Shashi played Ashok Kumar.
By 1956, an 18-year old Shashi was both actor and assistant stage manager for "Prithvi Theatre." That year, "Shakespeareana" --a traveling theater group under English actor Geoffrey Kendal, and "Prithvi Theatre" were both booked to play in Calcutta. While checking the audience reaction from backstage, Shashi's glance fell on Jennifer Kendal. Shashi soon learned she was playing Miranda in "The Tempest," and secured an introduction. The two began courting, and expressed a desire to wed. Geoffrey Kendal was uncertain about loosing not only his daughter, but his leading lady and theater manager. He insisted that the couple wait at least two years. Shashi began touring with "Shakespeareana" and in 1958 he again asked for Jennifer's hand in marriage and was again refused. However, Jennifer decided to go against her father's wishes, and in July of 1958, the couple were married in the traditional Indian style in Bombay.
Shashi debuted as a leading man in Yash Chopra's Dharmputra (1961). From 1961-64 his Hindi films with him as the solo heroes were box office flops. But Nanda believed that Shashi does have the potential to be popular leading man and signed happily 8 films opposite him over the period 1962-1968. Except for their first 2 films together and Juaari, other 5 films of the pair Nanda-Shashi turned out to be super-hits from 1965-70.A versatile actor, Shashi worked in both mainstream popular Hindi cinema, art films and in Indian-set English-language films, such as those made by the film-making team Ismail Merchant and James Ivory. He was one of the first Indian stars to go international, as he worked in both British and American films, and directed the Soviet Union co-production _Ajooba (1991) which was a disaster.He tried his hand at English films when his Hindi films were flops from 1961-64 and achieved success in 1963 with 2 commercially successful English movies.He did 6 English films as lead hero till 1983 and then played villain in Deceivers and another lead role in 1993 and rest 4 English films had him in supporting role as narrator/guest appearance from 1987-1998. Shashi started having solo hits opposite Rakhee, Asha Parekh, Sharmila Tagore, Zeenat Aman from 1968-1975 but had a weak period as a solo lead hero from 1974-1978 where he had 13 flops off 24 films as solo lead and this made him accept multi star cast films from 1976-85. He achieved success in multi star films from 1976-84.In the multi star films he did , he was paid more than co-stars Vinod Khanna, Amitabh Bachchan, Jeetendra, Rishi and Randhir Kapoor. But Sanjeev Kumar,Pran and Dharmendra were paid at same rate as Shashi in the films where they were his co-stars. Only Rajesh Khanna was paid more than Shashi in the 2 films they did together. He played supporting role to Rajesh Khanna at peak of his career in Prem Kahani and then in Alag Alag.
He won the Filmfare Best Supporting Actor Award for Deewaar (1975). He won two Filmfare Best Movie Awards for his work as producer and star of Junoon (1979) and Kalyug (1981).He costarred in 11 films with Amitabh Bachchan of which 4 (Deewar,Trishul, Suhaag,Namak Halal) were successful,1 (Kala Pathar)was average hit and rest 6 were flops. Shashi Kapoor did 61 solo lead hero films in Hindi and, of them, 35 were super-hits. Shashi did 55 multi-star cast movies where Shashi was one of the lead heroes and, of them, 33 were super-hits, 20 were flops, 2 remain unreleased.
Shashi and Jennifer had three children; Kunal Kapoor, an actor and ad director, Karan Kapoor a photographer and sometimes actor, and Sanjana Kapoor, an actress who has run Prithvi Theatre in Mumbai since 1993. After his wife Jennifer died of cancer in 1984, Shashi started becoming obese and began taking on fewer roles in films, and shifted his focus to character roles.His first break as supporting actor after he became obese was given by Rajesh Khanna in film Alag Alag where his role along-with the lead pair of the film was appreciated.
In 2010, Shashi was presented with the Filmfare Lifetime Achievement Award.- Actor
- Director
- Writer
Motilal was born on 4 December 1910 in Shimla, Punjab, British India. He was an actor and director, known for Devdas (1955), Chhoti Chhoti Baatein (1965) and Sach Hai (1939). He died on 17 June 1965 in Bombay, Maharashtra, India.- Actor
- Director
- Composer
Amjad Khan was a renowned Bollywood actor and film director, widely popular for his performance as Gabbar Singh in Sholay (1975). He went to both R. D. National College and St. Andrew's High School in Bandra.
Khan was the president of the Actors Guild Association and took a keen interest in the matters of the film industry. As a youngster, Khan acted with his father, Jayant, in movies like Nazneen (1951) and Ab Dilli Dur Nahin (1957).
With the film Hindustan Ki Kasam (1973), he first appeared as a professional silver-screen performer. When he played Gabbar Singh in Sholay (1975), he transformed the stereotypical Bollywood bad guy into a new genre icon. Gabbar transformed into him preparing for the role- this has been his most famous role of all time.
In Prakash Mehra's Muqaddar Ka Sikandar (1978), he portrayed the part of Dilawar, a gangster. He was also cast in several other movies, including Shatranj Ke Khilari (1977), Hum Kisise Kum Naheen (1977), Ganga Ki Saugand (1978), Des Pardes (1978), Dada (1979), Chambal Ki Kassam (1980), Naseeb (1981), Satte Pe Satta (1982), and Nastik (1983).
In films like Yaarana (1981) and Laawaris (1981), he portrayed likeable protagonists. In addition to his dramatic roles, he branched out and performed comedic roles in the films Qurbani (1980), Love Story (1981), Chameli Ki Shaadi (1986).
In the Hindi parody film Ramgarh Ke Sholay (1991), helmed by Ajit Dewani, he once again played the part of Gabbar Singh, and the film became an unexpected blockbuster.
He debuted as a director with Chor Police (1983), in which he also co-starred with Parveen Babi, Shatrughan Sinha, Kader Khan, and Shakti Kapoor. His film Ameer Aadmi Ghareeb Aadmi (1985) was released in 1985- it was a great commercial success. He also appeared in a small role in [link= tt0154591 in 1973.
He won the best supporting actor in the BFJA Awards for Sholay in 1976. Apart from that, he won best supporting actor at the Filmfare awards for Dada (1980) and Yaarana (1982). Khan also won best performance in a comedic role at the Filmfare awards for Maa Kasam (1986).