Top 20 Worst Directors
List activity
647 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
20 people
- Writer
- Actor
- Director
Tommy Wiseau is an American actor, director, screenwriter & producer. He trained to be an actor at: American Conservatory Theater, Vince Chase Workshop, Jean Shelton Acting Lab, Laney College and Stella Adler Academy of Acting.
In 2001 he wrote, produced, directed and starred in The Room (2003), a feature film that received the 2003 Audience Award at the New York International Film Festival. In 2004, he produced the documentary Homeless in America (2004), which received the 2004 Social Award.
He is now working on several more projects.- Writer
- Director
- Actor
Born in Rome. His father gave him a passion for cinema, taking him to Cinecittà as a child. At the age of ten, the British brother-in-law, director of documentaries for the London BBC, gave him a camera in super 8. He began to shoot many films, involving his friends. He does everything by himself, writes, directs and edits. After completing his classical studies, he worked as an editing assistant and later as an assistant director. At 20 years he made his first feature film in Super 8: "Paure e Realtà". And at 25, "Pasaggi" won the Ischia film festival in 1979. In 1981, the 35 mm debut with the film: "Difendimi dalla Notte" that wins: the San Sebastian Film Festival, the Nice Film Festival and the festival of Annency. It is selected in competition at the Berlin Film Festival. But in Italy without political recommendations, nor previous in the family, does not find work, then "emigrate" turning the world, directing many films for the foreign market. All in English, with American and European actors. So he meets his friend, Bruno Mattei. Together they make all genres: horror, western, science fiction, adventure, thriller, war and detective. Later he divides himself from Bruno Mattei, but continues to travel the world, making other horror movies, science fiction and zombies. In 1984 an American production called him to direct the rock star Alice Cooper, as protagonist of the film: "Monster Dog". In 1985 he directed the cult "After Death" in the Philippines. In 1989 he directed in America, the film phenomenon that has lasted for almost thirty years, "Goblin", later called Troll2 from the American distribution, creating a misunderstanding that became the success of the film, because Troll2 was never the sequel of the first Troll, but a comic horror story for families, without blood, called Goblin. In 1993 he returned to Italy, returning to his first love, the cinema of civil commitment. He created the award-winning "Teste Rasate", sold in many countries around the world. In 1995 he made his most successful work "Palermo Milano Solo Andata" with 20th Century Fox Italy. The film is in competition in Venice, and sold in 83 countries. He has made more than 40 films. He discovered many young actors who are stars today. He supervises young directors in their films and never stops, because cinema is his life. Claudio Fragasso is a versatile director, one of the few in Italy, to try his hand at all genres, always experimenting with new things.- Director
- Writer
- Producer
Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.- Producer
- Director
- Writer
As a youth, he produced a number of short films on Super 8 and video. After short stints as guest auditor at Filmacademy Vienna and Filmhochschule Munich, Boll studied literature and economics in Cologne and Siegen. He graduated from university in 1995 with a doctorate in literature. From 1995-2000, he was a producer and director with Taunus Film-Produktions GmbH. Boll was Chief Executive Officer of Bolu Filmproduction and Distribution GmbH which he founded in 1992. He continued to direct, write and produce feature films until 2016. His main companies are Event Films in Vancouver and Bolu Film in Germany. A longtime resident of Canada, Boll owned the restaurant "Bauhaus" in Vancouver from 2015 to 2020. Returned to Germany and resumed filming in 2020.- Producer
- Director
- Writer
Born in Puducherry, India, and raised in the suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.
He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.
Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.
His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.- Actor
- Director
- Writer
Dennis Barton Dugan is an American film director, actor, comedian and screenwriter from Wheaton, Illinois who directed several films featuring Adam Sandler including Happy Gilmore, Big Daddy, Jack & Jill, Grown Ups, I Now Pronounce You Chuck & Larry and You Don't Mess With the Zohan. He also directed Beverly Hills Ninja and The Benchwarmers.- Art Department
- Director
- Writer
Academy Award winner Roger Christian has had an extensive film career. He won an Academy Award for set decoration on director George Lucas's Star Wars: Episode IV - A New Hope (1977), which began a long collaboration between the filmmakers. Christian subsequently worked with Lucas on Star Wars: Episode VI - Return of the Jedi (1983) and was hand-picked by Lucas to direct the second unit on the recent Star Wars: Episode I - The Phantom Menace (1999). It was through Lucas that Christian got his first opportunity to direct a film, the short feature entitled Ángel Negro (2000), which accompanied the UK release of Star Wars: Episode V - The Empire Strikes Back (1980). Christian followed "Black Angel" with another short, The Dollar Bottom (1981), which won the 1981 Academy Award for Best Live Action Short Film. He followed that success with the thriller The Sender (1998), which received much critical acclaim and a nomination for Best Film by the Academy of Science Fiction, Fantasy and Horror Films.
His directing credits include the 1994 Orion Pictures release _Nostradamus (1994/I)_, starring Julia Ormond and F. Murray Abraham, the HBO premiere movie The Final Cut (1995), Underworld (1996) starring Annabella Sciorra and Masterminds (1997) starring Patrick Stewart. Christian has also directed numerous high profile commercials, including worldwide campaigns for SEGA, Taco Bell, Jeep, Lancia, Fiat and Chrysler/Dodge, among others. Christian's work as an art director and production designer was highly regarded. He was nominated for an Academy Award for his art direction on Ridley Scott's Alien (1979). His other art direction credits include Life of Brian (1979), Ken Russell's Mahler (1974) and Peter Hall's Akenfield (1974). Roger also directed Battlefield Earth (2000), with John Travolta and Forest Whitaker.
Roger Christian recently wrapped production on Bandido (2004), starring Angie Everhart, for Fries Film Group. Written by Carlos Gallardo, who also wrote El Mariachi, Bandidos continues the saga of the stylish Mexican thief who remains nameless. The same character was also portrayed by Antonio Banderas in Desperado (a remake of El Mariachi). In Bandidos, Carlos Gallardo reprises the starring role as the most infamous thief in Mexico.- Director
- Producer
- Writer
Harold Cronk is known for God's Not Dead (2014), The Adventures of Mickey Matson and the Copperhead Treasure (2012) and War Prayer (2006).- Producer
- Writer
- Director
Christopher John Weitz is an American filmmaker, producer and screenwriter who is known for Antz, Rogue One: A Star Wars Story, American Pie, About a Boy, The Twilight Saga: New Moon, Nutty Professor II: The Klumps and The Golden Compass. He is married to Mercedes Martinez since 2006 and has three children.- Producer
- Director
- Writer
Starting out as a radio writer, Rodney Amateau began his career as a dialogue coach and filmed screen tests for Fox Studios while working as a stunt dbl before directing 2nd Unit's, where he began his film career. He soon turned to directing TV series, which he did for many years before returning to film directing in the 1970s.- Director
- Production Designer
- Producer
Hardwicke's first film as a director was the Sundance winner THIRTEEN which explored the transition into teenage years with an authenticity that still captures young audiences (1.3 billion Tik Tok engagements.) Hardwicke directed LORDS OF DOGTOWN before she became best known as the director of TWILIGHT, which launched the blockbuster franchise and has since earned over three billion dollars. Recently her indie film PRISONER'S DAUGHTER premiered at TIFF 2022 and DREAMS IN THE WITCHHOUSE dropped on Netflix October 2022 as part of Guillermo del Toro's Cabinet of Curiosities. MAFIA MAMMA premieres in theaters on April 14 2023.- Writer
- Producer
- Director
Roland Emmerich is a German film director and producer of blockbuster films like The Day After Tomorrow (2004), Godzilla (1998), Independence Day (1996) and The Patriot (2000). Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope (1977). Emmerich began his career in his native Germany. In his youth, he pursued painting and sculpting. While enrolled in the director's program at film school in Munich, his student film The Noah's Ark Principle (1984) went on to open the 1984 Berlin Film Festival. The feature became a huge success and was sold to more than 20 countries. In an amazing trivia, he directed his first feature, The Noah's Ark Principle (1984), in 1984. He is openly gay and a campaigner for the LGBT community.
A director/writer/producer with a flair for special effects-driven action, German Roland Emmerich made himself at home in blockbuster-hungry 1990s Hollywood. Born and educated in West Germany, Emmerich studied production design as well as direction at the Munich Film and Television School. After his student film, The Noah's Ark Principle, debuted at the 1984 Berlin Film Festival, Emmerich formed his production company Centropolis and directed supernatural fantasies Making Contact (1986) and Ghost Chase (1987), and the straight-to-video action film Moon 44 (1990). On the latter, he met actor Dean Devlin who subsequently switched jobs to become Emmerich's writing and producing partner once Emmerich set up shop in Hollywood.
After making his solo Hollywood debut directing Jean-Claude Van Damme in the cyborg action fest Universal Soldier (1992), Emmerich and Devlin revealed a talent for conjuring A-level action spectacles out of B-movie scenarios with their first film together, Stargate (1994). A space odyssey mixing ancient Egyptiana and high-tech wizardry, Stargate became an unexpected hit. Emmerich hit his blockbuster stride with his next film, Independence Day (1996). With its eye-popping destruction of major cities and climactic annihilation of a spacecraft via portable computer, Independence Day blew away its summer movie competition on the strength of its visual flash. Geared to repeat with the endlessly- and creatively-hyped version of Godzilla (1998), Emmerich instead faced the conundrum of directing a $100 million grossing film that did not live up to box office expectations. Emmerich and Devlin next turned their epic visions to the decidedly lower-tech (but still CGI-enhanced) action of the American Revolution in the Mel Gibson summer vehicle The Patriot (2000).- Writer
- Producer
- Director
Writer/director Fred Dekker was born on April 9, 1959 in San Francisco, California. An avid comic book fan, monster movie buff, and film nerd from an early age, Dekker was rejected by both USC and UCLA film schools. He wound up attending UCLA as an English major instead. His fellow UCLA classmates included future screenwriters Shane Black (who collaborated with Dekker on the script for "The Monster Squad"), Ed Solomon, and Chris Matheson. One of Dekker's early projects in Hollywood was a 3-D "Godzilla" picture that sadly never panned out. Fred's first film credit was writing the story for the amusing horror comedy "House." He made his promising debut as writer/director with the terrific "Night of the Creeps," which paid affectionate homage to the blithely silly low-budget horror flicks he grew up loving as a kid. He followed this fine feature with the equally delightful tongue-in-cheek pastiche "The Monster Squad." Alas, both movies received mixed reviews from the critics and flopped at the box office, but have fortunately gone on to acquire huge cult followings. Dekker wrote five episodes of the immensely enjoyable cable TV horror anthology series "Tales from the Crypt": "Split Personality," "And All Through the House," "Lower Berth," "Only Sin Deep," and "The Thing From the Grave" (Fred directed this episode as well). He wrote the stories for the exciting revenge thriller "Ricochet" and the failed spy spoof "If Looks Could Kill." More recently Fred Dekker wrote several episodes of and served as a consulting producer on the science fiction TV show "Enterprise."- Director
- Producer
- Writer
Hired after Steven Spielberg saw his USC Thesis Film "Headless!" (which won Grand Jury Prize for best short at the Houston Int'l Film Festival) to direct Dreamworks Interactive's "Goosebumps: Escape from Horrorland", Guterman was then hired to direct sequences on "Antz", the company's first C.G.I. feature starring the voices of Woody Allen, Sharon Stone, and Christopher Walken. Next, he developed and prepped a live-action/CGI version of "Curious George" for producer Ron Howard, Imagine Entertainment, and Universal Studios. When that project was put on hold by the studio, Guterman went on to direct "Cats and Dogs" for Warner Bros., which earned more than $200 Million in worldwide box office revenue. (source: Variety, BoxOfficeMojo.com) The BBC said about the film that it "succeeds both as a parody of the spy genre, and in stretching the boundaries of what you believe is possible," and A.O. Scott of the New York Times called it "exuberant fun." Guterman received an undergraduate degree in physics from Harvard University after attending M.I.T. his freshman year.- Actor
- Director
- Writer
Vince Offer is and actor, producer and infomercial star. He is one of the more famous infomercial pitchmen. His products the SHAMWOW, InVINCEable, SlapChop, Schticky and more have sold millions. He has also produced and starred in the films Underground Comedy Movie and The Inappropriate Comedy with Adrian Brody, Dante and Michelle Rodriguez.- Producer
- Cinematographer
- Director
Wych Kaosayananda was born in 1974 in Thailand. He is known for One Night in Bangkok (2020), Ballistic: Ecks vs. Sever (2002) and The Driver (2019).- Director
- Producer
- Writer
Darren Doane was born on 20 September 1972 in Westlake Village, California, USA. He is a director and producer, known for Kirk Cameron's Saving Christmas (2014), 42K (2001) and Godmoney (1999).- Producer
- Director
- Writer
As Chairman and Chief Executive Officer of Threshold Entertainment Group, Lawrence Kasanoff is a renowned producer in the world of film, television, live stage, animation, and technological advances in the next generation of entertainment, both domestically and overseas. With expertise in developing dynamic content for the most recognizable brands in entertainment, Kasanoff is a forward-thinking entrepreneur who has established a competitive advantage with innovative ways to top the market and find success in both the creative and business side of the industry.
Under his Threshold Entertainment Group banner, Kasanoff oversees the company's subsidiaries which include Threshold Entertainment, Threshold Animation Studios and Blackbelt TV. As a producer or studio head, Kasanoff has raised well over a billion dollars in the film business. He and his executive team have been instrumental in the production of over 250 feature films, including Dirty Dancing, and the Academy Award® winning Best Picture, Platoon.
Collectively, in the music world, they hold over 200 Gold and Platinum Records, and have worked with several of the world's biggest artists, including Michael Jackson, The Rolling Stones, and Guns 'n Roses. Kasanoff and Threshold Entertainment Group have been profiled in The New York Times, The Wall St. Journal, USA Today, Time Magazine, Wired, Maxim and Playboy and have been featured on CNN, FOX News, ABC World News Tonight, CNBC, The Howard Stern Show, and more.
As an Executive Producer, Kasanoff made such box-office smash hits as James Cameron's True Lies, starring Arnold Schwarzenegger. As president and co-founder of Lightstorm Entertainment, Kasanoff supervised production, marketing, publicity, and merchandising for the four-time Academy Award® winning film, Terminator 2: Judgment Day. He produced two films, Blue Steel and Strange Days, with Academy Award® winning director, Kathryn Bigelow.
Kasanoff's most prominent and widely regarded success of his intellectual property management model is Mortal Kombat. He produced all Mortal Kombat media including the two number one box office hit films, Mortal Kombat and Mortal Kombat: Annihilation. Kasanoff also produced a Mortal Kombat live-action television series, an animated series, platinum-selling soundtracks, a Radio City Music Hall Live Stage show, and a live tour. The Mortal Kombat franchise has grossed approximately $5 billion.
Kasanoff oversees all facets of Threshold Entertainment, which produces live-action feature films and then produces that intellectual property on multiple media platforms. The company has several films in the pipeline, focused largely on sci-fi, fantasy, and action genres.
Threshold Animation Studios develops computer-generated animated films, television series, and location-based entertainment, largely based on some of the world's biggest brands, including Star Wars, Lego, Marvel, and Star Trek. Through a unique technology alliance with IBM, Threshold built one of the most advanced digital production facilities in the world.
Threshold Animation Studios productions include Lego Star Wars: The Empire Strikes Out, which received a 2013 Annie Award nomination for Best Children Television Production; The Amazing Adventures of Spider-Man theme park 3D ride film for Universal Studios Florida; Star Trek: Borg Invasion 4D location-based entertainment film for the Las Vegas Hilton and Justice League: Alien Invasion 3D for Warner Brothers Movie World.
Threshold's Marvel Superheroes 4D is a first of its kind, immersive, 360 degree dome, 4D (stereoscopic 3D plus physical effects) show now playing in its third year in Madame Tussauds London.
BLACKBELT TV is an SVOD service that targets 18-34-year-old guys in Emerging Markets via a proprietary MICROSOFT deal which allows the same delivery cost to consumers anywhere in the world. Its Martial Arts content appeals worldwide and universally to the target audience.
Kasanoff holds an MBA from the Wharton School of Business and a BA from Cornell University.- Writer
- Director
- Actor
Hacks are nothing new in Hollywood. Since the beginning of the film industry at the turn of the 20th century, thousands of untalented people have come to Los Angeles from all over America and abroad to try to make it big (as writers, producers, directors, actors, talent agents, singers, composers, musicians, artists, etc.) but who end up using, scamming and exploiting other people for money as well as using their creative ability (either self-taught or professional training), leading to the production of dull, bland, mediocre, unimaginative, inferior, trite work in the forlorn hope of attaining commercial success. Had Edward D. Wood, Jr. been born a decade or two earlier, it's easy to imagine him working for some Poverty Row outfit in Gower Gulch, competing with the likes of no-talent and no-taste producers and directors--such as Victor Adamson, Robert J. Horner and Dwain Esper--for the title of all-time hack. He would have fit in nicely working at Weiss Brothers-Artclass Pictures in the early 1930s in directing low budget Western-themed serials, or directing low budget film noir crime drama features at PRC (Producers Releasing Corporation) in the following decade from 1940 to 1946. Ed Wood is the probably the most well known of all the Hollywood hacks because he is imprisoned in his own time, and in the 1950s, Ed Wood simply had no competition. He was ignored throughout his spectacularly unsuccessful film making career and died a penniless alcoholic, only to be "rediscovered" when promoters in the early 1980s tagged him "The Worst Director of All Time" (mostly thanks to the Medveds' hilarious book, "Golden Turkey Awards") and he was given the singular honor of a full-length biopic by Tim Burton (Ed Wood (1994)). This post-mortem celebrity has made him infinitely more famous today than he ever was during his lifetime.
Wood was an exceedingly complex person. He was born on October 10, 1924, in Poughkeepsie, NY, where he lived most of his childhood. He joined the US Marine Corps in 1943 at the height of World War II and was, by all accounts, an exemplary marine, wounded in ferocious combat in the Pacific theater (a transgender, he claimed to have been wearing a bra and panties under his uniform while storming ashore during the bloody beachhead landing at Tarawa in November 1943). He was habitually optimistic, even in the face of the bleak realities that would later consume him. His personality bonded him with a small clique of outcasts who eked out life on the far edges of the Hollywood fringe.
After settling in Los Angeles in the late 1940s, Wood attempted to break into the film industry, initially without success, but in 1952 he landed the chance to direct a film based on the real-life Christine Jorgensen sex-change story, then a hot topic. The result, Glen or Glenda (1953), gave a fascinating insight into Wood's own personality and shed light on his transgender identity (an almost unthinkable subject for an early 1950s mainstream feature). Although devoutly heterosexual, Wood was an enthusiastic cross-dresser, with a particular fondness for angora. On the debit side, though, the film revealed the almost complete lack of talent that would mar all his subsequent films, his tendency to resort to stock footage of lightning during dramatic moments, laughable set design and a near-incomprehensible performance by Bela Lugosi as a mad doctor whose presence is never adequately explained. The film deservedly flopped miserably but Wood, always upbeat, pressed ahead.
Wood's main problem was that he saw himself as a producer-writer-director, when in fact he was spectacularly incompetent in all three capacities. Friends who knew Wood have described him as an eccentric, oddball hack who was far more interested in the work required in cobbling a film project together than in ever learning the craft of film making itself or in any type of realism. In an alternate universe, Wood might have been a competent producer if he had better industry connections and an even remotely competent director. Wood, however, likened himself to his idol, Orson Welles, and became a triple threat: bad producer, poor screenwriter and God-awful director. All of his films exhibit illogical continuity, bizarre narratives and give the distinct impression that a director's job was simply to expose the least amount of film possible due to crushing budget constraints. His magnum opus, Plan 9 from Outer Space (1957), features visible wires connected to pie-pan UFOs, actors knocking over cardboard "headstones", cars changing models and years during chase sequences, scenes exhibiting a disturbing lack of handgun safety and the ingenious use of shower curtains in airplane cockpits that have virtually no equipment are just a few of the trademarks of that Edward D. Wood Jr. production. When criticized for their innumerable flaws, Wood would cheerfully explain his interpretation of the suspension of disbelief. It's not so much that he made movies so badly without regard to realism--the amazing part is that he managed to get them made at all.
His previous film with Lugosi, Bride of the Monster (1955), was no better (unbelievably, it somehow managed to earn a small profit during its original release, undoubtedly more of a testament to how cheaply it was produced than its value as entertainment), and Wood only shot a few seconds of silent footage of Lugosi (doped and dazed, wandering around the front yard of his house) for "Plan 9" before the actor died in August 1956. What few reviews the film received were brutal. Typically undaunted, Wood soldiered on despite incoherent material and a microscopic budget, peopling it with his regular band of mostly inept actors. Given the level of dialog, budget and Wood's dismal directorial abilities, it's unlikely that better actors would have made much of a difference (lead actor Gregory Walcott made his debut in this film and went on to have a very respectable career as a character actor, but was always embarrassed by his participation in this film)--in fact, it's the film's semi-official status as arguably the Worst Film Ever Made that gives it its substantial cult following. The film, financed by a local Baptist congregation led by Wood's landlord, reaches a plateau of ineptitude that tends to leave viewers open-mouthed, wondering what is it they just saw. "Plan 9" became, whether Wood realized it or not, his singular enduring legacy. Ironically, the rights to the film were retained by the church and it is unlikely that Wood ever received a dime from it; his epic bombed upon release in 1959 and remained largely forgotten for years to come.
After this career "peak," Wood went into, relatively speaking, a decline. Always an "enthusiastic"--for lack of a better word--drinker, his alcohol addiction worsened in the 1960s due to his depression of not achieving the worldwide fame he had always sought. He began to draw away from film directing and focused most of his time on another profession: writing. Beginning in the early 1960s up until his death, Wood wrote at least 80 lurid crime and sex paperback novels in addition to hundreds of short stories and non-fiction pieces for magazines and daily newspapers. Thirty-two stories known to be written by Wood (he sometimes wrote under pseudonyms such as "Ann Gora" and "Dr. T.K. Peters") are collected in 'Blood Splatters Quickly', published by OR Books in 2014. Novels include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973) and Fugitive Girls (1974).
In 1965, Wood wrote the quasi-memoir 'Hollywood Rat Race', which was eventually published in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In the 1970s, Wood directed a number of undistinguished softcore and later hardcore adult porno films under various aliases, one of which is the name "Akdov Telmig" ("vodka gimlet" spelled backwards; it helps to imagine that you're a boozy dyslexic, as Ed Wood was). His final years were spent largely drunk in his apartment and occasionally being rolled stumbling out of a local liquor store. Three days before his death, Wood and his wife Kathy were evicted from their Hollywood apartment due to failure to pay the rent and moved into a friend's apartment shortly before his death on the afternoon of December 10, 1978, at age 54. He had a heart attack and died while drinking in bed.
Due to his recent resurgence in popularity, many of his equally interesting transgender - themed sex novels have been republished. The gravitational pull of Planet Angora remains quite strong.