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Actress of both the English and American stage and screen, Lynn Redgrave was born in Marylebone, London, England, into one of the world's most famous acting dynasties. As the daughter of Rachel Kempson and Sir Michael Redgrave, sister of Vanessa Redgrave and Corin Redgrave, and granddaughter of Roy Redgrave and Margaret Scudamore, all of whom were actors, her early aspirations were surprisingly to become an equestrienne or a chef. It was not until the age of 15 that she became more and more involved in acting and her father's stage performances.
Attending London's Central School of Music and Drama, she made her stage debut in 1962 and began film work a year later. It wasn't until her lovable role as the ugly-duckling in Georgy Girl (1966), that she was taken notice and, as a result, won both the Golden Globe, New York Film Critics Circle Award and a nomination for the coveted Best Actress at the 1967 Academy Awards. Despite this promising performance, Lynn struggled to find promising follow-up work, she played the lead in the fluffy Smashing Time (1967) and The Virgin Soldiers (1969), low-key films that were relevant at the time of London's swinging 60s, but very quickly became largely forgotten. She married stage actor/director John Clark and her sister, Vanessa Redgrave, who was also Oscar-nominated the same year for Morgan! (1966), was also gaining exposure and critical success if not surpassing Lynn, on both the British stage and films and was largely considered the leading face of England's breakout actresses of the '60s, alongside Julie Christie and other high-profile actresses.
Becoming the label of Vanessa Redgrave's younger and chubbier sister "that did that film a few years ago" didn't sit well with Lynn and, as a result, she lost considerable weight and permanently settled in the U.S. in 1974 to distance herself from this. Primarily based in southern California, she regularly commuted to New York and became notable particularly on the Broadway stage, and had successful runs in "Black Comedy/White Lies" (1967), "My Fat Friend" (1974), "Mrs. Warren's Profession" (1976), "Knock Knock" (1976), "Saint Joan" (1977-1978), "Aren't We All" (1985) and "Sweet Sue" (1987). She was prolifically hired by major networks to appear on a variety of TV talk and game shows and held the position of co-host for a few seasons of Not for Women Only (1968), while acting on prime-time TV, whether it was guest spots, mini-series or short-lived TV series. For over 20 years, Redgrave's film career was infrequent and admittedly "terrible" by the actress herself, she notoriously played the title character in the critically-bashed, The Happy Hooker (1975), and the all-star cast misfire, The Big Bus (1976), and, in the 1980s, she focused in a different direction, becoming a spokesperson and commercial actress for "Weight Watchers". This coincided with the release of her well- received book: "This Is Living: How I Found Health and Happiness", that detailed her weight issues and eating binges, it was also revealed that for years she suffered bulimia. In the mid-to-late '90s, Redgrave had somewhat of a resurgence in her career, from 1993-1994, she spent over 8 months on Broadway, as well as touring across the world, performing her own personally written show of "Shakespeare for My Father", that explored the bisexuality, aloof persona and intimidating resume of her father. In 1996, Scott Hicks reignited her film career after many years of inactivity by casting her in the Australian Oscar-winning hit, Shine (1996), in which she gave a short yet tender performance as "Gillian", the woman Geoffrey Rush's character falls in love with. Another Golden Globe win/Oscar nomination followed (this time in the supporting category) for her role as the Hungarian housekeeper in Gods and Monsters (1998). Her marriage abruptly ended in 1999, when infidelity was discovered on her husband's behalf and a nasty divorced followed, they produced three children Benjamin, Kelly Clark and Annabel Clark.
Continually working her way through film, television and stage performances in the '00s, recently awarded the OBE, Lynn Redgrave was shocked to discover lumps on her body and was diagnosed with breast cancer. As a result, she took time to write "Journal: A Mother and Daughter's Recovery from Breast Cancer" with her youngest daughter, Annabel Clark, in 2003 and tragically lost her 7-year battle on 2 May 2010 (aged 67) in her family home, surrounded by her loved ones. Her diagnosis led her to realize the beauty and simplicities of life, and she was quoted as saying: "there isn't any such thing as a bad day. Yes, bad things happen. But any day that I'm still here, able to feel and think and share things with people, then how could that possibly be a bad day?".- Actress
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Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.- Actress
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Helen Shaver has built a lasting legacy, both behind and in front of the camera. She has directed hundreds of hours of television ranging from Law & Order: Special Victims Unit (1999) to Castle (2009), from The Unit (2006) to The Outer Limits (1995). Her film, Summer's End (1999), a Showtime feature starring James Earl Jones, won multiple Emmy awards for Outstanding Children's Special, Outstanding Performer in a Children's Special and Helen was nominated for her direction. Her producing credits include Judging Amy (1999) for CBS, Showtime's Due East (2002) starring Cybill Shepherd and Robert Forster and the independent feature We All Fall Down (2000), for which she also received a Best Supporting Actress award.
It was Martin Scorsese who first suggested Helen direct. Working with him and other such greats as Steven Spielberg, Robert Rodriguez, Sam Peckinpah, Brian De Palma, Helen amassed a wealth of knowledge and experience in the collaborative world of cinematic storytelling.
Helen first appeared on the silver screen at 22 years old, starring in a series of award-winning Canadian films; Best Supporting Actress for Who Has Seen the Wind (1977) and Best Actress for In Praise of Older Women (1978). Hollywood took note and in 1977 she co-starred in The Amityville Horror (1979) directed by Stuart Rosenberg. Larry Gelbart's United States (1980), Martin Scorsese's, The Color of Money (1986), John Schlesinger's The Believers (1987), Donna Deitch's Desert Hearts (1985), Andrew Fleming's The Craft (1996), and a trip to China with Donald Sutherland to realize Bethune: The Making of a Hero (1990) broadened her education.
MAWD (Mother Actress Wife Director), Helen's production company, has three theatrical features in development, as well as a feature-length documentary. MAWD continues to expand becoming an umbrella for young filmmakers who Helen has mentored.- Actress
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Liv Ullmann's father was a Norwegian engineer who used to work abroad, so as a child she lived in Tokyo, Canada, New York and Oslo. In the mid-1950s she made her stage debut and in 1957 made her film debut. She really became successful, however, when she began to work for Swedish director Ingmar Bergman in such films as Persona (1966), The Passion of Anna (1969) and Face to Face (1976). She also had a successful film career away from Bergman (The Abdication (1974), Dangerous Moves (1984).- Cates' acting career ignited after she appeared on an episode of Sally Jessy Raphael (1983), titled "Too Heavy to Leave Their House". Shortly after, author and screenwriter Peter Hedges proposed to her that she play Johnny Depp and Leonardo DiCaprio's morbidly obese and housebound mother in What's Eating Gilbert Grape (1993)--Cates accepted. Her performance earned stellar reviews; Roger Ebert said about the actress, "Darlene Cates, making her movie debut, has an extraordinary presence on the screen. We see that she is fat but we see many other things, too, including the losses and disappointments in her life, and the ability she finds to take a grip and make a new start." The actress went on to appear in a handful of film and television projects before succumbing to natural causes, she was 69. When the The Guardian released a statement on the actress's death, Leonard DiCaprio paid tribute to the actress identifying her as "the best acting mom I ever had".
- Actress
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Shaw was already an accomplished theater actress when director Jim Sheridan awarded her a role in his film, My Left Foot (1989). The film is a telling of Christy Brown (Daniel Day-Lewis), an Irishman disgruntled with his confinement to a body horribly crippled by cerebral palsy but who found incredible success as an artist and writer. Shaw portrayed Eileen Cole, the doctor largely responsible for Christy's education and physical rehabilitation. Since, Shaw has received several accolades for her film and television performances.- Actress
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She was a groovy and sexy icon of the late hippie era. To millions of TV viewers she became familiar as the reformed juvenile delinquent, turned undercover cop, Julie Barnes. With her expressive brown eyes and trademark long blonde hair, sylphlike Peggy Lipton was one third of a streetwise urban trio who - at least to baby boomers in the 60s - represented a more anti-authoritarian point of view. As a police drama with a difference, Mod Squad (1968) was a counterculture trend-setter which addressed previously neglected (or taboo) issues such as the Vietnam War, child abuse, police brutality, racism and drugs. Along with Star Trek (1966), I Spy (1965), Mannix (1967) and Mission: Impossible (1966), it was also among the first shows to feature an interracial cast.
Peggy Lipton was born into a well-to-do upper middle-class family of Russian-Jewish ancestry. Her father was a corporate lawyer, her mother an artist. Her upbringing was strict, her childhood lonely. According to her co-authored autobiography "Breathing Out", she was abused by an uncle. An introverted child of self-confessed 'morbid and gloomy' disposition, she became prone to a debilitating nervous stutter which began to disappear when she left home and struck out on her own at the age of 15. With her dad's assistance she obtained her first job as a model for the Eileen Ford agency in New York. Her mother then prompted her to take drama classes with Uta Hagen at the Herbert Berghof studio in Greenwich Village, Manhattan. At age 19, Lipton got her first gigs on TV, mostly small guest spots, albeit in popular cult shows like Bewitched (1964), The Alfred Hitchcock Hour (1962) and The Invaders (1967). She also co-starred (opposite a very young Kurt Russell) in Disney's Mosby's Marauders (1967), set during the Civil War. In between acting, Lipton enjoyed a brief, but moderately successful, singing career. Three of her singles made it to the Billboard charts. At the same time, her private life was punctuated by unhappy or abusive romantic dalliances and experimentation with drugs, including cocaine and peyote.
In 1968, Lipton's career as a TV star was properly inaugurated with Mod Squad. Success led to four Emmy nominations and a Golden Globe Award in 1971. Four years into the show she was asked by an interviewer whether she was bored with her character. She replied: "Creatively I'm bored, yes, but I'm certainly not bored with the success of it, not at all. I know what I'm doing isn't 'Medea,' or even necessarily very good TV, but it's exciting to be famous".
Fame might have been exciting, but there was a flipside. After five years of Mod Squad ("we were always working"), she was burnt out. Uncomfortable with attention from the press, Lipton became more and more withdrawn and insecure. Her subsequent marriage to music legend Quincy Jones (1974-1989) settled her down to raising a family but also led to a lengthy hiatus from acting. However, in 1988, somewhat rehabilitated from a miasma of personal problems, she made her screen comeback and a year later co-starred opposite Charles Bronson in the tough action thriller Kinjite: Forbidden Subjects (1989). Her most high profile role during the following years was that of Norma Jennings, proprietor of the Double R Diner, in David Lynch's bizarre supernatural drama Twin Peaks (1990) (a role she reprised in a later cinematic prequel, Twin Peaks: Fire Walk with Me (1992), as well as in the 2017 re-launch). Other sporadic appearances included a role as an antagonist in J.J. Abrams's spy series Alias (2001).
Peggy Lipton was diagnosed with cancer in 2004. The disease eventually claimed her life on May 11 2019 at the age of 72. She left two daughters from her marriage to Quincy Jones, Rashida and Kidada, who have also become actresses.- Actress
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Mary Debra Winger was born May 16, 1955 in Cleveland, Ohio, to Ruth (Felder), an office manager, and Robert Jack Winger, a meat packer. She is from a Jewish family (originally from Austria-Hungary and the Russian Empire). Her maternal grandparents called her Mary, while her parents called her Debra (her father named her Debra after his favorite actress, Debra Paget). The family moved to California when Debra was five. She fell in love with acting in high school but kept it a secret from her family. She was a precocious teenager, having graduated high school at an early age of 15. She enrolled in college, majoring in criminology. She worked part-time in the local amusement park when she got thrown from a truck and suffered serious injuries and went temporarily blind for several months. She was in the hospital when she vowed to pursue her passion for acting.
After she recovered, she abandoned college and studied acting. Like any struggling actor, she did commercials and guest-starred on 70s TV shows like Task Force: Part I (1976) and Wonder Woman (1975), where she performed as Diana's little sister, Wonder Girl. She also made her feature film debut in the embarrassing soft-core porn film, Slumber Party '57 (1976). (Years later on Inside the Actors Studio (1994), host James Lipton asked her to name her first film, and she refused to answer him.) Her next two films, French Postcards (1979) and Thank God It's Friday (1978), did absolutely nothing for her career. When Sissy Spacek said no to playing the character Sissy in Urban Cowboy (1980), almost every young actress in Hollywood pursued the role. Debra won the role over a then-unknown Michelle Pfeiffer and gave a star-making performance as John Travolta's wife. Her handling of the mechanical bull made her a new kind of sex symbol. She would always remain grateful to her director James Bridges for threatening to quit the film if the studio didn't cast her. However, she followed it up with a flop, Cannery Row (1982). But, she became part of one of the top-grossing films of all time by providing her deep, throaty voice to the title character of E.T. the Extra-Terrestrial (1982) as a favor to the film's director Steven Spielberg (Note: IMDB cast list for E.T. indicates Pat Welsh as the voice for that character.). She also appeared in the film for a few seconds in the Halloween scene, where she is wearing a zombie mask and carrying a poodle. She received her first Academy Award nomination as Best Actress for the huge hit, An Officer and a Gentleman (1982), where her on-screen love scenes with Richard Gere became just as legendary as her off-screen fights with him and with director Taylor Hackford.
Debra's reputation as a great talent, as well as her reputation as a difficult actress grew with her next film, Terms of Endearment (1983), which not only earned her a second Oscar nomination as Best Actress but also won the Best Picture as well. She also earned the Best Actress Award from the National Society of Film Critics. Debra was at the top of her game and was the most sought-after actress in Hollywood, but she turned down quality roles and lucrative offers for three years. Some speculated that the reason was her romantic involvement with Bob Kerrey, then-governor of Nebraska, while others have stated it was her back problems. Whatever her reasons were, her career lost its heat. Her long-delayed film Mike's Murder (1984), reuniting her with her "Urban Cowboy" director James Bridges, didn't help matters either when it became a critical and financial flop. Debra tried to revive her career by starring in the big-budget comedy Legal Eagles (1986), but she disliked the film so much that she publicly stated that the director, Ivan Reitman, was one of the two worst directors she worked with, the other director being Taylor Hackford (An Officer and a Gentleman (1982)). She also walked out on her agency, CAA, but returned several years later.
Her personal life made headlines when she left Bob Kerrey and eloped with Oscar-winning actor Timothy Hutton in 1986. In 1987, she gave birth to their son, Noah Hutton. She also starred in Black Widow (1987), which wasn't a hit, and acted alongside Hutton as a male angel in Made in Heaven (1987) which flopped. She followed that up by starring in another flop, Betrayed (1988), which featured a fleeting cameo by Hutton. She separated from Hutton in 1988 and they divorced in 1990, at which time she had two more bombs, Everybody Wins (1990) and The Sheltering Sky (1990). However, she relished the experience on The Sheltering Sky (1990) so much that she stayed in the Sahara desert long after filming wrapped. She came back to US and filmed a Steve Martin vehicle, Leap of Faith (1992), which did nothing for her career. But, she found love on the set of her next film, Wilder Napalm (1993) when she co-starred opposite Arliss Howard, who became her next husband. The film flopped but their marriage lasted. She received good notices for A Dangerous Woman (1993), but it was Shadowlands (1993) which finally brought her renewed respectability and her third Academy Award nomination as Best Actress. She followed that up with a forgettable comedy, Forget Paris (1995). Then, she signed to do "Divine Rapture" with Marlon Brando and Johnny Depp in a small village in Ireland, but two weeks into filming, financing fell apart, and the film was never completed. Winger was never paid for her work, and neither were the poor villagers, and Winger said she was devastated for them. Now 40, Debra felt that there were no good roles for her and she concentrated on motherhood by having a second son, Babe Howard, in 1997. Her six-year absence from films inspired a documentary by Rosanna Arquette titled Searching for Debra Winger (2002), which is about sexism and ageism in Hollywood. In 2001, she returned to acting in her husband's film, Big Bad Love (2001), which she also co-produced. It renewed her love for acting, and she has ventured out into television as well by earning her first Emmy nomination as Best Actress for Dawn Anna (2005), directed by her husband. In 2008, she wrote a well-written book, based on her personal recollections, titled "Undiscovered". And she followed that up by winning rave reviews as Anne Hathaway's mother in Jonathan Demme's Rachel Getting Married (2008). However, it wasn't enough to reignite her feature film career, so she ventured towards television in 2010 with a guest-starring role on "Law and Order" titled Boy on Fire (2010), to a seven-episode stint on In Treatment (2008), to a two-part miniseries The Red Tent (2014), to a regular role on The Ranch (2016) . Her television exposure reignited her feature film career, and she was cast in her first romantic lead in 22 years in The Lovers (2017). And she had also mellowed with age, presenting an award to Richard Gere in 2011 and saying kind things about director Taylor Hackford in 2017, after having fought with both of them during An Officer and a Gentleman (1982). Nobody can deny that Debra Winger is one of the best American actresses ever. Her fans hope that Hollywood will finally reward her talent with a long-overdue Academy Award.- Actress
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Award-winning stage actress Frances Conroy was introduced and encouraged by her parents to explore the elements of theater. Born Frances Hardman Conroy in Monroe, Georgia, she attended high school in Long Island and experienced classes at the Neighborhood Playhouse as a teenager. The pale, blue-eyed redhead also studied drama at Dickinson College and the Juilliard School (BFA) where she was taught, at the latter college, by theater greats John Houseman and Marian Seldes.
Following potent dramatic roles in such classical productions as "Mother Courage...and Her Children," "King Lear," "All's Well That Ends Well," "Measure for Measure" and "Othello" (as Desdemona) in the late 70s, Frances made her Broadway debut with "The Lady from Dubuque" in 1980. She went on to earn a well-respected name for herself under the Broadway and off-Broadway lights throughout the 1980s in such esteemed plays as "Our Town" (as Mrs. Gibbs), "The Little Foxes (as Birdie) and "In the Summer House." She also appeared with Ms. Seldes in the well-received plays "Ring 'Round the Moon" and "A Bright Room Called Day."
A performer with the The Acting Company, Frances won a Drama Desk Award for "The Secret Rapture" and an Obie for "The Last Yankee." In 2000 she received the Outer Critics Circle Award and a Tony nomination for "The Ride Down Mt. Morgan." Her other Broadway credits include "Ring Round the Moon", "The Little Foxes", "The Rehearsal" (Drama Desk Nominee), "Broken Glass", "In the Summer House" (Drama Desk Nominee) and "The Secret Rapture" (Drama Desk Nominee). Conroy's numerous Off- Broadway plays include "The Dinner Party", "The Skin of Our Teeth", "The Last Yankee" and "Othello" (Drama Desk Nominee).
An actress of subtle power, great depth and astonishing versatility, she has both an aloof serenity and faintly sad/sensitive ambiance that makes her all the more mysterious and intriguing. She came out to California in 1985 at the invitation of director Houseman and appeared in more theater plays, including "Richard III," at San Diego's Globe Theater. She also earned a sprinkling of generally overlooked film and TV parts, including small parts in Woody Allen's Manhattan (1979) (debut), Another Woman (1988) and Crimes and Misdemeanors (1989). Showing a distinct flair for the offbeat and neurotic, nothing really pushed the envelope for her on screen quite like her series' turn as the dowdy, emotionally frail undertaker's widow Ruth Fisher in the cult hit TV series Six Feet Under (2001). During the five-season run she won both a Golden Globe and three Screen Actors Guild awards and was nominated four times for an Emmy.
Film roles have been growing more abundant over the years, offering a number of fascinating featured roles, often as eccentric, often disturbing mothers and matrons. Such movies include Billy Bathgate (1991), Scent of a Woman (1992), Sleepless in Seattle (1993), The Crucible (1996), Maid in Manhattan (2002), Die, Mommie, Die! (2003), Catwoman (2004), The Aviator (2004) (as Kate Hepburn's mother), Shopgirl (2005), The Wicker Man (2006), Humboldt County (2008), The Smell of Success (2009), Love Happens (2009), 6 Souls (2010), Waking Madison (2010), Chasing Ghosts (2014), Making the Rules (2014), Welcome to Happiness (2015), rare leading roles in No Pay, Nudity (2016) and Mountain Rest (2018), and as psychotic Joaquin Phoenix's needy mother in the Oscar-winning psychological drama Joker (2019).
Frances has also appeared to fine advantage in several other TV series of late, most notably American Horror Story (2011) in which she earned her fifth and sixth Emmy nomination. She also had stand-out roles in How I Met Your Mother (2005), Casual (2015), Arrested Development (2003) and Dead to Me (2019), in addition to episodic guest spots on "ER," "Desperate Housewives," "Nip/Tuck," "Grey's Anatomy," "Young Sheldon" and "Castle Rock."
In 1992, she married actor/husband Jan Munroe, an L.A. performance artist. After a few Broadway roles with "The Little Foxes" (as Birdie), "Ring Round the Moon" and "The Ride Down Mt. Morgan," Frances returned to the theatre after a six-year absence, in the 2006 production of "Pyrenees" by David Greig at the Kirk Douglas Theater in Los Angeles.- Actress
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Multi Grammy Award-winning singer/comedienne/author Bette Midler has also proven herself to be a very capable actress in a string of both dramatic and comedic roles. Midler was born in Honolulu, Hawaii, on December 1, 1945. She is the daughter of Ruth (Schindel), a seamstress, and Fred Midler, a painter. Her parents, originally from New Jersey, were both from Jewish families (from Russia, Poland, and the Austro-Hungarian Empire).
Midler studied drama at the University of Hawaii and got her musical career started by performing in gay bathhouses with piano accompaniment from Barry Manilow. Her first album was "The Divine Miss M" released in November 1972, followed by the self-titled "Bette Midler" released in November 1973, both of which took off up the music charts, and Bette's popularity swiftly escalated from there.
After minor roles in several film/TV productions, she surprised all with her knockout performance of a hard-living rock-and-roll singer (loosely based on the life of Janis Joplin) in The Rose (1979), for which she received an Academy Award nomination for Best Actress. In 1986, director Paul Mazursky cast Midler opposite Nick Nolte and Richard Dreyfuss in the hilarious Down and Out in Beverly Hills (1986), and so began a string of very funny comedic film roles. She played an obnoxious wife who was the victim of a kidnap plot by her scoundrel husband, played by Danny DeVito, in Ruthless People (1986), was pursued by CIA and KGB spies in Outrageous Fortune (1987), played mismatched twins with Lily Tomlin in Big Business (1988) and shone in the tear-jerker Beaches (1988).
Bette matched feisty James Caan in the WWII drama For the Boys (1991), made a dynamic trio with Goldie Hawn and Diane Keaton in The First Wives Club (1996), was back on screen with DeVito for the tepid comedy Drowning Mona (2000) and turned up in the glossy remake of The Stepford Wives (2004). Apart from her four Grammy awards, Bette Midler has also won four Golden Globes, one Tony Award, and three Emmy Awards, plus she has sold in excess of 15 million albums worldwide. Most recently, she toured with her sassy "Kiss My Brass" show, and is promoting her album "Bette Midler Sings the Rosemary Clooney Songbook".- Actress
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Canadian actress, writer, and comedian, Catherine O'Hara gained recognition as one of the original cast members on the Canadian television sketch comedy show SCTV (1976). On the series, she impersonated the likes of Lucille Ball, Tammy Faye Bakker, Gilda Radner, Katharine Hepburn, and Brooke Shields. O'Hara stayed with the show for its entirety (1976-1984). She went on to devote her talents to several films directed by Tim Burton, including Beetlejuice (1988), The Nightmare Before Christmas (1993) and later, Frankenweenie (2012). O'Hara also frequently collaborated with director and writer, Christopher Guest, appearing in his mockumentary films, three of which earned her awards and nominations; Waiting for Guffman (1996), Best in Show (2000), A Mighty Wind (2003), and For Your Consideration (2006). Recently, O'Hara can be seen on the Canadian television comedy series Schitt's Creek (2015). Her work in the series earned two Canadian Screen Awards for Best Lead Actress (2016 and 2017).- Actress
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Daughter of Eva, the Baroness Erisso, and Major Glynn Faithfull, a WWII British spy. Recorded the first song written by Mick Jagger and Keith Richards, "As Tears Go By" (1964). Involved in a major drug scandal with Jagger, Richards, and others, which ultimately turned public opinion favorably towards the 'Rolling Stones' and other rock groups. In the '70s she became addicted to heroin and was homeless in London's Soho district for a couple of years. Recorded numerous albums in the '80s while struggling with cocaine and alcohol. Has remained sober and productive since.- Actress
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One of three children (she has two brothers, Greg and Don), Dianne Wiest was born in Kansas City, Missouri, USA on 28 March 1946. Her original ambition was to be a ballerina, but she was bitten by acting bug after some stage work, most notably playing Desdemona to James Earl Jones' Othello on Broadway. She made her film debut in 1980, but did not make a name for herself until her performance as Emma, a prostitute during the 1930s Depression, in Woody Allen's The Purple Rose of Cairo (1985). Allen was so impressed by Wiest's acting ability that he has directed her on four more occasions since. Under Allen's direction, Wiest won a well deserved Oscar for Best Supporting Actress, for her brilliant performance as the neurotic, wannabe actress Holly in Hannah and Her Sisters (1986). She followed her Academy Award success with performances in The Lost Boys (1987) and Bright Lights, Big City (1988) before stealing the show from the likes of Steve Martin, Mary Steenburgen, Jason Robards, Keanu Reeves and Martha Plimpton in Ron Howard's Parenthood (1989).
Playing Helen Buckman, the divorced mother of two difficult teenagers, Wiest was both touching and hilarious, and received her second Oscar nomination. Arguably her most beloved role came as Peg Boggs, the kindly Avon Lady who discovers the titular Edward Scissorhands (1990). Wiest returned to Woody Allen for Bullets Over Broadway (1994), a superb comedy film set in 1920s New York, winning her second Best Supporting Actress Oscar for her magnificent portrayal of Helen Sinclair, a boozy, glamorous and neurotic star of the stage, who could made the words "Don't speak!" the funniest sentence ever captured on film. Recently enjoying great success with witchy roles in the comedy film Practical Magic (1998) and the television miniseries The 10th Kingdom (2000), Dianne Wiest lives in New York City with her two adopted daughters, Emily and Lily.- Actress
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It took 30 years since it was first predicted, but Conchata Ferrell finally achieved television stardom, albeit of the supporting variety, as the housekeeper "Berta" in the situation-comedy Two and a Half Men (2003). Ferrell originally had been tipped for stardom with her turn as the prostitute "April" in the Norman Lear-produced series Hot l Baltimore (1975), in which she recreated her role in Lanford Wilson's off-Broadway hit. However, what was a hit play in New York turned out to be a flop on national TV and, though she worked steadily ever since, it took her role in support of stars Charlie Sheen and Jon Cryer in "Men" to get her the attention her talent richly deserved. For her role as "Berta", Conchata was nominated for an Emmy Award as Best Supporting Actress in a Comedy Series in both 2005 and 2007. She had three Emmy nominations in total, having previously gotten a nod in 1992 for Best Supporting Actress in a Drama Series for L.A. Law (1986).
Conchata Galen Ferrell was born on March 28, 1943 in Charleston, West Virginia, to Mescal Loraine (George) and Luther Martin Ferrell. She attended West Virginia University and Marshall University. Conchata graduated from Marshall with a degree in social studies in education. Eventually, she sought a life in the theater, and achieved success off-Broadway as a member of the Circle in the Square theatrical company in Wilson's "Hot L Baltimore". For her next off-Broadway appearance, as "Gertrude Blum" in Edward J. Moore's "The Sea Horse", Ferrell won Drama Desk, Theatre World and Obie Awards as best actress in 1974. She worked steadily in television and films ever since.
Ferrell was married to Arnie Anderson, and had one daughter.- Actress
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Jennifer Saunders was born July 6, 1958 in Sleaford, Lincolnshire, to Jane, a biology teacher, and Robert Thomas Saunders, an RAF pilot. She attended Central School of Speech and Drama where she met her comedy partner Dawn French. Like many of the early 80s groundbreaking "alternative" comedians she began her career as comedienne/actress/writer with Dawn French at "The Comedy Store" in London, where she met fellow comedians Adrian Edmondson (later her husband), Rik Mayall, Nigel Planer, Alexei Sayle and Peter Richardson, who later opened his own club, "The Comic Strip", where these comedians quickly formed a regular format.
The Comic Strip team were transferred to television screens with great success as they all starred alongside each other in The Comic Strip Presents (1982). After The Comic Strip she starred in a few episodes of The Young Ones (1982), Girls on Top (1985) and Happy Families (1985). Afterwards she and Dawn French wrote a TV show of their own, French and Saunders (1987), which was an immense success due to the double act's genius writing, brilliant acting performances and hilarious spoofs of world famous blockbusters and bands.
It was in one of the episodes of "French and Saunders" that the audience had the pleasure of watching a sketch about an uptight daughter and a crazy, neurotic mother that became a comedy classic sitcom. When the BBC next asked Saunders to write something, she just couldn't come up with any ideas, so she decided to expand on that sketch, making it more outrageous and therefore funnier - Absolutely Fabulous (1992) was born.
Perhaps by coincidence Saunders had created one of the most loved, funny, and creative TV Shows in BBC history. Three series were made, in 1995 the show was put on hold until Saunders began writing again and came back with a fourth series in 2001. She is always ready for charity as well, she has been doing "Comic Relief" with a lot of her comedy companions ever since 1986. Jennifer Saunders, one of the most loved TV faces in Britain, will hit the screens with her fifth series of Absolutely Fabulous in 2003.- Actress
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Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.- Actress
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Kathleen Turner was born June 19, 1954 in Springfield, Missouri, to Patsy (Magee) and Allen Richard Turner, a U.S. Foreign Service officer. She graduated from American School in London in 1972. After the death of her father, the Turner family moved back to the United States where Kathleen later enrolled at Missouri State University for two years, and earned her Bachelor of Fine Arts degree from the University of Maryland Baltimore County (UMBC) in 1977. Kathleen made her film debut in Body Heat (1981), her role as the relentless Matty Waker brought her astronomical success, and is remembered as one of the sexiest roles in film history. After her initial success, Kathleen continued to flourish with performances in The Man with Two Brains (1983), Romancing the Stone (1984), The Jewel of the Nile (1985), Prizzi's Honor (1985), Peggy Sue Got Married (1986), The War of the Roses (1989), and Serial Mom (1994).- Actress
- Producer
- Soundtrack
One cool, eternally classy lady, Candice Bergen was elegantly poised for trendy "ice princess" stardom when she first arrived on the '60s screen, but she gradually reshaped that débutante image in the '70s, both on- and off-camera. A staunch, outspoken feminist with a decisive edge, she went on to take a sizable portion of those contradicting qualities to film and, most particularly, to late 1980s TV.
The daughter of famed ventriloquist Edgar Bergen and former actress and "Chesterfield Girl" model Frances Bergen (née Westerman), Candice Patricia Bergen was born in Beverly Hills, California, of Swedish, German, and English descent. At the age of six, she made her radio debut on her father's show. She attended Westlake School for Girls in Los Angeles, the Cathedral School in Washington D.C. and then went abroad to the Montesano (finishing) School in Switzerland. Although she began taking art history and creative drawing at the University of Pennsylvania, she did not complete her studies.
In between she also worked as a Ford model in order to buy cameras for her new passion--photography. Her Grace Kelly-like glacial beauty deemed her an ideal candidate for Ivy League patrician roles, and Candice made an auspicious film debut while still a college student portraying the Vassar-styled lesbian member of Sidney Lumet's The Group (1966) in an ensemble that included the debuts of other lovely up-and-comers including Kathleen Widdoes, Carrie Nye, Joan Hackett and Joanna Pettet.
Film offers started coming her way, both here and abroad (spurred by her love for travel). Other than her top-notch roles as the co-ed who comes between Jack Nicholson and Art Garfunkel in Carnal Knowledge (1971) and her prim American lady kidnapped by Moroccan sheik Sean Connery in The Wind and the Lion (1975), her performances were deemed a bit too aloof to really stand out among the crowd. During this time, she found a passionate second career as a photographer and photojournalist. A number of her works went on to appear in an assortment of magazines including Life, Playboy and Esquire.
Most of Candice's 1970s films were dismissible and unworthy of her talents, including the campus comedy Getting Straight (1970) opposite the hip counterculture star of the era -- Elliott Gould; the disturbingly violent Soldier Blue (1970); the epic-sized bomb The Adventurers (1970); T.R. Baskin (1971); Bite the Bullet (1975); The Domino Principle (1977), Lina Wertmüller's long-winded and notoriously long-titled Italian drama A Night Full of Rain (1978); and the inferior sequel to the huge box-office soaper Love Story (1970), entitled Oliver's Story (1978) alongside original star Ryan O'Neal. Things picked up toward the second half of the decade, however, when the seemingly humorless Candice made a clever swipe at comedy. She made history as the first female guest host of Saturday Night Live (1975) and then showed an equally amusing side of her in the dramedy Starting Over (1979) as Burt Reynolds' tone-deaf ex-wife, enjoying a "best supporting actress" Oscar nomination in the process. She and Jacqueline Bisset also worked well as a team in George Cukor's Rich and Famous (1981), in which her mother Frances could be glimpsed in a Malibu party scene.
Candice made her Broadway debut in 1985 replacing Sigourney Weaver in David Rabe's black comedy "Hurlyburly". In 1980 Candice married Louis Malle, the older (by 14 years) French director. They had one child, Chloe. In the late 1980s, Candice hit a new career plateau on comedy television as the spiky title role on Murphy Brown (1988), giving great gripe as the cynical and competitive anchor/reporter of a TV magazine show. With a superlative supporting cast around her, the CBS sitcom went the distance (ten seasons) and earned Candice a whopping five Emmys and two Golden Globe awards. TV-movie roles also came her way as a result with colorful roles ranging from the evil Arthurian temptress "Morgan Le Fey" to an elite, high-classed madam -- all many moons away from her initial white-gloved debs of the late 60s.
Husband Malle's illness and subsequent death from cancer in 1995 resulted in Candice maintaining a low profile for an extended period. In time, however, she married a second time (since 2000) to Manhattan real estate developer Marshall Rose and returned to acting with a renewed vigor (or vinegar), with many of her characters enjoyable extensions of her sardonic "Murphy Brown" character. As for TV, she joined the 2005 cast of Boston Legal (2004) playing a brash, no-nonsense lawyer while trading barbs with a much less serious William Shatner, earning an Emmy nomination in the process. In 2018, Candice revisited her Murphy Brown character in a revised series form with many of the cast back on board. The show, however, was cancelled after only one season.
Candice also ventured into the romantic comedy film genre with a spray of crisp supports -- sometimes as a confidante, sometimes as a villain. Such films include Miss Congeniality (2000), Sweet Home Alabama (2002), The In-Laws (2003), Sex and the City (2008), The Women (2008), Bride Wars (2009), A Merry Friggin' Christmas (2014), Rules Don't Apply (2016), The Meyerowitz Stories (2017), Home Again (2017) and Book Club (2018).- Actress
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- Additional Crew
Born Luana Margo Anderson on 12 May, 1938, Luana Anders began her career as a bike messenger at MGM, along with fellow actors, Jack Nicholson, Sandra Knight and future film producers George Edwards, and Fred Roos. She convinced Nicholson to join her in her improv class with legendary teacher and veteran character actor Jeff Corey. Luana began in such B-films as Reform School Girl (1957) (alongside her lifelong friend Sally Kellerman) and Life Begins at 17 (1958), in which she costarred with actor (and future producer) Mark Damon.
Luan also worked with Damon in Roger Corman's The Young Racers (1963). The sound man on The Young Racers (1963) asked her if she wanted to star in his first directing effort. The sound man was Francis Ford Coppola, and Anders played the conniving and duplicitous Louise Haloran, in Coppola's debut feature, Dementia 13 (1963).
She played Vincent Price's sister, Catherine Medina in Corman's The Pit and the Pendulum (1961).
Anders acted opposite Charles Grodin, in Sex and the College Girl (1964). Luana appeared in 3 films for director Curtis Harrington; ingenue Ellen Sands, in Night Tide (1961), a cameo as a party guest in Games (1967), and repressed librarian Louise in the perverse The Killing Kind (1973).
Anders achieved cult status as groovy hippie commune dweller Lisa in Easy Rider (1969). Robert Altman frequently credited Luana with getting his career started. She appeared as a streetwalker Sandy Dennis picks up in Altman's That Cold Day in the Park (1969).
Friend Jack Nicholson made a point of seeing and commenting on the movie during the Cannes film festival where Easy Rider (1969) won the Palme D'or; the subsequent publicity gave Altman the notoriety to launch his career.
She frequently acted in films with good friend Nicholson; she was especially memorable as a Buddhist chanting party girl in The Last Detail (1973). Luana was terrorized by a deranged Mickey Rooney on an abandoned studio back-lot in the unreleased gonzo oddity The Manipulator (1971) and starred in Robert Downey Sr.'s Greaser's Palace (1972).
Anders appeared in Shampoo (1975), a film reportedly based on her romance with hairdresser Richard Alcala; the picture was written by her friend and fellow Corey classmate Robert Towne.
She had a recurring part on the daytime soap opera, Santa Barbara (1984).
Amongst the series Luana appeared on, are Hunter (1984), Ben Casey (1961) and The Rifleman (1958).
Anders co-wrote the comedy Limit Up (1989), and was uncredited in scripting the action/adventure romp Fire on the Amazon (1993), which was Sandra Bullock's debut film for Corman. She appeared in a number of movies with collaborator Richard Martini, including You Can't Hurry Love (1988), about which Variety declared, "It's about time we see the great Luana Anders back on the screen".
She was a member of the improvisational comedy stage group, The Committee.
A lifelong Buddhist and supporter of the American chapter of Soka Gakkai International, Luana Anders died on July 21, 1996.- Actress
- Producer
- Additional Crew
Deborah Kara Unger was the first Canadian accepted into the prestigious Australian National Institute of Dramatic Art. She made her feature film debut in Blood Oath (1990), followed by roles in Christopher Crowe's Whispers in the Dark (1992), Till There Was You (1991), and Highlander: The Final Dimension (1994). She acted in the award-winning television drama Bangkok Hilton (1989) with Nicole Kidman and Denholm Elliott, as well as HBO's Hotel Room (1993), directed by James Signorelli, and Showtime's ensemble medical drama State of Emergency (1994).- Actress
- Producer
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American stage, screen and television actress, and comedian Carol Kane (b. Carolyn Laurie Kane, June 18, 1952, in Cleveland, Ohio), was born to Elaine Joy (née Fetterman), a jazz singer and pianist, and Michael Myron Kane, an architect. Her family is Jewish (from Russia, Poland, and Austria). Due to her parents' divorce, Carol spent most of her childhood in boarding schools until 1965. She also attended Professional Children's School in Upper West Side New York, and made her professional theater debut in a 1966 production of The Prime of Miss Jean Brodie (1969) starring Tammy Grimes. Kane, just 14 years old.
At 20 years old, Kane landed the lead role in William Fruets World War II film, Wedding in White (1972). Kane starred as Jeannie Dougall, a teenager whom after is raped is left with a moral dilemma when she discovers that the incident has left her pregnant. The actress received a surprise Academy Award nomination for her performance in the 1974 independent film, Hester Street (1975); Times of Israel describes Kane's character, Gitl, as "a straight-from-the-shtetl immigrant who, with her young son, joins her husband (Steven Keats) who is already halfway assimilated in New York's Lower East Side; the push and the pull between tradition and change drive the story to its bittersweet conclusion."
The following decade, from 1980-1983, she appeared on the television series Taxi (1978). Kane portrayed Simka Dahblitz-Gravas, wife of Latka Gravas (Andy Kaufman). She received two Emmy Awards, and a Golden Globe nomination for her work in the series. Over the years, Kane racked up tons of credits from Taxi and The Princess Bride (1987), to Scrooged (1988), and more recently, the Netflix series Unbreakable Kimmy Schmidt (2015); the actress is making audiences laugh by playing Lillian Kaushtupper, in a recent interview, Kane described Lillian as "a hardworking landlady in Harlem who is very attached to the life in New York as she's known it."- Actress
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Eight time Academy Award-nominated actress Glenn Close was born and raised in Greenwich, Connecticut. She is the daughter of Elizabeth Mary H. "Bettine" (Moore) and William Taliaferro Close (William Close), a prominent doctor. Both of her parents were from upper-class families.
Glenn was a noted Broadway performer when she was cast in her award-winning role as Jenny Fields in The World According to Garp (1982) alongside Robin Williams. For this role, a breakthrough in film for Close, she later went on to receive an Academy Award Nomination for Best Supporting Actress. The following year she was cast in the hit comedy The Big Chill (1983) for which she received a second Oscar Nomination, once again for Supporting Actress in the role of Sarah Cooper. In her third film, Close portrayed Iris Gaines a former lover of baseball player Roy Hobbs portrayed by Robert Redford, in one of the greatest sports films of all time, The Natural (1984). For a third time, Close was nominated for the Academy Award for Best Actress in a Supporting Role. Close went on to star in films like The Stone Boy (1984), Maxie (1985) and Jagged Edge (1985). In 1987 Close was cast in the box office hit Fatal Attraction (1987) for which she portrayed deranged stalker Alex Forrest alongside costars Michael Douglas and Anne Archer. For this role she was nominated for the Academy Award and Golden Globe for Best Actress. The following year Close starred in the Oscar Winning Drama Dangerous Liaisons (1988) for which she portrayed one of the most classic roles of all time as Marquise Isabelle de Merteuil, starring alongside John Malkovich and Michelle Pfeiffer. For this role she was nominated once again for the Academy Award and BAFTA Film Award for Best Actress. Close was favorite to win the coveted statue but lost to Jodie Foster for The Accused (1988). Close had her claim to fame in the 1980s. Close starred on the hit Drama series Damages (2007) for which she has won a Golden Globe Award and two Emmy Awards. In her career Close has been Oscar nominated eight times, won three Tonys, an Obie, three Emmys, two Golden Globes and a Screen Actors Guild Award.- Actress
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Lily Tomlin was born September 1, 1939 in Detroit, Michigan, to Lillie Mae (Ford) and Guy Tomlin, who moved to Michigan from Paducah, Kentucky, during the Great Depression. Her mother was a nurse's aide and her father was a factory worker. She graduated from Cass Technical High School in 1957, and later enrolled at Wayne State University. She began career by doing stand-up comedy in nightclubs in Detroit and New York City. Her first television appearance was on "The Merv Griffin Show". She went on to have astronomical success with several characters, notably Ernestine, a nosy, condescending telephone operator who generally treated customers with little sympathy and regard, on Rowan & Martin's Laugh-In (1967). Other notable characters are in film include Linnea Reese, a gospel-singing mother of two deaf children who has an affair with a womanizing country singer (played by (Keith Carradine) in Robert Altman's Nashville (1975), a performance for which she was nominated for an Academy Award. Violet Newstead who joins her on-screen coworkers (played by Jane Fonda and Dolly Parton) in seeking revenge on their monstrous and sexist boss, Franklin M. Hart Jr., (played by Dabney Coleman) in the comedy 9 to 5 (1980), The Incredible Shrinking Woman (1981), Doreen Piggot in Robert Altman's Short Cuts (1993), Cher's best-friend and American compatriot Georgie Rockwell in Tea with Mussolini (1999), deadpan private investigator, and existentialist Vivian Jaffe in I Heart Huckabees (2004), and Country-Western singer Rhonda Johnson in Robert Altman's final film A Prairie Home Companion (2006).- Actress
- Soundtrack
Lois Chiles is a former supermodel-turned-actress who gave elegant performances in a variety of films throughout the 1970s and 1980s. Her motion picture debut role was as Robert Redford's sexual endeavor in the old-fashioned Hollywood melodrama, The Way We Were (1973). Shortly after, she starred opposite Clifton Davis in the indie blaxploitation film, Together for Days (1972); they portrayed a mixed-race couple enduring societal disapproval and political pandemonium. She also appeared as the irreverent socialite Jordan Baker in The Great Gatsby (1974), in which she starred alongside Mia Farrow and, again, Robert Redford.
Chiles delivered a series of pivotal characters particularly as a woman who mysteriously falls into a state of unconsciousness after entering the hospital for an early term abortion in Coma (1978), and as an impudent heiress and murder victim in the center of Death on the Nile (1978).
Chiles' most recognized role is the sophisticated NASA astronaut, scientist, and "Bond girl", Dr. Holly Goodhead opposite Roger Moore's James Bond in Moonraker (1979). It is worth noting that Goodhead was different than any previous "Bond girl", in that she was dignified and not so much sexualized. Sadly, that same year, just as Chiles' career was at its height, she lost her youngest brother to non-Hodgkin's lymphoma which resulted in her three-year hiatus from acting. Her career never fully recovered and she struggled to find roles that necessitated her individuality but she persevered and received positive reviews for her continued performances in film and television, particularly in Sweet Liberty (1986), Broadcast News (1987), Creepshow 2 (1987), Diary of a Hitman (1991) and Curdled (1996).
In recent years, she's appeared in a few television sitcoms, participated in interviews recalling her experience as a "Bond girl", and taught an acting class at the University of Houston.- Actress
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Tall, luminous and leonine, the legendary Colleen Dewhurst must go down as one of the theater's finest contemporary tragediennes of the late 1900s. With trademark dusky tones and a majestically careworn appearance, she possessed an inimitable down-to-earth fierceness that not only earned her the title "Queen of Off-Broadway" but allowed her to put a fiery and formidable stamp on a number of Eugene O'Neill's heroines. She was no slouch in the on-camera department, either, reaping trophies for a host of wryly comedic and electrifying dramatic turns on TV. While most of her towering achievements occurred in mid- to late career, she quickly made up for lost time. In addition, she and two-time actor/husband George C. Scott became an acting force together throughout much of the 1960s and early 1970s.
Colleen Rose Dewhurst was born on June 3, 1924, in Montreal, Quebec, the only child of Ferdinand Augustus "Fred" Dewhurst, a hockey and football player who later became sales manager of a lighting concern to support his family. Her mother, Frances Marie (nee Woods), a homemaker, was a Christian Science practitioner. Raised in the United States from the age of 13 (mostly in a suburb of Milwaukee, Wisconsin), she graduated from Riverside High School in Milwaukee in 1942 and then enrolled at Milwaukee's Downer College for Young Ladies. Working such odd jobs as a receptionist and elevator operator in between summer-stock engagements, she prepared for the stage in New York at the American Academy of Dramatic Arts, where she met and later married fellow acting student James Vickery in 1947. She also took up studies with such illustrious teachers as Harold Clurman and Tyrone Guthrie.
Dewhurst played Julia Cavendish in "The Royal Family" while a student at Carnegie Lyceum in 1946. However, it took six years for her to make her professional debut at the ANTA in New York with a small dancing role in O'Neill's "Desire Under the Elms" (1952). In 1963, she won an Obie Award in the same play's leading role, Abbie. She built up her esteemed resumé gradually. In 1956 Joseph Papp featured her strongly at his New York Shakespeare Festival with roles in "Tamburlaine the Great", "Titus Andronicus", "Camille" (title part), "The Taming of the Shrew" (as Kate), and "The Eagle Has Two Heads". She won another Obie Award for her combined performances in the last three productions mentioned. The following year she portrayed Lady Macbeth in "Macbeth" and Mrs. Squeamish in "The Country Wife".
Dewhurst divorced her first husband, actor James Vickery in 1959 after meeting George C. Scott during the 1958 run of Broadway's "Children of Darkness", for which she won a Theatre World Award. Scott divorced his wife to marry Dewhurst in 1960 (ex-husband Vickery later married actress Diana Muldaur). Scott and Dewhurst had two children, Alexander Robert Scott ("Alex") and Campbell Scott.
Dewhurst's signature O'Neill role was that of Irish-American Josie Hogan in "The Moon for the Misbegotten". She first played the part in 1958 in Italy, then tackled the role again in 1965 in a production in Buffalo, New York. The third time was the charm when she recreated the role on Broadway in December of 1973 at age 49, not only earning the coveted Tony Award (her second), but the Los Angeles Drama Critics and Sarah Siddons awards as well. Over the years, O'Neill's plays would benefit greatly from her searing, impassioned performances, which included Sara in "More Stately Mansions," Christine Mannon in "Mourning Becomes Electra," Mary Tyrone in "Long Day's Journey Into Night," Essie Miller in "Ah, Wilderness!" and, of course, Abbie Putnam in "Desire Under the Elms". In 1987, she portrayed Carlotta Monterey O'Neill (Eugene's wife) in an acclaimed one-woman show, "My Gene", in New York.
Throughout the 1960s and early 1970s, Dewhurst became a frequent contender at the Tony Awards ceremonies. She won her first Tony for James Agee's "All the Way Home" in 1960, and went on to be nominated for "Great Day in the Morning" (1962), "The Ballad of the Sad Café" (1963), "More Stately Mansions" (1967), "All Over" (1971), "Mourning Becomes Electra" (1972) and "Who's Afraid of Virginia Woolf?" (1976). One of her few career failures was directing the Broadway production of "Ned & Jack", which opened and closed the same night on November 8, 1981. Very much a theater activist, she joined several advisory boards in her time and became president of the Actor's Equity Association in 1985, serving until her death six years later.
While Dewhurst and then-husband Scott were heralded for their explosive appearances together on stage ("Desire Under the Elms" [both won Obies], "Antony and Cleopatra," "The Lion in Winter"), film (The Last Run (1971)) and TV (The Crucible (1967)), the couple's personal relationship was equally turbulent. Separated in 1963 and divorced in 1965, they remarried two years later. After appearing together in "The Last Run", Scott and Dewhurst parted ways again when he took up with another actress from the movie, Trish Van Devere, whom he later married. Scott and Dewhurst had two sons together and remained amicable.
Preferring the stage, Dewhurst was vastly underused on the big screen. Despite showing Hollywood her potential on film with a small but spectacular, spine-tingling role as an asylum patient who nearly does in poor Audrey Hepburn in The Nun's Story (1959), she offered only a sprinkling of film roles over the years--Man on a String (1960), A Fine Madness (1966), The Cowboys (1972), McQ (1974), Ice Castles (1978), When a Stranger Calls (1979), Tribute (1980), The Dead Zone (1983), The Boy Who Could Fly (1986), Termini Station (1989) and Dying Young (1991).
Better utilized on TV, the multiple Emmy Award winner appeared delightfully as Candice Bergen's brash worldly mother on the popular Murphy Brown (1988), earning two of her Emmy statuettes. The other two came for her strong supporting performances in the mini-movies Between Two Women (1986) and Those She Left Behind (1989). In 1985, she played Marilla Cuthbert in Kevin Sullivan's strong adaptation of Anne of Green Gables (1985) and continued her role in the mini-movie Anne of Avonlea (1987). She graced Sullivan's series Avonlea (1990) with the same character in a recurring format. Sadly, Dewhurst died before her role could be written out of the show properly. A touching death scene was edited into one episode as a tribute.
Diagnosed with cervical cancer, Colleen's fervent Christian Science beliefs led her to refuse any kind of surgical treatment. She died at age 67 at the pet-friendly South Salem, New York, farmhouse she shared with her companion (since 1974), producer Ken Marsolais on August 22, 1991. Two months later, her ex-husband George C. Scott starred in and directed a production of "On Borrowed Time", dedicating the show to her memory. Both of their sons, Alexander Robert Scott ("Alex") and Campbell Scott entered the entertainment field. Alex became a theatrical manager and writer, while Campbell has appeared on stage and in films. He appeared with his mother on Broadway in "Long Day's Journey Into Night" and "Ah, Wilderness!" (both by Eugene O'Neill) in the late 1980s, and in the film "Dying Young (1991)" (one of her last performances).
Her autobiography, incomplete at the time of her death (she had been working on it for nearly 15 years), finally arrived in bookstores in 1997, six years after her death.- Actor
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Originally born Harris Glen Milstead just after the end of WWII, Baltimore's most outrageous resident eventually became the international icon of bad taste cinema, as the always shocking and highly entertaining transvestite performer, Divine.
Milstead met maverick film director & good friend, John Waters, at high school in Baltimore, and the two combined to star in and direct several ultra low budget, taboo breaking cult films of the early 1970s. Their first efforts included Roman Candles (1967), Eat Your Makeup (1968) and Mondo Trasho (1969)....however, their most infamous work together was the amazing Pink Flamingos (1972), in which Divine starred as "Babs Johnson", the "filthiest person alive" living in a pink trailer with her egg-eating grandmother, chicken-loving son and voyeuristic daughter.
Divine also starred as career criminal Dawn Davenport in Female Trouble (1974), as bored housewife Francine Fishpaw in Polyester (1981), as outlaw gal Rosie Velez in Lust in the Dust (1984) and in Waters' loving (but still slightly bizarre) salute to teen dance TV shows as Ricki Lake's mother in the superb Hairspray (1988).
Milstead's health deteriorated due to to his obese frame, and he passed away in his sleep from a combination of heart attack and apnea in 1988.- Actress
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As a child, Geena dreamed of being an actress. While in high school, she felt left out and had low self-esteem because, at 6 feet, she was the tallest girl in school. After high school graduation, Geena entered New England College in New Hampshire and then transferred the next year to Boston University, where she majored in drama. In 1977, she left BU and moved to New York to start her career. Her career consisted of sales clerk and waitress. She worked at Ann Taylor, where she eventually rose to Saturday window mannequin while trying to get a job with a modeling agency. Eventually signed by the Zoli Agency, she wound up as a model in the Victoria Secret's Catalogue. Ever vigilant, Sydney Pollack was looking for new talent in the catalog when he spotted Geena and cast her in Tootsie (1982). With good reviews, Geena moved to Los Angeles where she was cast as Wendy in the short-lived but critically acclaimed television series Buffalo Bill (1983) with Dabney Coleman. A starter marriage to restaurant manager Richard Emmolo dissolved around this time. Her next appearance on television was in her own series Sara (1985), which was also good, but soon canceled. Geena then returned to the big screen in the below-average Transylvania 6-5000 (1985) followed by the successful Chevy Chase movie Fletch (1985). From there on, she was on a roll with second husband Jeff Goldblum in the horror remake The Fly (1986). More successful were Tim Burton's dark comedy Beetlejuice (1988) and The Accidental Tourist (1988). For the last film, she was the surprise winner of the Oscar for Best Supporting Actress. More fun movies followed with the flying-saucer-in-the-pool Earth Girls Are Easy (1988) and everyone-loves-a-clown Quick Change (1990) with Bill Murray. The very successful Thelma & Louise (1991), directed by Ridley Scott, again garnered nominations for the Academy Award and Golden Globe. A League of Their Own (1992), with Tom Hanks and directed by Penny Marshall, was the turning point as her next film, Hero (1992), was only average. Then she married director Renny Harlin and they set up a production and development company called "The Forge". Their first film was Speechless (1994), which flopped at the box office. Undeterred, Renny decided to film the big-budget Cutthroat Island (1995), starring Geena as pirate leader Morgan, which also flopped. Geena has since starred in the thriller The Long Kiss Goodnight (1996) and played Eleanor Little in Stuart Little (1999) and Stuart Little 2 (2002). She's also returned to TV, headlining The Geena Davis Show (2000) and Commander in Chief (2005). Both shows were canceled after one season, but she won a Golden Globe for the latter. In 2008, after being missed from the big screen for some years, Geena ventured to Sydney, Australia, playing the foul-mouthed mother of Harry Cook and Harrison Gilbertson to shoot the dark comedy Accidents Happen (2009).- Actress
- Producer
- Soundtrack
Annie Potts is an American film, television, and stage actress. She is known for her roles in popular 1980s films such as Ghostbusters (1984) and Pretty in Pink (1986). She made her debut on the big screen in 1978 in the Metro-Goldwyn-Mayer comedy film Corvette Summer (1978), with Mark Hamill, for which she was nominated for a Golden Globe. In 2017 she was cast to portray Meemaw in Young Sheldon (2017), a spin-off of the CBS sitcom The Big Bang Theory (2007). Potts also voiced voiced Bo Peep in the animated films Toy Story (1995), Toy Story 2 (1999) and Toy Story 4 (2019).
Interested in stage and film at an early age, Annie Potts attended Stephens College in Missouri, enrolling in the theater studies course, followed by graduate work in California. At the age of 20, she married her college sweetheart, Steven Hartley. Only a short time later, she and her husband were in serious automobile accident in Sumner, Washington -- their Volkswagen bus was demolished by two drivers who were drag racing. Steve lost a leg, and Annie had multiple fractures (resulting in a traumatic arthritis that still persists). Early roles were primarily in television, such as Black Market Baby (1977), but her presence moved up with an appearance in the mega-hit Ghostbusters (1984), and then she hit the big time with a seven-year stint as one of the stars of Designing Women (1986). A brief period in Love & War (1992) ended with the cancellation of the show, about which she remains resentful.- Actress
- Art Department
- Director
As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life.