Western Heavies
the gunmen , gunslingers and hired hands used by the villains .
Most of the same actors were also Noir heavies
Most of the same actors were also Noir heavies
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Jack Palance quite often exemplified evil incarnate on film, portraying some of the most intensely feral villains witnessed in 1950s westerns and melodrama. Enhanced by his tall, powerful build, icy voice, and piercing eyes, he earned two "Best Supporting Actor" nominations early in his career. It would take a grizzled, eccentric comic performance 40 years later, however, for him to finally grab the coveted statuette.
Of Ukrainian descent, Palance was born Volodymyr Ivanovich Palahniuk (later taking Walter Jack Palance as his legal name) on February 18, 1919 (although some sources, including his death certificate, cite 1920) in Lattimer Mines, Pennsylvania (coal country), one of six children born to Anna (nee Gramiak) and Ivan Palahniuk. His father, an anthracite miner, died of black lung disease. Palance worked in the mines in his early years but averted the same fate as his father. Athletics was his ticket out of the mines when he won a football scholarship to the University of North Carolina. He subsequently dropped out to try his hand at professional boxing. Fighting under the name "Jack Brazzo", he won his first 15 fights, 12 by knockout, before losing a 4th round decision to future heavyweight contender Joe Baksi on December 17, 1940.
With the outbreak of World War II, his boxing career ended and his military career began, serving in the Army Air Force as a bomber pilot. Wounded in combat and suffering severe injuries and burns, he received the Purple Heart, Good Conduct Medal, and the World War II Victory Medal. He resumed college studies as a journalist at Stanford University and became a sportswriter for the San Francisco Chronicle. He also worked for a radio station until he was bit by the acting bug.
Palance made his stage debut in "The Big Two" in 1947 and immediately followed it understudying Marlon Brando as Stanley Kowalski in the groundbreaking Broadway classic "A Streetcar Named Desire", a role he eventually took over. Following stage parts in "Temporary Island" (1948), "The Vigil" (1948), and "The Silver Tassle" (1949), Palance won a choice role in "Darkness of Noon" and a Theatre World Award for "Promising New Personality." This recognition helped him secure a 20th Century-Fox contract. The facial burns and resulting reconstructive surgery following the crash and burn of his WWII bomber plane actually worked to his advantage. Out of contention as a glossy romantic leading man, Palance instead became the archetypal intimidating villain equipped with towering stance, imposing glare, and killer-shark smile.
He stood out among a powerhouse cast that included actors such as Richard Widmark, Zero Mostel and Paul Douglas in his movie debut in Elia Kazan's Panic in the Streets (1950), as a plague-carrying fugitive. He was soon on his way. Briefly billed as Walter Jack Palance before eliminating the first name, the actor made fine use of his former boxing skills and war experience for the film Halls of Montezuma (1951) as a boxing Marine in Richard Widmark's platoon. He followed this with the first of his back-to-back Oscar nods. In Sudden Fear (1952), only his third film, he played rich-and-famous playwright Joan Crawford's struggling actor/husband who plots to murder her and run off with gorgeous Gloria Grahame. Finding just the right degree of intensity and menace to pretty much steal the proceedings without chewing the scenery, he followed this with arguably his finest villain of the decade, that of sadistic gunslinger Jack Wilson who takes on Alan Ladd's titular hero, played by Shane (1953), in a classic showdown.
Throughout the 1950s, Palance doled out strong leads and supports such as those in Man in the Attic (1953) (his first lead), The Big Knife (1955) and the war classic Attack (1956). Mixed in were a few routine to highly mediocre parts in Flight to Tangier (1953), Sign of the Pagan (1954) (as Attila the Hun), and the biblical bomb The Silver Chalice (1954). In between filmmaking were a host of television roles, none better than his down-and-out boxer in Requiem for a Heavyweight (1956), a rare sympathetic role that earned him an Emmy Award.
Back and forth overseas in the 1960s and 1970s, Palance would dominate foreign pictures in a number of different genres -- sandal-and-spear spectacles, biblical epics, war stories and "spaghetti westerns." Such films included The Battle of Austerlitz (1960), The Mongols (1961), Barabbas (1961), Night Train to Milan (1962), Contempt (1963), The Mercenary (1968), Marquis de Sade's Justine (1969), The Desperados (1969), It Can Be Done Amigo (1972), Chato's Land (1972), Blood and Bullets (1976), Welcome to Blood City (1977). Back home, he played Fidel Castro in Che! (1969) while also appearing in Monte Walsh (1970), Oklahoma Crude (1973) and The Four Deuces (1975).
On the made-for-television front, Jack played a number of nefarious nasties to perfection, ranging from Mr. Hyde (The Strange Case of Dr. Jekyll and Mr. Hyde (1968)) to Dracula in Dracula (1974) to Ebenezer Scrooge in a "Wild West" version of the Dickens classic Ebenezer (1998). He also played one of the Hatfields in The Hatfields and the McCoys (1975). Jack switched gears to star as a "nice guy" lieutenant in the single-season TV cop drama Bronk (1975). In later years, the actor mellowed with age, as exemplified by roles in Bagdad Cafe (1987), but could still display his bad side as he did as an evil rancher, crime boss or drug lord in, respectively, Young Guns (1988), Batman (1989) and Tango & Cash (1989). Into his twilight years he showed a penchant for brash, quirky comedy capped by his Oscar-winning role in City Slickers (1991) and its sequel. He ended his film career playing Long John Silver in Treasure Island (1999).
His three children by his first wife, actress Virginia Baker -- Holly Palance, Brooke Palance, and Cody Palance -- all pursued acting careers and appeared with their father at one time or another. A man of few words off the set, he owned his own cattle ranch and displayed other creative sides as a exhibited painter and published poet.
His last years were marred by both failing health and the 1998 death of his son Cody from melanoma. He was later diagnosed with pancreatic cancer and died at the Santa Barbara County home of his daughter, Holly Palance, in 2006.- Actor
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American actor Lee Marvin was born Lamont Waltman Marvin Jr. in New York City. After leaving school aged 18, Marvin enlisted in the United States Marine Corps Reserve in August 1942. He served with the 4th Marine Division in the Pacific Theater during World War II and after being wounded in action and spending a year being treated in naval hospitals, he received a medical discharge. Marvin's military decorations include the Purple Heart Medal, the Presidential Unit Citation, the American Campaign Medal, the Asiatic-Pacific Campaign Medal, the World War II Victory Medal and the Combat Action Ribbon. Returning to the United States it was while working as a plumbers apprentice, repairing a toilet at a local community theater, that he was asked to stand in for an actor who had fallen ill during rehearsals. He immediately caught the acting bug, moving to Greenwich Village to study at the American Theater Wing and began making appearances in stage productions and TV shows. His film debut came in 'You're in the Navy Now' (1951) but it was his portrayal of villains in 'The Big Heat' (1953) and 'The Wild One' (1953) that brought him to the attention of the public and critical acclaim. Now firmly established as a screen bad guy, he began shifting towards leading man roles and landed the lead role in the popular TV series 'M Squad' (1957-1960). Returning to feature films, Marvin had prominent roles in 'The Comancheros' (1961), 'The Man Who Shot Liberty Valance' (1962), 'Donovan's Reef' (1963) and 'The Killers' (1964) but it was his dual comic role in the offbeat western 'Cat Ballou' (1965) that made him a star and won him the Academy Award for Best Actor. He was now a much sought-after actor and starred in a number of movies as a new kind of leading man including 'The Professionals' (1966), 'The Dirty Dozen' (1967), 'Point Blank' (1967), 'Hell in the Pacific' (1968), 'Monte Walsh' (1970), 'Prime Cut' (1972), 'Emperor of the North' (1973) and 'The Spikes Gang' (1974).Later film credits include 'Shout at the Devil' (1976), 'Avalanche Express' (1979), 'The Big Red One' (1980), 'Death Hunt' (1981) and 'Gorky Park' (1983). His final film role was alongside Chuck Norris in 'The Delta Force' (1986). Lee Marvin died of a heart attack in August 1987. He was buried with full military honors at Arlington National Cemetery. Marvin paved the way for leading men that didn't fit the traditional mould. An iconic American tough guy and one of the 20th Century's greatest Hollywood stars.- Actor
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One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.- The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make. - Actor
- Director
A prolific young performer, child/juvenile Skippy Homeier was born George Vincent Homeier on October 5, 1930. Beginning on radio in his native Chicago at age six ("Portia Faces Life"), he came to films at age 14 with Tomorrow, the World! (1944), which was originally a 1943 Broadway drama starring Skippy, Ralph Bellamy and Shirley Booth. Recreating his role of Emil Bruchner, he received excellent reviews for his chilling portrayal of a callous Nazi youth this time opposite Fredric March and Betty Field.
The fair, oval-faced, tousled-haired blond remained an often troublesome, unsympathetic teen in post-war films such as Boys' Ranch (1946) as an incorrigible character named "Knuckles," but he also displayed his charms with his jitterbugging title teen in Arthur Takes Over (1948) and likable young character in Mickey (1948).
Growing into adult roles (now billed as Skip Homeier or G.V. Homeier), he continued at a more menacing pace in movie westerns and crime dramas, notably Halls of Montezuma (1951), The Gunfighter (1950) (as Gregory Peck's nemesis), Cry Vengeance (1954) (as an albino hit man), Stranger at My Door (1956) and The Tall T (1957).
As Homeier's film career began to bog down in the late 1950's, he turned more and more to TV parts playing a few good guys at times just as a change of pace. In addition to a number of guest roles in such anthology series such as "Schlitz Playhouse," "Playhouse 90," "Zane Grey Theatre," "The Alcoa Hour," "Lux Video Theatre," "Armstrong Theatre," "Robert Montgomery Presents" and "Studio One in Hollywood" and "Science Fiction Theatre," Skip starred in a brief TV series as Dan Raven (1960).
Skip went on to appear in a host of guest roles on such 60's series as "Wanted: Dead or Alive," "The Millionaire," "The Loretta Young Show," "The Deputy," "The Rifleman," "The Defenders," "The Addams Family," "The Virginian," "Branded," "Perry Mason," "Burke's Law," "Combat!," "Voyage to the Bottom of the Sea," "Bonanza," "Star Trek," "Lassie," "The Wonderful World of Disney," "Mannix" and "Mission: Impossible." A few film roles did come his way co-starring with Beverly Garland in the chiller Stark Fear (1962), and supporting Audie Murphy in the westerns Showdown (1963) and Bullet for a Badman (1964) and Don Knotts in the slapstick comedy The Ghost and Mr. Chicken (1966)
The remainder of Skip's career stuck closely to TV. He had a regular role as a doctor in the drama series The Interns (1970), and was a continuing guest star on a host of popular TV programs such as "Owen Marshall," "Police Woman, "The Blue Knight," "The Streets of San Francisco," "The Six Million Dollar Man," "The Bionic Woman," "Barnaby Jones," "Fantasy Island" and "Quincy." TV-movies and mini-series work included Two for the Money (1972), Voyage of the Yes (1973), Helter Skelter (1976), Washington: Behind Closed Doors (1977) and The Wild Wild West Revisited (1979).
Skip phased out his career and retired completely following a featured role in the western film Quell and Co. (1982). Little was heard from him until his death on June 25, 2017 at the age of 86 from spinal myelopathy in Indian Wells, California. He was survived by his second wife, former actress Della Sharman and two sons from his first marriage.- Actor
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Richard Allen Boone was born in Los Angeles, California, to Cecile Lillian (Beckerman) and Kirk Etna Boone, a wealthy corporate lawyer. His maternal grandparents were Russian Jewish immigrants, while his father was descended from a brother of frontiersmen Daniel Boone and Squire Boone.
Richard was a college student, boxer, painter and oil-field laborer before ending up in the U.S. Navy during World War II. After the war he used the G.I. Bill to study acting with the Actor's Studio in New York. Serious and methodical, Boone debuted on Broadway in the play "Medea". Other plays followed, as did occasional TV work. In 1950 20th Century-Fox signed him to a contract and he made his screen debut in Halls of Montezuma (1951), playing a Marine Corps officer. Tall and craggy, Boone was continually cast in a number of war and western movies. He also tackled roles such as Pontius Pilate in The Robe (1953) and a police detective in Vicki (1953). In 1954 he was cast as Dr. Konrad Styner in the pioneering medical series Medic (1954), which was a critical but not a ratings success. This role lasted for two years, though in the meantime, he continued to appear in westerns and war movies.
In 1957 he played Dr. Wright, who treats Elizabeth for her memory lapses, in Lizzie (1957). It was also in that year that Boone was cast in what is his best-known role, the cultured gunfighter Paladin in the highly regarded western series Have Gun - Will Travel (1957). Although a gun for hire, Paladin was usually a moral one, did the job and lived at the Hotel Carlton in San Francisco. Immensely popular, the show made Boone a star. The series lasted six years, and in addition to starring in it, Boone also directed some episodes. He still kept busy on the big screen during the series' run, appearing as Sam Houston in the John Wayne epic The Alamo (1960), and as a weary cavalry captain fighting Indians in A Thunder of Drums (1961). After Have Gun - Will Travel (1957) ended in 1963, Boone hosted a dramatic anthology series, The Richard Boone Show (1963), but it was not successful.
Boone moved to Hawaii for the next seven years. During this time he made a few Westerns, including the muscular Rio Conchos (1964), but he was largely absent from the screen. In the 1970s he moved to Florida, and resumed his film and TV career with a vengeance. In 1972 he again appeared on television in the Jack Webb-produced series Hec Ramsey (1972) (years before he had played a police captain in Webb's first "Dragnet" film, Dragnet (1954)). Based on a real man, Hec was a tough, grizzled old frontier sheriff at the turn of the 20th century who, late in life, has studied the newest scientific theories of crime detection. His new boss, a much younger man, doesn't always approve of Hec, his nonconformist style or his new methods. The series lasted for two years. Boone continued working until the end of the decade but died as a result of throat cancer in 1981.- Henry Silva was born on September 23, 1926 in Brooklyn, New York. He quit public school to attend drama classes at age 13, supporting himself as a dishwasher in a Manhattan hotel. By 1955, Silva had moved up from dishwasher to waiter, and felt ready to audition for the Actors Studio. He was one of five students chosen out of more than 2500 applicants. When the Actors Studio staged Michael V. Gazzo's play "A Hatful of Rain" as a classroom project, it proved so successful it came to Broadway--with students Ben Gazzara, Shelley Winters, Harry Guardino, Anthony Franciosa and, of course, Silva in key roles. Called to Hollywood, he played a succession of heavies in films, including The Bravados (1958), Green Mansions (1959), Ocean's Eleven (1960), The Manchurian Candidate (1962) and Johnny Cool (1963).
An Italian producer made Henry an offer he could not refuse--to star as a hero for a change--and he moved his family overseas. Silva's turning-point picture was a spaghetti Western, The Hills Run Red (1966), which made him a hot box office commodity in Spain, Italy, Germany and France. His popularity was enhanced by a gift for languages. He speaks Italian and Spanish fluently and has a flair for the kind of gritty, realistic roles that also catapulted Charles Bronson to European stardom. Returning to the United States, he co-starred with Frank Sinatra in the film Contract on Cherry Street (1977), then signed on as Buck Rogers' evil adversary Kane in Buck Rogers in the 25th Century (1979) and the television series of the same name. Silva now calls the San Fernando Valley home, but makes continual film forays back to Europe's production centers. A dedicated jogger, he puts in five miles a day "to keep in shape and relieve tension". - Actor
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Dan Duryea was educated at Cornell University and worked in the advertising business before pursuing his career as an actor. Duryea made his Broadway debut in the play "Dead End." The critical acclaim he won for his performance as Leo Hubbard in the Broadway production of "The Little Foxes" led to his appearance in the film version, in the same role.- Actor
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Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Ruggedly handsome, slack-jawed actor Earl Holliman was born on September 11, 1928, in northeastern Louisiana amid meager surroundings. His father, a farmer named William Frost, died several months before Earl's birth, forcing his poverty-stricken mother to give up seven of her ten children. He was adopted as a baby by an oil-field worker named Henry Earl Holliman and his waitress wife Velma, growing up in the Louisiana and Arkansas areas. Though Henry died when Earl was 13, the adoptive parents were a source of happiness and inspiration growing up.
Entertaining became an early passion after ushering at a local movie house and Earl at one point was a magician's assistant as a young teen. Hoping to discovered, Earl ran away from home hoping to be discovered in Hollywood. Following that aborted attempt, the teenager returned to Louisiana and immediately enlisted in the United States Navy during World War II by lying about his age (16). Assigned to a Navy communications school in Los Angeles, this re-stimulated his passion for acting, spending much of his free time at the Hollywood Canteen.
Discharged from the Navy a year after enlisting when his true age was discovered, he returned home to work in menial jobs and complete his high school education. Reenlisting in the Navy, he was cast as the lead in several Norfolk (Virginia) Navy Theatre productions. This led to a trek back to Hollywood after his (this time) honorable discharge[ where he attended USC and studied acting at UCLA Drama School and the Pasadena Playhouse, working as a Blue Cross file clerk and airplane builder at North American Aviation.
Earl started off apprenticing in uncredited film bits in several films --Destination Gobi (1953) and Scared Stiff (1953). He soon rose in rank and gained clout playing jaunty young rookies and tenderfeet and young stud types in rugged westerns, war drama and rollicking comedy. His swaggering characters in such films as Tennessee Champ (1954), Broken Lance (1954), The Bridges at Toko-Ri (1954), The Big Combo (1955), I Died a Thousand Times (1955), Forbidden Planet (1956), The Burning Hills (1956) and Giant (1956) ranged from dim and good-natured to impulsive and threatening.
Holliman won a Golden Globe for his support performance as a girl-crazy brother in The Rainmaker (1956), holding his own against stars Burt Lancaster and Katharine Hepburn. Without progressing to star roles, he continued to provide durable late 50's support to big name stars including Gunfight at the O.K. Corral (1957) starring Lancaster and Kirk Douglas; Trooper Hook (1957) starring Joel McCrea and Barbara Stanwyck; Don't Go Near the Water (1957) starring Glenn Ford; Hot Spell (1958) starring Shirley Booth, Anthony Quinn and Shirley MacLaine; The Trap (1959) starring Richard Widmark; and Last Train from Gun Hill (1959) again with Douglas and Quinn.
Although film offers began drying up in the 1960s, Earl was enjoyable boorish in his dealing with innocent alien Jerry Lewis in the wacky comedy Visit to a Small Planet (1960); had a touching final scene in a park with Geraldine Page in the somber Tennessee Williams period piece Summer and Smoke (1961); played one of John Wayne's younger punch-drunk brothers in the freewheeling western The Sons of Katie Elder (1965); portrayed a salesman on trial for murdering his wife in A Covenant with Death (1967); and was a platoon sergeant in command in Anzio (1968).
Holliman found a highly accepting medium in TV with a lead series role as reformed gunslinger "Sundance" (not The Sundance Kid) in the short-lived western series Hotel de Paree (1959), plus showed off a virile stance in episodes of "The Twilight Zone," "Bus Stop," "Checkmate," "Bonanza," "Dr. Kildare," "The Fugitive," "Marcus Welby, M.D.," "It Takes a Thief," "Alias Smith and Jones," "Gunsmoke," "Medical Center," "Ironside," "The Magical World of Disney" and "The F.B.I." He also appeared in a number of TV movies that became popular in the late 1960's. He played hard-ass, redneck types in the action adventure The Desperate Mission (1969) and in the military drama The Tribe (1970), but did a complete turnaround as a good guy psychologist trying to help get a kid hooker off the streets in Alexander: The Other Side of Dawn (1977). This all culminated in his most popular series program, a four-year stint as the macho partner to sexy Angie Dickinson in Police Woman (1974), a role that helped make him a household name.
On the side, the never-married Holliman found a brief, yet successful, career in the late 1950's as a singer and copped a record deal with Capitol Records at one point, while scoring as Curly in a tour of the musical "Oklahoma" in 1963. Other non-musical roles included "Sunday in New York," "The Country Girl," "The Tender Trap," "Camino Real," "A Streetcar Named Desire" (as Mitch) and "A Chorus Line" (as Zach). He also owned the Fiesta Dinner Playhouse for a decade in the late 1970's and performed there, between film and TV assignments, in such shows as "Mister Roberts," "Arsenic and Old Lace" and "Same Time, Next Year."
An intermittent presence in later years, Earl was seen primarily on TV including the acclaimed miniseries The Thorn Birds (1983), as well as the TV programs "Empty Nest," "In the Heat of the Night," "Murder, She Wrote" and "Caroline in the City." regular roles on three drama series: the urban drama P.S.I. Luv U (1991); the comedy series Delta (1992) (Golden Globe nomination) which starred Delta Burke in a short-lived follow-up to her "Designing Women" exit; and the sci-fi action adventure NightMan (1997).
A conservative political activist and animal rescuer on the side, Earl retired from the screen into the millennium -- shortly after appearing in the movies Bad City Blues (1999) and The Perfect Tenant (2000). - Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).
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Big, burly character actor, one of the toughest of screen heavies. New York-born Leo Gordon's combination of a powerful physique, deep, menacing voice and icy, withering glare was guaranteed to strike fear into the heart of even the bravest screen hero. Director Don Siegel, who used Gordon in his prison film Riot in Cell Block 11 (1954), once said that "Leo Gordon was the scariest man I have ever met"--this coming from a man who had directed John Wayne, Clint Eastwood and Bette Midler! Siegel wasn't talking about just Gordon's screen presence. As a "heavy", Gordon was the real deal--before becoming an actor (he studied at the American Academy of Dramatic Arts), Gordon served five years in San Quentin State Prison for armed robbery (during which he was shot several times point-blank by police--and survived). "Riot in Cell Block 11" was filmed at Folsom State Prison--where Gordon also served time--and the Folsom warden remembered him as a troublemaker.At first he refused to allow the film to be shot there if Gordon was to be in it, but Siegel was able to convince him that Gordon was no threat to the prison.
Contrary to his image, though, Gordon was not just a one-note villain. He did play sympathetic parts on occasion, notably in the western Black Patch (1957)--which he also wrote--and in Roger Corman's civil rights drama The Intruder (1962), and turned in first-rate performances, especially in the latter film. Gordon was also a screenwriter, turning out several screenplays for Corman. He wasn't just limited to writing low-budget sci-fi films, either; he penned the screenplay for the WWII epic Tobruk (1967), writing in a meaty part for himself as Kruger, a tough sergeant in a platoon of German Jews masquerading as Nazi soldiers to help blow up a German oil storage facility.
Leo Gordon died in Los Angeles, CA, in 2000 at age 78 of heart failure.- Actor
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Broad-shouldered and beefy Claude Akins had wavy black hair, a deep booming voice and was equally adept at playing sneering cowardly villains as he was at portraying hard-nosed cops. The son of a police officer, Akins never seemed short of work and appeared in nearly 100 films and 180+ TV episodes in a career spanning over 40 years. He originally attended Northwestern University, and went on to serve with the US Army Signal Corps in World War II in Burma and the Phillipines. Upon returning, he reignited his interest in art and drama and first appeared in front of the camera in 1953 in From Here to Eternity (1953). He quickly began notching up roles in such TV shows as Dragnet (1951), My Friend Flicka (1955), Gunsmoke (1955) and Zane Grey Theatre (1956). He also turned in several strong cinematic performances, such as gunfighter Joe Burdette in the landmark western Rio Bravo (1959), Mack in the excellent The Defiant Ones (1958), Sgt. Kolwicz in Merrill's Marauders (1962) and Earl Sylvester in the gripping The Killers (1964). In the early 1970s Akins turned up in several supernatural TV films playing "no-nonsense" sheriffs in both The Night Stalker (1972) and The Norliss Tapes (1973), and was unrecognizable underneath his simian make-up as war-mongering Gen. Aldo in Battle for the Planet of the Apes (1973). Akins continued starring in films and TV right up until the time of his death from cancer in 1994. By all reports a very gregarious, likable and friendly person off screen, Akins was married for over 40 years to Theresa "Pie" Fairfield, and had three children, Claude Marion Jr., Michele & Wendy.- Actor
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Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.- Actor
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Stocky, balding American character actor with a rich, deep voice, equally adept at Western bad guys and Shakespeare. He began his career in films in minor roles, primarily as gangland henchmen, and progressed to become widely familiar as a figure in a variety of dramas and occasional comedies. Although a stalwart and reliable supporting player, he was not of a type to essay leading roles in films, but remained a well-respected actor whose face, if not name, is familiar to a generation of film and television viewers.- Actor
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American actor and occasional screenwriter. One of the most frequently seen heavies in films and television programs of the 1950s, his name is nevertheless well known only to buffs. Occasionally he played minor leads and sympathetic characters, but his stern good looks and rich deep voice made him a memorable villain, particularly in Westerns.- Actor
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American character actor specializing in tough guys and heavies. A native of Yonkers, New York. He worked on the Broadway stage and then became an increasingly familiar figure in Westerns and crime dramas, after World War II. Although almost as familiar a presence in films as his contemporaries Warren Oates, Robert J. Wilke, and Leo Gordon, for some reason Lambert never became as well-known, despite having appeared in a great number of similar roles and films. His credits are often confused with those of the Scottish actor of the same name, Jack Lambert.- Jack Overman was born on 26 March 1917 in New York, USA. He was an actor, known for Brute Force (1947), Secret Agent X-9 (1945) and The Good Humor Man (1950). He was married to Norma. He died on 24 December 1949 in Burbank, California, USA.
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American leading man famed as the star of one of the longest-running shows in U.S. television history, Gunsmoke (1955). Born of Norwegian heritage (the family name, Aurness, had formerly been Aursness) in Minneapolis, Minnesota, to Rolf and Ruth Duesler Aurness. His father was a traveling salesman of medical supplies and his mother later became a newspaper columnist. James attended West High School in Minneapolis. Although he appeared in school plays, he had no interest in performing, and dreamed instead of going to sea. After high school, he attended one semester at Beloit College before receiving his draft notice in 1943. He entered the army and trained at Camp Wheeler, Georgia, before shipping out for North Africa. At Casablanca, Arness joined the 3rd Infantry Division in time for the invasion of Anzio. Ten days after the invasion, Arness was severely wounded in the leg and foot by German machine-gun fire. His wounds, which plagued him the rest of his life, resulted in his medical discharge from the army.
While recuperating in a hospital in Clinton, Iowa, Arness was visited by his younger brother Peter (later to gain fame as actor Peter Graves), who suggested he take a radio course at the University of Minnesota. James did so, and a teacher recommended him for a job as an announcer at a Minneapolis radio station. Though seemingly headed for success in radio, he followed a boyhood friend's suggestion and went with the friend to Hollywood to find work as a film extra. Arness studied at the Bliss-Hayden Theatre School under actor Harry Hayden, and while appearing in a play there was spotted by agent Leon Lance. Lance got the actor a role as Loretta Young's brother in The Farmer's Daughter (1947). The director of that film, H.C. Potter, recommended that he drop the "u" from his last name and soon thereafter the actor was officially known as James Arness.
Little work followed this break, and Arness became sort of beach bum, living on the shore at San Onofre and spending his days surfing. He began taking his acting career more seriously when he began to receive fan mail following the release of the Young picture. He appeared in a production of "Candida" at the Pasadena Community Playhouse, and married his leading lady, Virginia Chapman. She pressed him to study acting and to work harder in pursuit of a career, but Arness has been consistent in ascribing his success to luck. He began to act small roles with frequency, often due to his size, and mostly villainous characters. Most notable among these was that of the space alien in The Thing from Another World (1951).
While playing a Greek warrior in a play, Arness was spotted by agent Charles K. Feldman, who represented John Wayne. Feldman introduced Arness to Wayne, who put the self-described 6', 6" actor under personal contract. Arness played several roles over the next few years for and with Wayne, whom he considered a mentor. In 1955, Wayne recommended Arness for the lead role of Matt Dillon in the TV series Gunsmoke (1955). (Contrary to urban legend, Wayne himself was never offered the role.) Arness at first declined, thinking a TV series could derail his growing film career, but Wayne argued for the show, and Arness accepted. His portrayal of stalwart Marshal Dillon became an iconic figure in American television and the series, aired for 20 seasons, is, as of 2008, the longest-running dramatic series in U.S. television history. Arness became world-famous and years later reprized the character in a series of TV movies.
After the surprising cancellation of "Gunsmoke" in 1975, Arness jumped immediately into another successful (though much shorter-lived) Western project, a TV-movie-miniseries-series combination known as "How The West Was Won." A brief modern police drama, McClain's Law (1981), followed, and Arness played his mentor John Wayne's role in Red River (1988), a remake of the Wayne classic.
Following the aforementioned "Gunsmoke" TV movies (the last in 1994, when Arness was 71), Arness basically retired. His marriage to Virginia Chapman ended in divorce in 1960. They had three children, one of whom, Jenny Lee, committed suicide in 1975. Arness subsequently married Janet Surtrees in 1978.before he was a marshal , and when he wasn't invading the earth...- Actor
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Legendary Hollywood "tough guy", on screen and off. Remembered as the title character in Dillinger (1945) and as the consummately brutal lover of Claire Trevor in Born to Kill (1947). Notorious for his frequent, well-publicized barroom brawls and the like, including being stabbed in 1973. In his later years, he continued as a screen actor projecting the hard-as-nails mien that has been ingrained since his younger days, as evidenced in Quentin Tarantino's Reservoir Dogs (1992).- Actor
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He had the manly good looks and rugged appeal to make it to top stardom in Hollywood and succeeded quite well as a sturdy leading man of standard action on film and TV. Born in Brooklyn on September 13, 1924, Irish-American Scott Brady was christened Gerard Kenneth Tierney (called Jerry) by parents Lawrence and Maria Tierney. His father, chief of New York's aqueduct police force, had always had show business intentions and later did print work after retiring from the force. Both Scott's older and younger brothers, Lawrence Tierney and Edward Tierney went on to become actors as well. Lawrence's promising film noir "bad guy" career was sabotaged by a severe drinking disorder that led to numerous skirmishes with the law. Scott himself faced a narcotics charge in 1957 (charges were dropped, Scott maintained that he was framed) and later (1963) was involved in illegal bookmaking activities. Fortunately, Scott was more cool-headed and wound up avoiding the pitfalls that befell his older brother, making a very lucrative living for himself in Hollywood throughout the 1950s and early 1960s.
Scott grew up in Westchester County and attended Roosevelt and St. Michael's High Schools. Like his older brother Lawrence, Scott he was an all-round athlete in school and earned letters for basketball, football and track and expressed early designs on becoming a football coach or radio announcer. Instead he enlisted before graduating from high school and served as a naval aviation mechanic overseas. During his term of duty he earned a light heavyweight boxing medal. He was discharged in 1946 and decided to head for Los Angeles where his older brother Lawrence was making encouraging strides as an actor. Toiling in menial jobs as a cabbie and day-time laborer, the handsome, blue-eyed looker was noticed having lunch in a café by producer Hal B. Wallis and offered a screen test. The test did not fare well but, not giving up, he enrolled in the Bliss-Hayden drama school under his G.I. Bill, studied acting, and managed to rid himself of his thick Brooklyn accent.
He signed with a minor league studio, Eagle-Lion, and made his debut of sorts in the poverty-row programmer In This Corner (1948) utilizing his boxing skills from his early days in the service. He showed more promise with his second and third films Canon City (1948) and He Walked by Night (1948), the latter as a detective who aids in nabbing psychotic killer Richard Basehart. Scott switched over to higher-grade action stories for Fox and Universal over time. Westerns and crime stories would be his bread-winning genres with The Gal Who Took the West (1949) opposite Yvonne De Carlo and John Russell and Undertow (1949), with Russell again, being prime examples. He frequently switched from hero to heavy during his peak years. In one film he would romance a Jeanne Crain in The Model and the Marriage Broker (1951) or a Mitzi Gaynor in Bloodhounds of Broadway (1952), while in the next beat Shelley Winters to a pulp in Untamed Frontier (1952). A favorite pin-up hunk in his early years, he hit minor cult status as a bad hombre, The Dancin' Kid, in the offbeat western Johnny Guitar (1954). He and the other manly men, however, were somewhat overshadowed in the movie by the Freudian-tinged gunplay between Joan Crawford and Mercedes McCambridge. Other roles had him sturdily handling the action scenes while giving the glance over to such diverting female costars as Barbara Stanwyck, Mala Powers and Anne Bancroft.
Scott would mark the same territory in TV -- westerns and crimers -- finding steadier work on the smaller screen into the 1960s. He starred as the title hero in the western series Shotgun Slade (1959). Stage too was a sporadic source of income with such productions as "The Moon Is Blue", "Detective Story" and "Picnic" under his belt before making his Broadway bow as a slick card sharp opposite Andy Griffith in the short-lived musical "Destry Rides Again" in 1959. He later did the national company of the heavyweight political drama "The Best Man" with his portrayal of a senator.
The seemingly one-time confirmed bachelor decided to settle down after meeting and marrying Mary Tirony in 1967 at age 43. Prior to this he had been linked with such luminous beauties as Gwen Verdon and Dorothy Malone. The couple had two sons. Parts dwindled down in size in later years and he gained considerable weight as he grew older and balder, but he still appeared here-and-there as an occasional character heavy or hard-ass cop in less-important movies such as Doctors' Wives (1971), $ (1971), The Loners (1972) and Wicked, Wicked (1973). Minor TV roles in mini-movies also came his way at a fair pace. Towards the end he was seen in such high-profile big-screen movies as The China Syndrome (1979) and Gremlins (1984). Scott had a collapse in 1981 and was diagnosed with pulmonary fibrosis, a progressive respiratory disease. He later relied on an oxygen tank. He died of the disease four years later and was interred at the Holy Cross Cemetery in Culver City, California.- Emile Meyer was born on 18 August 1910 in New Orleans, Louisiana, USA. He was an actor, known for Paths of Glory (1957), Shane (1953) and Sweet Smell of Success (1957). He died on 19 March 1987 in Covington, Louisiana, USA.
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Colorful American character actor equally adept at vicious killers or grizzled sidekicks. As a child he worked in the cotton fields. He attended Santa Monica Junior College in California and subsequently became an accountant and, at one time, manager of the Bel Air Hotel. Elam got his first movie job by trading his accounting services for a role. In short time he became one of the most memorable supporting players in Hollywood, thanks not only to his near-demented screen persona but also to an out-of-kilter left eye, sightless from a childhood fight. He appeared with great aplomb in Westerns and gangster films alike, and in later years played to wonderful effect in comedic roles.- Tall, rangy Jim Davis spent much of his early career in westerns mainly at Republic Pictures. The Missouri-born and -raised Davis' relaxed, easygoing manner and Southern drawl easily fit most moviegoers' image of the cowboy and Republic put him in a ton of them over the years (the fact that, unlike a lot of movie cowboys, he looked right at home on a horse didn't hurt, either). He alternated between good-guy and villain roles, one of his better ones being that of the devious, murderous fur trapper working for Kirk Douglas' competition in The Big Sky (1952). He is best known, however, for his role as Ewing family patriarch Jock in the long-running TV series Dallas (1978).
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Gruff, burly American character actor. Born in 1903 in Benkelman, Nebraska (confirmed by Social Security records; sources stating 1905 or Denver, Colorado are in error.) Bond grew up in Denver, the son of a lumberyard worker. He attended the University of Southern California, where he got work as an extra through a football teammate who would become both his best friend and one of cinema's biggest stars: John Wayne. Director John Ford promoted Bond from extra to supporting player in the film Salute (1929), and became another fast friend. An arrogant man of little tact, yet fun-loving in the extreme, Bond was either loved or hated by all who knew him. His face and personality fit perfectly into almost any type of film, and he appeared in hundreds of pictures in his more than 30-year career, in both bit parts and major supporting roles. In the films of Wayne and Ford, particularly, he was nearly always present. Among his most memorable roles are John L. Sullivan in Gentleman Jim (1942), Det. Tom Polhaus in The Maltese Falcon (1941) and the Rev. Capt. Samuel Johnson Clayton The Searchers (1956). An ardent but anti-intellectual patriot, he was perhaps the most vehement proponent, among the Hollywood community, of blacklisting in the witch hunts of the 1950s, and he served as a most unforgiving president of the ultra-right-wing Motion Picture Alliance for the Preservation of American Ideals. In the mid-'50s he gained his greatest fame as the star of TV's Wagon Train (1957). During its production, Bond traveled to Dallas, Texas, to attend a football game and died there in his hotel room of a massive heart attack.- Actor
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Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.- Actor
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Stocky tough-guy character actor Richard Jaeckel was one of Hollywood's most prolific supporting stars. Born in Long Island, New York, on October 10, 1926, Jaeckel's family moved to Los Angeles when he was still in his teens. After graduation from Hollywood High School, Jaeckel was discovered by a casting director while working as a mailboy for 20th Century-Fox. Although he had some reluctance to act, Jaeckel accepted a key part in the war epic Guadalcanal Diary (1943) and remained in films for over 50 years, graduating from playing baby-faced teenagers (like Dick Clark, Jaeckel never seemed to age) to gunfighters and hired killers with ease. From 1944-48 he served in the US Navy, and after his discharge he co-starred in Sands of Iwo Jima (1949) with John Wayne. Jaeckel's other notable roles in films include one of a trio of GIs accused of raping a German girl in Town Without Pity (1961)--a standout performance--and The Dirty Dozen (1967) as tough MP Sgt. Clyde Bowren, who goes along on the mission to keep an eye on the prisoners he's trained, a role he reprised in a made-for-TV sequel in 1985. Jaeckel also received an Academy Award nomination as Best Supporting Actor for his funny but tragic performance in Sometimes a Great Notion (1971). Although he appeared in over 70 films, he was very active in television series such as Frontier Circus (1961), Banyon (1971), Firehouse (1974), Salvage 1 (1979), At Ease (1983), Spenser: For Hire (1985) and Supercarrier (1988). From 1991-94 he played Lt. Ben Edwards on the hit series Baywatch (1989). He passed away after a three-year battle with melanoma cancer on June 14, 1997, at the Motion Picture and Television Hospital in Woodland Hills, California. Jaeckel was 70 years old.- Richard Egan has four daughters and one son with Patricia Hardy, to whom he was married for nearly 30 years before he passed away. He honorably served as an officer in the Army during World War II, teaching Judo and bayonet & knife fighting. Mr. Egan attended the University of San Francisco for undergrad, and Stanford for graduate studies. He also taught at and attended Northwestern. He was well known for his talent as a leading man, as well as helping once struggling, now successful actors in getting their big break.
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Jackson DeForest Kelley was born in Toccoa, Georgia, to Clora (Casey) and Ernest David Kelley.
He graduated from high school at age 16 and went on to sing at the Baptist church where his father was a minister. At age 17, he made his first trip outside the state to visit an uncle in Long Beach, California. He intended to stay for two weeks but ended up staying a year. Upon returning home, he told his parents he was moving to California to become an actor. His mother encouraged him but the idea did not go over well with his father.
In California, Kelley was spotted by a Paramount talent scout while working on a United States Navy training film. He became a reliable character actor (often in Westerns in which he often played the villain), but hit the big time when he was offered the role of the somewhat irascible Dr. Leonard "Bones" McCoy on the television series Star Trek (1966). He later reprised his role for a string of successful Star Trek films: Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989), and Star Trek VI: The Undiscovered Country (1991).
DeForest Kelley died at age 79 of stomach cancer in his home in Woodland Hills, Los Angeles on June 11, 1999.- Actor
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For more than three decades Hollywood defaulted to a small core group of actors when it came to casting convincing mobsters, gamblers and racketeers. These often typecast individuals included Joseph Ruskin, Bruce Gordon, Neville Brand, Robert Loggia and...Anthony Caruso. Square-jawed, broad-shouldered and gravelly-voiced, Caruso provided a reliable source of menace and was amply utilised in films and in countless television episodes beginning in 1941.
The son of Italian-American parents, Caruso decided to forgo a career as an opera singer and instead took up acting with a stock company in Long Beach, California. A year later, in 1935, he joined the Pasadena Playhouse. He began in films as a bit player, commenting later that "MGM was the place to be, offering us extras a higher quality of lunch". In his first film, Johnny Apollo (1940), he played a henchman named Joe and there were to be many more of these to come with names like Fingers, Dapper Dan Greco, Chips Malloy, Pinky Luiz and Lucky Grillo. These dastardly nemeses came in a variety of ethnic types, ranging from Italians, Mexicans and Latinos to Greeks and Russians. A close personal friend of the actor Alan Ladd, Caruso featured in eleven of the star's films (the first as a hitman in Lucky Jordan (1942) ). In 1954, he became a member of Ladd's newly formed stock company, Jaguar Films. Whenever Caruso was not gleefully portraying underworld figures (The Iron Mistress (1952) , Hell on Frisco Bay (1955), The Asphalt Jungle (1950)) he was effectively employed as Native American chiefs (Drum Beat (1954), Cattle Queen of Montana (1954), The Lawless Eighties (1957)). On television, he had a popular recurring role as the charming but lethal Comanchero El Lobo on The High Chaparral (1967). Even on a planet (far, far away) in the Star Trek (1966) universe, Caruso -- as crime boss Bela Oxmyx -- was up to his old tricks using James T. & company to eliminate a rival gang and assume control of the government.
In stark contrast to his screen image, Caruso was the consummate family man in private life, happily married for 63 years, and enjoying the simple pleasures of gardening and cooking.also played an Indian in several films- Actor
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William Talman is best known for his role as Hamilton Burger, the district attorney who perpetually lost to Perry Mason in the long-running series Perry Mason (1957). Talman was an accomplished screenwriter and stage and screen actor, and appeared in numerous roles on television as a character actor from the mid-'50s until his death from lung cancer in August of 1968.
He was born William Whitney Talman Jr. on February 4, 1915, in Detroit, Michigan, the first son of William Talman Sr. and Ada B. Talman. His father was vice-president of an electrical company that manufactured industrial heat-measuring recording devices and yachts. During an interview with "TV Guide" in April of 1963, Talman told writer Richard Gehman that his father made a good deal of money, "enough to send me to school in a limousine each day. Public school. That meant I had to fight my way in and out." In school Talman developed an avid interest in athletics, especially boxing and baseball. He furthered his interest in boxing early in life by fighting on the local parish boxing team of the Episcopal Church. At one point in his life he played semi-professional baseball. He was educated at Cranbrook School and later attended Dartmouth College, where his interest in acting first took hold. He left Dartmouth in his sophomore year after an incident in which a freshman he knew "loaned" him a car so that he could go visit a girlfriend at Smith College. A bus forced the car off of the road and it hit a tree. A boy who was with them was killed and it later turned out that the car was stolen. Talman was asked to resign from Dartmouth, which he did. Although invited back the next year, he never returned.
Talman began his acting career on Broadway in the early 1940s. His first roles were in "Beverly Hills", "Yokel Boy" and "Of Mice and Men." He was appearing in "Spring Again" at Henry Miller's Theatre in January of 1942 when he received his draft notice for induction into the US army. Prior to leaving for active duty he married actress Lynne Carter. He entered the army as a private and saw 30 months of service in the Pacific, where he won a commission and eventually was promoted to the rank of major. During the war his assignments included the managing of a school that trained soldiers to put on shows. At one point he was in charge of training boxing and baseball teams. He was proud of the fact that his teams won both the boxing and baseball championships of the Western Pacific. Talman returned to Broadway after the war. Two of his more notable postwar roles were in Joseph M. Hyman's and Bernard Hart's production of "Dear Ruth" in 1946 and Henry Adrian's production of "A Young Man's Fancy" in 1947. In 1949 the actor moved to Hollywood and began making films. His first picture was Red, Hot and Blue (1949), in which he played gangster Bunny Harris. Other movie and television roles soon followed. In 1951 his wife sued him for divorce, citing extreme cruelty. She claimed that Talman had criticized her publicly in front of their friends. The divorce was granted in September of 1952 with custody of the couple's three-year-old daughter, Lynda, and 24% of Talman's income awarded to his former spouse. He went on to perform in over 17 films, several of which he starred in. Some of his more notable films include The Racket (1951), Armored Car Robbery (1950), Smoke Signal (1955), Big House, U.S.A. (1955), One Minute to Zero (1952) and Two-Gun Lady (1955). His best known role was as escaped killer and kidnapper Emmett Myers in the classic film noir The Hitch-Hiker (1953), directed by Ida Lupino. He also co-wrote two feature films, I've Lived Before (1956) and Joe Dakota (1957).
Talman married actress Barbara Read in 1952. The couple had two children, Barbie and Billy, but they separated in September of 1959. In a tragic turn of events, his former wife took her own life in December of 1963 by closing up her house and turning on the gas jets. Notes she left behind blamed ill health for her action. In March of 1960 Talman made headlines when he was arrested during a police raid of an alleged "wild nude party" being held at the home of an acquaintance, Richard Reibold. The incident caused CBS to invoke a morals clause in his contract that cost him his job on "Perry Mason." The charges were eventually dropped after a trial that was closely followed by the newspapers and sensationalized by the tabloids. Talman always maintained his innocence, and following the trial the judge in the case criticized the police for arresting him. He remained off the show until December of 1960, when CBS reinstated him after a flood of fan mail from supporters. He married Margaret (Peggy) Flanigan and adopted her two children from a previous marriage, Steve and Debbie. After the "Perry Mason" show ended in 1966, Talman went on a six-week tour of Vietnam to entertain the troops. Upon his return home, it was discovered that he had lung cancer. His last film was The Ballad of Josie (1967), with Doris Day.
Near the end of his life, Talman did something that, while common nowadays, was an extraordinarily courageous thing for an actor to do at that time. A heavy smoker for most of his life, he was angered by a newspaper article he read about actors being afraid to make anti-smoking messages for fear of losing opportunities to make lucrative cigarette commercials. He decided to do something about it. Talman volunteered to make a short film for the American Cancer Society, part of which was shown in late 1968 and 1969 as a television anti-smoking commercial. He was the first actor to ever make such a commercial. When the message was being filmed, Talman knew he was dying, was in a great deal of pain and was in fact under heavy sedation for it. The short film begins, "Before I die I want to do what I can to leave a world free of cancer for my six children . . . ",
William Talman died of cardiac arrest due to complications from lung cancer at West Valley Community Hospital in Encino, California, on August 30, 1968, at the age of 53. Although his life was short, he left an enduring legacy through his writing, his acting, his heroism and his never-ending championing of the underdog.- Actor
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Jeff Corey was a film and television character actor, as well as one of the top acting teachers in America.
Corey was born Arthur Zwerling on August 10, 1914 in New York City, New York, to Mary (Peskin), a Russian Jewish immigrant, and Nathan Zwerling, an Austrian Jewish immigrant. He was an indifferent student, but after taking a drama class in high school, young Corey became hooked. His talent earned him a scholarship to the Feagin School of Dramatic Arts, the top acting school in New York City at the time. Corey then became a professional actor, a career choice which saved him from a life selling sewing machines, he later said.
His first gig after acting school was with a Shakespearean repertory company, after which he became a member of a traveling troupe that entertained children. After Leslie Howard closed his Broadway production of Hamlet in December 1936, he took the play on the road with Corey cast as Rosencrantz in 1937. In 1939, Corey appeared as part of the Federal Theater Project's (FTP) Living Newspaper dramatic showcase in the Life and Death of an American, co-starring with Arthur Kennedy, and featuring the music of Alex North. He made his film debut in a bit part in the Federal Theater's sole movie production, ...One Third of a Nation... (1939). Starring Sylvia Sidney, Leif Erickson and future Oscar-winning director Sidney Lumet, the movie, which was released by Paramount, was a progressive exegesis on the hazards of tenement slum conditions. Congress terminated FTP funding on June 30, 1939, mainly due to objections to the leftist political tones of many FTP productions (see Tim Robbins' movie Cradle Will Rock (1999) about the pressures faced by the FTP in 1939).
In 1940, Corey, who had married his wife Hope in 1938, moved to Hollywood, where he appeared in studio productions through 1943, including The Devil and Daniel Webster (1941), My Friend Flicka (1943) and Joan of Arc (1948). He also had a hand in establishing the Actors Lab, where he appeared in a wide variety of plays, including "Abe Lincoln in Illinois", "Miss Julie" and "Prometheus". He also produced "Juno and the Paycock" for the Lab. He joined the United States Navy Photographic Service in 1943 and was assigned to the aircraft carrier Yorktown as a motion picture combat photographer. He earned three citations while serving during the war, including one for shooting footage on the Yorktown during a kamikaze attack on the ship. The citation, which was awarded in October 1945, read: "His sequence of a Kamikaze attempt on the Carrier Yorktown, done in the face of grave danger, is one of the great picture sequences of the war in the Pacific, and reflects the highest credit upon Corey and the U.S. Navy Photographic Service."
After the war, Corey returned to Hollywood and resumed his acting career, specializing in character parts and playing heavies in films such as The Killers (1946) and Brute Force (1947), both of which starred another returning war vet, Burt Lancaster. His appearance as the psychiatrist in Home of the Brave (1949), one of his best screen performances, promised a long and productive career in Hollywood, but the first phase of his cinema career was cut short in 1951 when he was subpoenaed to appear before the House Committee on Un-American Activities (HUAC) after being named as a former Communist Party member by actor Marc Lawrence.
HUAC had scheduled hearings in Los Angeles as part of its crusade to ferret out Communist influence in Hollywood. Appearing before HUAC in Los Angeles in September 1951, the 37-year-old Corey refused to testify, instead invoking his 5th Amendment rights. The movie industry ruled that anyone invoking their constitutional right not to testify would be blacklisted, and Corey was, missing out on an entire decade of work in films and television during the 1950s. Ironically, Lawrence, whom Corey despised for the rest of his life, pointing out that he had remained stateside on a health deferment while Corey risked his life during the war, was virtually absent from American films and television during the same decade, having to make his living in Italy along with American expatriates who had been blacklisted.
In the book on Hollywood blacklistees "Tender Comrades", Corey explained that he had been a member of the Communist Party, and that while he no longer was in 1951, he could not in good conscience turn informer. "Most of us were retired reds," Corey said. "We had left it, at least I had, years before. The only issue was, did you want to just give them their token names so you could continue your career, or not? I had no impulse to defend a political point of view that no longer interested me particularly. They just wanted two new names so they could hand out more subpoenas."
After being blacklisted, Corey used his G.I. Bill benefits to study speech therapy at UCLA while supporting his family as a common laborer. At the request of a fellow student, Corey organized a class in speech that he taught in the garage of his home in Hollywood Hills home. He expanded his curriculum to acting, accepting $10 a month in "tuition" per month from each student that allowed them to attend weekly classes. Eventually, he expanded the garage to create a small theater where his students performed scenes. Corey's reputation as a teacher grew, and by the mid-1950s, he had become the premier acting coach in Hollywood. Although studios refused to hire the blacklisted Corey as an actor, they did send contract players to study with him.
Corey's class, which became known as the Professional Actors Workshop, attracted directors, screenwriters and established actors seeking insight into the craft. Corey's Workshop has been described by the National Observer as "A major influence in the motion picture industry." Corey was a Stanislavskian teaching the popular Method technique of sense-memory popularized by such other acting gurus as Lee Strasberg and Stella Adler, which sought to tap into the actor's own emotions and psyche. Corey's own teaching technique was eclectic: He focused on one-on-one work with an individual actor, seeking through improvisational exercises to get the actor to tap into his/her subconscious and to use their imagination to come up with a theme that would elucidate their character.
His students included Robert Blake, pop singer Pat Boone, Richard Chamberlain, singer/actress Cher, director-producer Roger Corman, James Dean, Kirk Douglas, Jane Fonda, Peter Fonda, Michael Forest, Sally Kellerman, Irvin Kershner, Shirley Knight, Penny Marshall, Rita Moreno, Jack Nicholson, Leonard Nimoy, Anthony Perkins, Rob Reiner, singer/actress/director Barbra Streisand, future Academy Award-winning screenwriter Robert Towne and Robin Williams. Of Corey the teacher, three-time Oscar-winner Jack Nicholson said after he had become a major movie star, "Acting is life study, and Corey's classes got me into looking at life as an artist."
Corey also tutored experienced actors who had trouble with a role, or who just needed insight into playing a character. One of the already-established actors Corey tutored was three-time Oscar nominee Kirk Douglas, who came to Corey for help in playing the title role in Spartacus (1960). It was Douglas who, along with Otto Preminger, ended the blacklist by hiring Dalton Trumbo to write the screenplays for Spartacus (1960) and Exodus (1960), respectively. Two years after the Trumbo-penned films debuted on the big screen, Corey again was working in films and television. In 1962, he was cast in the film The Yellow Canary (1963) when one of his acting students, pop singer Pat Boone, pressured 20th-Century Fox into hiring him. Now off the blacklist, Corey became a busy character actor in movies and on television. Corey made his reputation as an actor's actor whom other actors loved to work with. Always good with actors, Corey also directed some episodes of television series.
In addition to his acting work, Corey continued teaching. He was Professor of Theater Arts at California State University in Northridge, and was artist in residence at Ball State, in Indiana, the University of Illinois in Bloomington, Chapman College's World Campus Afloat, the University of Texas in Austin, and at the Graduate School of Creative Writing at New York University. He also conducted acting seminars at Emory University in Atlanta, and for the Canadian Film Institute in Vancouver, British Columbia.
On August 16, 2002, six days after his 88th birthday, Corey died in a Santa Monica, California hospital, of complication from a fall. He was survived by his wife of 64 years, Hope, three daughters, and grandchildren.- Actor
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A rather wanderlust fellow before he latched onto acting, Denver Pyle--who made a career of playing drawling, somewhat slow Southern types--was actually born in Colorado in 1920, to a farming family. He attended a university for a time but dropped out to become a drummer. When that didn't pan out he drifted from job to job, doing everything from working the oil fields in Oklahoma to the shrimp boats in Texas. In 1940 he moseyed off to Los Angeles and briefly found employment as a (somewhat unlikely) NBC page. That particular career was interrupted by World War II, and Pyle enlisted in the navy. Wounded in the battle of Guadalcanal, he received a medical discharge in 1943. Working for an aircraft plant in Los Angeles as a riveter, the rangy actor was introduced to the entertainment field after receiving a role in an amateur theater production and getting spotted by a talent scout. Training with such renowned teachers as Maria Ouspenskaya and Michael Chekhov, he made his film debut in The Guilt of Janet Ames (1947). Pyle went on to roles in hundreds of film and TV parts, bringing a touch of Western authenticity to many of his roles. A minor villain or sidekick in the early 1950s, he often received no billing. Prematurely white-haired (a family trait), he became a familiar face on episodes of Gunsmoke (1955) and Bonanza (1959) and also developed a close association with actor John Wayne, appearing in many of Wayne's later films, including The Horse Soldiers (1959), The Alamo (1960), The Man Who Shot Liberty Valance (1962) and Cahill U.S. Marshal (1973). Pyle's more important movie roles came late in his career. One of his most memorable was in Bonnie and Clyde (1967) as Texas Ranger Frank Hamer, the handcuffed hostage of the duo, who spits in Bonnie's (Faye Dunaway) face after she coyly poses with him for a camera shot. He settled easily into hillbilly/mountain men types in his later years and became a household face for his crotchety presence in The Life and Times of Grizzly Adams (1977) and, especially, The Dukes of Hazzard (1979). He died of lung cancer at age 77.- A big, brawny villain of many 1940s and 1950s films, Ted de Corsia was an actor in touring companies and on radio before making a memorable film debut as the killer in The Lady from Shanghai (1947). Although he occasionally played such sympathetic roles as a judge or prison warden, de Corsia's imposing size, tough New York street demeanor - he was born and raised in Brooklyn - and gravelly voice assured him steady work playing murderous street thugs, outlaw gang leaders or organized-crime bosses. One of his best-remembered roles was as the head of a murder-for-hire gang who turns state's evidence in the Humphrey Bogart crime thriller The Enforcer (1951).
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American Western star and character actor whose career spanned six decades. The son of director Robert N. Bradbury, he appeared in vaudeville with his parents and with his twin brother Bill Bradbury appeared as a child in a series of 16 semi- documentary short films directed by their father, The Adventures of Bob and Bill. As Bob Bradbury Jr., he played juvenile roles in silent films, then took the stage name Bob Steele in 1927. He appeared in scores of films during the Thirties, rising to B-Western stardom and an apparently solid position as one of Republic Studios' top draws. Occasionally he made an appearance in more prominent films, as in his role as Curly in Of Mice and Men (1939). But he remained primarily a figure in Westerns. His stardom diminished by the mid-40s, and he spent the next quarter-century in character roles, some highly visible, such as his part in The Big Sleep (1946). But he also eventually turned up as a virtual extra in pictures like Shenandoah (1965). He appeared often on television and regained some fame in his role as Trooper Duffy in F Troop (1965). He died at St. Joseph's Hospital in Burbank, California, following a long illness.- A tall, powerfully built man, Douglas Kennedy entered films after graduating from Amherst. Making his debut in 1940, he appeared in many westerns and detective thrillers, often as a villain. World War II interrupted his career, and he spent the war years as a Signal Corps officer and an operative in the OSS and US Army Intelligence. After the war he returned to Hollywood, where he began playing supporting roles in larger films and an occasional lead in a lower-budget film. He is most fondly remembered, though, by audiences of the 1950s for two roles: his western TV series Steve Donovan, Western Marshal (1955), and as one of the policemen taken over by the Martians in the sci-fi classic Invaders from Mars (1953).
- Frank DeKova parlayed a sinister scowl, piercing eyes and an all-around menacing attitude into a long career of playing cold-blooded trigger-men, rampaging Indian chiefs, brutal Mexican army officers and the like. So it would probably come as a shock to those who know his work to discover that, before he became an actor, he was--of all things--a schoolteacher.
Born in New York in 1910, DeKova gave up teaching for the stage, and played in many Shakespearean productions before getting work on Broadway. One of his first starring roles was in the classic detective play "Detective Story", which got him noticed and brought to Hollywood. He debuted in Viva Zapata! (1952) as the devious Mexican colonel who sets up Zapata's assassination. For the next several years he played an assortment of gangsters, killers, gunfighters and Indians--with time out to play a prehistoric patriarch in Roger Corman's campy Teenage Cave Man (1958)--and did much television work, including a standout job as a Mafia hit-man assigned to kill Elliot Ness in The Untouchables: Part 1 (1959). The role for which he will be most remembered, however, is probably the one that was his most atypical: the scheming, somewhat untrustworthy but very funny Hekawi Chief Wild Eagle, the partner to Forrest Tucker's Sgt. O'Rourke in O'Rourke's various schemes to make money, in the western comedy series F Troop (1965). He showed a previously unknown talent for comedy and managed to steal most of the scenes he was in from such veterans as Tucker and Larry Storch. He died in his sleep in 1981. - Actor
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Born in Oklahoma, Ben Johnson was a ranch hand and rodeo performer when, in 1940, Howard Hughes hired him to take a load of horses to California. He decided to stick around (the pay was good), and for some years was a stunt man, horse wrangler, and double for such stars as John Wayne, Gary Cooper and James Stewart. His break came when John Ford noticed him and gave him a part in an upcoming film, and eventually a star part in Wagon Master (1950). He left Hollywood in 1953 to return to rodeo, where he won a world roping championship, but at the end of the year he had barely cleared expenses. The movies paid better, and were less risky, so he returned to the west coast and a career that saw him in over 300 movies.- Actor
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Born Robert Alexander Cochran, son of a California lumberman, he worked mostly in the theatre before landing a contract with Samuel Goldwyn in 1945. His debut was Wonder Man (1945) with Virginia Mayo and Danny Kaye. From 1949 to 1952, he was signed to Warner Brothers, then started up his own production company. In 1965, he sailed off in his yacht to Guatemala to look for suitable filming locations but died of a lung infection before reaching land.- Actor
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Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast, that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.- Actor
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William Conrad became a television star relatively late in his career. In fact, the former Army Air Corps World War II fighter pilot began his screen career playing heavies. He was Max, one of The Killers (1946) hired to finish off Burt Lancaster in his dingy lodgings. He was the corrupt state inspector Turck working for the syndicate in The Racket (1951). He was a mobster in Sorry, Wrong Number (1948), the murderous gunslinger Tallman in Johnny Concho (1956) and sleazy nightclub owner Louie Castro who claimed to be 60% legitimate in Cry Danger (1951).
When not essaying outright villainy, Bill played characters like the tough fight promoter Quinn in Body and Soul (1947) or the doom-laden province commissioner in The Naked Jungle (1954). The portly, balding, crumple-faced, self-confessed gourmand had an ever-present weight problem (at one time 260 lbs.) which proved to be a natural obstacle to progressing to more substantial leading film roles. That, however, didn't hinder a very successful career in radio. In fact, Bill himself estimated that he had played in excess of 7,000 radio parts. Even if that was an exaggeration, his gravelly, resonant voice was certainly heard on countless broadcasts from "Buck Rogers" to "The Bullwinkle Show," from portraying Marshall Matt Dillon in "Gunsmoke" on the radio (before James Arness got the part on screen) to narrating the adventures of Richard Kimball in the television program The Fugitive (1963). In "The Wax Works," an episode of the anthology series Suspense (1949) in 1956, he voiced each and every part.
Since his corpulence effectively precluded playing strapping characters like Matt Dillon, Bill began to concentrate on directing and producing by the early 1960's. This, ironically, included episodes of Gunsmoke (1955). In 1963, he contributed to saving 77 Sunset Strip (1958) for yet another season. Later in the decade, he produced and directed several films for Warner Brothers, including the thriller Brainstorm (1965) with Jeffrey Hunter and Anne Francis. He returned to acting in 1971 to become the unlikely star of the Quinn Martin production Cannon (1971), for which he is chiefly remembered. Bill imbued the tough-talking, no-nonsense character of Frank Cannon with enough humanity and wit to make the series compelling but, despite the show's popularity, he made his views clear in a 1976 Times interview that he found himself poorly served by the scripts he had been given. A planned sequel, The Return of Frank Cannon (1980) failed to get beyond the movie-length pilot, but the actor's popularity resulted in another starring role in Jake and the Fatman (1987) as District Attorney McCabe, co-starring with Joe Penny) and a brief run as eccentric detective Nero Wolfe (1981). A self-effacing man with a good sense of humor and never afraid to speak his mind, Bill Conrad died of heart failure in February 1994. He was elected to the Broadcasting and Cable Hall of Fame and (posthumously) to the Radio Hall of Fame in 1997.