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- Writer
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Dashiell Hammett was born May 27, 1894, in St. Mary's County, Maryland, to Richard Hammett and Mary Bond. He joined the Baltimore branch of the Pinkerton Detective Agency in 1915. He enlisted in the US Army's Ambulance Corps in June 1918 and was posted to a camp 20 miles from Baltimore, where he caught the flu, which developed into tuberculosis. He was invalided out of the army in July 1919 and returned to Pinkerton's. Hammett entered the veterans hospital near Tacoma, Washington, with tuberculosis in 1920. Upon his release he worked at Pinkerton's Spokane branch. Hospitalized again with tuberculosis, he met and courted a nurse, Josephine Dolan. In February 1921 he was moved to an army hospital near San Diego. After he was released he married a now-pregnant Josie in San Francisco. Hammett worked for the San Francisco branch of Pinkerton's, but left the agency in 1921 or 22 due to ill health. He took a writing course and sold droll vignettes to "The Smart Set" magazine during 1922, and some short stories to other magazines. He began to sell detective stories to "The Black Mask" from 1923. After the birth of the couple's second daughter in 1926, Hammett gave up freelance writing and became an advertising copy writer for the jeweler Albert Samuels, but left after six months due to ill health. Forced by his tuberculosis to live apart from Jose and the children, the marriage eventually broke up. Hammett supported himself through writing, chiefly for "The Black Mask", now under editor Joe Shaw. Hammett's long short stories were republished in novel form by Alfred Knopf. In 1929 Hammett moved to New York. After the success of his novel "The Maltese Falcon", he was engaged as a screenwriter by Paramount Pictures and moved to Hollywood, where he met Lillian Hellman. He returned to New York in 1931, where he wrote "The Glass Key". "The Thin Man" was published as a magazine serial in 1933. Hammett was encouraged by Hearst to write the "Secret Agent X9" comic strip, which ran from 1934-35, his last original work. In 1942 he re-enlisted in the army and was posted to the Aleutian Islands off of Alaska, where he edited The Adakian. When discharged in 1945, he returned to New York and became President of the NY Civil Rights Congress. In July 1951 Hammett was subpoenaed to testify on the Civil Rights Congress' bail fund, and was jailed for refusing to answer questions. Upon his release from jail, he was presented with a bill by the Internal Revenue Service for $111,000 in back taxes. In failing health, he lived off and on with Hellman. In 1961 he was admitted to New York's Lenox Hill Hospital, New York, where he died on January 10.- Writer
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- Producer
Preston Sturges' own life is as unlikely as some of the plots of his best work. He was born into a wealthy family. As a boy he helped out on stage productions for his mother's friend, Isadora Duncan (the scarf that strangled her was made by his mother's company, Maison Desti). He served in the U.S. Army Signal Corps during WWI. Upon his return to Maison Desti, he invented a kissproof lipstick, Red-Red Rouge, in 1920. Shortly after his first marriage, his mother demanded that he return control of the company to her. Kicked out of Maison Desti, he turned to inventing. A tickertape machine, an intaglio photo-etching process, an automobile and an airplane were among his some of his commercially unsuccessful inventions. He began writing stories and, while recovering from an appendectomy in 1929, wrote his first play, "The Guinea Pig". In financial trouble over producing his plays, he moved to Hollywood in 1932 to make money. It wasn't long before he became frustrated by the lack of control he had over his work and wanted to direct the scripts he wrote. Paramount gave him this chance as part of a deal for selling his script for The Great McGinty (1940), at a cheap price. The film's success launched his career as writer/director and he had several hits over the next four years. That success emboldened him to become an independent filmmaker, but that did not last long--he had a string of commercial failures and acquired a reputation as an expensive perfectionist. He moved to France to make what turned out to be his last movie, The French, They Are a Funny Race (1955). He died at the Algonquin Hotel, New York City, in 1959.- Writer
- Actor
American novelist Eric Stow Hatch was born in New York City in 1901. His father was an investment banker on Wall Street, and at age 17 Hatch dropped out of school and went to work for his father's firm, staying for ten years. His career was interrupted by World War I, during which he served two years with the New York National Guard. At war's end he returned to Wall Street, but even during that time he was writing stories and getting them published. By 1928 he was successful enough that he left Wall Street to devote full time to writing. It wasn't long before Hollywood came calling. He is probably best known for his story "My Man Godfrey", which was made into the now-classic My Man Godfrey (1936).
Eric Hatch died on July 4, 1973, in Torrington, CT.- Writer
- Actor
- Soundtrack
Donald Ogden Stewart was born on 30 November 1894 in Columbus, Ohio, USA. He was a writer and actor, known for The Philadelphia Story (1940), An Affair to Remember (1957) and Not So Dumb (1930). He was married to Leonore (Ella) Sophie Winter Steffens and Beatrice Ames. He died on 2 August 1980 in London, England, UK.- Philip Barry was born on 18 June 1896 in Rochester, New York, USA. He was a writer, known for The Philadelphia Story (1940), Holiday (1938) and High Society (1956). He was married to Ellen Marshall Semple. He died on 3 December 1949 in New York City, New York, USA.
- Writer
- Producer
- Director
Robert Riskin was born on 30 March 1897 in New York City, New York, USA. He was a writer and producer, known for It Happened One Night (1934), You Can't Take It with You (1938) and Mr. Deeds Goes to Town (1936). He was married to Fay Wray. He died on 20 September 1955 in Beverly Hills, Los Angeles, California, USA.- Writer
- Additional Crew
- Director
American playwright of acerbic wit. Twice won the Pulitzer Prize, and is best known for his collaborative authorship of "Once in a Lifetime," with Moss Hart (1930); "Of Thee I Sing," with Morrie Ryskind and Ira Gershwin (1931); "Dinner at Eight," with Edna Ferber (1932); "You Can't Take It with You" and "The Man Who Came to Dinner," again with Hart (1936 and 1939, respectively) and "The Solid Gold Cadillac," with Howard Teichmann (1953). (George Gershwin supplied the music for "Of Thee I Sing.")- Writer
- Actor
Popular British novelist, playwright, short-story writer and the highest-paid author in the world in the 1930s, Somerset Maugham graduated in 1897 from St. Thomas' Medical School and qualified as a doctor, but abandoned medicine after the success of his first novels and plays. During World War I he worked as a secret agent and in 1928 settled in Cap Ferrat in France, from where he made journeys all over the world. Maugham's spy novel "Ashenden; or The British Agent" (1928) is partly based on his own experiences in the secret service. In making the transition from secret agent to writer, Maugham carried on in the tradition of such classic writers as Christopher Marlowe, Ben Johnson and Daniel Defoe to such contemporary writers as Graham Greene, John le Carré, John Dickson Carr, Alec Waugh and Ted Allbeury. Maugham's skill in handling plot is compared by critics to that of Guy de Maupassant. In many of Maugham's novels the surroundings are international and the stories are told in a clear, economical style with a cynical or resigned undertone. Although Maugham was successful as an author he was never knighted and his relationship with Gerald Haxton, his secretary, has been subject to speculation.- Writer
- Producer
- Actor
Herman J. Mankiewicz, now known primarily as the man who co-wrote Citizen Kane (1941) with Hollywood's greatest wunderkind, Orson Welles, was one of the highest-paid screenwriters in Hollywood and the head of Paramount's screen-writing department in the late 1920s and early '30s. He reached the pinnacle of his craft soon after arriving in Hollywood, then started to make a quickening descent as alcoholism and cynicism adversely affected his career by the end of that decade. His collaboration with Welles, which brought both men the Academy Award for Best Original Screenplay in 1942, gave his career a boost in the early 1940s, and he garnered another Oscar nod the following year for writing The Pride of the Yankees (1942) about the recently deceased New York Yankees great Lou Gehrig.
Herman was born on November 7, 1897 in New York City, the son of Johanna (Blumenau) and Franz Mankiewicz. His parents were Jewish emigrants from Germany, and after living in Wilkes-Barre, Pennsylvania, the family, along with Herman's kid brother Joe, moved back to the Big Apple in 1913. Mankiewicz took a degree in philosophy at Columbia and became an editor of the "American Jewish Chronicle" before going to fight the Great War with the Marine Corps.
The hard-drinking Mankiewicz, like so many of the screenwriters of the Talkie period, started out as a newspaperman. After World War One was over, he was hired by the Paris-based American Red Cross News Service, eventually moving on to the "Chicago Tribune" where he covered German politics in Berlin. He served as dancer Isadora Duncan's publicist while in Europe.
A married man who ultimately sired three children with his long-suffering wife, the former Sara Aaronson, Mankiewicz returned to the city of his birth to write for the "New York World". He established himself as a prime wit rivaled only by George S. Kaufman, and pieces he wrote appeared in the top magazines of the time, including "Vanity Fair." He eventually worked at the "New York Times" with Kaufman as a drama critic before moving on to the "New Yorker" magazine, where he served in the same capacity. He also tried his hand as a Broadway dramatist. His comedy "The Good Fellow" was a flop in 1926, closing after seven performances, though his next effort, "The Wild Man of Borneo (1941)" that he co-wrote with Marc Connelly, lasted all of 15 performances before closing in 1927.
In the last years of silent pictures, Mankiewicz heeded the admonition of Horace Greeley to "Go West, young man" and moved to Hollywood. He wrote intertitles, most notably for Josef von Sternberg's classic The Last Command (1928). Paramount made him the chief of their scenario department, where he hired talented writers in his own mold, men like Ben Hecht, another hard-drinking, ink-stained wretch from the newspaper industry. "Mank" was a talented wordsmith and he soon became the highest paid writer in Hollywood, as his position was solidified with the advent of sound and the need for real dialogue that could be spoken onscreen by actors, not read by audiences, many of whom moved their lips while following along, eyes agog. The new Talkies demanded fast, crisp dialogue, and Mank was the man to provide it. His biting wit and taste for satire went down well with the audiences for the new Talkies. He eventually brought his kid brother Joseph L. Mankiewicz to Hollywood. (With four Oscars out of 10 nominations, Joe -- a triple threat as writer-director-producer -- eventually surpassed his elder brother, creating some classics of his own such as All About Eve (1950).)
Herman Mankiewicz produced the The Marx Brothers pictures Monkey Business (1931), Horse Feathers (1932) and Duck Soup (1933). His penultimate gig as a producer at Paramount was on W.C. Fields's 1932 Olympics comedy Million Dollar Legs (1932), on which brother Joe worked as a writer. Surprisingly, Herman wold not produce another movie until 1949, but his bad-boy behavior, which included gambling as well as hard partying, apparently was taking its toll. Mankiewicz's career was hampered not just by his alcoholism, but also by his cynicism. He despised Hollywood.
Mankiewicz went back to New York in early 1932 to make his Broadway debut as an actor, playing a waiter, in the play "Blessed Event", which was a modest hit. Eventually, Paramount let him go. By 1934, he was a contact writer at Metro-Goldwyn-Mayer, and by the end of the decade, his reputation was suffering, as he had lost the lofty perch he once occupied.
Orson Welles claimed that he had to assign producer John Houseman to keep Mankiewicz sober during the drafting of the "Citizen Kane" screenplay. After that film gave his career a boost, film critic Pauline Kael wrote that he became even more erratic and unreliable due to his drinking. Mankiewicz apparently found it hard to fit into the increasingly hierarchical structure of the movie industry, which was far removed from the far more relaxed days of the early talkies.
He died in Hollywood, a place he despised, at the age of 55 on March 5, 1953.- Writer
- Producer
- Director
Born in Wilkes-Barre, Pennsylvania, on February 11, 1909, Joseph Leo Mankiewicz first worked for the movies as a translator of intertitles, employed by Paramount in Berlin, the UFA's American distributor at the time (1928). He became a dialoguist, then a screenwriter on numerous Paramount productions in Hollywood, most of them Jack Oakie vehicles. Still in his 20s, he produced first-class MGM films, including The Philadelphia Story (1940). Having left Metro after a dispute with studio chief Louis B. Mayer over Judy Garland, he then worked for Darryl F. Zanuck at 20th Century-Fox, producing The Keys of the Kingdom (1944), when Ernst Lubitsch's illness first brought him to the director's chair for Dragonwyck (1946). Mankiewicz directed 20 films in a 26-year period, successfully attempted every kind of movie from Shakespeare adaptation to western, from urban sociological drama to musical, from epic film with thousands of extras to a two-character picture. A Letter to Three Wives (1949) and All About Eve (1950) brought him wide recognition along with two Academy Awards for each as a writer and a director, seven years after his elder brother Herman J. Mankiewicz won Best Screenplay for Citizen Kane (1941). His more intimate films like The Ghost and Mrs. Muir (1947), The Barefoot Contessa (1954)--his only original screenplay--and The Honey Pot (1967) are major artistic achievements as well, showing Mankiewicz as a witty dialoguist, a master in the use of flashback and a talented actors' director (he favored English actors and had in Rex Harrison a kind of alter-ego on the screen).- Writer
- Actor
- Music Department
Noel Coward virtually invented the concept of Englishness for the 20th century. An astounding polymath - dramatist, actor, writer, composer, lyricist, painter, and wit -- he was defined by his Englishness as much as he defined it. He was indeed the first Brit pop star, the first ambassador of "cool Britannia." Even before his 1924 drugs-and-sex scandal of The Vortex, his fans were hanging out of their scarves over the theater balcony, imitating their idol's dress and repeating each "Noelism" with glee. Born in suburban Teddington on 16 December 1899, Coward was on stage by the age of six, and writing his first drama ten years later. A visit to New York in 1921 infused him with the pace of Broadway shows, and he injected its speed into staid British drama and music to create a high-octane rush for the jazz-mad, dance-crazy 1920s. Coward's style was imitated everywhere, as otherwise quite normal Englishmen donned dressing gowns, stuck cigarettes in long holders and called each other "dahling"; his revues propagated the message, with songs sentimental ("A Room With A View," "I'll See You Again") and satirical ("Mad Dogs and Englishmen," "Don't Put Your Daughter On the Stage, Mrs. Worthington"). His between-the-wars celebrity reached a peak in 1930 with "Private Lives," by which time he had become the highest earning author in the western world. With the onset of World War II he redefined the spirit of the country in films such as This Happy Breed (1944), In Which We Serve (1942), Blithe Spirit (1945) and, perhaps most memorably, Brief Encounter (1945). In the postwar period, Coward, the aging Bright Young Thing, seemed outmoded by the Angry Young Men, but, like any modern pop star, he reinvented himself, this time as a hip cabaret singer: "Las Vegas, Flipping, Shouts "More!" as Noel Coward Wows 'Em in Cafe Turn" enthused Variety. By the 1960s, his reappraisal was complete -- "Dad's Renaissance", called it -- and his "Hay Fever" was the first work by a living author to be produced at the National Theatre. He was knighted -- at last -- in 1970, and died in his beloved Jamaica on 26 March 1973. Since his death, his reputation has grown. There is never a point at which his plays are not being performed, or his songs being sung. A playwright, director, actor, songwriter, filmmaker, novelist, wit . . . was there nothing this man couldn't do? Born into a musical family he was soon treading the boards in various music hall shows where he met a young girl called Gertrude Lawrence, a friendship and working partnership that lasted until her death. His early writings were mainly short songs and sketches for the revue shows popular in the 1920s, but even his early works often contained touches of the genius to come ("Parisian Pierrot" 1923). He went on to write and star (with Gertie) in his own revues, but the whiff of scandal was never far away, such as that from the drug addict portrayed in "The Vortex." Despite his obvious homosexual lifestyle he was taken to the hearts of the people and soon grew into one of the most popular writer/performers of his time.- Writer
- Script and Continuity Department
Robert E. Sherwood, a brilliant multifaceted writer, was born to Arthur Murray and Rosina Emmet Sherwood, educated at the Milton Academy (Massachusetts) and Harvard, and was wounded while serving with the Canadian Black Watch in WWI. His literary career started with jobs as movie critic at Vanity Fair and Life magazines, but he became a full-time writer with the success of his play "The Road to Rome" in 1927. His first movie writing job came in 1924, rewriting the subtitles for The Hunchback of Notre Dame (1923). Over the years he worked with most of the major talents in the film business, including Alexander Korda, George S. Kaufman and Samuel Goldwyn, often working without credit. During WWII Sherwood served in a number of posts, most notably as director of the overseas branch of the Office of War Information (OWI). He resigned in 1944 and returned to film writing, winning an Oscar for his script for The Best Years of Our Lives (1946). Sherwood received numerous literary awards throughout his career, including the Pulitzer Prize in 1936, '39, '41, and '49, and the Bancroft Prize for distinguished writing in American history in 1949.- Anne Loos was born on 4 November 1915 in St. Louis, Missouri, USA. She was an actress, known for The Outer Limits (1963), Mannix (1967) and Suspicion (1957). She died on 3 May 1986 in Los Angeles, California, USA.
- Writer
- Script and Continuity Department
The playwright, screenwriter, essayist, raconteur and consummate wit Samuel Nathaniel Behrman became known as Broadway's pre-eminent author of sophisticated high comedy. Born in Worcester, Massachusetts, the son of a devout Jewish grocer, he grew up in fairly impoverished circumstances. He attended Clark College from 1912 but was suspended two years later for refusing to participate in compulsory physical education classes. Undeterred, Behrman enrolled at Harvard, studied drama at "47 Workshop" and English under Professor Charles Townsend Copeland, eventually publishing and selling (for $15) his first story "La Vie Parisienne". Having earned his bachelor's degree he moved to New York to further hone his writing skills. With the financial backing of his older brothers he was able to complete his M.A. at Columbia University in 1918. He then took on a position with The Times where he was put in charge of the Book Review 'queries and answers' section. Bored, he left this job and for the next few years "lived from hand to typewriter" near Times Square, turning out short stories and magazine articles.
Behrman was on the verge of accepting a teaching position at the University of Minnesota in 1926 when he was persuaded by a friend to write his first play, "The Second Man". Initially rejected by the Theatre Guild's script reader, this three-act comedy was brought to the attention of producer Lawrence Langner who recognised its potential. Starring Alfred Lunt and Lynn Fontanne, it did indeed become an instant success on Broadway and was equally lauded in London with Noël Coward in the lead role as the second-rate novelist Clark Storey. Many English theatre-goers at the time became convinced that Coward himself had written the piece under the pseudonym 'S.N. Behrman'. After "The Second Man" came other hits, including "Brief Moment " (1931), "Biography" (1932) and "End of Summer" (1936). The latter -- a satire on inherited wealth -- firmly established Behrman as a master of ironic, cosmopolitan drawing room comedy. His plays were invariably populated by larger-than-life characters, possessed of mordant wit and intellect and enacted by top stars of the stage. They also usually tended to be rather well-heeled. As the actor Hiram Sherman once pointed out: "even his bums are affluent" (NY Times, Sept.10, 1973).
Inevitably, Behrman was invited by Hollywood to adapt some of his own work for the screen (specifically, Brief Moment (1933) and The Pirate (1948)). His talent for dialogue was also gainfully employed via contributions to such literary classics as Queen Christina (1933), The Scarlet Pimpernel (1934), Anna Karenina (1935) and A Tale of Two Cities (1935). First signed with Fox (1930-33), Behrman spent the majority of his time at MGM (1933-37 and 1939-41) where he became Greta Garbo's favourite screenwriter. His last noteworthy effort for the studio was the script for the epic Quo Vadis (1951), co-written with John Lee Mahin and his frequent collaborator Sonya Levien.
Behrman published his first novel "The Burning Glass" in 1968. However, his interests now veered increasingly towards biographical work. He wrote several profiles of famous personalities for The New Yorker, including one of his late friend George Gershwin. Two biographies (one of the influential British antiques dealer Sir Joseph Duveen and another of the caricaturist and dandy Sir Max Beerbohm) were compiled in book form, respectively in 1952 and 1960. Behrman died in New York in September 1973 at the age of eighty.