Anamorphic ILM Movies (Part 1)
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- DirectorGeorge LucasStarsMark HamillHarrison FordCarrie FisherLuke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
The first movie for ILM as a VFX company
==============================
Director, Writer, EP & Film Editor: George Lucas ACE
Producer: Gary Kurtz
Production Designer: Jonathan Barry
Cinematographer: Gilbert Taylor BSC
Special Photographic Effects Supervisor: John Dykstra ASC
Special Production & Mechanical Effects Supervisor: John Stears
Film Editors: Richard Chew ACE, Paul Hirsch ACE, Marcia Lucas
Production Supervisor: Robert Watts
Planet-Satellite Artist (Miniature & Opt. FX Unit)-Production Illustrator: Ralph McQuarrie
Art Directors: Norman Reynolds, Leslie Dilley
Makeup Supervisor: Stuart Freeborn
Assistant Film Editor: Bonnie Koehler
A Camera Operator: Ronnie Taylor
B Camera Operator: Geoff Glover
Set Decorator: Roger Christian
Production Manager: Bruce Sharman
1st Assistant Director: Tony Waye
2nd Assistant Director: Gerry Gavigan
3rd Assistant Director: Terry Madden
Location Manager: Arnold Ross
Gaffer: Ron Tabera
Prop Master: Frank Burton
2nd Unit DoPs: Take Fujimoto ASC, Robert Dalva ACE, Carroll Ballard, Rick Clemente
2nd Unit Art Directors: Leon Erickson, Al Locatelli
2nd Unit Production Managers: David B. Lester, Peter Herald, Pepi Lenzi
2nd Unit Makeup Artists: Rick Baker, Douglas Beswick
Miniature & Optical FX Unit 1st Cameraman: Richard Edlund ASC
Sr VFX Supervisor (1997 SE)/Miniature & Optical FX Unit 2nd Cameraman: Dennis Muren ASC
Miniature & Optical Effects Unit 1st AC: Douglas Smith
Miniature & Optical FX Unit 2nd AC: Ken Ralston
Miniature & Optical FX Unit 3rd AC: David Robman
2nd Unit DoP (Miniature & Optical FX Unit): Bruce Logan ASC
Composite Optical Photography (Miniature & Optical FX Unit): Robert Blalack
Optical Photography Coordinator (Miniature & Optical FX Unit): Paul Roth
VFX Supervisor (1997 SE)/Optical 3rd Ass't Cam (Miniature & Optical FX Unit): Bruce Nicholson
Miniature & Optical FX Unit Prod Supervisor: George E. Mather
Miniature & Optical FX Unit Matte Artist: PS Ellenshaw
Miniature & Optical FX Unit Illustrator & Designer: Joe Johnston
Miniature & Optical FX Unit Add'l Spacecraft Designer: Colin Cantwell
Miniature & Optical FX Unit Chief Model Maker: Grant McCune
Miniature & Optical FX Unit Animation & Rotoscope Designer: Adam Beckett
Miniature & Optical FX Unit Stop-Motion Animators: Jon Berg, Phil Tippett
Miniature Explosions Supervisors (Miniature & Optical FX Unit): Joe Viskocil, Greg Auer
Miniature & Optical FX Unit Computer Animation & Graphic Display Artist: Dan O'Bannon
Miniature & Optical FX Unit Electronics Designer: Alvah J. Miller
Miniature & Optical FX Unit Camera & Mechanical Designers: Don Trumball, Richard Alexander, William Shrout
Miniature & Optical FX Unit Prod Managers: Bob Shepherd, Lon Tinney
Miniature & Optical FX Unit Assistant Editor (Opticals): Bruce Green ACE
Producer (1997 Special Edition): Rick McCallum
Film Editor (1997 SE): TM Christopher
1st AE (1997 Special Edition): Samuel Hinckley
Archivist (1997 Special Edition): Tim Fox
Optical Supervisors (1997 SE): Phillip Feiner, Chris Bushman
Film Restoration Supervisor (1997 SE): Pete Comandini
Post-Production Executive (1997 SE): Ted Gagliano
Film Restoration Consultant (1997 SE): Leon Briggs
VFX Producers (1997 SE): Tom Kennedy, Ned Gorman
Sr VFX Supervisors (1997 SE): John Knoll, Joe Letteri
VFX Supervisors (1997 SE): Dave Carson, Alex Seiden, Stephen Williams
VFX 2nd Unit Director/DoP: (1997 SE): Joe Murray
VFX Art Directors (1997 SE): Ty Ruben Ellingson, Mar Moore
CG Supervisor (1997 SE): John Andrew Berton Jr
VFX Editor (1997 Special Edition): David Tanaka
Digital Color Timing Supervisor (1997 SE): Bruce Vecchitto
Sabre Group Supervisor (1997 SE): Daniel McNamara
Digital Scanning Supervisor (1997 SE): Joshua Pines
VFX Coordinators (1997 SE): Lisa Todd, Margaret Lynch
Lead CG Matchmover (1997 SE): Terry Chostner
CG Matchmover (1997 SE): Selwyn Eddy III
Digital CG Model Supervisor (1997 SE): Paul Giacoppo
Digital CG Compositor (1997 SE): Greg Maloney
CG Seq. Supervisor (1997 SE): Chris Townsend
Digital Matte Painter (1997 SE): Paul Huston
Sabre Artist (1997 SE): Rita Zimmerman
Sabre Compositing Artist (1997 SE): Chad Taylor
Digital Plate Restorationist (1997 SE): Alan Bailey
Negative Supervisor (1997 SE): Douglas Jones
Animatics Artist (1997 SE): David Dozoretz
CG Production Manager (1997 SE): Suzie Taylor
President (1997 Special Edition): Jim Morris
DI Colorist (Remasters): Mark Nakamine - DirectorIrvin KershnerStarsMark HamillHarrison FordCarrie FisherAfter the Rebel Alliance are overpowered by the Empire, Luke Skywalker begins his Jedi training with Yoda, while his friends are pursued across the galaxy by Darth Vader and bounty hunter Boba Fett.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
=============================
Director: Irvin Kershner
Producer: Gary Kurtz
Story Writer, EP & Film Editor: George Lucas ACE
Production Designer: Norman Reynolds
Cinematographer: Peter Suschitzky ASC BSC
FX Cinematographer (Miniature & Optical FX Unit): Dennis Muren ASC
Film Editor: Paul Hirsch ACE
Special Visual Effects Supervisors: Brian Johnson, Richard Edlund ASC
Associate Producers: Robert Watts, James Bloom
Design Consultant & Conceptual Artist/Miniature & Optical FX Unit Matte Artist: Ralph McQuarrie
Art Directors: Leslie Dilley, Harry Lange, Alan Tomkins
Set Decorator: Michael Ford
Ass't Art Directors: Michael Lamont, Fred Hole
A-Camera Operator: Kelvin Pike
B-Camera Operator: David Garfath
1st Assistant A-Camera: Maurice Arnold
1st Assistant B-Camera: Chris Tanner
2nd Assistant A-Camera: Peter Robinson
2nd Assistant B-Camera: Madelyn Most
Matte Photography Consultant: Stanley Sayer BSC
Gaffer: Laurie Shane
Rigging Gaffer: John Clark
Makeup & Special Creature Effects Designer: Stuart Freeborn
Chief Makeup Artist: Gary Freeborn
Prop Master: Frank Burton
1st Assistant Editor: Duwayne Dunham
2nd Assistant Editor: Phil Sanderson
3rd Assistant Editor: Barbara Ellis
4th Assistant Editor: Steve Starkey
5th Assistant Editor: Paul Tomlinson
Production Supervisor: Bruce Sherman
Ass't Production Manager: Patricia Carr
1st Assistant Director: David Tomblin
2nd Assistant Directors: Steve Lanning, Roy Button
Location Manager: Philip Kohler
Stunt Coordinator: Peter Diamond
Studio 2nd Unit Directors: Harley Cokliss, Jonathan Barry
Studio 2nd Unit DoP: Chris Menges ASC BSC
Studio 2nd Unit 1st Ass't Dir: Dominic Fulford
Studio 2nd Unit 2nd Ass't Dir: Andrew Montgomery
Location 2nd Unit Director: Peter MacDonald
Location 2nd Unit DoP: Geoff Glover
Location 2nd Unit Camera Operator: Bob Smith
Location 2nd Unit 1st Ass't A-Cam: John Campbell
Location 2nd Unit 1st Ass't B-Cam: Mike Brewster
Location 2nd Unit 2nd Ass't A-Cam: John Keen
Location 2nd Unit 2nd Ass't B-Cam: Greg Dupre
Mechanical Effects Supervisor (Production & Mechanical FX Unit): Nick Allder
Location Unit Supervisor (Production & Mechanical FX Unit): Allan Bryce
Senior FX Technicians (Production & Mechanical FX Unit): Neil Swan, Dave Watkins
Robot Fabricators & Supervisors (Production & Mechanical FX Unit): Andrew Kelly, Ron Hone
Production & Mechanical FX Unit Electronics Consultant: Rob Dickinson
FX Cameramen (Miniature & Optical FX Unit): Ken Ralston, Jim Veilleux
Miniature & Optical FX Unit A-Cam Op: Don Dow
Miniature & Optical FX Unit B-Cam Op: Bill Neil
Miniature & Optical FX Unit Ass't A-Cam: Selwyn Eddy III
Miniature & Optical FX Unit Ass't C-Cam: Rick Fichter
Miniature & Optical FX Unit Ass't D-Cam: Clint Palmer
Miniature & Optical FX Unit Ass't E-Cam: Michael J. McAlister
Miniature & Optical FX Unit Ass't F-Cam: Paul Huston
Optical Photography Supervisor (Miniature & Optical FX Unit): Bruce Nicholson
Optical Coordinator (Miniature & Optical FX Unit): Laurie Vermont
VFX Art Director (Miniature & Optical FX Unit): Joe Johnston
Ass't Art Director (Miniature & Optical FX Unit): Nilo Rodis-Jamero
Miniature & Optical FX Unit Stop-Motion Animators: Jon Berg, Phil Tippett
Miniature & Optical FX Unit Matte Painting Supervisor: Harrison Ellenshaw
Miniature & Optical FX Unit matte Artist: Michael Pangrazio
Matte Photographer (Miniature & Optical FX Unit): Neil Krepela ASC
Add'l Matte Photographer (Miniature & Optical FX Unit): Michael Lawler
Matte Photography Assistants (Miniature & Optical FX Unit): Craig Barron, Robert Elswit ASC
Miniature & Optical FX Unit Chief Model Maker: Lorne Peterson
Animation & Rotoscope Supervisor (Miniature & Optical FX Unit): Peter Kuran
VFX Editorial Supervisor: Conrad Buff IV ACE
FX Editor: Mike Kelly
Still Photographer: Terry Chostner
Electronic Systems Designer: Jerry Jeffress
Special Project Coordinator: Stuart Ziff
Miniature Pyrotechnician: Joe Viskocil
Special Optics Designer: David Grafton
Ultra High Speed Camera Operator: Bruce Hill
Aerial Unit DoP: Ron Goodman
Producer (1997 Special Edition): Rick McCallum
Film Editor (1997 SE): TM Christopher
1st Ass't Editor (1997 SE): Robert Marty
Optical Supervisors (1997 SE): Phillip Feiner, Chris Bushman
Film Restoration Supervisor (1997 SE): Pete Comandini
Post-Production Executive (1997 SE): Ted Gagliano
Film Restoration Consultant: Leon Briggs
VFX Producer (1997 SE): Tom Kennedy
VFX Supervisor (1997 SE): Dave Carson
CG Supervisor (1997 SE): Tom Hutchinson
VFX Art Director (1997 SE): George Hull
VFX Editor (1997 SE): Michael McGovern
Color Timing Supervisor (1997 SE): Bruce Vecchitto
VFX Coordinator (1997 SE): Lisa Todd
DFX Compositors (1997 SE): Michael Conte, Eddie Pasquarello
DFX Rotoscoper (1997 SE): Marshall Richard Krasser
DFX Texture Painter (1997 SE): Ron Woodall
3D Matchmove Artist (1997 SE): James Hadegorn
Sabre Group Supervisor (1997 SE): Daniel McNamara
Sabre Artists (1997 SE): Rita Zimmerman, Chad Taylor, Mary McCulloch
Digital Scanning Supervisor (1997 SE): Joshua Pines
Negative Supervisor (1997 SE): Douglas Jones
Ass't VFX Art Director (1997 SE): Alex Laurant
Ass't VFX Editor (1997 SE): John Bartle
Animatic Artist (1997 SE): Jonathan Rothbart
DFX Resource Assistant (1997 SE): Dan Brimer
VFX Prod Coordinator (1997 SE): Julie Creighton
VFX Prod Accountant (1997 SE): Joshua Marks
President (1997 SE): Jim Morris - DirectorSteven SpielbergStarsHarrison FordKaren AllenPaul FreemanIn 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before the Nazis can obtain its awesome powers.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
First collaboration between ILM & director Steven Spielberg
Joint collaboration between ILM & MFE
==============================
Director: Steven Spielberg
Production Designer: Norman Reynolds
Cinematographer: Douglas Slocombe ASC BSC
Cinematographer-Add'l Photog: Paul Beeson BSC
Cinematographer-ILM Effects: Jim Veilleux
Cinematographer-ILM Matte Photog: Neil Krepela ASC
Cinematographer-UHS Photography: Bruce Hill
Associate Producer & PM: Robert Watts
Supervising Film Editor: Michael Kahn ACE
Composer: John Williams
Film Editor, EP & Story Writer: George Lucas ACE
Executive Producer: Howard Kazanjian
Producer & 2nd Unit Director: Frank Marshall
2nd Unit Director: Michael D. Moore
Production VFX Supervisor: Richard Edlund ASC
Production Mechanical FX Supervisor: Kit West
1st Assistant Director: David Tomblin
Production Supervisor: Douglas Twiddy
Assistant Production Manager: Patricia Carr
2nd Asst. Directors: Roy Button, Patrick Cadell
Supervising Location Manager: Bryan Coates
Production Continuity Supervisor: Pamela Mann
1st Operating Cameraman: Chic Waterson
1st Assistant Cameraman: Robin Vidgeon BSC
2nd Assistant Cameraman: Danny Shelmerdine
Dolly Grip: Colin Manning
Gaffer: Martin Evans
Head Rigger: Red Lawrence
Supervising Art Director: Leslie Dilley
Set Decorator: Michael Ford
Supervising Property Master: Frank Burton
1st Assistant Art Directors: Fred Hole, Ken Court
2nd Assistant Art Director: Michael Lamont
3rd Assistant Art Director: John Fenner
Production Illustrator: Ed Verreaux
Production Artists: Michael Lloyd, Ron Cobb
Sketch Artists: Roy Carnon, David Negron
Property Master (Tunisia): Peter Hancock
Production Property Supervisor: Charles Torbett
Senior Effects Technician: Peter Dawson
Effects Engineering Lead: Terry Glass
Special FX Equipment Supervisor: Bill Warrington
Production Special FX Electrician: Chris Condon
Production Special FX Carpenter: Roy Coombes
Production Special Effects Welder: Yves De Bono
1st Assistant Film Editor: Phil Sanderson
2nd Assistant Film Editor: Bruce Green ACE
3rd Assistant Film Editor: Colin Wilson
1st Apprentice Film Editor: Julie Kahn Zunder
Research Supervisor: Deborah Fine
Sr Production Assistants: Gill Case, Daniel Parker
Production Assistant: Arthur Carroll
Location Accountant: Stefano Priori
2nd Unit 1st Operating Cameraman: Wally Byatt
2nd Unit 2nd Operating Camera: Gerry Dunkley
2nd Unit 3rd Operating Camera: David Worley
2nd Unit 1st Assistant Cameraman: Chris Tanner
2nd Unit 2nd Asst. Cameraman: Eamonn O'Keefe
2nd Unit Dolly Grip: Jim Kane
2nd Unit 1st Assistant Director: Carlos Gill
2nd Unit 2nd Assistant Director: Michael Hook
2nd Unit Continuity Supervisor: Maggie Jones
Optical Photog Supervisor: Bruce Nicholson
Production Supervisor (ILM): Thomas Smith
Art Director-Visual Effects: Joe Johnston
Matte Painting Supervisor: Alan Maley
VFX Editorial Supervisor: Conrad Buff IV ACE
Senior Production Co-Ordinator: Patricia Blau
Production Associate: Miki Herman
Animation Supervisors: Samuel Comstock, Dietrich Friesen
A Camera Operator (ILM): Bill Neil
B Camera Operator (ILM): Don Dow
1st Assistant Cameraman (ILM): Clint Palmer
Opt. Printer Ops: David Berry, Kenny Smith, John Ellis
Opt. Lineup Ops: Mark Vargo ASC, Warren Franklin, Tom Rosseter
1st Assistant Art Director: Nilo Rodis-Jamero
Illustrator: Ralph McQuarrie
Matte Artist: Michael Pangrazio
Matte Photography Assist: Craig Barron ASC
Model Shop Foreman: Lorne Peterson
Model Makers: Steve Gawley, Paul Huston, Charlie Bailey
1st Assistant Effects Editor: Peter Amundson
2nd Assistant Effects Editor: Howard Stein
1st Assistant Film Editor-ILM: Duwayne Dunham
Production Co-Ordinator: Laurie Vermont
Cloud Effects Lead: Gary Platek
Still Photographer: Terry Chostner
Administration Assistant: Chrissie England
Electronic Systems Designer: Jerry Jeffress
Design Engineer: Mike Bolles
Equip. Engineering Sup: Gene Whiteman
Machinist: Udo Pampel
Supervising Stage Technician: TE Moehnke
Stage Technician: Edward Hirsh
Production Intern: Michael Bay
Production Color Timer: Robert McMillan
Tunisian Unit Prod Co-Ordinator: Tarak B. Ammar
Tunisian Unit Prod Supervisor: Mohamed Cherif
Tunisian Unit Prod Manager: Hassine Soufi
Tunisian Unit 1st Assistant Director: Naceur Ktari
Tunisian Unit LMs: Habib Chaari, Abdel Baccar
Tunisian Unit Asst. Art Director: Hassen Soufi
Tunisian Unit Accountant: Ridna Turki
French Unit Prod Manager: Dorothy Marchini
French Unit 1st Assistant Director: Vincent Joliet
French Unit Production Assistant: Junior Charles
French Unit Accountant: Stella Quef
Peruvian-Hawaiian Unit PCO: Dan Nichols
Peruvian-Hawaiian Unit 2nd AD: Louis Friedman
Peruvian-Hawaiian Unit LM: Maile Semitokol
Peruvian-Hawaiian Unit Gaffer: Alan Brady - DirectorMatthew RobbinsStarsPeter MacNicolCaitlin ClarkeRalph RichardsonA young wizarding apprentice is sent to kill a dragon which has been devouring girls from a nearby kingdom.35mm Panavision Anamorphic Source
=============================================
Director: Matthew Robbins
Cinematographer: Derek Vanlint CSC
Film Editor: Tony Lawson
Production Designer: Elliot Scott
Unit Production Manager: Donald Toms
2nd Unit Director: Peter MacDonald
SFX Assistant: Ian Corbould
Special Mechanical Effects Supervisor: Brian Johnson
2nd Unit SFX Supervisor: David Domeyer
Special Visual Effects Supervisor: Dennis Muren ASC
Optical Photography Supervisor: Bruce Nicholson
Effects Assistant Camera: Selwyn Eddy
Dragon Consultant: Jon Berg
Dragon Supervisor: Ken Ralston
Close-Up Dragon Supervisor: Chris Walas
Matte Photography Assistant: Craig Barron
Camera Operator: Eddie Collins
2nd Unit Camera Operator: John Campbell
Matte Unit DP: Neil Krepela ASC
Effects Techician: Edward Hirsh
VFX Unit Additional DP: Jim Veilleux
Blue Screen & Optical Consultant: Roy Field - DirectorTobe HooperStarsJoBeth WilliamsHeather O'RourkeCraig T. NelsonA family's home is haunted by a host of demonic ghosts.35mm JDC Anamorphic Source
=============================================
Director: Tobe Hooper
Cinematographer: Matthew Leonetti ASC
Film Editor: Michael Kahn ACE
Production Designer: James Spencer
Mechanical Effects Supervisor: Michael Wood
Senior VFX Supervisor: Richard Edlund ASC
Animation Supervisor: John Bruno
VFX Editorial Supervisor: Conrad Buff IV ACE
1st Assistant Cameramen: Pete Romano ASC, John Leonetti ASC, Tony Rivetti
Additional Matte Photographer: Michael Shannon
Asssistant Matte Photographer: Craig Barron
Optical Photography Supervisor: Bruce Nicholson
Effects Art Director: Nilo Rodis-Jamero
Camera Operator: Dennis Matsuda
Ultra High-Speed Unit DP: Bruce Hill
Matte Unit DP: Neil Krepela ASC - DirectorNicholas MeyerStarsWilliam ShatnerLeonard NimoyDeForest KelleyWith the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
First Star Trek movie to have VFX completed by ILM
=============================================
Director: Nicholas Meyer
Cinematographer: Gayne Rescher ASC
Film Editor: William Paul Dornisch
Production Designer: Joseph P. Jennings
1st Assistant Director: Douglas Wise
Senior SFX Supervisor: Bob Dawson
Special Visual Effects Supervisors: Ken Ralston, Jim Veilleux
Optical Photography Supervisor: Bruce Nicholson
Optical Effects Supervisor: Alan G. Markowitz
Effects Cameraman: Scott Farrar ASC
Camera Operator: Craig Denault
B-Camera Operator: Jonathan West ASC
Matte Unit DP: Neil Krepela ASC
Matte Photography Assistant: Craig Barron
VFX Unit Camera Operator: Stewart Barbee
CG Supervisor: Ed Catmull
Chief Model Makers: Bill George, Jeff Mann
Stage Technician: Edward Hirsh - DirectorJim HensonFrank OzStarsJim HensonKathryn MullenFrank OzOn another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal, and to restore order to his world.35mm Panavision Anamorphic Source
================================÷÷===========
Directors: Jim Henson, Frank Oz
Cinematographer: Oswald Morris
Camera Operator: Derek V. Browne
Film Editor: Ralph Kemplen
Production Designer: Harry Lange
Supervising Art Director: Charles Bishop
Producer/2nd Unit Director: Gary Kurtz
2nd Unit Camera Operator: Neil Binney
Landstrider Unit Creature Fabricator: James Acheson
Special Visual Effects Supervisor/Miniature Effects Unit Director: Brian Smithies
Special Visual Effects Supervisor: Roy Field
VFX Supervisor: Peter Swinson
Scenic Matte Unit DP: Neil Krepela ASC
Scenic Matte Photography Assistant: Craig Barron
Miniature Effects Unit DP: Paul Wilson BSC
Miniature Effects Unit Camera Operator: John Morgan
Miniature Effects Unit Assistant Camera: Jonathan Taylor ASC - DirectorRichard MarquandStarsMark HamillHarrison FordCarrie FisherAfter rescuing Han Solo from Jabba the Hutt, the Rebel Alliance attempt to destroy the second Death Star, while Luke struggles to help Darth Vader back from the dark side.35mm JDC Anamorphic Source
Special Effects captured in VistaVision
==============================
Director: Richard Marquand
EP, Film Editor, Co-Writer & 2nd Unit Director: George Lucas ACE
Producer: Howard Kazanjian
Co-Producers: Robert Watts, Jim Bloom
Production Designer: Norman Reynolds
Cinematographer: Alan Hume BSC
Cinematographer/A-Cam Op: Alec Mills BSC
Film Editors: Sean Barton, Duwayne Dunham, Marcia Lucas
Production VFX Designers: Richard Edlund ASC, Dennis Muren ASC, Ken Ralston
Production Mechanical FX Supervisor: Kit West
Makeup & Creature Designers: Phil Tippett, Stuart Freeborn
Key 1st Ass't Director & 2nd Unit Director: David Tomblin
2nd Unit Director: Roger Christian
Location Cinematographer: James Glennon ASC
Add'l Cinematographers: Hiro Narita ASC, Jack Lowin
Chief Articulation Engineer: Stuart Ziff
Production Supervisor: Douglas Twiddy
Unit Production Manager: Miki Herman
Ass't Production Manager: Patricia Carr
Conceptual Artist: Ralph McQuarrie
Art Directors: Fred Hole, James Schoppe
Set Decorators: Michael Ford, Harry Lange
Prop Master: Peter Hancock
2nd Assistant Directors: Roy Button, Michael Steele, Chris Newman, Russell Lodge
Production Coordinator: Lata Ryan
Ass't Art Directors: Michael Lamont, John Fenner, Richard Dawking
B-Camera Operator: Tom Laughridge
C-Camera Operator: Mike Benson SOC
A-Camera Focus Puller: Michael Frift
B-Camera Focus Puller: Chris Tanner
1st Assistant A-Camera: Leo J. Napolitano
1st Assistant B-Camera: Robert La Bonge
2nd Assistant A-Camera: Simon Hume
2nd Assistant B-Camera: Steve Tate
2nd Assistant C-Camera: Martin Kenzie BSC
2nd Assistant D-Camera: Michael Glennon
Gaffers: Mike Pantages, Bob Bremner
Aerial Unit DoPs: Ron Goodman, Margaret Herron
Matte Photography Consultant: Stanley Sayer BSC
Rigging Gaffers: Clark Garland, Tommy Brown
Chief Makeup Artists: Tom Smith, Gary Freeborn
Makeup Artists: Peter Robb King, Dickie Mills, Kay Freeborn, Nick Dudman
Armature Designer: Peter Ronzani
Plastic Designer: Richard Davis
Sculptural Designers: Chuck Wiley, James Howard
Creature Consultants: Jon Berg, Chris Wiles
Production/Creature Coordinator: Patricia Blau
Latex Foam Lab Supervisor: Tom McLaughlin
Ass't Prop Master: Charles Torbett
1st Assistant Editor: Steve Starkey
2nd Assistant Editor: Conrad Buff IV ACE
3rd Assistant Editor: Phil Sanderson
5th Assistant Editor: Debra McDermott
6th Assistant Editor: Clive Hartley
Production SFX Supervisor: Roy Arbogast
Production SFX Foreman: William David Lee
SFX Floor Controller: Ian Wingrove
Senior FX Technician: Peter Dawson
Chief Electronics Technician: Ron Hone
Wire Specialist: Bob Harman
Location SFX Supervisors: Kevin Pike, Mike Wood
Miniature-Opt. FX Unit VFX Art Director: Joe Johnston
Miniature-Opt. FX Unit Opt. Photog Supervisor: Bruce Nicholson
GM-Miniature & Optical FX Unit): Thomas J. Smith
Miniature & Optical FX Unit Prod Supervisor: Patricia Rose Duignan
Miniature & Optical FX Unit Matte Painting Supervisor: Michael Pangrazio
Miniature & Optical FX Unit Model Shop Supervisors: Lorne Peterson, Steve Gawley
Miniature & Optical FX Unit Animation Supervisor: James Keefer
Miniature & Optical FX Unit Sup VFX Editor: Arthur Reopla
FX A Cam (Miniature & Opt. FX Unit): Don Dow
FX B Cam (Miniature & Optical FX Unit): Michael J. McAlister
FX C Cam (Miniature & Optical FX Unit): Bill Neil
FX D Cam (Miniature & Optical FX Unit): Scott Farrar ASC
FX E Cam (Miniature & Optical FX Unit): Selwyn Eddy III
FX F-Cam (Miniature & Optical FX Unit): Michael Owens
FX G-Cam (Miniature & Optical FX Unit): Robert Elswit ASC
FX Ass't A-Cam (Miniature & Optical FX Unit): Pat Sweeney
FX Ass't B-Cam (Miniature & Optical FX Unit): Kim Marks SOC
FX Ass't D-Cam (Miniature & Optical FX Unit): Ray Gilberti
FX Ass't F-Cam (Miniature & Optical FX Unit): Patrick McArdle
FX Ass't G-Cam (Miniature & Optical FX Unit): Peter Daulton
FX Ass't K-Cam (Miniature & Optical FX Unit): David Fincher
FX Ass't L-Cam (Miniature & Optical FX Unit): Pete Romano ASC
Miniature & Optical FX Unit Prod Coordinators: Warren Franklin, Laurie Vermont
Miniature & Opt. FX Unit Opt. Printer Ops: John Ellis, David Berry, Mark Vargo ASC, Kenneth Smith, James Lim, Donald Clark
Miniature & Optical FX Unit Matte Photography: Neil Krepela ASC, Craig Barron
Miniature & Opt. FX Unit Stop-Motion Animator: Tom St. Amand
Miniature & Optical FX Unit Chief Model Makers: Paul Huston, Chuck Bailey, Mike Glenn Fulmer
Miniature-Opt. FX Unit Model Maker: Bill George
Miniature & Optical FX Unit VFX Editors: Howard Stein, Peter Amundson ACE, Bill Kimberlin
Miniature & Optical FX Unit Sup Still Photographer: Terry Chostner
Miniature & Optical FX Unit Steadicam Plate Photographer: Garrett Brown SOA
Miniature & Optical FX Unit Ultra High Speed Photographer: Bruce Hill
Producer (1997 Special Edition): Rick McCallum
Film Editor (1997 SE): TM Christopher
1st Ass't Editor (1997 SE): Samuel Hinckley
Ass't Film Editor (1997 SE): Robert Marty
Archivist (1997 Special Edition): Tim Fox
Optical Supervisors (1997 SE): Phillip Feiner, Chris Bushman
Film Restoration Supervisor (1997 SE): Pete Comandini
Post-Production Executive (1997 SE): Ted Gagliano
Film Restoration Consultant (1997 SE): Leon Briggs
Senior VFX Supervisor (1997 SE): John Knoll
VFX Supervisor (1997 SE): Dave Carson
VFX Producer (1997 SE): Tom Kennedy
Ending Celebration Associate VFX Supervisor (1997 Special Edition): Yusei Uesegi
CG Supervisors (1997 SE): Tom Hutchinson, James Tooley
VFX Art Director (1997 SE): George Hull
VFX Editor (1997 SE): Michael McGovern
Color Timing Supervisor (1997 SE): Bruce Vecchitto
VFX Coordinator (1997 SE): Lisa Todd
3D Matchmove Artist (1997 SE): Keith Johnson
VFX Unit DoP (1997 SE): Pat Turner
VFX Unit Gaffer (1997 SE): Robert Finley III
VFX Project Manager (1997 SE): Ed Hirsh
VFX Unit Video Assistant (1997 SE): Clark Higgins
VFX Unit Ass't Camera (1997 SE): Vance Piper
VFX Layout & Storyboard Artists (1997 SE): Alex Jaeger, Derek Thompson
Negative Supervisor (1997 SE): Douglas Jones
Assist VFX Editors (1997 SE): John Bartle, Scott Balcerek
DFX Technical Assistants: Noel Brevick, Carole Johnson
VFX Production Coordinator (1997 SE): Julie Creighton
VFX Production Assistant (1997 SE): Megan Carlson
President (1997 Special Edition): Jim Morris - DirectorWolfgang PetersenStarsNoah HathawayBarret OliverTami StronachA troubled boy dives into a wondrous fantasy world through the pages of a mysterious book.35mm Technovision Anamorphic Source
Visual Effects captured in VistaVision
=============================================
Director: Wolfgang Petersen
Cinematographer: Jost Vacano ASC BVK
Film Editor: Jane Seitz
Art Director: Johann Iwan Kott
Matte Photography Assistant: David Fincher
2nd Unit Director: Hannes Nikel
SFX Unit Director/VFX Unit Director: Brian Johnson
Cloud Effects Unit Supervisor: Michael White
2nd Unit SFX Supervisor: Barry Whitrod
Supervising Matte Unit DP: Craig Barron
Motion Control Unit Optical Consultant: Dennis Bartlett
Motion Control Unit Supervisor: Dennis Lowe
Camera Operator: Peter Maiwald
2nd Unit DP: Franz Rath
Vancouver Unit Aeriel DP: Steven J. Wright
Cloud Effects Unit Camera Operator: Jair Ganor
Color Grader: Helga Mensfeld - DirectorSteven SpielbergStarsHarrison FordKate CapshawKe Huy QuanIn 1935, Indiana Jones is tasked by Indian villagers with reclaiming a rock stolen from them by a secret cult beneath the catacombs of an ancient palace.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
Additional VFX provided by DQI
=========================
Director: Steven Spielberg
Cinematographer: Douglas Slocombe ASC BSC
Cinematographer (California Unit): Allen Daviau ASC
Film Editors: Michael Kahn ACE, George Lucas
Matte Unit DoPs: David Fincher, Deborah Morgan
Production Designer: Elliot Scott
Chief Art Director: Alan Cassie
Art Director: Roger Cain
UK Unit Production Manager: Patricia Carr
Executive Producer/London Unit 2nd Ass't Director: Frank Marshall
UK Unit Assistant Director: David Tomblin
UK Unit 2nd Assistant Director: Steve Harding
Asian Unit 2nd Assistant Director: Ian Bryce
2nd Unit Director: Michael D. Moore
California 2nd Unit Director: Glenn Randall Jr
Aerial Unit 2nd Unit Director: Kevin Donnelly
Mechanical Effects Supervisor: George Gibbs
SFX Assistant: Steve Hamilton
US 2nd Unit SFX Supervisor: Brian Tipton
California Unit SFX Supervisor: Kevin Pike
Effects Creative Consultant: Phil Tippett
Senior VFX Supervisor: Dennis Muren ASC
Optical Photography Supervisor: Bruce Nicholson
Matte Unit Camera Supervisor: Craig Barron
Chief VFX Unit DP: Michael J. McAlister
VFX Unit DoP: Michael Owens
VFX Unit Add'l DP: Rick Fichter
Chief Model Maker: Jeff Mann
VFX Unit Assistant Camera: Kim Marks ASC SOC
Motion Control Unit DoP: Hoyt Yeatman ASC
Camera Operator: David Worley
2nd Unit Add'l DoP: Reed Smoot ASC
Aerial Unit DoP: Jack Cooperman ASC
California Unit Camera Operators: John J. Connor, John M. Stephens
London Unit Camera Operator: Wally Byatt
Sri Lanka Steadicam Unit DoP: Garrett Brown
Additional DPs: Paul Beeson BSC, Alexander Xavier Ponce-Bonano - DirectorLeonard NimoyStarsWilliam ShatnerLeonard NimoyDeForest KelleyAdmiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Enterprise to return to the restricted Genesis Planet to recover Spock's body.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorJohn CarpenterStarsJeff BridgesKaren AllenCharles Martin SmithAn alien takes the form of a young Wisconsin widow's husband and makes her drive him to his departure point in Arizona. Distrustful government agents, along with a more ambivalent scientist, give pursuit in hopes of intercepting them.35mm Panavision Anamorphic Source
First collaboration between ILM & director John Carpenter - DirectorRichard DonnerStarsSean AstinJosh BrolinJeff CohenA group of young misfits called The Goonies discover an ancient map and set out on an adventure to find a legendary pirate's long-lost treasure.35mm Panavision Anamorphic Source
==============================
Director: Richard Donner
Presenter/Executive Producer/Film Editor/Story Writer/2nd Unit Director: Steven Spielberg
Film Editor: Michael Kahn ACE
Production Designer: J. Michael Riva
Cinematographer: Nick McLean
Executive Producers: Frank Marshall, Kathleen Kennedy
Unit Production Managers: Robin S. Clark, James Herbert
Art Director: Rick Carter
Set Decorator: Linda DeScenna
A-Camera Operator: Michael O'Shea ASC
B-Camera Operator: Stephen St. John
Supervisor of Visual Effects: Michael J. McAlistair
Ass't Art Director: Joseph Nemec III
Gaffer: Tom Stern ASC AFC
Senior SFX Coordinator: Matt Sweeney
Ass't Film Editor: Martin Cohen
Assistant to Richard Donner: Michael Thau
2nd Unit DP: Robert M. Stevens ASC
2nd Unit Camera Operator: Lee Nakahara
VFX Art Director: David Carson
Optical VFX Supervisor: John Ellis
Matte Painting Supervisor: Christopher Evans
Supervising Model Maker: Barbara Gallucci
Animation Supervisor: Charlie Mullen
Cheif VFX Editor: Howard Stein
VFX Unit DP: Kim Marks ASC SOC
VFX Unit Ass't Cameraman: Marty Rosenberg ASC
VFX Unit Matte Camera Supervisor: Craig Barron
VFX Unit Matte Photography: Wade Childress
Cheif Model Maker: Bill George
Matte Animator: Wes Takahashi - DirectorJim HensonStarsDavid BowieJennifer ConnellyToby FroudSixteen-year-old Sarah must solve a labyrinth to rescue her baby brother when he is taken by the Goblin King.35mm JDC Anamorphic Source
- DirectorLeonard NimoyStarsWilliam ShatnerLeonard NimoyDeForest KelleyTo save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorGeorge MillerStarsJack NicholsonCherSusan SarandonThree single women in a picturesque village have their wishes granted, at a cost, when a mysterious and flamboyant man arrives in their lives.35mm Panavision Anamorphic Source
- DirectorRon HowardStarsVal KilmerJoanne WhalleyWarwick DavisA young farmer is chosen to undertake a perilous journey in order to protect a special baby from an evil queen.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorFrancis Ford CoppolaStarsJeff BridgesJoan AllenMartin LandauThe story of Preston Tucker, the maverick car designer and his ill-fated challenge to the auto industry with his revolutionary car concept.35mm Technovision Anamorphic Source
- DirectorLawrence KasdanStarsWilliam HurtKathleen TurnerGeena DavisAn emotionally distant writer of travel guides must carry on with his life after his son is killed and his marriage crumbles.35mm Panavision Anamorphic Source
- DirectorBlake EdwardsStarsJohn RitterVincent GardeniaAlyson ReedA womanizing alcoholic writer, whose life seems to be falling apart at the seams, repeatedly finds himself in trouble of one sort or another with the law, ex-girlfriends, and jealous boyfriends.35mm Panavision Anamorphic Source
- DirectorGeorge P. CosmatosStarsPeter WellerRichard CrennaAmanda PaysPerched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed genetic experiment.35mm Panavision/JDC Anamorphic Source
Joint collaboration between ILM & PMP - DirectorSteven SpielbergStarsHarrison FordSean ConneryAlison DoodyIn 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
==============================
Director: Steven Spielberg
Production Designer: Elliot Scott
Cinematographer: Douglas Slocombe ASC BSC
Film Editor: Michael Kahn ACE
Executive Producer/Film Editor/Story Writer: George Lucas
Executive Producer/2nd Unit Director: Frank Marshall
2nd Unit Director: Michael D. Moore
Associate Producer: Arthur Repola
1st Ass't Director (UK Production Crew): David Tomblin
Production Supervisor (UK Production Crew): Patricia Carr
Production Manager (UK Production Crew): Roy Button
2nd Ass't Directors (UK Production Crew): Lee Cleary, Patrick Kinney
Production Managers (US Production Crew): Joan Bradshaw, Ian Bryce
1st Ass't Director (US Production Crew): Dennis Maguire
2nd Ass't Director (US Production Crew): Artist Robinson
Mechanical Effects Supervisor: George Gibbs
Senior VFX Supervisor: Michael J. McAlistair
Add'l Cinematographer: Paul Beeson BSC
3rd Assistant Director: John Withers
A-Camera Operator: Mike Roberts
B-Camera Operator: David Worley
Assistant Cameramen: Martin Kenzie BSC, Simon Hume
2nd Assitant Camera: Graham Hall
Supervising Art Director: Fred Hole
Production Illustrator: Ed Verreaux
Prop Master: Barry Wilkinson
Ass't SFX Supervisor: Joss Williams
SFX Floor Supervisor: Dave Watkins
Associate Film Editor: Colin Wilson
Ass't Film Editor: Andrew MacRitchie
London 2nd Unit 1st Ass't Director: Gareth Tandy
London 2nd Unit 2nd Ass't Director: Nick Heckstall-Smith
London 2nd Unit 3rd Ass't Director: Adam Somner
London 2nd Unit A-Camera Operator: Wally Byatt
London 2nd Unit B-Camera Operator: Derek Browne
London 2nd Unit SFX Supervisor: Terry Schubert
Spain Unit Art Director: Benjamin Fernandez
Spain Unit Set Decorator: Julian Mateos
Italy Unit Art Director: Guido Salsilli
US Unit Production Executive: Kathleen Kennedy
US Unit Add'l Cinematographer: Robert M. Stevens ASC
US 2nd Unit DoP: Rexford L. Metz ASC
US Unit Camera Operator: Norm Langley
US Unit Panaglide Operator: Raymond Stella SOC
US Unit Art Director: Richard Berger
US Unit Set Designer: Alan Kaye
US Unit Set Decorator: Ed McDonald
US Unit Prop Master: Louis Fleming
US Unit SFX Supervisor: Mike Lantieri
Aerial Unit DoP: Peter Allwork
Senior VFX Producer: Patricia Blau
VFX Art Director: Steve Beck
Optical Photography Supervisor: John Ellis
Model Shop Supervisor: Michael Fulmer
Makeup Effects Supervisor: Stephan Dupuis
Matte Painting Supervisor: Mark Sullivan
Animation Supervisor: Wes Takahashi
Stage Manager: Ed Hirsh
VFX Unit A-Camera Operator: Peter Daulton
VFX Unit B-Camera Operator: Kim Marks SOC
VFX Unit C-Camera Operator: Pat Sweeney
VFX Unit D-Camera Operator: Pat Turner
VFX Unit Ass't A-Camera: Sewlyn Eddy III
VFX Unit Ass't B-Camera: Ray Gilberti
Optical VFX Unit B-Camera Operator: Ken Smith
Optical VFX Unit C-Camera Operator: Jon Alexander
Optical VFX Unit Lineup: Bruce Vecchitto, Brad Kuehn, Lori Nelson, Dave Karpman, Mike Cooper
VFX Unit Matte Photography Supervisors: Wade Childress, Harry Walton
Donovan Digital Compositor: Doug Smythe
VFX Animation Unit C-Camera Operator: Bruce Walters - DirectorWilliam ShatnerStarsWilliam ShatnerLeonard NimoyDeForest KelleyCaptain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Associates and Ferren was the main VFX company whereas ILM provided stock optical recomposites due to the VFX teams being busy with The Last Crusade and Ghostbusters II - DirectorIvan ReitmanStarsBill MurrayDan AykroydSigourney WeaverThe discovery of a massive river of ectoplasm and a resurgence of spectral activity allows the staff of Ghostbusters to revive the business.35mm Panavision Anamorphic Source
Additional visual effects provided by Apogee & VCE
==============================
Director: Ivan Reitman
Cinematographer: Michael Chapman ASC
Production Designer: Bo Welch
Associate Producer/Film Editor: Sheldon Kahn ACE
Film Editor: Donn Cambern ACE
Associate Producer/Unit Production Manager: Gordon Webb
Senior VFX Supervisor: Dennis Muren ASC
1st Assistant Director: Peter Giuliano
2nd Assistant Director: Christine Larson
2nd Unit Director: Michael D. Moore
Camera Operator: Michael Genne
Senior VFX Coordinator: Pamela Easley
Art Director: Tim Duffield
Set Decorator: Cheryl Carasik
Set Designers: Greg Papalia, Rick Heinrichs
Chief Lighting Technician: Les Kovacs
2nd Ass't Director (NY Crew): Drew Rosenberg
Art Director (NY Crew): Tom Warren
Set Decorator: Justin Scoppa Jr
A-Camera Operator (NY Crew): Don Sweeney
B-Camera Operator (NY Crew): Peter Norman
Steadicam Operator (NY Crew): Larry McConkey
NY 2nd Unit 1st Ass't Director: Alex haspas
NY 2nd Unit 2nd Ass't Director: Joe Ray
NY 2nd Unit DoP: Rexford L. Metz ASC
NY 2nd Unit A-Camera Operator: Ira Brenner
NY 2nd Unit B-Camera Operator: Tony C. Jannelli
Effects Unit DoP: Mark Vargo ASC
Senior VFX Producer: Janet Mohler
VFX Art Director: Harley Jessup
Optical Photography Supervisor: Thomas J. Rosseter
Key Effects Unit Cameraman: Kim Marks SOC
VFX Unit cameramen: Martin Rosenberg, Pat Sweeney
Animation Supervisor: Tom Bertino
Model Shop Supervisor: Bill George
Stage Manager: Ed Hirsh
Key Effects Unit Ass't Camera: Pat McArdle
Effects Unit Ass't Camera: Ray Gilberti
VFX Coordinator: Jennifer Knoll
Animation Camera Supervisor: Bruce Walters
Animation Camera Operator: Patrick Myers
Matte Photography Supervisor: Wade Childress
VFX Unit Matte Photography: Jo Carson
Effects Supervisor: Sam Nicholson
VFX Producer: Peter Kuran - DirectorJohn McTiernanStarsSean ConneryAlec BaldwinScott GlennIn November 1984, the Soviet Union's best submarine captain violates orders and heads for the U.S. in a new undetectable sub. The American CIA and military must quickly determine: Is he trying to defect or to start a war?35mm Panavision® Anamorphic Source
Joint collaboration between ILM, BFC, TCG & Video Image
Color provided by Technicolor®
==============================
Director: John McTiernan
Film Editors: Dennis Virkler ACE, John Wright ACE
Production Designer: Terrence Marsh
Cinematographer: Jan de Bont ASC
Cinematographer - ILM: Pat Sweeney
Cinematographer - BFC Visual FX: Dave Stewart
Cinematographer/VFX: Peter Anderson ASC VES
Exec Producers: Larry De Waay, Jerry Sherlock
Producer: Mace Neufeld
UPM & Second Unit Director: Beau Marks
First Assistant Director: Jerry L. Ballew
Second Assistant Director: Steve Danton
Production Visual FX Supervisor: Scott Squires
Art Directors: Dianne Wager, Donald Woodruff
Third Art Director: William Cruse
Set Decorator: Mickey S. Michaels
A Camera Operator: Roger Gebhard
A First Assistant Photographer: Cal Roberts
A Second Assistant Photographer: Sharon Ewing
B Second Assistant Photographer: Steve Adcock
First Assistant Film Editor: Marcelo Sanseviri
Second Assistant Film Editor: John A. Haggar
Third Assistant Film Editor: Michael A. Ruscio
First Apprentice Film Editor: Kim Nolan
Chief Lighting Technician: Edward A. Ayer
Assistant Chief LTs: Ted Kredo, Jerry Enright
Dolly Grip: Michael J. Coo
LM-2nd Unit Production Supervisor: Joel B. Marx
Production Location Manager: Stuart Neumann
Production Office Coordinator: Dana Lynne Taylor
Assist Production Coordinator: Heidi Ann Odum
Production Graphic Artist: Joel Hawthorne
Production Color Timer: Tom Shaffer
Technical Consultant: James H. Patton Jr
Second Unit Additional Director: Todd Turner
2nd Unit 1st Assistant Director: J. Tom Archuleta
2nd Unit Director of Photog: Alexander Witt ASC
2nd Unit A Assistant Photographer: Ken Fisher
2nd Unit B Assist Photographer: Chris Moseley
2nd Unit Technical Advisor: Michael T. Sherman
Production Special FX Coordinator: Al Di Sarro
Senior Visual Effects Producer: Kimberly Nelson
Associate Effects Supervisor: John Knoll
Supervising Stage Technician: Joe Fulmer
Gaffer - ILM: Pat Fitzsimmons
VFX Art Directors: Steve Beck, Harley Jessup, Brent Boates
Opt Photography Supervisor: Bruce Vecchitto
Senior CG Supervisor: George H. Joblove
Senior Visual Effects Editor: Edgar Burcksen
Supervising Modelmaker: Ease Owyeung
Exec in Charge of Production: Jim Morris
Exec in Charge of Post Production: Ed Jones
General Manager, ILM: Scott Ross
ILM Project Manager: Mark S. Miller
ILM Shooting Coordinator: Penny Runge
Senior Visual Effects Coordinator: Jennifer Knoll
Associate Effects Producer: Lope Yap Jr
ILM Visual Effects A Camera: Peter Daulton
ILM Visual Effects B Camera: Martin Rosenberg
A Camera Assists: Vance Piper, Kate O'Neil
B Camera Assistants: Carl Miller, Bob Hill
C Camera Assistant: Phil Bowen
A Camera Best Boys: Tim Morgan, Bill Barr
ILM Optical A Camera Operator: Jon Alexander
ILM Optical B Camera Operator: Keith Johnson
ILM Optical C Camera Operator: James Lim
ILM Optical D Camera Operator: Kenneth Smith
Animation Effects A Camera: Eric Swenson
Animation Effects B Camera: Chris Dierdorff
Animation Effects C Camera: Patrick Meyers
Animation Effects D Camera: Charlie Canfield
ILM First Assistant Editor: Michael McGovern
ILM Second Assistant Editor: Ron Fode
CG Leads: Mark AZ Dippé, Doug Smythe, Steve Spaz Williams
ILM Production Assists: Tim August, Bruce Crow
BFC Visual Effects Consultant: Michael Fink
Model Shop Supervisor: Greg Jien
Key Miniature Mechanics Lead: Bobby Johnston
BFC Painter: Ron Gress
BFC Sculptor: Michael Hosch
Additional Supervisor: Don Baker
TCG First Operator: Wallace Schaab
TCG Second Operator: David Washburn
Senior Producer: John Scheele
Optical Supervisor: Michael Ferriter
Opt. Coordinators: Jen Miller, Scott Keppler
TCG Editor: Dave Bartholomew
TCG Line-Up Lead: Michael Backauskas
TCG Processor: Steve Mate
Video Image Senior Producers: Rhonda Gunner, Richard E. Hollander, John C. Wash
Video Image Sr Supervisor: Gregory L. McMurray
Video Graphics Supervisor: Glenn Neufeld
Senior Digital Supervisor: John DJ DesJardin - DirectorJohn Patrick ShanleyStarsTom HanksMeg RyanLloyd BridgesWhen a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.35mm Panavision Anamorphic Source
- DirectorRenny HarlinStarsBruce WillisWilliam AthertonBonnie BedeliaJohn McClane attempts to avert disaster as rogue military operatives seize control of Dulles International Airport in Washington, D.C.35mm Panavision Anamorphic Source
Additional visual effects sequences produced at Apogee
==============================
Director: Renny Harlin
Producer: Joel Silver
Cinematographer: Oliver Wood
Production Designer: John Vallone
Supervising Film Editor: Stuart Baird ACE
Co-Producer: Steve Perry
Production Manager/Line Producer: James Herbert
Film Editor: Robert Ferretti ACE
Associate Producer: Suzanne Todd
Set Decorator: Robert Gould
Camera Operator: Bill Roe ASC
B-Camera/Panaglide Operator: Stephen St. John
1st Assistant B-Camera: Mike Thomas
2nd Assistant B-Camera: John T. Connor
C-Camera Operator: Michael Gershman
2nd Assistant C-Camera: Brad Peterman
1st Assistant Editor: Kevin Stitt ACE
Senior VFX Coordinator: Jeffrey Okun
Senior SFX Coordinator: Al DiSarro
Supervisor of Visual Effects: Michael J. McAlistair
Senior VFX Producer: Chrissie England
Associate Effects Producer: Ed Hirsh
VFX Unit DP: Kim Marks SOC
VFX Art Director: Paul Huston
SFX Coordinator: John McLeod
VFX Unit Gaffer: Bob Finley III
Optical Photography Supervisor: Stuart Robertson
VFX Unit Matte Camera Supervisor: Bruce Walters
VFX Coordinators: Jennifer Knoll, Amy Moore
Executive in Charge of Production: Jim Morris
Executive in Charge of Post-Production: Ed L. Jones
VFX Unit A-Camera Operator: Pat Sweeney
VFX Unit B-Camera Operator: Sewlyn Eddy III
VFX Unit C-Camera Operator: Pat myers
VFX Unit Ass't Camera: Mark Gutterud
Unit Production Manager (2nd Unit): Jim Herbert
2nd Unit DP: Frank Holgate
2nd Unit A-Camera Operator: Moshe Levin
2nd Unit B-Camera Operator: Gregory Lundsgaard
Add'l VFX Supervisor: Peter Donen - DirectorOliver StoneStarsVal KilmerMeg RyanKyle MacLachlanThe story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.35mm Panavision Anamorphic Source
- DirectorBlake EdwardsStarsEllen BarkinJimmy SmitsJoBeth WilliamsA sexist womanizer is killed by one of his former lovers and then reincarnated as a woman.35mm Panavision Anamorphic Source
- DirectorJoe JohnstonStarsBilly CampbellJennifer ConnellyAlan ArkinA young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorSteven SpielbergStarsDustin HoffmanRobin WilliamsJulia RobertsWhen Captain James Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
==============================
Director: Steven Spielberg
Executive Producer/Screenwriter/Story Writer: James V. Hart
Producers: Frank Marshall, Kathleen Kennedy
Cinematographer: Dean Cundey ASC
Production Designer: Norman Garwood
Film Editor: Michael Kahn ACE
Additional Film Editor: William Goldenberg ACE
Visual Consultant: John Napier
Senior VFX Supervisor: Eric Brevig
Art Directors: Tom Sanders, Andrew Precht
Senior SFX Supervisor: Michael Lantieri
Senior VFX Producer: Kimberly Nelson
LA Bluescreen Unit Additional DPs: Charles Schuman, Thomas Marshall
Camera Operator: Raymond Stella SOC
Post Photography Supervisor: John Knoll - DirectorJohn CarpenterStarsChevy ChaseDaryl HannahSam NeillAfter a freak accident, a company executive turns completely invisible, goes on the run and becomes hunted by a treacherous CIA official, whilst trying to cope with his new reality.35mm Panavision Anamorphic Source
- DirectorJohn McTiernanStarsArnold SchwarzeneggerF. Murray AbrahamArt CarneyWith the help of a magic ticket, a young movie fan is transported into the fictional world of his favorite action movie character.35mm Panavision Anamorphic Source
Joint collaboration between ILM & SPI - DirectorRichard DonnerStarsMel GibsonJodie FosterJames GarnerBret Maverick, needing money for a poker tournament, faces various comic mishaps and challenges, including a charming woman thief.35mm Panavision Anamorphic Source
- DirectorRobert ZemeckisStarsTom HanksRobin WrightGary SiniseThe history of the United States from the 1950s to the '70s unfolds from the perspective of an Alabama man with an IQ of 75, who yearns to be reunited with his childhood sweetheart.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Sixth collaboration between ILM & director Robert Zemeckis
============================
Director: Robert Zemeckis
Co-Producer/Unit Production Manager: Charles Newirth
Senior VFX Supervisor: Ken Ralston
Film Editor: Arthur Schmidt
Production Designer: Rick Carter
Cinematographer: Don Burgess ASC
Producer/2nd Unit Director: Steve Starkey
1st Assistant Director: Bruce Moriarty
Key 2nd Ass't Director/2nd Unit 1st Ass't Director: Cherylanne Martin
2nd Assistant Director: Dana Kuznetzoff
Art Directors: Leslie McDonald, Jim Teegarden
Set Decorator: Nancy Haigh
Set Designer: Lauren E. Polizzi
2nd Assistant Editor: Jeremiah O'Driscoll
2nd 2nd Ass't Director: David J. Venghaus Jr
Camera Operator: Chris Squires
1st Assistant Photographer: Josh Bleibtreu ASC
Chief Lighting Technician: Peter Clarson
Ass't Chief Lighting Technician: Andy Ryan
Senior SFX Supervisor: Allen Hall
Production Assistant: Darin Rivetti, Matthew Schmidt ACE
2nd Unit DP: David M. Dunlap
2nd Unit Add'l DPs: Christopher Woods, EJ Forester
Senior VFX Producer: Debbie Denise
VFX Art Director: Doug Chiang
CG Supervisors: George Murphy, Stephen Rosenbaum
Optical Supervisor: Bruce Vecchitto
CG Artists: Jon Alexander, Greg Maloney, Eddie Pasquarello
VistaVision Camera Operator: Patrick Turner
Plate Photography Coordinator: Penny Runge
Digital Artist: Russell Earl
Genreal Manager: Jim Morris
Post-Production Supervisor: Steven J. Boyd
Add'l Assistant Camera: Chad L. Rivetti - DirectorMel SmithStarsBrian BenbenMary Stuart MastersonNed BeattyA series of mysterious crimes threatens the existence of a new radio network.35mm JDC Anamorphic Source
============================
Director: Mel Smith
Cinematographer: David Tattersall BSC
Film Editor: Paul Trejo ACE
Production Designer: Gavin Bocquet
Art Director: Peter Russell
Unit Production Manager: David Blake Hartley
Key 2nd Assistant Director: Callum McDougall
2nd Unit Director: Vic Armstrong
Story Writer/Executive Producer/2nd Unit Director: George Lucas
Senior VFX Supervisor: Scott Squires
VFX Producer: Tom Kennedy
VFX Unit DP: Martin Rosenberg ASC
Cheif Model Maker: Brian Gernand
Model Maker: Don Bies
President: Jim Morris
B-Camera Operator/2nd Unit DP: Bob Newcomb
Gaffer/Additional DP: Stephen Thompson - DirectorDavid CarsonStarsPatrick StewartWilliam ShatnerMalcolm McDowellWith the help of long presumed dead Captain Kirk, Captain Picard must stop a deranged scientist willing to murder on a planetary scale in order to enter a space matrix.35mm Panavision Anamorphic Source
- DirectorBarry LevinsonStarsMichael DouglasDemi MooreDonald SutherlandA computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.35mm Panavision Anamorphic Source
- DirectorJohn CarpenterStarsSam NeillJürgen ProchnowJulie CarmenAn insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.35mm Panavision Anamorphic Source
- DirectorJohn CarpenterStarsChristopher ReeveKirstie AlleyLinda KozlowskiA small town's women give birth to unfriendly alien children posing as humans.35mm Panavision Anamorphic Source
- DirectorRob ReinerStarsMichael DouglasAnnette BeningMartin SheenA widowed U.S. President running for reelection and an environmental lobbyist fall in love. It's all above-board, but "politics is perception," and sparks fly anyway.35mm Panavision Anamorphic Source
- DirectorJan de BontStarsHelen HuntBill PaxtonCary ElwesTwo storm chasers on the brink of divorce must work together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision - DirectorBrian De PalmaStarsTom CruiseJon VoightEmmanuelle BéartAn American agent, under false suspicion of disloyalty, must discover and expose the real spy without the help of his organization.35mm Panavision Anamorphic Source
First Mission: Impossible movie to have VFX completed by ILM
============================
Director: Brian De Palma
Producer: Tom Cruise
Senior VFX Supervisor: John Knoll
Film Editor: Paul Hirsch ACE
Production Designer: Norman Reynolds
Cinematographer: Stephen H. Burum ASC
Lead 2nd Unit Director: Eric Schwab
Unit Production Manager: Steven Harding
Supervising Art Director: Frederick Hole
Set Decorator: Peter Howitt
Camera Operator: Gordon Hayman
Steadicam Operator: Larry McConkey
2nd Senior VFX Supervisor: Richard Yuricich ASC
Wire Effects Supervisor: Robert Schofield
Senior SFX Coordinator: Lyn Nicholson
2nd Unit Director/Director of Photography: Ernest Day
2nd Unit Art Director: Anthony Reading
2nd Unit Camera Operator: Frank Elliot
Scotland 2nd Unit Aerial DP: David B. Nowell ASC
Washington DC Unit Aerial DP: Michael Kelem
Prague Unit Art Director: Jonathan D. McKinstry
Associate VFX Supervisor: Joe Letteri
Senior VFX Producer: Roni McKinley
VFX Art Director: George Hull
Creative Advisor: Dennis Muren ASC
CG Supervisors: Thomas L. Hutchinson, George Murphy
Senior DFX Artists: Andy White, Patrick T. Myers
DFX Artists: Jon Alexander, Michael Conte, Marc Chu, Raul Essig, Samir Hoon, Greg Maloney, Eddie Pasquarello, Christopher Townsend
Sabre Compositing Artists: Sheena Duggal, Rita Zimmerman
Digital Matchmover: Sewlyn Eddy III
Digital Timing Supervisor: Bruce Vecchitto
VFX Unit DP (London Bluescreen Photography Unit): Kim Marks SOC
VFX Unit Camera Assistant (London Bluescreen Photography Unit): Patrick McCardle
London Bluescreen Photography Unit VistaGlide Technician: Michael MacKenzie
Plate Coordinator (London Bluescreen Photography Unit): Erika Wangberg
VFX Unit DP (Helicopter Crash Sequence Photography Unit): Martin Rosenberg
VFX Unit Camera Assistant (Helicopter Crash Sequence Photography Unit): Robert Hill
Miniature Unit Coordinator (Helicopter Crash Sequence Photography Unit): David Dranitzke
Senior Staff: Jim Morris
DFX Producer: Sharon Lark - DirectorRob CohenStarsDennis QuaidSean ConneryDina MeyerThe last dragon and a disillusioned dragonslaying Knight must cooperate to stop an evil King, who was given partial immortality.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorChuck RussellStarsArnold SchwarzeneggerVanessa WilliamsJames CaanA Witness Protection specialist becomes suspicious of his co-workers when dealing with a case involving high-tech weapons.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorStephen HerekStarsGlenn CloseJeff DanielsJoely RichardsonAn evil high-fashion designer plots to steal dalmatian puppies in order to make an extravagant fur coat but creates an extravagant mess instead.35mm Panavision Anamorphic Source
Animatronic Creatures Provided by Jim Henson's Creature Shop
Video Game Sequences Provided by Disney Interactive & Creative Capers Entertainment
Additional Digital Effects provided by Buena Vista Imaging
=============================
Director: Stephen Herek
Film Editors: Trudy Ship, Larry Bock
Production Designer: Assheton Gorton
Cinematographer: Adrian Biddle BSC
Executive Producer: Edward S. Feldman
Producer/Screenwriter: John Hughes
Associate Producer: Rebekah Rudd
Production Supervisor: John Comfort
Unit Production Manager: Callum McDougall
1st Assistant Director: David Tringham
2nd Assistant Director: Adam Somner
2nd Unit Director: Michael D. Moore
Senior VFX Supervisor: Michael Owens
Senior VFX Producer: Chrissie England
Mechanical Effects Supervisor: George Gibbs
Supervising Art Director: Alan Tomkins
Camera Operator: David Worley
B-Camera Operator: Ian Foster
Focus Pullers: Fraser Taggart, John Foster
Clapper Loaders: Ashley Bond, Adam Biddle
Steadicam Operator: Alf Tramontin
Add'l 2nd Ass't Director: Richard Whelan
SFX Floor Supervisor: Terry Glass
Snow Effects Supervisor: Dave Crownshaw
Chief Lighting Technician: Kevin Day
Rigging Gaffer: Michael Chambers
Prop Master: Terry Wells
2nd Unit DP: Harvey Harrison BSC
Unit Manager/1st Ass't Director (2nd Unit): Terry Bamber
2nd Unit Camera Operator: John Palmer
2nd Unit SFX Supervisor: Steve Hamilton
2nd Unit Chief Lighting Technician: Stephen Foster
Associate VFX Supervidor: Doug SMythe
Character Animation Supervisors: Tom Bertino, Daniel Jeanette
Supervising Digital Sculptor: Geoff Campbell
Animation & Animal Behavior Consultant: Randal M. Dutra
DFX Artists: Jon Alexander, Michael Conte, Michael Di Como, Ed Kramer
Senior VFX Coordinators: Janet Lewin, Elizabeth Brown
VFX Plate Unit Ass't Camera: John Gadzik
VFX Unit VistaGlide Technician: Mike MacKenzie
Color Timing Supervisor: Ken Smith
Senior Staff: Jeff Mann, Jim Morris
Creature Shop Supervisor (Jim Henson's Creature Shop): John Stephenson
Creative Creature Supervisor (Jim Henson's Creature Shop): Neal Scanlan
Senior Hair Technician (Jim Henson's Creature Shop): Val Jones
Animatronic Supervisor (Jim Henson's Creature Shop): Jason Reed
Machine Shop Supervisor (Jim Henson's Creature Shop): Geoff Paige
Eletronics Supervisor (Jim Henson's Creature Shop): Anton Boniface
Senior Disney Interactive Producer: Noah Dudley
Disney Interactive Producer: Scott Pettit
CCE 3D Producer: Duane Loose
CCE Senior CGI Animator: Ron Zorman
CCE Senior CGI Artist: Ronald Rose
Effects Supervisor: Mark Dornfeld
VFX Unit Optical Lineup: Kevin Downey SOC, Ed Easter
Optical VFX Unit A-Camera Operator: Ron Peterson
Optical VFX Unit B-Camera Operator: Douglas Ulm
Aerial Unit Wescam Operator: Peter Allwork - DirectorJonathan FrakesStarsPatrick StewartJonathan FrakesBrent SpinerThe Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Joint collaboration between ILM & Illusion Arts
==============================
Director: Jonathan Frakes
Senior VFX Supervisor: John Knoll
Co-Producer/2nd Unit Director: Peter Lauritson
Film Editor: John Wheeler ACE
Production Designer: Herman Zimmerman
Cinematographer: Matthew Leonetti ASC
Executive Producer/Unit Production Manager: Martin Hornstein
1st Assistant Director: Jerry Fleck
2nd Assistant Director: Rosemary Cremona
2nd VFX Supervisor: David Takemura
Make-Up Designer/Supervisor: Michael Westmore
Art Director: Ron Wilkinson
Scenic Art Supervisor/Technical Consultant: Michael Okuda
Add'l Cinematographer: Bing Sokolsky ASC
A-Camera Operator: David Luckenbach
B-Camera/Steadicam Operator: Randy Feemster
Senior SFX Coordinator: Terry D. Frazee
Borg Design Supervisor: Todd Masters
Add'l Film Editor: Timothy Board
Associate VFX Supervisor: George Murphy
Senior VFX Producer: Jeff Olson
VFX Art Director: Alex Jaeger
CG Supervisor/Animator: Habib Zargarpour
CG Sequence Supervisor: Dennis Turner
Ass't DFX Artist: Doug Smith
Sabre Compositing Artists: Pablo Helman, CHad Taylor
VFX Production Coordinators: Luke O'Byrne, Heather Smith
VFX Conceptual Art Consultant: Bill George
Digital Animatic Artist: Jonathan Rothbart
Digital Compositors: Tim Alexander, Jeff Doran, Greg maloney
Digital Matchmover: Sewlyn Eddy III
Optical VFX Supervisor: Kenneth Smith
Negative Supervisor: Doug Jones
Film Scanning/Recording Supervisor: Joshua Pines
Mot. Cont. & Pyrotech. Unit VFX DoP: Marty Rosenberg
Mot. Cont. & Pyrotech. Unit Add'l VFX DoP: Patrick Sweeney
Mot. Cont. & Pyrotech. Unit Plate Coordinator: David Dranitzke
Mot. Cont. & Pyrotech. Unit Model Project Supervisor: John Goodson
Senior Staff Member: Jim Morris
Digital VFX Supervisors: Scott Rader, Adam Howard, Richard Patterson
Digital VFX Producer: Andrea D'Amico
Digital Optical Supervisor: Greg Kimble
Digital Post Supervisor: Carol Brzezinski
Digital Editorial Coordinator: Caleb Aschkynazo
Add'l Digital VFX Producer: Joshua D. Rose
Digital VFX Coordinator: Richard J. Cook
Matte Painting Supervisors: Syd Dutton, Bill Taylor ASC
Matte Artists: Robert Stromberg, Michael J. Wassel
Digital Compositor: Ken Nakada
Digital Animator: Fumi Mashimo
Add'l VFX Supervisor: Craig Barron
Add'l VFX Producer: Krystyna Demkowicz - DirectorTim BurtonStarsJack NicholsonPierce BrosnanSarah Jessica ParkerEarth is invaded by Martians with unbeatable weapons and a cruel sense of humor.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorJan de BontStarsSandra BullockJason PatricWillem DafoeA computer hacker breaks into the computer system of the Seabourn Legend cruise liner and sets it speeding on a collision course into a gigantic oil tanker.35mm Panavision Anamorphic Source
Joint collaboration between ILM & R&H
==============================
Director/Producer/Story Writer: Jan de Bont ASC
Producer: Steve Perry
Executive Producer: Mark Gordon
Cinematographer: Jack Green ASC
Production Designers: Joseph C. Nemec III, Bill Kenney
Film Editor: Alan Cody Baker
Unit Production Managers: David Witz, Paul C. Moen, Jeffrey Downer, Buddy Enright
1st Assistant Director: Denis L. Stewart
Senior VFX Supervisors: Stefen Fangmeier, Bert Terreri
Senior SFX Coordinator: Al DiSarro
Associate Producer: Glenn Salloum
Aerial Unit Coordinator/Pilot: Craig Hosking
Associate VFX Supervisor: Roger Guyett
Senior VFX Producer: Kim Bromley
Ass't Film Editor: Michael McCusker ACE
Supervising Art Directors: Dan Olexiewicz, Daniel Ross
Supervising Set Designer: Nick Navarro
Senior Illustrators: David J. Negron Sr, David J. Negron Jr
A-Camera/Steadicam Operator: David Luckenbach
B-Camera Operator: Michael Genne
C-Camera Operator: Aaron Pazanti
D-Camera Operator: Mike Scott
1st Assistant C-Camera: Bill Coe
2nd Assistant C-Camera: Peter N. Green
SFX Supervisors: Al Broussard, Mark Hawker
VFX Unit VistaVision 1st Ass't Camera: Richard McKay
VFX Unit VistaVision 2nd Ass't Camera: David Brink
Aerial Unit DP: Ron Goodman
Aerial Unit 1st Ass't Camera: Ralph Mendoza
DFX Sequence Supervisors: Barbara Nellis, Sean Schur
DFX Compositing Supervisor: Scott Frankel
Color Timing Supervisor: Ken Smith
DFX Artists: Russell Earl, Craig Hammack, Marshall Richard Krasser, Mohen Leo
VFX Ass't Art Director: Leah Anton
VFX Art Direction Supervisor: Claudia Mullaly
VFX Production Coordinators: Lori Arnold, Heather Smith
Senior Production Staff: Jim Morris, Chrissie England, Patricia Blau
CG Supervisor: Bill Westenhofer
VFX Sequence Supervisors: Todd Shiffleft, Besty Asher Hall
VFX Lighting Artists: Erik De Boer, Raymond Chen
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit 1st Ass't Director: Lisa Satriano
2nd Unit 2nd Ass't Director: Nick Satriano
2nd Unit Camera Operator: Ken Fisher
Underwater Unit DP: Pete Romano ASC - DirectorRobert ZemeckisStarsJodie FosterMatthew McConaugheyTom SkerrittDr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.35mm Panavision Anamorphic Source
Special Effects captured in VistaVision
Joint colaboration between, ILM, Weta & SPI
Additional Digital Visual Effects provided by Warner Digital & CIS
==========================
Director: Robert Zemeckis
Producer/2nd Unit Director: Steve Starkey
Executive Producer/Unit Production Manager: Joan Bradshaw
Executive Producer: Lynda Obst
Cinematographer: Don Burgess ASC
Production Designer: Ed Verreaux
Film Editor: Arthur Schmidt
Senior VFX Supervisor: Ken Ralston
Co-Producers: Carl Sagan, Ann Druyan
1st Assistant Director: Bruce Moriarty
2nd Assistant Director: Cellin Gluck
2nd 2nd Ass't Director: Darin Rivetti
Associate Producers: Rick Porras, Steven J. Boyd
Unit Production Manager: Cherylanne Martin
Art Directors: Lawrence A. Hubbs, Bruce Crone
Add'l Film Editor: Harry Keramidas
1st Ass't Editor: Jeremiah O'Driscoll
Ass't Film Editor: Matthew Schmidt ACE
Ass't Art Directors: Brad Ricker, Doug Meerdink, Sally Thornton
4th Dimentional Consultants: Rick Carter, Stefan Dechant, John Bell
Astronomical Visual Consultants: Jon Lamberg, Don Davis
Camera Operator: Robert LaBonge
Steadicam Operators: Greg Lundsgaard, Mark O'Kane
1st Assistant Camera: Tony Rivetti
2nd Assistant Camera: Chad Rivetti
Libra Mount Cameraman: Nick Phillips
Aerial Unit Coordinator: Kevin La Rosa
2nd Unit Camera Operator: Josh Bleibtreu ASC
DGA Trainee: Basil Bryant Grillo
Lead CG Designer: Rick Alonso
CG Designers: Steve Sexton, Simon Knights
Chief Lighting Technician: Steve McGee
Senior SFX Supervisor: Allen Hall
VFX Supervisors: Stephen Rosenbaum, Jim Mitchell, Gray Horsfield, Ariel Velasco Shaw, Dr. Ken Jones
Senior VFX Producer: Debbie Denise
VFX Producers: Julia Rivas, Mark S. Miller, Lauren Alexandra Ritchie
Senior Effects Art Director: Marty Kline
Senior CG Supervisors: Jerome Chen, Ron Brinkman
"Message & HSC Supervisor: Mark Holmes
HSC Supervisor: Sheena Duggal
VFX Associate Producer: Megan L. Jones
VFX Production Supervisor: Mageara Cameron
VFX Plate Production Supervisor: Amy Hollywood Wixson
VFX Vendor Production Supervisor: Jacquie Barnbrook
Digital Production Supervisor: Audrea Topps-Harjo
Lead Technical Designer: Jim Berney
HSC Production Supervisor: Dawn Guinta
Effects Art Director: Marzette Bonar
Miniature Photography Producer: John Radulovic
VFX Unit DoP: David Stump ASC
VFX Unit Add'l DoP: Les Bernstein
Senior SFX Coordinator: Eric Cook
Thunderstone Model Shop Producer: Phil Notaro
CG Artists: Joel Aron, Gregor Lakner, Robert Weaver
Supervising Sabre Artist: Pablo Helman
Digital Compositors: Tim Alexander, Jeff Doran
Digital Timing Supervisor: Bruce Vecchitto
Scanning Supervisor: Joshua Pines
Senior VFX Coordinator: Theresa R. Corrao
CG Supervisor: Matt Aitken
3D Effects Supervisor: Wayne Stables
VFX Art Director: Christian Rivers
Technical Director: Mark Tait
Senior Effects Coordinator: Alyson McRae
VFX Production Assistant: Peter Jackson
Co-Senior VFX Supervisor: Michael Fink
DFX Supervisor: Victor Jiminez
Senior CG Art Director: Karen De Jong
VFX Production Manager: Mimi Medel
Digital VFX Production Coordinator: Iain Kennedy
Digital Camera Supervisor: Megan Bryant
VFX Unit Camera Operator: Glen Gustafson
Imaging Supervisor: Christopher Savides
Executive VFX Producer: C. Marie Davis
Co-Senior VFX Producer: Joe Matza
Technical Supervisor: Bill Feightner
Digital Compositing Supervisor: Jeff Heusser
Digital System Coordinator: Bob Peishel - DirectorHarold BeckerStarsBruce WillisMiko HughesAlec BaldwinShadowy elements in the NSA target a nine-year old autistic savant for death when he is able to decipher a top secret code.35mm Panavision Anamorphic Source
- DirectorBrian De PalmaStarsNicolas CageGary SiniseJohn HeardA shady police detective finds himself in the middle of a murder conspiracy at an important boxing match in an Atlantic City casino.35mm Panavision Anamorphic Source
==============================
Director/Story Writer: Brian De Palma
Associate Producer: Jeff Levine
Senior VFX Supervisor: Eric Brevig
Film Editor: Bill Pankow
Production Designer: Anne Pritchard
Cinematographer: Stephen H. Burum ASC
Unit Production Manager: Margaret Hilliard
Associate Producer/1st Ass't Director: Chris Soldo
2nd Assistant Director: Jono Oliver
2nd Unit Director: Eric Schwab
Art Director: Isabelle Guay
Camera Operator: Gordon Hayman
Steadicam Operator: Larry McConkey
Senior SFX Supervisor: Garry Elmendorf
SFX Ass't Supervisor: Steve Cremin
3rd Assistant Director: Ian Stone
Atlantic City Unit Art Director: Terri Carriker-Thayer
Atlantic City Unit Set Decorator: Beth Rubino
Atlantic City Unit SFX Coordinator: Steve Kirshoff
2nd Unit DP: Alex Funke ASC
Optical Effects Supervisor: John Algana
Senior VFX Producer: Jacqueline Lopez
VFX Associate Supervisor: Ed Hirsh
CG Supervisor: Steve Braggs
CG Artists: Craig Hammack, Hayden Landis
Compositing Artist: Marshall Richard Krasser
VFX Coordinator: Margaret Lynch
Digital Color Timing Supervisor: Bruce Vecchitto
VFX Art Director: Erich Rigling
VFX Unit Miniatures DP: Patrick Turner
Chief SFX Rigger & Pyrotechnician: Geoffrey Heron
Supervising Model Maker: Charlie Bailey
Senior Staff: Jim Morris, Chrissie England - DirectorTroy MillerStarsMichael KeatonKelly PrestonJoseph CrossA father who can't keep his promises is killed in a car accident. One year later, he returns as a snowman who has the final chance to put things right with his son before he is gone forever.35mm Panavision Anamorphic Source
Live Action Frost Effects provided by: Jim Henson's Creature Shop
==============================
Director: Troy Miller
Senior VFX Supervisor: Joe Letteri
Film Editor: Lawrence Jordan
Production Designer: Mayne Berke
Cinematographer: Laszlo Kovacs ASC
Unit Production Manager: Justin Moritt
1st Assistant Directors: Frank Capra III, Jim Chory
2nd Assistant Directors: Sean McCarron, Todd Murata
Senior VFX Producer: Helen Ostenberg Elswit
Senior Animation Supervisor: Paul Griffin
Co-Senior VFX Producer: Camille Grier
Post-Production Supervisor: Russ Kavanagh
Associate Producer: Barbara Kalish
Add'l Film Editor: Lori C. Ingle
Art Director: Gary Diamond
Set Decorator: Ronald R. Reiss
Set Designers: John P. Bruce, Mindi Toback, Stan Tropp
A-Camera/Steadicam Operator: Neal Norton
B-Camera Operator: Donald E. Thorin Jr
Senior VFX Coordinator: Mitchell Ferm
2nd 2nd Ass't Directors: Ken Wada, Eric Tignini
Senior SFX Coordinator: Steve Galich
Senior SFX Supervisor: Jeff Frink
2nd Unit Production Supervisor: Craig Armstrong
2nd Unit DoP: Clyde Smith
2nd Unit 1st Ass't Director: Jerum Schwartz
2nd Unit 2nd Ass't Director: Amy Schmidt
2nd Unit Aerial Camera Operator: Rick Shuster
2nd Unit Steadicam Operator: Chris Squires
Ski Unit Consultant (2nd Unit): Robert Huntoon
Creative Supervisor (JHCS): David Barrington Holt
Production Supervisor (JHCS): Sally Ray
Mold & Foam Shop Supervisor (JHCS): Phil Jackson
Lead Mechanical Designer (JHCS): Tristan Maduro
Mechanical Designer (JHCS): Christian Ristow
GC Supervisors: Gregor Lakner, Robert Marinic, Tom Rosseter
Lead Animator: Chris Armstrong
Digital Timing Supervisor: Kenneth Smith
VFX Art Director: Eric Rigling
DFX Supervisors: Peter Sternlicht, Mark Franco
DFX Producer: Tim Belcher - DirectorJoe JohnstonStarsJake GyllenhaalChris CooperLaura DernThe true story of Homer Hickam, a coal miner's son who was inspired by the first Sputnik launch to take up rocketry against his father's wishes.35mm Panavision Anamorphic Source
- DirectorStephen SommersStarsBrendan FraserRachel WeiszJohn HannahAt an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreak havoc as he searches for the reincarnation of his long-lost love.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Additional VFX provided by Cinesite
=============================================
Director: Stephen Sommers
Cinematographer: Adrian Biddle BSC
Film Editors: Bob Ducsay ACE, Kelly Matsumoto
Production Designer: Allan Cameron
1st Assistant Director: Cliff Lanning
2nd Assistant Directors: Jamie Christopher, Adam Somner
2nd Unit Director: Greg Michael
Senior SFX Supervisor: Chris Corbould
SFX Supervisors: Steve Hamilton, Andy Williams
SFX Administrator: Lynne Corbould
Live-Action Creature Effects Supervisor: Nick Dudman
Wire Effects Supervisors: Robert Schofield, David Williams
Senior VFX Supervisor: John Andrew Berton Jr
VFX Unit DP: Ray Gilberti
VFX Supervisor (Thebes & Hamunaptra Collapse Sequences): Scott Farrar ASC
VFX Unit DP (Thebes & Hamunaptra Collapse Sequences): Pat Sweeney
VFX Producer: Tom Kennedy
Associate VFX Producer: Sandra Scott
CG Supervisors: Michael Bauer, Ben Snow
CG Sequence Supervisor: Ed Kramer
Character Design Supervisor: Jeff Mann
Motion Capture Supervisor: Seth Rosenthal
Senior Staff: Jim Morris
Add'l VFX Supervisor: Kevin Lingenfelser
Add'l CG Supervisor: Richard Kidd
VistaVision Camera Operator: Steven Hall ASC
Miniatures Supervisor: Evan Jacobs
1st Assistant A-Camera: Adam Biddle
B-Camera Operator: Roderick Barron
2nd Unit DP: Harvey Harrison BSC
2nd Unit Camera Operators: David Budd, Peter Taylor
Assistant Editor: Mark Sanger
Avid Assistant Editor: Jim May ACE
Creature Fabricator: Michael Wick - DirectorGeorge LucasStarsEwan McGregorLiam NeesonNatalie PortmanTwo Jedi escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to claim their original glory.35mm Hawk/Powerscope Anamorphic Source
Some scenes captured in VistaVision & HDCAM
2012 3D Stereo Conversion Provided by PF View-D, DMP & MKA
==============================
Director, Writer & Exec Producer: George Lucas ACE
Producer: Rick McCallum
Cinematographer: David Tattersall BSC
FX Cinematographers (ILM Miniature Construct. & Photog Unit): Marty Rosenberg, Pat Sweeney, Pat Turner, Ray Gilberti
Cinematographer (Documentary): Jon Shenk
Production Designer: Gavin Bocquet
Film Editors: Paul Martin Smith GBFE, Ben Burtt
Design Director & ILM VFX Prod Designer: Doug Chiang
Production VFX Supervisors: Dennis Muren ASC, John Knoll, Scott Squires
Production Animation Director: Rob Coleman
Production Supervisor: David Brown
Live Action Creature FX Sup.: Nick Dudman
Chief Make-Up Artist: Paul Engelen
1st Assistant Director: Chris Newman
2nd Assistant Director: Bernard Bellew
3rd Assistant Director: Ben Howarth
Fight Unit Director: Nick Gillard
Supervising Art Director: Peter Russell
Concept Artist (US): Iain McCaig
Art Directors: Fred Hole, John King, Rod McLean, Phil Harvey
Art Director (Tunisia): Ben Scott
Storyboard Artist: Benton Jew
Scenic Artist: James Gemmill
Concept Artists (UK): Tony Wright, Kun Chang
Art Dept. Coordinators (US): Jill Jurkowitz, Blake Tucker
Art Department Coordinator (UK): Laura Burrows
Art Department Assistant (US): Tom Barratt
Art Department Assistant (UK): Iain McFayden
Production Previz/FX Supervisor: David Dozoretz
Production Previz/FX Artists: Ryan Tudhope, Jeff Wozniak, Kevin Baillie, Evan Pontoriero
Key Production Manager: Jo Burn
Sup. Loc Managers: Rob Jordan, Richard Sharkey
Production Manager (Tunisia): Peter Heslop
Unit Manager (Tunisia): Jeremy Johns
Assistant to Rick McCallum (UK): Isobel Thomas
Ass't to Mr. McCallum (US) & 2nd Unit 3rd AD: Janet Nielsen
Assistant to Rick McCallum (US): Sophie Milton
Crowd 3rd Assistant Director: Paul Higgins
Executive Assistant to George Lucas: Jane Bay
Prod Coordinators: Lisa Parker, Hermione Ninnim
Production Coordinator (Tunisia): Tori Parry
Production Coordinator (Italy): Winnie Wishart
Production Coordinator (Travel): Mel Claus
Assistant Production Coordinator: Leo Martin
Production Controller: Kathryn Farrar
Set Cost Accountant: Betty Williams
Accounting Manager: Wendy Gorman
Location Accountant (Tunisia): Dean Hood
Location Accountant (Italy): Val Sunderland
Assistant Accountant (Tunisia): Clare Plummer
A Camera Operator: Trevor Coop
Aerial Unit A Camera Operator: Adam Dale
Aerial Unit Helicopter Pilot: Mark Wolfe
A Camera Focus Puller: Graham Hall ACO
Steadicam Focus Puller: Ben Butler
A Camera Clapper/Loader: Jason Coop
Steadicam Clapper/Loader: Shaun Evans
Steadicam Operator: Keith Sewell
Location Matchmove Supervisor: Jack Haye
Effects Video Engineer: Clark Higgins
Underwater Unit A Cam Operator: Mike Valentine BSC
Set Decorator: Peter Walpole
Assistant Set Decorator: Amanda Bernstein
Supervising Prop Master: Ty Teiger
Production Creature FX Coord.: Lyn Nicholson
Animatronic Model Designers: Jenny Phelps, Julie Wright
Animatronic Model Design Sup.: Chris Barton
Gaffer: Eddie Knight
Rigging Gaffer: Mark Evans
1st Assistant Editor: Marypat Plottner
2nd Assistant Editor (UK): Julian Price
3rd Assistant Editor (UK): Jamie Martin
Avid 2nd Assistant: Joseph Jett Sally
Visual Effects Editorial Coordinator: Paul Cichocki
Post Production Assistant: Kerry Bailey
2nd Assistant Film Editor: Aura Gilge
3rd Assistant Film Editor: David Suther
Color Timer: Jim Passon
Post Prod Supervisors: Michael Blanchard, Jamie Forester
VFX Executive Producer: Chrissie England
VFX Producers: Ned Gorman, Heather Smith, Jeff Olson, Ginger Thiesen, Judith Weaver
Lead CG Supervisor: Kevin Rafferty
Associate VFX Supervisor: Barry Armour
VFX Art Director: David Nakabayashi
Ground Battle Animation Sup: Tom Bertino
Digital Modeling Supervisor: Geoff Campbell
Technical Animation Supervisor: Jim Tooley
Viewpaint Supervisor: Jean Bolte
Additional VFX Supervisor: Scott Farrar ASC
Creature Dev Supervisor: Tim McLaughlin
CG Supervisors: Jon Alexander, Christophe Hery, Tim Alexander, Tom Hutchinson, Gregory Maloney, Euan MacDonald, Patrick Myers, Doug Smythe, Habib Zargarpour
Lead Animators: Peter Daulton, Hal Hickel, Paul Kavanagh
Seq. Supervisors & Dev Leads: Kev Barnhill, Samir Hoon, Douglas Sutton, Michael Di Como, Dorne Huebler, Christopher Townsend
Digital Effects Compositor: Michael Conte
DFX CG Artists: Joakim Arnesson, Eddie Pasquarello
DFX TDs: Vince De Quattro, Russell Earl, Mohen Leo
Digital Effects Resource Assistant: Polly Ing
DFX Programmer: Leandro Estebecorena
DFX Seq. Supervisors: Ed Kramer, Robert Weaver
Digital Effects R&D Artist: Philippe Rebours
Digital Effects Artist: Jonathan Rothbart
Digital Effects Rotoscope Artist: Tami Carter
Digital FX Sabre Supervisor: Pablo Helman
Digital Effects Sabre Artist: Rita Zimmerman
Character Animators: Tim Harrington, Marc Chu, Kevin Martel, Steve Rawlins, Shawn Kelly
Dig. Model Dev & Construct Artists: Stephen Aplin, Ken Bryan, Simon Cheung, Russell Paul
Digital Matte Artists: Yusei Uesugi, Jonathan Harb
R/P Supervisors: Susan Kelly-Andrews, Jack Mongovan
DCT Supervisors: Bruce Vecchitto, Ken Smith
Lead Visual Effects Coordinator: Lisa Todd
3-D Matchmove Supervisors: Keith Johnson, David Washburn
VFX Production Accountant: Joshua Marks
Projectionist: Kenn Moynihan
Research & Dev. Supervisor: Christian Rouet
Motion Capture Supervisor: Jeff Light
Additional Matte Paintings Lead: Bill George
VFX Editors: Scott Balcerek, David Tanaka, Greg Hyman, John Bartle
VFX Coordinators: Lori Arnold, Luke O'Byrne, Robin Saxen, Vicki Engel, Susan Greenhow
Digital R/P Artists: Beth D'Amato, Mike Van Eps, Lance Baetkey
MoCap Leads: Doug Griffin, Seth Rosenthal, Michael Sanders
VFX Storyboard/Conc. Artists: Brice Cox Jr, Warren Fu, Jules Mann, Noel Rubin
Model Sup (Miniature Construct. & Photog Unit): Steve Gawley
A Cam Op (Miniature Construct. & Photog Unit): Carl Miller
B Cam Op (Miniature Construct. & Photog Unit): Vance Piper
Ass't A Cam Op (Miniature Construction & Photog Unit): Bob Hill
Ass't B Cam Op (Miniature Construction & Photog Unit): John Gazdik
Ass't C Cam Op (Miniature Construction & Photog Unit): Michael Bienstock
Gaffers (Miniature Construct. & Photog Unit): Michael Olague, Tim Morgan
A Cam Key Grip (Miniature Construction & Photog Unit): Bill Barr
B Cam Key Grip (Miniature Construction & Photog Unit): Bernie Demolski
Stage Coord-Miniature Construct. & Photog Unit: Megan Carlson
SFX Supervisor (SFX Pyro Crew): Geoffrey Heron
SFX Best Boy (SFX Pyro Crew): Robbie Clot
SFX Technician (SFX Pyro Crew): Dave Heron
Director of Publicity: Lynne Hale
Photography Assistant: Derek Boyes
2nd Unit Director: Roger Christian
2nd Unit Art Director: Ricky Eyres
2nd Unit DoP: Giles Nuttgens BSC
2nd Unit Gaffer: David Smith
2nd Unit 1st Assistant Dir: Nick Heckstall-Smith
2nd Unit 2nd Assistant Director: George Walker
2nd Unit A Camera Focus Puller: Steven Hall
2nd Unit A Cam Clapper/Loader: Edward Jones
2nd Unit B Camera Clapper/Loader: Ian Coffey
2nd Unit Special FX Supervisor: Peter Hutchinson
2nd Unit R2-D2 Operator: Joylon Bambridge
2nd Unit Senior SPFX Technician: Terry Glass
2nd Unit SPFX Technician: Stephen Hutchinson
2nd Unit SPFX Coordinator: Brenda Hutchinson
Prod Sup (Tunisia Shoot): Abdelaliz Ben Mlouka
Art Director (Tunisia Shoot): Taieb Jallouli
UMs (Tunisia Shoot): Meimoun Mahbouli, Philippa Day
1st Assistant Dir. (Tunisia Shoot): Moez Kamoun
Prop Master & Buyer (Tunisia Shoot): Mohamed Bargaoui
Prod Coord (Tunisia Shoot): Amel Becharnia
Loc. Manager (Tunisia Shoot): Moslah Kraiem
Gaffer (Tunisia Shoot): Lofti Siala
Prod Supervisor (Italy Shoot): Guido Cerasuolo
Location Manager (Italy Shoot): Franco Rapa
Unit Manager (Italy Shoot): Enrico Ballarin
Location Assistant (Italy Shoot): Ugo Criscuolo
Prod Coordinator (Italy Shoot): Laura Cappato
Art Director (Italy Shoot): Livia Borgononi
Production Assistant (Italy Shoot): Nicola Rosada
1st Assistant Director (Italy Shoot): David Turchi
2nd Assistant Director (Italy Shoot): Dario Cioni
3rd Assistant Director (Italy Shoot): Andrea Boni
VP & General Manager: Jim Morris
Digital Finishing Colorist - 2012 Rerelease: Mark Nakamine
2nd Digital Finishing Colorist (2012 Re-Release): Charles Bunnag - DirectorJan de BontStarsLiam NeesonCatherine Zeta-JonesOwen WilsonDr Marrow enlists Theo, Luke and Nell for a study of sleep disorders at the Hill House. As soon as the terrifying truth about the mansion is revealed, everyone is found fighting for their lives.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Joint collaboration between ILM & Tippett Studio - DirectorScott HicksStarsEthan HawkeMax von SydowYûki KudôA Japanese-American fisherman is accused of killing his neighbor at sea. In the 1950s, race figures into the trial. So does reporter Ishmael.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorMartin ScorseseStarsNicolas CagePatricia ArquetteJohn GoodmanHaunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.35mm Panavision Anamorphic Source
First collaboration between ILM & director Martin Scorcese
=============================
Director: Martin Scorcese
Consulting Film Editor: James Kwei
Film Editor: Thelma Schoonmaker ACE
Production Designer: Dante Ferretti
Cinemaatographer: Robert Richardson ASC
Co-Producer/1st Ass't Director: Joseph P. Reidy
Executive Producer/Unit Production Manager: Bruce S. Pustin
Associate Producers: Jeff Levine, Mark Roybal
Camera Operator: Vincent Galindez
Senior VFX Supervisor/2nd Unit Director: Michael Owens
Senior VFX Producers: Jill Brooks, Camille Geier
Compositing Supervisor: Jon Alexander
Digital Timing Supervisor: Ken Smith
Senior VFX Coordinators: Susan Greenhow, David Lambert
Senior SFX Coordinator: John M. Otteson
Effects Supervisor: Janos Pilenyi - DirectorPaul Thomas AndersonStarsTom CruiseJason RobardsJulianne MooreAn epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley.35mm Panavision Anamorphic Source
Some scenes captured spherically - DirectorDean ParisotStarsTim AllenSigourney WeaverAlan RickmanThe alumni cast of a space opera television series have to play their roles as the real thing when an alien race needs their help. However, they also have to defend both Earth and the alien race from a reptilian warlord.35mm Panavision Anamorphic Source
- DirectorBrian De PalmaStarsTim RobbinsGary SiniseDon CheadleWhen the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting an unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
Joint collaboration between ILM & DQI - DirectorWolfgang PetersenStarsGeorge ClooneyMark WahlbergJohn C. ReillyAn unusually intense storm pattern catches some commercial fishermen unaware and puts them in mortal danger.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision - DirectorClint EastwoodStarsClint EastwoodTommy Lee JonesDonald SutherlandWhen retired engineer Frank Corvin is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space.35mm Panavision Anamorphic Source
==================
Director: Clint Eastwood
Cinematographer: Jack N. Green ASC
Production Designer: Henry Bumstead
Film Editor: Joel Cox ACE
Senior VFX Supervisor/Additional Unit Director: Michael Owens
Unit Production Manager: Patricia Churchill
1st Assistant Director: Robert Lorenz
Key 2nd Ass't Director: Dodi L. Rubenstein
Art Director: Jack G. Taylor Jr
Set Decorator: Richard Goddard
Ass't Film Editor: Gary D. Roach
Camera/Steadicam Operator: Stephen S. Campanelli SOC
1st Assistant Camera: Bill Coe
2nd Assistant Camera: Peter N. Green
Camera Loader: Heather D. Green
Chief Lighting Technician: Tom Stern ASC AFC
Ass't Chief Lighting Technician: Ross Dunkerley
Senior SFX Coordinator: John Frazier
Add'l Camera Operator: Leo J. Napolitano
Underwater Unit DoP: Pete Romano ASC
Underwater Unit Ass't Camera: Brad Peterman
Aerial Unit/2nd Unit Director: Craig Hosking
Aerial Unit SpaceCam Operator: Hans Bjerno
Senior VFX Producer: Dana Friedman
Add'l VFX Supervisor: Scott Farrar ASC
Associate VFX Supervisor: Pablo Helman
VFX Senior Producer: Judith Weaver
VFX Art Director: Peter Rubin
Compositing Supervisor: Jon Alexander
CG Supervisor: Barry Armour
VFX Unit DoP: Marty Rosenberg
Model Supervisor: Steve Gawley
Lead Digital Matte Artist: Paul Huston
Color Timing Supervisor: Bruce Vecchitto
VFX Unit Motion Control Camera Operator: Ray Gilberti
Practical Effects Supervisor: Joe Fulmer
Chief Model Makers: Brian Gernand, Adam Savage
Technical Digital Artist: Christopher Townsend
Compositors: Tami Carter, Jeff Doran
Senior VFX Coordinators: Susan Greenhow, Lisa Todd, David Valentin
Animator: Hal Hickel
Lead 3D Matchmove Artist: Jason Snell - DirectorSean PennStarsJack NicholsonBenicio Del ToroPatricia ClarksonA retiring police detective pledges to catch the killer of a young child.35mm JDC Anamorphic Source
- DirectorStephen SommersStarsBrendan FraserRachel WeiszJohn HannahThe mummified body of Imhotep is shipped to a museum in London, where he once again wakes and begins his campaign of rage and terror.35mm Panavision Anamorphic Source
Visual Effects captured in VistaVision
=============================================
Director: Stephen Sommers
Executive Producer/Film Editor: Bob Ducsay ACE
Film Editor: Kelly Matsumoto
Production Designer: Allan Cameron
1st Assistant Director: Cliff Lanning
Key 2nd Assistant Director: Jamie Christopher
Executive in Charge of Production: Ron Lynch
Executive Producer/Unit Production Manager: Don Zepfel
2nd Unit Director: Greg Michael
Senior SFX Supervisor: Neil Corbould
SFX Supervisors: David Hunter, Andy Williams
SFX Test Technician: Malcolm Crash Corbould
Live-Action Creature Effects Supervisor: Nick Dudman
Senior VFX Supervisor: John Andrew Berton Jr
VFX Supervisors: Craig Barron, Brad Kuehn
VFX Coordinator: Jeanie King
VFX Aeriel Unit Director/Plate Supervisor: Kevin Rafferty
VFX Compositor: Grady Cofer
VFX Producers: Jennifer C. Bell, Carole Crowley
VFX Unit DP: Steven Hall ASC
Sequence Supervisor: Ed Kramer
VFX Editor: Andrew MacRitchie
Motion Capture Supervisor: Seth Rosenthal
Senior Staff: Jim Morris
A-Camera Operator: David Worley
B-Camera Operator: Roderick Barron
Aeriel Unit Camera Operator: Simon Werry
Aeriel Unit Camera Operator/Director of Photography: Adam Dale
Steadicam Operator: Alf Tramontin
2nd Unit DP: Harvey Harrison BSC
Effects Unit DP: Ray Gilberti
Colorist: Michael Healey
Avid Assistant Editor: Mark Sanger - DirectorMichael BayStarsBen AffleckKate BeckinsaleJosh HartnettA tale of war and romance mixed in with history. The story follows two lifelong friends and a beautiful nurse who are caught up in the horror of an infamous Sunday morning in 1941.35mm Panavision Anamorphic Source
Some shots captured on Super 8mm & 16mm
Visual Effects captured in VistaVision
First collaboration between ILM & director Michael Bay
Special Makeup Effects designed & created by Stan Winston Studio
==============================
Director: Michael Bay
Producer: Jerry Bruckheimer
Executive Producer/Unit Production Manager: Barry Waldman
Senior VFX Supervisor/2nd Unit Director: Eric Brevig
Cinematographer: John Schwartzman ASC
Cinematographer (Add'l Photography)/2nd Unit DP: Mitchell Amundsen ASC SOC
Production Designer: Nigel Phelps
Film Editors: Chris Lebenzon ACE, Steven Rosenblum ACE, Mark Goldblatt ACE, Roger Barton ACE
Unit Production Manager: Kelly Van Horn
Associate Producer/1st Ass't Director: KC Hodenfield
2nd Assistant Director: Jeff Okabayashi
Associate Producer Kenny Bates
Senior VFX Producers: Ned Gorman, Janet Lewin
Co-VFX Supervisor: Ed Hirsh
VFX Associate Supervisor: Ben Snow
Aerial Unit Coordinator: Alan Purwin
Aerial Unit Director/Director of Photography: David B. Nowell ASC
2nd 2nd Ass't Director: Steve Battaglia
Supervising Art Director: Martin Laing
Art Director: Jon Billington
Visual Consultant: Robert Consing
Graphic Illustrator: Francois Auduoy
A-Camera/Steadicam Operator: Robert Presley SOC
B-Camera Operator/Miniatures Unit VFX DP: Kim Marks SOC
Underwater Unit DP: Pete Romano ASC
Effects Supervisor (SWS): John Rosengrant
On-Set Effects Supervisor (SWS): Scott Stoddard
Chief Lighting Technician: Andrew Ryan
Add'l Film Editor: Jim May ACE
Associate Film Editor: Joel Negron ACE
Avid Ass't Editors: Tony Ciccone, Rob Molina
Senior SFX Supervisor: John Frazier
On-Set SFX Coordinator: Jim Schwalm
2nd Unit On-Set SFX Coordinators: Danny Cangemi, Bill Aldridge
Key On-Set Staff Assistant: Chris Castaldi
CG Supervisor: Michael Bauer
Compositing Supervisor: Marshall Richard Krasser
VFX Art Director: Alex Jaeger
CG Sequence Supervisors: Joel Aron, Steve Braggs, Hayden Landis, David Horsley
Lead Animators: Scott Benza, Scott Wirtz
Physical Model Supervisor: Michael Lynch
Senior Digital Artist/Technical Director: Russell Earl
Digital Artists: Doug Sutton, Raul Essig, Craig Hammack, Mohen Leo, Greg Maloney, Rita Zimmerman
CG Animators: Paul Kavanagh, Doug E. Smith
Senior CG Modeler: Bruce Holcomb
Senior VFX Coordinator: Susan Greenhow
Miniatures Unit VFX DPs: Martin Rosenberg ASC, Carl Miller, Vance Piper, Ray Gilberti
Miniatures Unit Practical Effects Supervisor: Geoffrey Heron
Miniatures Unit Chief Model Maker: Brian Gernand
Miniatures Unit VFX Plate Coordinator: Magaret Lynch
Senior Staff: Jim Morris
2nd Unit 1st Ass't Director: Bruce Moriarty
2nd Unit 2nd Ass't A-Camera: Eric Amundsen
Hawaii Unit Supervising Art Director: Geoff Hubbard
Hawaii Unit Art Director: Mark W. Mansbridge
Unit Production Manager (Baja Unit): Hector Lopez
Baja Unit Set Decorator: Hugo Reyes
England Unit Line Producer: Sewlyn Roberts
Home Video Colorist: Stefan Sonnenfeld ASC - DirectorTim BurtonStarsMark WahlbergHelena Bonham CarterTim RothIn 2029, an Air Force astronaut crash-lands on a mysterious planet where evolved, talking apes dominate a race of primitive humans.35mm Panavision Anamorphic Source
Joint collaboration between ILM, CIS R&H & Asylum
=============================
Director: Tim Burton
Special Makeup Effects Designer/Creator: Rick Baker
Senior VFX Supervisor: Bill George
Main Film Editor: Chris Lebenzon ACE
Production Designer: Rick Heinrichs
Cinematographer: Philippe Rousselot ASC AFC
Associate Producer/Unit Production Manager: Ross Fanger
Associate Producer/1st Ass't Director: Katterli Frauenfelder
Senior VFX Producer: Tom Peitzman
Supervising Art Director: John Dexter
Art Director: Sean Haworth
Lead Set Dewsigner: James R. Bayliss
Production Supervisor: Jason McGatlin
Production Consultant: Michael Levine
Production Coordinator: Mika Saito
2nd 2nd Ass't Director: Basil Bryant Grillo
A-Camera/Steadicam Operator: Neal Norton
B-Camera Operator: Robin Melhuish
C-Camera Operator: Chris Moseley
Underwater Unit DoP: Pete Romano ASC
Prop Master: Russell Bobbitt
Key Grip: C. Alan Rawlins
Film Editor: Joel Negron ACE
Senior SFX Coordinator: Ken Pepiot
Set Dec Illustrator: Guy Hendrix Dyas
VFX Co-Supervisor: George Murphy
Co-Senior VFX Producer: Sandra Scott
Compositing Supervisor: Tom Hutchinson
Rebel Unit VFX Supervisor: Erich Ippen
VFX Art Director: Jules Mann
Model Shop Supervisor: John Goodson
Effects Unit DoPs: Ray Gilberti, Marty Rosenberg
Digital compositors: Colin Campbell, Greg Maloney, Sebastien Moreau
Sabre CG Artist: Grady Cofer
CG Artist: Ed Kramer
Senior VFX Production Coordinators: Margaret Lynch, Camille Eden
Senior VFX Production Assistant: Katie Lynch
VFX Executive Producer: Mark S. Miller
Senior Staff: Patricia Blau, Jim Morris
Executive VFX Producers: C. Marie Davis, Emma McGuinness
VFX Supervisors: Dr. Ken Jones, Nathan McGuinness, Mark Freund
Digital Compositing Supervisor: Greg Oehler
DFX Supervisor: Christopher Sjoholm
Senior Lighting Supervisor: Eileen Jensen
VFX Producers: Lindsay Burnett, Kathy Chasen-Hay, Rick Sparr
VFX Unit DoP: Daniel Ardilly
Live-Action Effects Producer: Tim R. Kerrison
Add'l VFX Producer: Cosmas Paul Bolger Jr
Add'l VFX Supervisor: Peter W. Moyer
Main Title Sequence Designer: Robert Dawson
2nd Unit Director: Andy Armstrong
2nd Unit DoP: Jonathan Taylor ASC
2nd Unit Add'l DoP: Paul Hughen ASC
2nd Unit A-Camera Operators: David Diano, Joseph V. Cicio, David Richert
2nd Unit B-Camera/Steadicam Operator: Kenji Luster ASC
2nd Unit SFX Coordinator: Steve Cremin
Unit Production Manager (Washington DC Unit): Dara Weintraub
London Unit Line Producer: Iain Smith
Unit Production Manager (London Unit): Mary Richards
London Unit Art Directors: Leslie Tomkins, Kevin Phipps, Dave Allday
London Unit Set Decorators: Jeff Adoorian, Jeff Ogg, Peter Young
London Unit SFX Supervisor: Garth Inns - DirectorSimon WellsStarsGuy PearceYancey AriasMark AddyHoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds humankind divided into two warring races.35mm Panavision Anamorphic Source
Joint collaboration between ILM, Digital Domain, Illusion Arts & Cinesite
Digital Visual Effects provided by C.O.R.E.
==============================
Director: Simon Wells
Add'l Director: Gore Verbinski
Co-Producer: John Logan
Senior VFX Supervisor: James E. Price
Senior VFX Producer: Kimberly Nelson
Film Editor: Wayne Wahrman ACE
Production Designer: Oliver Scholl
Cinematographer: Donald McAlpine ASC ACS
Associate Producer/Unit Production Manager: David Lester
1st Assistant Director: Ellen H. Schwartz
Camera Operator: David E. Diano SOC
1st Assistant Camera: Patrick McArdle
Chief Lighting Technician: Steve Mathis
Senior SFX Supervisor: Matt Sweeney
Senior VFX Coordinator: Allen Maris
Post-Production Executive: Martin Cohen
Dreamworks Executive: Steven Spielberg
2nd Unit Director: Greg Michael
2nd Unit DP: Hiro Narita ASC
2nd Unit Camera Operator: Vern Nobles Jr
2nd Unit B-Camera/Steadicam Operator: Donald E. Thorin Jr
NY Unit Gaffer: Joe Grimaldi
VFX Supervisors: Erik Nash, Scott Squires, Thomas J. Smith
VFX Producers: Julian Levi, Catherine Sudolcan, Kevin Elam
DFX Supervisor: Jonathan Egstad
CG Supervisors: David Prescott, Carl Frederick
Compositing Supervisors: Bryan Grill, Greg Maloney
Lead CG Time Travel Sequence Supervisor: Sean Andrew Faden
Lead Character Animator: Brad Parker
Senior 3D Integration Artist: Scott Edelstein
Lead Senior Digital Compositor: Claas Henke
Senior Digital Compositor: Joe Ken
Miniature Supervisor: Alan Faucher
Miniature Unit DP: Tony Anderson
Digital Imaging Supervisor: Jeffrey Kalmus
3D DFX Coordinator: Michelle Leigh
2D DFX Coordinator: Tom Clary
VFX Walk-Through Coordinator: Geoffrey Baumann
VFX Executive Producer: Nancy Bernstein
Animation Supervisor: Tom Bertino
VFX & Animation Producer: Stephanie Hornish
Lead Animator: Scott Wirtz
Lead 3D Matchmove Artist: Lanny Cermak
VFX & Animation Coordinator: Margaret Lynch
Digital Color Timing Supervisor: Kenneth Lynch
Special Visual Effects Superviosrs: Syd Dutton, Bill Taylor ASC
Lead Matte Artist: Michael J. Wassel
Senior Matte Artist: Kelvin McIlwain
VFX Unit Camera Operator: Adam Kowalski
VFX Art Director: Lubo Hristov
Character Effects Supervisor: Greg Figiel
Digital VFX Executive Producer: Stephanie Allen - DirectorPaul Thomas AndersonStarsAdam SandlerEmily WatsonPhilip Seymour HoffmanSocially frustrated Barry Egan calls a phone-sex line to curb his loneliness. Little does he know it will land him in deep trouble and will jeopardize his burgeoning romance with the mysterious Lena.35mm Panavision Anamorphic Source
- DirectorClint EastwoodStarsClint EastwoodJeff DanielsAnjelica HustonStill recovering from a heart transplant, retired F.B.I. profiler Terry McCaleb returns to service when his own blood analysis offers clues to the identity of a serial killer.35mm Panavision Anamorphic Source
- DirectorAntoine FuquaStarsBruce WillisCole HauserMonica BellucciA Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.35mm Panavision Anamorphic Source
============================
Director: Antoine Fuqua
Executive Producer: Joe Roth
Cinematographer: Mauro Fiore ASC
Cinematographer (Add'l Photography)/C-Camera Operator: Keith Solomon
Production Designer: Naomi Shohan
Film Editor: Conrad Buff IV ACE
Film Editor (Ext'd Version): Christopher Holmes
2nd Unit Director: Phil Neilson
Co-Producer/Unit Production Manager: Steven P. Saeta
Key 1st Assistant Director: KC Hodenfield
Key 2nd Assistant Director: Jeff Okabayashi
Associate Producer: Heidi Fugeman Lindelof
Art Director: David Lazan
Set Decorator: Larry Dias
A-Camera Operator: Kirk Gardner
B-Camera Operator: Maurice Keith McGuire SOC
Aerial Unit DP/2nd Unit DP: Larry Blanford
Senior SFX Supervisor: John Frazier
Production Coordinator: Mitchell Bell
Gaffer/Chief Lighting Technician: Michael Bauman
Senior SFX Foreman: Jim Schwalm
Aerial Effects Supervisor: Earl Wiggins
Senior VFX Supervisor: Scott Farrar ASC
2nd VFX Supervisor: Roger Guyett
Senior VFX Producer: Denise Ream
CG Supervisors: Russell Earl, Eddie Pasquarello
Lead Digital Artist: Dean Yurke
Senior Animator/Digital Artist: Paul Kavanagh
VFX Coordinators: David M. Gray, Dale Taylor
Digital Color Timing Supervisor: Bruce Vecchitto
Senior Staff: Jim Morris
Add'l VFX Supervisor: David Sosalla
Add'l Digital VFX Coordinator: James D. Tittle
Add'l VFX Producer: Joe Gareri
Action Coordinator: Gary Robert
Video Operator/Additional DP: Dan Moore
Aerial Unit Helicopter Pilot: Alan Purwin
Aerial Unit Wescam Technician: Steven J. Winslow
Home Video Colorist: Stefan Sonnenfeld ASC - DirectorStephen NorringtonStarsSean ConneryStuart TownsendPeta WilsonIn an alternate Victorian Age world, a group of famous contemporary fantasy, science fiction, and adventure characters team up on a secret mission.35mm Panavision Anamorphic Source
First DC Comics film to have VFX completed by ILM
Creature Effects provided by Steve Johnson's Edge FX
Joint Collaboration between ILM, Cinesite, CPS, NDS, Digiscope, Tippett Studio, Computer Cafe, Pixel Magic & DNEG
==============================
Director: Stephen Norrington
Executive Producer: Sean Connery
Co-Producer/Unit Production Manager: Michael Nelson
Film Editor: Paul Rubell ACE
Production Designer: Carol Spier
Cinematographer: Dan Laustsen ASC DFF
Cinematographer (Miniature Photography Unit): Mike Talarico
Key Production Manager: Elena Zokas
Production Manager: Michelle Weller
Key 1st Ass't Director: KC Colwell
1st Assistant Director: Michel "Mischa" Cheyko
Key 2nd Ass't Director: Andy Howard
2nd Assistant Director: Frantisek Rezek
Associate Producer: Rick Benattar
LA Unit Line Producer: Bruce Devan
Set Decorator Peter Nicolakakos
A-Camera Operator: Rodrigo Gutierrez
B-Camera Operator: Sebastian Meuschel
C-Camera Operator: Martin Hume
Gaffer: Jan Boruvka
Supervising Rigging Gaffer: Dean Brkic
Add'l Film Editors: Robert Duffy, Ken Blackwell
Senior VFX Supervisors: Janek Sirrs, John E. Sullivan, David Goldberg, Thomas J. Smith
Senior VFX Producer: Karen M. Murphy
Makeup Effects Producer: Fernando Favila
Conceptual Designer: Constantine Sekeris
Lead Hyde Artist: Leon Laderach
Lead Prosthetic Artist: Margaret Prentice
Lead Animatronic Engineer: Eric Fiedler
Lead Dorian Gray Artist: Bernie Eichholz
Senior SFX Supervisor: Terry Glass
Lead Senior SFX Technicians: George Gibbs, Trevor Neighbour
Senior SFX Coordinator: Dana Hunter Saddath
LA Unit 1st Ass't Director: Adam Somner
LA Unit 2nd Ass't DIrector: Richard Graysmark
VFX Production Supervisor: Keith Hamakawa
VFX Data Coordinator: James Madigan
Post-Production VFX Coordinator: Dawn A. Brookes
On-Set VFX Coordinator: Veronika Hladikova
VIsual Consultant: Harrison Ellenshaw
Main Title Matte Painting Supervisor: Robert Stromberg
VFX Supervisors: Paul J. Franklin, John Lockwood, Steve Street, Matthew Gratzner, Dion Hatch, Tim Alexander, Scott Gordon, Raymond McIntyre Jr, Mark Dornfeld
VFX Producers: Dominic Sidoli, Ken Dailey, David Sanger, Rod Park
CG Supervisor: Martin Hill
Lead 3D Artist: Ged Wright
VFX Line Producer: Paul Edwards
SFX Supervisor: Garth Inns
Miniatures Supervisor: Michael Joyce
Miniatures Producer: Bob Hurrie
Model Supervisors: Ken Swenson, John Joyce
VFX Unit DPs: Dennis McHugh, Timothy E. Angulo
VFX Unit Gaffers: Michael Jenkins, Victor Abbene
Pyrotechnic Supervisor: Joseph Viskocil
Mechanical Supervisor: Scott Beverly
Lead VFX Production Assistant: Michael Fuchs
VFX Production Assistant: Taryn P. Kelly
VFX Executive Producer: Mary Stuart
Digital Matte Painter: Yusei Uesugi
Digital Compositor: Jerry Sells
Rotoscope Artist: Lance Baetkey
Digital Match Mover: Brandon Warner
VFX Supervisor (Dante Beast Sequence): Brennan Doyle
VFX Producer (Dante Beast Sequence): Jason Heapy
CG Supervisor (Dante Beast Sequence): Matthew Robinson
VFX Editor (Dante Beast Sequence): Des Carey
DFX Supervisor: David Ebner
2nd Unit Directors: Vic Armstrong, Mike Benson SOC, Rich Thorne
2nd Unit A-Camera Operator: Peter Field NZCS ACO
2nd Unit B-Camera Operator: Jakub Dvorsky
2nd Unit C-Camera Operator: Martin Stepánek
2nd Unit 1st Ass't A-Camera: John Gamble ACO - DirectorP.J. HoganStarsJeremy SumpterJason IsaacsOlivia WilliamsThe Darling family children receive a visit from Peter Pan, who takes them to Never Never Land where an ongoing war with the evil Pirate Captain Hook is taking place.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm
Joint Collaboration between ILM, Digital Domain & SPI
==============================
Director: PJ Hogan
Unit Production Manager (LA Unit)/Co-Executive Producer: Charles Newirth
Cinematographer: Donald McAlpine ASC ACS
Production Designer: Roger Ford
Film Editors: Michael Kahn ACE, Garth Craven
Lead Senior VFX Supervisor: Scott Farrar ASC
Senior VFX Supervisors: Mark O. Forker, Mark Stetson
Add'l VFX Supervisor: Eric Brevig
Associate Producer: Ellen M. Somers
Unit Production Managers: Patrick McCormack, Jennifer Cornwell
Main 2nd Unit Director: Conrad E. Palmisano
Co-Producer: Stephen Jones
Senior Animation Supervisor: Jenn Emberly
Senior VFX Producers: Dana Friedman, Kristina Reed, Cari Thomas
Supervising Art Director: Richard Hobbs
Add'l Film Editor: Paul Rubell ACE
Camera Operator: David Williamson
B-Camera/Steadicam Operator: Mark Goellnicht
Add'l Steadicam Operator: Philip M. Cross
Senior SFX Supervisor: Clayton M. Pinney
Ass't SFX Supervisor: Tony Centonze
Senior SFX Coordinator: Bruce Bright
On-Set SFX Supervisor: Rob Heggie
Supervising VFX Editor: Samuel Craven
Visual Consultants: Iain McCaig, Brian Froud
2nd Unit Director: Shirley Barrett
2nd Unit DP: Martin McGrath
2nd Unit Add'l DP: Ian Thorburn
2nd Unit Camera Operator: Andrew Conder
2nd Unit SFX Supervisor: Dan Oliver
LA Unit A-Camera Operator: Neal Norton
LA Unit 1st Ass't Camera: Patrick McArdle
VFX Art Director: Alexander Laurant
VFX Associate Producer: Julie D'Antoni
VFX Executive Producers: Judith Weaver, Nancy Bernstein
Senior CG Supervisors: Kevin Barnhill, Brad Parker
Senior CG Sequence Supervisor: Lindy De Quattro
Compositing Supervisors: Jon Alexander, Patrick Tubach, Claas Henke
Senior Compositing Sequence Supervisor: Francois Lambert
Senior Digital Compositor: Joel Behrens
Miniatures Supervisor: Brian Gernand
Digital Model Supervisor: Ken Bryan
Associate Animation Supervisor: Peter Daulton
Digital Matte Supervisor: Jonathan Harb
On-Set VFX Data Capture Supervisor: Joel Aron
Add'l VFX Plate Supervisor: Barry Armour
Color Timing Supervisor: Bruce Vecchitto
Lead Matchmover: Sewlyn Eddy III
Senior Sabre Compositor: Sebastien Moreau
VFX Miniatures Unit DPs: Carl Miller, Martin Rosenberg, Pat Sweeney
Executive VFX Producer: Debbie Denise
Miniature Unit DP: David Hardberger
DI Colorist: Steven J. Scott ASC - DirectorBobby FarrellyPeter FarrellyStarsMatt DamonGreg KinnearEva MendesConjoined twins from Martha's Vineyard move to Los Angeles so that one of them can pursue an acting career.35mm Panavision Anamorphic Source
First collaboration between ILM & cinematographer Dan Mindel
ASC associate member Stefan Sonnenfeld provided a Digital scan for the Home Video release
_______________________________________________________
Directors: Bobby Farrelly, Peter Farrelly
Cinematographer: Dan Mindel ASC BSC SASC
Production Designer: Sydney Bartholomew Jr
Film Editors: Christopher Greenbury ACE, Dave Terman
Additional Film Editors: Matthew Cassel, Sam Seig
2nd Unit Director: Mark Steilen
SFX Unit Director/Senior SFX Supervisor: Kevin Harris
LA SFX Supervisor: Frank Ceglia
Senior VFX Supervisor: Bill George
Additional VFX Supervisor: Mark Dornfeld
CG Artist: Paul Kavanagh
VFX Producers: Michele Ferrone, Sandra Scott
Executive: Jim Morris
2nd Assistant Camera: Sergius Nafa Nofield
B-Camera/Steadicam Operator: Colin Anderson SOC
Gaffer/2nd Unit DP: Bruce McCleery ASC - DirectorJoe JohnstonStarsViggo MortensenOmar SharifZuleikha RobinsonIn 1890, a down-and-out cowboy and his horse travel to Arabia to compete in a deadly cross desert horse race.35mm Panavision Anamorphic Source
==============================
Director: Joe Johnston
Executive Producer/Unit Production Manager: Don Zepfel
Cinematographer: Shelly Johnson ASC
Production Designer: Barry Robison
Film Editor: Robert Dalva ACE
Unit Production Managers: Christopher Bromley, Richard Rothschild
Co-Producer (Morroco Unit): Patricia Carr
Senior VFX Supervisor: Tim Alexander
Supervising Art Director: Troy Sizemore
Camera Operator: Don Devine
B-Camera Operator: Philip Lee
Aerial Unit Spacecam Operator: Steve Koster
Senior SFX Coordinator: Bruno Van Zeebroeck
2nd 2nd Ass't Directors: Ruben Garcia, David Waters, Andrew Ward
2nd Unit Directgor: Alexander Witt ASC
2nd Unit DP: Kevin McKnight
Morocco Unit Supervising Art Director: Aurelio Crugnola
Morocco Unit Art Director: Luigi Quintili
Morocco Unit B-Camera Operator: Des Whelan ACO
Morocco Unit 1st Ass't B-Camera: John Conroy ASC ISC
Morocco Unit Panavision Camera Technician: Malcolm Mills
Morocco Unit Wescam Operator: Adam Dale
Morocco Unit SFX Supervisor: Peter Hutchinson
Morocco 2nd Unit 1st Ass't Camera: Simon Hume
Morocco 2nd Unit 2nd Ass't Camera: Alan Hall
Senior VFX Producer: Ginger Theisen
Compositing Supervisor: Eddie Pasquarello
CG Supervisor: Robert Weaver
Animation Supervisor: Sylvia Wong
Digital Timing Supervisor: Bruce Vecchitto
VFX Production Coordinator: Damien Carr - DirectorAdam ShankmanStarsVin DieselBrittany SnowMax ThieriotHaving recovered from wounds received in a failed rescue operation, Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.35mm Panavision Anamorphic Source
First collaboration between ILM & director Adam Shankman
==============================
Director: Adam Shankman
Film Editor: Christopher Greenbury ACE
Production Designer: Linda DeScenna
Cinematographer: Peter James ASC ACS
Cinematographer (Key West Unit)/2nd Unit DP: Josh Bleibtreu ASC
Executive Producer/Unit Production Manager: Garrett Grant
Unit Production Manager: Brian L. Parker
1st Assistant Director: Daniel Silverberg
Key 2nd Ass't Director: Karl Irvine
2nd Unit Director: Robert "Bob" Brown
Art Director: Arvinder Greywal
A-Camera Operator: Robert Stecko
B-Camera/Steadicam Operator: François Daignault
Associate Film Editor: Matthew Cassel
Chief Lighting Technician: Franco Tata
Senior SFX Coordinator: Colin Chilvers
Senior SFX Supervisor: Tony Kenny
Key West Unit Underwater DP: Pete Romano ASC
Key West Unit A-Camera Operator: Neal Norton
Key West Unit B-Camera Operator: Daniel B. Gold
Key West Unit C-Camera Operator: Buzz Feitshans IV
Key West Unit D-Camera Operator: Leo J. Napolitano
Key West Unit Aeriel DP: Hans Bjerno ASC
Key West Unit Art Director: Richard Fojo
Key West Unit Set Decorator: Scott Jacobson
Key West Unit SFX Coordinator: Kevin Harris
2nd Unit Camera Operator: Dawid Pietkiewicz
Senior VFX Supervisor: Scott Farrar ASC
Senior VFX Producer: Gretchen Libby
Sabre Artist: Adam Howard
Senior Technical Supervisor: Mohen Leo
Senior VFX Coordinator: Paula Nederman
VFX Unit DP: Martin Rosenberg ASC
VFX Plate Coordinator: Sarah Peacock
Senior Executive: Jim Morris
Add'l VFX Supervisor: Mark Dornfeld
Add'l VFX Producer: Michele Ferrone
Executive in Charge of Production: Jeffrey Chernov
Additional DP: Jorge Sanchez - DirectorMichael BayStarsScarlett JohanssonEwan McGregorDjimon HounsouA man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from Company 3
Main Titles & additional VFX provided by Asylum
==============================
Director: Michael Bay
Associate Producer/2nd Unit Director: Kenny Bates
Senior VFX Supervisor/Add'l 2nd Unit Director: Eric Brevig
Film Editors: Paul Rubell ACE, Christian Wagner
Production Designer: Nigel Phelps
Cinematographer: Mauro Fiore ASC
Associate Producer/Production Manger: Steven P. Saeta
Associate Producer/1st Assistant Director: Josh McLaglen
2nd Assistant Directors: Maria Battle Campbell, Steve Battaglia
Associate Producer: Heidi Fugeman Lindelof
Senior VFX Producer: Shari Hanson
Aerial Unit Coordinator/Pilot: Alan Purwin
Supervising Art Director: David Sandefur
Art Directors: Jon Billington, Sean Haworth, Martin Whist
Ass't Art Directors: Tom Frohling, Julian Ashby
A-Camera/Steadicam Operator: David Emmerichs
B-Camera Operator: Philippe Carr-Forster
C-Camera Operator: Maurice Keith McGuire SOC
Aerial Unit DP: David B. Nowell ASC
1st Assistant B-Camera: Brad Peterman
Chief Lighting Technician: Michael Bauman
Senior SFX Supervisor: John Frazier
Senior SFX Coordinator: JD Schwalm
Picture Car Coordinator: Paul Schwanke
Head of Feature Production: Michael Grillo
Production Executive: Steven R. Molen
Post-Production Executive: Martin Cohen
Dreamworks Executive: Steven Spielberg
Add'l Film Editors: Roger Barton ACE, John Murray, Thomas Muldoon
Associate Film Editor: Todd E. Miller
1st Assistant Editor: Ken Blackwell
Post-Production Effects Supervisor: Robert Yamamoto
Add'l 2nd Unit Director: Mark Palansky
2nd Unit DP: Mitchell Amundsen ASC SOC
2nd Unit Underwater DP: Pete Romano ASC
Digital Production Supervisor: Christopher Townsend
Add'l VFX Supervisor: Ed Hirsh
Animation Supervisor: Scott Benza
Model/Miniature Supervisor: Brian Gernand
Sequence Supervisor: Doug Sutton
VFX Art Director: Alex Jaeger
Digital Model Supervisors: Bruce Holcomb, Michael Koperwas
Lead Creature Development Artist: Andrew Buecker
VFX Editor: Nicholas Anastassiou
Lead Digital Matte Artist: Johan Thorngen
Lead Matchmove Artist: Talmage Watson
Lead Digital Paint & Roto Artist: Jiri Jacknowitz
VFX Unit DP: Kim Marks
Senior Animators: Paul Kavanagh, David Shirk
Senior Inferno Artists: Adam Howard, Sebastien Moreau
Senior Digital Matte Artist: Richard Bluff
VFX Production Manager: Susan Greenhow
VFX Location Coordinator: Damien Carr
Senior VFX Coordinator: Katie Lynch
VFX Ass't Editor: Lorelei David
Practical Effects Supervisor: Geoffrey Heron
Senior Compositing Supervisor: Dorne Huebler
Senior VFX Supervisor: Nathan McGuinness
Executive Producer for Company 3/Final Colorist: Stefan Sonnenfeld ASC
DI Executive Producer: Carrie Holecek
Dailies Colorist/Ass't Colorist: Mark Todd Osborne
DI Producer: David Feldman
DI Assistant: Nicholas Hasson
VFX DI Producer: Des Carey
Company 3 Producer: Missy Papageorge - DirectorAdam ShankmanStarsSteve MartinBonnie HuntHilary DuffThe Bakers find themselves competing with a rival family of eight children while on vacation.35mm Panavision Anamorphic Source
------------------------------------------------------------------------------------------
Director: Adam Shankman
Film Editors: Christopher Greenbury ACE, Matthew Cassel
Production Designer: Cary White
Cinematographer: Peter James ASC ACS
Executive Producer/Unit Production Manager: Garrett Grant
Producer: Shawn Levy
Unit Production Manager: Whitney Brown
1st Assistant Director: Daniel Silverberg
2nd Assistant Director: Karl Irvine
2nd Unit Director: Robert "Bob" Brown
Art Director: Peter Grundy
A-Camera/Steadicam Operator: Peter McCaffrey
B-Camera Operator: Perry Hoffmann
C-Camera Operators: Michael W. Hall, Michael Carella
Add'l Film Editor: Emma Hickox
Senior SFX Coordinator: Martin Malivoire
Senior Compositing Supervisor: Dorne Huebler
Senior Digital Compositors: Misty Barbour, Ronnie E. Williams Jr
Senior VFX Producer: Wayne Billheimer
Sabre Artist: Adam Howard
Senior VFX Coordinator: Erin Dusseault O'Connor
Digital Artists: David Manos Morris, Dorothy Snook
Inferno Artist: Alex Tropiec Jr
VFX Editor: Anthony Pitone
VFX Supervisor: Mark Dornfeld
Digital VFX Editorial Supervisor: Adam Gass
2nd Unit DPs: Glen Keenan CSC, Peter C. Luxford CSC
2nd Unit Camera Operator: Andy Chmura
Digital Colorist: Kathy Thomson - DirectorJ.J. AbramsStarsTom CruiseMichelle MonaghanVing RhamesIMF agent Ethan Hunt comes into conflict with a dangerous and sadistic arms dealer who threatens his life and his fiancée in response.35mm Panavision Anamorphic Source
Windmill Sequence Plates captured in 4-Perf Super 35mm
Some scenes captured in HDCAM SR
Finished on a 2K Digital Intermediate from Company 3
=============================================
Director/Co-Writer/Digital Artist: JJ Abrams
Producer: Tom Cruise
Co-Producer: Arthur Anderson
Senior VFX Supervisor: Roger Guyett
Senior VFX Producer: Tom Pietzman
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Film Editor (DVD Version): Nick Gibbs
Production Designer: Scott Chambliss
Cinematographer: Dan Mindel ASC BSC SASC
Cinematographer (German Unit): Jorg Widmer
Cinematographer (Add'l Photography)/Chief Lighting Technician: Bruce McCleery ASC
Executive Producer/Unit Production Manager: Stratton Leopold
Unit Production Manager: David Witz
1st Assistant Director: Tommy Gormley
2nd Unit Director: Vic Armstrong
Associate VFX Supervisor: Russell Earl
Co-Senior VFX Producer: Shari Hanson
Visual Consultant/German Unit Director: Eric Schwab
Supervising Art Director: Daniel T. Dorrance
Senior SFX Coordinator: Daniel Sudick
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
Aerial Unit DoP: David B. Nowell ASC
Art Directors: Kevin Kavanagh, Sean Haworth, Brad Ricker
C-Camera Operator: Mark Meyers
1st Assistant A-Camera: John T. Connor
1st Assistant C-Camera: Sergius Nafa Nofield
Add'l Camera Operator: Christopher Duskin
SFX Staff Shop Supervisor: Dominic Cortez Jr
SFX Digital Set Designer: Rob Johnson
Style Consultant: Oscar Blandi
VFX Plate Coordinator: Steve Riera
Lead Graphic Designer: Chris Schultz
Picture Car Coordinator: Paul Stroh
2nd Unit DoPs: Mitchell Amundsen ASC SOC, Stephen St. John
2nd Unit Add'l DoP: Mike Benson SOC
2nd Unit A-Camera Operator: Billy O'Drobinak SOC
2nd Unit B-Camera Operator: Chris Haarhoff
Italian Unit Line Producer: Enzo Sisti
Unit Production Manager (Italian Unit): Vito Colazzo
Italian Unit Art Directors: Stefano Ortolani, Eugenio Ulissi, Giacomo Calo Carducci
Italian Unit Set Decorator: Chiara Balducci
Italian Unit SFX Supervisor: Renato Agostini
Italian Unit SFX Coordinator: Daniel Acon
Italian Unit Action Vehicle Coordinator: Maurizio Maggi
China Unit Senior Production Manager: Steven Harding
China Unit 1st Ass't Director: Sylvia Liu
China Unit Production Supervisor: Steve Lionetti
China Unit Executive Producers: Han Sanping, Yang Buting
China Unit Co-Producers: Shi Doming, Jiang Tao
China Unit Producer: Zhao Haicheng
China Unit Associate Producer: Wang Guichun
China Unit Production Manager: Sun Ying
China Unit Art Director: Yu Bai Ying
China Unit C-Camera Operator: Noah Weinzweig
China Unit SFX Supervisor: Bruce Law
Unit Production Manager (German Unit): Michael Scheel
German Unit On-Set Art Director: Andreas "Ebbi" Olshausen
Mask Maker Designer: Syd Mead
Digital Production Supervisor: Patrick Tubach
Animation Supervisor: Paul Kavanagh
Model/Miniature Supervisor: Brian Gernand
VFX Sequence Supervisors: Todd Vaziri, Doug Sutton, Michael Conte, Richard Bluff
Lead Digital Matte Artist: Giles Hancock
VFX Art Director: Alex Jaeger
Digital Model Supervisor: Pamela J. Choy
Lead VFX Production Coordinator: Katie Lynch
Senior VFX Coordinators: Brian Barlettani, Nina Fallon
VFX Editor: Nic Anastassiou
Senior VFX Production Assistant: Chrysta Marie Burton
VFX Unit DoP: Patrick Sweeney
VFX Unit 3rd Ass't Camera: Patrick McArdle
Practical Effects Supervisor: Geoffrey Heron
Senior Staff: Vicki Dobbs Beck, Chrissie England
VFX Executive Producers: Mark S. Miller, Denise Ream
VFX Supervisor: Edson Williams
VFX Producer: Thomas Nittmann
Lead Inferno Artist: Greg Strause
Inferno Artist: Leong-Wong Savun
Add'l VFX Supervisor: Kevin Blank
Executive Producer for Company 3/Senior Colorist: Stefan Sonnenfeld ASC
DI Producers: Des Carey, Missy Papageorge
Telecine Finishing Assistant: Jimmy Tom - DirectorMichael BayStarsShia LaBeoufMegan FoxJosh DuhamelAn ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager.35mm Panavision Anamorphic Source
Some scenes captured in 4-Perf Super 35mm
Finished on a 2K Digital Intermediate from Company 3
Joint collaboration between ILM, Kerner Optical & Digital Domain
==============================
Director/Executive Producer/Camera Operator: Michael Bay
Cinematographer/Camera Operator: Mitchell Amundsen ASC SOC
Executive Producer: Steven Spielberg
Production Designer: Jeff Mann
Senior VFX Supervisor: Scott Farrar ASC
VFX Supervisor: David Prescott
Associate VFX Supervisor: Russel Earl
Senior VFX Producer: Shari Hanson
Film Editors: Paul Rubell ACE, Glen Scantlebury ACE, Thomas Muldoon
Additional Film Editors: Todd E. Miller, John Murray
Co-Producer/Unit Production Manager: Allegra Clegg
Co-Producer/2nd Unit Director: Kenny Bates
Animation Supervisor: Scott Benza
Art Directors: Sean Haworth, Kevin Kavanagh
Set Decorator: Larry Dias
A-Camera/Steadicam Operator: David Emmerichs
B-Camera Operators: Philippe Carr-Forster, Thom Owens
B-Camera Operator/Additional DP: Christopher Duskin
Aeriel Unit DP: David B. Nowell ASC
2nd Assistant Camera: Eric Amundsen
SFX Unit Director/Senior SFX Supervisor: John Frazier
SFX Coordinator: Jim Schwalm
Picture Vehicle Coordinator: Steve Mann
1st Assistant Editor: Calvin Wimmer
Digital Production Supervisor: Jeff White
Digital Compositing Supervisor: Patrick Tubach
Digital Artist Supervisors: Richard Bluff, Nigel Sumner
VFX Art Director: Alex Jaeger
Lead Animator: Paul Kavanagh
Production Coordinator: Chrysta Marie Burton
Model/Miniature Unit DP: Pat Sweeney
Model/Miniature Unit SFX Supervisor: Geoffrey Heron
Model/Miniature Unit Supervisor: Brian Gernand
3D Integration Artist: Geoffrey Baumann
Senior Supervising Colorist: Stefan Sonnenfeld ASC
DI Colorist: Jimmy Tom
VFX DI Producer: Des Carey
DI Producers: Missy Papageorge, Erik Rogers
DI Account Executive: Jackie Lee
Supervising Art Director: Geoff Hubbard
Camera Operators: Hans Bjerno ASC, Brooks P. Guyer
2nd Unit DP: Lukas Ettlin - DirectorBrett RatnerStarsJackie ChanChris TuckerMax von SydowAfter an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from Company 3
Joint collaboration between ILM, CIS, EntityFX & PMP
==============================
Director: Brett Ratner
Lead VFX Designer/Senior VFX Supervisor: John Bruno
Film Editors: Mark Helfrich ACE, Don Zimmerman ACE, Dean Zimmerman ACE
Production Designer: Ed Verreaux
Cinematographer/Camera/Steadicam Operator: James Michael Muro
Co-Producer/1st Ass't Director: James M. Freitag
Co-Producer/Production Executive: Leon Dudevoir
Unit Production Manager: JoAnn Perritano
2nd Unit Director: Conrad Palmisano
Supervising Art Director: Greg Papalia
Senior Storyboard Artist: David J. Negron Jr
A-Camera Operator: Gary Jay
B-Camera Operator: Dana Gonzalez ASC
VFX Encoding Supervisor/Plate Unit DP: Mark Weingartner ASC
Senior SFX Supervisor: Clay Pinney
1st Unit SFX Supervisor: John Baker
2nd Unit SFX Supervisor: Tim Walkey
Ass't SFX Supervisor: Hans Metz
Co-VFX Supervisor: Adam Howard
Lead Senior VFX Producer: Robin Griffin
VFX Unit DP: Steven Hall
Senior VFX Supervisors: Lindy DeQuattro, Mat Beck
Senior VFX Producer: Jeff Olson
Digital Production Supervisor: Robert Weaver
Digital Compositing Supervisor: Jay Cooper
Digital Artists: Scott Benza, Sewlyn Eddy III, Greg Maloney, Rita Zimmerman
VFX Supervisors: Patrick Kavanagh, Eli Jarra, Richard Malzahn
VFX Producer: Julie Orosz
Paris Unit Line Producer: John Bernard
Unit Production Manager (Paris Unit): Gilles Castera
Paris Unit 1st Ass't Director: Gil Kenny
Paris Unit 2nd Ass't Director: Ariane Lacan
Paris Unit Mechanical Stunt Coordinator: Michel Julienne
Paris Unit Physical Stunt Coordinator: Philippe Guegan
Paris Unit Art Director: Anne Seibel
Paris 2nd Unit DP: Peter Lyons Collister ASC
Paris Plate Unit DP: Tony Cutrono
Paris Unit A-Camera Operator: John Connell
Paris Unit B-Camera Operator: Jako Raybaut
Paris Unit C-Camera Operator: Roger Simonsz
Paris Unit SFX Supervisor: Gregoire Delage
Paris Unit SFX Coordinator: Pascal Declaro
LA 2nd Unit DP: Igor Meglic ZFS
Senior DI Colorist: Stefan Sonnenfeld ASC
Additional DI Colorist: Jimmy Tom
DI Supervisors: Nick Monton, Christine Carr
DI Producer: Missy Papageorge
International Film Editor: Tritia Espinoza - DirectorPaul Thomas AndersonStarsDaniel Day-LewisPaul DanoCiarán HindsA story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.35mm Panavision Anamorphic Source
- DirectorRobert RedfordStarsTom CruiseMeryl StreepRobert RedfordInjuries sustained by two Army rangers behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm - DirectorLogan MillerNoah MillerStarsEd HarrisBrad DourifRobert ForsterThe true story about a father struggling to make amends with his twin sons as they pursue their dreams of professional baseball.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm - DirectorSteven SpielbergStarsHarrison FordCate BlanchettShia LaBeoufIndiana Jones becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm
Remastered in 4K in 2021 for the 40th anniversary of the series
First Indiana Jones movie to utilize a Digital Intermediate scan
=============================================
Director: Steven Spielberg
Cinematographer: Janusz Kaminski ASC
Film Editor: Michael Kahn ACE
Production Designer: Guy Hendrix Dyas
Co-Producer/Unit Production Manager: Denis L. Stewart
Supervising Art Director: Mark W. Mansbridge
Art Directors: Luke Freeborn, Lawrence A. Hubbs, Lauren E. Polizzi, Troy Sizemore, Mario Ventenilla
Set Decorator: Larry Dias
Post-Production Executive: Martin Cohen
Aeriel Unit Production Supervisor: Mike Fantasia
1st Assistant Director: Adam Somner
2nd Assistant Director: Ian Stone
2nd Unit Director: Dan Bradley
Senior VFX Supervisor/Aeriel Unit Director: Pablo Helman
Senior SFX Coordinator: Daniel Sudick
SFX Supervisor (KO): Geoffrey Heron
Connecticut Unit SFX Supervisor: Conrad V. Brink Jr
Effects Supervisor (Stan Winston Studio): John Rosengrant
SFX Unit DP (Kerner Optical): Martin Rosenberg ASC
Key Artists (SWS): Shane Patrick Mahan, Lindsay MacGowan, Richard Alonzo
Lead Model Maker (KO): Nicholas 'Nick' D'Abo
Associate VFX Supervisor: Marshall Richard Krasser
Animation Supervisor: Steve Rawlins
VFX Art Director: Christian Alzmann
Senior VFX Producer: Stephanie Hornish
Digital Matte Supervisor: Richard Bluff
Technical Support: Chrysta Marie Burton
Digital Artists: Grady Cofer, Sewlyn Eddy III, Bill George
Compositing Supervisor: Jay Cooper
Digital Compositing Supervisor: Sean MacKenzie
Digital Model Supervisor: Dave Fogler
Model/Miniature Supervisor (KO): Brian Gernand
Lead TD Supervisor: Craig Hammack
VFX Executive Producer: Janet Lewin
VFX Executive: Kimberly Nelson
Layout Supervisor: Jason Snell
Lead Digital Artist: Nigel Sumner
Viewpaint Supervisor: Steve Walton
Digital Production Supervisor: Jeff White
Creature/Simulation Supervisor: Eric Wong
A-Camera Operator: Mitch Dubin SOC
Chief Lighting Technician/2nd Unit DP: David Devlin
2nd Unit DPs: Flavio Martinez Labiano AMC, Irek Hartowicz
2nd Unit Camera Operator: Simon Jayes
2nd Unit C-Camera Operator: John Skotchdopole
2nd Unit Chief Lighting Technician: Robby Baumgartner
Additional Unit DP: Michael FitzMaurice
Aeriel Unit DP: Reed Smoot ASC
DI Colorist: Yvan Lucas
DI Color Assistant: Tom Reiser - DirectorAndrew StantonStarsBen BurttElissa KnightJeff GarlinIn the distant future, a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.Panavision Anamorphic Source
Rendered with Pixar's Renderman
Finished on a Digital Intermediate
Joint collaboration between ILM, Pixar & Kerner Optical
------------------------------------------------------------------------------------------
Director: Andrew Stanton
Camera DP: Jeremy Lasky
Lighting DP: Danielle Feinberg
Live-Action DP: Martin Rosenberg
Production Designer: Ralph Eggleston
Film Editor: Stephen Schaeffer
2nd Film Editor: Axel Geddes
Additional Film Editor: Kevin Nolting
Visual Consultants: Roger Deakins ASC BSC, Dennis Muren ASC
Senior VFX Supervisor: Ed Hirsh
Live-Action VFX Supervisor: Richard Hollander
VFX Producer: Jeanie King
ILM Production Coordinator: Stacey Bissell - DirectorP.J. HoganStarsIsla FisherHugh DancyKrysten RitterA college grad lands a job as a financial journalist in New York City to support where she nurtures her shopping addiction and falls for a wealthy entrepreneur.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from Company 3
Additional visual effects provided by Asylum & Method Studios
================================
Director: PJ Hogan
Film Editor: William Goldenberg ACE
Production Designer: Kristi Zea
Cinematographer: Jo Willems ASC SBC
Unit Production Manager: Harvey Waldman
1st Assistant Director: HH Cooper
1st Ass't Director (Add'l Photography)/2nd Ass't Director: Peter Thorell
Senior VFX Supervisor: John Knoll
Senior VFX Producer: Jill Brooks
Senior Animation Supervisor: Tim Harrington
Senior Art Director: Paul Kelly
A-Camera Operator: Ian Fox
B-Camera/Steadicam Operator: Dave Thompson SOC
1st Assistant A-Camera: Robert Mancuso
Senior SFX Coordinator: Mark Bero
Photography Consultant: Antoine Douaihy
Finishing Colorist/CO3 Executive Producer: Stefan Sonnenfeld ASC
On-line Finishing Editor: Rob Doolittle
DI Producer: Erik Rogers
CO3 Producer: Missy Papageorge
2nd Unit 1st Ass't Director: Linda Perkins
2nd Unit DoP: David M. Dunlap
Miami Unit Art Director: Rosa Paloma
Miami Unit Set Decorator: Scott Jacobson
Miami Unit A-Camera Operator: Tom Weston
Miami Unit B-Camera/Steadicam Operators: Neal Norton, Mike McGowan SOC
2nd Ass't Director (Add'l Photography): Alyson Latz
Camera Operator (Add'l Photography): Thomas Lappin
Compositing Supervisor: Sean MacKenzie
Digital Production Supervisor: Kevin Sprout
Layout Supervisor: Jason Snell
Add'l VFX Supervisors: Olivier Dumont, Phil Brennan
Add'l VFX Producers: Larry Ewing, Frank Spiziri, Darcie Muangman - DirectorJ.J. AbramsStarsChris PineZachary QuintoSimon PeggThe brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from Company 3
Additional VFX provided by Digital Domain, Svengali FX & Lola
Add'l SFX Photography & Miniatures provided by Kerner Optical
==============================÷÷÷÷=====≠=====
Director: JJ Abrams
Cinematographer: Dan Mindel ASC BSC SASC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
VFX Consultant: Brandon Fayette
Senior VFX Supervisor/2nd Unit Director: Roger Guyett
2nd Unit DP: Bruce McCleery ASC
Aeriel Pilot: Alan Purwin
Aeriel Unit DP: David B. Nowell ASC
Senior VFX Supervisor: Russell Earl
Additional VFX Supervisors: Kelly Port, Stefano Trivelli, Edson Williams
Associate VFX Supervisor: Eddie Pasquarello
DFX Supervisor: Darren Poe
Senior Animation Supervisor: Paul Kavanagh
Animator: Steve Rawlins
Senior CG Supervisor: Nigel Sumner
Add'l CG Supervisor: Paul George Palop
Sequence Supervisors: Richard Bluff, Grady Cofer, Jay Cooper
Digital Artists: Sewlyn Eddy III, Craig Hammack, Marshall Richard Krasser
Lead Senior VFX Producer: Shari Hanson
Senior VFX Producers: Jeff Olson, Jill Brooks
Add'l VFX Producers: Julian Levi, Eric Withee, Thomas Nittmann
Associate VFX Producer: Ryan Zuttermeister
VFX Executive Producer: Gretchen Libby
Add'l VFX Executive Producer: Jamie Venable
Senior VFX Production Manager: Jessica Teach
Associate VFX Production Managers: Katherine Farrar Bluff, Chrysta Marie Burton
Supervising Art Director: Keith P. Cunningham
VFX Art Director: Alex Jaeger
Add'l VFX Art Director: Yanick Dusseault
Executive Producer/Unit Production Manager: Jeffrey Chernov
Co-Producer/Unit Production Manager: David Witz
Unit Production Manager: Stratton Leopold
1st Assistant Director: Tommy Gormley
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
2nd Unit A-Camera/Steadicam Operator: Andrew Rowlands ACS
2nd Unit B-Camera Operator: Dale Myrand
Senior Colorist: Stefan Sonnenfeld ASC
Color Grader (Digital Domain): Christopher Savides
DI Supervisor: Nick Monton
Senior DI Producer: Erik Rogers
DI Producer (Company 3): Missy Papageorge
Concept Artist: Ryan Church
Model Maker: Jeff Frost
1st Assistant A-Camera: John T. Connor
1st Assistant B-Camera: Brad Peterman
2nd Assistant A-Camera: Jesse Roth
Prop Master: Russell Bobbitt
Senior SFX Supervisor: Burt Dalton
On-Set SFX Supervisor: William Aldridge
Picture Car Coordinator: Tim Woods
2nd Unit 1st Ass't A-Camera: Sergius Nafa Nofield
Underwater Unit DP: Pete Romano ASC
VFX Production Coordinator: Stacey Bissell
Senior Staff: Janet Lewin - DirectorMichael BayStarsShia LaBeoufMegan FoxJosh DuhamelSam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.35mm Panavision Anamorphic Source
Some scenes captured in VistaVision, IMAX, Iwerks 15/70 & 4-Perf Super 35mm
Finished on a 2K Digital Intermediate from Company 3
=============================================
Director/Camera Operator: Michael Bay
Cinematographer: Ben Seresin ASC BSC
Film Editors: Roger Barton ACE, Joel Negron ACE, Paul Rubell ACE, Thomas Muldoon
Production Designer: Nigel Phelps
Supervising Art Director: Jon Billington
Art Directors: Sean Haworth, Iain McFayden, Ben Proctor
Co-Producer/Production Manager: Allegra Clegg
1st Assistant Directors: KC Hodenfield, Bruce Moriarty
2nd Assistant Directors: Chris Castaldi, Jeff Okabayashi
Co-Producer/2nd Unit Director: Kenny Bates
Senior VFX Supervisor/2nd Unit Director: Scott Farrar ASC
Senior SFX Supervisor: John Frazier
SFX Supervisor (KNB Effects Group): Wayne Toth
SFX Coordinator: Jim Schwalm
SFX Animatronics Supervisor: Greg Nicotero
SFX Artist: Paul Churchill
Animation Supervisor: Scott Benza
VFX Art Director: Alex Jaeger
Illustrator: Ryan Meinerding
Assistant Camera: John T. Connor
Camera Operators: Lukasz Bielan, Philippe Carr-Forster, Brooks P. Guyer
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operator: Daniel C. Gold
Gaffer: Michael Bauman
Bethlehem Unit D-Camera Operator: David J. Thompson
Aeriel Unit DPs: David B. Nowell ASC, Hans Bjerno ASC
Aeriel Unit Camera Operators: Bruce McCleery ASC, Lawrence Karman
Aeriel Unit Camera Operator (Add. Photography): Richard Brooks Burton
Additional Film Editor: Glen Scantlebury ACE
Assistant Film Editors: Matt Evans, Peter Gvozdas
Associate Film Editor: Calvin Wimmer
Senior Supervising Colorist: Stefan Sonnenfeld ASC
Senior DI Producer: Erik Rogers
Junior DI Conform Artist: Peter R. Berg - DirectorJ.J. AbramsStarsElle FanningAJ MichalkaKyle ChandlerDuring the summer of 1979, a group of friends witness a train crash and investigate subsequent unexplained events in their small town.35mm Panavision Anamorphic Source
Some shots captured in Super 8mm, Super 16mm & 4.5K Redcode RAW
Finished on a 2K Digital Intermediate from Company 3 - DirectorMichael BayStarsShia LaBeoufRosie Huntington-WhiteleyTyrese GibsonThe Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.35mm Panavision Anamorphic/HDCAM SR/ARRIRAW/Dual-Strip 3D Mulit-Capture
Hong Kong Aeriel shots captured in 4.5K Redcode RAW
Finished on a 2K Digital Intermediate from Company 3
===========================================
Director/Camera Operator: Alan Smithee Jr
Cinematographer: Amir Mokri
Cinematographer (Africa Unit: Add. Photography): Matthew Aeberhard
Film Editors: William Goldenberg ACE, Roger Barton ACE, Joel Negron ACE
Production Designer: Nigel Phelps
Supervising Art Director: Richard L. Johnson
Art Directors: Kevin Ishioka, Ben Proctor
Co-Producer/Unit Production Manager: Allegra Clegg
1st Assistant Director: Simon Warnock
Additional 1st Assistant Director: KC Hodenfield
Co-Producer/2nd Unit Director: Kenny Bates
Senior SFX Supervisor: John Frazier
Senior SFX Coordinator: Jim Schwalm
Chicago Unit SFX Supervisor: John D. Milniac
Senior VFX Supervisor: Scott Farrar ASC
VFX Supervisor: Brennan Doyle
Co-VFX Supervisor: Jeff White
Animation Supervisor: Scott Benza
VFX Art Director: Alex Jaeger
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operator: Lukasz Bielan
Chicago Wingsuit Unit DP: Rob Bruce
Pursuit Unit Camera Operator: Brooks P. Guyer
Aeriel Unit DP: David B. Nowell ASC
1st Assistant A-Camera: Brad Peterman
Additional Film Editor: Thomas Muldoon
Associate Film Editor: Calvin Wimmer
Senior Supervising Colorist: Stefan Sonnenfeld ASC
DI Colorist: Ryan Bennett
Assistant Colorist: James Cody Baker
2D DI Production Manager: Erik Rogers
3D Production Coordinator: Chrysta Marie Burton - DirectorJon FavreauStarsDaniel CraigHarrison FordOlivia WildeA spaceship arrives in 1873 Arizona to take over the Earth, starting with the Wild West region. All that stands in their way: a posse of cowboys and natives.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm
Models, Miniatures & Practical Special Effects provided by Kerner Optical & NDS
Alien Character & Effects designed & created by Stan Winston Studio/Legacy Effects
Additional Visual Effects provided by Shade FX & The Garage VFX
==============================
Director/Executive Producer: Jon Favreau
Co-Producer: Karen Gilchrist
Senior VFX Supervisor/2nd Unit Director: Roger Guyett
Special Makeup & Animatronics Supervisor: Shane Patrick Mahan
Film Editors: Dan Lebenthal ACE, Jim May ACE
Production Designer: Scott Chambliss
Cinematographer: Matthew Libatique ASC
Lead Executive Producer: Steven Spielberg
Executive Producer/Unit Production Manager: Denis L. Stewart
Producers: Brian Grazer, Ron Howard, Alex Kurtzman, Roberto Orci, Scott Mitchell Rosenberg
Unit Production Manager: Basil Bryant Grillo
Co-Producer/1st Ass't Director: KC Hodenfield
2nd Assistant Director: Chris Castaldi
2nd Unit Director: Terry Leonard
Lead Senior VFX Producer: Kimberly Nelson
Co-VFX Supervisor: Eddie Pasquarello
Animation Supervisor: Marc Chu
Senior VFX Producers: Peter Nicolai, Stephanie Hornish
Production Supervisor: Noelle Green
Supervising Art Director: Chris Burian-Mohr
Art Director: Lauren Polizzi
A-Camera/Steadicam Operator: Peter Rosenfeld SOC
B-Camera Operators: Joseph V. Cicio, Chris Moseley
C-Camera Operator: Magela Crosignani
Chief Lighting Technician: Mike Bauman
Prop Master: Russell Bobbitt
Senior SFX Supervisor: Daniel Sudick
Supervising SFX Foreman: Thomas Pahk
Lead SFX Foreperson: Joel Mitchell
Senior Concept Illustrator: Ryan Meinerding
Associate VFX Producer: Thomas Elder-Groebe
Senior VFX Coordinator: Isha Sunflower Downs
Lead VFX Assistant: Andre Slaughter
2nd Unit DP: Paul Hughen ASC
2nd Unit A-Camera Operator: Michael J. Walker
2nd Unit B-Camera Operator: Kent Harvey SOC
2nd Unit C-Camera Operator: Bob Scott
2nd Unit D-Camera Operator: Dale Myrand
2nd Unit E-Camera Operator: Chris Lombardi
Aerial Unit Helicopter Pilots: Kevin LaRosa Sr, Kevin LaRosa Jr
Aerial Unit DP: David B. Nowell ASC
Digital Production Supervisor: Michael DiComo
VFX Associate Producer: Erin Dusseault O'Connor
CG Supervisors: Daniel Pearson, Robert Weaver
VFX Art Director: Christian Alzmann
Digital Model Supervisors: Bruce Holcomb, Paul Giacoppo
VFX Executive Producer: Jill Brooks
Executive Staff: Janet Lewin
VFX Supervisors: Bryan Godwin, Gavin Miljkovich
VFX Producer: David Van Dyke
Project Supervisor (Legacy Effects): Lindsay MacGowan
Supervising Digital Colorist: Steven J. Scott ASC
2nd Colorists: Charles Bunnag, Andrew Francis
Ass't Color Timer: Juan Flores
DI Producers: Mike Dillon, Loan Phan
Dailies Colorist: Ben Estrada - DirectorBrad BirdStarsTom CruiseJeremy RennerSimon PeggThe IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name.35mm Panavision Anamorphic Source
One scene captured in 4-Perf Super 35mm
Some scenes captured in IMAX, Iwerks 15/70 & 3.3K/5K Redcode RAW
Finished on a 4K Digital Intermediate from Company 3
=========================
Director: Brad Bird
Producers: Tom Cruise, JJ Abrams
Senior VFX Supervisor: John Knoll
Co-Producer/Senior VFX Producer: Tom Peitzman
Film Editor: Paul Hirsch ACE
Production Designer: Jim Bissell
Cinematographer: Robert Elswit ASC
Cinematographer (India Unit): Larry Blanford ASC
Cinematographer (Russian Unit): Steven Finestone
Cinematographer (Add'l Photography): Bruce McCleery ASC
Executive Producer/Unit Production Manager: Jeffrey Chernov
Key 1st Ass't Director: Tommy Gormley
Main Unit & India Unit Key 2nd Ass't Director: Misha Bukowski
2nd Unit Director: Dan Bradley
Senior VFX Producer: Amy Beresford
Add'l 2nd Unit Director: Jeffrey Lynch
Production Manager: Stewart Bethune
Associate Producer: Ben Rosenblatt
Supervising Art Director: Helen Jarvis
Art Directors: Grant Van Der Slagt, Michael Diner
A-Camera/Steadicam Operator: Andrew Rowlands
B-Camera Operator: Kim Marks
1st Assistant A-Camera: Barry Baz Idione ASC
1st Assistant B-Camera: Taylor Matheson
Canada Unit Effects Supervisor: Cameron Waldbauer
Senior SFX Supervisor: Michael Meinardus
Makeup Designer/Supervisor: Michele Burke
Add'l Film Editor: Jennifer Hovarth
Associate Film Editor: Evan Schiff
Ass't Film Editor: Gina Hirsch
Senior VFX Coordinator: Steve Riera
Ass't VFX Coordinator: Isabelle Leduc
Picture Car Coordinators: Tim R. Woods, Rick Rasmussen
2nd Unit DoP: Mitchell Amundsen ASC SOC
2nd Unit A-Camera Operator: Stephen Maier
2nd Unit B-Camera Operator: Andy Wilson
2nd Unit Underwater DP: Pete Romano ASC
2nd Unit Underwater Camera Operator: Ian Seabrook
Prague Unit Co-Producers: Matthew Stillman, David Minkowski
Prague Unit Supervising Art Director: Christa Munro
Prague Unit Art Director: Martin Vackar
Prague Unit SFX Coordinator: Pavel Sagner
Prague Unit Picture Car Coordinator: Jiri Hrubes
Dubai Unit Art Director: Michael Turner
Dubai Unit Set Designer: Mark Stephen
Dubai Unit Graphic Designer: Lucille Doman
Dubai 2nd Unit 1st Ass't Dir.: Chris Castaldi
Dubai 2nd Unit 2nd Ass't Dir.: Jason Roberts
Dubai 2nd Unit Camera Operator: Florian Emmerich
Dubai 2nd Unit 2nd Ass't B-Cam.: Eric Amundsen
Dubai 2nd Unit Aerial DoP: Adam Dale
India Unit Art Director: Dilip Mole
India Unit A-Camera Operator: Richard Moore
India Unit B-Camera Operator: Monic Kumar
Associate VFX Supervisor: Jill Brooks
Executive VFX Producer: Jill Brooks
VFX Supervisor (ILM Singapore): Mohen Leo
VFX Plate Supervisor: Russell Earl
Compositing Supervisor: Todd Vaziri
Digital Production Supervisor: Hayden Landis
VFX Layout Supervisor: Douglas Moore
VFX Art Director: Alex Jaeger
Digital Model Supervisor: Russell Paul
Digital Artists: Paolo Acri, Jason Billington, Paul Kavanagh
Executive Staff: Janet Lewin, Gretchen Libby, Jessica Teach
CO3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
Add'l Colorist: Stephen Nakamura
Senior DI Producer: Andy Kaplan
Senior Digital Conform Artist: Matthew Johnson
Senior Finishing Assistant: James Cody Baker - DirectorPeter BergStarsAlexander SkarsgårdBrooklyn DeckerLiam NeesonA fleet of ships is forced to do battle with an armada of unknown origins in order to discover and thwart their destructive goals.35mm Panavision Anamorphic Source
Visual Effects captured in 4-Perf Super 35mm
Finished on a 2K Digital Intermediate from Company 3
Joint collaboration between ILM, DNEG & Prologue Films
Additional visual effects work provided by Scanline, Embassy & Image Engine
==============================
Director: Peter Berg
Cinematographer: Tobias Schliessler ASC
Cinematographer (Hong Kong Unit): Jason Kwan HKSC
Production Designer: Neil Spisak
Film Editors: Paul Rubell ACE, Colby Parker Jr ACE, Billy Rich
Senior VFX Supervisors: Grady Cofer, Pablo Helman
Co-Producer/Unit Production Manager: Todd Arnow
Co-Producer/1st Ass't Director: Eric N. Heffron
2nd Assistant Director: Richard Oswald
2nd Unit Director: Phil Neilson
Lead Senior VFX Producer: Kevin Elam
Senior VFX Producer: Jeanie King
Senior Animation Supervisor: Glen McIntosh
Digital Production Supervisor: Doug Smythe
Senior CG Supervisor: Willi Geiger
Lead Add'l VFX Supervisor: Justin Denton
Senior VFX Associate Producers: Tami Goldman, Petra Holtorf-Stratton
Set Decorator: Larry Dias
Senior Set Designer: Jann Engel
Senior Storyboard Artist: David J. Negron Jr
A-Camera/Steadicam Operator: Chris Haarhoff SOC
1st Assistant A-Camera: Jimmy E. Jensen
B-Camera Operator: Maurice Keith McGuire SOC
C-Camera Operator: Robby Baumgartner
1st Assistant C-Camera: Ian Clampett
Camera Assistant: Richard Coy Aune
Lead VFX Producer: Richard Lupton
Lead VFX Coordinator: C. Alexander Sears
Senior SFX Supervisor: Burt Dalton
Picture Car Coordinator: Tom Rebber
Design Consultant: Bill McCullen
Colorist: Stefan Sonnenfeld ASC
DI Producer: Erik Rogers
Digital Conform: Matthew Johnson
Hawaii Unit B-Camera Operator: Chris Moseley
Hawaii Unit C-Camera Operator: Don King
Hawaii Unit Aerial DP: Hans Bjerno ASC
Hong Kong Unit Local Line Producer: Chu Chen On
2nd Unit Key 2nd Ass't Dir.: Basti Van Der Woode
2nd Unit Set Assistant: Matt Haggerty
2nd Unit Art Directors: Tom Frohming, Tristan Bourne
2nd Unit DP: Larry Blanford
2nd Unit A-Camera Operator: Patrick B. O'Brien
2nd Unit B-Camera Operator: Jason Ellson SOC
2nd Unit C-Camera Operator: Christopher Duskin
2nd Unit 1st Ass't D-Camera: Dave Homcy
2nd Unit Rimpac DP: Dino Parks
2nd Unit Underwater DP: Pete Romano ASC
2nd Unit SFX Coordinator: Stan Parks
Unit Production Manager (Add'l Photography): Michael Malone
Camera Operator (Add'l Photography): Duane Manwiller
Senior VFX Coordinator: Elaine Essex Thompson
VFX Coordinator: Catherine Liu
Ass't VFX Coordinator: Shannon Triplett
Senior Compositing Supervisors: Marshall Richard Krasser, Michael Conte
Lead CG Supervisor: Robert Weaver
Add'l VFX Supervisors: Craig Hammack, Brennan Doyle
VFX Art Director: Aaron McBride
VFX Associate Producer: Erin Dusseault O'Connor
VFX Production Supervisor: Ryan Wiederkehr
VFX Producer (ILM Singapore): Jason Heapy
VFX Production Supervisor (ILM Singapore): Lauren Carara
VFX Executive Producer: Jacqueline Lopez
VFX Supervisors: Stephan Trojansky, Danielle Plantec, Winston Helgason, Chris Harvey, Paul Mitchell, Nathan McGuinness, Pete Jopling
VFX Producers: Robert Evans, Colleen Jenkinson, Vera Zinvy, Dominic Sidoli
Add'l VFX Executive Producer: Joel Mendias
Senior Digital VFX Producer: Lisa Spence
Digital VFX Supervisor: Joe Farrell
Compositing Supervisor: Stefano Trivelli
CG Supervisors: Chad Weibe, Nigel Denton-Howes - DirectorMichael BayStarsMark WahlbergDwayne JohnsonAnthony MackieA trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.35mm Panavision Anamorphic Source
Some scenes captured in HD & 4K Redcode RAW
Finished on a 2K Digital Intermediate from Company 3
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Director/Camera Operator: Alan Smithee Jr
Cinematographer: Ben Seresin ASC BSC
Film Editors: Joel Negron ACE, Thomas Muldoon
Production Designer: Jeffrey Beecroft
Art Director: Sebastian Schroeder
1st Assistant Directors: KC Hodenfield, Chris Castaldi
Senior SFX Supervisor: John Frazier
On-Set SFX Supervisor: Jeremy S. Brock
Senior VFX Supervisor: Pablo Helman
VFX Executive Producer: Wayne Billheimer
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operator: Darin Moran
Aeriel Unit DP: David B. Nowell ASC
Underwater Uniot DP: Peter Zuccarini
Additional Film Editor: Calvin Wimmer
DI Colorist: Stefan Sonnenfeld ASC
DI Assistant Colorist: James Cody Baker
Senior DI Producer: Erik Rogers
DI Accountant: Ian Sullivan - DirectorJ.J. AbramsStarsChris PineZachary QuintoZoe SaldanaAfter the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.35mm Panavision Anamorphic Source
Some shots captured in Redcode RAW
Some scenes captured in IMAX & Iwerks 15/70
Finished on a 2K Digital Intermediate from Company 3 & Kelvin Optical
Joint Collaboration between ILM, Pixomondo, Kelvin Optical & Atomic Fiction
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Director: JJ Abrams
Cinematographer: Dan Mindel ASC BSC SASC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Senior Supervising Colorist: Stefan Sonnenfeld ASC
Additional Colorist: James Cody Baker
Senior VFX Supervisor/2nd Unit Director: Roger Guyett
2nd Unit DP: Bruce McCleery ASC
Camera/Steadicam Operator: Colin Anderson SOC
VFX Supervisors: Ben Grossmann, Kevin Baillie
Pre-Vis Editor/VFX Supervisor: Adam Gertsel
VFX Co-Supervisor: Patrick Tubach
Associate VFX Supervisor: Patrick Roos
Location Unit Associate VFX Supervisor: Eddie Pasquarello
On-Set VFX Supervisor: Alex Henning
VFX Plate Coordinator: Chris Antonini
DFX Supervisor: Adam Watkins
Effects Supervisors: Pieter Mentz, Patrick Schuler
Senior Animation Supervisor: Paul Kavanagh
Senior CG Supervisor: Robert Weaver
Senior Compositing Supervisor: Jay Cooper
Compositing Supervisor: Dave Dally
Digital Artist: Sewlyn Eddy III
Supervising Art Director: Ramsey Avery
Lead Senior VFX Art Director: James Clyne
Senior VFX Art Director: Yanick Dusseault
Art Directors: Kasra Farahani, Lauren Polizzi
On-Set Art Director: Jason Baldwin Stewart
Digital Art Director: Chris Stoski
Lead Senior VFX Producer: Ron Ames
Senior VFX Producer: Luke O'Byrne
VFX Producers: Stuart McAra, Richard Ivan Mann, Dale Taylor
VFX Associate Producer: TJ Falls
Senior VFX Executive Producer: Jill Brooks
VFX Executive Producer: Sandra Scott
Co-Producer/1st Assistant Director: Tommy Gormley
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
C-Camera Operator: John Skotchdopole
1st Assistant Camera: Sergius Nafa Nofield
IMAX Technician: Tim Lovasen
Senior SFX Supervisor: Burt Dalton
Picture Car Coordinator: Tim Woods
2nd Unit A-Camera/Steadicam Operator: Andrew Rowlands ACS
2nd Unit B-Camera Operator: Dale Myrand
2nd unit SFX Foreperson: JD Schwalm
Executive Staff: Janet Lewin, Gretchen Libby
DI Supervisor: Juan Ignacio Cabrera
Senior DI Producer (Company 3): Andy Kaplan
DI Producer (Kelvin Optical): Erin M. Davis
DI VFX Producer (FotoKem): Jason Pelham
DI Executive: Jackie Lee
DI Accountant: Ian Sullivan
Aeriel Unit DP: Phil Pastuhov - DirectorLouis LeterrierStarsJesse EisenbergCommonMark RuffaloAn FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances, and reward their audiences with the money.35mm Panavision Anamorphic Source
Finished on a 2K Digital Intermediate from EFilm
Joint collaboration between ILM & Rodeo FX
—––----------------------------------------------------------------------------------
Director: Louis Leterrier
Cinematographers: Larry Fong ASC, Mitchell Amundsen ASC SOC
Film Editors: Vincent Tabaillon ACE, Robert Leighton
Additional Film Editor: Matt Diezel
Production Designer: Peter Wenham
2nd Unit Director: George GA Aguilar
Senior VFX Supervisor/Additional Unit Director: Nicholas Brooks
VFX Supervisor: Craig Hammack
Senior VFX Producer: Thomas Elder-Groebe
VFX Producer: Ryan Wiederkehr
VFX Executive Producer: Jill Brooks
Supervising Art Director: Thomas Valentine
A-Camera Operator: Chris Haarhoff SOC
B-Camera Operator: Jerry M. Jacob SOC
1st Assistant A-Camera: Jimmy Jensen
Senior SFX Coordinator: Guy Clayton
2nd Unit Camera Operator/Director of Photography: Lukasz Jogalla
2nd Unit A-Camera Operator: Jack Donnelly
2nd Unit B-Camera Operators: Remi Tournois SOC, Adam S. Ward SOC
Conan Segment 2nd Unit Director: Allan Kartun
New York Unit Camera Operator: Andrew Priestly
New York Unit SFX Coordinator: Jeff Brink
New York 2nd Unit Camera Operator: Chris Reynolds
New York 2nd Unit Aeriel DPs: Hans Bjerno ASC, Dylan Goss
Las Vegas Unit Camera Operator: Christopher Duskin
Las Vegas VFX Unit Camera Operator: Peter Mercurio
France Unit Camera Operator: Philip Lozano
France Unit Steadicam Operator: Mathieu Caudroy
France Unit On-Set VFX Supervisor: Laurens Ehrmann
France 2nd Unit DP: Christophe Guyon
France 2nd Unit Steadicam Operator: Zoom N'Guyen
Camera Operator (Add. Photography): Robert Presley SOC
DI Colorist: Yvan Lucas
VFX Unit DP: Robert Bock
Digital Artists: Russell Earl, Grady Cofer - DirectorGore VerbinskiStarsJohnny DeppArmie HammerWilliam FichtnerNative American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.35mm Panavision Anamorphic Source
Some scenes captured in 2.8K ARRIRAW
Finished on a 2K Digital Intermediate from Company 3
Joint Collaboration between ILM, MPC & Lola
Miniatures & SFX provided by 32Ten Studios
==============================
Director & Producer: Gore Verbinski
Writers-Exec Producers: Ted Elliott, Terry Rossio
Producer: Jerry Bruckheimer
EPs: Mike Stenson, Chad Oman, Johnny Depp
Executive Producer & UPM: Eric McLeod
Cinematographer: Bojan Bazelli ASC
Cinematographer-SFX & Miniatures: Pat Sweeney
Production Designers: Jess Gonchor, Crash McCreery
Film Editors: Craig Wood ACE, James Haygood ACE
Production VFX Supervisors: Tim Alexander, Gary Brozenich
Associate Producer & Production VFX Producer: Shari Hanson
Unit Production Manager: Mark Ingid
1st Assistant Director: Simon Warnock
2nd Assistant Director: Eric Richard Lasko
Associate Producer: Pat Sandston
Senior Animation Supervisor: Kevin Martel
VFX Executive Producer: Jill Brooks
ILM Senior VFX Producer: Amy Beresford
Sr VFX Supervisor-Vancouver: Matt Middleton
Senior Comp Supervisor: Marian Mavrovic
MPC Senior VFX Producer: Oliver Money
Production Supervisor: Thomas Hayslip
Supervising Art Directors: Jon Billington, Brad Ricker
Art Directors (Trains): Naaman Marshall, Domenic Silvestri
Art Director (NM): James F. Oberlander
Art Director: Iain McFadyen
Set Decorator: Cheryl Carasik
Art Dept. Coordinator: Sara Pennington
Art Dept. Coordinator (CA): Cheree Miller
Lead Set Designer: Greg Papalia
Digital Set Designer: Scott Herbertson
Set Designers (NM): Marisa Frantz, Ricardo Guillermo, Siobhan Roome
Supervising Location Manager: Janice Polley
A-Camera Operator: Martin Schaer
1st Assistant A-Camera: Trevor Loomis
2nd Assistant A-Camera: Walrus Howard
B-Camera/Steadicam Operator: Dave Luckenbach
1st Assistant B-Camera: Kim Guthrie
2nd Assistant B-Camera: Dennis Geraghty
Add'l 1st Ass't B-Camera: James Goldman
Add'l A-Cam Operator: P. Scott Sakamoto SOC
Add'l 1st Ass't A-Camera: Mark Meyers
Spydercam Supervisors: Todd Semms, Tim Drnec
B-Camera Prod Ass't (UT): Rachel Ranger
Production Coordinator: Russell Allen
Ass't Prod Coordinator: Jason Simmonds
Advance Prod Coordinator (AZ/UT/CO): Aimee Clark
2nd 2nd Ass't Directors: Brett Robinson, Brandy Pollard
Add'l 2nd 2nd Ass't Dir (NM): Kevin Thomas Roy
Key Set Production Assistant: Kevin Collins
Location Manager (CO/CA): Julie Hannum
Key Ass't Location Manager: Paulina Salazar
Post-Production Supervisor: Amanda Weir
Post-Production Coordinator: Shannon O'Neill
1st Assistant Editor: Dylan Firshein
Production VFX Editors: Andrew Loschin, Nolan Reese
Chief Lighting Technician: Rafael Sanchez
Ass't Chief Lighting Tech: Scott Sprague
Rigging Gaffer: Scott Graves
Best Boy Grip (NM): Adam T. Flores
B-Camera Dolly Grip (NM): Sean R. Wright
B-Camera Dolly Grip (CA): Steven Serna
Supervising Prop Master: Kristopher Peck
Ass't Prop Masters: Brad Good, Curtis E. Akin
Production SFX Supervisor: John Frazier
Production SFX Coordinators: Jon G. Belyeu, Jim Schwalm
Production SFX Estimator: Leslie Coogan
SFX Labor Foreman: Michael Mosley
SFX Rigging Foreman: Chris Burton
Paint Foreman (NM): Sammy Pactol
Train Coordinators: Jason Lamb, James Clark
Ass't Train Coordinator: Luke R. Johnson
Rental Car Coordinator: Tiffanie N. Reyes
Edge Unit DoPs: Greg Baldi, Hans Bjerno, Brooks Guyer, Dean Mitchell
Edge Crane Operators: Jason Tubbs, Perry Karadis
Edge Head Techs: Lev Yevstratov, James Danicic
Edge Drivers: Dean Bailey, Donny Bailey
Underwater Unit DoP: Pete Zuccarini
Underwater Unit 1st Ass't A-Cam: Peter Manno
Underwater Unit 2nd Ass't A-Cam: Bob Settlemore
Aerial Unit DoPs: David B. Nowell ASC, Michael Kelem
Aerial Unit Helicopter Pilots: David Paris, Cliff Fleming
Aerial Unit Technician: Peter Graf
Main & End Titles Designer: Henry Hobson
Executive Finishing Producer/Supervising Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: Sofie Friis Borup
DI Finishing Producer: Nick Monton
Digital Conform Editor: Joe Ken
Color Finishing Assistant: Giovanni DI Giorgio
DI Finishing Technologist: Mike Chiado
Dailies Colorist: Dave Lee
Dailies Producer: Freddy Hernandez
Head of Production - CO3: Devin Sterling
2nd Unit Director: Charles Gibson
2nd Unit DoP: Patrick Loungway
2nd Unit 1st Ass't Director: Steve Love
2nd Unit Key 2nd Ass't Dir: David Kelley
2nd Unit 2nd 2nd Ass't Dir: Jai James
2nd Unit Production Supervisor: Amy Schmidt
2nd Unit 1st Ass't A-Camera: Brad Peterman
2nd Unit 2nd Ass't A-Camera: Sarah Brandes
Element Unit 1st Ass't Dir: James LaRocca
Element Unit 2nd Ass't Dir: Ethan Ross
Element Unit DoP: Josh Bleibtreu ASC
Senior VFX Coordinators: Chrysta Marie Burton, Chris F. Moore
Production VFX Coordinators: Christopher Blasco, Clayton Lyons
VFX Prod Assistant: Derrek Brajkovich-Horn
Production VFX Accountant: Trevor Pawlik
Digital Production Supervisor: Hayden Landis
ILM Senior Comp Supervisor: Nelson Sepulveda
ILM CG Supervisors: Willi Geiger, Gerald Gutschmidt
ILM Digital Matte Supervisor: Dan Wheaton
ILM Digital Model Supervisors: Lana Lan, Rene Garcia
ILM Viewpaint Supervisor: Steve Walton
ILM Creature Supervisor: Brian Paik
ILM Layout Supervisor: John Levin
ILM Roto & Paint Supervisor: Lance Baetkey
ILM Vancouver Supervisors: Andreas Frickinger, Eric Fernandes
ILM VFX Editor: Jim Milton
ILM Lead Comp Supervisor: Tami Carter
ILM Lead Digital Compositor: David Gottlieb
ILM Lead Plate Photographer: Giles Hancock
ILM Lead Animation Supervisor: Maia Kayser
ILM Lead VFX Environment Supervisor: Andrew Proctor
ILM Lead Look Dev Supervisor: Kevin Reuter
ILM Lead CG Sequence Supervisor: Damian Steel
ILM VFX Production Managers: Katherine Farrar Bluff, Marissa Gomes
ILM Vancouver VFX Associate Producer: Jenny Wolfe-Binder
ILM Production Coordinators: Rachel Galbraith, Brian Holligan, Ale Melendez, Kim Wasson
ILM SVP & General Manager: Lynwen Brennan
ILM Add'l VFX Supervisor: John Knoll
ILM VP of Operations: Janet Lewin
MPC VFX Producer (Vancouver): David Fox
MPC Comp Supervisor (Vancouver): Arek Komorowski
MPC Animation Supervisor: Ferran Domenech
MPC CG Supervisor (London): Sheldon Stopsack
MPC CG Supervisor (Vancouver): Pete Dionne
MPC VFX Prod Manager (London): Gracie Edscer
MPC VFX Prod Manager (Vancouver): Emily Williams
Lola VFX Supervisor: Edson Williams
Lola VFX 3D Supervisors: Colin Strause, Greg Strause
Lola VFX Executive Producers: Thomas Nittmann, Guy Botham
Lola VFX Producer: Max Leonard
Lola VFX Comp Supervisor: Trent Claus
Lola VFX Coordinators: Robbie Janda, Allison Paul, Miles Friedman
Lola VFX Senior Compositors: Cliff Welsh, Erik Liles
Lola VFX Matte Painters: Rob Olsson, Sun Lee
Lola VFX Editor: Dan Bartolucci
Smoke Donkey VFX Comp Supervisor: Mark Casey
32Ten SFX Supervisor: Geoffrey Heron
32Ten Miniatures Supervisor: Ben Nichols
32Ten Model Shop Supervisor: Sean House
32Ten SFX & Miniature Producer: Greg Maloney
32Ten Exec in Charge of Production: Tim Hartford
Unit 11 Previz Sup: Steven Yamamoto
Unit 11 Previz Producer: Jill Ambrosiano - DirectorDean ParisotStarsBruce WillisHelen MirrenJohn MalkovichRetired CIA agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.3-Perf 35mm Hawk Anamorphic Source
Finished on a 2K Digital Intermediate from Company 3
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Director: Dean Parisot
Cinematographer: Enrique Chediak ASC
Production Designer: Jim Clay
LA Unit Production Designer: Roger Bojarski Jr
Film Editor: Don Zimmerman ACE
Supervising Art Director: Dominic Masters
1st Assistant Director: Cliff Lanning
2nd Unit Director: Paul Jennings
Senior VFX Supervisor/2nd Unit Director: James Madigan
SFX Supervisor: Neil Corbould
VFX Supervisors: Asregadoo Arundi, Grady Cofer, Mohen Leo, Bruce Woloshyn
Additional Associate VFX Supervisor: Chris Van Dyck
VFX Producer: Ryan Wiederkehr
A-Camera Operator: Stephen S. Campanelli SOC
2nd Unit DP: Harvey Harrison BSC
2nd Unit Aeriel DP: Adam Dale
Splinter Unit DP: Carlos de Carvalho ASC
Additional DP: Peter Menzies Jr ASC ACS
Senior Colorist: Stefan Sonnenfeld ASC
Colorist: Darren Rae