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Marlon Wayans is an American actor, writer and comedian. He is known for playing Tyrone C. Love in Requiem for a Dream, Shorty Meeks from Scary Movie, Marcus Anthony Copeland II from White Chicks and Thunder from Marmaduke. He played Drake Winston/Robin in deleted scenes of Batman Returns and Batman Forever, a character that finally debuted in the Batman 89 comic book series.- Producer
- Actor
- Writer
Christopher Julius Rock was born in Andrews, South Carolina and raised in Bedford-Stuyvesant, Brooklyn, New York. He is the son of Rosalie (Tingman), a teacher and social worker for the mentally handicapped, and Julius Rock, a truck driver and newspaper deliveryman, whose own father was a preacher.
Rock has been in stand-up comedy for several decades. He made his big screen debut in Beverly Hills Cop II (1987) and spent three years on the cast of Saturday Night Live (1975). He does commercials for 1-800 Collect and Nike and covered the presidential campaign for the show Politically Incorrect (1993). He lives in Alpine, New Jersey.- Writer
- Producer
- Actor
Stephen J. Cannell was raised in Pasadena, California. His father ran an interior design firm. From an early age, Stephen suffered from undiagnosed dyslexia, which made it nearly impossible from him to do well in school, he either flunked or was held back many times. Even though one of the courses he had trouble with was English, he wrote in one of his yearbooks that it was his ambition to be an author. After a lot of work, he managed to graduate from high school and attend the University of Oregon. He worked for his father's design firm while he wrote television scripts and story ideas after work. He sold his first story ideas to Mission: Impossible (1966) and his first script to It Takes a Thief (1968). His first steady job in television was as a story editor on Adam-12 (1968). He created a character named Jim Rockford for a script he wrote for the series Toma (1973), a show he was producing at the time. That script was rejected by ABC, so it was rewritten and eventually became the pilot for the classic NBC series, The Rockford Files (1974). From there, it becomes nearly impossible to list all of his work. He has either written or co-written over 300 television scripts, created or co-created over two dozen television series, formed a successful production company, wrote best-selling police novels and even acted in his own and other producers' shows. He has won an Emmy, two Writer's Guild Awards, two Edgar Award Nominations and has a star on the Hollywood Blvd. Walk of Fame. Despite his many accolades, his first love continued to be writing. A co-worker of his on "Rockford", writer and The Sopranos (1999) creator David Chase, was once quoted as saying no person he ever met seemed to love writing as much as Stephen J. Cannell.- Actor
- Producer
- Writer
Henry Franklin Winkler was born on October 30, 1945, in Manhattan, New York. His parents, Ilse Anna Maria (Hadra) and Harry Irving Winkler, were German Jewish immigrants who escaped the Holocaust by moving to the US in 1939. His father was the president of an international lumber company while his mother worked alongside his father. Winkler is a cousin of Richard Belzer.
Winkler grew up with "a high level of low self-esteem." Throughout elementary school and high school, he struggled with academics. This was due to what he would later identify as dyslexia. His parents expected him to eventually work with them at the lumber company. However, he had other plans as he saw roles on stage as the key to his happiness. Winkler's acting debut came in the eighth grade when he played the role of Billy Budd in the school play of the same name. Following his graduation from McBurney High School, Winkler was able to incorporate his learning disability and succeed in higher education. He received a Bachelor's degree from Emerson College in 1967 and a Master of Fine Arts degree from the Yale School of Drama in 1970. He later received an honorary PhD in Hebrew Literature in 1978 from Emerson College.
Following college, his top priority was to become an actor. However, if this was unsuccessful, he wanted to become a child psychologist because of his deep interest in working with children. Like many other actors, he began his career by appearing in 30 commercials. His first major film role was in The Lords of Flatbush (1974) in which he played a member of a Brooklyn gang. After that, he was cast on a new ABC series which was set in the 1950s, Happy Days (1974). He was given the role of high school dropout and greaser Arthur "Fonzie" Fonzarelli. The character was seldom seen during the first few episodes as ABC initially feared he would be perceived as a hoodlum. However, the character became extremely popular with viewers, and the show's producers decided to give Fonzie a more prominent role in the series.
Following this, the show's ratings began to soar, and Fonzie became a 1970s icon and the epitome of cool. His motorcycle, leather jacket, thumbs-up gesture, and uttering of the phrase "Aayyyy!" became television trademarks. Unlike many other 1970s stars who rose to fame in a short period of time and developed "big heads", Winkler managed to stay well-grounded and avoided falling into this trap. He was said to be more polite and agreeable even after his popularity soared. He remained on the series until its cancellation in 1984.
In the mid-1980s, with his Happy Days (1974) now behind him, Winkler decided to change his focus toward producing and directing. He produced and directed several television shows and movies, most notably MacGyver (1985) and Sabrina the Teenage Witch (1996). In the mid-1990s and early 2000s, he was able to re-establish himself with a younger generation of moviegoers and TV viewers, appearing in the popular films, Scream (1996) and The Waterboy (1998) and on shows such as The Practice (1997) and Arrested Development (2003).
In 2018 after over 45 years in the entertainment industry, he won his first-ever Prime Time Emmy Award: Outstanding Supporting Actor in a Comedy Series for his role on the HBO series Barry (2018). In addition to his movie and film credits, Winkler is a well-accomplished author. Between 2003 and 2007, he co-authored 12 children's novels with Lin Oliver. The series is called "Hank Zipzer, the World's Greatest Underachiever." The books are based on his early struggles with dyslexia, and they sold more than two million books in that time.
Winkler has been married since 1978 to Stacey Winkler (nee Weitzman) with whom he has three children. Together, they are actively involved with various children's charities. In 1990, they co-founded the Children's Action Network (CAN), which provides free immunization to over 200,000 children. Winkler is also involved with the Annual Cerebral Palsy Telethon, the Epilepsy Foundation of America, the annual Toys for Tots campaign, the National Committee for Arts for the Handicapped, and the Special Olympics.
In September 2003, Winkler suffered a personal setback when John Ritter unexpectedly passed away. Winkler was on the set of 8 Simple Rules (2002) that day for a guest appearance and was one of the last people to talk to Ritter.- Writer
- Actor
- Producer
John Randolph Webb was born in Santa Monica, California, to Margaret (Smith) and Samuel Chester Webb. His father left home before he was born; Webb would never know him. He was raised by his mother and maternal grandmother in dire poverty that preceded the Depression. Making things worse, Webb suffered from acute asthma from age six until adulthood, somewhat surprising for a man whose cigarette intake reached three packs a day at its peak. Webb's great love was movies, and his dream was to direct them. He began in radio, first as a disc jockey then as host of a comedy show (Believe It or Not!), finally as "Pat Novak, Private Eye", his first true success. A small role in the film noir classic He Walked by Night (1948) led to the creation of "Dragnet". During production, Webb befriended a LAPD police consultant assigned to the film and became fascinated with the cases he heard told. He successfully pitched the idea of a radio series to NBC using stories drawn from actual LAPD files. "Dragnet" first aired over NBC radio on June 3, 1949, and came to TV (Dragnet (1951)) on December 16, 1951. The show was one of the monster hits of early TV and was honored with satires by comics and even Bugs Bunny (!) during it's run, which lasted until September, 1959. The series' popularity could have ensured its continuation indefinitely but, by then, Webb had become a film director and would helm (and star in) five features: Dragnet (1954), Pete Kelly's Blues (1955), The D.I. (1957), -30- (1959), and The Last Time I Saw Archie (1961). The last two were box office flops, and Webb returned to TV in 1962. In February, 1963, he became Head of Production for Warner Bros. Television, a job he was fired from that December when his revision of 77 Sunset Strip (1958) sent its ratings into a death spiral. After two years of unemployment, a new opportunity arose, the made-for-TV film, of which Universal was then sole supplier. Coincidentally, they owned the rights to Dragnet (1951) and invited Webb to do a new "Dragnet" as a TV movie. It turned out so well in industry previews (oddly not broadcast until 1969) that NBC and Universal persuaded him to do a new Dragnet 1967 (1967) TV series, which lasted three-and-a-half seasons and went on to smash success in syndicated reruns. This later incarnation (co-starring Harry Morgan as "Officer Bill Gannon") is probably what Webb is best known for and unlike the 50's version, it was produced in color and increasingly focused on his personal conservative social agenda. Over the next five seasons, he regularly blasted marijuana, LSD (which was legal at the time of the revamped series debut), hippies, juvenile delinquency and disrespect for law enforcement. To be fair, the series was equally intolerant of police corruption and went to great lengths to show LAPD's self-disciplinary process as it was at the time. Webb was known as an extremely economical TV producer: his Mark VII productions routinely used minimal sets, even more minimal wardrobes (Friday and Gannon seem to wear the same suits over entire seasons, which minimized continuity issues.) and maintained a relatively tight-knit stock company that consisted of scale-paid regulars who routinely appeared as irate crime victims, policewomen, miscreants, and clueless parents of misguided youth. While the passing decades haven't been kind to all of the episodes--- several now seem camp, the manpower expended investigating some seemingly minor crimes is laughable and the outcome of many of the trials would be vastly different today--- they remain entertaining while representing somewhat fictionalized docudramas of 1960's police operations. With renewed wealth and industry status, Webb was also determined not to repeat his past debacle as a producer/studio boss. He parlayed Dragnet's renewed popularity into a second hit series, Adam-12 (1968), and scored an even bigger hit with Emergency! (1972) (casting his ex-wife Julie London and her husband Bobby Troup), a show that inspired thousands of kids to become EMT/paramedics for generations, perhaps Webb's greatest legacy. During the production of Dragnet 1967 (1967), he maintained a rigorous daily work schedule while ignoring his health. He loved chili dogs and cigarettes, enjoyed late nights playing cards and drinking with cast members, who were amazed to find him fully alert at 7:00 a.m. the next day, expecting the same from them. The combined effect of this lifestyle made him appear older than he actually was by the late 60s. Unbeknownst to fans, he possessed a healthy sense of humor (His 1968 "Copper Clapper" appearance on The Tonight Show Starring Johnny Carson (1962) remains a classic.), and he was a jazz fanatic, amassing one of the world's greatest collections. Webb's sense of humor didn't extend to his self-image, however. In 1977, director John Landis approached him with an offer to appear as "Dean Wormer" in National Lampoon's Animal House (1978) and recalled Webb sitting stone-faced and unimpressed at the offer. Sadly, he rejected it as being too counter to his public persona. Webb managed to keep his company solvent until his untimely, yet not unexpected, death from a massive heart attack on December 23, 1982 at age 62. Webb was married four times: to Julie London (1947-54), Dorothy Towne (1955-1957), Jackie Loughery (1958-64), and to Opal Wright (1980-death). He had two daughters by London: Stacey Webb (1950-96) and Lisa Webb (born 1952).- Actor
- Producer
- Writer
Adam Richard Sandler was born September 9, 1966 in Brooklyn, New York, to Judith (Levine), a teacher at a nursery school, and Stanley Alan Sandler, an electrical engineer. He is of Russian Jewish descent. At 17, he took his first step towards becoming a stand-up comedian when he spontaneously took the stage at a Boston comedy club. He found he was a natural comic. He nurtured his talent while at New York University (graduating with a Bachelor of Fine Arts degree in 1991) by performing regularly in clubs and at universities. During his freshman year, he snagged a recurring role as the Huxtable family's friend Smitty on The Cosby Show (1984). While working at a comedy club in L.A., he was "discovered" by Dennis Miller, who recommended him to Saturday Night Live (1975) producer Lorne Michaels and told him that Sandler had a big talent. This led to his being cast in the show in 1990, which he also wrote for in addition to performing. After Saturday Night Live (1975), Sandler went on to the movies, starring in such hit comedies as Airheads (1994), Happy Gilmore (1996), Billy Madison (1995) and Big Daddy (1999). He has also starred in Mr. Deeds (2002) alongside Winona Ryder; Eight Crazy Nights (2002), an animated movie about the Jewish festival of Chanukah; and Punch-Drunk Love (2002). He also writes and produces many of his own films and has composed songs for several of them, including The Wedding Singer (1998). Sandler has had several of his songs placed on the "Billboard" charts, including the classic "The Chanukah Song".- Actor
- Producer
- Writer
Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys (1991); cold-blooded killers like Benny Blanco in Carlito's Way (1993); a heroic Army Green Beret, stopping aerial terrorists in Executive Decision (1996); and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar (1995). Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man (1974) had a youthful Latino personality had such a powerful impact on critics and fans alike.
John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo. He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away. The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice (1984). His first film appearance was a small part in Mixed Blood (1984), and he had minor roles in Casualties of War (1989) and Die Hard 2 (1990) before playing a liquor store thief who shoots Harrison Ford in Regarding Henry (1991). His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys (1991) as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.
The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth (1991), in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award. He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama (1993). It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards.
In 1995 he created and starred in the short-lived TV series House of Buggin' (1995), an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines. The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros. (1993), Romeo + Juliet (1996) and Spawn (1997). In 1998 he made his Broadway debut in John Leguizamo: Freak (1998), a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.
Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle (1998) before appearing in the dynamic Spike Lee-directed Summer of Sam (1999) as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights (2000) and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge! (2001). He also voiced Sid in the animated Ice Age (2002), co-starred alongside Arnold Schwarzenegger in Collateral Damage (2002) and directed and starred in the boxing film Undefeated (2003). Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 (2005) and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead (2005).
There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s. Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage. He has opened many doors for his countrymen. A masterly and accomplished performer, movie audiences await Leguizamo's next exciting performance.